Podcasts about baltimore hon

NOW AVAILABLE ON FOWL PLAYERS RADIO!!! www.fowlplayersradio.com!!https://www.buzzsprout.com/175423/9676376Please welcome David DeBoy to Fowl Players Radio!David DeBoy is an actor and a singer,and is celebrating the 40th year of "Crabs for Christmas", a legendary Baltimore song!!We had a great time talking about "Crabs for Christmas" as well as his acting roles in many movies and television shows! He has a show coming up on Sunday December 12 at the State Theater in Havre de Grace, MD- featuring David and his Holiday Hons as they celebrate the 40th Anniversary with a Crabs for Christmas Concert! You'll laugh and sing along as David performs his most famous “Bawlamer” ballads, including: Christmas on the Stoop, The Aluminum Christmas Tree, The Flegman Family Christmas Letter, and I'm in Love with a Baltimore Hon.www.daviddeboy.comwww.crabsforchristmas.comwww.statetheaterofhdg.comhttps://www.imdb.com/name/nm0213521/Please remember that the holidays are around the corner and that many of the guests of Fowl Players Radio are not only great artisans, but small business people as well. They've written books, recorded albums, made films, and created lots of other great works of art and they are available for sale, and make great gifts for the holidays! So remember- if you aren't sure what to get someone this holiday season, there are plenty of great ideas in the back episodes of Fowl Players Radio!The Fowl Players of Perryville would like to thank all of you for a great "rising from the ashes of COVID" season. We are booking shows for 2022 and beyond- we can be contacted at www.fowlplayersofperryville.com, or at fowlplayersperryville@yahoo.com or at 443-600-0446.Subscribe for free at www.fowlplayersradio.com or listen wherever you find podcasts online.No matter what platform you listen on, you can help us greatly by giving us a fair review and a 5 star rating!Also- be sure to visit our page on patreon.com- www.patreon.com/fowlplayersradio!Follow us on Facebook, Instagram, and Twitter!!#DavidDeBoy #CrabsForChristmas #StateTheaterHavredeGrace

Today we're traveling back to 1960s Baltimore with Hairspray! Join us for a discussion of flashers, the Baltimore accent, flags in classrooms, interracial relationships on TV, and more! Sources: Flashers: F.G. Rooth, "Some Historical Notes on Indecent Exposure and Exhibitionism," Medico-Legal Journal 38, no. 4 (1970): 135-139. Stuart P. Green, "To See and Be Seen: Reconstructing the Law of Voyeurism and Exhibitionism," The American Criminal Law Review 55:2 (2018): 203-258. Thomas L. Fowler, "Of Moons, Thongs, Holdings and Dicta: State v. Fly and the Rule of Loaw, 22 Campbell L. Rev. 253" Campbell Law Review (Spring 2000). https://www.justia.com/criminal/offenses/sex-crimes/public-indecency/ N-gram "Exhibitionist" https://books.google.com/ngrams/graph?content=exhibitionist&year_start=1600&year_end=2019&corpus=26&smoothing=7&case_insensitive=true Samuel Pepys, The Diary of Samuel Pepys, https://www.pepysdiary.com/diary/1663/07/01/ National Conference of State Legislatures, "Breastfeeding State Laws," NCSL (7/9/2020). https://www.ncsl.org/research/health/breastfeeding-state-laws.aspx https://casetext.com/case/messina-v-state-11#p606 Flags in Classrooms: Arizona HB2583 https://www.azleg.gov/legtext/47leg/2r/summary/s.2583k12-hed_asenacted.doc.htm 4 U.S. Code § 6, https://www.law.cornell.edu/uscode/text/4/6 Amy Crawford, "How the Pledge of Allegiance Went From PR Gimmick to Patriotic Vow," Smithsonian Magazine (September 2015). https://www.smithsonianmag.com/history/pledge-allegiance-pr-gimmick-patriotic-vow-180956332/ "Pledge of Allegiance Law Overturned," New York Times (5 September 1970). https://www.nytimes.com/1970/09/05/archives/pledge-of-allegiance-law-overturned-in-maryland.html#:~:text=ANNAPOLIS%2C%20Md.%2C%20Sept.,to%20the%20United%20States%20flag. https://codes.findlaw.com/md/education/md-code-educ-sect-7-105.html Michael Lipka, "Five Facts about the Pledge of Allegiance" Pew Research Center, (4 September 2013) https://www.pewresearch.org/fact-tank/2013/09/04/5-facts-about-the-pledge-of-allegiance/ Interracial Kisses on TV: Thomas Doherty, Cold War, Cool Medium: Television, McCarthyism, and American Culture. New York, Columbia University Press, 2003. US Code of Television Practices for Broadcasters, Full Text: http://www.tvhistory.tv/SEAL-Good-Practice.htm Raj Tawney, "Was I Love Lucy Ahead of Its Time?" Television Academy, available at https://www.emmys.com/news/online-originals/was-i-love-lucy-ahead-its-time "Uncovered Footage Reveals TV's First Interracial Kiss, Long Before Star Trek," CNN, available at https://www.cnn.com/2015/11/20/world/first-interracial-kiss-on-tv/index.html Donald Liebenson, "50 Years Ago, a White Woman Touching a Black Man on Television Caused a National Commotion," Vanity Fair, available at https://www.vanityfair.com/hollywood/2018/04/harry-belafonte-petula-clark-1968-civil-rights-arm-touch-national-commotion Dr. Jason Johnson, Twitter Post on Benson: https://twitter.com/DrJasonJohnson/status/1172929913676083206 Baltimore Accent: Erik Singer, Technique Critique: Movie Accent Expert Breaks Down 32 Actors' Accents. Wired. Available at https://www.youtube.com/watch?v=NvDvESEXcgE Lexicon of Bawlimorese, Baltimore Hon. Available at http://www.baltimorehon.com/ Maryland 2, International Dialects of English Archive: https://www.dialectsarchive.com/maryland-2 Interview with HL Mencken, Library of Congress. Available at https://www.loc.gov/item/afccal000006/ Accent Expert Explains Similarities Between Different Accents. Wired. Available at https://www.wired.com/video/watch/accent-expert-explains-similarities-between-different-accents Film Background: Jeffrey Kare, "The Journey of Hairspray: From Screen to Stage and Back Again!" Broadway World. Available at https://www.broadwayworld.com/article/The-Journey-of-HAIRSPRAY--From-Screen-to-Stage-and-Back-Again-20161207 "When It Comes to Baltimore, John Travolta Does It His Way," Baltimore Sun, available at https://www.baltimoresun.com/entertainment/bs-xpm-2012-11-05-bs-ae-travolta-1104-20121103-story.html  

David Puglia explains the story and implications of "hon" in his book Tradition, Urban Identity, and the Baltimore Hon: The Folk in the City (Lexington Books 2018). David is a folklorist, an assistant professor in the English Dept of Bronx Community College and a native Bawlmorean.

Folklorist David J. Puglia is an assistant professor at the City University of New York and in his latest book - Tradition, Urban Identity, and the Baltimore “Hon": The Folk in the City (Lexington Books, 2018) – he considers the term “hon” and its significance to residents of Baltimore. In that city, the word has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses. More generally “hon” invokes “a place-based notion of authenticity and community for which Baltimore was supposedly once renowned” (xii). Following chapters which look at the history of the folkloristic study urban traditions and the history and sociocultural landscape of contemporary Baltimore, Puglia presents a series of case studies that all involve the word “hon”. The first involves “Hon Man” who created placards featuring the word that he then affixed to “Welcome to Baltimore” signs – to the approval of some residents and the dismay of others. The second concerns “Honfest” – an annual event which Puglia likens to a “battleground where city dwellers could negotiate what Baltimore was and what it meant to be a Baltimorean” (91). The last revolves around the outcry – aka the “Hontroversy” - which erupted when the public caught wind Denise Whiting - owner of a popular local diner called Café Hon and a founder of Honfest - appeared to claim ownership of the term as part of a branding campaign; as Puglia details, an intervention by the famously hot-tempered celebrity chef Gordon Ramsay eventually led to peace. Overall Puglia argues that “the folklorist's challenge in the new century is to address cities as contested social spaces in which folklore, or the creation of practices that appear folkloric, services residents across ethnic lines” (xv). As noted by Lisa Gabbert, “Puglia expertly traces how in Baltimore, the word 'hon' moved from a stigmatized to an esteemed vernacular for purposes of collective civic representation and the controversies such a move engendered. In doing so he adeptly explores important issues of class, identity, representation, commodification and the privatization of folklore”. In sum, Gabbert states, Tradition, Urban Identity, and the Baltimore “Hon" is “an excellent case study of the processes of the selection and invention of tradition in a city that deserves more attention to its folk traditions”. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Folklorist David J. Puglia is an assistant professor at the City University of New York and in his latest book - Tradition, Urban Identity, and the Baltimore “Hon": The Folk in the City (Lexington Books, 2018) – he considers the term “hon” and its significance to residents of Baltimore. In that city, the word has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses. More generally “hon” invokes “a place-based notion of authenticity and community for which Baltimore was supposedly once renowned” (xii). Following chapters which look at the history of the folkloristic study urban traditions and the history and sociocultural landscape of contemporary Baltimore, Puglia presents a series of case studies that all involve the word “hon”. The first involves “Hon Man” who created placards featuring the word that he then affixed to “Welcome to Baltimore” signs – to the approval of some residents and the dismay of others. The second concerns “Honfest” – an annual event which Puglia likens to a “battleground where city dwellers could negotiate what Baltimore was and what it meant to be a Baltimorean” (91). The last revolves around the outcry – aka the “Hontroversy” - which erupted when the public caught wind Denise Whiting - owner of a popular local diner called Café Hon and a founder of Honfest - appeared to claim ownership of the term as part of a branding campaign; as Puglia details, an intervention by the famously hot-tempered celebrity chef Gordon Ramsay eventually led to peace. Overall Puglia argues that “the folklorist’s challenge in the new century is to address cities as contested social spaces in which folklore, or the creation of practices that appear folkloric, services residents across ethnic lines” (xv). As noted by Lisa Gabbert, “Puglia expertly traces how in Baltimore, the word 'hon' moved from a stigmatized to an esteemed vernacular for purposes of collective civic representation and the controversies such a move engendered. In doing so he adeptly explores important issues of class, identity, representation, commodification and the privatization of folklore”. In sum, Gabbert states, Tradition, Urban Identity, and the Baltimore “Hon" is “an excellent case study of the processes of the selection and invention of tradition in a city that deserves more attention to its folk traditions”. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Folklorist David J. Puglia is an assistant professor at the City University of New York and in his latest book - Tradition, Urban Identity, and the Baltimore “Hon": The Folk in the City (Lexington Books, 2018) – he considers the term “hon” and its significance to residents of Baltimore. In that city, the word has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses. More generally “hon” invokes “a place-based notion of authenticity and community for which Baltimore was supposedly once renowned” (xii). Following chapters which look at the history of the folkloristic study urban traditions and the history and sociocultural landscape of contemporary Baltimore, Puglia presents a series of case studies that all involve the word “hon”. The first involves “Hon Man” who created placards featuring the word that he then affixed to “Welcome to Baltimore” signs – to the approval of some residents and the dismay of others. The second concerns “Honfest” – an annual event which Puglia likens to a “battleground where city dwellers could negotiate what Baltimore was and what it meant to be a Baltimorean” (91). The last revolves around the outcry – aka the “Hontroversy” - which erupted when the public caught wind Denise Whiting - owner of a popular local diner called Café Hon and a founder of Honfest - appeared to claim ownership of the term as part of a branding campaign; as Puglia details, an intervention by the famously hot-tempered celebrity chef Gordon Ramsay eventually led to peace. Overall Puglia argues that “the folklorist’s challenge in the new century is to address cities as contested social spaces in which folklore, or the creation of practices that appear folkloric, services residents across ethnic lines” (xv). As noted by Lisa Gabbert, “Puglia expertly traces how in Baltimore, the word 'hon' moved from a stigmatized to an esteemed vernacular for purposes of collective civic representation and the controversies such a move engendered. In doing so he adeptly explores important issues of class, identity, representation, commodification and the privatization of folklore”. In sum, Gabbert states, Tradition, Urban Identity, and the Baltimore “Hon" is “an excellent case study of the processes of the selection and invention of tradition in a city that deserves more attention to its folk traditions”. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Folklorist David J. Puglia is an assistant professor at the City University of New York and in his latest book - Tradition, Urban Identity, and the Baltimore “Hon": The Folk in the City (Lexington Books, 2018) – he considers the term “hon” and its significance to residents of Baltimore. In that city, the word has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses. More generally “hon” invokes “a place-based notion of authenticity and community for which Baltimore was supposedly once renowned” (xii). Following chapters which look at the history of the folkloristic study urban traditions and the history and sociocultural landscape of contemporary Baltimore, Puglia presents a series of case studies that all involve the word “hon”. The first involves “Hon Man” who created placards featuring the word that he then affixed to “Welcome to Baltimore” signs – to the approval of some residents and the dismay of others. The second concerns “Honfest” – an annual event which Puglia likens to a “battleground where city dwellers could negotiate what Baltimore was and what it meant to be a Baltimorean” (91). The last revolves around the outcry – aka the “Hontroversy” - which erupted when the public caught wind Denise Whiting - owner of a popular local diner called Café Hon and a founder of Honfest - appeared to claim ownership of the term as part of a branding campaign; as Puglia details, an intervention by the famously hot-tempered celebrity chef Gordon Ramsay eventually led to peace. Overall Puglia argues that “the folklorist’s challenge in the new century is to address cities as contested social spaces in which folklore, or the creation of practices that appear folkloric, services residents across ethnic lines” (xv). As noted by Lisa Gabbert, “Puglia expertly traces how in Baltimore, the word 'hon' moved from a stigmatized to an esteemed vernacular for purposes of collective civic representation and the controversies such a move engendered. In doing so he adeptly explores important issues of class, identity, representation, commodification and the privatization of folklore”. In sum, Gabbert states, Tradition, Urban Identity, and the Baltimore “Hon" is “an excellent case study of the processes of the selection and invention of tradition in a city that deserves more attention to its folk traditions”. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Folklorist David J. Puglia is an assistant professor at the City University of New York and in his latest book - Tradition, Urban Identity, and the Baltimore “Hon": The Folk in the City (Lexington Books, 2018) – he considers the term “hon” and its significance to residents of Baltimore. In that city, the word has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses. More generally “hon” invokes “a place-based notion of authenticity and community for which Baltimore was supposedly once renowned” (xii). Following chapters which look at the history of the folkloristic study urban traditions and the history and sociocultural landscape of contemporary Baltimore, Puglia presents a series of case studies that all involve the word “hon”. The first involves “Hon Man” who created placards featuring the word that he then affixed to “Welcome to Baltimore” signs – to the approval of some residents and the dismay of others. The second concerns “Honfest” – an annual event which Puglia likens to a “battleground where city dwellers could negotiate what Baltimore was and what it meant to be a Baltimorean” (91). The last revolves around the outcry – aka the “Hontroversy” - which erupted when the public caught wind Denise Whiting - owner of a popular local diner called Café Hon and a founder of Honfest - appeared to claim ownership of the term as part of a branding campaign; as Puglia details, an intervention by the famously hot-tempered celebrity chef Gordon Ramsay eventually led to peace. Overall Puglia argues that “the folklorist’s challenge in the new century is to address cities as contested social spaces in which folklore, or the creation of practices that appear folkloric, services residents across ethnic lines” (xv). As noted by Lisa Gabbert, “Puglia expertly traces how in Baltimore, the word 'hon' moved from a stigmatized to an esteemed vernacular for purposes of collective civic representation and the controversies such a move engendered. In doing so he adeptly explores important issues of class, identity, representation, commodification and the privatization of folklore”. In sum, Gabbert states, Tradition, Urban Identity, and the Baltimore “Hon" is “an excellent case study of the processes of the selection and invention of tradition in a city that deserves more attention to its folk traditions”. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Folklorist David J. Puglia is an assistant professor at the City University of New York and in his latest book - Tradition, Urban Identity, and the Baltimore “Hon": The Folk in the City (Lexington Books, 2018) – he considers the term “hon” and its significance to residents of Baltimore. In that city, the word has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses. More generally “hon” invokes “a place-based notion of authenticity and community for which Baltimore was supposedly once renowned” (xii). Following chapters which look at the history of the folkloristic study urban traditions and the history and sociocultural landscape of contemporary Baltimore, Puglia presents a series of case studies that all involve the word “hon”. The first involves “Hon Man” who created placards featuring the word that he then affixed to “Welcome to Baltimore” signs – to the approval of some residents and the dismay of others. The second concerns “Honfest” – an annual event which Puglia likens to a “battleground where city dwellers could negotiate what Baltimore was and what it meant to be a Baltimorean” (91). The last revolves around the outcry – aka the “Hontroversy” - which erupted when the public caught wind Denise Whiting - owner of a popular local diner called Café Hon and a founder of Honfest - appeared to claim ownership of the term as part of a branding campaign; as Puglia details, an intervention by the famously hot-tempered celebrity chef Gordon Ramsay eventually led to peace. Overall Puglia argues that “the folklorist’s challenge in the new century is to address cities as contested social spaces in which folklore, or the creation of practices that appear folkloric, services residents across ethnic lines” (xv). As noted by Lisa Gabbert, “Puglia expertly traces how in Baltimore, the word 'hon' moved from a stigmatized to an esteemed vernacular for purposes of collective civic representation and the controversies such a move engendered. In doing so he adeptly explores important issues of class, identity, representation, commodification and the privatization of folklore”. In sum, Gabbert states, Tradition, Urban Identity, and the Baltimore “Hon" is “an excellent case study of the processes of the selection and invention of tradition in a city that deserves more attention to its folk traditions”. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices

Folklorist David J. Puglia is an assistant professor at the City University of New York and in his latest book - Tradition, Urban Identity, and the Baltimore “Hon": The Folk in the City (Lexington Books, 2018) – he considers the term “hon” and its significance to residents of Baltimore. In that city, the word has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses. More generally “hon” invokes “a place-based notion of authenticity and community for which Baltimore was supposedly once renowned” (xii). Following chapters which look at the history of the folkloristic study urban traditions and the history and sociocultural landscape of contemporary Baltimore, Puglia presents a series of case studies that all involve the word “hon”. The first involves “Hon Man” who created placards featuring the word that he then affixed to “Welcome to Baltimore” signs – to the approval of some residents and the dismay of others. The second concerns “Honfest” – an annual event which Puglia likens to a “battleground where city dwellers could negotiate what Baltimore was and what it meant to be a Baltimorean” (91). The last revolves around the outcry – aka the “Hontroversy” - which erupted when the public caught wind Denise Whiting - owner of a popular local diner called Café Hon and a founder of Honfest - appeared to claim ownership of the term as part of a branding campaign; as Puglia details, an intervention by the famously hot-tempered celebrity chef Gordon Ramsay eventually led to peace. Overall Puglia argues that “the folklorist’s challenge in the new century is to address cities as contested social spaces in which folklore, or the creation of practices that appear folkloric, services residents across ethnic lines” (xv). As noted by Lisa Gabbert, “Puglia expertly traces how in Baltimore, the word 'hon' moved from a stigmatized to an esteemed vernacular for purposes of collective civic representation and the controversies such a move engendered. In doing so he adeptly explores important issues of class, identity, representation, commodification and the privatization of folklore”. In sum, Gabbert states, Tradition, Urban Identity, and the Baltimore “Hon" is “an excellent case study of the processes of the selection and invention of tradition in a city that deserves more attention to its folk traditions”. Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices