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Big O talks Music History
To celebrate the Deadcast's 100th episode, we begin a 2-part special joined by the co-stars of Robert Hunter's newly-published 1962 book, the Silver Snarling Trumpet, a startling in-the-moment account of his and Jerry Garcia's formative years in Palo Alto.Guests: Alan Trist, Brigid Meier, Dennis McNallySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Big O talks Music History
Big O talks Music History
Author Jeff Apter is back for his third appearance on the podcast. He's just released the book Carl Perkins: The King of Rockabilly. The definitive and fascinating biography of the musical trailblazer who wrote the classic “Blue Suede Shoes” and was the influence behind countless other legendary hits, a rock and roll legend in his own right, and the original rockabilly cat—Carl Perkins.The artists that are primarily covered in this podcast, the classic rock artists and bands from the mid 60s to mid 90s, are standing on the shoulders of the giants before them including Carl Perkins. A true pioneer, a groundbreaking guitarist, singer, and songwriter. Paul McCartney once said, “If there were no Carl Perkins, there would be no Beatles.” Elvis Presley, Johnny Cash, Tom Petty, Bob Dylan, Eric Clapton, and Jimi Hendrix performed and recorded his songs and became Carl's friends, collaborators, and champions. We're going to find out about Carl's early life in Tennessee, how music came into his life, his rise to prominence, along with the many tragedies in his life including a fateful car crash that stalled his career.Purchase a copy of Carl Perkins: The King of RockabillyVisit Jeff Apter's website Episode Playlist ---------- BookedOnRock.com The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:FACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe
On the November 20 edition of the Music History Today podcast, Mahler debuts, as does Amy Winehouse & Josh Groban in America, & Michael Jackson & Phil Spector answer to the justice system. Also, happy birthday to Phife Dawg, Joe Walsh, Duane Allman, & Mike D. For more music history, subscribe to my YouTube Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support
Big O talks Music History
With recent releases on Sudbeat, Meanwhile, The Soundgarden, and Mango Alley, Dowden joins the Super Progressive podcast to discuss the Dowden Production Academy, the success of his YouTube tutorials, releasing on his favorite labels, why he resonates with the progressive house sound, receiving support from legends like Hernan Cattaneo and Nick Warren, growing up in Toronto and moving to Berlin.For any up-and-coming producer, Dowden's YouTube channel is one of the best resources online. You can find his channel below as well as his website where he offers production lessons to be beginners and experienced producers.00:00 - Intro05:41 - Dowden Production Academy09:36 - Starting a YouTube channel25:25 - Musical background26:49 - Growing up in Canada31:35 - Producing progressive music37:09 - Pivotal moments in career43:11 - Production workflow Follow Dowden:YouTube: @DowdenProductionAcademy Website: https://productionacademy.dowdenmusic.com/Instagram: https://www.instagram.com/dowden_music/Spotify: https://open.spotify.com/artist/2LuHSsNL6BfWXAwAYjcgcd?si=4UyoymB2TdGw7vdsTsp4AASoundCloud: https://soundcloud.com/dowdenmusicFollow Super Progressive:Instagram: https://www.instagram.com/superprogressive/SoundCloud: https://soundcloud.com/superprogressive#dj #production #housemusic
On the November 19 edition of the Music History Today podcast, Adam Levine becomes the sexiest man alive, Michael makes history twice for all the wrong reasons, & Milli Vanilli gets stripped. Also, happy birthday to Tyga. For more music history, subscribe to my YouTube Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support
On the November 18 edition of the Music History Today podcast, Michael Jackson's ranch gets raided, Walk the Line & One Direction premiere. & Nirvana unplugs. Also, happy birthday to Fabulous. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support
Join @thebuzzknight for a look at music history for the week of 11/18. Buzz is joined by longtime friend and collaborator Harry Jacobs. For more information, questions or suggestions write buzz@buzzknightmedia.com Find Buzz on Twitter @thebuzzknight and instagram@takinawalkpodcast. Like this show? Share with your friends and leave a review. Review Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.
Today in Music History
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
In Episode 88 of the Miserable Failure Podcast, host Michael Crusty welcomes Morgan Farrell, an inspiring figure in the punk rock scene. Hailing from Vancouver, Morgan is known for his work with bands such as The Corps, Blacked Out, and ATD. Beyond his passion for music, Morgan's story is one of resilience—he's a cancer survivor who has channeled his experiences into his art and life. In this episode, he shares his journey through recovery, the power of punk rock, and what drives his love for playing guitar. Tune in for an insightful conversation that captures the spirit of perseverance and the raw energy of punk. Don't miss out on this powerful episode.
On the November 18 edition of the Music History Today podcast, Michael Jackson's ranch gets raided, Walk the Line & One Direction premiere. & Nirvana unplugs. Also, happy birthday to Fabulous. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support
The week in 1997 INXS front man Michael Hutchence was found dead in SydneyIn 1990, Bill Wyman's marriage was over... to the girl he met when she was 13. So wrongAnd in 2012, the courts were investigating the death of the former ELO cellist Mike Edwards. What a freak accident that was.
Back in July of 2024, I had the pleasure of bringing the first LIVE American Songcatcher podcast experience to the historic Graham County Courthouse in Robbinsville, NC. This time, I can't edit out all of my stumbles. The multimedia presentation traverses Western North Carolina music history starting with the native Cherokee, first settlers and immigration, African American influence on Appalachian music, and short stories of obscure and well known musicians from North Carolina. Attendees had visuals of photos and videos that you'll have to experience at the next live episode. The very end features a short concert with history behind a few songs that come from North Carolina. This presentation was made possible by Graham County Travel & Tourism __ Support Educational Programming: Tax-Exempt Donations Join the Patreon Community One-time donations: Venmo or PayPal Follow American Songcatcher on Instagram Credits: Nicholas Edward Williams - Production, research, editing, recording and distribution --- Support this podcast: https://podcasters.spotify.com/pod/show/americansongcatcher/support
On the November 17 edition of the Music History Today podcast, John Lennon releases Double Fantasy, the Police debut, & Ritchie Blackmore quits Deep Purple...again. Also, happy birthday to Jeff Buckley & RuPaul. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support
In hour 1 of The Mark Reardon Show, Mark is joined by the Reardon Roundtable which includes Jane Dueker, Jeff Rainford, and Jean Evans. They discuss Donald Trump's new cabinet additions, the changes in the Democratic party, Mike Kehoe's process of adding his cabinet members, and more. In hour 2, Sue hosts, "Sue's News" where she discusses the latest trending news stories, music anniversaries, and the fun fact of the day. Mark is then joined by Paul Hall from Common Guy Film Reviews as he discusses the upcoming Christmas time releases and more. He is then joined by KSDK Sports Director Frank Cusumano who previews Mizzou vs South Carolina, the Mike Tyson vs Jake Paul boxing match, and more. In hour 3, Mark is joined by Michele Tafoya, the host of the Michele Tafoya Podcast and a former sideline reporter that covered the NBA, NFL, Olympics, College Football, and College Basketball. They discuss her take on Trump's big election victory, his cabinet picks so far, and what it means for women's sports. They're then joined by Gary Stromberg, a producer and writer. They discuss the "Rumble in the Jungle" Music Festival with Mike Tyson back in the ring on Friday night. They wrap up the show with the Audio Cut of the Day.
In this segment of The Mark Reardon Show, Mark is joined by Gary Stromberg, a producer and writer. They discuss the "Rumble in the Jungle" Music Festival with Mike Tyson back in the ring on Friday night.
In hour 2 of The Mark Reardon Show, Sue hosts, "Sue's News" where she discusses the latest trending news stories, music anniversaries, and the fun fact of the day. Mark is then joined by Paul Hall from Common Guy Film Reviews as he discusses the upcoming Christmas time releases and more. He is then joined by KSDK Sports Director Frank Cusumano who previews Mizzou vs South Carolina, the Mike Tyson vs Jake Paul boxing match, and more.
On the November 16 edition of the Music History Today podcast, record labels threaten colleges & it's Watermelon Sugar time. Also, happy birthday to members of O-Town, Rammstein, & Color Me Badd. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support
Big O talks Music History
In this episode of Tales from the Green Room, hosted by Dennis Strazulo and Tami Larson of Mount Tam Media, listeners get an exclusive look into conversations with members of Steely Dead backstage at the renowned Guild Theatre in Menlo Park, CA. The episode features lively discussions with band members Dave A'Bear, Matt A'Bear, Chris Sheldon, and Dylan Teifer as they share insights about their music, the etiology of Steely Dead, touring, the energy of the green room, banjo side projects, and Dave's anticipation of playing Jerry Garcia's legendary guitar, the Alligator. Plus, hear some very interesting connections between band members and Major League Baseball! Additionally, the episode includes a bonus interview with Dave A'Bear and Zach Jones (Lovin' Dead) recorded immediately following the unique "Dead Set on the Bay" cruise on the San Francisco Bay, where they discuss their musical backgrounds, The Grateful Dead's enduring influence, and their experiences within different music scenes. Thanks to Mr. Hat Presents for welcoming us on board and making this great interview possible.Enjoy this episode and hearing about how Steely Dead pulls off mashing up the music of Steely Dan and The Grateful Dead, with a result appealing to fans of both bands.LinksSteely DeadLovin' Dead “Here Come The Yankees” Foggy Mountain Spaceship Mr. Hat Presents
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
On the November 15 edition of the Music History Today podcast, Mickey Mouse club adds to his cast, Milli Vanilli gets in trouble, & the Beastie Boys & Drake come out with mega albums. Also, happy birthday to Chad Kroeger. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support
Big O talks Music History
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
In this episode Bill talks with musician Jager Henry Bonham. We talk about growing up calling Led Zeppelins Drummer John Bonham (Grand Dad), But being musically influenced by Limp Bizkits Chocolate Starfish, smashing drums as a kid to annoy Mom, but choosing to walk in his own shows as a musician and Singer/Songwriter, the day […] The post #317 Today's Boondoggle -Talking a Whole Lotta music history with Jager Henry Bonham. first appeared on Domain Cleveland.
Big O talks Music History
In the wake of the Attica Prison Uprising, BB King performs for the prisoners at Sing Sing Prison in 1972. The Thanksgiving Day concert sparks a new conversation about prisoner rights. Documentarian Daivd Hoffman recalls his time behind the camera, watching BB King perform, and how he softened the hearts of otherwise life-hardened men. Meanwhile, with the surly Sonny Liston as a role model, George Foreman rises in the ranks as a heavyweight. He fights the Champ, Smokin' Joe Frazier, and is held hostage in Venezuela. FILM/VIDEO REFERENCES Muhammad Ali poem from the Cathal O'Shannon TV show (available on YouTube) Sing Sing Thanksgiving, documentary by David Hoffman (available on YouTube) BOOKS “The Rumble in the Jungle” by Lewis Erenberg “Angela Davis: an autobiography” by Angela Davis “Hit Me, Fred” by Fred Wesley (autobiography) “Smokin' Joe” by Joe Frazier and Phil Berger (autobiography) “Smokin' Joe: The Life of Joe Frazier” by Mark Kram Jr. “By George” by George Foreman (autobiography)See omnystudio.com/listener for privacy information.
Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day A very famous show from a very famous year. Many feel 1973 was the peak of the band's post psychedelic era. Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run. In 2008 the Dead released the box set: “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973. This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band). The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band. They were on fire for these three days. A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness. It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.” INTRO: Promised Land (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind) Track #1 0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995. Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out. I especially love Keith's piano which is featured prominently in this clip. Played: 430 timesFirst: May 28, 1971 at Winterland Arena, San Francisco, CA, USALast: July 9, 1995 at Soldier Field, Chicago, IL, USA SHOW No. 1: To Lay Me Down (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee Track #6 2:21 – 4:20 David Dodd: “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to. Jerry's voice is still so young and strong. And the group singing works really well. Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played: 64 timesFirst: July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS: Music Intro: Brain Damage Pink Floyd Pink Floyd - Brain Damage (2023 Remaster) 0:00 – 1:47 "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4] The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts. The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London. The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.” Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival. More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3. Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride. The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green). “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA. SHOW No. 2: Weather Report Suite Prelude (out of China >Rider/Me & My Uncle/Loose Lucy Track #14 3:10 – end INTO Weather Report Suite Part I (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break - 16 songs Track #15 0:00 – 1:03 David Dodd: This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played: 46 timesFirst: September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast: October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3: Mississippi Half Step Uptown Toodeloo (Second Set Opener/into Big River/Dark Star) Track #17 3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special. Great story. Great lyrics: “what's the point of calling shots, this cue ain't straight in line. Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert. ½ Step>Franklin's were especially fun as a one two show opener punch. Played: 236 timesFirst: July 16, 1972 at Dillon Stadium, Hartford, CT, USALast: July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS: INTRO MUSIC: Willin' Little Feat Little Feat - Willin' sung by Lowell George Live 1977. HQ Video. 0:10 – 1:32 1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists. George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem. And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1. Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2. Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3. Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4. Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract: Dulce Limon – hyrbrid sativa dominant Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4: Dark Star (Mind Left Body Jam) Track #18 34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then. The truly improvisational side of the Dead and their live performances. Played: 9 timesFirst: October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast: March 24, 1990 at Knickerbocker Arena, Albany, NY, USA INTO Eyes of the World (into China Doll/Sugar Mag as second set closer) Track #19 0:00 – 2:25 David Dodd: “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song. The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise. A perfect jam tune. Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses. First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros. We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention. I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes. Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes. Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set. Any '73 Eyes will leave you in awe and this one is one of the best. Played: 382 timesFirst: February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast: July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO OUTRO: And We Bid You Goodnight (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!! Track #25 :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard. Great reaction from the Deadheads. Kind of a chills down your spine thing. I was with One armed Lary and Alex, both had been with us at Deer Creek right before. Lary stayed for all three nights but Alex had to take off after the first show. Great times. Played: 69 timesFirst: January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast: September 26, 1991 at Boston Garden, Boston, MA, USA Thank you for listening. Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
FULL EPISODE: https://www.patreon.com/posts/company-flows-w-103477086 Today we're keeping it independent as fuck, rugged like Rwanda and hardcore like Kool G Rap music made for concert piano!! Yes, we are opening up our Rawkus Records Chronicles, to talk about their first major rap release - 1997's Funcrusher Plus from Company Flow. This here is a clip of what's happening over at our Patreon (https://www.patreon.com/crate808) where we've been building a hell of a dip back into the world of 90s hip hop, specifically the importance and legacy of Rawkus Records. And our first special guests are major - rapper Breeze Brewin from The Juggaknots is in the house, who features on this rap classic, as well as artist and producer GENG PTP and YouTuber Myke C-Town
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
Big O talks Music History
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
Hear the WHOLE show for the first time anytime of day with The Morning Buzz On Demand.
Today in Music History
The Deadcast uncovers the long-lost tape of the Dead & San Francisco's Sufi Choir at Winterland in 1971, telling its untold story with composer Allaudin Mathieu, finding hidden connections to big band jazz, longform improv comedy, & spirituality, plus an appearance by Wavy Gravy.Guests: Allaudin Mathieu, Wavy Gravy, Michael Parrish, John “Tex” Coate, Erik Davis, Christopher CoffmanSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.