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After completing interviews with congressional and public users in November and December, the Congress.gov team is preparing for a new research phase this spring. The insights from last year's sessions are guiding the next steps in modernizing the user experience. I'll explore the takeaways and what's ahead with Chief of the Design Division, OCIO, at the Library of Congress, Kristin Davis.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In this episode, I'll take you back in time more than 200 years for a look at an unsolved mystery involving a very famous person. In 1812, Theodosia Burr, daughter of politician Aaron Burr, vanished while sailing to visit her infamous father. Was her ship caught in a storm, sunk by the British, taken over by pirates, or something even worse? And what about the mysterious painting believed to be of Theodosia that showed up years later?SOURCES“Aaron Burr.” Wikipedia, September 19, 2025. https://en.wikipedia.org/wiki/Aaron_Burr. Berry, C. B. “Is Woman In Portrait Theodosia Burr?” The Sun News (Myrtle Beach, South Carolina), July 22, 2004. www.newspapers.com.Burkheimer, Eloise. “Historical Sketch and the Nag's Head Portrait of Theodosia Burr Alston.” The Charlotte News (Charlotte, North Carolina), September 15, 1912. www.newspapers.com.Ellison, Virginia. “December, 1812: Theodosia Burr Alston Is Lost at Sea.” South Carolina Historical Society, December 3, 2021. https://schistory.org/december-1812-theodosia-burr-alston-is-lost-at-sea/. “Mystery of the Death of Beautiful Theodosia Burr Solved.” Buffalo Sunday Morning News (Buffalo, New York), November 16, 1902. www.newspapers.com.“The Portrait of Theodosia Burr.” North Carolina Ghosts. Accessed October 2, 2025. https://northcarolinaghosts.com/coast/the-portrait-of-theodosia-burr/. Rennie, Daniel. “Aaron Burr's Daughter Vanished in 1812 - and No One Knows Why.” All That's Interesting, October 9, 2022.https://allthatsinteresting.com/theodosia-burr-alston. “Theodosia Burr Alston.” Wikipedia, September 18, 2025.https://en.wikipedia.org/wiki/Theodosia_Burr_Alston. Thomas, Heather. “The Unsolved Mystery of Aaron Burr's Daughter: Headlines & Heroes.” The Library of Congress, January 22, 2019. https://blogs.loc.gov/headlinesandheroes/2019/01/the-unsolved-mystery-of-aaron-burrs-daughter/.SOUND SOURCESAl Jolson. “I'll Say She Does.” www.pixabay.com/music.Lucille Hegamin and The Dixie Daisies. “Cold Winter Blues.” www.pixabay.com/music.Sophie Tucker. “Reuben Rag.” www.pixabay.com/music.
John Risseeuw received his BS, MA, and MFA degrees in printmaking from the University of Wisconsin-Madison in1968, 1972, and 1973, respectively. Risseeuw is Emeritus Professor of Art at Arizona State University where he taught printmaking, book arts, and papermaking from 1980 to 2015. He directed the Pyracantha Press, founded in 1982 as the book arts imprint of ASU; his own Cabbagehead Press was founded in 1972. His prints, books, and collaborative works have been exhibited and collected widely. The Library of Congress has purchased all of his books and works on paper. He was founding president of the College Book Art Association and has served on the Board of Directors of Hand Papermaking magazine.
"The internet loves lists. The click bait ones often choose to list the worst of something and choose the best of it just to upset the audience for engagement. I can usually ignore these but this one really bugged me for some reason. I'll tell you the list and debunk it and offer some of mine."
FOLLOW RICHARD Website: https://www.strangeplanet.ca YouTube: @strangeplanetradio Instagram: @richardsyrettstrangeplanet TikTok: @therealstrangeplanet EP. #1322 The Great Giant Erasure: Who Buried America's Ancient Titans? For more than a century, American newspapers reported astonishing discoveries: enormous human skeletons unearthed from ancient burial mounds — some said to stand eight or nine feet tall, with double rows of teeth and even horned skulls. Then, almost overnight, the reports vanished. Were these early accounts hoaxes, misidentified remains, or fragments of a forgotten chapter of human history quietly buried? Investigative journalist Kristan T. Harris has combed through Library of Congress archives and historical collections, cataloguing more than a thousand newspaper reports of giant skeleton discoveries across North America. Tonight, we explore the evidence, the disappearances, and the enduring question: were giants myth… or suppressed history? GUEST: Kristan T. Harris is an independent investigative journalist and co-founder of The Rundown Live, known for blending frontline citizen journalism with deep archival research into hidden history and power structures. His reporting during the George Floyd and Kenosha unrest drew national attention, while his investigative work has included releasing Ghislaine Maxwell trial transcripts, uncovering sealed FBI documents through FOIA, and contributing to documentaries on government secrecy and media manipulation. A former MUFON investigator with a passion for the esoteric, Harris has spent years researching historical newspaper archives — cataloguing more than a thousand reports of giant human skeleton discoveries across North America. WEBSITE: https://therundownlive.com/kristan-t-harris SUPPORT OUR SPONSORS!!! QUINCE Luxury, European linen that gets softer with every wash! Turn up the luxury when you turn in with Quince. Go to Quince dot com slash RSSP for free shipping on your order and 365-day returns. Now available in Canada, too BECOME A PREMIUM SUBSCRIBER!!! https://strangeplanet.supportingcast.fm Three monthly subscriptions to choose from. Commercial Free Listening, Bonus Episodes and a Subscription to my monthly newsletter, InnerSanctum. Visit https://strangeplanet.supportingcast.fm Use the discount code "Planet" to receive $5 OFF any subscription. We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes. By using our website and services, you agree to our use of cookies as described in our Cookie Policy. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://strangeplanet.supportingcast.fm/
In this episode of the Book Faire Podcast, Anthony explores the latest in middle grade and children's literature, highlighting new book releases that delve into themes of cultural identity, grief, and historical narratives. The discussion extends to the critical issues of censorship and book bans in schools, focusing on inspiring student activism and librarian efforts to combat these challenges. Listeners will also learn about the Library of Congress's upcoming interactive learning space designed specifically for young readers. This episode is an essential listen for librarians, educators, and anyone passionate about supporting diverse children's literature and advocating against censorship in schools.New Releases:If This Were the World Stephen Barr, illus. by AG Ford (Ages 4-8)Each and Every Spark by Claire Swinarski (Ages 8-12)Goodbye, French Fry by Rin-rin Yu (Ages 8-12)Birdy by N. West Moss, with illustrations by Carrie Shyrock (Ages 10-14Postscript by Cory McCarthy (Ages 14+)
In this episode of the Book Faire Podcast, Anthony explores the latest in middle grade and children's literature, highlighting new book releases that delve into themes of cultural identity, grief, and historical narratives. The discussion extends to the critical issues of censorship and book bans in schools, focusing on inspiring student activism and librarian efforts to combat these challenges. Listeners will also learn about the Library of Congress's upcoming interactive learning space designed specifically for young readers. This episode is an essential listen for librarians, educators, and anyone passionate about supporting diverse children's literature and advocating against censorship in schools.New Releases:If This Were the World Stephen Barr, illus. by AG Ford (Ages 4-8)Each and Every Spark by Claire Swinarski (Ages 8-12)Goodbye, French Fry by Rin-rin Yu (Ages 8-12)Birdy by N. West Moss, with illustrations by Carrie Shyrock (Ages 10-14Postscript by Cory McCarthy (Ages 14+)
Today on another encore episode of the Rarified Heir Podcast we are talking to Christopher Lewis, son of comedian, writer, director & auteur Jerry Lewis. Ostensibly, we spoke to Christopher to talk about the publication of the book he shepherded from his father's archive, Jerry Lewis On Being a Person. But what we got was quite a bit more as we had hoped. Christopher sat down with us for quite some time to talk about his father and what it was like being the son of "The King of Comedy" which we learned, became his monicker after the Martin Scorsese film was released. We also learned about – and you knew this was coming, how could it not? – the unreleased film, The Day The Clown Cried. Perhaps the most talked about film no one has ever seen, heard from Christopher what is holding up its release to this day & why he thought it was never released. We also dug into some fantastic things like the films his dad made for himself and not a studio with stars of the day which was totally fascinating. We spoke about his time in Vegas as part of the MDA Telethon, the Jerry Lewis donation to the Library of Congress, the forgotten TV show of the 70s Pink Lady and Jeff (trust me, it's a corker) and which comedian made him laugh. And without further adieu, we bring you Christopher Lewis about "Le Roi du Crazy," his dad, Jerry Lewis.
The Library of Congress has revealed the latest works to be entered into the National Film Registry. Mike shares what 25 films made the cut and why he is surprised to find that many American classics still have not been added. He shares his Top 10 Movies that should be considered in the next class of films. In the Movie Review, Mike talks about Send Help starring Rachel McAdams and Dylan O’Brian. It’s about a woman and her overbearing boss who become stranded on a deserted island after a plane crash. They must overcome past grievances and work together to survive, but ultimately, it's a battle of wills and wits to make it out alive. Mike shares why he thinks Sam Raimi movies might be misunderstood, why non-horror like Kelsey might enjoy it, why Rachel McAdams stepped away from Hollywood and the Spider-Man 4 movie we were robbed of. In the Trailer Park, Mike breaks down The Devil Wears Prada 2 that offers our first real look at where the characters are now, nearly two decades after “Runway” magazine first ruled their lives. Will it be the best No. 2 movie of the year? New Episodes Every Monday! Watch on YouTube: @MikeDeestro Follow Mike on TikTok: @mikedeestro Follow Mike on Instagram: @mikedeestro Follow Mike on X: @mikedeestro Follow Mike on Letterboxd: @mikedeestro Email: MovieMikeD@gmail.comSee omnystudio.com/listener for privacy information.
"The Rockin 1000 is a project that started in Italy as gag to create a video of 1000 musicians playing Learn to Fly in order to get the Foo Fighters to come and put on a concert. It has since grown into full scale concerts across Europe. On January 31 the Rockin 1000 played their first concert in America, in New Orleans, and I was part of the band. Let me tell you the story."
A federal employee union head is stepping down after leading it for more than 14 years. Lee Saunders is retiring as president of the American Federation of State, County and Municipal Employees. Despite the name, it also represents federal employees in the departments of Justice, Transportation, Agriculture and Veterans Affairs as well as the Library of Congress. Saunders will step down in August after the union elects a new president. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Carbon dioxide (CO2) is often seen as the problematic byproduct of modern lifestyles that threatens our planet's stability – at least within conversations among environmentalists. But this perspective overlooks the fundamental role of CO2 in everything on Earth, from the food we eat to the houses we live in to our bodies themselves. Despite this reality, the carbon cycle as we know it has been interrupted in ways never before seen in Earth's history. How could understanding the deep history of CO2, as well as humanity's relationship with this controversial and vital molecule, help us prepare for the planetary changes ahead? In this episode, Nate is joined by science journalist Peter Brannen, who reframes CO2 from an industrial pollutant to a miraculous substance whose critical role within the carbon cycle makes Earth habitable. Peter traces our planet's history through the lens of CO2, including mass extinctions, Snowball Earth events, and the surprisingly stable Holocene period that has cradled human civilization. Peter also addresses humanity's current impact on the carbon cycle, the complexity and resilience of Earth's ecosystems, and the challenges we face as we push climate systems we don't fully understand into unknown territory. How is the carbon cycle unexpectedly connected to the origins of oxygen, dozens of major and minor mass extinctions, and even the beginning of civilizations? How do humanity's current CO2 emissions compare to those of Earth's past? And could understanding the deep time of geology inspire both cosmic wonder and precautionary action, subsequently pushing us towards better decisions for the future? (Conversation recorded on September 23rd, 2025) About Peter Brannen: Peter Brannen is an award-winning science journalist and contributing writer at The Atlantic, with particular interests in geology, ocean science, deep time, and the carbon cycle. His work has also appeared in The New York Times, The Washington Post, Wired, Aeon, The Boston Globe, Slate and The Guardian among other publications. His book, The Story of CO2 is the Story of Everything, was published earlier this year by Ecco, who also published his previous book, The Ends of the World, about the five major mass extinctions in Earth's history. Peter was a 2023 visiting scholar at the Kluge Center at the Library of Congress, and is an affiliate at the Institute of Arctic and Alpine Research at the University of Colorado-Boulder. He was formerly a 2018 Scripps Fellow at CU-Boulder, a 2015 journalist-in-residence at the National Evolutionary Synthesis Center at Duke University, and a 2011 Ocean Science Journalism Fellow at the Woods Hole Oceanographic Institution in Woods Hole, MA. His essays have been featured in the Best American Science and Nature Writing series and in The Climate Book by Greta Thunberg. Show Notes and More Watch this video episode on YouTube Want to learn the broad overview of The Great Simplification in 30 minutes? Watch our Animated Movie. --- Support The Institute for the Study of Energy and Our Future Join our Substack newsletter Join our Hylo channel and connect with other listeners
Paranormal NL - UFO Valentine's Special with Coley "UFO" Weber, and Rob Shelsky February 10th, 2026 EP: 66 In this UPRN 107.7 FM New Orleans & 105.3FM Gulf Coast Paranormal NL Podcast UPRN Segment #66 UFO Valentine Special -host Jen Noseworthy talks with PNL Alumni-Network member Guests: Rob Shelsky from North Carolina, USA; and Guest: Coley “UFO” Weber from Iowa, USA. Rob Shelsky was previously on PNL Podcast S3/E10 (UPRN Seg#17) where we discussed UFOs, shadow people, the Mandela effect, and time travel. Selsky is an author & MUFON field investigator. Shelsky's written over 79 books such as science fiction (thrillers), paranormal novels, fantasy, horror, and more. Shelsky was invited to speak at the Library of Congress, Washington, D.C. Rob has a degree in science. Shelsky has also written a large number of articles for magazines such as AlienSkin, Doorways, Midnight Street (U.K.), Internet Review of Science Fiction (IROSF), and many others. Rob has been interviewed on a number of shows, including George Noory's Coast-To-Coast AM Radio show, House of Mystery, The Kevin Cook Show, Art Bell's Midnight In The Desert, The Warren XChange, Mysterious Radio, and many others. Rob has explored the alien & UFO question and has made investigative trips to research UFO hotspots like Pine Bush, New York, Gulf Breeze, Florida, Brown Mountain, North Carolina, known, for their infamous “Brown Mountain Lights”, United Kingdom, Canada, and other countries where UFOs have been reported. Shelsky was the on-camera UFO expert for a Travel Channel TV show. Find his books on Amazon Kindle, Smashwords & more. Follow Rob Shelsky on http://robshelsky.blogspot.com/ Nichole "Coley" Weber (AKA Coley UFO) was Previously on PNL Podcast S2/E83 when she was with Helix Rock Radio live, and the Coley and Marquise Talk Show. She discussed her experiences with UFO sightings, physical markings, and the MUFON investigator David Keriter study of her UFO experience, and her families' history of UFO sightings. She was also on PNL Podcast S3/E24 (UPRN Seg#31) when she joined SNX radio. Coley grew up a medium/channeler. In 2017 she began her journey as a UFO/ET experiencer, researcher, advocate, public speaker, producer, and Host of multiple shows such as MK Invasion. Coley's work focuses on exploring extraterrestrial life, government secrecy, paranormal, Off-World incidents, and alternative news. Follow Coley UFO at SNXradio.com and snxradio on YouTube https://www.facebook.com/SNXRADIO/about/?_rdr https://www.youtube.com/playlist?list=PLyL1ZM_ewjGCXrjfkrngoa2Y5X0bG_ApX https://youtube.com/playlist?list=PLCWMW1VnFLA9FPoO2BVZ7h_Y7ECuoprf_&si=Hb7U3dGzwlBARL9m Shout out to UPRN Producer Michelle Desrochers from Ontario, Canada. Michelle is also host of The Outer Realm Radio & Beyond the Outer Realm on UPRN www.linktr.ee/michelledesrochers (JV) Jennifer Vallis-Noseworthy, RN (Jen) PNL Podcast & BOG Team Newfoundland & Labrador (NL), Canada Founder/Host: PNL ("Paranormal NL" Podcast) Founder/Team Lead: BOG ("Boots on Ground" Paranormal Investigation Team) Email: paranormal.nl.podcast@gmail.com Follow PNL & BOG Team at https://linktr.ee/paranormalnlpodcast and https://uprntalkradio.com/
Legacy Living with Dr. Gloria Burgess.Celebrating Black History Month. Dr. Gloria honors Dr. Maya Angelou in part 2 of this tribute, sharing her poetry. You'll want to listen to this podcast again and again.https://www.talknetworkradio.com/hosts/legacyliving
Comedy and radio legend Phil Proctor talks about the origin of the Firesign Theater, his love of radio, his many careers as an actor, reporter, writer, comedian, author, and how he made the New York, San Francisco, and LA scenes when there were scenes to make! He also talks about his biography “Where's My Fortune Cookie” and how he almost died three times. Let's see if he survives our podcast. Bio: Proctor is a founding member of the thrice-Grammy-nominated Firesign Theatre, one of Rolling Stone's “Thirty Greatest Acts of All Time” and whose archives were purchased by the Library of Congress. He's appeared on-and-off Broadway, toured the USSR with the Yale Russian Chorus and the US and Canada with Proctor & Bergman and the L.A. Guitar Quartet in Don Quixote. He has appeared in scores of commercials, audiobooks, video games, films and TV shows, receiving Theatre World, LA Weekly, LA Free Press and Drama Critics' awards, and the Norman Corwin Excellence in Audio trophy as well as a recent Emmy for the PBS-aired documentary Feast Your Ears: The Story of WHFS Radio. His voice credits include memorable characters in Academy Award-winning films for Pixar and Disney from A Bug's Life to Inside Out, the Drunken French Monkey in Dr. Dolittle, Dr. Vidic in Assassin's Creed, Simon Stagg in Batman: Arkham Knight, and Howard in the multi-Emmy-winning Rugrats, including a star on the Hollywood Walk of Fame. He has also added scores of voices to the Golden Age of Pulp Fiction series and appeared on Irish radio and live on stage with his late wife, Melinda Peterson, at the 77th Science Fiction Convention in Dublin. He was the announcer for 3 seasons of Big Brother and has a recurring role as Detective Polehaus on the long-running Adventures in Odyssey and can be seen in many old--time radio recreations at the Online Radio Theatre on YouTube. He is a 15-year member of the Antaeus Theater and to accompany his autobiography and audiobook, Where's My Fortune Cookie? co-authored by Brad Schreiber, he co-wrote What to Say to Your Crazy Right-Wing Uncle, with Samuel Joseph and God Help Us! a political comedy which toured the U.S. and Canada starring the late Ed Asner. He currently co-hosts Phil & Ted's Sexy Boomer Show, every Tuesday afternoon on KPFK with Ted Bonnitt, featuring conversations with friends like John Goodman, Penn Jillette, Weird Al, Laraine Newman and Harry Shearer among others. Learn more about your ad choices. Visit megaphone.fm/adchoices
The Hoover Institution Center for Revitalizing American Institutions webinar series features speakers who are developing innovative ideas, conducting groundbreaking research, and taking important actions to improve trust and efficacy in American institutions. Speaker expertise and topics span governmental institutions, civic organizations and practice, and the role of public opinion and culture in shaping our democracy. The webinar series builds awareness about how we can individually and collectively revitalize American institutions to ensure our country's democracy delivers on its promise. The Center for Revitalizing American Institutions (RAI) held The Declaration of Independence: History, Meaning, and Modern Impact with Michael Auslin, Jonathan Gienapp and Jane Kamensky on February 4, 2026, from 10:00-11:00 a.m. PT. As America observes the 250th anniversary of the Declaration of Independence, the Hoover Institution's Center for Revitalizing American Institutions (RAI) provided a renewed look at the origins and enduring influence of this defining national document. Expert speakers examined the Declaration's cultural and physical history, its philosophical foundations and contested meanings, and its evolving role in shaping debates about rights, equality, and self-government. Participants gained insight into how the Declaration continues to inform national identity, animate civic discourse, and guide the ongoing effort to fulfill the promise of America's democratic ideals. ABOUT THE SPEAKERS Michael Auslin is the Payson J. Treat Distinguished Research Fellow at the Hoover Institution. A historian by training, Auslin is the author of the forthcoming National Treasure: How the Declaration of Independence Made America and The End of the Asian Century. He is a regular contributor to leading print and broadcast media and was a Distinguished Visiting Fellow at the Library of Congress's John W. Kluge Center. Jonathan Gienapp is a research fellow at the Hoover Institution and a leading historian of the United States and its constitutional origins, with dual appointments in Stanford's History Department and Law School. He is the author of two acclaimed books on American constitutional history and interpretation, and his scholarship on the Declaration and the nation's founding informs lectures and public programs nationwide. A dedicated educator and award-winning teacher, he also works closely with institutions such as the National Constitution Center and the Brennan Center's Historians Council to deepen public and legal understanding of constitutional issues. His public-facing writing, advisory work, and civics initiatives help connect historical insight to today's constitutional debates. Jane Kamensky is president and CEO of Monticello/The Thomas Jefferson Foundation and a leading historian of early America and the United States. She earned her BA and PhD in history from Yale University and spent thirty years as a professor and higher education leader, most recently as the Jonathan Trumbull Professor of American History at Harvard University and director of the Schlesinger Library at the Harvard Radcliffe Institute. Kamensky is the author or editor of numerous acclaimed works. Her award-winning A Revolution in Color: The World of John Singleton Copley earned multiple major prizes, and she coedited The Oxford Handbook of the American Revolution with the late Edward G. Gray. Her latest book, Candida Royalle and the Sexual Revolution, was a finalist for the National Book Critics Circle Award. A dedicated public historian, she has served on boards and advisory councils, including the Smithsonian National Portrait Gallery and More Perfect. Her work has been supported by NEH, Mellon, and Guggenheim fellowships, and she is an elected fellow of several distinguished historical societies. She also invites readers to explore Monticello's vibrant online book club.
Defense reporter Anthony Adragna dives deeper into Tulsi Gabbard's presence at an unprecedented FBI raid of the Fulton County elections office. Plus, Anthony talks about getting his library card at the Library of Congress. This story was featured in The Readback, our weekend digest featuring the best of Punchbowl News this week. Want more in-depth daily coverage from Congress? Subscribe to our free Punchbowl News AM newsletter at punchbowl.news. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week we look back at John Carpenter's horror classic The Thing. This movie had the unfortunate timing of releasing two weeks after E.T. in June of 1982. Considered frightening, horrifying, and repellent at the time, it would go on to become a cult hit on home video and is now regarded as one of the greatest horror films of all time. Recently, it also had the honor of being added to the National Film Registry for preservation at the Library of Congress for its cultural, historic and aesthetic importance. Join us as we discuss the impact this movie had and how it holds up today.https://www.spreaker.com/episode/the-thing-1982--69862454#horror #movie #film #80s #johncarpenter #kurtrussell #thething #Thing #alien #monster #winter #Antarctica #thaw #glacier #bleak #snow #ufo New Generation Video t-shirts in stock! Get your MOSHA and Stygian Witches shirts today!https://www.teepublic.com/user/generation-video-podcast
Before he left office, President Joe Biden came to Arizona and formally apologized for the federal government's role in running boarding schools designed to forcibly assimilate Indigenous children. As KJZZ's Gabriel Pietrorazio reports, Biden's words still carry meaning as one group continues fulfilling a promise from his administration. “Children would arrive [at] school, clothes taken off – their hair that they were told was sacred was chopped off. Their names [were] literally erased, replaced by a number or an English name.” At least 526 facilities were built nationwide and resulted in more than 3,000 deaths. “The pain it has caused will always be a significant mark of shame, a blot on American history.” An enduring pain Deb Haaland, Biden's Interior secretary and the daughter of a boarding school survivor, began trying to heal. “For decades, this terrible chapter was hidden from our history books, but now our administration's work will ensure that no one will ever forget.” More than a year later, healing continues within the Gila River Indian Community. “It feels like just yesterday that we were doing our opening, and we were standing up here and telling you how we were going to make this week be a safe space for you.” That's Lacey Kinnart (Sault Ste. Marie Tribe of Chippewa Indians) with the nonprofit National Native American Boarding School Healing Coalition. Their group came to Gila River as part of a national tour collecting boarding school testimonials. They aim to document 400 survivors by the end of the tour. Each video recording will be accessible through the Library of Congress. “One of my favorite things about this work that we do is being able to see healing happening right in front of our eyes.” Charlee Brissette is an oral history program co-director and from the same tribe as Kinnart. “We don't say that we're the healers, but we offer space for healing to happen. By the end of the week too, a lot of our relatives that have shared their story with us come back, because they're like family now.” Like boarding school survivor Ramona Klein, who is from the Turtle Mountain Band of Chippewa in North Dakota and sits on the nonprofit's board. “I know what it was like for me, so I'm hoping it was kind of like that for them, because there's a relief.” Their intimate project involves a lot of aftercare, with the nonprofit remaining mindful of mental health. “Each survivor will be contacted by the person who interviewed them in the next week or so, and then we continue to follow up for the next year. In addition to that, we offer a healing circle that's virtual. We want to be very cognizant that we don't open up wounds and hurt people.” The National Native American Boarding School Healing Coalition will stop in Denver, Colo. February 23-27, 2026, to continue its Oral History Project. (Courtesy Rep. Sharice Davids / Facebook) U.S. Rep. Sharice Davids (Ho-Chunk/D-KS) reintroduced this week the Native American Entrepreneurial Opportunity Act to strengthen the Small Business Administration's Office of Native American Affairs, and expand support for Native entrepreneurs. Speaking on the House floor, Rep. Davids said Native entrepreneurs face unnecessary barriers to accessing the tools and resources they need to grow, create jobs, and compete. She says the bill strengthens programs so they can better meet those needs. To introduce the legislation, Davids was joined by U.S. Reps Eli Crane (R-AZ), Jake Ellzey (R-TX), and Kelly Morrison (D-MN). Get National Native News delivered to your inbox daily. Sign up for our daily newsletter today. Download our NV1 Android or iOs App for breaking news alerts. Check out the latest episode of Native America Calling Friday, February 6, 2026 — New art exhibitions offer creative interpretations of Native survival and endurance
With the announcement of Apple TV's recent agreement to make movies and TV (and probably some money) based on Brandon Sanderson's prolific fantasy books, the attention of The Guys turns to the only streaming service that tastes good ala mode. Whilst they wait for the Mistborn movie to arrive, there is plenty more to watch that is already beloved. Ted Lasso is coming back, For All Mankind returns, and some of us haven't even watched Pluribus yet. Apple TV seems the place to be for geeks, with or without the Plus. In Geeks of the Week, Jay - who declared himself “Lord of the Guys” - tells of a classic coming to the BBC but isn't sure how to watch it from the USA. Robbie catches everyone up on the 2025 list of movies the Library of Congress thinks they should watch. And Art shares news of the passing of comics artist Sal Buscema. Grab a piece of hot apple pie and listen.
"We are coming into tax season so Tammy and will talk about paying the government. The HITS Act is now in full swing. Foreign governments are changing their tax codes for musicians and we also have a list of what you might not have known was tax deductible."
"Every year I hear people complaining that the NFL makes lousy picks for the Super Bowl halftime show. If the picks are lousy then ratings must tank. But they do not. In fact the halftime show has never been better watched. We have a long list of ratings and demographics to show that the NFL seems to know what they are doing."
What can four decades of studying self-esteem and mindset mastery teach us about unlocking human potential? In this profound and inspiring episode of The Self Esteem and Confidence Mindset, we sit down with Dr. David Lion—a Doctorate in Theology, Harvard-certified leadership expert, and double inductee into the National Archives' Library of Congress—to explore the timeless principles of self-worth, mindset transformation, and reaching your highest potential.Dr. Lion shares wisdom from his extensive career as an international keynote speaker, personal potential coach, organizational change agent, and advisor to colleges, hospitals, city councils, and elected officials. With insights from his new book "Adventures In God" and decades of transforming lives, this conversation will elevate your understanding of self-esteem, spiritual growth, and the mindset required for true success.You can find David's book here:adventuresingod.info
Dawn's Guest, Dave Reinitz is a stand-up comedian and stain-glass artist whose personal connection to this slice of History brings it alive for all of us. Hear about how his mother, Janet Braun-Reinitz, joined with the Freedom Riders in 1961 and endured and enlightened one of the darkest chapters of American History. ---Dawn's Sources Book - The Freedom Riders by Raymond ArsenaultPodcast - Stuff you Missed in History Class (2011) (3-part series)Interview - Watch Janet's interview with The Library of Congress (2001)Summary of events from The Bill of Rights InstituteExcellent sources here from The Civil Rights TrailJanet Braun-Reinitz's ArtworkDave's stain-glass page on Etsy - Boomdiggitty Glass----See Dawn on THE HISTORY CHANNEL!Crazy Rich AncientsHistories Greatest Mysteries (mulitple seasons)HILF is now on Patreon! ---WANNA TALK? Find us on Instagram or email us hilfpodcast@gmail.comTheme song: Composed and performed by Kat Perkins. Artwork by @thejoedressel
ColorScapes, explores how seasonal color and light affect our emotions, learning, and overall well-being. From spring's hopeful pastels to winter's introspective tones, Lee offers an accessible, science-meets-art perspective on how color perception influences mood, focus, and creativity. It's a perfect conversation for audiences eager to understand the educational and emotional power of art in everyday life.With over four decades of experience connecting audiences to art and culture through her work at the Smithsonian Institution, Library of Congress, and collaborations with DreamWorks, Showtime, and Columbia Pictures, Lee now turns her talents to teaching through poetry. Her multi-cultural upbringing in France and India—coupled with her lifelong dedication to education and the arts—makes her an engaging voice for discussions about creative literacy, emotional intelligence, and cross-cultural learning.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896) "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914) A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926) Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954) While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956) Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981) With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993) “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995) Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995) A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004) With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008) “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010) Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co
Our annual tradition kicks off once more, despite delays from both us and the Library of Congress (thanks government shutdowns). Once again, Mike & Tom went in blind, avoiding finding out what got in this year until Kyle revealed it to them live on air. Hear the boys react to a slate of six underseen silent films and then...well, the shelf at a Blockbuster Video in 2003. Enjoy! Follow the Show:TwitterInstagramWebsite Music by Mike Natale
"In our New Year show we related an article that suggested that 3D spatial audio was going to be popular in 2026. Tammy asked for an explanation of 3D audio so here it is. We have examples of both new songs and classic music that has been remixed into a spatial audio format."
Self-publishing expert Rodney Miles reveals proven strategies for entrepreneurs ready to publish their first book without traditional gatekeepers. After helping create 300+ books over 14 years, Rodney shares insider knowledge on Amazon KDP, realistic publishing costs, and critical launch mistakes that kill book success before it starts. Busy entrepreneurs can complete professional business books in weeks instead of years using strategic interview methods and content repurposing. Rodney breaks down the complete self-publishing process: choosing between ghostwriters and collaboration models, navigating ISBN requirements, copyright registration, and Library of Congress cataloging. You'll understand why your email list matters more than social media followers, how to generate authentic Amazon reviews without violating terms of service, and the psychology behind book covers that convert browsers into buyers. This episode covers essential publishing infrastructure including Kindle Direct Publishing, IngramSpark for wide distribution, and audiobook production economics. Perfect for entrepreneurs, coaches, and consultants who recognize that business books open doors to speaking engagements, premium client acquisition, and industry authority. Rodney addresses beta reader strategies, advance review coordination, forward selection for credibility, and modern book launch strategies that work in the digital age.
The killings of Renee Good and Alex Pretti are called what they really are—lynchings carried out by Trump's armed thugs who were then protected from investigation and sent back out on the streets. A direct line connects decades of right-wing hate radio promising to eliminate liberals to today's fascist violence, explaining why there will be no magical "national awakening" to save us. Never Trump pundits who now support "Defund ICE" after spending years attacking Democrats over "Defund the Police" get dismantled for their hypocrisy, with an explanation of why better messaging won't fix a problem caused by the right's massive propaganda machine. The only path forward is relentless pressure, cutting off money and legitimacy to Republicans, and refusing to forget what they've done when this is over.Cover photo credit: The Library of Congress via PBS.Links for this episode: Driftglass and Bluegal on The Bill Show! The New Republic: CBP Boss Says He Moved Agents Who Shot Alex Pretti to Avoid “Doxxing” https://newrepublic.com/post/205690/customs-border-protection-cbp-agent-alex-pretti-reassigned Stay in Touch! Email: proleftpodcast@gmail.comWebsite: proleftpod.comSupport via Patreon: patreon.com/proleftpodor Donate in the Venmo App @proleftpodMail: The Professional Left, PO Box 9133, Springfield, Illinois, 62791Support the show
As the United States approaches the 250th anniversary of the Declaration of Independence, Peculiar Satisfaction: Thomas Jefferson and the Mastery of Subjects (Fordham UP, 2025) examines how the ideals and contradictions of the nation's founding live on in libraries, archives, and museums. Thomas Jefferson championed an informed citizenry as essential to democracy, yet the systems he built to organize knowledge reinforced racial and ideological hierarchies that persist today. Melissa Adler explores Jefferson's lasting influence on public institutions, from his personal library, which became the foundation of the Library of Congress, to his archival practices in government record-keeping and his museum at Monticello as a site of colonial knowledge production. Through an interdisciplinary lens, she reveals how his methods of classification and preservation shaped national memory and democratic participation. Drawing from archival research and critical theory, Peculiar Satisfaction exposes the paradoxes of access, exclusion, and control embedded in information systems. As censorship and disinformation threaten democracy, Adler argues that understanding these foundational structures is essential to defending the role of knowledge in public life. Melissa Adler is Associate Professor at Western University (London, Ontario) in the Faculty of Information & Media Studies. She is the author of Cruising the Library: Perversities in the Organization of Knowledge (Fordham) Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba's Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
As the United States approaches the 250th anniversary of the Declaration of Independence, Peculiar Satisfaction: Thomas Jefferson and the Mastery of Subjects (Fordham UP, 2025) examines how the ideals and contradictions of the nation's founding live on in libraries, archives, and museums. Thomas Jefferson championed an informed citizenry as essential to democracy, yet the systems he built to organize knowledge reinforced racial and ideological hierarchies that persist today. Melissa Adler explores Jefferson's lasting influence on public institutions, from his personal library, which became the foundation of the Library of Congress, to his archival practices in government record-keeping and his museum at Monticello as a site of colonial knowledge production. Through an interdisciplinary lens, she reveals how his methods of classification and preservation shaped national memory and democratic participation. Drawing from archival research and critical theory, Peculiar Satisfaction exposes the paradoxes of access, exclusion, and control embedded in information systems. As censorship and disinformation threaten democracy, Adler argues that understanding these foundational structures is essential to defending the role of knowledge in public life. Melissa Adler is Associate Professor at Western University (London, Ontario) in the Faculty of Information & Media Studies. She is the author of Cruising the Library: Perversities in the Organization of Knowledge (Fordham) Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba's Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
"A report from Spikerz, an Israeli company that tracks hacking, suggests that in 2025, music hacks were a sizeable number of methods bad actors were using to extract money from unsuspecting persons and companies. We have the numbers and multiple examples."
Synopsis What exactly is authority? Where does it come from? How do you get it? Can you move authority from St. Paul, MN to the south side of Chicago? Join Em and Jesse for a wide-ranging chat on the subject. Notes 1/ Of course, many people in addition to women have a hard time getting others (i.e. non-group members) to pay attention to their authority. For example, trans and nonbinary people have a hard time getting anyone to listen to them speaking about their own lived experiences. 2/ I’ve published four novels and a novella since this was recorded, and people actually do think I’m an authority on some topics for some reason. 3/ The story about Aristotle’s phony translators comes from here, I think: https://historyofphilosophy.net/translation-movement Pseudopigrapha: from pseudo, false, and epigraphe, name or inscription. A falsely attributed text. U of Michigan’s Galileo text: “After an internal investigation of the findings of Nick Wilding, professor of history at Georgia State University, the library has concluded that its “Galileo manuscript” is in fact a 20th-century forgery. We’re grateful to Professor Wilding for sharing his findings, and are now working to reconsider the manuscript’s role in our collection.” Also, “Wilding concluded that our Galileo manuscript is a 20th-century fake executed by the well-known forger Tobia Nicotra.” (The quotes are from the linked website.) 4/ According to the Virginia Woolf society, the actual quote is: “I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.” (From ch 3 of A Room of One’s Own.) Pseudo-Dionysius the Areopagite (5th/6th century CE)) Pseudo-Pseduo-Dionysius is anyone once thought to be Pseudo-Dionysius but now recognized (by modern scholars) to be someone other than Pseudo-Dionysius. Confused? 5/ Pseudo-Bonaventure (14th century CE) wrote Meditations on the Life of Christ. 6/ I’ve become a bit more familiar with copyright law in the three years(!) since we recorded this, since I’ve published three going on four books of my own since then. A really good example of a point I think past Em is trying to make is Sherlock Holmes, who has recently passed into public domain. He’s a neat character and everyone wanted to play with him (look at the adaptations of recent memory: the Robert Downey Jr. films, the BBC’s Sherlock, the American Elementary). But because of copyright law, this was fairly difficult and confusing until very recently, despite the character’s creator having been dead since 1930. These cases raise many questions of authorship vs ownership and how long someone should really be able to make money on an idea. (Patent Law is, if anything, worse, from what I understand.) 7/ It was a photograph of Prince! Since we recorded this, the Supreme Court sided against Andy Warhol’s estate: https://www.npr.org/2023/05/18/1176881182/supreme-court-sides-against-andy-warhol-foundation-in-copyright-infringement-cas Girl Talk is awesome: https://www.youtube.com/watch?v=kSoTN8suQ1o I mention him because there was a really good documentary about copyright called RiP! A Remix Manifesto that discussed his work (including a discussion of it with the head of the copyright office of the Library of Congress). 8/ Just to clarify, “fair use” is kind of a complicated issue. When you are a non-commercial educational podcast (ahem), you can use things (like samples of YouTube performances) without having to pay licensing fees. You can also fairly quote sections of things for criticism, news reporting, and research. You can therefore quote lines from songs or poems in textbooks, but not in novels because they aren’t considered teaching. Parody (hello, Weird Al!) can be a weird gray area, because a parody obviously has to be somewhat transformative but still retain enough of a likeness that people will know what you’re parodying, and on this question hangs a lot of lawsuits. (Not toward Weird Al though, as far as I know. But Margaret Mitchell’s estate did try to sue to block the publication of The Wind Done Gone.) See also: Why does Ulysses (in Em’s novels) wear so many band T-shirts and occasionally mention songs and artists, but there are zero song lyrics in the books? Because you can’t copyright band names or album/song titles. Steamboat Willie has actually entered public domain since we recorded this! [So amazing!–Jesse] Peter Pan actually first appeared in 1902! Also, sorry, “Peter Pan is a psychopomp” is somehow not a sentence I had on my bingo card. I guess it has lost a bit in its translation to the screen… On the plus side, SIDS rates have dropped dramatically since 1902? “I can rewrite Macbeth if I want to.” Or a really complex riff on The Bacchae? Em of 2022 did not know what was coming, lol. 9/ Notably, Spivak also quotes primarily women. The episode on Hrotsvit: Episode 22 10/ For more on Juliana of Cornillion and the Feast of Corpus Christi, see Episode 6. 11/ Wife of Bath’s Prologue and Tale are HERE. (Also, Chaucer was not, as far as we know, toxic like Joss Whedon!) 12/ Incidentally, violent, in-the-moment reactions to mistreatment by another person are called reactive abuse, and they’re often used by abusers to shift the blame onto their victims. If you are being abused or wondering if you are and want to talk to someone, check out the National Domestic Violence Hotline (https://www.thehotline.org/), or look for local programs. Here in Madison, for instance, we have Domestic Abuse Intervention Services (https://abuseintervention.org/).
In this special episode of CounterPunch Radio, Bill Ayers, friend of Pilsen Community Books and fellow podcaster at Under the Tree, introduces Amos Kennedy and fellow artists and activists Monica Trinidad and Chi Nwosu. This evening at Pilsen Community Books in Chicago included a packed-house crowd for a celebration for the release of Citizen Printer by renowned letterpress printer Amos P. Kennedy, Jr. A self-described “humble negro printer,” Amos Paul Kennedy, Jr., is internationally recognized for his type-driven messages of social justice and Black power, emblazoned in rhythmically layered and boldly inked prints made for the masses. Borrowing words from civil rights heroes such as Rosa Parks, Fannie Lou Hamer, Frederick Douglass, and Sojourner Truth, Kennedy issues fearless statements on race, capitalism, history, and politics—along with plenty of witty truisms—in his exuberant, colorful, and one-of-a-kind posters and handbills. Amos P. Kennedy, Jr. was working a corporate job when, at nearly forty, he discovered the art of letterpress printing on a tour of Colonial Williamsburg. Kennedy then devoted himself to the craft, earning an MFA in graphic design at the University of Wisconsin–Madison. He now operates Kennedy Prints!, a letterpress printshop in Detroit. He has exhibited in dozens of museums and galleries across the United States, including the Library of Congress, and the libraries of the Museum of Modern Art and the Metropolitan Museum of Art. Monica Trinidad (she/they) is a queer Latine visual artist, communicator, and cultural strategist. A lifelong Chicagoan, Monica has created zines, graphics, mixed media posters, communication strategies, and plans highlighting youth-led, intergenerational, and intersectional grassroots organizing work in Chicago and nationally. Chi Nwosu is a Black, non-binary, queer, Nigerian artist based in Chicago. Their work is an alchemy of cultural narratives that centres marginalised experiences and utilises potent cultural, political, and spiritual symbols. Chi's art invites viewers to imagine collective liberation, envisioning communities rooted in kindness, compassion, and care. Please, head over to Pilsen Community Books and pick up some books! The post Citizen Printer, Bill Ayers w/ Amos Paul Kennedy, Jr., Monica Trinidad, and Chi Nwosu appeared first on CounterPunch.org.
Bamboozled is a 2000 American satirical black comedy-drama film written and directed by Spike Lee about a modern televised minstrel show featuring black actors donning blackface makeup and the resulting violent fallout from the show's success. It features an ensemble cast including Damon Wayans, Jada Pinkett Smith, Savion Glover, Tommy Davidson, and Michael Rapaport.The film was given a limited release by New Line Cinema during the fall of 2000 and was released on DVD the following year. Critical reception was mixed,[3][4] and the film was unsuccessful financially, becoming a box office bomb. Despite its initial reception, Bamboozled later achieved cult film status for its satirical look at stereotypical depictions of black people in both historical and contemporary American film and television productions, and, in 2023, was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant."Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
At first glance, alcohol and racial equality might seem unrelated—but for Black activists, the temperance movement was a powerful vehicle for social change. In this episode of Grating the Nutmeg, Natalie Belanger of the Connecticut Museum chats with Mackenzie Tor about her research into Black temperance activism in 1830s and 1840s Connecticut. Mackenzie talks about how people like Maria Stewart, James Pennington, and the Beman family used temperance as a strategy for civic inclusion. Through their words and organizing efforts, from newspaper columns to church halls, abstaining from the bottle became a radical tool for political belonging in the hands of Connecticut's Black communities. She also discusses the flip side of this – how accusations of intemperance could be wielded to bring down successful Black men, like New Haven's William Lanson, when their business and civic ventures threatened the power of white elites. Mackenzie, a PhD Candidate in History at the University of Missouri, did research for this project at the Connecticut Museum as part of the New England Regional Fellowship Consortium. Learn more about the Consortium and the support it provides for scholars here: masshist.org/fellowships/nerfc To find out how William Lanson changed the face of New Haven, see this CT Explored article by Stacey Close: ctexplored.org/william-lanson-an-artisan-who-built-beyond-structures/ You can read more about Stewart, Pennington, and the Bemans here: ctexplored.org/site-lines-black-abolitionists-speak/ Finally, here's a link to watch Mackenzie Tor give a more detailed look at the research she did at the Connecticut Museum of Culture and History's Waterman Research Center on this topic: youtube.com/watch?v=bYi9JAqouTE&t=2510s Caption image #1: The Colored American newspaper, 1841. Caption Image #2: The Tree of Temperance, Currier and Ives, 1872, Library of Congress. ---------------------------------------- Like Grating the Nutmeg? Want to support it? Make a donation! 100% of the funds from your donation go directly to the production and promotion of the show. Go to ctexplored.org to send your donation now. This episode of Grating the Nutmeg was produced by Natalie Belanger and engineered by Patrick O'Sullivan at highwattagemedia.com/ Follow GTN on our socials-Facebook, Instagram, Threads, and BlueSky. Follow executive producer Mary Donohue on Facebook and Instagram at West Hartford Town Historian. Join us in two weeks for our next episode of Grating the Nutmeg, the podcast of Connecticut history. Thank you for listening!
This week on the podcast, Patrick and Tracy welcome Katie Cook, author of NOTHING SPECIAL. About NOTHING SPECIAL: In the grand scheme of the worlds at large, Callie thinks she's nothing special. Sure, she's friends with the ghost of a radish and her dad owns a magical antique shop–but she's spent her life in the human world. Her dad won't let her join him on his collection trips in the magical realm “for her own protection”, so she's only caught glimpses of that world through the gates of the town where her father's store is. On her seventeenth birthday, Callie goes home with her friend Declan to find her home in disarray and her dad missing. Signs of a struggle point to the portal to the magical realm and when there are signs, you follow them. Now it's up to Callie, Declan, and Radish to band together and bring him home. As they face creatures good and bad, and all sorts of adventure, Callie and Declan may just find out that they are both special in their own ways after all. About Katie Cook: Katie Cook is the creator of the Nothing Special webcomic on Webtoon and the oldie-but-goodie webcomic Gronk: A Monster's Story (which was one of the first webcomics archived by the library of congress!). She spent several years as one of the primary writers on IDW's My Little Pony: Friendship Is Magic comics to the point that they made her a pony on the show (really). Then there's all those books she has illustrated and written for a tiny franchise called “Star Wars”. Maybe it'll take off one day. Time will tell. She has also written and drawn comics for Marvel, Disney Publishing, Boom! and many other publishers. This week's picks: Katie: 31 Days of Drawing Things You Don’t Normally Draw: Quiznos Spongemonkeys Tracy: That’s Not a Hat (Game) Patrick: Stranger Things 5 (Netflix) Links: Katie Cook on Instagram Tracy Townsend on BluSky Patrick Hester on Instagram The Functional Nerds Patreon Page © 2026 Patrick Hester The post Episode 691-With Katie Cook appeared first on The Functional Nerds.
In this episode of the Self-Publishing with ALLi Member Q&A podcast, hosts Michael La Ronn and Sacha Black discuss whether authors who narrate their own audiobooks should file for copyright registration of the performance rights in addition to registering the text. Other questions include: What affordable alternatives exist to expensive PO boxes for UK authors who need a postal address for their newsletter Should authors delay book publication if they cannot obtain a Library of Congress control number during a government shutdown How can middle-grade authors market their books while complying with laws around children and content What should authors do when experiencing quality control problems with Ingram Spark orders Should authors enable or disable DRM on Amazon in light of new policies allowing readers to download epub files And more! Find more author advice, tips, and tools at our Self-Publishing Author Advice Center, with a huge archive of nearly 2,000 blog posts and a handy search box to find key info on the topic you need. And, if you haven't already, we invite you to join our organization and become a self-publishing ally. About the Hosts Michael La Ronn is ALLi's Outreach Manager. He is the author of over 80 science fiction & fantasy books and self-help books for writers. He writes from the great plains of Iowa and has managed to write while raising a family, working a full-time job, and even attending law school classes in the evenings (now graduated!). You can find his fiction at www.michaellaronn.com and his videos and books for writers at www.authorlevelup.com. Sacha Black is a bestselling and competition winning author, rebel podcaster, speaker and casual rule breaker. She writes fiction under a secret pen name and other books about the art of writing. When Sacha isn't writing, she runs ALLi's blog. She lives in England, with her wife and genius, giant of a son. You can find her on her website, her podcast, and on Instagram.
"This is our second of two year opening shows. We will cover new Public Domain availability, anniversaries for this new year and some predictions for 2026."
Today's episode digs into one of the most exciting parts of vintage radio: finding lost recordings. Host John Tefteller is joined by Dr. Joe Webb to talk about how shockingly few recordings from radio's golden age still exist. But every once in a while, a rare survivor turns up, like today's episode of The Adventures of Sam Spade from 1947, “The Yule Log Caper,” found on an Armed Forces Radio Service transcription disc. They talk about why AFRS versions were so important in preserving history, share a few fun behind-the-scenes stories, and highlight standout moments like Hans Conried's scene-stealing performance. SHOW NOTES The Adventures of Sam Spade 1947-05-11 The Yule Log Caper The lead actors: Howard Duff as Spade, Lurene Tuttle as Effie Howard Duff had a long and successful, and sometimes rocky, radio, film, and television career. He was not an expected candidate to become Sam Spade. The then-wife of producer William Spier, Kay Thompson, suggested that he be given better consideration. Thompson was a musical coach at MGM and was an important behind-the-scenes influencer in encouraging stars to appear on Suspense. https://en.wikipedia.org/wiki/Howard_Duff Lurene Tuttle was one of the top radio actors of her time. She might be best known for playing Spade's dizzy secretary, Effie, but she appeared in hundreds, if over a thousand, radio roles, often uncredited, in soaps, dramas, westerns, comedies, and other programs. Tuttle had a successful television career, often playing the busybody next-door neighbor, as well as many film roles. The supporting cast: Hans Conried (Tauchnetz) https://en.wikipedia.org/wiki/Hans_Conried Conried was one of radio's finest, most versatile, and most reliable actors. Baby boomers may remember him best as “Uncle Tonouse” from television's Danny Thomas Show / Make Room for Daddy. An example of Conried's skill can be understood when there was a sound effects problem in a Suspense production. It was in the middle of his lines when a prop gun did not fire and he had to buy time for the sound effects artist to retrieve and fire the backup gun. Details are at https://archive.org/details/TSP470227 John McIntire (Carmichael) Jack Moyles (Clausen) Lurene Tuttle (Old lady) Hugh Thomas? (Merwyn Trelease) Charlotte Lawrence (Mrs. Clausen) Classic radio researcher Karl Schadow notes that the character named “Al McAvity” is an inside joke about Tom McAvity. He was broadcasting executive who was with both NBC and CBS and various ad agencies. (Karl Schadow was profiled by the Library of Congress blog in 2018 https://blogs.loc.gov/loc/2018/05/inquiring-minds-bringing-radios-golden-age-back-to-life/ ) Sam Spade profile and history at Thrilling Detective https://thrillingdetective.com/2018/11/18/sam-spade/ Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD
In this episode of Conversations From The Pointed Firs, host Peter Neill speaks with Richard Parsons, author of Storm Warriors of the Maine Coast: Stories of the Life-Saving Station at Biddeford Pool.Richard Parsons taught history and English for thirty years in public schools before joining the staff of the Institute for Learning Technologies at Columbia University. There, he worked with others to digitize resources held by the Franklin and Eleanor Roosevelt Institute and the Library of Congress, among others, to make them available to scholars and educators. Later, as a member of the Center for Technology and School Change at Columbia University Teachers College, he worked with pre-service and in-service teachers to bring more effective uses of technology into public school classrooms. Today, Richard serves as historian for the Friends of the Wood Island Lighthouse. He is the author of two books, Wood Island Lighthouse: Stories from the Edge of the Sea, (2022) and Storm Warriors of the Maine Coast. Stories of the Life- Saving Service at Biddeford Pool (2025). His articles have appeared in Wreck & Rescue, The Journal of the U.S. Life-Saving Service Heritage Association. Learn more at pointedfirs.org/
This week, prodigious purveyors of the past, multi-instrumentalists, singers and story tellers, Anna & Elizabeth recorded live at the Ozark Folk Center State Park. Also, interviews with these unique performers. The collaboration between Anna & Elizabeth spans worlds — between their homes in Brooklyn and rural Virginia -- between deep study of mountain ballads with old masters and explorations into the avant garde — between music, performance, and visual art. Anna & Elizabeth have performed across the country and in Europe. Highlights include: The Newport Folk Festival; NPR's Tiny Desk Concert; The Chicago Folk Festival; The High Museum of Modern Art (Atlanta); and the Cambridge Folk Festival (UK.) Their work has been featured on BBC Radio 2 and BBC3's Late Junction, Vice's Noisey, the Huffington Post, and No Depression. They have shared the stage with Alice Gerrard, Mick Moloney, Sam Lee and Riley Baugus, Bruce Greene, Abigail Washburn, Wayne Henderson, and also National Heritage Award winners Sheila Kay Adams and Billy McComiskey. Elizabeth Laprelle lives on a farm in Rural Retreat, Virginia, where she grew up, and has pursued her interest in mountain ballads for over a decade. Since the release of her debut album at age 16, she's been hailed as one of the most dedicated students of the traditional unaccompanied style of her generation. The student of master singer Ginny Hawker and National Heritage Fellow Sheila Kay Adams, Elizabeth was the first recipient of the Henry Reed Award from the Library of Congress at age 16, and won the 2012 Mike Seeger Award at Folk Alliance International. She has released three solo ballad albums, and was called “the best young Appalachian ballad singer to emerge in recent memory” by UK's fRoots Magazine. Anna Roberts-Gevalt is a voracious and curious multi-instrumentalist originally from Vermont, described by Meredith Monk as a "radiant being." She fell in love with the sound of banjo in college, moved to the mountains, and learned with master musicians in Kentucky, Virginia, and North Carolina, becoming a blue-ribbon fiddler and banjo player (WV State Folk Fest, Kentucky Fiddle Contest.) She was a fellow at the Berea College Archive, a 2014 OneBeat fellow (Bang on a Can's Found Sound Nation,) artistic director of Kentucky's traditional music institute, the Cowan Creek Mountain Music School, and curator of Baltimore's Crankie Festival. She has recently delved into new musical worlds, including recent work with composers Brian Harnetty, Nate May and Cleek Schrey, Matmos, David Rothenberg, Susan Alcorn, and saxophonist Jarrett Gilgore. She has contributed writing to No Depression and The Old Time Herald. In this week's “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals The Hall Family, performing the traditional song “Cowboy's Dream,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode focuses on world renowned cowboy poet, balladeer, and story teller Glenn Orhlin.
"This is our first of two year opening shows. We will cover new Public Domain availability, anniversaries for this new year and some predictions for 2026."
Plan Dulce Host Bryan Lima (he/him) is joined by Álvaro D. Márquez (they/them/theirs), an artist, researcher, and philanthropy professional in Los Angeles County. They discuss Álvaro's personal life experiences in education, art making, research and inquiry into history and cartography and how it all informs their practice creating visual art through printmaking, fiber-art, installation and sculpture.Bio and Links:Álvaro D. Márquez (they/them/theirs) is an artist, researcher, and philanthropy professional. They grew up in the working-class immigrant community of East Salinas, CA and reside in Los Angeles County. Descendant of three generations of migrant field workers, they hold a BA in U.S. history from Brown University, an MA in American Studies and Ethnicity from the University of Southern California, and an MFA in Printmaking from CSU Long Beach. They are also currently pursuing a PhD in Cultural Studies from Claremont Graduate University. Their work explores displacement as a key modality in the development of Western, settler-colonial expansion, encompassing issues around Indigenous dispossession, homelessness, segregation, and gentrification. At the root of their interdisciplinary practice is an examination of the privatization of land as a commodity, and the long-lasting effects of settler colonialism on the built and natural environment. Their work is situated in the intersection of printmaking, installation, and sculpture. They have exhibited their work across the US, Mexico, and Germany, and their work has been collected by the Los Angeles County Museum of Art, the Lucas Museum of Narrative Art, the Hood Museum of Art at Dartmouth College, and the U.S. Library of congress. They currently work as Senior Officer for Communications and Arts at the California Community Foundation, and have previously taught as Adjunct Faculty at the University of Southern California Roski School of Art and Design, CSU Long Beach School of Art, and CSU Los Angeles Department of Chicana/o and Latina/o Studies.Learn more about:https://www.alvarodmarquez.com/ https://www.instagram.com/alvarodmarquez/ https://www.aminextla.org/ --------------------------------------Plan Dulce is a podcast by members of the Latinos and Planning Division of the American Planning Association. The information, opinions, and recommendations presented in this Podcast are for general information only. Want to recommend our next great guests and stay updated on the latest episodes? We want to hear from you! Follow, rate, and subscribe! Your support and feedback helps us continue to amplify insightful and inspiring stories from our wonderfully culturally and professionally diverse community.This episode was conceived, written, edited and produced by Vidal F. Márquez (he/him) and co-produced and hosted by Bryan Lima (he/him).Connect:Instagram:https://www.instagram.com/plandulcepodcast/ Facebook:https://www.facebook.com/LatinosandPlanning/Youtube:Subscribe to Plan Dulce on Youtube LinkedIn:https://www.linkedin.com/groups/4294535/X/ Twitter:https://twitter.com/latinosplanapa?lang=en—----
This is a short excerpt from an upcoming episode of Flint Justice.In this preview, Arthur Busch explores the real Michigan homicide case that inspired Anatomy of a Murder and the lawyer behind it, John D. Voelker—prosecutor, defense attorney, Supreme Court justice, and writer.The full episode examines what this case still teaches us about jury trials, reasonable doubt, and the uneasy line between truth and proof. Full episode coming soon."Photography by Jim Hansen, LOOK Magazine Photograph Collection, Library of Congress."We would like to hear from you! Send us a Text.
The House of #EdTech SmackDown is back — and episode 265 delivers the 12th annual celebration of educator-shared tools, ideas, and inspiration. This fan-favorite episode brings together contributions from teachers, coaches, podcasters, and edtech leaders who share what made a real impact in classrooms and schools throughout 2025. From AI-powered writing feedback and study tools to creative multimedia platforms, productivity apps, and wellness tech, this episode is packed with practical ideas you can use right away. #EdTech Thought: Integration Isn't Seasonal I focused on a common trap in education: waiting for the "right time" to change practice. New semesters, new marking periods, or new years often feel like the natural moment to reset. But great technology integration doesn't follow a calendar. It happens incrementally, through reflection, experimentation, and iteration, even when the school year feels messy and unfinished. The takeaway is simple but powerful: You don't need permission from the calendar to teach differently tomorrow than you did today. The 2025 EdTech SmackDown Recommendations This year's SmackDown features a wide range of tools and ideas, spanning AI, creativity, productivity, assessment, and wellness. Chris's Recommendations Raina AI introduces creative ways to support studying and student engagement, including the concept of "Brain Rot" videos. Genially for interactive and gamified learning experiences. 123Apps as an all-in-one media creation toolkit. Chronicling America from the Library of Congress for primary source research. ICE - https://icemenubar.app/ Latest - https://max.codes/latest/ Rocket - https://matthewpalmer.net/rocket/ AI & Writing Support Beat the Computer (shared by Stephanie Howell) helps students improve writing by focusing on feedback and revision rather than replacement. Gemini is highlighted as a tools for educators, including writing Google Apps Scripts to automate workflows (Dan Gallagher). AI, Engagement & Study Tools Brisk Teaching and custom GPTs (shared by Dr. Dan Kreiness) demonstrate how AI can support instruction without removing teacher agency. Brainfreeze AI (Matt Miller) allows educators to build their own AI agents for classroom use. Creativity, Media & Design Canva Code and ongoing innovation within Microsoft 365 (Martin Byford). QuickTales (Batsheva Frankel), which blends audio storytelling with formative assessment. Adobe Express animations and digital signage workflows (Brian Carpenter). Content, Research & Instruction Wayground (Quizizz) for video-based instruction and AI-supported grading (Rebecca Autry). Desmos / Amplify phonics review tools (Linda Hummer). Derek Larson's Annual SmackDown Deep Dive No SmackDown episode would be complete without Derek Larson, who once again delivers a rapid-fire breakdown of tools and ideas educators should know about. This year's highlights include: Google Keep for organization and workflow StoryGraph for reading and reflection Instapaper for managing long-form content Teaching AI across multiple content areas Health and wellness apps like Capsule, Easy Fast, and Sleep++ Derek's segment reinforces an important theme of the episode: productivity and wellness tools matter just as much as classroom tools. You can explore Derek's curated archive of recommendations at https://appsmackdown.com House of #EdTech VIP: You The episode closes with the House of #EdTech VIP segment — and once again, the VIP is YOU the listener. I reflect on the fact that this podcast exists because educators are willing to share, contribute, and support one another. The SmackDown isn't just an episode; it's a snapshot of a professional community learning together.
During the Great War, the fighting briefly ceased on Christmas on some parts of the front line. The so-called "Christmas Truce" has become almost legendary. What really happened? Read some of the newspaper articles from 1914 and 1915 reporting on the story at the Library of Congress's Chronicling America archive. Music in this Episode"Drum Feature: Generations from the Simple Gifts Show" — The United States Army Old Guard Fife and Drum Corps, via Free Music Archive"Silent Night" — Kevin MacLeod, via Incompetech"It Came Upon a Midnight Clear" — Kevin MacLeod, via Incompetech"Slowest Time" — Blue Dot Sessions, via Free Music Archive"God Rest Ye Merry, Gentlemen" — The Victor Mixed Chorus, via Library of Congress"The First Noel" — The Victor Mixed Chorus, via Library of Congress"Silent Night" — The Victor Mixed Chorus, via Library of Congress"Gentle Soft Piano | Christmas Vibes" — Alex Productions, via Free Music ArchiveOrder your copy today! Of Christmases Long, Long AgoConnect with Me Links to all the things https://christmaspastpodcast.com/links Email: christmaspastpodcast@gmail.com BooksOf Christmases Long, Long Ago: Surprising Traditions from Christmas Past (2025, Lyons Press and Recorded Books) It's Christmas as you've never seen it before, and it makes a great gift for all the Christmas lovers in your life. Christmas Past: The Fascinating Stories Behind Our Favorite Holiday's Traditions (2022, Lyons Press and Recorded Books)
The average person can keep a secret for forty-seven hours. Babs Walters held the worst kind of secret for nearly seventy years. Beginning at the age of eleven, Walters suffered childhood sexual abuse at the hands of her father. His edict, "Children should be seen and not heard," defined her childhood and groomed her to silence. But despite the cycle of generational trauma and abuse that haunted her childhood, Walters eventually had a life-changing realization: We are not what happens to us. We are the meaning and purpose we give to what happens to us. As a domestic violence and sexual abuse survivor, Babs has devoted much of her adult life to raising understanding and awareness of the long-term effects of generational trauma, breaking the chain. She holds a master's degree in counselling human relations and has spent thirteen years on a Harassment Investigation Committee. She was recently interviewed for Brave Voices® on the U.S. Library of Congress. It took being a self-help junkie, 45 years of therapy, three marriages, and many mistakes to reach this point in her life. Babs' story will bring awareness and hope to many who are struggling with abuse and hopelessness. XXXXX "Healing is not a destination - it's a journey and it does not matter how long it takes" For fans of The Glass Castle and Educated, a child sex abuse survivor-turned-domestic violence advocate examines the full circle of generational trauma, resilience, and healing. Babs Walters found that there are dark places that civilized people do not want to acknowledge. They would rather pretend it is a rare occurrence or that it does not happen in their family. Or they believe it is just too messy to get involved in. The child sexual assault statistics are high, although the majority of cases are not being reported. Babs' father grew up doing what was done to him. We need to break the chain! Connect with Babs Here Website Facebook
Before Clarence Birdseye, frozen food was perceived as being low-quality and kind of gross. But after spending time in extremely cold climates, Birdseye figured out that speed freezing was the key to retaining freshness. Research: “$1,900,000 Fraud Attempt Alleged in Insurance Deal.” St. Louis Post-Dispatch. May 2, 1917. https://www.newspapers.com/image/138253870/?match=1&terms=%22Clarence%20Birdseye%22 “Alleged Clean-up of $1,900,000 in Two Days.” The Bennington Evening Banner. May 2, 1917. https://www.newspapers.com/image/546110078/?match=1&terms=%22Clarence%20Birdseye%22 Birdseye, C. “Animal Food Product.” U.S. Patent Office. Aug. 12, 1930. https://patentimages.storage.googleapis.com/ff/f3/e3/ea3d0a5d1b6b7a/US1773080.pdf Birdseye, C. “METHOD OF PRESERVING PISCATORIAL PRODUCTS.” U.S. Patent Office. April 18, 1924. https://patentimages.storage.googleapis.com/b7/d9/5a/aeb7fae023f47e/US1511824.pdf Birdseye, Clarence, 1886-1956. Some Common Mammals of Western Montana in Relation to Agriculture and Spotted Fever, pamphlet, 1912; Washington D.C.. https://digital.library.unt.edu/ark:/67531/metadc87555/ Britannica Editors. "Clarence Birdseye". Encyclopedia Britannica, 3 Oct. 2025, https://www.britannica.com/biography/Clarence-Birdseye “Celebrating American Innovation: Clarence Birdseye.” Council for Innovation Promotion. Sept. 14, 2023. https://c4ip.org/celebrating-american-innovation-clarence-birdseye/ “Clarence Birdseye.” Lemelson-MIT. https://lemelson.mit.edu/resources/clarence-birdseye “Clarence Birdseye Is Dead at 69; Inventor of Frozen-Food Process; Developed Method for Quick Freezing and Also Devised System for Dehydrating.” New York Times. Oct. 9, 1956. https://www.nytimes.com/1956/10/09/archives/clarence-birdseye-is-dead-at-69-inventor-of-frozenfood-process.html “Frozen Food Market Size, Share & Industry Analysis, By Type (Frozen Ready Meals, Frozen Seafood & Meat Products, Frozen Snacks & Bakery Products, and Others), Distribution Channel (Supermarkets/Hypermarkets, Specialty Stores, Convenience Stores, and Online Retail), and Regional Forecast, 2025-2032.” Fortune Business Insights. Oct. 6, 2025. https://www.fortunebusinessinsights.com/frozen-food-market-10413 “How Did Clarence Birdseye Shape the American Diet?” National Inventors Hall of Fame. Nov. 28, 2022. https://www.invent.org/blog/inventors/clarence-birdseye Kile, O.M. “Food That Is Fresh Though Frozen: New Preserving Process Aims to Maintain Cell Structure.” The Baltimore Sun. Nov. 10, 1929. https://www.newspapers.com/image/373627550/?match=1&terms=%22quick-frozen%22%20 Kurlansky, Mark. “Birdseye: The Adventures of a Curious Man.” Thorndike Press. 2012. “Reinsurance for Policyholders in Defunct Concerns.” New-York Tribune. Nov. 11, 1917. https://www.newspapers.com/image/894239796/?match=1&terms=%22Clarence%20Birdseye%22 “Supervisory Methods Lax.” The Kansas workman. Nov. 1, 1917. https://www.newspapers.com/image/480092568/?match=1&terms=%22Clarence%20Birdseye%22 “Who invented frozen food?” Library of Congress. https://www.loc.gov/everyday-mysteries/technology/item/who-invented-frozen-food/ See omnystudio.com/listener for privacy information.
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