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(1) Jason Smith is concerned and upset he brought his son into Bear's fandom (2) J&J and Jessica Benson debate whether Alex Golesh would be a UF target
opening thoughts:time to ask Republican Governor Ayotte and possible US Senate candidate John E Sununu (it works in every race by the way)1. do you support the release of the Epstein files...women who have been victims of sexual assault want to know and2. Florida has moved to end vaccine mandates for it's school children...do you believe in the efficacy of vaccines? Do you believe that RFK Jr.'s assault on vaccines will make America healthier? Do you think your state NH, should follow Florida's lead?talkers:Robert Arnold is a writer, poet, speaker, and activist from Helena, Arkansas. Known for his fierce, unapologetic voice, he writes about the American South, working-class struggle, racial justice, and the fight for democracy.His essays and speeches blend historical truth with emotional clarity, holding power to account and speaking plainly to the people. With a background in economics and a heart rooted in storytelling, he uses both facts and fire to challenge systems of injustice and inspire collective action.Stephen Pimpare is Professor of Public Policy and Director of the Master in Public Policy program at Vermont Law and Graduate School. He is the author of four books, numerous articles, and the Host of the New Books Network's public policy channel. Lincoln Mitchell teaches political science and public policy at Columbia University. He is the author of nine books and his writings have appeared at CNN, Reuters, the New York Times, NBC, the San Francisco Examiner and numerous other media platforms. For more of Lincoln's work you can subscribe to his Substack “Kibitzing with Lincoln” at /lincolnmitchell.substack.com/.”Jamie Rowen is a professor of Legal Studies at the University of Massachusetts, Amherst, and the founding director of UMass' Center for Justice, Law, and Societies. Her work focuses on both domestic and international criminal law. Her book, Worthy of Justice: The Politics of Veterans Treatment Courts in Practice, is forthcoming with Stanford University Press in December 2025.rethink the weekTOO FUNNY: “Some recognition that we're in trouble”: GOP scrambles to rebrand Trump's “Big Beautiful Bill” The rebranding effort comes as GOP lawmakers trying to sell the legislation face angry town halls https://www.salon.com/2025/09/03/some-recognition-that-were-in-trouble-gop-scrambles-to-rebrand-trumps-big-beautiful-bill/US Hiring Intentions Pull Back While Job-Cut Announcements Rise Bloomberg. “US-based companies announced in August plans to add 1,494 jobs, the fewest for the month in data going back to 2009.”Google can hold on to Android, Chrome: federal judgeA judge ruled that the search giant would not be forced to sell off Chrome and Android https://www.salon.com/2025/09/02/google-can-hold-on-to-android-chrome-federal-judge/DOJ Opens Criminal Investigation Into Fed's Cook, Issues Subpoenas WSJ
Join hosts John Viola, Patrick O'Boyle, and Dolores Alfieri Taranto as they welcome special guest Kathy Whims, acclaimed chef, restaurateur, and author of The Italian Summer Kitchen. Together, they dive into the joys of the Italian summer kitchen during a sizzling New York City heatwave. This lively conversation is a feast of humor, culinary wisdom, and cultural reflections. From fresh pasta on the Amalfi cliffs to fried chicken in the American South, the group explores the delicious parallels between Southern Italy and the American South. Along the way, they share stories of family traditions, baptisms, and even the joy of home-raised chickens—all steeped in deep Neapolitan roots. Kathy shares her journey of bringing authentic Italian flavors to Portland through her celebrated restaurants and cookbooks. Her dedication to seasonality, stunning recipes, and watercolor illustrations make her new book an inspiring addition to any kitchen. Expect laughs over technical glitches, warm interruptions, and heartfelt stories as the hosts and guest celebrate the liberating aspects of aging, the universal comfort of Italian cuisine, and the enduring power of food to bring people together. HER WEBSITE: https://nostrana.com/team-member/cathy/ HER SOCIALS: Instagram: @cathywhims X: @cathywhims
Fabrice Armand is the founder of TRIB Marketing Agency and the co-founder of the Creole Food Festival, the only Creole cultural festival taking place in four cities while connecting the American South, the Caribbean, Latin America, South America and South America. Born and raised in Haiti, Fabrice came to the U.S. as a teenager and in college began connecting to the work of building community. Through the Creole Food Festival, he is not only lifting the richness of Haitian Creole food and culture, but other unifying Creole cultures one event at a time. Listen and Connect Website Instagram Related Article from Cuisine Noir The Creole Food Festival Unifies Through Culture and Taste
In this special Elvis Week episode, acclaimed music historian Peter Guralnick joins us to discuss his new book, "The Colonel and the King," a deeply researched portrait of the complex relationship between Elvis Presley and his manager, Colonel Tom Parker. Guralnick, author of the definitive two-volume Elvis biography (Last Train to Memphis and Careless Love), offers new insight drawn from thousands of letters and documents never before made public. In addition to stories of his early meetings with Colonel Tom Parker and others from the world of Elvis Presley, Guralnick shares his experiences researching and writing about early rock 'n' roll, blues, country and soul in the American South.
Headline: How Smith v. Allwright Broke the Back of the White Primary If you think your vote doesn't matter, history has a powerful story to change your mind. In the latest episode of Trey's Table, we dive deep into Smith v. Allwright (1944), a landmark Supreme Court case that fundamentally reshaped the political landscape of the American South and supercharged the modern Civil Rights Movement. For decades after Reconstruction, Southern states used a web of discriminatory tactics to disenfranchise Black voters. One of the most effective was the “white primary.” Because the Democratic Party dominated the South, winning its primary was tantamount to winning the election. By banning Black voters from participating in these primaries, white officials effectively silenced them without breaking a single federal law. That is, until Thurgood Marshall and the NAACP Legal Defense Fund took on the case of Lonnie E. Smith, a Black dentist in Houston who was denied a ballot. Their victory was monumental. The Supreme Court ruled that barring Black voters from primaries was unconstitutional, violating the 14th and 15th Amendments. The impact was immediate and dramatic: · Black voter registration in the South skyrocketed from around 200,000 in 1940 to over 800,000 by 1948. · The legal victory provided a crucial playbook for challenging other Jim Crow laws, paving the way for Brown v. Board of Education a decade later. · It proved that the courts could be a powerful tool for achieving racial justice. However, the fight was far from over. Southern states swiftly invented new barriers—literacy tests, poll taxes, and economic intimidation—to continue suppressing the Black vote. This ongoing struggle highlights why the Voting Rights Act of 1965 was so necessary and why protecting voting rights remains critical today. This story is more than a history lesson; it's a testament to the power of strategic litigation and unwavering courage. To hear the full story of the legal strategy, the risks involved, and the lasting legacy of this case, listen to the latest episode of Trey's Table. #TreysTable #Podcast #SmithVAllwright #ThurgoodMarshall #VotingRights #CivilRightsHistory #NAACP #BlackHistory #LearnHistory
Today's guest is Anne Byrn, a trusted voice in American and Southern baking. Best known for her bestselling “Cake Mix Doctor” cookbook series, Anne's career spans from her early days working at the school newspaper to studying at La Varenne Culinary School in Paris to becoming an accomplished journalist and bestselling author. Her latest book, “Baking in the American South,” weaves together 200 recipes with the cultural history that shaped them. Anne joins host Jessie Sheehan to talk about her path as a writer and baker, the time Julia Child cooked for her (hint: it was a roast chicken), and the evolution of the cake she's been perfecting for more than three decades—coconut cake.Click here for Anne's Coconut Cake recipe. Thank you to California Prunes for their support. Get The Italy Issue here!Jubilee L.A. tickets are on sale nowVisit cherrybombe.com for subscriptions, show transcripts, and tickets to upcoming events.More on Anne: Instagram, website, “Baking in the American South” cookbookMore on Jessie: Instagram, “Salty, Cheesy, Herby, Crispy Snackable Bakes” cookbook
August 28, 1955. 14-year-old Emmett Till is murdered in Mississippi, bringing nationwide attention to the racial violence and injustice prevalent in the American South. This episode originally aired in 2023.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Thank you to Amy M for requesting this episode! A rich and powerful man who thought he was above the law and a brave sheriff who refused to back down. This is the story of how one murder brought a corrupt "king" and his reign of terror crashing down. Join Jen & Cam as we explore the 1948 case that made history in the American South, "Fall of a Kingdom: Coweta County Murder" Thank you to our team Listener Discretion by Edward October Research & Writing by Lauretta Allen Executive Producers Nico & Jesse of The Inky Pawprint https://theinkypawprint.com Please go to www.ourtruecrimepodcast.com for a complete list of sources. Learn more about your ad choices. Visit megaphone.fm/adchoices
His callers are a portal to the college-football universe — and the American South today. As Finebaum himself says, "We found this audience before Donald Trump did." We're talking poisoned trees, an on-air heart attack... and one Alabama super-fan with a truly haunting past. (This episode originally aired December 19, 2024.) • Subscribe to Pablo's Substack for exclusive access, documents and invites https://pablo.show/ Learn more about your ad choices. Visit podcastchoices.com/adchoices
His callers are a portal to the college-football universe — and the American South today. As Finebaum himself says, "We found this audience before Donald Trump did." We're talking poisoned trees, an on-air heart attack... and one Alabama super-fan with a truly haunting past. (This episode originally aired December 19, 2024.) • Subscribe to Pablo's Substack for exclusive access, documents and invites https://pablo.show/ Learn more about your ad choices. Visit podcastchoices.com/adchoices
His callers are a portal to the college-football universe — and the American South today. As Finebaum himself says, "We found this audience before Donald Trump did." We're talking poisoned trees, an on-air heart attack... and one Alabama super-fan with a truly haunting past.(This episode originally aired December 19, 2024.)• Subscribe to Pablo's Substack for exclusive access, documents and inviteshttps://pablo.show/ Hosted on Acast. See acast.com/privacy for more information.
What do the following styles of music have in common: Ragtime, New Wave, Dubstep, and Doo-wop? This group may seem quite divergent, but they all share a common characteristic: they are mostly types of music that no one plays much anymore. Then again, you could easily argue that these are simply sub-genres of larger categories like Jazz, Rock, Reggae and R&B, and live on in some form or another in the echoes of their sound within the broader contexts, such as they are, and here and there in all manner of newer sub-genres. And those broader contexts, those foundational genres, how are they holding up these days? Jazz has gone from ruling the airwaves, dance floors and record stores to being a mostly boutique, albeit diverse, corner of the American music map. Rock has long been declared dead, but soldiers on in bands both old and new. Reggae rose to international acclaim with Bob Marley but has not approached those heights following his untimely death. R&B may be the most robust of this small sample, with artists like The Weeknd and SZA amongst its current stars. Blues music has gone through sea changes of its own over the decades, and today, it is facing headwinds with younger audiences. As our guest Brooks Mason (known by his stage name Eddie 9V) puts it, younger music fans especially often think they will not like the blues because of its perceived predictability and reliance on old formulas. And while he is not wrong, he is also a prime example of how Blues music can garner new audiences with a new approach to the genre. Part of Eddie 9V's approach is to, as he put it, lead a band that is not really a Blues band anymore. Brooks Mason, better known as Eddie 9V Songs heard in this episode:“Saratoga“ by Eddie 9V, performed live at The Albino Skunk Music Festival, 05/10/25“Check It Out” by Sean Costello, from At His Best - Live, excerpt“Love Moves Slow” by Eddie 9V, performed live at The Albino Skunk Music Festival 05/10/25, excerpt“Yella Alligator” by Eddie 9V, performed live at The Albino Skunk Music Festival 05/10/25, excerpt“Driving Wheel” by Eddie 9V, performed live at The Albino Skunk Music Festival, 05/10/25Thank you for visiting! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify here and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. You can follow us on social media: @southstories on Instagram, at Southern Songs and Stories on Facebook, and now on Substack here, where you can read the scripts of these podcasts, and get updates on what we are doing and planning in our quest to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed.
From the rolling hills of Scotland to the hallowed circle of the Grand Ole Opry, Callum Kerr's musical journey defies conventional paths. Our conversation reveals the beautiful synchronicity of events that led this actor-turned-country artist to find his true calling.Callum shares how his musical awakening happened at 17 when a Texas sports camp job unexpectedly introduced him to country music. "I was just blown away," he recalls of hearing artists like Dierks Bentley and Zac Brown Band for the first time. "This is the sound that I've been looking for." His authentic passion is palpable as he describes moving between acting jobs in the UK and musical adventures in the American South.The pivotal turning point came when Callum landed a role as a Texas country singer on Fox's "Monarch" alongside Trace Adkins. Being in the studio with Nashville session players sparked something profound: "If I'm good enough to be in their TV show with a budget of 10 million per episode, maybe I could do this." This realization brought him to Nashville, where he immediately felt at home.We dive deep into Callum's songwriting process, his philosophy of "best song wins" regardless of who wrote it, and the meaningful stories behind tracks like "Used to Love This Town" and "It Ain't Working" from his Dan Huff-produced EP. The conversation culminates with his emotional recounting of making his Grand Ole Opry debut—a dream realized on the very same day his EP was released.Whether you're fascinated by the creative journey, drawn to authentic country storytelling, or simply love discovering artists on the rise, Callum's story will resonate. His final advice to his younger self speaks volumes: "If you like it, then it's cool. One day people are going to find that cool." Listen now and witness the beginning of what promises to be a remarkable career.
EPISODE 581 - Thomas Cullen - Federal Trial Judge and Author Shares a Story of the journey toward manhood in the American SouthThomas Cullen is a Federal Trial Judge and former U.S. attorney in Virginia. He is also an accomplished writer, regularly publishing op-eds and essays for national and regional media outlets over the past decade. Thomas graduated near the top of his class from William and Mary Law School and was recently honored as its 2024 Carter O. Lowance Fellow. A native of Richmond, Virginia, Thomas studied history and ran track at Furman University in Greenville, South Carolina, which recently awarded him an honorary doctorate. Charlie-Man is his first novel.Book: Charlie-ManIt's August 1994, and Charlie Stewart begins his final year at St. Mark's Episcopal School, a prestigious all-boys school in Richmond, Virginia. Charlie, an undistinguished student by St. Mark's standards, faces tough odds as he seeks to rekindle his relationship with Katy Hendricks, a beautiful tennis star, and gain admission to a highly selective state university. Through it all, Charlie relies on Beau Miller, his best friend and the top student athlete in their class. Despite Beau's movie-star looks and infectious charm, he has a darker side, which becomes more apparent as the year progresses. Charlie endures his trials with wry determination and ultimately emerges with a renewed sense of purpose. This is a heartrending but hopeful story of one boy's journey toward manhood in the American South.https://www.brandylanepublishers.com/product/charlie-man/https://prbythebook.com/experts/thomas-cullen/Support the show___https://livingthenextchapter.com/podcast produced by: https://truemediasolutions.ca/Coffee Refills are always appreciated, refill Dave's cup here, and thanks!https://buymeacoffee.com/truemediaca
Tonight, Kiwi Keasha takes the lead as we discuss haunted plantations in America.
Can money truly buy happiness? According to Dr. Daniel Crosby, yes — but it depends on how you use it. In this episode, we explore the science behind joy and how our financial behaviors impact more than just our bank account. Dr. Crosby shares tips to help you reach your financial and personal goals, including a simple hack to avoid overspending and start spending with intention. Learn how to create spending habits that stick, reduce emotional stress around finances, and plan for your future! Topics discussed: The intersection of finance and psychology Why you should have a financial “why” Controlling what you can control How to find opportunity in economic downturns Five pillars of a joyful life Spending money as a form of voting The benefits of working with a financial advisor How to bridge the gap between wealth and happiness Resources: Mitlin Financial: https://www.mitlinfinancial.com/ The JOY and Productivity Journal by Lawrence Sprung: https://www.amazon.com/JOY-Productivity-Journal-brought-mindset/dp/B0CYQFYW54/ Download Your Free Copy of the Couple's JOYful Money Guide: https://mitlin.us/CouplesJOY Connect with Larry Sprung: LinkedIn: https://www.linkedin.com/in/lawrencesprung/ Instagram: https://www.instagram.com/larry_sprung/ Facebook: https://www.facebook.com/LawrenceDSprung/ X (Twitter): https://x.com/Lawrence_Sprung Connect with Dr. Daniel Crosby: LinkedIn: https://www.linkedin.com/in/danielcrosby/ X (Twitter): https://x.com/DanielCrosby About our Guest: Dr. Daniel Crosby is a psychologist and behavioral finance expert who helps organizations understand the intersection of mind and markets. Dr. Crosby's first book, Personal Benchmark: Integrating Behavioral Finance and Investment Management, was a New York Times bestseller. His second book, The Laws of Wealth, was named the best investment book of 2017 by the Axiom Business Book Awards and has been translated into 17 languages. His third book, The Behavioral Investor, was Axiom's best investment book of 2019 and is a comprehensive look at the neurology, physiology and psychology of sound financial decision-making. His latest book, The Soul of Wealth, was published in October of 2024 and has already been translated into five languages. When he's not decoding market psychology, Daniel is a father of 3, a fanatical follower of the St. Louis Cardinals, an explorer of the American South, and an amateur hot sauce chef. Disclosure: Guests on the Mitlin Money Mindset are not affiliated with CWM, LLC, and opinions expressed herein may not be representative of CWM, LLC. CWM, LLC is not responsible for the guest's content linked on this site. This episode was produced by Podcast Boutique https://www.podcastboutique.com
Al and Kev talk about their favourite games this year so far Timings 00:00:00: Theme Tune 00:00:30: Intro 00:04:23: What Have We Been Up To 00:25:31: Game News 00:43:48: Story Of Seasons X Royal Zoological Society of Scotland 00:47:59: Mid-year Check-in 01:18:11: Outro Links Moonlight in Garland 1.0 Release Above Snakes Console Release Out and About Release Coral Island 1.2 Update Sugardew Island Dog Aether Wizard Life “Announcement” Trailer Fields of Mistria Merch Collection Story of Seasons x Royal Zoological Society of Scotland Contact Al on Mastodon: https://mastodon.scot/@TheScotBot Email Us: https://harvestseason.club/contact/ Transcript (0:00:30) Al: Hello, farmers, and welcome to another episode of the harvest season. My name is Al. (0:00:36) Kev: My name is Kevin. (0:00:38) Al: And we are here today to talk about cottagecore games. (0:00:41) Kev: Wooo! (0:00:43) Al: I’m back from my holiday. Hello. (0:00:45) Kev: You… from the Isle of Men… (0:00:49) Kev: I don’t know where you were. (0:00:49) Al: All the men. Yeah, I know that’s where I was. I love man, as usual. Yes, I’m back. (0:00:51) Kev: I don’t know where you were. (0:00:54) Kev: Okay. (0:00:56) Kev: Yeah. (0:00:58) Kev: The opposite of No Man’s Sky. (0:01:00) Al: Almanska, yeah. I’m melting because I got home and it’s apparently 25 degrees and that’s too hot for me. (0:01:01) Kev: Heh. Heh heh. (0:01:10) Kev: So, look, the people, you know a lot of Americans, (0:01:15) Kev: and we love to give you a hard time (0:01:16) Kev: because those are nothing numbers for us, (0:01:19) Kev: but I will say, you know, (0:01:20) Kev: I think something a lot of Americans easily overlook (0:01:24) Kev: is you’re pretty far up north. (0:01:26) Al: Mm hmm. Yeah. Yeah, yeah, yeah, I’m further north. I’m further (0:01:26) Kev: Well, like latitude-wise, right? (0:01:28) Kev: Like you’re Canada north, which gets frosty. (0:01:32) Al: north than all America except that last (0:01:33) Kev: Yeah. (0:01:36) Kev: Yeah, so, you know, that’s fair, (0:01:39) Kev: But, but we’re still going to. (0:01:40) Kev: I’m laughing, you know. (laughs) (0:01:41) Al: Well, also, it’s interesting because like every time that someone like from a warmer (0:01:47) Al: place moves to the UK and then the experience, the UK summer, they’re like, oh, people weren’t (0:01:53) Al: just talking nonsense. It is, it’s different. And it’s hard to explain. I don’t know why, (0:01:59) Al: but it is just, it is, I don’t know. Like I don’t know, because I’ve never lived in (0:02:03) Kev: Wha- (0:02:04) Al: a hotter place. But all I will say is that lots of people who have lived in really hot (0:02:09) Al: places come to the UK (0:02:11) Al: and say that the heat is different. (0:02:13) Kev: Huh, I mmm. I don’t know I mean well (0:02:16) Kev: I will say this right like one thing you guys aren’t built for warmer temperatures generally speaking not like (0:02:23) Kev: Alright, so you know down here in the American South for instance, right? (0:02:27) Kev: We have air conditioning so you know you can go in a building and escape the heat (0:02:32) Kev: And that’s not always the case over there in there (0:02:33) Al: Yeah, my office is currently warmer than outside. So, but also I am ginger, so definitely not built (0:02:37) Kev: Yeah, there you go see so say yeah (0:02:43) Al: for heat. Yeah, yeah, I use factor 50 sun cream. All right. This episode we’re going to do, (0:02:44) Kev: Here’s biologically sensitive to pretty much everything (0:02:58) Al: uh, I think, I think Cody and Kevin insinuated that this episode would be the tales of the (0:03:03) Al: shower episode is not, that’s going to be in a couple of weeks, just because we’re having some (0:03:07) Al: scheduling things and, uh, you know, want to make sure we’ve, uh, the game has been played properly (0:03:13) Al: before it is covered. So that will be in a couple of weeks. Um, this week we’re going to talk about, (0:03:19) Al: we’re going to do a major check-in, see how we’re feeling about games for the year. Um, this is (0:03:24) Kev: Mm-hmm (0:03:24) Al: obviously not our game of the year episode that will be in five months, no, four months, four (0:03:30) Kev: Pudby (0:03:32) Al: More months! (0:03:33) Kev: That’s not I’m going to pretend you didn’t say that I’m going to pretend you didn’t say that (0:03:34) Al: That’s how time works, apparently. (0:03:41) Al: It’s halfway through August, and that means it’s four and a half months to the end of the year. (0:03:44) Kev: That’s not true (0:03:46) Al: It also means it’s nearly my birthday, but anyway. (0:03:50) Kev: Well, so get the two-third year check-in (0:03:54) Al: We are going to… We’re just calling… I said mid, not half. I said mid-years, (0:03:59) Al: Yeah, so we’re gonna talk about what we would talk about again. (0:04:04) Al: And what we think might be in the running for Game of the Year this year. (0:04:08) Al: We’ll see. I’ll be interested to see whether we’re right or not. (0:04:12) Kev: All right, I’m first question have I played enough games to come up with three? (0:04:18) Al: Ah, who cares? Before that, we’ve got a bunch of news. But first of all, Kevin, what have you been up to? (0:04:26) Kev: Oh (0:04:27) Kev: Okay, so (0:04:30) Kev: Okay, where should I start? Okay, you know, I’ll start with this (0:04:32) Kev: Okay, the battle cats mobile game with the funny you are our art in the cats. They’re goofy looking (0:04:39) Kev: I’ve discussed it on the show before (0:04:42) Kev: So that’s a game I go on and off and generally something draws me back to it and (0:04:50) Kev: The what is the number one crossover to draw me to any game out (0:04:54) Al: Oh wow, oh goodness. Number one. We had this exact same conversation a month and a half ago, (0:04:58) Kev: Number one (0:05:04) Al: and I can’t remember what the answer was, and I feel like I overthought it, (0:05:04) Kev: Probably (0:05:07) Al: just like I’m overthinking it just now. (0:05:09) Kev: You are I don’t know what but (0:05:12) Kev: It was probably the same because it’s crosses over the law. There you go (0:05:13) Al: Probably. Sonic. Ah, yay, I got it right this time. (0:05:19) Kev: Sanic in in in in the battle cats (0:05:22) Al: Sonic’s in Battlecat! (0:05:24) Kev: Yeah, it’s actually I forgot to bring it up last week (0:05:26) Kev: It was - it started two weeks ago from recording and today I think is the last day. Sorry listeners too late for you (0:05:33) Kev: He’s not but neither is (0:05:37) Kev: Hatsune Miku or (0:05:39) Kev: Street fighter, but they’re in there (0:05:40) Al: I don’t know. If somebody told me that Hatsune Miku is a cat, I would believe it. (0:05:48) Kev: you know, um, you know what, that’s fair. That’s fair. Um, here, let me, uh, as, as we do, I’ll, yeah, I’ll do the, the slack thread. (0:05:57) Kev: Um, uh, let me, I’m going to show you the art, um, because, so how these crossovers and battle cats usually work is, uh, there’ll be a banner of four characters, um, from the actual property crossover, whatever. (0:06:12) Kev: Um, uh, and, and so, yeah, the four. (0:06:18) Kev: Characters, um, and they went with the, the obvious ones, Sonic, Tails, Knuckles, and Shadow, the Hedgehog, because of course the poster children. (0:06:27) Kev: Um, but what’s fun is, uh, they’ll also introduce a series of cats, uh, as in the battle cats TM, um, that look like, or cause play as the other characters. (0:06:40) Kev: Um, and they’re quite goofy looking. (0:06:42) Kev: Um, I don’t. (0:06:42) Al: Why is there such a height disparity there? (0:06:48) Kev: I don’t know. That’s a good question. I don’t, I, that particular image, oh no, that, that particular image, I think it’s just, uh, just the, the framing, like it’s front to back. (0:06:49) Al: Like, shadow is meant to be… (0:06:56) Al: Well, no, I think, sure, for the actual sonic and shadow on the right-hand side, (0:07:02) Al: but on the left-hand side, the sonic cat is clearly like three times the height of shadow cat. (0:07:04) Kev: okay yeah oh yeah yeah okay so there’s a sonic cat that looks like shadow like (0:07:12) Kev: the regular cat like shadow cat but then you can evolve him and he turns into (0:07:16) Kev: this taller cat I don’t know why because it’s the battle cats they love to do (0:07:18) Al: Oh. Oh, so you’ll be able to get both of them as as tall or (0:07:19) Kev: weird things that’s why that’s your answer it looks like a twinkie with a (0:07:23) Kev: sonic cat yeah I’ve only seen Sonic’s evolution so I don’t know if the other (0:07:31) Kev: cats can evolve in tall forms or (0:07:34) Kev: weird forms but Sonic Cat does get weird he turns tall like a Twinkie but (0:07:40) Kev: yeah so yeah it’s I will say Battle Cats is pretty good with their collabs (0:07:46) Kev: because of course you get the characters but you also get stages which come with (0:07:52) Kev: full Sonic soundtracks there’s like four special stages that you can do on a (0:07:56) Kev: repeat in different missions and so it’s been a lot of fun the Sonic cast are (0:08:02) Kev: Actually quite quite good (0:08:04) Kev: The actual characters I pulled I got Sonic (0:08:08) Kev: So I’m happy. I got one at least (0:08:11) Kev: Calvin pulled tails, I believe but sadly we didn’t get the others (0:08:17) Kev: But what is nice these collabs will frequently come back (0:08:21) Kev: Well, maybe not frequently, but but they come back on some regularity. It is to be expected (0:08:26) Kev: So I’ll be saving up for the next time Sonic swings around but it’s it’s been good fun (0:08:32) Kev: I’m getting better and I do (0:08:34) Kev: Enjoy the game battle cats not just the the polls really got your whatever so it’s been nice to get back into the end (0:08:40) Kev: So yeah Sonic and the battle cats. It’s been a lot of fun. Oh, you know what there was an intro video (0:08:44) Kev: Let me find the intro video. Hold on. I’ll put it in you can watch it later (0:08:48) Kev: But but they did a little animation. It was good (0:08:52) Kev: So yeah aside from that, um, oh, you know what I finished monk the the detective show monk (0:09:01) Kev: It’s it’s good. I (0:09:04) Kev: Yeah, eight seasons so I kind of crushed it cuz I don’t know I’ve been binge watching but it’s like the regular show (0:09:10) Kev: I’ll watch when I get home or whatever (0:09:13) Al: Oh, it’s it’s old. I mean, I said it’s old. I mean, not super old, but like 20 years old. (0:09:16) Kev: Sorry, what was that? Oh (0:09:19) Kev: Yeah, yeah, well, that’s a thing they actually did I after I finish I have to watch (0:09:26) Kev: the (0:09:27) Kev: Sorry, I have to see (0:09:29) Kev: There’s a movie they’d made a movie in 2023 50 (0:09:34) Kev: years or so after the end (0:09:36) Kev: and I can’t wait to check that out (0:09:40) Kev: they have all the original actors they (0:09:43) Kev: look quite old but it’s still enjoyable (0:09:45) Kev: but yeah anyways my great series the (0:09:49) Kev: main actor Tony Shalab he’s he is such a (0:09:53) Kev: good actor like his performances are (0:09:55) Kev: just incredible easy recommend for (0:09:58) Kev: anyone but yeah the later seasons were (0:10:01) Kev: really good season sevens really good (0:10:04) Kev: it feels like they knew the end was (0:10:07) Kev: coming so they did a lot of stuff to (0:10:10) Kev: celebrate the series if you will so yeah (0:10:13) Kev: good good stuff was good (0:10:15) Kev: um let’s see other than that nothing (0:10:20) Kev: honestly not that much it’s been crazy (0:10:23) Kev: at work but thankfully I finally finished (0:10:24) Kev: this huge project and so I’ll finally be (0:10:26) Kev: able to partake in other things again (0:10:28) Kev: these upcoming oh wait wait one more (0:10:31) Kev: thing how could I tear a nail after my (0:10:34) Kev: last week I played the update their nail (0:10:36) Al: Oh yes. Nice. It’s just more of the same. (0:10:37) Kev: um it’s yeah turn out a good game still (0:10:40) Kev: good game the core still the same the (0:10:43) Kev: new levels the new line yes and no like (0:10:47) Kev: the center of the general purpose but (0:10:49) Kev: they introduce a lot of new mechanics (0:10:50) Kev: and and different kind of ways to solve (0:10:54) Kev: the puzzle I’ve been enjoying it of (0:10:56) Kev: course but let them fun thing they did (0:10:58) Kev: they’ll add new objectives even to the (0:11:00) Kev: old stages so let’s say I had a hundred (0:11:04) Kev: four all those areas I had a hundred (0:11:05) Kev: percent are not only like seventy five (0:11:08) Kev: percent because they had a new objective (0:11:10) Kev: so gives you a good reason to go back (0:11:12) Kev: and then try the old levels and have fun (0:11:13) Kev: with them again since it’s like a (0:11:16) Kev: procedurally generated level it’s you (0:11:18) Kev: know it’s fun every time so yeah a (0:11:20) Kev: tear in L it’s good all right out what (0:11:24) Al: Hmm. Not a huge amount because I’ve been on holiday and going on holiday with kids means (0:11:33) Al: not having a holiday. So I’ve not had a huge amount of time to do much, but I have started (0:11:36) Kev: Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha. (0:11:42) Al: playing Donkey Kong, Bonanza. I’m only like an hour or so in. I mean, I’ve got a good (0:11:47) Kev: okay (0:11:48) Al: idea of how the game plays, but I’m not like super. (0:11:50) Kev: yeah (0:11:54) Al: Super far through it. I got through the tutorial level and I’m kind of like half the way through (0:11:55) Kev: why (0:11:58) Al: the next set of levels. Yeah, mostly, mostly. I am very frustrated with the camera. It is (0:11:59) Kev: okay I’ve heard that game is good like really really good (0:12:05) Kev: mostly (0:12:13) Al: fine when you’re out in the open, but as soon as you get into any like tunnel or like go (0:12:20) Al: underground. It’s super not fun. (0:12:24) Al: a great camera for that. And I think the most frustrating thing is there was a section (0:12:28) Al: in the tutorial where the camera worked really well for underground. It like kind of zoomed (0:12:33) Al: out and you could see through the ground and it was like a really nice way. But it’s I’ve (0:12:37) Al: not seen it again do that since then. And I don’t know why they don’t use that camera (0:12:41) Al: when you’re underground because like you just end up like going up against the wall and (0:12:43) Kev: Hm. (0:12:47) Al: it gets really confused. And it’s really hard to see anything. And considering it’s a game (0:12:54) Al: where you’re like smashing everything up and you’re encouraged to make tunnels through (0:12:57) Al: the ground. I don’t know why they didn’t put more effort into that camera. Not that I can (0:13:00) Kev: is there an option for that i’m gonna guess no because it’s a nintendo game (0:13:04) Al: see. Yeah, not that I can see. There’s a decent amount of controller options, but nothing (0:13:07) Kev: nintendo doesn’t believe in options heck sometimes (0:13:15) Al: for changing how the camera works other than inverted camera. (0:13:19) Kev: do you remember in was it no sword and shield they hid the audio options on an item (0:13:27) Kev: you had to talk to an NPC to get it (0:13:28) Al: Oh yeah, that was a certain field. That was bizarre. And it wasn’t even the first area. (0:13:30) Kev: no it was like motor stoke yeah I’m (0:13:35) Al: You had to get up to Motorstoke, I think. Which is like a third of the way through the game. (0:13:40) Kev: pretty sure so that was there’s a couple (0:13:42) Kev: yeah you had to pass the wilder that’s (0:13:45) Al: You couldn’t change the volume settings until you were a third. It’s just bizarre. (0:13:48) Kev: crazy yeah yeah ha ha ha ha ha ha ha (0:13:50) Al: And then you have to buy it. Yeah, that was a stupid decision. (0:13:56) Al: Like a lot of times with games, I’m like, OK. (0:13:58) Al: Sure, I don’t like that, but maybe that’s stupid, right? (0:14:02) Kev: Oh my gosh, yes, oh. (0:14:02) Al: That’s just that is literally an accessibility option, right? (0:14:05) Al: Like, come on. (0:14:06) Kev: Yep. (0:14:07) Kev: Oh my gosh, you know, I hate them, but I also love, because I just love trash fires. (0:14:16) Kev: I love bad stupid decisions like that. (0:14:19) Kev: Battle Cats actually has one. It’s like the single flaw in the entire game, because the game is very well made in my opinion. (0:14:25) Kev: And it’s a very minor, like very niche thing, but there’s, as you can imagine, (0:14:32) Kev: They have like a gallery or whatever, right? Go through the menu and, you know, go through the characters, see their stats, yada, yada. (0:14:39) Kev: Well, they have an enemy guide too, same thing, but the enemy guide is just a straight horizontal list. (0:14:48) Kev: There’s no pages, you can’t filter, you can’t search, you just have to go left to right through an entire (0:14:55) Kev: huge roster of enemies. It’s almost the worst. (0:15:00) Kev: Anyways options are good (0:15:02) Kev: Forgive people options people (0:15:04) Kev: Do good things (0:15:05) Al: So yeah, I think that’s, that’s about it. I mean, I’ve been watching through the Sandman (0:15:11) Al: show, but I’m not really talking about that because, you know, Neil Gaiman, awkward. So (0:15:15) Kev: Sand man, I wait. What is that? I don’t know what that is (0:15:18) Al: Sandman who’s a DC character at TCC, that one, but it’s the Netflix adapted it into (0:15:21) Kev: Oh, it is that one okay, okay (0:15:26) Al: a show. And they did the first season a couple of years ago, and then the whole Neil Gaiman (0:15:32) Al: and stuff, you know, because he was the one that wrote down, man. (0:15:34) Kev: Uh, yeah. (0:15:35) Al: And they were like, oh, oh, but they did manage to get the second season done without him. (0:15:44) Kev: Well, guess what, anything you do probably gives someone awful money. (0:15:44) Al: He’s almost certainly getting money for it, but whatever. (0:15:53) Al: Yes, I know, I know, I know, I know, I know. It doesn’t make me feel better. (0:15:58) Al: Yeah, so I have been watching that and I’ve mostly been managing to ignore him. (0:16:06) Al: And focus on the show and it’s good. I like it. I enjoy the show. (0:16:08) Kev: sure sure that’s cool yeah it’s wild to me the the the you know years between seasons structure (0:16:18) Kev: that netflix does um I don’t know I just I find it crazy like I was at wednesday the wednesday show (0:16:25) Kev: that was a three-year gap and it was only eight episodes I think the new season that’s insane to (0:16:26) Al: Yeah. Yeah, yeah. (0:16:33) Kev: me you remember when shows I say this someone watching monk you’d get like (0:16:38) Kev: ish episodes of season every year isn’t that great 20 to 26 (0:16:42) Al: Well, you want to have a conversation? No, I don’t like that. (0:16:48) Kev: what what (0:16:48) Al: So, right, OK, so there’s two parts to this. One, do I wish the shows that I like released (0:16:52) Kev: okay (0:16:55) Al: yearly? Probably, if they could keep the quality up, yes. But do I wish that all series were (0:16:58) Kev: yeah okay (0:17:02) Al: still 20 episodes? Absolutely not. Why would I want 20 episodes when half of them are boring? (0:17:09) Al: right, give me the eight episodes that are good, don’t give me the more that (0:17:12) Al: you don’t care about, give me what you think you want, not something that is enforced by (0:17:17) Al: studios because they need year-round episodes, like we don’t need to do that anymore and I don’t (0:17:23) Kev: Mmm, I mean (0:17:23) Al: care for it. It’s like how it’s like, oh you know, like do you complain about the fact that episodes (0:17:32) Al: aren’t always, you know, was it 48 minutes long anymore because they don’t all have to fit into (0:17:36) Al: the exact same advert blocks. Now, (0:17:39) Kev: Mm-hmm. I (0:17:42) Kev: May kind of do (0:17:42) Al: you can take that too far, Netflix with your two and a half hour season finale of Stranger Things (0:17:48) Al: season four last time. That was too far, but other than that, I mean that doesn’t, you can have (0:17:48) Kev: Yes, yes (0:17:53) Kev: Exactly (0:17:58) Al: a middle thing which is not in the extremes there. I like when episodes aren’t like necessarily (0:18:02) Al: consistent because they want to fit in what they want to fit in, that they feel fits their artistic (0:18:07) Al: expression. I like that. (0:18:08) Kev: yeah okay sure I guess okay you know here’s the call here’s the here’s the qualifier right (0:18:13) Al: Do you really miss clip episodes? (0:18:18) Kev: is it good right which is a dumb thing because that’s the question right because let’s all right (0:18:19) Al: Yes, of course. (0:18:23) Kev: let’s yeah you can look at examples on both ends of the spectrum right um look at uh look at cora (0:18:30) Kev: right that that show could have used some more episodes for sure um that that first season needed (0:18:33) Al: possibly. I mean maybe they didn’t have anything else they wanted to put in it, right? Like… (0:18:38) Kev: at least a couple more episodes at first (0:18:41) Al: Yeah, I guess my point is not like, oh, I wish we didn’t have more episodes, right? I’m not saying (0:18:48) Al: that. Like, if there’s good stuff, I want to see it. But I don’t agree with the, oh, wasn’t it (0:18:53) Al: great when every show had 20 to 22 episodes and they were all the exact same length and they (0:18:59) Al: happened. No, I don’t. I don’t long for those days. I don’t. (0:19:02) Kev: Don’t know I got a monk. It’s been pretty good the whole time. I guess it did depends (0:19:04) Al: But I just, it’s just when you, when you got the like episode, that was the clip episode, (0:19:11) Al: because they had to put out an episode and they didn’t care. They didn’t want anything. (0:19:13) Kev: Monk did not do that actually crazy, but you sure yeah, yeah, but but okay. Yes, that’s just (0:19:16) Al: Sure. But most shows did almost every show did. And some of them did it better than others, (0:19:21) Kev: Yes, yes (0:19:22) Al: but you always, every time it happened, you rolled your eyes and went, Oh, here we go. (0:19:24) Kev: Yeah, okay, you know what you’re right (0:19:26) Al: And you watched it anyway, because maybe there was something that was actually going to progress the (0:19:29) Al: story. You don’t know. It might be fully clips or it might actually do something. (0:19:31) Kev: Sure (0:19:33) Kev: Eh, I guess (0:19:34) Al: But I mean, I think the, I think the, as you say, the complication is it depends on the show. (0:19:42) Al: It depends on what they’re doing. And I don’t think it’s, it’s obviously not the case that (0:19:47) Al: creators get to do what they want all the time. Obviously I’m not, I’m not suggesting that is, (0:19:48) Kev: Okay, okay, yeah, yeah, that’s (0:19:53) Al: but I think having more freedom for that, I think is a good thing in general. And. (0:19:59) Kev: Sure, you know, okay fine. I don’t need every show to (0:20:03) Kev: How should I put this? Okay? I don’t it’s not that I want every show to be 26 episodes every year or whatever (0:20:10) Kev: but when I look at (0:20:11) Al: The numbers just getting higher and higher (0:20:13) Kev: when I look at (0:20:16) Kev: Though the Wednesday series (0:20:18) Kev: Right episodes in three years that that seems like you know that it seems cheap for lack of a better word, right? (0:20:20) Al: So, I think, well, I mean, you say that cheap, like you pay for the subscription for Netflix (0:20:32) Al: when you want to get the stuff and you watch it and then you stop subscribing, right? I (0:20:34) Kev: Sure, sure. Yeah. Yeah (0:20:36) Al: think of those sorts of shows as in the same way that people complain about them because (0:20:41) Al: they’re structured like films, I think of them in that sort of way as well, right? Three (0:20:46) Kev: That that is true (0:20:47) Al: years, three years between a film and its sequels. (0:20:50) Al: Not an unusual amount of time, and eight episodes is longer than a film would be. (0:20:51) Kev: That is very true that that’s what that’s what I’m (0:20:56) Kev: You’re right, that’s that’s what I’m not thinking here because that that is more common nowadays (0:21:00) Kev: Isn’t it where a season of a show is really just an extra-long movie like the Marvel Studios shows? (0:21:06) Kev: You’re you’re right about that (0:21:10) Kev: Yeah, that’s a good point touche (0:21:12) Al: I mean Marvel have a problem with sequels in general just now, right? Like when was the last, (0:21:16) Kev: Ah (0:21:18) Al: you know, in we got three Iron Mans and I think it was eight years or something like that and (0:21:26) Kev: Yeah (0:21:26) Al: it’s now been what four years since Shang-Chi and we haven’t even got a second yet. (0:21:30) Kev: Yeah (0:21:31) Al: Like there is a real problem they have with sequels just in general which is a whole other (0:21:34) Al: conversation and is probably part of the reason that they’re not getting big box office numbers (0:21:35) Kev: Yeah (0:21:41) Al: because most. (0:21:42) Al: There are big numbers. (0:21:43) Al: We’re always the third in a series, you know, Iron Man one didn’t make a billion. (0:21:46) Kev: Mmm, that’s a good point. (0:21:48) Al: Iron Man three did make a billion. (0:21:52) Al: Just saying also, you know, it’s things like, you know, the Marvels being called the Marvels (0:21:52) Kev: Uh, yeah. (0:21:57) Al: rather than Captain Marvel two probably would have made more money if it had done that. (0:21:58) Kev: Yeah… (0:22:01) Al: Now, there are obviously other issues with that in terms of misogyny, but that was still (0:22:04) Al: there when the first film came out and it made a billion. (0:22:05) Kev: Yeah… (0:22:06) Kev: Yeah, exactly! (0:22:07) Kev: Right, right? (0:22:07) Al: Why did the mark? (0:22:08) Al: Why did Captain Marvel make a billion and the Marvels didn’t? (0:22:11) Al: And then there’s all this other complications. (0:22:12) Al: Well, nobody has any money anymore and COVID killed everything until blah, blah, blah, blah, blah. (0:22:17) Al: But Deadpool and Wolverine made a billion. (0:22:19) Al: That was the third in the series as well, right? (0:22:22) Al: Like they clearly can make lots of money. (0:22:24) Al: They’re just not doing what they used to do, which made them lots of money. (0:22:28) Al: They make a film and it doesn’t make a lot of money. (0:22:30) Al: And they go, Oh, well, well, let’s not make a second. (0:22:31) Al: But the whole point was your first ones never make a lot of money. (0:22:34) Al: It’s the second and third that make the money. (0:22:36) Al: And also which third film in the MCU made the least money, Thor. (0:22:42) Al: Or three. Why was that? (0:22:43) Al: Cos Thor 2 was bad. (0:22:44) Kev: It was really bad is it is it hmm (0:22:47) Al: Coincidence? (0:22:49) Kev: Have we are I’m thinking got you know on our discords and slacks have we argued which of the worst Marvel films (0:22:55) Kev: I feel like that that needs to happen. Oh (0:22:56) Al: I mean, it’s I mean, it’s Star of the Dark World, right? (0:22:59) Kev: I mean I (0:23:02) Kev: Okay, I don’t want to turn but it’s probably a rise probably dark world. Yeah, I’m struggling to think (0:23:06) Al: Eternals, I’m not trying, I’m not trying to say Eternals was one of the best, but it’s not the worst, not at all. (0:23:10) Kev: It’s not as bad as dark world. Yeah, I believe a dark world (0:23:12) Al: Absolutely not. There is, I don’t think there is an MCU film that is as bad as those. (0:23:18) Kev: Yeah, that was rough. Oh I miss (0:23:22) Al: Like, I mean, try and explain this plot of that film. (0:23:29) Kev: Yeah, yeah, no there’s (0:23:30) Al: Thor’s girlfriend gets injected with something, and he has to get it out of her, (0:23:32) Kev: And they and he used to fight dark elves (0:23:34) Al: and also his mum dies, maybe, I think. (0:23:38) Kev: Did she did I don’t know why but oh god (0:23:41) Al: You can know everything about that film, just from the bit where they go back in time (0:23:46) Al: and endgame to it. That is the only bit about that film that matters. (0:23:47) Kev: They were yeah, yeah, they really didn’t see good. Oh, yeah (0:23:50) Al: It tells you everything. (0:23:53) Al: In fact, there’s more, there’s more character progression and more heart in that scene when (0:23:58) Al: he goes back than there is in the entire film. You know, when he meets his mom and he’s sad (0:24:02) Kev: There is (0:24:03) Al: because he knows she’s about to die, you know, that is more than the entire film has. (0:24:05) Kev: Yeah, you’re you’re right I did enjoy that what 15 minute bit (0:24:10) Al: And then, and then he calls for his, then he calls from y’all near and it comes for him and he’s (0:24:14) Al: so happy. He says, I’m still worthy. (0:24:18) Kev: You’re right, that was better than the entire movie. You’re right. I (0:24:23) Al: I mean, I don’t know how they, how did they make that film so long when there’s so little that happens? (0:24:29) Kev: Don’t I don’t know. I just whatever well, I will say this Kat Dennings (0:24:31) Al: Anyway, you would, you would, you would have to have a, you’d have to have a, well, yeah, (0:24:36) Al: okay, true. I mean, that’s fair. She does improve any film. But you’d have to have a really good (0:24:38) Kev: Yeah, yeah, that’s correct (0:24:44) Al: argument to convince me that that’s not the worst film. I don’t think anything even comes close. (0:24:47) Kev: Yeah, okay, you know what fair fair. I’m gonna yeah fair. I haven’t seen fantastic for (0:24:53) Al: Anyway, what was my point? Yeah. Yeah. I was watching The Sandman and then I’m probably (0:24:58) Kev: Sandman (0:25:00) Al: going to watch Weddings day after that. Cause that’s, I need to, I need to watch that next (0:25:02) Kev: Cool I like the Adams family (0:25:03) Al: season. And then where else have we got Strange, Strange New Worlds, Star Trek. That’s coming out (0:25:09) Al: just now. Need to watch that as well. Name a Star Trek that doesn’t fit that description. (0:25:10) Kev: Oh (0:25:12) Kev: Is that the one with the hot guy I don’t remember (0:25:18) Kev: Oh (0:25:21) Kev: That’s a good point, but that’s a good point (0:25:22) Al: Anyway, that’s what we’ve been up to. Maybe I’ll have more to talk about Bonanza when (0:25:32) Kev: No, we did it (0:25:34) Al: next time we’ll see. All right. We’re going to talk about some, (0:25:36) Kev: Get to the end (0:25:38) Kev: I’m saying get to the end. There’s there’s good things in that game. Mm-hmm (0:25:40) Al: I don’t think I’ll do that in a week. I have heard that the story is good, but I’ve not got (0:25:47) Al: to any point that actually matters with the story yet. Yeah. Let’s talk about some. (0:25:52) Al: Game news. First up, Moonlight in Garland, which Kevin’s probably going, Oh, I can’t remember what (0:25:59) Al: that game is. I don’t recognize that name. Well, it’s coming out of early access on the 27th of (0:26:00) Kev: CORRECT! (0:26:06) Al: August. I mean, it’s pretty much it’s. (0:26:12) Kev: Ha ha ha use the mad libs the cottagecore game mad laser you just yeah (0:26:19) Kev: There I’m looking (0:26:22) Al: Seems like it’s less farming, more community building, and it’s like a kind of town slash (0:26:29) Kev: Yeah (0:26:32) Kev: Yeah, this has a very specific (0:26:32) Al: city rather than village. (0:26:38) Kev: Aesthetic to like mid-2000s. I don’t know a (0:26:42) Al: Yeah, I was thinking Polly Pocket, but like the characters from Polly Pocket rather than the (0:26:45) Kev: Pocket Polly like it’s weird. Um (0:26:50) Kev: Yeah, yeah, yeah exactly the characters right that’s exactly I’m talking (0:26:51) Al: action. Yeah, it’s funny that we both had the same thought that that shows you where it’s at. (0:26:57) Kev: Yeah, that’s so (0:26:59) Kev: Wait, is this the one where you can do crime? No, that might be a different one. We live in the city (0:27:02) Al: No, that’s not this one. That’s not this one. No crime in this one. (0:27:08) Kev: Gosh good old cottagecore. We’re in too deep. Oh, we’re in too deep (0:27:15) Kev: All right (0:27:17) Kev: Wait, so what was the actual news here? Are we at one point a release? Okay, August 27th (0:27:22) Al: Yes, 27th of August. Next, “Above Snakes have announced their console releases coming on the 4th of September.” So that is Switch, Xbox. (0:27:30) Kev: I’m kind of surprised they’re doing console’s release was that do we cover again I I don’t (0:27:35) Al: That was a Kickstarter stretch thing. (0:27:37) Kev: even remember did we come (0:27:39) Al: I don’t know if we did a proper one on it. We had our episode where we talked about the cultural… (0:27:46) Kev: Yeah, yeah, Nami on that, yeah, yeah, I remember that. (0:27:48) Al: I don’t want to say appropriation, the cultural questions around it. (0:27:52) Al: Shall we see? (0:27:52) Kev: Yeah, yeah, I do remember that. (0:27:54) Al: I don’t know if we actually covered that. (0:27:55) Kev: But, well, you know what? (0:27:58) Kev: Hats off to them if that was a goal (0:28:01) Kev: and they’re actually doing it, right? (0:28:02) Kev: Because even games that do release from Kickstarter (0:28:05) Kev: don’t always get to the console port when they promise it. (0:28:08) Al: Absolutely. Yeah, I should probably play at some point. I do have it. I own it on Steam (0:28:19) Al: because I backed it because it came out on that period of time where I was backing basically (0:28:24) Kev: everything before you (0:28:25) Al: every vaguely cottage core Kickstarter. I’m better now. I have not backed a farming game (0:28:33) Al: on Kickstarter since Autonomica. (0:28:38) Al: I went back in April. Yeah. I have backed two Kickstarters back then, but since then, (0:28:39) Kev: So your time on rehab was successful. (0:28:41) Kev: Good, good for you. (0:28:47) Al: but neither of them have been farming. (0:28:49) Kev: Nah, look at you, progress. (0:28:53) Kev: Well, hey, that’s September 4th. (0:28:56) Kev: Oh, I don’t like how close that is. (0:28:58) Kev: How’s it going so fast now? (0:29:00) Al: I don’t know. Time. (0:29:04) Kev: Time. (0:29:07) Al: Next we have Out and About. They managed to release this time successfully. This was the (0:29:10) Kev: Your comment. (0:29:15) Kev: This time. (0:29:19) Al: one where last week they tried to release, but they accidentally, or they realized they (0:29:23) Al: hadn’t clicked the access button, which put it into review, and then it took several days (0:29:24) Kev: They deleted the button. (0:29:30) Al: so now they have actually released their early access. Congratulations to Out and About. (0:29:34) Kev: good for them they did it I don’t know the game looks fine I guess it’s walking (0:29:45) Kev: through a forest looking (0:29:48) Al: Yeah, it’s doing something different. It’s not just like, it’s not farming, it’s foraging, (0:29:52) Al: and the idea is you’re exploring, and it’s another picture-taking one as well, but (0:29:58) Al: you’re foraging for things. It’s cute. (0:30:00) Kev: Yeah, it is. It’s, uh, it’s like, uh, what is it? Uh, the, the, the, the, the hike game. Um, I forget, it kind of reminds me of that, but a little more involved. (0:30:10) Al: Oh, a short hike. Yeah. It’s much more, you know, it’s 3D, third person view. No. Yeah. (0:30:12) Kev: Yeah. It’s the one. Yeah. But you know, you’re actually foraging. (0:30:16) Kev: Yeah. Yeah. It looks like an extension of that. Not necessarily better extension, but just, you know, kind of in that vein of ideas of just going through the woods and looking at stuff. (0:30:28) Al: I’m also comparing it to Alba in my head because it was kind of similar where you’re (0:30:35) Kev: Yeah, yeah that too yeah, um yeah, okay. Well hey good good for them. They found the button finally (0:30:44) Al: Congratulations. Next we have Coral Island have announced that their 1.2 update is out. (0:30:51) Kev: Okay, why why is there someone in a dinosaur suit? (0:30:56) Al: Why not? What a silly question! I’m guessing that’s one of the spooky costumes, cause. (0:30:58) Kev: How good (0:31:00) Kev: You know, that’s a good counterpoint, okay (0:31:06) Al: So the things that are coming in this update, multiplayer, they’ve revamped their romance (0:31:11) Al: progression, adding more hearts. You can get up to a heart event, sorry, you can get up (0:31:15) Al: to 15 hearts now with heart events. So 11 to 15 are after marriage, like the stargy (0:31:22) Al: ones added in like 1.4 or something, I forget. (0:31:27) Al: But they’ve also added spooky costumes, okay? (0:31:35) Al: Like, this is one of those ones that feels weird that this feels like (0:31:40) Al: something they wanted to do for 1.0 and just didn’t, but. (0:31:43) Kev: yeah that’s it that is very much what it feels like Mitch drew I guess good for (0:31:49) Kev: them that a gate got here like yeah I am NOT gonna fault them for that because (0:31:54) Kev: it’s a game dev is hard I don’t know if you know that out oh oh I like you I’m (0:32:00) Al: Yeah, yeah, yeah, that’s fair. (0:32:02) Kev: looking I’m sorry I’m looking for the video some of the costumes the the NPC’s (0:32:06) Kev: rather pretty good there’s like a tinker the good chicken a Tinkerbell costume I (0:32:09) Kev: like that that’s good (0:32:11) Al: Yeah, there does seem to be a lot of care taken on these costumes. They’re not, they’re not just like generic things. Each person has like a unique costume and they’re all very interesting. The twins have almost the same costume, which is fun, but they’re not quite. They’re slightly different, which is based on, you know, their personality. (0:32:32) Kev: That’s fun to, yeah, that’s, yeah, I like that, that’s, that’s good, yeah, um, dressing (0:32:37) Kev: up your NPCs. (0:32:38) Kev: You know what, I take it that the dinosaur costume is a good idea. (0:32:41) Al: I’m trying to find them. So I’ve asked you motivates us that I found their spooky festival section of the video. I’m guessing that’s where you saw it. Well, I see someone as a panda. (0:32:48) Kev: Yeah, there’s near the start (0:32:51) Kev: All the twins. Oh (0:32:51) Al: I was near the start of the video. (0:32:54) Kev: Yeah, it’s near the start all that. I’m looking at the twin costumes. Those are good. Actually (0:32:59) Kev: They might be the best costumes (0:33:01) Kev: It’s a I don’t know. There’s like little blueberry monsters. I don’t know how to describe it better (0:33:09) Kev: That’s cool. What is that guy there? (0:33:10) Al: It’s definitely you have to see. (0:33:12) Kev: Yeah, there’s a guy in a black turtle. What is that is that supposed to be a costume that doesn’t look that’s just a (0:33:18) Kev: Guy in a sweatshirt and jeans. I don’t get that (0:33:22) Al: And yeah, OK, I don’t know what his I don’t know what Pablo’s costume is he trying to be Steve Jobs or something? (0:33:30) Kev: I guess with Shane. I don’t know. I don’t know (0:33:33) Al: I don’t know. (0:33:37) Al: Where’s this dinosaur costume you’re talking about? (0:33:38) Kev: Yo (0:33:40) Kev: Okay, okay, let me let me find it it’s in the video it was near the very start (0:33:45) Al: Oh, I’ve got it, I’ve got it, I’ve got it. Yeah, that’s, that’ll be a spooky costume, (0:33:47) Kev: You found it great (0:33:49) Kev: Yeah, it probably is I like it. It’s dumb. I like it what? (0:33:49) Al: because it’s pumpkins and lights around them. (0:33:55) Al: There are some silly costumes you can use as your player as well in the game that I’ve (0:33:59) Al: put on before. I can’t remember what I was dressed up as, but they, it’s not just like, (0:34:05) Al: they have a decent amount of player customization already. (0:34:08) Kev: Yeah, yeah. There’s also a collab with Fungi Swarm. (0:34:09) Al: Uh, yeah, that’s their game. (0:34:15) Al: Our other game, isn’t it? Um, uh, what, there’s, uh, redeemable items. Okay. (0:34:17) Kev: Yeah, it is. Which, yeah, but I think… (0:34:24) Kev: There’s a antler dog guy. I don’t know what that is, but, uh… (0:34:27) Al: Uh, a mythical pet outfit. (0:34:31) Kev: I don’t know what… I don’t… Okay, I don’t know what this creature is. (0:34:34) Al: “Razzi” or “Razzdi” (0:34:37) Kev: whereas the it’s an off. (0:34:41) Kev: It’s a blue reindeer dog. (0:34:42) Kev: I don’t know what else to describe it. (0:34:44) Al: Well, speaking of dogs, (0:34:45) Kev: Uhhh… (0:34:47) Kev: You! Ooh, good transition, tell me. (0:34:48) Al: for some reason we’re talking about Sugadoo Island again, (0:34:51) Kev: W-w-why?! (0:34:51) Al: this game. (0:34:53) Al: ‘Cause, dog, they’ve released a code (0:34:57) Al: that you can redeem in the game and it gives you dog. (0:35:01) Kev: But okay spotted dog, that’s (0:35:04) Al: If it’s anything like everything else in this game, (0:35:07) Al: you won’t be able to name it. (0:35:08) Al: It won’t do anything other than just follow you around (0:35:11) Al: like a blind rat, I don’t know. (0:35:14) Kev: I’m not sure how well blind rec could follow you but they do that is true you’ll fly like (0:35:15) Al: It’s not really turned on for metaphors just now. (0:35:22) Al: They have a good sense of smell. (0:35:28) Kev: a dog I have a dog they do follow you yeah that is true its name is spotted dog that’s (0:35:32) Al: Yeah, but with personality, I doubt this one a lot. (0:35:41) Kev: That’s it. (0:35:41) Al: That would, I mean I’d be surprised if it wasn’t just dog. (0:35:44) Kev: Yeah. (0:35:48) Al: Next we have Aether Wizard Life have released a what they’re calling their first announcement (0:35:56) Al: trailer but I’m confused because this game was announced multiple years ago so I don’t (0:35:57) Kev: Okay (0:36:00) Al: know how this is an announcement trailer. (0:36:01) Kev: And (0:36:02) Kev: It’s only for backers, which I don’t know you probably want to make that available. Oh, there is. Oh, okay. Let me see. Oh (0:36:06) Al: There’s a link to the actual video as well. (0:36:11) Kev: Yeah, there is. Okay. Yeah, that’s all right. I was like at the Kickstarter page (0:36:15) Kev: First of all, I don’t like this name at all. I don’t know if we covered this game, but I don’t like that at all (0:36:18) Al: No. (0:36:23) Al: This is, I don’t know if we’ve seen gameplay before. (0:36:26) Al: This is the first time seeing some of this stuff. (0:36:29) Al: The building of your house is basically (0:36:32) Al: exactly the same as the Spiritfarer building, (0:36:36) Kev: Yup! (0:36:37) Al: which I’m not complaining about because that is good. (0:36:39) Al: I like that. (0:36:40) Al: More of that, please. (0:36:40) Kev: Yeah, that modularity, it’s good. Build your castle. (0:36:44) Al: There are some, shall we say, thirsty characters (0:36:48) Kev: Oh, geez. Good. That guy, I mean, that one guy alone, he’s the worst offender. It’s the first one they show you, too. (0:36:59) Al: There’s yep, it’s uh, you’re gonna this is this is a weed game apparently (0:37:00) Kev: Good heavens. (0:37:06) Kev: Oh my gosh, that… Oh, shit. You know what? Fine. Lean into it. Just full thirst into it and just do it. (0:37:16) Kev: If you’re going to do it, go all in. (0:37:16) Al: Every game has to have a hook, I just don’t think that that is a unique hook. (0:37:22) Kev: True? That’s true. It probably worked for some people, not me, but… (0:37:27) Al: You’re definitely not you. Not you. Have you got to the other characters yet? (0:37:32) Kev: Yeah, I see the other characters like they’re (0:37:36) Kev: Is it this is hmm, this is a problem when everyone does it like everyone loses their (0:37:42) Kev: You know, it’s it’s it’s tough to stick out in the crowd, right? Like these just look generic (0:37:46) Kev: I don’t know the guy who looks like he’s dressing up like an elf (0:37:50) Kev: I don’t know and then why are there two in silhouettes? Why do you have to silhouette those characters? I feel like you shouldn’t (0:37:56) Al: for our secret. We’re going to tell you later. I don’t just like the character designs. The (0:37:58) Kev: Okay (0:38:01) Kev: There’s a girl with the ponytail of the sword (0:38:03) Al: character design’s okay. What I do find a bit weird is not the character designs and not your (0:38:11) Al: playable character design. They’re both fine. What’s weird is them both together in the same (0:38:17) Al: game. They look like very different designs. They look like they’re from different games. (0:38:20) Kev: They do (0:38:22) Kev: Right because yeah, cuz we’re looking at the (0:38:27) Kev: The oh (0:38:29) Kev: Yeah, yeah, you’re right. You’re right. Absolutely cuz these NPCs, you know very (0:38:34) Kev: Detailed sort of designs and and whatnot and you’re a little in the generic side (0:38:35) Al: much more detailed. (0:38:38) Al: I don’t dislike the playable characters design, it just feels, I think it looks bad purely (0:38:40) Kev: You’re right, I agree with it (0:38:44) Kev: Yeah (0:38:48) Al: because of how the other one. (0:38:52) Kev: you’re right it doesn’t you know what the problem is I as far as i’ve seen there’s no like (0:38:57) Kev: portrait art for your character right because yeah yeah yeah because it’s it’s a very different (0:38:59) Al: That’s what it is, it’s the portrait art of course I’m just yeah I’m looking at a bit of one of them in game and yeah they look, they look much more similar to your characters but the portrait art is so much more detail. (0:39:11) Kev: art style as as portrait arts are so frequently done but there’s not one for your your character (0:39:18) Kev: And so I don’t know it’s just I see I get what you’re saying. Absolutely (0:39:22) Kev: Um (0:39:24) Kev: But I mean even in the in-game art style like it’s there’s still a little more detail than your character (0:39:31) Kev: Because like your characters is (0:39:32) Al: It’s the face, there’s no nose. (0:39:33) Kev: Yeah, ooh, that’s a good point, right? There’s no facial features. It’s just like the eyes and the smile (0:39:39) Kev: That’s it on your the player character. You’re right. You’re super right (0:39:42) Al: Anyway, the interesting thing about this, I guess, is the magic stuff, and it does look quite detailed. (0:39:48) Al: So maybe that could be interesting. (0:39:50) Al: And then there’s some combat. (0:39:52) Kev: yeah there’s a lot of stuff going on here there’s an owl with the flower on its head and (0:39:58) Kev: I don’t even know what’s going on with these like skill trees or I don’t know there’s a lot going on here (0:40:03) Al: I think, I think they’re for like making new spells, possibly. (0:40:07) Kev: yeah honestly (0:40:08) Al: Look, I’m gonna, I’m gonna probably play it because I did back on Kickstarter, (0:40:12) Al: like the idiot that I was, but. (0:40:14) Kev: the the magic stuff I think is the bigger draw here that looks pretty interesting slash well done (0:40:19) Al: Yeah. Yeah. Agreed. (0:40:21) Kev: There’s combat (0:40:22) Kev: Magical creatures that looks fun (0:40:26) Kev: It’s wild the data will NPCs just they don’t even live up to that it’s crazy (0:40:33) Al: Next, fields of mystery, I have announced a merch collection. (0:40:37) Al: So, you know, go get your fields of mystery on merch, I guess. (0:40:40) Kev: is it good merch let’s see i’m looking (0:40:45) Al: So they they have a they have they have a pin. (0:40:47) Kev: oh goodness what is that the first the first one is the oh yeah yeah the first one they show you is (0:40:53) Al: They have a pin that you tilt and it changes between (0:40:58) Al: more clothes and fewer clothes. (0:41:00) Kev: Yeah, it’s it’s (0:41:03) Kev: Presumably it’s I don’t know the characters, but that’s datable guy and yet (0:41:07) Kev: You know you tilt it and it’s and now he’s shirtless cuz good heavens (0:41:11) Al: That’s the entire marriage. That’s all the marriage. That’s everything. (0:41:12) Kev: Oh (0:41:14) Kev: My god, it’s all that. I’m not good in the laundry. It’s just (0:41:20) Al: It’s just like the pen from Friends, which Joey had, and you click it, and the women’s clothes (0:41:27) Al: come off, right? Like, what is this? Why is this your only piece of marriage? And it’s two characters. (0:41:28) Kev: Yeah! laughs (0:41:37) Kev: Yes, too! laughs (0:41:38) Al: Two characters, one male, one female. (0:41:41) Kev: Oh, that’s incredible! laughs (0:41:41) Al: What a weird decision. (0:41:47) Kev: Oh, and… (0:41:48) Al: I need to go what I need to go read the comments. (0:41:49) Kev: Beholds in… it’s… why I need to understand how… because… (0:41:55) Al: Oh, people, people like this. (0:41:58) Kev: Oh, the first one’s “Lily, Take My Money.” Oh my goodness, these… oh! (0:42:05) Kev: This is why we’re in this cottagecore world, brain rot, dateable nonsense. (0:42:12) Kev: It’s your fault, commenters. (0:42:15) Kev: And what kills me is Fields of Mystery has that kind of 90s anime art style vibe. (0:42:23) Kev: You could play off that, right, for your merch, but no, we get to… (0:42:28) Kev: Two pins that take off the character’s clothes! (0:42:34) Al: odd decision it’s like they sit down and they go right okay we’re gonna make some merch what’s our (0:42:38) Al: first merch gonna be a poster no no not a poster like a t-shirt no not a t-shirt a pin yeah we (0:42:40) Kev: Apparently according to the commenters. (0:42:47) Al: could do a pin but what if it was a pin where they undress them I just I don’t I don’t (0:42:54) Kev: Ohh, look, alright, look, I mean, I mean, I tried to be delicate, I have kids gloves when I talk about these subjects, but look, this commenter here said it’s straight, it’s the fields of gooning. (0:43:15) Kev: Ohh, good heavens. Worst part is, it looks like it’s gonna be a huge success, so. (0:43:21) Al: Oh probably, probably. I just like what you I can’t imagine. It just it would feels like it would be even if you want it. It feels like embarrassing to own. (0:43:31) Kev: Well… (0:43:33) Al: And the whole point of pins is to show them off, right? (0:43:36) Kev: Yeah? laughs (0:43:38) Kev: You just make sure to always show it off at one angle and never ever move it to the other angle. laughs (0:43:49) Al: All right moving on to a very interesting story, a story of seasons. (0:43:54) Kev: - Yeah, okay, from the worst story to the best. (0:43:59) Al: It’s a little bit of shame we don’t have Cody on to talk about this but let’s go with it anyway. (0:44:04) Al: So story of seasons and well Marvelous, the company that makes, well they’re the European (0:44:12) Al: company that ports and not ports, they translate and publish the story of season games. (0:44:20) Al: I just know that Marvelous is the Japanese version of the company as well, (0:44:24) Al: they are the same company now aren’t they, I think. Anyway it doesn’t matter, (0:44:27) Al: anyway story of seasons company, the European part of it have made a partnership, they started in 2020, (0:44:36) Al: they
In this inspiring episode, Dr. Huntley welcomes Robyn Bussey, a self-described "health equitist" and Health Equity Director at the Partnership for Southern Equity (PSE). With deep roots in rural Georgia and a passion for amplifying the voices of marginalized communities, Robyn shares her personal journey from growing up as the daughter of a beloved rural public health nurse to leading innovative, community-driven health equity initiatives across the American South. Robyn provides listeners with practical insights on building community trust, supporting maternal and reproductive health, and navigating today's complex public health landscape, especially in regions facing systemic barriers, hospital closures, and heightened political pressure. Through her work with the Just Health Academy and PSE, Robyn demonstrates what's possible when organizations and individuals come together to center communities and drive sustainable change from within. Discover actionable strategies for advocating health equity, building community capacity, and finding purpose and resilience. Even when the odds seem stacked against them.
Welcome to another season of our connected culture, this one focused on unmasking the past to imagine better futures. Join us in the coming days and weeks to explore how we can learn from hard human history while growing the community we need to grow a kinder world together. We are again returning to Rockbridge Regional Libraries, which joined us in hosting a screening of documentary the indelible Appalachians and a virtual conversion with filmmaker Frederick Murphy. The film explores the history, present, and future of Black identity in Appalachia – and we're sharing our conversation with Murphy where we explore both the content of the film and his experience as a creative documenting difficult history related to slavery in the American South. That fellowship cohort included author Paul Park – who listeners may remember from our first season as a peer and close friend of the late Terry Bisson – who helped us with the future and fiction-focused elements of the conversation. Plus, the fellows were also joined by local black history scholar Dr. Nneka Dennie – an expert on abolitionist Mary Ann Shadd Cary, a key figure in the MidMountain produced folk opera “Save from Oblivion” that we'll discuss more at length later in this season. Also, speaking of community: if you're listening to this as it's being released you can join us in person for our MidMountain Masquerade on October 25 from 2pm through 10pm! There'll be opportunities to make your own masks and marionettes, a harvest potluck to share meals, a masquerade with costume contest, live music, and more. Find out more at midmountain.org/masquerade. As a reminder, Our Connected Culture is a production of MidMountain, a 501(c)3 nonprofit, arts collective, and agricultural project operating out of MidMountain Retreat, a five acre riverfront arts space in the Blue Ridge Mountains near Natural Bridge, Virginia. You can check our community calendar for upcoming events or other opportunities to visit, like residencies where we offer discounted stays for folks who want to work on creative projects. Plus, MidMountain Retreat is also available for rent out on Airbnb and VRBO for non-art stays!
In which Daphne Fama has some incredible advice on how to open a wound in your heart in order to make your book really matter. Daphne Fama was born in the American South, embedded in its tight-knit Filipino community. When she's not writing stories about monsters and the women who love them, she's writing about video games. And when she's not writing, she's spending every minute adoring her partner and pup. House of Monstrous Women is her debut novel. Write in Italy May 2026: http://rachaelherron.com/italy2026
Send us a textOn this week's episode of Jams 'N' Cocktails Live, host Brad Brock is joined by the full JNC Destruction Crew for a rare and exciting reunion. Together, they explore the deep roots and lasting impact of The Blues—one of the most influential genres in modern music. From the genre's birth in the American South to its global influence on rock, soul, and beyond, the team pays tribute to the stories, sounds, and artists that continue to shape the blues legacy.Listeners are treated to a rich mix of storytelling, live music, and signature JNC flair. The episode features a soulful cocktail of the week (The Blue Note Fizz), a deep dive into the cultural history of the blues with resident bluesman Earnest, and live performances from Brad himself. Plus, the show delivers all the weekly favorites: Captain Cocktail with Derek, the always-unpredictable Name That Tune game, entertainment headlines with The Jordy Files, and a grounding “Bad Bitch Message” from Elly.LinksJNC Officialhttps://www.jncpodcast.comSupport us on Patreonhttps://www.patreon.com/jncpodcast
Four Seasons Hotel Atlanta is thrilled to announce an exclusive collaboration with Lucid Group, Inc., the maker of the world's most advanced electric vehicles. This unique partnership offers guests complimentary access to the Lucid Air, blending a new level of luxury, performance, and sustainability from the heart of Midtown Atlanta. Guests can now explore the city in a stunning Lucid Air for self-guided adventures, enjoying the seamless combination of visionary engineering and elegant design. Whether it's a scenic drive past the High Museum and Piedmont Park, or a stylish ride to one of Atlanta's Michelin-starred restaurants, this experience allows visitors to discover the city's iconic neighborhoods silently, stylishly, and sustainably. "Our partnership with Lucid provides guests a unique opportunity to explore Atlanta with comfort, style, and sustainability in mind," says General Manager Nancy Chacon. The Lucid Air's cutting-edge technology and commitment to thoughtful luxury perfectly reflect the Four Seasons' dedication to unparalleled guest service and innovation. For added convenience, the hotel provides curated driving routes from its Concierge team and offers the Lucid Air as a chauffeured house car. With on-site EV charging stations, the hotel further supports electric mobility. This partnership is a testament to the Four Seasons Hotel Atlanta's continued commitment to providing a modern urban retreat where innovation, culture, and hospitality converge. Web: https://www.fourseasons.com/at... Photo Credit - Thomas Espinoza About Four Seasons Atlanta: As the vibrant cultural heart of the American South, Atlanta invites visitors to experience Southern hospitality with a modern, luxurious twist. This premier luxury hotel in Midtown Atlanta is perfectly situated for guests to immerse themselves in the city's dynamic energy. Just steps from renowned cultural landmarks like the High Museum of Art and the sprawling green space of Piedmont Park, the hotel offers an unparalleled blend of convenience and opulence. Whether you're a business mogul, a discerning celebrity, or a family exploring the city, this hotel caters to all. Guests can start their day with a delicious breakfast on the atrium bridge, indulge in a healthy dose of self-care at the serene Spa, or venture out to explore the bustling Peachtree Street. The day concludes with an exquisite dinner and drinks at the on-site dining hotspot, Bar Margot, making every moment of the stay effortlessly memorable. This is more than a hotel; it's a gateway to Atlanta's best, designed for those who seek luxury, culture, and connection. Searching for a luxury electric vehicle that redefines performance, elegance, and range? Look no further than the Lucid Air. This isn't just another EV; it's a meticulously engineered sedan that sets a new benchmark for sustainable luxury. With its groundbreaking design, unparalleled range, and exhilarating performance, the Lucid Air is a top contender for drivers who demand the best. Discover why this revolutionary electric car is turning heads and leading the way in modern automotive innovation. Web: https://www.lucidmotors.com/ai... Ash Brown: Your Ultimate Guide to Inspiration, Empowerment, and Action Are you searching for a dynamic motivational speaker, an authentic podcaster, or an influential media personality who can ignite your passion for personal growth? Look no further than Ash Brown. This American multi-talented powerhouse is a captivating event host, an insightful blogger, and a dedicated advocate for helping people unlock their full potential. With her infectious optimism and genuine desire to empower others, Ash Brown has become a leading voice in the personal development and motivation space. Discover the World of Ash Brown: AshSaidit.com & The Ash Said It Show AshSaidit.com: A vibrant lifestyle blog and event platform, AshSaidit.com is your gateway to Ash's world. Here you'll find exclusive event invitations, honest product reviews, and a wealth of engaging content designed to inform and inspire. It's the perfect online destination to stay connected and get your daily dose of Ash's unique personality and insights. The Ash Said It Show: With over 2,100 episodes and over half a million global listens, "The Ash Said It Show" is a powerful and popular podcast. Ash engages in meaningful conversations with inspiring guests, diving into topics that truly matter. Listeners gain valuable life lessons, encouragement, and practical advice to help them navigate their own journeys. Why Ash Brown is a Leading Voice in Personal Development What truly distinguishes Ash Brown is her authentic and relatable approach to personal growth. She builds a genuine connection with her audience, offering practical advice and encouragement that feels like a conversation with a trusted friend. Ash doesn't shy away from life's challenges; instead, she provides the tools to tackle them head-on with confidence. Authentic Optimism: Ash's positive energy is contagious, empowering her audience to embrace new challenges with a more capable and hopeful mindset. Relatable Advice: Ash offers unfiltered, real-world guidance that resonates with people from all backgrounds. Her understanding that life can be tough makes her advice both honest and deeply encouraging. Actionable Strategies: Beyond just feeling good, Ash provides practical tips and strategies designed to help you turn your aspirations into tangible results. For a consistent source of inspiration, genuine encouragement, and actionable advice, Ash Brown is your ultimate resource. Her incredible positivity and unwavering dedication to helping others make her the ideal guide for maximizing your life's potential. Connect with Ash Brown: Goli Gummy Discounts: https://go.goli.com/1loveash5 Luxury Handbag Discounts: https://www.theofficialathena.... Review Us: https://itunes.apple.com/us/po... Subscribe on YouTube: http://www.youtube.com/c/AshSa... Instagram: https://www.instagram.com/1lov... Facebook: https://www.facebook.com/ashsa... Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®Become a supporter of this podcast: https://www.spreaker.com/podcast/the-ash-said-it-show--1213325/support.
On this week's episode of Jams 'N' Cocktails Live, host Brad Brock is joined by the full JNC Destruction Crew for a rare and exciting reunion. Together, they explore the deep roots and lasting impact of The Blues—one of the most influential genres in modern music. From the genre's birth in the American South to its global influence on rock, soul, and beyond, the team pays tribute to the stories, sounds, and artists that continue to shape the blues legacy.Listeners are treated to a rich mix of storytelling, live music, and signature JNC flair. The episode features a soulful cocktail of the week (The Blue Note Fizz), a deep dive into the cultural history of the blues with resident bluesman Earnest, and live performances from Brad himself. Plus, the show delivers all the weekly favorites: Captain Cocktail with Derek, the always-unpredictable Name That Tune game, entertainment headlines with The Jordy Files, and a grounding “Bad Bitch Message” from Elly.LinksJNC Officialhttps://www.jncpodcast.comSupport us on Patreonhttps://www.patreon.com/jncpodcast
Marissa Nadler is here to discuss New Radiations, leaving the Boston area to live in the American South, the small number of non-male music producers and why she produced her latest record herself, loving Bruce Springsteen's Nebraska, dealing with the doubt, why she's associated with metal, singing songs of solitude and independent departure, her novelist brother Stuart Nadler, characters in Bob Dylan songs, referencing cinema and making short films, a new side project, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO MONTHLY $6 USD PATREON SUPPORTERS. This one is fine, but please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1002: Peter Ames Carlin on Bruce Springsteen's 'Born to Run'Ep. #1000: Ty SegallEp. #974: Niko StratisEp. #883: Steven HydenEp. #878: Ted LeoEp. #828: ‘Bob Dylan: Mixing Up the Medicine' with Mark Davidson & Parker FishelEp. #279: U.S. GirlsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.
Jerry Douglas is never not entertaining. On stage, on record, or in conversation, Flux, as Bela Fleck famously dubbed him, is full of wit, joy and inventiveness. His talents have garnered him 16 Grammy Awards, 28 IBMA Awards, 3 Country Music Association Awards, 3 Americana Music Association Awards, an NEA National Heritage Fellowship, and an artist residency at the Country Music Hall Of Fame and Museum. I heard once that his style playing Dobro was so popular that practically every other player emulated it, to the point that he had to reinvent his own style to distinguish himself from the rest of the pack. This story could very well be apocryphal, but it points to the fact that his influence is everywhere in bluegrass and bluegrass-adjacent acoustic music. And Jerry Douglas has stories. Ask him about anyone in bluegrass, or even a ton of artists outside the genre, and chances are that he knows them and can spin a yarn or two about playing with them or being in their orbit. Get him going, and he may even tell you about his ancestor David Douglas, of Douglas fir fame, and the spectacular and mysterious way he met his end in Hawaii.Here, we bring Jerry Douglas back to Southern Songs and Stories for a second time, following his 2021 episode “It's Always Roots Music 12 O'Clock With Jerry Douglas”. Since then, Jerry has been inducted into the International Bluegrass Music Association's Hall of Fame; he has served as festival host and solo performer as well as in his tribute band The Earls Of Leicester for the Earl Scruggs Music Festival, with frequent guest appearances for a number of other artists and bands there; he also fell right back in with Alison Krauss & Union Station for their first album since 2011, Arcadia. Jerry Douglas will be the host once again at the Earl Scruggs Music Festival in late August 2025, where he will perform with the Earls of Leicester as well as Alison Krauss & Union Station, The Nitty Gritty Dirt Band, and who knows how many artists as their on stage guest. Recently, he spoke with me on a video call while on tour with AKUS, where he gives us a preview of Scruggs Fest, plus he details a lot of what went into Arcadia. We also find out what he believes is the best key for playing bluegrass music, and learn how he approaches his instrument in Union Station differently than on his own. Jerry Douglas plays at the Earl Scruggs Music Festival 09-01-24 (photo: Jess Maples) Songs heard in this episode: “When You Say Nothing At All” by Alison Krauss & Union Station, from Alison Krauss & Union Station Live“Nashville Blues” by Nitty Gritty Dirt Band, from Will the Circle Be Unbroken, excerpt“The Hangman” by Alison Krauss & Union Station, from Arcadia, excerpt“One Ray Of Shine” by Alison Krauss & Union Station, from ArcadiaThank you for visiting! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify here and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. You can follow us on social media: @southstories on Instagram, at Southern Songs and Stories on Facebook, and now on Substack here, where you can read the scripts of these podcasts, and get updates on what we are doing and planning in our quest to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed. Thanks to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. - Joe Kendrick
Join us as Ocean House owner and award-winning author Deborah Goodrich Royce moderates a conversation with our featured author, New York Times bestselling author Mary Alice Monroe. About the Author: Mary Alice Monroe is based in Charleston, South Carolina, is the New York Times best-selling author of thirty books–and counting. Richly layered and rooted to place her Lowcountry-set novels defy literary labels. More than feel-good escapism or traditional beach reads, her engrossing stories deftly explore the intersections and parallels between Mother Nature and human nature, hooking readers emotionally and introducing them to characters and causes that live in their hearts and minds. Her robust library of work–from the popular Beach House series to her compelling fiction, to her newer middle grade series, The Islanders–engages readers across generational lines, inspiring them to take a harder look at the environment–and our impact on it. To ask the important questions. To seek answers. To create connections–both with nature and in our personal lives. About Where the Rivers Merge: The Rivers End, Monroe brings the compelling family saga to an emotional conclusion that will resonate with readers. The novels' timely topics of friendship, feminism, parent/child relationships, and the environment make each book of the duology perfect for book clubs. 1908: The Lowcountry of South Carolina is at the cusp of change. Mayfield, the grand estate held for generations by the Rivers family, is the treasured home of young Eliza. Free spirited, she refuses to be confined by societal norms. Instead, Eliza revels in exploring the golden fields and sparkling ponds of Mayfield, observing wildlife, and riding horses. But her halcyon days are cut short by the Great War, coastal storms, and unexpected challenges to Mayfield. As Eliza battles personal pains and the ravages of family turmoil over the years, her love and devotion for the natural world puts her on a collision course with the patriarchal traditions of a bygone era. 1988: At 88, Eliza is the scion of the Rivers/DeLancey family. She's fought a lifetime to save her beloved Mayfield and is too independent and committed to quietly retire and leave the fate of the estate to her greedy son. She must make decisions that will assure the future of the land and her family—or watch them both be split apart. Set against the evocative landscape of the twentieth-century American South, Where the Rivers Merge is a dramatic and sweeping multigenerational family story of unyielding love, lessons learned, profound sacrifices, and the indomitable spirit of a woman determined to persevere in the face of change to protect her family legacy and the land she loves. For more information about Mary Alice Monroe, visit maryalicemonroe.com. For details on Deborah Goodrich Royce and the Ocean House Author Series, visit deborahgoodrichroyce.com
Lifelong Elvis collector Ian McQuillan discusses the rarest records of Elvis Presley - from Sun Records worth $10,000+, international rarities, even shares insider tips for spotting counterfeits, and explains why young collectors are driving a thriving market for the King's rarest vinyl. Topics Include: Ian McQuillan introduces himself as 55-year Elvis fan since age 2 Scottish parents in New Zealand exposed him to Elvis on record player "Big Hunk of Love" was his first memorable Elvis song obsession RCA distributed Elvis records globally, making them widely available worldwide Elvis market remains strong while other 50s rockabilly artists declined significantly Elvis cornered teenage markets in UK, Australia, New Zealand more than US Parkes, Australia hosts massive annual Elvis festival with 20,000+ attendees Elvis Week celebration started small, now draws 50,000+ fans to Memphis Elvis has bigger catalog depth than any other recording artist Sun Records represent collectible pinnacle - only five official 45/78 releases 78rpm records rarer due to shellac brittleness, 95% destroyed over time Sun 209 "That's All Right" commands $10,000-12,000 in mint condition Sam Phillips used multiple pressing plants, creating interesting variants and rarities Initial Sun pressings probably 20,000-30,000 copies, reaching 200,000 total eventually Early distribution concentrated in American South, spreading through Elvis touring Promotional Sun records exist with distinctive red stamps, worth significant premiums Jack White famously paid $300,000 for unreleased Elvis acetate recording RCA reissues sound much cleaner than original hissy Sun pressings Sam Phillips likely pressed extra inventory after selling Elvis to RCA Counterfeit Sun records identifiable by shiny vinyl, wrong dates, label gaps Pre-army Elvis albums (1954-1960) remain most collectible among LP collectors SPD promotional EPs from first album worth $1,200-4,000 in good condition Australian gold label first album worth $1,500-2,000, extremely hard to find Colored vinyl "Moody Blue" pressings command $2,000-3,000 from collectors 8-tracks, reels, cassettes now collectible after being worthless for decades Follow That Dream label produces high-quality Elvis reissues for serious fans New Elvis footage and recordings still surface regularly from private collections Young professionals in 20s-40s driving current strong collector market demand Elvis Week features conventions, tributes, candlelight vigil at Graceland annually Colonel Parker's merchandising legacy created massive collectible memorabilia market today Extended and high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide
Jake Retzlaff has earned a spot as one of America's top college football quarterbacks, rising with the Brigham Young University Cougars as the first Jewish quarterback to ever play at the Mormon university. But it's precisely that religious juxtaposition that got Retzlaff in trouble with the BYU Cougars, after a brief legal action in May 2025 saw an anonymous accusation of sexual assault lobbied against the college athlete. Even though the case was dismissed with prejudice on June 30, Retzlaff conceded that he had sexual relations with the woman, which is against BYU's religious rules. Instead of facing a lengthy suspension, Retzlaff applied for a transfer. BYU's loss turned into Tulane University's gain, as Retzlaff will now vie for the starting QB spot on the Tulane Green Wave, repping a university that proudly stands as one of the first in the American South to allow Jews—and now has, according to some estimates, a Jewish student population as high as 40 percent. How will Retlaff perform at "Jewlane" University? What are the expectations? We ask Isaac Popper, an insider with the Green Wave and sports reporter based in New Orleans, for answers. Credits Hosts: James Hirsh and Gabe Pulver Producer: Michael Fraiman Music: Coby Lipovitch (intro), chēēZ π (main theme, "Organ Grinder Swing") Support The CJN Follow the podcast on Twitter @menschwarmers Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to Menschwarmers (Not sure how? Click here)
✦ In good art, there is often beauty, offense, challenge, common ground, and that special little something that stays with you long after you've experienced it. When City Lights Collective co-host Jon Goode went to The Balzer theater to see the True Colors theater's presentation of "Ain't No Mo," by playwright Jordan E Cooper, he didn't know what he was in for but left knowing he'd just seen some good art. ✦ The 8th annual "Middle Age Cabaret: Cougar Club is a sizzling mix of burlesque, comedy, aerialists, and more. WABE arts reporter Summer Evans takes you to the cabaret. ✦ When thinking of foods that are deeply rooted in the American South, Grits might immediately come to mind. City Lights Collective members and food contributors Akila McConnel and Chef Asata Reid have the story behind the creamy porridge's history, AND how grits became a classic Atlantan dish. ✦ Alex "Cost One" Acosta lives at the intersection of art and community outreach. His non-profit organization, Soul Food Cypher, uses freestyle rap and lyricism as tools for empowerment. By showcasing the positive aspects of rap through cypher events and tournaments, the organization provides lyricists with a nurturing environment where their voice and artistry can grow. This year marks the 13th anniversary of their first freestyle cypher, and their next event is August 24, at Create ATL in Adair Park. When Soul Food Cypher founder Alex Acosta and Cypher member Rio Nkosi recently spoke with City Lights Collective Co-host Kim Drobes, Acosta painted a picture of a typical Cypher event. ✦ Visual artist and music enthusiast Kosmo Vinyl bought his first LP when he was nine. He spent the next several decades immersed in music and began his professional career at London's pioneering indie label, "Stiff Records." In 1979, Kosmo started working exclusively with "The Clash" and stayed by their side until the punk icons disbanded in 1986. Over the years, Kosmo's record collection became legendary. In 2014, he began posting about his favorite releases on social media for his series, "Kosmo's Vinyl of the Week," and he joins us weekly to share the stories behind the records he treasures. Today, he tells us the story behind X-Ray Spex's "Germ Free Adolescents." ✦ City Lights Collective member Shane Harrison spends his days at Arts ATL looking for cultural events to share with readers. He joins us weekly to share highlights, and today, his mix includes Monster-rama, The Black Martial Arts Cinema Double Feature at the Plaza, and a flute quartet at the Supermarket.See omnystudio.com/listener for privacy information.
Understanding any era of history requires the ability to view complex things. However, people often employ simple narratives as their historical guides, which leads to wrong conclusions. The pre-war history of the American South is one that is much more complex than the narratives imply.Original article: https://mises.org/mises-wire/complexity-historical-narratives
Understanding any era of history requires the ability to view complex things. However, people often employ simple narratives as their historical guides, which leads to wrong conclusions. The pre-war history of the American South is one that is much more complex than the narratives imply.Original article: https://mises.org/mises-wire/complexity-historical-narratives
What do Paul McCartney, up-and-coming singer songwriter Ken Pomeroy, and a guy I passed on the street tugging along a French bulldog have in common? They all support my theory that pets inevitably resemble their owners–sometimes in looks, sometimes in spirit, but always in energy. When Ken Pomeroy introduced her song “Wrango” opening for I'm with Her and Iron & Wine at Asheville Yards on July 12, 2025, she described how the song was inspired by the liability her new dog had become from its quick temper. After WNCW's Joe Kendrick and I spent some time with her, we slowly got to see where the pup's feistiness came from. We talked about what it means to carry songs from childhood into adulthood, the tension between writing for yourself and performing for others, and the unexpected ways public commentary can rattle even the most grounded artists. As Ken says, “I never thought I'd care about online comments. But wow. I didn't know how sensitive I'd be.”And then there's “Flannel Cowboy”, Ken Pomeroy's closing track at her show, that isn't a love song, despite what you might assume. It's a quietly devastating reflection on friendship, ego, and the confusing wreckage of emotional fallout. It's a song about looking in the mirror and realizing that, sometimes, the thing biting at you isn't your dog, or your critics—it's you.Her vulnerability isn't just evident in the lyrics of her 2025 album, Cruel Joke, but in the way she speaks about songwriting as a spiritual act—one that gives form to feelings too big to hold alone. As a writer, I can relate to the need to shed some weight onto the page. Sometimes things get a little too loud and the only way to bring back the quiet is to release. Ken also told us about her connection to Cherokee heritage, her experience contributing to the language revitalization album ᎠᏅᏛᏁᎵᏍᎩ (Anvdvnelisgi), and what it meant to contribute to a project to empower young people to connect with their heritage. Whether she's reflecting on faith, feeling everything too deeply, or setting boundaries on what parts of her soul she's willing to hand over to strangers, Ken Pomeroy is an artist in full bloom. She's a songwriter first, a performer reluctantly, and a truth-teller always. — Elena Dickson Ken Pomeroy (photo: Kali Spitzer) Songs heard in this episode:John Denver “Leaving On A Jet Plane”“Wrango” by Ken Pomeroy, from Cruel Joke, excerpt“Grey Skies” by Ken Pomeroy, from Cruel Joke, excerpt“Flannel Cowboy” by Ken Pomeroy, from Cruel Joke, excerpt“Galvladi” by Ken Pomeroy, from Anvdvnelisgi Thank you for being here! We hope you enjoy this episode, and can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify here and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. You can follow us on social media: @southstories on Instagram, at Southern Songs and Stories on Facebook, and now on Substack here, where you can read the scripts of these podcasts, and get updates on what we are doing and planning in our quest to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed. The radio adaptation of this episode is part of the programming lineup during Morning Edition on public radio WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This episode was written and hosted by WNCW intern Elena Dickson, with myself as editor and Ken Pomeroy's co-interviewer. - Joe Kendrick
We had so much to talk about with Sweet Megg, including her latest album “Never Been Home” and how it got its name. From starting as an opener on a ukelele to moving to France to study jazz music, to doing a Cirque de Soleil country music project, Sweet Megg has been a road warrior and storyteller! We had a great chat with her and learned so much about what makes Sweet Megg, well, Sweet Megg! Sweet Megg is a dynamic vocalist and songwriter originally from New York City, now based in Nashville. She began her career at just 16 as a songwriter and has worn many hats since: whitewater raft guide, DIY anti-folk artist, Parisian and New York jazz singer, honky-tonk angel, and circus ringleader. Her diverse travels and experiences have imbued her music with rich history and boundless innovation. Her vocals are both expertly trained and refreshingly raw, making her sound relatable and captivating. Megg's music weaves together many threads of the American story—her Irish heritage, early blues training in high school, years immersed in the jazz world, explorations through the American South, inspiration from East Village poets, and the honky-tonk traditions of Nashville. The result is a sound that feels both timeless and refreshingly modern, offering a unique blend of old and new. Be sure to check her out here: Patreon: Sweet Megg Band Camp: Sweet Megg Website: Sweetmegg.com IG: Sweet.Megg FB: Sweet Megg TikTok: sweetmegg
Cursed cat bones. Dead dogs. A haunted pond. Master storyteller Todd Narron is our tour guide as we explore the mysterious, spooky American South.STORIESBarbara Nichols PondEver since a little girl died a watery death, the kids in Johnston County steer clear of the pond. Years later, Todd thinks that she might just be avenging her untimely end.The Cat Bone CurseTodd's uncle was one mean son of a biscuit. But long after he's dead and gone, his descendants worry that his meanness might rub off on them.Thank you Todd, for sharing your stories! If you want more stories from Todd, check out his books, Country Stories of Ghosts and Bad Men and Country Stories of Ghosts and Bad Men: Series 2 - The Dead Ones.Produced by Anna Sussman, original score by Renzo Gorrio, artwork by Sanaa Khan.
In this episode, we sit down with author and historian Forest Issac Jones to discuss his new book Good Trouble: The Selma, Alabama and Derry, Northern Ireland Connection 1963–1972. This powerful work uncovers the striking parallels between two seemingly distant civil rights struggles—across the American South and the streets of Northern Ireland. Forest walks us through the political, cultural, and spiritual ties that united these movements, from shared strategies of nonviolence to government crackdowns and the enduring power of grassroots resistance.
This week we are down Jason so Jeff and Brian are joined by Scab Jeff. The Guys discuss wheather the new golden age of television is over, which superhero to deport, and the safety of MRIs. The Top 5 is about our favorite Movies or TV shows about the American South. This episode is sponsored by the Cincinnati Comic Expo.
Yaakov Ehrenkranz grew up in Memphis, learned in KBY and the Mir, got smicha from YU—and today helps dozens of families navigate the financial realities of life in Israel. In this wide-ranging conversation, we cover his personal journey from the American South to Ramot Beit Shemesh, and his professional journey from options trading to financial advising.Check out ShtarkTank.org and subscribe for exclucive written content! This week will feature one listeners Aliyah journey.We talk about:Why real estate is the #1 financial challenge facing OlimWhat Americans get wrong about “affording Aliyah”How Israeli society creates more meaning—and more happinessThe role of values in long-term financial planningBalancing money and shalom bayisAnd much more—including lessons from Rabbi Dr. Aaron Levine zt"l, the economics professor and Talmid Chacham who shaped his thinking early on.
If you can make it as a professional musician in Austin, that is saying something. And if you can make it in Nashville, New Orleans, and also New York, that is saying something in all caps. Seth Walker has made it in all of the above locales. Making it as a professional musician in all of those iconic music scenes is not only impressive, but it also requires playing a variety of styles that sync with each city's musical tastes. With his 12th album, Why the Worry, Seth Walker shows off what he has learned (and unlearned) from all of those years gigging and recording with a who's who of roots music luminaries.In recent years, he has called western North Carolina home, which is not terribly far from his childhood home in a Quaker commune, a couple hundred miles to the east in Burlington. That is where his music journey began, and is the place which serves as the backdrop to his forthcoming novella, about a young girl on a tobacco farm. I imagine Seth Walker may even make some paintings to go along with that story, as he is also an accomplished visual artist.Seth is as laid back as he is intriguing, and we enjoyed a relaxed conversation at his home in Fairview, NC, nestled in the Appalachian mountains. Joining us was WNCW intern Elena Dickson, who hosted our recent episode on fellow western NC artist Sally Anne Morgan. We spoke about Seth's musical past and present, ranging from his love of jump blues to how an inspired take of Al Green's “Take Me to the River” set the wheels in motion for his latest album, to how Hurricane Helene very nearly left it in a ditch. All that and more, including music from Why the Worry, awaits you in this podcast. Seth Walker with his Waterloo acoustic guitar Songs heard in this episode:“Why the Worry” by Seth Walker, from Why the Worry“Magnolia” by Seth Walker, from Why the Worry, excerpt“Take Me to the River” by Seth Walker, from Why the Worry, excerpt“Strollin' With Bones” by T-Bone Walker, excerpt“Up on the Mountain” by Seth Walker, from Why the WorryThank you for dropping by! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify here and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites.This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. You can follow us on social media: @southstories on Instagram, at Southern Songs and Stories on Facebook, and now on Substack here, where you can read the scripts of these podcasts, and get updates on what we are doing and planning in our quest to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed. Thanks to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This episode features WNCW intern Elena Dickson, who co-produced the episode, and took part in Seth's interview. - Joe Kendrick
Neil "Hondo" Williamson the legendary voice of the Georgia Bulldog radio network, Gregg Russell of Harbour Town Sea Pines Plantation, chef and restaurateur Ford Fry, Cooper Manning of Fox NFL Sunday's "Manning Hour", Fred LeBlanc of Cowboy Mouth and so much more. Check out Season 1 of the Retire Southern podcast for authentic experiences and meaningful connections from the heart of the American South.
If you can make it as a professional musician in Austin, that is saying something. And if you can make it in Nashville, New Orleans, and also New York, that is saying something in all caps. Seth Walker has made it in all of the above locales. Making it as a professional musician in all of those iconic music scenes is not only impressive, but it also requires playing a variety of styles that sync with each city's musical tastes. With his 12th album, Why the Worry, Seth Walker shows off what he has learned (and unlearned) from all of those years gigging and recording with a who's who of roots music luminaries. In recent years, he has called western North Carolina home, which is not terribly far from his childhood home in a Quaker commune, a couple hundred miles to the east in Burlington. That is where his music journey began, and is the place which serves as the backdrop to his forthcoming novella, about a young girl on a tobacco farm. I imagine Seth Walker may even make some paintings to go along with that story, as he is also an accomplished visual artist. Seth is as laid back as he is intriguing, and we enjoyed a relaxed conversation at his home in Fairview, NC, nestled in the Appalachian mountains. Joining us was WNCW intern Elena Dickson, who hosted our recent episode on fellow western NC artist Sally Anne Morgan. We spoke about Seth's musical past and present, ranging from his love of jump blues to how an inspired take of Al Green's “Take Me to the River” set the wheels in motion for his latest album, to how Hurricane Helene very nearly left it in a ditch. All that and more, including music from Why the Worry, awaits you in this podcast. Seth Walker Songs heard in this episode:“Why the Worry” by Seth Walker, from Why the Worry “Magnolia” by Seth Walker, from Why the Worry, excerpt“Take Me to the River” by Seth Walker, from Why the Worry, excerpt“Strollin' With Bones” by T-Bone Walker, excerpt“Up on the Mountain” by Seth Walker, from Why the WorryThank you for dropping by! We hope you can help spread awareness of what we are doing. It is as easy as telling a friend and following this podcast on your platform of choice. You can find us on Apple here, Spotify here and YouTube here — hundreds more episodes await, filled with artists you may know by name, or musicians and bands that are ready to become your next favorites. This series is a part of the lineup of both public radio WNCW and Osiris Media, with all of the Osiris shows available here. You can also hear new episodes on Bluegrass Planet Radio here. You can follow us on social media: @southstories on Instagram, at Southern Songs and Stories on Facebook, and now on Substack here, where you can read the scripts of these podcasts, and get updates on what we are doing and planning in our quest to explore and celebrate the unfolding history and culture of music rooted in the American South, and going beyond to the styles and artists that it inspired and informed. Thanks to Jaclyn Anthony for producing the radio adaptations of this series on WNCW, where we worked with Joshua Meng, who wrote and performed our theme songs. This episode features WNCW intern Elena Dickson, who co-produced the episode, and took part in Seth's interview. - Joe Kendrick
With the Guide to the American South on deck, Raleigh's Michelin moment is almost here. So we tapped RM's 2024 Best Restaurant chefs & owners on who they think should get that prestigious star. Tune in as Publisher Gina Stephens and Editor-in-Chief Melissa Howsam dish on their hot takes.2025 Best BurgersGood Content Lives HereGet socialMeet Our Sponsors:Timber PizzaNapa Bistro & Wine BarSkin Sense
When charm turns lethal and lies wear a thousand faces, how do you stop a killer hiding in plain sight?In this co-hosted episode of The Guilty Files: Revisited, Brian and Dani peel back the layers of one of the most disturbing cases to hit the American South: the case of Jeremy Bryan Jones. A drifter with a gift for manipulation and a trail of stolen identities, Jones moved through states like a ghost—leaving behind a path of devastation, shattered families, and unanswered questions.Brian brings the procedural heat, diving into the investigative missteps, multi-jurisdictional chaos, and red flags that went ignored.Dani zeroes in on the psychological rot beneath the surface—how Jones weaponized charm, targeted vulnerable women, and evaded justice with nothing but a fake name and a crooked smile.Together, they challenge the narrative, question the system, and ask the hard questions no one else wants to: How many victims did he really leave behind?Could he have been stopped sooner? And what happens when the justice system confuses confidence for credibility? This is not just a breakdown of the known facts—it's a postmortem on every chance the system had to stop a predator and failed.Stay with us through the episode for revealing insights, sharp banter, and one of the most haunting cases we've ever revisited.Press play. Reopen the case. And don't forget—evil doesn't always look like a monster. Sometimes, it smiles like your next-door neighbor.
//The Wire//2300Z July 10, 2025////ROUTINE////BLUF: MERCHANT VESSELS SUNK IN RED SEA. FLOODING CONTINUES AROUND THE UNITED STATES.// -----BEGIN TEARLINE------International Events-Red Sea/HOA: Two commercial vessels have been sunk off the coast of Yemen by Houthi forces over the past few days. On July 6th, the M/V MAGIC SEAS was struck by cruise missiles and Unmanned Surface Vessels (USVs), which was rapidly followed up with small arms and RPG attacks via militants in small boats. The next day, the M/V ETERNITY C was attacked in a similar manner. Both vessels suffered severe flooding, finally sinking overnight.-HomeFront-Washington D.C. - This morning the FDA granted approval for Moderna's new "Spikevax" COVID-19 vaccine for children 6 months old to 11 years old. Following concerns expressed by the agricultural community, the USDA has reversed their stance on allowing cattle to be imported from Mexico. The decision to re-close livestock imports was made following a new infestation of New World Screwworm (NWS) being reported at a higher latitude than previously disclosed by Mexican officials, and that NWS was present in herds of livestock much closer to the US/Mexico border than previously known. As of right now, all ports of entry are closed to Mexican cattle, while the parasite continues to spread throughout Mexico.Southern USA: Flooding incidents remain constant as severe weather systems continue to develop throughout the region. More severe flooding was reported throughout North Carolina, with water rescues continuing in Durham and many downed trees causing power outages. The Graham–Mebane Water Treatment Plant went offline due to flooding damage, causing a brief water shortage throughout the city of Mebane.The flooding recovery in Texas continues as the total casualty count climbs to 120x fatalities and around 173x people still being unaccounted for. In New Mexico, 3x fatalities were reported as a result of the floods over the past few days, as flash floods struck the town of Ruidoso.-----END TEARLINE-----Analyst Comments: Heavy rain is still being forecast for many areas throughout the American South and along the east coast for the next few days. Considering the rain that has already fallen, in many areas the ground is already saturated, making flooding and landslides much more of a risk. Now is the time to prepare, and consider the impact of weather events becoming much more severe than originally forecast.Analyst: S2A1Research: https://publish.obsidian.md/s2underground//END REPORT//
Are you ready to invest in sectors that are shaping the future, but often overlooked by traditional VCs? In this episode of Sharkpreneur, Seth Greene speaks with Emily Dinu, founder of Numinous Capital, who shares her journey of building a venture capital firm that focuses on long-term, high-impact investments in overlooked industries such as defense tech, biotech, and energy. With a patient capital approach and an emphasis on visionaries, Emily is driving innovation in sectors with significant growth potential. Join us as she discusses the challenges and opportunities of funding unconventional ventures that can bring about real, lasting change. Key Takeaways: → The importance of non-dilutive funding and pacing capital for long-term growth. → Understanding the differences between typical software startups and more complex, scientific ventures. → Why it's crucial to approach investment with a mindset focused on exit, not just growth. → The challenge of helping entrepreneurs pitch their vision as a company, not a science project. → How becoming a successful entrepreneur requires more than charisma. Emily Dinu is the Founding Partner of Numinous Capital, an early-stage venture firm that supports founders who address generational challenges with intelligence, boldness, and precision, especially in overlooked markets like the American South and along the coasts. Her career started in operations, where she built companies and tackled issues others had neglected. Today, she invests in companies that create jobs, push the boundaries of possibility, and challenge complacent capital. Numinous' philosophy is based on strategic advantages and economic renewal. Emily believes the strongest returns come from those underestimated by the market but proven in execution. Connect With Emily: Website Learn more about your ad choices. Visit megaphone.fm/adchoices
In this gripping episode of The Guilty Files: Uncovered, Brian unpacks the chilling story of Jeremy Bryan Jones—a charismatic drifter who used charm, stolen identities, and the cracks in the system to hide in plain sight across the American South. For over a decade, Jones drifted from state to state under the name John Paul Chapman, manipulating those around him, passing background checks, and leaving behind a trail of violence that went undetected for far too long.But in September 2004, a natural disaster set in motion a series of events that would finally expose the predator beneath the persona.As Hurricane Ivan barreled into Alabama, Jeremy Jones found shelter with the Bentley family—strangers who offered him a place to stay during the storm. Just days later, in the quiet rural community of Turnerville, 45-year-old Lisa Marie Nichols was dead. A beloved mother and community member, Lisa had no idea the man knocking on her door that day was a killer. What followed was a tragic encounter that shocked the community and led to Jones's arrest—but that was just the beginning.The story takes a bizarre turn when Jones, just days after the murder, called police himself. Casually chatting about the weather, he confessed to killing a woman, leading investigators to keep him on the line long enough to locate and arrest him at a Mobile bus station. Once in custody, Jones began confessing to a staggering number of crimes—twenty-one murders across five states, including the infamous Freeman family killings in Oklahoma and the murder of Tina Mayberry in Georgia. But the shocking wave of admissions soon gave way to confusion and frustration, as Jones began recanting his claims one by one.He would later admit to fabricating many of the stories to earn better food and phone privileges in jail, leaving behind a tangled mess for investigators and desperate families trying to find the truth.The case revealed just how vulnerable systems were at the time. Jones had managed to use a stolen identity for years, slipping through the cracks of disconnected databases and outdated protocols. A fingerprint on a beer can at the crime scene, DNA evidence linking him to Lisa's murder, and bloodstains on his clothing painted a clear picture. But the ease with which he moved through communities—passing background checks and gaining people's trust—was a wake-up call for law enforcement nationwide.The courtroom saw swift justice. In October 2005, Jones was tried and found guilty on all counts, including capital murder, rape, burglary, sexual abuse, and kidnapping. The jury voted 10-2 in favor of the death penalty, and he was sentenced to die by lethal injection. His appeals have been denied, and he remains on death row at Holman Correctional Facility in Alabama.For Lisa's family, the trial brought some measure of closure, but for the loved ones of other victims Jones claimed responsibility for, the aftermath was far murkier. Many were left in limbo, unsure if their grief had been exploited by a man who treated life and death like a game.The Bentley family, who had welcomed Jones into their home during the hurricane, struggled with the deep betrayal of having unknowingly harbored a killer. And the small town of Turnerville would never be the same again.This case isn't just about one murder—it's about the broader dangers posed by predators who exploit trust, the phenomenon of false confessions in serial crime cases, and how the systems we rely on can fail in devastating ways. It also highlights how moments of chaos, like natural disasters, can create openings for the most dangerous individuals to do the most harm.In this episode, Brian unravels the layers of deception, examines the legal and investigative missteps, and reflects on the long shadow Jones cast over the victims, their families, and the communities left reeling in his wake. Listener discretion is advised, as the episode includes explicit details of sexual violence, homicide, and disturbing crime scenes. This is a story that forces us to look closely at the dark corners of human behavior—and the systems we trust to keep us safe.Tune in to The Guilty Files: Uncovered for the full story.
Kerrick Majors was a 14-year-old African American boy from Nashville, Tennessee, whose brutal, racially motivated murder in April 1987 became a symbol of both racial violence and justice in the American South. Described as a kind, respectful middle school student, Kerrick was abducted after a minor dispute over a broken vase with three white drifters—Donald and Tammy Middlebrooks and Robert Brewington—who falsely accused him of theft. They forced him into a wooded area where he was tortured over several hours—burned, beaten with brass knuckles, urinated on, slashed with knives, and stabbed to death while racial slurs were used against him.His body, left naked under a discarded mattress in a creek bed, bore signs of extreme cruelty, including a carved "X" on his chest. Police initially dismissed him as a runaway and delayed the investigation, which led to public outrage, disciplinary action against officers, and a $2 million lawsuit by Kerrick's family. The case resulted in historic convictions: Brewington received life plus 75 years, Tammy Middlebrooks received life with parole eligibility, and Donald Middlebrooks was sentenced to death—the first time in modern Tennessee history that a white person was condemned to death for murdering a Black child. The case remains significant for highlighting systemic racism, law enforcement negligence, and the rare pursuit of justice in a racially charged crime.https://linktr.ee/UnforbiddentruthBecome a supporter of this podcast: https://www.spreaker.com/podcast/unforbidden-truth--4724561/support.
The Global Slavery Index Estimates More Than 50 Million People Are Currently Trapped in Modern Slavery. Slavery didn't vanish with the past, it evolved. From Ancient Greece and Rome to the cotton fields of the American South. We explore the History of Slavery, Strange Facts and Findings, How Modern Corporations Profited From Slavery, and Much More. To watch the podcast on YouTube: https://bit.ly/TheoriesOfTheThirdKindYT - Get instant access to 200+ bonus Audio episodes - Sign up here: https://theoriesofthethirdkind.supercast.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
When 19-year-old Alice Mitchell jumped from a carriage and slit the throat of 17-year-old Freda Ward one fateful day in 1892, a rampant fascination over the drama soon followed. Alice loved Freda and killed her accordingly –to the crazed confusion of nearly everyone in Memphis, Tennessee and beyond. In the first half of our pride series, we'll go over the story of their sapphic relationship, how it functioned in the American South during the Victorian era and how it unraveled to the point of tragedy. "Strange and Unexplained" is a podcast from Grab Bag Collab & Three Goose Entertainment and is a journey into the uncomfortable and the unknowable that will leave you both laughing and sleeping with the lights on. You can get early and ad-free episodes on the Grab Bag Patreon page. Follow us on Instagram
The Georgia native has seen how Hollywood traffics in stereotypes about the American South. He talks with Tonya Mosley about making creative work that challenges them. His HBO show The Righteous Gemstones, which satirizes televangelists, just wrapped its fourth and final season.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
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