Podcasts about american music

The musical partnership of pianists Anna Geniushene and Lukas Geniušas, both esteemed prize-winners of major international competitions, is not just a testament to their flourishing solo careers and a shared musical heritage and philosophy. It is a profound expression of their deep emotional connection, a bond that resonates in their performances and captivates audiences world-wide. With their unique synergy, this husband-and-wife duo brings a fresh and thrilling perspective to the world of piano duos, setting them apart from their peers.

Michael Broyles examines a wide variety of musical, technological, and social currents that helped to shape American music in Revolutions in American Music: Three Decades that Changed a Country and Its Sounds (Norton, 2024), but he accomplishes this by focusing on just thirty years. Broyles discusses three pivotal decades in US musical history: the 1840s, the 1920s, and the 1950s. He argues that these decades fundamentally remade the American cultural landscape in enduring ways. Although Revolutions in American Music describes the ruptures caused by new musical and technological innovations such as the development of jazz or rock 'n roll, Broyles also revisits deep cultural and social fissures that affected America and American music in all three time periods. Throughout the book, Broyles introduces important figures who have been overlooked and tells stories that illuminate the messy, complex, sometimes dark, but always fascinating history of music in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Michael Broyles examines a wide variety of musical, technological, and social currents that helped to shape American music in Revolutions in American Music: Three Decades that Changed a Country and Its Sounds (Norton, 2024), but he accomplishes this by focusing on just thirty years. Broyles discusses three pivotal decades in US musical history: the 1840s, the 1920s, and the 1950s. He argues that these decades fundamentally remade the American cultural landscape in enduring ways. Although Revolutions in American Music describes the ruptures caused by new musical and technological innovations such as the development of jazz or rock 'n roll, Broyles also revisits deep cultural and social fissures that affected America and American music in all three time periods. Throughout the book, Broyles introduces important figures who have been overlooked and tells stories that illuminate the messy, complex, sometimes dark, but always fascinating history of music in the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

In this episode, Dave and Andrew explore the first experimental composer to win the Pulitzer since Charles E. Ives. With that pedigree, what will they think of Henry Brant's Ice Field? And why is this piece called a "spatial" composition? If you'd like to learn more about Henry Brant and Ice Field, we recommend: This video of the work with commentary from Michael Tilson Thomas and organist Cameron Carpenter Maria Anna Harley's article “An American in Space: Henry Brant's ‘Spatial Music.'” American Music 15, no. 1 (1997): 70–92. Frank Oteri's 2002 interview with Henry Brant in New Music Box

Air Week: June 16-22, 2025 Julia Lee During the 1920s, Kansas City was the heart of Jazz and the epicenter of American Music. George E. Lee and His Novelty Singing Orchestra was one of the most popular bands in that town at that time. At the center of the band, playing piano and singing was […]

The Smart 7 is an award winning daily podcast, in association with METRO, that gives you everything you need to know in 7 minutes, at 7am, 7 days a week…With over 18 million downloads and consistently charting, including as No. 1 News Podcast on Spotify, we're a trusted source for people every day and we've won Gold at the Signal International Podcast awardsIf you're enjoying it, please follow, share, or even post a review, it all helps... Today's episode includes the following: https://x.com/i/status/1932766124233327099 https://x.com/i/status/1932762653941747863https://x.com/i/status/1932763329623408835https://x.com/i/status/1932809428476063948 https://x.com/i/status/1932747050749251888https://x.com/i/status/1932684124491321719 https://x.com/i/status/1932511997943558244 https://x.com/i/status/1932467559690903987 https://x.com/i/status/1932857251716329811https://x.com/i/status/1932846553510625406 Contact us over @TheSmart7pod or visit www.thesmart7.com or find out more at www.metro.co.uk Voiced by Jamie East, using AI, written by Liam Thompson, researched by Lucie Lewis and produced by Daft Doris. Hosted on Acast. See acast.com/privacy for more information.

Which member of the Jacksons: An American Dream will reign supreme? Andrew and Matt take you on a musical journey from Gary Indiana, to Hitsville USA, and into the pop music stratosphere, as they discuss American Music's Royal Family. We hope you enjoy the episode. You can't Beat It.#michaeljackson #jacksonfive #thejacksonsWe're on Spotify, iTunes, iHeart Radio and anywhere else you get podcasts. So listen, like and follow!IG: @toptrackpodEmail: toptrackpodcast@gmail.comFacebook: Top Track Bar and GrillBlueSky: @toptrackpod

American music still dominate the global stage, despite the world going local. In this episode, I am joined by former chief economist at Spotify, Will Page. We explore the powerful global influence of American music and what it reveals about culture, commerce, and control in the streaming era. From top-down industry power to bottom-up grassroots movements, we unpack how hits spread, why the U.S. music market is still growing despite predictions of global decentralization, and more. 00:28 American Music's Global Influence 03:40 Glocalization and Market Dynamics 09:42 Hip-Hop an Country Music Trends 13:24 Economic Factors 27:50 Will Page's Mixcloud This episode is presented by State Farm, the home for your small business needs. Like a good neighbor, State Farm is there. Listen in for our Chartmetric Stat of the Week. For Will's 2025 DJ mix, here's the full link

In this episode, Dave and Andrew explore the symphony of John Corigliano they don't know. After appreciating Corigliano's first and third symphonies, what will they think of the second? This piece, a rescoring and revision of Corigliano's String Quartet, is another in a recent stretch of winning works that began in a different form.  If you'd like to learn more about Corigliano, we recommend: This interview with Corigliano by Living the Classical Life Corigliano's composer's note about the Symphony No. 2 Elizabeth Bergman's “Of Rage and Remembrance, Music and Memory: The Work of Mourning in John Corigliano's Symphony No. 1 and Choral Chaconne.” American Music 31, no. 3 (2013): 340–61

Copland has so cemented himself as an American music figure that he was commonly referred to as "the Dean of American Music"- find out more in this weeks episode, and be sure to like and share with a friend!  Music: https://imslp.org/wiki/Shenandoah_(Alink%2C_Bert) https://creativecommons.org/licenses/by/3.0/legalcode

We rarely cover movies here at Switched On Pop. But after seeing Ryan Coogler's new vampire musical Sinners, we knew we had to make an exception. The movie is an ode to Black music. Throughout its over two hour runtime, the film pays tribute to the blues: nodding to the musicians, instruments, and melodies that make it a foundational genre in the American musical canon. There's also Irish folk vampires, original music from Ludwig Göransson, and a whole lot of history – perfect for Charlie and Nate to sink their teeth into. MORE Subscribe to our newsletter to receive your own bingo card! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Talia Keys has been performing for almost 20 years, rocking Utah and the country with her own blend of American Music. Her music has been rock, blues, country, R&B, hip-hop and everything in between, and she wouldn't have it any other way. She just finished her most recent album From the Ashes, and she was nice enough to come on the show! Doc and Talia talk about her new cat, starting out playing the drums, loving Michael Jordan, touring, the new album and much more! Meanwhile on the rest of the show Doc and Mike think about drama filled gardening and Altoona pizza. Introduction: 0:00:22 Birthday Suit 1: 11:46 Ripped from the Headlines: 15:39 Shoutouts: 33:29 Previously on the Doc G Show: 36:37 Talia Keys Interview: 42:47 Mike C Top 3: 1:35:09 Birthday Suit 2: 1:52:08 Birthday Suit 3: 1:54:07

In the latest episode of None But The Brave, co-hosts Hal Schwartz and Flynn McLean discuss the third song to be released from Bruce Springsteen's upcoming box set, Tracks 2. This one is the title track from Disc 3, Faithless. Hal and Flynn also report on their night at the Bruce Springsteen Archives & Center For American Music's 3rd annual American Music Honors Gala. For more information on exclusive NBTB content via Patreon, please visit: Patreon.com/NBTBPodcast. This show is sponsored by DistroKid. Use this link to support the show and get 30% off your first year: http://distrokid.com/vip/nbtb Learn more about your ad choices. Visit megaphone.fm/adchoices

President Patrick Leahy and Matt Harmon discuss the success of the third annual American Music Honors event hosted by the Bruce Springsteen Archives & Center for American Music, provide an update on Monmouth University's Middle States reaffirmation process, review spring sports achievements—including notable wins for the baseball team—address changes and challenges in higher education, and […]

Melissa Ziobro began her career as a civilian historian, archivist, and curator for the US Army in 2004 prior to returning to her alma mater, Monmouth University, to teach full-time. She has taught over a dozen different courses, including Intro to Public History; Oral History; Museums and Archives Management Basics; NJ History; and the Vietnam War. In August of 2023, she became curator of the University's Bruce Springsteen Archives & Center for American Music, after having worked with the Center for many years in her faculty role (to include curating the Center’s first traveling exhibit, Springsteen: His Hometown, with the Monmouth County Historical Association in 2019). Her most recent publications include Fort Monmouth: The US Army’s House of Magic (2024) and The Battlin' Bastards of Bravo: Bravo Company, 1/506th, 101st Airborne, in Vietnam and Beyond (2025).See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

Send us a textBill Bartholomew welcomes Westerly's United Theatre Executive Director Carly Callahan and Artistic Director Tony Nunes for a discussion on the Nashville North initiative and how the theatre is shaping the greater-Westerly community cultural and economic footprint. Support the show

Sam listens in and reviews the New York City band Gift's Illuminator album, and discovers if he has that indie rock vibe in his repertoire.Follow along with the songs we discuss with this week's Spotify Playlist.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok.

President Leahy joins Matt Harmon for a mid-semester check-in to discuss construction progress and the topping-off ceremony at the new home of the Bruce Springsteen Archives & Center for American Music, as well as the upcoming American Music Honors featuring Smokey Robinson, John Fogerty, Emmylou Harris, Joe Ely, and Tom Morello —and the global attention […]

161 - Ron Pope In episode 161 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist, band leader and record label owner Ron Pope. In their conversation Ron tells us about his different touring iterations and his tour routines. Ron talks about his new album “American Man, American Music” and the personnel on the album and how that differs from his road personnel. Ron talks about how he moved from electric guitar to acoustic and we discuss gear, vintage guitars and modeling amps and Carter's guitars in Nashville. Ron describes the benefits of living in Nashville as a musician. Ron discusses his record label “Brooklyn Basement Records” Ron also talks about teaching himself guitar from listening to Albert King and Steve Cropper records. To find out more about Ron you can go to his website: ronpope.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #RonPope #BrooklynBasementRecords #GibsonGuitar #GibsonCustomShop #FenderAmps #MartinGuitars #FenderCustomShop #AmericanManAmericanMusic #theDeadlies #haveguitarwilltravelpodcast #HGWT . . . Please like, comment, and share this podcast! Download Link

In this episode, we mourn a king as Mario is unseated from the top spot of American Music.Joe completely goes off on Dana White and the ideal of not leaving it to the judges.Elsewhere, we relive some of the more well-known shots after the bell as well as infamous judges' decisions.Sam Hoger stirs the pot as Diego Sanchez puts down another jabroni. Oh, and Chris Leben is back!Want more from the hosts? - Alex and Julio discuss the freshest and most rotten movies on the Tomatometer in every episode of The Contrarians.- STEVE! has opinions all over Bluesky.- Joe talks about all sorts of wrestling related stuff on THE LATE NIGHT GRIN.

Back in episode 163 we spoke about our favourite UK bands and artists and vocabulary such as ‘ground-breaking', ‘lead the way', ‘cutting edge', ‘to innovate', ‘trend-setting' and trailblazing'. In today's podcast, we compare our favourite and most influential American music bands and artists and you'll learn expressions for giving opinions in English.  Show notes and more podcasts to improve your English at: http://www.inglespodcast.com/   Las notas del episodio y más podcasts para mejorar tu ingles están en: http://www.inglespodcast.com/  

•Blogger's Echo Chamber where Ansonia is talking about The 10 Best Gospel Songs: The Soul of American Music was a blog post I came across in 2016 which was written and updated in 2012.  The blog post was “contributed” byWallace Best, a professor of Religion and African American Studies, Princeton University.•The blog written by Wallace Best covers songs and music beginning in 1932 with Thomas A. Dorsey, including specific songs from the different decades, including various musical greats and his focus of the songs and why he selected the song.  In this humble podcaster's opinion, I will review some of the comments and my view.  I mean, there is some leeway as to freedom of speech.  Wallace gave his overview of 10songs in his blog entry.•Based on this overview, I do ask if you the Let's Talk: Gospel Music Gold; listener would supply your opinion of the selections and if you have a song, recording and artist you would put on the bloggers list.•Please send Let's Talk: Gospel Music Gold an email sharing your thoughts about this show segment also if you have anysuggestions of future guests you would like to hear on the show. Send the email to ⁠⁠letstalk2gmg@gmail.com⁠⁠ •You may Subscribe to the podcast and be alerted when the newest episode is published. Subscribe on Spotify and we will know you are a regular listener. All 4+ Seasons of guests are still live; check out some other Podcast Episodes over200 episodes are available.•LET'S TALK: GOSPEL MUSIC GOLD RADIO SHOW AIRS EVERY SATURDAY 9:00 AM CST / 10:00 AM EST ON WMRM-DB INTERNET RADIO STATION  AND WJRGRADIO INTERNET RADIO STATION 12:00 PM EST / 11:00 AM CST•There is a Let's Talk: Gospel Music Gold Facebook page( @LetsTalk2GMG ) where all episodes are posted as well.   •Please "like" and follow the page for all updates and postings. •The Podcast and Radio shows are heard anywhere in the World on the Internet! •BOOK RELEASES•“Legacy of James C. Chambers And his Contributions to Gospel Music History”•COMING SOON •"Molding a Black Princess"•For Pre-Order Information go to website•https://www.unsungvoicesbooks.com/asmithgibbs

Musician Martha Redbone draws on influences from Black and Native American folk styles to explore the roots of American music. She speaks with St. Louis Public Radio's Jeremy Goodwin ahead of tomorrow's concert in St. Louis.

In this episode of Tunesmate's podcast, discover how Roots of American Music strengthens communities, fosters connections, and expands access to music. Join us as Executive Director Michele Colopy shares how this nonprofit brings people together through live performances and music education.

American Man, American MusicRon Pope, singer-songwriter and founder of Brooklyn Basement Records, shares his unfiltered thoughts on the music industry and the challenges of staying independent. His journey is a testament to his resilience and artistic drive. Discover the untold stories behind his music, the lessons he's learned, and the inspiration that keeps him going.And don't miss his latest album, American Man, American Music...a powerful and personal testament to his journey as an artist and an individual.You'll Also Discover:How to Support Independent Artists.A Strategy for Building a Loyal Fan Base.Why the Music Industry Needs Change.A Step to Reclaiming Your Creativity.The Surprising Truth About Success.What's your biggest takeaway from Ron Pope's insights into the music industry?Check out Ron's Music here: https://ronpope.com/-----We'd love to hear from you. Please share a review on Spotify and Apple.AND follow Americana Curious on Instagram for the latest interviews and the behind-the-scenes with your favorite artists! https://www.instagram.com/americanacurious

Season 14 of the CloudwatcherUno™ Podcast releases it's first episode with platinum recording independent artist Ron Pope. We sat down at The Garage, in London, on the last date of his European/UK leg of the 'Neon and Glass World' Tour to talk about his new album 'American Man, American Music' which comes out today 14th February. It's a very personal album about the journey his life has taken across America, building relationships, family, friendships and the love of his life. Outstanding tracks are 'Mama Drove A Mustang', 'I Pray I'll Be Seeing You Soon' and 'In The Morning With The Coffee On'. We also get to talk about how Ron got success when he co-wrote the viral hit song, 'A Drop In The Ocean' which has been streamed a billion times going platinum in the US and double platinum in Sweden.

Ron Pope is a singer, songwriter, and guitar player who grew up in Georgia for the most part. He had a huge hit with is song “A Drop in the Ocean” which has over a billion with a b streams. His work has been praised by everyone who could do so, and you can add my little name to that list, especially after listening to his forthcoming record American Man, American Music which you can find wherever you listen to music on Friday, February 14th, 2025. Y'all, Ron was an absolute delight to talk with and I am so excited for this episode. Everyone, it is my honor to bring you, my conversation with Ron Pope. Listen on: Spotify- https://open.spotify.com/episode/2E7Y86TmJkOzRC0UgdN1n9?si=bb1cc2f739df4f9c Apple Podcasts- https://podcasts.apple.com/us/podcast/the-marinade-with-jason-earle/id1281080492?i=1000691603193 YouTube- https://youtu.be/EF7UKwUqwE4?si=zN-vL4d4jGZ2JvHi    

Explore the world of A&R with Pete Ganbarg on this episode of the "MUBUTV Music Business Insider Podcast", Artist and Repertoire A&R Masterclass With Pete Ganbarg Atlantic Records.

A few years back, we had the pleasure of partnering with Smithsonian Folkways for a special two part series on Folkways Records founder Moses Asch, who was born 99 years ago earlier this month. To honor his legacy, we combined these two pieces and re-releasing them today. We'll traverse Moe's early career, bankruptcy, and the tumultuous yet tantalizing 40 years of iconic recordings with pioneering and lesser known artists of Folkways Records. You'll find out how what Moe accomplished became so woven with the cultural footprint of American Music as we know it today. Now… here's the story of Moses Asch. __ Support Educational Programming: ⁠Tax-Exempt Donations⁠ Join the⁠ Patreon Community⁠ One-time donations:⁠ Venmo⁠ or⁠ PayPal⁠ Follow ⁠American Songcatcher⁠ on ⁠Instagram⁠  Credits:  Nicholas Edward Williams - Production, research, writing, editing, distribution Collaboration Credits: Smithsonian Folkways  Full Moses Asch interview with Arhoolie Records' founder Chris Strachwitz Interviewees: Richard Carlin - Worlds of Sound: The Story of Smithsonian Folkways - Book Michael Asch -  Dom Flemons - Black Cowboys from Smithsonian Folkways Websites: Smithsonian | SF2 | NY Times | Redalyc | Arhoolie | Jstor.com | NPR | Routledge | AllPurposeGuru | NY TIMES 2 | University of Alberta | Haaretz | Folkworks Videos:FAI  Folkways: World of Sound Documentary  Books: Making people's music : Moe Asch and Folkways records - Peter D Goldsmith  --- Support this podcast: https://podcasters.spotify.com/pod/show/americansongcatcher/support

all rights reserved based off the copyright act of 1976 section 107 for educational and informational purposes. I Watched the NETFLIX special and was amazed at the precision the beauty the extreme talent that the whole cast and BEYONCE did at that half time show! IT was incredible and the fact that folks will waste time dissing her country /house/pop songs are just ignorant and a hater. Just admit that that much beauty and dare I say POWER scares " some folks" threatened by BLACK FOLkS DoING a genre a lot of people don't know BLACK FOLKS created. LEARN ya HISTORY before you start yapping! Black Americans invented all genres of AMERICAN MUSIC. Go study!

In this episode of the Music Explored podcast, host Anthony interviews legendary musician Jay Douglas, who shares his remarkable journey from Jamaica to Toronto and his experiences in the evolving music scene over five decades. Jay discusses the challenges faced by local musicians, the influence of American music on reggae, and the importance of community and education in his life. He also highlights the significance of the Cougars band in opening doors for local talent and the impact of the 'Jamaica to Toronto' album in revitalizing the music scene. Throughout the conversation, Jay emphasizes the importance of accountability in performance, drawing from advice given to him by Sissy Houston, mother of Whitney Houston. In this engaging conversation, Jay Douglas shares his musical journey, reflecting on the vibrant music scene in Montreal and Toronto, the importance of staying true to oneself, and the evolving landscape of the music industry. He emphasizes the significance of respecting the foundations laid by past artists, the need to nurture the next generation, and the impact of his upcoming documentary. Throughout the discussion, he offers profound insights on life, ambition, and the pursuit of peace and love in music and beyond.Chapters00:00 Introduction to a Music Legend03:01 Journey from Jamaica to Toronto06:03 The Evolution of the Toronto Music Scene09:01 The Cougars: A Launchpad for Local Talent11:58 Influences of American Music on Reggae14:53 Challenges in Gaining Radio Play18:01 The Impact of 'Jamaica to Toronto' Album21:02 Performing Across Canada: A New Frontier24:01 Advice from Sissy Houston: Accountability in Performance24:06 The Musical Journey Begins26:31 Learning and Growth in Music30:27 The Changing Landscape of Music31:45 Respecting the Foundations of Music36:50 Legacy and the Next Generation38:08 The Impact of the Documentary42:46 Life Lessons and Reflections46:41 Looking Ahead: Future Aspirations

On this week's show, Extremely Musical Friend of the Pod (EMFOP)‌ Chris Molanphy joins to memorialize pop's Renaissance Man, Quincy Jones, who passed away on November 3, 2024. The legendary producer worked with every star under the sun, including Ray Charles, Aretha Franklin, and Chaka Khan, and created the best-selling album in history. (“Thriller,” maybe you've heard of it?) Then, the trio mulls over Conclave, a sumptuous new film by director Edward Berger (All Quiet on the Western Front) about what happens when the Pope dies. It's a fun, pulp-y romp, but does the movie have anything profound to say?‌ Finally, the panel considers Martha, a Netflix documentary about Martha Stewart's rise to fame – and confronts all of lifestyle guru's charms, mysteries, and borderline sociopathic tendencies. Mentioned in today's episode:‌ Hit Parade's “I Wanna Rock with Q“ series. Conclave review, written by Dana. In the exclusive Slate Plus bonus episode, the panel unpacks the most interesting part of Conclave:‌ that out-of-left-field plot twist. Email us at culturefest@slate.com.  Endorsements: Dana:‌ Will &‌ Harper on Netflix. Steve:‌ Getting lost in “Songs of a Lost World,”‌ a new album by the Cure. Chris:‌ The podcast A Very Good Year. Julia:‌ Throwing a birthday for your house; commissioning a micro-history of your home. Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Extremely Musical Friend of the Pod (EMFOP)‌ Chris Molanphy joins to memorialize pop's Renaissance Man, Quincy Jones, who passed away on November 3, 2024. The legendary producer worked with every star under the sun, including Ray Charles, Aretha Franklin, and Chaka Khan, and created the best-selling album in history. (“Thriller,” maybe you've heard of it?) Then, the trio mulls over Conclave, a sumptuous new film by director Edward Berger (All Quiet on the Western Front) about what happens when the Pope dies. It's a fun, pulp-y romp, but does the movie have anything profound to say?‌ Finally, the panel considers Martha, a Netflix documentary about Martha Stewart's rise to fame – and confronts all of lifestyle guru's charms, mysteries, and borderline sociopathic tendencies. Mentioned in today's episode:‌ Hit Parade's “I Wanna Rock with Q“ series. Conclave review, written by Dana. In the exclusive Slate Plus bonus episode, the panel unpacks the most interesting part of Conclave:‌ that out-of-left-field plot twist. Email us at culturefest@slate.com.  Endorsements: Dana:‌ Will &‌ Harper on Netflix. Steve:‌ Getting lost in “Songs of a Lost World,”‌ a new album by the Cure. Chris:‌ The podcast A Very Good Year. Julia:‌ Throwing a birthday for your house; commissioning a micro-history of your home. Podcast production by Jared Downing. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

Voices of Hope Community Chorus features more than 60 men and women affected by breast cancer, many of whom are breast cancer survivors. The local chorus puts on fall and spring concerts in Glenview and Oak Park. For their 2024 fall concerts, they will be performing the music of great American icons like Bob Dylan, Carole King, Smokey Robinson and more. Reset sits down with Kevin Kelly, artistic director of Voices of Hope Community Chorus and choir member June Anthony to learn more.

The Christmas show will include 78 performances from November 5 through December 30. Brandon Martin, President and CEO of the American Music Theatre says the show is written, built, and produced entirely in house with a team of artists and creatives. “This is a special show, and I think they all are, quite honestly. But we're so excited for this one. You know, each year is very different and is kind of redesigned and rebuilt and created from the ground up. This year is really kind of a nod to the nostalgia of Christmas and a lot of the traditions that so many families hold dear. It takes place in a town square, which is just cynically stunning with a lot of hustle and bustle, some last-minute shopping, some festivities, tree lighting transitions into a grand cathedral for some of the sacred aspects of our show. Of course, there's quite a bit of merriment with some elves and Santa as well for the for the kids of all ages, church choir. But a real kind of family. And community vibe around this one that focuses a lot on that tradition.” The show features 55 singers, dancers, musicians, and youth performances from across the country. Auditions occur throughout the year with on-site rehearsals that begins as early as September. “In fact, we've been working in earnest on this particular show since January of this year. So, yeah, and even a little bit before then really in terms of the design aspects of it. Casting begins typically in the spring with a cast finalized and selected going into the summer. Rehearsals begin in September. And yes, we've been well underway for the past month or so with our cast all here in Lancaster rehearsing together. And yeah, we're coming up on it. We've got about a week to go.”      Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

Gun N' Roses founding guitarist Slash talks to us about his recent solo album Orgy Of The Damned, a collection of blues and R&B covers featuring a stellar guest list that includes Paul Rodgers, Steven Tyler, Beth Hart, Iggy Pop, Gary Clark Jr., Billy F. Gibbons, Chris Robinson and more. And Record Store Day co-founder Carrie Colliton checks in from Raleigh, North Carolina in an extended segment filling us in on what it's like on the ground in storm-ravaged Western North Carolina and along the path of Hurricane Helene. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com)   Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.   Next week we begin our SIXTH SEASON of The RSD Podcast, thanks for sticking with us for five years so far!

By any description, Randall Bramblett can claim a varied career. Aside from the fact that he's released no fewer than 15 solo albums, as a solo artist, he's also been a much in-demand session player, having worked with Gregg Allman, Bonnie Raitt, Robbie Robertson, Elvin Bishop, Steve Winwood, Widespread Panic, and any number of others. That's hardly surprising considering the fact that he's a multi-instrumentalist who's adept on keyboards, saxophones, flute, guitar, mandolin, and harmonica.Bramblett's career dates back to the early ‘70s when he played a major role in the band Sea Level, a jazzy spin-off from the Allman Brothers Band. In the years since, he's continued to pursue a decidedly varied array of genres, including rock, jazz, blues and R&B. With his new album, Paradise Breakdown, he shares a similar set of sounds, making it an ideal showcase for his verve and versatility. Learn more about Randall at https://randallbramblett.comPodcast producer/cohost Billy Hubbard is an Americana Singer/Songwriter and former Regional Director of A&R for a Grammy winning company. Billy is a signed artist with Spectra Music Group and co-founder of the iconic venue "The Station" in East TN. Billy's new album was released by Spectra Records 10/2023. Learn more about Billy at http://www.BillyHubbard.com Host Lee Zimmerman is a freelance music writer whose articles have appeared in several leading music industry publications. Lee is a former promotions representative for ABC and Capital Records and director of communications for various CBS affiliated television stations. Lee recently authored the book "Thirty Years Behind The Glass" about legendary producer and engineer Jim Gains.Send us a textSupport the showIf you'd like to support My Backstage Pass you can make a donation to Billy & Lee's coffee fund at this link https://www.buymeacoffee.com/MyBackstagePassMy Backstage Pass is sponsored by The Alternate Root Magazine! Please subscribe to their newsletter, read the latest music reviews and check out their weekly Top Ten songs at this link http://www.thealternateroot.com

In this episode of One Symphony, host Devin Patrick Hughes interviews Dr. Samantha Ege, pianist and musicologist, about the life and works of Florence Price. Dr. Ege discusses Price's musical style, her significance in American classical music, and the recent rediscovery of her compositions. The conversation covers Price's role in the Chicago music scene, her blending of classical and African American musical traditions, and the challenges she faced as a Black female composer in the early 20th century. Dr. Ege also shares insights from her own recordings of Price's piano works and her upcoming scholarly publications on the composer.   Dr. Samantha Ege is a leading scholar and interpreter of the African American composer Florence Price.  Her work illuminates Price in the context of the Black Chicago Renaissance and Black women's dynamic networks of advocacy, empowerment, and uplift. Her first book, South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene, and first edited collection, The Cambridge Companion to Florence B. Price, are important culminations of the research she has shared around the world.   Dr Ege is a also concert pianist who specializes in the music of 20th and 21st century composers. Her performances bring her research to life, sounding new narratives that are so often unheard in the modern-day concert hall. Dr Ege seeks to communicate the diversity of classical music's past, present, and future through her performances, and foster a sense of belonging for everyone.   In her London debut at the 2021 London Festival of American Music she gave the world premiere of Florence Price's complete Fantasie Nègre set. In 2018, she made her international lecture-recitalist debut at the Chicago Symphony Center with her event A Celebration of Women in Music: Composing the Black Chicago Renaissance. She has performed across the UK, Europe, North America, and Southeast Asia. She has also played with the Oxford Philharmonic Orchestra, Oakland Symphony Orchestra, Arkansas Symphony Orchestra, and Yale Philharmonia.   Thank you for joining us on One Symphony. Thanks to Dr. Samantha Ege for sharing her incredible research, insights, and music-making. You can find her book, South Side Impresarios and more at https://www.samanthaege.com.   Music Selections “Weeping Willow, A Rag Time Two Step.” Composed by Scott Joplin. Performed by Benjamin Loeb on the album Scott Jopin: Piano Rags 2 from Naxos. Violin Concerto No. 2. Composed by Florence Price. Featuring Kelly Hall-Tompkins on violin with the Urban Playground Chamber Orchestra. Conducted by Thomas Cunningham. Sonata in E minor “Andante.” Composed by Florence Price. Performed by Samantha Ege. “Sketches in Sepia.” Composed by Florence Price. Performed by Samantha Ege. Symphony No. 1 in E minor: I. Allegro ma non troppo. Composed by Florence Price. Performed by The Philadelphia Orchestra. Yannick Nézet-Séguin, conductor. Available from Deutsche Grammophon. Symphony No. 3 in C minor: I. Andante – Allegro. Composed by Florence Price. Performed by The Philadelphia Orchestra. Yannick Nézet-Séguin, conductor. Available from Deutsche Grammophon. Sonata in E minor “Scherzo.” Composed by Florence Price. Performed by Samantha Ege. Fantasie Nègre No.4 in B minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. “Snapshots Moon Behind a Cloud.” Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. Fantasie Nègre No.1 in E minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records. Juba Dance from Symphony No. 3. Composed by Florence Price. Performed by the Chicago Symphony Orchestra. Ricardo Muti, conductor. Fantasie Nègre No.2 in G minor. Composed by Florence Price. Performed by Samantha Ege. Available from Lontano Records.   You can always find more info at OneSymphony.org or DevinPatrickHughes.com including a virtual tip jar if you'd like to support the show. Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music. 

If you're like us, you need more Cheap Trick in your life. Thankfully, Ross Warner is here with his new book, American Standard: Cheap Trick from the bars to the Budokan and Beyond. It's a look at one of the great American bands and tries to sort fact from fiction. Ross is a passionate guy when it comes to pop culture, so, of course, we got along like a house on fire.American Standard: Cheap Trick from the bars to the Budokan and Beyond is available right now from Backbeat books.

Grammy-Award winning saxophonist Wayne Escoffery is my guest on the 21st episode of Strictly Jazz Sounds. What attracted me to Wayne was his prolific traveling, extensive performances and recordings with his own band (11 recordings), the Mingus Big Band (3 recordings, one a Grammy Award winner), the Black Art Jazz Collective (4 recordings), and as sideman with trumpeter Tom Harrell (7 recordings, co-producing 4) plus works with other notable jazz musicians. He is now a Harlem resident in the neighborhood where Sonny Rollins grew up, Sugar Hill, but he was born and spent his childhood years in London before he moved to the U.S. with his mother. Escoffery graduated summa cum laude with a bachelor's degree in jazz performance from the Hartt School at the University of Hartford, where he was a protégé of saxophone legend Jackie McLean. He earned a Master of Music degree from the Thelonious Monk Institute of Jazz Performance (now the Herbie Hancock Institute of Jazz) at the New England Conservatory, Escoffery today teaches at Yale University's School of Music where he emphasizes the value of real-world experience in teaching, reflecting on his own journey and influences, including his time with jazz greats like Jackie McLean and Ron Carter. We cover various topics such as the challenges facing musicians today, the lack of business education in jazz programs, and the exploitation of artists by the music industry. Escoffery also touches on the emotional therapeutic aspects of music, thoughts on mental health in the music industry. We take a deep dive into Wayne Escoffery's soon-to-be released recording, Alone.  Thanks to Smoke Sessions Records for use of the tracks for this podcast. They are: Moments With You (6:32), Alone (8:08), and The Ice Queen (8:16). The episode opens with "Moments With You." You can hear "Alone" about half-way through the conversation, and then the show closes with "The Ice Queen." The conversation begins when Wayne Escoffery and I discuss the importance of real-world experience in teaching. You'll enjoy his thoughts about this topic among others regarding jazz artists getting ripped off by a recording industry that hardly pays anything to anyone anymore. I would appreciate feedback about my podcasts. Past comments have been very useful. Thanks for listening to Strictly Jazz Sounds. This is Steve Braunginn. Photo by Kasia Idzkowskas

Brian Casey is a jazz bassist, educator and researcher based in Colorado. Brian serves as Associate Professor of Academic Jazz at the University of Northern Colorado and earned a DMA in Jazz Studies from the University of Colorado Boulder where he taught courses in Humanities, Jazz Studies, and American Music. Brian earned a MM in Jazz Studies from the University of North Texas where he played with the Grammy-nominated One O'Clock Lab Band and served as a Teaching Fellow in Jazz Bass under the direction of Professor Lynn Seaton. Brian has performed and/or recorded with Pink Martini, Weber Iago, Henry Butler, and many others. Dr. Casey has presented original research in jazz-related fields at many national and international conferences including those of the College Music Society, the Jazz Education Network and the International Society of Bassists. He has written the entry for Miles Davis in the Oxford Online Bibliographies in Music, articles for Jazz Education in Research and Practice as well as Jazz and Culture, and a chapter on “Post War Traditions” in Jerry Tolson's textbook African American Music: History and Heritage published by Great River Learning. Brian's current research focuses on jazz as a cultural phenomenon in New Orleans.

What did going to the movies sound like back in the “silent film” era? The answer takes us on a strange journey through Vaudeville, roaming Chautauqua lectures, penny arcades, nickelodeons, and grand movie palaces. As our guest In today's episode, pioneering scholar of film sound, Rick Altman, tells us, the silent era has a lot to teach us about why sound works the way it does at the movies today. And as our other guest, sound and film historian Eric Dienstfrey tells us, “What we think of today as standard practice is far from inevitable.” In fact, some of the practices we'll hear about are downright wacky.  Audiences today give little thought to the relationship between sound and images at the movies. When we hear a character's footsteps or inner thoughts or hear a rousing orchestral score that the character can't hear, it all seems natural. Yet these are all conventions that had to be developed by filmmakers and accepted by audiences. And as Altman and Dienstfrey show us, the use of sound at the movies could have developed very differently. Dr. Rick Altman is Professor Emeritus of Cinema and Comparative Literature in the Department of Cinema and Comparative Literature, University of Iowa. Altman is known for his work on genre theory, the musical, media sound, and video pedagogy. He is the author of Silent Film Sound (New York: Columbia University Press, 2004), Film/Genre (Bloomsbury, 1999), and A Theory of Narrative (New York: Columbia University Press, 2008). Dr. Eric Dienstfrey is Postdoctoral Fellow in American Music at the University of Texas at Austin. Eric is a historian of sound, cinema, and media technology. His paper “The Myth of the Speakers: A Critical Reexamination of Dolby History” won the Society of Cinema and Media Studies' Katherine Singer Kovács Essay Award for best article of the year in 2016. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What did going to the movies sound like back in the “silent film” era? The answer takes us on a strange journey through Vaudeville, roaming Chautauqua lectures, penny arcades, nickelodeons, and grand movie palaces. As our guest In today's episode, pioneering scholar of film sound, Rick Altman, tells us, the silent era has a lot to teach us about why sound works the way it does at the movies today. And as our other guest, sound and film historian Eric Dienstfrey tells us, “What we think of today as standard practice is far from inevitable.” In fact, some of the practices we'll hear about are downright wacky.  Audiences today give little thought to the relationship between sound and images at the movies. When we hear a character's footsteps or inner thoughts or hear a rousing orchestral score that the character can't hear, it all seems natural. Yet these are all conventions that had to be developed by filmmakers and accepted by audiences. And as Altman and Dienstfrey show us, the use of sound at the movies could have developed very differently. Dr. Rick Altman is Professor Emeritus of Cinema and Comparative Literature in the Department of Cinema and Comparative Literature, University of Iowa. Altman is known for his work on genre theory, the musical, media sound, and video pedagogy. He is the author of Silent Film Sound (New York: Columbia University Press, 2004), Film/Genre (Bloomsbury, 1999), and A Theory of Narrative (New York: Columbia University Press, 2008). Dr. Eric Dienstfrey is Postdoctoral Fellow in American Music at the University of Texas at Austin. Eric is a historian of sound, cinema, and media technology. His paper “The Myth of the Speakers: A Critical Reexamination of Dolby History” won the Society of Cinema and Media Studies' Katherine Singer Kovács Essay Award for best article of the year in 2016. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

What did going to the movies sound like back in the “silent film” era? The answer takes us on a strange journey through Vaudeville, roaming Chautauqua lectures, penny arcades, nickelodeons, and grand movie palaces. As our guest In today's episode, pioneering scholar of film sound, Rick Altman, tells us, the silent era has a lot to teach us about why sound works the way it does at the movies today. And as our other guest, sound and film historian Eric Dienstfrey tells us, “What we think of today as standard practice is far from inevitable.” In fact, some of the practices we'll hear about are downright wacky.  Audiences today give little thought to the relationship between sound and images at the movies. When we hear a character's footsteps or inner thoughts or hear a rousing orchestral score that the character can't hear, it all seems natural. Yet these are all conventions that had to be developed by filmmakers and accepted by audiences. And as Altman and Dienstfrey show us, the use of sound at the movies could have developed very differently. Dr. Rick Altman is Professor Emeritus of Cinema and Comparative Literature in the Department of Cinema and Comparative Literature, University of Iowa. Altman is known for his work on genre theory, the musical, media sound, and video pedagogy. He is the author of Silent Film Sound (New York: Columbia University Press, 2004), Film/Genre (Bloomsbury, 1999), and A Theory of Narrative (New York: Columbia University Press, 2008). Dr. Eric Dienstfrey is Postdoctoral Fellow in American Music at the University of Texas at Austin. Eric is a historian of sound, cinema, and media technology. His paper “The Myth of the Speakers: A Critical Reexamination of Dolby History” won the Society of Cinema and Media Studies' Katherine Singer Kovács Essay Award for best article of the year in 2016. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

What did going to the movies sound like back in the “silent film” era? The answer takes us on a strange journey through Vaudeville, roaming Chautauqua lectures, penny arcades, nickelodeons, and grand movie palaces. As our guest In today's episode, pioneering scholar of film sound, Rick Altman, tells us, the silent era has a lot to teach us about why sound works the way it does at the movies today. And as our other guest, sound and film historian Eric Dienstfrey tells us, “What we think of today as standard practice is far from inevitable.” In fact, some of the practices we'll hear about are downright wacky.  Audiences today give little thought to the relationship between sound and images at the movies. When we hear a character's footsteps or inner thoughts or hear a rousing orchestral score that the character can't hear, it all seems natural. Yet these are all conventions that had to be developed by filmmakers and accepted by audiences. And as Altman and Dienstfrey show us, the use of sound at the movies could have developed very differently. Dr. Rick Altman is Professor Emeritus of Cinema and Comparative Literature in the Department of Cinema and Comparative Literature, University of Iowa. Altman is known for his work on genre theory, the musical, media sound, and video pedagogy. He is the author of Silent Film Sound (New York: Columbia University Press, 2004), Film/Genre (Bloomsbury, 1999), and A Theory of Narrative (New York: Columbia University Press, 2008). Dr. Eric Dienstfrey is Postdoctoral Fellow in American Music at the University of Texas at Austin. Eric is a historian of sound, cinema, and media technology. His paper “The Myth of the Speakers: A Critical Reexamination of Dolby History” won the Society of Cinema and Media Studies' Katherine Singer Kovács Essay Award for best article of the year in 2016. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Joined by long time friend and professional guitarist Luke Marshall, the gang deep dive into one of the greatest live albums of all time.

Rockabilly music and culture have left an indelible mark on American music and style. From the pioneering work of Sam Phillips and the legendary Sun Records artists to its lasting influence on punk, Americana, and beyond, rockabilly continues to inspire and captivate new generations. The blend of music, fashion, and car culture ensures that rockabilly remains a vibrant and dynamic part of the cultural landscape.

The Memory Palace is a proud member of Radiotopia from PRX.Music Un geant dans la mer and Triste soiree III from the score to Marie et les naufrages by the genius, Sebastian Tellier.  Love is Blue by Jackie Mittoo and the Soul Vendors. Rocky Passage by Jeremiah Chiu and Marta Sofia Honer Morris Visits Dr. Pratt from John Barry's score to The Wrong Box Adios Muchachos from Andre Popp Moonlight in Vermont from the great Dorothy Ashby.  Midnight Moon by The Portland Cello Project Dance PM by Hiroshi Yoshimura And we hear Blind Andy Jenkins' "Floyd Collins in Sand Cave" followed by Vernon Dalhart doing the same song under the name, "The Death of Floyd Collins." We also hear Jimmy Osbourne do Andy's, "The Death of Little Kathy Fiscus." Notes I have a note in my years-long running list of possible story ideas that says, "event songs," but I could never remember why. Then I was reading Charles Hirschberg and Mark Zwonitzer's, Will You Miss me When I'm Gone?: The Carter Family & Their Legacy in American Music and was reminded of Andy's story (that book is great). I also recommend the always-useful, Country Music USA, by Bill C. Malone for more on Andy and his era as well as Creating Country Music: Fabricating Authenticity by Richard A. Peterson. If you want more about poor Floyd Collins, you could turn to Robert K. Murray and Roger W. Bruckner's, Trapped!: The Story of Floyd Collins.