Podcasts about virginia museum

Read more from VPM News:  State lawmakers send compromise budget to Spanberger  Google's $9B bet on a trio of Chesterfield data center campuses  America 250 event to light up the Virginia Museum of History and Culture    Other links:  City, RRHA announce agreement on framework for Gilpin Court redevelopment with one-for-one replacement (The Richmonder)  Local bowler attempting world record for longest 10-pin bowling marathon (WDBJ)  Virginia's technical workforce faces uncertainty as funding runs out for middle school program (Cardinal News)  Virginia Medical Imaging sues Mary Washington Healthcare for $2.25M (Fredericksburg Free Press)  *This outlet uses a paywall.  Our award-winning work is made possible with your donations. Visit vpm.org/donate to support local journalism.

Millipedes. Do they really have a thousand feet? To answer this and many other much more sensible questions, we are joined today by two people who know way more about these largely overlooked animals than I do, Drs Ben Jantzen and Jackson Means.Ben is the founder and President of the Virginia Institute for Invertebrates. With a background in biophysics, especially insect flight, he is presently Associate Professor of Philosophy at Virginia Tech. Jackson is an Assistant Curator of Recent Invertebrates at the Virginia Museum of Natural History and a myriapodologist (i.e., a scientist that studies millipedes, centipedes, and relatives). His research focuses on the discovery and description of new species, primarily in the mountains and foothills of Appalachia....Photo: Peter Pearsall/USFWSThank you for listening! For more information go to xerces.org/bugbanter.

Rich visits with Michael Plumb from the Virginia Museum of History and Culture as they talk about the upcoming Sail Fest scheduled for this coming weekend.

Host Janet Michael chats with Kristen Laise about an action-packed spring and summer season at Belle Grove Plantation in Middletown, Virginia. From a moving community quilt project honoring the enslaved to a traveling American Revolution exhibit, there's something for history lovers, nature enthusiasts, and families alike. Topics Covered Memorial Quilts Two quilts honoring 270 enslaved individuals at Belle Grove, each name hand-stitched on individual quilt blocks Quilt blocks arranged into family trees to symbolically reunite families separated by slavery A three-year project involving 113 volunteers from the Winchester chapter of the Embroiderers' Guild of America Quilted by Ohio-based African American artist Carole Gary Staples using African boutique fabrics Over 300 community members contributed at least one stitch Now permanently installed on the lower level of the manor house Descendants of enslaved families are being connected — one, Athea Bell-Burton, has joined Belle Grove's board Free Monthly Programs on Enslaved History Docent Scott Terndrup leads monthly storytelling programs (usually the last Sunday of each month at 2:30 PM) Two alternating stories: Judah (an enslaved cook) and Abba  Upcoming dates: Sunday, April 26th and Sunday, May 24th at 2:30 PM — free admission Research newsletters and online exhibits available at: virtual.bellegrove.org Upcoming Events & Workshops Date Event Details Sat, April 25 Apples in the American Landscape 2–4:30 PM, $15, hard cider tasting, apple desserts Sun, April 26 Gourd Birdhouse Class Make & decorate a gourd birdhouse; supplies included Mon, April 28 Give Me Liberty Exhibit Opens Free, runs through June 7th Sat, May 9 Special Reduced Admission Day $5 (ages 12+), kids free; talk by Ranger Christopher Mattingly at 1 PM Sat, June 6 Garden Fest 8 AM–2 PM, NSVMGA plant sale, demos, food trucks, free admission Sat, June 13 Descendants Day (Juneteenth) Memorial walk, genealogy resources, music, food trucks Nature's Expressions Workshop Series Ongoing throughout the year; supplies included in class fees Upcoming topics: basket making (May), goat soap, patriotic wreath (June) Details at bellegrove.org Give Me Liberty Traveling Exhibit Highlights Virginia's role in the American Revolution Originated at the Virginia Museum of History and Culture in Richmond Includes two custom panels on local Revolutionary War figures: Isaac Hite and the Bowman Brothers (John, Joseph, and Isaac) Free to view; open during regular Belle Grove hours April 28 – June 7 Descendants Day – June 13 Honoring Juneteenth weekend Begins with a memorial service at Walnut Springs Christian Church in Oranda, VA Commemorates Benjamin Tanny, an enslaved man at Belle Grove who was baptized at that congregation Includes a walk, genealogy tables, storytelling, music, and food trucks Genealogist Lisa Johnson will be on hand (specializes in Warren, Clarke, and Frederick Counties) Visit Belle Grove - Hours: Mon–Sat 10 AM–4 PM | Sun 1–5 PM Manor house tours: Guided, paid admission Grounds & hiking trails: Free; ~3 miles connecting to Cedar Creek Battlefield Foundation trails Dogs welcome on the trails Website: bellegrove.org Virtual exhibits & research: virtual.bellegrove.org Social media: Facebook & Instagram Membership: https://bellegrove.org/membership  Volunteers: Always welcome — visit the volunteer tab on the website: https://bellegrove.org/volunteer 

Episode No. 754 of The Modern Art Notes Podcast features author Andrew Graham-Dixon and artist Rachel Burgess. Graham-Dixon is the author of "Vermeer: A Life Lost and Found," which was just published by WW Norton. The book, a biography-ish of one of the most famous and elusive artists of the Dutch seventeenth century, offers exciting new ideas about Vermeer's life and presents new arguments about why and for whom Vermeer made most of his paintings. Amazon and Bookshop offer "Vermeer" for $35-42. The Eleanor D. Wilson Museum at Hollins University is showing "Rachel Burgess: Particles and Waves" through June 6. The exhibition presents Burgess' recent large-scale works on paper, typically monotypes, that depict landscapes and domestic scenes. Burgess has been included in group shows at the Lower East Side Printshop, New York, at the Virginia Museum of Contemporary Art, and more. Instagram: Andrew Graham-Dixon, Rachel Burgess, Tyler Green. Air date: April 16, 2026.

Episode No. 754 of The Modern Art Notes Podcast features author Andrew Graham-Dixon and artist Rachel Burgess. Graham-Dixon is the author of "Vermeer: A Life Lost and Found," which was just published by WW Norton. The book, a biography-ish of one of the most famous and elusive artists of the Dutch seventeenth century, offers exciting new ideas about Vermeer's life and presents new arguments about why and for whom Vermeer made most of his paintings. Amazon and Bookshop offer "Vermeer" for $35-42. The Eleanor D. Wilson Museum at Hollins University is showing "Rachel Burgess: Particles and Waves" through June 6. The exhibition presents Burgess' recent large-scale works on paper, typically monotypes, that depict landscapes and domestic scenes. Burgess has been included in group shows at the Lower East Side Printshop, New York, at the Virginia Museum of Contemporary Art, and more. Instagram: Andrew Graham-Dixon, Rachel Burgess, Tyler Green. Air date: April 16, 2026.

Episode No. 754 of The Modern Art Notes Podcast features author Andrew Graham-Dixon and artist Rachel Burgess. Graham-Dixon is the author of "Vermeer: A Life Lost and Found," which was just published by WW Norton. The book, a biography-ish of one of the most famous and elusive artists of the Dutch seventeenth century, offers exciting new ideas about Vermeer's life and presents new arguments about why and for whom Vermeer made most of his paintings. Amazon and Bookshop offer "Vermeer" for $35-42. The Eleanor D. Wilson Museum at Hollins University is showing "Rachel Burgess: Particles and Waves" through June 6. The exhibition presents Burgess' recent large-scale works on paper, typically monotypes, that depict landscapes and domestic scenes. Burgess has been included in group shows at the Lower East Side Printshop, New York, at the Virginia Museum of Contemporary Art, and more. Instagram: Andrew Graham-Dixon, Rachel Burgess, Tyler Green. Air date: April 16, 2026.

Episode No. 754 of The Modern Art Notes Podcast features author Andrew Graham-Dixon and artist Rachel Burgess. Graham-Dixon is the author of "Vermeer: A Life Lost and Found," which was just published by WW Norton. The book, a biography-ish of one of the most famous and elusive artists of the Dutch seventeenth century, offers exciting new ideas about Vermeer's life and presents new arguments about why and for whom Vermeer made most of his paintings. Amazon and Bookshop offer "Vermeer" for $35-42. The Eleanor D. Wilson Museum at Hollins University is showing "Rachel Burgess: Particles and Waves" through June 6. The exhibition presents Burgess' recent large-scale works on paper, typically monotypes, that depict landscapes and domestic scenes. Burgess has been included in group shows at the Lower East Side Printshop, New York, at the Virginia Museum of Contemporary Art, and more. Instagram: Andrew Graham-Dixon, Rachel Burgess, Tyler Green. Air date: April 16, 2026.

Host Janet Michael talks with Nathan Stalvey about the Clarke County Historical Association's spring Art at the Mill show, upcoming VA250 events in Clarke County, and behind-the-scenes updates on the historic Burwell-Morgan Mill. Art at the Mill – Spring 2026 Dates: Saturday, April 18 – Sunday, May 3, 2026 Hours: Sunday–Friday, 12–5pm | Saturdays, 10–5pm Location: Burwell-Morgan Mill, Millwood, VA Admission: $5 adults | $3 seniors | Children 12 & under free Free admission with a show postcard or print advertisement Submissions: 300+ artists, nearly 950 works Media: Oils, acrylics, pastels, pencil, charcoal, glass sculpture, wood turning, baskets, and more Art rotates daily as pieces sell; reserve works come down from storage throughout the first week Online Gallery available at opening — browse, call in, and purchase by phone during business hours Artist bios included in the online gallery Behind the Scenes The jury/volunteer committee selects which works are accepted and chooses the signature postcard image Hanging is a curated process — color, style, and framing are all factored in for each placement Works range from 5 ft. x 4 ft. down to 4 in. x 4 in. Artists set their own prices based on experience, materials, framing, and time The show has been running since 1990 VA250 – America's 250th Anniversary Events in Clarke County Clarke County's VA250 Committee brings together local nonprofits, businesses, and organizations for a multi-year series of events running through 2031. Upcoming Highlights: April 18 @ 2pm – Taking Tea and Taxes — Celeste Fetta, Chief Educator at the Virginia Museum of Fine Arts, speaks at Barns Rose Hill on material culture and the revolutionary spark behind colonial tea culture May 16 (Saturday evening) – Liberty Ball at Long Branch — black-tie celebration of America's 250th, featuring music, fife and drum, and food May 17 @ 2pm – Blandy at 100: Communities that Give Rise to Scientific Discovery — talk at Blandy Experimental Farm May 17 @ 2pm – Nathan Stalvey presents Religion in Early America: From Colony to the Republic, tracing the First and Second Great Awakenings from the 1740s to the 1840s 4th of July – Coordinated community events; CCHA plans to grind red, white, and blue corn at the Burwell-Morgan Mill Mill Updates Mill Dam project: Complete — a major restoration that had been a long-running concern Greater face wheel repairs: Underway — the gear connecting the water wheel to the grindstones needs new mill teeth, being hand-crafted by a certified historic millwright to original spec Mill grinding expected to resume mid-May (pending repairs) Future projects: mill pond dredging, water wheel maintenance Support the Clarke County Historical Association Memberships, donations, and volunteers are vital — volunteer hours count toward grant applications Learn more: clarkehistory.org Facebook & Instagram: @ClarkeHistory

What did Jesus actually look like, and does it matter? In this episode, professor of ancient scripture Daniel Becerra discusses his new book Picturing Christ, co‑authored with Jennifer Champoux, Mark D. Ellison, and Matthew J. Grey. The book traces how Christians, Latter-day Saints and others, have imagined and portrayed Jesus across two millennia of art and what these evolving images reveal about a shared desire to understand the divine through faith and culture. Becerra explains that while what Jesus did matters more than how He looked, the way we picture Him still shapes how we relate to God and understand the scriptures. He dives into how assumptions formed by analyzing familiar artwork can influence our spiritual interpretation in subtle ways. The conversation also highlights what archaeology and historical research can teach us about Jesus's real-world context. Insights from excavations, early Christian artifacts, and material culture help ground scriptural stories in historical reality, enriching the way listeners imagine scenese from the New Testament. Through Picturing Christ, Becerra et al. invites listeners to see the Savior through a broader historical and artistic lens by opening fresh perspectives on the scriptures and deeping our discipleship. Publications: Picturing Christ: Understanding Depictions of Jesus in History and Art, co-authored with Jennifer Champoux, Mark D. Ellison, and Matthew J. Grey, Deseret Book (2026)  3rd, 4th Nephi: The Book of Mormon: Brief Theological Introductions 9, The Neal A. Maxwell Institute for Religious Scholarship (2021) Book of Mormon Studies: An Introduction and Guide, co-authored with Amy Easton, Nicholas J. Frederick, and Joseph M. Spencer, Religious Studies Center (2022) Highlighted artwork: Jesus and the disciples at the Last Supper, Virginia Museum of Fine Arts Making Space for Us, Michelle Franzoni Thorley Early Morning with the Savior, Sopheap Nhem Homeless Jesus, Timothy P. Schmalz The Christ of the Breadlines, Fritz Eichenberg Last Supper Sculpture, National Museum of African American History & Culture Click here to learn more about Daniel Becerra

Read more from VPM News:  The future is uncertain for some Virginia farmers after VSU researchers fired  Virginia Museum of History and Culture to add Barbara Johns statue to its collection  Powhite Parkway tolls are about to be a thing of the past in Chesterfield    Other links:  In Democratic rebuttal, Spanberger accuses Trump of driving up costs and chaos (Virginia Mercury)  Virginia lawmakers push for action after massive Potomac sewage spill (WRIC)  Homeless shelter operator will serve three years in prison for defrauding Richmond and HUD (Richmond Times-Dispatch)  Lynchburg council votes to go to court over redistricting referendum (Cardinal News)    Our award-winning work is made possible with your donations. Visit vpm.org/donate to support local journalism. 

Elijah Gowin uses photography to speak about ritual, landscape and memory.  He was born in Dayton, Ohio in 1967 and received his BA in Art History from Davidson College in 1990 and MFA in Photography from the University of New Mexico in 1997. His photographs are in the collection of the National Gallery of Art, Houston Museum of Fine Art, and the Virginia Museum of Fine Art, among others.   His awards include the John S. Guggenheim Fellowship in 2008 as well as grants from the Charlotte Street Foundation and the Puffin Foundation.  He founded Tin Roof Press to publish his books on art and photography including “The Last Firefly” in 2024 and “Of Falling and Floating” in 2011.  Presently, he is a Professor in the Department of Media, Art and Design at the University of Missouri-Kansas City where he directs photographic studies.  Gowin is represented by the Robert Mann Gallery, New York, Photo Gallery International, Tokyo and Bond Millen Gallery, Richmond, Virginia. Elijah Gowin, Tree 1. Date: 2012 Size: 15.33x 23, Pigment inkjet print Elijah Gowin, fireflies in trees, selangor river, malaysia, 2017 Size: 22”x30.75” Elijah Gowin, House 1 Date: 2014. Size: 15.33”x 23” Pigment inkjet print

Noah Scalin is an artist, author, and activist. He founded the art and innovation consultancy Another Limited Rebellion in 2001 with the idea that he could make a living doing what he enjoyed and effect positive change in the world. Since then, Noah has traveled the world bringing his message of creative practice to everyone from incarcerated teenagers to Fortune 500 executives. A graduate of NYU's Tisch School of The Arts, Noah started his career as the Art Director for Troma Entertainment and Avirex Clothing. Noah's artwork is collected internationally and has been exhibited in numerous museums and galleries, including the Virginia Museum of Fine Arts, the Mütter Museum and NYC's Times Square. He is the author of six books — most recently Creative Sprint which he co-wrote with his sister/business partner Mica. Noah was the inaugural artist-in-residence at both Virginia Commonwealth University's School of Business and the Strome College of Business at Old Dominion University. His 2020 collaboration with Old Navy was one of the most viewed commercials of the year and in 2022 he won the Artfields Grand Prize.Social media:https://www.linkedin.com/in/noahscalin/https://www.instagram.com/noahscalin/Websites:https://www.anotherlimitedrebellion.com/https://noahscalinkeynote.com/https://www.noahscalin.com/ ***********Susanne Mueller / www.susannemueller.biz TEDX Talk, May 2022: Running and Life: 5KM Formula for YOUR Successhttps://www.youtube.com/watch?v=oT_5Er1cLvY 700+ weekly blogs / 500+ podcasts / 1 Ironman Triathlon / 5 half ironman races / 26 marathon races / 4 books / 1 Mt. Kilimanjaro / 1 TEDx Talk

Leslie Smith III (b. 1985) was born in Silver Spring, MD and lives and works in Madison, WI.  Smith's interests lie in our conscious effort to alter personal perception. Recent works explore Abstraction's inherent personal and political properties as they relate to broadening notions of Black representation and expression. Smith creates paintings with a mindset that it's possible to present a new interpretation of contemporary abstraction. One with expectations of a different sensibility than that offered by the 1950's and 60's, he offers an alternative worldview; one of inclusion and acceptance.  Leslie Smith III earned a BFA at the Maryland Institute College of Art and an MFA at the Yale School of Art. Smith exhibits nationally and internationally. His work can be found in the permanent collections of the High Museum of Art, Atlanta; the Virginia Museum of Fine Art, Richmond; the Birmingham Museum of Art; the Abroms-Engel Institute for the Visual Arts, Birmingham, AL; and the FRAC Auvergne, France. Leslie Smith III, Ancestral Meeting, 2025 Oil on shaped canvas and sewn upholstery fabric, 36 x 45 1/2 in 91.4 x 115.6 cm. Copyright The Artist Leslie Smith III,  Under the Skin of Light, 2025 Oil on shaped canvas 45 1/2 x 36 in 115.6 x 91.4 cm, Copyright The Artist Leslie Smith III, Night Scene From a Moving Train Window, 2025, Oil on shaped canvas and sewn upholstery fabric 36 x 45 1/2 in 91.4 x 115.6 cm. Copyright The Artist

Chef Patrick O'Connell of the renowned Inn at Little Washington on turning a run-down stretch of rural Virginia into a three-star Michelin destination. Recorded for an audience at the Virginia Museum of History & Culture.

As it sometimes does, this week's topic presented itself to me. Determined to find out why the little known story of a woman most people have never heard of needed to be told so badly, I dug in. Join me to uncover the story of Grace Sherwood for yourself, the only woman ever to be convicted of witchcraft in Virginia. We'll examine the factors that led to Grace's conviction and the "recipe" for witch hunts that has plagued our past and potentially (but hopefully not!) our future. Support the show! Join the Patreon (patreon.com/historyfixpodcast)Buy some merchBuy Me a CoffeeVenmo @Shea-LaFountaineSources:Transcripts of Grace Sherwood's trial for witchcraft"A Place In Time: The Age of the Witch of Pungo" by Belinda Nash and Danielle SheetsSalem Witch Museum "Grace Sherwood: the 'Witch' of Pungo"Ferry Plantation "Trial of Grace Sherwood - the Witch of Pungo"Virginia Museum of History and Culture "Grace Sherwood: the 'Witch of Pungo'"The Washington Post "Va. Gov. Gives Informal Pardon to Witch"Wikipedia "Grace Sherwood"Shoot me a message!

This week, the VPM Daily Newscast is showcasing the candidates for statewide office.  (00:11) Intro with State Politics Reporter Jahd Khalil  (00:53) Jahd and VPM News Features Editor Whittney Evans discuss Winsome Earle-Sears  (07:36) Abigail Spanberger  All in-person interviews took place at the Virginia Museum of History and Culture.  ⁠⁠Early voting⁠⁠ is open now in Virginia and lasts through Nov. 1. Election Day is Tuesday, Nov. 4.  Read more:  VPM News' interview questions for Winsome Earle-Sears  Abigail Spanberger: Governor needs to be 'steady' amid federal uncertainty  Our award-winning work is made possible with your donations. Visit vpm.org/donate to support local journalism. 

This week, the VPM Daily Newscast is showcasing the candidates for statewide office. (00:10) Intro with State Politics Reporter Jahd Khalil (00:40) Jay Jones (07:29) Jahd and VPM News Features Editor Whittney Evans discuss Jason Miyares Tune in Friday for gubernatorial candidate interviews. All in-person interviews took place at the Virginia Museum of History and Culture. ⁠Early voting⁠ is open now in Virginia and lasts through Nov. 1. Election Day is Tuesday, Nov. 4.  Read more: Jay Jones: Families 'desperate' for attorney general to put Virginia first VPM News' interview questions for Jason Miyares How to vote in Virginia: A 2025 VPM voter guide Our award-winning work is made possible with your donations. Visit ⁠vpm.org/donate⁠ to support local journalism. 

This week, the VPM Daily Newscast is showcasing the candidates for statewide office. (00:10) Intro with State Politics Reporter Jahd Khalil (00:39) Ghazala Hashmi (07:26) John Reid Tune in Wednesday for attorney general candidate interviews. Tune in Friday for gubernatorial candidate interviews. All in-person interviews took place at the Virginia Museum of History and Culture. Early voting is open now in Virginia and lasts through Nov. 1. Election Day is Tuesday, Nov. 4.  Read or watch the interviews: ⁠John Reid: Lt. Gov. is 'an ambassador for the state of Virginia'⁠ ⁠Ghazala Hashmi: Virginia's No. 2 has 'critical role to play'⁠ Our award-winning work is made possible with your donations. Visit vpm.org/donate to support local journalism. 

In this live episode of Processa Talks, Kiara Cristina Ventura sits down with artist Emmanuel Massillon for a deep conversation on art, culture, and process. Together, they explore Emmanuel's practice, the stories behind his work, and how his identity and experiences shape his vision as an artist. Later in the episode, they are joined by artist Allen Golder-Carpenter to reflect on the Massillon's performance piece "Cell 72: The Cost of Confinement" at Harlesden High Street Gallery in London, where Allen inhabited the role of an inmate for three days in June 2025.Recorded live at Studio Processa as part of the Processa Social Club series, this conversation unfolds with honesty, laughter, and insight into the realities of navigating the art world as a young Black conceptual artist.About Emmanuel:Emmanuel Massillon (b. 1998, Washington D.C.) is a conceptual artist whose practice spans painting, sculpture, performance, and sound. His work critically examines race, identity, and culture—especially as they relate to people of African descent—drawing from his upbringing in inner-city D.C., his Haitian heritage, and lived experience. Rejecting strictly polished aesthetics, Emmanuel often works with raw, tactile materials — found objects, hand-carved wood, cultural memorabilia, even food products — to evoke history, memory, and material storytelling. His visual language channels influences like Jazz, R&B, Rap, folk art, and street vernacular, creating layered narratives that blur formal boundaries. Emmanuel has exhibited internationally, and his work is held in significant collections including the Baltimore Museum of Art, C21 Museum, The Flint Institute of Arts, and the Virginia Museum of Fine Arts. Connect with Emmanuel: https://www.emmanuel-massillon.com | @massi___------This episode is part of PROCESSA TALKS, a podcast and curatorial series by Processa—a roving platform founded by Kiara Ventura that supports experimental exhibitions, conversations, and collaborations with Black and Brown artists.Learn more and check out our programs at: processa.artSupport the podcast and our physical space: processa.art/donateIntro & outro beat credit. (non-profit): less is more by Mpsta & El J

We rejoin Herman Daly in the  late 1970s - a tumultuous time for our renegade economist.  Partnering with theologian John Cobb Jr., Daly began to rebuild economics from the ground up, reframing it around values, community, and the planet that sustains us.Woven through this intellectual journey are stories of faith, family, and friendship that helped Daly persevere. We hear how he sparked a global community of scholars and inspired whole new movements, ranging from wellbeing and regenerative economics to the circular economy and doughnut economics.Featured in this episode:Gaya Herrington, Wellbeing economist & thought leaderJennie King, Senior Fellow at ISDPeter Victor, Ecological economist & author of Herman Daly's Economics for a Full WorldSandrine Dixson-Declève, Global Ambassador for The Club of RomeRobert Costanza, Ecological economistTerri Daly Stewart, Senior Occupational Therapist, and Herman and Marcia's eldest daughterKaren Daly Junker, Senior Manager of Provenance Research at the Virginia Museum of Fine Arts, and Herman and Marcia's youngest daughterBrian Czech, Executive Director of CASSERob Dietz, Program Director at the Post-Carbon Institute and co-host of Crazy TownColvis Cavalcanti, Ecological economistKaty Shields, Regenerative economist, and co-creator/host of Tipping PointKatherine Trebeck, Political economistThank you to the Daly family for their generous support in sharing Herman's story, and to Barbara Barros, C40 Global Head of Adaptation Finance, for voicing Marcia Daly's email in this episode.Thank you also to our series consultants and fact checkers, Peter Harnik, Rob Dietz, and Peter Victor, who also graciously supplied the interview tape with Herman Daly, recorded in 2022.Visit the Cities 1.5 podcast page on UTP's website for the media citations used in this episode.If you want to learn more about the Journal of City Climate Policy and Economy, please visit our website: https://jccpe.utpjournals.press/ Cities 1.5 is produced by the University of Toronto Press and Cities 1.5 is supported by C40 Cities and the C40 Centre for City Climate Policy and Economy. You can sign up to the Centre newsletter here. https://thecentre.substack.com/ Cities 1.5 is hosted by David Miller, Managing Director of the C40 Centre and author of the book Solved. It's written and produced by Peggy Whitfield and Jess Schmidt: https://jessdoespodcasting.com/ Our executive producer is Chiara Morfeo. Edited by Morgane Chambrin: https://www.morganechambrin.com/ Cities 1.5 music is by Lorna Gilfedder: https://origamipodcastservices.com/

Episode 489 / Alexis RockmanBorn in 1962 in New York, Alexis Rockman has depicted a darkly surreal vision of the collision between civilization and nature – often apocalyptic scenarios on a monumental scale – for over three decades. Notable solo museum exhibitions include “Alexis Rockman: Manifest Destiny” at the Brooklyn Museum (2004), which traveled to several institutions including the Wexner Center for the Arts (2004) and the Rhode Island School of Design (2005). In 2010, the Smithsonian American Art Museum organized “Alexis Rockman: A Fable for Tomorrow,” a major touring survey of his paintings and works on paper. Concurrent with Rockman's 2013 exhibition at Sperone Westwater, the Drawing Center mounted “Drawings from Life of Pi,” featuring the artist's collaboration with Ang Lee on the award-winning film Life of Pi. His series of 76 New Mexico Field Drawings was included in “Future Shock” at SITE Santa Fe (2017-18). “Alexis Rockman and Mark Dion: A Journey to Nature's Underworld” was presented at the Bruce Museum, Greenwich, CT (2023) and traveled to the Virginia Museum of Contemporary Art (2024). It will be on view at the Tang Teaching Museum at Skidmore College, Saratoga Springs, NY until 5 January 2025, and at the Palmer Museum of Art at Penn State from August 30th through December 7th. His work is represented in many museum collections, including the Baltimore Museum of Art; Brooklyn Museum; Crystal Bridges Museum of American Art; Grand Rapids Art Museum; Los Angeles County Museum of Art; Museum of Fine Arts, Boston; New Orleans Museum of Art; San Francisco Museum of Modern Art; Smithsonian American Art Museum; Solomon R. Guggenheim Museum; and Whitney Museum of American Art. Rockman's first solo exhibition with Sperone Westwater, “Evolution,” was presented in 1992. He has had subsequent solo exhibitions at the gallery in 2013, 2018, 2020-21 and 2023. He lives and works in Warren, Connecticut.

We follow Herman from the lecture halls of Louisiana to the forests of Brazil – and through a period of global upheaval and personal transformation. Herman was profoundly shaped by the realities of inequality and ecological fragility in the Global South. These experiences helped crystallize his vision of a steady-state economy; one that operates within the planet's ecological limits and prioritizes human wellbeing and ecological boundaries over endless growth.With reflections from his family and followers, this episode captures the moment Daly's thinking moved from quiet resistance to creating economic theories that would go on to have a truly global influence. Featured in this episode:Colvis Cavalcanti, ecological economistBrian Czech, Author of Shoveling Fuel for a Runaway Train and executive director of the Center for the Advancement of the Steady State EconomyRob Dietz, Program Director at the Post-Carbon Institute, co-author of Enough is Enough, and co-host of Crazy TownTerri Daly Stewart, Senior Occupational Therapist and Herman and Marcia's eldest daughterKaren Daly Junker, Senior Manager of Provenance Research at the Virginia Museum of Fine Arts and Herman and Marcia's youngest daughterDenis Lynn Daly Heyck (Deni), Professor Emeritus of Spanish language and literature and Herman's sisterKaty Shields, Regenerative economist and co-creator/host of Tipping PointPeter Victor, Professor Emeritus of ecological economics & author of Herman Daly's Economics for a Full WorldKate Raworth, Author of Doughnut Economics and co-founder of the Doughnut Economics Action LabThank you to the Daly family for their generous support in sharing Herman's story.Thank you also to our series consultants and fact checkers, Peter Harnik, Rob Dietz, and Peter Victor, who also graciously supplied the interview tape with Herman Daly, recorded in 2022.Visit the Cities 1.5 podcast page on UTP's website for the media citations used in this episode.If you want to learn more about the Journal of City Climate Policy and Economy, please visit our website: https://jccpe.utpjournals.press/ Cities 1.5 is produced by the University of Toronto Press and Cities 1.5 is supported by C40 Cities and the C40 Centre for City Climate Policy and Economy. You can sign up to the Centre newsletter here. https://thecentre.substack.com/ Cities 1.5 is hosted by David Miller, Managing Director of the C40 Centre and author of the book Solved. It's written and produced by Peggy Whitfield and Jess Schmidt: https://jessdoespodcasting.com/ Our executive producer is Chiara Morfeo. Edited by Morgane Chambrin: https://www.morganechambrin.com/ Cities 1.5 music is by Lorna Gilfedder: https://origamipodcastservices.com/

Herman Daly was a founding father of ecological economics: more than half a century ago, he warned that the pursuit of endless economic growth was driving ecological collapse and harming society, as well as harming society - and came up with a plan to unbreak our economy. Dismissed by mainstream economists, pushed out of the World Bank, and even targeted by menacing, anonymous threats, Daly paid a high price for challenging our unsustainable global system. But now, as climate breakdown accelerates and the failures of neoliberalism become increasingly apparent, his ideas are more relevant - and more vital - than ever. Now is the time for his theories and his legacy to get the attention they deserve. In the opening episode, we hear from the person who knew his story best: himself. Featuring never-heard-before interviews with Herman, alongside reflections from a whole host of experts, scholars and collaborators. We trace his childhood battle with polio, his whirlwind romance with his wife, Marcia and the moment Herman discovered the first piece of the puzzle in solving the intertwined economic, societal and climate crises: the concept of uneconomic growth.Featured in this episode:Peter Victor, Professor emeritus of ecological economics and author of Herman Daly's Economics for a Full WorldGaya Herrington, Wellbeing economist & thought leaderJoshua Farley, Professor of ecological economicsKatherine Trebeck, Political Economist & writerDenis (Deni) Lynn Daly Heyck, Professor Emeritus of Spanish Language and Literature and Herman's sisterTerri Daly Stewart, Senior Occupational Therapist, and Herman and Marcia's elder daughterKaren Daly Junker, Senior Manager of Provenance Research at the Virginia Museum of Fine Arts, and Herman and Marcia's younger daughterThank you to the Daly family for their generous support in sharing Herman's story, and to Barbara Barros for voicing Marcia Daly's email in this episode. Thank you also to our series consultants, Peter Harnik, Rob Dietz, and Peter Victor, who also graciously supplied the interview tape with Herman Daly, recorded in 2022.If you want to learn more about the Journal of City Climate Policy and Economy, please visit our website: https://jccpe.utpjournals.press/ Cities 1.5 is produced by the University of Toronto Press and Cities 1.5 is supported by C40 Cities and the C40 Centre for City Climate Policy and Economy. You can sign up to the Centre newsletter here. https://thecentre.substack.com/ Cities 1.5 is hosted by David Miller, Managing Director of the C40 Centre and author of the book Solved. It's written and produced by Peggy Whitfield and Jess Schmidt: https://jessdoespodcasting.com/ Our executive producer is Chiara Morfeo. Edited by Morgane Chambrin: https://www.morganechambrin.com/ Cities 1.5 music is by Lorna Gilfedder: https://origamipodcastservices.com/

Jeremy Drummond's work has been exhibited in museums, galleries, and festivals worldwide. His films/videos have received awards such as the National Film Board of Canada Award at the Images Festival (Toronto), Best Experimental Video at the Reeling: Chicago Lesbian & Gay International Film Festival, the People's Choice Award at the New Forms Festival (Vancouver), and the No Budget Award at the Cinematexas Festival of International Film & Video (Austin). He has received grants and fellowships from the Canada Council for the Arts, National Film Board of Canada, and Virginia Museum of Fine Arts. His work has been featured and/or reviewed in magazines, journals, and newspapers, including Art Papers, Cabinet, Canadian Architect, Frieze, NRC Handelsblad, Prefix Photo, SEAMUS, The Washington Post, and The Wire: Adventures in Sound & Music.Drummond's films and videos are distributed internationally by LIMA (Amsterdam), Videographe (Montreal), Video Pool Inc. (Winnipeg), Vtape (Toronto), and The Film-maker's Cooperative/The New American Cinema Group (NYC). His printed works are/have been available from Art Metropole (Toronto), Printed Matter Inc. (NYC), and the New Museum of Contemporary Art (NYC). In addition to his solo work, Drummond works extensively with artist David Poolman as Never Met A Stranger -- a collaborative platform for the production of art and experimental media, a publisher of vernacular arts and culture, and an ongoing archive of field recordings, interviews, and documentary resources that collectively explore relationships between perception and representation, industry and the environment, and landscape and culture throughout central Appalachia and the rural North American South.Drummond is the organizer and curator of the Frames of Reference annual program of artists' film and video. With support from the University of Richmond's Department of Art & Art History, University Museums, and School of Arts & Sciences, Frames of Reference showcases some of the most creative, challenging, thoughtful, and visionary artists working in film, video, and alternative media today. Programs feature artists and artworks that resist conventions and ideologies of mainstream media; explore creative, innovative approaches to narrative and experiments in time-based media; and embrace unique viewpoints, perspectives, or frames of reference.

In this episode of "Stories from Real Life," host Melvin E. Edwards sits down with Elizabeth Klaczynski, curator at the Virginia Museum of History and Culture. They delve into the fascinating history of free Black Virginians from 1619 to 1865, exploring themes of freedom, identity, and resilience. Elizabeth shares insights from her exhibition "Un/Bound," highlighting the untold stories of individuals who navigated systemic oppression with creativity and determination. Tune in for a thought-provoking discussion that challenges our understanding of American history and identity. PodcastRealLife.comhttps://virginiahistory.org/exhibitions/unbound-free-black-virginians-1619-1865https://www.linkedin.com/in/elizabeth-klaczynski-05ba0824/https://virginiahistory.org/unbound-free-black-virginians-1619-1865-traveling-exhibitionWant to be a guest on Stories from Real Life? Send Melvin Edwards a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/storiesfromreallife. www.podcastreallife.com storiesfromreallife.substack.com Get full access to Melvin E. Edwards at storiesfromreallife.substack.com/subscribe

Cheryl Pope is an interdisciplinary visual artist who questions and responds to issues of identity as it relates to the individual and the community, specifically regarding race, gender, class, history, power, and place. Her practice emerges from the act and politics of listening, and recently introduces a novel material to explore the artist's memories. Referencing the familiar repertoire of the French Post-Impressionist, Intimist, and Imagist paintings, Pope recreates deeply personal recollections that cinematically compose the silent complexities of beautiful and tragic oscillations between love and loss in our everyday lives. Images of couples are drawn from memory, referencing the artist's own relationships and moments of disconnect, anxiety, and desire, while beach scenes depicting a mother and child accentuate a tender stillness of caregiving. In these scenes, the figures exist in a nest of choreography–a rotating stage of mystery, tragedy, and poetry of day-to-day living with feelings of presence and absence woven throughout.     Pope (b.1980, Chicago, IL) received her MA in Design (2010) and BFA (2003) from the School of the Art Institute, Chicago, IL, where she is an Adjunct Professor.  Pope has had recent solo exhibitions at moniquemeloche, Chicago, IL (2022, 2019); The Ulrich Museum of Art, Wichita, KS (2022); Rockford Art Museum, Rockford, IL (2019); Galleria Bianconi, Milan, Italy (2019); Andres Guerrero Gallery, San Francisco, CA (2018); and Fort Gansevoort, New York, NY (2017). Notable group presentations include Eli and Edythe Broad Art Museum, East Lansing, MI (2023); The FLAG Art Foundation, New York, NY (2023 2021); Everson Museum, Syracuse, NY (2023); Kalamazoo Institute of Arts, Kalamazoo, MI (2022); Weinberg/Newton Gallery, Chicago, IL (2022); Skin in the Gamecurated by Zoe Lukov, Chicago, IL (2022); Fountainhead, Miami, FL (2021); Santa Barbara Museum of Art, Santa Barbara, CA (2021); Virginia MOCA, Virgina Beach, VA (2021); and the Museum of Contemporary Art, Chicago, IL (2020). Pope's work will be included in the upcoming group exhibition Get in the Game: Sport and Contemporary Culture at SFMoMA in 2024. Pope's work is in the collections of Museum of Contemporary Art Jacksonville, FL; the Museum of Contemporary Art, Chicago, IL; UBS Art Collection, New York, NY; Joan Flasche Artists Book Collection, Chicago, IL; Seattle Art Museum, WA; Honolulu Museum of Art, HI; Museum of Contemporary Art, San Diego, CA; Poetry Foundation, Chicago, IL; DePaul University Art Museum, Chicago, IL; Virginia Museum of Fine Arts, Richmond, VA; Baltimore Museum of Art, Baltimore, MD; United States Embassy, Santo Domingo, Dominican Republic; The Jackson West Memorial Hospital, Miami, FL; and The Ulrich Museum of Art, Wichita, KS. She has been the recipient of several awards and fellowships, including the Public Artist Award, Franklin Works, Minneapolis, MN (2017); Selected Artist, Year of Public Art, Chicago Cultural Center, IL (2017); Mellon Fellowship, Kenyon College, Gambier, OH (2016); and 3Arts Award, Chicago, IL (2015). Pope lives and works in Chicago, IL and Miami, FL. Artist https://www.cherylpope.net/ monique meloche https://www.moniquemeloche.com/artists/35-cheryl-pope/works/ Hyperallergic https://www.moniquemeloche.com/press/492-talking-a-big-game-the-art-of-sports/ | https://www.moniquemeloche.com/press/280-artists-on-basketball-and-its-discontents/ Art Daily https://www.moniquemeloche.com/press/451-the-baltimore-museum-of-art-announces-approximately-75/ Observer https://www.moniquemeloche.com/press/437-early-sales-and-excitement-at-art-basel-miami/ The Guardian https://www.moniquemeloche.com/press/430-strike-fast-dance-lightly-largest-ever-boxing-exhibition/ BOMB https://www.moniquemeloche.com/press/420-cheryl-pope-by-carolina-wheat/ Chicago https://www.moniquemeloche.com/press/406-fall-fashion-artists-in-their-natural-habitats/ Reader https://www.moniquemeloche.com/press/418-chicago-is-a-protest-town/

As a teenager, Dr Michael Brand experienced moving from Canberra to Washington as both traumatic and exciting. It was on a journey back to Australia via family in Nepal with his brother, they were aged 15 and 18 respectively, that he first experienced Islamic art. He can trace a direct line from that experience to his field of study and life’s work. Brand has recently retired as Director of the Art Gallery of NSW, after guiding it through the most significant transformation in its history. He’s led galleries all over the world, from the Aga Khan Museum in Toronto, to the J Paul Getty Museum in LA and the Virginia Museum of Fine Arts. He started his career as curator of Asian art at the National Gallery of Australia under the iconic James Mollison. Brand is a scholar of Indian and Islamic art, architecture and landscape design and has led these world-class art museums at some of the most challenging in their history. Listen in as Vince and Michael discuss trying to be ethical in the art world, falling in love with Asian art in Nepal aged 15 and being sent to NYC by Frank Robertson to buy art. See omnystudio.com/listener for privacy information.

The multimillion dollar agreement between Chesterfield County and Competitive Racing Investments ushers in a new era of racing for the longtime stock car racetrack that's been closed since 2020; The JXN Project was recently awarded $75,000 through the Virginia Museum of History and Culture's Commonwealth History Fund to assist in its effort to rebuild the Skipwith-Roper Cottage; The Hadad family is putting its namesake-lake and popular recreational space up for sale; and co-founders Carlisle Bannister and Christy Dobrucky opened a second Supper Club location at the Promenade at Winterfield mixed-use development.

Judith Fox is an award-winning fine art photographer, poet, public speaker, and business leader. The temporary service she founded in Richmond, Virginia in 1978 was purchased by a NYSE firm in 1996. During her business career, Fox served on many for-profit and non-profit boards, was a public speaker and consultant. After selling her company, Judith devoted herself full-time to photography and writing. Fox's award-winning photographs are in the permanent collections of the Los Angeles County Museum of Art (LACMA), the Virginia Museum of Fine Arts (VMFA), the Museum of Photographic Arts (MoPA), the Southeast Museum of Photography (SMP), the Harry Ransom Center, the Haggerty Museum of Art, and the Harn Museum; her work is in private and corporate collections throughout the world. Fox's photographs have been exhibited in solo and group shows in the United States and Europe. After her book I Still Do: Loving and Living with Alzheimer's was released, Fox became a global advocate for Alzheimer's awareness and education. She's been a speaker and consultant on Alzheimer's and family caregiving for corporations, non-profit associations and universities. I Still Do was named “one of the best photography books of 2009” by Photo-Eye Magazine. Judith Fox lives and works in Southern California and is currently working on a collection of poetry. Find more information at: https://www.judithfox.com/ As always, we'll also include the live Prompt Lines for responses to our weekly prompt. A Zoom link will be provided in the chat window during the show before that segment begins. For links to all the past episodes, visit: https://www.rattle.com/rattlecast/ This Week's Prompt: Write a poem about the happiest place on earth. Next Week's Prompt: Write a poem about a time that you carried more than you ever thought possible, and include a reference to temperature. The Rattlecast livestreams on YouTube, Facebook, and Twitter, then becomes an audio podcast. Find it on iTunes, Spotify, or anywhere else you get your podcasts.

Virginia gubernatorial candidate Abigail Spanberger -- previously a three-term member of Congress and CIA officer -- on Trump II vs. Washington; foreign affairs; culture wars; and the Democrats' messaging problem. Taped before an audience at the Virginia Museum of History & Culture.

Katie and Steve speak with their colleague Eden Burgess and guest Dr. Ndubuisi C. Ezeluomba, Curator of African Art at the Virginia Museum of Fine Art and an expert in Benin Bronzes, about the artistic history of Benin City in current day Nigeria, the fate of the Benin Bronzes that dispersed around the world after the British invasion and looting of Benin Kingdom in 1897, and how we should think about ownership and possession of these valuable objects today.   Notes for this episode: https://artlawpodcast.com/2025/01/13/who-should-control-the-benin-bronzes/   Follow the Art Law Podcast Instagram: https://www.instagram.com/artlawpodcast/ TikTok: https://www.tiktok.com/@artlawpodcast Katie and Steve discuss topics based on news and magazine articles and court filings and not based on original research unless specifically noted.

James Little (b. 1952, Memphis, TN) holds a BFA from the Memphis Academy of Art and an MFA from Syracuse University. He is a 2009 recipient of the Joan Mitchell Foundation Award for Painting. In addition to being featured prominently in the 2022 Whitney Biennial at the Whitney Museum of American Art in New York, his work has been exhibited extensively in solo and group exhibitions around the world, including at MoMA P.S.1, New York; Crystal Bridges Museum of American Art, Bentonville; Studio Museum in Harlem, New York; St. Louis Art Museum, St. Louis; Virginia Museum of Fine Arts, Richmond; and the Smithsonian Institute, Washington, D.C. In 2022, Little participated in a historic collaboration for Duke Ellington's conceptual Sacred Concerts series at the Lincoln Center, New York, with the New York Choral Society at the New School for Social Research and the Schomburg Center in New York. Recent solo exhibitions include: Petzel, New York (2024); Kavi Gupta, Chicago (2022); Dixon Gallery and Gardens, Memphis (2022); Louis Stern Fine Arts, West Hollywood (2020); and June Kelly Gallery, New York (2018). His paintings are represented in the collections of numerous public and private collections, including the Whitney Museum of American Art, New York; Virginia Museum of Fine Art, Richmond; The Studio Museum, Harlem, New York; The Menil Collection, Houston; Library of Congress, Washington, D.C.; Memphis Brooks Museum of Art, Memphis; Maatschappij Arti Et Amicitiae, Amsterdam; Saint Louis Art Museum, Saint Louis; Everson Museum of Art, Syracuse; New Jersey State Museum, Trenton; Tennessee State Museum, Nashville; and the Newark Museum, Newark. James Little Trophy Wives, 2024 Photo: Thomas Barratt Courtesy the artist and Petzel, New York James Little The Problem with Segregation, 2024 Photo: Thomas Barratt Courtesy the artist and Petzel, New York James Little Mahalia's Wings, 2024 Photo: Thomas Barratt Courtesy the artist and Petzel, New York

Send us a textTo learn more, please visit Frances Liddell's site.Show Notes:0:00 Frances Liddell on justice and technology1:30 Liddell's background2:50 CryptoKitties 3:50 NFTs5:20 ORAgen & DECaDE research centre 7:20 C2PA 8:15 tokenized rights9:45 ORA use cases10:30 themes from ORA interviews12:15 YouTube as a supportive platform v. TikTok13:00 smart contracts and licensing15:00 perspectives on attribution 16:30 Emily Gould question on attribution24:50 animation sector with stronger preference for attribution not open source 26:45 interviews revealed uncertainty on data scraping29:50 lack of awareness about the environmental impact of blockchain31:50 repatriation and blockchain and her work as associate research fellow with Art & Antiquities Blockchain Consortium34:50 Balot NFT - Balot sculpture in Virginia Museum of Fine Arts 37:30 ORA project status38:15 ORAgen Fables39:00 recommendations for creatives: to review C2PA & Content Credentials41:00 Gould: responses during interviews about copyright concerns 45:30 location of individuals interviewed47:20 impact of tech on issues of injustice - benefits/concerns surrounding decentralization 50:40 current work with ORA51:30 Oluwatobi AlukoPlease share your comments and/or questions at stephanie@warfareofartandlaw.comTo hear more episodes, please visit Warfare of Art and Law podcast's website.Music by Toulme.To view rewards for supporting the podcast, please visit Warfare's Patreon page.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at stephanie@warfareofartandlaw.com. Thanks so much for listening!© Stephanie Drawdy [2024]

In this episode, Janet Michael, the host of 'Valley Today', welcomes Martha Reynolds, the Executive Director at the Barns of Rose Hill. The focus is on the exciting events and activities happening at the Barns of Rose Hill, particularly as the fall and holiday season approach. Martha shares detailed information about the diverse range of events scheduled, including new art exhibitions opening on November 1st. She highlights two simultaneous exhibitions: one by local mosaic artist Christy Dunkle, who will be retiring from the town of Berryville, and another by photographer Sharon Fisher, featuring a visual documentary on a remote tribe in Kenya. Listeners learn about the VMFA Artmobile's visit on November 22nd and 23rd, which offers a free, immersive art experience from the Virginia Museum of Fine Arts. Janet and Martha discuss the wide array of activities at the Barns, from musical concerts to holiday-themed events. Martha mentions notable upcoming concerts, including performances by David Wilcox, Kathy Fink, and Marcy Marxer in October and November, as well as the annual Celtic Christmas concert by John Doyle and Mick McAuley in December. She encourages listeners to purchase tickets in advance due to high demand. Holiday events are abundant at the Barns, with activities like free ornament-making for kids, a holiday paint and sip, music bingo, and the return of the Eric Byrd Trio performing 'A Charlie Brown Christmas' soundtrack. The Barns is also collaborating with Winchester Little Theatre for a radio play adaptation of Truman Capote's stories, adding to the festive celebrations. Martha emphasizes the importance of community support for the nonprofit Barns of Rose Hill, especially through individual donations and memberships, which sustain their diverse programming year-round. Learn more on their website: https://www.barnsofrosehill.org/ and follow them on Facebook.

Dr. Sterling Nesbitt is an Assistant Professor of Geosciences at Virginia Tech, as well as a  research associate/affiliate of the American Museum of Natural History, the Vertebrate Paleontology Lab at The University of Texas at Austin, the Virginia Museum of Natural History, North Carolina Museum of Natural Sciences, and the National Museum of Natural History. Sterling is a vertebrate paleontologist who leverages his training in biology to understand how animals are related, how they evolved certain features, and how they have diversified over time. He is working to improve our knowledge of how life on earth has evolved over the past hundreds of millions of years. Outside of science, Sterling is passionate about travel. He loves visiting new places to experience other cultures, learn about their traditions, and discover fantastic places off the beaten path. He received his BA in Integrative Biology from the University of California, Berkeley and went on to complete his MA, MPhil, and PhD in Geosciences at Columbia University. Afterwards, Sterling conducted postdoctoral research at the University of Texas at Austin, the University of Washington, and the Field Museum before joining the faculty at Virginia Tech where he is today. Sterling is the recipient of the 2016 Virginia Tech College Award for Outreach Excellence from the College of Science. Sterling is here with us today to speak to us about his life and science.

Episode 438 / Sarah Boyts Yoder is a painter based in Charlottesville, VA. She received an MFA in painting from James Madison University in 2006. Her work has been featured in numerous publications, exhibitions, and corporate and private collections throughout the United States and abroad, including the Virginia Museum of Contemporary Art. Sarah has been the recipient of a professional fellowship in painting from the Virginia Museum of Fine Arts and has been a fellow multiple times at the Virginia Center for the Creative Arts and 100W Corsicana in Corsicana, TX.

Restaurant owner, entrepreneur, media personality, and community cheerleader Kelli Lemon wears many hats in Richmond, Virginia. On this episode of "Eat It, Virginia," Kelli shared why she decided to open Urban Hang Suite in downtown Richmond and what that experience has taught her about life, business, and the city she calls home. "Kendra [Feather] is the reason Hang Suite is open," Lemon said. "Creative Mornings, I think it was January 2017. My topic was a question mark, it was like a mystery. I was like, I'm looking for this thing, that's kind of a hangout, where people could talk to each other, but it's not a restaurant, it could be a cafe. And I think it was Anne Marie that yelled out, "Do it!" It was either Kendra or Anne Marie. And then the next day, Kendra called me. It was like, I want to show you this space." In addition to Urban Hang Suite, Kelli talked about her roles at the Richmond Times-Dispatch, the Virginia Black Restaurant Experience, the Art of Noise, and the birth of her podcast Coffee with Strangers. Here are some links to other things mentioned in this episode: Learn more about RVA Wing Wars here. Learn more about the Art of Noise here. This episode is sponsored by the Virginia Museum of History & Culture and its new exhibit Julia Child: A Recipe For Life. This episode is sponsored by Project Birdie.See omnystudio.com/listener for privacy information.

Step into the vaults of history with "Treasures of Virginia," a podcast series that delves deep into the stories behind the remarkable objects on display at the Virginia Museum of History & Culture's (VMHC). Each episode is a journey through time, guided by the artifacts that have shaped Virginia's rich and diverse history. Interviews with expert historians and curators offer listeners a comprehensive understanding of Virginia's past and its enduring impact on the present. Join us on a voyage of discovery as we unlock the secrets of Virginia's past, one artifact at a time. "Treasures of Virginia" invites you to explore history in a whole new light and gain a profound appreciation for the enduring legacy of the Commonwealth.

Step into the vaults of history with "Treasures of Virginia," a podcast series that delves deep into the stories behind the remarkable objects on display at the Virginia Museum of History & Culture's (VMHC). Each episode is a journey through time, guided by the artifacts that have shaped Virginia's rich and diverse history. Interviews with expert historians and curators offer listeners a comprehensive understanding of Virginia's past and its enduring impact on the present. Join us on a voyage of discovery as we unlock the secrets of Virginia's past, one artifact at a time. "Treasures of Virginia" invites you to explore history in a whole new light and gain a profound appreciation for the enduring legacy of the Commonwealth.

Ty Walker and his wife Shannon own and operate Smoke in Chimneys trout farm in New Castle, Virginia. In this Eat It, Virginia episode, Walker joined Scott and Robey and shared his experience revitalizing a 1930s trout hatchery. He discussed the challenges of starting and running a sustainable fish farm, including public perception, infrastructure limitations, and high start-up costs. (22:45) Walker also touched on the big role faith has played in his business. (50:05) Other topics discussed in this episode include: The restaurants Robey included on the July 2024 Hot List (1:58) The situation with Brittanny Anderson and the Pink Room (8:22) An update on the whereabouts of Richmond chef Bobo Catoe (11:20) The mystery and annoyance surrounding the lack of prices on menus (13:05) The best ways to reach the podcast are through Instagram DMs and email. This episode is sponsored by the Virginia Museum of History & Culture and its new exhibit Julia Child: A Recipe For Life.See omnystudio.com/listener for privacy information.

In this episode of PhotoWork with Sasha Wolf, Sasha and Dr. Sarah Kennel, the Aaron Siskind Curator of Photography at the VMFA, discuss in detail the acquisition process at the Virginia Museum of Fine Arts. They also delve into the collaborative efforts required to produce a large traveling exhibition, specifically A Long Arc: Photography and the American South since 1845, which is coming to the VMFA in October 2024. This episode reveals many of the inner workings of museum operations and helps to demystify the various processes through which artwork is acquired and shown. https://vmfa.museum | https://www.instagram.com/sarah_kennel/ Dr. Sarah Kennel joined VMFA in 2021 as the inaugural Aaron Siskind Curator of Photography and Director of the Raysor Center for Works on Paper. A specialist in nineteenth and twentieth-century photography, Kennel has curated, published, and presented widely on topics ranging from nineteenth-century French photography and historic photographic processes to European modernism and understudied women photographers. She has written extensively on the relationship between painting and photography in nineteenth-century France and, more recently, Kennel has focused on photography in the American South. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

The James Beard Awards, the food world's equivalent to the Oscars in Hollywood, snubbed Richmond restaurants and chefs for the third year in a row, Richmond Times-Dispatch restaurant critic Justin Lo (who appeared way back on Ep. 8) wrote in a recent article that appeared in the city paper. Lo laid out his reasoning behind the so-called snubs and later called his article a conversation starter on the topic. Well, consider the conversation continued. On this episode of "Eat It, Virginia!" co-host Robey Martin shares her beliefs about why no Richmond chefs nor restaurants have been honored by James Beard since the pandemic. She also lays out what Richmond restaurants and their fans should do to help Richmond get back on the James Beard map (15:15). Before that, Scott shares some recent breakfast and coffee experiences (2:45) at Rise and Shine Diner in Ashland and Café y Sabor, Brecotea, and Brick Road Coffee Co. all along various parts of West Broad Street in Henrico County. Robey also wants you yo know about a special Juneteenth Celebration dinner (8:40) with Dr. Leni Sorensen at The Roosevelt in Richmond. Tickets are available here. This episode is sponsored by the Virginia Museum of History & Culture and its new exhibit Julia Child: A Recipe For Life.See omnystudio.com/listener for privacy information.

  This week on “Out of Office: A Travel Podcast,” we revisit the November 2022 episode on Richmond, Virginia. It was Ryan and Kiernan's first overnight trip together (staying in separate hotels, of course)! They discuss museums, historic homes, graves, Presidents, and plenty about the Civil War. They also share their restaurant recommendations and uncover a standout hidden treasure in a National Park! The American Civil War Museum https://acwm.org/  Virginia Museum of Fine Arts https://vmfa.museum John Marshall House https://preservationvirginia.org/historic-sites/john-marshall-house/ Hollywood Cemetery https://www.hollywoodcemetery.org/ Maggie Walker House https://www.nps.gov/mawa/index.htm  Society of Cincinnati https://en.wikipedia.org/wiki/Society_of_the_Cincinnati  Virginia State Capitol http://virginiacapitol.gov/index.php/tours/  Statue of George Washington https://en.wikipedia.org/wiki/Statue_of_George_Washington_(Houdon)  James Madison's Montpelier https://www.montpelier.org/  Paul Jennings https://en.wikipedia.org/wiki/Paul_Jennings_(slave)   Eater's Richmond List https://dc.eater.com/maps/best-bars-restaurants-bakeries-richmond-dining-guide  Barcode https://www.barcoderva.com/  Triple Crossing Brewery https://triplecrossing.com/  Emily Dickinson's House https://www.nytimes.com/2022/10/28/arts/design/emily-dickinson-museum-renovation.html 

The Virginia Museum of Fine Arts will be receiving almost $350-thousand dollars thanks to a federal grant, to help construct an expansion; Are you ready to get hooked…on fishing? ; The Ashland Theatre is hosting a  community meeting to discuss the approval of a possible data center split between Hanover County and Ashland.

Virginia Museum of History and Culture curator Paige Newman and her team spent months diving into the life and cultural impact of celebrity chef and icon Julia Child. Her mission was to season Julia Child: A Recipe for Life, a national touring exhibit, to a Virginia audience. "At first I was like, what are those? But as you delve in, in the exhibit we have five sections and we call them Virginia  à la carte," Newman said. "My first thought was, of course, James Hemings, Thomas Jefferson's enslaved chef. He had to learn the art of French cookery when Jefferson became Minister of France. And that was my first thought, we have to include James Hemings. Then doing a little more research, I'm like, oh, Julia Child was in Richmond in 1976, promoting her fourth book and she did a demo and a book signing down at Thalheimer's department store. Another was, of course, Patrick O'Connell." Learn more about the Julia Child: A Recipe for Life exhibit here. Before the interview with Paige, Scott and Robey discussed new exciting updates involving past guests Keya Wingfield (2:32) and Brittanny Anderson (3:51). Plus we jump into the Eat It, Virginia mailbag to answer your questions (6:20). This episode is sponsored by the Virginia Museum of History & Culture and its new exhibit Julia Child: A Recipe For Life.See omnystudio.com/listener for privacy information.

Ep.198 Allison Janae Hamilton (b. 1984 in Kentucky, raised in Florida) has exhibited widely across the U.S. and abroad. Her work has been the subject of institutional solo exhibitions at the Georgia Museum of Art, the Joslyn Art Museum, Massachusetts Museum of Contemporary Art (MASS MoCA), and Atlanta Contemporary, as well as a commissioned solo project with Creative Time. Her sculpture, Love is like the sea… (2023) is currently on view in the Poydras Corridor Sculpture Exhibition, presented by The Helis Foundation in New Orleans, LA. Select recent group exhibitions include The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, Virginia Museum of Fine Arts; Shifting Horizons, Nevada Museum of Art; Enunciated Life, California African Art Museum; More, More, More, TANK Shanghai; and Indicators: Artists on Climate Change, Storm King Art Center. Work by the artist is held in public collections such as the Studio Museum in Harlem, the Hood Museum of Art, The Menil Collection, Nasher Museum of Art, Nevada Museum of Art, and Speed Museum of Art, among others. Hamilton has participated in a range of fellowships and residencies, including at the Whitney Independent Study Program, New York, NY; the Studio Museum in Harlem, New York, NY; and Fundación Botín, Santander, Spain. She is the recipient of the Creative Capital Award and the Rema Hort Mann Foundation Grant. Hamilton holds a PhD in American Studies from New York University and an MFA in Visual Arts from Columbia University. She lives and works in New York. Portrait: Heather Sten Artist https://www.allisonjanaehamilton.com/ Marianne Boesky Gallery https://marianneboeskygallery.com/artists/60-allison-janae-hamilton/press/ Storm King Art Center https://indicators.stormking.org/allison-janae-hamilton/ Georgia Museum of Art https://georgiamuseum.org/exhibit/allison-janae-hamilton-between-life-and-landscape/ University of Georgia https://www.wuga.org/show/museum-minute/2022-10-28/museum-minute-allison-janae-hamilton Nasher Museum of Art https://nasher.duke.edu/stories/allison-janae-hamilton-floridawater-ii-sisters-wakulla-county-fl-and-when-the-wind-has-teeth/ Helis Foundation https://www.thehelisfoundation.org/pcse/love-is-like-the-sea... Pippy HouldsworthGallery https://www.houldsworth.co.uk/exhibitions/140-tales-of-soil-and-concrete-brett-goodroad-allison-janae-hamilton-yun-fei-ji-arturo/works/ The Highline https://www.thehighline.org/art/projects/allison-janae-hamilton/ Contemporary Art Library https://www.contemporaryartlibrary.org/artist/allison-janae-hamilton-6327 Artpil https://artpil.com/allison-janae-hamilton/ The Clark https://www.clarkart.edu/microsites/humane-ecology/about-the-artists/allison-janae-hamilton UGA Today https://news.uga.edu/nature-is-at-the-center-of-allison-janae-hamiltons-work/ Rema Hort Mann Foundation https://www.remahortmannfoundation.org/allison-janae-hamilton/ Ogden Museum https://ogdenmuseum.org/event/florida-stories-a-conversation-with-author-lauren-groff-and-visual-artist-allison-janae-hamilton/ Kids Kiddle https://kids.kiddle.co/Allison_Janae_Hamilton WWD https://wwd.com/feature/allison-janae-hamilton-marianne-boesky-gallery-art-exhibition-1234792142/ Whitewall Art https://whitewall.art/art/allison-janae-hamilton-interrogates-myths-around-landscape-and-stories-of-paradise/ Whitewall Art https://whitewall.art/whitewaller/allison-janae-hamilton-a-romance-of-paradise/ Where y'at https://www.whereyat.com/allison-janae-hamilton-lauren-groff-florida-new-orleans The Bitter Southerner https://bittersoutherner.com/summer-voices/aunjanue-ellis/allison-janae-hamilton C& https://contemporaryand.com/exhibition/allison-janae-hamilton-a-romance-of-paradise/ The University of Texas at Austin https://repositories.lib.utexas.edu/items/3f37e356-f2a7-4f3b-a9d4-7614ddfac848 Urban Milwaukee https://urbanmilwaukee.com/people/allison-janae-hamilton/

On this week's episode, hosts Ben Davis and Kate Brown are joined by the newly-minted Artnet Pro editor and veteran art journalist and critic Andrew Russeth. We're thrilled to have him as a part of our team, and he's making his Art Angle debut with another edition of the Round Up, where we discuss three topics making headlines and sparking conversation in and around the art world. The first subject is the opening of The Dean Collection at the Brooklyn Museum, a show featuring the collection of Swizz Beatz and Alicia Keys titled "Giants," which is generating a lot of buzz for championing the works of Black artists including Kehinde Wiley, Ebony G. Patterson, Jordan Casteel, Henry Taylor, and Hank Willis Thomas, among many, many others. But that's not the only reason it's in the news. Andrew edited a piece by resident Art Detective Katya Kazakina titled "Should Museums Show Art Owned by Patrons? It's Tempting. It Can Also Blow Up" that investigates the fraught history of institutions doing just that. Though Swizz Beatz resigned as a trustee of the Brooklyn Museum three months before the show opened, "Public museums, critics argue, need to guard their curatorial independence and should not be used by wealthy patrons to boost the value of their holdings." The next topic of conversation is about a long-standing issue of ownership and repatriation surrounding an ancestral sculpture from Africa that was bought and sold to the Virginia Museum of Fine Arts, where it has resided since 2015. A recent push by the art collective Cercle d'Art des Travailleurs de Plantation Congolaise (CATPC) has resulted in a temporary loan agreement in which the sculpture will be shown at a local gallery in the Democratic Republic of Congo, and simultaneously live-streamed to the Dutch Pavilion at the Venice Biennale. Finally, on a lighter note, we turn to the recent news of Jeff Koons's art making its lunar landing after hitching a ride on the Odysseus Lander. Koons set a record in 2019 when his mirrored sculpture Rabbit fetched a total of $538.9 million, the most expensive price for a living artist at auction. In recent years though, his market has faltered, and the trio discusses if his moonshot will help send his prices back into the stratosphere.

Barbara Campbell Thomas is a North Carolina based painter who has exhibited in museums and galleries across the United States, including the Weatherspoon Art Museum (NC), the Virginia Museum of Contemporary Art, The Painting Center (NY), the Atlanta Center for Contemporary Art, the Southeastern Center for Contemporary Art (NC), the North Carolina Museum of Art, Ortega Y Gasset Projects (NY), Maake Projects (PA), Wavelength Space (TN) and Hidell Brooks Gallery (NC).  Currently, her work is in a two-person exhibition at the Columbus College of Art and Design's Beeler Gallery, and in March she will have a two-person show at James May Gallery in Milwaukee.   Her work has been written about in Two Coats of Paint, Art Papers, The Coastal Post and BURNAWAY.   Barbara Campbell Thomas attended Skowhegan, the Virginia Center for the Creative Arts, the Elizabeth Murray Artist Residency and Hambidge Center for Creative Arts.  She is a Professor of Art and the Director of the School of Art at the University of North Carolina Greensboro.   

Sign up for the Black Women Stitch quarterly newsletter!   Check out our merch here Leave a BACKSTITCH message and tell us about your favorite episode. Join the Black Women Stitch PatreonAmazon Store Lisa WoolforkLisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation.Sahara ClemonsSahara Clemons is a multimedia artist and designer born in Washington D.C and based in Charlottesville, Virginia. Clemons revels in the fluidity of artistic mediums and interweaves painting, textiles, and dance in her creative process. Her work explores the intersection of race and gender and provides commentary on the socio-political forces that shape identity. Her work has been shown at the Virginia Museum of Fine Arts, Second Street Gallery, The Bridge Progressive Arts Institute, and McGuffey Art Center. Clemons is a YoungArts alumni and is currently pursuing a Bachelor of Fine Arts Degree from Rhode Island School of Design.Insights from this episode:How to go from ‘sketch' to ‘stitch'The techniques behind textile manipulationThe importance of defining your purpose when doing creative workTips for overcoming your fear of making mistakes and taking chancesBeing creative when you don't have a lot of resourcesQuotes from the show:“I feel like I'm a very conceptual person when it comes to making, and I think it always starts off with the story. Mainly I think the core aspect of that is making it personal and authentic to my journey as not just an artist, but as a person.” – Sahara Clemons, Stitch Please, Episode #202 [05:53]“I think too often we think about sewing or fashion and manufacturing, but that's not all that you're doing and this is one of the reasons I think that fashion is art. The same things that we see in art, or the things that go into making art, go into making the garments that we ultimately see.” – Lisa Woolfork, Stitch Please, Episode #202 [08:51]“What I appreciate about fashion is that idea of community-building and bringing people into the clothing.” – Sahara Clemons, Stitch Please, Episode #202 [11:35]“I wanted the collection to go through the transition of a person's mindset when it comes to body exploration… knowing that it is a healing process rather than, ‘this is okay, my scars are okay.' With all of society and you yourself, it's hard to feel that way and it's really challenging to go through that process, and that's what I wanted to share. That it's more about this healing and embracing a new perspective of yourself rather than an immediate dopamine rush of what it is, because it is hard sometimes to let go.” – Sahara Clemons, Stitch Please, Episode #202 [25:40]“I paralleled [pearls] with this idea of feeling like your body is an antagonizing force. Seeing how you can turn that around and how that creates in yourself this beauty and thing you have to overcome with yourself is a powerful journey that ends up being very beautiful.” – Sahara Clemons, Stitch Please, Episode #202 [35:40]Resources Mentioned:Sahara's first appearance on the Stitch Please podcastSupima Design CompetitionCLO computer-assisted 3D design programThis week's episode is sponsored by AccuQuiltStay Connected:YouTube: Black Women StitchInstagram: Black Women StitchFacebook: Stitch Please PodcastLisa WoolforkInstagram: Lisa WoolforkTwitter: Lisa WoolforkSahara ClemonsWebsite: Sahara ClemonsInstagram: sgcoriginalsSubscribe to our podcast + download each episode on Apple Podcasts and Spotify.This episode was produced and managed by Podcast Laundry.