Podcast appearances and mentions of elizabeth caballero

En este nuevo episodio de la segunda temporada de #LugarReservado, Andrea Burga conversa con Elizabeth Caballero, psicóloga especialista en discapacidad y derechos humanos, sobre educación sexual integral y las dificultades que tienen las personas con discapacidad para acceder a ella. Este podcast es producido en colaboración con la ONG Sociedad y Discapacidad. También puedes ver este podcast en YouTube: https://youtu.be/Ikd1i-frQC4

This beautiful soprano takes us from the Cuba to United States, Europe, and soon Asia. Along the route we learn about phonetics, the journey of a singer, how this ancient industry remains trending. Siboney - Ernesto Lecuona (1927) Maria La O - Ernesto Lecuona (1930) --- Send in a voice message: https://anchor.fm/pdboverseas/message

Soprano, Elizabeth Caballero, discusses technique from her perspective. She goes deep about the upper passaggio, keeping optimal registration throughout ALL your repertoire (which is the key to vocal youth), and standing your ground as a singer. Elizabeth's luscious voice has been heard in theaters such as The Metropolitan Opera, Teatro de la Zarzuela, Staatsoper unter den Linden, and Seattle Opera, in roles such as Violetta, Mimi, Magda, and Florencia en el Amazonas. WATCH Liz in action: https://youtu.be/5nnXY5z6TPk Voice with Julia's #techniquetalks is where we demystify conversations surrounding vocal technique with behind-the-scenes access to great singers of today. Forget what you thought you knew about singing from your pedagogy textbook. In this series, singers get real about what works, and what doesn't. Get inspired. Try these tips. Use your judgement. Show Notes: 5:08 Liz discusses breath and appoggio 7:01 Breath Exercises that Liz used 9:03 Liz discusses the art of the inhale 10:40 Liz discusses balancing registration 16:19 Liz discusses the upper passaggio 18:29 Liz describes the sensations when singing high pianissimi 21:50 Liz talks about navigating high lying, passaggio singing and vowel modification 26:27 TAKE THAT BREATH.... and stand your ground 29:40 Navigating difficult performance situations and the importance of MINDSET 34:28 Liz discusses her vocal approach to different repertoire 42:10 Liz discusses how to get her voice in order on non-optimal days 45:13 Liz discusses learning and singing coloratura 47:30 Desert Island Vocalise 50:14 Liz discusses upcoming performances and career growth ❤️  JOIN my FB Group: https://www.facebook.com/groups/techniquetalksforsingers/ ❤️  Subscribe to never miss a video: https://www.youtube.com/channel/UCGibxkvaN8KVff0ztzYznMg ❤️  More at https://www.voicewithjulia.com ❤️  To stay in the know, and gain behind-the-scenes access to upcoming guests: https://www.voicewithjulia.com/techniquetalks/ ❤️  More at https://www.voicewithjulia.com  ❤️  Instagram: @voicewithjulia  ❤️  Facebook: Voice With Julia

A new production of Mozart’s classic promises a fresh look at the legendary seducer and how he is punished. Seattle Opera Dramaturg Jonathan Dean introduces the music and characters of Don Giovanni, with musical examples from Seattle Opera archival recordings of Don Giovanni from 1991, conducted by Gerard Schwarz; 1999, conducted by Klaus Donath, 2007, conducted by Andreas Mitisek; and 2014, conducted by Gary Thor Wedow. Voices include Vladimir Ognovienko as the Commendatore, Eduardo Chama, Ashraf Sewailam, and Kevin Langan as Leporello, Franzita Whelan, Sally Wolf, and Alexandra LoBianco as Donna Anna, Kurt Streit, Lawrence Brownlee, and Randall Bills as Don Ottavio, Elizabeth Caballero and Christine Goerke as Donna Elvira, Mark Walters, Marius Kwiecien, and Jason Howard as Don Giovanni, Anna Steiger, Laura Polvarelli, and Cecelia Hall as Zerlina, and John Kuether, Evan Boyer, and Chester Patton as Masetto.

¿Las mujeres con discapacidad reciben educación sexual? ¿Por qué es fundamental que lo haga el Estado y su entorno más cercano? ¿Cómo pueden hacerlo? Estas y otras interrogantes serán resueltas por la psicóloga y coordinadora del proyecto "Impulsando prácticas no violentas e inclusivas hacia las mujeres con discapacidad en el Perú", Elizabeth Caballero.

¿Las mujeres con discapacidad reciben educación sexual? ¿Por qué es fundamental que lo haga el Estado y su entorno más cercano? ¿Cómo pueden hacerlo? Estas y otras interrogantes serán resueltas por la psicóloga y coordinadora del proyecto "Impulsando prácticas no violentas e inclusivas hacia las mujeres con discapacidad en el Perú", Elizabeth Caballero.

Nitara Dandapani, a clinical social worker and youth mental health therapist with Childhaven, discusses THE TURN OF THE SCREW with Seattle Opera Dramaturg Jonathan Dean. Headquartered in Seattle, Childhaven heals children and families to stop the cycle of abuse and neglect. Dandapani and Dean discuss the attachment issues of Miles and Flora, the history of trauma at Bly, and question many of the choices made in the story of the opera by the Governess. Musical examples from Seattle Opera’s recent production, conducted by Constantin Trinks and starring Elizabeth Caballero (the Governess), Maria Zifchak (Mrs. Grose), Forrest Wu (Miles), Soraya Mafi (Flora), and Ben Bliss (Peter Quint).

Seattle Opera General Director Aidan Lang checks in, midway through our run of THE TURN OF THE SCREW, with some nuanced reflections on this enigmatic piece from the point of view of someone born and bred in England. With musical examples featuring Maria Zifchak (Mrs. Grose), Elizabeth Caballero (the Governess), Marcy Stonikas (Miss Jessel), and the orchestra of Seattle Opera conducted by Constantin Trinks.

Meet the cast of Seattle Opera’s TURN OF THE SCREW in this downloadable podcast! Singers Marcy Stonikas (Miss Jessel) and Ben Bliss (Peter Quint) introduce themselves and their colleagues: Elizabeth Caballero (the Governess), Maria Zifchak (Mrs. Grose), Rafi Bellamy Plaice and Forrest Wu (Miles), and Soraya Mafi (Flora). Hear brief clips of Caballero as Donna Elvira (in DON GIOVANNI at Seattle Opera), Zifchak as Ragonde (in COUNT ORY at Seattle Opera), Stonikas as Ariadne (in ARIADNE AUF NAXOS at Seattle Opera), and Bliss as Ferrando (in COSÌ FAN TUTTE at Seattle Opera). And a bonus: Wu and Plaice read “The Second Coming” by W. B. Yeats! Plaice's CD "Refiner's Fire" is available at the Seattle Opera gift shop, and online at rafibellamyplaice.bandcamp.com/.

Today is Part II of the Divas' takeover in NYC! Megan and Xela are backstage at the Metropolitan Opera talking with Elizabeth Caballero, soprano who plays the part of Mimì in Giacomo Pucinni's La bohème.

Opera Carolina begins 2017 with Giuseppe Verdi’s La Traviata. Two of the performers, baritone Reginald Smith, Jr. and soprano Elizabeth Caballero, join host Joe Brant in the WDAV John Clark Performance Studio to talk about the show. Reginald Smith, Jr. Elizabeth Caballero