Podcast appearances and mentions of elizabeth wallfisch

I denne episoden følger vi opp braksuksessen «sommerspesial» og kommer med noen lytteranbefalinger for høsten. Her følger linker til lytteeksemplene: Mathias Anbefalinger: Alle linker er G F Telemann, her er linker til enkeltspor og album, men det anbefales å høre hele verk:) Fiolinkonsert i Bb, 3. sats: https://open.spotify.com/track/3nH8ktsSuQD2ZICV8oOy8T?si=jZE9Ox5cR7mHel5bpSAIqQ Siste sats fra Don quixotte: https://open.spotify.com/track/4aV4dFunxnFxtz6pxMJDpn?si=I2sYNKmuRQ2pgKlo20xHew Complete violin concertos vol 2 med Elizabeth Wallfisch: https://open.spotify.com/album/2wIZgrWK77YYqKJBQHh83m?si=KRJCQJIfQSyGgmeU4VHPFw Broches-passion: https://open.spotify.com/album/62E4Ev0A1xR7ECqvoGUxGs?si=7uoXXl86TUuriHU3-qcs6w Ingas anbefaling: https://www.nrk.no/kork/kork-norsk-og-russisk-1.15592517 Nikolais Anbefaling: Oumou Sangare Accoustic: https://open.spotify.com/album/3WPGTvO0ryY6LRMhrR6pZE?si=YnCjcRKvRauAGAxUfnycSg Il giardino Armonico spiller Handels 12 concerti grossi: https://open.spotify.com/album/3MzZpQMm8XQAaqjDjNOfLV?si=-HMZdOyJQSOBW1t3grYy9g

Described by Downbeat Magazine as "an exquisite singer-songwriter", Joanna's music conveys a beauty of a many-coloured sort that speaks to straight to the human condition. Her songs reveal personal truths about love, loss, adventure, home and hope. World Music Report described it as "quintessential heart-music by a vocalist who seems to have connected with the deepest recesses of her being emerging into brightness again with songs of haunting beauty." Joanna is a master in the art of live vocal looping and as a multi-instrumentalist plays baritone ukulele, piano, flute, Indian shruti box, kalimba and melodica. Her music defies genre classification as she effortlessly imbues her songs with nuances of jazz, classical, art-song, and folk, carrying her "clear-eyed poetry" (Boston Globe) and "striking vocals" (Hothouse). Her songwriting extends beyond just lyrics and melody - Joanna also arranges for ensembles including string quartets, winds, a cappella voices and more.  Joanna's career has taken her around the globe.  She first studied to be a painter at Central Saint Martins, London. This led her to Paris, where she sang on the bridges of the Seine with the "Rene Miller Wedding Band". Following this formative time she did a masters in jazz at Guildhall School of Music and Drama.  In 2012 she moved to New York City where she forged an indelible musical path, appearing and collaborating with musicians including Dan Tepfer, Wynton Marsalis, Kenny Werner, Sam Newsome, Lee Konitz, to name a few. She released her debut album, Wild Swan, in 2011, featuring Joe Martin, Sam Newsome, Rob Garcia and Art Hirahara. In 2015 she signed with Sunnyside Records who released The Origin of Adjustable Things, an intimate duo project with pianist Dan Tepfer. As a follow up to this success she recorded Gardens In My Mind, her third album of self-penned songs and arrangements, featuring the award winning string ensemble The Sacconi Quartet, and Dan Tepfer on piano. In 2018 she self-released her fourth record, Blood and Bone, which London Jazz said, "overflowed with creativity and musical resources." 2019 marks the release of her fifth record entitled Far Away From Any Place Called Home.  Joanna's unique musical background shines through in her own compositional style, evoking her classical routes with her love of jazz, art-song, folk and pop, pushing boundaries of genre and stylistic expectations. Her musical heritage is something to behold. Raised by classical musician parents, Australian violinist Elizabeth Wallfisch and London born cellist Raphael Wallfisch, her grandmother Anita Lasker Wallfisch, now 94, survived Auschwitz because she played the cello in the camp's women's orchestra. Post liberation she became a founding member of the English Chamber Orchestra. Brother Simon is a renowned cellist and opera singer, and eldest brother Benjamin is an Oscar and Grammy nominated film composer. The Great Song Cycle: An adventurer at heart, in August 2016 Joanna embarked on a solo concert tour of the West Coast of the USA, by bicycle. Over the course of 1,154 miles she performed 16 solo shows between Portland and Los Angeles carrying her instruments, camping gear, and everything else she needed upon her bike. In her inimitable way she turned this once-in-a-lifetime experience into a 60-minute song-cycle, a recorded album and a memoir. She has performed the live piece in theatres including: National Sawdust, NYC, Boston Court Performing Arts Centre, LA, The Edinburgh Fringe Festival, UK, Phoenix Theatre, UK and Joe's Pub, NYC. In June, 2019 Joanna celebrates the release of her fifth album Far Away From Any Place Called Home, and her debut memoir "The Great Song Cycle; Portland to Los Angeles on Two Wheels and a Song", which is being published by Australian Publishers UWA Press.

In maart 1709 krijgt Bach bezoek van de violist Georg Pisendel. Beiden maken een afschrift van Telemann’s Concert voor 2 violen. En voeren het waarschijnlijk uit, met Telemann in het luisterende gezelschap. Zoals zoveel bij Bach, omgeven met ‘misschien’ en ‘waarschijnlijk’. Maar hoe klinkt dat concert van Telemann? Georg Philipp Telemann Concert voor 2 violen en strijkorkest, TWV.52, nrG1 Elizabeth Wallfisch, viool & Susan Carpenter-Jacobs, viool Wallfisch Band CPO 777 473-2 11’31’’ Johann Sebastian Bach / Johann Georg Pisendel Sonate voor viool en b.c., BWV.1024; III. Amandine Beyer, viool Gli Incogniti Harmonia Mundi 902322 2’18’’

Uppläsning: Pontus Plaenge Diktsamling: "Gröngölingen är på väg " Rabén & Sjögren, 1974 MUSIK Pietro Locatelli: Första satsen ur Concerto grosso c-moll op 1:11 EXEKUTÖR Raglan Baroque Players, Nicholas Kraemer, dirigent, Elizabeth Wallfisch, violin

This exploration of the impact that Mendelssohn's Octet has had on different people's lives, demonstrates the healing power of music in a variety of situations around the world. Mendelssohn wrote his Octet for double string quartet in 1825 when he was only 16 years old. Despite his youth, this is a mature and brilliant piece of music described in this programme by the interviewees as "carnivalesque", "a romp", "a party". Choreographer Bill T Jones describes the way in which the Octet showed his company how to keep living during the onslaught of AIDS in the 80's. Cellist Raphael and violinist Elizabeth Wallfisch talk about falling in love whilst learning this music in the 70's. South Korean Lisa Kim tells a story about going on tour with the New York Philharmonic to North Korea and her intense fear and mistrust being replaced by wonder when they played the Octet with a North Korean Quartet. And Matthew Trusler describes the importance of playing this work after the death of his son. The recording of the Mendelssohn Octet featured in the programme is by the Emerson String Quartet on Deutsche Gramophon.

Baroque specialist and violinist Elizabeth Wallfisch leads Bach's Brandenburg Concerto No. 3, but not before she shares her thoughts on the latter. Host: Kimberly Lamontagne. Recording Engineers: Etienne Decreuse and Sophia Gould.