Podcasts about James Brown

Nate Wilcox and Ed Ward continue their discussion of Ed's ⁠⁠⁠⁠⁠⁠⁠"History of Rock & Roll 1920-1963⁠⁠⁠⁠ "⁠⁠⁠⁠ with the first of two shows discussing 1963. This week we'll be talking about how Berry Gordy perfected his Motown assembly line, Phil Spector and the wrecking crew, Roy Orbison's operatic dramas, Patsy Cline's final year, and how James Brown finally seized control of his career and became the Godfather of Soul. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

December 5, 2025 Today we look at the top songs debuting on the Billboard chart this week back in 1985, 1995, 2005, & 2015. Dustin, Jason, and Tyler welcome back our faithful youth correspondent Grace. We discuss 12 songs from this week in music history, including 8 Top 10s and 3 #1s! We have new songs from The Rentals, James Brown, Ne-Yo, Justin Bieber, and more. Want to be cool like us and watch the music videos for all the songs? Then here's a convenient playlist that has them all in order of discussion.

Start with a prophecy almost everyone agrees is important but few claim to understand: Daniel 9. Now imagine testing it with modern calendars, archaeological finds, and arithmetic simple enough for a pocket calculator. That's the journey we take with chemist and author James Brown, who argues that Daniel's timeline doesn't just gesture at a vague era; it targets key dates in the life of Jesus and links to milestones in recent history with day-level precision.We walk through James's personal shift from cultural apathy to evidence-driven faith, sparked by fatherhood and a Bible study that refused to leave Daniel 9 in the fog. He explains how earlier giants like Newton and Anderson got close but lacked twentieth-century data and calendrical corrections. Then the conversation broadens: Ezekiel 4's cryptic count suddenly slots into place, Jeremiah's seventy years connect to Daniel's captivity marker, and two modern events—Israel's statehood in 1948 and Jerusalem's 1967 reunification—emerge as verifiable waypoints in the same framework.Along the way, we revisit the surprises archaeology has delivered, from the Hittites to Belshazzar, and we follow the trail to the Great Isaiah Scroll, carbon-dated to about 125 BC and preserving Isaiah 52:13–53:12 with striking clarity. James contends these threads knit together three objective proofs: God exists, Jesus is the promised Messiah, and Scripture carries reliable prophecy and fulfillment. No advanced math, no shifting rules—just one consistent method, audited and reproducible.If you've wanted more than slogans—if you've wanted reasons you can check—this conversation lays out the timelines, sources, and safeguards. Listen, take notes, and test it for yourself. If it holds, share the episode with someone who loves data as much as they love big questions. And if it challenges you, leave a review with the toughest counterpoint you can raise—we'll keep the conversation going. Subscribe for more evidence-based deep dives and thoughtful interviews.Let me know what you think of this episode? Support the showSupport the Podcast. https://buymeacoffee.com/dorseyrossSocial Media Links, Instagram https://www.instagram.com/dorsey.ross/ Facebook https://www.facebook.com/DROCKROSS/ My Book Amazon Book Overcomer https://bit.ly/4h7NGIP

Barren County girls' basketball coach Piper Lindsey joins James Brown and John Butler to talk about her team and the upcoming season. The Trojanettes are rated No. 1 in the Fourth Region in preseason polls.

The Cincinnati Symphony Orchestra will screen the documentary "Cake Walk" on Dec. 7.

! Turn On - Choon In - Zig Zag ! - ! What's Past - Is Prologue ! ! !   Callin'  ALL  The  Boom Booms  &  The Zoom Zooms   ! ! . . .   GROUND  DOWN  TO  THE  REAL UNDERGROUND   . . . * * *  GROOVIN'  BLUE   25 - 11 * * * Groovin' Blue is dedicated to Sunny "Sweet Daddy Fonk" Wong.  "Sweet Daddy" was a much admired and much loved WAGRadio on-air performer and boyhood pal of the station's Vinyl Librarian William "Fats Is Back" Reiter.   In 2010 they accomplished a ten day mid to late October trip-of-a-lifetime to the U.S.A. through six Southern states driving mostly on back roads - South Carolina, Arkansas, Mississippi, Georgia, Tennessee and Alabama - home birth states of most of their musical heroes . . . James Brown, Ray Charles, Elvis Presley, Otis Redding, Bobby "Blue" Bland, Brook Benton, Little Richard, "Brownie" McGhee, Eddie Floyd, Percy Sledge, Eddie Kendricks, Gladys Knight, Wilson Pickett . . . the list is endless.  Illness prevented Sunny from going with his brother from a different mother on a second planned road trip. The Vinyl Librarian is looking forward to DJZigZag putting up the eighth of eight "Southern Music Tour (Is Fun)" shows up on Podbean and Soundcloud for the WAGRadio Prepared Lissener audience in the near future.  Show No. Seven has been well received - soundcloud - https://soundcloud.com/user-500142074/southern-music-tour-is-fun-num 1.  (5:09)  WAGRadio GB 25 - 11 Intro - Produced by WAGRadio Vinyl Librarian William "Fats Is Back" Reiter (formerly CKLG-FM 96.9 Boss Jock - 'Bill Reiter - The All-Niter') 2.  (3:47)  "D001 (DJZigZag Roaches In The Background EdiT)" - APPAREL WAX [Apparel Music Catalog] Italy 3.  (  :11)  WAGRadio GivIToMe EdiT 4.(4:50)  "Yeah (60's Soul Cover) 1960's Soul AI Cover" - USHER [. almost real] 5.(  :41)  WAGRadio MenTal Track Id 6.(4:18)  "We're Alive (DJZigZag EdiT of The Soulful House Mix)" - JULIAN MARSH [Yellow Staircase Music] 7.(2:47)  "Lady Cop (Instrumental)" - 2RARE [Warner Bros.] 8.(  :20)  WAGRadio TooRoo Tee Id 9.(3:01)  "ABC's" - RAECOLA, BABY .COM [Noir Fever] 10.(6:03) "Like Miles" - SOMETHING BLUE [Posi-Tone Cd No. 1644 "In The Beginning"]  11.(2:39) "What You Wanna Try" / 12.(1:56) "What You Wanna Try (Quick Hit)" - MASEGO [UMG Recordings/EQT Recordings LLC] 13.(  :19) WAGRadio HopHop Id 14.(6:57) "Space Kitten (DJZigZig Sylvester EdiT of The Long Black 12 Inches of Love Mix)" - BLACK SAUSAGE [Good For You Records] 15.(4:00) "Calm" - LADY WRAY [Big Crown Records Lp No. BC 166-LP "Cover Girl"] 16.(  :11) WAGRadio Id 17.(3:17) "Black Latin (DJZigZag EdiT of the Kev Cee Latin Vamp Mix)" - SHINO BLACKK, KEVIN O, COREY HOLMES [New Generation Records] 18.(3:27) "My Best Step" - LADY WRAY [Big Crown Records Lp No. BC 166-LP "Cover Girl"] 19.(  :19) WAGRadio DJ Ze Ze's Vinyl Id 20.(4:39) "Winter Vibes (DJZigZag Donnie Baluga EdiT)" - DAVID MORALES [Diridim] 21.(  :08) WAGRadio Gut Id 22.(3:36) "The Frequency" - TRACSUIT SOCIETY [Blockhead Recordings] 23.(  :14) WAGRadio Comprende Id 24.(3:30) "Get A Little Groove On (DJZigZag EdiT of the Club Mix)" - MODESTI [Home Run] 25.(  :31) WAGRadio Biznizz Id 26.(4:06) "Brothers (DJZigZag More Soul EdiT)" - SUM BLOKE [Quincy Boy] 27.(3:51) "Secrets" - BOBBY WOMACK [Beverley Glen Music 45rpm No. BG 2000] 1981 Prod. Bobby Womack & Otis Smith 28.(  :22) WAGRadio Id 29.(5:43) "What's Her Name (DJZigZag Soont Face EdiT)" - CAPRON (NL) [Overdose Records] 2024 30.( :07) GB Nu End 79:57  

Carlton Jumel Smith – Soul Man Vivendo na América em uma época em que muitos no poder são completamente desprovidos dealma, é preciso um Super Soul Man para manter a balança em equilíbrio genuíno! Esse é Carlton Jumel Smith.Soul Man de renome mundial, cantor, compositor, produtor e ator, construiu sua carreira sozinho e incendiou palcos de shows de Finlândia, China, Rússia, Turquia, Inglaterra, França e, claro, sua cidade natal, Nova York. Lexington Avenue", de 2019 é sua obra prima. Teve a honra de interpretar seu maior herói musical, James Brown, no filme "Liberty Heights" (1999), de Barry Levinson, e teve um papel principal ao lado de Cyndi Lauper no musical off-Broadway "Largo" (sobre a vida do compositor clássico tcheco Dvořák). Nasceu em no Spanish Harlem – com três irmãs e sua mãe. Ela quem levou Carlton, aos 8 anos, para assistir a James Brown no lendário Apollo – um local que não era apenas sagrado para Brown, mas também para todos os artistasnegros.  A experiência de ver James Brown, com sua orquestra de 16 músicos, cantores e dançarinos, deixou uma marca indelével em Carlton. Ao mesmo tempo, por meio de discos, sua mãe o apresentou à maestria de Ray Charles, Otis Redding, Sam Cooke, Joe Tex, Marvin Gaye, Johnnie Taylor, Al Green, e muitos outros. A profundidade do impacto deles foi tamanha que Carlton tem os nomes tatuados em ambos os braços.Passou os anos 80 aprimorando os vocais com os mentores locais Rick Torres e Greg Fore, experimentando a composição e enviando demos. Uma demo o conectou com a empresária, Yvonne Turner, resultando no single de estreia de Carlton em 1986, uma faixa de House Music apropriadamente intitulada "Excite Me". Após embarcar em um avião para Hollywood para entregar pessoalmente sua fita ao diretor Barry Levinson,  lhe garantiu o papel de um Brown ambicioso da década de 1950 no filme "Liberty Heights", Carlton estreou no B.B. King's Club, na Times Square, em Nova York, em 2002 – inicialmente como substituto de Ray Charles, que estava doente. Isso o levou a anos de shows lotados em New York, onde gravou dois álbuns ao vivo independentes lá: um deles: Carlton J. Smith Live at B.B. King's, de 2003 (com músicas associadas a Ray Charles e James Brown).  O lendário empresário Alan Leeds, que gerenciou as carreiras de Brown e Prince, apelidou carinhosamente Carlton de "Soul Brother Number New".Essa distinção em particular provou ser profética, pois Carlton teve uma grande oportunidade quando uma banda de jazz cancelou sua temporada em um clube na China, o agente ligou freneticamente para o mundo todo em busca de umsubstituto de última hora. Carlton, voou imediatamente e encantou o público asiático ávido por soul autêntico. Um contrato de três meses se transformou em quase uma década de trabalho constante, com seis shows por semana e três por dia, entre 2005 e 2014. Durante esse período, Carlton também gravou mais discos: Primeiro veio Waiting (2006), um projeto composto principalmente por regravações comoventes de obras de uma influência singular: o compositor experimental Tom Waits, que Carlton descreve – assim como Bobby Womack – como um tio que transmite “a verdade nua e crua”. De volta da China em 2014, Carlton lançou G.U.M. (Grown-up Music), direcionando seu foco para um público mais maduro. Em plena ascensão, morou na Turquia, Reino Unido, Suíça, Romênia, Indonésia, Rússia e Noruega. Lançou um livro "Nothing Matters Except the Music", que narra as experiências que teve com Sly Stone, The Isley Brothers, Patti LaBelle e muitos outros.  “Acredito firmemente que uma ótima canção é um beijo de Deus, afinal, na minha equação da alma: “Música + Letra = Sua Vida…”(Scott Galloway, June 2021) 

Dues versions: James Brown i Tasmin Archer. Una per obrir i l'altra per tancar. Al mig, un farciment gust

On this new episode of the Songfacts Podcast, host Stephanie R. Myers is joined by one of the true architects of funk: the legendary Bootsy Collins. His sound is unmistakable — the cosmic basslines, the deep pocket, the joyful energy that defines generations of funk. Bootsy walks us through his new project, Album of the Year: #1 Funkateer, which he describes as a statement of “what funk is.” We talk about the spark that set this album in motion, what keeps his creativity flowing after decades in the game, and how his formative years with James Brown and Parliament-Funkadelic continue to shape his music. We're also treated to a special cameo from his manager and wife, Patti Collins, who adds a behind-the-scenes story about one of the album's tracks. If you're a fan of Bootsy, funk history, or just incredible musical storytelling, this is one you won't want to miss. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this new episode of the Songfacts Podcast, host Stephanie R. Myers is joined by one of the true architects of funk: the legendary Bootsy Collins. His sound is unmistakable — the cosmic basslines, the deep pocket, the joyful energy that defines generations of funk. Bootsy walks us through his new project, Album of the Year: #1 Funkateer, which he describes as a statement of “what funk is.” We talk about the spark that set this album in motion, what keeps his creativity flowing after decades in the game, and how his formative years with James Brown and Parliament-Funkadelic continue to shape his music. We're also treated to a special cameo from his manager and wife, Patti Collins, who adds a behind-the-scenes story about one of the album's tracks. If you're a fan of Bootsy, funk history, or just incredible musical storytelling, this is one you won't want to miss. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textThis week on The Wednesday Night Podcast, we're bringing the heat! James Brown is on the turntable, and we're spinning his smokin' album, Hot, as the soundtrack for our annual (and entirely seasonally confused) Thanksgiving Spooktacular! Forget gravy and stuffing—we're serving up sweet agony.We're testing the panel's mettle with a truly punishing Classic Rock Knowledge Quiz. The quiz starts with easy-listening hits (Queen basics) but quickly escalates into deep-cut, obscure territory (hello, yacht rock trivia and questionable 70s B-sides). The goal is simple: answer correctly, or face the heat!The prize for failure? A spoonful of creamy vanilla ice cream... topped with a generous dash of hot sauce. Here's the catch: the more rock history questions our hosts miss, the hotter the sauce gets! We're escalating the pain in four brutal levels:Level 1 (Mild Regret): Think simple Tabasco or mild cayenne pepper. Easy, but embarrassing.Level 3 (Serious Sweat): We jump to ghost pepper blends. Tears may be shed.Level 5 (Total Disaster): The Last Dab—sauces featuring Apollo Peppers. Clinically certified regret.Find out whose mouth is literally on fire by the end of the episode. Tune in to hear the Godfather of Soul provide the perfect backing track to a symphony of coughing, crying, and desperate pleas for cold dairy products.website: actonmusicproject.comemail: music@actonmusicproject.comCraig's phone number: ‪(978) 310-1613‬

Épisode exceptionnel, invité exceptionnel : Marco Prince, à l'occasion de la sortie du nouvel album de FFF, U Scream. Il y a des groupes qui reviennent. Et puis il y a ceux qui n'ont, en réalité, jamais vraiment disparu du paysage - ils attendaient juste que les planètes se réalignent. FFF fait partie de cette catégorie-là : les piliers du funk-rock hexagonal, capables de rallumer un public comme on allume une mèche, avec la même énergie communicative.Dans ce nouvel épisode Marco Prince parle de musique comme d'un acte vital, charnel, presque spirituel. Il évoque avec la réouverture du Bataclan, les lignes de basse qui rendent fou, la carrière de groupe comme une longue psychanalyse, la dureté du métier à l'ère des plateformes, ou le funk comme manière élégante de dire au monde : “On sait que la mort rôde, mais tant qu'on est vivants, on danse.”On parle du nouvel album, de l'immense chance de continuer à faire de la musique en 2024, de la faim intacte de FFF, mais aussi de Prince, de George Clinton, de James Brown, et de ce besoin presque organique d'être un haut-parleur de son époque.Un épisode intense, vibrant et sans filtre. On met le Volume sur 11… voire sur 12 comme le suggère Marco.Album : U Scream (Verycords)Crédit photo : FX Pelissier

Pour danser tout le week-end !Tracklist : The Boss – James BrownI Told Ya – dexter in the newsagent You're A Star – Fred again.. & Amyl and the Sniffers From Disco To Disco – Whirlpool ProductionsB 2 B – Monte Booker ft. Mereba1st Day Out Tha Feds – Gucci ManeGirl Like Me + Kaytranada – PinkPantheressMy Old Ways – Tame Impala(Hey You) The Rocksteady Crew – Rocksteady CrewThat Lady – The Isley BrothersA Bug's Life – Sudan ArchivesSensual Seduction – Snoop DoggDub Be Good To Me – Beats InternationalGrow Up!!! – bassvictimManzara – Soseme MakondeDeep Inside – Hardrive200 – MechatokBust A Move – Young MCPlaying Classics – Water From Your EyesJungle Magic – Benis CletinDirt Off Your Shoulder – Jay-ZFree Falling – I. JordanInto The Groove (Extended Remix) – MadonnaHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

A diplomatic way of saying, "Better Luck Next Year." Listen to the gracious and extremely popular fixture at CBS Sports talk with Vineeta about the Vikings, the wacky NFL Season and a great initiative for the league to bring attention to local organizations "My Cause, My Cleats." Photo Brett Carlsen/Getty Images

A diplomatic way of saying, "Better Luck Next Year." Listen to the gracious and extremely popular fixture at CBS Sports talk with Vineeta about the Vikings, the wacky NFL Season and a great initiative for the league to bring attention to local organizations "My Cause, My Cleats." Photo Brett Carlsen/Getty Images

Nate Wilcox and Ed Ward continue their discussion of Ed's ⁠⁠⁠"History of Rock & Roll 1920-1963⁠⁠⁠⁠ " with a look at rock and roll in 1956, focusing on the rocky yet productive relationships between African-American recording artists and the Jewish entrepreneurs who brought their work to market. We discuss the relationship between James Brown and Syd Nathan of King Records, the tragic relationship between the gifted 13-year-old Frankie Lymon and his gambling-addicted record mogul, George Goldner, Lieber & Stoller and the songs they wrote and produced, and much more. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Number one Funkateer Bootsy Collins takes us to Funk University! From his days in James Brown's group, to his work with Parliament/Funkadelic and Booty's Rubber Band, to his recent single that raises awareness about domestic violence, "the world's only rhinestone rock-star doll" tears the roof off the sucker and breaks it all down for us. Songcraft wants the funk!  PART ONE:Paul and Scott discuss particularly recognizable bassists and chat about their expectations of what they thought Bootsy would be like before he landed the mother ship on Songcraft. PART TWO:Our in-depth conversation with the legendary Bootsy CollinsABOUT BOOTSY COLLINS:Named among the top 5 bassists of all time by Rolling Stone magazine, Bootsy Collins is one of funk and R&B's most iconic musicians, singers, frontmen, producers, and characters. He started out playing sessions for King Records in his hometown of Cincinnati, Ohio, then kickstarted his career with James Brown's backup band, The J.B.'s. He was credited as a songwriter on classic J.B.'s songs such as “The Grunt” and “These Are the J.B.'s.” In 1972, he joined George Clinton's Parliament-Funkadelic, and is a co-writer of classics such as “Up for the Down Stroke,” “Chocolate City,” “P-Funk (Wants to Get Funked Up),” “Give Up the Funk (Tear the Roof Off the Sucker),” “Mothership Connection,” “Dr. Funkenstein,” and “Flash Light.” In 1976, Bootsy's Rubber Band captivated audiences with his flashy star-shaped glasses and bass, and hits such as “I'd Rather Be With You” and the chart-topping “Bootzilla.” Since then, Bootsy has launched Bootzilla Productions and Funk University to help mentor younger creatives to reach their full potential. His inescapable influence on pop culture can be heard in the music of Snoop Dogg, Outkast, Dr. Dre, Flea of Red Hot Chili Peppers, Rick James, Prince, Daft Punk, Primus, Thundercat, and in Childish Gambino's Grammy-winning platinum hit “Redbone,” which paid homage to “I'd Rather Be With You.” Bootsy is a member of the Rock and Roll Hall of Fame, and the National Rhythm & Blues Hall of Fame. His latest album is called Album of the Year #1 Funkateer.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Glasgow Lady Scotties basketball coach Kelsey Kirkpatrick joins James Brown and John Butler to talk about her team's upcoming season.

Please join us at patreon.com/tortoiseshack In this Reboot Republic Podcast, Rory chats with tortoise shack editor Tony Groves about the government's new housing plan, that is so impressive that the Minister for Housing, James Brown, didn't even bother hanging around to answer questions on it in the Dáil. This is a short insight into what is and more importantly is not in the "plan." The Philip O'Connor in Stockholm podcast is here: https://www.patreon.com/posts/patron-exclusive-143333372 Support Dignity for Palestine:https://www.patreon.com/posts/call-to-stand-143037542

Send us a textA fun chat with comedian and actor ARIES SPEARS, who is performing at The Improv in Schaumburg this weekend with 7 and 9:30 shows on Friday, 3:30, 7, and 9:30 on Saturday, and 6:00 on Sunday.ARIES SPEARSBiographyEver since New York native Aries Spears was 14 years old, he has been a force to be reckoned with in the comedy scene throughout America. His quick wit, charisma and ferociously aggressive style of comedy have earned him critical acclaim, high accolades, and above all, a busy schedule. From being a regular on Fox's Mad TV, starring in feature films, appearing on a number of national talk shows, and continually touring the country where he continually sells out each and every city, Aries' talents are widespread as he just passed the 3 million spins played on Pandora and his podcast is one of the "Musts" in the US. This past summer, Aries guest starred in CNN's “See It Loud” new summer series on the history of Black Television which was one of their hit docuseries of 2023, alongside Amanda Seales, Da'Vinchi, Debbie Allen, Deon Cole, Desus & Mero, Gabrielle Union, Jimmie Walker, Judge Greg Mathis, Kevin Frazier, Loni Love, Lynn Whitfield, Mo'Nique, Naturi Naughton, Omari Hardwick, Ray J, Ruben Studdard, Sherri Shepherd, Tatyana Ali, Tiffany Pollard, Tisha Campbell, Vivica A. Fox and many more. Trailer: https://tinyurl.com/AriesCNNSeeItLoudAs a principal cast member on Fox's hit sketch comedy show Mad TV, Aries brought a fresh, hip style to the already-edgy program from the third through the tenth season. The producers made full use of many of Aries's talents by calling on him frequently to create new hilarious characters and write sketches where he thrived for eight seasons.Some of the many recurring characters that Aries is famous for on the show include: Belma Buttons, Bill Cosby, Jesse Jackson, Mike Tyson, Walter (Crackheads), Reggie (Erascist), Dollar Bill Montgomery, Shaquille O'Neal, The Klumps, Michael Jackson, Sisqo, Evander Holyfield, El Diablo Negro and more. Aries also boasts a number of uproarious impersonations on the show that include James Brown, Al Pacino, and his childhood idol Eddie Murphy. The Aries-branded sketch “Talkin' American” was Mad TV's most popular bit, keeping fans tuned in and boosting Mad's ratings impressively on Saturday night.Aries has also found great success in the world of feature films. At the age of 17, after being spotted in a comedy club, Aries landed a part in the movie Home of Angels which eventually led to a starring role alongside John Leguizamo in TriStar's The Pest followed by the notable role as Cuba Gooding, Jr.'s brother in Columbia's blockbuster hit, Jerry Maguire.Aries maintains a strong connection to his African roots and is involved in many charitable events, including a number of organizations that help abused women. He feels blessed to have been able to achieve everything that he has, but he in no way intends on stopping there. Given the extreme growing success rate of action comedies coming out of Hollywood, it's safe to say that Aries Spears will be in demand for quite some time.   https://www.ariesspears.com 

Clemson graduate Mark Packer returned to his alma mater last week to speak to the Fort Hill Clemson Club and to dot the "i" on the field before the Tigers' victory over Florida State. Packer has been enjoying retirement since stepping away from the ACC Network this past summer. He said working for ESPN the previous three years was highly frustrating in part because he didn't have total control over his show, and he'd get pushback whenever he stuck up for the ACC. He has plans to write a book about his professional life, and he'll include his experiences with ESPN. Packer also looks back on the iconic "Primetime with the Packman" radio show that was popular for more than a decade in North Carolina and South Carolina. He tells the remarkable story of how the 'QCB' became a fixture on the show. He also reminisces about James Brown and his entourage showing up unannounced at the Charlotte-based studios and spending a rollicking hour on the air with Packer and Co. Packer also recalls the wee hours of the Northern California night in January of 2019 when he interviewed Dabo Swinney on the field at Levi's Stadium when no one else was around. Packer thinks Swinney has to do some significant adapting to move past this disastrous season and put Clemson back on footing with the best in college football.

In this episode, we're speaking with an artist whose musical journey is as compelling as his sound: A.J. Croce. While many recognize the name Croce from his father, the legendary singer/songwriter Jim Croce (who wrote classics like "Operator," "Time in a Bottle," "Bad Bad Leroy Brown," and many more) , A.J. has carved out his own distinct path in the music world. With a career spanning over three decades, he's been a working musician since he was 15 years old, releasing more than 10 albums and collaborating with icons ranging from James Brown to  Willie Nelson, showcasing his prowess as a virtuoso piano player and a versatile singer-songwriter. A.J.'s latest album, "Heart of the Eternal," produced by Shooter Jennings,  is a testament to his evolving artistry.  In our conversation, A.J. delves into the inspirations behind his new album, his experiences growing up in a musical household, and how he's embraced his father's legacy while continuing his own musical prowess. He shares insights into his creative process, the stories behind his songs, and the personal experiences that have shaped his music. Enjoying the show? Please leave us a 5-star review on ⁠⁠⁠Apple Podcasts⁠⁠⁠, ⁠⁠⁠Goodpods⁠⁠⁠, or ⁠⁠⁠Spotify⁠⁠⁠! Connect with us on ⁠⁠⁠Facebook⁠⁠⁠ and ⁠⁠⁠X (Twitter)⁠⁠⁠. For the stories behind the songs, go to ⁠⁠⁠Songfacts.com⁠⁠⁠. Proud member of ⁠⁠⁠Pantheon Podcasts⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rock and roll is not rock and roll without a beat. John Lingan's new book, BACKBEATS: A History of Rock and Roll in 15 Drummers (Scribner; Publication date: November 11, 2025) is an electrifying journey through the history of rock and roll, told through the lives of fifteen iconic drummers and their percussion rivals-from John Bonham and Charlie Watts to Ringo Starr and Questlove.Rock and roll thrives on rhythm, but the drummers who drive that pulse often stay in the shadows. In BACKBEATS, acclaimed music historian John Lingan brings these unsung heroes into the spotlight, delivering a fascinating journey through six decades of rock history.Lingan's deep research and vivid storytelling explores the lives of fifteen pathbreaking drummers and their fellow timekeepers-men and women who together laid down the beat of an era. From Bernard Purdie's legendary work with Aretha Franklin to Dave Grohl's funk- and punk-indebted swing for Nirvana, these drummers redefined what was possible in pop music. Iconic figures like Ringo Starr, whose inventive style transformed the Beatles, and Charlie Watts, the steady backbone of the Rolling Stones, take center stage. But Lingan doesn't stop there-he also shines a light on Hal Blaine, the backbone of the LA studio scene's "Wrecking Crew," groundbreaking, underappreciated talents like Maureen Tucker of The Velvet Underground, whose minimalist beats rewrote the rulebook, and Sam Lay, a pivotal figure in rock's evolution from the blues.Packed with insider stories and exclusive interviews-from Robert Plant's reflections on Led Zeppelin's legendary sessions to revered recording engineer Steve Albini's behind-the-scenes accounts-BACKBEATS offers an eye-opening glimpse into some of rock's most unforgettable moments, including the seismic shift of Bob Dylan going electric at Newport, James Brown's explosive creation of funk in the late sixties, and Slayer's role in the birth of LA thrash metal in the early eighties.More than just a tribute to an unrecognized group of virtuosos, this book is a love letter to the art of drumming itself. BACKBEATS shows how these remarkable artists not only kept the beat but drove rock and roll forward. It's a must-read for any music lover, offering a fresh and thrilling perspective on a story we only thought we knew.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

This show is, of course, all about those of us who didn't exactly set out to lead but just kind of looked up one day and realized that people were looking to us for direction. It's humbling, it's weirdly funny sometimes, and it's full of lessons, and this week on the podcast, I am talking about one of my favorite topics: quality.It's a word we all throw around. We want quality work. We stand for quality. Few of us, however, ever actually stop to define what that means, and I spend some time talking in this episode about someone who truly lived quality in a way that was hilarious, demanding, and unforgettable: James Brown.Every time the Godfather of Soul stepped on stage, before the first note played, he'd turn his back to the audience and face his band. He would then raise one hand or two: five or ten. Those weren't countdowns. They were fines—five dollars for unshined shoes, ten for a wrinkled suit. The thing is, though? it wasn't vanity. James Brown knew that if you looked sloppy, you would probably play sloppily. Quality wasn't about the shine but rather about the standard.In leadership, especially the accidental kind, we tend to assume everyone wants to do great work, and I do believe that most do, but they can't hit the target if they don't know where it is, and that is where we come in as leaders - defining what “great” looks like, modeling it, celebrating it, correcting it when it's off, and doing it all with consistency because quality isn't a one-time thing. Similar to how we can't just take a shower once and then never need to again in our lives, quality is a constant thing.Listen in as I share the four keys that I have learned to actually build that rhythm of quality in your culture without becoming the “fine police.” I discuss clarity, accountability, celebration, and consistency and how those play out in the real world because when your team starts catching their own unshined shoes before you do, that's when you've built something special, so here's the question I'm leaving you with: what's your version of James Brown's shoe inspection? I would love to hear from you!Time Stamps:[01:06] - I open by exploring the often-misunderstood concept of “quality” and its role in leadership.[02:09] - I recount James Brown's strict pre-show inspections to illustrate how details define true quality.[05:36] - Listen as I reframe quality as respect - clarity, preparation, and integrity - not perfection or polished appearances.[08:37] - Leaders ultimately set the tone for quality via their own consistent example.[10:10] - I outline clarity, accountability, celebration, and rhythm as the four keys to sustaining quality.[13:28] - A quality-driven team eventually self-regulates, maintaining excellence without constant reminders.[15:13] - I bring the episode to a close by encouraging leaders to define and model their own “shoe inspection” standards.Resources:The Accidental Leader - Websiteyournarketing.cobo@yourmarketingco.comBo McDonald on LinkedInRobert M. Pirsig - Zen and the Art of Motorcycle Maintenance: An Inquiry into Values

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Glasgow Scotties basketball coach Brandon Stockton joins James Brown and John Butler to talk about his team's upcoming season. James and John also breakdown the first round of the high school football playoffs.

Professor James Brown is an author, podcaster and ADHD expert. Burnout, and a Christmas day spent contemplating his own death led him to get a private ADHD diagnosis. The result helped him reframe his entire life. This is James Brown's Crisis Compass

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Trevor Walker brings his signature lifeboogie with Afro grooves from the Good Samaritans and Matata, Skyy's classic kazoo jam "No Music", heavy funk thump from James Brown and homegrown flavour from Ottawa's own David Crowe. Plus ice cold poetry from Brian Jackson & Rich Medina, a Dilla salute helmed by fellow Detroiter Karriem Riggins and a long overdue sample moment with the Rufus classic "Circles". View the full playlist for this show at https://www.wefunkradio.com/show/1269 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

Episode 93: Christian McBride Part 2. He's back! Nine-time GRAMMY winner Christian McBride returns for Part 2 of our conversation. In this episode we pick up where he becomes a bandleader and makes his first album. From there we cover his journey through leadership, creativity, and legacy. We talk about his work with Chick Corea, his solo albums, and the moments that earned him nine GRAMMY Awards. Christian shares stories about the drummer greats he has played with including Jack DeJohnette, Tony Williams, Vinnie Colaiuta, and Brian Blade, as well as his collaboration and relationship with James Brown. It is a two-hour conversation full of stories, laughter, and insight from one of the most influential figures in jazz. Christian is an amazing storyteller and we had a blast recording this one. We hope you enjoy it as much as we did. Here's Part 2 of my interview with the legend, Christian McBride! ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Christian: https://www.instagram.com/chrmcbride/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The paramount concern articulated in this discourse pertains to the significance of networking within the realm of music education and professional advancement. I, alongside my esteemed colleagues, delve into the merits of attending institutions such as Berklee, elucidating how these establishments serve not merely as educational platforms but as fertile grounds for forging invaluable connections with industry professionals. Our conversation further navigates the dichotomy between formal education and self-directed practice, challenging the notion that success in music is solely predicated on traditional academic pathways. We acknowledge the myriad of successful artists who have transcended conventional educational routes, yet we underscore the multifaceted advantages that arise from collaborative engagements and shared experiences fostered in academic settings. Ultimately, the episode serves as a contemplative exploration of the intricate balance between individual artistry and the collaborative spirit essential for thriving in the contemporary music landscape.The conversation delves into the significance of obtaining a formal music education, particularly at prestigious institutions such as Berklee. I articulate the duality of this experience, emphasizing that while a traditional education provides invaluable networking opportunities, it is also possible to achieve success through self-directed study and practice. The guests elucidate their personal journeys, highlighting the evolution of music education in the digital age, where resources abound online, contrasting with the more financially prohibitive methods of the past. They underscore the importance of cultivating relationships within the industry, which can yield substantial benefits in one's career trajectory. Networking emerges as a pivotal theme, as they recount how connections made during their time at school continue to influence their professional lives, facilitating collaborations and opportunities that may not have been accessible otherwise.Takeaways: The significance of attending a prestigious institution like Berklee lies in the invaluable networking opportunities provided, which can greatly enhance one's career in music. While self-teaching can be effective for some musicians, formal education can offer structured learning and connections that may be beneficial in the long run. The collaborative nature of music production necessitates effective communication and team dynamics, as it allows for a more natural and cohesive creative process. Working with esteemed artists such as Michael Jackson and James Brown imparts essential lessons about simplicity and accessibility in music, which can resonate with wider audiences. Companies mentioned in this episode: Berklee Black Eyed Peas Puffy's Hitman

Professor James Brown is an author, podcaster and ADHD expert. Burnout, and a Christmas day spent contemplating his own death led him to get a private ADHD diagnosis. The result helped him reframe his entire life. Expect an honest look at the realities of ADHD, bipolar, cyclothymia, binge-eating disorder, and chronic anhedonia – the inability to feel joy. James teaches us how to co-exist with your neurodivergence, while his productivity shows us how it can be deployed to your advantage. LESSONS YOU'LL LEARN:ADHD is a reason, never an excuse: understanding your condition gives you a lens to reframe your past, but it doesn't absolve you of responsibility. Consistent inconsistency is the reality: with ADHD, you can be incredibly productive one day and unable to open your inbox the next. It's a game of averages. Motivation often comes from fear, not passion: many with ADHD are driven by external deadlines and fear of letting others down rather than internal drive.You can create meaning without feeling joy: James proves that even without experiencing happiness, you can build a life of profound purpose and impact. Society fails neurodivergent people systematically: a third of male prisoners likely have ADHD. Early diagnosis and medication improve outcomes in every domain. The cost of not treating ADHD properly is £19 billion per year to the UK economy.Book:ADHD Unpacked https://www.amazon.co.uk/ADHD-Unpacked-Everything-survive-thrive/dp/1526679361Podcast: ADHD Adultshttps://theadhdadults.uk/

"Today on Let There Be Talk, I'm talkin' to the king of funk himself — the one and only Bootsy Collins! We're goin' deep into that cosmic groove — from James Brown to Parliament-Funkadelic to Bootsy's Rubber Band — this man is the funk. Put on your star-shaped shades, turn up the bass, and get ready to ride the mothership, baby. Bootsy Collins is here, and it's about to get funky!" My Tour Dates can be found here - https://www.deandelray.com/tourdates Join My Patreon and Support Let There Be Talk https://www.deandelray.com/patreon  Watch my new Stand Up Comedy Special - https://www.youtube.com/watch?v=nbeaApu4OP0  Stream my special on all the streaming platforms - https://artist.link/deandelray    Thank you for all the support over the LAST 13 YEARS. DDR

Bootsy Collins shares tales of P-Funk, Praxis, Buckethead and community work, philanthropy and mental health advocacy. Bootsy online  |  Bootsy & Buckethead single  |  "Is there Anybody Out There" podcast Topics Include: Bootsy's philanthropy and community work Bootsy reveals music now has purpose beyond just making people feel good "If you ain't chasing something, there's no reason to hunt" - finding new motivation From chasing girls and highs on tour to discovering why he still makes music Always gave back to unknown musicians like Buckethead before they became famous Opens up about mental health struggles when he got "too blown up" New "Metal Health" album with Buckethead addresses mental health for everyone First Buckethead collaboration was 1991's "Bucketheadland" recorded in Cincinnati Praxis exploded when Bill Laswell joined Bootsy, Buckethead, Bernie Worrell, and Brain Complete Strangers caught King Records' attention, leading to James Brown discovering them James Brown demanded everything tight; George Clinton allowed creative freedom and experimentation Most P-Funk classics were created spontaneously "while the tape was running" Both Bootsy and Buckethead must wear their signature headgear while recording Eddie Hazel's solo album used Bootsy's instrumental tracks - George's "superhero" vision Reveals George Duke's "Reach For It" is the funk hit he wishes he was on High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Charles Bradley's cover of Black Sabbath's Changes is one that both hosts of this podcast believe could well be the definitive version of the song. And we say that having done three episodes on Black Sabbath — an odyssey that gave us both a newfound appreciation for one of, if not the, most important metal bands to have ever existed. Changes itself is a great song, but this emotional reworking casts an entirely new light on its meaning and power. That, in turn, led us to dive into the work — and world — of Charles Bradley. Much was (rightly) made of Bradley when the then 62-year-old “Screaming Eagle of Soul” burst into public consciousness in 2011 with his debut album No Time for Dreaming. He was met with widespread critical acclaim, and the record proved a major success for his label, Daptone Records. From there, he went from strength to strength, releasing two more albums before his untimely death in 2016 from stomach cancer. A former James Brown impersonator, Bradley's life was one of tremendous hardship, which ultimately saw him achieve his greatest dream. He burned brightly and briefly, and his final record, Changes — named after the excellent Sabbath cover nestled within — is a remarkable work to bow out with. In this episode, we talk all about his life, through the lens of the 2011 documentary Charles Bradley: Soul of America, before discussing some of our favourite soul covers of rock songs. If you enjoyed this episode, do take some time to check out our Patreon, where you can get early access to episode (with no ads), bonus content and much more. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Caverna Colonels new basketball coach Josh Pittman and Barren County Trojans veteran coach Warren Cunningham join James Brown and John Butler to talk about their teams and the upcoming basketball season.

Send us a textEpisode 232Before there was funk, before soul had a name, there was James Brown — the man who turned rhythm into revolution. From sweat-soaked stages in the Deep South to worldwide fame, Brown didn't just perform music; he invented a whole new way to move sound. In this episode, we'll take a quick journey through the rise of the Godfather of Soul — how his grit, gospel roots, and unstoppable groove reshaped music, style, and swagger forever.Support the showInsta@justpassingthroughpodcastContact:justpassingthroughpodcast@gmail.com

What does it really mean to have a strong “why” as an entrepreneur? What's driving you as a business owner, money, or something deeper that fuels your resilience?In this episode of The Agency Blueprint podcast, I'm joined by James Brown to discuss the deeper “why” behind entrepreneurship and to share his incredibly inspiring journey. James is the CEO and founder of Business Accelerator Institute and Perseverance Squared. He has had a fascinating journey from starting his law firm in 1994 and scaling it to over $8 million annually across multiple cities, and selling it before the age of 50, then dedicating himself to helping other business owners break free from being trapped in their own businesses. Listen in to learn why money alone isn't a sustainable motivator, why personal sacrifice doesn't have to equal success, and how to create systems that allow a business to serve your life. You will also learn the seven essential parts every business has and how to shift from working in the business to working on it.Key Questions:[06:33] Do you believe money should be the main motivation in your business, or is there a deeper purpose guiding you?[11:30] When setbacks pile up, how do you reconnect to your “why” and push through difficult seasons?[15:50] Are you buying into the “doctrine of sacrifice,” working endless hours at the expense of your life and health?[21:50] As an agency owner feeling burnt out, how can you rediscover your why and build a business that serves you instead of trapping you?What You'll Discover: [02:03] James shares his journey and how childhood criticism fueled his perseverance, shaping his entrepreneurial grit and determination.[07:32] A pivotal lesson from his wife: “Do what's right, help people, and the money will follow”—a principle he still applies today.[09:33] How reaching financial stability allowed him to shift his focus from making money to helping as many people as possible.[11:40] How removing emotional labels from setbacks freed him to stay creative and solve problems in tough times.[16:03] The “doctrine of sacrifice” and why believing you must work 80-hour weeks is one of the biggest entrepreneurial traps.[21:14] How James gained the freedom to volunteer, travel, and serve his community without his business missing a beat.[22:16] How agency owners can rediscover their why, reframe their story, and reconnect passion to daily operations.Get A Free Gift from James

At long last Shannon gets to talk about the book she's been planning on since the last Halloween episode — The Picture of Dorian Gray by Oscar Wilde. We first discuss the Aesthetic Movement of the 19th century and a tiny bit of the life of Oscar Wilde before we jump into the book itself. Then Bryce gifts you with an abbreviated history of metal music. Get a notepad ready to take notes because he gives you a LOT of information! Happy Halloween! Show Notes: The Picture of Dorian Gray by Oscar Wilde: Oscar Wilde Official Website: http://www.cmgww.com/historic/wilde/ Oscar Wilde: https://en.wikipedia.org/wiki/Oscar_Wilde Aestheticism: https://en.wikipedia.org/wiki/Aestheticism Decadent Movement: https://en.wikipedia.org/wiki/Decadent_movement The Aesthetic Movement by Fiona McCarthy: https://www.theguardian.com/artanddesign/2011/mar/26/aestheticism-exhibition-victoria-albert-museum Aesthetic Movement in England by Walter Hamilton: https://archive.org/details/aestheticmovemen00hamiuoft Oscar WIlde's Cello Coat: https://oscarwilde.blog/2018/01/04/oscar-wildes-cello-coat/ The Picture of Dorian Gray: https://en.wikipedia.org/wiki/The_Picture_of_Dorian_Gray# Metal music: VH1 Documentary https://www.youtube.com/watch?v=AR78XBi_nAE&t=13s https://en.wikipedia.org/wiki/Rock_and_roll https://en.wikipedia.org/wiki/The_Beatles https://en.wikipedia.org/wiki/Birmingham#History https://en.wikipedia.org/wiki/Black_Sabbath#History https://en.wikipedia.org/wiki/Led_Zeppelin This is Spinal Tap amps go to 11 https://www.youtube.com/watch?v=uMSV4OteqBE https://en.wikipedia.org/wiki/Psychedelic_rock https://en.wikipedia.org/wiki/Satanic_panic https://en.wikipedia.org/wiki/Parents_Music_Resource_Center https://en.wikipedia.org/wiki/Heavy_metal_genres https://en.wikipedia.org/wiki/Dimebag_Darrell https://www.rollingstone.com/feature/behind-the-murder-of-dimebag-darrell-233541/ Songs list: Little Richard, Tutti Frutti - Here's Little Richard 1957 James Brown, Shout and Shimmy - Good, Good Twistin' With James Brown 1962 Chuck Berry, School Day - After School Session 1957 The Beatles, Love Me Do - Please Please Me 1963 Black Sabbath, Wasp/Behind the Wall of Sleep/Bassically/N.I.B. - Black Sabbath 1970 Led Zeppelin, Good TImes Bad TImes - Led Zeppelin I 1969 Led Zeppelin, Dazed and Confused - Led Zeppelin I 1969 Tenacious D, Karate - Tenacious D 2001 Worm Shepherd, The Anguished Throne - Hunger 2024 Humble Pie, As Safe As Yesterday Is - As Safe As Yesterday Is 1969 Deep Purple, Smoke on the Water - Machine Head 1972 Back Sabbath, Black Sabbath - Black Sabbath 1970 Black Sabbath, War Pigs - Paranoid 1970 Steppenwolf, Born to be Wild - self titled 1968 Alice Cooper, Poison - Trash 1989 KISS, Sure Know Something - Dynasty 1979 AC/DC, TNT - High Voltage 1976 Judas Priest, Realms of Death - Stained Class 1978 Motorhead, Ace of Spades - Ace of Spades 1980 13th Floor Elevators, You're Gonna Miss Me - 7th Heaven Music of the Spheres 1966 Chelsea Grin, Cursed - My Damnation 2011 The Damned, New Rose - Damned Damned Damned 1977 Judas Priest, Breaking the Law - British Steel 1980 Candlemass, Solitude - Epicus Doomicus Metallicus 1986 Venom, Black Metal - In League With Satan 1981 Van Halen, You Really Got Me - Van Halen 1978 Black Sabbath, Neon Knights - Heaven and Hell 1980 Black Sabbath, Sabbath Bloody Sabbath - Sabbath Bloody Sabbath 1973 Def Leppard, Photograph - Pyromania 1983 Quiet Riot, Cum on Feel the Noize - Metal Health 1983 Mercyful Fate, Evil - Melissa 1983 Frank Zappa, We're Turning Again - Frank Zappa Meets the Mothers of Prevention 1985 Cannibal Corpse, Hammer Smashed Face - Tomb of the Mutilated 1992 Kreator, People of the Lie - Coma of Souls 1990 Napalm Death, Suffer the Children - Harmony Corruption 1990 Helloween, I Want Out - Keeper of the Seven Keys, Pt. 2 1988 TOOL, Sober - Undertow 1993 Linkin Park, One Step Closer - Hybrid Theory 2000 Pantera, Walk - Vulgar Display of Power 1992 Finntroll, Jaktens Tid - Jaktens Tid 2001 Slaughter to Prevail, Demolisher - Kostolom 2019 Other appearances: Chris Shelton interviewed us in the beginning of a series on Mormonism on his Speaking of Cults series. He has had MANY different fascinating people on so go take a look! Here is the whole playlist: https://www.youtube.com/watch?v=OpGuS7GcsgA&list=PLGrPM1Pg2h72ADIuv8eYmzrJ-ppLOlw_g Email: glassboxpodcast@gmail.com Patreon: https://www.patreon.com/GlassBoxPod Patreon page for documentary: https://www.patreon.com/SeerStonedProductions BlueSky: @glassboxpodcast.bsky.social Other BlueSky: @bryceblankenagel.bsky.social and @shannongrover.bsky.social Instagram: https://www.instagram.com/glassboxpodcast/ Merch store: https://www.redbubble.com/people/exmoapparel/shop Or find the merch store by clicking on "Store" here: https://glassboxpodcast.com/index.html One time Paypal donation: bryceblankenagel@gmail.com Venmo: @Shannon-Grover-10

We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Stax legend David Porter.ABOUT DAVID PORTER Named one of Rolling Stone magazine's “100 Greatest Songwriters of All Time,” Porter is best known for his songwriting partnership with Isaac Hayes that helped define the sound of Memphis's legendary Stax Records. As the first African American staff songwriter at Stax, Porter, along with his partner, wrote and produced songs such as “B-A-B-Y” for Carla Thomas, “Your Good Thing (Is About to End)”—an R&B hit for Mable John that later became a pop and R&B smash for Lou Rawls, and his own recording of “Can't See You When I Want To.” Hayes and Porter are best known, however, for their work with Sam & Dave, including such classic hits as “You Don't Know Like I Know,” “You Got Me Hummin',” “Hold On! I'm Comin'” (which later became a country hit for Waylon Jennings and Jerry Reed), “Soul Man” (which became a hit a second time thanks to the Blues Brothers), “I Thank You” (which was later covered by ZZ Top), and “When Something is Wrong with My Baby” (which was reimagined as a memorable duet between Otis Redding and Carla Thomas, a country hit for Sonny James, and an adult contemporary hit for Linda Ronstadt and Aaron Neville). The list of artists who've covered Porter's songs includes Aretha Franklin, Bruce Springsteen, William Bell, Melissa Ethridge, Bonnie Raitt, Garth Brooks, Etta James, Celine Dion, Wilson Pickett, George Benson, Dusty Springfield, Jerry Lee Lewis, The Staple Singers, Solomon Burke, James Brown, Eric Clapton, B. B. King, Tina Turner, Jackie Wilson, and more. His songs have been used as samples in countless recordings by artists such as Jay-Z, Eminem, Wu-Tang Clan, The Notorious B.I.G., Justin Bieber, Mariah Carey, and others. A highly celebrated giant among celebrated songwriters, Porter was inducted into the Songwriters Hall of Fame in 2005.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

James Brown and John Butler recap the high school football action. They also talk about the college football season, recent results, and which teams should be in the Top 10.

Episode 91: Christian McBride. Nine-time GRAMMY winner Christian McBride is one of the most influential jazz artists in the game. His collaborations span icons like Chick Corea, Herbie Hancock, Pat Metheny, James Brown, and Sting. He's the leader of multiple acclaimed bands including the Christian McBride Big Band, Inside Straight, and New Jawn. He also serves as the host of NPR's Jazz Night in America and was the Artistic Director of the Newport Jazz Festival for a decade. His story is incredible, and we're setting the stage here with Part 1, The Early Years. Growing up in Philadelphia, Christian was surrounded by greatness. His high school classmates included Questlove, Black Thought, Joey DeFrancesco, and Kurt Rosenwinkel, just to name a few. In this episode, we talk about those formative years, the Philly music scene, and how he broke into the spotlight with Wynton Marsalis and Freddie Hubbard, along with the wild story of his rare opportunity to play for Miles Davis. We also get into his professional mentality, early lessons on leadership, and what it took to earn respect from legends while still a teenager. Christian is an amazing storyteller, and this conversation is full of history, heart, and laughs. We had the best time recording this one, so I hope you enjoy it as much as we did. Lets go! Special thanks to Apogee Electronics. We used their Apogee HypeMic and Podcast Kit in this episode and they sounded great. Check it out! Apogee HypeMic & Podcast Kit: https://hubs.li/Q03zczhb0 ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Christian: https://www.instagram.com/chrmcbride/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the brothers put on the suits, the shades, and the seat belts because we're on a mission from God. Billy, Matthew and Ryan dive into the 1980 Blues Brothers soundtrack, where comedy meets R&B revival. From Aretha's diner sermon to James Brown's church explosion and Cab Calloway's “Hi-de-hi-de-ho,” it's a soundtrack that turned two SNL comedians into legitimate soul ambassadors. Find out how this record resurrected legends, rewired movie soundtracks forever, and still makes you want to floor it down Dodge Street with the windows down.

Hubert Davis and the North Carolina Tar Heels needed a big man. Arizona transfer Henri Veesaar fit the bill and he long with James Brown, Zayden High and High Point transfer Ivan Matlekovic give Davis and staff size in the paint and options. Inside Carolina's roundtable crew of Rob Harrington, Greg Barnes and Riley Davis join host Tommy Ashley for a comprehensive preview of the Tar Heel bigs and wrap this three-part series with final roster grades for the 2025-26 season. The Inside Carolina Podcast network features a wide range of current UNC sports topics, from game previews and instant postgame analysis, to recruiting breakdowns. IC's stable of writers, insiders and analysts -- plus special guests -- comprise each program. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Luke Spiller and Marc LaBelle join Eddie Trunk to discuss their bands' joint tour and musical journeys. They dive into their Bad Company tribute contributions, with The Struts' 'Rock and Roll Fantasy' and Dirty Honey's 'Rock Steady' releases. Luke shares the emotional story behind Brian May's collaboration on the 10th anniversary version of 'Could Have Been Me,' while both frontmen reflect on casino gigs, audience demographics, and the challenges of creating setlists. The conversation reveals their musical influences, with Marc citing Steven Tyler and Luke drawing inspiration from James Brown, offering listeners an intimate look at two of rock's most promising young bands. Following that, former White Lion frontman Mike Tramp joins Eddie to discuss his current musical journey, including his 'Songs of White Lion' album series where he re-records the band's classic tracks. Tramp opens up about his complex relationship with guitarist Vito Bratta, explaining why a reunion never materialized after the band's 1991 breakup. He shares stories about adapting to performing White Lion's music at 64, his renewed approach to the stage, and how he's found peace with carrying the band's legacy forward. The conversation also touches on the upcoming Volume 3 release featuring deep cuts like 'Fight to Survive' and 'Cherokee,' with special guest appearances. Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on X and Instagram!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk Find all episodes of Trunk Nation: https://siriusxm.com/trunknation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.