Podcasts about James Brown

This week on Mel & Floyd: Flooding in the Smarty-cave?; Who will Esty fight first?; Plans for NYC mayor's inauguration; Can chatbots change people's political opinions?; Tales of A.I. videos; Check out Mel guest hosting “Who Cooks For You” along with his trusty sidekick on 12/26 via the WORT archives page [we can't put the music in the podcast]; And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy Designecologist on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Tyranny Is Booming! appeared first on WORT-FM 89.9.

Had the pleasure of speaking with pro wrestler, martial artist, and actor Ernest "The Cat" Miller! On episode 257, we discussed his passion for martial arts, getting into wrestling, differences between WCW and WWE, working with the legendary James Brown, charity work, and more. Follow Ernest here: https://linktr.ee/thecatscornerpodcast?utm_source=ig&utm_medium=social&utm_content=link_in_bio&fbclid=PAZXh0bgNhZW0CMTEAc3J0YwZhcHBfaWQMMjU2MjgxMDQwNTU4AAGnNjv1_lyOMueV5Leu0jxYgIINJ4uqb6RlsJkR0NWIiJ9GcaC5BiPfKyF_nC8_aem_cqf8HRQu4Xn-nhiGXoI5kQ My deals and discounts: Old Glory (15% Off)

Merry Christmas!! On the December 25 edition of the Music History Today podcast, many legends pass away, including Dean Martin, Eartha Kitt, James Brown, George Michael, & happy birthday to Annie Lennox, Noel Redding, & Jimmy Buffet  For more music history, subscribe to my YouTube Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from  ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:16 What happened on this date in music history 05:12 Singles released on this date in music history 05:33 Podcast advertisement 05:52 Birthdays of music artists on this date in music history 07:50 Passings of music artists on this date in music history 08:58 What's on tomorrow's episode

The rock and roll legend, Billy J. Kramer, grew up in Bootle, a Liverpool suburb.  Upon leaving school, he became a trainee engineer by day and aspiring singer by night, performing under the stage name Billy Kramer. Billy's performances at local rock clubs around Liverpool soon brought him to the attention of the one and only John Lennon.  John urged Brian Epstein to sign Billy to an exclusive management contract.  Billy jumped at the opportunity to become a full-time entertainer.  Soon after, Billy was summoned to Brian's office to find John there waiting for him with the suggestion that he add the “J” to his name to give it a “rock and roll edge”.  From that day forward, Billy has been known as Billy J. Kramer.In March of 1963, Billy was the first person to have a hit record with a Lennon-McCartney song, “Do You Want To Know A Secret,” which was written specially for him by John and Paul and produced by George Martin at Abbey Road Studios even before The Beatles recorded it.Billy toured extensively throughout the UK as the opening act for The Beatles both before and during Beatlemania.  Billy also headlined tours with such greats as Del Shannon, Gene Pitney, and The Everly Brothers.Billy's recordings of the Lennon-McCartney compositions, “Bad To Me” along with “I'll Keep You Satisfied”, “From A Window”, and “I Call Your Name” all became international million sellers.  He also had a smash hit with the Mort Shuman/John Leslie McFarland song, Little Children.  Released as a double sided single, Bad To Me and Little Children have the unique distinction of being the highest entry into the Billboard charts at #8.  That accomplishment has never been equalled.Billy's appearances on the Ed Sullivan show, Shindig, and Hullaballoo secured his place in rock ‘n roll history.  In 1964, Billy performed as part of the legendary T.A.M.I. show along with such artists as James Brown, Chuck Berry, The Beach Boys, Marvin Gaye, The Supremes , Smokey Robinson, The Rolling Stones and many others.To commemorate his 50th anniversary in the music business, Billy recorded and released new material entitled “I Won The Fight”.  Billy recently released his autobiography, “Do You Want To Know A Secret.”Billy continues to record, perform and promote his Storytellers show to international audiences.Please stick around at the end of the show for a really fantastic treat.  Billy has lent us his brand new Christmas song, “Christmas Kinda Feeling…”

durée : 00:55:51 - Very Good Trip - par : Michka Assayas - Pour fêter la fin de l'année, Michka Assayas a sélectionné de véritables hymnes de Noël par des artistes aussi divers que Bruce Springsteen, The Beach Boys, The Crystals, Ramones ou encore James Brown. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

James Brown and John Butler recap Week 3 of the high school basketball season. They also break down the disaster of the college football playoffs first round games. 

Prince's Sign O' the Times is one of our most requested albums at You'll Hear It. But, there is a certain window of millennial that doesn't really "get" Prince. If that's you, this episode is your on ramp into his music. We start with Prince's earliest albums, tracing his incredible run from 1978 through to 1986. By the time we hit 1987 (around the time our dear mid-millennials were born), you can hear exactly why Sign O' the Times has become so beloved by critics and music-lovers alike.If you're already a Prince fan (like us!), get comfy. Put on your purple rain coat. We talk through the influences we hear all over this music: James Brown, Marvin Gaye, Parliament, Earth, Wind & Fire. We share our apex moments from Sign O' the Times. And yes… we've got a few quibble bits too.We'll be taking a short break in January, and returning with more great episodes in February 2026. We'll be dropping a few special episodes in the meantime, so keep an eye on the feed. 00:00 - Intro Jam: "U Got the Look"02:10 - Welcome + New at Open Studio03:50 - Coming Up Next Season05:10 - How We Make Decisions for the Show08:35 - Why "Sign O' the Times"?11:35 - "Soft and Wet" from For You (1978)14:50 - "I Wanna Be Your Lover" from Prince (1979)17:50 - "Head" from Dirty Mind (1980)19:15 - "Controversy" from Controversy (1981)22:35 - "1999" from 1999 (1982)25:15 - "Purple Rain" from Purple Rain (1984)28:40 - "Raspberry Beret" from Around the World in a Day (1985)29:45 - "Kiss" from Parade (1986)40:20 - "Sign O' the Times"45:40 - "Housequake" 47:20 - "The Ballad of Dorothy Parker"51:50 - "Starfish and Coffee"53:05 - "Slow Love"55:20 - "Hot Thing"57:10 - "U Got the Look"59:25 - Miles on Prince1:02:25 - "If I Was Your Girlfriend"1:04:00 - "Strange Relationship"1:05:20 - "The Cross"1:08:00 - "Adore" 1:09:50 - Apex Moments1:14:55 - Categories1:19:35 - Snobometer1:23:55 - Coming Up on YHI1:24:20 - Outro Jam: "U Got the Look" Play better in 2026 and beyond at Open Studio. Join today with our last BIG savings of the year at openstudiojazz.com/yhi

Ed Ward and Nate Wilcox continue their discussion of Ed's book "The History of Rock & Roll, Volume 2: 1964–1977: The Beatles, the Stones, and the Rise of Classic Rock" with a look at rock & roll's second miracle year when America responded to the Beatles by blending folk and blues with rock & roll. They discuss how Michael Bloomfield electrified Bob Dylan, the Beach Boys making Pet Sounds, Stax hitting its stride, James Brown getting funky, the Beatles dropping acid and the beginnings of the San Francisco scene. ⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this holiday episode of Ear and Loathing, your festive hosts Aaron, Damon and George (The Gitmo Elves) talk about a terrible baby, Keith's big swing, buttfucking a reindeer, and you don't get a desk because you said Christmas album, Doug. In the Torture Chamber segment, the Three Wise Gitmos compete for meaningless points by making each other listen to awful seasonal musical offerings. Which Gitmo will survive the Xmas Torture Chamber long enough to play one of his favorite Christmas songs? Tune in and find out! Songs featured in this episode: "Last Christmas" (August Burns Red), "Soulful Christmas" (James Brown), "Redneck 12 Days of Christmas" (Jeff Foxworthy), "Jingle Bells?" (Barbra Streisand)

FUNK

When Grammy-nominated Louisiana Zydeco musician Corey Ledet offered to discuss Bruno Mars' multi-platinum third album '24K Magic', TRGMH host and part-time music snob Rob braced himself for a painful week. But Mars' tight, 9-song attempt to capture the sound of the 80s/90s R&B, funk and New Jack Swing he listened and danced to during his childhood - the same music Ledet listened to as a teen growing up in Houston, TX. - quickly won him over. Seriously, if this record doesn't make you feel a LITTLE bit better you might want to seek professional help. Songs discussed in this episode: 24K Magic (Bruno Mars cover) - Vale Acevedo; Alaska Funk (Live in Alaska), Buchanan Ledet Special, Jai Parti Dans La Campagne, This Is All I Want (Live in Alaska) - Corey Ledet Zydeco; Computer Love - Zapp & Roger; 24K Magic - Bruno Mars; The Message - Grandmaster Flash and The Furious Five; Chunky - Bruno Mars; Poison - Bell Biv Devoe; Funky Drummer Pt. 1 - James Brown; Perm - Bruno Mars; Jungle Love - Morris Day and The Time; Love Never Felt So Good (Michael Jackson cover) - Corey Ledet and His Zydeco Band;  That's What I Like, Versace On The Floor - Bruno Mars; Classical Gas - Weird Al Yankovic; Baby I'm Yours - Shai; Straight Up & Down - Bruno Mars; Treasure (Bruno Mars cover) - Corey Ledet Zydeco (Live Jazz Fest 2017); Calling All My Lovelies, Finesse, Too Good To Say Goodbye - Bruno Mars; The Lady In My Life - Michael Jackson; Boudin Man (Live in Alaska) - Corey Ledet Zydeco

This week on Mel & Floyd: Hubert Humphrey's history; Quantifying “his” awfulness; Dr. Oz says the testicles are extra; Mar-a-lago face; Australia DOES SOMETHING after mass shooting; High fat cheese fights dementia?; Vintage tips for housewives; Bird beaks evolved during pandemic; And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy Tabrez Syed on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post Truth Has No Value appeared first on WORT-FM 89.9.

Living Colour's Vivid: When Rock Refused to Play by the RulesWhat happens when a jazz-trained guitar virtuoso teams up with a Broadway-bound singer, adds Mick Jagger as producer, and sets out to demolish the color lines that 1980s radio had drawn around rock music? You get Vivid, Living Colour's 1988 debut that kicked down every door with “Cult of Personality” and then refused to play by anyone's rules.This is an album that proved Black musicians could dominate every corner of rock, from shredding metal to funk grooves to social commentary. It reached number six on the Billboard 200, sold two million copies, and launched a Grammy-winning single that still sounds ahead of its time. If you love the genre-blending creativity of Fishbone, the fearless experimentation of Prince, or the socially conscious hard rock of Rage Against the Machine, this episode explores an essential album that changed what rock could be.Vivid isn't just a great debut album. It's the story of the Black Rock Coalition, Vernon Reid's grassroots movement to challenge the segregation creeping into New York's rock venues and radio stations. At a time when rock stations stopped playing James Brown next to the Rolling Stones, Living Colour asked: why? They answered with an album that opened for the Rolling Stones' Steel Wheels tour, appeared on Headbangers Ball, and influenced everyone from Tom Morello to the entire alt-metal movement of the '90s.Episode Highlights0:00 – IntroThe final community-voted album of 2025. Vivid wins with 62% of the Patreon vote.3:30 – Personal ConnectionsChip shares his 1989 encounter with Living Colour at a Cleveland record store, where Corey Glover spontaneously sang a song about his date.12:00 – Album FactsReleased May 2, 1988. Produced by Ed Stasium and Mick Jagger. Features Chuck D and Flavor Flav on “Funny Vibe.” Charted globally and appears on every major “greatest metal albums” list.21:00 – Vernon Reid's Guitar MasteryJay explores Reid's creative dominance as guitarist and primary songwriter. His riff writing sounds more like the '90s than 1988, and nearly every melodic hook is guitar-driven.32:00 – The Black Rock CoalitionVernon Reid's mission to fight radio segregation and get Black rock musicians back into venues and onto rock radio.38:00 – The Beatles as InspirationThe band intentionally created a diverse, non-cohesive album that could work at any party for any crowd, from metal fans to funk lovers.50:00 – Genre Debates: Metal or Not?Who cares? The album won metal awards and hosted Headbangers Ball, but more importantly, it used heavy riffs to expose listeners to funk, R&B, and social commentary they wouldn't have heard otherwise.1:03:00 – “Cult of Personality”Deep analysis of one of rock's most iconic opening tracks and why it set an impossible standard.1:08:00 – “I Want to Know” and “Open Letter (To a Landlord)”How the album moves from poppy hooks to six-minute epics that shift between R&B, funk, and aggressive rock.1:22:00 – “Memories Can't Wait”The Talking Heads cover that provides breathing room and showcases smart song selection.1:35:00 – Production IssuesThe reverb-heavy ‘80s drums that sometimes work against the band's raw creativity.1:55:00 – Vernon Reid's InfluenceTom Morello's clear debt to Reid's unconventional guitar techniques and willingness to let the instrument do unexpected things.2:07:00 – Social CommentaryLiving Colour sang about gentrification and displacement when most metal bands were singing about nothing heavier than Saturday night.2:28:00 – Final RatingsThe crew debates production, diversity, and nostalgic attachment.Join the Metal UnionSubscribe at digmeoutpodcast.com and join the Metal Union at dmounion.com to vote on future albums, unlock bonus episodes, and join our private Discord community where real music discussions happen every day. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.digmeoutpodcast.com/subscribe

Ed Ward and Nate Wilcox kick off their discussion of Ed's book "The History of Rock & Roll, Volume 2: 1964–1977: The Beatles, the Stones, and the Rise of Classic Rock" with a look at The Beatles' conquest of America, the other British bands that followed in their wake and the American response headed up by Motown and James Brown. ⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Get ready to take a trip down memory lane! This week, Metro Beatz is bringing the heat with the 'MOC Old Skool Mix Party', spinning classic bangers from Camp Lo, James Brown, De La Soul, Treacherous Three, Tamia, 50 Cent, Brandy, Maxwell, Kool & The Gang and more! Whether you're a fan of 90s R&B, old school hip-hop, or classic soul, this mix is packed with timeless hits that'll have you groovin' all night long. Don't miss out—tune in live every Saturday at 6pm (EST) on mocradio.com and let the nostalgia take over!

This episode of The Other Side of the Bell, featuring trumpeter performer and recording artist Paul Litteral, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Paul Litteral trumpet interview"   Find the expanded show notes, transcript and more photos here: https://bobreeves.com/blog/paul-litteral-trumpet-interview-the-other-side-of-the-bell-147   About Paul Litteral: Hollywood Paul Litteral began to build his career playing in Broadway hits such as The Best Little Whorehouse in Texas, A Chorus Line and Chess. In 1978, Paul and saxophonist Arno Hecht founded the well-known group called the Uptown Horns. As their visibility increased, the band was recruited for rock and roll gigs and played many of New York's most famous clubs. Paul and the Uptown Horns went on their first rock and roll tour with the J. Geils Band in 1981 and that led to many other opportunities including engagements with The Rolling Stones, Robert Plant, Tom Waits, Joe Cocker, James Brown, Pat Benatar, and Ray Charles. The band lists recording credits on over 150 albums including James Brown's Grammy Award winning "Living in America" and tracks for Joe Cocker, Albert Collins, Bonnie Raitt, Robert Palmer, Lou Reed and REM. In addition to continuing to play music, he began writing and found critical success with Hoboken to Hollywood, which earned him the 2011 Ovation Award for Musical Direction. Paul was also awarded Best Musical Direction by Stage Scene LA for Louis & Keely: Live' at the Sahara, which had a record run, playing to sold out audiences at the Geffen Playhouse. "Hollywood" Paul earned his nickname back in the 1980's due to his prodigious knowledge of film lore. Though his extensive contributions to the LA music scene have also helped add to that fabulous moniker. Paul's fame is within the world of Rock and Roll. On his latest album, "The Litteral Truth," he brings us a collection of songs that inspired his personal musical development. The Brecker Brothers, Edgar Winter and Steely Dan are a few of the artists we cover on the record, and revisiting these great cuts and reinterpreting them was a joyous excursion for all involved. Paul is a fun and talented man, and his records are spreading the joy of knowing him. -Bill Bodine   Episode Links: Outrageous 8 Records Find the albums here: The Litteral Truth Legacy Instagram (@paullitteralmusic) YouTube channel The Other Side of the Bell Episode #92 - Paul Litteral (first appearance)   Bob Reeves Brass Upcoming Events and Appearances: Trumpet Festival of the Southeast, Jan. 17, 2026, Kennesaw State University, Georgia Texas Music Educators Association Conference, Feb. 11-14 2026, San Antonio, Texas Dylan Music, Feb. 26-28, Woodbridge, New Jersey   Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Cover Photo Credit - Paul Litteral Audio Engineer - Ted Cragg

Coming in at #25 Black Label Trading Company Orthodox Toro.  Black Label Trading Company was the first brand founded by James Brown. During the early days of Black Label Trading Company, James Brown built a reputation for bold, dark wrapper brands. However, over the past decade, we have seen Brown emerge as one of the industry's top blenders. At the same time, we've seen him expand well beyond bold and dark wrappers and master a wide range of tobaccos and blends. With Orthodox, this blend shows that while Brown has expanded his horizons, he can still mix bold and dark elements. Full Details: https://wp.me/p6h1n1-yhn

Coming in at #25 Black Label Trading Company Orthodox Toro.  Black Label Trading Company was the first brand founded by James Brown. During the early days of Black Label Trading Company, James Brown built a reputation for bold, dark wrapper brands. However, over the past decade, we have seen Brown emerge as one of the industry's top blenders. At the same time, we've seen him expand well beyond bold and dark wrappers and master a wide range of tobaccos and blends. With Orthodox, this blend shows that while Brown has expanded his horizons, he can still mix bold and dark elements. Full Details: https://wp.me/p6h1n1-yhn

James Brown and John Butler cover the results of week 2 of the high school basketball season. They also talk about NFL results, college basketball and college football.

Women in sports, talking slow, upcut commercials, sharing secrets, Golden Globes, podcast nominations. Songs in this episode: “The Popcorn” James Brown (1969) “Green Onions” Booker T. and the MG’s (1962) “Soul Man” Sam and Dave (1969) “Sittin’ on the Dock of the Bay” Otis Redding (1968) “In the Midnight Hour” …

Some of the biggest hits of the sixties that still ring through our heads, hearts (and shopping outlets?). Dylan, James Brown, the Four Tops and the best of the Righteous Brothers. Not just the rock tunes of a year or decade, but the entire twentieth century! #madeonzencastr. Support this podcast at the $6/month level on patreon to get extra content! Also, Create your own podcast today! #madeonzencastr

For this episode we're joined in our Hammersmith HQ by James ("The Hardest Working Man In Show Business") Brown. The former NME star and founder of "lads' mag" progenitor loaded takes us back to his Yorkshire boyhood in Headingley. He recalls his parents' record collection, the first gigs he attended as the class "smart-arse" at Lawnswood School... and his acclaimed '80s fanzine Attack On Bzag! Our guest's account of how he came to contribute to Sounds leads to clips from the late Andy Gill's 1991 audio interview with the KLF, the maverick duo of Bill Drummond and Jimmy Cauty whom James championed in the paper's pages in 1987. After waxing nostalgic about his days at the NME, James gives us the origin story of the hugely successful loaded ("for men who should know better") and talks us through the publishing phenomenon it triggered. A discussion follows of '90s sexism and its connection to the misogyny of today's "Manosphere". Many thanks to special guest James Brown. Animal House: Music, Magazines, Mayhem is published by Quercus and available now from all good bookshops. Zine Age Kicks is available through James' Instagram, @jamesjamesbrown. Pieces discussed: The Beastie Boys: Keep Taking The Tabloids, Mark E Smith, Nick Cave & Shane MacGowan: The Three Horsemen Of The Apocalypse, The KLF audio⁠ and The decline of lads' mags: Unloaded, and now the party is over.

This week on “Talk About Las Vegas,” Ira sits down with Earl Turner—singer, song-writer, musician, dancer, and master storyteller ahead of his holiday show (joined by Elisa Fiorillo and Ken Young), “Another Very Soulful Christmas” lighting up Myron's at The Smith Center, December 17–18. In this episode, Earl reflects on a life shaped by music—from picking up the guitar at age 10 to learning a lesson (involving music) while preparing to perform in New Orleans. He opens up about what keeps the spark alive on stage, why music is such a powerful and personal art form, and how performers truly serve their audiences—and get just as much back in return. Earl shares unforgettable moments, including the first time he saw James Brown and Diana Ross, and discusses his commanding on-stage persona that demands attention—while embracing a quieter, more grounded life offstage. He talks about the joy of both downtime and performance, the blessing of playing for audiences who genuinely want to be there, and how that energy fuels his work. The conversation also dives into how “Another Very Soulful Christmas” came together—his first holiday show was in 2022—how he selects songs that inspire and lift spirits, why he chose Elisa Fiorillo and Ken Young as collaborators, and why he's adding “Please Come Home for Christmas” to this year's set. Earl also shares insights about fans who travel from out of town to see the show, priceless advice from Sammy Davis Jr., and the difference between inspiration and the hard work that turns it into something magical. It's a heartfelt, soulful, and joyful conversation—perfectly timed for the holiday season. (Also Watch Full Podcast Video)

**Malcolm Martin's Velvet Soul Replay on www.traxfm.org. This Week Malcolm Featured Boogie/Soul/R&B/70's Soul/80's Soul From Simply Red, The Dells, Bo Kirkland, Roberta Flack, Johnny Bristol, The True Reflection, Stephanie Mills, Joe, Daltry Martin, Willie Bobo, Harold Melvin & The Blue Notes, James Brown, Kingisrael, Snowboy & More #originalpirates #soul #boogie #ballads #70ssoul #80ssoul Catch Malcolm Every Sunday On www.traxfm.org From 9PM UK Time. Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : https://www.facebook.com/profile.php?id=100092342916738 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Radio Garden: Trax FM Link: http://radio.garden/listen/trax-fm/IEnsCj55 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

This week on Mel & Floyd: Mr. Smarty-Hat?; Rockin' John's REAL voice; A Catholic Church's Nativity display near Boston “evoking a dialog”;  Supreme Court deciding if “independent agencies” are actually independent; China's trade surplus tops 1 $Trillion; White House attempts to ban sign language at press conferences; And other random topics; Notice something missing?  For the complete Mel and Floyd Experience, buy the CD “The Very Best of James Brown” and play it on your Hi-Fi while listening to this podcast!  Or listen live at 89.9 FM or wortfm.org/listen-live/ every Friday from 1 to 2 PM Central Time. Photo courtesy Fábio Alves on Unsplash Did you enjoy this story? Your funding makes great, local journalism like this possible. Donate hereThe post I'm Not A Hat! appeared first on WORT-FM 89.9.

Pastronauts have been asking "Please Please Please" for a new episode, so here's James Brown & The Famous Flames' 1956 debut ... what a way to begin a career! He basically sings two words the entire song and it's an unequalled vocal performance. After that, we have renditions by The Five Royales and a bizarre one by Ike & Tina Turner which is more speech than song. Sprinkled in are some garage versions by The Viceroys (Pacific NW band in the vein of The Wailers), The Who, and a bleatin' one by Ed Wool and the Nomads! 

La serie mensual dedicada a recordar singles que alcanzaron su puesto más alto en listas pop de EEUU hace 60 años llega a diciembre de 1965. El folk rock de The Byrds ocupó el número 1 durante tres semanas dejando la última del año a los británicos The Dave Clark Five. James Brown -en la foto- al frente de The Famous Flames consiguió aquel mes el mayor éxito de toda su trayectoria.Playlist;(sintonía) THE PACKERS “Hole in the wall” (top 43)THE BYRDS “Turn turn turn” (top 1)THE DAVE CLARK FIVE “Over and over” (top 1)JAMES BROWN and THE FAMOUS FLAMES “I got you (I feel good)” (top 3)THE McCOYS “Fever” (top 7)THEM “Mystic eyes” (top 33)THE YARDBIRDS “I’m a man” (top 17)THE GANTS “Roadruner” (top 46)THE WONDER WHO? “Don’t think twice” (top 12)THE BEAU BRUMMELS “Good time music” (top 97)WILSON PICKETT “Don’t fight it” (top 53)SOLOMON BURKE “Only love can save me now” (top 94)EDWIN STARR “Back street” (top 95)ROY HEAD and THE TRAITS “Apple of my eye” (top 32)DON COVAY and THE GOODTIMERS “Seesaw” (top 44)THE MOJO MEN “Dance with me” (top 61)THE SHANGRI-LAS “I can never go home anymore” (top 6)JAMES BROWN at the ORGAN “Try me” (top 63)Escuchar audio

James Brown and John Butler talk about the first week of the high school basketball season. They also get a laugh out of the College Football Playoffs, and recap the recent college basketball results

Nate Wilcox and Ed Ward continue their discussion of Ed's ⁠⁠⁠⁠⁠⁠⁠"History of Rock & Roll 1920-1963⁠⁠⁠⁠ "⁠⁠⁠⁠ with the first of two shows discussing 1963. This week we'll be talking about how Berry Gordy perfected his Motown assembly line, Phil Spector and the wrecking crew, Roy Orbison's operatic dramas, Patsy Cline's final year, and how James Brown finally seized control of his career and became the Godfather of Soul. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

December 5, 2025 Today we look at the top songs debuting on the Billboard chart this week back in 1985, 1995, 2005, & 2015. Dustin, Jason, and Tyler welcome back our faithful youth correspondent Grace. We discuss 12 songs from this week in music history, including 8 Top 10s and 3 #1s! We have new songs from The Rentals, James Brown, Ne-Yo, Justin Bieber, and more. Want to be cool like us and watch the music videos for all the songs? Then here's a convenient playlist that has them all in order of discussion.

Get ready to take a trip down memory lane! This week, Metro Beatz is bringing the heat with the 'MOC Old Skool Mix Party', spinning classic bangers & Holiday jams from Alicia Myers, Fonda Rae, Busta Rhymes, James Brown, Alexander O'Neal, Angie Stone, RUN-DMC, TLC, Cherrelle and more! Whether you're a fan of 90s R&B, old school hip-hop, or classic soul, this mix is packed with timeless hits that'll have you groovin' all night long. Don't miss out—tune in live every Saturday at 6pm (EST) on mocradio.com and let the nostalgia take over!

Start with a prophecy almost everyone agrees is important but few claim to understand: Daniel 9. Now imagine testing it with modern calendars, archaeological finds, and arithmetic simple enough for a pocket calculator. That's the journey we take with chemist and author James Brown, who argues that Daniel's timeline doesn't just gesture at a vague era; it targets key dates in the life of Jesus and links to milestones in recent history with day-level precision.We walk through James's personal shift from cultural apathy to evidence-driven faith, sparked by fatherhood and a Bible study that refused to leave Daniel 9 in the fog. He explains how earlier giants like Newton and Anderson got close but lacked twentieth-century data and calendrical corrections. Then the conversation broadens: Ezekiel 4's cryptic count suddenly slots into place, Jeremiah's seventy years connect to Daniel's captivity marker, and two modern events—Israel's statehood in 1948 and Jerusalem's 1967 reunification—emerge as verifiable waypoints in the same framework.Along the way, we revisit the surprises archaeology has delivered, from the Hittites to Belshazzar, and we follow the trail to the Great Isaiah Scroll, carbon-dated to about 125 BC and preserving Isaiah 52:13–53:12 with striking clarity. James contends these threads knit together three objective proofs: God exists, Jesus is the promised Messiah, and Scripture carries reliable prophecy and fulfillment. No advanced math, no shifting rules—just one consistent method, audited and reproducible.If you've wanted more than slogans—if you've wanted reasons you can check—this conversation lays out the timelines, sources, and safeguards. Listen, take notes, and test it for yourself. If it holds, share the episode with someone who loves data as much as they love big questions. And if it challenges you, leave a review with the toughest counterpoint you can raise—we'll keep the conversation going. Subscribe for more evidence-based deep dives and thoughtful interviews.Let me know what you think of this episode? Support the showSupport the Podcast. https://buymeacoffee.com/dorseyrossSocial Media Links, Instagram https://www.instagram.com/dorsey.ross/ Facebook https://www.facebook.com/DROCKROSS/ My Book Amazon Book Overcomer https://bit.ly/4h7NGIP

Barren County girls' basketball coach Piper Lindsey joins James Brown and John Butler to talk about her team and the upcoming season. The Trojanettes are rated No. 1 in the Fourth Region in preseason polls.

The Cincinnati Symphony Orchestra will screen the documentary "Cake Walk" on Dec. 7.

On this new episode of the Songfacts Podcast, host Stephanie R. Myers is joined by one of the true architects of funk: the legendary Bootsy Collins. His sound is unmistakable — the cosmic basslines, the deep pocket, the joyful energy that defines generations of funk. Bootsy walks us through his new project, Album of the Year: #1 Funkateer, which he describes as a statement of “what funk is.” We talk about the spark that set this album in motion, what keeps his creativity flowing after decades in the game, and how his formative years with James Brown and Parliament-Funkadelic continue to shape his music. We're also treated to a special cameo from his manager and wife, Patti Collins, who adds a behind-the-scenes story about one of the album's tracks. If you're a fan of Bootsy, funk history, or just incredible musical storytelling, this is one you won't want to miss. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this new episode of the Songfacts Podcast, host Stephanie R. Myers is joined by one of the true architects of funk: the legendary Bootsy Collins. His sound is unmistakable — the cosmic basslines, the deep pocket, the joyful energy that defines generations of funk. Bootsy walks us through his new project, Album of the Year: #1 Funkateer, which he describes as a statement of “what funk is.” We talk about the spark that set this album in motion, what keeps his creativity flowing after decades in the game, and how his formative years with James Brown and Parliament-Funkadelic continue to shape his music. We're also treated to a special cameo from his manager and wife, Patti Collins, who adds a behind-the-scenes story about one of the album's tracks. If you're a fan of Bootsy, funk history, or just incredible musical storytelling, this is one you won't want to miss. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textThis week on The Wednesday Night Podcast, we're bringing the heat! James Brown is on the turntable, and we're spinning his smokin' album, Hot, as the soundtrack for our annual (and entirely seasonally confused) Thanksgiving Spooktacular! Forget gravy and stuffing—we're serving up sweet agony.We're testing the panel's mettle with a truly punishing Classic Rock Knowledge Quiz. The quiz starts with easy-listening hits (Queen basics) but quickly escalates into deep-cut, obscure territory (hello, yacht rock trivia and questionable 70s B-sides). The goal is simple: answer correctly, or face the heat!The prize for failure? A spoonful of creamy vanilla ice cream... topped with a generous dash of hot sauce. Here's the catch: the more rock history questions our hosts miss, the hotter the sauce gets! We're escalating the pain in four brutal levels:Level 1 (Mild Regret): Think simple Tabasco or mild cayenne pepper. Easy, but embarrassing.Level 3 (Serious Sweat): We jump to ghost pepper blends. Tears may be shed.Level 5 (Total Disaster): The Last Dab—sauces featuring Apollo Peppers. Clinically certified regret.Find out whose mouth is literally on fire by the end of the episode. Tune in to hear the Godfather of Soul provide the perfect backing track to a symphony of coughing, crying, and desperate pleas for cold dairy products.website: actonmusicproject.comemail: music@actonmusicproject.comCraig's phone number: ‪(978) 310-1613‬

Pour danser tout le week-end !Tracklist : The Boss – James BrownI Told Ya – dexter in the newsagent You're A Star – Fred again.. & Amyl and the Sniffers From Disco To Disco – Whirlpool ProductionsB 2 B – Monte Booker ft. Mereba1st Day Out Tha Feds – Gucci ManeGirl Like Me + Kaytranada – PinkPantheressMy Old Ways – Tame Impala(Hey You) The Rocksteady Crew – Rocksteady CrewThat Lady – The Isley BrothersA Bug's Life – Sudan ArchivesSensual Seduction – Snoop DoggDub Be Good To Me – Beats InternationalGrow Up!!! – bassvictimManzara – Soseme MakondeDeep Inside – Hardrive200 – MechatokBust A Move – Young MCPlaying Classics – Water From Your EyesJungle Magic – Benis CletinDirt Off Your Shoulder – Jay-ZFree Falling – I. JordanInto The Groove (Extended Remix) – MadonnaHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

A diplomatic way of saying, "Better Luck Next Year." Listen to the gracious and extremely popular fixture at CBS Sports talk with Vineeta about the Vikings, the wacky NFL Season and a great initiative for the league to bring attention to local organizations "My Cause, My Cleats." Photo Brett Carlsen/Getty Images

Nate Wilcox and Ed Ward continue their discussion of Ed's ⁠⁠⁠"History of Rock & Roll 1920-1963⁠⁠⁠⁠ " with a look at rock and roll in 1956, focusing on the rocky yet productive relationships between African-American recording artists and the Jewish entrepreneurs who brought their work to market. We discuss the relationship between James Brown and Syd Nathan of King Records, the tragic relationship between the gifted 13-year-old Frankie Lymon and his gambling-addicted record mogul, George Goldner, Lieber & Stoller and the songs they wrote and produced, and much more. GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Number one Funkateer Bootsy Collins takes us to Funk University! From his days in James Brown's group, to his work with Parliament/Funkadelic and Booty's Rubber Band, to his recent single that raises awareness about domestic violence, "the world's only rhinestone rock-star doll" tears the roof off the sucker and breaks it all down for us. Songcraft wants the funk!  PART ONE:Paul and Scott discuss particularly recognizable bassists and chat about their expectations of what they thought Bootsy would be like before he landed the mother ship on Songcraft. PART TWO:Our in-depth conversation with the legendary Bootsy CollinsABOUT BOOTSY COLLINS:Named among the top 5 bassists of all time by Rolling Stone magazine, Bootsy Collins is one of funk and R&B's most iconic musicians, singers, frontmen, producers, and characters. He started out playing sessions for King Records in his hometown of Cincinnati, Ohio, then kickstarted his career with James Brown's backup band, The J.B.'s. He was credited as a songwriter on classic J.B.'s songs such as “The Grunt” and “These Are the J.B.'s.” In 1972, he joined George Clinton's Parliament-Funkadelic, and is a co-writer of classics such as “Up for the Down Stroke,” “Chocolate City,” “P-Funk (Wants to Get Funked Up),” “Give Up the Funk (Tear the Roof Off the Sucker),” “Mothership Connection,” “Dr. Funkenstein,” and “Flash Light.” In 1976, Bootsy's Rubber Band captivated audiences with his flashy star-shaped glasses and bass, and hits such as “I'd Rather Be With You” and the chart-topping “Bootzilla.” Since then, Bootsy has launched Bootzilla Productions and Funk University to help mentor younger creatives to reach their full potential. His inescapable influence on pop culture can be heard in the music of Snoop Dogg, Outkast, Dr. Dre, Flea of Red Hot Chili Peppers, Rick James, Prince, Daft Punk, Primus, Thundercat, and in Childish Gambino's Grammy-winning platinum hit “Redbone,” which paid homage to “I'd Rather Be With You.” Bootsy is a member of the Rock and Roll Hall of Fame, and the National Rhythm & Blues Hall of Fame. His latest album is called Album of the Year #1 Funkateer.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Glasgow Lady Scotties basketball coach Kelsey Kirkpatrick joins James Brown and John Butler to talk about her team's upcoming season.

Clemson graduate Mark Packer returned to his alma mater last week to speak to the Fort Hill Clemson Club and to dot the "i" on the field before the Tigers' victory over Florida State. Packer has been enjoying retirement since stepping away from the ACC Network this past summer. He said working for ESPN the previous three years was highly frustrating in part because he didn't have total control over his show, and he'd get pushback whenever he stuck up for the ACC. He has plans to write a book about his professional life, and he'll include his experiences with ESPN. Packer also looks back on the iconic "Primetime with the Packman" radio show that was popular for more than a decade in North Carolina and South Carolina. He tells the remarkable story of how the 'QCB' became a fixture on the show. He also reminisces about James Brown and his entourage showing up unannounced at the Charlotte-based studios and spending a rollicking hour on the air with Packer and Co. Packer also recalls the wee hours of the Northern California night in January of 2019 when he interviewed Dabo Swinney on the field at Levi's Stadium when no one else was around. Packer thinks Swinney has to do some significant adapting to move past this disastrous season and put Clemson back on footing with the best in college football.

In this episode, we're speaking with an artist whose musical journey is as compelling as his sound: A.J. Croce. While many recognize the name Croce from his father, the legendary singer/songwriter Jim Croce (who wrote classics like "Operator," "Time in a Bottle," "Bad Bad Leroy Brown," and many more) , A.J. has carved out his own distinct path in the music world. With a career spanning over three decades, he's been a working musician since he was 15 years old, releasing more than 10 albums and collaborating with icons ranging from James Brown to  Willie Nelson, showcasing his prowess as a virtuoso piano player and a versatile singer-songwriter. A.J.'s latest album, "Heart of the Eternal," produced by Shooter Jennings,  is a testament to his evolving artistry.  In our conversation, A.J. delves into the inspirations behind his new album, his experiences growing up in a musical household, and how he's embraced his father's legacy while continuing his own musical prowess. He shares insights into his creative process, the stories behind his songs, and the personal experiences that have shaped his music. Enjoying the show? Please leave us a 5-star review on ⁠⁠⁠Apple Podcasts⁠⁠⁠, ⁠⁠⁠Goodpods⁠⁠⁠, or ⁠⁠⁠Spotify⁠⁠⁠! Connect with us on ⁠⁠⁠Facebook⁠⁠⁠ and ⁠⁠⁠X (Twitter)⁠⁠⁠. For the stories behind the songs, go to ⁠⁠⁠Songfacts.com⁠⁠⁠. Proud member of ⁠⁠⁠Pantheon Podcasts⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the penultimate episode of season 2 of Soundscapes NYC, hosts Ryan Purcell and Kristie Soares sit down with acclaimed historian Alice Echols, author of Hot Stuff: Disco and the Remaking of American Culture. Echols—who holds the Barbra Streisand Chair of Contemporary Gender Studies at the University of Southern California—unpacks how disco not only mirrored but actively shaped the social, racial, and sexual revolutions of 1970s New York City. Echols is the author of several books that have framed the way we understand the history of the 1960s and 1970s, and particularly the way music has shaped society at the intersection of gender, sexuality, and race. The conversation begins with Echols' newest research, drawn from her forthcoming book Black Power, White Heat: From Solidarity Politics to Radical Chic, which reexamines interracial activism and allyship during the Black Freedom Movement. From the Angela Davis trial to the alliances formed within SNCC and the Black Panther Party, Echols traces how solidarity both flourished and fractured across the era. Turning to disco, she considers disco's uneasy place in Black and queer cultural history. She notes how disco was created by and for Black audiences, while also being rejected by many in the Black music industry, like James Brown, for being “politically empty.” Through figures like Nile Rodgers, Grace Jones, and Sylvester, Echols argues that disco's lush orchestration and sensual performances reflected radical redefinitions of gender, sexuality, and Black masculinity. With musical excerpts woven throughout, Purcell and Soares guide listeners through the sonic textures of disco—its roots in funk and soul, its resistance to genre boundaries, and its capacity to move bodies and politics alike. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Trevor Walker brings his signature lifeboogie with Afro grooves from the Good Samaritans and Matata, Skyy's classic kazoo jam "No Music", heavy funk thump from James Brown and homegrown flavour from Ottawa's own David Crowe. Plus ice cold poetry from Brian Jackson & Rich Medina, a Dilla salute helmed by fellow Detroiter Karriem Riggins and a long overdue sample moment with the Rufus classic "Circles". View the full playlist for this show at https://www.wefunkradio.com/show/1269 Enjoying WEFUNK? Listen to all of our mixes at https://www.wefunkradio.com/shows/

"Today on Let There Be Talk, I'm talkin' to the king of funk himself — the one and only Bootsy Collins! We're goin' deep into that cosmic groove — from James Brown to Parliament-Funkadelic to Bootsy's Rubber Band — this man is the funk. Put on your star-shaped shades, turn up the bass, and get ready to ride the mothership, baby. Bootsy Collins is here, and it's about to get funky!" My Tour Dates can be found here - https://www.deandelray.com/tourdates Join My Patreon and Support Let There Be Talk https://www.deandelray.com/patreon  Watch my new Stand Up Comedy Special - https://www.youtube.com/watch?v=nbeaApu4OP0  Stream my special on all the streaming platforms - https://artist.link/deandelray    Thank you for all the support over the LAST 13 YEARS. DDR

Bootsy Collins shares tales of P-Funk, Praxis, Buckethead and community work, philanthropy and mental health advocacy. Bootsy online  |  Bootsy & Buckethead single  |  "Is there Anybody Out There" podcast Topics Include: Bootsy's philanthropy and community work Bootsy reveals music now has purpose beyond just making people feel good "If you ain't chasing something, there's no reason to hunt" - finding new motivation From chasing girls and highs on tour to discovering why he still makes music Always gave back to unknown musicians like Buckethead before they became famous Opens up about mental health struggles when he got "too blown up" New "Metal Health" album with Buckethead addresses mental health for everyone First Buckethead collaboration was 1991's "Bucketheadland" recorded in Cincinnati Praxis exploded when Bill Laswell joined Bootsy, Buckethead, Bernie Worrell, and Brain Complete Strangers caught King Records' attention, leading to James Brown discovering them James Brown demanded everything tight; George Clinton allowed creative freedom and experimentation Most P-Funk classics were created spontaneously "while the tape was running" Both Bootsy and Buckethead must wear their signature headgear while recording Eddie Hazel's solo album used Bootsy's instrumental tracks - George's "superhero" vision Reveals George Duke's "Reach For It" is the funk hit he wishes he was on High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide