Podcasts about Columbia University Press

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. 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The Rites of Passage. 1909; English translation, University of Chicago Press, 1960. Use for: separation, transition, incorporation, initiatory structure, and the candidate's movement through old identity, liminal state, and return.Victor Turner. “Betwixt and Between: The Liminal Period in Rites of Passage.” In The Forest of Symbols: Aspects of Ndembu Ritual. Cornell University Press, 1967. Use for: liminality, threshold identity, the candidate as “betwixt and between,” and darkness as embodied transition.Victor Turner. The Ritual Process: Structure and Anti-Structure. Aldine Publishing, 1969. Use for: liminality, communitas, anti-structure, social transformation, and the ritual pressure placed on ordinary identity.Catherine Bell. Ritual Theory, Ritual Practice. Oxford University Press, 1992. Use for: ritualization, ritual power, the ritualized body, and the temple as a structured environment that trains perception and action.Catherine Bell. “The Ritual Body and the Dynamics of Ritual Power.” Journal of Ritual Studies 4, no. 2 (1990): 299–313. Use for: ritualized bodies, spatial discipline, gesture, power, and the way ritual arrangements shape action.John C. Lilly. The Deep Self: Profound Relaxation and the Tank Isolation Technique. Simon & Schuster, 1977. Use for: the isolation tank, reduced stimulation, altered consciousness, and the modern technological black room.John C. Lilly. The Center of the Cyclone: Looking into Inner Space. Julian Press, 1972. Use carefully for: Lilly's altered-state/counterculture context, isolation tank work, consciousness exploration, and the bridge between research and psychedelic-era experimentation.Justin S. Feinstein et al. “Examining the Short-Term Anxiolytic and Antidepressant Effect of Floatation-REST.” PLOS ONE 13, no. 2 (2018): e0190292. Use for: Floatation-REST, reduced environmental stimulation, anxiety reduction, mood change, and the clinical side of float tanks.Hannah Hruby et al. “Induction of Altered States of Consciousness During Floatation-REST Is Associated With the Dissolution of Body Boundaries and the Distortion of Subjective Time.” Scientific Reports 14 (2024). Use for: float tanks, altered states, body-boundary dissolution, and subjective time distortion.Madison K. M. Garland et al. “A Randomized Controlled Safety and Feasibility Trial of Floatation-REST in Anxious and Depressed Individuals.” PLOS ONE 18, no. 6 (2023): e0286899. Use for: safety, tolerability, repeated Floatation-REST, and caution against overclaiming.Lashgari et al. “Floatation-REST Systematic Review.” 2025. Use for: the broad current state of Floatation-REST research, including anxiety, pain, stress, sleep, well-being, and the need for stronger standardization and larger studies.Michael T. H. Do. “Melanopsin and the Intrinsically Photosensitive Retinal Ganglion Cells.” Neuron 104, no. 2 (2019): 205–226. Use for: ipRGCs, melanopsin, non-image-forming vision, circadian entrainment, pupil response, sleep, and light as biological timing information.Lorenzo Lazzerini Ospri, Glen Prusky, and Samer Hattar. “Mood, the Circadian System, and Melanopsin Retinal Ganglion Cells.” Annual Review of Neuroscience 40 (2017): 539–556. Use for: light, mood, circadian rhythm, melanopsin, and the biological consequences of light exposure.Charles A. Czeisler and related circadian medicine research. Use for: artificial light, circadian disruption, melatonin suppression, shift work, and modern light exposure as a biological intervention.Anne-Marie Chang, Daniel Aeschbach, Jeanne F. Duffy, and Charles A. Czeisler. “Evening Use of Light-Emitting eReaders Negatively Affects Sleep, Circadian Timing, and Next-Morning Alertness.” Proceedings of the National Academy of Sciences 112, no. 4 (2015): 1232–1237. Use for: screens, evening light, melatonin suppression, delayed circadian timing, altered sleep, and modern light's effect on the body.A. Roger Ekirch. At Day's Close: Night in Times Past. W. W. Norton, 2005. Use for: premodern night, darkness before electric light, nocturnal fear, dreams, prayer, crime, labor, and the cultural history of darkness.A. Roger Ekirch. “Sleep We Have Lost: Pre-Industrial Slumber in the British Isles.” The American Historical Review 106, no. 2 (2001): 343–386. Use for: segmented sleep, first sleep and second sleep, night waking, dreams, prayer, and premodern sleep culture.Craig Koslofsky. Evening's Empire: A History of the Night in Early Modern Europe. Cambridge University Press, 2011. Use for: early modern night culture, artificial lighting, urban night, public space, and the transformation of darkness.Elisabeth Bronfen. Night Passages: Philosophy, Literature, and Film. Columbia University Press, 2013. Use for: symbolic and cultural readings of night, dream, fear, darkness, passage, and the imagination.Robert F. Taft. The Liturgy of the Hours in East and West: The Origins of the Divine Office and Its Meaning for Today. Liturgical Press, 1993. Use for: night offices, vigils, prayer through darkness, sacred time, and Christian ritual use of night.Bernard McGinn. The Foundations of Mysticism: Origins to the Fifth Century. Crossroad, 1991. Use for: Christian mystical traditions, contemplative darkness, early mystical theology, and the development of mystical language.Pseudo-Dionysius. The Complete Works. Translated by Colm Luibheid. Paulist Press, 1987. Use for: divine darkness, apophatic theology, mystical unknowing, and darkness as a theological category.John of the Cross. Dark Night of the Soul. Various editions. Use carefully for: spiritual darkness, purification, absence, mystical trial, and transformation.“The Neophyte Initiation Ritual.” Public Golden Dawn ritual material. Use carefully for: hoodwink, darkness, “Light dawning in darkness,” staged revelation, and the candidate being brought from night into day.Chögyal Namkhai Norbu. The Crystal and the Way of Light: Sutra, Tantra and Dzogchen. Routledge, 1986. Use for: Dzogchen context, light, vision, and the broader framework around contemplative perception.Christopher Hatchell. Naked Seeing: The Great Perfection, the Wheel of Time, and Visionary Buddhism in Renaissance Tibet. Oxford University Press, 2014. Use for: visionary practice, Great Perfection, Tibetan contemplative contexts, and careful treatment of luminosity and appearance.R. Shane Burns. “Dark Retreat in Tibetan Buddhist Practice.” Use for: dark retreat, preparation, disciplined context, and the difference between contemplative practice and casual sensory deprivation.Raymond Moody. Reunions: Visionary Encounters with Departed Loved Ones. Villard, 1993. Use for: modern psychomanteum practice, grief, mirror-gazing, and encounters with the dead.Arthur Hastings. “The Psychomanteum: A Modern Oracle of the Dead.” Use for: psychomanteum procedure, grief, memory, mirror-gazing, and structured encounter.Marcia K. Johnson, Shahin Hashtroudi, and D. Stephen Lindsay. “Source Monitoring.” Psychological Bulletin 114, no. 1 (1993): 3–28. Use for: inside/outside ambiguity, origin judgments, memory, imagination, and how dark or altered environments complicate interpretation.Shahar Arzy et al. “Induction of an Illusory Shadow Person.” Nature 443 (2006): 287. Use for: sensed presence, body-self disruption, temporoparietal junction, and the feeling of another being nearby.Olaf Blanke et al. “Neurological and Robot-Controlled Induction of an Apparition.” Current Biology 24, no. 22 (2014): 2681–2686. Use for: sensorimotor conflict, apparition-like presence, body-boundary disturbance, and the embodied basis of sensed presence.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBIBLIOGRAPHYHidden Rooms, Holy Water, and the DeadWhite, L. Michael. The Social Origins of Christian Architecture, Volume I: Building God's House in the Roman World: Architectural Adaptation Among Pagans, Jews, and Christians. Trinity Press International, 1996. Key use: Essential source for early Christian architectural adaptation, especially the shift from domestic and semi-domestic gathering spaces toward more specialized Christian buildings. White's work is useful for showing that early Christian architecture develops inside a broader Roman social and architectural world, not in isolation.White, L. Michael. The Social Origins of Christian Architecture, Volume II: Texts and Monuments for the Christian Domus Ecclesiae in Its Environment. Trinity Press International, 1997. Key use: Companion volume for the textual and archaeological evidence behind the domus ecclesiae, early meeting spaces, and the built environment of pre-Constantinian Christianity.Yale University Art Gallery. “Christian Building.” Dura-Europos: Excavating Antiquity. Key use: Strong anchor for the Dura-Europos Christian building and its wall paintings. Yale notes that the Christian paintings were uncovered in 1932 and that Clark Hopkins described the murals as preserved from more than three-quarters of a century before Constantine recognized Christianity in 312.Yale News. “House Call: A New Study Rethinks Early Christian Landmark.” 2024. Key use: Useful cautionary source for not oversimplifying Dura-Europos as merely a domestic “house church.” The report highlights recent scholarship reexamining how domestic the Dura Christian building really was and why its architectural classification needs care.Smarthistory. “Dura-Europos.” Key use: Accessible overview of Dura-Europos as a multicultural Roman frontier site, including the adapted Christian building used as a meeting place and baptistery in the first half of the third century.Peppard, Michael. The World's Oldest Church: Bible, Art, and Ritual at Dura-Europos, Syria. Yale University Press, 2016. Key use: Major source for the Dura-Europos Christian building, its baptistery, biblical imagery, ritual use, and the danger of reading the site too simply through later church categories.Snyder, Graydon F. Ante Pacem: Archaeological Evidence of Church Life Before Constantine. Mercer University Press, revised edition, 2003. Key use: Important archaeological source for Christian life before Constantine, especially material evidence for worship, burial, symbols, and everyday Christian practice before public imperial privilege. Mercer University Press identifies the book as focused on archaeological evidence of church life before Constantine.Jensen, Robin M. Baptismal Imagery in Early Christianity: Ritual, Visual, and Theological Dimensions. Baker Academic, 2012. Key use: Core source for baptismal images, ritual meaning, water, initiation, death and rebirth, and the way visual programs frame baptismal practice.Jensen, Robin M. Understanding Early Christian Art. Routledge, 2000. Key use: Early Christian visual culture, catacomb imagery, baptismal scenes, Good Shepherd imagery, Jonah, Daniel, Lazarus, and the visual language of salvation and resurrection.Ferguson, Everett. Baptism in the Early Church: History, Theology, and Liturgy in the First Five Centuries. Eerdmans, 2009. Key use: Major historical and theological source for baptismal practice, initiation, immersion, anointing, catechesis, and the development of baptismal rites.Johnson, Maxwell E. The Rites of Christian Initiation: Their Evolution and Interpretation. Liturgical Press. Key use: Development of initiation rites, catechumenate, baptism, post-baptismal rites, and how Christian initiation becomes structured over time.Spinks, Bryan D. Early and Medieval Rituals and Theologies of Baptism: From the New Testament to the Council of Trent. Ashgate, 2006. Key use: Long-range ritual and theological development of baptism, useful for tracking how early baptismal space later becomes more formalized.Britannica. “Catacomb.” Key use: Baseline definition of catacombs as subterranean cemeteries composed of galleries or passages with recesses for tombs; useful for correcting the popular misconception that catacombs were primarily secret churches rather than burial landscapes.Stevenson, James. The Catacombs: Rediscovered Monuments of Early Christianity. Thames & Hudson, 1978. Key use: Classic overview of Roman catacombs, burial architecture, inscriptions, symbols, and early Christian memory.Rutgers, Leonard V. Subterranean Rome: In Search of the Roots of Christianity in the Catacombs of the Eternal City. Peeters, 2000. Key use: Catacombs as archaeological and social evidence, including burial practice, community identity, and the relationship between Jews, Christians, and Roman funerary culture.Fiocchi Nicolai, Vincenzo, Fabrizio Bisconti, and Danilo Mazzoleni. The Christian Catacombs of Rome: History, Decoration, Inscriptions. Schnell & Steiner, 2002. Key use: Detailed treatment of catacomb history, inscriptions, burial spaces, and visual programs.Brown, Peter. The Cult of the Saints: Its Rise and Function in Latin Christianity. University of Chicago Press, enlarged edition. Key use: Essential source for the holy dead, saint veneration, relics, tombs, pilgrimage, and the way corporeal remains became central to Christian religious life. The University of Chicago Press describes Brown's work as exploring how worship of saints and their corporeal remains became central to religious life in Western Europe.Brown, Peter. The Body and Society: Men, Women, and Sexual Renunciation in Early Christianity. Columbia University Press, 1988. Key use: Christian body theology, asceticism, holiness, discipline, and why the body is so central to late antique Christian imagination.Yasin, Ann Marie. Saints and Church Spaces in the Late Antique Mediterranean: Architecture, Cult, and Community. Cambridge University Press, 2009. Key use: Churches, saints, relics, cult practice, community identity, and how sacred spaces are organized around holy bodies and memory.Grabar, André. Martyrium: Recherches sur le culte des reliques et l'art chrétien antique. Key use: Classic work on martyr shrines, relic cult, and the relationship between architecture, art, and the holy dead.van Gennep, Arnold. The Rites of Passage. Key use: Separation, liminality, and incorporation. Crucial for baptism, catechumenate, thresholds, initiation, and the movement from outsider to insider.Turner, Victor. The Ritual Process: Structure and Anti-Structure. Key use: Liminality, threshold states, ritual transition, and communitas. Useful for baptism, catacomb descent, martyr devotion, and controlled access.Kilde, Jeanne Halgren. Sacred Power, Sacred Space: An Introduction to Christian Architecture and Worship. Oxford University Press, 2008. Key use: Christian buildings as arrangements of power, worship, divine presence, and embodied access. Useful for thresholds, sanctuary divisions, nave, altar, and congregation.Kieckhefer, Richard. Theology in Stone: Church Architecture from Byzantium to Berkeley. Oxford University Press, 2004. Key use: Church architecture as theology made spatial. Useful for altar, pulpit, nave, threshold, symbolic layout, and worship practice.Krautheimer, Richard. Early Christian and Byzantine Architecture. Yale University Press / Pelican History of Art. Key use: Classic architectural history for early Christian and Byzantine buildings, including the shift from pre-Constantinian spaces to basilicas, baptisteries, martyr shrines, and later monumental forms.Mathews, Thomas F. The Clash of Gods: A Reinterpretation of Early Christian Art. Princeton University Press, 1993. Key use: Early Christian imagery, visual conflict, ritual meaning, and the development of Christian art within the Roman world.Elsner, Jaś. Imperial Rome and Christian Triumph: The Art of the Roman Empire AD 100–450. Oxford University Press, 1998. Key use: Roman visual culture, Christian adaptation, imperial imagery, and the shift into Christian public art and architecture.MacMullen, Ramsay. Christianizing the Roman Empire: A.D. 100–400. Yale University Press, 1984. Key use: Social and historical context for Christian expansion before and after Constantine, useful for understanding how Christian space changes as Christianity grows.Mango, Cyril. Byzantine Architecture. Key use: LonAlso want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

In my recent conversation with Sittig, we explored her co-authored book Intellectual Self-Destruction: How the West Gambles Away Its Future (Ibidem Press, 2025), written with Noam Pitri and distributed by Columbia University Press. Drawing from her experiences as a German journalist and former student at Columbia University, Sittig offers a deeply personal and rigorously documented account of what she describes as a growing “anti-Western coalition” within academic spaces across the United States and Europe. At the heart of the book is a provocative thesis: that the West's greatest threat may not come from external adversaries, but from an internal intellectual shift—one that prioritizes ideological certainty over open inquiry, and moral posturing over evidence-based reasoning. Sittig and Pitri trace this pattern across campuses, where unlikely alliances have formed between strands of “woke” theory and political Islam. While these movements differ philosophically, Sittig argues that they converge tactically in their shared suspicion of Western liberal values and their embrace of absolutist moral frameworks. Our discussion brought these ideas into sharp focus through Sittig's own experiences. As a student, she encountered resistance—and at times hostility—when attempting to research topics such as Islamism and terrorism in Europe. What should have been a space for intellectual exploration instead became, in her telling, a site of constraint. This tension between inquiry and ideology echoes one of the book's central historical parallels: the case of Trofim Lysenko in the Soviet Union, where political dogma overrode scientific truth with devastating consequences. Sittig also details the evolving dynamics of campus activism, particularly in the aftermath of October 7th. She points to organized student groups, including Students for Justice in Palestine (SJP), and examines their funding structures and messaging strategies. Of particular concern, she notes, are instances of social media activity and organizing efforts that appeared to anticipate or justify acts of violence, raising urgent questions about the boundaries between activism and endorsement. Yet the book is not only a critique—it is also a warning grounded in historical consciousness. Referencing moments such as the intellectual climate surrounding Salman Rushdie's The Satanic Verses, Sittig suggests that the current moment reflects a longer trajectory in which academic culture has increasingly struggled to balance respect for cultural difference with a commitment to universal principles like free speech. Despite the book's ambition to reach a wide and ideologically diverse audience, Sittig shared that its reception has largely mirrored existing divides. Readers already aligned with its arguments have embraced it, while critics have remained unconvinced. The elusive “middle ground,” it seems, remains difficult to access—perhaps itself a reflection of the polarization the book seeks to diagnose. And yet, there is a note of cautious optimism. The very fact that Intellectual Self-Destruction was published and distributed through major academic channels suggests that spaces for dissenting perspectives still exist, even if they are contested. As educators, scholars, and engaged citizens, we are left with a pressing challenge: how do we cultivate environments that encourage rigorous debate without collapsing into ideological conformity? Sittig's work does not offer easy answers, but it insists that the question cannot be ignored. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In my recent conversation with Sittig, we explored her co-authored book Intellectual Self-Destruction: How the West Gambles Away Its Future (Ibidem Press, 2025), written with Noam Pitri and distributed by Columbia University Press. Drawing from her experiences as a German journalist and former student at Columbia University, Sittig offers a deeply personal and rigorously documented account of what she describes as a growing “anti-Western coalition” within academic spaces across the United States and Europe. At the heart of the book is a provocative thesis: that the West's greatest threat may not come from external adversaries, but from an internal intellectual shift—one that prioritizes ideological certainty over open inquiry, and moral posturing over evidence-based reasoning. Sittig and Pitri trace this pattern across campuses, where unlikely alliances have formed between strands of “woke” theory and political Islam. While these movements differ philosophically, Sittig argues that they converge tactically in their shared suspicion of Western liberal values and their embrace of absolutist moral frameworks. Our discussion brought these ideas into sharp focus through Sittig's own experiences. As a student, she encountered resistance—and at times hostility—when attempting to research topics such as Islamism and terrorism in Europe. What should have been a space for intellectual exploration instead became, in her telling, a site of constraint. This tension between inquiry and ideology echoes one of the book's central historical parallels: the case of Trofim Lysenko in the Soviet Union, where political dogma overrode scientific truth with devastating consequences. Sittig also details the evolving dynamics of campus activism, particularly in the aftermath of October 7th. She points to organized student groups, including Students for Justice in Palestine (SJP), and examines their funding structures and messaging strategies. Of particular concern, she notes, are instances of social media activity and organizing efforts that appeared to anticipate or justify acts of violence, raising urgent questions about the boundaries between activism and endorsement. Yet the book is not only a critique—it is also a warning grounded in historical consciousness. Referencing moments such as the intellectual climate surrounding Salman Rushdie's The Satanic Verses, Sittig suggests that the current moment reflects a longer trajectory in which academic culture has increasingly struggled to balance respect for cultural difference with a commitment to universal principles like free speech. Despite the book's ambition to reach a wide and ideologically diverse audience, Sittig shared that its reception has largely mirrored existing divides. Readers already aligned with its arguments have embraced it, while critics have remained unconvinced. The elusive “middle ground,” it seems, remains difficult to access—perhaps itself a reflection of the polarization the book seeks to diagnose. And yet, there is a note of cautious optimism. The very fact that Intellectual Self-Destruction was published and distributed through major academic channels suggests that spaces for dissenting perspectives still exist, even if they are contested. As educators, scholars, and engaged citizens, we are left with a pressing challenge: how do we cultivate environments that encourage rigorous debate without collapsing into ideological conformity? Sittig's work does not offer easy answers, but it insists that the question cannot be ignored. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

In my recent conversation with Sittig, we explored her co-authored book Intellectual Self-Destruction: How the West Gambles Away Its Future (Ibidem Press, 2025), written with Noam Pitri and distributed by Columbia University Press. Drawing from her experiences as a German journalist and former student at Columbia University, Sittig offers a deeply personal and rigorously documented account of what she describes as a growing “anti-Western coalition” within academic spaces across the United States and Europe. At the heart of the book is a provocative thesis: that the West's greatest threat may not come from external adversaries, but from an internal intellectual shift—one that prioritizes ideological certainty over open inquiry, and moral posturing over evidence-based reasoning. Sittig and Pitri trace this pattern across campuses, where unlikely alliances have formed between strands of “woke” theory and political Islam. While these movements differ philosophically, Sittig argues that they converge tactically in their shared suspicion of Western liberal values and their embrace of absolutist moral frameworks. Our discussion brought these ideas into sharp focus through Sittig's own experiences. As a student, she encountered resistance—and at times hostility—when attempting to research topics such as Islamism and terrorism in Europe. What should have been a space for intellectual exploration instead became, in her telling, a site of constraint. This tension between inquiry and ideology echoes one of the book's central historical parallels: the case of Trofim Lysenko in the Soviet Union, where political dogma overrode scientific truth with devastating consequences. Sittig also details the evolving dynamics of campus activism, particularly in the aftermath of October 7th. She points to organized student groups, including Students for Justice in Palestine (SJP), and examines their funding structures and messaging strategies. Of particular concern, she notes, are instances of social media activity and organizing efforts that appeared to anticipate or justify acts of violence, raising urgent questions about the boundaries between activism and endorsement. Yet the book is not only a critique—it is also a warning grounded in historical consciousness. Referencing moments such as the intellectual climate surrounding Salman Rushdie's The Satanic Verses, Sittig suggests that the current moment reflects a longer trajectory in which academic culture has increasingly struggled to balance respect for cultural difference with a commitment to universal principles like free speech. Despite the book's ambition to reach a wide and ideologically diverse audience, Sittig shared that its reception has largely mirrored existing divides. Readers already aligned with its arguments have embraced it, while critics have remained unconvinced. The elusive “middle ground,” it seems, remains difficult to access—perhaps itself a reflection of the polarization the book seeks to diagnose. And yet, there is a note of cautious optimism. The very fact that Intellectual Self-Destruction was published and distributed through major academic channels suggests that spaces for dissenting perspectives still exist, even if they are contested. As educators, scholars, and engaged citizens, we are left with a pressing challenge: how do we cultivate environments that encourage rigorous debate without collapsing into ideological conformity? Sittig's work does not offer easy answers, but it insists that the question cannot be ignored. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sima Qian – China's Grand Historian (with Tim McGirk) John Ross chats with repeat guest Tim McGirk about Sima Qian (c. 145–86 BC), the Father of Chinese History. He earned this accolade for his monumental work, the Shiji (usually translated as Records of the Grand Historian). It covers more than two thousand years, from the legendary early emperors up to Emperor Wu, under whom Sima Qian lived and fell afoul. Sima Qian would use his history writing to criticize cruel leaders, most notably Qin Shi Huang, the despotic first emperor of China, who burned books and attacked the humanistic legacy of Confucius. The backstory of the Records is one of the great bibliographic tales of all time. And as McGirk explains, the man and his work were inspiration for his historical novel, The Wondrous Elixir of the Two Chinese Lovers. Books discussed: Records of the Grand Historian by Sima Qian (English translation by Burton Watson, Columbia University Press, 1961, 1993, 1996). The Wondrous Elixir of the Two Chinese Lovers by Tim McGirk (Plum Rain Press, 2025) Related episodes: In episode 53, John chatted with Tim about his Plum Rain Press novel The Wondrous Elixir of the Two Chinese Lovers. It weaves the story of archeological discoveries in modern-day Mexico with that of Xu Fu, a Taoist alchemist/priest sent to bring back the secret of immortality. And in episode 65, John and Tim talked about Simon Winchester's biography of Sinologist Joseph Needham, The Man Who Loved China. The Books on Asia Podcast is co-produced with Plum Rain Press. Podcast host Amy Chavez is author of The Widow, the Priest, and the Octopus Hunter: Discovering a Lost Way of Life on a Secluded Japanese Island. and Amy's Guide to Best Behavior in Japan.The Books on Asia website posts book reviews, podcast episodes and episode Show Notes. Subscribe to the BOA podcast from your favorite podcast service. Subscribe to the Books on Asia newsletter to receive news of the latest new book releases, reviews and podcast episodes.

Ho-fung Hung on the Political Economy of China. Shownotes Ho-fung Hung Prof. Ho-fung Hung at the Johns Hopkins University: https://soc.jhu.edu/directory/ho-fung-hung/ The Conference ‘China and Us: Perspectives on Peace, Human Rights and Socio-Ecological Transformation': https://www.attac.de/china-konferenz/startseite Ho-fung, H. (2015). The China Boom. Why China Will Not Rule the World. Columbia University Press.     https://cup.columbia.edu/book/the-china-boom/9780231540223/ on Citic Press:  https://www.group.citic/en/Diversified_Portfolio/New_Consumption/Citic_Publish/ on the 1989 protests in China:  https://en.wikipedia.org/wiki/1989_Tiananmen_Square_protests_and_massacre on the fiscal reform in China in 1994:  https://en.wikipedia.org/wiki/Tax-Sharing_Reform_of_China_in_1994 on Carl Schmitt: https://de.wikipedia.org/wiki/Carl_Schmitt https://www.bpb.de/shop/zeitschriften/apuz/archiv/537943/ortung-und-ordnung-carl-schmitt-im-nationalsozialismus/ on Benito Mussolini:  https://www.dhm.de/lemo/biografie/benito-mussolini https://nationalgeographic.de/geschichte-und-kultur/2023/09/benito-mussolini-aufstieg-und-fall-eines-faschistischen-diktators/ the Constitution of the People's Republic of China:  https://english.www.gov.cn/archive/lawsregulations/201911/20/content_WS5ed8856ec6d0b3f0e9499913.html on Foucault's ‘Regime of Truth':  Lorenzini, D. (2015). What is a ‘Regime of Truth'?. Le foucaldien 1(1).  https://www.researchgate.net/publication/317961938_What_is_a_Regime_of_Truth the mentioned article by Ho-fung Hung in the Jacobin:  Ho-fung, H. (2023). Mussolini in Beijing. Jacobin.  https://jacobin.com/2023/02/mussolini-in-beijing on China's falling CO2 emissions:  https://www.carbonbrief.org/analysis-chinas-co2-emissions-have-now-been-flat-or-falling-for-21-months/ on renewable energy in China:  https://www.carbonbrief.org/china-briefing-5-february-2026-clean-energys-share-of-economy-record-renewables-thawing-relations-with-uk/ Ho-fung, H. (2026). The China Question. Eight Centuries of Fantasy and Fear. Cambridge University Press.  https://www.cambridge.org/core/books/china-question/C15B207366F98DC034ED279435A8CCCA on the case of Solyndra: https://en.wikipedia.org/wiki/Solyndra on the economic policy of Mao Zedong and China's relationship to the Soviet Union, Felix Wemheuer's youtube channel ‘Studying Maoist China' is recommended:  https://www.youtube.com/@felixwemheuerstudyingmaois1051 on Chile during the Cold War:  Lockhart, J. (2016). Reimagining Chile's Cold War Experience: From the Conflict's Origins to Salvador Allende's Inauguration. University of Arizona.  https://repository.arizona.edu/handle/10150/620841 on Salvador Allende:  www.britannica.com/biography/Salvador-Allende on the Paris Commune: Badiou, A. (2021). The Paris Commune: Marx, Mao, Tomorrow. Monthly Review 73(1).  https://monthlyreview.org/articles/the-paris-commune-marx-mao-tomorrow/ Weber, I. M. (2021). How China Escaped Shock Therapy. The Market Reform Debate. Routledge. https://www.routledge.com/How-China-Escaped-Shock-Therapy-The-Market-Reform-Debate/Weber/p/book/9781032008493 the mentioned publication on i.a. guerilla policymaking:  Heilmann, S. & Perry, E. J. (2011). Mao's Invisible Hand. The Political Foundations of Adaptive Governance in China. Harvard University Press.  https://www.hup.harvard.edu/books/9780674060630 the quote ‘it's easier to imagine the end of the world than the end of capitalism' is commonly attributed to Frederic Jameson:  https://en.wikipedia.org/wiki/Fredric_Jameson on Wolfgang Streeck:  https://www.mpifg.de/457994/Streeck on the 2026 Hungarian parliamentary election:  https://en.wikipedia.org/wiki/2026_Hungarian_parliamentary_election Relevant Episodes of Future Histories  S04E02 | Merle Groneweg zu Staatskapitalismus, Ökologie und Klimapolitik in China https://www.futurehistories.today/episoden-blog/s04/e02-merle-groneweg-zu-staatskapitalismus-oekologie-und-klimapolitik-in-china/ S03E60 | Felix Wemheuer zu unserer Zukunft mit China https://www.futurehistories.today/episoden-blog/s03/e60-felix-wemheuer-zu-unserer-zukunft-mit-china/ S02E09 | Isabella M. Weber zu Chinas drittem Weg  https://www.futurehistories.today/episoden-blog/s02/e09-isabella-m-weber-zu-chinas-drittem-weg/ Future Histories Contact & Support If you like Future Histories, please consider supporting us on Patreon: https://www.patreon.com/join/FutureHistories Contact: office@futurehistories.today Instagram: https://www.instagram.com/futurehpodcast/ Mastodon: https://mstdn.social/@FutureHistories English webpage: https://futurehistories-international.com   Episode Keywords #Ho-fungHung, #JanGroos, #Interview, #JohnHopkinsUniversity, #FutureHistories, #China, #PoliticalEconomy, #Capitalism, #MarketSocialism, #Socialism, #Mao, #Governmentality, #Democracy, #Imagination, #Society, #Communism, #ClimateChange

By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history. In How Film Became History: The Rise of the Archival Documentary in 1930s America (Columbia University Press, 2026), Dr. Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era's restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton's The Film Parade (1933), Laurence Stallings and Truman Talley's The First World War (1934), Cornelius Vanderbilt Jr.'s Hitler's Reign of Terror (1934), Max Eastman and Herbert Axelbank's Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history. In How Film Became History: The Rise of the Archival Documentary in 1930s America (Columbia University Press, 2026), Dr. Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era's restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton's The Film Parade (1933), Laurence Stallings and Truman Talley's The First World War (1934), Cornelius Vanderbilt Jr.'s Hitler's Reign of Terror (1934), Max Eastman and Herbert Axelbank's Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

By the 1930s, filmmakers had access to a backlog of footage from nearly forty years of motion pictures, allowing them to create a new kind of film stitched together from the raw material of older films. At around the same time, the transition to synchronous sound added a transformative new element to the grammar of cinema: the voiceover narration. Together, the film inventory and offscreen commentary gave rise to the archival documentary, the motion picture genre that preserves and rewinds history. In How Film Became History: The Rise of the Archival Documentary in 1930s America (Columbia University Press, 2026), Dr. Thomas Doherty tells the story of the archival documentary, spotlighting the first films that set out deliberately to preserve history on screen. He shows how newsreels and documentaries challenged the era's restrictive censorship and how film began to engage with the great political issues of the day. Doherty considers a range of films—some well-known, others obscure—including J. Stuart Blackton's The Film Parade (1933), Laurence Stallings and Truman Talley's The First World War (1934), Cornelius Vanderbilt Jr.'s Hitler's Reign of Terror (1934), Max Eastman and Herbert Axelbank's Tsar to Lenin (1937), and the March of Time screen magazine. Tracing the creation of the archival documentary, How Film Became History illuminates how motion pictures have come to shape our vision of the past. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

What does it mean to teach ‘leadership'? For most of human history, education and leadership formation were essentially the same thing. Only future leaders were formally educated. To educate someone was to form them - morally, civically, intellectually - for the responsibility of leading others. The classical traditions, whether Aristotelian, Stoic, or Confucian, did not aim to develop a leadership skill set, remaining agnostic to its ends. They aimed at wisdom, attempting to form a person who would be able to be a ‘good' leader.Then education became universal and at roughly the same moment, the shared moral and philosophical frameworks that had given classical formation its content were fragmenting under the weight of Enlightenment pluralism. In response, modern leadership development largely abandoned the project of forming the person in favour of helping individuals discover themselves and acquire tools to pursue whatever ends they chose. We exchanged formation for self-discovery, from becoming-before-doing, to becoming-through-doing. We have gained a great deal in that exchange — leadership development became accessible, personal, directly applicable to real dilemmas, and less paternalistic. But did the trade come with costs we don't always name?One cost may be that we have shifted the psychological burden onto the individual leader and assume they arrive in our classrooms with their own developed moral and ethical codes. This episode explores that tension. We discuss how we got here and what the most sophisticated modern responses to the problem look like – in the case of HEC Paris's Leadership Signature. We close with a question I find myself increasingly focused on: whether modern leadership development, in its emphasis on personalised insight and emotional resonance, may be optimising for the experience of insight rather than the slower, harder, more humbling work of insight formation — and whether AI is making that question newly urgent rather than answering it.I cannot think of anyone better to talk about all this than Emmanuel Coblence. Emmanuel is Associate Professor at HEC Paris and Academic Director of the school's Leadership programs in Executive Education — an architect, in other words, of one of the most thoughtful modern answers to the question we are asking. His "Leadership Signature" approach refuses the prescriptive recipe: rather than telling executives what kind of leader to be, it gives them a method for discovering and refining a leadership style that is genuinely their own, scaffolded by mentors, mirrors, and sponsors rather than by a fixed doctrine. I have had the pleasure of seeing him in the classroom – a masterclass in the art and science of executive education.Apart from his academic life, he has been a municipal councillor in Paris since 2014, with a focus on educational policy. This gives him a practitioner's eye on the civic dimensions of formation that pure academics often miss. And he is currently building an AI Leadership Mentor at HEC — which makes him one of the very few people qualified to think honestly about both the promise and the limits of what AI can give us in this domain.It is always a pleasure to speak to Emmanuel. He is generous, rigorous and is willing to engage with genuinely uncomfortable questions - including questions at the heart of both of our work. I learned a great deal. I hope you do too.Citations· Bojovic, N., Sabatier, V., & Coblence, E. (2019). Becoming through doing: How experimental spaces enable organizational identity work. Strategic Organization, 18(1), 147–167.· Rosa, H. (2016). Resonance: A sociology of our relationship to the world. Polity Press.· Rosa, H. (2013). Social acceleration: A new theory of modernity. Columbia University Press.· Sardais, C., Lortie, J., & Coblence, E. (2019). Inside the “Panacousticon”: How orchestra conductors play with discipline to produce art. International Journal of Arts Management, 22. Hosted on Acast. See acast.com/privacy for more information.

If you think about which verbs dominate formal education you'll probably come up with a list like learning, thinking, reasoning, remembering, knowing, and maybe behaving. Now think about what images come to mind when you consider those verbs, or do a google image search and see what you get! I'm willing to bet that the most common images coming up are of individual heads, maybe with a visible brain or cogs, doing the thinking, the reasoning, the learning, the cognition. And to emphasise the point further, when we want to highlight that it's more than one thinker or reasoner doing the work, we have to put clarifying adjectives or nouns in front, like group cognition, collective learning or collaborative problem solving. But the fact is, we are actually already “intertwined creatures” in our entanglement with each other and the world. We think, learn and reason all the time with and through each other and the objects we interact with, and the places we are in. My guest this week, Professor Tony Chemero, has been a major proponent of ‘radical embodied cognition' for his whole career as a professor of philosophy and psychology. His latest book, brilliantly titled, ‘Intertwined Creatures: The Embodied Cognitive Science of Self and Other' is an amazing articulation of just how interconnected we are as creatures and learners in the world. Tony is a Distinguished Research Professor of Philosophy and Psychology at the University of Cincinnati, and a primary member of both the Center for Cognition, Action, and Perception[1] and the Strange Tools Research Lab. As well as many academic articles, he is the author of: Radical Embodied Cognitive Science (2009, MIT Press) - https://mitpress.mit.edu/9780262516471/radical-embodied-cognitive-science/Phenomenology, with Stephan Käufer (2015, Polity Press; second edition, 2021) - https://www.wiley.com/en-be/Phenomenology%3A+An+Introduction%2C+2nd+Edition-p-9781509540662Intertwined Creatures: The Embodied Cognitive Science of Self and Other' (2026, Columbia University Press) - https://cup.columbia.edu/book/intertwined-creatures/9780231223195/https://en.wikipedia.org/wiki/Anthony_Chemero https://researchdirectory.uc.edu/p/chemeray

In this podcast, I got the chance to do a face-to-face interview with Professor Li Wai-yee, a Harvard scholar who is one of the most prolific scholars of Chinese literature. During our interview, we discussed her new book, The Confucius Chronicles, just released by Columbia University Press, along with the massive role that Confucius has played in Chinese history. 

1 Hour and 52 MinutesPG-13Dr. J. Otto Pohl received his PhD in History from the School of Oriental and African Studies, University of London. He has taught at the American University Iraq Sulaimani, University of Ghana, and American University of Central Asia. He is the author of Ethnic Cleansing in the USSR, 1937–1949 (Greenwood, 1999), The Stalinist Penal System (McFarland & Co., 1997), and The Years of Great Silence The Deportation, Special Settlement, and Mobilization into the Labor Army of Ethnic Germans in the USSR, 1941–1955 (Columbia University Press, 2022). His articles have appeared in, among other journals, The Russian Review, Journal of Genocide Research, Human Rights Review, and Studies in Ethnicity and Nationalism.This is a combination of two episodes:Episode 1062: Who Was the Most Persecuted Group Under the Soviet Regime? w/ J. Otto PohlEpisode 1166: An Overview of the Soviet Regime Pre- and Post-War w/ J. Otto PohlThe Years of Great SilenceDr. Pohl's SubstackDr. Pohl's PatreonDr. Pohl's TwitterPete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's Substack Pete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.

Yoga has offered the Indian state unprecedented opportunities for global, media-savvy political performance. Under Modi, it has promoted yoga tourism and staged mass yoga sessions, and Indian officials have proposed yoga as a national solution to a range of social problems, from reducing rape to curing cancer. But as yoga has gone global, its cultural meanings have spiraled far and wide. In Flexible India: Yoga's Cultural and Political Tensions (Columbia University Press, 2024), Dr. Shameem Black travels into unexpected realms of popular culture in English from India, its diaspora, and the West to explore and critique yoga as an exercise in cultural power. Drawing on her own experience and her readings of political spectacles, yoga murder mysteries, court cases, art installations, and digital media, Dr. Black shows how yoga's imaginative power supports diverse political and cultural ends. Although many cultural practices in today's India exemplify “culture wars” between liberal and conservative agendas, Flexible India argues that visions of yoga offer a “culture peace” that conceals, without resolving, such tensions. This flexibility allows states, corporations, and individuals to think of themselves as welcoming and tolerant while still, in many cases, supporting practices that make minority populations increasingly vulnerable. However, as Dr. Black shows, yoga can also be imagined in ways that offer new tools for critiquing hierarchical structures of power and race, Hindu nationalism, cultural appropriation, and self-help capitalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Yoga has offered the Indian state unprecedented opportunities for global, media-savvy political performance. Under Modi, it has promoted yoga tourism and staged mass yoga sessions, and Indian officials have proposed yoga as a national solution to a range of social problems, from reducing rape to curing cancer. But as yoga has gone global, its cultural meanings have spiraled far and wide. In Flexible India: Yoga's Cultural and Political Tensions (Columbia University Press, 2024), Dr. Shameem Black travels into unexpected realms of popular culture in English from India, its diaspora, and the West to explore and critique yoga as an exercise in cultural power. Drawing on her own experience and her readings of political spectacles, yoga murder mysteries, court cases, art installations, and digital media, Dr. Black shows how yoga's imaginative power supports diverse political and cultural ends. Although many cultural practices in today's India exemplify “culture wars” between liberal and conservative agendas, Flexible India argues that visions of yoga offer a “culture peace” that conceals, without resolving, such tensions. This flexibility allows states, corporations, and individuals to think of themselves as welcoming and tolerant while still, in many cases, supporting practices that make minority populations increasingly vulnerable. However, as Dr. Black shows, yoga can also be imagined in ways that offer new tools for critiquing hierarchical structures of power and race, Hindu nationalism, cultural appropriation, and self-help capitalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Yoga has offered the Indian state unprecedented opportunities for global, media-savvy political performance. Under Modi, it has promoted yoga tourism and staged mass yoga sessions, and Indian officials have proposed yoga as a national solution to a range of social problems, from reducing rape to curing cancer. But as yoga has gone global, its cultural meanings have spiraled far and wide. In Flexible India: Yoga's Cultural and Political Tensions (Columbia University Press, 2024), Dr. Shameem Black travels into unexpected realms of popular culture in English from India, its diaspora, and the West to explore and critique yoga as an exercise in cultural power. Drawing on her own experience and her readings of political spectacles, yoga murder mysteries, court cases, art installations, and digital media, Dr. Black shows how yoga's imaginative power supports diverse political and cultural ends. Although many cultural practices in today's India exemplify “culture wars” between liberal and conservative agendas, Flexible India argues that visions of yoga offer a “culture peace” that conceals, without resolving, such tensions. This flexibility allows states, corporations, and individuals to think of themselves as welcoming and tolerant while still, in many cases, supporting practices that make minority populations increasingly vulnerable. However, as Dr. Black shows, yoga can also be imagined in ways that offer new tools for critiquing hierarchical structures of power and race, Hindu nationalism, cultural appropriation, and self-help capitalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/indian-religions

Yoga has offered the Indian state unprecedented opportunities for global, media-savvy political performance. Under Modi, it has promoted yoga tourism and staged mass yoga sessions, and Indian officials have proposed yoga as a national solution to a range of social problems, from reducing rape to curing cancer. But as yoga has gone global, its cultural meanings have spiraled far and wide. In Flexible India: Yoga's Cultural and Political Tensions (Columbia University Press, 2024), Dr. Shameem Black travels into unexpected realms of popular culture in English from India, its diaspora, and the West to explore and critique yoga as an exercise in cultural power. Drawing on her own experience and her readings of political spectacles, yoga murder mysteries, court cases, art installations, and digital media, Dr. Black shows how yoga's imaginative power supports diverse political and cultural ends. Although many cultural practices in today's India exemplify “culture wars” between liberal and conservative agendas, Flexible India argues that visions of yoga offer a “culture peace” that conceals, without resolving, such tensions. This flexibility allows states, corporations, and individuals to think of themselves as welcoming and tolerant while still, in many cases, supporting practices that make minority populations increasingly vulnerable. However, as Dr. Black shows, yoga can also be imagined in ways that offer new tools for critiquing hierarchical structures of power and race, Hindu nationalism, cultural appropriation, and self-help capitalism. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts.

In the wake of the September 11 attacks, US officials identified the so-called battle for hearts and minds as the “second front” in the war on terror. A wave of funding flowed into public diplomacy in the Middle East, seeking to change views of the United States through Arabic-language communications—often while hiding the traces of American origins. To what extent did this vast propaganda apparatus sway Arab public opinion? Which ideas and actors shaped American public diplomacy in this period? What are the lessons for information strategy today? The Long War of Ideas: American Public Diplomacy in Arabic After 9/11 (Columbia University Press, 2026) by Dr. Nathaniel Greenberg tells the story of American propaganda campaigns in the Middle East after 9/11, drawing on in-depth interviews with key players and previously classified documents. Dr. Greenberg shows how the United States tried to control perceptions of its response to 9/11 through news and entertainment, and reveals that Arab governments and unofficial actors were involved—knowingly or not—in distributing US propaganda. He explores the institutions, strategy, and rhetoric deployed in the war on terror, placing them in the context of American and Soviet influence campaigns during the Cold War. Greenberg argues that US government-backed broadcasting laid the groundwork for global information warfare, such as the rise of competing Russian and Chinese state media operations. Shedding light on the ideological underpinnings of American propaganda in Arabic after 9/11, The Long War of Ideas offers new insight into soft power in the twenty-first century. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the wake of the September 11 attacks, US officials identified the so-called battle for hearts and minds as the “second front” in the war on terror. A wave of funding flowed into public diplomacy in the Middle East, seeking to change views of the United States through Arabic-language communications—often while hiding the traces of American origins. To what extent did this vast propaganda apparatus sway Arab public opinion? Which ideas and actors shaped American public diplomacy in this period? What are the lessons for information strategy today? The Long War of Ideas: American Public Diplomacy in Arabic After 9/11 (Columbia University Press, 2026) by Dr. Nathaniel Greenberg tells the story of American propaganda campaigns in the Middle East after 9/11, drawing on in-depth interviews with key players and previously classified documents. Dr. Greenberg shows how the United States tried to control perceptions of its response to 9/11 through news and entertainment, and reveals that Arab governments and unofficial actors were involved—knowingly or not—in distributing US propaganda. He explores the institutions, strategy, and rhetoric deployed in the war on terror, placing them in the context of American and Soviet influence campaigns during the Cold War. Greenberg argues that US government-backed broadcasting laid the groundwork for global information warfare, such as the rise of competing Russian and Chinese state media operations. Shedding light on the ideological underpinnings of American propaganda in Arabic after 9/11, The Long War of Ideas offers new insight into soft power in the twenty-first century. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

In the wake of the September 11 attacks, US officials identified the so-called battle for hearts and minds as the “second front” in the war on terror. A wave of funding flowed into public diplomacy in the Middle East, seeking to change views of the United States through Arabic-language communications—often while hiding the traces of American origins. To what extent did this vast propaganda apparatus sway Arab public opinion? Which ideas and actors shaped American public diplomacy in this period? What are the lessons for information strategy today? The Long War of Ideas: American Public Diplomacy in Arabic After 9/11 (Columbia University Press, 2026) by Dr. Nathaniel Greenberg tells the story of American propaganda campaigns in the Middle East after 9/11, drawing on in-depth interviews with key players and previously classified documents. Dr. Greenberg shows how the United States tried to control perceptions of its response to 9/11 through news and entertainment, and reveals that Arab governments and unofficial actors were involved—knowingly or not—in distributing US propaganda. He explores the institutions, strategy, and rhetoric deployed in the war on terror, placing them in the context of American and Soviet influence campaigns during the Cold War. Greenberg argues that US government-backed broadcasting laid the groundwork for global information warfare, such as the rise of competing Russian and Chinese state media operations. Shedding light on the ideological underpinnings of American propaganda in Arabic after 9/11, The Long War of Ideas offers new insight into soft power in the twenty-first century. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

In the wake of the September 11 attacks, US officials identified the so-called battle for hearts and minds as the “second front” in the war on terror. A wave of funding flowed into public diplomacy in the Middle East, seeking to change views of the United States through Arabic-language communications—often while hiding the traces of American origins. To what extent did this vast propaganda apparatus sway Arab public opinion? Which ideas and actors shaped American public diplomacy in this period? What are the lessons for information strategy today? The Long War of Ideas: American Public Diplomacy in Arabic After 9/11 (Columbia University Press, 2026) by Dr. Nathaniel Greenberg tells the story of American propaganda campaigns in the Middle East after 9/11, drawing on in-depth interviews with key players and previously classified documents. Dr. Greenberg shows how the United States tried to control perceptions of its response to 9/11 through news and entertainment, and reveals that Arab governments and unofficial actors were involved—knowingly or not—in distributing US propaganda. He explores the institutions, strategy, and rhetoric deployed in the war on terror, placing them in the context of American and Soviet influence campaigns during the Cold War. Greenberg argues that US government-backed broadcasting laid the groundwork for global information warfare, such as the rise of competing Russian and Chinese state media operations. Shedding light on the ideological underpinnings of American propaganda in Arabic after 9/11, The Long War of Ideas offers new insight into soft power in the twenty-first century. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In the wake of the September 11 attacks, US officials identified the so-called battle for hearts and minds as the “second front” in the war on terror. A wave of funding flowed into public diplomacy in the Middle East, seeking to change views of the United States through Arabic-language communications—often while hiding the traces of American origins. To what extent did this vast propaganda apparatus sway Arab public opinion? Which ideas and actors shaped American public diplomacy in this period? What are the lessons for information strategy today? The Long War of Ideas: American Public Diplomacy in Arabic After 9/11 (Columbia University Press, 2026) by Dr. Nathaniel Greenberg tells the story of American propaganda campaigns in the Middle East after 9/11, drawing on in-depth interviews with key players and previously classified documents. Dr. Greenberg shows how the United States tried to control perceptions of its response to 9/11 through news and entertainment, and reveals that Arab governments and unofficial actors were involved—knowingly or not—in distributing US propaganda. He explores the institutions, strategy, and rhetoric deployed in the war on terror, placing them in the context of American and Soviet influence campaigns during the Cold War. Greenberg argues that US government-backed broadcasting laid the groundwork for global information warfare, such as the rise of competing Russian and Chinese state media operations. Shedding light on the ideological underpinnings of American propaganda in Arabic after 9/11, The Long War of Ideas offers new insight into soft power in the twenty-first century. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

In the wake of the September 11 attacks, US officials identified the so-called battle for hearts and minds as the “second front” in the war on terror. A wave of funding flowed into public diplomacy in the Middle East, seeking to change views of the United States through Arabic-language communications—often while hiding the traces of American origins. To what extent did this vast propaganda apparatus sway Arab public opinion? Which ideas and actors shaped American public diplomacy in this period? What are the lessons for information strategy today? The Long War of Ideas: American Public Diplomacy in Arabic After 9/11 (Columbia University Press, 2026) by Dr. Nathaniel Greenberg tells the story of American propaganda campaigns in the Middle East after 9/11, drawing on in-depth interviews with key players and previously classified documents. Dr. Greenberg shows how the United States tried to control perceptions of its response to 9/11 through news and entertainment, and reveals that Arab governments and unofficial actors were involved—knowingly or not—in distributing US propaganda. He explores the institutions, strategy, and rhetoric deployed in the war on terror, placing them in the context of American and Soviet influence campaigns during the Cold War. Greenberg argues that US government-backed broadcasting laid the groundwork for global information warfare, such as the rise of competing Russian and Chinese state media operations. Shedding light on the ideological underpinnings of American propaganda in Arabic after 9/11, The Long War of Ideas offers new insight into soft power in the twenty-first century. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

In the wake of the September 11 attacks, US officials identified the so-called battle for hearts and minds as the “second front” in the war on terror. A wave of funding flowed into public diplomacy in the Middle East, seeking to change views of the United States through Arabic-language communications—often while hiding the traces of American origins. To what extent did this vast propaganda apparatus sway Arab public opinion? Which ideas and actors shaped American public diplomacy in this period? What are the lessons for information strategy today? The Long War of Ideas: American Public Diplomacy in Arabic After 9/11 (Columbia University Press, 2026) by Dr. Nathaniel Greenberg tells the story of American propaganda campaigns in the Middle East after 9/11, drawing on in-depth interviews with key players and previously classified documents. Dr. Greenberg shows how the United States tried to control perceptions of its response to 9/11 through news and entertainment, and reveals that Arab governments and unofficial actors were involved—knowingly or not—in distributing US propaganda. He explores the institutions, strategy, and rhetoric deployed in the war on terror, placing them in the context of American and Soviet influence campaigns during the Cold War. Greenberg argues that US government-backed broadcasting laid the groundwork for global information warfare, such as the rise of competing Russian and Chinese state media operations. Shedding light on the ideological underpinnings of American propaganda in Arabic after 9/11, The Long War of Ideas offers new insight into soft power in the twenty-first century. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

In the wake of the September 11 attacks, US officials identified the so-called battle for hearts and minds as the “second front” in the war on terror. A wave of funding flowed into public diplomacy in the Middle East, seeking to change views of the United States through Arabic-language communications—often while hiding the traces of American origins. To what extent did this vast propaganda apparatus sway Arab public opinion? Which ideas and actors shaped American public diplomacy in this period? What are the lessons for information strategy today? The Long War of Ideas: American Public Diplomacy in Arabic After 9/11 (Columbia University Press, 2026) by Dr. Nathaniel Greenberg tells the story of American propaganda campaigns in the Middle East after 9/11, drawing on in-depth interviews with key players and previously classified documents. Dr. Greenberg shows how the United States tried to control perceptions of its response to 9/11 through news and entertainment, and reveals that Arab governments and unofficial actors were involved—knowingly or not—in distributing US propaganda. He explores the institutions, strategy, and rhetoric deployed in the war on terror, placing them in the context of American and Soviet influence campaigns during the Cold War. Greenberg argues that US government-backed broadcasting laid the groundwork for global information warfare, such as the rise of competing Russian and Chinese state media operations. Shedding light on the ideological underpinnings of American propaganda in Arabic after 9/11, The Long War of Ideas offers new insight into soft power in the twenty-first century. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/journalism

In the wake of the September 11 attacks, US officials identified the so-called battle for hearts and minds as the “second front” in the war on terror. A wave of funding flowed into public diplomacy in the Middle East, seeking to change views of the United States through Arabic-language communications—often while hiding the traces of American origins. To what extent did this vast propaganda apparatus sway Arab public opinion? Which ideas and actors shaped American public diplomacy in this period? What are the lessons for information strategy today? The Long War of Ideas: American Public Diplomacy in Arabic After 9/11 (Columbia University Press, 2026) by Dr. Nathaniel Greenberg tells the story of American propaganda campaigns in the Middle East after 9/11, drawing on in-depth interviews with key players and previously classified documents. Dr. Greenberg shows how the United States tried to control perceptions of its response to 9/11 through news and entertainment, and reveals that Arab governments and unofficial actors were involved—knowingly or not—in distributing US propaganda. He explores the institutions, strategy, and rhetoric deployed in the war on terror, placing them in the context of American and Soviet influence campaigns during the Cold War. Greenberg argues that US government-backed broadcasting laid the groundwork for global information warfare, such as the rise of competing Russian and Chinese state media operations. Shedding light on the ideological underpinnings of American propaganda in Arabic after 9/11, The Long War of Ideas offers new insight into soft power in the twenty-first century. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the wake of the September 11 attacks, US officials identified the so-called battle for hearts and minds as the “second front” in the war on terror. A wave of funding flowed into public diplomacy in the Middle East, seeking to change views of the United States through Arabic-language communications—often while hiding the traces of American origins. To what extent did this vast propaganda apparatus sway Arab public opinion? Which ideas and actors shaped American public diplomacy in this period? What are the lessons for information strategy today? The Long War of Ideas: American Public Diplomacy in Arabic After 9/11 (Columbia University Press, 2026) by Dr. Nathaniel Greenberg tells the story of American propaganda campaigns in the Middle East after 9/11, drawing on in-depth interviews with key players and previously classified documents. Dr. Greenberg shows how the United States tried to control perceptions of its response to 9/11 through news and entertainment, and reveals that Arab governments and unofficial actors were involved—knowingly or not—in distributing US propaganda. He explores the institutions, strategy, and rhetoric deployed in the war on terror, placing them in the context of American and Soviet influence campaigns during the Cold War. Greenberg argues that US government-backed broadcasting laid the groundwork for global information warfare, such as the rise of competing Russian and Chinese state media operations. Shedding light on the ideological underpinnings of American propaganda in Arabic after 9/11, The Long War of Ideas offers new insight into soft power in the twenty-first century. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wir springen in dieser Folge nach Algerien, wo im Jahr 1880 zwei fanzösische Expeditionen aufbrechen, um eines der ambitioniertesten Technologieprojekte des 19. Jahrhunderts vorzubereiten. Anfängliche Euphorie weicht aber bald der Erkenntnis, dass die Sahara weitaus gefährlicher und unwirtlicher ist, als in den Ministerien und Salons in Paris angenommen. Wir sprechen in dieser Folge über Paul Flatters und die nach ihm benannten Expeditionen durch die Sahara, die nicht nur in einer Katastrophe enden, sondern den Mann auch lange Zeit in Vergessenheit geraten lassen. // Erwähnte Folgen - GAG542: Eine Kaiserin der Franzosen - https://gadg.fm/542 - GAG408: Das kurze und tragische Leben des Évariste Galois - https://gadg.fm/408 - GAG496: Sophie Germain - https://gadg.fm/496 - GAG272: Am Ende der Welt - Napoleons letzte Jahre im Exil - https://gadg.fm/272 - GAG417: Auf der Suche nach den Quellen des Nils - https://gadg.fm/417 - GAG100: Der Fall der „Mignonette“ und seine Folgen - https://gadg.fm/100 - GAG525: HB04 – Tödliche Abkürzung & Die Seekuh, die kam und verschwand - https://gadg.fm/525 - GAG472: Die Antoninische Pest - https://gadg.fm/472 // Literatur - Bernard, Frédéric (1851-1927). Deuxième Mission Flatters : Historique et Rapport Rédigés Au Service Central Des Affaires Indigènes / Avec Documents à l'appui et Une Carte Dressée Par M. Bernard,… ; Gouvernement Général de l'Algérie. - Brower, Benjamin Claude. A Desert Named Peace: The Violence of France's Empire in the Algerian Sahara, 1844–1902. Columbia University Press, 2011. - Douglas Porch. The Conquest of the Sahara. Macmillan, 2005. - „John Strachan, Murder in the Desert: Soldiers, Settlers and the Flatters Expedition in the Politics and Historical Memory of European Colonial Algeria, 1830-1881“. The George Rudé Society, 29. August 2017. https://h-france.net/rude/vol4/strachan4/. Das Episodenbild zeigt Flatters um 1880. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Geschichten aus der Geschichte jetzt auch als Brettspiel! Werkelt mit uns am Flickerlteppich! Gibt es dort, wo es auch Becher, T-Shirts oder Hoodies zu kaufen gibt: https://geschichte.shop // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

“We read so as not to feel alone.” — C.S. Lewis (possibly)Dan Turello is a cultural historian of medieval Italy, a much published photographer, and the author of the new Connection: How Technology Can Make Us Better Humans. I'm sceptical. Especially the promise (or illusion) of better humans. But Turello's definition of technology goes back further than most — all the way to the original fig leaf. When Adam and Eve were expelled from the Garden, the first thing they did, he reminds us, was cover their bodies. Technology, then, in Turello's framing, is everything that extends beyond the human body. Clothing is technology. Double-entry bookkeeping is technology. The iPhone is just the latest chapter of our technology story that began at the beginning.His most surprising argument is that our current tech anxiety has medieval roots. St. Francis of Assisi was what he calls a trust-fund kid “avant la lettre” — his father being a wealthy 13th century silk merchant at a time when northern Italy was Silicon Valley. Francis sold some of his dad's silk, gave the money away, stripped naked before a bishop, and founded a counterculture movement. The first tech backlash, Turello suggests, wasn't against AI. It was against double-entry bookkeeping. Dante, writing a generation later, idealised an earlier, simpler Florence — what scholars call “paleolithic chic.” No makeup, no ornate clothing, no fleeing to immoral cities. Sound familiar?On AI, Turello goes a bit Saint Francis on us. Large language models, he fears, generate material without lineage — you can't trace where the ideas came from, can't triangulate the sources, can't validate against reality. Technology is about power, Turello argues — about who controls the storyline. Making us better humans, then, requires recovering a sense of agency. Thus he argues that we should stop outsourcing our thinking, our writing, our photography to machines. Dante wrote the entire Divine Comedy without Claude. These days, we can barely write an email without a little help from our friends at ChatGPT. Machiavelli donned the robes of the past to think and write. We might try putting ours on too. But then isn't that a tech solution too? Five Takeaways•       St. Francis Was a Trust-Fund Kid Who Invented Counterculture: His father was a wealthy silk merchant in 13th-century Italy, at the dawn of Europe's commercial revolution. Francis sold his father's silk, gave the money away, stripped naked before a bishop, and founded an order that rejected the mechanisms of early capitalism. The first tech backlash wasn't against AI. It was against double-entry bookkeeping.•       Technology Is Everything Beyond the Naked Human Body: Turello's definition goes back to Genesis. When Adam and Eve were expelled from the Garden, the first thing they did was cover their bodies. Fig leaves are technology. Clothing is technology. The iPhone is just the latest iteration of a metaphysical problem that's been destabilising us since the Fall.•       Dante Wrote the Divine Comedy Without Being Able to Edit: He penned an entire macrocosm of the medieval world from memory, without the ability to rewrite in any meaningful way. Turello thinks Dante would be concerned that we're losing our memories, our ability to tell a coherent narrative for our lives, and that our existence has become too fragmented. We can barely write an email without ChatGPT.•       LLMs Generate Material Without Lineage: Technology is about power — about who controls the storyline. Large language models produce text without traceable sources, without verifiable origins, without lineage. You can't triangulate where the ideas came from. That's not intelligence. That's a crisis of provenance.•       Agency Still Matters: Turello's hope for humanity is that we recover a sense of agency — the belief that our choices, friendships, relationships, and communities are ours to shape. The alternative is technological determinism: the machine decides. Machiavelli donned the robes of the past to think and write. We might try putting ours on too. About the GuestDan Turello is a writer, cultural historian, and photographer. A Technology and Humanity Fellow at Florida Atlantic University's Center for Future of Mind, AI & Society, his work has appeared in the New Yorker, the Washington Post, and the Los Angeles Review of Books. Connection: How Technology Can Make Us Better Humans is published by Columbia University Press.References:•       Connection: How Technology Can Make Us Better Humans by Dan Turello (Columbia University Press, 2026) — the book under discussion.•       Episode 2840: What Came First: Stories or Language? — Kevin Ashton on storytelling preceding language, a natural companion.•       Episode 2839: Have Our iPhones Eaten Our Brains? — Nelson Dellis on memory, cognitive atrophy, and outsourcing our minds.•       Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction — referenced in the conversation on technology and power.About Keen On AmericaNobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,800 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting.WebsiteSubstackYouTubeApple PodcastsSpotify Chapters:(00:00) - Introduction: has technology made you a better human? (03:22) - The iPhone vs. the decisive moment: Bresson and photography (05:39) - The orange cushion: an ode to imperfection (06:27) - St. Francis of Assisi: the first tech critic (07:22) - 800 years of tech anxiety: from double-entry bookkeeping to AI (11:27) - Žižek, capitalism, and the love-hate relationship with technology (13:50) - Fig leaves to iPhones: technology as everything beyond the naked body (15:00) - Marinetti, Svevo, and the mammoth: technology as relationship (17:54) - Walter Benjamin, The Matrix, and who controls the storyline (20:51) - Bresson's decisive moment vs. Nietzsche's blow it up (22:25) - Agency under attack: reclaiming embodied experience (25:47) - Machiavelli donning the robes of the past (28:44) - Nost...

In this timely and bold book, Against Innocence: Undoing and Remaking the World (U Chicago Press, 2025), Miriam Ticktin explores how a concept that consistently appears as a moral good actually ends up creating harm for so many. Claims to innocence protect migrant children, but often at the expense of their parents; claims to the innocence of the fetus work to punish women. Ticktin shows how innocence structures political relationships, focusing on individual victims and saviors, while foreclosing forms of collective responsibility. Ultimately, she wants to understand how the discourse around innocence functions, what gives it such power, and why we are so compelled by it, while showing that alternative political forms already exist. She examines this process across various domains, from migration, science, and environmentalism to racial and reproductive justice.Throughout the book, Ticktin shows how the concept of innocence intimately shapes why, how, and for whom we should care and whose lives matter—and how this can have devastating consequences when only an exceptional few can qualify as innocent. A politics grounded on innocence justifies a world built on inequality, designating most people—especially the racialized poor—as unworthy, undeserving, and less than human. As an alternative, she explores the aesthetics and politics of “commoning”—a collective regime of living that refuses a liberal politics of individual identity and victimhood. Miriam Ticktin is professor of anthropology at the CUNY Graduate Center and director of the Center for Place, Culture, and Politics. She is the author of Casualties of Care and the coeditor of In the Name of Humanity. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this timely and bold book, Against Innocence: Undoing and Remaking the World (U Chicago Press, 2025), Miriam Ticktin explores how a concept that consistently appears as a moral good actually ends up creating harm for so many. Claims to innocence protect migrant children, but often at the expense of their parents; claims to the innocence of the fetus work to punish women. Ticktin shows how innocence structures political relationships, focusing on individual victims and saviors, while foreclosing forms of collective responsibility. Ultimately, she wants to understand how the discourse around innocence functions, what gives it such power, and why we are so compelled by it, while showing that alternative political forms already exist. She examines this process across various domains, from migration, science, and environmentalism to racial and reproductive justice.Throughout the book, Ticktin shows how the concept of innocence intimately shapes why, how, and for whom we should care and whose lives matter—and how this can have devastating consequences when only an exceptional few can qualify as innocent. A politics grounded on innocence justifies a world built on inequality, designating most people—especially the racialized poor—as unworthy, undeserving, and less than human. As an alternative, she explores the aesthetics and politics of “commoning”—a collective regime of living that refuses a liberal politics of individual identity and victimhood. Miriam Ticktin is professor of anthropology at the CUNY Graduate Center and director of the Center for Place, Culture, and Politics. She is the author of Casualties of Care and the coeditor of In the Name of Humanity. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this timely and bold book, Against Innocence: Undoing and Remaking the World (U Chicago Press, 2025), Miriam Ticktin explores how a concept that consistently appears as a moral good actually ends up creating harm for so many. Claims to innocence protect migrant children, but often at the expense of their parents; claims to the innocence of the fetus work to punish women. Ticktin shows how innocence structures political relationships, focusing on individual victims and saviors, while foreclosing forms of collective responsibility. Ultimately, she wants to understand how the discourse around innocence functions, what gives it such power, and why we are so compelled by it, while showing that alternative political forms already exist. She examines this process across various domains, from migration, science, and environmentalism to racial and reproductive justice.Throughout the book, Ticktin shows how the concept of innocence intimately shapes why, how, and for whom we should care and whose lives matter—and how this can have devastating consequences when only an exceptional few can qualify as innocent. A politics grounded on innocence justifies a world built on inequality, designating most people—especially the racialized poor—as unworthy, undeserving, and less than human. As an alternative, she explores the aesthetics and politics of “commoning”—a collective regime of living that refuses a liberal politics of individual identity and victimhood. Miriam Ticktin is professor of anthropology at the CUNY Graduate Center and director of the Center for Place, Culture, and Politics. She is the author of Casualties of Care and the coeditor of In the Name of Humanity. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

In this timely and bold book, Against Innocence: Undoing and Remaking the World (U Chicago Press, 2025), Miriam Ticktin explores how a concept that consistently appears as a moral good actually ends up creating harm for so many. Claims to innocence protect migrant children, but often at the expense of their parents; claims to the innocence of the fetus work to punish women. Ticktin shows how innocence structures political relationships, focusing on individual victims and saviors, while foreclosing forms of collective responsibility. Ultimately, she wants to understand how the discourse around innocence functions, what gives it such power, and why we are so compelled by it, while showing that alternative political forms already exist. She examines this process across various domains, from migration, science, and environmentalism to racial and reproductive justice.Throughout the book, Ticktin shows how the concept of innocence intimately shapes why, how, and for whom we should care and whose lives matter—and how this can have devastating consequences when only an exceptional few can qualify as innocent. A politics grounded on innocence justifies a world built on inequality, designating most people—especially the racialized poor—as unworthy, undeserving, and less than human. As an alternative, she explores the aesthetics and politics of “commoning”—a collective regime of living that refuses a liberal politics of individual identity and victimhood. Miriam Ticktin is professor of anthropology at the CUNY Graduate Center and director of the Center for Place, Culture, and Politics. She is the author of Casualties of Care and the coeditor of In the Name of Humanity. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Her book, Diasporic Connections: How Afro-Brazilians Use African American Culture to Challenge Racial Exceptionalism is forthcoming from Columbia University Press.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Emerging from years of persecution, the Iron Guard finally rises to power in Romania with the assistance of their ally, General Ion Antonescu. However, with their leadership decimated and their organization fractured, it remains an open question if the Legionary movement is prepared for the challenges of governance. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Clark, Roland. Holy Legionary Youth: Fascist Activism in Interwar Romania. Cornell University Press, 2015 Codreanu, Cornelieu Zelea. For My Legionaries. Black House Publishing Ltd, 2015 Hitchins, Keith. A Concise History of Romania. Cambridge University Press, 2014 Ioanid, Radu. The Sword of the Archangel: Fascist Ideology in Romania. Columbia University Press, 1990 Iordachi, Constantin. The Fascist Faith of the Legion “Archangel Michael” in Romania, 1927-1941: Martyrdom and National Purification. Routledge, 2023 Kaplan, Robert D. Balkan Ghosts: A Journey Through History. Picador, 2005. Nagy-Talavera, Nicholas. The Green Shirts and the Others: A History of Fascism in Hungary and Romania. Hoover Institution Press, 1970.  Tiu, Ilarion. The Legionary Movement after Corneliu Codreanu. Columbia University Press, 2009 Sturdza, Michel. The Suicide of Europe: Memoirs of Prince Michel Sturdza, Former Foreign Minister of Rumania. Islands Publishers, 1968. Sima, Horia. The History of the Legionary Movement. The Legionary Press, 1995 Cover Image: Romanian prime minister Ion Antonescu and deputy prime minister Horia Sima at a demonstration memorializing Corneliu Zelea Codreanu, the late founder of the Iron Guard. (Bucharest, Romania. October, 1940.) Closing Theme: “Sfanta Tinerete Legionara,” (Hymn of the Legionary Youth) 

Paul Offit, MD, director of the Vaccine Education Center, an attending physician in the Division of Infectious Diseases at Children's Hospital of Philadelphia, and the author of Autism's False Prophets (Columbia University Press, 2008) and Tell Me When It's Over: An Insider's Guide to Deciphering COVID Myths and Navigating Our Post-Pandemic World (National Geographic, 2024), talks about the changes to vaccine recommendations and conceptions of public health in the current HHS. Photo by Pablo la Rosa, 10 April 2025, Wikimedia Commons.

In surgery, when we think of research, often we picture randomized controlled trials, meta-analyses, and big data sets. But have you ever considered what we might miss by limiting our research programs to quantitative inquiry? What if you want to understand the culture or identity of your department or your training program? Or, what If you want to understand the values, priorities, and lived experiences of your patients? Some of the most meaningful insights about how we teach, learn, and practice surgery come from talking to people. Their words, their stories, and their experiences, and that's where qualitative research comes in. In this episode we dive into the “why” and “how” of qualitative research with leaders in the space, Professor Nicole Perez and Dr. Maya Hunt.Host:  Steven Thornton, MD (General Surgery Resident at Duke University)Guests: Nicole Perez (Assistant Professor of Medical Education, University of Illinois Chicago) Maya Hunt (General Surgery Resident, Indiana University) Publications Discussed: Bosk CL. Forgive and Remember: Managing Medical Failure. The University of ChicagoPress; 2011.  Liang et al 2019 Why do women leave surgical training? A qualitative and feminist study, doi: https://doi.org/10.1016/S0140-6736(18)32612-6 Jenkins TM. Doctors' Orders: the Making of Status Hierarchies in an Elite Profession. Columbia University Press; 2020.  Yosso, T. J. (2005). Whose culture has capital? A critical race theory discussion of community cultural wealth. Race Ethnicity and Education, 8(1), 69–91. https://doi.org/10.1080/1361332052000341006 ***Fellowship Application Link: https://forms.gle/QSUrR2GWHDZ1MmWC6Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.  If you liked this episode, check out our recent episodes here: https://behindtheknife.org/listenBehind the Knife Premium:General Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-reviewTrauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlasDominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkshipDominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotationVascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-audio-reviewColorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-audio-reviewSurgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-audio-reviewCardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-audio-reviewDownload our App:Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049Android/Google Play: https://play.google.com/store/apps/details?id=com.btk.app&hl=en_US

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The power struggle between the Legion and King Carol II continues to play out, with deadly consequences. Meanwhile, the upending of the status quo in Europe in the run up to the Second World War gives the Legion a chance to avoid total annihilation. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Clark, Roland. Holy Legionary Youth: Fascist Activism in Interwar Romania. Cornell University Press, 2015 Codreanu, Cornelieu Zelea. For My Legionaries. Black House Publishing Ltd, 2015 Hitchins, Keith. A Concise History of Romania. Cambridge University Press, 2014 Ioanid, Radu. The Sword of the Archangel: Fascist Ideology in Romania. Columbia University Press, 1990 Iordachi, Constantin. The Fascist Faith of the Legion “Archangel Michael” in Romania, 1927-1941: Martyrdom and National Purification. Routledge, 2023 Kaplan, Robert D. Balkan Ghosts: A Journey Through History. Picador, 2005. Nagy-Talavera, Nicholas. The Green Shirts and the Others: A History of Fascism in Hungary and Romania. Hoover Institution Press, 1970.  Tiu, Ilarion. The Legionary Movement after Corneliu Codreanu. Columbia University Press, 2009 Sturdza, Michel. The Suicide of Europe: Memoirs of Prince Michel Sturdza, Former Foreign Minister of Rumania. Islands Publishers, 1968. Sima, Horia. The History of the Legionary Movement. The Legionary Press, 1995 Cover Image: Romanian prime minister Ion Antonescu and deputy prime minister Horia Sima at a demonstration memorializing Corneliu Zelea Codreanu, the late founder of the Iron Guard. (Bucharest, Romania. October, 1940.) Closing Theme: “Sfanta Tinerete Legionara,” (Hymn of the Legionary Youth) 

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

A deep dive into one of the most overlooked -- and fascinating -- sides of the 2016 Nobel Prize in Literature winner: Bob Dylan, the filmmaker. While his music and lyrics have been studied endlessly, his work behind (and in front of) the camera remains largely unexplored. No other book has taken this angle, and with Dylan's legend still growing, the audience is more than ready for a bold new take. Bob Dylan as Filmmaker: No Time to Think (McNidder and Grace, 2026), the first book of its kind, opens up exciting new ways to think about the artistry of Bob Dylan. It offers a captivating exploration into movies that, according to Michael, showcase Bob Dylan not just as a subject, but as the primary author. These include Eat the Document--a short, experimental television film shot in 1966 and released in 1972; the sprawling, genre-blurring epic Renaldo and Clara (1978), both directed by Dylan himself; and the darkly surreal Masked and Anonymous (2003), directed by Larry Charles but co-written by and starring Dylan. Bob Dylan as Filmmaker explores what these movies reveal about "how it feels" to be Bob Dylan during three defining eras of his career: the revolutionary 1960s, the introspective 1970s, and the enigmatic early 2000s. Just as crucially, they illuminate Dylan's remarkable instinct for using film not merely as a medium, but as a deeply personal mode of expression. The book also provides an essential survey of Dylan's most recent movie projects, including those by other directors, in which Dylan's influence is less overt but no less powerful. Here, Michael argues that Dylan operates as a kind of "invisible co-author" in Martin Scorsese's Rolling Thunder Revue (2019), where Dylan appears as a slippery, self-mythologizing interviewee; Alma Har'el's haunting Shadow Kingdom (2021), a stylized livestream performance; and James Mangold's A Complete Unknown (2024), the Timothée Chalamet-led biopic shaped in part by Dylan's behind-the-scenes "script approval." Michael Glover Smith is a Chicago-based filmmaker, author and teacher. Michael's most recent movie, Hekla, starring Elizabeth Stam, will have it's festival premiere in early 2026. Michael is also the director of four award-winning feature films, the most recent of which, Relative, stars Wendy Robie (Twin Peaks) and is distributed by Music Box Films. His previous book, Flickering Empire: How Chicago Invented the U.S. Film Industry (co-written with Adam Selzer), was published by Columbia University Press to acclaim in 2015. He has seen Bob Dylan 100 times in concert. Michael on Twitter and Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. Bradley on Facebook and Bluesky. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

On the fourth anniversary of Russia's full-scale invasion of Ukraine, The Naked Pravda speaks with journalist and author Lucian Kim to ask the questions that still don't have settled answers: Was this war the product of one man's radicalization, or something deeper — an imperial culture that generates aggression with or without orders from the top? Why didn't Putin march on Kyiv in 2014, when Ukraine had no army and most of its citizens didn't yet see Russia as an enemy? And is Putin really the inscrutable black box that analysts make him out to be, or has he been telling us exactly what he intends for decades? Lucian Kim has been covering Russia since Putin's first term in office — more than two decades of on-the-ground reporting, including time in the Kremlin press pool and as NPR's Moscow-based correspondent. He is now a senior Ukraine analyst at the International Crisis Group. His book, Putin's Revenge: Why Russia Invaded Ukraine, published by Columbia University Press, is now available in paperback. Use the promo code CUP20 at checkout for a 20-percent discount. Timestamps for this episode: (02:25) How do you write about Putin's psychology when his inner world is a black box?(09:02) Has Putin's COVID isolation hardened him permanently?(09:48) Why didn't Putin order a full-scale invasion in 2014, when Ukraine was defenseless?(14:24) In an “adhocracy” of freelancers, who bears responsibility for Russian aggression?(18:11) Did Putin kidnap ousted Ukrainian President Viktor Yanukovych or rescue him?(23:00) Why frame the conflict as a generational clash over Soviet memory?(29:30) Is there still reason for hope in Russia's younger generation?Как поддержать нашу редакцию — даже если вы в России и вам очень страшно

We're joined by N. Katherine Hayles, Distinguished Research Professor in English at UCLA, to think through cognition in the broadest and most scaled sense. Hayles is among the foundational thinkers of posthumanism in its Anglophone register, and this conversation tracks her intellectual trajectory from the question of how we became posthuman to her most recent project: an integrated cognitive framework that extends from bacteria to AI. The opening provocation is one she has been developing since large language models appeared as a genuinely literary phenomenon, the claim that LLMs do not speak natural language but produce a computational simulation of it.The umwelt of an LLM (its 'operative world-horizon,' in Uexküll's sense) overlaps with the human umwelt enough for communication to occur, but the divergences are large and consequential. This leads to the question of cognition itself. Against definitions that make consciousness the threshold of cognitive status, Hayles proposes the SIEPAL framework: Sensing, Interpreting, Responding, Anticipating, Learning, under which bacteria, algorithms, and ecosystems all qualify as cognitive. The non-conscious, on this account, isn't pre-cognitive but is in many ways more cognitively capable: faster, closer to environmental noise, less committed to the narratives of coherence that consciousness requires.The final section breaks genuinely new ground with Hayles's turn to analog computation: the argument that digital computation is a historical blip, that biological life has always operated on analog principles, and that the future of computation (neuromorphic chips, organoid computers, hybrid analog-digital architectures) represents not a departure from but a return to what life has always done. She proposes the analog humanities as a corrective to digital humanities, and the computational humanities as the synthesis that might finally close the gap between biological and technological cognition. This one is very much worth enjoying in dialogue with our previous epsiode on the digital.Some references:N. Katherine HaylesHow We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics, University of Chicago Press, 1999Writing Machines, MIT Press, 2002Unthought: The Power of the Cognitive Nonconscious, University of Chicago Press, 2017Postprint: Books and Becoming Computational, Columbia University Press, 2021Bacteria to AI: Cognition Across Scales (referenced as new/recent book)Leif WeatherbyLanguage Machines: Cultural AI and the End of Remainder Humanism, University of Minnesota Press, 2025Jakob von Uexküll — concept of the Umwelt; the species-specific world-horizon generated through particular sensory and neurological capacitiesWalter FreemanHow Brains Make Up Their Minds, Columbia University Press, 1999 — on EEG waves as the mediating mechanism between individual neurons and global hemispheric activation; the rabbit olfactory system experimentsGregory Bateson — on systems that lose the ability to receive feedback collapsing; referenced without specific title (e.g. Steps to an Ecology of Mind, 1972)Peter Haff — the technosphereStuart Kauffman & Giuseppe Longo, for arguing that biological organisms cannot be mapped into phase space and always follow the adjacent possibleWarren McCulloch & Walter Pitts — the McCulloch-Pitts neuron as a binary model with analog processes underlying the firing thresholdBernd Ulmann — here referenced as an expert on analog computing who argues that continuity vs. discreteness is a secondary rather than primary distinction between analog and digital

We're joined by Rosi Braidotti, Distinguished University Professor Emerita at Utrecht University and founding director of the Centre for the Humanities, for a wide-ranging conversation on posthumanism as both a philosophical project and a political orientation.Braidotti's work has constructed one of the most sustained and consequential accounts of what comes after the collapse of Eurocentric 'humanism.' The conversation traces the long arc from her early intervention on nomadic subjectivity, a materialist corrective to postmodernism's drift into linguistic relativism, through the ethical and ontological turn that her posthumanist project represents. Where poststructuralism gave us the critique of the subject as origin, nomadism gave us a subject that is grounded, embodied, multiple, and in motion.Central to the episode is the missing link in the American reception of French theory: the radical materialist tradition of Deleuze and Guattari, which diagnosed capitalism's schizophrenic logic (its ability to deterritorialize and adapt faster than any opposition) long before it became common sense. Braidotti traces the suppression of that critique through the French Communist Party's blacklists, the invention of "French theory" as an exportable product stripped of its political economy, and the consequences for a left that lost the ability to think technogenesis, cognitive capitalism, or the mutation of subjectivity under media saturation.The conversation then turns to fascism as concept rather than historical event: the philosophical move that Deleuze and Guattari made and that Foucault named in his preface to Anti-Oedipus. This allows Braidotti to connect micro-fascism (the cult of negativity, the eroticization of power-as-humiliation, the viral spread of impotence) to the coherent neo-fascist philosophical tradition running from Alain de Benoit through the Heritage Foundation and Budapest to Peter Thiel's Yale dissertation on sacrifice. While the left blocked its own analytical capacities, the right was doing serious philosophical work.Against all of this, Bradiotti proposes affirmative ethics: a Spinozist praxis of activating what a body can do. The episode ends thinking through scale, how affirmative ethics operates from the city to the planetary, and the urgency of the European federalist project as the only existing institutional attempt to participate in decisions about what we could possibly become.Some references:Rosi BraidottiPatterns of Dissonance, Polity Press, 1991Nomadic Subjects: Embodiment and Sexual Difference in Contemporary Feminist Theory, Columbia University Press, 1994Metamorphoses: Towards a Materialist Theory of Becoming, Polity Press, 2002Transpositions: On Nomadic Ethics, Polity Press, 2006The Posthuman, Polity Press, 2013Gilles Deleuze & Félix GuattariAnti-Oedipus: Capitalism and Schizophrenia, 1972 (English trans. 1977, preface by Michel Foucault)A Thousand Plateaus: Capitalism and Schizophrenia, 1980Félix GuattariThe Three Ecologies, 1989 (English trans. 1991)Michel FoucaultPreface to the American edition of Anti-Oedipus, 1977SpinozaEthicsTheological-Political TreatiseAntonio NegriThe Savage Anomaly: The Power of Spinoza's Metaphysics and Politics, 1981Genevieve LloydPart of Nature: Self-Knowledge in Spinoza's Ethics, University of Minnesota Press, 1994Spinoza and the Ethics, Routledge, 1996Antonio DamasioDescartes' Error: Emotion, Reason, and the Human Brain, 1994Looking for Spinoza: Joy, Sorrow, and the Feeling Brain, 2003Simone de BeauvoirThe Second Sex, 1949Frantz Fanon — mentioned in relation to decolonial thought and the anti-fascist generation Herbert MarcuseOne-Dimensional Man, 1964Eros and Civilization, 1955Rosa Luxemburg — cited as an ecological thinker; the dialogue with Lenin in Zurich narrated by Isaiah Berlin Isaiah Berlin — on Spinoza and radical enlightenment; on Rosa LuxemburgAltiero SpinelliThe Ventotene Manifesto, 1941 — founding document of the European federalist projectDonna Haraway"A Cyborg Manifesto," 1985VNS Matrix"A Cyberfeminist Manifesto for the 21st Century," 1991Alain de Benoist — neo-fascist philosopher, intellectual architect of the European New Right; cited as formative influence on Steve Bannon and the Heritage Foundation / Budapest / Rome foundation networksJulius Evola — philosopher of Italian fascism; cited alongside de Benoist as daily reference for BannonPeter Thiel — PhD dissertation on René Girard and the concept of sacrifice, Stanford / Yale; position papers on technological selection and extinction

In the face of continued government repression, the Iron Guard resorts to extreme retaliatory measures. After the Legion stages an ostentatious display of its growing power, the stage is set for a confrontation with Romania's king, Carol II. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Clark, Roland. Holy Legionary Youth: Fascist Activism in Interwar Romania. Cornell University Press, 2015 Codreanu, Cornelieu Zelea. For My Legionaries. Black House Publishing Ltd, 2015 Hitchins, Keith. A Concise History of Romania. Cambridge University Press, 2014 Ioanid, Radu. The Sword of the Archangel: Fascist Ideology in Romania. Columbia University Press, 1990 Iordachi, Constantin. The Fascist Faith of the Legion “Archangel Michael” in Romania, 1927-1941: Martyrdom and National Purification. Routledge, 2023 Kaplan, Robert D. Balkan Ghosts: A Journey Through History. Picador, 2005. Nagy-Talavera, Nicholas. The Green Shirts and the Others: A History of Fascism in Hungary and Romania. Hoover Institution Press, 1970.  Tiu, Ilarion. The Legionary Movement after Corneliu Codreanu. Columbia University Press, 2009 Sturdza, Michel. The Suicide of Europe: Memoirs of Prince Michel Sturdza, Former Foreign Minister of Rumania. Islands Publishers, 1968. Sima, Horia. The History of the Legionary Movement. The Legionary Press, 1995 Cover Image: Romanian prime minister Ion Antonescu and deputy prime minister Horia Sima at a demonstration memorializing Corneliu Zelea Codreanu, the late founder of the Iron Guard. (Bucharest, Romania. October, 1940.) Closing Theme: “Sfanta Tinerete Legionara,” (Hymn of the Legionary Youth) 

The “Legion of the Archangel Michael” struggles to establish itself as a new force in Romanian politics. As the Legion builds up a strong coalition of peasants, workers, and students, the authorities begin to crack down against the movement. Email me: perspectivesinhistorypod@gmail.com Podcast Website Follow me on Twitter Facebook Page Buy Some Used Books Bibliography Clark, Roland. Holy Legionary Youth: Fascist Activism in Interwar Romania. Cornell University Press, 2015 Codreanu, Cornelieu Zelea. For My Legionaries. Black House Publishing Ltd, 2015 Hitchins, Keith. A Concise History of Romania. Cambridge University Press, 2014 Ioanid, Radu. The Sword of the Archangel: Fascist Ideology in Romania. Columbia University Press, 1990 Iordachi, Constantin. The Fascist Faith of the Legion “Archangel Michael” in Romania, 1927-1941: Martyrdom and National Purification. Routledge, 2023 Kaplan, Robert D. Balkan Ghosts: A Journey Through History. Picador, 2005. Nagy-Talavera, Nicholas. The Green Shirts and the Others: A History of Fascism in Hungary and Romania. Hoover Institution Press, 1970.  Tiu, Ilarion. The Legionary Movement after Corneliu Codreanu. Columbia University Press, 2009 Sturdza, Michel. The Suicide of Europe: Memoirs of Prince Michel Sturdza, Former Foreign Minister of Rumania. Islands Publishers, 1968. Sima, Horia. The History of the Legionary Movement. The Legionary Press, 1995 Cover Image: Romanian prime minister Ion Antonescu and deputy prime minister Horia Sima at a demonstration memorializing Corneliu Zelea Codreanu, the late founder of the Iron Guard. (Bucharest, Romania. October, 1940.) Closing Theme: “Sfanta Tinerete Legionara,” (Hymn of the Legionary Youth) 

In this solo episode, Darin dives into one of the most universal modern experiences: the feeling that time is accelerating. Drawing from neuroscience, psychology, cognitive science, and lived experience, he breaks down why time doesn't actually speed up, but our experience of it radically changes. From the impact of digital distraction and divided attention to the way novelty, memory, aging, and even COVID reshaped our internal sense of time, this episode offers both clarity and agency. Darin shows how reclaiming attention, breaking monotony, and creating richer experiences can give us the feeling of having our time back.     What You'll Learn Why time measured by a clock is different from time experienced by the brain How attention, memory, and emotion construct subjective time Why boredom feels slow while flow states feel fast How novelty creates richer memories and longer-feeling lives The role of routine and monotony in time compression How digital technology fragments attention and erases memory Why social media scrolling makes time disappear without satisfaction How COVID disrupted temporal landmarks and distorted time perception Why time feels faster as we age The neuroscience behind memory density and perceived duration Whether time itself is an illusion or a constructed experience Practical ways to slow down your experience of time How breaking routine restores a sense of fullness and presence Why life is measured in experiences, not seconds     Chapters 00:00:03 – Welcome to SuperLife and the exploration of time 00:00:32 – Sponsor: TheraSage and frequency-based healing 00:02:16 – Why time feels like it's speeding up 00:03:07 – Measured time vs experienced time 00:03:39 – Subjective time and how the brain constructs duration 00:04:38 – Boredom, flow, and why time feels slow or fast 00:05:20 – Memory density and time compression 00:05:42 – Clock models vs attention and memory models 00:06:13 – Novelty, travel, and rich experiences 00:06:34 – Routine, repetition, and unremarkable days 00:07:21 – Divided attention and disappearing moments 00:07:56 – The digital shift and fragmented attention post-2000 00:08:30 – Micro-stimulation and wasted time 00:09:12 – Why scrolling doesn't equal flow 00:09:46 – Social acceleration and modern life 00:10:25 – COVID as a global experiment in time perception 00:10:55 – Loss of temporal landmarks during lockdown 00:11:57 – Sponsor: Caldera Lab and clean skincare 00:13:39 – Research on monotony and time compression 00:14:40 – Aging, fewer neural events, and faster time 00:15:30 – Childhood vs adulthood time perception 00:16:22 – Is time real or constructed? 00:16:57 – Physics, relativity, and subjective experience 00:17:56 – How to slow down your experience of time 00:18:12 – Novelty, adventure, and memory creation 00:19:00 – Sustained attention vs multitasking 00:19:37 – Breaking monotony in daily life 00:20:06 – Reducing digital distraction 00:20:25 – Enjoying life as a scientific practice 00:20:49 – Time as memory, not seconds 00:21:08 – Gaining agency over your experience of life 00:21:29 – Creating a richer year through experience 00:22:10 – Curiosity, adventure, and Darin's fascination with time 00:23:27 – Closing thoughts and call to action     Thank You to Our Sponsors Therasage: Go to www.therasage.com and use code DARIN at checkout for 15% off Caldera Lab: Experience the clinically proven benefits of Caldera Lab's clean skincare regimen and enjoy 20% off your order by visiting calderalab.com/darin and using code DARIN at checkout.     Join the SuperLife Community Get Darin's deeper wellness breakdowns — beyond social media restrictions: Weekly voice notes Ingredient deep dives Wellness challenges Energy + consciousness tools Community accountability Extended episodes Join for $7.49/month → https://patreon.com/darinolien     Find More from Darin Olien: Instagram: @darinolien Podcast: SuperLife Podcast Website: superlife.com Book: Fatal Conveniences     Key Takeaway Time isn't speeding up — your brain is compressing it. When you change how you pay attention and what you experience, you change how long your life feels.     Bibliography & Research Sources Droit-Volet, S., Gil, S., Martinelli, N., Andant, N., Clinchamps, M., Parreira, L., ... & Dutheil, F. (2020). Time paradox in COVID-19 lockdown: A web-based study. Frontiers in Psychology, 11, 2185. https://doi.org/10.3389/fpsyg.2020.577735 Lugtmeijer, S., Geerligs, L., & Cam-CAN. (2025). Temporal dedifferentiation of neural states with age during naturalistic viewing. Communications Biology, 8, Article 123. (This is the "2025 brain study" on older adults having fewer distinct neural states). https://doi.org/10.1038/s42003-025-08792-4 Ma, Q., & Wiener, M. (2024). Memorability shapes perceived time (and vice versa). Nature Human Behaviour, 8, 1–13. (The study showing memorable images dilate time). https://doi.org/10.1038/s41562-024-01863-2 Matthews, W. J., & Meck, W. H. (2016). Temporal cognition: Connecting subjective time to perception, attention, and memory. Psychological Bulletin, 142(8), 865–907. (The core review often attributed to leading field researchers linking time to attention/memory). https://doi.org/10.1037/bul0000045 Ogden, R. S. (2020). The passage of time during the UK Covid-19 lockdown. PLOS ONE, 15(7), e0235871. (The longitudinal study showing 80%+ reported time distortion). https://doi.org/10.1371/journal.pone.0235871 Rosa, H. (2013). Social acceleration: A new theory of modernity. Columbia University Press. (The sociological framework on "social acceleration"). https://cup.columbia.edu/book/social-acceleration/9780231148344 Wearden, J. H. (2016). The psychology of time perception. Palgrave Macmillan. (Comprehensive overview by the author mentioned in your notes). https://doi.org/10.1057/978-1-137-40883-9 Winkler, I., et al. (2020). The impact of the COVID-19 pandemic on time perception. Scientific Reports. (Likely reference for "Scientific Reports" findings on content-dependent timing).  

Wir springen ins Jahr 1241. Mongolenheere haben bereits die kämpfenden Eliten Osteuropas ausgeschaltet, stehen nun kurz davor, Wien einzunehmen. Doch dann kommt alles ganz anders. Wir sprechen in dieser Folge über das Jahrzehnt zwischen 1241 und 1251, und die Rolle, die drei mongolische Herrscherwitwen in dieser Zeit spielen. Es geht um interne Machtkämpfe, eine Neuausrichtung des Reichs und weshalb wir jene Witwen als die Architektinnen dieser Neuausrichtung betrachten können. // Erwähnte Folgen - GAG429: Der Eimerkrieg – https://gadg.fm/429 - GAG190: Die Assassinen – https://gadg.fm/190 // Literatur - Ala Ad Din Ata Malik Juvaini, Übersetzung: John Andrew Boyle. The history of the world-changing conqueror. Harvard University Press, 1958. - Broadbridge, Anne F. Cambridge Studies in Islamic Civilization: Women and the Making of the Mongol Empire. Cambridge University Press, 2018. - Bruno de Nicola. Women in Mongol Iran: The Khatuns, 1206-1335. Edinburgh University Press, 2017. - Friar Giovanni diPlano Carpini. The story of the Mongols whom we call the Tartars. 2005. - Göckenjahn, Sweeney. Der Mongolensturm. Berichte von Augenzeugen und Zeitgenossen 1235-1250. Styria Verlag, 1985. - Jack Weatherford. The Secret History of the Mongol Queens: How the Daughters of Genghis Khan Rescued His Empire. Crown, 2010. - James Chambers. The Devil's Horsemen: The Mongol Invasion of Europe. Weidenfeld and Nicolson, 1979. - Peter Jackson. The Mission of Friar William of Rubruck. Ashgate Publishing. 1990. - Rashīd al-Dīn Ṭabīb Übersetzung: J.A. Boyle. The Successors Of Genghis Khan. Columbia University Press. 1971. Das Episodenbild zeigt Königin Sorghaghtani in einer Darstellung aus dem frühen 14. Jahrhundert. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte //Geschichten aus der Geschichte jetzt auch als Brettspiel! Werkelt mit uns am Flickerlteppich! Gibt es dort, wo es auch Becher, T-Shirts oder Hoodies zu kaufen gibt: https://geschichte.shop // Wir sind jetzt auch bei CampfireFM! Wer direkt in Folgen kommentieren will, Zusatzmaterial und Blicke hinter die Kulissen sehen will: einfach die App installieren und unserer Community beitreten: https://www.joincampfire.fm/podcasts/22 //Wir haben auch ein Buch geschrieben: Wer es erwerben will, es ist überall im Handel, aber auch direkt über den Verlag zu erwerben: https://www.piper.de/buecher/geschichten-aus-der-geschichte-isbn-978-3-492-06363-0 Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt! Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Popular histories tend to locate capitalism's origins in Europe, only later moving outward to other parts of the globe. Not so says historian Sven Beckert. Capitalism, he argues, was born global, forged through the connections made by merchants and others from Europe, Asia, Africa, and the Americas. In this month's episode, Beckert brings listeners on an epic ride, tracing global capitalism's rise during the past millennium and around the world, from merchant businesses in Aden, onto the terrifyingly violent sugar plantations in Barbados, and, finally, to the rising industrial power of contemporary China. Colonialism, coercion, and, notably, state power all featured prominently in capitalism's rise, helping this radical new way of organizing economic life overcome elite and non-elite resistance to become one of the most powerful forces in human history.  This episode is brought to you by Columbia University Press' Series on the History of US Capitalism and listeners like you.