Podcasts about guggenheim fellow

Day 14:  Jessica Jacobs reads her poem, "Saturday Services at the Provincetown Shore" from her book unalone (Four Way Books, 2024). Recorded with permission of Four Way Books. All rights reserved. Jessica Jacobs, a 2025 Guggenheim Fellow, is the author of unalone, poems in conversation with the Book of Genesis (Four Way Books, March 2024); Take Me with You, Wherever You're Going (Four Way Books, 2019), one of Library Journal's Best Poetry Books of the Year, winner of the Devil's Kitchen and Goldie Awards, and a finalist for the Brockman-Campbell, American Fiction, and Julie Suk Book Awards; Pelvis with Distance (White Pine Press, 2015), a biography-in-poems of Georgia O'Keeffe, winner of the New Mexico Book Award in Poetry and a finalist for the Lambda Literary Award; and co-author of Write It! 100 Poetry Prompts to Inspire (Spruce Books/Penguin RandomHouse). She is the founder and executive director of Yetzirah: A Hearth for Jewish Poetry. Text of today's poem and more details about our program can be found at: deerfieldlibrary.org/queerpoemaday/ Find books from participating poets in our library's catalog.  Queer Poem-a-Day is a program from the Adult Services Department at the Library and may include adult language.  Queer Poem-a-Day is founded and co-directed by poet and professor Lisa Hiton and Dylan Zavagno, Adult Services Coordinator at the Library and host of the Deerfield Public Library Podcast. Music for this fifth year of our series is “L'Ange Verrier” from Le Rossignol Éperdu by Reynaldo Hahn, performed by pianist Daniel Baer. Queer Poem-a-Day is supported by generous donations from the Friends of the Deerfield Public Library and the Deerfield Fine Arts Commission.  

In Part 1 of our discussion on Homer's Iliad, we welcome translator Emily Wilson to discuss Homer's life as an "author," the meaning of free will in the context of intervention from gods, and how the relationship between Achilles and Patroclus shapes the climax of the epic. Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern studies, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. She lives in Philadelphia.To learn more or purchase a copy of the Norton Library edition of The Iliad, go to https://wwnorton.com/books/9781324102076.  Learn more about the Norton Library series at https://wwnorton.com/norton-library.Have questions or suggestions for the podcast? Email us at nortonlibrary@wwnorton.com or find us on Twitter at @TNL_WWN and Bluesky at @nortonlibrary.bsky.social. 

Guggenheim Fellow, artist, producer, and educator Kokayi returns to unpack the layers of sound, storytelling, and being a vessel for cultural memory.Since our first conversation, Kokayi has pushed deeper into multidisciplinary work—blending sound design, improvisation, code, and community-building. This conversation tracks his reflections on legacy, experimentation, and why he's wary of institutions that try to own culture. We talk about what's next, how he stays rooted in practice, and what it means to be free in a creative economy that rewards conformity.Sound as both artform and archival practiceWhy joy is built into his live performance structureNavigating mentorship, freedom, and capitalist frameworksCreating from truth instead of chasing metricsThe importance of protecting your time and your IP

Sara Pirkle is a Southern poet, an identical twin, a breast cancer survivor, and a board game enthusiast. Her first full-length collection of poetry, The Disappearing Act, won the Adrienne Bond Award for Poetry and was published by Mercer University Press in 2018. In 2019, she was nominated for Georgia Author of the Year in Poetry, and in 2022 she was shortlisted for the Oxford Poetry Prize. She also dabbles in songwriting and co-wrote a song on Remy Le Boeuf's album, Architecture of Storms, which was nominated for a 2023 GRAMMY in the Best Large Jazz Ensemble Album category. Pirkle's poems have been nominated for the Pushcart Prize five times, the Best of the Net Anthology twice, and the Independent Best American Poetry Award. She earned a PhD in English from Georgia State University and an MFA in Creative Writing from Georgia College & State University. She is an Associate Director of Creative Writing at The University of Alabama.Anya Krugovoy Silver was born in Media, Pennsylvania in December of 1968, and she grew up in Swarthmore. The child of immigrants, her first two languages were German and Russian. She graduated from Haverford College, and she earned a PhD in literature from Emory University in Atlanta. In 1998, Silver and her husband began teaching at Mercer University in Macon, Georgia. While pregnant with their son in 2004, she was diagnosed with and treated for inflammatory breast cancer. After five years of remission, her cancer returned as bone metastasis in 2010. She published four books of poetry and one book of criticism in her lifetime. She won the Georgia Author of the Year Award in 2015, and she was awarded a Guggenheim Fellow for Poetry in 2018, the same year in which she died. At the time of her death, she was in the process of editing her fifth book, Saint Agnostica, which was published in 2021 by Louisiana State University Press. The following poems were recorded with permission from Louisiana State University Press: Silver, Anya Krugovoy. “Blush” and “The Poem in My Childhood.” The Ninety-Third Name of God: Poems, Louisiana State University Press, 2010Silver, Anya Krugovoy. “There's a River.” I Watched You Disappear: Poems, Louisiana State University Press, 2014Silver, Anya Krugovoy. “From Nothing.” From Nothing: Poems, Louisiana State University Press, 2016Silver, Anya Krugovoy. “Being Ill.” Saint Agnostica: Poems, Louisiana State University Press, 2021Links: Sara PirkleSara Pirkle's website"Weighing the Options" in Delta Poetry Review"Not Prometheus" in Eclectica"Pretend You Don't Owe Me a Thing" in Rattle"Evolution of the Writing Process: A Conversation with Dr. Sara Pirkle Hughes"--University of AlabamaAnya Krugovoy SilverBio and poems at The Poetry Foundation"Anya Krugovoy Silver, 1968-1018" in New Georgia Encyclopedia

Sara Pirkle is a Southern poet, an identical twin, a breast cancer survivor, and a board game enthusiast. Her first full-length collection of poetry, The Disappearing Act, won the Adrienne Bond Award for Poetry and was published by Mercer University Press in 2018. In 2019, she was nominated for Georgia Author of the Year in Poetry, and in 2022 she was shortlisted for the Oxford Poetry Prize. She also dabbles in songwriting and co-wrote a song on Remy Le Boeuf's album, Architecture of Storms, which was nominated for a 2023 GRAMMY in the Best Large Jazz Ensemble Album category. Pirkle's poems have been nominated for the Pushcart Prize five times, the Best of the Net Anthology twice, and the Independent Best American Poetry Award. She earned a PhD in English from Georgia State University and an MFA in Creative Writing from Georgia College & State University. She is an Associate Director of Creative Writing at The University of Alabama.Anya Krugovoy Silver was born in Media, Pennsylvania in December of 1968, and she grew up in Swarthmore. The child of immigrants, her first two languages were German and Russian. She graduated from Haverford College, and she earned a PhD in literature from Emory University in Atlanta. In 1998, Silver and her husband began teaching at Mercer University in Macon, Georgia. While pregnant with their son in 2004, she was diagnosed with and treated for inflammatory breast cancer. After five years of remission, her cancer returned as bone metastasis in 2010. She published four books of poetry and one book of criticism in her lifetime. She won the Georgia Author of the Year Award in 2015, and she was awarded a Guggenheim Fellow for Poetry in 2018, the same year in which she died. At the time of her death, she was in the process of editing her fifth book, Saint Agnostica, which was published in 2021 by Louisiana State University Press. The following poems were recorded with permission from Louisiana State University Press: Silver, Anya Krugovoy. “Blush” and “The Poem in My Childhood.” The Ninety-Third Name of God: Poems, Louisiana State University Press, 2010Silver, Anya Krugovoy. “There's a River.” I Watched You Disappear: Poems, Louisiana State University Press, 2014Silver, Anya Krugovoy. “From Nothing.” From Nothing: Poems, Louisiana State University Press, 2016Silver, Anya Krugovoy. “Being Ill.” Saint Agnostica: Poems, Louisiana State University Press, 2021Links: Sara PirkleSara Pirkle's website"Weighing the Options" in Delta Poetry Review"Not Prometheus" in Eclectica"Pretend You Don't Owe Me a Thing" in Rattle"Evolution of the Writing Process: A Conversation with Dr. Sara Pirkle Hughes"--University of AlabamaAnya Krugovoy SilverBio and poems at The Poetry Foundation"Anya Krugovoy Silver, 1968-1018" in New Georgia Encyclopedia

Since the early 2000s, Festival Director and musical curator Cem Zafir has been presenting diverse, exploratory, and engaging concerts via his non-profit organization, Zula Presents. After moving to Hamilton, Ontario in 2012, Cem seized on the opportunity to create an early summer music festival. The Something Else! Festival began in 2014. Now in its 12th year, it brings to Hamilton some of the finest talents in creative, global, and improvised music. In this fun and compact catch up with Jane, Cem previews some of the highlights of the upcoming festival. From solo piano with Guggenheim Fellow and Alpert Award-winning pianist/educator Myra Melford, to the deep electronic vibes of Farida Amadou; from the "weird beauty" of The Cluttertones, to a nature walk with Pulitzer Prize recipient, percussionist and composer Susie Ibarra, the lineup is guaranteed to blow your mind, and open your ears. Tickets and passes are on sale now via Eventbrite or E-transfer (no fee) to tix@zulapresents.orgMusic in this episode:"Water Thief" - Izumi Kimura and Gerry Hemingway (Kairos, 2023)"The End Of" - Farida Amadou (When It Rains It Pours, 2024)"Moveable Do (La-La Bémol) Feat. Matt Mitchell and John Hollenbeck" - Anna Webber (simpletrio2000, 2024)"Pulse" - Susie Ibarra (Perception, 2017)"Enero" - The Cluttertones (Ordinary Joy, 2015)"Coastal Birds" - Susie Ibarra et al (Walking on Water, 2015)"DESTEJER" - Ibelisse Guardia Ferragutti and Frank Rosaly (MESTIZX, 2024)"One More Latch (Give It to 'ya) - Pantayo (Ang Pagdaloy, 2023)"Ravenous Hound" - Peter Van Huffel's Callisto (Meandering Demons, 2024)Support the showPlease help us keep the pod rocking and rolling with a donation. Any amount helps! MUSIC BUDDY IS:Jane Gowan (host, producer, editor) ; Tim Vesely (co-producer)The show's theme song, "Human Stuff," is written by Jane Gowan and Tim Vesely, and performed by Jane and Tim, with additional vocals by Steve Wright and Connie Kostiuk STAY IN TOUCH Email: jane@musicbuddy.caInstagram: @musicbuddypodcastFacebook: @musicbuddypodcastBluesky: @musicbuddy.bsky.socialTikTok: @musicbuddypodThis podcast is brought to you by Morning Run Productions.

At the 100 day mark of Donald Trump's second term as president, the political scientists at Bright Line Watch released their 25th report on the state of American democracy entitled “Threats to democracy and academic freedom after Trump's second first 100 days.” Based on polling both experts (760 political scientists) and the public (representative sample of 2000 Americans), the Bright Line Watch researchers find that the Trump administration has challenged constitutional and democratic norms on a wide range of issues, including the scope of executive power and the authority of courts to check it, individual freedom of expression, due process and habeas corpus, immigration, and academic freedom. In this episode of POSTSCRIPT: Conversations on Politics and Political Science, two of Bright Line Watch's co-directors analyze the latest report – and what it means for American democracy. Topics include democratic performance, threats to democracy and academic freedom and self-censorship. Dr. John Carey (he/him) is the Wentworth Professor in the Social Sciences at Dartmouth College. He is the author of 6 books and dozens of articles on democratic institutions, representation, and political beliefs. Dr. Gretchen Helmke is the Thomas H. Jackson Distinguished University Professor in the Department of Political Science and faculty director of the Democracy Center at the University of Rochester. Her research focuses on democracy and the rule of law in Latin America and the United States. Her new co-authored article definition and measuring democratic norms is forthcoming in the Annual Review of Political Science. She has been named a Guggenheim Fellow for 2025. Mentioned: Bright Line Watch's April 2025 report, Threats to Democracy and Academic Freedom after Trump's Second First 100 Days (based on parallel surveys of 760 political scientists and a representative sample of 2,000 Americans fielded in April). Bright Line Watch homepage with data and past reports John Carey on NPR's All Things Considered, 4/22 discussing the latest report. Adam Przeworski's Substack Diary (free to subscribe and read) Democratic Erosion Project (with dataset that Gretchen mentioned) Susan's New Books Network conversation with Dr. Sue Stokes on the importance of integrating comparative politics and American politics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Host Mitch Jeserich reads excerpts of the Iliad by Homer and translated by Emily Wilson. Emily Wilson is a professor of classical studies at the University of Pennsylvania. She has been named a Fellow of the American Academy in Rome in Renaissance and early modern scholarship, a MacArthur Fellow, and a Guggenheim Fellow. In addition to Homer's Iliad and Odyssey, she has also published translations of Sophocles, Euripides, and Seneca. Support KPFA!! Ancient Tales 3-Pack $250 The post The Iliad: War, Rage, and Sorrow appeared first on KPFA.

At the 100 day mark of Donald Trump's second term as president, the political scientists at Bright Line Watch released their 25th report on the state of American democracy entitled “Threats to democracy and academic freedom after Trump's second first 100 days.” Based on polling both experts (760 political scientists) and the public (representative sample of 2000 Americans), the Bright Line Watch researchers find that the Trump administration has challenged constitutional and democratic norms on a wide range of issues, including the scope of executive power and the authority of courts to check it, individual freedom of expression, due process and habeas corpus, immigration, and academic freedom. In this episode of POSTSCRIPT: Conversations on Politics and Political Science, two of Bright Line Watch's co-directors analyze the latest report – and what it means for American democracy. Topics include democratic performance, threats to democracy and academic freedom and self-censorship. Dr. John Carey (he/him) is the Wentworth Professor in the Social Sciences at Dartmouth College. He is the author of 6 books and dozens of articles on democratic institutions, representation, and political beliefs. Dr. Gretchen Helmke is the Thomas H. Jackson Distinguished University Professor in the Department of Political Science and faculty director of the Democracy Center at the University of Rochester. Her research focuses on democracy and the rule of law in Latin America and the United States. Her new co-authored article definition and measuring democratic norms is forthcoming in the Annual Review of Political Science. She has been named a Guggenheim Fellow for 2025. Mentioned: Bright Line Watch's April 2025 report, Threats to Democracy and Academic Freedom after Trump's Second First 100 Days (based on parallel surveys of 760 political scientists and a representative sample of 2,000 Americans fielded in April). Bright Line Watch homepage with data and past reports John Carey on NPR's All Things Considered, 4/22 discussing the latest report. Adam Przeworski's Substack Diary (free to subscribe and read) Democratic Erosion Project (with dataset that Gretchen mentioned) Susan's New Books Network conversation with Dr. Sue Stokes on the importance of integrating comparative politics and American politics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

At the 100 day mark of Donald Trump's second term as president, the political scientists at Bright Line Watch released their 25th report on the state of American democracy entitled “Threats to democracy and academic freedom after Trump's second first 100 days.” Based on polling both experts (760 political scientists) and the public (representative sample of 2000 Americans), the Bright Line Watch researchers find that the Trump administration has challenged constitutional and democratic norms on a wide range of issues, including the scope of executive power and the authority of courts to check it, individual freedom of expression, due process and habeas corpus, immigration, and academic freedom. In this episode of POSTSCRIPT: Conversations on Politics and Political Science, two of Bright Line Watch's co-directors analyze the latest report – and what it means for American democracy. Topics include democratic performance, threats to democracy and academic freedom and self-censorship. Dr. John Carey (he/him) is the Wentworth Professor in the Social Sciences at Dartmouth College. He is the author of 6 books and dozens of articles on democratic institutions, representation, and political beliefs. Dr. Gretchen Helmke is the Thomas H. Jackson Distinguished University Professor in the Department of Political Science and faculty director of the Democracy Center at the University of Rochester. Her research focuses on democracy and the rule of law in Latin America and the United States. Her new co-authored article definition and measuring democratic norms is forthcoming in the Annual Review of Political Science. She has been named a Guggenheim Fellow for 2025. Mentioned: Bright Line Watch's April 2025 report, Threats to Democracy and Academic Freedom after Trump's Second First 100 Days (based on parallel surveys of 760 political scientists and a representative sample of 2,000 Americans fielded in April). Bright Line Watch homepage with data and past reports John Carey on NPR's All Things Considered, 4/22 discussing the latest report. Adam Przeworski's Substack Diary (free to subscribe and read) Democratic Erosion Project (with dataset that Gretchen mentioned) Susan's New Books Network conversation with Dr. Sue Stokes on the importance of integrating comparative politics and American politics. Learn more about your ad choices. Visit megaphone.fm/adchoices

At the 100 day mark of Donald Trump's second term as president, the political scientists at Bright Line Watch released their 25th report on the state of American democracy entitled “Threats to democracy and academic freedom after Trump's second first 100 days.” Based on polling both experts (760 political scientists) and the public (representative sample of 2000 Americans), the Bright Line Watch researchers find that the Trump administration has challenged constitutional and democratic norms on a wide range of issues, including the scope of executive power and the authority of courts to check it, individual freedom of expression, due process and habeas corpus, immigration, and academic freedom. In this episode of POSTSCRIPT: Conversations on Politics and Political Science, two of Bright Line Watch's co-directors analyze the latest report – and what it means for American democracy. Topics include democratic performance, threats to democracy and academic freedom and self-censorship. Dr. John Carey (he/him) is the Wentworth Professor in the Social Sciences at Dartmouth College. He is the author of 6 books and dozens of articles on democratic institutions, representation, and political beliefs. Dr. Gretchen Helmke is the Thomas H. Jackson Distinguished University Professor in the Department of Political Science and faculty director of the Democracy Center at the University of Rochester. Her research focuses on democracy and the rule of law in Latin America and the United States. Her new co-authored article definition and measuring democratic norms is forthcoming in the Annual Review of Political Science. She has been named a Guggenheim Fellow for 2025. Mentioned: Bright Line Watch's April 2025 report, Threats to Democracy and Academic Freedom after Trump's Second First 100 Days (based on parallel surveys of 760 political scientists and a representative sample of 2,000 Americans fielded in April). Bright Line Watch homepage with data and past reports John Carey on NPR's All Things Considered, 4/22 discussing the latest report. Adam Przeworski's Substack Diary (free to subscribe and read) Democratic Erosion Project (with dataset that Gretchen mentioned) Susan's New Books Network conversation with Dr. Sue Stokes on the importance of integrating comparative politics and American politics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

At the 100 day mark of Donald Trump's second term as president, the political scientists at Bright Line Watch released their 25th report on the state of American democracy entitled “Threats to democracy and academic freedom after Trump's second first 100 days.” Based on polling both experts (760 political scientists) and the public (representative sample of 2000 Americans), the Bright Line Watch researchers find that the Trump administration has challenged constitutional and democratic norms on a wide range of issues, including the scope of executive power and the authority of courts to check it, individual freedom of expression, due process and habeas corpus, immigration, and academic freedom. In this episode of POSTSCRIPT: Conversations on Politics and Political Science, two of Bright Line Watch's co-directors analyze the latest report – and what it means for American democracy. Topics include democratic performance, threats to democracy and academic freedom and self-censorship. Dr. John Carey (he/him) is the Wentworth Professor in the Social Sciences at Dartmouth College. He is the author of 6 books and dozens of articles on democratic institutions, representation, and political beliefs. Dr. Gretchen Helmke is the Thomas H. Jackson Distinguished University Professor in the Department of Political Science and faculty director of the Democracy Center at the University of Rochester. Her research focuses on democracy and the rule of law in Latin America and the United States. Her new co-authored article definition and measuring democratic norms is forthcoming in the Annual Review of Political Science. She has been named a Guggenheim Fellow for 2025. Mentioned: Bright Line Watch's April 2025 report, Threats to Democracy and Academic Freedom after Trump's Second First 100 Days (based on parallel surveys of 760 political scientists and a representative sample of 2,000 Americans fielded in April). Bright Line Watch homepage with data and past reports John Carey on NPR's All Things Considered, 4/22 discussing the latest report. Adam Przeworski's Substack Diary (free to subscribe and read) Democratic Erosion Project (with dataset that Gretchen mentioned) Susan's New Books Network conversation with Dr. Sue Stokes on the importance of integrating comparative politics and American politics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

At the 100 day mark of Donald Trump's second term as president, the political scientists at Bright Line Watch released their 25th report on the state of American democracy entitled “Threats to democracy and academic freedom after Trump's second first 100 days.” Based on polling both experts (760 political scientists) and the public (representative sample of 2000 Americans), the Bright Line Watch researchers find that the Trump administration has challenged constitutional and democratic norms on a wide range of issues, including the scope of executive power and the authority of courts to check it, individual freedom of expression, due process and habeas corpus, immigration, and academic freedom. In this episode of POSTSCRIPT: Conversations on Politics and Political Science, two of Bright Line Watch's co-directors analyze the latest report – and what it means for American democracy. Topics include democratic performance, threats to democracy and academic freedom and self-censorship. Dr. John Carey (he/him) is the Wentworth Professor in the Social Sciences at Dartmouth College. He is the author of 6 books and dozens of articles on democratic institutions, representation, and political beliefs. Dr. Gretchen Helmke is the Thomas H. Jackson Distinguished University Professor in the Department of Political Science and faculty director of the Democracy Center at the University of Rochester. Her research focuses on democracy and the rule of law in Latin America and the United States. Her new co-authored article definition and measuring democratic norms is forthcoming in the Annual Review of Political Science. She has been named a Guggenheim Fellow for 2025. Mentioned: Bright Line Watch's April 2025 report, Threats to Democracy and Academic Freedom after Trump's Second First 100 Days (based on parallel surveys of 760 political scientists and a representative sample of 2,000 Americans fielded in April). Bright Line Watch homepage with data and past reports John Carey on NPR's All Things Considered, 4/22 discussing the latest report. Adam Przeworski's Substack Diary (free to subscribe and read) Democratic Erosion Project (with dataset that Gretchen mentioned) Susan's New Books Network conversation with Dr. Sue Stokes on the importance of integrating comparative politics and American politics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

e-flux Education editor Juliana Halpert talks to Coleman Collins. Collins is an interdisciplinary artist, writer, and researcher whose work explores notions of diaspora in relation to technological methods of transmission, translation, copying, and reiteration. His most recent projects examine the connections between things-in-the-world and their digital approximations, paying particular attention to the ways in which real and virtual spaces are socially produced. Working across sculpture, video, photography, and text, Collins' practice attempts to locate a synthesis between seemingly opposed terms: subject and object; object and image; original and duplicate; freedom and captivity.   Coleman Collins is a 2025 Guggenheim Fellow. He has also received support from the Graham Foundation for Advanced Studies in the Fine Arts, the New York Foundation for the Arts, and Cafe Royal Cultural Foundation. He received an MFA from UCLA in 2018, and was a 2017 resident at the Skowhegan School for Painting and Sculpture. In 2019, he participated in the Whitney Museum's Independent Study Program.  Recent exhibitions and screenings have taken place at e-flux, New York; Ehrlich Steinberg, Los Angeles; Herald Street, London; Soldes, Los Angeles; the Palestine Festival of Literature, Jerusalem/Ramallah; Larder, Los Angeles; Hesse Flatow, New York; Brief Histories, New York; Carré d'Art, Nîmes; and the Kunsthalle Wien in Vienna. His work is in the permanent collection of the Hammer Museum, Los Angeles. He is currently an Assistant Professor of Art at the University of California, Irvine. He lives and works in Los Angeles.

MILT HEUMANN received a BA from Brooklyn College in 1968, and a Ph.D. from Yale University in 1976. He taught as an assistant and associate professor at the University of Michigan from 1973 to 1980, was a Guggenheim Fellow at Yale Law School from 1980 to 1981, and has been a professor (1981), and then Distinguished Professor (2013) at Rutgers until the present. He was Chair of the Department of Political Science at Rutgers from 19997 to 2003. During the 1980's and 1990's he was also an occasional Visiting Lecturer (for courses on criminal sentencing) at Yale Law School. Professor Heumann has written extensively in the field of criminal justice, and more recently also in the “right to privacy.”Supreme Court Associate Justice Ketanji Brown Jackson cited Prof. Heumann's research extensively in her undergraduate honors thesis at Harvard College, another indicator of his lasting impact on undergraduate students.

As Poetry Month wraps up, poet Traci Brimhall, who is currently serving as the poet laureate of Kansas and the Guggenheim's poet in residence speaks about some of her favorite poems for this moment. Plus, listeners call in with their favorites.

On the fortieth episode of All the Film Things, I talked with professor/ author James Miller! James Miller is a liberal studies professor at the New School for Social Research in New York City. He wrote music reviews for Rolling Stone in the 70s and spent much of the 80s reviewing books and writing pop music criticism for Newsweek. Among Jim's many accomplishments, he has been a Guggenheim Fellow and his work continues to be published in magazines, peer- reviewed academic journals, and newspapers. Jim has written several books over the course of his decades- spanning career focused on various subject matters from philosophy (Examined Lives: From Socrates to Nietzsche) to politics (Can Democracy Work? A Short History of a Radical Idea, from Ancient Athens to Our World) to music. His book Flowers in the Dustbin: The Rise of Rock & Roll won the ASCAP- Deems Taylor Award for the best music book written of 1999.Jim's latest book, the first he's written focused on film, is titled The Passion of Pedro Almodóvar: A Self- Portrait in Seven Films and will be published through Columbia University Press on April 29. Through this book, Jim examines the work, and by extension self, of Almodóvar through his most personal films. This book will be available for purchase wherever books are sold so preorder your copy now on Barnes & Noble, Amazon, etc.! You'll definitely want to click this link to preorder the book on Barnes & Noble!: https://www.barnesandnoble.com/w/the-passion-of-pedro-almodovar-james-miller/1146504374;jsessionid=473B373D1171A12E15F5B951CC989AA7.prodny_store01-atgap07 If you're in the New York area, Jim will be sitting down with Robert Polito for an hour- long conversation on pub day about his book at the New School at 6 pm. Learn more about this event by clicking this link!: https://event.newschool.edu/booklunchjimmillerThis is Jim's first appearance on ATFT! I wouldn't have had the opportunity to interview him without two- time ATFT guest, film historian Max Alvarez presenting me with this opportiunity. I'm very grateful to him and Sarah C. Noell of Columbia University Press for helping bring this interview into fruition. Before reading Jim's book, I had seen three Almodóvar films and the latter two, Parallel Mothers (2021) and All About My Mother (1999), blew me away. For a few years now, I had been wanting to go through Almodóvar's work but his films are not so easy to come by. Reading Jim's brilliant, analytical book was the perfect opportunity to finally dive in, leaving me completely changed. Why aren't people talking about Almodóvar?! Quentin Tarantino was right when he said Almodóvar is largely underrated in the US. This episode was recorded on April 3, 2025. In this episode, Jim shares incredible stories from his career from gettign a private concert from Paul McCartney to inspiring a Jimi Hendrix song. We talk about some of cinema's greatest filmmakers, such as Ingmar Bergman and Alfred Hitchcock, before discussing the work of Pedro Almodóvar for much of the episode. Filmmakers and film aficionados will especially enjoy this episode. Jim also talks about the impact of Michelangelo Antoninoni's Blow-up (1966) , Almodóvar's dynamic with muse Penélope Cruz, and inspiring Tom Hayden to write his memoir. All this and much more on the latest episode of All the Film Things!P.S.) If you're listening on Spotify, share your thoughts on Pedro Almodóvar in the comments! Background music created and used with permission by the Copyright Free Music - Background Music for Videos channel on YouTube.

Notes and Links to Alexander Chee's Work          Alexander Chee is the bestselling author of the novels Edinburgh and The Queen of the Night, and the essay collection How To Write An Autobiographical Novel, all from Mariner Books. A contributing editor at The New Republic and an editor at large at VQR, his essays and stories have appeared in The New York Times Magazine, T Magazine, The Sewanee Review, and the 2016 and 2019 Best American Essays. He was guest-editor for The Best American Essays of 2022.    He is a 2021 United States Artists Fellow, a 2021 Guggenheim Fellow in Nonfiction, and the recipient of a Whiting Award, a NEA Fellowship, an MCCA Fellowship, the Randy Shilts Prize in gay nonfiction, the Paul Engle Prize, the Lambda Editor's Choice Prize, and residency fellowships from the MacDowell Colony, the VCCA, Leidig House, Civitella Ranieri and Amtrak.    He is a full professor of English and Creative Writing at Dartmouth College and lives in Vermont. Buy How To Write an Autobiographical Novel   Alexander's Website   Book Review for How To Write an Autobiographical Novel from The New York Times   At about 2:00, Alexander details his Amtrak residency, later written about in The New Yorker At about 6:00, Alexander outlines some interesting characters that he met during his Amtrak residency  At about 12:00, Alexander reflects on a book project inspired by an interesting encounter with a former detective and British and American sensibilities  At about 16:30, Pete shares his own Amtrak story, possible fodder for essays and short stories, as Alexander remarks on “immediate friendship”  At about 18:50, Alexander talks about upcoming novel and short story projects and the process of picking a title; he recounts how he arrived at his essay collection's title, through a Buzzfeed publication  At about 26:30, Alexander highlights Kirkus Review naming How to Write an Autobiographical Novel one  At about 27:35, Alexander gives background on his essay collection's cover photo At about 34:10, Alexander talks about the composition of the previous essay collection and his upcoming one, with regards to placement and focuses on his “rose garden”- “The Rosary”-essay's development At about 39:00, Alexander responds to Pete's questions about the order of the essays in the collections and any throughlines-Garnette Cadogan and Naomi Gibbs are shouted out At about 43:40, Alexander talks about a manuscript that he has been working At about 44:45, Pete is complimentary of Alexander's “The Rosary” essay, and Alexander tells a story of an interested and poignant conversation with   At about 48:00, Pete shouts  At about 49:00, Pete and Alexander talk about the essay collection's first piece, and Alexander talks about being “Alejandro from Oaxaca” for a short time-he references Yiyun Li's powerful essay, “To Speak is to Blunder” At about 55:10, Pete compliments Alexander's powerful advocacy work and asks him about perspective and time, and how Alexander looks back at the essays from the collection so many years later (for some of the essays) At about 1:02:00, In talking about modern protest and activist culture, mutual aid, etc., Alexander shouts out Sarah Thankam Mathews' powerful All This Could Be Different At about 1:04:30, Alexander discusses a dynamic class that he has mentored at Dartmouth At about 1:05:30, Alexander responds to Pete's questions about what fiction allows him to do with his writing At about 1:06:30, Alexander reflects on ideas of catharsis in his writing      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Episode 270 guest Jason De León is up on the website this week. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 282 with Emely Rumble, a licensed clinical social worker, school social worker, and seasoned biblio/psychotherapist who specializes in bibliotherapy, the use of literature and expressive writing to heal. Pub Day and episode air day are April 29 for her wonderful book, Bibliotherapy in The Bronx.

Notes and Links to Désirée Zamorano's Work      Born and raised in Los Angeles, Désirée Zamorano is the previous author of novels like The Amado Women and Human Cargo. Zamorano heavily focuses on the issues of invisibility, injustice and inequity in her books while also teaching linguistic and cultural diversity at Cal State Long Beach.     Buy Dispossessed   Désirée's Website   Article about Dispossessed for Pasadena Weekly At about 3:10, Desiree gives ordering information for The Dispossessed and her social media and contact information   At about 4:30, Desiree talks about an exciting 2026 publication    At about 5:10, Desiree gives background on her early reading and language life, and how her identity has been shaped throughout the years, influenced by family and larger societal forces   At about 8:40, Pete and Desiree discuss connections between American racism in different times and the events that inspired her own book   At about 10:00, Desiree provides feedback on seeds for her book   At about 12:30, Desiree talks about formative and informative books and writers from her childhood and adolescence    At about 13:35, Desiree shouts out Kate Atkinson and David Mitchell's Cloud Atlas and other contemporary favorites   At about 14:35, the two explore the book's opening note, and Desiree shares stunning (or not stats) about Mexican and Mexican-American “repatriation” in the 1930s and 1940s    At about 16:00, Desiree talks about Manzanar and Japanese incarceration and coalitions who have fought to have the ugly history of the incarceration shared   At about 17:25, The two discuss the book's opening scene at the beach and the book's inciting incidents   At about 18:40, Desiree gives background on her reasoning for making the book's opening so action-packed and connections to a chilling quote   At about 19:50, Pete and Desiree chart Manuel's first years after his parents are taken, and characters and situations that govern Manuel's life   At about 23:15, Desiree responds to Pete's questions about Manuel's surrogate mother, Amparo and depictions of Christianity with connections to Desiree's own family   At about 26:00, The two discuss reasons as to why Manuel decides to leave high school    At about 28:10, Desiree gives background on sundown towns and talks about misconceptions of racism in our country's history and all needing to “do the work” to understand    At about 31:15, Pete recounts a stunning (or not so stunning) fact about racism in CA and Rodney King   At about 31:55, Desiree responds to Pete's questions about depictions of Latino soldiers, particularly in WWII   At about 33:25, Pete and Desiree discuss Manuel's early work experience, and Desiree expands upon union histories, especially in LA   At about 36:00, Decade of Betrayal, Anything but Mexican and Whitewashed Adobe are discussed as thorough and key research used by Desiree for the book   At about 37:30, Pete asks Desiree about important touches in the book, and she provides important histories of whiteness in American and how birth certificates were filled out   At about 41:00, The two discuss the impending razing of Chavez Ravine in the book, and hope and hopelessness for Manuel-Desiree references another great book with great research, From Out of the Shadows by Vicki Ruiz    At about 44:30, Desiree responds to Pete's question about crafting a emotional and good man in Manuel    At about 47:00, Pete is highly complimentary of the ways that Desiree uses light touches and writes about fatherhood and motherhood so honestly   At about 50:00, Pete asks Desiree how she knew the book was finished     You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. This week, his conversation with Episode 270 guest Jason De León is up on the website. A big thanks to Rachel León and Michael Welch at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, his DIY podcast and his extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode will feature an exploration of the wonderful poetry of Khalil Gibran.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project of Pete's, a DIY operation, and he'd love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 281 with Alexander Chee, who is the bestselling author of the novels Edinburgh and The Queen of the Night, and the essay collection How To Write An Autobiographical Novel. He was the 2021 US Artists Fellow and Guggenheim Fellow in Nonfiction, and he is full professor of English and Creative Writing at Dartmouth.     The episode airs on April 22.

Today I have the honor and the pleasure to speak once again with celebrated poet and physician, Fady Joudah. The last time Fady was on the podcast was in November, 2023, shortly after the outbreak of war in Gaza. At that point we spoke about the impossibility of, even then, quantifying the genocide. Today we focus on the politics of language—in particular, the distinction Fady Joudah makes between Palestine in English, and Palestine in Arabic. We speak too of the need for and limitations of solidarity, and finish with a reading and discussion of one of Fady Joudah's most remarkable and stunning poems, “Truth is Never Finished.”  Fady Joudah is a Palestinian American physician, poet, and translator. He was born in Austin, Texas, and grew up in Libya and Saudi Arabia. He was educated at the University of Georgia, the Medical College of Georgia, and the University of Texas Health Sciences in Houston. In 2002 and 2005 he worked with Doctors Without Borders in Zambia and Sudan, respectively.Joudah's debut collection of poetry, The Earth in the Attic (2008), won the 2007 Yale Series of Younger Poets competition, chosen by Louise Glück. Joudah followed his second book of poetry, Alight (2013) with Textu (2014), a collection of poems written on a cell phone wherein each piece is exactly 160 characters long. His fourth collection is Footnotes in the Order of Disappearance (2018).  In 2014, Joudah was a Guggenheim Fellow in poetry. As critic Charles Bainbridge observed in a 2008 Guardian review of The Earth in the Attic, “Joudah's poetry thrives on dramatic shifts in perspective, on continually challenging received notions.”Joudah translated  several collections of Palestinian poet Mahmoud Darwish's work in The Butterfly's Burden (2006), which won the Banipal prize from the UK and was a finalist for the PEN Award for Poetry in Translation; and in If I Were Another, which won a PEN USA award in 2010. His translation of Ghassan Zaqtan's Like a Straw Bird It Follows Me (2012) won the Griffin International Poetry Prize in 2013. His other translations include Amjad Nasser's Petra: The Concealed Rose and A Map of Signs and Scents.Joudah lives with his family in Houston, where he works as a physician of internal medicine.

Laurie Sheck's novel A Monster's Notes, a reimagining of Mary Shelley's Frankenstein,  was long listed for the Dublin Impac International Fiction Prize. Her book of poems, The Willow Grove, was a finalist for the Pulitzer Prize. Her work has appeared widely in the Paris Review, the New Yorker and elsewhere. She has been a Guggenheim Fellow, a fellow at the Radcliffe Institute for Advanced Study at Harvard, and at the Cullman Center for Scholars and Writers at the New York Public Library. A member of the MFA Creative Writing faculty at the New School, she lives in New York City. This interview focuses on her new book, Cyborg Fever.

“The three ills of democracy that I propose to address with this method, which we've perfected over the last several decades. Democracy is supposed to make some connection with the "will of the people." But how can we estimate the will of the people when everyone is trying to manipulate it?”James S. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science (by courtesy), Senior Fellow of the Freeman Spogli Institute for International Studies, and Director of the Deliberative Democracy Lab. He is also a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, and a Fellow of the Center for Advanced Study in the Behavioral Sciences. His work focuses on Deliberative Polling, a process of deliberative public consultation that has been conducted more than 150 times around the world. He is the author of Can Deliberation Cure the Ills of Democracy?, Democracy When the People Are Thinking (OUP) and other books.“Deliberative democracy is itself, when properly done, a kind of democracy that can speak to the interests of a community. And we need that all over the world.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The three ills of democracy that I propose to address with this method, which we've perfected over the last several decades. Democracy is supposed to make some connection with the "will of the people." But how can we estimate the will of the people when everyone is trying to manipulate it?”James S. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science (by courtesy), Senior Fellow of the Freeman Spogli Institute for International Studies, and Director of the Deliberative Democracy Lab. He is also a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, and a Fellow of the Center for Advanced Study in the Behavioral Sciences. His work focuses on Deliberative Polling, a process of deliberative public consultation that has been conducted more than 150 times around the world. He is the author of Can Deliberation Cure the Ills of Democracy?, Democracy When the People Are Thinking (OUP) and other books.“Deliberative democracy is itself, when properly done, a kind of democracy that can speak to the interests of a community. And we need that all over the world.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The three ills of democracy that I propose to address with this method, which we've perfected over the last several decades. Democracy is supposed to make some connection with the "will of the people." But how can we estimate the will of the people when everyone is trying to manipulate it?”James S. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science (by courtesy), Senior Fellow of the Freeman Spogli Institute for International Studies, and Director of the Deliberative Democracy Lab. He is also a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, and a Fellow of the Center for Advanced Study in the Behavioral Sciences. His work focuses on Deliberative Polling, a process of deliberative public consultation that has been conducted more than 150 times around the world. He is the author of Can Deliberation Cure the Ills of Democracy?, Democracy When the People Are Thinking (OUP) and other books.“Deliberative democracy is itself, when properly done, a kind of democracy that can speak to the interests of a community. And we need that all over the world.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The three ills of democracy that I propose to address with this method, which we've perfected over the last several decades. Democracy is supposed to make some connection with the "will of the people." But how can we estimate the will of the people when everyone is trying to manipulate it?”James S. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science (by courtesy), Senior Fellow of the Freeman Spogli Institute for International Studies, and Director of the Deliberative Democracy Lab. He is also a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, and a Fellow of the Center for Advanced Study in the Behavioral Sciences. His work focuses on Deliberative Polling, a process of deliberative public consultation that has been conducted more than 150 times around the world. He is the author of Can Deliberation Cure the Ills of Democracy?, Democracy When the People Are Thinking (OUP) and other books.“Deliberative democracy is itself, when properly done, a kind of democracy that can speak to the interests of a community. And we need that all over the world.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The three ills of democracy that I propose to address with this method, which we've perfected over the last several decades. Democracy is supposed to make some connection with the "will of the people." But how can we estimate the will of the people when everyone is trying to manipulate it?”James S. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science (by courtesy), Senior Fellow of the Freeman Spogli Institute for International Studies, and Director of the Deliberative Democracy Lab. He is also a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, and a Fellow of the Center for Advanced Study in the Behavioral Sciences. His work focuses on Deliberative Polling, a process of deliberative public consultation that has been conducted more than 150 times around the world. He is the author of Can Deliberation Cure the Ills of Democracy?, Democracy When the People Are Thinking (OUP) and other books.“Deliberative democracy is itself, when properly done, a kind of democracy that can speak to the interests of a community. And we need that all over the world.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“The three ills of democracy that I propose to address with this method, which we've perfected over the last several decades. Democracy is supposed to make some connection with the "will of the people." But how can we estimate the will of the people when everyone is trying to manipulate it?”James S. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science (by courtesy), Senior Fellow of the Freeman Spogli Institute for International Studies, and Director of the Deliberative Democracy Lab. He is also a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, and a Fellow of the Center for Advanced Study in the Behavioral Sciences. His work focuses on Deliberative Polling, a process of deliberative public consultation that has been conducted more than 150 times around the world. He is the author of Can Deliberation Cure the Ills of Democracy?, Democracy When the People Are Thinking (OUP) and other books.“Deliberative democracy is itself, when properly done, a kind of democracy that can speak to the interests of a community. And we need that all over the world.”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Deliberative democracy is itself, when properly done, a kind of democracy that can speak to the interests of a community. And we need that all over the world.” James S. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science (by courtesy), Senior Fellow of the Freeman Spogli Institute for International Studies, and Director of the Deliberative Democracy Lab. He is also a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, and a Fellow of the Center for Advanced Study in the Behavioral Sciences. His work focuses on Deliberative Polling, a process of deliberative public consultation that has been conducted more than 150 times around the world. He is the author of Can Deliberation Cure the Ills of Democracy?, Democracy When the People Are Thinking (OUP) and other books.“The three ills of democracy that I propose to address with this method, which we've perfected over the last several decades. Democracy is supposed to make some connection with the "will of the people." But how can we estimate the will of the people when everyone is trying to manipulate it?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Deliberative democracy is itself, when properly done, a kind of democracy that can speak to the interests of a community. And we need that all over the world.” James S. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science (by courtesy), Senior Fellow of the Freeman Spogli Institute for International Studies, and Director of the Deliberative Democracy Lab. He is also a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, and a Fellow of the Center for Advanced Study in the Behavioral Sciences. His work focuses on Deliberative Polling, a process of deliberative public consultation that has been conducted more than 150 times around the world. He is the author of Can Deliberation Cure the Ills of Democracy?, Democracy When the People Are Thinking (OUP) and other books.“The three ills of democracy that I propose to address with this method, which we've perfected over the last several decades. Democracy is supposed to make some connection with the "will of the people." But how can we estimate the will of the people when everyone is trying to manipulate it?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Deliberative democracy is itself, when properly done, a kind of democracy that can speak to the interests of a community. And we need that all over the world.” James S. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science (by courtesy), Senior Fellow of the Freeman Spogli Institute for International Studies, and Director of the Deliberative Democracy Lab. He is also a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, and a Fellow of the Center for Advanced Study in the Behavioral Sciences. His work focuses on Deliberative Polling, a process of deliberative public consultation that has been conducted more than 150 times around the world. He is the author of Can Deliberation Cure the Ills of Democracy?, Democracy When the People Are Thinking (OUP) and other books.“The three ills of democracy that I propose to address with this method, which we've perfected over the last several decades. Democracy is supposed to make some connection with the "will of the people." But how can we estimate the will of the people when everyone is trying to manipulate it?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“Deliberative democracy is itself, when properly done, a kind of democracy that can speak to the interests of a community. And we need that all over the world.” James S. Fishkin holds the Janet M. Peck Chair in International Communication at Stanford University where he is Professor of Communication, Professor of Political Science (by courtesy), Senior Fellow of the Freeman Spogli Institute for International Studies, and Director of the Deliberative Democracy Lab. He is also a Fellow of the American Academy of Arts and Sciences, a Guggenheim Fellow, and a Fellow of the Center for Advanced Study in the Behavioral Sciences. His work focuses on Deliberative Polling, a process of deliberative public consultation that has been conducted more than 150 times around the world. He is the author of Can Deliberation Cure the Ills of Democracy?, Democracy When the People Are Thinking (OUP) and other books.“The three ills of democracy that I propose to address with this method, which we've perfected over the last several decades. Democracy is supposed to make some connection with the "will of the people." But how can we estimate the will of the people when everyone is trying to manipulate it?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Fady Joudah is an esteemed Palestinian Poet/Activist. And we had a great long conversation with him about poetry and resistance, conditions in Gaza, the difficulty of describing the Palestinian struggle in English, the failure of the west to defend Gaza, and much more. And we finished with Fady reading and deconstructing some of his poetry for us. Bio// Fady Joudah is a Palestinian American physician, poet, and translator. He was born in Austin, Texas, and grew up in Libya and Saudi Arabia. He was educated at the University of Georgia, the Medical College of Georgia, and the University of Texas Health Sciences in Houston. In 2002 and 2005 he worked with Doctors Without Borders in Zambia and Sudan, respectively.Joudah's debut collection of poetry, The Earth in the Attic (2008), won the 2007 Yale Series of Younger Poets competition, chosen by Louise Glück. Joudah followed his second book of poetry, Alight (2013) with Textu (2014), a collection of poems written on a cell phone wherein each piece is exactly 160 characters long. His fourth collection is Footnotes in the Order of Disappearance (2018). In 2014, Joudah was a Guggenheim Fellow in poetry. As critic Charles Bainbridge observed in a 2008 Guardian review of The Earth in the Attic, “Joudah's poetry thrives on dramatic shifts in perspective, on continually challenging received notions.”Joudah translated several collections of Palestinian poet Mahmoud Darwish's work in The Butterfly's Burden (2006), which won the Banipal prize from the UK and was a finalist for the PEN Award for Poetry in Translation; and in If I Were Another, which won a PEN USA award in 2010. His translation of Ghassan Zaqtan's Like a Straw Bird It Follows Me (2012) won the Griffin International Poetry Prize in 2013. His other translations include Amjad Nasser's Petra: The Concealed Rose and A Map of Signs and Scents.Joudah lives with his family in Houston, where he works as a physician of internal medicine.—————-Outro- "Green and Red Blues" by MoodyLinks//+ Fady Joudah: https://www.poetryfoundation.org/poets/fady-joudahFollow Green and Red// +G&R Linktree: ⁠⁠⁠https://linktr.ee/greenandredpodcast⁠⁠⁠ +Our rad website: ⁠⁠⁠https://greenandredpodcast.org/⁠⁠⁠ + Join our Discord community (https://discord.gg/vgKnY3sd)+Follow us on Bluesky (https://bsky.app/profile/podcastgreenred.bsky.social)Support the Green and Red Podcast// +Become a Patron at https://www.patreon.com/greenredpodcast +Or make a one time donation here: ⁠⁠⁠https://bit.ly/DonateGandR⁠⁠⁠ Our Networks// +We're part of the Labor Podcast Network: ⁠⁠⁠https://www.laborradionetwork.org/⁠⁠ +We're part of the Anti-Capitalist Podcast Network: linktr.ee/anticapitalistpodcastnetwork +Listen to us on WAMF (90.3 FM) in New Orleans (https://wamf.org/) This is a Green and Red Podcast (@PodcastGreenRed) production. Produced by Bob (@bobbuzzanco) and Scott (@sparki1969). Edited by Isaac.

Daron Hagen is a renowned composer of Operas, Operafilms, Symphonies, Concertos, Chamber Works and Artsongs. He's worked with numerous orchestras including the New York, Philadelphia and Buffalo Philharmonic. He's a Guggenheim Fellow. He's been awarded the Kennedy Center Friedman Prize among others. And he's written a memoir.My featured song is “The Winner” from the album Made In New York by my band Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------Connect with Daron:www.daronhagen.com—----------------------------------------ROBERT'S RECENT SINGLES:“LOVELY GIRLIE” is Robert's latest single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

There's a story today about how a VR headset can make us more empathetic toward nature. But according to the Pacific Northwest based author and biologist Thor Hanson, no digital technology can ever replicate nature. Instead, he argues in his new book Close to Home, we humans are wired, so to speak, to appreciate the natureal world whether its on the Galapagos or in our local park. In fact, he told me in a windswept conversation he recorded outside his home on San Juan island, the wonders of nature are just acute outside our door, even if we live in Los Angeles or New York City. Here are the five KEEN ON AMERICA takeaways in our conversation with Thor Hanson:1. Nature is accessible everywhere, not just in remote locations. Hanson emphasizes that meaningful connections with nature can be found right outside your door, even in highly urbanized environments like Los Angeles.2. Local nature connections provide emotional resilience against global environmental challenges. Hanson suggests that forming bonds with nearby natural spaces helps counterbalance feelings of helplessness about larger environmental crises.3. Scientific evidence confirms nature's positive impact on physical and mental health. Multiple studies show measurable benefits from nature exposure, including lower anxiety, reduced blood pressure, and faster recovery from illness.4. Children have a natural ability to observe and connect with nature that adults often lose. Kids see more details in nature because they haven't developed the sensory filters that adults use to block out environmental stimuli.5. Small-scale local conservation efforts can collectively make significant environmental impacts. Hanson shares examples like Switzerland's community pond-building initiative that successfully reversed amphibian population declines across an entire region.Author and biologist Thor Hanson is a Guggenheim Fellow, a Switzer Environmental Fellow, and winner of the John Burroughs Medal. His books include Close to Home, Buzz, The Triumph of Seeds, Feathers, Bartholomew Quill, The Impenetrable Forest, Hurricane Lizards and Plastic Squid, Star and the Maestro, and more.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Chicago Tribune, Slate, NY TimesOn "Bloody Sunday," March 7, 1965, C.T. Vivian, a prominent figure in the Civil Rights Movement, was violently attacked by Sheriff Jim Clark while attempting to escort a group of African Americans to register to vote in Selma, Alabama.  Steve Fiffer is a New York Times Bestselling Author. His Book is "It's in The Action": Memories of a Nonviolent Warrior, Rev C.T. Vivian's Memoir.Reverend Vivian was a Major Force in the Fight for Civil Rights & Voters Rights in the Twentieth Century till he Passed July 17th, 2020.Regardless of Social Status, Party Affiliation or Belief, Race: Libertarian, Democrat, Progressive or Republican or Other, All Americans Should Have the Right to Vote!Senator Barack Obama, speaking at Selma's Brown Chapel on the March 2007, anniversary of the 1965 Selma to Montgomery marches, recognized Vivian in his opening remarks in the words of Martin L. King Jr. as "the greatest preacher to ever live."Studying for the ministry at American Baptist Theological Seminary (now called American Baptist College) in Nashville, Tennessee, in 1959, Vivian met James Lawson, who was teaching Mohandas Gandhi's nonviolent direct action strategy to the Nashville Student Movement. Soon Lawson's students, including Diane Nash, Bernard Lafayette, James Bevel, John Lewis and others from American Baptist, Fisk University and Tennessee State University, organized a systematic nonviolent sit-in campaign at local lunch counters.Vivian helped found the Nashville Christian Leadership Conference, and helped organize the first sit-ins in Nashville in 1960 and the first civil rights march in 1961. In 1961, Vivian participated in Freedom Rides. He worked alongside Martin Luther King Jr. as the national director of affiliates for the SCLC. During the summer following the Selma Voting Rights Movement, Vivian is perhaps best known for, Vivian challenged Sheriff Jim Clark on the steps of the courthouse in Selma, Alabama, in 1965 during a drive to promote Black people to register to vote."You can turn your back on me, but you cannot turn your back upon the idea of justice," Vivian said to Clark as reporters recorded the interaction. "You can turn your back now and you can keep the club in your hand, but you cannot beat down justice. And we will register to vote, because as citizens of these United States we have the right to do it."Vivian conceived and directed an educational program, Vision, and put 702 Alabama students in college with scholarships (this program later became Upward Bound). His 1970 Black Power and the American Myth was the first book on the Civil Rights Movement by a member of Martin Luther King's staff.On August 8, 2013, President Barack Obama named Vivian as a recipient of the Presidential Medal of Freedom.Steve's own Memoir is "Three Quarters, Two Dimes, and a Nickel". His work has appeared in Chicago Tribune. & Slate. He's also a Guggenheim Fellow© 2025 All Rights Reserved© 2025 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

Michelle Tea has published over 20 books, including the cult classic Valencia as well asModern Tarot and the essay collection Against Memoir. Her latest book, Modern Magic: Stories, Rituals, and Spells for Contemporary Witches was released in the fall of 2024 — not too long before our interview was recorded. A lot has changed since then. The calendar year and the world itself. I loved Modern Magic from the opening paragraph. Months later the book feels like an instruction manual for survival. There's a lot more I could say about Michelle — and I say some of it in the print interview. Head over to ART of the ZODIAC on Substack to read the bonus TALKTALKTALK. BUY MODERN MAGIChttps://www.harpercollins.com/products/modern-magic-michelle-tea?variant=41384105181218ABOUT MICHELLEMichelle Tea is the author of over twenty books for grown-ups, teenagers and children.Her autofiction Valencia is a cult classic that was made into a feature length art film.Her tarot how-to, Modern Tarot, is a best-seller, and her essay collection Against Memoir was awarded the PEN/American Diamonstein-Spielvogel award for The Art of the Essay.She is a Guggenheim Fellow. Tea was the founding Executive Director of Bay Area arts organization RADAR Productions for thirteen years; her final act as ED was to create Drag Queen Story Hour, for which she received honors from The California Library Association and Logo Television. Tea is also the co-founder of the legendary Sister Spit, a performance tour which has been active since its inception in 1997. (bio taken from Dopamine Books: https://dopaminebooks.org/team) ABOUT VIVIVivi Henriette is an LA-based astrologer and tarot reader whose collaborative approach to divination weaves in storytelling and mythology to create a container for her clients to explore their personal narrative. She's the host of the Los Angeles Astro Salon at the Philosophical Research Society and the podcast TALKTALKTALK.JOIN THE TALKTALKTALK LIVE!https://artofthezodiac.co/events-workshops/ENJOYED THIS PODCAST? Follow ART of the ZODIAC & Vivi Henriette in ALL the places:https://linktr.ee/ART_of_the_ZODIACSUBSCRIBE to ART of the ZODIAC on SUBSTACK for the latest  TALKTALKTALK, delivered straight to your inbox—it's FREE:  https://artofthezodiac.substack.com/ LEARN Astrology! Make FRIENDS! JOIN CLUB ASTRO on ⁠PATREON⁠:https://patreon.com/ARToftheZODIAC?ut…

Step into the mysterious and untamed wilderness of the Dark Divide, where legends of Bigfoot come to life! This week on the Untold Radio Show, we're diving deep into the enigma of Sasquatch with none other than Yale-trained ecologist and Guggenheim Fellow, Dr. Robert Michael Pyle.Join hosts Doug Hajicek and Jeff Perrella as they explore:The Hunt for Bigfoot: Discover how Dr. Pyle's journey began with the discovery of a giant fossil footprint and recent tracks in the untouched wilderness near Mount St. Helens.Myth vs. Reality: Hear firsthand about the elusive Seeahtiks tribe, an outcast group not fully evolved into humans, according to local Indian legends.Conspiracy or Cover-Up?: Get insights into the controversial stories of rogue Forest Service employees and loggers who claim there's a conspiracy to hide the truth about these mysterious hominids.Sasquatch Daze: Experience the unique festival where scientists, hunters, and enthusiasts gather, revealing not just a desire to find Bigfoot but to embody the legend itself.Dr. Pyle's adventures inspired the 2020 film "The Dark Divide," starring David Cross and Debra Messing. This episode will delve into the 76,000 acres of wilderness that could be home to one of America's most enduring mysteries.Whether you're a skeptic or a believer, this episode promises to stretch the boundaries of your imagination. Tune in to hear about the science, the stories, and the search that continues to captivate us all.

I had a fascinating conversation with Nina Paley, an animator, director, artist, and co-host of Heterodorx podcast. While some may know her award-winning animated films like "Sita Sings the Blues" and "Seder Masochism," our conversation delved deeper into her personal journey through cancel culture and her insights on scapegoating dynamics.Nina shared how her life changed dramatically in 2017 when she spoke up about gender identity issues after a year of careful research and consideration. The backlash was swift and severe – she was banned from festivals, speaking engagements dried up, and her career as a celebrated artist effectively came to an end. What struck me most was her evolution in processing this experience, particularly how she's come to view it through a spiritual lens, despite not being traditionally religious.We explored the ancient biblical concept of scapegoating, and Nina offered a compelling analysis of the difference between sacrifice and scapegoating. Through her research on Jesus Christ, she had a profound realization that helped her reframe her own experience – she could choose to see herself as a sacrifice rather than just a scapegoat, finding agency in a situation where she previously felt powerless.Our conversation touched on the psychological dynamics of cancel culture, the nature of tribal behavior, and the powerful energies that get activated when communities unite against a perceived internal threat. Nina's insights about how people often only "punch up" at those they perceive as powerful gave her a new perspective on her own cancellation.We also discussed her thoughts on artificial intelligence and its impact on artistic communion with audiences, leading to a poignant reflection on how the media landscape is rapidly changing. Nina shared vulnerably about the grief of losing her career and the ongoing process of accepting that the past cannot be recreated.What I appreciate most about Nina is her ability to maintain perspective while acknowledging pain. Despite everything she's been through, she hasn't lost her capacity for nuanced thinking or her recognition of human complexity. As she put it, "Life is suffering, but it's not only suffering."This conversation reminded me that sometimes our deepest wounds can become sources of wisdom, and that there's always more than one way to understand our most painful experiences.Nina Paley is the creator of the award-winning animated musical feature films Sita Sings the Blues and Seder-Masochism. A 2006 Guggenheim Fellow  and Free Culture advocate, she recently published the unexpectedly controversial comic book Agents of H.A.G. and the popular GENDER WARS Playing Cards. She regularly draws requests for Hundred-and-fifty Dollar Drawings. Her experimental digital projects include Apocalypse Animated and MysticSymbolic. A staunch proponent of Free Speech, Nina co-hosts the Heterodorx podcast with Corinna Cohn.0:00 - Introduction to Nina Paley: animator, director, artist 3:12 - Early career success with "Sita Sings the Blues" 7:45 - The 2017 cancellation: speaking up about gender identity 15:30 - Copyright vs. copyleft: Nina's unconventional views 23:18 - Understanding scapegoating dynamics 31:45 - The biblical origins: sacrifice vs. scapegoat 39:20 - Family dynamics and patterns of scapegoating 45:30 - Finding agency in victimhood 52:15 - The power dynamics of cancel culture 58:40 - Grieving and healing processes 1:05:23 - AI and the changing media landscape 1:12:45 - Reflections on life and suffering 1:16:30 - Where to find Nina's workROGD REPAIR Course + Community for Parents is available now! Are you concerned about an adolescent or young adult with Rapid Onset Gender Dysphoria? Join at ROGDrepair.com and get instant access to over 100 lessons designed to equip you with the psychological insights and communication tools you need to get through to your kid. Use code SOMETHERAPIST2025 to take 50% off your first month.TALK TO ME: book a meeting.PRODUCTION: Looking for your own podcast producer? Visit PodsByNick.com and mention my podcast for 20% off your initial services.SUPPORT THE SHOW: subscribe, like, comment, & share or donate.ORGANIFI: Take 20% off Organifi with code SOMETHERAPIST.Watch NO WAY BACK: The Reality of Gender-Affirming Care. Use code SOMETHERAPIST to take 20% off your order.SHOW NOTES & transcript with help from SwellAI.MUSIC: Thanks to Joey Pecoraro for our song, “Half Awake,” used with gratitude & permission. ALL OTHER LINKS HERE. To support this show, please leave a rating & review on Apple, Spotify, or wherever you get your podcasts. Subscribe, like, comment & share via my YouTube channel. Or recommend this to a friend!Learn more about Do No Harm.Take $200 off your EightSleep Pod Pro Cover with code SOMETHERAPIST at EightSleep.com.Take 20% off all superfood beverages with code SOMETHERAPIST at Organifi.Check out my shop for book recommendations + wellness products.Show notes & transcript provided with the help of SwellAI.Special thanks to Joey Pecoraro for our theme song, “Half Awake,” used with gratitude and permission.Watch NO WAY BACK: The Reality of Gender-Affirming Care (our medical ethics documentary, formerly known as Affirmation Generation). Stream the film or purchase a DVD. Use code SOMETHERAPIST to take 20% off your order. Follow us on X

So many of us are curious about the stuff of space and time and the forces that bind us all together. Author and physicist Sean Caroll wants to encourage that curiosity, and believes physics can be accessible to everyone. Carroll is the Homewood Professor of Natural Philosophy, a joint appointment between physics and philosophy at Johns Hopkins University and fractal faculty at the Santa Fe Institute. He has focused his research on cosmology, field theory, and gravitation, looking at topics such as dark matter and dark energy, modified gravity, topological defects, extra dimensions, and violations of fundamental symmetries. He has shifted his focus to foundational questions, both in quantum mechanics—origin of probability, emergence of space and time—and statistical mechanics—entropy and the arrow of time, emergence and causation, dynamics of complexity, all while bringing a more philosophical dimension to this work. Carroll is the author of several books, including, “The Biggest Ideas in the Universe: Space, Time, and Motion,” “Something Deeply Hidden: Quantum Worlds and the Emergence of Spacetime,” and its second volume, “Quanta and Fields: The Biggest Ideas in the Universe.” He hosts the “Mindscape” podcast, featuring conversations with accomplished guests on new ideas in science, philosophy, culture, and the arts. Carroll was named a Guggenheim Fellow in 2015. See omnystudio.com/listener for privacy information.

******Support the channel****** Patreon: https://www.patreon.com/thedissenter PayPal: paypal.me/thedissenter PayPal Subscription 1 Dollar: https://tinyurl.com/yb3acuuy PayPal Subscription 3 Dollars: https://tinyurl.com/ybn6bg9l PayPal Subscription 5 Dollars: https://tinyurl.com/ycmr9gpz PayPal Subscription 10 Dollars: https://tinyurl.com/y9r3fc9m PayPal Subscription 20 Dollars: https://tinyurl.com/y95uvkao   ******Follow me on****** Website: https://www.thedissenter.net/ The Dissenter Goodreads list: https://shorturl.at/7BMoB Facebook: https://www.facebook.com/thedissenteryt/ Twitter: https://x.com/TheDissenterYT   This show is sponsored by Enlites, Learning & Development done differently. Check the website here: http://enlites.com/   Dr. John Hibbing is the Foundation Regents University professor of political science and psychology at the University of Nebraska-Lincoln. He has been named a Guggenheim Fellow, a NATO Fellow in Science, and a fellow in the American Association for the Advancement of Science. He is the author of Predisposed: The Left, The Right, and the Biology of Political Differences.   In this episode, we focus on Predisposed. We start by discussing the views people commonly have about political orientation, and the left/right divide. We discuss whether politics is just about personal preferences; whether these differences are evolved; and five social dilemmas that people on the left and the right answer differently. We define “predisposition”, and talk about personality traits, moral foundations, differences in cognition (perception, responses to threats, and disgust sensitivity), and physiological responses. We discuss behavior genetics, and what we know about the relative role of genes and the environment. Finally, we talk about the practical applications of this knowledge, with a focus on political polarization; and the future of the field of biopolitics. -- A HUGE THANK YOU TO MY PATRONS/SUPPORTERS: PER HELGE LARSEN, JERRY MULLER, BERNARDO SEIXAS, ADAM KESSEL, MATTHEW WHITINGBIRD, ARNAUD WOLFF, TIM HOLLOSY, HENRIK AHLENIUS, FILIP FORS CONNOLLY, ROBERT WINDHAGER, RUI INACIO, ZOOP, MARCO NEVES, COLIN HOLBROOK, PHIL KAVANAGH, SAMUEL ANDREEFF, FRANCIS FORDE, TIAGO NUNES, FERGAL CUSSEN, HAL HERZOG, NUNO MACHADO, JONATHAN LEIBRANT, JOÃO LINHARES, STANTON T, SAMUEL CORREA, ERIK HAINES, MARK SMITH, JOÃO EIRA, TOM HUMMEL, SARDUS FRANCE, DAVID SLOAN WILSON, YACILA DEZA-ARAUJO, ROMAIN ROCH, DIEGO LONDOÑO CORREA, YANICK PUNTER, CHARLOTTE BLEASE, NICOLE BARBARO, ADAM HUNT, PAWEL OSTASZEWSKI, NELLEKE BAK, GUY MADISON, GARY G HELLMANN, SAIMA AFZAL, ADRIAN JAEGGI, PAULO TOLENTINO, JOÃO BARBOSA, JULIAN PRICE, EDWARD HALL, HEDIN BRØNNER, DOUGLAS FRY, FRANCA BORTOLOTTI, GABRIEL PONS CORTÈS, URSULA LITZCKE, SCOTT, ZACHARY FISH, TIM DUFFY, SUNNY SMITH, JON WISMAN, WILLIAM BUCKNER, PAUL-GEORGE ARNAUD, LUKE GLOWACKI, GEORGIOS THEOPHANOUS, CHRIS WILLIAMSON, PETER WOLOSZYN, DAVID WILLIAMS, DIOGO COSTA, ALEX CHAU, AMAURI MARTÍNEZ, CORALIE CHEVALLIER, BANGALORE ATHEISTS, LARRY D. LEE JR., OLD HERRINGBONE, MICHAEL BAILEY, DAN SPERBER, ROBERT GRESSIS, IGOR N, JEFF MCMAHAN, JAKE ZUEHL, BARNABAS RADICS, MARK CAMPBELL, TOMAS DAUBNER, LUKE NISSEN, KIMBERLY JOHNSON, JESSICA NOWICKI, LINDA BRANDIN, GEORGE CHORIATIS, VALENTIN STEINMANN, PER KRAULIS, ALEXANDER HUBBARD, BR, JONAS HERTNER, URSULA GOODENOUGH, DAVID PINSOF, SEAN NELSON, MIKE LAVIGNE, JOS KNECHT, LUCY, MANVIR SINGH, PETRA WEIMANN, CAROLA FEEST, MAURO JÚNIOR, 航 豊川, TONY BARRETT, BENJAMIN GELBART, NIKOLAI VISHNEVSKY, STEVEN GANGESTAD, AND TED FARRIS! A SPECIAL THANKS TO MY PRODUCERS, YZAR WEHBE, JIM FRANK, ŁUKASZ STAFINIAK, TOM VANEGDOM, BERNARD HUGUENEY, CURTIS DIXON, BENEDIKT MUELLER, THOMAS TRUMBLE, KATHRINE AND PATRICK TOBIN, JONCARLO MONTENEGRO, AL NICK ORTIZ, NICK GOLDEN, AND CHRISTINE GLASS! AND TO MY EXECUTIVE PRODUCERS, MATTHEW LAVENDER, SERGIU CODREANU, BOGDAN KANIVETS, ROSEY, AND GREGORY HASTINGS!

As both a much published poet and cultural critic, Adam Kirsch brings an etymological sensibility to the great issues of our day. In his new book, On Settler Colonialism, Kirsch excavates the nonsense now taken for granted by many academics about the supposedly twin intrinsic evils of American and Israeli history. Unlike the European colonialists in America, Kirsch reminds us, Jewish settlers in Palestine didn't wipe out the “indigenous” peoples of the region. While that doesn't necessarily excuse the violence of the Zionist state, Kirsch acknowledges, it does remind us that packaging America and Israel as the evil “settler colonial” twins of world history is both childishly simplistic and wrong. Words matter in politics, Kirsch reminds us. Particularly in a conflict as irresolvable as the Palestine/Israel tragedy. Adam Kirsch is the author of several books of poetry and criticism. A 2016 Guggenheim Fellow, Kirsch is an editor at the Wall Street Journal's Weekend Review section and has written for publications including The New Yorker and Tablet. He lives in New York.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Watch the Q&A session here: https://youtu.be/Tt_xU005mikThis Lecture unveils the hidden history of Americans who risked their lives to save others during WWII. These intrepid people travelled the globe to aid victims of Nazi Germany and its allies, often staying to rescue as many as possible when the victims' peril turned lethal. Discover the stories of these individuals, particularly women who embraced the independence and transformative impact of their relief efforts. This lecture highlights how luck, timing, and spontaneous decisions shaped their fates, urging us to reframe the way we think about, analyse, and write about the past.This lecture was recorded by Debórah Dwork on 20th November 2024 at Barnard's Inn Hall, London.Debórah Dwork is the Director of the Center for the Study of the Holocaust, Genocide, and Crimes Against Humanity at the Graduate Center – City University of New York.Recipient of the Annetje Fels-Kupferschmidt Award (2022) bestowed by the Dutch Auschwitz Committee, and the International Network of Genocide Scholars Lifetime Achievement Award (2020), Debórah Dwork has been, inter alia, a Guggenheim Fellow, a Fellow at the Woodrow Wilson International Center for Scholars, and a Senior Scholar-in-Residence at the United States Holocaust Memorial Museum. She sits on many advisory boards and serves as Scholar Advisor to The Holocaust and the United Nations Outreach Programme, Department of Global Communications, United Nations. Above all, Professor Dwork is a teacher and mentor, committed to training the next generation of Holocaust scholars. The transcript of the lecture is available from the Gresham College website:  https://www.gresham.ac.uk/watch-now/saints-and-liarsGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todayWebsite:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport Us: https://www.gresham.ac.uk/get-involved/support-us/make-donation/donate-todaySupport the show

In this episode of PhotoWork with Sasha Wolf, Sasha engages in an honest and deeply personal conversation with photographer Christian Patterson. They delve into the creation of "Redheaded Peckerwood" (MACK) and his latest book, "Gong Co." (TBW Books & Éditions Images Vevey). Christian offers a thorough description of his intricate process and motivations for these long-term projects, providing nearly step-by-step insights. He also reflects on his years working with William Eggleston and the nuanced ways in which that experience did, and did not,  influence his artistic direction. http://www.christianpatterson.com  |||   https://www.instagram.com/christian.patterson/ CHRISTIAN PATTERSON was born in Fond du Lac, Wisconsin and lives in New York, New York. His visually layered work has been described as novelistic, subjective documentary of the historical past, and often deals with themes of the archive, authorship, memory, place and time. Photographs are the heart of his multidisciplinary work, which includes drawings, paintings, objects, video and sound. Patterson is the author of four books, including Sound Affects (2008), Redheaded Peckerwood (2011, Recontres d'Arles Author Book Award), Bottom of the Lake (2015,Shortlist, Aperture-Paris Photo Book of the Year), and the forthcoming Gong Co. (2024). He is a Guggenheim Fellow (2013), winner of the Grand Prix Images Vevey (2015), a New York Public Library Picture Collection Artist Fellow (2022) and James Castle House Resident (2023). His work is in the collections of the National Gallery of Art, Los Angeles County Museum of Art (LACMA), J. Paul Getty Museum, Milwaukee Art Museum, Nelson-Atkins Museum of Art and Ogden Museum of Southern Art, and his books are in many institutional artist book collections. He has lectured, mentored and taught widely. He is represented by Rose Gallery, Santa Monica, USA and Robert Morat Galerie, Berlin, Germany. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

Chicago Tribune, Slate, NY Times Steve Fiffer is a New York Times Bestselling Author. His latest Book is "It's in The Action": Memories of a Nonviolent Warrior, Rev C.T. Vivian's Memoir.Reverend Vivian was a Major Force in the Fight for Civil Rights & Voters Rights in the Twentieth Century till he Passed July 17th, 2020.Regardless of Social Status, Party Affiliation or Belief, Race: Libertarian, Democrat, Progressive or Republican or Other, All Americans Should Have the Right to Vote!Senator Barack Obama, speaking at Selma's Brown Chapel on the March 2007, anniversary of the 1965 Selma to Montgomery marches, recognized Vivian in his opening remarks in the words of Martin L. King Jr. as "the greatest preacher to ever live."Studying for the ministry at American Baptist Theological Seminary (now called American Baptist College) in Nashville, Tennessee, in 1959, Vivian met James Lawson, who was teaching Mohandas Gandhi's nonviolent direct action strategy to the Nashville Student Movement. Soon Lawson's students, including Diane Nash, Bernard Lafayette, James Bevel, John Lewis and others from American Baptist, Fisk University and Tennessee State University, organized a systematic nonviolent sit-in campaign at local lunch counters.Vivian helped found the Nashville Christian Leadership Conference, and helped organize the first sit-ins in Nashville in 1960 and the first civil rights march in 1961. In 1961, Vivian participated in Freedom Rides. He worked alongside Martin Luther King Jr. as the national director of affiliates for the SCLC. During the summer following the Selma Voting Rights Movement, Vivian is perhaps best known for, Vivian challenged Sheriff Jim Clark on the steps of the courthouse in Selma, Alabama, in 1965 during a drive to promote Black people to register to vote."You can turn your back on me, but you cannot turn your back upon the idea of justice," Vivian said to Clark as reporters recorded the interaction. "You can turn your back now and you can keep the club in your hand, but you cannot beat down justice. And we will register to vote, because as citizens of these United States we have the right to do it."Vivian conceived and directed an educational program, Vision, and put 702 Alabama students in college with scholarships (this program later became Upward Bound). His 1970 Black Power and the American Myth was the first book on the Civil Rights Movement by a member of Martin Luther King's staff.On August 8, 2013, President Barack Obama named Vivian as a recipient of the Presidential Medal of Freedom.Steve's own Memoir is "Three Quarters, Two Dimes, and a Nickel". His work has appeared in Chicago Tribune. & Slate. He's also a Guggenheim Fellow© 2024 All Rights Reserved© 2024 Building Abundant Success!!Join Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23baAmazon Music ~ https://tinyurl.com/AmzBASAudacy:  https://tinyurl.com/BASAud

In this episode, artists Meghann Riepenhoff and Penelope Umbrico chat with MoCP curator, Kristin Taylor. The two artists discuss their backgrounds and shared interests in experimenting and pushing the indexical qualities of photography, as well as the work of Alison Rossiter and Joanne Leonard.Meghann Riepenhoff is most well-known for her largescale cyanotype prints that she creates by collaborating with ocean waves, rain, ice, snow, and coastal shores. She places sheets of light-sensitized paper in these water elements, allowing nature to act as the composer of what we eventually see on the paper. As the wind driven waves crash or the ice melts, dripping across the surface of the coated paper, bits of earth sediment like sand and gravel also become inscribed on the surface. The sun is the final collaborator, with its UV rays developing the prints and reacting with the light sensitizing chemical on the paper to draw out the Prussian blue color. These camera-less works harness the light capturing properties of photographic processes, to translate, in her words, “the landscape, the sublime, time, and impermanence.” Rieppenhoff's work has been featured in exhibitions at the High Museum of Art, the Museum of Fine Arts Boston, the Denver Art Museum, the Portland Museum of Art, Crystal Bridges Museum of Art, among many others. Her work is held in the collections of the High Museum of Art, the Museum of Fine Arts Houston, Harvard Art Museum, Amon Carter Museum of American Art, and the San Francisco Museum of Modern Art. She has published two monographs: Littoral Drift + Ecotone and Ice with Radius Books and Yossi Milo Gallery. She was an artist in residence at the Banff Centre for the Arts and the John Michael Kohler Center for the Arts, was an Affiliate at the Headlands Center for the Arts, and was a 2018 Guggenheim Fellow.Penelope Umbrico examines the sheer volume and ubiquity of images in contemporary culture. She uses various forms of found imagery—from online picture sharing websites to photographs in books and mail order catalogs—and appropriates the pictures to construct large-scale installations. She states: "I take the sheer quantity of images online as a collective archive that represents us—a constantly changing auto-portrait." In the MoCP permanent collection is a piece titled 8,146,774 Suns From Flickr (Partial) 9/10/10. It is an assemblage of numerous pictures that she found on the then widely used image-sharing website, Flickr, by searching for one of its most popular search terms: sunset. She then cropped the found files and created her own 4x6 inch prints on a Kodak Easy Share printer. She clusters the prints into an enormous array to underscore the universal human attraction to capture the sun's essence. The title references the number of results she received from the search on the day she made the work: the first version of the piece created in 2007 produced 2,303,057 images while this version from only three years later in 2010 produced 8,146,774 images. Umbrico's work has been featured in exhibitions around the world, including MoMA PS1, NY; Museum of Modern Art, NY; MassMoCA, MA; San Francisco Museum of Modern Art, CA; Milwaukee Art Museum, WI; The Photographers' Gallery, London; Daegu Photography Biennale, Korea; Gallery of Modern Art, Brisbane Australia; among many others, and is represented in museum collections around the world. She has received numerous awards, including a Guggenheim Fellowship; Sharpe-Walentas Studio Grant; Smithsonian Artist Research Fellowship; New York Foundation of the Arts Fellowship; Anonymous Was a Woman Award. Her monographs have been published by Aperture NYC and RVB Books Paris. She is joining us today from her studio in Brooklyn, NY.

Hermine “Herself” Zook is a healer who rules over an island in a swampy area of Michigan known as “The Waters.” People, including her three grown daughters, fear her, but her powerful herbal and plant-based medicines have cured the townspeople for decades of viruses, pains, and unwanted pregnancies. Her first two daughters Molly and Prim were foundlings, but Rose Thorn is the product of Hermine's husband having an affair with Prim before getting kicked off the island. Herself, now nearly eighty, is raising eleven-year-old granddaughter Dorothy “Donkey” Zook. Donkey loves animals and longs for her mother, Rose Thorn, to marry Titus, whom she wants as her father. Donkey is the product of Rose Thorn being raped by Titus's drunk father in this richly nuanced tale of rural poverty, changing landscapes, corporate control of farmland, religious extremism, childhood naivete, and the shaky balance between nature and humanity. Bonnie Jo Campbell's novel The Waters (Norton, 2024) was a Today Show “Read with Jenna” Book Club selection. Her other novels include Once Upon A River, a National Bestseller that was adapted into an award winning film, and Q Road. Campbell's short story collections include American Salvage, which was a finalist for the National Book Award and National Book Critics Circle Award, and Women and Other Animals, an AWP Grace Paley Prize winner. She is a 2011 Guggenheim Fellow, and a recipient of the Eudora Welty Prize and Mark Twain Award. She lives in Kalamazoo with her husband and donkeys.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

There is an academic cottage industry on the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought.  In Translating the Jewish Freud: Psychoanalysis in Hebrew and Yiddish (Stanford University Press, 2024), Naomi Seidman takes a different approach, turning her gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous Professor from Vienna. Interviewee: Naomi Seidman is the Chancellor Jackman Professor of the Arts at the University of Toronto, a National Jewish Book Award winner, and a 2016 Guggenheim Fellow. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

There is an academic cottage industry on the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought.  In Translating the Jewish Freud: Psychoanalysis in Hebrew and Yiddish (Stanford University Press, 2024), Naomi Seidman takes a different approach, turning her gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous Professor from Vienna. Interviewee: Naomi Seidman is the Chancellor Jackman Professor of the Arts at the University of Toronto, a National Jewish Book Award winner, and a 2016 Guggenheim Fellow. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

There is an academic cottage industry on the "Jewish Freud," aiming to detect Jewish influences on Freud, his own feelings about being Jewish, and suppressed traces of Jewishness in his thought.  In Translating the Jewish Freud: Psychoanalysis in Hebrew and Yiddish (Stanford University Press, 2024), Naomi Seidman takes a different approach, turning her gaze not on Freud but rather on those who seek out his concealed Jewishness. What is it that propels the scholarly aim to show Freud in a Jewish light? Naomi Seidman explores attempts to "touch" Freud (and other famous Jews) through Jewish languages, seeking out his Hebrew name or evidence that he knew some Yiddish. Tracing a history of this drive to bring Freud into Jewish range, Seidman also charts Freud's responses to (and jokes about) this desire. More specifically, she reads the reception and translation of Freud in Hebrew and Yiddish as instances of the desire to touch, feel, "rescue," and connect with the famous Professor from Vienna. Interviewee: Naomi Seidman is the Chancellor Jackman Professor of the Arts at the University of Toronto, a National Jewish Book Award winner, and a 2016 Guggenheim Fellow. Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Since Hamas's attack on Israel last October 7, the term “settler colonialism” has become central to public debate in the United States. A concept new to most Americans, but already established and influential in academic circles, settler colonialism is shaping the way many people think about the history of the United States, Israel and Palestine, and a host of political issues. This short book is the first to examine settler colonialism critically for a general readership. By critiquing the most important writers, texts, and ideas in the field, Adam Kirsch shows how the concept emerged in the context of North American and Australian history and how it is being applied to Israel. He examines the sources of its appeal, which, he argues, are spiritual as much as political; how it works to delegitimize nations; and why it has the potential to turn indignation at past injustices into a source of new injustices today. A compact and accessible introduction, rich with historical detail, the book will speak to readers interested in the Middle East, American history, and today's most urgent cultural-political debates. Adam Kirsch is the author of several books of poetry and criticism. A 2016 Guggenheim Fellow, Kirsch is an editor at the Wall Street Journal's Weekend Review section and has written for publications including The New Yorker, Slate, The Times Literary Supplement, The New York Times Book Review, Poetry, and Tablet. He lives in New York. His new book is On Settler Colonialism: Ideology, Violence, and Justice. Shermer and Kirsch discuss settler colonialism and its implications for current events, particularly in Israel. Kirsch explains the ideology behind labeling Israel a settler colonial state, tracing its roots to historical colonization. They explore anti-Semitism on college campuses, the complexities of the Israeli-Palestinian conflict, and settler colonialism's critique of Western civilization. The conversation delves into the broader implications of this ideology, including how it complicates discussions of justice and historical accountability.