Podcasts about changing south

From the BBC World Service: The boss of Netflix is in South Korea – a country that's produced some of its biggest shows. But is Netflix’s multi-billion dollar investment in the country supporting, or hindering, the local media landscape? Plus, lower income nations have long argued they deserve help because they face the greatest risks from climate change – can they strike a financing deal at a major international meeting in Paris this week? And how an ‘anti-bleeding’ fabric coated with an extract taken from shrimps is being used to treat injuries in Ukrainian war zones.

From the BBC World Service: The boss of Netflix is in South Korea – a country that's produced some of its biggest shows. But is Netflix’s multibillion dollar investment in the country supporting, or hindering, the local media landscape? Plus, lower-income nations have long argued they deserve help because they face the greatest risks from climate change – can they strike a financing deal at a major international meeting in Paris this week? And, how an “anti-bleeding” fabric coated with an extract taken from shrimps is being used to treat injuries in Ukrainian war zones.

Message from Jo Ströhfeldt on Jul 5, 2020

Message from Jo Ströhfeldt on Jun 21, 2020

Hello lovely listeners, In this episode I speak with Celeste Spritely, a registered counselor and Psychometrist, about her focus on the unique role that Dad's play on early childhood development (ECD) and school readiness (SR). Did you know that it is estimated that over 2 million children in South Africa are fatherless, and 9 million grow-up without fathers? Hands down, this is a tremendous fatherhood challenge for the country. One of the things I learned in our chat today is that father absenteeism is like Kryptonite for their child's success – research showed us that these kids have an: · Increased risk of dropping out of school; · Lower educational attainment · Poorer physical and mental health · Behavioural problems…. Effects lasting well into adulthood. What if WE (yes YOU and I) could all make a difference for South Africa by understanding the need for the role Dad's play in a child developmenet and wellness? Listen to this episode as Celeste unpacks: 1. What is school readiness and how is it measured? 2. Why do we need to focus on fathers? 3. How do dads contribute to their child's school readiness? 4. How did a study on Dad's impact Celeste's life personally as a Mom, researcher and individual? 5. How does Spritely help Dads? 6. Why are personality assessments important for children, teachers and parents in a child ECD? Lastly, here is a FREE gift for our listeners - a downloadable guide to share what those 5 domains of school readiness is all about, to help them measure and support their child's development in those areas. "Do you know what it means for your child to be "school ready"?" Download this quick FREE guide to give you an indication of what to keep track of as you journey through the toddler and pre-school years to formal schooling. Here's the link to subscribe: https://www.subscribepage.com/SpritelyDads Where else can you find Celeste Spritely? Facebook: @spritelycoza or https://www.facebook.com/spritelycoza Insta: @celeste.spritely or https://www.instagram.com/celeste.spritely/ WWW: www.spritely.co.za --- Support this podcast: https://anchor.fm/christina-masureik/support

On the 24th of August, 19-year-old Uyinene Mrwetyana went missing in Cape Town. She had gone to fetch a parcel at the post office. A week later her body was found. She had been raped and murdered. Her death spurred a movement across the country with thousands of people protesting after the most deadly month for violent crimes against women the country has ever seen. Rebone Masemola is a women’s rights activist in Johannesburg. She talks about the daily struggles of being a woman in South Africa, while the BBC’s Johannesburg correspondent, Milton Nkosi, explains why the country has a deep-rooted culture of violence. Producers: Seren Jones, Jaja Muhammad Mixed by Nico Raufast Editor: John Shields

When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive, the “Down Home South” which was traditional and family oriented, and the “Changing South” which was moving past its earlier racial strife. While the Vicious South archetype predominated and fit into a narrative that showed the South as un-American, unrepresentative of the larger country, and repressive, by the end of the 1960s perceptions of the South were changing. Americans in different parts of the country began to consider the different ways that the real or perceived culture of the South might offer solutions to racism, masculinity, modern ennui, and crime. Zachary Lechner’s The South of the Mind: American Imaginings of White Southernness, 1960–1980 (University of Georgia Press, 2018) looks at this cultural transformation in the United States in the period from 1960 to 1980. Lechner examines different forms of cultural production to see how the South was being understood at different moments. That understanding was in turn shaped by a desire to use elements of southern culture to overcome social and cultural problems in the United States. Shows like Andy Griffith showed a traditional southern way of life that was able to work past the problems of consumerist modernity, movies like Walking Tall showed men using violence to restore order and to end crime, and the musical counterculture found both musical technique and personal style to mine in country music and the South. This culminated in the election of Jimmy Carter in 1976, whose persona was built in part on having insight into overcoming the racial and social strife that had plagued the rest of the country. Zeb Larson is a PhD Candidate in History at The Ohio State University. His research is about the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive, the “Down Home South” which was traditional and family oriented, and the “Changing South” which was moving past its earlier racial strife. While the Vicious South archetype predominated and fit into a narrative that showed the South as un-American, unrepresentative of the larger country, and repressive, by the end of the 1960s perceptions of the South were changing. Americans in different parts of the country began to consider the different ways that the real or perceived culture of the South might offer solutions to racism, masculinity, modern ennui, and crime.  Zachary Lechner’s The South of the Mind: American Imaginings of White Southernness, 1960–1980 (University of Georgia Press, 2018) looks at this cultural transformation in the United States in the period from 1960 to 1980. Lechner examines different forms of cultural production to see how the South was being understood at different moments. That understanding was in turn shaped by a desire to use elements of southern culture to overcome social and cultural problems in the United States. Shows like Andy Griffith showed a traditional southern way of life that was able to work past the problems of consumerist modernity, movies like Walking Tall showed men using violence to restore order and to end crime, and the musical counterculture found both musical technique and personal style to mine in country music and the South. This culminated in the election of Jimmy Carter in 1976, whose persona was built in part on having insight into overcoming the racial and social strife that had plagued the rest of the country. Zeb Larson is a PhD Candidate in History at The Ohio State University. His research is about the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.

When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive, the “Down Home South” which was traditional and family oriented, and the “Changing South” which was moving past its earlier racial strife. While the Vicious South archetype predominated and fit into a narrative that showed the South as un-American, unrepresentative of the larger country, and repressive, by the end of the 1960s perceptions of the South were changing. Americans in different parts of the country began to consider the different ways that the real or perceived culture of the South might offer solutions to racism, masculinity, modern ennui, and crime. Zachary Lechner’s The South of the Mind: American Imaginings of White Southernness, 1960–1980 (University of Georgia Press, 2018) looks at this cultural transformation in the United States in the period from 1960 to 1980. Lechner examines different forms of cultural production to see how the South was being understood at different moments. That understanding was in turn shaped by a desire to use elements of southern culture to overcome social and cultural problems in the United States. Shows like Andy Griffith showed a traditional southern way of life that was able to work past the problems of consumerist modernity, movies like Walking Tall showed men using violence to restore order and to end crime, and the musical counterculture found both musical technique and personal style to mine in country music and the South. This culminated in the election of Jimmy Carter in 1976, whose persona was built in part on having insight into overcoming the racial and social strife that had plagued the rest of the country. Zeb Larson is a PhD Candidate in History at The Ohio State University. His research is about the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive, the “Down Home South” which was traditional and family oriented, and the “Changing South” which was moving past its earlier racial strife. While the Vicious South archetype predominated and fit into a narrative that showed the South as un-American, unrepresentative of the larger country, and repressive, by the end of the 1960s perceptions of the South were changing. Americans in different parts of the country began to consider the different ways that the real or perceived culture of the South might offer solutions to racism, masculinity, modern ennui, and crime. Zachary Lechner’s The South of the Mind: American Imaginings of White Southernness, 1960–1980 (University of Georgia Press, 2018) looks at this cultural transformation in the United States in the period from 1960 to 1980. Lechner examines different forms of cultural production to see how the South was being understood at different moments. That understanding was in turn shaped by a desire to use elements of southern culture to overcome social and cultural problems in the United States. Shows like Andy Griffith showed a traditional southern way of life that was able to work past the problems of consumerist modernity, movies like Walking Tall showed men using violence to restore order and to end crime, and the musical counterculture found both musical technique and personal style to mine in country music and the South. This culminated in the election of Jimmy Carter in 1976, whose persona was built in part on having insight into overcoming the racial and social strife that had plagued the rest of the country. Zeb Larson is a PhD Candidate in History at The Ohio State University. His research is about the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive, the “Down Home South” which was traditional and family oriented, and the “Changing South” which was moving past its earlier racial strife. While the Vicious South archetype predominated and fit into a narrative that showed the South as un-American, unrepresentative of the larger country, and repressive, by the end of the 1960s perceptions of the South were changing. Americans in different parts of the country began to consider the different ways that the real or perceived culture of the South might offer solutions to racism, masculinity, modern ennui, and crime. Zachary Lechner’s The South of the Mind: American Imaginings of White Southernness, 1960–1980 (University of Georgia Press, 2018) looks at this cultural transformation in the United States in the period from 1960 to 1980. Lechner examines different forms of cultural production to see how the South was being understood at different moments. That understanding was in turn shaped by a desire to use elements of southern culture to overcome social and cultural problems in the United States. Shows like Andy Griffith showed a traditional southern way of life that was able to work past the problems of consumerist modernity, movies like Walking Tall showed men using violence to restore order and to end crime, and the musical counterculture found both musical technique and personal style to mine in country music and the South. This culminated in the election of Jimmy Carter in 1976, whose persona was built in part on having insight into overcoming the racial and social strife that had plagued the rest of the country. Zeb Larson is a PhD Candidate in History at The Ohio State University. His research is about the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive, the “Down Home South” which was traditional and family oriented, and the “Changing South” which was moving past its earlier racial strife. While the Vicious South archetype predominated and fit into a narrative that showed the South as un-American, unrepresentative of the larger country, and repressive, by the end of the 1960s perceptions of the South were changing. Americans in different parts of the country began to consider the different ways that the real or perceived culture of the South might offer solutions to racism, masculinity, modern ennui, and crime. Zachary Lechner’s The South of the Mind: American Imaginings of White Southernness, 1960–1980 (University of Georgia Press, 2018) looks at this cultural transformation in the United States in the period from 1960 to 1980. Lechner examines different forms of cultural production to see how the South was being understood at different moments. That understanding was in turn shaped by a desire to use elements of southern culture to overcome social and cultural problems in the United States. Shows like Andy Griffith showed a traditional southern way of life that was able to work past the problems of consumerist modernity, movies like Walking Tall showed men using violence to restore order and to end crime, and the musical counterculture found both musical technique and personal style to mine in country music and the South. This culminated in the election of Jimmy Carter in 1976, whose persona was built in part on having insight into overcoming the racial and social strife that had plagued the rest of the country. Zeb Larson is a PhD Candidate in History at The Ohio State University. His research is about the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Thabiso is the founder of BlackBird books, a ground-breaking move in the South African literary landscape and looks forward to continue pioneering and establishing a framework for new South African narratives. In this episode, she talks about the book industry in South Africa and how her business is changing the landscape one book at a time.

On April 4, 2008, Mr. Malone delivered this talk at the 2008 symposium, 'Sweet Dreams: The Life and Times of Patsy Cline.' Bill Malone is Professor of History, Emeritus, at Tulane University. He is author of Country Music, U.S.A.; Southern Music, American Music; Don't Get Above Your Raisin': Country Music and the Southern Working Class; and to be published this June, Working Girl Blues: The Life and Music of Hazel Dickens. He also produced and annotated the Smithsonian Collection of Classic Country Music. He has been a Guggenheim Fellow. He has delivered the Lamar Lecture at Mercer University, published as Singing Cowboys and Musical Mountaineers: Southern Culture and the Roots of Country Music. He has served as a joint visiting scholar at Duke and the University of North Carolina. His weekly radio show, "Back to the Country," on Madison, Wisconsin's WORT-FM has been on the air for years and has regularly garnered listeners' choice awards. In all, he continues is his role as the dean of country music scholarship, combining, in his words, "the passionate predilections of the fan . . . with the wary skepticism of the scholar." (Introduction by Nelson D. Lankford) The content and opinions expressed in these presentations are solely those of the speaker and not necessarily of the Virginia Museum of History & Culture.

With total control in North Carolina, Republicans are enacting an ultra-conservative agenda, sparking the South's largest, most sustained protest movement in years.

On April 4, 2008, Mr. Malone delivered this talk at the 2008 symposium, 'Sweet Dreams: The Life and Times of Patsy Cline.' Bill Malone is Professor of History, Emeritus, at Tulane University. He is author of Country Music, U.S.A.; Southern Music, American Music; Don't Get Above Your Raisin': Country Music and the Southern Working Class; and to be published this June, Working Girl Blues: The Life and Music of Hazel Dickens. He also produced and annotated the Smithsonian Collection of Classic Country Music. He has been a Guggenheim Fellow. He has delivered the Lamar Lecture at Mercer University, published as Singing Cowboys and Musical Mountaineers: Southern Culture and the Roots of Country Music. He has served as a joint visiting scholar at Duke and the University of North Carolina. His weekly radio show, "Back to the Country," on Madison, Wisconsin's WORT-FM has been on the air for years and has regularly garnered listeners' choice awards. In all, he continues is his role as the dean of country music scholarship, combining, in his words, "the passionate predilections of the fan . . . with the wary skepticism of the scholar." (Introduction by Nelson D. Lankford)