Podcast appearances and mentions of Bruce Springsteen

We've got a real doo wah ditty doozy for you this week! Our pal Wallace Edwards drops off his classic tale of Mannfred Mann and his band's journey through American rock n roll. We take a look behind the music to find out just how torturous Bruce Springsteen was to the English band while they were on tour. John tries to keep up but him and JD Ryan have some questions by the end of it. I don't think Wallace Edwards would lie, would he??   Thanks for joining us for this week's #JCWPodcast #JCWArchive. Please don't forget to Like, Share, and most importantly, Subscribe--to make sure you get the latest John Clay Wolfe Show materials as soon as they're released! So keep an eye out for those fake shakes...and we'll see you Saturday

Anne Abel is an author and storyteller. Her first memoir, Mattie, Milo, and Me, about unwittingly rescuing an aggressive dog, was inspired by her Moth StorySLAM win in New York City. It was published in 2024. Her second memoir, High Hopes Bruce Springsteen and Me, about fighting depression by following Bruce Springsteen's Australia tour, at the age of 60, even though she hates to travel and hates to be alone, won a Moth StorySLAM in Chicago. It will be published September 23, 2025, Bruce Springsteen's 76th birthday. Her credentials include an MFA from The New School for Social Research, an MBA from the University of Chicago, and a BS in chemical engineering from Tufts University. She has published on topics ranging from dogs lovable and difficult, to coping with depression, family dysfunction, generational trauma, overcoming writer's block and being a FaceTime grandmother. She has freelanced for Lilith; Philadelphia Daily News; The Jewish Exponent; Philadelphia Weekly, Main Line Life and Main Line Today, and formerly wrote a weekly column, “The Homefront,” for Main Line Welcomat. She taught English and creative writing at the Community College of Philadelphia. Anne lives in New York City with her husband, Andy, their 15-year-old rescue bischon, Chase, and Wendell, a three-month old cavapoo.  website: https://anneabelauthor.com/ tiktok: @annesimaabel Facebook: @anne.abel --- Support this podcast: https://podcasters.spotify.com/pod/show/maria-leonard-olsen/support

The discussion today is focused on the creepy backgrounds of Trump cabinet picks Pete Hegseth and Kash Patel. John also talks about South Korea Right Wing President Yoon facing impeachment now after he tried to avoid his corruption investigation and called for martial law in his country. Then, legal analyst Professor Corey Brettschneider joins the crew and they chat about Trump's cabinet picks and his new book "The Presidents and the People: Five Leaders Who Threatened Democracy and the Citizens Who Fought to Defend It". Next, John interviews singer, songwriter, musician, poet, activist, documentarian, and rapper - Michael Franti and he explains his work with WhyHunger. Now in its 39th year, WhyHunger's Hungerthon brings together thousands of supporters across the U.S. with their partners at SiriusXM and artists like Bruce Springsteen and Yoko Ono Lennon who believe in their shared vision of a hunger-free future for all! Take action at SiriusXM.com/Hungerthon. Then winding it up, John speaks with author, podcaster, and Democratic strategist Cliff Schecter on the political scene and Trump's wacky cabinet picks.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Der britische Sänger, Songwriter, Gitarrist und Produzent James Bay (34) ist bekannt und beliebt für kluge Lyrik, ehrliche Bekenntnisse und sein instrumentales Können. Aufgrund grosser Nachfrage wurde sein Konzert am 17. Januar 2025 in Zürich aus dem Volkshaus in die Halle 622 hochverlegt. Tickets: https://www.ticketcorner.ch/artist/ja... //TIME STAMPS// // Album Title Revelation (00:00:23) James reflects on the significance of his album title, "Changes All the Time." Facing Change Through Music (00:02:03) James shares how songwriting helps him cope with life's changes and fears. Life as a Roller Coaster (00:03:25) James describes his life experiences and the emotional roller coaster of his career. Becoming a Father (00:05:55) James talks about the transformative experience of fatherhood and its challenges. Daughter's Reaction to Music (00:07:44) James shares how his daughter recognizes and reacts to his music on the radio. Collaboration on "Up All Night" (00:09:02) James explains the spontaneous creation of his song "Up All Night" and its collaborators. Writing with Brandon Flowers (00:12:27) James recounts his writing session with Brandon Flowers and the creative process involved. Working with Holly Humberstone (00:14:23) James expresses excitement about collaborating with younger artist Holly Humberstone. Dream Collaborations (00:14:44) James shares his desire to collaborate with various artists across different genres. Exploring New Music (00:15:57) James mentions creating a playlist of new music he discovered recently. Roxy Music Influence (00:16:19) James Bay discusses a Roxy Music song that resonated with him, highlighting its impactful lyrics. Creative Process Insights (00:17:08) James Bay shares his creative process, emphasizing the importance of daily practice in songwriting. Melody vs. Lyrics (00:18:54) He explains that melodies come first in his songwriting, while lyrics often take longer to develop. Song Development (00:19:39) Bay talks about how songs can evolve during the writing process, often shifting between instruments. Recording Ideas (00:20:35) He describes using voice notes to capture song ideas, valuing spontaneous creativity. Album Reflection (00:21:21) Bay reflects on his new album, expressing how it authentically represents him as an artist. Magpie Mentality (00:23:03) He discusses his desire to explore various musical styles, comparing himself to a magpie. Impact of Fame (00:24:25) Bay shares how his experiences in the music industry have changed him personally and artistically. Opening for Legends (00:27:11) He reflects on the honor of opening for iconic artists like The Rolling Stones and Bruce Springsteen. Swiss Audience Experience (00:29:51) He shares positive experiences performing for attentive and enthusiastic audiences in Switzerland. Personal Connection to "Dogfight" (00:30:20) Bay reveals the personal significance of his song "Dogfight," relating it to internal struggles. Calm Exterior, Internal Struggles (00:31:32) He discusses the contrast between his calm demeanor and the emotional battles he faces internally. The Creative Process and Personal Struggles (00:32:44) James Bay discusses the therapeutic nature of songwriting and his internal struggles reflected in his music. Deciding to Pursue Music (00:36:17) He recounts the pivotal moment at age 11 when he decided to learn an instrument and connect with others. What Makes a Good Song? (00:38:30) Bay shares insights on the essence of a good song, emphasizing curiosity and the feeling of effortlessness. The Importance of Songs Over Time (00:40:35) He discusses how the significance of songs can evolve throughout one's life, using "Layla" as an example. Future Plans and Collaborations (00:41:50) Bay expresses interest in creating a part two to his album and collaborating more in the future.

In the latest episode of None But the Brave, co-hosts Hal Schwartz and Flynn McLean discuss the conclusion of Bruce Springsteen & The E Street Band's Canadian leg, the final dates of the 2024 tour. They are joined by special guest Mark Stricherz, who reports in on the final show in Vancouver. Mark is also a founding member of JEMS, the legendary tapers collective, and Hal and Flynn are excited to hear stories from the group's illustrious history. For more information on exclusive NBTB content via Patreon, please visit: Patreon.com/NBTBPodcast. Through December 11th, use code NBTB2024 for 25% off an annual subscription. This show is sponsored by DistroKid. Use this link to support the show and get 30% off your first year: http://distrokid.com/vip/nbtb Learn more about your ad choices. Visit megaphone.fm/adchoices

Join host Jesse Jackson and co-host Sylvan Groth in a captivating episode of Set Lusting Bruce, as they step off the Bruce Springsteen train to welcome musician and songwriter Dave Katzikas. Dave shares his fascinating journey, growing up in a musically inclined family in New Hampshire, his early start in music, and the ups and downs of his creative path. The discussion covers everything from his first songwriting experiences to opening a recording studio, coping with social struggles and Tourette's Syndrome, the emotional impact of music, and his eventual return to live performing. Tune in for a heartfelt conversation about the healing power of music, personal growth, and much more. https://www.reverbnation.com/DaveKatsikas https://www.facebook.com/david.katsikas 00:00 Welcome to Set Lusting Bruce 01:23 Meet Dave Katzikas: Musician and IT Guy 03:10 Early Musical Influences and Family Life 05:44 The Record Store and High-End Audio 06:49 Struggles and Coping Through Music 14:19 Building a Recording Studio 23:05 Emo Metal and Personal Struggles 24:01 Facing Criticism and Overcoming Rejection 27:38 Rediscovering the Creative Spark 28:42 Early Music Technology and Influences 30:35 Overcoming Stage Fright and Tourette's 32:07 The Keene Music Fest Experience 32:47 Building a Supportive Network 34:39 Therapeutic Journey and Live Performances 39:20 Future Musical Aspirations 41:43 Collaborations and Notable Mentions 43:54 Reflecting on a Musical Journey 47:04 Live Performance and Closing Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

Bruce Springsteen once said that the secret to good songwriting was striking a balance between the personal and the universal: Get specific with people and locations first before shading in the rest with the kinds of generalities that make your listener relate, and hopefully, feel something. Craig Finn -- leader of the rough-and-ready, Grammy-nominated outfit The Hold Steady -- has subscribed to this philosophy in spades, garnering a cult-like fandom over 20+ years. On critically-acclaimed albums like Separation Sunday and Boys & Girls In America, the band has wheeled-and-dealed jaw-dropping tales of overdoses, arrests, confessional debauchery, and post-party pathos on par with any binge-worthy crime drama. Yet, despite those circumstances, the most fervent fans of The Hold Steady often connect most with the undying optimism that lies within Finn's brash and bewildered characters -- many of which show up on multiple tracks. Recorded in front of a live audience at Pinwheel Records in Chicago, Craig spotlights a lyrical trick he learned from Paul Simon, the babysitter who schooled him on Led Zeppelin, and the intriguing plot of his next solo album, due in spring. Visit craigfinn.net and theholdsteady.net for news, social media, tour dates and more. You can also subscribe to That's How I Remember It -- where Craig examines the connections between art and memory -- wherever you listen to podcasts. Live sound engineer: Manny Medina

Erlebt die zehnte Jubiläumsausgabe von „Sträter: Musik – Der Soundtrack eines Lebens“ – der Podcast für alle, die die Sendung im Radio verpasst haben oder sie einfach noch einmal genießen möchten! Comedy-Star Torsten Sträter, der unvergleichliche YouTuber und Musikexperte Marti Fischer sowie BB-RADIO-Chefredakteur und DJ Jens Herrmann laden euch zu einem einmaligen musikalischen Abenteuer ein. Von Madonna bis Mettbrötchen – hier erwartet euch ein unvergleichlicher Mix aus Musik, Humor und Anekdoten! Freut euch auf eine Playlist, die mit Klassikern wie „Holiday“ von Madonna, „Your Song“ von Elton John, den musikalischen Hymnen von Bruce Springsteen und Toto bis hin zu Perlen wie „Cry Little Sister“ von Gerard McMann und den unvergesslichen Klängen von Eros Ramazzotti alles bietet, was das Herz begehrt. Ein Soundtrack, der garantiert Erinnerungen in euch wecken wird! Natürlich darf auch der unverwechselbare Humor von Torsten Sträter nicht fehlen: Mit seinen pointierten Kommentaren und charmanten Geschichten führt er durch die Show. Marti Fischer bringt seine musikalische Expertise ein und analysiert die Songs mit viel Witz und Tiefgang. Und Jens Herrmann, Chefredakteur von BB RADIO und seit über 30 Jahren in der Radiowelt zu Hause, liefert nicht nur spannende Hintergrundinfos, sondern sorgt mit seinem professionellen Gespür dafür, dass die Show stets in geordneten Bahnen bleibt – auch wenn Torsten und Marti mal wieder grandios „abschweifen“. Also lehnt euch zurück und freut euch auf über drei Stunden voller Lacher, Beats und unvergesslicher Geschichten. „Sträter: Musik – Der Soundtrack eines Lebens“ – von Madonna bis Mettbrötchen – euer perfekter Mix aus Musik und Comedy. Jetzt zurücklehnen, ablachen und genießen!

Bon Jovi took the rock world by storm with their massive third album, "Slippery When Wet."  A big tour followed, and afterwards the band was anxious to demonstrate that they were not a one (album) hit wonder.  They got into the studio at Vancouver, BC in May of 1988 and quickly recorded their fourth studio album entitled New Jersey.  Originally going under the working title "Sons of Beaches," the band would settle on their home state as the name of the album.  Bon Jovi wanted to make a double album, but the record label balked, fearing that the higher price tag of a double album would impact sales.  The album still clocked in at close to an hour of play length, not uncommon during a time when CD's were beginning to stretch the length of albums past the more common album play times.The result was a stellar success, debuting on the Billboard 200 albums chart at number 8, before moving to the top spot a week later, where it would remain for four weeks.  Jon Bon Jovi and Richie Sambora wrote most of the songs on the album, with some assistance from songwriter Desmond Child.  Five singles from the album went into the top 10 on the Billboard Hot 100 chart, with two topping that chart.Bon Jovi would go on to an unusual achievement - remaining one of rock music's A-listers for decades.  Bon Jovi would continue to sell out arenas, a feat limited to groups such as U2, Metallica, Elton John, and the Rolling Stones.  Friend of the show Julie Doran brings us this stellar album.  We are also joined by friend of the show Steve Hardin as we cover for the absence of both Wayne and Lynch this week. In addition, fan of the Show Christian joins us to help Rob bring his Staff Pick.  Bad MedicineJon Bon Jovi and Richie Sambora collaborate with Desmond Child in the writing of this song which went to number 1 on the US charts.  The lyrics are pretty straightforward, comparing love to a drug.  "There ain't no doctor that can cure my disease."  The video features hand-held cameras provided to fans at the concert providing their "point of view" at the concert.Living In SinThe fifth single from the album still broke into the top 10 on the US Billboard Hot 100.  This power ballad has lyrics that explore love being more powerful than the expectations of society.  Bon Jovi is singing about his high school sweetheart, whom he would marry in Las Vegas while on the New Jersey Syndicate tour.Born to Be My BabyThis single is another example for the collaboration with Desmond Child, and peaked at number 3 on the Billboard Hot 100.  The song has a lot of similarities with Springsteen, with lyrics about a couple of working class lovers facing the world together.  The video took the opposite direction from many highly produced videos of the time, opting for low budget black-and-white.I'll Be There For YouThe big hit from the album was this number 1 power ballad.  With a runtime of 5:43, this song is the longest song to hit number 1 on the charts in 1989.  The lyrics describe a guy desperately seeking to get his girl back, this time forever.   ENTERTAINMENT TRACK:Put a Little Love in Your Heart by Al Green and Annie Lennox (from the motion picture “Scrooged”)Bill Murray stars in this retelling of "A Christmas Carol." STAFF PICKS:Armageddon It by Def LeppardRob starts off the staff picks with the sixth single from the multi-platinum album, "Hysteria."  High School Student and Fan of the Show, Christian, assists with his thoughts on the band. By the time this song hit number 3 on the US charts, the album had been out for well over a year.  The lyrics are a play on words - “Hey, but are you gettin' it?  Armageddon it.”Desire by U2Julie's staff pick has a blues feel and a Bo Diddley beat.  The song is both a critique of the glitzy televangelist making money off his followers, and the ambition and glitz surrounding a successful rock band.  It won a Grammy for Best Rock Performance by a Duo or Group in 1989. I'm Sorry by Hothouse FlowersBruce features a long lost hit from a Dublin group that combines Irish music with an eclectic mix of soul, gospel, and rock influences.  You know, we all have times when we're "sitting back on our deep pile reclining chair" thinking about our lives and “looking over our misdemeanors, misgivings, misfortunes, and Miss Whatever her name is," and say "I'm sorry.”Never Tear Us Apart by INXSSteve closes out the staff picks this week.  INXS lead singer Michael Hutchence wrote the lyrics that describe a couple with an instant, almost karmic connection when they first meet.    This is the fourth single off the album "Kick" and went to number 7 on the Billboard Hot 100. COMEDY TRACK:Wild Thing by Sam KenisonThe sultry sounds of Sam Kenison take us out with this angry cover of the Troggs classic.  Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

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The anniversary of the release of Bruce Springsteen's second album, “The Wild, the Innocent & the E Street Shuffle” back in 1973. It's one of the most beloved albums of his entire catalog and Scott Shea argues that it's the most important of the legendary singer's long career. In ⁠his latest article for the Strange Brew⁠, Scott provides a little album history and talks about how his inauspicious start with Columbia Records yielded this rollicking full band effort that showcased the rock and roll bar sound he'd been cultivating since his earlier bands, Steel Mill and the Bruce Springsteen Band.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Cadeau de noël de M. Roud qui revient enfin sur les ondes. Emission préparée avec soin et fébrilité pour son public qui lui manquait 01 - Bruce Springsteen - "Thunder road"02 - Fontaines DC - "In the modern world"03 - Peter Perrett - "I wanna go with dignity"04 - Kid Kapichi - "Can EU hear me ?"05 - The Lambrini Girls - "Love"06 - Fat Dog - "Peace song"07 - The Last Dinner Party - "Caesar on tv screen"08 - Joe Pernice - "Who will you believe"09 - The Lemon Twigs - "They don't know how to fall in place"10 - Jack White - "What's the rumpus"11 - The Voidz - "Prophecy of the dragon"12 - Mustang - "Aerosol"13 - Mustang - "L'argent du beurre"14 - Etienne Daho - "Bleu comme toi"15 - Aline - "La lune sera bleue"16 - Eagles of Death Metal - "Careless whisper"17 - The Baseballs - "Umbrella"18 - K-CIDY - "Soudain une envie"19 - Fontaines DC - "Starbuster"

R.E.M. considered themselves missionaries against the prevailing pop culture – no solos, no old-school stagecraft, no printed lyrics, no lip-syncing, no hard-sell videos, no obvious leader – and mapped out a whole new route to international success. Peter Ames Carlin, whose books include biographies of Springsteen, Brian Wilson and Paul Simon, talks to us here about ‘The Name of this Band is R.E.M.', what they pioneered and how it rearranged the rock and roll furniture. Which involves … … why their Letterman Show was a statement of intent. … “rather than bending to the mainstream, they did what they wanted ‘til the mainstream bent to them.” … where you can see “the R.E.M. model” - from Sleater-Kinney to Taylor Swift. … when ‘Mike Stipe' became Michael. … Stipe's first TV appearance, dressed as Frank-N-Furter at a Rocky Horror Show screening. … why rock critics connected with them.  … the strategies they share with U2, Radiohead and Coldplay.  … “Springsteen = Elvis + Dylan”. … what was in the water in Athens, Georgia, that produced such unconventionalacts - R.E.M., the B-52's, Pylon, Love Tractor. … their ‘straight' but supportive parents – Stipe's dad in the military, Mills' dad a marine helicopter pilot. … how R.E.M. “channelled popular culture”. … their pioneering approach to record deals, royalties, videos, mixing and song-writing. … and which of them most wants a reunion. Order ‘The Name Of This Band Is R.E.M.' here:https://www.amazon.co.uk/Name-This-Band-M-Biography/dp/0385546947Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

R.E.M. considered themselves missionaries against the prevailing pop culture – no solos, no old-school stagecraft, no printed lyrics, no lip-syncing, no hard-sell videos, no obvious leader – and mapped out a whole new route to international success. Peter Ames Carlin, whose books include biographies of Springsteen, Brian Wilson and Paul Simon, talks to us here about ‘The Name of this Band is R.E.M.', what they pioneered and how it rearranged the rock and roll furniture. Which involves … … why their Letterman Show was a statement of intent. … “rather than bending to the mainstream, they did what they wanted ‘til the mainstream bent to them.” … where you can see “the R.E.M. model” - from Sleater-Kinney to Taylor Swift. … when ‘Mike Stipe' became Michael. … Stipe's first TV appearance, dressed as Frank-N-Furter at a Rocky Horror Show screening. … why rock critics connected with them.  … the strategies they share with U2, Radiohead and Coldplay.  … “Springsteen = Elvis + Dylan”. … what was in the water in Athens, Georgia, that produced such unconventionalacts - R.E.M., the B-52's, Pylon, Love Tractor. … their ‘straight' but supportive parents – Stipe's dad in the military, Mills' dad a marine helicopter pilot. … how R.E.M. “channelled popular culture”. … their pioneering approach to record deals, royalties, videos, mixing and song-writing. … and which of them most wants a reunion. Order ‘The Name Of This Band Is R.E.M.' here:https://www.amazon.co.uk/Name-This-Band-M-Biography/dp/0385546947Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Join host Jesse and special guest Andre Paradis in this episode of the 30 for 30 series, where they explore Bruce Springsteen's album 'High Hopes.' Jesse and Andre reminisce about Andre's last appearance on the podcast nearly nine years ago, discuss their favorite tracks, and delve into the significance of each song. Andre shares his perspective as a Canadian fan and a teacher, offering unique insights into Springsteen's music from both a personal and cultural standpoint. Don't miss this in-depth conversation about one of Springsteen's most eclectic albums, filled with covers, b-sides, and outtakes. Support the show here - buymeacoffee.com/setlustingbruce  00:00 Introduction and Welcome 01:09 Guest Introduction: Andre's Background 02:07 Revisiting Past Episodes 03:11 Discussing High Hopes Album 05:50 Personal Connections to Springsteen 06:31 First Springsteen Concert Experience 09:45 High Hopes Album Review 22:08 American Skin: A Deep Dive 34:13 Tragic Incident Discussion 35:45 Song Analysis: 41 Shots 36:24 Cover Songs and Tour Highlights 37:27 Down in the Hole: A Divisive Track 39:30 Heaven's Wall and Gospel Influences 41:19 Frankie Fell in Love: A Lyrical Exploration 43:56 This Is Your Sword: A Message of Hope 47:51 Hunter of the Invisible Game: A Controversial Ballad 49:29 The Ghost of Tom Joad: A Political Anthem 52:37 The Wall: Vietnam War Reflections 57:36 Dream Baby Dream: Almost a Farewell Song 01:00:28 Final Thoughts and The Mary Question Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to another episode of '30 Days of Springsteen'! Join us as we dive into Bruce Springsteen's album 'Working on a Dream' with returning guest Alex Markham. Alex shares insights from his extensive experience as a writer and musician, explaining why he believes this album is misunderstood and unfairly criticized. We explore specific tracks, discuss the album's 60s influences, and reflect on its themes of optimism and aging. Whether you're a long-time Springsteen fan or new to his music, this episode offers a fresh perspective on an often overlooked gem in The Boss's discography. Alex Markham – Medium Alex Markham | Substack 00:00 Introduction to 30 Days of Springsteen 00:44 Meet the Guest: Alex Markham 03:26 Discussing 'Working on a Dream' Album 06:52 Analyzing Key Tracks 13:18 Reflecting on the Album's Themes 32:08 Final Thoughts and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

In this 30 for 30 episode of Set Listing Bruce, host Jesse Jackson and special guest Terry Smith from Music Talks dive deep into Bruce Springsteen's iconic Hammersmith Odeon concert from 1975. Terry, a retired IT professional and self-professed music nerd, shares his insights into the British music scene of the '70s and the legendary reputation of this live performance. The episode discusses the context and hype surrounding Springsteen's arrival in the UK, the setlist, standout performances, and the influencing factors for the show. Get ready for a nostalgic journey through one of Bruce's most memorable concerts from a UK perspective. 00:00 Introduction and Welcome 01:10 Meet Terry Smith 02:47 Choosing the Album 03:49 The Hammersmith Odeon Performance 09:53 The British Music Scene in the 70s 14:45 Bruce Springsteen's Arrival in London 24:34 Exploring the Setlist and Performance 25:45 Bruce Springsteen's Musical Roots and Influences 27:45 Memorable Concert Moments and Fan Experiences 29:16 Analyzing Iconic Songs and Performances 30:49 The Evolution of Live Performances 31:20 Unique Concert Stories and Anecdotes 35:35 Reflecting on Bruce's Legacy and Impact 42:17 Final Thoughts and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

In this 30 for 30 episode of Set Listing Bruce, host Jesse Jackson and special guest Terry Smith from Music Talks dive deep into Bruce Springsteen's iconic Hammersmith Odeon concert from 1975. Terry, a retired IT professional and self-professed music nerd, shares his insights into the British music scene of the '70s and the legendary reputation of this live performance. The episode discusses the context and hype surrounding Springsteen's arrival in the UK, the setlist, standout performances, and the influencing factors for the show. Get ready for a nostalgic journey through one of Bruce's most memorable concerts from a UK perspective. Musical Talks Link - https://www.musictalkspod.com/ Support the show here - buymeacoffee.com/setlustingbruce  00:00 Introduction and Welcome 01:10 Meet Terry Smith 02:47 Choosing the Album 03:49 The Hammersmith Odeon Performance 09:53 The British Music Scene in the 70s 14:45 Bruce Springsteen's Arrival in London 24:34 Exploring the Setlist and Performance 25:45 Bruce Springsteen's Musical Roots and Influences 27:45 Memorable Concert Moments and Fan Experiences 29:16 Analyzing Iconic Songs and Performances 30:49 The Evolution of Live Performances 31:20 Unique Concert Stories and Anecdotes 35:35 Reflecting on Bruce's Legacy and Impact 42:17 Final Thoughts and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

Spencer Thomas is a singer-songwriter and multi-instrumentalist based in Athens, Georgia. He also plays keys for the beloved cosmic jamericana touring band Futurebirds. His new record, The Joke of Life, is shot through with contributions from members of My Morning Jacket, Drive-By Truckers, Futurebirds annd — it's been getting a lot of play at the Lenker house. Listen above, scroll down to watch on YouTube.But for a few short texts, Spencer and I hadn't met until he pulled up in front in front of my joint in East Nashville. He'd had a long drive so we took a walk around the block to catch up, break the ice and enjoy the perfect fall weather. Once we started talking we didn't stop. It was almost incidental, turning the mics on.We riffed on his early and present influences — Warren Zevon's name is an appropriate drop here — as well as the reasoning behind his decision to move to Athens — Athens, Georgia — during the pandemic. When I asked Why not Nashville? we charged into a chapter on the plusses and minuses living in a talent hotspot. That he chose an independent incubation makes sense when you listen to his music. You can't make a record like The Joke of Life in Nashville.Even though I've lived here almost two decades, my own formative years as an artist were spent well away from commercial centers (shout out to Bellingham, Washington) — great for cultivating an individual voice, but maybe you sell more records (or streams I guess) the closer you snuggle up to the money teat.Whatever the metric, Spencer and I tend toward the being apart, which is probably why I enjoyed this conversation so much. There was a lot of dishing on favorite bands — Bruce Springsteen, Tom Petty, Dawes — and a thruline of mutual revelry in the joy of making art for its own sake.We got so carried away talking and listening that I nearly forgot to ask him to play my favorite song from his record, Little Gold. Glad to say we got it in there.Spencer is having a real artistic moment. You get the feeling that — after ten years of trying stuff, making up songs alone and with kindred, looking for his own orbit in the music of the spheres, he's finally hitting on something. Teetering on the fulcrum of his own invention. It felt good for me to catch him mid-stroke on an upward swing.On this day of thanks I want to thank YOU for being part of this Morse Code Community. Ours is a motley collective and I wouldn't have it any other way. I love you guys so much. As Big Tech and Big Money and Bigness in general continue their march on our little patch of sacred humanity, I'm here for you, the artist. I have been in love my whole life with grouchy authors, unknown poets, quiet folksingers, radiant actors, the horse whisperers of culture, all, these fringey wonders who prioritize self-expression over self. My purpose for Morse Code is to celebrate you, inspire you, encourage you to thrash around inside yourself and see what's going on in there. The guests on this show are doing it. You can too. Personally, whether I'm writing a song or a short story or making a film, I'm in the meaning business. And meaning isn't something you find, once and for all. You discover a little bit more, every day. But only if you try.If you get something out of the Morse Code Podcast, please like and subscribe on your favorite listening platform, follow us on IG, and if you have a sec, write us a five star review on apple podcasts. Anything you can do goes a long way to helping us bring this mission to more and more people. And if you'd like to become a paid subscriber, that would be wonderful too. Whatever you do, we'll keep showing up, week after week, to talk to these amazing talents and see what makes them glow so bright.I wish you all the wonder of being alive. Thank you for being here. -Korby Get full access to The Morse Code at korby.substack.com/subscribe

So after three days of judging images for the British Institute Of Professional Photographers, it's time for me to step down from my role as Chair Of Awards And Qualifications.  I have been in the role for three years and it is time for someone else to pick up the reins and run with it (if that isn't a mixed metaphor.) I have loved doing this and if it weren't for a million things I have to go on and do, I think I would do it forever!  So as I drive home from my last round of qualifications - possibly the best one I've ever been involved in - here are a few musings of things I have spotted. This is a 'Tales From The Land Rover' edition so please forgive the audio quality and any mild road rage! Enjoy!   Cheers P. If you enjoy this podcast, please head over to Mastering Portrait Photography, for more articles and videos about this beautiful industry. You can also read a full transcript of this episode. PLEASE also subscribe and leave us a review - we'd love to hear what you think! If there are any topics, you would like to hear, have questions we could answer or would like to come and be interviewed on the podcast, please contact me at paul@paulwilkinsonphotography.co.uk.    Transcript EP158 Heading Home From The Awards Introduction and Event Recap [00:00:00] Paul In The Defender: So for those of you who love the Land Rover episodes, you'll be thrilled to hear that I'm just leaving the BIPP, the British Institute of Professional Photography Awards, uh, event 2024 25. Uh, why do we call it 2024 and 2025 is because if you get an award at the end of a year, it's a real pain from a marketing point of view if you can only say you have an award for 2024. So we call it 2024 slash 25, uh, just to extend the marketing value. So you're, you hold the titles for a year, , so why wouldn't we? Anyway, that's where I've been. I've just spent an absolute fortune on some fuel, uh, because I hadn't got a lot of choice but to fill up at a service station. [00:00:47] And I am just pulling in to traffic. He says, concentrating on driving. Driving and Multitasking [00:00:52] Paul In The Defender: I had a lovely, uh, lovely email from someone this week. , sorry I'm driving so I can't, uh, look up your name. I'm so, I think it was John McCarthy. I'm gonna go with John McCarthy. , who said, amongst many other things, uh, he doesn't know how I drive and record a podcast at the same time. [00:01:09] Well, the answer to that is I drive. And chat. Uh, there's not a lot of structure to it, , and a few people have said this week they like the podcast like that, uh, because, uh, they find it interesting to hear me ad libbing. I don't know whether that's, I don't know whether there's merit in that, but yeah, I am ad libbing because driving is the priority. [00:01:30] They also said, uh, John said, I'm sure it's John McCarthy. I hope it is, if not, uh, I'm crediting somebody who's a fictional character. , he also said that uh, he can hear in everything we're talking about just how busy we are here at the studio. And it must be hard to find the time to fit in to do the podcast, and it is, which is why, uh, I am recording while driving. [00:01:52] , but he did also go on to say, he loves it when we do them. Uh, they are really valuable. They don't just disappear out there into the ether. There are lots of you out there in the photographic community listening to, uh, hopefully enjoying, uh, at least to a, a greater or lesser degree, the podcast. [00:02:10] So here we are. I'm Paul, and this is the Mastering Portrait Photography Podcast. Well, hello one and all. Uh, I am in relatively. Reasonably slow, fast ish, medium paced traffic, which is not good for me getting home quickly. I've got about an hour and a half of driving, but it is good from a road noise point of view 'cause at this speed, the road noise in my Land Rover isn't quite as, uh, intrusive as it would be. I see. It's not so much the road noise as the wind noise in this thing. I'm just looking at the other side of the motorway and thinking, I'm glad I'm not going that way 'cause it's must have been an accident. [00:03:01] It's absolutely log jammed. Reflections on a Photography Career [00:03:04] Paul In The Defender: Uh, so what have I been up to? Well, it was the awards. It was the British Institute of Professional Photography International Awards yesterday in, uh, Bromsgrove, which is in Birmingham, in the Midlands, in the heart, in the heart of the country. Uh, an absolutely wonderful event. [00:03:20] Lots of our friends and lots of colleagues, lots of photographers, uh, having a drink, having a laugh, and celebrating some of the very best images. That you can, uh, possibly imagine is absolutely brilliant. Uh, I have to say it's my last formal event as chair, uh, of qualifications and awards of the BIPP and I. [00:03:41] I guess I have to just say a quick thank you, uh, to Martin Bains and the guys at the British Institute for asking me to take on the role. It has been the honor of a lifetime. You know, when you start out in photography, I, I was just a kid with a camera. Actually, to be fair, I still probably am, uh, just a kid with a camera. [00:04:02] I've just grown quite a lot older and now earn my living from it. But the enthusiasm and the awe and wonder of what you can do with this gadget hasn't diminished at all in the time since I first picked one up at age, sort of, seven or eight or whatever age I was when my grandfather's, uh, Kodak Brownie. [00:04:21] So to be. Chair of Quals And Awards for the oldest photographic association in the world has truly been the honor of a lifetime and when Martin asked me if I'd take that on three years ago, I think I might have been a bit reticent because I wasn't quite sure whether I could deliver what he needed, but hopefully we've gone on to answer the question. [00:04:42] That was an emphatic yes and he, he and the board let me create a program and methods and standards That I think we can be really proud of. , and at the end of the, uh, sorry, at the beginning of the awards yesterday, so it's the end of my tenure. It's my last one as chair. So it is a, it is a sort of a bittersweet moment for me 'cause I've loved it. [00:05:01] Uh, I'm only stepping down because I desperately need to find time to do a load of other things. And now is the time after three years, all the work we've done, uh, you know, on the, on the judging side for me, but particularly on Sarah. Putting in processes and making sure you can get judges when you need them. [00:05:18] , so I'm gonna say thank you to Martin, thank you to the B-I-P-P-A huge thank you to Sarah. And thank you to all the judges who've judged with me, , who've been part of the team. , hopefully over the coming years I'll be able to stand back on the other side of the line and judge alongside the judges that for the past few years I've been sitting in front of while chairing. Honorary Fellowship Award [00:05:38] Paul In The Defender: , the other thing that happened last night, , so forgive me, this is a very personal. It's one of those things where I don't know quite how to do it, but I'm so chuffed I'm going to tell you anyway. I was awarded an Honorary Fellowship of the BIPP. So, if you're not in the industry, I guess it's hard to articulate just how rare these things are and what an honor they are. [00:06:04] There's only 26 or 27 Honorary Fellows in the industry. And as of now, I am also one. I already had my Fellowship. I got that in 2011. , Uh, but I now have an Honorary Fellowship, which is, it's been given to me. It's engraved on the thing is for services to the BIPP, which I rather like it. Uh, so it's just a real privilege to be given that, , I never, you know, just being chair of quals was to be honest, gratitude enough but it is still a lovely thing to be presented with. And that will carry with me for the rest of my life, you know. You keep that title, , and I'm so proud. I was so surprised and pleased last night and so proud now. [00:06:50] But I must also just put out there that, although it is me because I'm the photographer, it's my letters. , actually, this particular one has to be 50 percent Sarah. It's Sarah that coordinated the judges. It's Sarah that managed things and runs me. It's Sarah that manages my time. It's Sarah, and even last night, several of the judges were telling me they were sad to see me step down, but actually, , it's Sarah they're really gonna miss. [00:07:16] So, uh, this goes to Sarah more than anybody else. Uh, so that's a huge, huge thank you. Right, traffic's all braking. Good job I've left lots of gaps, that's nice. Right, so, what was today's topic? Key Ingredient for Great Portraits [00:07:31] Paul In The Defender: Today's topic is, , based on a question that a client asked me the other day. So I was photographing a beautiful family, mother, father, nine month old baby, [00:07:42] The weather? Horribly unkind. It was cold and raining. Your perfect blend of the two types of weather that you don't really want to photograph a baby in. However, we did some studio work and the little girl possibly got a little warm and a little bit grouchy, and so we stepped outside just to see if we could get anything and it turned out, actually, just going out into the cool air, uh, sort of, she, completely cheered up so i think she might just have been a little bit warm or she just didn't like being in the environment of the studio i don't know which but out in the cool air so her mom's holding a huge umbrella over her she sat on one of my our doormats from the studio and scattered the front edge edge with leaves so it looks like the little girl is sitting in this beautiful sort of array of leaves but she's actually sitting on a dry mat in the middle of our lawn and beautiful light and of course when you have water around and Those sort of gloomy bluish tones from a cloudy sky actually the colors pop, you get these oranges and greens that are really interesting. [00:08:45] So we got these incredible pictures and, and afterwards we're sitting chatting and it was the, it was my client, it was the dad said, so what is it? He said, what is it that makes, what's the, the one thing you have to have to make a great portrait? Ah, well, you know, you don't ask someone like me to talk about stuff like that, or at least you don't if you want a short answer. [00:09:05] Uh, so of course the obvious answer, , I'm a lighting specialist. , I love portraiture, but I've always been fascinated by light, its qualities, its colour, the, the shadows that it creates, and I think light obviously is a key ingredient, and I think if you were being Purely pragmatic, you'd have to say the one thing you need to create a great photograph is light. [00:09:31] There has to be light because without it, it's dark, and if it's dark, you've not got a picture. So, that's a really pragmatic answer, but it's a bit dull and a bit obvious. And as I'm a portrait photographer, and during that day, I was taking his baby's portrait, and I've taken their portraits before now. It got me on to think, what is it? [00:09:48] What is that primal? Thing that absolutely makes a portrait. And I think it's a relationship. That is my answer. , it's the relationship you form. Oh man, we're in a rolling roadblock. , that's what's going on. , so there's a slow moving, uh, police car or two. [00:10:06] At the front of, , this particular traffic jam, so we're now travelling at 10 miles an hour. Uh, if we, if we carry on travelling at 10 miles an hour, I'm assuming we won't, but if we do, uh, I'll still be travelling home tomorrow. It's going to take us a while. I'm going to assume up, up ahead, somewhere, they're having to clear an accident, and so all of the traffic, we're sitting straight behind, , a police vehicle. [00:10:28] Anywho, uh, let's talk about the relationship. If you're creating portraits, the one ingredient that you cannot get away without to create a great portrait is a connection with your client. [00:10:43] When you connect with your client, when you create that magic between you, , then something happens and yes, you need beautiful light, of course you do, but in that moment, that split second when they look down the lens and you, uh, fire the shutter, if you have some kind of connection with your client, people who see that picture later will feel it. [00:11:08] It's a really subtle thing, but it's all about what happens when somebody else sees the picture. Because remember when you're holding a camera and you grab that shot. The ultimate consumer of the image isn't you. Yes, all right, you've got the camera, there's that moment, you can show the client if that's your particular workflow, , all of these things, but what you're doing is , you're going to show that image or the image is going to be shown by your client to somebody else. [00:11:34] Normally, that's how it works. [00:11:36] And if you've got that magical connection between you and the person in front of the camera, that connection seems to flow out to someone who views the image later. That's where the magic happens, and you really have to do it fast too. , when people come into our studio, we have an entire workflow that is based around getting our client to relax, getting them to feel comfortable. [00:12:03] And we are starting to create a very temporary but very powerful relationship. It's not, it's not a love affair, but it is that sort of some kind of rapport. Where. You can have a conversation, you can laugh, you can maybe learn a little bit about someone, which is always lovely. And when you do that, when you pick up the camera, you, that sort of momentum of that relationship carries through. [00:12:28] So if you tell 'em to look down the lens, it has a, a magic to it if you're tell, even if you're telling them to look slightly to the side or down, that still has a body language to it that feels comfortable. So for me and the kind of portraiture that I love, it's that. relationship that you build, that connection in the moment you hit the button, and that is the most important thing about a portrait, and it's beautiful. [00:12:53] And I said this to my client, and I really hope he sort of thought, oh, okay, that's a, that's a, you know, useful answer. I don't know whether, , I think he might just be making chit chat, same, because it was, he's the client, and so that's the rapport, right? So instead of me asking the questions of it, he was asking questions, , of me. [00:13:11] Anyway, there you go. Key ingredient other than light is a relationship, the connection with your sitter. Masteringportraitphotography.com Launch [00:13:19] Paul In The Defender: I know this is a short one as I'm pottling along, but I also wanted to take the opportunity in this podcast to formally, as much as, you know, anything is formal with me, to formally launch masteringportraitphotography. [00:13:33] com. Now of course the website has been there for an eternity. It's been there pretty much ever since we launched the book. Actually on the book there might be some news coming, but I'll keep you posted if and when contracts get signed. , But the website's been there, it's had sort of content, but we've really only used it primarily for the podcast as its spiritual home. [00:13:58] Yes, there's lots of articles, there've been tons of articles, , but we've never really used it as our first and foremost focus. [00:14:14] Mastering Portrait Photography is now very much in our viewfinder, if you like, if you like the metaphor, and we are pushing a huge amount of energy and content into it. So every month there will be a long form video. By long form I mean half an hour. Video, uh, talking about something, uh, I think the ones that are up there at the moment, like I said, I'm in the Land Rover, and while I did make some notes, uh, prior to clipping on the microphone, I didn't make all of them, so I think there is how to structure a shoot is on there, uh, I think there is how to work in harsh sunlight in there, , I know the one that's on the editing screens at the moment is five ideas for off camera flash, oh, we're all speeding up again now. [00:14:57] We're So it's about to get a little bit more background noise. They must have rescued whatever vehicle it was. , and so, uh, you get one long form video a month. There will also be an article a month, or every couple of weeks, with a lighting diagram. On top of that, there are the frame, room, whatever you want to call them, mock ups, where they are photorealistic Photoshop files that you can drop your own image into, and it just looks like that's how the image was put on a wall. Why do we do those? Well, originally it was to help sell, , wall art to our clients. Because obviously as a business, I need ways of getting them to visualize the, uh, the wall art that I'd like them to have. And the closer I can get it to photorealistic, the better it is. [00:15:50] Because they'll, they can't touch it. Because. That we haven't made it yet. And the old adage in sales, if they can touch it, they'll buy it. , we can't quite get there, but we can certainly visualize it. So that's really good. , and that's why we built them. I built them for my own team and everything about the website, Mastering Portrait Photography.com is of and for us, I built it or we built it to support us as a business. [00:16:17] The articles, some of it came out of the book, but then much of the rest of it. It's been to help train people, it's been to help train my own team when we've got assistants in, , the room mock ups or the art mock ups are entirely built for us. They were built for us to be able to improve our sales, and that works. [00:16:38] Make no bones about it, they work. You can see them, there's hundreds of them, we're building more all the time, , Oh, this bit's bumpy. The thing about recording in a Land Rover is if the road, the M40, as it is, has a rubbish road surface, which it does at this particular bit, , then it gets a little bit shaky. [00:16:56] You can hear everything rattling around. And so we built them to be photorealistic. We built them for us. There's tons of them, but there's actually a by product which I didn't necessarily anticipate. So while I'm building these things, I drop images into them all the time. I go back to my sort of stock of portfolio images, some of my favorite images, my favorite clients over the years. [00:17:17] And I drop them in, , to create, , thumbnails that when you browse the site you can have a look at. , but actually what I've learned, or I'm learning as I go, is how different styles of image work in different types of frame. So certain images work great big on a wall. You know, I think as photographers We're drawn towards the idea of the Mona Lisa type portrait photograph, or at least I am. [00:17:43] I love a headshot. I love a clean, big, bold, you know, almost as if it was an LP album cover. Uh, I think, you know, Bruce Springsteen or Peter Gabriel, that's I'm sure my age, I suppose, , on an album cover, something like that, I think would be just brilliant. But would my client really put that huge on their wall? [00:18:04] Well, they might if it's Bruce Springsteen or Peter Gabriel. They're unlikely to if it's them. Now, they might if they have an only child and they might if it's a picture of a dog. There's some amazing photographers out there doing pet photography and I can, and certainly when we do it too, you know, I can visualize how one of our dog photographs, for instance, might appear in a big frame on a wall. [00:18:28] I was with a client and an old friend of mine the other day and they had a A picture on the wall. It's one of Randall Ford's pictures. , and I know the family and their dogs and, and, uh, the dad. And I just think I could do exactly that with, uh, his dogs and his family. , something big and bold. A couple of frames lined up across the wall, but on the whole, if you are gonna sell big frames, single big frames, you probably want groups in there. [00:18:56] Now, if you've got clients with huge walls and. You know, a couple of kids, you might be able to put individual headshots into individual frames on the wall, and I do have clients like that, and they look stunning, my oh my, do I love it. Uh, but they're not the norm, they're not the norm. The norm is a normal sized house, with moderate sized walls, and if you put a big frame up on the wall, it's either got to be something like a fine art piece, where, let's say, The couple are silhouetted against the wall, small, but there's a big sky or something, , or a picture of a dog, or a picture of, you know, the two kids, or the whole family. [00:19:35] It's highly likely that they're going to want something full of joy and laughter, because that is something that would be appealing at that size on a wall. Similarly, if you're laying up three frames, you can tell a story across them. You can use a different star a different type of image. You can use individual shots in a different way. [00:19:52] For more information visit www. paulwilkinsonphotography. com , if you put three acrylics on a wall, you can triptych across it, so you have one picture that's spread across the three acrylics, and that could look super creative, uh, really, really interesting way to do it, , and all of this, my understanding of this side of it is increasing all the time, because I'm laying out using these mock ups, so on top of them being brilliant as a sales tool for you and for your clients, they're also a really creative thing to play with, just trying different ideas, And seeing how they look. [00:20:25] So that's the room mockups on the website. There's also, of course, the podcast, this very thing that you're listening to, that's the spiritual home for it. Even if you're listening to this on iTunes or on Spotify or on YouTube. The spiritual home for it is masteringportraitphotography.com. Upcoming Workshops and Events [00:20:43] Paul In The Defender: And then the final section, or the main section is the academy. [00:20:47] And this is now where all of our workshops, , are going to be. So, uh, while I'm on that topic, I'll just reel off the workshops that we have already got, uh, to book in the diary. Now these have got, uh, people have already started booking on them, , we only put them up a week or two ago. Uh, so on January the 20th, January the 20th, we've got an Off Camera Flash Workshop. [00:21:14] Uh, funnily enough, one of the toughest topics to teach, uh, but also one of the most rewarding techniques to learn. , so we did, uh, we are in the process of releasing a video on it that will go on, a long form video that will go onto the website, uh, and that is a deep dive into some ideas of what you can do with off camera flash. [00:21:33] I think people are a bit afraid of it because it's, , a little bit technical, but once you get your head around it and what you can do with it, you can do anything from create really natural, almost available light portraits but with stunning light wherever you are all the way through to theatrical halloween images with smoke machines and all of the paraphernalia and they're all in this video and the workshop on january the 20th is going to cover that ground it's Off Camera Flash we may or may not include some continuous lighting but at the moment the plan is for it to be Off Camera Flash but if the delegates ask to also cover continuous light then we could do Some of that because of course every workshop we run we tune it to the delegates We tell you broadly what the topic is going to be and then through the feedback we get in the Early forms that you submit and we can tune it if you want to [00:22:27] It's the joy of having a studio. I guess we can do anything we want to as long as everybody's happy with that on March the 31st, we have a Mastering Headshots Workshop, so As it says, it's all about headshot. It's all about, uh, the, uh, for me, I think one of the purest, most beautiful forms of portraiture. I love doing headshot. They're my favorite, uh, thing to do. [00:22:51] I think it, I dunno why I, maybe it's 'cause I've always been fascinated with faces and a headshot is simply an excuse to photograph a face. So that's headshots on, uh, April the 14th. So the headshots is March the 31st, April the 14th. We have got dogs and owners. We're photographing dogs with their owners for a day. [00:23:11] , Of course, during that we will take some pictures of the dogs on their own. We will also take some pictures of the owners on their own. But primarily it's targeted at how to photograph dogs in conjunction with their, uh, their owners. Why do we do that? Well, most of our clients would wish to have a shot with the dog. [00:23:32] That's the best shot you can get. , not all, we have plenty of clients that just want the dog photographed, but we also have plenty of clients, one in particular of the day, brilliant, oh man, one of my favorite sessions, Vivienne, who has given me permission to talk about and show the shoots. Vivienne came with her dog Dodie, tiny little West Highland Terrier, who contrary to my Nan's West Highland Terrier that used to bite my toes, this dog was the best behaved dog in the world. [00:23:59] PAULWILKINSONPHOTOGRAPHY. COM , followed her everywhere she went, but also would just wander off and get inquisitive and then immediately return. A beautiful dog, beautiful shots, and she booked us specifically for one thing. She said, I can find people who shoot their dog on their own, I can find plenty of portrait photographers, only one photographer came up who quite openly and on the website said, yeah, we can photograph a dog with their owner, and I do it all the time with the hearing dogs, why wouldn't I? [00:24:25] , I think it's a really lovely thing, and the shots of her. They're off the top of the scale. So that is April the 14th, Dogs and Owners. Uh, and then, this is a completely new thing. On May the 12th and 13th, we we have a two day bootcamp Now what's a bootcamp? Well, basically, it's as much stuff as we can fit in over two days. And we get the chance in the evening to have some food, maybe have a drink, have a chat, be together as a group. , We don't have accommodation at the studio, uh, but we certainly have plenty around us. So that will be, uh, two days, , either at our studio or somewhere local. [00:25:06] , depending on what we decide exactly where it'll be. But it will certainly be within a mile or two of, of where we are based two days. That's two days back to back a maximum of 10 people. So it's a few more than our normal. Uh, workshops, but it'll be pretty intense. We're gonna cover all sorts of ground, , using available light, using studio light, using off camera flash, maybe a bit of post production thrown into the mix, again, depending on what the delegates, the delegates would like to cover. [00:25:34] It's gonna be an absolute blast, cannot wait for that one. It's the first time we've run it, , and it's such a smart idea, it's Sarah's idea to do it. , as always, the smart ideas come from Sarah, uh, and, uh, looking forward to that one. That's May 12th and 13th. And then the final one that's available at the moment, right now, is June the 9th. [00:25:52] We are doing our regular jaunt, uh, we're gonna dance to the weather, see what we get, uh, on location in Oxford. Now this workshop, I think, might be, might be my favourite, because it's just me with a camera, with some people to photograph, on a location. That's it. We don't carry a load of kit, don't carry particularly reflectors and lights, we just go and find locations, find light pools and patches, find stories to tell. [00:26:24] We just go and photograph our models in Oxford on location. So that's on June 9th. And all of these workshops are now home, housed, ha ha, can't even say it, are now located, let's try that, are now located on masteringportraitphotography. com. We've moved everything over because that was always what we were building with the workshops. [00:26:50] , originally it was under Paul Wilkinson Photography, uh, but we always knew, , and had, and had a reasonably openly talked about this, Always knew that we'd be moving it across to Mastering Portrait Photography. 'cause that's the place that's all about learning, all about teaching, all about enjoying and exploring portrait photography. [00:27:10] So if you go to mastering portrait photography.com, there's a, a section called the Academy. So there's all these sections. There's The Visual Vault, that's all of the articles. There's The Podcast, there's, uh, The Resources, which is, , the mockups and , tools, Photoshop downloads and things. And then there is the, uh, Academy. [00:27:31] And this is where you'll find the workshops. Exactly the same booking process as before. Everything's as it was, it's just now hosed, ha ha ha, it's just now located on masteringportraitphotography. com. Now, for the articles and the videos and the mock ups, at the moment the mock ups are 9. 99 each, uh, which is already a bargain, there's a few free ones, just so you can get an idea, uh, so they're about a tenner each, , there's a few backgrounds, I'm working on building more backgrounds as I need them, but mostly it's the mock ups. [00:28:02] So they're a tenner, which is a bargain, you can create them, you can put them in magazines, you can use them on your website. It just shows your prospective or your existing clients how their images might look. A tenner. Bargain. However, there's a bigger bargain. I suddenly sound like a salesman. So sorry, it's because I'm driving. [00:28:21] And I want to give you not one, but two bargains. It sounds like that. Anyway, if you become a subscriber of Mastering Portrait Photography, you get access to the videos. , and you get access to the downloads. And you get access, well, to everything we put on there, except the workshops. We charge separately for those. [00:28:39] But you get access to all of the resources for 6. 99 a month, which is an even bigger bargain. So even if you only want to download a few of the room mock ups, it's still better to keep a subscription going at 6. 99 a month. It's less than an expensive cup of coffee. And, uh, we will keep the mock ups coming, we will keep the articles coming, we will keep the videos coming, so you'll always have value for money for your 6.99. If you're feeling a bit more, you know, a bit, you have a bit more conviction, then it's 69 quid, or 69. 99 a year, so that's 12 months for the price of 10. Uh, 10 percent saving, or whatever that is, 2 out of 12. Is it a 10? Yeah, it's a 10 percent saving. Is it? No, it's not. It's, I don't know what it is. It's two twelfths. [00:29:25] There you go. It's one sixth. No! Which is a great saving. My maths isn't good enough, uh, while I'm driving. I can't concentrate. I'm concentrating on the road, as I should be, by the way. Uh, so it's 6. 99 a month, , or 69. 99 per year. So head over to masteringportraitphotography. com, , and we promise, we promise we'll make it worth your while. [00:29:48] Oh, sorry, all of our members also. Uh, you get access to our Facebook community. Which is hidden and private. You can't get onto it any other way. , only people who are part of our community can be in there. And that way people can ask for critiques. People can ask for advice and tips is where we put discount codes for things. [00:30:07] , like software where we have, uh, access to discounts from suppliers, those kinds of things. They all go onto the Facebook community. I know a few of you aren't on Facebook, and if I'm honest, it's not my favorite thing. Because I'm just a dopamine idiot when it comes to social media. Once I'm on it, I can't get off it. [00:30:26] , however, it's the best way to do this to be, so you don't have to log into multiple places to find information. It's on our Facebook community, uh, and most of us have a Facebook account. So you see the, , the alerts come up when things, uh, are uploaded. So that is masteringportraitphotography. com. If you want to find the workshops, Head across there and go to the academy. [00:30:47] You can Google Mastering Portrait Photography Academy or mastering portrait photography workshops. , they're a little bit lower down the rankings at the moment because obviously I've spent my entire life saying just Google Paul Wilkinson Photography workshops and everyone heads over there. So, uh, you might just have to scroll down, uh, one or two line items and we'll be there. [00:31:05] Uh, that will change more and more of you. Uh, search for it and click on the link. So search for mastering portrait photography workshops or Mastering Portrait Photography Academy and you will. Find us. Conclusion and Final Thoughts [00:31:15] Paul In The Defender: And that's it for me. The traffic is free flowing. There's cars going everywhere. The light is dimming. [00:31:20] They're salting the roads. They must be expecting some cold weather. It's a beautiful, beautiful afternoon. It's been a wonderful evening of celebrating photography. I am thrilled, thrilled to bits that I've rounded off my three years with setting up the most incredible monthly photo competition and also, of course, the surprise and honor. [00:31:46] So on that happy note, I hope you're all well, I hope things are treating you nicely, and until next time, whatever else, be kind to yourself. Take care. P. S. Sorry if this sounds a bit shouty, but when you're driving a Land Rover, it's really loud, and I forget that although I'm mic'd up, or I forget rather that because I'm mic'd up, it might sound weirdly, like I'm simply yelling! [00:32:27] That's because I'm traveling at Sixty mile an hour in a Land Rover Defender, so apologies if I'm shouting. Be kind to yourself. Take care. Bye.

Lucas and Cail were live in attendance at Bruce Springsteen's final show of his world tour in Vancouver, BC! They share tasty treats, heroes/zeroes, and praise the power of the Boss and E Street Band.  Springsteen turned 75 in September 2024.The set was three hours and 20 minutes.  The 31-song set was the longest of his tour with the 17-member E Street Band!Photo by Harry Zimmerman

In this episode of the 30 for 30 podcast, host Jesse welcomes his longtime friend Leanne to discuss Bruce Springsteen's album 'Only the Strong Survive.' Leanne shares her background growing up in Kentucky and the impact of country music in her life. The conversation covers the album's tracks, their origins, and Bruce's heartfelt performances. The duo reflects on Bruce's love for soul music and the joy it brings, emphasizing the importance of honoring musical influences and experiences. Tune in for an insightful and passionate discussion about one of Bruce's most soulful albums. Support the show here - buymeacoffee.com/setlustingbruce  00:00 Introduction and Guest Welcome 01:04 Leanne's Background and Kentucky Memories 04:08 Discussing the Chosen Album 08:55 Deep Dive into Album Tracks 25:48 Final Thoughts and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

Hemos oído hablar tantas veces de aquellas series de los 80 a punto de ser canceladas a los que llegaba un nuevo autor con una visión, las revolucionaba y convertía, no sólo en un éxito, sino en un clásico inmortal. El Daredevil de Frank Miller, La Cosa de Pantano de Moore, el Thor de Simonson… pero no es tan habitual una etapa de estas características en nuestro siglo. Cuando llegamos a finales de 2004, en un momento en el que estaba naciendo una nueva Marvel, el cambio de siglo no había sido especialmente amable con el Capitán América y las ventas no funcionaban. Fue entonces cuando llegó un guionista pujante, que se había granjeado cierta popularidad en DC con series como Batman, Catwoman o Gotham Central. Su nombre era Ed Brubaker y, para acompañarle, volvía a Marvel Steve Epting, un dibujante con una dilatada carrera con la casa de las ideas en series como Los Vengadores o Factor-X, que regresaba tras una temporada fuera. Mezclando la influencia de Steve Englehart o Jim Steranko con James Bond, Tom Clancy, El caso Bourne o la serie 24 e incorporando a lo gráfico los nuevos dictados que había venido marcando Bryan Hitch, nos daban una historia trepidante; una historia que mezclaba la tradición con una visión completamente nueva que se convertiría en un clásico instantáneo. Llegarían después para apoyar a Epting Butch Guice, Luke Ross. Mike Perkins, Michael Lark y tantos otros hasta dejar un total de 8 años de historias memorables en aquellos Estados Unidos muy marcados con el 11S y dejando surgir muchas de las aguas políticas en las que nadamos hoy en día y que Brubaker integra con la tradición del capi como si siempre hubieran formado parte. Más de 4 horas de monográfico para repasar este clásico moderno, que cumple 20 años. La noche es caliente como el infierno. Todo se te pega. Una asquerosa habitación de un asqueroso barrio de una asquerosa ciudad. El aparato de aire acondicionado es un pedazo de chatarra que no podría enfriar ni una bebida aunque la metieras dentro. Parece el sitio perfecto para escuchar el podcast 354 de ELHDLT Selección musical: 🎶 Real American, de Rick Derringer 🎶 Born In The U.S.A., de Bruce Springsteen 🎶 Season 3 Finale - Jack's Humanity , de Sean Callery (24 Banda sonora original)

Jesse Jackson welcomes Ekaterina "Kate" Aristova from Russia for an in-depth discussion on Bruce Springsteen's 'Live in Dublin.' As part of their 30 for 30 series, Ekaterina shares her unique perspectives on Springsteen's music, the Seeger Sessions, and their impact on her life. They delve into specific tracks, the communal and spiritual experience of live performances, and the cultural connections between Russian and Irish traditions. Alongside music talk, they also touch upon their mutual love for Doctor Who, offering a delightful blend of fandom and insightful commentary. 00:00 Introduction and Guest Welcome 01:09 Kate's Background and Connection to Bruce 03:10 Love for Ireland and Cultural Connections 05:03 The Seeger Sessions and Live Performances 10:14 Experiencing Bruce's Concerts 12:12 Discussing the Seeger Sessions Album 20:27 Western Stars and Musical Evolution 22:39 Reimagining Bruce's Songs 25:32 Exploring Jacob's Ladder and Its New Orleans Influence 26:21 The Emotional Depth of Irish Folk Songs 29:02 Bruce Springsteen's Unique Performance Style 31:11 The Power of Live Music and Audience Connection 31:33 Discussing Favorite Songs and Performances 36:37 The Significance of American Land 42:12 Doctor Who Fandom and Favorite Doctors 46:51 Final Thoughts and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

Do you feel like the direction of your life is not going the way you want it? Are you tired of other people dictating your actions? Do you just not want to do something? Well, say the words "That's not gonna work for me, brother" and exert your creative control! It's a power not only seen in pro wrestling, but all avenues of entertainment. On this episode, Andrew and first-time guest Paul Wedding focus on the music topic most relatable to creative control: singer-songwriters. They "control the creative," so to speak: writing, performing, and sometimes even producing their own songs. Artists played include Bruce Springsteen, Stevie Wonder, The Mountain Goats, St. Vincent, John Prine, Lissie, Colter Wall, Peter Gabriel, Jenny Lewis, Chris Isaak, and many more. This episode has Section 11, Subparagraph E in its contract, so it's going over whether you like it or not.Theme song: "Hemispheres" by Silent PartnerTwitter: @MusicoftheMat / @PaulEWeddingBluesky: @MusicoftheMat / @justandrew / @paulweddingPaul's Substack: pwfg.substack.comAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode of '30 Days of Springsteen,' Jesse is joined by returning guest Betsy Hodges to discuss Bruce Springsteen's 'Seeger Sessions' and 'Live in Dublin' albums. The duo delves into the significance of these albums, Springsteen's narrative voice, the folk and American music influences, and personal stories that connect them to the music. They also chat about the power of live performances, the importance of American songwriting, and the joy found in Springsteen's music. Tune in for an enriching conversation filled with musical insights and heartfelt anecdotes. Support the show here - buymeacoffee.com/setlustingbruce  Find more about Betsy here = https://betsyhodges.com/  00:00 Introduction to 30 Days of Springsteen 00:45 Guest Introduction: Betsy Hodges 02:06 Discussing The Seeger Sessions and Live in Dublin 04:09 Personal Stories and Reflections 05:02 Bruce Springsteen's Narrative Voice 06:52 Exploring Live in Dublin 08:42 The Influence of American Music 09:40 Bruce Springsteen's Legacy and Influence 11:00 Fun Lists and Personal Connections 21:53 The Political Side of Rock and Roll 23:07 Discussing Song Choices and Interpretations 24:09 The Power of American Folk Songs 26:02 Questioning Leadership and Accountability 28:28 Personal Reflections on Leadership 33:12 Reinterpreting Classic Songs 36:52 The Emotional Impact of Music 42:24 Final Thoughts and Recommendations Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott Shea as they delve into Bruce Springsteen's pivotal album, 'The Wild, the Innocent, and the E Street Shuffle.' Scott, an author and producer, shares insights into why this album was a turning point in Springsteen's career, painting vivid stories from the Jersey Shore to New York City. The episode covers the album's unique sound and its impact on Springsteen's musical journey, making it a must-watch for any Bruce Springsteen fan. 00:00 Introduction and Welcome 01:09 Meet Scott: Author and Producer 01:35 Discussing Bruce's Second Album 02:17 The Importance of The Wild, the Innocent, and the E Street Shuffle 06:16 Bruce's Early Career and Band Dynamics 07:35 Live Performances and Song Evolution 11:12 Bruce's Artistic Independence 22:54 The Making of Born to Run 31:48 Final Thoughts and Farewell Learn more about your ad choices. Visit megaphone.fm/adchoices

In another two for one Day, this episode of the 30 for 30 series, host Jesse Jackson is joined by Karen Oliver, a guidance assistant from California, as they delve into Bruce Springsteen's first two albums, 'Greetings from Asbury Park, N.J.' and 'The Wild, the Innocent & the E Street Shuffle.' Karen shares her personal journey of discovering Springsteen's music while transitioning to life in the United States, their significance in her life, and her intricate thoughts on the lyrics and themes of these albums. The discussion also touches on broader themes of empathy, community, and resilience conveyed through Springsteen's work. Support the show here - Support the show here - buymeacoffee.com/setlustingbruce 00:00 Introduction and Guest Introduction 00:55 Karen's Background and Work 02:38 Bruce Springsteen Albums Discussion 06:03 Comparing 'Greetings from Asbury Park' and 'The Wild, the Innocent & the E Street Shuffle' 11:51 Personal Stories and Bruce's Influence 26:47 The Mary Question and Final Thoughts Learn more about your ad choices. Visit megaphone.fm/adchoices

Glimmers galore in this somewhat music-themed show. Peter kicks it off with a glimmer about a hand truck and his mother-in-law, while Dave follows up with a nice reach out from Emily Casey about dear, departed Bruce. Stuck in a loneliness funk after being home alone (with two geriatric dogs) for a couple weeks, Peter's day is brightened by a package from an old friend. Taylor Swift, Bruce Springsteen and the unifying joy of live music round out this show. Presented by turfRad. 

In this KEEN ON Andrew Keen special, guest host David Masciotra interviews Andrew about his controversial book Cult of the Amateur. While David generously describes it as prescient, Andrew focuses more on what the 2007 book got blatantly wrong - like dismissing Google's $1.5 billion acquisition of YouTube. Duh. What both David and Andrew agree on, however, is that the book'sn focus on the damage that the supposedly “democratizing” Web 2.0 revolution did to both our culture and politics is still of massive significance. Perhaps it might be time for a 20th anniversary rewrite, a Cult of the Amateur 2.0 for our brave new AI world. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.David Masciotra is an author, lecturer, and journalist. He is the author of I Am Somebody: Why Jesse Jackson Matters (I.B. Tauris, 2020), Mellencamp: American Troubadour (University Press of Kentucky), Barack Obama: Invisible Man (Eyewear Publishers, 2017), and Metallica by Metallica, a 33 1/3 book from Bloomsbury Publishers, which has been translated into Chinese. In 2010, Continuum Books published his first book, Working On a Dream: The Progressive Political Vision of Bruce Springsteen. His next book, Exurbia Now: Notes from the Battleground of American Democracy, is scheduled for publication from Melville House Books in 2024. Masciotra writes regularly for the New Republic, Washington Monthly, Progressive, the Los Angeles Review of Books, CrimeReads, No Depression, and the Daily Ripple. He has also written for Salon, the Daily Beast, CNN, Atlantic, Washington Post, AlterNet, Indianapolis Star, and CounterPunch. Several of his political essays have been translated into Spanish for publication at Korazon de Perro. His poetry has appeared in Be About It Press, This Zine Will Change Your Life, and the Pangolin Review. Masciotra has a Master's Degree in English Studies and Communication from Valparaiso University. He also has a Bachelor's Degree in Political Science from the University of St. Francis. He is public lecturer, speaking on a wide variety of topics, from the history of protest music in the United States to the importance of bars in American culture. David Masciotra has spoken at the University of Wisconsin, University of South Carolina, Lewis University, Indiana University, the Chicago Public Library, the Lambeth Library (UK), and an additional range of colleges, libraries, arts centers, and bookstores. As a journalist, he has conducted interviews with political leaders, musicians, authors, and cultural figures, including Jesse Jackson, John Mellencamp, Noam Chomsky, all members of Metallica, David Mamet, James Lee Burke, Warren Haynes, Norah Jones, Joan Osborne, Martín Espada, Steve Earle, and Rita Dove. Masciotra lives in Indiana, and teaches literature and political science courses at the University of St. Francis and Indiana University Northwest. Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Join us for an engaging episode of Set Lusting Bruce, where we celebrate Day 1 of our '30 for 30' series with a special guest, Peter Chianca from Blogness on the Edge of Town. We explore Bruce Springsteen's album 'Wrecking Ball,' discussing its themes, standout tracks, and the lasting impact of Springsteen's music. Hear personal anecdotes, concert memories, and in-depth analysis of Springsteen's work, ensuring fans appreciate the album's depth and relevance. Don't miss this detailed discussion recorded on Halloween night amidst the pre-election buzz. Peter's latest comic strip collection https://a.co/d/7hFBkdm Peter's book on Springsteen's albums https://a.co/d/9r4obgC and my Buy we a coffee to support the show - Support the show here - buymeacoffee.com/setlustingbruce 00:00 Introduction and Welcome 00:51 Guest Introduction: Peter Cianca 01:19 The Evolution of Springsteen's Online Presence 02:52 Discussing the Road Diary 03:49 Concert Experiences and Ticket Prices 06:43 Deep Dive into 'Wrecking Ball' Album 10:52 Track-by-Track Analysis 29:41 Bonus Tracks and Final Thoughts 35:20 Closing Remarks and Future Plans Learn more about your ad choices. Visit megaphone.fm/adchoices

Just before Christmas 1984, Harry Belafonte wanted US artists (and especially black artists) to create a charity album to benefit starving people in Africa as the Do They Know It's Christmas single by the days most popular UK bands was a huge success. He teamed up with manager to the stars Ken Kragen to put together the team that would write and record the lead single. Immediately, Ken enlisted his client, Lionel Richie, to write the song. Lionel and Ken knew they'd need all-star producer Quincy Jones to put it all together. Quincy thought it would be a good idea to get the biggest pop star in the world, Michael Jackson, involved and things snowballed from there as Ken brought on legends like Bob Dylan, Bruce Springsteen, Willie Nelson, Diana Ross, Kenny Rogers, Dionne Warwick, Stevie Wonder, Ray Charles and artists that were popular at the time like Billy Joel, Kim Carnes, Cindy Lauper, Huey Lewis and more. But how would they get all that talent in one room at one time? Ken devised the idea that so many would be in LA for the American Music Awards on January 28, 1985 so that would be the ideal time. But that was 5 weeks away!!! So Ken went about finding the venue and Lionel and Michael worked on the song. It was all kept very hush hush and even the artists didn't know where they were going after the AMAs until they were on the way. And to make the night even more stressful for Lionel, he was hosting the AMAs and was performing twice (not to mention collecting 6 awards that night). The documentary was a fascinating glimpse into one special night where all egos were put aside in order to record a special song for a worthy cause. If you haven't seen it on Netflix, check out The Greatest Night In Pop - it's a fascinating story! Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this heartfelt episode of '30 for 30', host Jesse Jackson is joined by friend and guest Mark Dempsey to delve into their shared love for Bruce Springsteen's music, specifically focusing on the Live 75-85 album. They discuss personal anecdotes and the emotional impact of the album, including a special connection with a fan featured on the album and a memorable night in Asbury Park. Mark also shares how the album has been an influential part of his life since his teenage years. The episode wraps up with reflections on Bruce's storytelling and the enduring significance of Live 75-85. Support the show here - buymeacoffee.com/setlustingbruce  00:00 Welcome to 30 for 30: Springsteen Talk 00:54 A Memorable Dinner in Frisco, Texas 01:33 The Asbury Park Show Experience 09:52 Reflecting on Live 75 to 85 11:08 Discovering Bruce Springsteen 15:57 The Impact of Live 75 to 85 27:33 Emotional Reactions to Music 28:12 Independence Day Through Darkness 29:42 Live Performances and Personal Connections 30:55 Memorable Gifts and Life Lessons 34:10 Special Moments and Full Circle Experiences 41:05 Reflecting on Live 75 to 85 47:15 Concluding Thoughts and Final Reflections Learn more about your ad choices. Visit megaphone.fm/adchoices

Join us this week as we discuss everything from Bruce Springsteen to San Francisco with the lovely Johnny Zirkel from The Wildfires Projekt. We had a great time discussing all the exciting things Johnny has planned for 2025, as well as reminiscing about the early 2000's East Coast emo scene.Find the music and artists referenced this week here: https://open.spotify.com/playlist/4g3eC5zJVFsfTYWCNb86IK?si=0c1b147b932b41fcWatch "My Darkest Hour" here: https://www.youtube.com/watch?v=TOrsE9oRhaUFollow The Wildfires Projekt here: @wildfiresprojektFollow Johnny here: @johnnyzirkelmusicPlease send concert/event stories and questions to girlsattherockshowpod@gmail.comPlease follow us on IG, Facebook, and TikTok @girlsattherockshowpod*Note: We plan to read concert/event stories and questions on the podcast so if you would like to remain anonymous, please let us know. Hosted on Acast. See acast.com/privacy for more information.

”I have spent my life judging the distance between American reality and the American dream.” Bruce Springsteen

Jesse Jackson and guest Chris Bloom discuss Bruce Springsteen's album 'Magic' as part of the Set Lusting Bruce's '30 for 30' series, where they analyze one Springsteen album per day in November. They previously talked about 'Tunnel of Love' and now delve into 'Magic', exploring its themes, song structures, and personal anecdotes. Highlights include discussions on tracks like 'Radio Nowhere', 'Girls in Their Summer Clothes', 'Long Walk Home', and 'I'll Work for Your Love'. They also reflect on Bruce's live performances, his ability to maintain energy, and the universal themes in his music, such as yearning for small-town America and addressing societal changes. Support the show here - buymeacoffee.com/setlustingbruce Chris' instagram https://www.instagram.com/flickris?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw== 00:00 Introduction and Welcome 01:26 Guest Introduction: Chris Bloom 02:19 Discussing the Album 'Magic' 05:51 Themes and Tracks of 'Magic' 11:16 In-Depth Track Analysis 20:17 Final Thoughts and Reflections 30:22 Closing Remarks and Social Media Plugs Learn more about your ad choices. Visit megaphone.fm/adchoices

To celebrate the 74th birthday of the E Street Band, Consigliere, host Jesse Jackson welcomes Robert Lawson to discuss his new book 'Solidarity Forever: The Art and Soul of Stevie Van Zandt'. The conversation delves into Robert's background as a music enthusiast, his childhood influences, and his long-standing admiration for both Bruce Springsteen and Steven Van Zandt. Robert shares fascinating insights into his research process, the writing of his detailed biography on Van Zandt, and numerous anecdotes about Steven's storied career in music and television. This episode is a must-watch for fans of Bruce, Little Steven, and music history. Find the book here - https://a.co/d/6EoB7aT 00:00 Introduction to the Podcast and Guest 01:25 Robert Lawson's Musical Background 01:58 Growing Up with Music 06:28 Discovering Bruce Springsteen and Little Steven 08:55 Deep Dive into Little Steven's Music 14:01 Writing the Book on Little Steven 16:29 Previous Works and Inspirations 20:40 Research and Interviews for the Book 22:13 Pitching the Book to Little Steven 24:33 Comparing Autobiographies 27:20 Little Steven's Documentary and Public Perception 29:49 Exploring the Depths of Steven Van Zandt's Career 30:19 Unheard Stories from the Disciples of Soul 31:28 Challenges and Triumphs in Steven's Solo Career 33:31 The Complex Relationship with Bruce Springsteen 37:16 Steven's Influence and Legacy 47:10 The Future of Steven Van Zandt 50:54 Promoting the Book and Final Thoughts 56:51 Supporting the Podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Tawny and Lisa talk about the holiday season and how to get through it with your sanity and sobriety. Tawny shares talking points if you want to challenge family members who are aligning themselves with the *wrong* side of history. They also share tips for self-preservation if you opt out of political tension at the dinner table. Set the terms on which you're willing to engage and stick to them. Feel free to take a pass on family and friends to protect your recovery. As always, go gently with yourself. Music Minute features Bruce Springsteen, Lindsey Buckingham, Wham!, Mariah Carey, Madonna, and Hanson. Order The Sobriety Deck Order Tawny's book, DRY HUMPING: A Guide to Dating, Relating, and Hooking Up Without the Booze Sign up for "Beyond Liquid Courage" Order Tawny's new NA drink, (parentheses)            Purchase Lisa's memoir, Girl Walks Out of a Bar

On this episode of Agent Provocateur with Allan Walsh and Adam Wylde discuss seeing Bruce Springsteen with Jonathan Huberdeau (00:00), and the rising NHL salary and how that effects players, owners, and fans (09:30). Follow us on Twitter: @walsha & @AdamWylde Recorded: November 20, 2024 Visit https://sdpn.ca/agentprovocateur for more episodes of Agent Provocateur with Allan Walsh and Adam Wylde. Reach out to info@sdpn.ca for general inquires. Reach out to https://www.sdpn.ca/sales to connect with our sales team and discuss the opportunity to integrate your brand within our content! Join us on Discord: https://discord.com/invite/MtTmw9rrz7 Join SDP VIP: YouTube: https://www.youtube.com/channel/UC0a0z05HiddEn7k6OGnDprg/join Apple Podcasts: https://apple.co/thestevedanglepodcast Spotify: https://podcasters.spotify.com/pod/show/sdpvip/subscribe

In this episode, Popko sits down with Cat Matthews, a talented singer-songwriter blending country and rock with heartfelt storytelling. Cat reflects on his musical journey, from his early days of rock influences like Bruce Springsteen to his pivot into country music during the pandemic. The discussion delves into his songwriting process, the challenges of the […]

In this episode of '30 Days of Springsteen', our host is joined by Bruce Springsteen historian and author Craig Statham, who discusses his passion for Springsteen's album 'Tracks'. Craig delves into the history of his fandom, the exciting process of collecting unreleased material, and why certain tracks are his favorites while others left him frustrated. The duo go through various sides of the 'Tracks' album, sharing insights and favorite picks, and discuss the nuances of being a Springsteen fan. Craig also talks about his book 'Springsteen's Saint in the City 1949 to 1974, Bruce's Roots' and hints at its updated edition. Tune in for an insightful discussion packed with personal anecdotes, musical analysis, and deep appreciation for the Boss! Craig's book = https://a.co/d/dz12bGL 00:00 Introduction to 30 Days of Springsteen 00:49 Meet Craig Statham: Author and Springsteen Enthusiast 01:15 Craig's Journey with Springsteen's Tracks 01:35 The Frustrations and Joys of Tracks 01:49 Craig's Background and Springsteen Fandom 03:21 Exploring the Unreleased Tracks 07:22 Highlights and Hidden Gems of Disc One 10:36 Disc Two: Fan Favorites and Critiques 13:49 Disc Three: Standout Tracks and Personal Favorites 15:32 Disc Four: Mixed Reactions and Final Thoughts 18:47 The Promise and Other Unreleased Songs 19:42 Wrapping Up: Reflections and Future Hopes 22:39 Closing Remarks and Contact Information Learn more about your ad choices. Visit megaphone.fm/adchoices

The exciting supergroup Fantastic Cat is so great, we're featuring an episode on each one of it's members.  So with this endeavor, you get 5 nextfavbands!  You're welcome!  They are all that good - trust us.First up is the folk & roll with NJ grit of Anthony D'Amato.  His musical journey is full of moments of perseverance and ingenuity where he has often blazed his own trail while also following in the path of the masters like Bruce Springsteen and Bob Dylan.In addition to excellent song writing and performing, Anthony is an accomplished photographer, and offers both to his fans with an ingenious merch idea - a photo book of his art that provides the lyrics and a digital download code of the music.  This takes the listener on an all new type of journey.We also get to he seminal moment of the creation of Fantastic Cat and learn that Anthony is properly rated as the best of the cats.We are joined this episode by guest co-host George Hrab and we catch up on his upcoming holiday music (2 different offerings!) and learn about the pre-school who took a democratic approach in naming its classroom turtle.All great stuff - don't miss it!Text us your thoughts on this episode, and who should be OUR #NextFavBand...As always, our hope is to bring you "your next favorite band". If you tuned in today because you already knew this musician - thank you very much! We hope that you enjoyed it and would consider following us and subscribing so we can bring you your #nextfavband in the future. And check out nextfavband.com for our entire catalog of interviews!If you have a recommendation on who you think OUR next favorite band should be, hit us up on social media (@nextfavband everywhere) or send us an email at nextfavband@stereophiliastudio.com.Thank you to Carver Commodore, argonaut&wasp, and Blair Crimmins for allowing us to use their music in the show open and close. It makes everything sound so much better! Let's catch a live show together soon!#nextfavband #livemusic #music #musicinterview #musician #singer #guitar #song #newmusic #explorepage #instamusic #bestmusic #musicismylife #musicindustry #musiclife #songwriter #musiclover #musicfestival

March 1984. Prince, Kenny Loggins, and Bruce Springsteen dominated the pop charts, but something heavier was brewing. Hard rock and metal were clawing their way into the spotlight, and MTV was playing a pivotal role in this revolution. Enter Ratt, with their major-label debut, Out of the Cellar. In a year defined by arena-ready riffs and eye-catching videos, Ratt burst onto the scene with an album that captured the spirit of the times and proved that metal could be more than just a passing trend.Ratt's Out of the Cellar is a quintessential snapshot of a band balancing grit and glam at the height of their powers. Released in March 1984, the album combines raw energy with slick production, delivering a sound that's equal parts rebellious and radio-ready. With tracks like “Round and Round” and “Wanted Man,” Ratt crafted an album that helped define the MTV era of glam metal while staying grounded in the Sunset Strip's hard rock roots.A Band Ready for the Big StageBy the time Out of the Cellar dropped, Ratt was no overnight success. Years of grinding it out in the Los Angeles club scene had sharpened their skills, and their 1983 self-titled EP had already sold an impressive 100,000 copies independently—a testament to their undeniable appeal. The band's lineup had solidified around frontman Stephen Pearcy, guitarists Warren DeMartini and Robin Crosby, bassist Juan Croucier, and drummer Bobby Blotzer, creating a dynamic chemistry that carried them to the top of the hard rock heap.Ratt's dual-guitar approach set them apart, with DeMartini's sharp, groove-heavy riffs balancing Crosby's bold, melodic solos. Pearcy's distinctive snarl gave the band a rougher edge compared to many of their contemporaries, adding a layer of grit to their glam. Their sound wasn't just catchy—it had character.The Tracks That Made Out of the Cellar Legendary“Round and Round” remains the standout hit, with its infectious hooks and soaring dual-guitar solo. The track epitomizes Ratt's ability to create music that's equal parts heavy and accessible. Then there's “Wanted Man,” a cinematic opener that channels old-school Western vibes, and “Back for More,” a slow-burning anthem that builds from acoustic introspection to full-on rock power.Ratt's rhythm section deserves its own spotlight. Blotzer's drumming, especially on tracks like “Lack of Communication,” is far more dynamic than your average 80s metal backbeat. His clever use of cymbal accents and syncopated rhythms brings depth to the album, making it as danceable as it is headbang-worthy.A Sound That Defined Its EraRatt hit their stride at the perfect moment, just as glam metal was breaking into the mainstream. Out of the Cellar is a product of its time, but its rawness and unique qualities keep it relevant. While the production leans a little thin by modern standards, it complements the band's high-energy style, letting their dual guitars and blistering solos shine.Thematically, the album balances tales of outlaws (“Wanted Man”) with relationship struggles and party anthems. It's a snapshot of a time when rock bands weren't afraid to have fun, but Ratt did it with a touch more grit and attitude than their more polished peers.The Legacy of Out of the CellarRatt wasn't just another glam band—they were trailblazers for the MTV generation of hard rock. Out of the Cellar went on to sell over 3 million copies in the U.S., cementing the band's place in 80s rock history. Its success wasn't just about “Round and Round” dominating MTV; it was about Ratt's ability to craft songs that could move between stadiums and smoky clubs with equal swagger.This album helped set the stage for the glam metal explosion that defined the mid-to-late 1980s. Its raw edges, blazing guitars, and distinct personality made it stand out in a crowded field, giving Ratt a voice that's still celebrated today.Why Out of the Cellar Still RocksListening to Out of the Cellar today, it's clear why this album endures. Its energy, musicianship, and unapologetic attitude make it more than a nostalgia trip. It's a cornerstone of 80s rock that still feels fresh and fun, especially when tracks like “Back for More” or “Lack of Communication” hit your speakers.Ratt didn't just release an album—they created a moment in time. Out of the Cellar captures the raw ambition of a band poised to take over the world, and for a while, they did.Songs in this EpisodeIntro - Round and Round 30:16 - In Your Direction 35:17 - Lack of Communication 36:08 - Back for More 39:06 - Lack of Communication 44:10 - Wanted Man 1:09:09 - One Like a Son (Vertex) Outro - Round and RoundMake Your Metal Voice Heard!We're on a mission to dig deep into the heart of 80s metal, and we can't do it without you. Your album suggestions fuel the show—whether it's an overlooked classic or a hidden gem that deserves the spotlight. When you join the DMO Union on Patreon, you're not just helping us stay independent and ad-free; you're getting a say in the albums we explore. Together, we'll uncover the anthems, riffs, and stories that shaped a decade. Let's rediscover 80s metal, one listener-driven episode at a time.Thanks for reading Dig Me Out! This post is public so feel free to share it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit digmeout.substack.com/subscribe

In the latest episode of None But the Brave, co-hosts Hal Schwartz and Flynn McLean discuss the opening part of Bruce Springsteen & The E Street Band's 2024 Canadian leg. They are also joined by Doug Maesk, who was at both Toronto shows and Ottawa. Later, Hal and Flynn discuss Bruce's appearance at Stand Up For Heroes. For more information on exclusive NBTB content via Patreon, please visit: Patreon.com/NBTBPodcast This show is sponsored by DistroKid. Use this link to support the show and get 30% off your first year: http://distrokid.com/vip/nbtb Learn more about your ad choices. Visit megaphone.fm/adchoices

In this heartfelt episode of '30 for 30', host Jesse Jackson is joined by friend and guest Mark Dempsey to delve into their shared love for Bruce Springsteen's music, specifically focusing on the Live 75-85 album. They discuss personal anecdotes and the emotional impact of the album, including a special connection with a fan featured on the album and a memorable night in Asbury Park. Mark also shares how the album has been an influential part of his life since his teenage years. The episode wraps up with reflections on Bruce's storytelling and the enduring significance of Live 75-85. Support the show here - buymeacoffee.com/setlustingbruce  00:00 Welcome to 30 for 30: Springsteen Talk 00:54 A Memorable Dinner in Frisco, Texas 01:33 The Asbury Park Show Experience 09:52 Reflecting on Live 75 to 85 11:08 Discovering Bruce Springsteen 15:57 The Impact of Live 75 to 85 27:33 Emotional Reactions to Music 28:12 Independence Day Through Darkness 29:42 Live Performances and Personal Connections 30:55 Memorable Gifts and Life Lessons 34:10 Special Moments and Full Circle Experiences 41:05 Reflecting on Live 75 to 85 47:15 Concluding Thoughts and Final Reflections Learn more about your ad choices. Visit megaphone.fm/adchoices

A deep dive into three iconic films that showcase Bruce Springsteen across fifty years in Rock N Roll. Wings for Wheels: The Making of Born to Run offers an intimate look at the painstaking creation of his career-defining album. The 1979 Legendary No Nukes Concert captures Springsteen's electrifying live performance at a critical moment in rock and activism history. Finally, Road Diary provides backstage access to the E Street Band on their current world tour, revealing the heart and hustle behind the music. Host and Producer: Christian Swain Head Writer: Richard Evans Sound Designer: Jerry Danielsen Learn more about your ad choices. Visit megaphone.fm/adchoices