Podcasts about Don Giovanni

In dieser Folge des BMW Business Class Podcasts spricht Host Wolfgang Schulz mit Céline Cettier, Sprecherin Kulturengagement bei BMW, und Michael Wuerges, Direktor Kommunikation an der Bayerischen Staatsoper, über die Bedeutung des Kulturengagements in Unternehmen. Sie beleuchten ihre Visionen und Projekte wie die BMW Art Cars, die darauf abzielen, Kunst und Kultur einem breiten Publikum zugänglich zu machen und gerade jungen Menschen die Angst vor Hochkultur zu nehmen. Außerdem sollen vor allem junge Künstler gefördert werden. Besonderen Erfolg haben BMW und die Bayerischen Staatsoper mit dem gemeinsamen Projekt „OPER FÜR ALLE“.

La Sicilia non soltanto è l’isola più grande del Mediterraneo e la più popolata, ma è una delle regioni italiane con la storia più antica, affascinante con annessi stereotipi e luoghi comuni.Ne parliamo nella prima parte con Giuseppe Barone, autore del libro: L'isola-mondo, Breve storia della Sicilia, Laterza.Nella seconda parte sulla Sicilia e su alcune sue icone artistiche e letterarie, come Leonardo Sciascia, Vitaliano Brancati fino a Franco Battiato, le recensioni dei seguenti libri:Giorgio Villani, Palermo, Franco Maria Ricci editoreElvira Seminara, In Sicilia con Franco Battiato, Giulio Perrone editoreGiordano Casiraghi, All’essenza, MondadoriSilvana la Spina, Un rebus per Leonardo Sciascia, MarsilioVitaliano Brancati, Don Giovanni in Sicilia, Feltrinelli.A duecento anni dalla morte di Antonio Salieri, considerato a torto l'avvelenatore di Mozart per l'invidia nei suoi confronti, la recensione del libro di Ernesto Monsalve, Antonio Salieri, l’uomo che non uccise Mozart, Ares.Per i più piccoli, il Confettino di questa settimana è: Monica Ruffino, La casa delle ninfee, Glifo.

A ópera Don Giovanni, de Wolfgang Amadeus Mozart, estreia na temporada de 2025, do Theatro Municipal.Neste episódio, conheça curiosidades sobre a montagem que tem direção musical de Roberto Minczuk e direção cênica deHugo Possolo.Os entrevistados são: Hugo Possolo, Jorge Coli, Rosana Marreco Brescia, Hernán Iturralde Camila Provenzale, Anibal Mancini, Luisa Francesconi, Michel de Souza, Carla Cottini, Savio Sperandio, Fellipe Oliveira, Homero Velho, Ludmilla Bauerfeldt, Jabez Lima, Monique Galvão, Saulo Javan, Raquel Paulin, Sérgio Righini, Rogério Nunes e Vitor Teixeira.Podcast realizado pelas bolsistas Débora Oliveira, Mirella Lima e Triz Cristina, sob supervisão de Ligiana Costa.

This week, Donald Macleod charts the highs and lows of the composer's last five years, from veneration to humiliation and back again. We hear how Mozart coped with all that life threw at him and somehow managed to compose many of the works he's most loved for today.Music featured:Requiem Ein musikalischer Spass (4th mvt, Presto) Symphony No 38 “Prague” (3rd mvt, Presto) Canon: Ach zu kurz ist unsers Lebenslauf String Quintet in G minor, K515 (2nd mvt. Adagio, arr. for piano) Serenade in G, K525 "Eine Kleine Nachtmusik" (1st and 2nd mvts) Don Giovanni, Act I, Madamina (Catalogue aria) Contredance in C major “La Bataille” Symphony No 40 (3rd mvt, Menuetto) Divertimento in E flat major, K 563 (1st mvt, Allegro) Piano Sonata No 16 in C major, K545 “Facile” (2nd mvt, Andante) Symphony No 41 “Jupiter” (1st and 2nd mvts) Kleine Gigue in G minor, K574 Vado, ma dove? Oh dei! K583 Piano Concerto No 26 "Coronation" (2nd mvt) Cosi fan tutte, Act 1, Un' aura amorosa “Prussian” String Quartet No 1 in D, K575 (2nd mvt) Clarinet Quintet in A, K581 (1st and 2nd mvts) Cosi fan tutte Overture Cosi fan tutte, Act II, Una donna Adagio and Allegro in F minor (originally for organ), K594 String Quintet in D, K593 (1st and 2nd mvts) La clemenza di Tito (Marcia) The Magic Flute Overture Piano Concerto in B flat, K595 (2nd mvt, Largo) Ave verum corpus, K618 Adagio for Glass Harmonica, K617a The Magic Flute, Act II, Scene 5, Ein Mädchen oder Weibchen Clarinet Concerto in A, K622 (1st mvt)Presented by Donald Macleod Produced by Amelia Parker for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Mozart's Last Years https://www.bbc.co.uk/programmes/m0029psw And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

[@1 min] Alright, this week...we go Inside the Huddle with Timothy Murray. The American baritone is having a breakout season which includes his debut at the Met and singing a title role at Opera Omaha this spring! Later this month, he brings his celebrated Don Giovanni to Opera Philadelphia... [@25 min] Then, we review the recording career of an artist who holds the record for Classical Grammy wins…and if you're thinking of The Crossing, not yet…Keep listening to find out who. GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

La soprano alemanya per excel

[@4 min] Alright, this week...we go Inside the Huddle with Timothy Murray. The American baritone is having a breakout season which includes his debut at the Met and singing a title role at Opera Omaha this spring! Later this month, he brings his celebrated Don Giovanni to Opera Philadelphia... [@29 min] And then…as classically trained church singers head into the busiest week of the year, a galvanizing essay makes us all wonder if our acceptance of the status quo makes us are part of the problem. [@41 min] Plus, in the "Two Minute Drill"…bouncing back from his loss at the Oscars, Ralph Fiennes goes after an International Opera Award, and Anita Rachvelishvili takes Peter Gelb to court, and we're not talking tennis here. GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

Mozart va compondre l'

  JazzOmania #120 par Stéphane Kochoyan avec Canal 30, Stellar Média & Jazz70   Roy Ayers, vibraphoniste, compositeur, chanteur, arrangeur, un des musiciens les plus samplés au monde est parti au paradis des musicien, Thomas Enhco livre sa version de l'ouverture de Don Giovanni de Mozart en piano Solo, et le pianiste Rolando Luna est de retour du festival de Jazz de la Havane pour une tournée en Europe, il fera étape à Nîmes au théâtre Christian Liger le 1er Avril 2025.  L'actualité du disque et des plateformes musicales, jazz d'hier, d'aujourd'hui et de demain sont dans la playlist de Stéphane Kochoyan  01 - Roy Ayers - Love Will Bring Us Back Together
 02 - Ezra Collective - Body Language 
03 - Ana Carla Maza - Diana 
04 - O'funk'illo - Huele a Funk
 05 - Paolo Fresu - MalaMiles 
06 - Jowee Omicil - SOeuR FeLiX aka BeeHive 
07 - Adam Ben Ezra - Free Fly
 08 - Cory Henry - Let's Go Fall In Love 
09 - Kneebody - Repeat After Me
 10 - Anna Gréta - It Could Happen to You
 11 - Shades - Sweet Georgia Brown
 12 - Duke Ellington Orchestra - Rhapsody in Blue 
13 - El Comite - Carrousel
 14 - Knower - It Will Get Real
 15 - Melissa Weikart - Easy
 16 - Thomas Enhco - Don Giovanni Overture    #Jazz #TouslesJazz #Jazz70 #Podcasts  

DescriptionMozart's Final Years: Defying Fate in 60 Seconds. Take a minute to get the scoop!Fun FactIn his final years, Mozart's letters reveal confidence, struggle, and an eerie sense of fate. As he composed the Requiem, he seemed to foresee his death, yet his genius endured, leaving the world in awe.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

We're talking all about opera on the podcast this week! But, for those who haven't ever fully immersed themselves in this age-old art form, we'll spotlight two particular operas that could serve as potent gateway/introductions, including Don Giovanni and Carmen! We'll also talk about how you can learn more about opera at your local library, of course! 

De gloednieuwe biopic Maria schetst de hallucinante laatste dagen van ‘La Divina' in haar Parijse appartement in september 1977. Huh, van wie? Van Maria Callas, de grootste sopraan en operaster ooit. Los van elkaar bezochten Joris en Guido de film in de bios. Tot de opname in de Pandora-podcaststudio startte, waren de heren niet op de hoogte van elkaars mening. En wat er toen gebeurde…Speellijst* W.A. Mozart, Non mi dir, uit: Don Giovanni, Maria Callas (sopraan), Orchestra della Maggio Musicale Fiorentino o.l.v. Tullio Serafin (Florence 1953)* I Showed Him the Diary* Panagiotis Toundas, Why I Snort Cocaine, Aggelina Papadopoulou, Erofili Panogiotarea, Lydia Koniordou * Vincenzo Bellini, Casta diva, uit: Norma, Maria Callas (sopraan), Orchestra del Teatro alla Scala di Milano o.l.v. Tullio Serafin (Milaan 1954)* Georges Bizet, Près des remparts de Seville, uit: Carmen, Maria Callas (sopraan), Orchestre National de la Radiodifussion Française o.l.v. Georges Prêtre (Parijs 1961)* Giacomo Puccini, Choro a boccha chiusa (‘Humming Chorus'), uit: Madama Butterfly, Budapest Scoring Orchestra & Choir o.l.v. Péter Illényi 

Umberto Curi"Miti d'amore"Filosofia dell'erosCastelvecchi Editorewww.castelvecchieditore.comAmore e Psiche, Orfeo ed Euridice, Eco e Narciso, Romeo e Giulietta, Tristano e Isotta: sono tanti i miti che narrano le vicende d'amore, le sue inquietudini, il desiderio di fare Uno, la necessità della separazione. Passione cieca, itinerario di redenzione o strumento di conoscenza, Umberto Curi esplora i meandri segreti dell'amore attraverso le più celebri rappresentazioni mitiche che ne sono state date nel corso della storia. Dalla Grecia antica all'epoca moderna, dal racconto platonico dell'androgino a Don Giovanni, si ricostrui-sce qui un percorso filosofico-letterario che svela la natura complessa e sfuggente dell'amore: l'attrazione irresistibile che lo suscita, la caduta che ogni incontro con Eros produce, la dimensione tragica della sua impossibilità. Da Platone a Nietzsche, emerge così una visione dell'amore come forza ambivalente, capace di generare gioia e dolore, appagamento e insoddisfazione, unione e irriducibile distanza. Un mistero che continua ancor oggi a interrogare ogni essere umano, «al tempo stesso così familiare e così indecifrabile, così universale e così peculiarmente individuale».Umberto Curi, professore emerito di Storia della Filosofia all'Università di Padova. Già visiting professor alla University of California, Los Angeles e alla Boston University, ha tenuto lezioni e conferenze in numerose città europee e americane. Giornalista pubblicista, ha collaborato con il «Corriere del Veneto» e «La Lettura» del «Corriere della Sera». È autore di una quarantina di volumi, tra cui segnaliamo il più recente Parlare con Dio. Un'indagine fra filosofia e teologia (Bollati Boringhieri, 2024). Castelvecchi ha già pubblicato I figli di Ares. Guerra infinita e terrorismo (2016) ed è di prossima uscita Padre e re. Filosofia della guerra.IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Der spanische Edelmann Don Giovanni kennt nur ein Vergnügen: Frauen. Ob blond oder brünett, ob jung oder alt – er lässt keine Gelegenheit aus, ihnen nachzustellen und sie zu verführen. Kaum ist dies gelungen, sucht er ein neues Opfer. Ist die Dame in festen Händen, wird sein Jagdtrieb erst recht entfacht. Don Giovanni schreckt in seiner Lust am Regel- und Tabubruch auch nicht davor zurück, die Toten und das Schicksal selbst herauszufordern. Bis er den Bogen überspannt. Freigeist oder Wüstling? Wahrscheinlich beides! Das Theater Heilbronn bringt erneut eine Oper gemeinsam mit dem Württembergischen Kammerorchester (WKO) und herausragenden Gesangsstudierenden bzw. jungen Absolventen der Hochschule für Musik und Darstellende Kunst Stuttgart auf die Bühne. Unsere Podcasterin Katja Schlonski hat sich mit dem musikalischen Leiter Risto Joost, dem Regisseur Axel Vornam, Frazan Adil Kotwal (Don Giovanni) und Anastasia Wanek (Donna Elvira) unterhalten und ein paar Eindrücke aus den Proben eingefangen. Lassen Sie sich anstecken von der Begeisterung, die alle Beteiligten bei der Arbeit vereint. E. T. A. Hoffmann und Richard Wagner nannten Mozarts »Don Giovanni« die »Oper aller Opern« – ein Ruf, der diesem Meisterwerk bis heute vorauseilt.

I need to see a man about a horse.Topics in this episode include a return to nutarianism, Tom Rochford's surprisingly heroic back story, the Ascot Gold Cup, racehorses with weird names, Jack B. Yeats' Olympic career, the life cycle of a pernicious rumor, Tom Rochford's invention, Don Giovanni's ending (spoiler alert), peristalsis nearing its inevitable conclusion, Prescott's Dye Works, gambling culture in Edwardian Dublin, the class consciousness of gambling culture, whether it's better to win or lose a wager, the alienation of the gambler, Bloom's immunity to society's “narcotics”, the symbolism of horses, a fear of horses, the racialisation of orientalism, the performance of masculinity, the masculinity of Blazes Boylan contrasted with the masculinity of Leopold Bloom, and why you should bet on the dark horse.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast.Blooms & Barnacles Social Media:Facebook | Twitter | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

Send us a textDoug & Ben discuss Nico Muhly's DARK SISTERS and W.A. Mozart's DON GIOVANNI with Kiana Lily, Metropolitan Opera District Winner.

If you're enjoying the content, please like, subscribe, and comment! Please consider supporting the show! https://creators.spotify.com/pod/show/worldxppodcast/support​⁠ - https://youtube.com/@peterbarber?si=qvSNdjEkfsk7480NThe Bass Gang - https://youtube.com/@thebassgangofficial?si=NE22aN4Lc4gqQMDkPeter Barber is an American opera singer, music producer, YouTuber, and podcaster. He is currently a member of the Arizona Opera Studio, where he has performed Basilio in The Barber of Seville, Capulet in Roméo et Juliette, Masetto in Don Giovanni, and Colline in La Bohème. Peter has spent multiple summers performing with The Santa Fe Opera, the Aspen Music Festival, and Music Academy of the West. At this point, he has performed over 30 operatic roles. Outside of the opera world, Peter has grown a substantial audience on YouTube, surpassing 260,000 subscribers via musical analysis videos, music videos, and his podcast, Vocal Arts. He is also a founding member of award-winning musical group, The Bass Gang. They have released four EPs, as well as numerous singles, amassing over 25 million views/streams between YouTube and Spotify alone..______________________Follow us!@worldxppodcast Instagram - https://bit.ly/3eoBwyr@worldxppodcast Twitter - https://bit.ly/2Oa7BzmSpotify - http://spoti.fi/3sZAUTGYouTube - http://bit.ly/3rxDvUL#opera #operasinger #performance #acapella #bass #producer #solo #artist #interview #open #environment #singer #singing #vocals #explore #explorepage #podcastshow #longformpodcast #longformpodcast #podcasts #podcaster #newpodcast #podcastshow #podcasting #newshow #worldxppodcast

Rincón de la Victoria presenta una nueva edición del Festival de Música de la Cueva del Tesoro que se celebrará del 7 al 28 de febrero. Se trata, explica el concejal de Turismo, Antonio José Martín (PP), “de una cita ineludible con la cultura y la música con cuatro conciertos de estilos diferentes para un aforo de 80 espectadores en el interior de la cavidad que ofrece un marco muy íntimo y personal tanto para el artista como para el público”. La voz lírica de Mariola Cantarero será la encargada de abrir esta edición el 7 de febrero, para dar paso a Ginés González (14 de febrero), Erika Leiva (21 de febrero) y Muchopelo que cerrará la edición de este año en la festividad del Día de Andalucía”. El alcalde de Rincón de la Victoria, Francisco Salado (PP), ha destacado, “la experiencia única que supone disfrutar de un concierto musical en el interior de la gruta, en un marco incomparable como es la Cueva del Tesoro”. Además, Salado, ha valorado “la apuesta por la calidad musical de este festival que contará este año con actuaciones de diferentes géneros musicales”. “Estamos realizando una importante labor de promoción cultural desde la propia Cueva del Tesoro, y que durante el mes de febrero también se convierte en el mejor escenario posible para los amantes de la música”, añade. Todos los conciertos tendrán un precio de 10 euros por localidad. Las entradas podrán adquirirse a partir del martes 21 de enero a las 12:00 horas en el portal turístico de Rincón de la Victoria: https://entradas.turismoenrincon.es/ (por cada reserva se podrá adquirir un máximo de dos entradas). Para más información sobre el festival, pueden contactar a través del siguiente número de teléfono: 952406162. El festival cuenta con la colaboración de la Diputación Provincial de Málaga, y el apoyo de Turismo Costa del Sol. Sobre Mariola Cantarero Considerada uno de los máximos exponentes del repertorio belcantista de los últimos años, Mariola Cantarero ha obtenido también importantes triunfos en obras como Traviata, Rigoletto o Boheme, en la búsqueda continua de las obras más adecuadas a su evolución vocal, ampliando su repertorio con éstas y otras obras como María Stuarda, Lucrezia Borgia, Anna Bolena, así como Don Giovanni o Cosi fan Tutte. Granadina de nacimiento, comienza sus estudios musicales en el Conservatorio de su ciudad natal, y posteriormente los amplía con el Catedrático de canto Carlos Hacar, y ya en carrera se perfecciona con Ruthilde Böesch en Viena. Es premiada en diferentes concursos internacionales de canto como el “Francisco Viñas”, “Operalia´99”, “Pedro Lavirgen” y “A.S.L.I.C.O. 2000”. Recibe distintos premios por su trayectoria como “Premio ópera Actual”, “Revalación del círculo de amigos del Liceo”, “Premio Imagen de la Ciudad de Granada”, “Ojo Crítico de RNE”, “La Mención de Honor de la Diputación de Granada”, “La Medalla de Oro de la Ciudad de Granada”, así como “La Medalla de Oro de Andalucía”. Sobre Ginés González Ginés González es un talentoso cantante y compositor malagueño que está conquistando corazones con su voz. Ginés ha participado recientemente en el programa La Voz, donde logró llegar hasta las semifinales, con interpretaciones brillantes como se nos rompió el amor demostrando su pasión y calidad vocal y artística en cada actuación. Su última canción, "Loca de Remate", ha sido un éxito rotundo, alcanzando ya más de 100,000 visitas en plataformas digitales. Este tema combina su estilo flamenco pop con letras que conectan con el público. A día de hoy se encuentra ultimando fechas en salas, teatros y festivales para el próximo año 2025. Sobre Erika Leiva Erika Leiva, una talentosa cantante nacida en Tarragona (Cataluña) en 1985, ha cautivado al público con su voz y su pasión por la música. Aunque su familia de origen andaluz se estableció en Tarragona por motivos laborales, finalmente se trasladaron a La Línea de la Concepción, donde Erika creció y se desarrolló como artista. Erika saltó a la fama en la primera edición del programa «Se llama Copla» de Canal Sur TV en 2008, donde dejó una impresión duradera al obtener el tercer puesto. Sin embargo, su camino en la música comenzó mucho antes, habiendo participado en otros certámenes de copla y canción ligera. Hasta la fecha de 2009, Erika ha lanzado dos discos: una maqueta titulada «Erika Leiva», que contiene versiones de canciones conocidas, y otro álbum con temas originales llamado «Tras el cristal». Este último fue el resultado de su tercer premio en un concurso musical. Junto con los demás concursantes de «Se llama Copla», Erika ha realizado una gira por el sur de España durante 2008, desde Cádiz hasta Valdepeñas, llevando su música y su talento a diferentes escenarios. Con su voz emocional y poderosa, Erika Leiva ha dejado una marca en el mundo de la música, cautivando a los oyentes con su interpretación única. Su trayectoria prometedora y su talento innato la han convertido en una artista que no debes perder de vista. Sobre Muchopelo Alejandro Granizo es un malagueño cuyas dos profesiones, baterista profesional y pegador de carteles para eventos, se fulminaron este pasado marzo del 2020 con la llegada de la pandemia. Desde ese encierro comienza a forjarse la personalidad de su alter ego, @Muchopelo, lanzándose con su proyecto en solitario en el que no sólo compone y canta sus temas, si no que llega incluso a encargarse de toda la producción, además de tocar todos los instrumentos de las canciones. Muchopelo es el creador de lo que él ha denominado “POTAJE MODERNO”, una mezcla de estilos que fusiona el mestizaje y el rock con la electrónica. Él mismo lo cuenta: “Tras muchos años trabajando en la producción con otros artistas he decidido emprender mi proyecto en solitario. A mi estilo musical lo he denominado “potaje moderno” y en él intento combinar todas mis influencias venidas del rock, pop mestizaje o funk con sonidos electrónicos. Necesitaba mostrar todo el material que tenía elaborado y ha llegado el momento”.

In 1756 a musical prodigy was born in Salzburg, Austria: Wolfgang Amadeus Mozart. Thanks to the efforts of his exacting father, Mozart's genius was exhibited and celebrated in some of the greatest courts of Europe from a young age. At four years old he wrote his first keyboard concerto, at six he was performing for the empress Maria Theresa. Soon he and his father were touring Europe, and the young Mozart's exploits proved increasingly lucrative for his overbearing parent. But, like all young men, Mozart was growing up and becoming increasingly uncontrollable. Feeling stifled and professionally frustrated, he began to disobey his wealthy patrons and went freelance, risking financial security and the favour of his family. Yet, it would also see him falling in love, and writing some of his most glorious works. Nevertheless, time and life was running out for the young composer, as he began to write the powerful Requiem, which may prove to be for his own death... Join Tom and Dominic at the Royal Albert Hall, featuring the Academy of St Martin in the Fields and the Philharmonia Chorus, conducted by Oliver Zeffman, they explore one of the most famous musical figures of all time: Mozart. What was the origin of his genius? What are the stories behind some of his most famous works, such as The Magic Flute and Don Giovanni? And, what is the truth behind his tragic and much mythologised death, young and penniless?  Academy of St Martin in the Fields Orchestra Philharmonia Chorus Chorus Oliver Zeffman Conductor Stephanie Gonley Leader & Violin Soloist Mishka Rushdie Momen Pianist Nardus Williams Soprano Katie Stevenson Mezzo Andrew Staples Tenor William Thomas Bass _______ Twitter: @TheRestHistory @holland_tom @dcsandbrook Producer: Theo Young-Smith Assistant Producer: Tabby Syrett + Anouska Lewis Executive Producers: Jack Davenport + Tony Pastor Learn more about your ad choices. Visit podcastchoices.com/adchoices

Exemple protot

This week, the Pidgin's theme is kicking and screaming. Inside of each of us, there's a little kid who wants to fly into a rampage when things just aren't going right – so we're gonna be digging into those times where you just want to put up a fight, give it your all, and lose control. First, Lauren Kim and Ariel Chen set the tone by talking to us about how adults have their tantrums. Next, Pat Grate talks the DIY music scene with Don Giovanni records, an independent record label, about going against the grain. Finally, Maya Kenny and Sena Chang discuss the value of emotions in sports.  Hosted and produced by Natalia Maidique. Reported, recorded, and produced by Lauren Kim, Ariel Chen, Pat Grate, Maya Kenny, and Sena Chang. All music used under Creative Commons license. Theme music: "Montanita," by Ratatat. (00:00) Introduction (01:31) Adult Tantrums (20:17) Don Giovanni Records (35:13) Sports Psychology

Oggi a Cult: il libro di Marco Schiaffino "Welcom to the Cyberjungle" (Prospero Editore); Fabrizio Ferracane protagonista del film "Indelebile" al Noi in Festival; Arturo Cirillo in "Don Giovanni" all'Elfo Puccini; la rubrica ExtraCult a cura di Chawki Senouci...

Ciao Italiani Veri,Come va la vita? Vi pensiamo sempre bene! In studio Max e Paolo sono in compagnia di un ospite d’eccezione: Don Giovanni. Veramente un episodio imperdibile. C’è un mondo meraviglioso da scoprire in compagnia del nostro affascinante e interessante Don. Max cerca di convincerlo a celebrare il suo matrimonio

Andreas Landin, Swedish baritone has worked, since his graduation from the Opera Academy at the Royal Opera in Copenhagen, as an opera singer in Scandinavia and in other theaters in Europe.  He has specialized in contemporary opera repertoire and has had more than 20 contemporary opera roles written for him, mostly by scandinavian composers and performed in the opera houses in Copenhagen, Malmö Opera and Gothenburg Opera among others. He has also appeared in modern classic parts such as the count in Luce mie Traditrici by Sciarrino, The Emperor in Der Kaiser von Atlantis and the baritone in The four note opera. Within the classic opera repertoire Andreas has sung parts as varied as Don Giovanni, Papageno, Marcello, and Silvio. He has also had great success within the oratory repertoire and regularly perform the bass parts in most of the classic oratories by Bach, Handel, Brahms and Mozart. In recent years Landin has partly moved into a heavier fach and sung parts like Scarpia in Tosca and the title role in Macbeth.

durée : 01:00:12 - Serge Rezvani, peintre, écrivain, auteur-compositeur-interprète - par : Priscille Lafitte - Peintre, romancier, auteur de chansons, dramaturge... Serge Rezvani fourmille encore de mille projets à l'âge de 96 ans, y compris celui de mettre en scène Don Giovanni. En gourmand des arts, Rezvani a longtemps goûté l'ascèse des symphonies de Sibelius, qu'il écoute à l'écart du monde. - réalisé par : Claire Lagarde

W. A. Mozarts «Là ci darem la mano» ist das bekannte Duett, in welchem der Schwerenöter Don Giovanni die frisch verheiratete Bauernfrau Zerlina in sein Schloss lockt. Dem Opernfan Frédéric Chopin gefiel dies offenbar so gut, dass er einen Variationszyklus über diese eingängige Melodie komponierte. Dieses Werk, sein op. 2, existiert in zwei Versionen: Als Konzertstück für Klavier und Orchester sowie als Klavier-Solokomposition. Es folgt formal dem klassischen Muster mit immer brillanter werdenden Veränderungen inklusive einer dramatischen Mollvariante. Chopin umrahmte das bravouröse Ganze jedoch mit einer improvisatorischen Einleitung und einer Polonaise als krönende Coda. Dieses erste grössere konzertante Werk aus seiner Feder war und blieb auch später nicht nur eines seiner eigenen Lieblingsstücke, sondern es wurde auch vom Publikum und von der Kritik allseits euphorisch aufgenommen. Der Komponist und Musikjournalist Robert Schumann schrieb später in seiner Rezension dieses Stücks: «Hut ab, ihr Herren, ein Genie». Chopin widmete dieses Herzensstück seinem «Leben», seinem geliebten Tytus Woyciechowski, dem er ausserdem während Jahren zahlreiche briefliche Liebeserklärungen schickte wie «ich liebe nur Dich» oder «nur Du hast Macht über mich». Anfang September 1828, als er sein op. 2 bereits in den Druck gegeben hatte, schrieb er ihm: «Über die Variationen habe ich (vielleicht zu kühn) Deinen Namen gesetzt. (Das Herz wollte es so, die Freundschaft verbot es nicht, und Du, nimm es mir nicht übel). [...] Nochmals Küsse - Küsse.» Und der pianistisch begabte Tytus nahm diese Widmung freudvoll an mit den Worten: «J'accepte avec plaisir». Zum 175. Todestag des polnischen Nationalkomponisten am 17. Oktober vergleichen wir zum ersten Mal in der Diskothek unterschiedliche Aufnahmen dieses frühen Meisterwerks des 17-Jährigen Chopin. Die Gäste von Moritz Weber sind der Schweizer Pianist Christian Chamorel und der Musikjournalist Christian Wildhagen.

CHOPIN: Variaciones sobre “La ci darem la mano” de Don Giovanni de Mozart, Op. 2 (arr. para p.) (17.04). D. Trifonov (p.). Gran Rondó de concierto para piano y orquesta en Fa mayor, Op. 14 “Krakowiak” (13.36). J. Lisiecki (p.), Orq. NDR ElbPhilarmonie. Dir.: K. Urbanski. Introducción y variaciones sobre “Je vends des scapulaires de “Ludovic” de Ferdinand Herold, Op. 12 (8.10). V. Ashkenazy (p.). Preludio nº 24 en Re menor (24 Preludios, Op. 28) (2.26). A. Cortot (p.).Escuchar audio

On this episode of The Hillsdale College Online Courses Podcast, Jeremiah and Juan (and a very special guest) discuss Haydn's The Creation before introducing Dr. Hyperion Knight. In “The History of Classical Music,” concert pianist and Hillsdale College Distinguished Fellow Hyperion Knight explains how music has developed and what distinguishes the greatest musical achievements through the life of Beethoven. Join this course, whether you are a music novice or an aficionado of the classical style, to learn what makes music great. The Classical Period synthesized opposing Rococo elements into a classic style and explored the capabilities of each instrument by giving each a crucial role in compositions. Significant pieces discussed include Haydn's “Farewell Symphony” and The Creation, and Mozart's Le Nozze di Figaro, Don Giovanni, The Magic Flute, Requiem, and piano concertos.See omnystudio.com/listener for privacy information.

On this episode of The Hillsdale College Online Courses Podcast, Jeremiah and Juan (and a very special guest) discuss Haydn's The Creation before introducing Dr. Hyperion Knight. In “The History of Classical Music,” concert pianist and Hillsdale College Distinguished Fellow Hyperion Knight explains how music has developed and what distinguishes the greatest musical achievements through the life of Beethoven. Join this course, whether you are a music novice or an aficionado of the classical style, to learn what makes music great. The Classical Period synthesized opposing Rococo elements into a classic style and explored the capabilities of each instrument by giving each a crucial role in compositions. Significant pieces discussed include Haydn's “Farewell Symphony” and The Creation, and Mozart's Le Nozze di Figaro, Don Giovanni, The Magic Flute, Requiem, and piano concertos.See omnystudio.com/listener for privacy information.

Es ist ein klarer, sonniger Herbsttag des Jahres 1787. Beim Schloss des Grafen von Schinzberg macht Wolfgang Amadeus Mozart eine kurze Rast. Er ist mit seiner Ehefrau Constanze auf dem Weg nach Prag, wo sein „Don Giovanni“ uraufgeführt werden soll, den er noch gar nicht vollendet hat. Im Schloss feiert die gräfliche Familie gerade die Verlobung der Nichte Eugenie. Das Fest findet seinen Höhepunkt, als Mozart sich an den Flügel setzt und aus seiner Oper vorspielt. Während die Gesellschaft begeistert reagiert, spürt einzig Eugenie die Unausweichlichkeit seines nahen Todes. Nach der gleichnamigen Novelle von Eduard Mörike Mit: Martin Schwab, Mathias Kahler, Pia Podgornik, Erich Auer u.a. Komposition, Hörspielbearbeitung und Regie: Heinz von Cramer (Produktion: SWR 2004)

In this episode of Coffee and Coaching, Bernhard Kerres explores the connection between the heartbeat and our lives. He discusses how music is linked to our heartbeat and how it can create a sense of connection and unity among people. Kerres also emphasizes the importance of aligning our beats when meeting and collaborating with others. He shares an experiment he conducted where people had conversations with different beats playing in the background, highlighting the impact of beat alignment on team dynamics. Kerres concludes by encouraging listeners to experiment with beats and rhythms in their own lives and relationships. Find your beat: A very slow beat, Grave, 40 bpm: https://open.spotify.com/track/5tc3tMzUCaeZP1i1an6Wd5?si=dc7b2b9b84a2411a Walking at a nice pace, Andante, 72 bpm: https://open.spotify.com/track/7EJ8sJCCYzvIobt937acds?si=3e941c5228384b60 Fast walking, Allegro, 120 bpm: https://open.spotify.com/track/4v9AVVC6oBeGDSSQGit4QI?si=a2f493954c234e93 Running, Vivace, 144 bpm: https://open.spotify.com/track/6qUvJojnr4mXfE8bwF6Bsn?si=d3e50595096a4930 Running fast and impatiently, Presto, 180 bpm: https://open.spotify.com/track/0hPAP8TWvB4iBJJeF5aNbx?si=cd700d491ed048ed Please, don't go any faster, Prestissimo, 208 bpm: https://open.spotify.com/track/05klT4nbPU3Ljq4mw6XT6l?si=c30ef9ec305943bb Don Giovanni And the Finale 1 from Wolfgang Amadeus Mozart's Don Giovanni: https://open.spotify.com/track/3SQWeZG81VGjrt3gCj145g?si=69647e0eb2fb4a69 More about Bernhard Kerres: https://www.bernhardkerres.com

2021 stellte Regisseur Romeo Castellucci einen neuen "Don Giovanni" bei den Salzburger Festspielen vor. In Kombination mit dem Dirigat von Teodor Currentis wirbelte die Produktion so manche Staubwolke auf. Jetzt kommt sie wieder ins Programm - Johann Jahn war gestern in der Neueinstudierung dabei und weiß, wie sie gealtert ist.

Julian Prégardien ist heuer bei den Salzburger Festspielen ziemlich eingespannt: Zur Eröffnung glänzte der Tenor als Evangelist in Bachs Matthäus-Passion unter Leitung von Teodor Currentzis. Jetzt will er den Don Ottavio in Mozarts "Don Giovanni" aufwerten, wie er im Interview sagt.

Inside this Episode with host, Mitch Hampton I seem to never tire of saying that among my many missions on this podcast is to have guests that are quite different than myself. Although Christine and I are both musicians and in the music world, I can't carry a tune to save my life and my truly awful singing voice is one of the main reasons I decided to purely instrumental music in terms of my own performance.  Not only does our guest have one of the best singing voices  in her for any field or genre of music but she also speaks five plus languages and is well versed in a remarkably diverse repertoire of music Indeed her newest release is representative of just the kind of eclecticism I always champion. I always love having guests on my show who have been in the "classical music" world as it is a genre most misunderstood at times by the public and always worthy of continuation and celebration. I sincerely hope you enjoy watching this episode as much as we did recording it. Ms. Moore's Bio : ( Full Bio on her website below) Praised by the Leipziger Volkszeitung for her lush sound and powerful expression, soprano Christine Moore Vassallo is a versatile performer with equal command in opera, recital, and contemporary music.  The Sacramento, California native counts among her many opera roles Mimi in La Boheme, the title role Madama Butterfly, Alice Ford in Falstaff, Micaela in Carmen, the title role in Suor Angelica, Santuzza in Cavalleria Rusticana, Donna Anna in Don Giovanni, Countess in Le Nozze di Figaro, Judith in Bluebeard's Castle, Leonora in Il Trovatore (described as "velvety and luscious" by SongWordSight Magazine), the title roles in Aida and Ariadne auf Naxos with such companies as the Leipzig Opera, Central City Opera, Santa Fe Opera, Chautauqua Institute, Utopia Opera, Create Opera, the Aldeburgh Summer Festival, Sacramento Opera, the Amato Opera and Lyric Artists of New York. She curated and performed in the first ever concert of Arab composers, entitled "Nearer to East: Chamber Music from the Arab World" at the Bruno Walter Auditorium at Lincoln Center, which concert was lauded by the Library as one of the outstanding of the year. Christine speaks five languages and sings in ten, and has given numerous solo recitals featuring works of all genres of repertoire and languages, including in Granada and Madrid with Festival de Cancion Espanola, Trinity Concert Series in New York, the Library at Lincoln Center, Merkin Concert Hall, the Edinburgh Fringe Festival, and the Old Stone House, Brooklyn. She made her UK debut in 2005 at the Paxton Chamber Music Festival in Scotland with Schoenberg's Pierrot Lunaire (praised by the Glasgow Herald) and has performed many new works by living composers, including the premiere at Merkin Hall NYC of Richard Thompson's song cycle The Shadow of Dawn as well as the NYC premiere of his opera The Mask in the Mirror, Andrew Rudin's Masha's Arias, and works by Michael Rose, Kareem Roustom, Halim El-Dabh, Richard Cameron-Wolfe, Steve Gerber and Zaid Jabri with the Brooklyn New Music Collective.  In 2016 she founded the singers collective Lyric Artists of New York, producing operas and concerts in the New York area. In 2023 she made her Weill Hall at Carnegie debut, and is currently collaborating on a project with composer and pianist Patricio Molina set to premiere in 2025 of his songs set to Arab women poets of the Andalus period. Album webpage on the Meridian Records website: https://www.meridian-records.co.uk/acatalog/CDE84647-From-Al-Andalus-to-the-Americas.html  Christine's Website: www.christinemooresoprano.com #middleeast #egypt #spain #oud #darbuka #andalus #soprano #classicalmusic #flute ##arabic #folkmusic #latinamerica #meridianrecords #istanbul #farsi #opera #newyorkcity #artsong  --- Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support

There is a time to get started, and there is a time to wait.When you have thought carefully about it, take action. But when you haven't thought about it, wait.The important is rarely urgent, and the urgent is rarely important. Do not become a slave to the merely urgent.Perception is to see things that not everyone sees. Intuition is to recognize connections, and the patterns that occur because of these connections.Maximum information is available, and maximum contemplation is possible, only at the last possible moment.If you ever feel bad about procrastinating, just remember that Mozart wrote the overture to Don Giovanni the morning it premiered.Procrastination is the soul rebelling against entrapment. But if you procrastinate too long, you will have your choice made for you by circumstance.Mozart was christened Johannes Chrysostomus Wolfgangus Theophilus Mozart. Theophilus, in Greek, means “loved by God”.In a letter announcing his birth, his father said his name was Wolfgang Gottlieb Mozart. Gottlieb, in German, means “loved by God.”When he was 21, Mozart began calling himself Amadè, which is Hungarian for “loved by God.”Mozart called himself Amadeus only once, when he signed a letter “Wolfgangus Amadeus Mozartus” as a joke, (sort of like Indiana Beagle calling himself “Indianus Beaglus” in the image at the top of today's Monday Morning Memo.) Amadeus, in Latin, means “Loved by God.”“Johannes Chrysostomus” precedes the name “Wolfgangus Theophilus Mozart” because he, a Catholic, was born on January 27, the feast day of Saint John Chrysostomus in the West until the calendar reform of 1969.But I digress. We were talking about the tyranny of the “merely urgent” versus information, contemplation, and procrastination.Waiting serves a purpose. In Manley Miller's booklet, “Potato Chips: Greasy, Salty, Really Good Stories from Growing Up in New Orleans,” he writes,I became a pastor when I was still young and foolish enough to say, “All right, God, if I'm not a senior pastor by the time I'm 30, then I'm going to quit being a pastor. I'm just going to take that as a sign from you that this is not what I'm supposed to be doing.”Later, I found out the reason Jesus didn't start his ministry until he was 30 is because you couldn't become a rabbi until you were 30. You didn't have enough life experience.Jesus was 12 when Mary and Joseph found him teaching in the Synagogue, and it says that he “spoke with great wisdom.” But then when he's 30 and starts his ministry, it says he spoke with great authority.You have an aptitude for something when you have a talent for it.But you develop proficiency over long experience.And it's going to take some time to get there.Likewise, there's a long journey from wisdom to authority.When you have something to say worth hearing, that's wisdom.But when people respect you enough to listen, that's authority.Waiting is not wasting.And now we're going to make a 90-degree turn and head off in a tangential direction. Hold on tight.Here are the Top Five Regrets of People Who are Dying:I wish I'd had the courage to live a life true to myself, not the life others expected of me.I wish I hadn't worked so hard. I wish I had spent more time with my family.I wish I'd had the courage to express my feelings.I wish I had stayed in touch with my friends.I wish that I had let myself be...

Opera Omaha is always a pleasure to visit, and their 2024-2025 season promises more Opera to Go, Opera in Conversation, Opera Outdoors, Poetry in Music and so much more.  Plus they will have three productions in their season, with an additional family friendly opera that we will let Allison Swenson, General Manager and Katrina Thurman, DIrector of Artistic Administration tell you all about what's in store! Their season will consist of:  "Don Giovanni",  October 18 & 20.  The Rake's Progress, February 7 and 9, 2025. And "Giulio Cesare" May 1, 2025.  There will be a separate event for families to enjoy opera called "Fantastik Mr. Fox" June 5-8, 2025. Remember to get your tickets for the season now, and just for new subscribers you can get three operas for the price of two, which is as low as $38 for the package. Single tickets go on sale in August.  Tickets can be purchased at operaomaha.org through Ticket Omaha or call their box office 12-5 Monday through Friday at 402-345-0606. And don't miss Opera Outdoors at Midtown Crossing's Turner Park on September 6th! It's a free family friendly event!   OPERA OMAHA CONTACT INFO:  Website & Tickets: www.operaomaha.org  Facebook:https://www.facebook.com/operaomaha/ Instagram:https://www.instagram.com/operaomaha/ Twitter:https://twitter.com/operaomaha You Tube:  https://www.youtube.com/user/operaomaha Opera Omaha, 1850 Farnam Street, Omaha, NE 402.346.7372   HOW TO LISTEN TO THE PLATTE RIVER BARD PODCAST Listen at https://platteriverbard.podbean.com or anywhere you get your podcasts. We are on Apple, Google, Pandora, Spotify, iHeart Radio, Podbean, Overcast, Listen Now, Castbox and anywhere you get your podcasts. You may also find us by just asking Alexa. Listen on your computer or any device on our website: https://www.platteriverbard.com. Find us on You Tube: https://youtube.com/channel/UCPDzMz8kHvsLcJRV-myurvA. Please find us and Subscribe!   ©Platte River Bard Podcast by Chris and Sheri Berger.   Don Giovanni K 527-9 is licensed under Creative Commons  through musopen.org. https://creativecommons.org/publicdomain/mark/1.0/

H.C. Robbins Landon, the great musicologist, once wrote about Mozart that his music was “an excuse for mankind's existence and a small hope for our ultimate survival." I couldn't agree more, especially when it comes to a piece like the one we're going to talk about today, Mozart's Piano Concerto in D minor, NO. 20, or K. 466. These days, Mozart is still one of the most popular composers in the world, one of two composers almost anyone on the street could name off the top of their head. But it might surprise you to know that Mozart was not always so popular. During the 19th century, Mozart's music was seen as too light, graceful, and even superficial by the stormy Romantics who wanted to probe the deepest and darkest feelings of humanity and the natural world, by extreme means if necessary. Only a few of Mozart's works were played regularly during this time period, and this concerto was one of them. It's easy to say why - it is one of only two Mozart Piano Concertos in a minor key, and its stormy and dramatic character allowed the Romantics to create fantastical stories to go along with the piece, and to connect it to the one Mozart opera that remained popular throughout the 19th century, Don Giovanni. Strangely enough, I see a similar thing happening today, among young lovers of classical music. I often see Mozart's music being criticized on social media by younger musicians as being too light and superficial, and sometimes I even see this criticism from musicians who seem to gravitate to works that have more extroverted dramatic intentions. But to me, Mozart is just as, if not more dramatic that many of the Romantic era composers. It's all just done in a very different way. This concerto might be the perfect example of all of this! It has all the drama you could ever want for you thrill seekers, and it also has all of the masterful subtlety that for me makes Mozart's music so endlessly touching. This is a concerto of remarkable breadth of emotion, character, and feeling, and it'll be a joy to take you through it this week. Join us!    Performance is Mitsuko Uchida with Camerata Salzburg. Assorted first movement cadenzas are performed by Michael Rische.        

La Terra Santa della Giordania - Ospiti: Don Gianpaolo Cesareo, Don Giovanni de Checchi, Don Daniele Tedesco, Don Marco PasinatoTrascrizione (non corretta dall'autore)

The first mandolin soloist to be nominated for a classical Grammy, Avi Avital's remarkable virtuosity from Baroque masterpieces to contemporary compositions has reignited fascination with the mandolin as an instrument worthy of center stage. Avi discusses the intuitive nature of a plucked instrument and how it still excites him to this day, why he finds boredom a blessing, and how his poor pick grip is recognizable by a select group of mandolinists. Reflecting on his childhood performances with his local youth orchestra, Avi shares how the social aspect kept him playing despite his hatred for the tedious and solitary nature of practice, something he still feels to this day despite his talent and success. Avi considers two turning points in his musical development, the first while in high school when he fell in love with the rock music of Nirvana and Pearl Jam and learned how to play drums, keyboard, and guitar, and the second while attending a performance of Il Giardino Armonico at a Jerusalem theater while studying at The Jerusalem Academy of Music and Dance. To close it out David admits that if he hears the mandolin in Mozart's Don Giovanni, he's in trouble!Check out Avi Avital on Instagram, Facebook, Twitter, YouTube, Spotify, Apple Music, or the web.Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram and the web.Photograph of Avi Avital by Christoph Köstlin.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2024 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Consider taking some time out just to laugh. Laughter is beneficial for the body, mind and spirit, providing stress relief, endorphin release, along with cardio vascular benefits. Have you ever seen an opera performed by a rock band? If not check out the stage production directed by Commander Drew's cousin; it's called Mozart's Don Giovanni, a Rock Opera; check it out when it comes to city near you.Precious metals are touted as a hedge against inflation and presumed to hold value even in the midst of financial chaos. You can now buy your own one ounce bold bullion bars at Costco conveniently and for a reasonable price. Womens sports has exploded in viewership recently because of the phenomenon of the college basketball scoring sensation, Caitlin Clark. Time will tell if her notoriety will usher in a significant raise in salary for female players. Although her salary will be paltry by most standards, she like many others will be rewarded handsomely by companies enthusiastically using here name, image and likeness. If you ever visit Brooklyn, New York, you should try to visit the Coney Island Amusement park, and make sure you try a hotdog with red onions and mustard at Nathan's! Two black men and a Jew (Joe Lewis, Jessie Owens, and Albert Einstein) punched holes in Nazi doctrine about physical and scholastic achievement based solely on ethnic origin.This week's wingman was not involved in aviation. A very special canine came to the rescue for one lucky man by acting as a guardian when his owner became incapacitated in a vacant field. This wingman's two day ordeal involved fighting off coyotes and ending below-freezing temperatures, but was finally able to alert authorities to render needed aid. This dog's actions saved his owner's life; making him a true Hero.

This Day in Legal History: Beatles Sign 10 Year Partnership AgreementOn this day in legal history, April 19, 1967, The Beatles, comprising John Lennon, Paul McCartney, George Harrison, and Ringo Starr, entered into a significant legal agreement that aimed to bind them together as a group for another decade. The partnership deed they signed not only reflected their intent to continue collaborating but also legally formalized the business side of their operations amid their skyrocketing fame.However, the unity that this agreement sought to solidify began to unravel just a few years later. Despite their intentions in 1967, The Beatles faced increasing personal and creative differences which led to their disbandment in 1970, a full seven years short of the agreement's term. The disintegration of their partnership led to one of the most famous legal cases in music history.Paul McCartney took the lead in legally challenging the partnership. In December 1970, he filed a suit against the other members to dissolve The Beatles' contractual partnership. McCartney's move was a response to managerial disputes, particularly concerning Allen Klein, whom John, George, and Ringo favored to manage their business affairs, a decision Paul vehemently opposed.The legal battle that ensued was fraught with emotional and financial tension, highlighting the complexities of music rights, personal relationships, and business interests intertwined within the band. McCartney sought the appointment of a receiver to manage the group's finances, effectively protecting his earnings from decisions made by Klein, whom he distrusted.The court ultimately ruled in McCartney's favor in 1971, leading to the official legal dissolution of The Beatles' partnership. This case not only marked the end of one of the most successful musical collaborations in history but also set a precedent in how legal disputes within bands were viewed and handled in the future.The dissolution of The Beatles not only reshaped their personal and professional lives but also impacted the music industry, emphasizing the importance of legal agreements in artistic collaborations. While their music continues to influence generations, the legal battles they endured serve as a cautionary tale about the potential complexities of combining creative endeavors with business interests.Troutman Pepper Hamilton Sanders and Locke Lord, two prominent law firms, are currently in discussions about a potential merger that would significantly elevate their market position. If successful, the merger would create a powerhouse legal firm with over 1,600 lawyers and revenues surpassing $1.5 billion, positioning it among the top 30 largest firms by revenue. This strategic alignment is driven by complementary strengths in corporate, litigation, and real estate practices, with both firms having a robust presence in these areas.The merger would also expand Troutman Pepper's geographic footprint into Texas, a key market due to its burgeoning energy sector, where Locke Lord already has established offices in Houston, Dallas, and Austin. This move reflects a broader trend of consolidation within the legal industry, where smaller firms merge to compete more effectively against larger rivals, enhancing their scope, talent pool, and profitability.This discussion is part of an ongoing wave of mergers in the legal sector, highlighting a competitive push among firms outside the Am Law 200 to scale up operations and extend their market influence. Both firms have a history of mergers, with Troutman Pepper emerging from a 2020 merger and Locke Lord from several mergers, the most recent in 2015. These consolidations have historically aided in growth and market presence, as seen in their revenue and lawyer count increases over the years. The potential merger aims to leverage these synergies to create a more formidable competitor in the legal market.Troutman Pepper, Locke Lord Discuss a New $1.5 Billion Firm (2)The legal battle between Jones Day and Soverain Software, which began over two decades ago, continues to unravel in the courts. Initially, Jones Day helped Soverain secure a $40 million settlement from Amazon in a patent infringement suit in 2005. However, tensions arose when Soverain only paid Jones Day $22 million of the fees before their relationship deteriorated in 2010 during a lawsuit against Newegg, where Soverain won significantly less than the $34 million it sought.The dispute escalated when Jones Day claimed that Soverain had not paid all the fees owed, leading to a $1.5 million arbitration award in favor of Jones Day in 2015. Jones Day accuses Soverain of creating a complex scheme to avoid payment, including fraudulent transfers of funds involving Soverain's founder and former chief legal officer.Soverain, known for its aggressive patent litigation over online shopping cart technology, faced a major setback when key patents were invalidated in 2013, diminishing its revenue potential. Despite this, Jones Day alleges that Soverain and its executives engaged in financial maneuvers to siphon funds, complicating the firm's efforts to collect its fees.Currently, the legal wrangling involves attempts by Jones Day to enforce the arbitration award, while Soverain challenges the validity of the claim, arguing it was filed too late. The saga highlights ongoing issues in the legal industry related to client relationships, fee disputes, and the challenges of enforcing legal payments.Jones Day's Messy Split From Client Fuels Long-Running Fee FightIn a significant legal development, lawyers have completed the selection of 12 jurors for the landmark criminal trial of former U.S. President Donald Trump in New York. This trial, notable for being the first in which a former president stands as a defendant, involves allegations that Trump falsified business records to conceal a hush-money payment to porn star Stormy Daniels ahead of the 2016 election. The selection process was marked by challenges, including the dismissal of potential jurors who felt they could not remain impartial, reflecting Trump's polarizing influence.The trial has already seen its share of drama, with the early dismissal of jurors—one due to intimidation concerns after her personal information was inadvertently revealed, and another for failing to disclose previous legal issues. These incidents underscore the heightened tensions surrounding the trial. The jury's task is complicated by the intense public and media scrutiny, as well as Trump's frequent critiques of the legal process and those involved, which has led to concerns about juror safety and the integrity of the trial process.Justice Juan Merchan, overseeing the trial, has implemented measures to protect jurors' anonymity and limit media coverage of certain details to prevent potential harassment. As the trial moves forward, with opening statements expected soon, the world watches closely. This case not only holds significant legal ramifications for Trump, who faces multiple criminal cases, but also carries substantial political implications, especially with Trump's ongoing presidential campaign. The outcome could influence public perception and the political landscape significantly.Lawyers select 12 jurors to serve in Trump hush-money case | ReutersMore than one-third of U.S. law school deans have expressed opposition to a new proposal by the American Bar Association (ABA) aimed at enforcing greater uniformity across law school courses. The proposal has sparked concerns about the ABA's increasing control over academic freedom and the curriculum design within law schools. Seventy-six deans from ABA-accredited schools, including prominent institutions like New York University, Georgetown, and the University of Michigan, have publicly criticized the initiative.Proponents of the proposal argue that establishing more uniform required classes and specific learning goals for each course would ensure that students possess a consistent foundational knowledge, which would support their overall education and benefit faculty teaching advanced courses. This group includes influential figures such as former ABA legal education administrator Barry Currier and several law professors actively involved in student outcomes and assessment.The ABA has outlined that the revised standards would clarify expectations and requirements, moving away from the current broad standards. This adjustment is intended to help law schools more clearly understand and meet accreditation requirements, with the proposal necessitating that law schools regularly review and revise their academic programs every five years.Critics, however, argue that the proposal infringes on the academic freedom of professors and imposes significant administrative burdens on schools. They contend that it unnecessarily dictates specific learning outcomes and course alignments that could stifle educational innovation and diversity in teaching methods.The proposed changes also include new requirements for first-year classes, such as early assessments to provide students with feedback before final exams and mandated academic support for students who underperform. With the comment period now closed, the ABA's legal education council is expected to consider the feedback and make a decision on the proposal at its next meeting on May 17. The ongoing debate highlights a broader tension between regulatory oversight and academic independence in legal education.Law deans balk at course uniformity proposed by American Bar Association | ReutersThis week's closing theme is by Wolfgang Amadeus Mozart.Wolfgang Amadeus Mozart, born on January 27, 1756, in Salzburg, Austria, is one of the most prolific and influential composers of the Classical era. His father, Leopold Mozart, a noted violinist and composer in his own right, was instrumental in nurturing his son's prodigious talent. Mozart showed early signs of genius, mastering keyboard and violin by the age of five and composing by the age of five and a half. His extensive tours of Europe as a child wunderkind brought him into contact with a wide array of musical styles and influential composers, which shaped his own unique compositional voice.Mozart's works encompass all genres of his time, including symphonies, operas, solo concertos, chamber music, and choral music, showcasing his remarkable versatility and creativity. His music is celebrated for its melodic beauty, formal elegance, and rich harmonic and instrumental textures. Despite his profound musical output, Mozart's life was marked by financial instability and he died prematurely at the age of 35 on December 5, 1791, in Vienna, leaving behind an enduring legacy.One of Mozart's lighter, yet deeply admired works is the "Serenade in G Major," also known as "Eine kleine Nachtmusik" (A Little Night Music). Composed in 1787, the same year as his opera "Don Giovanni," this piece exemplifies Mozart's ability to infuse charm and sophistication into his compositions. The second movement, "Romance," is particularly notable for its lyrical and tender qualities. It begins with a gentle, soothing melody that exudes calmness and reflective poise, then transitions into a minor mode that adds a touch of drama before returning to the tranquil themes of the opening. This movement, like the rest of the serenade, is a wonderful example of Mozart's genius in creating music that is both accessible and complex, embodying the elegance and grace of the Classical style. Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe

[@ 5 min] Harry Bicket, music director of Santa Fe Opera, takes a ‘Free Throw' on being pigeonholed as an Early Music specialist. This summer, Maestro Bicket conducts "Don Giovanni"; we ask him to weigh in on his favorite act of a Mozart opera… [@ 19 min] In 'Chalk Talk'... It's all very well for us to bust a bracket finding the Best School of Music voice program. But what are those departments actually teaching, and how does that relate to what a modern freelance performer actually needs to know…? [@ 39 min] It's a bonus ‘Free Throw' from tenor Jonathan Tetelman, making a double debut at the Met, starting this Saturday in "La Rondine"… [@ 49 min] In the ‘Two Minute Drill'… major awards, a scandal (or not) at the NY Phil, budget cuts in Paris, and all hail the Tempo Police... GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) AGF  - “Oops for understanding iii” (Words Are Missing, AGF Producktion, 2008)SP Intro AGF - “SKINgame”  (Poemproducer, AGF Producktion, 2023)AGF - “POEMproducer” (Westernization Completed, Orthlorng Musork, 2003) AG.F3 & SUE.C - “Lazy” (MINI MOVIES, Asphodel, 2006) AGF - “Thoughts On Rojava feat. Zeynep Kurban, Dilar Dirik, Zaher Baher, Havin Guneser, Memed Aksoi” (Music, Awareness & Solidarity w/ Rojava Revolution, female:pressure, 2016) AGF - “background & processes ⇻ explained by AGF” (rec-on : feminist sonic technologies, 2023) AGF - “recon - rec-on.org ƒollow @reconsonic” (Soundcloud, 2021) Laub -  “Wortspur” (Filesharing, Kitty-Yo, 2002) AGF - “fieldWORK” (Poemproducer, AGF Producktion, 2023) Sonic Wilderness - “Medley” (DOCUMENTATION: #SONICWILDERNESS #NUSASONIC Yogyakarta, Indonesia 2018) Antye Greie-Ripatti - “mycelium sonicification video clip” (Vimeo, 2017) Audience Participation - “Collective Mycelium Hum” (SonicEX10sion, AGF Producktion, 2018) AGF - “sideNESS” (Poemproducer, AGF Producktion, 2023) AGF - “Live excerpt” (Presented by Non-Event and the Goethe-Institut Boston, November 18, 2023) AGF - “FIREmushroom” (DISoriented MINDsets, 2017) KING VISION ULTRA feat. Dreamcrusher - “UNTRAPPINGS” (SHOOK WORLD, PTP, 2023) Moor Mother - “Deadbeat Protest” (Fetish Bones, Don Giovanni, 2016) AGF - “MIGration” (SOLIDICITY, 2017)AGF - “Chorizon” (Westernization Completed, Orthlorng Musork, 2003) AGF - “Source Voice” (Beatnadel, AGF Producktion, 2011) AGF - “words are useless” (Words Are Missing, AGF Producktion, 2008) RyJ - “RyJ [excerpt]” (Studio Mix, 2014) RyJ / Nicki Minaj (Pickle Juice Mix, 2012) J Dilla - “Bounce” (Beat Tape #3, 2002)AGF - bassPOETess (Poemproducer, AGF Producktion, 2023) Vladislav Delay - “Ele” (Ele, Sigma Editions, 1999) Craig Armstrong x AGF - “Remix of Memory Takes My Hand” (Memory Takes My Hand - Exhibition Music, Chester Music Ltd., 2006) AGF - xenakISS (Poemproducer, AGF Producktion, 2023) The Lappetites - “Avoiding Shopping” (Before The Libretto, Quecksilber, 2005) Dadub - “Life (Rrose Remix)” (Preternity, Stroboscopic Artefacts, 2013) AGF - “BONUS_ Westernization Continued 2013 [excerpt]” (Westernization Completed, 2003/2013) AGF - “şamaran [kurdish]” (uttu EP, 2023) PINKCOURTESYPHONE + KID CONGO POWERS - “Inflame (Sludge Dub)” (Move To Trash, 3particles, 2015) Kevin Richard Martin /  KMRU - “If (Dub)” (RESIST COLONIAL POWER BY ANY MEANS NECESSARY, PTP 2024) Ka Baird - “Gate VI” (Bearings: Soundtracks for the Bardos, RVNG, Intl., 2024) AGF - “Regional Distinctions” (Futurism Ain't Shit To Me, Kyo, 2004) —Sound Propositions is written, recorded, mixed, and produced by Joseph Sannicandro. --- Support this podcast: https://podcasters.spotify.com/pod/show/soundpropositions/support

6 - A sztrájk miatt zenekar nélkül kezdődött a Don Giovanni az Operában by Balázsék

C. S. Lewis shares his heart with Don Giovanni. [Show Notes]

Fredrich Kuhlau (1786–1832) was a Danish composer of the late Classical and early Romantic periods who wrote prodigiously for the flute.  The final movement of his Fantasie for Solo Flute in D major, "Arietta and Variations" is charming,  virtuosic, and fun! The aria "Bati, Bati"  from Mozart's opera Don Giovanni is the theme. The operatic spirit shines in this 4 minute long gem.Georg Philip Telemann, Fantaisie No. 12, performed by Karen Kevra, flute Georg Friedrich Händel, Suite No. 5 in E Major, HWV 430:  IV. Air con Variazioni "The Harmonious Blacksmith" performed by Murray Perahia, piano Franz Schubert's Theme, from the Introduction, Theme, and Variations on "Trockne Blumen", D. 802 performed by Karen Kevra, flute and Jeffrey Chappell, pianoWolfgang Amadeus Mozart, Overture from Don Giovanni, K. 527, Hans Vonk, Staatskapelle DresdenWolfgang Amadeus Mozart, Aria: "Batti, batti, o bel Masetto", Cecelia Bartoli, soprano, Wiener Kammerorchester  Friedrich Kuhlau, Fantasie for Solo Flute in D major (Op. 38, No. 1),  movement 3, "Arietta and Variations", performed by Karen Kevra, fluteSupport the show

Robert Neu is known for his highly theatrical and musically sensitive work  He has directed over 100 productions of operas, musicals and plays throughout the country. Bob's productions include everything from The Music Man to St. John Passion, plus Bernstein's Mass, Peer Gynt (for which he also did the adaptation), La Traviata, The Magic Flute and Carousel, Hansel and Gretel, Don Giovanni and La Bohème, Bob Neu teaches masterclasses in audition techniques for the University of Minnesota's opera department.  He is a former resident director at Lyric Arts Theater, and former artistic director of Skylark Opera Theatre.   He is a graduate of The Juilliard School.

Watch your ads, or else! It's yet another black mirror style gangster movie, and then we talk a little bit about gangster movies, and paddington 2, you know, when he goes to jail. These are the deleted scenes from episode 466 of the Life's a Pitch podcast, if you want to be given a "gift" of some context, you should go get made with the main episode. Or don't, we're not Don Giovanni

How flood victims are coping with more rain. In other news, the executive director of the San Diego Museum Council joins the podcast to talk about the details of February's Museum Month. Plus, San Diego Opera opens its first grand opera of the season Friday, with a production of Mozart's “Don Giovanni.” We get a behind-the-scenes preview.

Show Notes:00:50 - The Weekend Quilter00:54 - Australia00:55 and 1:18 - New York02:05 - Cambridge, Massachusetts03:05 - Canberra04:41 and 4:42 - Australia04:55 - New York05:26 - Amy's Creative Side06:04 - Upper West Side6:21 and 6:25 - QuiltCon06:40 - Central Park07:22 - Anna of Wax and Wane Studio09:32 - PreQuilt (Listen to episode 4 to learn more about Laura and PreQuilt)09:39 - Aurifil Thread (Listen to episode 94 to learn more about the company)10:18 - New York13:13 - Quilt Buz Bingo13:42 - Amanda and Wendy reading out the bingo numbers for Quilt Buzz Bingo 2021 16:20 - Wendy's first book, Urban Quilting21:59 - Bravo TV22:00 - TLC22:17 - Mozart operas22:23 - Don Giovanni 22:24 - Marriage of Figaro22:38 - Real Housewives of Salt Lake City23:13 - Improv quilting23:28 - Bias binding strips23:42 - Pre created bias binding strips24:07 and 24:11 - Log cabin24:33 - Triangle Multiplier quilt pattern by The Weekend Quilter25:10 - Foundation paper piecing25:36 - Zirkel magnetic pin cushion26:46 - Amanda's 2023 30 days of Improv Quilt27:12 - Sweet Notes block series for Valentine's Day by The Weekend Quilter29:26 - Tipsy Tessie (@tipsytessie)29:41 - Matchy Matchy Sewing Club (@matchymatchysewingclub)30:11 - Jollie Ollie Designs (@jollieolliedesigns)30:56 - Logo Archive (@logoarchive)31:24 - Cooper Hewitt Museum (@cooperhewitt)31:26 - New York31:44 - Fab Scrap (@fab_scrap)Follow Us:Amanda: @broadclothstudio https://broadclothstudio.com/Wendy: @the.weekendquilter https://the - weekendquilter.com/Quilt Buzz: @quilt.buzzhttps://quiltbuzzpodcast.com/Intro/Outro Music:Golden Hour by Vlad Gluschenko