German Baroque composer (1681–1767)
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Stāsta komponists un kontrabasists Kristaps Pētersons; pārraides producente – Rūta Paula "Laimas" konfekškaste vai šokolādīte, "Rīgas Melnais balzams" vai vienkārši polšs, cigaretes, puķes, nauda, medus, pašu audzēti augļi vai dārzeņi un pazīšanās – gribi tirgoties, zini, kas kam ģeldēs. Subdominante – dominante – tonika – pilnās kadences tad nu ir tās, kas padara katru darījumu saprotamu. Bez harmoniskā plāna struktūras klaritātes pat valstis brūk kopā. Kad runājam par tirgošanās mākslu un ar to saistāmo ideju iemiesošanu mūzikā, starp paraugiem pirmajā vietā, manuprāt, ierindojams Georgs Frīdrihs Hendelis [1]. Īpaši krāšņi viņa filigrānās harmoniju secības atklājas, kad dzirdamas to instrumentu balsīs, kurām autors pats rakstījis. Ņem, kuru skaņdarbu gribi – kaut vai 5. svītas Mimažorā, HWV 430 4. daļu – āriju ar variācijām klavesīnam vienam pašam. Vērtējot Hendeļa prasmes, minama ne vien tirgošanās, bet arī aizņemšanās māksla – leģendāra ir viņa atbilde jautātājam, kurš gribējis zināt, kāpēc Hendelis uzdod cita autora darbu kā savu – tas gabals esot tam komponistam par labu, jo viņš nezinot, ko ar to iesākt! Nu ir pagājuši daži gadsimti un tolaik nabagais komponists, no kura Hendelis aizņēmās, patlaban dabū savu darbu no Hendeļa atpakaļ ar solīdiem procentiem. Piemēram, Tēlemanis [2], kura "Postillons" – 4. daļa no Uvertīras jeb Svītas Sibemol mažorā, TWV 55:B1 – nokļuva Hendeļa oratorijas "Baltazars", HWV 61 otrā cēliena otrajā ainā kā sinfonija "Allegro Postillons" (tas ir brīdis, kad karalis Baltazars izsauc savus astrologus un gudrajos, lai tie izskaidro uz sienas parādījušos uzrakstu – “מנא מנא תקל ופרסין”, transliterējot no aramiešu valodas – "Mene, mene, tekel, upharsin" [3]). Vienā vārdā – valsti veidojot – tirgoties un aizņemties jāmācās no labiem piemēriem, un bez muzikālās dzirdes un dziedāšanas prasmes to varēs īstenot, iemācoties spēlēt kādu mūzikas instrumentu. Citādi pie mērķa – Hendeļa paraugi – tikt grūti. Kad profesors Romualds Kalsons [4] 2000. gada 8. janvārī bijušajā Valmieras Komercskolā [5] IX Senās mūzikas festivāla ietvaros brīdi pēc plkst. 19 pirmatskaņoja savu miniatūru ciklu "Lielā Baha pavēnī", "Banka Baltija" jau sešus gadus kā bija bankrotējusi. Arī "Smashing Pumpkins" [6] jau 7. janvārī bija nospēlējuši savu koncertu Stokholmas cirka arēnā un atpūtās pirms ceļa uz Kopenhāgenu. Tajā pašā koncertā izskanēja arī šo rindu autora skaņdarbi, kurus profesors noklausījās un pēc koncerta sarunā uzaicināja atbraukt uz Mūzikas akadēmijas [7] kompozīcijas konsultācijām. Pirmajā stundā profesors izteica savu slaveno frāzi: "Kristap, mākslā – par visu naudu!" Šim viņa izteikumam bija gruntīgs segums. Profesors "Bankā Baltija" bija zaudējis honorāru par savu mūža darbu – operu "Pazudušais dēls". Pedagogs, kurš šādi testējis savu mācību stiprību, manuprāt, droši var mācīt citus. Es kļuvu par viņa skolnieku. Naudas man bija vien tik, cik apēšanai, bet "Laimas" konfekšu kastes, konjaks vai dolāri – pie profesora Kalsona nekas no tā nebija vajadzīgs. Bija vajadzīgs mācīties no labiem paraugiem un eksperimentēt, kaut uguņošanu sarīkojot, kad bez tās garlaicīgi. Radās šī iespēja vienkārša principa dēļ. Senās mūzikas festivālā Valmierā kopā ar izcilākajiem sava aroda meistariem uzstājās arī mācekļi – pat tādi, kas tikko sākuši spert pirmos soļus mūzikā. Šis ir paraugs, kas arī lietojams valsts pārvaldē – meistari un mācekļi kopā vienā koncertā – gluži kā senos laikos gleznotājs Van Deiks [8] ar savu mācekļu svītu. Bet Valmierā visi – pat vismazākie dalībnieki – tika arī nosaukti vārdā, jo citādi būtu garlaicīgi – visu laiku tikai es, es, es. "Die tiefe Langeweile in den Abgrundendes Daseins wie ein schweigender Nebel hin- und herziehend, ruckt alle Dinge, Menschen und einen selbst mit ihnen in eine merkwurdige Gleichgultigkeit zusammen. Diese Langeweile offenbart das Seiende im Ganzen." (Martins Heidegers) [9] "Dziļa garlaicība, kas klīst mūsu eksistences bezdibeņos kā klusināta migla, ieskauj lietas un cilvēkus, arī mūsu patību, īstenā vienaldzībā. Šī garlaicība atklāj esamību tās pilnībā." [11] Avoti Raksts sagatavots, izmantojot Oksfordas mūzikas vārdnīcas, portāla concertarchives.org, Valmieras integrētās bibliotēkas, Valmieras zonālā Valsts arhīva un Valmieras muzeja materiālus [1] Händel, Georg Friedrich (dzimis Hallē 1685. g. – miris Londonā 1759. g.) vācu izcelsmes komponists un ērģelnieks, britu pilsonis [2] Telemann, Georg Philipp (dzimis Magdeburgā 1681. g. – miris Hamburgā 1767. g.) vācu komponists un ērģelnieks [3] tulkojumā – "Skaitīts, skaitīts, svērts, dalīts" [4] Kalsons, Romualds (dzimis Rīgā 1936. g. – miris Rīgā 2024. g.) viens no izcilākajiem latviešu komponistiem, viņš darbojies teju visos akadēmiskās mūzikas žanros, īpaša vieta viņa daiļradē latviešu folklorai un latviskai tēlainībai vispār, viens no izcilākajiem instrumentācijas meistariem, fenomenāls pedagogs [5] tagad Valmieras 5. vidusskola [6] amerikāņu rokgrupa no Čikāgas, izveidojusies 1988. g. [7] pašreizējais nosaukums – Jāzepa Vītola Latvijas Mūzikas akadēmija – iegūts ar LPSR Ministru Padomes 24.08.1990. lēmumu, pirms tam to sauca – Jāzepa Vītola Latvijas Valsts konservatorija [8] van Dyck, Anthony (dzimis Antverpenē 1599. g. – miris Londonā 1641. g.) flāmu gleznotājs [9] Heidegger, Martin (dzimis Meskirhē 1889. g. – miris Freiburgā 1976. g.) vācu filozofs, viens no vācu eksistenciālisma pamatlicējiem; citāts no Heidegger M. lekcijas "Kas ir metafizika", 1929 ("Was ist Metaphysik?", 1929, Wegmarken (GA 9)) [10] Ievas Ginteres tulkojums
Title: The Mississippi Bubble (Where was Telemann when the Mississippi Bubble burst?) Track: La Bourse Suite in B-flat Major: L'espérance de Mississippi Artist: Tafelmusik & Jeanne Lamon Publisher: ℗ 1999 Analekta
In the fifty-third episode of the Inspiring Stewards podcast, Nathan Jones speaks with Siméon Dembele from Mali. Drawing on more than 25 years of service in nonprofit organizations, Siméon emphasizes the importance of stewardship in daily work, including careful attention to physical resources. Wherever he serves, he seeks to represent Jesus Christ faithfully. Siméon concludes by urging listeners to pray persistently for Christ's favor amid the hardships Christians face around the world.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org.The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 17:08
ReferencesSci Signal. 2017 Jan 31; 10(464):eaaf7478.Cell Metab. 2017 Jun 6;25(6):1374–1389.e6Int J Biol Sci. 2024 Jan 1;20(2):585-605.Telemann, GP. 1716.Viola Concerto in G Major51:G9https://music.youtube.com/playlist?list=OLAK5uy_nvXWQr9OaAGFbnxWPqDXVDeDxwU4RxNkc&si=rVf9NxsYaQoefkyF
durée : 00:15:33 - Disques de légende du mardi 27 janvier 2026 - Pionnière du mouvement baroque et violon solo du Concentus Musicus Wien pendant 32 ans, Alice Harnoncourt (1930-2022) illumine l'œuvre de Telemann dans ce coffret qui réunit des sonates en trio et des quatuors enregistrés entre 1978 et 1981, aux côtés de musiciens d'exception. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:15:33 - Disques de légende du mardi 27 janvier 2026 - Pionnière du mouvement baroque et violon solo du Concentus Musicus Wien pendant 32 ans, Alice Harnoncourt (1930-2022) illumine l'œuvre de Telemann dans ce coffret qui réunit des sonates en trio et des quatuors enregistrés entre 1978 et 1981, aux côtés de musiciens d'exception. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
In this episode, we look back and pick our favorite classical and jazz recordings from 2025. The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts Episode 241 Deezer Playlist Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists. Russ' Classical Picks Episode 204: “Anniversaries & Inner Journeys” 3/17/2025 “Hough: Piano Concerto, Sonatina & Partita” (Hyperion) Sir Stephen Hough, The Hallé, Sir Mark Elder https://open.spotify.com/album/6aj6j7obrqKiSJJF9GB51l https://music.apple.com/us/album/hough-piano-concerto-sonatina-partita/1790189101 https://music.amazon.com/albums/B0DSWK94H6 Episode 208: “Elegance & Fire” 4/14/2025 “Prokofiev & Shor” (Alpha) Behzod Abduraimov, Royal Philharmonic Orchestra / Vasily Petrenko https://open.spotify.com/album/6yTib2Mj4XZNvPoC7ILgqR https://music.apple.com/us/album/prokofiev-shor/1792782208 https://music.amazon.com/albums/B0DV5N35H1 Episode 210: “Fluted Grooves” 4/28/2025 “Daugherty: Blue Electra” (Naxos) Anne Akiko Meyers, Albany Symphony Orchestra / David Alan Miller https://open.spotify.com/album/7KeVVROhrOyr7hwyAMc2Od https://music.apple.com/us/album/michael-daugherty-blue-electra-last-dance-at-the-surf/1803167332 https://music.amazon.com/albums/B0DTKSWBX9 Episode 211: “Saxurated Sound” 5/5/2025 “Tales of the Jazz Age” (La Dolce Volta) Florian Noack https://open.spotify.com/album/1pgOmjL6jYB69GOA2aMNxP https://classical.music.apple.com/sg/album/1795617036 https://music.amazon.com/albums/B0DWNBXQ3M “Ancient Modernity” (Delphian) Louise McMonagle https://open.spotify.com/album/4mYIWqAJAYTqU4ayjzJnsI https://music.apple.com/za/album/ancient-modernity/1799737575 https://music.amazon.com/albums/B0DZ31FWKW Episode 213: “Sacred Trinity & Swingin' Trio” 5/18/2025 “Alexander Scriabin: Vers La Flamme” (BIS) Yevgeny Sudbin https://open.spotify.com/album/3wYDp7bi9o73xbr9ZzWLrk https://music.apple.com/us/album/scriabin-vers-la-flamme/1803174467 https://music.amazon.com/albums/B0F1Z3KHWL Episode 218: “A Quarter for Your Tones” 7/7/2025 “Persia & Baroque - Classical Persian Music and European Baroque” (Christophorus) Hamburger Ratsmusik / Simone Eckert, Ulrich Wedemeier, Anke Dennert, Neoclassical Ensemble of Tehran / Arash Mohafez https://open.spotify.com/album/5owCWVmzhFYnjbqZHg4lT0 https://music.apple.com/us/album/persia-baroque-classical-persian-music-and-european/1822952513 https://music.amazon.com/albums/B0F8C7Z8D5 Episode 219: “Border Crossers” 7/14/2025 “Laurent Boutros: Apatride, An Armenian in Paris” (Da Vinci Classics) Antonino Ielo https://open.spotify.com/album/7hQ2upqq5JxHfbJ8yDlX5C https://music.apple.com/us/album/laurent-boutros-apatride-an-armenian-in-paris/1819815810 https://music.amazon.com/albums/B0FCP46QV9 Episode 229: “A Trumpet Junket” 9/29/2025 “Kevin Puts: Concerto for Orchestra, Silent Night Elegy & Virelai” (Delos) Saint Louis Symphony Orchestra / Stéphane Denève https://open.spotify.com/album/3s5T4R7QJKHjgfNHmVy6Vz https://music.apple.com/us/album/kevin-puts-concerto-for-orchestra-silent-night-elegy/1826975431 No Amazon Music Episode 231: “Bourbon Based” 10/13/2025 “Robert Russell Bennett & Vernon Duke: Violin Concertos” (Chandos) Chloë Hanslip, Singapore Symphony Orchestra / Andrew Litton https://open.spotify.com/album/5SQS6UVFNNBMf7Itmo1JEG https://music.apple.com/us/album/bennett-duke-violin-works/1830974602 https://music.amazon.com/albums/B0FKQ8BJYV Mike's Classical Picks Episode 202: “The Spaces Between” 2/24/2025 “The Age of Extremes: W.F. Bach, G. Benda & C.P.E. Bach” (Arcana) Francesco Corti, Il Pomo d'Oro https://open.spotify.com/album/666rWzJgsF6pZo9KyAZ27A https://music.apple.com/gh/album/the-age-of-extremes-w-f-bach-g-benda-c-p-e-bach/1781631697 https://music.amazon.com/albums/B0DN6QFCXM Episode 207: “Blues ‘n' Bones” 4/7/2025 “Dvořák & Price: Piano Quintets” (Hyperion) Takacs Quartet, Marc-Andre Hamelin https://open.spotify.com/album/1i8Dx19cZUT4y5TcD9bomJ https://music.apple.com/us/album/dvořák-price-piano-quintets/1791744025 https://music.amazon.com/albums/B0DTKP5X5F Episode 209 “Women on the Open Road” 4/21/2025 “Vox Feminae” (Alpha) Les Kapsber'girls https://open.spotify.com/album/7CMohdNtQxiB83iEMqntc7 https://music.apple.com/us/album/vox-feminae/1793025660 https://music.amazon.com/albums/B0DV5PTBMJ Episode 212: “From Bach to Boogaloo” 5/12/2025 “Concertos: Pécou, Lazkano, Nante” (Erato) Alexandre Tharaud https://open.spotify.com/album/6bI8HUotFbewV3WMYX0OV0 https://music.apple.com/us/album/pécou-lazkano-nante-piano-concertos/1806217843 https://music.amazon.com/albums/B0F3FG9KJ7 Episode 213: “Sacred Trinity & Swingin' Trio” 5/18/2025 “Clérambault: Te Deum & Histoire de la Femme Adultère” (Château de Versailles Spectacles) Lisandro Abadie, Guy Cutting, Samuel Namotte, Gwendoline Blondeel A Nocte Temporis, Chœur de Chambre de Namur / Reinoud Van Mechelen https://open.spotify.com/album/3kITS98BQIa4cFBjT1NSnH https://music.apple.com/us/album/clérambault-te-deum-histoire-de-la-femme-adultère/1799108129 https://music.amazon.com/albums/B0DYNNF76N Episode 215 “Doorway to the Horizon” 6/7/2025 “Ni Dufay, Ni Binchois - the Works of Johannes Pullois” (Passacaille) Sollazzo Ensemble https://open.spotify.com/album/4NMrnD08oj20PzLNDHM0rL https://music.apple.com/us/album/ni-dufay-ni-binchois-the-works-of-johannes-pullois/1807330875 https://music.amazon.com/albums/B0F44CTHZL Episode 224: “Moon Tunes” 8/18/2025 “Bach, Telemann & Albinoni: Concerti” (Alpha) Sophie Gent, Kathleen Kajioka, Ensemble Masques / Olivier Fortin https://open.spotify.com/album/4Z9606TIlzMs2YA6LXiZnP https://music.apple.com/us/album/j-s-bach-telemann-albinoni-concerti/1807001257 https://music.amazon.com/albums/B0F8NM4DPF Episode 227: “Melodic Reflections” 9/9/2025 “Libro primo” (ECM) Rolf Lislevand https://open.spotify.com/album/3XPfRhPmgp2sTj5rLPPH2I https://music.apple.com/us/album/libro-primo/1826581965 https://music.amazon.com/albums/B0FHJ5H7JV Episode 229: 2A Trumpet Junket” 9/29/2025 “Martinů String Quartets 2-3-5-7” (Supraphon) Pavel Haas Quartet https://open.spotify.com/album/5LhBAJvYfW3akK0G35B8wh https://music.apple.com/us/album/martinů-string-quartets-nos-2-3-5-7/1832782214 https://music.amazon.com/albums/B0FM474BZ7 Episode 234 “Found Objects & Fresh Air” 11/10/2025 “Martinu Violin Concertos 1 & 2, Stravinsky Divertimento” (Supraphon) Josef Spacek, Prague Radio Symphony Orchestra / Petr Popelka https://open.spotify.com/album/0SKhKsHvwcPZ4OYMtzGRuK https://music.apple.com/us/album/martinů-violin-concertos-1-2-stravinsky-divertimento/1846791139 https://music.amazon.com/albums/B0FTGJLNHZ “Found Objects / Sound Objects” (Hyperion) Marc-André Hamelin https://open.spotify.com/album/2dGt6QoBUsh75ShmyWOERe https://music.apple.com/us/album/found-objects-sound-objects/1828259285 https://music.amazon.com/albums/B0FJHYS4SJ Mike's Jazz Picks Episode 205: “Fragmented Inspirations” 3/24/2025 “South” (Sunnyside) Randal Despommier https://open.spotify.com/album/1EcSKXQuNPs7UIzaTkLl0j https://music.apple.com/us/album/south/1797433088 https://music.amazon.com/albums/B0DTWJSFZJ Episode 208: “Elegence and Fire” 4/14/2025 “Live at Snug Harbor” (Outside in Music) Leon Anderson https://open.spotify.com/album/34XmNuGwm09hMfwDqaiGyf https://music.apple.com/us/album/live-at-snug-harbor/1792288803 https://music.amazon.com/albums/B0DTWHYQSL Episode 212: “From Bach to Boogaloo” 5/12/2025 “Steep Steps” (Hobby Horse Records) Carl Winther, Richard Andersson, Jeff “Tain” Watts https://open.spotify.com/album/6mSi775nA3yYvU9Njpd7LV https://music.apple.com/us/album/steep-steps/1796891336 https://music.amazon.com/albums/B0DXFZPK8X Episode 218: “A Quarter for Your Tones” 7/7/2025 “Nico's Dream” (SteepleChase) Tony Miceli https://open.spotify.com/album/5wUvoUKyZ0mmP87LZT877P https://music.apple.com/us/album/nicos-dream/1828638176 https://music.amazon.com/albums/B0F4DSQMVV Episode 229: “A Trumpet Junket” 9/29/2025 “Oblivity” (Origin) Shawn Purcell https://open.spotify.com/album/4BdcYHpppD4zNskoxnuP2Z https://music.apple.com/us/album/oblivity/1831093754 https://music.amazon.com/albums/B0FL4V5HPB Episode 230: “Concertos & Ciphers” 10/6/2025 “Cipher” (PHP Records) Charlie Porter https://open.spotify.com/album/2Nf8PpF9l3pDz6FLn4V18s https://music.apple.com/us/album/cipher/1807658361 https://music.amazon.com/albums/B0F49QRDH5 Episode 233: “Origin-al Recipe” 11/3/2025 “New Outlook” (Origin) Affinity Trio, Eric Jacobson https://open.spotify.com/album/6lhUbkRZQbk93E8rqane5J https://music.apple.com/us/album/new-outlook/1841929457 https://music.amazon.com/albums/B0FSCP685Q “In the Groove: Live at the Alluvion” (OA2) trumpet, 10/17/2025 Anthony Stanco https://open.spotify.com/album/1eTkEAn2waOoKYJTjGkRyi https://music.apple.com/us/album/in-the-groove-live-at-the-alluvion/1841931160 https://music.amazon.com/albums/B0FSCSVSY6 Episode 235: “Impressions & Connections” 11/17/2025 “Lasting Impression” (Savant/High Note) Brandon Sanders https://open.spotify.com/album/1avyPXf8rP4eqgbfGHnnQN https://music.apple.com/us/album/lasting-impression/1840695827 https://music.amazon.com/albums/B0FRNM61SQ Episode 240: “Double Trouble” 12/22/2025 “It's On!” (Nervy Nigel Records) Nigel Price https://open.spotify.com/album/0y2Rph1r8YLaqktG90Xxeh https://music.apple.com/gb/album/its-on/1850003081 https://music.amazon.com/albums/B0FY3P1HB4 Honorable Mention Episode 228: “Synergy, Vocals, and Vibes” 9/22/2025 “Synergy” (SteepleChase) Paul Bollenback, Boris Kozlov https://open.spotify.com/album/59j2rbwlkeEgvAwKTVZz9o https://music.apple.com/us/album/synergy/1843953911 https://music.amazon.com/albums/B0FL5GF4F1 Russ' Jazz Picks Episode 198: “Serene Screen Time” 1/27/2025 “The Snake Charmer” (Origin) Brad Goode Polytonal Big Band https://open.spotify.com/album/3FGXtQeRDC6i5LQMDTnyDl https://music.apple.com/us/album/polytonal-big-band-the-snake-charmer/1781618413 https://music.amazon.com/albums/B0DNZ5HRRD Episode 202: “The Spaces Between” 2/24/2025 “Table for Three” (SteepleChase) Alex Norris https://open.spotify.com/album/2l4TGcCJaluGa98MqC8Ht7 https://music.apple.com/us/album/table-for-three/1806266526 https://music.amazon.com/albums/B0DVBDCBXQ Episode 206: “Timbre Tantrum” 3/31/2025 “LightSide” (A.MA Records) Matteo Pastorino https://open.spotify.com/album/4z1xt1yALoiVkVk4t5vgVi https://music.apple.com/us/album/lightside-feat-dario-deidda-armando-luongo-domenico-sanna/1798791324 https://music.amazon.com/albums/B0DYN9FLW8 Episode 214: “Building Characters & Light Bassoonery” 5/26/2025 “Building Characters” (Cellar Music) Charles Chen https://open.spotify.com/album/5u6CjR2OTU7MjQUU5OOJCZ https://music.apple.com/us/album/building-characters/1795037951 https://music.amazon.com/albums/B0DWG54DLB Episode 220: “Trans-phonic” 7/21/2025 “Transverse” (Calligram Records) Chad McCullough, Gordan Spasovski, Kiril Tufekčievski, Viktor Filipovski https://open.spotify.com/album/4GsqtJEMpqYfEDF14dxPzu https://music.apple.com/us/album/transverse/1819687910 https://music.amazon.com/albums/B0FCM5H3K5 Episode 222: “Mountain Viewfinder” 8/4/2025 “Viewfinder” (Attica Records) Hugh Pascall https://open.spotify.com/album/7IBrlJsdgj0sY579JDebqT https://music.apple.com/us/album/viewfinder/1825686850 https://music.amazon.com/albums/B0FH2XKXG5 Episode 224: “Moon Tunes” 8/18/2025 “Many Moons” (Third Coast Sound) Markus Rutz https://open.spotify.com/album/4MK0b4KgkFSclrpIqbrF3b https://music.apple.com/us/album/many-moons/1810126274 https://music.amazon.com/albums/B0F61HBSNF Episode 225: “Chromatic Dreams” 8/25/2025 “Still We Dream” (Posi-Tone) Josh Lawrence https://open.spotify.com/album/3Rybpa0B2Xs4hrB8JBG4yP https://music.apple.com/us/album/still-we-dream/1821713242 https://music.amazon.com/albums/B0FGZMSQDS Episode 232: “A French Connection” 10/20/2025 “The Dark Forest” (Steeplechase) Chris Byars https://open.spotify.com/album/4kFItljxvnU4JdIln0Wdp4 https://music.apple.com/us/album/the-dark-forest/1844056557 https://music.amazon.com/albums/B0FSG9R8C1 Episode 234: “Found Objects & Fresh Air” 11/10/2025 “A Breath of Fresh Air” (Taylor Christian Records) Sean Mason https://open.spotify.com/album/6mS8l8ZNHCu2CWerK3iBt7 https://music.apple.com/us/album/a-breath-of-fresh-air/1836167990 https://music.amazon.com/albums/B0FP2V4FH2
In the fifty-second episode of the Inspiring Stewards podcast, Nathan Jones speaks with Clement Hlama from Chad. Clement grew up in a church in a remote village where his father was a pastor. Through God's Word, he came to know Jesus personally. Over the years, he has had different roles and currently serves as a board member of the National Evangelical Fellowship. Clement sees God at work today, even though people face many challenges, including persecution. Today, in the “afternoon” of his life, he invests his time and energy in equipping, training, and mentoring the younger generation. He concludes by encouraging people to pray for more GTP French resources to help equip church and ministry workers across the Francophone world.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org.The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 16:52
La Voz Humana en la Música - Música de Navidad de Bach y Telemann by Radiotelevisión de Veracruz
Episode: 1491 In which business schools study a leaderless orchestra. Today, we have no leader.
Der aus Magdeburg stammende Komponist Georg Philipp Telemann machte in Hamburg steil Karriere. 1721 wurde er im Norden zu gleich zwei renommierten Ämtern berufen. Ob sein Ruf bis heute nachhallt, interessiert Reporterin Nina Prasse. Auf ihrem Weg durch die Stadt wurde sie auf ihrer Spurensuche gleich mehrmals überrascht.
Gepresenteerd door: Saskia Voorbach Het Zondagochtend Concert is een serie concerten met toegankelijke muziek, op zondag om 11:02 uur, rechtstreeks vanuit het Concertgebouw in Amsterdam. Akademie für Alte Musik Berlin Georg Kallweit, concertmeester Mayumi Hirasaki, concertmeester Kerst komt vroeg dit jaar! Het beroemde barokorkest Akademie für Alte Musik komt met een heerlijk kerstprogramma met muziek van Telemann, Corelli, Vivaldi, Locatelli en Bach.
In the fifty-first episode of the Inspiring Stewards podcast, Nathan Jones speaks with Luis Campos from Puerto Rico. Luis, who comes from a multicultural background and served as a pastor, equips young people to share the gospel around the world. Following the example of Jesus as the first youth minister, he finds joy in watching young people share the gospel boldly and without hesitation. He closes by reminding listeners that stewardship extends far beyond finances and covers everything God entrusts to us, including the next generation.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.orgThe music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 12:47
Episode Notes **Did you know you can support my podcast for as little as $1 a month? You can do that by heading over to my Patreon HERE!! This week I talk with Caterina about here newest release “Telemann 12 Fantasias” available here. The recording is remarkable and her story about what these pieces meant to here make it even more beautiful to listen to! Of course you can always head over to their website here, to get more information such as tour dates and information about their incredible camps they put on! (The next one is in Croatia!) Download the Telemann 12 Fantasia's HERE! Songs featured in this episode: All songs featured in this episode are available to purchase HERE! As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Peghead Nation promo code mandolinbeer Northfiled Mandolins Ear Trumpet Labs Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer Tone Traveller**
Episode Notes Did you know you can support my podcast for as little as $1 a month? You can do that by heading over to my Patreon HERE!! What an absolute honor to have Caterina Lichtenberg and Mike Marshall back on the podcast! Together they have a brand new duo album out called “Caterina Lichtenberg Mike Marshall and Friends” (available here) and separately they each have new albums as well! Caternia's is called “Telemann 12 Fantasias” available here and Mike has “Mike Marshall and Alessandro Penezzi Mandolin and Guitar” available here. Of course you can always head over to their website here, to get more information such as tour dates and information about their incredible camps they put on! (The next one is in Croatia!) Songs featured in this episode: All songs sampled during this episode are available to purchase HERE!! As Always a HUGE thank you to all of my sponsor's that make this podcast possible each week! Mandolin Cafe Peghead Nation promo code mandolinbeer Northfiled Mandolins Ear Trumpet Labs Ellis Mandolins Pava Mandolins Tone Slabs Elderly Instruments String Joy Strings promo code mandolinbeer Tone Traveller
Na een aanhef met het Credo I volgen in heel uiteenlopende muziekstijlen liederen (of composities) die de zó nodige vrede bezingen en tot vrede oproepen. Van gregoriaans tot gospel, uit alle muziekperiodes klinken vredesliederen in diverse koren en muziekgroepen. Met dank aan: gregoriaanse meesters, Mendelssohn, Beethoven, Goldfarb, Jenkins, Bach en Telemann, waardoor deze liederenkrans ontstond.
In deze aflevering van Kalm met Klassiek staat er muziek klaar van Georg Friedrich Telemann, tijdgenoot van Johann Sebastian Bach. Oude muziek dus, maar ook weer niet, want deze specifieke uitvoering komt van een gloednieuw album. Je kunt de muziek dus zien als de klank van deze herfst, en daarbij nodigt Ab je uit om zelf ook eens stil te staan bij de herfst van nu. Het huidige seizoen met extra intentie beleven: aan het vioolspel van Isabelle Faust en de strijkers van de Akademie für Alte Musik Berlin zal het niet liggen. Zij maken dat dit 'Concert voor viool en strijkorkest' van Telemann een nóg groter genot is om naar te luisteren. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/thema/kalm-met-klassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=be36463468d84e37).
In the fiftieth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Sabita Thapa from Kathmandu, Nepal. Born into a non-Christian family, Sabita came to faith in Christ after her father experienced healing. Today, God has her involved in training, counselling, and mentorship with children, women, and teachers. Sabita shares that God is at work in many ways, but we must intentionally position ourselves to live out our faith. She concludes by encouraging listeners to stay attuned to the Holy Spirit and allow Him to work through their lives.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org.The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 14:34
Hollie McNish has been writing poems about – as she puts it – ‘anything and everything' since she was seven years old. Her work now reaches audiences of millions, through her books, performances and short videos, making her one of the UK's most widely shared poets. In 2017 she won the Ted Hughes Award for her book Nobody Told Me, a collection of poetry and diary entries that she kept from the moment she discovered she was pregnant until her daughter was three. She has published six other collections, including her most recent, Virgin, which explores how one six letter word holds such power. Her choices include music by Telemann, Joseph Bologne Chevalier de Saint-George, Nina Simone and Tchaikovsky. Presenter Michael Berkeley Producer Clare Walker
Georg Philipp Telemann (1681–1767) – quartetto in sol maggiore, from Tafelmusikper flauto, oboe, violino e basso continuo Largo – Allegro – Largo Vivace – Moderato – Vivace Grave – Vivace Croatian Baroque Ensemble
durée : 00:16:08 - Le Disque classique du jour du mardi 07 octobre 2025 - Telemann est l'auteur de 46 passions, dont cinq inspirées de l'évangéliste Luc. La Passion selon Luc de 1744 se distingue par ses arias très expressives, mais surtout par ses chœurs dramatiques. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:16:08 - Le Disque classique du jour du mardi 07 octobre 2025 - Telemann est l'auteur de 46 passions, dont cinq inspirées de l'évangéliste Luc. La Passion selon Luc de 1744 se distingue par ses arias très expressives, mais surtout par ses chœurs dramatiques. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:42 - En pistes ! du mardi 07 octobre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - A découvrir aujourd'hui, l'une des quarante-six passions composées par Telemann. Inspirée par l'évangéliste Luc, cette oeuvre est rarement enregistrée. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:42 - En pistes ! du mardi 07 octobre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - A découvrir aujourd'hui, l'une des quarante-six passions composées par Telemann. Inspirée par l'évangéliste Luc, cette oeuvre est rarement enregistrée. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
In this second part of my conversation with the internationally acclaimed flutist, researcher, and author Rachel Brown, we continue our journey into the world of 18th-century flute culture.We speak about the flute makers who shaped the sound of our time, the virtuoso players of the 18th century and their repertoire, and the surprising way dissonance can be described in terms of taste experiences. Our conversation also touches on the role of historical clothing and why women were often excluded from playing wind instruments, and Rachel shares her own creative voice as a composer, including her projects inspired by Telemann's Twelve Fantasias for solo flute.This episode of (In)Sight-Reading Enlightenment is kindly supported by the Christoph Merian Stiftung.
In the forty-ninth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Miguel Castillo from Spain. Born into a family of five in Monterrey, Mexico, Miguel began attending church at a very early age but made his personal decision to follow Jesus during his senior year of college. He currently coaches and helps develop church planters in Europe. He understands that stewardship involves exercising responsible care of everything that God has entrusted to His people. He concludes by reminding listeners to return to the early priesthood by equipping stewards to live Spirit-filled lives, reflecting Christ in their communities.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.orgThe music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 17:21
Wer in Telemann bislang einen eher konventionellen Komponisten vermutet hat, wird hier eines Besseren belehrt.
durée : 01:28:59 - En pistes ! du mercredi 17 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Deux grands interprètes baroques aujourd'hui dans En Pistes : la violoniste Isabelle Faust joue Telemann, tandis que Paul Agnew et l'ensemble Les Arts Florissants enregistrent Orphée et Eurydice. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 01:28:59 - En pistes ! du mercredi 17 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Deux grands interprètes baroques aujourd'hui dans En Pistes : la violoniste Isabelle Faust joue Telemann, tandis que Paul Agnew et l'ensemble Les Arts Florissants enregistrent Orphée et Eurydice. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
In the forty-eighth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Alex from Moscow. Born during the Soviet era, when being a Christian was not accepted, Alex has felt God's call on his life since childhood. He currently lives out this calling in various teaching roles, mainly in higher education. He understands that serving God moves beyond local church involvement; it also includes the professional work where God has placed us. To experience God's work in our lives, Alex encourages listeners to take care of all the resources God has entrusted to them and not to replace Him with those resources. We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.orgThe music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 15:12
In this episode, we discuss recordings of “Bach, Telemann & Albinoni: Concerti” (Alpha) by Sophie Gent, Kathleen Kajioka & Ensemble Masques / Olivier Fortin, “Ginastera: String Quartets” (Pentatone) by Miró Quartet & Kiera Duffy, “Silvestrov: Symphony No. 8 & Violin Concerto” (Naxos) by Janusz Wawrowski & the Lithuanian National Symphony Orchestra / Christopher Lyndon-Gee, “Scratch Band” (7tēn33 Productions) by Ron Blake, Reuben Rogers & John Hadfield, “A Time Once Forgotten” (Whirlwind Recordings) by Kai Craig, and “Many Moons” (Third Coast Sounds) by Markus Rutz. The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts Episode 224 Deezer Playlist Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists. “Bach, Telemann & Albinoni: Concerti” (Alpha) Sophie Gent, Kathleen Kajioka, Ensemble Masques / Olivier Fortin https://open.spotify.com/album/4Z9606TIlzMs2YA6LXiZnP https://music.apple.com/us/album/j-s-bach-telemann-albinoni-concerti/1807001257 https://music.amazon.com/albums/B0F8NM4DPF “Ginastera: String Quartets” (Pentatone) Miró Quartet, Kiera Duffy https://open.spotify.com/album/1kV9fCXnmG12g83r9NaBVb https://music.apple.com/us/album/ginastera-string-quartets/1811223069 https://music.amazon.com/albums/B0F6NY4K2J “Silvestrov: Symphony No. 8 & Violin Concerto” (Naxos) Janusz Wawrowski, Lithuanian National Symphony Orchestra / Christopher Lyndon-Gee https://open.spotify.com/album/32H62w4Wp12YEET64TzlQD https://music.apple.com/us/album/valentin-silvestrov-symphony-no-8-violin-concerto/1807713780 https://music.amazon.com/albums/B0F45T1X1K “Scratch Band” (7tēn33 Productions) Ron Blake, Reuben Rogers, John Hadfield https://open.spotify.com/album/02KDna2obrn65SZNRSrPqT https://music.apple.com/us/album/scratch-band/1829045413 https://music.amazon.com/albums/B0FJWVZCYK “A Time Once Forgotten” (Whirlwind Recordings) Kai Craig https://open.spotify.com/album/26dfnVc51GMKExngnjtMOZ https://music.apple.com/us/album/a-time-once-forgotten/1818979966 https://music.amazon.com/albums/B0F6N99B4Q “Many Moons” (Third Coast Sounds) Markus Rutz https://open.spotify.com/album/4MK0b4KgkFSclrpIqbrF3b https://music.apple.com/us/album/many-moons/1810126274 https://music.amazon.com/albums/B0F61HBSNF
In this podcast, Raymond Bisha unearths captivating performances of horn concertos by Rosetti, Vivaldi and Telemann. Did the latter have a few Steins of Alsterwasser to hand when depicting concertising frogs and crows? Listen on...
In the forty-seventh episode of the Inspiring Stewards podcast, Nathan Jones speaks with Tuvsho Tsogtsugar from Mongolia. Born in Soviet times and raised in a humble family who knew little about Christianity, Tuvsho came to faith in her early 20s through interaction with foreign missionaries. This shaped her heart to minister to young adults and stay in Mongolia rather than leave the country. As the co-founder of Heart of Mentoring, she supports young people transitioning out of the orphanage system. Tuvsho calls listeners to attune to the needs of the younger generation with her. She believes we can lead them to Christ and have a meaningful impact in their lives. We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.orgThe music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 12:21
In the forty-sixth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Benjamin Juang from Taiwan. Born in the United States, Benjamin moved to Taiwan at the age of 10 and now serves as a youth minister at his church. Living in a predominantly non-Christian society, he draws inspiration from the prophet Daniel to share the gospel through various means, including his YouTube channel. Benjamin encourages listeners to connect with the younger generation through genuine relationships and love. As a parent, he concludes by emphasizing the importance of building Christ-centered families and nurturing faith at home, rather than simply striving to grow a large ministry or megachurch.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org. The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 13:44
Join us in person at Merit School of Music for this live broadcast - free entry, no reservation required. Jacob Cornejo performs full works by Godard and Muczynski, a flute fantasia by Telemann, and shorter pieces by Ian Clarke and John Rutter. The post LIVE from Merit School of Music | Jacob Cornejo, 18, flute appeared first on WFMT.
[@ 3 min] Alright, this week, it's Monday Evening Quarterback on the 2025 Boston Early Music Festival, and we'll be joined by Amanda Forsythe with a scoop on the 2027 centerpiece opera! We promise this is the only opera podcast talking Telemann. [@ 21 min] And then...the centenary of Dietrich Fischer Dieskau's birth was last month, and we have a Free Throw from one of his last pupils, Benjamin Appl. Considered to be one of the all-time great Lieder interpreters, WE will consider Dieskau's notable opera roles. [@ 43 min] Plus, in the ‘Two Minute Drill'…a decline in tourism coupled with the rise in deportations may be adversely affecting ticket sales at the Met...but that's not stopping the Laffont competition from scouting in South America. GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social
Ein schlagkräftiges Team: die Berliner Barock Solisten und Reinhard Goebel, eine Ikone der Originalklang-Szene. Mit Werken von Vivaldi, Bach und Telemann zeigen sie auf "Cremona 2", wie moderne Instrumente und historische Aufführungspraxis harmonieren.
Hannah French presents highlights of last November's London International Festival of Early Music. There's music by Corelli from the young Korean recorder player Jiyeon Bang, viol player Robert Smith plays a set of variations by John Jenkins, harpsichordist Maciej Skrzeczkowski plays John Bull, and recorder player Erik Bosgraaf and the ensemble filoBarocco explore the world of Telemann's Polonaises.
In the forty-fifth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Ronald Blonk from the Netherlands. Ronald, founder of Let's Go, leads a ministry that develops curriculum for children, combining biblical teaching, environmental care, and sustainable farming practices. He shares how God called him to serve as a fundraiser and later inspired him to create a curriculum that empower children, especially in under-resourced communities. Ronald underscores the importance of stewardship, urging listeners to embrace their role in caring for both people and the environment. He closes with a powerful reminder: actions speak louder than words in advancing God's kingdom.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org. The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 10:51
In the forty-fourth episode of the Inspiring Stewards podcast, Nathan Jones speaks with Martha Das from Dhaka, Bangladesh. Growing up in a small village, Martha sensed God's calling from an early age and came to understand the importance of generosity. Through the many roles she has held throughout her life, she has witnessed God's provision and faithfulness, even in the face of hardship and persecution. She closes the conversation with a passionate appeal to churches and ministries: make room for young people to serve the Lord and encourage them to use everything they're learning, especially through media, to help advance the gospel of Jesus Christ.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org. The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 11:46
Eine CD von diversen Interpreten - vorgestellt auf NDR Kultur.
The Royal Ballet and Opera House in London continue their access programme with three up-coming opera productions this spring and summer with audio described performances, touch tours and introductory notes for blind and partially sighted people. RNIB Connect Radio's Toby Davey was joined from the Royal Opera House by Jack Blue, Executive Assistant to the Directors of Opera and Senior Project Co-Ordinator Elliott Henry to find out more about three great audio described opera productions. Highlighted opera productions included: Bizet's ever-popular opera Carman will be audio described on Monday 21 April at 2pm with a touch tour at 1pm on the main stage of the Royal Opera House. Telemann's rarely performed comic opera Pimpinone will be audio described on Sunday 11 May at 2pm with a touch tour at 12.45pm and on Thursday 15 May at 7.15pm with a touch tour at 6pm at the Royal Opera House's Linbury Theatre. And returning to the Royal Opera House's main stage Verdi's Il Trovatore will be audio described on Thursday 17 July at 7.30pm with a touch tor at 6.30pm on the main stage of the Royal Opera House. For more details about these and other audio described performances at The Royal Ballet and Opera House do contact the RBO Box Office on 020 7304 4000, email boxoffice@roh.org.uk or for general access information do visit the access pages of the RBO website - https://www.rbo.org.uk/visit/access-at-rbo (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)
In the forty-third episode of the Inspiring Stewards podcast, Nathan Jones speaks with Andrea Messam from Kingston, Jamaica. Andrea shares how she grew up in an inner-city community and came to faith in Jesus. After some twists and turns, she tells how God led her to serve as a chartered accountant. Today, she works as president of the Jamaica Cooperative Credit Union League and enjoys putting her giftedness to work in her church and community to produce fruit for God's kingdom. She concludes by reminding us how the Lord provides and protects His children as we await His return.We'd love to hear your thoughts, comments, or feedback. To do so, email us at mail@gtp.org. The music is Concerto a' 4 Violini No 2 by Telemann played on classical guitar by Jon Sayles. Published by Exzel Music. Length: 14:23
Interpreten: Mozarteumorchester Salzburg, Reinhard GoebelLabel: Berlin ClassicsEAN: 885470030227Im August 2023 hat das Mozarteumorchester Salzburg eine neue CD Edition bei Berlin Classics begonnen. Chefdirigent Roberto González-Monjas dirigierte damals Serenaden von Wolfgang Amadeus Mozart. Nach Bruckner, Henze und Richard Strauss kehrt das Mozarteumorchester Salzburg auf seiner jüngsten CD nun unter Reinhard Goebel wieder zurück zu Mozart. Die Mozartkugel rollt wieder, und das bereits zum fünften Mal. Gemeint ist damit natürlich die stilisierte Mozartkugel in buntem Stanniolpapier, diesmal im Farbton Apricot, auf dem Cover der aktuellen CD-Reihe des Mozarteumorchesters Salzburg. Die sogenannte Posthornserenade von Wolfgang Amadeus Mozart, also die Serenade in D-Dur KV 320, hat Reinhard Goebel mit den Musikerinnen und Musikern des Mozarteumorchesters in den Mittelpunkt der gemeinsamen Arbeit gestellt. Umrahmt von den zwei Märschen in D-Dur KV335. Schon die ersten Klänge des ersten Marsches verheißen Großes. Hier wird Mozart nicht als klassische Pflichtübung gesehen.Das wäre aber unter der fundierten Leitung von Reinhard Goebel auch gar nicht möglich. Zu sehr brennt der alte Musik Spezialist für alles, was er macht. Sei es Veracini, Bach, Telemann oder, wie hier, Mozart. Historisch informiertes Musizieren bedeutet für Goebel in erster Linie Musizieren! Und dann kommen seine wissenschaftlichen und spielpraktischen Erfahrungen und Ansätze dazu. Und das merkt man auch hier bei Mozart. Schön frisch und knackig spielt das Mozarteumorchester, man spürt nach den ersten Einleitungstakten, wenn das Allegro con spirito Fahrt aufnimmt, wie die Musikerinnen und Musiker sich mit Goebel einschwingen. Dass diese Serenade genauso gut Oboen-, Flöten- oder Fagottserenade heißen könnte, zeigen die Sätze drei und vier, in denen sich die angesprochenen Instrumente bzw. deren Spielerinnen und Spieler in Höchstform zeigen. Den Ehrenplatz mit dem Titel hat sich aber das Posthorn mit seinem Solo im zweiten Trio des zweiten Menuetts verdient. Auch sehr schön. (mg)
durée : 01:27:54 - En pistes ! du jeudi 20 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Quelques figures mythiques nous accompagnent ce matin : Castor et Pollux, Agrippine, Prométhée. A retrouver aussi, une nouvelle anthologie des premiers enregistrements d'Antal Doráti avec le Philharmonia Hungarica pour les labels Mercury et Philips.
durée : 01:27:54 - En pistes ! du jeudi 20 mars 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Quelques figures mythiques nous accompagnent ce matin : Castor et Pollux, Agrippine, Prométhée. A retrouver aussi, une nouvelle anthologie des premiers enregistrements d'Antal Doráti avec le Philharmonia Hungarica pour les labels Mercury et Philips.
durée : 01:28:29 - En pistes ! du vendredi 14 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - On finit la semaine avec un peu de poésie : Ronsard chanté par Marc Mauillon et Doulce Mémoire, Chopin sous les doigts de Maurizio Pollini ou ces très beaux airs de Telemann enregistrés par la soprano Amanda Forsythe
durée : 01:28:29 - En pistes ! du vendredi 14 février 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - On finit la semaine avec un peu de poésie : Ronsard chanté par Marc Mauillon et Doulce Mémoire, Chopin sous les doigts de Maurizio Pollini ou ces très beaux airs de Telemann enregistrés par la soprano Amanda Forsythe
Today we feature young violinist Katherine Schaufenbuel, a student of Grigory Kalinovsky of Indiana University. She plays Telemann, Mozart, Brahms, Wieniawski and Auerbach with pianist Lyudmila Lakisova. The post Katherine Schaufenbuel, 13, violin appeared first on WFMT.
Flute 360 | Episode 302: "Just Drink the Pickle Juice!" In Episode 302, Dr. Heidi Kay Begay shares a personal and powerful lesson about embracing temporary discomfort for long-term benefits. Using her own experience with muscle cramps and the surprising remedy of pickle juice, she draws an analogy to overcoming challenges in flute playing and career development. Whether it's tackling difficult repertoire or advancing your flute business, Dr. Heidi encourages listeners to face short-term discomfort head-on, knowing it will propel them towards long-term success. Main Points: Facing Temporary Discomfort for Long-Term Growth: Dr. Heidi recounts her struggle with muscle cramps and how drinking pickle juice, despite her aversion, was the key to overcoming them. She relates this to how avoiding difficult tasks in flute practice or career-building can hold you back. Pickle Juice as an Analogy: Just like the quick discomfort of drinking pickle juice, stepping outside of your comfort zone, whether in flute playing or business, is temporary but leads to major growth. Avoiding Short-Term Pain Leads to Long-Term Stagnation: Are you avoiding the "pickle juice" in your life? Whether it's practicing double-tonguing exercises or learning new business skills, confronting temporary challenges leads to long-term rewards. Small Efforts Lead to Big Results: Sometimes, the task you're avoiding is much smaller and more manageable than you think. Just as Dr. Heidi learned that only a tablespoon of pickle juice was necessary, the efforts required to make significant progress may not be as overwhelming as they seem. Call to Action: Register Now for the Flute 360 Accelerator Program happening on October 26th, 2024! Special guest Dr. Dennette Derby McDermott will be diving deep into Baroque music. Perfect for anyone working on Telemann Fantasies, Quantz Concerti, Bach Sonatas, ornamentation, and more! Register within the next two weeks to be one of the performers. Don't miss this incredible opportunity to get expert feedback and take your Baroque performance to the next level! The live session is scheduled for 10/26/24 from 11:00 AM to 1:00 PM CT. Links to register are below for all three tiers! The deadline is Friday, 10/19/24! Tier 1 – click here! Tier 2 – click here! Tier 3 – click here! Resources: Michigan Medical Podcast – Read Here about the Benefits of Pickle Juice & Muscle Cramps Dr. Dennette McDermott's Episode 14 Dr. Dennette McDermott's Episode 246 Texas Flute Society National Flute Association The Flutist's Détaché Book by Robert Stallman Practice Book for the Flute, Book 3: Articulation by Trevor Wye Flute Fundamentals by Mary Karen Clardy Follow Heidi: Follow Flute 360 via TikTok! Follow Flute 360 via Instagram! Follow Flute 360 via Twitter! Follow Flute 360 via LinkedIn! Follow Flute 360 via Facebook! Subscribe to the Flute 360's YouTube Channel! Join the Flute 360 Newsletter! Join the Flute 360 Family's Facebook Private Group!