Podcasts about telemann

[@ 3 min] Alright, this week, it's Monday Evening Quarterback on the 2025 Boston Early Music Festival, and we'll be joined by Amanda Forsythe with a scoop on the 2027 centerpiece opera! We promise this is the only opera podcast talking Telemann. [@ 21 min] And then...the centenary of Dietrich Fischer Dieskau's birth was last month, and we have a Free Throw from one of his last pupils, Benjamin Appl. Considered to be one of the all-time great Lieder interpreters, WE will consider Dieskau's notable opera roles. [@ 43 min] Plus, in the ‘Two Minute Drill'…a decline in tourism coupled with the rise in deportations may be adversely affecting ticket sales at the Met...but that's not stopping the Laffont competition from scouting in South America. GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

Se cumplen 340 años del nacimiento de Georg Friedrich Handel, compositor alemán y parte del gran movimiento del barroco tardío, junto con figuras como Bach y Telemann. Para conmemora su obra hacemos un recorrido por sus suites para clavecín, conciertos y otras obras; para conocer a un hombre que tuvo la capacidad de absorber la música de los diferentes lugares donde desarrolló su carrera.

Ein schlagkräftiges Team: die Berliner Barock Solisten und Reinhard Goebel, eine Ikone der Originalklang-Szene. Mit Werken von Vivaldi, Bach und Telemann zeigen sie auf "Cremona 2", wie moderne Instrumente und historische Aufführungspraxis harmonieren.

En ce mois de juin, la programmation du Festival Les Heures Musicales se poursuit pour une nouvelle série de trois concerts au sein de l'Eglise abbatiale d'Ebersmunster. Le premier rendez-vous sera donné ce dimanche 08 juin, avec la représentation "La magie des cordes". Le dimanche 15 juin, le public pourra partir à la découverte du compositeur tchèque Jan Dismas Zelenka et son œuvre comparable à celle de Bach et de Telemann. Le festival se terminera ensuite le dimanche 22 juin, à l'occasion d'un concert lecture en hommage au Prix Nobel alsacien Albert Schweitzer, en marge du 150ème anniversaire de sa naissance. Benoit Adolf, vice-président des Amis de l'église abbatiale d'Ebersmunster, était dans nos studios pour en parler.Renseignements et billetterie sur le site internet amisabbatiale-ebersmunster.assoconnect.com.Les interviews sont également à retrouver sur les plateformes Spotify, Deezer, Apple Podcasts, Podcast Addict ou encore Amazon Music.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Hannah French presents highlights of last November's London International Festival of Early Music. There's music by Corelli from the young Korean recorder player Jiyeon Bang, viol player Robert Smith plays a set of variations by John Jenkins, harpsichordist Maciej Skrzeczkowski plays John Bull, and recorder player Erik Bosgraaf and the ensemble filoBarocco explore the world of Telemann's Polonaises.

In the forty-fifth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Ronald Blonk from the Netherlands. Ronald, founder of Let's Go, leads a ministry that develops curriculum for children, combining biblical teaching, environmental care, and sustainable farming practices. He shares how God called him to serve as a fundraiser and later inspired him to create a curriculum that empower children, especially in under-resourced communities. Ronald underscores the importance of stewardship, urging listeners to embrace their role in caring for both people and the environment. He closes with a powerful reminder: actions speak louder than words in advancing God's kingdom.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org.  The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 10:51

Dorothee Oberlinger ist ein international gefeierter Star der Blockflöten-Szene, Hochschulprofessorin, Ensemblegründerin, Dirigentin und Intendantin. Als Solistin arbeitet die mehrfache ECHO-Preisträgerin mit den weltweit besten Barock-Orchestern zusammen. Mit ihrem virtuosen und ausdrucksvollen Spiel verzaubert sie auch Menschen, die der Blockflöte eher skeptisch begegnen. Als Intendantin der Arolser Barock-Festspiele und der Musikfestspiele Potsdam Sanssouci überrascht sie ihr Publikum immer wieder mit vielfältigen und innovativen Programmideen. Überraschendes hält auch das Musikprogramm bereit, das Dorothee Oberlinger für "Menschen und ihre Musik" zusammengestellt hat: Bach und Telemann tummeln sich neben Ligeti, Sting und Jimi Hendrix, der hier sogar selbst zur Blockflöte greift!

Deze uitzending begint met “Gods Lof” en een “Gegroet aan onze Vader en Meester”. En wij verrassen jullie graag op een nieuw en wondermooi “Ave Maria” en een zeer mooi “Onze Vader”, waarna een “Alleluia de la fiësta de San Miguel” een eerste deeltje religieuze vocale muziek afsluit. Dan volgt de 9-delige Ouverture-Suite in Fa […]

"Ein musikalisches Feuerwerk zum Europatag" - dat ass de Motto vum Concert, deen Ad Libitum de 9. Mee Moies an der Kierch zu Mäerzeg spille wäert. De Lëtzebuerger Ensembel fir Barockmusek setzt sech zesummen aus 40 Museker:innen, vun deenen ee groussen Deel hei mat dobäi ass. Um Programm steet Musek vu fënnef Komponisten an am Fokus ass dem Händel seng weltberüümte Freedefeiermusek. Nieft anere groussen Nimm wéi Vivaldi an Telemann stinn och zwee manner bekannt Komponisten op der Affiche. Een dovunner ass de Benedikt Anton Aufschnaiter, deem seng "Serenada della pace" gespillt gëtt. Am grousse Ganzen ass et e Concert, deen am Zeeche vum Fridde steet, well dat jo d'Haaptiddi hannert dem Europadag ass, wéi de Rosch Mirkes verréit. De Leeder vun Ad Libitum, erzielt méi am Gespréich mam Marie Schockmel. 

"Ein musikalisches Feuerwerk zum Europatag" - dat ass de Motto vum Concert, deen Ad Libitum de 9. Mee Moies an der Kierch zu Mäerzeg spille wäert. De Lëtzebuerger Ensembel fir Barockmusek setzt sech zesummen aus 40 Museker:innen, vun deenen ee groussen Deel hei mat dobäi ass. Um Programm steet Musek vu fënnef Komponisten an am Fokus ass dem Händel seng weltberüümte Freedefeiermusek. Nieft anere groussen Nimm wéi Vivaldi an Telemann stinn och zwee manner bekannt Komponisten op der Affiche. Een dovunner ass de Benedikt Anton Aufschnaiter, deem seng "Serenada della pace" gespillt gëtt. Am grousse Ganzen ass et e Concert, deen am Zeeche vum Fridde steet, well dat jo d'Haaptiddi hannert dem Europadag ass, wéi de Rosch Mirkes verréit. De Leeder vun Ad Libitum, erzielt méi am Gespréich mam Marie Schockmel. 

In the forty-fourth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Martha Das from Dhaka, Bangladesh. Growing up in a small village, Martha sensed God's calling from an early age and came to understand the importance of generosity. Through the many roles she has held throughout her life, she has witnessed God's provision and faithfulness, even in the face of hardship and persecution. She closes the conversation with a passionate appeal to churches and ministries: make room for young people to serve the Lord and encourage them to use everything they're learning, especially through media, to help advance the gospel of Jesus Christ.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org. The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 11:46

Reinhard Goebel und die Berliner Barocksolisten haben gerade ihr zweites Album namens „Cremona“ veröffentlicht. Die erste CD hatte diverse italienische Violinkonzerte für mehrere Sologeiger präsentiert, von Locatelli bis Sammartini. Bei „Cremona 2“ geht es wieder um Violinkonzerte mit Mehrfachsolisten. Aber es stehen diesmal auch deutsche Komponisten mit auf der Agenda, nämlich Telemann und Bach. Dazu vier Mal Vivaldi: vier Concerti aus dessen beliebten L'Estro armonico. Ein Programm mit Sinn und Verstand, findet Eleonore Büning.

Die Bratsche steht in Sachen Virtuosität hinter der Geige nicht zurück. Das beweist Timothy Ridout mit seinem neuen Solo-Album: Britten und Caroline Shaw neben Telemann und Bach.

Eine CD von diversen Interpreten - vorgestellt auf NDR Kultur.

Vi propongo un quiz. Provate a indovinare. Chi è il compositore di Musica sull'acqua? Bach, Händel, Telemann o Vivaldi? Chi è il compositore della Passione secondo Matteo? Bach, Händel, Telemann o Vivaldi? Chi è il compositore di un oratorio intitolato Messia? Bach, Händel, Telemann o Vivaldi? Chi scrisse almeno una dozzina di suite per clavicembalo? Bach, Händel, Telemann o Vivaldi? Come avete risposto? La risposta corretta a tutt'e quattro le domande è … Georg Philipp Telemann, uno dei più prolifici e affermati compositori barocchi tedeschi. Come i suoi connazionali J.S. Bach (1685-1750) e Georg Friedrich Händel (1685-1759), scrisse musica per tutte le occasioni e per ogni genere. E come quegli altri due giganti della musica, scrisse opere che contengono tutti i tratti distintivi di una brillante immaginazione musicale, di una suprema maestria e della capacità di scrivere melodie memorabili. Scrisse persino più di 30 opere, quasi quante ne scrisse Händel (non tutti sono d'accordo sul numero). Perché Telemann non è il primo pensiero, ovvero è il compositore barocco a cui pensiamo solo dopo aver considerato Bach, Handel e Vivaldi? Non esiste una spiegazione. Chi era Georg Philipp Telemann? Nato a Magdeburgo, Georg Philipp Telemann fu un prodigio che compose opere e musica per tastiera prima di aver compiuto 12 anni. Nonostante il suo evidente potenziale musicale, i suoi genitori si opposero alle sue intenzioni di diventare musicista e insistettero affinché studiasse legge all'Università di Lipsia.   Come Johann Sebastian Bach, Telemann si guadagnò da vivere come musicista e organista di chiesa. E come Bach, Telemann compose una serie costante di cantate da eseguire la domenica nelle numerose chiese in cui era impiegato. Ricoprì incarichi ecclesiastici a Lipsia, Sorau, Eisenach e Francoforte prima di accettare il suo ultimo e più grande incarico ecclesiastico ad Amburgo, dove diventò direttore musicale in almeno cinque chiese.   Fortunato in musica, sfortunato in amore   È sorprendente che un gentiluomo tedesco costante e produttivo come Telemann abbia avuto una vita amorosa tumultuosa. La sua prima moglie, Amalie, morì nel 1711, meno di 2 anni dopo il loro matrimonio. Solo pochi anni dopo sposò Maria Catharina, una giocatrice d'azzardo compulsiva che lo lasciò nel 1736 e gli lasciò il compito di ripulire gli immensi debiti che aveva accumulato.   Ma tutto quel dramma domestico non impedì a Telemann di produrre un flusso costante di musica magnifica.   Opere importanti di Telemann:   Opere orchestrali e concerti …   Ouverture: La Musette, suite per archi e continuo in sol-   Concerto per violino in la-   Cantate e oratori …   Passione secondo Matteo   Messia (oratorio)   Meine Seele erhebt den Herrn (cantata per soprano e orchestra). Si traduce “La mia anima magnifica il Signore”.   Opere per tastiera …   Concerto da chiesa in sol per organo   Ouverture in sol per tastiera   Musica da camera …   Sei quartetti per violino, flauto, basso di viola e basso continuo   Pastorella in musica

The Royal Ballet and Opera House in London continue their access programme with three up-coming opera productions this spring and summer with audio described performances, touch tours and introductory notes for blind and partially sighted people. RNIB Connect Radio's Toby Davey was joined from the Royal Opera House by Jack Blue, Executive Assistant to the Directors of Opera and Senior Project Co-Ordinator Elliott Henry to find out more about three great audio described opera productions. Highlighted opera productions included: Bizet's ever-popular opera Carman will be audio described on Monday 21 April at 2pm with a touch tour at 1pm on the main stage of the Royal Opera House. Telemann's rarely performed comic opera Pimpinone will be audio described on Sunday 11 May at 2pm with a touch tour at 12.45pm and on Thursday 15 May at 7.15pm with a touch tour at 6pm at the Royal Opera House's Linbury Theatre. And returning to the Royal Opera House's main stage Verdi's Il Trovatore will be audio described on Thursday 17 July at 7.30pm with a touch tor at 6.30pm on the main stage of the Royal Opera House. For more details about these and other audio described performances at The Royal Ballet and Opera House do contact the RBO Box Office on 020 7304 4000, email boxoffice@roh.org.uk or for general access information do visit the access pages of the RBO website - https://www.rbo.org.uk/visit/access-at-rbo (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

Este jueves 3 de abril, a las 20:00h, el Auditorio de Ferrol acogerá un concierto muy especial organizado por la Filarmónica Ferrolana en colaboración con el Conservatorio Profesional de Música “Xan Viaño”. El evento contará con la participación de los propios estudiantes del Grado Profesional, quienes, dirigidos por sus profesores, ofrecerán un programa musical variado y de gran interés para el público. La Orquesta del Conservatorio interpretará una selección de obras de compositores destacados. El programa incluirá la Obertura de la ópera "Ulisse in Campania” de María Teresa Agnesi, el Canon y Sarabanda de la "Suite (ao xeito antigo)” de Andrés Gaos, y la Obertura de la Suite TWV 55:G10 "Don Quijote” de Telemann. Además, la Banda de 3º a 6º de Grado Profesional deleitará a los asistentes con las piezas Flashing Winds de Jan Van der Roost, The Maelstrom de Robert W. Smith y Tierra de Reyes de Pere Sanz Alcover. El acceso al concierto es gratuito, pero se recomienda solicitar las entradas a través de Ataquilla, en las taquillas del Teatro Jofre o directamente en el Auditorio el mismo día del evento. Además, como es habitual, los socios de la Filarmónica Ferrolana podrán disfrutar de un servicio de autobús que partirá a las 19:30h desde la Plaza de Galicia y regresará tras la finalización del concierto. Este evento representa una excelente oportunidad para disfrutar de la música en vivo y apoyar a los jóvenes talentos del Conservatorio "Xan Viaño", quienes, bajo la dirección de sus profesores, presentarán un programa que promete cautivar a todos los asistentes.

Zum ersten Mal gab es zwei Kategorien: historische Streichinstrumente und Kammermusikensembles. Dementsprechend groß war der Andrang: über 100 Musiker*innen aus 29 Nationen hatten sich angemeldet.

In the forty-third episode of the Inspiring Stewards podcast, Nathan Jones speaks with Andrea Messam from Kingston, Jamaica. Andrea shares how she grew up in an inner-city community and came to faith in Jesus. After some twists and turns, she tells how God led her to serve as a chartered accountant. Today, she works as president of the Jamaica Cooperative Credit Union League and enjoys putting her giftedness to work in her church and community to produce fruit for God's kingdom. She concludes by reminding us how the Lord provides and protects His children as we await His return.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org. The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 14:23

Interpreten: Mozarteumorchester Salzburg, Reinhard GoebelLabel: Berlin ClassicsEAN: 885470030227Im August 2023 hat das Mozarteumorchester Salzburg eine neue CD Edition bei Berlin Classics begonnen. Chefdirigent Roberto González-Monjas dirigierte damals Serenaden von Wolfgang Amadeus Mozart. Nach Bruckner, Henze und Richard Strauss kehrt das Mozarteumorchester Salzburg auf seiner jüngsten CD nun unter Reinhard Goebel wieder zurück zu Mozart. Die Mozartkugel rollt wieder, und das bereits zum fünften Mal. Gemeint ist damit natürlich die stilisierte Mozartkugel in buntem Stanniolpapier, diesmal im Farbton Apricot, auf dem Cover der aktuellen CD-Reihe des Mozarteumorchesters Salzburg. Die sogenannte Posthornserenade von Wolfgang Amadeus Mozart, also die Serenade in D-Dur KV 320, hat Reinhard Goebel mit den Musikerinnen und Musikern des Mozarteumorchesters in den Mittelpunkt der gemeinsamen Arbeit gestellt. Umrahmt von den zwei Märschen in D-Dur KV335.  Schon die ersten Klänge des ersten Marsches verheißen Großes. Hier wird Mozart nicht als klassische Pflichtübung gesehen.Das wäre aber unter der fundierten Leitung von Reinhard Goebel auch gar nicht möglich. Zu sehr brennt der alte Musik Spezialist für alles, was er macht. Sei es Veracini, Bach, Telemann oder, wie hier, Mozart. Historisch informiertes Musizieren bedeutet für Goebel in erster Linie Musizieren! Und dann kommen seine wissenschaftlichen und spielpraktischen Erfahrungen und Ansätze dazu. Und das merkt man auch hier bei Mozart. Schön frisch und knackig spielt das Mozarteumorchester, man spürt nach den ersten Einleitungstakten, wenn das Allegro con spirito Fahrt aufnimmt, wie die Musikerinnen und Musiker sich mit Goebel einschwingen. Dass diese Serenade genauso gut Oboen-, Flöten- oder Fagottserenade heißen könnte, zeigen die Sätze drei und vier, in denen sich die angesprochenen Instrumente bzw. deren Spielerinnen und Spieler in Höchstform zeigen. Den Ehrenplatz mit dem Titel hat sich aber das Posthorn mit seinem Solo im zweiten Trio des zweiten Menuetts verdient. Auch sehr schön. (mg)

durée : 01:27:54 - En pistes ! du jeudi 20 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Quelques figures mythiques nous accompagnent ce matin : Castor et Pollux, Agrippine, Prométhée. A retrouver aussi, une nouvelle anthologie des premiers enregistrements d'Antal Doráti avec le Philharmonia Hungarica pour les labels Mercury et Philips.

durée : 01:27:54 - En pistes ! du jeudi 20 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Quelques figures mythiques nous accompagnent ce matin : Castor et Pollux, Agrippine, Prométhée. A retrouver aussi, une nouvelle anthologie des premiers enregistrements d'Antal Doráti avec le Philharmonia Hungarica pour les labels Mercury et Philips.

Con Isabel Juarez | Primera parte del programa doble con Ismael Campanero, contrabajista especializado en interpretación históricamente informada, en donde nos cuenta todo lo relativo a la historia del contrabajo a lo largo de los siglos XVII, XVIIIyXIX: obras, intérpretes, historias curiosas y anécdotas del instrumento. Con autores como Castello, Vivaldi, Telemann, Haydn, Dragonetti y Botessini

In the forty-second episode of the Inspiring Stewards podcast, Nathan Jones speaks with Lola Moreno from Guayaquil, Ecuador. Lola shares her journey of accepting Christ as her Savior at the age of 12 and her current role as co-founder of World Impact, a missionary organization dedicated to mobilizing, equipping, and sending missionaries worldwide. Empowered by GTP courses, she emphasizes that stewardship goes beyond finances and includes dedicating time to God's service. Lola concludes by encouraging listeners to not only read and listen to Scripture, but to actively live out its teachings and participate in God's work.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org. The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music.Length: 7:52

durée : 01:28:29 - En pistes ! du vendredi 14 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - On finit la semaine avec un peu de poésie : Ronsard chanté par Marc Mauillon et Doulce Mémoire, Chopin sous les doigts de Maurizio Pollini ou ces très beaux airs de Telemann enregistrés par la soprano Amanda Forsythe

durée : 01:28:29 - En pistes ! du vendredi 14 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - On finit la semaine avec un peu de poésie : Ronsard chanté par Marc Mauillon et Doulce Mémoire, Chopin sous les doigts de Maurizio Pollini ou ces très beaux airs de Telemann enregistrés par la soprano Amanda Forsythe

In this forty-first episode of the Inspiring Stewards podcast, Nathan Jones speaks with Ara Goh from Seoul, South Korea. Ara recounts a pivotal moment in her faith journey when she chose to depend on God and shares the impact it had on those around her. She tells of her work for different corporations and how the lessons she learned shape her consulting services in support of entrepreneurs globally. She helps CEOs and businesspersons shift from pursuing money which can destroy their lives to strengthening the marginalized in areas such as technology, finance, and globalization. Inspired by Scripture, Ara concludes by reminding us that God gave us community to take care of each other and to grow together in faith and purpose. We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org.  The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 13:30

In the fortieth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Judith Tavagwisa who ministers in Gaborone, Botswana. Judith shares how she learned how to pray by observing her grandmother at an early age. After working as a civil servant, she tells how she became involved in ministry and now serves as a local missionary equipping Sunday school teachers and key Christian workers. She shares how she spreads accountability and stewardship resources to strengthen conduct in the house of God and how she sees the Holy Spirit helping churches and ministries to work together in unity. We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org. The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 17:16

Interpreten: Alison Balsom, Pinnock's Players, Trevor Pinnock Label: Warner Classics EAN: 5021732273291 Es muss nicht immer zwingend Originalklang sein – das dachte sich Trevor Pinnock, als er gemeinsam mit Alison Balsom das Konzept für die aktuelle CD Baroque Concertos entwickelt hat. Herausgekommen ist ein hervorragender Klangkompromiss, von dem sich Michael Gmasz begeistert zeigt. Der Originalklangspezialist Trevor Pinnock und Trompeterin Alison Balsom arbeiten schon seit vielen Jahren gemeinsam und haben auch schon die eine oder andere CD aufgenommen. Bisher hat die Trompetenvirtuosin Balsom dafür ebenso zu historischen Instrumenten gegriffen, um dem Original so nahe wie möglich zu kommen. Für die neue CD allerdings wollte Balsom auf einer modernen Piccolo Trompete spielen, die weit mehr Möglichkeiten bietet, Trevor Pinnock ist sofort auf den Zug aufgesprungen und hat mit den Pinnock's Players auch gleich ein neues Ensemble gegründet. Mit dem Dirigenten und Organisten Simon Wright wurde ein ausgezeichneter Arrangeur gefunden, und so stand dem neuen Projekt nichts mehr im Wege. „Die Möglichkeit, chromatische und virtuosere Musik aufzuführen, wie sie ursprünglich für Solovioline oder Oboe geschrieben wurde, hat mich und meine Trompetenkollegen seit den Tagen des großen Maurice André in ihren Bann gezogen“, sagt Alison Balsom im Beiheft der neuen CD. So sind es hier also keine barocken Trompetenkonzerte sondern Bearbeitungen von Oboen- und Violinkonzerten von Telemann, Händel, Vivaldi, Albinoni und Marcello, denen Balsom neuen Glanz verleiht. Von gestochen scharf bis samtig weich ist dabei ihr Ton, scheinbar unendlich ihr Luftstrom in den langsamen Sätzen, hoch virtuos und rasant schnell im Tempo ihr Spiel in den flotten. Doppel- oder gar Tripelzunge? Ach wo … Manche der Werke klingen in diesen Bearbeitungen so, als ob sie nie für andere Instrumente geschrieben wurden. So denke ich, hätte Antonio Vivaldi sicher seine Freude gehabt, wenn er das 9. Violinkonzert aus der Sammlung L‘estro armonico einmal in dieser feierlichen Version gehört hätte. Da er das nicht mehr kann, bleibt die Freude ganz uns überlassen! (mg)

In the thirty-ninth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Dr. Talant Aktanzhanov from Almaty, Kazakhstan. Hear the remarkable story of how, as a child, Talant contributed to the Christian faith of his parents while growing up in a Muslim-majority country. He shares insights about Christianity in Kazakhstan and how God has engaged him to serve ministries in Central Asia. Drawing inspiration from the Apostle Paul, he urges stewards to contribute through their service and financial support regardless of their level of resources. He concludes with an invitation to collaborate with him right now to spread the gospel in the region. We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org. The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 12:13

Today we feature young violinist Katherine Schaufenbuel, a student of Grigory Kalinovsky of Indiana University. She plays Telemann, Mozart, Brahms, Wieniawski and Auerbach with pianist Lyudmila Lakisova. The post Katherine Schaufenbuel, 13, violin appeared first on WFMT.

In this thirty-eighth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Hugo Matos from the Dominican Republic. Hugo shares a powerful testimony of how he came to faith in Christ. He shares many ways God has him involved in Kingdom work and elaborates on what it means to develop missional churches. He reminds us of Bible verses on stewardship and concludes by encouraging listeners to keep their eyes set on Jesus as they work together to fulfill the Great Commission. We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org. The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 14:40

Flute 360 | Episode 302: "Just Drink the Pickle Juice!" In Episode 302, Dr. Heidi Kay Begay shares a personal and powerful lesson about embracing temporary discomfort for long-term benefits. Using her own experience with muscle cramps and the surprising remedy of pickle juice, she draws an analogy to overcoming challenges in flute playing and career development. Whether it's tackling difficult repertoire or advancing your flute business, Dr. Heidi encourages listeners to face short-term discomfort head-on, knowing it will propel them towards long-term success. Main Points: Facing Temporary Discomfort for Long-Term Growth: Dr. Heidi recounts her struggle with muscle cramps and how drinking pickle juice, despite her aversion, was the key to overcoming them. She relates this to how avoiding difficult tasks in flute practice or career-building can hold you back. Pickle Juice as an Analogy: Just like the quick discomfort of drinking pickle juice, stepping outside of your comfort zone, whether in flute playing or business, is temporary but leads to major growth. Avoiding Short-Term Pain Leads to Long-Term Stagnation: Are you avoiding the "pickle juice" in your life? Whether it's practicing double-tonguing exercises or learning new business skills, confronting temporary challenges leads to long-term rewards. Small Efforts Lead to Big Results: Sometimes, the task you're avoiding is much smaller and more manageable than you think. Just as Dr. Heidi learned that only a tablespoon of pickle juice was necessary, the efforts required to make significant progress may not be as overwhelming as they seem. Call to Action: Register Now for the Flute 360 Accelerator Program happening on October 26th, 2024! Special guest Dr. Dennette Derby McDermott will be diving deep into Baroque music. Perfect for anyone working on Telemann Fantasies, Quantz Concerti, Bach Sonatas, ornamentation, and more! Register within the next two weeks to be one of the performers. Don't miss this incredible opportunity to get expert feedback and take your Baroque performance to the next level! The live session is scheduled for 10/26/24 from 11:00 AM to 1:00 PM CT. Links to register are below for all three tiers! The deadline is Friday, 10/19/24! Tier 1 – click here! Tier 2 – click here! Tier 3 – click here! Resources: Michigan Medical Podcast – Read Here about the Benefits of Pickle Juice & Muscle Cramps Dr. Dennette McDermott's Episode 14 Dr. Dennette McDermott's Episode 246 Texas Flute Society National Flute Association The Flutist's Détaché Book by Robert Stallman Practice Book for the Flute, Book 3: Articulation by Trevor Wye Flute Fundamentals by Mary Karen Clardy Follow Heidi: Follow Flute 360 via TikTok! Follow Flute 360 via Instagram! Follow Flute 360 via Twitter! Follow Flute 360 via LinkedIn! Follow Flute 360 via Facebook! Subscribe to the Flute 360's YouTube Channel! Join the Flute 360 Newsletter! Join the Flute 360 Family's Facebook Private Group!

In this thirty-seventh episode of the Inspiring Stewards podcast, Nathan Jones speaks with Romeo Nkongnou from Cameroon, Africa. He shares how the desire to become a missionary arose within him and how he now helps equip missionaries to serve in their local contexts. He talks about how stewardship goes beyond money, sharing what he has learned from GTP courses. He concludes by reminding listeners to put their professional skills at work to serve God. We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org. The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 9:40

Trumpeter, composer and conductor Stephen Burns is the Founder and Artistic Director of the Fulcrum Point New Music Project in Chicago. He has been acclaimed on four continents for his virtuosity and interpretative depth in recitals, orchestral appearances, chamber music, and multi-media performances.In this interview you'll hear him talk about some of his mentors including Arnold Jacobs, and Pierre Thibaud. Stephen Burns won several important competitions and awards which helped launch his solo career at a young age,  the Maurice André Concours International de Paris, but touring internationally brings challenges which he discussed candidly with me. Stephen has worked closely with Madeline Bruser and is a certified teacher in the Art of Practicing.  We talked about mindfulness, the importance of a  student-centered approach to teaching, the deep connection to your audience, programming innovative programs, and specific advice for not only brass players and musicians, but for all of us. See Timestamps below for the topics covered.  Like all my episodes, you can also watch this on my YouTube channel and I've also linked the transcript to my website: https://www.leahroseman.com/episodes/stephen-burns Stephen Burns Fulcrum Point: https://www.fulcrumpoint.org/founder Episode with Madeline Bruser: https://www.leahroseman.com/episodes/madeline-bruser Telemann: https://www.youtube.com/playlist?list=OLAK5uy_m5b5ZQtTEQjEfrDUAsQv6qjxLVALKEV0E Hindemith: https://www.youtube.com/watch?v=dmHwJbYls5Y&list=OLAK5uy_nUp5ihSm80-NXa1Zk5nGGEqvsh7PvWQ6o&index=5 Original Merch for sale: https://www.leahroseman.com/beautiful-shirts-and-more Can you buy this independent podcaster a coffee? ⁠https://ko-fi.com/leahroseman⁠ Complete Catalog of Episodes: ⁠https://www.leahroseman.com/about⁠ Newsletter sign-up: ⁠https://mailchi.mp/ebed4a237788/podcast-newsletter⁠ Linktree for social media: ⁠https://linktr.ee/leahroseman⁠ photo: Josh R Zepka Timestamps: (00:00) Intro (03:13) Madeline Bruser, The Art of Practicing, Buddhist principles (07:05) Fulcrum Point New Music Project, programming concerts (16:02)  Hindemith Sonata for Trumpet 2nd mvt Maessig bewegt with David Korevaar on piano (18:45) middle school band teacher Dan Riley (26:13) making the decision to pursue music as a career (33:33) moving to New York (35:03) Telemann Concerto in D Major, 1st mvt Adagio (35:18) overcoming injury, Armando Ghitalla, Vince Penzerella (41:44) realistic goals for musicians, finding what makes you happy (44:51) the personal challenges of an international touring career (48:48) moving to Indiana then Chicago (53:33) teaching Mindfulness for Musicians (55:48) other episodes of interest and ways to support this series (56:37) Arnold Jacobs (01:01:26) Telemann's Trumpet concert  in D Major; the  last mvt Allegro (01:01:24) the importance of body awareness, working with dancers Martha Clarke, Ruby Shang, overcoming injuries (01:07:54) advice for brass players, Pierre Thibaud, Madeline Bruser (01:15:44) Stephen's teaching, online challenges (01:18:40) stage fright, performance anxiety, Arnold Jacobs, Brass playing concepts of sound, building trust (01:32:58) a life of travel (01:39:22) the most important aspects of mindset, Bobby Shew, George Zan, Madeline Bruser

durée : 01:28:01 - En pistes ! du lundi 23 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour débuter cette semaine, les œuvres de Juan Formell y Los Van van, de Mozart, de Bach, de Chopin, de Szymanowski, d'Elgar, de Mahler, de Telemann et de Schmügel sont au programme. En pistes !

durée : 01:28:01 - En pistes ! du lundi 23 septembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour débuter cette semaine, les œuvres de Juan Formell y Los Van van, de Mozart, de Bach, de Chopin, de Szymanowski, d'Elgar, de Mahler, de Telemann et de Schmügel sont au programme. En pistes !

Do not adjust your television sets; you're reading that name in the title correctly. My guest this week is beatbox flutist Greg Patillo.A man that needs no further introduction; just let me add that having watched Greg's videos and listened to PROJECT Trio's albums on loop throughout my teen years, this was a special one for me personally.This was the most fun I've had on an episode in a very long time, and it's a little longer than usual for that reason. Indugle me; I couldn't cut anything. I'm only human xIf you'd like to support the podcast, you can sign up for just 5 quid a month to be a Patron at;patreon.com/TheInlineGFlutePodcastInline G will ALWAYS be free of charge, but signing up helps let this podcast reach new heights, if you can afford it. You'll also get to ask questions to upcoming guests as well as get early access to some episodes. Or if you'd rather not spend money, subscribing to my YouTube channel and following me on Facebook, Instagram and TikTok is a HUGE way to support the podcast. It'll cost you nothing, and it really makes a difference to the algorithm gods. So please interact however you can; like, comment, or subscribe, and help keep this podcast lit xAnd finally; use the code “INLINEG” online or in person at Flute Center for; 5% off accessories, 10% off all sheet music, free shipping on new instruments and free shipping to trial instruments (USA only.)Chapters:0:00 - An apology3:25 - Early Days in Frasier's Seattle8:03 - Jamming and French Fluting16:40 - Sankyo Very Much25:46 - Inspector Gadget and Leo DiCaprio37:05 - PROJECT Trio54:48 - Quickfire Questions and James Bond's Rum Hosted on Acast. See acast.com/privacy for more information.

Telemann Largo by Ruach Breath of Life

Hannah French presents the second of two programmes of highlights from the 2023 London International Festival of Early Music, today focusing on their support of young, up-and-coming artists. The OAE Experience Ensemble offers students the chance to play alongside seasoned professionals, and you can hear them playing music by Haydn and Mozart, as well as students from Chethams School of Music in Manchester, and London's Guildhall School of Music & Drama and the Junior Royal Academy, performing music by Telemann, Purcell and van Eyck.

In this thirty-sixth episode of the Inspiring Stewards podcast, Nathan Jones speaks Anita Mulwana from Uganda. She talks about how Faith and Finances, a GTP course, has transformed how she views giving and stewardship of money and her relationships in her family and workplace. She shares her appreciation for other GTP courses like Journey of Empowerment and When Money Goes on Mission as they resonate with her season in life. She concludes by reminding listeners to be open and sensitive to what God is doing and to move where He leads them. We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org. The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 12:55

In this thirty-fifth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Silvia Alvares from Honduras. As the Director of Finance at Urban Promise Honduras, Silvia shares how she strives to model stewardship of the resources that God has given, especially in a context where corruption is high. She testifies about seeing God at work through the little things and through the different ways He provides. She concludes by encouraging everyone to keep going and to trust God even during difficult times because God is always with us, and He is faithful. We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org. The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 14:32

Con Isabel Juarez | Considerados como un símbolo de poderío, los caballos han estado ligados a la humanidad hasta la actualidad. Viajamos en el tiempo a lomo de caballos protagonistas de canciones populares o de compositores como Haydn, Grétry, Monteverdi, Telemann o Berlioz.

durée : 00:13:01 - Telemann : L'Ode au tonnerre - Salomon's Knot, Jonathan Sells, Les Passions de l' Âme, Meret Lüthi - L'orchestre Les Passions de l'Âme, aux côtés du Solomon's Knot, présente son dernier album avec "Donner-Ode" ("Ode au tonnerre") de Telemann, nous retrouvons également au programme de ce disque des enregistrements de cantates d'église tardives de Telemann

durée : 01:28:08 - En pistes ! du mercredi 12 juin 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Pour vous ce matin ! Meret Lüthi et l'orchestre Les Passions de l'Âme aux côtés du Solomon's Knot, le pianiste Fazıl Say, le Duo Shum formé par la violoncelliste Lisa Strauss et la pianiste Anastasia Rizikov, l'organiste Emmeran Rollin, mais également l'Orchestre Theresia dirigé par Vanni Moretto

Mercury performs music by Bach, Vivaldi, and Telemann.

In Episode 117, we're immersing ourselves in the rich and intricate world of Baroque music, shining a spotlight on the genius of Georg Philipp Telemann. Get ready to embark on a musical adventure as we unravel the life and melodies of this Baroque maestro. Georg Philipp Telemann, a name that echoes through the corridors of musical history, was not just a composer; he was a virtuoso of his time. Born in 1681, Telemann's legacy extends far beyond his era, leaving an indelible mark on the Baroque period with his innovative compositions and unparalleled creativity. As we explore this episode, we'll journey through the tapestry of Telemann's life, discovering the influences that shaped his music and the groundbreaking compositions that defined an era. From his early days in Magdeburg to his later years in Hamburg, Telemann's musical odyssey is a testament to the transformative power of art. Whether you're a seasoned aficionado of Baroque music or a newcomer eager to explore the classics, Episode 117 promises to be a captivating journey into the heart of Telemann's genius. Join me as we unravel the layers of his compositions, appreciating the artistry that continues to resonate through the centuries. Gather your young music enthusiasts and let the melodies of Georg Philipp Telemann transport you to a bygone era of musical splendor. Episode 117 is not just a podcast episode; it's an invitation to discover, appreciate, and fall in love with the Baroque brilliance of one of history's musical giants. Musical Samples You'll Hear in this Episode: Telemann: Viola Concerto in G major, Rose Armbrust Griffin Telemann: Trumpet Concertos Vol.1 Telemann: Complete Tafelmusik Telemann - Wassermusik suites & concertos Music Listening Schedule for Episode 117 I've put together a curated playlist of some of the pieces we highlighted in today's episode as well as a few other selections of Georg Philipp Telemann. You'll have the chance to see what choreographed ballet performances look like to some of the music we learned about in the podcast when you view the videos in this playlist. Subscribe & Review in Apple Podcasts Are you subscribed to my podcast? If you're not, head on over to do that today so you don't miss an episode. Click here to subscribe in Apple Podcasts! If you're feeling extra magnanimous, I would be really grateful if you left a review over on Apple Podcasts, too. Those reviews help other families find my podcast learn more about music. Just click here to review, select “Ratings and Reviews” and “Write a Review” and let me know what you love about Busy Kids Love Music. Thanks!

Las historias que traemos a este programa muestran que cada camino que tomamos está marcado por la huella de aquellos y aquellas que vinieron antes, que dejaron su saber para que se entretejiera con el de sus sucesores. Hablaremos de músicos que heredaron el cargo de otros músicos o que continuaron su proyecto, como ocurrió con Leonin y Perotin, Thomas Tallis y William Byrd, Bach y Telemann, Francois Couperin y Marguerite Antoinette Couperin, Adrian Willaert y Cipriano de Rore.Escuchar audio

Händel und Telemann sind seine Fans, mit seiner Musik will er die Texte verdeutlichen: Reinhard Kaiser, getauft am 12.1.1674, wird im 18. Jahrhundert als bedeutendster deutscher Opernkomponist gefeiert. Von Christoph Vratz.

This podcast is brought to you by Bob Reeves Brass. Join us at Dillon Music, November 9-11 for valve alignments and mouthpiece consultations. Email sales@dillonmusic to schedule an appointment! David Washburn is a Yamaha Performing Artist and serves as Principal Trumpet of the Los Angeles Chamber Orchestra. A much sought-after musician in Los Angeles, he also holds the position of Associate Principal Trumpet of the LA Opera Orchestra. He has served as principal trumpet and soloist with the Hong Kong Philharmonic Orchestra. Active in the recording studio, David has numerous motion picture soundtracks to his credit. He has played principal trumpet for Incredibles 2, Coco, A Quiet Place, Spider-Man Homecoming, War for the Planet of the Apes, xXx: Return of Xander Cage, 10 Cloverfield Lane, Independence Day – Resurgence, Godzilla, The Amazing Spider-Man, The Karate Kid, Avatar, The Legend of Zorro, Troy, A Beautiful Mind, Windtalkers, The Perfect Storm, Titanic and Deep Impact. He has also been part of the John Williams trumpet section for over 20 years and has performed on the soundtracks of Star Wars: The Force Awakens and Star Wars: The Last Jedi. David is a member of the faculty at Biola University and Azusa Pacific University. He has held teaching positions at the University of California Irvine, Chapman University, California State University Northridge, California State University Long Beach, University of Redlands, Idyllwild Arts Academy and the Hong Kong Academy for Performing Arts. David received his Master of Music, with distinction, from the New England Conservatory of Music in Boston and his Bachelor of Music from the Thornton Music School at the University of Southern California. His trumpet instructors have included Rob Roy McGregor, Robert Nagel, John Clyman and Joan LaRue. David has been a featured soloist with many different orchestras, including the Los Angeles, St. Louis, Knox-Galesburg, Hong Kong and California Philharmonics; the Los Angeles, San Diego and South Bay Chamber Orchestras; the Berkeley, Burbank and Glendale Symphonies; and the New York String, University of California Irvine and Pasadena Pops Orchestras. He has also been featured with the New York Chamber Music Society at Lincoln Center, as well as at the Santa Fe, La Jolla and Music@Menlo Chamber Music Festivals. In 2018, David performed the Bach Brandenburg Concerto No. 2 as well as the Telemann, Albinoni and Haydn Trumpet Concertos with the Lincoln Center Chamber Music Society, the Los Angeles Chamber Orchestra and the Knox-Galesburg Symphony. In the summer, David performs at the Orcas Island Chamber Music Festival in Orcas Island, WA; Mainly Mozart Festival in San Diego, CA; Music@Menlo Chamber Music Festival in Menlo Park, CA; and the SummerFest Chamber Music Festival in San Diego. David was also part of the inaugural Chamber Music Festival at the Green Music Center in Sonoma, CA performing Bach's Brandenburg Concerto No. 2 in 2015. Listen to this episode online: https://bobreeves.com/blog/david-washburn-trumpet-interview/