Podcasts about Clapton

Part 2 of my conversation with guest Phil Stacey about songs we hate to love.  Show notes: Our top 10 songs we hate to love in no particular order Phil: A song from the infamous Great White One of the many bands who tried to sound like Zeppelin Jay: Rupert Holmes somehow got cheesier than the "Pina Colada Song" Classic AM gold shizz Phil: A big hit for the Carpenters Originally written for a bank commercial Jay: Monster disco one-hit wonder from Patrick Hernandez Phil: Britney with an earworm Jay: Raspy pop smash from Kim Carnes Crossed over to MOR stations that our parents listened to Phil: Digging into the Jefferson Starship ballads Marty Balin got on the wrong side of the Hell's Angels at Altamont Jay: Phil Collins did a lot of soundtrack music in the '80s in addition to everything else A patented Collins Angry Ballad Phil digs that calypso beat in one of Lionel Richie's biggest hits Richie was one of the driving forces behind "We Are the World" Jay: A synth pop cover of "Lean On Me" Phil: Secretly loved the Saturday Night Fever soundtrack as a kid Yvonne Elliman sang backups on several Clapton albums Jay: Non-English hit by Falco Only German-language #1 song in America Phil: Frankie Valli's disco song in Grease Written by Barry Gibb, who was unstoppable in the late '70s Jay: Early '70s soft rock jam from Albert Hammond Phil: John Mayer's wuss rock moment More familiar with his work in Dead and Co. Jay: Rediscovered recently his love of Little River Band Australian purveyors of catchy dad rock Original members lost the rights to the band name Phil: Shout out to the Weather Girls Catchy and co-written by Paul Shaffer Jay: Another huge hit from the Queen of Disco, Donna Summer Phil: An apparently ironic love ballad from the Captain and Tennille Jay: Another hit from the Gibb family, this time younger brother Andy Too much cocaine, apparently Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Send us a textOn this episode talk about failed parenting, broken guitars, Ozzy's band, rock imaging with Cousin Larry, new songs from Clapton and Plant, respectively; we play MixTape and climb the Wall of Tunes for a band that we think still holds the record for the “loudest rock concert” #taylor #clapton #plant #deeppurplehttps://www.facebook.com/obrienanddoug/ https://instagram.com/obrien_and_doug

Album de la semaine: "Help! -Betles 1965 Beatles-Help!)Help! (65)P.McCartney-Ram on/Ram on (reprise)-Ram (71)J.Lennon-You are here-Mind games (73)G.Harrison-Isn't it a pity (version 2)-All things must pass (70)R.Starr-Husbands and wives-Goodnight Vienna (74)Beatles-The night before-Help! (65)G.Harrison-Pure smockey-Thirty three & 1/3 (76)Beatles-Love me do-Please please me (63)Beatles-Hold me tight-With the Beatles (63)J.Lennon-Instant Karma ! (We all shine on) (live)-Power to the people (Live at the One to One concert) (25-72)Beatles-You've got to hide your love away-Help! (65)J.Lennon-Yer blues (feat. E.Clapton, K.Richards)-Rolling Stones' "Rock and roll circus"P.McCartney-Jenny Wren-Chaos and creation in the backyard (05)P.McCartney-Seems like old time-USBBeatles-I don't want to spoil the party-For sale (64)Traveling Wilburys-Heading for the light-Traveling Wilburys vol.1 (88)Beatles-Another girl-Help! (65)M.Bublé-My valentine-Higher (22)Julian Lennon-Ok for you-Valotte (84)G.Harrison-That which I have lost-Somewhere in England (81)P.McCartney-Summertime-Choba B CCCP (88-91)P.McCartney-Sweet sweet memories-Single (93)Beatles-You're going to lose that girl-Help! (65)R.Starr-You've got a nice way-Stop and smell the roses (81)R.Starr-In my car-Old wave (83)Beatles-I will-White album (68)Beatles-Julia-White album (68)Beatles-Yesterday-Help! (65)R.Starr-Don't go where the road don't go-Time takes time (92)P.McCartney-Girls' school-B side "Mull of Kintyre" single (78)

"STILL STANDING IN THE RAIN" MUSIC VIDEO BY SLEEPGATE FROM SHASHO AND THE CAPTAIN PRODUCTIONS © Copyright shashoandthecaptainproductions.com All Rights Reserved. Born from thunder and baptized in distortion, SleepGate is a genre-defying rock force that channels the raw pulse of rebellion, resilience, and revelation. Formed in the shadow of a world unraveling, the band fuses cinematic storytelling with searing guitar work, haunting vocals, and lyrics that cut through the static of modern life. Their debut track, Still Standing In The Rain, is more than a song—it's a declaration. A sonic storm that refuses to break, SleepGate's sound is forged from the ashes of classic rock, post-grunge grit, and progressive ambition. Think Pink Floyd meets Soundgarden in a lightning-lit dreamscape. SleepGate is the musical embodiment of The Liberty Code mythos—where every note is a battle cry, every chorus a coded message, and every silence a reckoning. With visuals as vivid as their sound, the band invites listeners into a world where sleep is rebellion, and waking up means facing the truth. SleepGate isn't just a band. It's a portal. Step through.   LYRICS:   I've walked through years that never felt like mine  Chased dreams that faded in the rearview sign  Watched lovers leave and friends drift away  But I'm still here, I'm still okay    (Pre-Chorus)  Every scar's a story I survived  Every tear just proof I'm still alive    (Chorus)  I'm still standing in the rain  Let it wash away the pain  Lightning cracks, but I don't run  I face the storm ‘til morning comes  I've been broken, I've been bruised  But I've got nothing left to lose  I'm still standing in the rain  And I won't fade away    (Verse 2)  I've heard the silence louder than the crowd  Felt invisible, but never bowed  Held onto hope like a fraying rope  And found my strength in letting go    (Pre-Chorus)  Every fall just taught me how to rise  Every loss became a new sunrise    (Chorus)  I'm still standing in the rain  Let it wash away the pain  Lightning cracks, but I don't run  I face the storm ‘til morning comes  I've been broken, I've been bruised  But I've got nothing left to lose  I'm still standing in the rain  And I won't fade away    (Bridge – Guitar Solo)  [Soaring solo with echoes of Clapton and Gilmour]  Let the thunder roll, let the heavens cry  I'll be the echo that never dies    (Final Chorus)  I'm still standing in the rain  Let it baptize me again  I'm not afraid of what I've seen  I wear my past like faded jeans  I've been shattered, I've been scarred  But I still play this old guitar  I'm still standing in the rain  And I won't fade away    Support us on PayPal!

Deze maand overleed Bobby Whitlock. Hij is de man die samen met Clapton Derek & The Domino's oprichtte, de man die vanuit Memphis een fijne portie soul aan de rockmuziek toevoegde. Hij speelde niet alleen met Clapton, ook met George Harrison, the Rolling Stones en de soulmuzikanten van STAX Records. 

From the Lock Tavern via The Gun to spoons… Family Silver are Mr Nick ‘The Gun' Stephens and Casper ‘Volte Face' Clark. Nick was the publican at The Gun, a much-loved Hackney institution that recently closed its doors – more on that here for those who have been living under a rock. Nick's excellent Netil radio show can also be found here. Casper, is based in Clapton and was the music programmer for Camden institution The Lock Tavern where our paths originally crossed – most of the time being kicked out whilst DJing. Casper's shared stages with Justice, Jeff Mills, Helena Hauff, Daniel Avery and many more and is also known for his long-running BleeD events via which he collaborated with labels like Blackest Ever Black, PAN and Downwards. Both share a love for “v lo-fi early eighties sound, kosmische, post-punk and scuzzy electronics,” with Nick's influences ranging from 80s TV themes and Giorgio Moroder to The KLF, while Casper was shaped in his youth by electronic acts like Leftfield, Underworld, and William Orbit with DJ Hell's International Deejay Gigolo Records becoming a huge influence later on. Their sound sits between post-punk and the electronic… so with that in mind let's give it a listen shall we? Handily via the wonder of a recording from this year's Field Maneuvers where they opened The Gun's stage. Listen and read the interview here: https://www.theransomnote.com/music/mixes/line-out-family-silver-live-sputnik-field-manuevers-2025/ @volte_face_bleed @fieldmaneuvers

Send us a textMusician Bobby Whitlock best known as a member of the blues-rock band Derek and the Dominos, with Eric Clapton has passed away.Bobby Whitlock, the pianist, guitarist and songwriter who played on three of rock's most legendary albums — Layla and Other Assorted Love Songs, All Things Must Pass and Exile on Main Street — has died. He was 77.A statement provided to ABC Audio by his manager Carole Kaye reads, “With profound sadness, the family of Bobby Whitlock announces his passing at 1:20am on Aug. 10 after a brief illness. He passed in his home in Texas, surrounded by family.”Born and raised in Memphis, Whitlock played on recordings by Sam & Dave and Booker T. & the M.G.'s as a teen and was the first white artist signed to Stax Records. In 1969, he played on the album Accept No Substitute by Delaney and Bonnie Bramlett and joined their touring band, Delaney & Bonnie and Friends. Eric Clapton and George Harrison subsequently joined the band as guest “Friends,” which led to Whitlock and Clapton backing Harrison on the former Beatle‘s landmark 1970 album All Things Must Pass.While working on Harrison's album, Whitlock and Clapton formed Derek and the Dominos with fellow Friends Carl Radle and Jim Gordon. Whitlock wrote or co-wrote seven of the 14 songs on their now-iconic album Layla and Other Assorted Love Songs, including “Tell the Truth” and “Bell Bottom Blues.”

On the August 5 edition of the Music History Today podcast, a music television institution starts its run, Def Leppard signs, the Runaways form, and Clapton gets racial. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayResources for mental health issues - https://en.wikipedia.org/wiki/List_of_suicide_crisis_lineshttps://findahelpline.comResources for substance abuse issues - https://988lifeline.orghttps://www.samhsa.gov/find-help/helplines/national-helpline

Follow Mike on Instagram @mikericecomedy. If you would like to support the podcast on Patreon, you can do so at the link below. Cheers x https://www.patreon.com/CHIEFCAST

Warning: this episode contains a lot of topics that some listeners may be sensitive to including; mental and physical/sexual abuse, substance-abuse and NSFW language, please, proceed with this in mind. This one is a long one, y'all, buckle-up and come with us as we discover the early lives and legacies of three of the most talented guitar players around.   As always, we appreciate our listeners lending us their time and ears. Thank you for your interest and support. - The 3SD Team 

In this episode I talk you through three great triad shapes for playing blues solos in the key of G Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

In this video, I share how Eric Clapton's Just One Night album completely shifted my musical direction, and how the real surprise was Albert Lee. Clapton's fiery playing grabbed my attention, but it was Albert's Telecaster tone, precision, and country-infused style that opened the door to a whole new world of music for me. In the episode, I forget the names of 1985 tour members Shawn Murphy and Tim Renwick. Support the show

durée : 00:05:51 - C'est une chanson - par : Frédéric Pommier - Tout cet été, nous réécoutons les entretiens de Frédéric Pommier. Aujourd'hui, c'est avec la chanteuse Jenifer. Elle évoque le tube "Tears in Heaven" d'Eric Clapton, une chanson qu'elle a besoin d'écouter régulièrement et qui ne cesse de la bouleverser. (Rediffusion de l'émission du 29/11/2024) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode I give you some useful tips for playing slide in Open G and talk you through a couple of classic Muddy Waters riffs. Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

Robert Johnson's entire recording career lasted just seven months. He left behind only 29 songs and two photographs -  yet his influence runs through everything from Delta blues to The Rolling Stones, Zeppelin, Dylan, and Clapton.This episode dives into the myth and the man:A troubled childhood in the Deep SouthTragedy, obsession, and the death of his wifeThe infamous “deal with the Devil” at the crossroadsHis mysterious death by poisoning at 27And how his music lived on to shape rock and roll. Was it hoodoo, raw talent, or something darker? You decide. Patreon listeners get this episode completely ad-free and early.Follow, share, and leave a review if you enjoy the episode - it really helps.Don't miss an episode - follow, comment, like, and share!Connect with us on social media @‌themondaynightrevue or email at themondaynightrevue@gmail.com.Explore our podcast merch: Shop HereSupport the show: Buy Me a CoffeeDiscover curated reads: BookshopFor ad-free episodes, minisodes, and exclusive perks, join us on Patreon: Support on PatreonWritten and edited by Corinna Harrod with Holly Clarke. Artwork by Jessica Holmes.Music: "The Mooche" by Duke Ellington (1928). Become a supporter of this podcast: https://www.spreaker.com/podcast/the-monday-night-revue--4921180/support.

In a first for us hear at The Wolf, we're rebooting a previous episode with cool, never before heard material. On Episode 221 we did our usual track by track, in-depth analysis of Eric Clapton's Behind The Sun as it turned 40. It was a bit of a return to form for Clapton after he had worked to clean himself up and went platinum after some less than stellar albums in the early 80s. Still, songs She's Waiting and Forever Man turned out to be solid hits for Eric. Warner Brothers wanted the album to be a hit so they employed the hottest man in the business at the time, Phil Collins, to take Eric and his band down to Montserrat to put together a hit. However, Warner wasn't thrilled with the results so they had Eric come to LA to cover some songs written by Jerry Lynn Williams with some of the best session musicians of the day (and of all time). Eric's longtime guitar tech, Lee Dickson, has appeared on our show a couple of times before including on Ep 242 with Alan Hunter of MTV talking about Live Aid from Philadelphia. Lee gives us some color on how things went down in Montserrat, how a young producer almost ruined a six figure Martin guitar, how Sting popped up to say hello and contribute to the sessions and how Lee taught himself to swim while everyone else was at the beach. He also sheds some light on the LA sessions that Ted Templeman oversaw and how psyched Clapton was to work with some of the world's best session musicians like Steve Lukather, Greg Phillinganes and eventual member of his touring band, Nathan East. Lee tells a hilarious story about working with songwriter Jerry Lynn Williams and the character he was. Lee talks about the cool stuff they did making the album, we offer our track by track review including songs from the sessions that didn't make the album (one track made it into Back To The Future) and at the end he gives some inside information on what he does to make his artists sound incredible and life in rock n roll. It's a special edition we think you'll love. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

“It was like hitching a ride on a shooting star: a fantastic experience that caused immense pain, but I'm glad I had it…That sort of experience doesn't come twice.”Except when it does.You know the story, you know the songs, but there's so much more to the woman behind them. Episode three of the Dolls Pod Beatle Girl Miniseries is dedicated to rock-and-roll's Helen of Troy: Pattie Boyd. Pattie's story is a lot more than meets the eye. She broke generational cycles, gained her independence (the hard way,) discovered her self-worth, and finally found herself after decades of living in song. (Plus: Abby hears 99 Luftbaloons in a bagel shop and goes straight to Emma for the story.) Pattie Boyd: The Real-Life Layla is up now, wherever you stream your podcasts

On this episode of Exclusively Van Halen on Johnny Beane TV — we dive into Eddie Van Halen's complex personality with longtime friend and Tonechaser author Steven Rosen. Eddie lived for music… but if you disrespected him, he never forgot — just ask Eric Clapton!

In a first for us hear at The Wolf, we're rebooting a previous episode with cool, never before heard material. On Episode 221 we did our usual track by track, in-depth analysis of Eric Clapton's Behind The Sun as it turned 40. It was a bit of a return to form for Clapton after he had worked to clean himself up and went platinum after some less than stellar albums in the early 80s. Still, songs She's Waiting and Forever Man turned out to be solid hits for Eric. Warner Brothers wanted the album to be a hit so they employed the hottest man in the business at the time, Phil Collins, to take Eric and his band down to Montserrat to put together a hit. However, Warner wasn't thrilled with the results so they had Eric come to LA to cover some songs written by Jerry Lynn Williams with some of the best session musicians of the day (and of all time). Eric's longtime guitar tech, Lee Dickson, has appeared on our show a couple of times before including on Ep 242 with Alan Hunter of MTV talking about Live Aid from Philadelphia. Lee gives us some color on how things went down in Montserrat, how a young producer almost ruined a six figure Martin guitar, how Sting popped up to say hello and contribute to the sessions and how Lee taught himself to swim while everyone else was at the beach. He also sheds some light on the LA sessions that Ted Templeman oversaw and how psyched Clapton was to work with some of the world's best session musicians like Steve Lukather, Greg Phillinganes and eventual member of his touring band, Nathan East. Lee tells a hilarious story about working with songwriter Jerry Lynn Williams and the character he was. Lee talks about the cool stuff they did making the album, we offer our track by track review including songs from the sessions that didn't make the album (one track made it into Back To The Future) and at the end he gives some inside information on what he does to make his artists sound incredible and life in rock n roll. It's a special edition we think you'll love. Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

When you talk about iconic Australian singer-songwriters, it doesn't take long before Richard Clapton's name comes up. For over five decades, Richard has been one of Australia's true rock poets — the kind of artist whose songs become part of people's lives, the soundtrack to long road trips, beach holidays, and nostalgic nights on the back deck with a cold beer in hand.Born on Sydney's north shore, Richard grew up like a lot of kids — dreaming of music that took him beyond suburbia. In the late 60s and early 70s, Richard packed up and headed for Europe, guitar slung over his shoulder, busking in the streets and absorbing the counterculture that was blooming across the continent. When he returned, Richard brought with him a suitcase full of songs and stories that reflected not just his travels but the changing face of Australia itself. In '73, he released his debut single Last Train to Marseilles. But it was his '75 album Girls on the Avenue that really made people sit up and listen. The title track turned Richard Clapton into a household name almost overnight.Through the mid-to-late '70s, Richard released a string of albums that are now regarded as cornerstones of classic Australian rock music. Richard carved out a loyal audience that followed him from smoky inner-city pubs to big festival stages. His songs were — and still are — snapshots of the Australian psyche: romantic but real, hopeful but tinged with a knowing sadness.But Richard didn't just write for himself. He became a sort of elder statesman for the Aussie rock scene, helping to mentor up-and-coming acts that would soon become legends themselves. Bands like INXS, Cold Chisel, and Mental As Anything all found a kindred spirit in Richard, whose lyrics and attitude proved you could write songs about Australian life that were poetic, gritty, and universal all at once. He even produced INXS's second album, helping shape the band's early sound before they broke big internationally.If you've ever seen Richard Clapton live, you'll know that he's the real deal. His voice — warm, slightly weathered, and instantly recognisable — carries the weight of decades on the road and in the studio. He has that easy rapport with an audience that only comes from years of standing on a stage, guitar in hand, telling stories through song. For many Australians, his gigs are like a reunion with an old friend — everyone singing along to Girls on the Avenue or swaying to Deep Water as if no time has passed at all.What makes Clapton's story so compelling is that he never really chased fame for fame's sake. He's always seemed more interested in writing the next great song than chasing trends. And yet, he's ended up as one of the true pillars of Australian rock, a fact recognised when he was inducted into the ARIA Hall of Fame in 1999.Today, well into his seventies, Richard Clapton is still out there doing what he loves most — writing songs, recording new music, and hitting the road to play to crowds who still know every word. In recent years, he's released new albums like Harlequin Nights and Music Is Love (1966–1970), a tribute to the songs and artists that shaped him, from Bob Dylan to Neil Young. His autobiography, The Best Years of Our Lives, published in 2015, pulls back the curtain on decades of wild gigs, unforgettable characters, and the hard-won wisdom that comes from surviving the ups and downs of the music industry.And yet, for all the tours, albums, and accolades, it's the songs that matter most. Ask any fan what Richard Clapton means to them, and you'll likely hear a story about summer days driving up the coast or seeing him live for the first time.In an industry that's constantly changing, Richard Clapton stands as a reminder that great music is timeless. Singer-songwriter, rock poet, mentor, and living legend Richard Clapton joins us here to share his stoires. Check the website for gigs near you.

One More Saturday Night/ Fire Opener, That's a show! The genius of Garcia, three well-crafted peaks in one instrumental....Desirable selections all night...Comes a Time stops time in its tracks...This was also the 40th anniversary of Live Aid...Thoughts on performances by Dire Straits, Clapton, and Dylan.

Live 1 heure.

In this episode I am demoing 4 different picks to see if the size, shaoe and material actually affect the sound. Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

What happens when one guitar god pays tribute to another… and it backfires? In this episode, we dive deep into the surprising fallout between Eddie Van Halen and Eric Clapton — two of rock's most legendary players. It all started with a jam session in 1983, featured on Brian May's Star Fleet Project, where Eddie and Brian recorded a slow blues track called “Blues Breaker” — dedicated to Clapton himself. But Clapton hated it. He called it “horrible.” He said Eddie and Brian “can't play” the blues. And he delivered a scathing verdict: “If he was that tuned into me and missed that point… then he missed the whole point.” This video explores the tension between technical brilliance and emotional expression, the strict “rules” of blues as Clapton saw them, and how a friendship built on admiration ended with hurt feelings, harsh words, and never speaking again. We also revisit Dave Davies of The Kinks and his own complicated feelings about being imitated — including a jab at Eddie Van Halen's version of “You Really Got Me.” From tribute to tension, from respect to rivalry — this is the untold story behind one of rock's coldest guitar feuds.

What do Led Zeppelin, blues clubs in the UK, and pastrami sandwiches have in common? They all helped shape the life and passions of Michael Feldman—musician, storyteller, and owner of Salt Lake's beloved Feldman's Deli. In this soulful episode of Utah Stories, Michael sits down with Richard Markosian to reflect on his lifelong love for music, the Utah music scene, and how his travels in Europe and deep love for the blues still influence his life and community today.

Musical artists can release album after album, but eventually people will want an album with just their best songs all in one. Enter the greatest hits albums! And to discuss some of their favorite greatest hits albums is the Geek Salad crew with episode 256: The Beige Album. Join Andy, Mike, Joe, and Katherine as they do their first ever episode that was streamed live online. Amidst the occasional live viewer comments, the crew go over their favorite hit compilations. From the 60s to the present time, there are plenty of varied genres to meet any tastes. The biggest question is, which of Clapton's hits albums will make Joe's list. Geek Salad is available at www.geeksalad.podbean.com, or can be subscribed to at the iTunes store by using keyword “geek salad.”  Geek Salad is also available on Spotify,iTunes,  iHeart Radio and wherever else you get your podcasts! Also, check out the Podbean App where you can stream and download the entire Geek Salad archive right from your Android or iPhone!  You can get the app at either the Google Play Store or the Apple App Store!  Want Geek Salad swag?  Check out our new store on Tee Public, where you can get t-shirts, mugs, stickers, and so much other stuff!!!  Shop here! Geek Salad episodes are now also available to stream on YouTube.  “Like” and Subscribe to their channel at Geek Salad Podcast at www.youtube.com Contact Geek Salad at geeksaladradio@gmail.com.  Geek Salad is also available on Facebook under the group heading “Geek Salad Podcast.” Check out their website at www.geek-salad.com, and please subscribe to their Twitter/X, Threads, and Blue Sky feeds: @geeksaladradio Geek Salad is intended for adult listeners and contains coarse language and profanity.  Listener discretion is advised.

Una selección de músicos que hicieron parte de dos o más bandas exitosas en su carrera. Nuevo episodio con Juan Kiss y Alberto Marchena

Decades later, as if no time had passed, bassist Kevin Jenkins came to call. I met Kevin in 1986ish, when he was playing with Cyndi Lauper at the height of her fame. He had stopped in to the Rock 'N Roll Cafe, sat in, and graced our small stage. Big man on campus, he was pop-rock royalty. Girl just wanted to have fun, so with my Cafe cohort, Steve Principe, we headed to The Stone Pony to catch Kevin with Cyndi. About a decade later, I'd meet up with Cyndi as Upper Westside mommies… but I digress. Kevin continued to come around and sit in, most notably with my beloved Phoebe Snow and Matt Sorum from Guns & Roses, at the Cafe Wha. From Tokyo's Budokan to London's famous Albert Hall to NYC's Madison Square Garden - Kevin's played them all, with the aforementioned Cyndi Lauper, and Enrique Iglesias, Taylor Dayne, Vicki Sue Robinson, Graham Parker, Lamya, Tom Rush, Maxwell, Roberta Flack, Debbie GIbson and, most recently, Grammy® nominated blues queen Shemekia Copeland, who he's been with 2005. We talked about them all, as well as the music that influenced him, how he got started, how one meeting led to one gig, which led to another. When imbibing started to interfere, Kevin got sober 38 years ago. We discussed that journey, too. We discussed his highlights, opening for Clapton and Michael Jackson, as well as loss, and love. Kevin filled us in on his solo efforts, Step Inside and True Groove, as well as his latest, She:  A Tribute to Joni Mitchell, which will be released in November. Humble and unpretentious to a fault, it was a delightful stroll down memory lane with loads of new info and great stories along the way. Kevin is just as I remember him, except even better. Wisdom, experience, and a clear mind have added to the mix. Adore the man, love his playing, respect his humanity. Kevin Jenkins Live on Game Changers With Vicki Abelson Wednesday, 6/11/25, 5 PM PT, 8 PM ET Streamed Live on my FB Kevin Jenkins Live on Game Changers With Vicki Abelson Wednesday, 6/11/25, 5 PM PT, 8 PM ET Streamed Live on my FB http://bit.ly/4kG0LeK And YouTube https://www.youtube.com/watch?v=eup_wy0SJlM&t=2985s

In this episode I'm giving you my top 5 tips for going to a blues jam session, we cover what to learn ahead of time, what to do when you get there and why jam sessions are a great practice tool. Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

When blues powerhouse Albert Castiglia crossed paths with Bill Murray, neither could have predicted the musical partnership that would follow. In this captivating conversation with Greg Koch, Castiglia pulls back the curtain on how a Hollywood legend became his unexpected bandmate through a series of serendipitous connections that began with Murray's brother John."If Bill Murray wants to play in your band, you let him in your band," Castiglia remarks with characteristic humor. But beneath the celebrity factor lies a genuine musical connection that has taken them from intimate clubs to prestigious venues like Red Rocks. Far from seeking the spotlight, Murray approaches their collaboration with refreshing humility, insisting on equal billing and content to play percussion while occasionally stepping forward for a song. The audience response has been electric, with fans sometimes appearing in Ghostbusters costumes, moved to tears by Murray's magnetic stage presence.Castiglia's own journey through the blues landscape reveals the persistence required to build a sustainable career. From his early influences (discovering blues through Clapton and Johnny Winter's productions with Muddy Waters) to navigating the catch-22 of needing both a record deal and booking agent simultaneously, he speaks candidly about industry challenges. After cycling through five agencies, finding the right representation finally allowed him to expand from 100 shows annually to between 150-200 performances a year.The conversation touches on deeper themes of artistic growth, with Castiglia recently incorporating Coltrane's "Afro Blue" into his setlists after being inspired by Derek Trucks. He also reflects on lifestyle changes that have sustained his longevity, embracing sobriety after COVID and taking up boxing and Kung Fu to maintain his energy for grueling tour schedules. "I do this for the memories," he explains, capturing the essence of why musicians endure the hardships of the road.Ready to experience a genuine conversation between two musicians who've weathered decades in the business? Subscribe now and join us for more candid talks with roots music's most compelling voices.

This is an Encore Presentation of my February 2025 interview with Jeff “Skunk” Baxter, who is remarkably accomplished in two different careers. In the first he's a legendary World Class guitarist who's known for his work with Steely Dan, The Doobie Brothers and many others. In the second he's a world renowned expert in Counterterrorism and Missile Defense with a top level Government security clearance.As a musician Skunk has played with just about everyone including these one-namers: Elton, Barbra, Dolly, Eric and Ringo. He's a member of the Rock ‘n Roll Hall of Fame. As a defense expert he consults to the U.S. Government and to a number of major private companies.My featured song is “Lou's Blues”, my recent single with my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH SKUNK:www,jeffskunkbaxter.com________________________ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Sometimes, the best conversations happen when there's no agenda. This is one of those moments. With London as the backdrop — its history, energy, and unpredictable charm — Sean and I sat on the grass in Hyde Park and hit record. No script, no plan. Just two friends talking about music, memories, meditation, and why we still believe in experiencing things without a phone between us and reality.From yoga poses on park benches to tales of Clapton at Royal Albert Hall and an upcoming Oasis reunion in Cardiff (yes, really), this is a meandering mix of thoughts and stories — like walking down Portobello Road not knowing what you'll find. We touch on the lost art of being present, why live music changes everything, and how the UK's cultural influence shaped our creative paths.Sure, we dip into punk, rock, film, and a few philosophical musings about why Florence isn't featured more in books and movies — but it's all under one theme: reconnecting with the world around us. It's a conversation that could only happen in a place like London — rich with culture, memories, and endless possibility.If you're tired of content that's too polished, too planned, or too promotional… this episode is a breath of fresh (sometimes damp) British air.⸻Hashtags:#storytelling, #london, #musiclovers, #meditation, #unscripted, #podcastlife, #travelstories, #creativelife, #liveinthemoment, #punkrockNew episodes drop when they drop. Expect the unexpected.Hosts links:

Father Son - from Nathan & Noah East, out for just a little over a month now. David Fleming speaks with both Nathan and Noah, with 95% of the conversation on the new album. Several incredible original mainstream jazz compositions. Outstanding covers as well including Killer Joe, Over the Rainbow, My Favorite Things, Yesterday, and more. A personalized treatment puts it mildly. Some of these have such an incredible touch on them that you would think that they weren't covers at all.

This is a very cool look at Jimmy Page's music mere months before the formation of Led Zeppelin. May 29, 1968 at the Concord Colosseum had The Yardbirds playing a very cool bluesy/psychedelic set to a very lucky audience. Given that Clapton, Beck, and Page all gestated within the Yardbirds, it's safe to say the Yardbirds were a guitar band. Unfortunately, they were marketed as a pop combo, so as the 60's evolved into the wilder, more improvisational psychedelic areas, the disconnect between their record company and the band became unsustainable. The band folded shortly after this gig, leaving Jimmy with the Yardbirds name. I play Mr. You're a Better Man Than I, Heartful of Soul, and a wild and improvisational I'm A Man. I find it interesting that I'm a Man is the song in which the band stretches out and jams, rather than Dazed and Confused, which was also in the setlist. This a very cool snapshot of a very cool time in music, as well as the future of Led Zeppelin.

When you explore the music of The Yardbirds you are really observing the evolution of what would become hard rock.  This group started in 1963 and over its time would engage the talents of three of the greatest guitarists of the rock world:  Eric Clapton, Jeff Beck, and Jimmy Page.  Additional musicians in the group through 1968 were Keith Relf on vocals and harmonica, Jim McCarty on drums, Chris Dreja on rhythm guitar, and Paul Samwell-Smith on bass.  The group was founded in the blues, but over time would explore psychedelic rock, pop rock, and hard rock, with instrumental jams being a signature sound throughout their tenure.Having a Rave Up, also known as "Having a Rave Up with the Yardbirds," is their second American album, and showcases two of their virtuoso guitarists.  The album has one side of studio recordings in which Jeff Beck is the guitarist.  Side two is a compilation of live performances featuring Eric Clapton on guitar.  During a time when most songs were expected to run about three minutes, the Yardbirds would extend these out in live performances to six or seven minutes with instrumental jams known as "rave ups."  The combination of studio and live work is an excellent introduction to The Yardbirds, as the band's strength was in their live performances.  Their studio efforts would improve with the experimentation of Jeff Beck.Jimmy Page would become their guitarist in mid-1966 until their split-up in mid-1968.  He would form a group as "The New Yardbirds" shortly thereafter, which would be renamed shortly thereafter to Led Zeppelin.Rob brings us this study in the origins of rock for this week's podcast. Heart Full of SoulThis song was the first single released by The Yardbirds after Jeff Beck joined the group.  It was written by Graham Gouldman, who would later be the co-lead singer and bassist of 10cc.  The band wanted to include a sitar in the instrumentation for this song, but when things didn't work out for that, Beck experimented with his guitar to duplicate the eastern sound of the sitar instead.You're a Better Man than IThe opening song from the album is also known as "Mister, You're a Better Man than I."  It was written by brothers Mike and Brian Hugg, and is an attempt at a more folk rock song.  The socially conscious lyrics take aim at the hypocrisy of society and politics, stating that you shouldn't judge a person based on superficial appearances or education.Smokestack LightningThe live opener to side two is a cover of an old blues song recorded by American blues artist Howlin' Wolf in 1956.  The inspiration for the title came from watching trains go by at night and seeing the sparks come out of the smokestack.The Train Kept a-Rollin'While Aerosmith's cover may be more famous, this jump blues piece was originally performed by Tiny Bradshaw in 1951.  The Yardbirds played this song during their first American tour in 1965, and Sam Phillips recorded it for them in Memphis later that year.  It closes out side 1 of the album. ENTERTAINMENT TRACK:Main theme from the television action comedy "Batman"This campy superhero show premiered this month. STAFF PICKS:Don't Think Twice, It's Alright by The Wonder Who?Bruce begins the staff picks with a disguise group.  The Four Seasons used the name "The Wonder Who?" for four records released from 1965 to 1967, including this one.  Frankie Valli wasn't happy with his vocals on this song, and he recorded it with a "joke" falsetto voice while trying to break the tension in the studio.  All Your Love by John Mayall & the BluesbreakersLynch brings us a blues song originally recorded by American blues musician Otis Rush in 1958.  Multi-instrumentalist singer-songwriter John Mayall led this group, which included Eric Clapton on guitar and John McVie on bass.  This single is the lead-off track to the debut album "Blues Breakers with Eric Clapton," also known as "The Beano Album" because Clapton is reading a children's comic called "The Beano" on the front cover.My Generation by the WhoWayne's staff pick is the hit that started the trajectory for the Who.  Guitarist Pete Townshend wrote this song about young rebellion.  Roger Daltrey incorporates a stutter in his vocals to sound like a British mod on speed.  While this song would reach number 2 on the UK charts, it topped out at number 74 on the US charts.Day Tripper by the BeatlesRob features a well known song from the Beatles, recorded during the "Rubber Soul" album sessions but not included on the album itself.  It was released as a double A-side single along with "We Can Work it Out" during a time when the Beatles were under pressure to release a single in time for the 1965 Christmas season.   COMEDY TRACK:The Lurch by Ted CassidyTed Cassidy played Lurch on "The Addams Family," and also performed this novelty song.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Is the minor pentatonic scale over 3 thousand years old..... Probably not but today we are discussing the one scale to rule them all. We get into why the minor pentatonic scale is so heavily used for blues, where it comes from and what you should take from that. Should be a fun one!Support the showTo become a MEMBER and get access to over 2 Years of guitar lessons for just $5/Month head to https://www.buzzsprout.com/950998/subscribe

This is an Encore Presentation of my January 2024 interview with Randy Brecker, one of the greatest trumpet players of this generation. His incredible work runs the gamut from Blood Sweat & Tears, where he was an original member, to The Brecker Brothers, the band that he formed with his brother Michael, to his work with a Who's Who of artists including these one-name wonders: Clapton, Springsteen, Elton, Aretha, Tina, Bette, Chaka, Carly and Jaco. And he's a 6x Grammy winner.My featured song is “Child's Play” from my “lost” 1994 debut album called Miles Behind. Spotify link. ---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------Connect with Randy:www.randybrecker.com—----------------------------------------ROBERT'S RECENT SINGLES:“DAY AT THE RACES” is Robert's newest single.It captures the thrills, chills and pageantry of horse racing's Triple Crown. Called “Fun, Upbeat, Exciting!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS___________________“MOON SHOT” reflects my Jazz Rock Fusion roots. The track features Special Guest Mark Lettieri, 5x Grammy winning guitarist who plays with Snarky Puppy and The Fearless Flyers. The track has been called “Firey, Passionate and Smokin!”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS____________________“ROUGH RIDER” has got a Cool, ‘60s, “Spaghetti Western”, Guitar-driven, Tremolo sounding, Ventures/Link Wray kind of vibe!CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—--------------------------------“LOVELY GIRLIE” is a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Bobby Young and Nick Young of The Bobby Young Project join us in the studio today. For over 50 years Bobby has had a love affair with music, and the guitar. Strongly influenced by the likes of Hendrix, Clapton, Alvin Lee, Leslie West, Sly Stone and Freddie Stone, he has played and recorded with a long list of people including; The Natural Four, Sugar Pie DeSanto, Richard "Dimples" Fields, John Lee Hooker, Maria Muldaur, Jimmy McCracklin, Craig Horton, Snooky Flowers, Cool Papa, Archie Lee Hooker, Zakiya Hooker, and Alabama Mike.

Slapping the beanburger of news on the sizzling grill of scrutiny and served with relish by Alex Gold and Mark Ellen (David's in Spain with his bucket and spade). This week's specials include … … Springsteen's unprecedented speech onstage in Manchester about his nation's “corrupt, incompetent and treasonous administration” and the Dixie Chicks' career-popping anti-Trump manoeuvre of 2003. … John Niven's upcoming play ‘The Battle' and the Blur/Oasis soundclash it celebrates.   … the 50th anniversary of the Stones' (I Can't Get No) Satisfaction: from motel bed to finished recording in six days. … “Lennon's all about the legs”: the art of playing the Beatles, Keith Richards and all four of the Small Faces onstage (involves “ducking, bobbing and dipping”). … brilliant songs written in seconds – by Lady Gaga, the Beastie Boys, James Brown and the White Stripes.   … the tour circuit and the trouble at borders. … “the sound of dental floss being pinged by a squirrel”: Bill Bailey's impression of the Edge with a power failure. … Elvis v Cliff, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v Pistols, Duran v Spandau, Blur v Oasis: what was the last great rock rivalry? ... and Elvis Costello's inspired use of the Ansaphone.Fast Show clip ‘Mr Wells':https://www.youtube.com/watch?v=9FRAeFyBX1wHelp us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Slapping the beanburger of news on the sizzling grill of scrutiny and served with relish by Alex Gold and Mark Ellen (David's in Spain with his bucket and spade). This week's specials include … … Springsteen's unprecedented speech onstage in Manchester about his nation's “corrupt, incompetent and treasonous administration” and the Dixie Chicks' career-popping anti-Trump manoeuvre of 2003. … John Niven's upcoming play ‘The Battle' and the Blur/Oasis soundclash it celebrates.   … the 50th anniversary of the Stones' (I Can't Get No) Satisfaction: from motel bed to finished recording in six days. … “Lennon's all about the legs”: the art of playing the Beatles, Keith Richards and all four of the Small Faces onstage (involves “ducking, bobbing and dipping”). … brilliant songs written in seconds – by Lady Gaga, the Beastie Boys, James Brown and the White Stripes.   … the tour circuit and the trouble at borders. … “the sound of dental floss being pinged by a squirrel”: Bill Bailey's impression of the Edge with a power failure. … Elvis v Cliff, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v Pistols, Duran v Spandau, Blur v Oasis: what was the last great rock rivalry? ... and Elvis Costello's inspired use of the Ansaphone.Fast Show clip ‘Mr Wells':https://www.youtube.com/watch?v=9FRAeFyBX1wHelp us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Slapping the beanburger of news on the sizzling grill of scrutiny and served with relish by Alex Gold and Mark Ellen (David's in Spain with his bucket and spade). This week's specials include … … Springsteen's unprecedented speech onstage in Manchester about his nation's “corrupt, incompetent and treasonous administration” and the Dixie Chicks' career-popping anti-Trump manoeuvre of 2003. … John Niven's upcoming play ‘The Battle' and the Blur/Oasis soundclash it celebrates.   … the 50th anniversary of the Stones' (I Can't Get No) Satisfaction: from motel bed to finished recording in six days. … “Lennon's all about the legs”: the art of playing the Beatles, Keith Richards and all four of the Small Faces onstage (involves “ducking, bobbing and dipping”). … brilliant songs written in seconds – by Lady Gaga, the Beastie Boys, James Brown and the White Stripes.   … the tour circuit and the trouble at borders. … “the sound of dental floss being pinged by a squirrel”: Bill Bailey's impression of the Edge with a power failure. … Elvis v Cliff, Beatles v Stones, Hendrix v Clapton, Bowie v Bolan, Clash v Pistols, Duran v Spandau, Blur v Oasis: what was the last great rock rivalry? ... and Elvis Costello's inspired use of the Ansaphone.Fast Show clip ‘Mr Wells':https://www.youtube.com/watch?v=9FRAeFyBX1wHelp us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

ReferencesSignal Transduction and Targeted Therapy 2019. volume 4, Article number: 7 JAMA. 2024 Dec 10;332(22):1924–1935. ACS Nano , 2025.January 27.Vol 19/Issue 5Guerra, DJ. 2025. Unpublished Lectures.Clapton &Whitlock. 1970."Why does Love have to be so Bad?" on LAYLA lp.https://open.spotify.com/track/6S5DtyJNXTgHEXIVUToAPP?si=e2c45a57168f4f6eAllman, D 1970 "Little Martha" on EAT A PEACH lp.https://open.spotify.com/track/2WPLFvAldG0GG6Ad3Xa0TO?si=8d5e8ed3fa934860Mozart, WA. 1791 "Clarinet Concerto in A Major. K.622https://open.spotify.com/album/5PerO11RxVNvixJPjW4UAl?si=2Jnw72E6QueNO6I9ff6Wzw

You've heard his basslines your whole life — you just didn't know it. In this incredible episode, Nathan joins Paul to share jaw-dropping stories from his decades at the top of the music industry. Hear how he got his start with Barry White as a teenager, the spontaneous moment that led to writing Easy Lover with Phil Collins, what it was really like recording Bad with Michael Jackson and Quincy Jones, and why MTV Unplugged with Clapton was pure magic. Plus, Nathan opens up about recording and touring with his son Noah East, collaborating with legends like Stevie Wonder and why the music never stops. It's part masterclass, part time capsule, and all heart. Hit play now and discover why Nathan East is one of music's best kept secrets — and why he's more than earned his place among the greats. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's episode is all about one of Eric Clapton's proudest moments. It all happened when he was asked to play on an album with one of the greatest musicians of all time. The thing that makes the story stand out is that it shows even the greats of guitar get nervous. In the episode, I share Clapton's story and what he had to say about his incredible and unique experience. But all of us have been there on a smaller scale – feeling nervous about playing in front of others. Everybody gets nervous, and everybody thinks there's someone better out there, even the greats. The key is just to stay relaxed. If you enjoyed this podcast, you can get my free “guitar secrets” video course which will help all beginners or those who are “stuck”. Get the course for free, exclusively at - https://fingerstyle101.com/secrets/ Like this episode? Your reviews for this podcast mean the world to me, so please let us know what you thought about the Acoustic Asylum!  

This time, Chris Shiflett sits down with fellow west coaster Craig Ross, who calls in from Madrid equipped with a lawsuit-era Ibanez 2393. The two buddies kick things off commiserating over an increasingly common tragedy for guitarists: losing precious gear in natural disasters. The takeaway? Don't leave your gear in storage! Take it on the road! Ross started out in the Los Angeles band Broken Homes, influenced by Chuck Berry, Buddy Holly, and the Beatles, but his big break came when he auditioned for Lenny Kravitz. Kravitz phoned him up the next day to tell him to be at rehearsal that evening. In 1993, they cut one of their biggest hits ever, “Are You Gonna Go My Way?” Ross explains that it came together from a loose, improvisatory jam in the studio—testament to the magic that can be found off-leash during studio time. Ross recalls his rig for recording the solo, which consisted of just two items: Kravitz's goldtop Les Paul and a tiny Gibson combo. (No fuzz or drive pedals, sorry Chris.) As Ross remembers, he was going for a Cream-era Clapton sound with the solo, which jumps between pentatonic and pentatonic major scales. Tune in to learn how he frets and plays the song's blistering lead bits, plus learn about what amps Ross is leaning on these days. If you're able to help, here are some charities aimed at assisting musicians affected by the fires in L.A:  https://guitarcenterfoundation.org https://www.cciarts.org/relief.html https://www.musiciansfoundation.org https://fireaidla.org https://www.musicares.org https://www.sweetrelief.org Full Video Episodes: http://volume.com/shifty  Apple: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314 Follow Chris Shiflett: Facebook: https://www.facebook.com/chrisshiflettmusic Instagram: https://www.instagram.com/shifty71 TikTok: https://www.tiktok.com/@chris.shiflett Twitter: https://twitter.com/chrisshiflett71 Website: http://www.chrisshiflettmusic.com Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag Producer: Jason Shadrick Executive Producers: Brady Sadler and Jake Brennan for Double Elvis Engineering support by Matt Tahaney and Matt Beaudion Video Editor: Addison Sauvan Graphic Design: Megan Pralle Special thanks to Jon Romeo, Michelle Yoon, Chris Peterson, Greg Nacron, and the entire Volume.com crew.

Reporting from a double overcast Nashville, the fellas meet up at Dadville HQ to check in about a host of topics. They start with how to balance the constant dance of middle-school homework responsibilities. When is it too much? Also, the explore the yearly face-off with all the various viruses that rip through so many households. And if that wasn't enough, Dave goes deep on thinking about how old Clapton was when he made Unplugged. Spoiler: It triggers Dave a bit.  Join us: http://dadville.substack.com Learn more about your ad choices. Visit megaphone.fm/adchoices

By 1985, Eric Clapton's storied career seemed to be flaming out. The Rock God status he'd attained in the 60s with The Yardbirds and Cream and maintained as a solo artist in the 70s had started to wane thanks to inconsistent records, drugs and alcohol. His previous record, Money and Cigarettes, lacked hits and failed to go gold - his first for Warner Brothers. Needing a success in the days of MTV and synthesizers, he turned to Phil Collins who had the magic touch at this time (listen to UAWIL 220 on No Jacket Required). And though they had fun in Montserrat recording the album, all was not well. Eric was slowly but surely breaking up with Pattie Hanson - his wife, the inspiration for Layla and former wife of George Harrison. You can hear his lament on songs like Just Like A Prisoner and the title track. Despite the emotion he may have put into the tracks, Warner Bros weren't happy. So they teamed him up with one of their songwriters, Jerry Lynn Williams, and Van Halen producer Ted Templeman to craft a couple of hits in LA. The single Forever Man did top the mainstream rock charts in the US and helped the album go platinum. But Clapton seems uneasy with some of the synthesizer work and the songs written by others. Nonetheless, this record did bring him some needed success and attention which would lead to bigger achievements in the late 80s, the early 90s and beyond. Released March 11, 1985, we thought this one is an interesting inflection point in Clapton's catalog and worthy of a look as it turns 40. Check out our new website: Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1960s London, for young guitar enthusiasts, believing that “Clapton is God” was practically the 11th Commandment. In 1970 he lent his big, sticky tone to yet another band: Derek and the Dominos. The group's white-hot blues burned bright for barely more than a year, but their impact was massive. Guided by drug, alcohol and heartbreak free-fall, Eric Clapton created one of rock's most recognizable guitar riffs, while drummer Jim Gordon contributed God's great piano coda. Except Gordon was guided by something far more sinister — something that started with incessant voices in his head, and ended with a hammer, a butcher knife, and a dead mother. To see the full list of contributors see the show notes at www.disgracelandpod.com. This episode was originally published on December 6, 2021. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices