Podcasts about Clapton

Send us Fan MailIntro: Misery by Maroon 5 (#62)Album 16: Them Crooked Vultures by Them Crooked VulturesSong 1: Mind Eraser, No ChaserSong 2: ElephantsSong 3: GunmanAlbum 15: Clapton by Eric ClaptonSong 1: Rocking ChairSong 2: My Very Good Friend the MilkmanSong 3: That's No Way to Get Along

If aliens landed on Earth tomorrow, would humanity unite to welcome our new extraterrestrial neighbors… or would we immediately start arguing about who owns the spaceship?You already know the answer.This episode of The Rizzuto Show begins with a perfectly reasonable hypothetical: UFOs have landed and aliens are officially confirmed to be on Earth. How are you feeling? Curious? Terrified? Mostly annoyed that the 24-hour news cycle will somehow make it the third-biggest story of the afternoon?The crew dives into UFOs becoming UAPs, government disclosures, Bob Lazar, Area 51 and whether actual extraterrestrial visitors could finally unite humanity. Rafe thinks having one common alien enemy might finally turn us all into citizens of Earth. Moon isn't buying that optimism and figures we'd probably start fighting over which country gets custody of the aliens before they even get out of the ship. Sounds about right.Back on Earth, St. Louis is getting a little Hollywood treatment with The Streak, a sports comedy filming locally about Caltech's legendary basketball team snapping a 310-game losing streak. The production needs roughly 1,800 volunteer extras for basketball crowd scenes, meaning you too can spend five hours waiting around for your glorious half-second of blurry cinematic immortality. At least they're bringing stand-up comedians in to entertain the extras between takes.Then we enter conspiracy territory with Tropical Storm Dolly. Yes, shortly after Dolly Parton's passing, the next named Atlantic storm happens to be Dolly. No, they didn't name it after her. Yes, the names were already determined. And yes, people online are still turning it into a conspiracy because apparently coincidence was removed from the Internet's vocabulary sometime around 2017. It's the kind of discussion a comedy podcast was genetically engineered to handle.The show also remembers the incredible Tim Curry, looking back at everything from The Rocky Horror Picture Show and Clue to Home Alone 2, Congo and his nightmare-fueling performance as Pennywise in the 1990 TV adaptation of It. Somehow that horrifying sewer scene aired on network television and an entire generation of children was simply expected to sleep afterward. The '90s were built different.Crap on Celebrities brings even more chaos: the Blake Lively and Justin Baldoni legal saga, Jamie Foxx discussing changes made to Django Unchained, a Quentin Tarantino-written Cliff Booth project, the original Sandlot cast reuniting for Dugout Dads, and the revelation that Benny “The Jet” Rodriguez grew up to become a firefighter. There is also a detour into a bizarre 2015 incident involving actor Mike Vitar because apparently even The Sandlot can't survive this show without us finding something weird.Ozzy Osbourne is getting his own Halloween Horror Nights attraction, Boston is celebrating 50 years with previously unreleased demos, Eric Clapton and John Mayer have a limited-edition guitar collection benefiting Clapton's recovery center, and Rupert Grint is returning as an adult Ron Weasley on Broadway. It's celebrity news, music news and pop culture commentary delivered with the level of professionalism you've come to expect from people debating alien treaties earlier in the episode.But then comes the real scientific research:Who has the most aura?According to an online ranking of effortless presence, charisma and coolness, Keanu Reeves sits at number one.Number two?Jesus.That's correct. According to the Internet, Keanu Reeves has officially edged out Jesus in aura.John Cena, Willem Dafoe, Christian Bale, Tupac, Robert Downey Jr., Matthew McConaughey, Michael Jackson, Jim Carrey, The Rock and Henry Cavill also make appearances as the crew debates who actually deserves to rank among humanity's most effortlessly cool people. Michael Jackson at number eleven? Rafe has questions. And frankly, so should you.Finally, the crew returns to Dolly Parton's remarkable legacy and the mountain of projects she left behind, including products, productions and even a song intended for release around her 100th birthday. Meaning Dolly apparently planned her content calendar farther into the future than most of us have planned lunch.Aliens. UFO conspiracies. Tim Curry. Dolly Parton. Hollywood. Ozzy. The Sandlot. Celebrity gossip. And Keanu Reeves defeating the Son of God in an online aura ranking.That's your comedy podcast for the day.Humanity might not be ready for aliens.We're apparently barely ready for a celebrity aura poll.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Rizzuto Show kicks things off by remembering Tim Curry, his legendary career, and the unfortunate timing of losing another beloved celebrity during an already emotional week. That leads the crew into the important question of who could possibly fill the role of a universally beloved celebrity these days. Adam Sandler gets consideration, Jeff Bridges enters the conversation, and eventually Keanu Reeves emerges as a pretty strong candidate because apparently quietly eating ice cream and being a decent human being now qualifies you for sainthood. Fair enough.Then everybody gets nostalgic about childhood discipline, which quickly becomes less “remember the good old days?” and more “should somebody have called somebody?” The crew remembers wooden spoons, belts, Hot Wheels tracks, fly swatters, soap in the mouth and the terrifying parental phrase that basically meant your afternoon plans had been canceled. It's another wholesome trip down memory lane from your favorite funny podcast, assuming your memories involve calculating the trajectory of a leather belt like you're working for NASA.Next stop: Burning Man, where the crew investigates the return of the infamous adults-only dome after last year's wind-related disaster. There are rules now: IDs, consent, no recording devices and, most importantly, no singles strolling in alone. Which naturally launches a completely necessary discussion about whether two buddies could simply pretend to be a couple to get through the door. Journalism is alive and well.Things somehow become more respectable when we arrive in Tulsa, where authorities are searching for a mysterious serial defecator accused of targeting businesses while dressed in an ensemble involving tiny underwear, a shower cap, a modified mask and Crocs. The most damning detail? The Crocs apparently weren't in sport mode. That's how you know this guy fears neither God nor law enforcement.And then comes Oreogate.A kindergarten mom reportedly asks the other parents to stop packing Oreos because her daughter gets upset when other kids have them. No allergy. No medical issue. Just the brutal realization that another five-year-old has cookies and you do not. When the other parents refuse to reorganize their children's lunches around this international crisis, Mom considers switching schools.Over Oreos.Meanwhile, the kid starts trading for them anyway, proving once again that kindergarten cafeterias are basically tiny prisons with better wall art. The crew debates school-lunch currency, Double Stuf superiority, Golden Oreos, questionable specialty flavors and the economic insanity required to consider changing schools because Nabisco has destroyed the peace.There are even pickle-flavored Oreo-adjacent horrors entering the studio, because apparently talking about terrible cookies wasn't enough—we needed witnesses.It's celebrity talk, childhood trauma disguised as nostalgia, weird news, Burning Man logistics, criminal fashion analysis and one kindergarten snack dispute treated with roughly the seriousness of an international trade embargo.The crew dives into UFOs becoming UAPs, government disclosures, Bob Lazar, Area 51 and whether actual extraterrestrial visitors could finally unite humanity. Rafe thinks having one common alien enemy might finally turn us all into citizens of Earth. Moon isn't buying that optimism and figures we'd probably start fighting over which country gets custody of the aliens before they even get out of the ship. Sounds about right.Back on Earth, St. Louis is getting a little Hollywood treatment with The Streak, a sports comedy filming locally about Caltech's legendary basketball team snapping a 310-game losing streak. The production needs roughly 1,800 volunteer extras for basketball crowd scenes, meaning you too can spend five hours waiting around for your glorious half-second of blurry cinematic immortality. At least they're bringing stand-up comedians in to entertain the extras between takes.Then we enter conspiracy territory with Tropical Storm Dolly. Yes, shortly after Dolly Parton's passing, the next named Atlantic storm happens to be Dolly. No, they didn't name it after her. Yes, the names were already determined. And yes, people online are still turning it into a conspiracy because apparently coincidence was removed from the Internet's vocabulary sometime around 2017. It's the kind of discussion a comedy podcast was genetically engineered to handle.The show also remembers the incredible Tim Curry, looking back at everything from The Rocky Horror Picture Show and Clue to Home Alone 2, Congo and his nightmare-fueling performance as Pennywise in the 1990 TV adaptation of It. Somehow that horrifying sewer scene aired on network television and an entire generation of children was simply expected to sleep afterward. The '90s were built different.Crap on Celebrities brings even more chaos: the Blake Lively and Justin Baldoni legal saga, Jamie Foxx discussing changes made to Django Unchained, a Quentin Tarantino-written Cliff Booth project, the original Sandlot cast reuniting for Dugout Dads, and the revelation that Benny “The Jet” Rodriguez grew up to become a firefighter. There is also a detour into a bizarre 2015 incident involving actor Mike Vitar because apparently even The Sandlot can't survive this show without us finding something weird.Ozzy Osbourne is getting his own Halloween Horror Nights attraction, Boston is celebrating 50 years with previously unreleased demos, Eric Clapton and John Mayer have a limited-edition guitar collection benefiting Clapton's recovery center, and Rupert Grint is returning as an adult Ron Weasley on Broadway. It's celebrity news, music news and pop culture commentary delivered with the level of professionalism you've come to expect from people debating alien treaties earlier in the episode.Before social media algorithms knew everything about you, the internet was a simpler place. A lawless, dial-up wasteland where your email address was probably something like BongRipper69@hotmail.com and one accidental click on Rotten.com could permanently alter the trajectory of your childhood.So naturally, The Rizzuto Show is going back.This episode starts with more nostalgia for the early internet and one of its most infamous destinations: Rotten.com. Back then, you couldn't just stumble across every horrifying thing imaginable while casually scrolling your phone. No, sir. You had to work for your trauma. You had to hear about Rotten.com from somebody, type it into the family computer, click something you absolutely shouldn't have clicked, and then wait patiently while your dial-up connection loaded your lifelong regret one horrifying line at a time.Was Rotten.com disgusting? Absolutely.Does the crew still seem weirdly sad that it's gone?Also absolutely.Then we move from internet trauma to another relic of the '90s and early 2000s: Hotmail.A poll says 18% of people are apparently still rocking a Hotmail address, which leads to an important discovery: Hotmail never completely disappeared. Microsoft eventually transitioned the service into Outlook, meaning technically some of us may still be living inside the Hotmail universe.We're all dorks. Fantastic.The crew remembers the era when nobody used their actual name for an email address. Instead, we created identities that looked like rejected Xbox gamertags: random nicknames, 420s, 69s and enough questionable innuendo to make applying for a respectable adult job years later slightly complicated.And then there are the complaint emails.Follow The Rizzuto Show → linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → 1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.Tulsa cops hunting ‘serial defecator' wearing thong, mask and shower cap who terrorized local businessesBride and groom bedridden for days after norovirus-tainted wedding mealTim Curry, Famous for Roles in Rocky Horror Picture Show, It and Annie, Dies at 80, 14 Years After Paralyzing StrokeDozens of new Missouri laws take effect FridayMan, 26, arrested after dressing as ‘Grim Reaper' and climbing onto hospital roof with long scythe to stare at patientsWhy You Shouldn't Squish Ants—and What to Do InsteadMaryville University Hockey Rink expansion to be named after Blues legendSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This Legends episode spotlights Chas Chandler. He's the guy who turned Jimmy James into Jimi Hendrix. Here's the story. Chas Chandler was the bass player for the Animals, the ‘60s British Invasion band fronted by Eric Burdon, which had a string of hits in that era including “The House Of The Rising Sun”, “Don't Let Me Be Misunderstood”, “I'm Crying” and many others. They had a rougher, earthier sound than most of the other British Invasion bands. After tiring of touring nonstop with the Animals for very little money, Chandler left the band to became an artist manager. And then he got lucky. He discovered a young guitar player in a New York City club who played left-handed and who had something unique going on. He became his manager and took Jimmy James - as he was then known - to England, and introduced him to all the great English musicians. One night in particular all the greats came to see him live - McCartney, Clapton, Beck, Townshend - and they were blown away by his talent and ingenuity. Chandler put this guitarist together with two white English musicians, Noel Redding and Mitch Mitchell. And this trio emerged as the Jimi Hendrix Experience. When they came back to the U.S. they performed at the Monterey Pop Festival, and they became stars. Their first album, “Are You Experienced”, took the world by storm. Their sound was completely unique. And Hendrix's guitar playing was simply out of this world. They set off a musical Revolution. Chandler's enthusiasm, guidance and support helped fuel Hendrix during the early days. It was Chandler's idea, for example, for Hendrix to set his guitar on fire which became a staple of his live performances. Hendrix continued to soar and dominate the rock scene until his untimely death at age 27 in 1970. But keep in mind that all of this might never have happened without Chas Chandler, an unsung hero of the rock era.      

We kick off the next series of the Football Travel by Outside Write podcast with a visit to Clapton Community Football Club in East London, where the club was playing a like-minded side from the US, New York International. I caught up with Bernard Vere, a member of Clapton CFC and Nick Platt from New York International to discuss their clubs' ethos and find out what it means to be a 'community club'. If you enjoy Outside Write, do please leave a review. Visit Outside Write on Substack for more groundhopping and football history. Follow Outside Write on social media, on Bluesky and Instagram Check out Chris Lee's three books: ·      Origin Stories: The Pioneers Who Took Football to the World ·      The Defiant: A History of Football Against Fascism ·      Shades of Green: A Journey into Irish Football

From the Music History Today Podcast Network, This is the Music History Today podcast for August 5. On today's show, Def Leppard signs, the Runaways form, and Clapton gets racial. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history23:21 Music award ceremonies that were held on this date in music history25:20 Albums released on this date in music history 31:20 Singles released on this date in music history 33:28 Birthdays of music artists on this date in music history 42:34 Passings of music artists on this date in music history 51:49 What's on tomorrow's episode

The Alan Cox ShowSee omnystudio.com/listener for privacy information.

The Alan Cox Show

Eric Clapton had achieved pop success with The Yardbirds but that's not what he wanted. All Eric wanted to do was play the blues. So he left The Yardbirds to join John Mayall & The Bluesbreakers where through many miles and many gigs honed a guitar sound & style that would create a mythology around Clapton like no guitar player before. Their gigs must see happenings as once they were into a groove, the Bluesbreakers could improvise their way into something spectacular. John Mayall wanted to capture that live energy and creativity on an album but their first attempt (with bassist Jack Bruce who would figure into Clapton's story later) was not up to par. So they went to Decca Studios and worked to capture the best bits of their live set. Eric doesn't just take off, he does seem to build throughout the record just as he might during a live show. And John Mayall does take the spotlight as the lead singer, solid piano/organ man and a cool harmonica player. John McVie (who would eventually break from Mayall to form Fleetwood Mac with future drummer Mick Fleetwood) holds down the bass and Hughie Flint keeps it steady on the drums leaving room for Mayall and Clapton to do their thing. Though Mayall contributes some originals, they borrow from blues legends like Freddie King, Little Walter, Memphis Slim and Robert Johnson. On Johnson's Ramblin' on My Mind Clapton offers his first attempt at singing lead, something he was reluctant to do throughout his career but John nudged him. Clapton's playing was groundbreaking at the time and his reputation as a master of the guitar built rapidly. Graffiti popped up around London - Clapton is God. The Wolf & Action Jackson try their best to imagine what it must have been like to hear Eric play live at that time. Because they've never known a world with Eric Clapton and when they got to know him he was 40. Plus, they'd heard all the hot shots that had come after Clapton over the decades. We've always appreciated Clapton's tone and playing but trying to put our minds in a place where hearing anything like this was brand new was the challenge. It may not be as mind blowing as it was 60 years ago but it's still some rock solid blues by a guy at 20 years old who would define the blues (certainly for white folks) for the next half century. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! Email us at ⁠⁠⁠uglyamericanwerewolf@gmail.com⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/UAWILROCKS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Blues Breakers é o melhor álbum do blues britânico e o melhor trabalho de John Mayall. Marca também o surgimento definitivo de um novo guitar hero: Eric Clapton, aos 21 anos, num interlúdio entre os Yardbirds e o Cream. Embora a guitarra de Clapton domine a maior parte do disco, a banda ainda contava com o futuro cofundador do Fleetwood Mac, John McVie, no baixo e do baterista Hughie Flint, numa cozinha sólida e igualmente intensa. Chegando aos 60 anos, esse discaço é o assunto do nosso episódio de hoje.See omnystudio.com/listener for privacy information.

Eric Clapton had achieved pop success with The Yardbirds but that's not what he wanted. All Eric wanted to do was play the blues. So he left The Yardbirds to join John Mayall & The Bluesbreakers where through many miles and many gigs honed a guitar sound & style that would create a mythology around Clapton like no guitar player before. Their gigs must see happenings as once they were into a groove, the Bluesbreakers could improvise their way into something spectacular. John Mayall wanted to capture that live energy and creativity on an album but their first attempt (with bassist Jack Bruce who would figure into Clapton's story later) was not up to par. So they went to Decca Studios and worked to capture the best bits of their live set. Eric doesn't just take off, he does seem to build throughout the record just as he might during a live show. And John Mayall does take the spotlight as the lead singer, solid piano/organ man and a cool harmonica player. John McVie (who would eventually break from Mayall to form Fleetwood Mac with future drummer Mick Fleetwood) holds down the bass and Hughie Flint keeps it steady on the drums leaving room for Mayall and Clapton to do their thing. Though Mayall contributes some originals, they borrow from blues legends like Freddie King, Little Walter, Memphis Slim and Robert Johnson. On Johnson's Ramblin' on My Mind Clapton offers his first attempt at singing lead, something he was reluctant to do throughout his career but John nudged him. Clapton's playing was groundbreaking at the time and his reputation as a master of the guitar built rapidly. Graffiti popped up around London - Clapton is God. The Wolf & Action Jackson try their best to imagine what it must have been like to hear Eric play live at that time. Because they've never known a world with Eric Clapton and when they got to know him he was 40. Plus, they'd heard all the hot shots that had come after Clapton over the decades. We've always appreciated Clapton's tone and playing but trying to put our minds in a place where hearing anything like this was brand new was the challenge. It may not be as mind blowing as it was 60 years ago but it's still some rock solid blues by a guy at 20 years old who would define the blues (certainly for white folks) for the next half century. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit our sponsor ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠RareVinyl.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use code UGLY to save 10% off one ENTIRE ORDER! Email us at ⁠⁠uglyamericanwerewolf@gmail.com⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠bit.ly/UAWILROCKS⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Blues legend Taj Mahal shares rare stories about Jimi Hendrix, the Rolling Stones, and the unreleased Bill Withers song that shaped his stunning new record. Topics Include: Taj Mahal discusses his new album, Time, and its origins Reveals his decades-long friendship and mutual respect with Bill Withers Explains how Bill Withers heard and loved this unreleased demo Bill Withers' wife gave final approval before the song's release Withers walked away from music rather than change his sound Why the industry pushed Withers to sound more commercial Taj shares why vinyl beats digital for capturing real sound Breaks down the "bell curve" problem with digital audio quality Approaches albums as full journeys, not three-minute singles Reveals how effortlessly he sequences songs like a live set Traces his musical roots to a tight-knit 1940s community Recalls learning piano, clarinet, trombone before finding the guitar Explains how guitar evolved from rhythm to lead instrument Names the blues legends who shaped his earliest influences Credits Ray Charles as one of his deepest musical influences Shares rare stories of jamming with Jimi Hendrix live Discusses bootlegs, tape trading, and the ethics of live recordings Compares the Grateful Dead's bootleg policy to other artists Tells the wild story of Rolling Stones' Rock and Roll Circus Recalls dancing Stones and Clapton watching him at the Whisky Explains how British rockers reintroduced blues to American audiences Describes his first-class trip to London and Stones' hospitality Reveals why Labor of Love was released only on vinyl Shares the surprising stat: vinyl never drops below 6% globally Talks new tour dates and hopes to return to Australia Photo by Mike Coeyman High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

This week on Who's Your Band?, Jeffrey Paul and Sean Morton are joined by producer Adam Holz to draft their Top 5 Saddest Songs of All Time. From Bruce Springsteen and Johnny Cash to Eric Clapton, Alice In Chains, Evanescence, and more, the guys debate the most emotional songs ever recorded while sharing personal stories, plenty of laughs, and their picks for the ultimate heartbreaking playlist. Plus, they tease next week's debate on cover songs that are better than the originals.

As we hit the hot temps of Summer, it's time to wax nostalgic as we melt into our favorite live albums from some of our favorite artists (spoiler alert: Joe will be talking about Clapton and Dire Straits as some point). Get your best t-shirt and $20 cup of beer and enjoy the show! Geek Salad is available at www.geeksalad.podbean.com, or can be subscribed to at the iTunes store by using keyword “geek salad.”  Geek Salad is also available on Spotify,iTunes,  iHeart Radio and wherever else you get your podcasts! Also, check out the Podbean App where you can stream and download the entire Geek Salad archive right from your Android or iPhone!  You can get the app at either the Google Play Store or the Apple App Store!  Want Geek Salad swag?  Check out our new store on Tee Public, where you can get t-shirts, mugs, stickers, and so much other stuff!!!  Shop here! Geek Salad episodes are now also available to stream on YouTube.  “Like” and Subscribe to their channel at Geek Salad Podcast at www.youtube.com Contact Geek Salad at geeksaladradio@gmail.com.  Geek Salad is also available on Facebook under the group heading “Geek Salad Podcast.” Check out their website at www.geek-salad.com, and please subscribe to their Blue Sky feed: @geeksaladradio Geek Salad is intended for adult listeners and contains coarse language and profanity.  Listener discretion is advised.  

Jeremy is joined again by author and podcaster Jason Kruppa to examine the 1981 satirical musical Shock Treatment, an "equal" to The Rocky Horror Picture Show sharing its creative team of Richard O'Brien and Jim Sharman and starring Cliff DeYoung, Jessica Harper, Patricia Quinn, Ruby Wax, Charles Gray and Barry Humphries. In this pursuit, they cover such subjects as normcore values, American geography, unlikely screen romances and Britain's most-missed comedian.All Things Must Pass Away: Harrison, Clapton and Other Assorted Long Songs: https://www.amazon.co.uk/All-Things-Must-Pass-Away/dp/1641603259/ref=sr_1_1?crid=1GH04M3HKDZAU&dib=eyJ2IjoiMSJ9.i-VBVCd6OD_u3Bw2P_zGpWMcIYFuRmRvDP2qS92HTKZm7S9xDM2SfWLeEQfew9PI.WfGFmq68oWWoNtnx0GrqJmlrHVmFn3ZeppH5h_ycF5E&dib_tag=se&keywords=all+things+must+pass+away&qid=1780856018&sprefix=all+things+must+pass+away%2Caps%2C137&sr=8-1https://blackwells.co.uk/bookshop/product/9781641608169?utm_source=Waterstones&utm_medium=pdp&utm_campaign=oos-linkTrailer: https://www.youtube.com/watch?v=qIxUhYQlnA8Shock Treatment: https://www.youtube.com/watch?v=60xaXy4YPqQShock Treatment soundtrack: https://www.youtube.com/playlist?list=PL970E92ACC3C89F41Shock Treatment: Live on Stage https://www.youtube.com/watch?v=gN8rFugl1Ks (Part 1) https://www.youtube.com/watch?v=kaeIF2woFe8 (Part 2)The Rocky Horror Picture Show trailer: https://www.youtube.com/watch?v=4plqh6obZW4The Rocky Horror (Picture) Show audience participation overview: https://rockyhorror.fandom.com/wiki/Audience_participationUnproduced Rocky Horror sequels overview: https://en.wikipedia.org/wiki/The_Rocky_Horror_Show_(franchise)#Cancelled_projectsJim Sharman overview: https://en.wikipedia.org/wiki/Jim_SharmanPeep Show: The New Year's Eve Party: https://www.youtube.com/watch?v=3TlwsjGB32cGlam Rock overview: https://en.wikipedia.org/wiki/Glam_rockPhantom of the Paradise: Jessica Harper - Special to Me: https://www.youtube.com/watch?v=5uIHHx2GkFQCrimes of the Future: Purple plastic bars: https://www.youtube.com/watch?v=afUp39Uv4lkRuby Wax overview: https://en.wikipedia.org/wiki/Ruby_WaxDavid Eisenhower overview: https://en.wikipedia.org/wiki/David_EisenhowerRik Mayall Presents: Dancing Queen: https://www.youtube.com/watch?v=vFLF9R7fK_MOrpheus and Eurydice overview: https://en.wikipedia.org/wiki/Orpheus_and_EurydiceSuspiria end credits: https://www.youtube.com/watch?v=KPF-ABw0nzIThe Rime of the Ancient Mariner by Samuel Taylor Coleridge: https://en.wikisource.org/wiki/Lyrical_Ballads_(1798)/The_Rime_of_the_Ancyent_MarinereKubla Khan by Samuel Taylor Coleridge: https://en.wikisource.org/wiki/Oxford_Book_of_English_Verse_1250-1900/Kubla_KhanNetwork trailer: https://www.youtube.com/watch?v=1cSGvqQHpjsThe Year of the Sex Olympics: https://www.youtube.com/watch?v=RoFob79ql7UThe Simpsons: Homer in the Land of Chocolate: https://www.youtube.com/watch?v=ZOziWm_MJ9kSaturn 3 trailer: https://www.youtube.com/watch?v=_O-F2fvHFW4The Crystal Maze: https://www.youtube.com/watch?v=4cwzP4vYoig

The Yardbird's Godfrey Townsend is Living a Rock 'n Roll Wet Dream Fourth time IS the charm. After way too many reschedulings, as with all things, this conversation with the Yardbirds' Godfrey Townsend happened exactly when it was intended. Lightning doesn't strike the same spot twice, and this was an electric circus of talk and music perfection. From jumping in at the opening with The Who's Won't Get Fooled Again, to Godfrey's masterpiece of Jeff Beck's, Cause We've Ended as Lovers, from Blow by Blow, which cracked my heart open and left me with goosebumps, in tears… to every single moment in between, this was heaven. I've fostered my share of conversations that have blown my mind; this is amongst the best of the best. For a girl whose moniker was RockGirl back in the day when Godfrey and I met decades ago, this conversation was truly a Rock 'N Roll wet dream. Godfrey not only shares stories with Jack Bruce, John Entwistle, Alan Parsons, Mark Farner, Dave Mason, Joey Molland, Todd Rundgren, Howard Kaylan, The Cowsills, Chuck Negron, The Association, Mark Volman… he's played with them all! And his stories and intimate experiences with them left me breathless. And then there's meeting Clapton, his divine private audience with Pete Townshend, his adorable Jimmy Page encounter and impression, meeting Beck! Has any rockin' stone been left unturned? Dammit, I didn't even ask about Mick and Keith! Next time. And there will be a next time. For the two hours of this, I trust there are so many more unmined gems. If rock's your thing, if you lived through the 60s till now, or just dig the music, Do Not Pass Go, Do Not Collect $200… hit the play button and hunker down for a wild, fun, and wonderful ride. An inside view from an insider. Consider this the audiobook of Godfrey's sure-to-come bestselling rock memoir. Hachachacha! LOVED IT! Godfrey Townsend Live on Game Changers With Vicki Abelson Wed, May 6, 5 pm PT, 8 pm ET Streamed Live on my FB, YouTube & LinkedIn

We're heading back to the Prince of Darkness courtesy of our pal Ruddy Rutherford. This one's an eclectic mix of Clapton, Lennon, and Arthur Brown? What?! You've never heard of Arthur Brown??? For shame! We end up listening to Green Day and there's altogether too much Def Leppard for Kev's liking. But will Corey be entertained by 21st Century Schizoid Man and will Kev be on board with a cover of one of his very favourite Lennon compositions?The only way to find out is to turn on, tune in, and have some sympathy (and some taste)Also, go check out Ruddy's amazing photography at his website: Fit Light PhotographySongs covered in this episode; "Rocky Mountain Way", "In My Life", "Mississippi Queen", "Woman", "21st Century Schizoid Man", "All the Young Dudes", "For What It's Worth", "Good Times", "Sunshine of Your Love", "Fire", "Working Class Hero", "Sympathy for the Devil"Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/theultimatecatalogueclashBluesky: https://bsky.app/profile/ucatalogueclash.bsky.socialDiscord: https://discord.gg/mz9ymTwSSEKo-Fi: https://ko-fi.com/ultimatecatalogueclashSHOP OUR MERCH STORE!!! Hosted on Acast. See acast.com/privacy for more information.

On the May 10 edition of the Music History Today podcast, Clapton records a Bob Marley song that gives him his first number one single and a riot breaks out at an opera house in New York City. Also, bust a move with Young MC on his birthday, along with Sid Vicious, & Bono.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:32 What happened on this date in music history05:30 Music award ceremonies that were held on this date in music history05:59 Albums released on this date in music history 08:48 Singles released on this date in music history 10:46 Birthdays of music artists on this date in music history 12:30 Passings of music artists on this date in music history 13:47 What's on tomorrow's episode

In this hotly anticipated Part 2, T.J. and Casey and their Sunshine Band pick up the pieces for Florida Man, Tony Mendoza, still buggin' out in the Everglades. They wrap up their deep deep dish on Ringo's “Long Long Road”, and T.J. “press night invite” Shanoff does his finest Chris Jones impression (Angry Drunk Chicago Guy: “I WAS ALWAYS MORUVA HEDY WEISS GUY MYSELF”) and opines on Brendan Hunt's new one-man show “The Movement You Need” at Steppenwolf's Magic Carpet Theater. And between the bits, they babble on wondering:

On this episode of Exclusively Van Halen on Johnny Beane TV, we dive into a fascinating story from Guitar Player featuring legendary Ritchie Blackmore and his candid thoughts on Eddie Van Halen. Blackmore reflects on his backstage encounters with Eddie, describing him as incredibly gifted—but also surprisingly humble. He recalls Eddie downplaying himself, even saying, “You don't want to talk to me, because I'm nobody,” something Blackmore admits he never understood. Despite revolutionizing guitar with his groundbreaking techniques, Eddie often underestimated his own impact. Blackmore also touches on Eddie's personality, suggesting that he sometimes relied on drinking to feel comfortable in social situations. Still, what stood out most was Eddie's authenticity—his intuitive, feel-based playing that set him apart from even the most technically perfect players. Comparing him to greats like Joe Satriani, Steve Morse, and Eric Clapton, Blackmore emphasizes that true musical expression isn't about always playing the “right” notes—it's about searching, feeling, and pushing boundaries. And in his eyes, Eddie embodied that spirit completely. He also reveals a more personal side—how Eddie, deeply inspired by Clapton, was hurt by rejection from one of his heroes. It's a reminder that even the greatest musicians carry insecurities behind the scenes. #VanHalen #EddieVanHalen #RitchieBlackmore #GuitarLegends

If you want to know exactly when the 1960s British Blues explosion caught fire, look no further than this 1966 landmark. Fresh off his departure from The Yardbirds, a young Eric Clapton teamed up with blues purist John Mayall to record what is widely considered the most influential guitar album of the decade. This week, the Random Album Generator gives us the legendary "Beano Album," the record that officially launched the "Clapton is God" era.Inside This Episode:Side A Reaction: We are splitting this 12-track blues masterclass right down the middle. If you're spinning this with us, hit pause after track six, "Double Crossing Time." Jeremy and Jon react to that massive, aggressive guitar tone that changed rock music overnight and John Mayall's steady, authentic leadership.5 Fast Facts: We uncover the story behind Clapton reading a comic book on the album cover, the exact amplifier combination that defined rock and roll, and the tragic mystery of the stolen "Beano Burst" guitar.Side B & Final Thoughts: We flip to Side B and discuss Clapton's vocal debut, the ferocious instrumental "Steppin' Out," and how this one album essentially laid the groundwork for Cream, Led Zeppelin, and heavy metal.The Verdict & Standout Tracks: Jeremy and Jon lock in their 3 essential tracks. Does this iconic blues record hold up against the test of time, or is it strictly for guitar nerds?Join the Polyphonic Press Community: Love collecting classic vinyl or have a definitive pressing of Stand! you want to talk about? Reach out and let us know! Website | Join the community on Patreon | Contact

Documentary producer & record collector Jeanne Elfant Festa has made films about The Beatles, Foo Fighters, Pavarotti, Bee Gees and more. Today she discusses her latest movie on Billy Preston — revealing rare archive footage, Olivia Harrison's key role, and Eric Clapton's emotional on-camera tribute and a lot more. Check outtrailer and documentary screenings here Topics Include: Jeanne lost her entire vinyl collection in the Palisades fire. Her family and animals all escaped the fire safely. A custom-built, mathematically designed sound room housed the collection. Rebuilding takes time — the turntable alone hasn't been replaced yet. Music passion began with her Brooklyn-raised parents' rich jazz collection. Her dad snuck into the Apollo Theater via the fire escape. He carried a saxophone, jamming with musicians at the loading dock. The family soundtrack: Billie Holiday, Dinah Washington, Miles Davis, Charlie Parker. Jeanne and her dad bonded over Bruce Springsteen's sax player. Her father did house calls exclusively for one patient — Miles Davis. Storytelling instincts came from parents who loved plays, movies, and performance. Her own record collection ranged from Rage Against the Machine to Supertramp. Vinyl's tactile magic: liner notes, textures, and each album's unique smell. Albums are movies — side one plays straight through, no skipping. Documentary filmmaking is passion-driven, not a path to big money. The Foo Fighters doc came from being in the right place. Business partner Nigel Sinclair's credits include Bob Dylan and George Harrison docs. Billy Preston first entered her life through her parents' living room stereo. Filming subjects who've passed requires diaries, archives, and extraordinary research teams. A granddaughter's undeveloped home movies transformed the Beach Boys documentary entirely. A stranger's undeveloped Beatles footage, found under a childhood bed, changed everything. Olivia Harrison unlocked archive footage and connected the team to Ringo and Clapton. Eric Clapton opened up in a way rarely seen on camera. Documentary ethics: three sources minimum, no gossip, no stunt casting ever. The Billy Preston film explores forgiveness, contradiction, and the full human condition. Extended and High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

In this episode, Paul Andrews shines a spotlight on a small but essential part of guitar technique: your pinky finger! Often overlooked and underutilised, the pinky can feel awkward and weak at first, but strengthening it can lead to significant improvements in your playing—think easier chord transitions, better speed, more control, and less hand tension.What You'll LearnWhy the Pinky Matters:Paul breaks down the importance of the pinky for reach, speed, and long-term progress on guitar. Using all four fingers (not just the first three!) unlocks smoother playing and more advanced techniques.Why the Pinky Feels Awkward:It's all about muscle development and neural pathways—your pinky naturally has less independence, so it needs time and focused effort to build strength and control.Top Pinky Strength Builders:The classic 1-2-3-4 chromatic exercise (also known as “the spider”)Targeted drills to separate the pinky from the ring fingerHammer-ons and pull-offs specifically using the pinkyTips for off-the-guitar practice (tapping on a desk, grip trainers)Applying Your Pinky in Music:Paul shares a handful of famous riffs—from the Peter Gunn theme to “Satisfaction” by The Rolling Stones and more advanced licks like Clapton's “Layla”—to help you put those exercises into real-world practice.How Long Does It Take?Patience pays off! Progress usually happens in small steps over several weeks or months, with sudden breakthroughs once muscle memory kicks in.Member NewsLive Q&A Recap:This month's member Q&A recording is now available in the Academy. Highlights include questions on improvisation, foot tapping, and muting unwanted string noise. Catch the full discussion in your member dashboard or the member-only podcast.Video Content:Prefer a visual approach? Watch this episode's companion video on the Beginner Guitar Academy YouTube channel (beginnerguitaracademy.tv) to see the techniques and riffs in action.Next Steps & ResourcesPractice Makes Perfect:Dedicate just a few minutes, multiple times a week, to pinky-focused drills—the payoff is huge for your playing journey.Join the Academy:Looking for more structure, support, and community? Explore the Beginner Guitar Academy's 5-level course and get personalized guidance from Paul Andrews. A 2-week trial is currently available for just $1!Next Episode:Stay tuned—next month's theme is all about Improvisation, kicking off in the following episode!Connect & ShareIf you enjoyed this episode, please consider leaving a rating and review on your favourite podcast platform. Questions or feedback? Reach out to Paul Andrews through the Academy website or join the community discussion.Ready to give your pinky some power? Happy practicing!

Send a textOn this Episode Tom and Bert continue  "The Spotlight Series" on entertainment influencers thru the decades!There are Stories to tell and the Guys will cover and discuss the beginnings and the careers of some of the greatest influencers throughout ALL of the entertainment industry.Today's Podcast will cover some of the "Greatest Guitar Songs" and Axemen in Music History Part 2!From Stevie Ray Vaughn, Richie Blackmore, Jerry Garcia, Joe Bonamassa,  Allen Collins, Mark Knoffler , Jerry Cantrell and many, many others we bring you our best of the best!FEATURED CHAPTERS:(6:04)) Springsteen and The James Gang's -Joe Walsh(9:04) MJ's "Beat It" featuring Eddie Van Halen on the Guitar(17:40) Stevie Ray Vaughnand The "Dead" with Jerry Garcia(27:56) Fogerty & CCR, Bonnie Raitt & Tom Petty & The Heartbreakers!(34:52) The Classics---"Born to be Wild", Wole Lotta Love" & Rocky Mountain Way"(38:00) Clapton, "Spirit in the Sky" & Argent(45:00) Our Favorite Songs and Guitarists and It's a Wrap"!! Enjoy the Show!You can email us at reeldealzmoviesandmusic@gmail.com or visit our Facebook page, Reel Dealz Podcast: Movies & Music Thru The Decades to leave comments and/or TEXT us at 843-855-1704 as well.

And Lucy Chapman getting more attention than she wants during this show.

Send us a message, so we know what you're thinking!In Season 5 (2025), we talked about how double albums came about, and talked about some of the best double albums of the 70's.  This episode, we look at some of the best double albums of the 80's.  Our Album You Must Listen to Before You Die is “Out of the Blue”, by ELO. It WAS a huge hit in the 80's. But was it any good? Hmmm.  In “Knockin' on Heaven's Door”, we pay tribute to Rob Hirst (Midnight Oil), Ted Egan (a legend of the Northern Territory), and Bob Weir (Grateful Dead) among others.  A big episode! References: Ultimate Classic Rock, Rob Hirst, Midnight Oil, Ghostwriters, Ted Egan, Drinkers of the Northern Territory, Bob Taylor, Dragon, Chris Rea, Bob Weir, Zen Arcade, Husker Du, Layla, Derek & The Dominos, Clapton, The Rolling Stones, Exile on Main Street, Pink Floyd, The Wall, Prince, 1999, Little Red Corvette, Delirious, Sign "O" the Times, U2, Rattle and Hum, The Joshua Tree, Bono's “Messiah” complex, Husker Du, Zen Arcade, Talking Heads, The Name of This Band Is Talking Heads, The Cure, Kiss Me, Kiss Me, Kiss Me,  Just Like Heaven, Why Can't I be You, Iron Maiden, Live After Death, Eddie, Bruce Springsteen, The River, Cadillac Ranch, Hungry Heart, The River, English Settlement, XTC, No Thugs in our House, Senses Working Overtime PlaylistMusic Lollypop

Jerry Douglas - King of the Dobro- 16 Grammys, 3 CMAs, 3 AMAs, a Million Stories! 16-time Grammy Winner, three-time CMA Musician of the Year award recipient, Americana Music Association Lifetime Achievement Award recipient, National Endowment for the Arts National Heritage Fellowship award winner, Artist in Residence for the Country Music Hall of Fame, Jerry Douglas, is such an underachiever! What is a dobro? Uninformed minds wanted to know. Jerry schooled us, but as your fun favorite professor would. Why a dobro? We got that education too. From his bluegrass-playing steelworker band on the side, father, Flatt and Scruggs obsessed little kid, to professional musician at 16, playing Avery Fischer Hall with headliner David Bromberg, to winning his first Grammy at 19, to playing with James Taylor, John Prine, Steve Goodman, Mumford & Sons, Paul Simon, Elvis Costello, Alison Krauss, to Eric Clapton. We got the skinny on all of them, plus Jerry's chance meeting with Sir Paul, a seemingly scary Ry Cooder, recording in Abby Road, dinner with Clapton and Ron Wood, how he met his bride of 17 years, parenting 4, grandparenting 7, loving all of them, all of it, except the night of extreme excess that led to his sobriety. Bonus, he also played us out, as only dobro master, Jerry Douglas, could. I knew when Snuffy and I spent an evening in Nashville recently with Jerry and Jill that he'd be a great guest, as with his playing, he exceeded all expectations. Jerry Douglas Live on Game Changers with Vicki Abelson Wednesday, 1/14/26, 5 PM PT/ 8 PM ET

Send us a textWelcome to the fourth season of the Rock-N-Roll Show Podcast! In this episode, I'm reviewing an unforgettable night at Madison Square Garden where Eric Clapton performed a 16-song set. This concert featured a mix of classic blues covers and Clapton's iconic hits. Of course I get into a little context first,  reflecting on Clapton's musical evolution and significant influence on rock-n-roll, and my experience with seeing him live as well.I have lots of good clips from the show, and then after the review, I wrap up with my tribute to Jerry Collins, this podcast's biggest fan, who attended this show as his first rock concert  - at the age of 82 - just a few months before he passed. Join me for an in-depth review, some great concert clips, and a few touching memories, all this week on the Rock-N-Roll Show Podcast! 00:00 Welcome to the Rock and Roll Show01:02 Eric Clapton: A Legendary Career06:34 The 2025 Madison Square Garden Concert09:27 Eric Clapton Takes the Stage14:27 Acoustic Set25:20 Encore and Final Thoughts29:20 Tribute to Jerry Collins31:02 Closing Remarks and Playlist===========================Connect with us on social media!YouTubeInstagram TikTok Facebook

Ladies and Gentlemen, the queen of them all. Pattie Boyd was the inspiration for a huge number of songs. Some of them went to the top of the charts, some of them weren’t released as singles, but nearly all of the songs about her are well-known, and not just because they’re about her; because they’re actually pretty darn good. And the crazy part is that all of them came from two men: George Harrison and Eric Clapton. There’s a song in Clapton’s catalog that could have easily been about her if you try to read into the lyrics, but it’s more coincidence than anything else, since it wasn’t written by Clapton. But it’s also quite possible that the lyrical content is one of the things that gave it its appeal to Clapton. Who knows. When I return to this topic (in two episodes), we’ll talk about the other contender for the big title. If you’re a Patron of the show, you’ve already gotten this episode in your Patreon feed. Feel free to listen again here, if you’re so inclined. Newsletter should be back next week; I’m still readjusting my work flow. You can click here to become a Patron of the show. Click here for a transcript of this episode. 

In 1960s London, for young guitar enthusiasts, believing that “Clapton is God” was practically the 11th Commandment. In 1970 he lent his big, sticky tone to yet another band: Derek and the Dominos. The group's white-hot blues burned bright for barely more than a year, but their impact was massive. Guided by drug, alcohol and heartbreak free-fall, Eric Clapton created one of rock's most recognizable guitar riffs, while drummer Jim Gordon contributed God's great piano coda. Except Gordon was guided by something far more sinister — something that started with incessant voices in his head, and ended with a hammer, a butcher knife, and a dead mother. To see the full list of contributors see the show notes at ⁠www.disgracelandpod.com.⁠ This episode was originally published on December 6, 2021. To listen to Disgraceland ad free and get access to weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Filippo Sala"Zucchero Sugar Fornaciari"Come il soul all'improvvisoAncora Libriwww.ancoralibri.itChi è Zucchero Sugar Fornaciari? Il timido bimbo cresciuto a Roncocesi o il Gran Pastore del Blues all'italiana? Il giovane che cerca fortuna a Sanremo o la rockstar che duetta con Pavarotti, Clapton e Miles Davis? Se non si può tracciare un bilancio dell'Artista che oggi raccoglie i frutti dopo anni di semina, certo si può guardare l'Uomo. Diavolo e acqua santa, New Orleans e la Bassa, amore e solitudine: ecco l'arte del miscuglio, cifra stilistica di un artista figlio della provincia emiliana. Zucchero Sugar Fornaciari: un nome d'arte che, con ironia, scomoda perfino la Santissima Trinità. Lui che, battezzato Adelmo, da quarant'anni ci fa compagnia, con la sua musica sincera e piena di vita.Filippo Sala si è laureato in Linguaggi dei Media all'Università Cattolica di Milano, ateneo con il quale collabora tutt'ora con lezioni in veste di esperto sul rapporto tra musica, letteratura e spiritualità nei corsi di Italiano per la Comunicazione e Beni Culturali. Senior graphic designer presso una nota multinazionale del make-up, è da sempre appassionato di culture giovanili. Nella sua attività di divulgatore organizza corsi e talk sul rapporto tra i linguaggi artistici quali fumetto, cinema, fotografia e gli orizzonti dell'intelligenza artificiale.Cantautore, dagli anni Novanta a oggi ha suonato con Skiantos, Statuto e Nomadi ed è attualmente impegnato con la sua band, il Milanestrone, nella divulgazione e nel rinnovamento del dialetto milanese attraverso rassegne, concerti e spettacoli di teatro-canzone. Studioso innamorato del fenomeno Beatles e fin da bambino collezionista dei Fab Four, ha pubblicato i saggi Cantautori di Frontiera (Le Lettere, 2022) e Attraverso l'universo. L'anima pop dei Beatles (Àncora, 2024).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

In the world of music production, sometimes even the pros hit roadblocks. Veteran engineer Digby Smith reminisces about the time Paul Rodgers got fed up during a Free recording session, and how Simon Kirke came to the rescue.Listen to Episode 341 - Behind The Boards with Zeppelin, Marley, McCartney & Clapton with Engineer Digby Smith15% OFF Any Purchase At Old Glory For Booked On Rock Listeners! — Over 300,000 officially licensed items. Featuring legendary music artists like Bob Marley, The Beatles,Grateful Dead, and more. Use the code "BOOKEDONROCK" or hit this link:https://oldglory.com/discount/BOOKEDONROCK----------Booked On Rock is part of The Boneless Podcasting Network BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Behind-the-scenes stories from veteran engineer Digby Smith on working with Stephen Stills, Bob Marley, Free, Led Zeppelin, Paul McCartney, Eric Clapton, and more! Digby also goes inside the process of remixing classic albums, which he has done recently for Bad Company, and Black Sabbath. A fascinating discussion you won't want to miss!Purchase a copy of One Two Three Four: The Life and Times of a Recording Studio EngineerVisit TQ1Music.comVisit RichardDigbyAuthor.com15% OFF Any Purchase At Old Glory For Booked On Rock Listeners! — Over 300,000 officially licensed items. Featuring legendary music artists like Bob Marley, The Beatles,Grateful Dead, and more. Use the code "BOOKEDONROCK" or hit this link:https://oldglory.com/discount/BOOKEDONROCK----------Booked On Rock is part of The Boneless Podcasting Network BookedOnRock.com The Booked On Rock Store The Booked On Rock YouTube Channel Follow The Booked On Rock with Eric Senich:BLUESKYFACEBOOKINSTAGRAMTIKTOKX Find Your Nearest Independent Bookstore Contact The Booked On Rock Podcast: thebookedonrockpodcast@gmail.com The Booked On Rock Music: “Whoosh” by Crowander / “Last Train North” & “No Mercy” by TrackTribe

Motörhead - Ace of Spades: The Bar Band That Redefined Metal (Whether They Liked It Or Not)What happens when you salvage a beaten‑up classic from the graveyard? You discover why Motörhead's Ace of Spades remains one of the most influential rock albums of all time—even if Lemmy himself refused to call it metal.Recorded in six weeks during the summer of 1980 and unleashed that October, Ace of Spades is 36 minutes of raw, boogie‑infused rock and roll cranked up to 11. On this episode of Dig Me Out: 80s Metal, hosts Jason Ziad, Tim Minneci, and Chip Midnight resurrect this second‑chance poll winner to explore why this album sounds like nothing else—and why that matters.The classic lineup of Lemmy Kilmister, “Fast” Eddie Clarke, and Phil “Philthy Animal” Taylor weren't trying to invent metal. They were channeling Chuck Berry, ZZ Top, and Thin Lizzy through a blown amp, adding a danceable swing that inspired everyone from Metallica and Slayer to The Hellacopters and New Bomb Turks. This is the sound of a band that knew exactly what they did well and executed it with surgical precision—even when they got sick of playing “Ace of Spades” every night.If you love early Van Halen, AC/DC, the Ramones, or the New Wave of British Heavy Metal, this episode is for you. We break down how Lemmy's voice became the second guitar, why Eddie Clarke's playing is criminally underrated, and what it means when an album charts everywhere from Sweden to Greece but barely makes a dent in the U.S.Episode Highlights00:00 – Intro: Why this listener‑suggested album almost didn't happen01:38 – The “second chance poll” rescue mission and how Testament won the first round05:42 – Chip's legendary three‑question interview with Lemmy (spoiler: he left to “freshen his drink”)10:09 – Album history: recorded August–September 1980, produced by Vic Maile (Hendrix, Zeppelin, Clapton)14:25 – Lemmy's time in Hawkwind, The Damned, and as Jimi Hendrix's roadie17:29 – (We Are) The Road Crew – Why Lemmy's tribute to roadies still makes crew members cry18:20 – The “Ace of Spades” legend: Why Lemmy sang “eight of spades” for years and nobody noticed19:02 – What Works: Jay breaks down the 70s swing, boogie‑rock energy, and danceable aggression25:14 – Fast and Loose – The ZZ Top‑meets‑Motörhead shuffle that proves this is rock and roll27:07 – How Motörhead influenced thrash, punk, and 90s action rock (Hellacopters, New Bomb Turks)31:54 – The Chase Is Better Than the Catch – The Van Halen‑inspired riff that almost wasn't34:18 – Eddie Clarke's guitar genius: Why “Fast” Eddie is the secret weapon of this album37:58 – What Doesn't Work: Aged lyrics, formulaic moments, and why Lemmy's voice is an acquired taste42:34 – Why fade‑outs are the album's worst decision48:53 – Final Verdicts: Worthy Album, Better EP, or Decent Single?55:37 – Gavin Reed gets credit for suggesting this album (and arguing with Jay about whether it's metal)Keep the Conversation GoingThis album came back from the dead because a listener like you suggested it. What record deserves a second chance? What forgotten classic or underrated gem should we dig out next?Join the Metal Union at digmeoutpodcast.com suggest and vote on future albums. Paid subscribers get access to bonus episodes covering 70s rock, 80s metal, and 2000s rock, plus new release reviews and our private Discord community where the debates never stop.Pick an album and join us on the podcast at dmounion.com.For Jason, Chip, and Tim—thanks for digging with us. We'll see you next time on Dig Me Out: 80s Metal. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Sometimes recording is fun and sometimes it's…well, a challenge.  The guys from Sons of Sevilla recorded this with us while on the road in their RV and halfway through the recording, their wifi connection farted out.  We finished the episode without them.  But that wasn't before we were able to talk about chill rock, who's the little fighter, Terry Reid, Paul McCartney, the not so famous (but you know them) bass players on this album, Skynrd, short and to the point songs, and Clapton. Check out Sons of Sevilla at:  https://sonsofsevilla.bandcamp.com/ Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Part 2 of my conversation with guest Phil Stacey about songs we hate to love.  Show notes: Our top 10 songs we hate to love in no particular order Phil: A song from the infamous Great White One of the many bands who tried to sound like Zeppelin Jay: Rupert Holmes somehow got cheesier than the "Pina Colada Song" Classic AM gold shizz Phil: A big hit for the Carpenters Originally written for a bank commercial Jay: Monster disco one-hit wonder from Patrick Hernandez Phil: Britney with an earworm Jay: Raspy pop smash from Kim Carnes Crossed over to MOR stations that our parents listened to Phil: Digging into the Jefferson Starship ballads Marty Balin got on the wrong side of the Hell's Angels at Altamont Jay: Phil Collins did a lot of soundtrack music in the '80s in addition to everything else A patented Collins Angry Ballad Phil digs that calypso beat in one of Lionel Richie's biggest hits Richie was one of the driving forces behind "We Are the World" Jay: A synth pop cover of "Lean On Me" Phil: Secretly loved the Saturday Night Fever soundtrack as a kid Yvonne Elliman sang backups on several Clapton albums Jay: Non-English hit by Falco Only German-language #1 song in America Phil: Frankie Valli's disco song in Grease Written by Barry Gibb, who was unstoppable in the late '70s Jay: Early '70s soft rock jam from Albert Hammond Phil: John Mayer's wuss rock moment More familiar with his work in Dead and Co. Jay: Rediscovered recently his love of Little River Band Australian purveyors of catchy dad rock Original members lost the rights to the band name Phil: Shout out to the Weather Girls Catchy and co-written by Paul Shaffer Jay: Another huge hit from the Queen of Disco, Donna Summer Phil: An apparently ironic love ballad from the Captain and Tennille Jay: Another hit from the Gibb family, this time younger brother Andy Too much cocaine, apparently Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Send us a textOn this episode talk about failed parenting, broken guitars, Ozzy's band, rock imaging with Cousin Larry, new songs from Clapton and Plant, respectively; we play MixTape and climb the Wall of Tunes for a band that we think still holds the record for the “loudest rock concert” #taylor #clapton #plant #deeppurplehttps://www.facebook.com/obrienanddoug/ https://instagram.com/obrien_and_doug

Send us a textMusician Bobby Whitlock best known as a member of the blues-rock band Derek and the Dominos, with Eric Clapton has passed away.Bobby Whitlock, the pianist, guitarist and songwriter who played on three of rock's most legendary albums — Layla and Other Assorted Love Songs, All Things Must Pass and Exile on Main Street — has died. He was 77.A statement provided to ABC Audio by his manager Carole Kaye reads, “With profound sadness, the family of Bobby Whitlock announces his passing at 1:20am on Aug. 10 after a brief illness. He passed in his home in Texas, surrounded by family.”Born and raised in Memphis, Whitlock played on recordings by Sam & Dave and Booker T. & the M.G.'s as a teen and was the first white artist signed to Stax Records. In 1969, he played on the album Accept No Substitute by Delaney and Bonnie Bramlett and joined their touring band, Delaney & Bonnie and Friends. Eric Clapton and George Harrison subsequently joined the band as guest “Friends,” which led to Whitlock and Clapton backing Harrison on the former Beatle‘s landmark 1970 album All Things Must Pass.While working on Harrison's album, Whitlock and Clapton formed Derek and the Dominos with fellow Friends Carl Radle and Jim Gordon. Whitlock wrote or co-wrote seven of the 14 songs on their now-iconic album Layla and Other Assorted Love Songs, including “Tell the Truth” and “Bell Bottom Blues.”

In this video, I share how Eric Clapton's Just One Night album completely shifted my musical direction, and how the real surprise was Albert Lee. Clapton's fiery playing grabbed my attention, but it was Albert's Telecaster tone, precision, and country-infused style that opened the door to a whole new world of music for me. In the episode, I forget the names of 1985 tour members Shawn Murphy and Tim Renwick. Support the show

In a first for us hear at The Wolf, we're rebooting a previous episode with cool, never before heard material. On Episode 221 we did our usual track by track, in-depth analysis of Eric Clapton's Behind The Sun as it turned 40. It was a bit of a return to form for Clapton after he had worked to clean himself up and went platinum after some less than stellar albums in the early 80s. Still, songs She's Waiting and Forever Man turned out to be solid hits for Eric. Warner Brothers wanted the album to be a hit so they employed the hottest man in the business at the time, Phil Collins, to take Eric and his band down to Montserrat to put together a hit. However, Warner wasn't thrilled with the results so they had Eric come to LA to cover some songs written by Jerry Lynn Williams with some of the best session musicians of the day (and of all time). Eric's longtime guitar tech, Lee Dickson, has appeared on our show a couple of times before including on Ep 242 with Alan Hunter of MTV talking about Live Aid from Philadelphia. Lee gives us some color on how things went down in Montserrat, how a young producer almost ruined a six figure Martin guitar, how Sting popped up to say hello and contribute to the sessions and how Lee taught himself to swim while everyone else was at the beach. He also sheds some light on the LA sessions that Ted Templeman oversaw and how psyched Clapton was to work with some of the world's best session musicians like Steve Lukather, Greg Phillinganes and eventual member of his touring band, Nathan East. Lee tells a hilarious story about working with songwriter Jerry Lynn Williams and the character he was. Lee talks about the cool stuff they did making the album, we offer our track by track review including songs from the sessions that didn't make the album (one track made it into Back To The Future) and at the end he gives some inside information on what he does to make his artists sound incredible and life in rock n roll. It's a special edition we think you'll love. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

One More Saturday Night/ Fire Opener, That's a show! The genius of Garcia, three well-crafted peaks in one instrumental....Desirable selections all night...Comes a Time stops time in its tracks...This was also the 40th anniversary of Live Aid...Thoughts on performances by Dire Straits, Clapton, and Dylan.

Musical artists can release album after album, but eventually people will want an album with just their best songs all in one. Enter the greatest hits albums! And to discuss some of their favorite greatest hits albums is the Geek Salad crew with episode 256: The Beige Album. Join Andy, Mike, Joe, and Katherine as they do their first ever episode that was streamed live online. Amidst the occasional live viewer comments, the crew go over their favorite hit compilations. From the 60s to the present time, there are plenty of varied genres to meet any tastes. The biggest question is, which of Clapton's hits albums will make Joe's list. Geek Salad is available at www.geeksalad.podbean.com, or can be subscribed to at the iTunes store by using keyword “geek salad.”  Geek Salad is also available on Spotify,iTunes,  iHeart Radio and wherever else you get your podcasts! Also, check out the Podbean App where you can stream and download the entire Geek Salad archive right from your Android or iPhone!  You can get the app at either the Google Play Store or the Apple App Store!  Want Geek Salad swag?  Check out our new store on Tee Public, where you can get t-shirts, mugs, stickers, and so much other stuff!!!  Shop here! Geek Salad episodes are now also available to stream on YouTube.  “Like” and Subscribe to their channel at Geek Salad Podcast at www.youtube.com Contact Geek Salad at geeksaladradio@gmail.com.  Geek Salad is also available on Facebook under the group heading “Geek Salad Podcast.” Check out their website at www.geek-salad.com, and please subscribe to their Twitter/X, Threads, and Blue Sky feeds: @geeksaladradio Geek Salad is intended for adult listeners and contains coarse language and profanity.  Listener discretion is advised.

When blues powerhouse Albert Castiglia crossed paths with Bill Murray, neither could have predicted the musical partnership that would follow. In this captivating conversation with Greg Koch, Castiglia pulls back the curtain on how a Hollywood legend became his unexpected bandmate through a series of serendipitous connections that began with Murray's brother John."If Bill Murray wants to play in your band, you let him in your band," Castiglia remarks with characteristic humor. But beneath the celebrity factor lies a genuine musical connection that has taken them from intimate clubs to prestigious venues like Red Rocks. Far from seeking the spotlight, Murray approaches their collaboration with refreshing humility, insisting on equal billing and content to play percussion while occasionally stepping forward for a song. The audience response has been electric, with fans sometimes appearing in Ghostbusters costumes, moved to tears by Murray's magnetic stage presence.Castiglia's own journey through the blues landscape reveals the persistence required to build a sustainable career. From his early influences (discovering blues through Clapton and Johnny Winter's productions with Muddy Waters) to navigating the catch-22 of needing both a record deal and booking agent simultaneously, he speaks candidly about industry challenges. After cycling through five agencies, finding the right representation finally allowed him to expand from 100 shows annually to between 150-200 performances a year.The conversation touches on deeper themes of artistic growth, with Castiglia recently incorporating Coltrane's "Afro Blue" into his setlists after being inspired by Derek Trucks. He also reflects on lifestyle changes that have sustained his longevity, embracing sobriety after COVID and taking up boxing and Kung Fu to maintain his energy for grueling tour schedules. "I do this for the memories," he explains, capturing the essence of why musicians endure the hardships of the road.Ready to experience a genuine conversation between two musicians who've weathered decades in the business? Subscribe now and join us for more candid talks with roots music's most compelling voices.

This is an Encore Presentation of my February 2025 interview with Jeff “Skunk” Baxter, who is remarkably accomplished in two different careers. In the first he's a legendary World Class guitarist who's known for his work with Steely Dan, The Doobie Brothers and many others. In the second he's a world renowned expert in Counterterrorism and Missile Defense with a top level Government security clearance.As a musician Skunk has played with just about everyone including these one-namers: Elton, Barbra, Dolly, Eric and Ringo. He's a member of the Rock ‘n Roll Hall of Fame. As a defense expert he consults to the U.S. Government and to a number of major private companies.My featured song is “Lou's Blues”, my recent single with my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH SKUNK:www,jeffskunkbaxter.com________________________ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Sometimes, the best conversations happen when there's no agenda. This is one of those moments. With London as the backdrop — its history, energy, and unpredictable charm — Sean and I sat on the grass in Hyde Park and hit record. No script, no plan. Just two friends talking about music, memories, meditation, and why we still believe in experiencing things without a phone between us and reality.From yoga poses on park benches to tales of Clapton at Royal Albert Hall and an upcoming Oasis reunion in Cardiff (yes, really), this is a meandering mix of thoughts and stories — like walking down Portobello Road not knowing what you'll find. We touch on the lost art of being present, why live music changes everything, and how the UK's cultural influence shaped our creative paths.Sure, we dip into punk, rock, film, and a few philosophical musings about why Florence isn't featured more in books and movies — but it's all under one theme: reconnecting with the world around us. It's a conversation that could only happen in a place like London — rich with culture, memories, and endless possibility.If you're tired of content that's too polished, too planned, or too promotional… this episode is a breath of fresh (sometimes damp) British air.⸻Hashtags:#storytelling, #london, #musiclovers, #meditation, #unscripted, #podcastlife, #travelstories, #creativelife, #liveinthemoment, #punkrockNew episodes drop when they drop. Expect the unexpected.Hosts links:

This is a very cool look at Jimmy Page's music mere months before the formation of Led Zeppelin. May 29, 1968 at the Concord Colosseum had The Yardbirds playing a very cool bluesy/psychedelic set to a very lucky audience. Given that Clapton, Beck, and Page all gestated within the Yardbirds, it's safe to say the Yardbirds were a guitar band. Unfortunately, they were marketed as a pop combo, so as the 60's evolved into the wilder, more improvisational psychedelic areas, the disconnect between their record company and the band became unsustainable. The band folded shortly after this gig, leaving Jimmy with the Yardbirds name. I play Mr. You're a Better Man Than I, Heartful of Soul, and a wild and improvisational I'm A Man. I find it interesting that I'm a Man is the song in which the band stretches out and jams, rather than Dazed and Confused, which was also in the setlist. This a very cool snapshot of a very cool time in music, as well as the future of Led Zeppelin.

Reporting from a double overcast Nashville, the fellas meet up at Dadville HQ to check in about a host of topics. They start with how to balance the constant dance of middle-school homework responsibilities. When is it too much? Also, the explore the yearly face-off with all the various viruses that rip through so many households. And if that wasn't enough, Dave goes deep on thinking about how old Clapton was when he made Unplugged. Spoiler: It triggers Dave a bit.  Join us: http://dadville.substack.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1960s London, for young guitar enthusiasts, believing that “Clapton is God” was practically the 11th Commandment. In 1970 he lent his big, sticky tone to yet another band: Derek and the Dominos. The group's white-hot blues burned bright for barely more than a year, but their impact was massive. Guided by drug, alcohol and heartbreak free-fall, Eric Clapton created one of rock's most recognizable guitar riffs, while drummer Jim Gordon contributed God's great piano coda. Except Gordon was guided by something far more sinister — something that started with incessant voices in his head, and ended with a hammer, a butcher knife, and a dead mother. To see the full list of contributors see the show notes at www.disgracelandpod.com. This episode was originally published on December 6, 2021. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices