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12 episodes with downbeat magazine
7 episodes with downbeat magazine
3 episodes with downbeat magazine
7 episodes with downbeat magazine
3 episodes with downbeat magazine
2 episodes with downbeat magazine
3 episodes with downbeat magazine
3 episodes with downbeat magazine
2 episodes with downbeat magazine
For this bonus episode, the Shakespeare and Company podcast welcomes Jeremy Pelt, renowned jazz trumpeter and author of Griot: Examining the Lives of Jazz Great Storytellers. In conversation with Alex Freiman, Pelt discusses the evolution of jazz, the influence of oral traditions, and the importance of documenting firsthand accounts from legendary musicians. Reflecting on his early days at Berklee, his experiences touring worldwide, and his deep reverence for jazz elders like Roy Haynes and Wayne Shorter, Pelt shares insights into both the triumphs and struggles of jazz musicians. He also addresses the debate over the term “jazz,” the intersection of jazz and hip-hop, and the ongoing challenge of preserving the music's integrity in an industry that often sidelines its true practitioners. Listen in for a compelling exploration of jazz history, culture, and the passion that fuels one of its modern torchbearers.*Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson and The Skatalites, to name a few.Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues.Pelt's recordings and performances have earned him critical acclaim, both nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is currently touring throughout the United States and Europe in support of his latest release, "Soundtrack".Alex Freiman is a guitarist, composer, and singer trained at the Berklee College of Music in Boston. Drawing from jazz, blues, soul, and funk, he masterfully blends these influences with energy and virtuosity, creating music that is both groovy and sophisticated. After collaborating with major figures on the French and international scenes, including Stéphane Belmondo, he released his debut album as a leader, Play It Gentle, in 2017. Recorded with Léon Parker (drums), Fred Nardin (organ), and special guest Stéphane Belmondo, this album reflects his passion for improvisation and sonic elegance. Constantly seeking innovation, he launched Alex Freiman & The Hot Sauce, an explosive project where jazz, funk, soul, and hip-hop intertwine. His EP In The Beginning (September 2024) marks the start of a new musical era, followed by the singles We Are One (January 2025), featuring rapper Tiemoko, and This Is The Hot Sauce (March 2025), affirming his vibrant and innovative musical identity. In 2025, Alex Freiman continues his groove exploration with a new album and fresh collaborations. Alex Freiman & The Hot Sauce will also be performing in Paris and across France, delivering electrifying shows where improvisation and energy collide.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
Sam Reider is a Latin GRAMMY-nominated pianist, accordionist, composer, and educator from San Francisco, California. His work brings together various streams of American music, from jazz and folk tunes to popular song and contemporary composition. He has appeared as a bandleader and soloist at major festivals and venues around the world and his performances and original compositions have been featured on NPR, PBS and the BBC. Reider has performed, recorded and collaborated with a range of artists including Jon Batiste, Jorge Glem, Sierra Hull, Laurie Lewis, and Paquito d'Rivera. From his genre-bending acoustic ensemble The Human Hands to his duo collaboration with Grammy-nominated Venezuelan artist Jorge Glem, Reider's unique compositional voice and melodicism runs throughout his eclectic projects. His 2022 solo piano record of original music Petrichor received four stars and made the Best of 2022 in Downbeat Magazine. Reider and Glem's album Brooklyn-Cumaná was featured on NPR's Tiny Desk and was nominated for Best Instrumental Album in the 2023 Latin GRAMMY Awards. In addition to his work as a performer, Reider is a prolific composer and arranger and has written for a variety of ensembles and soloists including the San Francisco Girl's Chorus, Time for Three, Trinity Alps Chamber Music Festival, Del Sol Quartet, and Tessa Lark.
Maggie speaks with Zev Feldman, an internationally recognized, independent record producer and the Co-President of Resonance Records. He is also a consulting producer of archival and historical recordings for Blue Note Records. Over the last 25 years he has worked for PolyGram, Universal Music Group, Rhino/Warner Music Group, Concord Music Group, among others. He won DownBeat Magazine's International Critics Poll for "Rising Star Producer" in 2016 for his work on a staggering 26 historical jazz recordings that year and was called "The Indiana Jones of Jazz" by Stereophile Magazine. In addition to his lauded work at Resonance, where he works closely with the estates of jazz icons such as Bill Evans, Wes Montgomery and so much more. Maggie and Zev discuss B.B. King In France: Live at the Nancy Jazz Pulsations Festival (1977) is a previously unissued live recording from the legendary bluesman B.B. King captured by the ORTF in France on October 7, 1977 and released on producer Zev Feldman's Deep Digs label in partnership with Elemental Music and INA France.The limited-edition 180g 2 x LP set was mastered and cut by Matthew Lutthans at The Mastering Lab, and include rare photos by Thierry Trombert, Val Wilmer, Jan Persson and more; plus liner notes by the acclaimed french author Jean Buzeline; and testimonials from fellow blues icons who knew or were inspired by B.B. King.Also joining Zev & Maggie is Cary Baker, a writer based in Southern California but, born on Chicago's South Side, he not only had the chance to grow up with the blues but began his writing career at age 16 for the Chicago Reader. Mr. Baker is the author of “Down On The Corner: Adventures in Busking and Street Music.” His return to writing follows a 42-year hiatus during which he directed publicity for six record labels and two of his own companies. Prior to his PR years, Baker wrote for, among others, Creem, Trouser Press, Bomp!, Goldmine, Billboard, Mix, and Record magazine. He has also written liner notes for historical reissues from labels including Universal and Capitol-EMI. Cary Baker has also been a voting member of the Recording Academy since 1979.Source: https://www.elemental-music.com/inicio/4860-bb-king-in-france-live-at-the-1977-nancy-jazz-pulsations-festival-8435395504581.htmlSource: https://recordstoreday.com/PromotionalItem/18422Source: https://www.allaboutjazz.com/the-archival-producer-zev-feldmanHost Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique
In this episode Listen to a conversation between your host Vivienne Aerts and Brooklyn based composer, violinist and educator from Japan Tomoko Omura as we talk about how she discovered playing Jazz on the violin, the way she finds inspiration for her composition, and balancing her art's life and motherhood. About Tomoko Omura Tomoko Omura is a composer, violinist and educator. Named #1 Rising Star Violinist by Downbeat Magazine's Critics Poll in 2021, she has released six albums as a leader.“Branches Vol. 2” (2021) was named Bandcamp's “Best Jazz of 2021”. She has been featured on major publications, including Grammy.com, WBGO Jazz United and The Pulse, Strings magazine, Jazz Sessions, AllAboutJazz. Originally from Shizuoka, Japan, she started violin under her mother's instruction. Almost quitting the violin in her teens, she discovered jazz when her brother was listening to "Kind Of Blue" by Miles Davis and fell in love with it. She moved to the U.S. to study at Berklee College of Music and relocated to New York after to pursue her dream of jazz violin. She became a mother in 2020 and is living in Brooklyn with her son, her partner and a pianist, Glenn Zaleski and her cat. She is a faculty member at Jazz House KiDS, leading the new String program. Instagram Website About ViviTalks - Interviews with the Women Behind Typuhthâng. Introducing ViviTalks, a podcast hosted by Dutch New York-based musician Vivienne Aerts. Join us as we celebrate 100 talented female musicians from Vivienne's latest album "Typuhthâng," with a mission to empower female cacao farmers in the Virunga State Park of Congo and contribute to rainforest restoration. We delve into the musical journeys, creative processes, and unique perspectives of these talented women, seeking to bring greater balance to the music industry. It's a safe space for honest and authentic conversations with artists and trailblazers. Let's amplify the voices of remarkable women in music and stay tuned for inspiring stories and meaningful dialogues on ViviTalks. Stream the Album Buy it on Bandcamp and get the chocolate! More about Vivienne here Follow the podcast on your favorite platform
In this episode: Listen to a conversation between your host Vivienne Aerts and Israeli Born Bass player and composer Adi Meyerson as we talk about her creative projects, her ‘chordless trio' and living in New York. About Adi Meyerson Adi Meyerson is a NY-based Bassist and composer. She was born in San Francisco, CA and at the age of two, she relocated with her family to Jerusalem, Israel, where she grew up and remained until moving to NY in 2012. Adi Studied at "The New School for Jazz and Contemporary Music” and later on at “Manhattan School of Music” for her Masters. She studied with Master Musicians such as Ron Carter, Reggie Workman, Bob Cranshaw, Miguel Zenon, Jim Mcneely, Dave Leibman and worked with many greats such as Joel Frahm, Steve Nelson, Charli Persip, Ravi Coltrane and many others around the NYC area in highly renown venues such as Mezzrow, Smalls jazz, The Jazz Standard, Smoke, Birdland and others.She is A current member of the Bria Sconberg Band, Reginald Chapman's "Pressure Fit" and "Svetlana & the NYC collective", and actively tours and performs with many others around the US and the World. As a band leader and Composer, Meyerson has successfully made an impact on the NYC scene and earned her title as an up-and-coming young talent. In September 2017, She recorded her debut album "Where We Stand" which contains 9 original compositions all by Meyerson. The Album was very well received and Meyerson's music was referred to as "Intuitive and perspicacious, that displays a musical maturity that belies her newcomer status." Downbeat Magazine. The band has headlined the "Make some Noise" music festival in May 2016, Center City Jazz Festival in Philadelphia in 2019 as well as the international Guatemala Jazz Festival in 2019. Meyerson Has performed all over the US, Latin America and Canada with her band. Meyerson is a 2020 recipient of the NYFA women's grant and is set to record and release her sophomore album in late 2021. Instagram Website About ViviTalks - Interviews with the Women Behind Typuhthâng. Introducing ViviTalks, a podcast hosted by Dutch New York-based musician Vivienne Aerts. Join us as we celebrate 100 talented female musicians from Vivienne's latest album "Typuhthâng," with a mission to empower female cacao farmers in the Virunga State Park of Congo and contribute to rainforest restoration. We delve into the musical journeys, creative processes, and unique perspectives of these talented women, seeking to bring greater balance to the music industry. It's a safe space for honest and authentic conversations with artists and trailblazers. Let's amplify the voices of remarkable women in music and stay tuned for inspiring stories and meaningful dialogues on ViviTalks. Stream the Album Buy it on Bandcamp and get the chocolate! More about Vivienne here Follow the podcast on your favorite platform
David Allee wears many hats: club owner, musician, music producer, and community non-profit leader, to name a few. As the owner of the Jazz Kitchen for nearly 30 years and as the Director of Indy Jazz Fest for over a decade, David has helped to curate literally thousands of jazz performances in Indianapolis by national and regional artists. The Jazz Kitchen has received multiple “Best 100 Jazz Clubs in the World” by Downbeat Magazine, and its sonics and ambience have inspired dozens of artists to record live albums in the venue. David, along with jazz artist/community leader Rob Dixon, re-energized the Indy Jazz Fest over a decade ago, and has continued to grow the Fest and the Indy Jazz Foundation, “to preserve the legacy and promote the future of jazz in Indianapolis.” David and I had a conversation in 2022 about his life, what inspired him to start the Jazz Kitchen, and his vision for preserving and growing Indianapolis' rich jazz history.
This episode of The Other Side of the Bell, featuring trumpeter, Sal Cracchiolo, is brought to you by Bob Reeves Brass. Tickets for the Youth Trumpet Scholars Trumpet Trilogy can be purchased here. About Sal Cracchiolo: Salvator William Cracchiolo II was born in Long Beach, California as the son of two talented music teachers. His father, Sal Cracchiolo I, owned a music studio where he taught piano and played professional accordion. His mother, Edith, was his first trumpet teacher and started Sal on trumpet at the age of 12. He played in concert, marching and jazz band in high school. By his Junior and Senior year of High School, he was attending Cerritos College playing in their jazz and concert bands. He started working as a professional musician at 15 in nightclubs with various R & B and Latin bands. In 1975 he started a long musical friendship with Poncho Sanchez, which ultimately let to 18 albums. Between working with Poncho, in the 1980s, he was a member of the Pasadena City College Big Band under the direction of saxophonist, Gary Foster. While in this band, Sal played with such jazz greats as Warren Marsh, Lee Konitz, and Peter Erskine. In the late-80s, Poncho traveled internationally. Since then, with Poncho and other acts, Sal has traveled to 45 countries globally. With Poncho, he has played and recorded with Dizzy Gillespie, Freddie Hubbard, Cal Tjader, Chick Corea, Stanley Turentine, Tito Puente, Mongo Santamaria, Clare Fischer, Gary Foster, Arturo Sandoval, Eddie Harris, Joey DeFrancesco, Dianne Reeves, Justo Almario, Andy Martin, Celia Cruz and Pete Escovedo. He performed for and with these artists at the Monterey, Playboy, Concord, and Nice Jazz Festivals plus many others throughout the U.S., Europe, Canada, Mexico, South America, Thailand and Japan. He has also done worldwide tours with such artists as Tom Jones, Vicki Carr, Harry Connick and Brian Setzer. He was with the Clayton/ Hamilton Jazz Orchestra and has played with them since 2003. The CHJO has been rated as the #1 Big Band in the USA by Downbeat Magazine from 2007 to 2010. He also performing with his own sextet featuring his wife, Melanie Jackson, on vocals In 2001 “Fly” was nominated for a Latin Grammy. He has performed on the latest albums of Michael Buble, Gladys Knight, Joss Stone, Jamiroquoi, and Dr. Dre and on various sountracks for HBO. In 2001, their CD, “Fly”, was nominated for a Latin Grammy. In 2002 they performed at the Du Maurier Vancouver International Jazz Festival. In 2003 they will be performing for the warm-up for the Playboy Jazz Festival. In 2004 through 2006 Sal and Melanie's sextet was sponsored by the California Arts Council.
Joe Lovano is a Superstar Grammy Award winning saxophonist who Downbeat Magazine has called “The Titan among us”. He's played with a Who's Who of the Jazz world including Woody Herman, Tony Bennett, McCoy Tyner, Herbie Hancock, Esperanza Spalding, Hank Jones and Diana Krall.My featured song is “Out Of Tahini” from the album Play by my band, Project Grand Slam. Spotify link.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“LOU'S BLUES” is Robert's new single. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's recent single. With guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------“MILES BEHIND”, Robert's debut album, recorded in 1994, was “lost” for the last 30 years. It's now been released for streaming. Featuring Randy Brecker (Blood Sweat & Tears), Anton Fig (The David Letterman Show), Al Foster (Miles Davis), Tim Ries (The Rolling Stones), Jon Lucien and many more. Called “Hip, Tight and Edgy!” Click here for all links.—--------------------------------------“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Intro/Outro Voiceovers courtesy of:Jodi Krangle - Professional Voiceover Artisthttps://voiceoversandvocals.com Audio production:Jimmy RavenscroftKymera Films Connect with Joe at:www.joelovano.com Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
In this episode, we sat down with trumpet player, vocalist, composer, and educator, Benny Benack III, to dive into the exciting story of his musical career. We discussed Benny's start in music and early defining moments, modern challenges for today's musicians, balancing both vocals and trumpet, the mentor-mentee relationship in jazz, artistry within algorithms, and more — We even went over Benny's preferred way to grab a coffee! This episode was such a great hang, and is a can't miss listen for anyone looking to hear a conversation from a phenomenal musician with a keen eye on today's music scene. Don't know much about Benny? Let's catch you up: “By age 33, Emmy-nominated Trumpeter and Vocalist Benny Benack III has already become a leading voice in Jazz for his generation, headlining clubs and festivals around the world on the heels of his latest critically acclaimed album “Third Time's the Charm” which ascended to #2 on the JazzWeek International Radio Charts in 2023. His double-threat credentials were first apparent when he was a finalist in the 2014 Thelonious Monk Competition on trumpet, and then won Third Place in the 2021 Sarah Vaughan Vocal Competition. His resume for both was recently bolstered in Downbeat Magazine's Critics Poll for 2023, where he appeared in two categories: The #2 Rising Star Male Vocalist and #15 Rising Star Trumpet. His global recognition has been bolstered by the recent advent of live-streaming concerts, both through his weekly residency at Smalls Jazz Club, as well as frequent appearances at fellow young lion Emmet Cohen's “Emmet's Place” online series. He has emerged from the pandemic as one of the most in-demand touring artists in the Jazz world, with a never-ending intercontinental schedule that reflects his love for the music.” For more insights and updates, be sure to follow us on Instagram: Benny's Instagram Virtuosity Musical Instruments' Instagram J. Landress Brass' Instagram You can also explore more about our businesses on our websites: Benny's Website J. Landress Brass' Website Virtuosity Musical Instruments' Website
On this episode, Tom goes "On the Aisle" with popular and critically acclaimed jazz and soul singer, pianist and songwriter Tony DeSare. Performing with infectious joy, wry playfulness, and robust musicality he has brought his fresh take on old school class around the world. Join the conversation with Tony who was named “Rising Star Male Vocalist” in Downbeat Magazine.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Steven Feifke is a GRAMMY Award winning bandleader, composer, and arranger. He is one of the most in-demand jazz artists in the world today. He has been interviewed on TV shows like FOX, NBC, and CBS, and is heralded a "masterful pianist" by JAZZIZ Magazine. DownBeat Magazine calls his music is "an air of infectious joy."Special thanks to Casio for sponsoring this episode. Check out the Casio Privia Line here: https://alnk.to/5jiT1YyFollow Steven on Instagram: https://www.instagram.com/stevenfeifkeSteven's Website: https://stevenfeifkemusic.com/
Lawrence Fields, born and bred in St. Louis, has earned a spot at the forefront of young jazz pianists, thanks to his blending of vintage ideals with a contemporary mindset. For the last five years, in 2023, 2022, 2021, 2020, and 2019, Downbeat Magazine has placed him close to the top of the keyboardist category in their “Rising Stars” critics poll. Fields showcase his dynamic blend of composition and playing in his trio and quartet, and his music is currently being featured internationally. His debut album featuring his trio and solo playing, “To the Surface”, was released to critical acclaim on February 2, 2024. Veteran saxophone icon Joe Lovano – with his unerring ear for youthful talent – has become one of the pianist's biggest fans. Fields is a member of several bands led or co-led by Lovano: his Classic Quartet (originally featuring Lewis Nash and George Mraz in the rhythm section); the Sax Supreme Quartet (with Chris Potter); and his Sound Prints quintet with trumpeter Dave Douglas. The Wall Street Journal praised Fields' “elegant, probing” solos with Sound Prints, while The New York Times noted that he is “integral to the band's plunging, changeable style.” A modern-minded bandleader from the younger generation also relies on Fields, as he mans the piano and keyboards for the Christian Scott Group. Referencing his role on acoustic and electric pianos in the trumpeter's band, NextBop said: “Fields remains a constant lyrical presence on the keys – innovative, expressive, supportive, able to soar like a bird in his solos. He never fails to impress.” Fields has collaborated with Christian Scott on several albums — including co-writing and co-producing 3 songs on the Grammy-nominated The Emancipation Procrastination (Ropeadope, 2017), as part of his work on Christian's Centennial Trilogy with releases Diaspora and Ruler Rebel. He features prominently in the piano and keyboard chairs on Christian's Grammy-nominated live recording Axiom (2020), as well as the Grammy-nominated Ancestral Recall (2019), and the Stretch Music (Ropeadope, 2015) and Christian Scott Atunde Adjuah (Concord, 2012) albums. With Lovano and Douglas, the pianist features on Sound Prints' two critically-acclaimed studio releases: Other Worlds (2021), and Scandal (2018, Greanleaf) — selected by The Guardian as their #1 jazz album of 2018, as well as one of Rolling Stone's top 20 jazz albums of the year. Fields also plays on the live album Sound Prints: Live at Monterey Jazz Festival (Blue Note, 2015), which featured two brand-new compositions written for the ensemble by the legendary Wayne Shorter. He appears on the album Marsalis Music Honors Alvin Batiste (2007) alongside Branford Marsalis, Herlin Riley and Russell Malone, as well as on drummer Terri Lyne Carrington's More to Say (a 2009 disc for which he served as a pianist, keyboardist, and composer-producer). Fields also appears on releases by drummer Jeff “Tain” Watts, bassist Yasushi Nakamura, vibraphonist Warren Wolf, and saxophonists Jaleel Shaw and Steve Slagle. The pianist has been a member of the Watts band, as well as that of trumpeter Nicholas Payton. In addition to performing onstage with the likes of Payton, Watts, Marsalis, and Carrington, Fields has appeared with star bassist Christian McBride, drummer Nate Smith, trombonist Delfeayo Marsalis, trumpeter Takuya Kuroda, and bassist Robert Hurst, among others. Lawrence's playing is also featured on Christopher North's score for the new Sam Pollard documentary "Max Roach: The Drum Also Waltzes", which premiered in Fall 2023 on PBS' American Masters television series.
Harvey Brownstone conducts an in-depth Interview with Veronica Swift, Renowned Jazz Singer & Recording Artist About Harvey's guests: Today's guest, Veronica Swift, is one of America's most popular singers, who first gained major international attention in 2015 when she won second place in the Thelonious Monk Institute of Jazz International Vocals Competition. Since then, she's dazzled audiences around the world with her miraculous voice, interpretive ingenuity and incredible versatility. Her first 2 highly acclaimed albums, “Confessions” and “This Bitter Earth”, earned her a well-deserved place in the upper echelon of modern jazz singers. And her brand new album, simply titled, “Veronica Swift”, is nothing short of a revelation, because she demonstrates once and for all that she is so much more than a jazz singer. Her voice and musical choices defy categorizing. On the new album she explores not only jazz, but Broadway, opera, classical music, bossa nova, blues, industrial rock and even funk. She describes her personal brand of versatile artistry “transgenre.” Our guest has performed at some of the most prestigious venues in the world, and she's appeared with many great stars including Wynton Marsalis, Chris Botti, Benny Green and Michael Feinstein. The critics are unanimous about this woman's magnificent vocal instrument. Downbeat Magazine described her as “a woman of many voices, who uses every one of them to inspire a dizzying kaleidoscope of moods”. And the usually restrained Wall Street Journal said our guest has a “miraculous voice, musical ability and technique, as well as an innate gift for entertaining a crowd.” For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Veronica Swift, go to:https://www.veronicaswift.com/https://www.facebook.com/VeronicaSwiftJazz/ https://www.instagram.com/veronicaswiftofficial/ https://www.youtube.com/channel/UCz6_vsge3DgUT8NIsCbO0vwhttps://music.apple.com/us/artist/veronica-swift/1301544661https://open.spotify.com/artist/0YyqJ4bcQqxXdsdpgQPwtl #VeronicaSwift #harveybrownstoneinterviews
An American jazz violinist and multi Grammy Award-winning member of Snarky Puppy, gained through 12 years of touring & recording with the genre-bending super group. He has toured with Stanley Clarke and Phil Markowitz, released seven solo albums, and was named "Rising Star Violinist" of 2013 by Downbeat Magazine. A passionate educator, Zach has coached hundreds of musicians from workshops to conservatories worldwide.
Corky Siegel is known internationally as one of the worlds great blues harmonica players, blues pianist, singer-songwriter, creator of CHAMBER BLUES and the sole pioneer/composer of award-winning revolutionary works that weave blues and classical forms together. Co-founder of the SIEGEL-SCHWALL BAND, and Blues Hall of Fame Inductee, Corky Siegel has a catalogue of recordings on RCA, Vanguard, Alligator, and million selling blues/classical recordings on the iconic classical label Deutsche Grammophon. His close associations with the blues masters in the earlier days of Chicago blues, his essential part in the blues rock revolution, and his surprising success in bringing together blues and classical audiences make him a pivotal (though inconspicuous) figure in modern music history. “under appreciated national treasure” - DOWNBEAT MAGAZINE. Corky Siegel
Multi-award winner as best jazz vocalist - BBC Jazz Awards 2007 and 2004 and Parliamentary Jazz Awards 2018,alongside nominations from the Jazz FM Awards 2013 and Downbeat Magazine 2017 - Ian Shaw has amassed a number of highly acclaimed internationally released albums and is a popular performer both in the UK and the US. He has been cited, along with Mark Murphy and Kurt Elling, as one of the world's finest male jazz vocalists.Support the show
Harvey Brownstone conducts an in-depth Interview with Jim Clayton, Award Winning Jazz Musician About Harvey's guest: Today's guest, Baayork Lee, is a highly accomplished, award-winning jazz pianist, music director and vocalist whose singular repertoire is a mix of standards, reimagined pop classics, and his own original songs, all delivered with a distinct New Orleans jazz vibe. His first 5 albums are all instrumental: “Muskoka: Jim Clayton's Greenhouse”, “Songs My Daughter Knows” and “Lenny Jumps In”, both of which scored high on North American Jazz Radio charts, and 2 collaborations with guitarist Andrew Scott entitled, “August” and “So Nice”, winning Best Jazz Recording at the Canadian Urban Music Awards, and TWICE winning Group Of The Year at the Canadian Smooth Jazz Awards. And his brand new album, “Look Out”, marks his vocal debut. The album, recorded in New Orleans with jazz heavyweights Herlin Riley on drums and Amina Scott on bass, includes a great mix of jazz standards like “This Can't be Love”, reinvented pop classics like “Moon River”, “Time in a Bottle”, and “Every Breath You Take”, and theme songs from his youth including “Rainbow Connection”, the “Spiderman” theme and even a song from MASH. Prior to the pandemic, our guest had a very successful career as a pianist and music director. He spent a decade as music director for the world renowned Second City theatre company, entertaining audiences around the globe. He's worked with Martin Short, Dan Ackroyd, Deborah Cox, and many others, and his music has been heard internationally on radio, in film, and on television. And then, during the pandemic, he began giving vocal performances at the piano, from his home, on social media. In a show that became known as “Jim's Piano Bar”, he gave more than 750 online performances, quickly becoming a global sensation, with tens of thousands of new followers. Before he knew it, he was in demand everywhere as a performer, he signed on with a new manager, and he recorded the new album. Downbeat Magazine called his music “warm, happy and soulful”, and I couldn't agree more. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Baayork Lee, go to:https://jimclaytonjazz.com/https://www.facebook.com/jimclaytonjazz/https://www.instagram.com/jimclaytonjazz/https://www.youtube.com/channel/UCUSeePJoBssZQ7pNXV1To-Q?feature=gws_kp_artist&feature=gws_kp_artisthttps://music.apple.com/ca/artist/jim-clayton/477924868 #JimClayton #harveybrownstoneinterviews
It is a pleasure to welcome multi-instrumentalist, composer, and singer Ezra Grey to The Jake's Take with Jacob Elyachar Podcast. Ezra is no newcomer to the music industry. He composed, recorded, and toured internationally with numerous bands since he was 15-years-old. Ezra Grey has served as guitarist, bass player, and pianist for countless hip-hop, R&B, rock, heavy metal, classical and jazz bands. He has won awards for his performances (including Downbeat Magazine's Outstanding Performance in Pop/Rock/Blues) and compositions from the American Composers Orchestra. As a vocalist, he has performed at Gracie Mansion (for Mayor Bloomberg), on VH1's Big Morning Buzz, and with Mike Malinin, former drummer of the Goo Goo Dolls. He also has a double degree in music and philosophy from Columbia University. In addition, he has worked with several music industry greats, including Tony Levin, bassist for Peter Gabriel, King Crimson, and former bassist for John Lennon, David Bowie, and Frank Zappa. Ezra is expected to debut his solo extended play, Afterall, for release on February 16, 2024. The EP highlights the artist's evolution as a solo artist, featuring his original compositions from age 15 to the present, all with themes of love, heartbreak, or introspection. Additionally, the EP will showcase Ezra's versatility, weaving together guitar-driven melodies with influences from his touring experiences with metal bands like GAREK, Sinaro, and Etherius. He incorporates in what he calls “deceptively technically difficult guitar arrangements” reminiscent of metal, intertwined with jazz harmonies and hints of Latin and reggae influences. In this edition of The Jake's Take with Jacob Elyachar Podcast, Ezra Grey spoke about touring with metal bands GAREK, Sinaro, and Etherius. He also previewed the EP and the story behind the single: “Into the Sun.”
Kevin Sun is a Chinese-American saxophonist and composer. His music has been called “...intense, harmonically virtuosic and compositionally complex" (DownBeat Magazine), and he has released five albums to date—most recently a double album entitled The Depths of Memory in October 2023. Sun has also released album four with the bands Mute, Earprint, and Great On Paper, and he appears on recordings led by Jacob Garchik, Dana Saul, Xiongguan Zhang, and Elijah Shiffer. In addition to performing in the U.S., Sun has performed extensively in China and previously served as the Artistic Director of the Blue Note China Jazz Orchestra from 2018 until 2020, leading performances of the BNCJO at the Blue Note Beijing with guest artists such as Rudresh Mahanthappa, Kris Davis, and Ingrid Jensen. He performs every Tuesday at Lowlands Bar in Brooklyn, where he has been in residence since September 2021 with support from Keyed Up!, a program of the nonprofit organization Jazz Generation. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
Harvey Brownstone conducts an in-depth interview with Nicole Henry, Renowned Jazz Vocalist About Harvey's guest: Today's guest, Nicole Henry, is a renowned, multiple award-winning jazz singer, whose dynamic, soulful voice, incredible range, impeccable phrasing, and powerful bluesy-gospel emotional delivery, have made her one of the world's most highly acclaimed vocalists. In 2002, after being discovered singing in a jazz trio in Miami, the Miami New Times named her the Best Solo Musician of the year. She's gone on to record 8 spectacular albums including, “The Nearness of You”, “Teach Me Tonight”, “The Very Thought of You”, “Embraceable”, “Summer Sessions”, her latest album, “Time to Love Again”, which has already had 4 top-charting singles - and I can't resist mentioning one of my all-time favourite albums, “So Good, So Right: Nicole Henry Live”, recorded at the renowned Feinstein's 54 Below nightclub in New York City. Four of her albums have landed in the Top 10 on the U.S. Billboard, JazzWeek, UK and Japan jazz charts. Her repertoire ranges from the Great American Songbook, classic and contemporary jazz, pop standards, blues and original material. And get this: in 2013, she received the "Soul Train Award" for "Best Traditional Jazz Performance", winning out over George Benson, Jeffrey Osborne, Chaka Khan, Tony Bennett, Marc Anthony and Terrence Blanchard. She is universally adored by music critics. The New York Times said, “Every gesture and inflection conveys confidence and mastery, and she creates the sense of being in the presence of a pop-soul superwoman.” And Broadway World said, “So powerful is her charisma, so unique is her personality, so rich is her music, so abandoned is her joy, that you can't watch her without being drawn in." And in my opinion, that's an understatement. Our guest's latest album, entitled, “Time to Love Again”, has been described by Downbeat Magazine as “exuberant, joyous, and immaculately executed.” Her latest single, which is her fourth charting single from the album, is called “Is It a Crime”, and it was recently added as the #1 breakthrough single on the UK Soul Charts. For more interviews and podcasts go to: https://www.harveybrownstoneinterviews.com/ To see more about Nicole Henry, go to:https://www.nicolehenry.com/https://www.facebook.com/NicoleHenryMusichttps://www.youtube.com/user/nikisingshttps://www.instagram.com/nicolehenrymusic/https://twitter.com/NicoleHenryJazz #NicoleHenry #harveybrownstoneinterviews
Jesse Dietschi recently released Gradient, his debut album with fellow Toronto musicians Ethan Ardelli (drums) and Ewen Farncombe (piano). This album has been getting considerable acclaim and will be featured in the Debut Album Reviews section of the December 2023 edition of DownBeat Magazine, along with numerous radio programs throughout North America and Europe. We talk about the story behind this album, how Jesse and I met several years ago at the Suzuki Association of the Americas Conference, what it's like balancing classical work like subbing with the Toronto Symphony with his jazz projects, and much more. Enjoy, and be sure to check out October on Spotify and bandcamp, and be sure to follow along with Jesse on his website and Instagram! Subscribe to the podcast to get these interviews delivered to you automatically! Connect with us: all things double bass double bass merch double bass sheet music Thank you to our sponsors! Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city's ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah's website and to sign up for a free online trial lesson. theme music by Eric Hochberg
"Continuance" Don't feel bad if Joey Alexander's resume' makes you feel inferior about your childhood achievements. We all feel that way. The Indonesian born pianist taught himself to play at age 6 and was flawlessly covering Thelonious Monk before he was in 1st grade. Because of the paucity of jazz opportunities at home, Alexander sat in with the top jazz players in Bali and Jakarta. At 8 he played for Herbie Hancock, at 9 he won the Grand Prix at the 2013 Master Jam Fest in Odessa and by 10 his family had moved to New York City so Alexander could have more playing opportunities. After catching the attention of Wynton Marsalis, Alexander made his U.S. debut at Marsalis' annual gala playing Monk's Round Midnight and the next day, nothing was the same. Hailed as a genius by the New York Times and Downbeat Magazine, from there Alexander's career took off. He's played for ex Presidents Bill Clinton and Barack Obama, snagged a Grammy nomination, put out six perfect albums, including his new one Continuance, played shows all over the world from Copenhagen to Montreal to the Apollo Theatre in Harlem, and he was nominated as Music Scholar by the T. Washington Scholars Program. Bear in mind, this is just a partial list. At 20, Alexander is now more than just a prodigy--he's a bandleader. And Continuance is a perfect example of his maturity as a player. Filled with arrangements that are windswept, jaunty and achingly precise, Alexander's talent is one of those rare and expansive things. He's commanding, he's elegant and he's got the kind of rhythmic finesse that comes from the Cosmos, so it's no surprise that Continuance rolls with majesty and grace. www.joeyalexandermusic.net www.bombshellradio.com www.stereoembersmagazine.com www.embersarts.com www.alexgreenbooks.com Twitter: @emberseditor IG: @emberspodcast Email: editor@stereoembersmagazine.com
12All music used with permission by Grant Heineman. Cleveland native Grant Heineman returns as a graduate of the Berklee College of Music – where he directed the award winning vocal jazz quartets The Bean Tones and Point of Departure and as a winner of a 2020 Downbeat Magazine award for vocal arrangements. He impressed us with his performances at our open jam session, and he'll impress you with his trio this week. Featuring Taylor Arbogast on bass, Colin Dorion on drums and Grant Heineman on vocals and piano it's the Grant Heineman trio – Live at the Bop Stop. Live At The Bop Stop is made possible by The Music Settlement – serving Northeast Ohio by offering music instruction – music therapy and early childhood education since 1912. The Music Settlement's mission is to welcome all to our music and arts community to learn – create – inspire – and heal. This program is recorded at the Robert Conrad Studios at The Bop Stop in Cleveland, Ohio and the studios of Gilazar Media in Fairlawn, Ohio. Additional production at The Bop Stop is provided by Graham Rosen. Editing for WOBC WNPA and the Public Radio Exchange is provided by Doctor Pete Naegele - and for our podcast and other radio affiliates by Shawn Gilbert at Gilazar Media. The executive producer is Daniel Peck – with additional consulting production from Bryan Kennard. For extended version of all of our shows –our Live at The Bop Stop podcast can be found on your favorite podcast app or visit our website at www.themusicsettlement.org and click the Bop Stop link. Want to Support The Bop Stop? Donate here! Contact us here
The Andy Nevala Quartet performs traditional and contemporary Cuban Jazz. Dr. Andy Nevala, pianist, has been recognized by Downbeat Magazine for directing, arranging, composing, and performing. Nevala has toured with the Glenn Miller Orchestra, Steve Lippia, Eddie Turner, and The ProJazz Trio. The musician has recorded on over 20 CDs released in the US, Japan, and South America, most recently New West Records' “Big Band of Brothers,” which debuted at No. 2 on the Billboard Jazz Charts, and “Three Times Two,” released on the Girod record label out of New Orleans. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message
Weekly shoutout: My Bad Poetry Podcast! Comments and suggestions welcome: Send Jaime a message! -- Hi there, Today I am excited to be arts calling musician Jim Clayton! (jimclaytonjazz.com) About our guest: DownBeat Magazine called Jim Clayton's music “warm, happy, and soulful.” He calls it a blend of bebop and New Orleans, the city he considers a second home. His repertoire is a mix of jazz standards, reimagined pop classics, and his own memorable writing. Jim's last two albums, Lenny Jumps In (2016) and Songs My Daughter Knows (2014) landed on the jazz radio charts in both Canada and the USA. He won three national awards with recording act The Clayton/Scott Group, and his music has been heard internationally on radio, in film, and on television (including Dateline NBC, Keeping Up With The Kardashians, and MTV). Jim spent a decade as a music director with acclaimed theatre company The Second City, entertaining audiences around the globe, from ex-pats in Asia to our troops in Bosnia. He began streaming nightly performances at the start of the pandemic; after over 750 online shows, Jim garnered 30,000 new online followers. LOOK OUT, A NEW ALBUM OUT OCTOBER 3RD: https://jimclaytonjazz.com Thanks for this wonderful conversation, Jim! All the best! -- Arts Calling is produced by Jaime Alejandro (cruzfolio.com). If you like the show: leave a review, or share it with someone who's starting their creative journey! Your support truly makes a difference! Go make a dent. Much love, j https://artscalling.com
The Maroon's Gregory Caesar interviews Chicago-based educator, jazz guitarist, and bandleader Tim Fitzgerald, who performed live at the 2023 Hyde Park Jazz Festival with the Tim Fitzgerald Trio. Tim's bio: "Tim Fitzgerald is a Chicago based jazz guitarist, bandleader, educator and author. Named “Wes Montgomery scholar and visionary” by DownBeat Magazine, he is also the recipient of Chicago's 2021 Individual Artist Program Grant, a grant provided by the Illinois Arts Council Agency and the National Endowment for the Arts." (hydeparkjazzfestival.org) This interview was recorded in the lobby of the Study at University of Chicago on Sunday, September 24, 2023. Photo sourced from timfitzgeraldmusic.com
The Maroon's Jake Zucker and Gregory Caesar interview pianist and saxophonist Adegoke Colson, who performed live at the 2023 Hyde Park Jazz Festival. They are joined by his wife, composer and vocalist Iqua Colson, who is a Hyde Park native and alumna of Kenwood Academy. About Ade: "STEVE COLSON – aka ADEGOKE – pianist and composer, has performed internationally as a leader of jazz ensembles ranging from trios to orchestras. Born in Newark and raised in East Orange, NJ, he received his degree from Northwestern University School of Music and lived in Chicago for a decade before returning to reside on the East Coast. "A critically acclaimed figure in modern jazz, Steve's compositions are finding their way into the “jazz standard” repertoire and are being performed and recorded by some of today's jazz greats as well as by his own group. He became a member of The Association for Advancement of Creative Musicians (AACM) in the early 70s, a musicians' collective that has influenced music internationally in the 20th and 21st Century." About Iqua: "IQUA COLSON has been praised internationally by the media and placed in the company of some of our finest known vocal innovators including Betty Carter, Ella Fitzgerald, Sarah Vaughan and Abbey Lincoln, Iqua's work has been discussed in countless periodicals and books including a chapter in “Black Women & Music, More than the Blues” – which also features the great Leontyne Price. Her industry accolades include Vocal Talent Deserving Wider Recognition by Downbeat Magazine and Distinguished Achievement as a lyricist by Billboard. "A native of Chicago, Iqua was accepted to Northwestern University School of Music as a pianist after three years of high school. She was voted into The Association for Advancement of Creative Musicians (AACM) in the early 70s, the influential musicians' collective acknowledged worldwide as a primary influence in 20th and 21st Century music. She has recorded and performed in the U.S. and overseas collaborating with great artists, most frequently with her husband decorated pianist/composer Steve Colson." Read more about Ade and Iqua This interview was recorded at the Study at University of Chicago on Friday, September 22, 2023. Photo courtesy of colsonsmusic.com
In episode 280 UNP founder and curator Grant Scott is in his shed reflecting on the need for photographic education, how having heroes does not have to be negative and a new event concerning photography and the commonwealth. Plus this week, photographer Ave Pildas takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' Born and raised in Cincinnati, Ohio, Ave Pildas worked as a photo stringer for Downbeat Magazine in the Ohio Valley and Pennsylvania in the 1960's. In 1971 he began working as the Art Director at Capitol Records in Hollywood and designed and photographed album covers for the label's recording artists. He then launched a career as a freelance photographer and designer soon after, specialising in architectural and corporate photography. His photographs have been exhibited in one man shows at the: Contemporary Arts Center, Cincinnati, Photographers Gallery, London, Janus Gallery, Los Angeles, Gallerie Diaframma, Milan, and in numerous group shows. Photographs by Pildas are included in the collections of the Museum of Modern Art, New York; the Bibliotheca National, Paris; the University of Arizona as well as numerous other public and private collections. He is a Professor Emeritus at Otis College of Design, Los Angeles and currently lives in Santa Monica, CA in a solar powered, zero-scaped home and studio he collaborated on with W3 Architects. He is digitally archiving his vintage work, and continues with new projects while mentoring young talent. www.avepildas.com Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His film Do Not Bend: The Photographic Life of Bill Jay was first screened in 2018 www.donotbendfilm.com. He is the presenter of the A Photographic Life and In Search of Bill Jay podcasts. Scott's next book Condé Nast Have Left The Building: Six Decades of Vogue House will be published by Orphans Publishing in the Spring of 2024. © Grant Scott 2023
Saxophonist, Multi-Reedist, Composer, Recording Artist, Bandleader, and Educator Sharel Cassity (pron. "Sha-Relle") is a musician well-established on the New York and Chicago jazz scenes. Listed as "Rising Star Alto Saxophone" in Downbeat Magazine for the past decade, Sharel has appeared on the Today Show, won the 2007 ASCAP Young Jazz Composers Award & has been inducted into the Oklahoma Jazz Hall of Fame. Her four albums released as a leader have received top-rated reviews in publications like JazzTimes, Jazziz, Downbeat & American Indian News & earned her a cover story in Saxophone Journal. Cassity's latest album, "Evolve," was recorded and distributed on her record label, Relsha Music. Selected to attend The Juilliard School Jazz program under full scholarship for a Masters in Music, Sharel earned her BFA from The New School for Jazz & Contemporary Music in 2005. A skilled and versatile sideman, Sharel is a regular member of the Dizzy Gillespie Latin Experience, Nicholas Payton TSO, Cyrus Chestnut Brubeck Quartet, and the Jimmy Heath Big Band. She has also performed regularly alongside renowned Grammy-winning artists Roy Hargrove, Lewis Nash, Joe Chambers & Darcy James Argue. Sharel has toured 24 countries and performed at leading venues like the Newport Jazz Festival, Monterey Jazz Festival & the North Sea Jazz Festival. Additionally, she has shared the stage with Herbie Hancock, Wynton Marsalis, Dee Dee Bridgewater, Christian McBride, Jeremy Pelt and Natalie Cole. Sharel was lead alto in the Diva Jazz Orchestra from 2007-2014 and performed in Wynton Marsalis' Broadway musical After Midnight. In mainstream genres, Sharel joined Top 40 hit singer-songwriter Natalie Merchant on her recording "Paradise is Here." She has also performed with Aretha Franklin, Vanessa Williams, K.D. Lang, Fantasia, Trisha Yearwood, Seth MacFarland (Family Guy), Ruben Blades, and DJ Logic. Sharel appears in publications "I Walked with Giants" by Jimmy Heath, "AM Jazz: Three Generations Under the Lens" by Adrianna Mateo and "Freedom of Expression: Interviews with Women in Jazz" by Chris Becker. An alumnus of IAJE Sisters in Jazz, Betty Carter's Jazz Ahead, and the Ravinia Summer Residency, Sharel has received Downbeat Student Music Awards for Best Jazz Soloist, Composition, and Ensemble. As a classical pianist, Sharel placed third in the Disney International Piano Concerto Competition at the age of 10, among many other collegiate and state piano competitions. An accomplished classical saxophonist, Sharel was offered a full scholarship to North Texas State University for classical saxophone. Currently, Cassity has accepted a temporary full-time position at the University of Wisconsin-Madison as Professor of Saxophone for the Fall 2019 semester. Additionally, she has three adjunct positions in the Chicago area at Elgin Community College, Columbia College, and DePaul University. Between 2016-17 Sharel taught internationally as the Woodwind Professor at Qatar Music Academy in Doha, Qatar. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
Host Steve Roby interviews jazz pianist Spencer Zweifel about his residency and tribute to Burt Bacharach at Nocturne Jazz Cub in Denver. Since forming his first jazz group at age 16, Spencer Zweifel has become a regular member of the Colorado music scene. An accomplished jazz pianist, Zweifel has performed professionally in various genres across Colorado and on tours around the US. Spencer graduated in 2019 with a degree in jazz studies from the University of Northern Colorado and won ‘Best Pop/Rock Soloist' in the 2018 Downbeat Magazine student awards. --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message
SONG LIST* M1 Bright Size Life (Pat Metheny), Bright Size Life, Pat Metheny, Released ECM, LP 1976, (4:55) M2 Sirabhorn (Pat Metheny), Bright Size Life, Pat Metheny, Released ECM, LP 1976, (5:27) M3 Unity Village (Pat Metheny), Bright Size Life, Pat Metheny, Released ECM, LP 1976, (3:38) M4 Unquity Road (Pat Metheny), Bright Size Life, Pat Metheny, Released ECM, LP 1976, (3:36) M5 So May It Secretly Begin (Pat Metheny), Still Life, Pat Metheny Group, Released Geffen Records, LP 1987, (6:24) M6 Last Train Home (Pat Metheny), Still Life, Pat Metheny Group, Released Geffen Records, LP 1987, (5:38) Pat Metheny is an American guitarist and composer. He has worked as a soloist, in duets and small jazz ensembles, and, for decades, with the Pat Metheny Group. His musical styles include Jazz Fusion, Jazz (both progressive and contemporary jazz) …..and also Latin Jazz. He was born in Lee's Summit, Missouri in 1954. Lee's Summit is a suburb on the southeast side of Kansas City. His main influences have been other musicians, his musical family and the British Invasion. Musicians influencing Metheny include trumpeter Miles Davis, Gary Burton on vibes, jazz guitarists Jim Hall and Wes Montgomery and Jazz Sax players John Coltrane and Ornette Coleman. PAUSE A major foundational influence for Metheny is his musical family. His father played trumpet, his brother Mike Metheny plays jazz trumpet, and Pat's maternal grandfather was a professional trumpeter. Brother Mike taught Pat how to play the trumpet, and so trumpet is actually Pat Metheny's first Musicians in the family. Metheny attributes his early success to the local musical environment he was brought up in – the years 1964-1972, in Kansas City. Much of this is described in his biography titled BENEATH MISSOURI SKIES. Seems like Metheny is destined to become a great trumpeter, with all that musical environment…. PAUSE .. there was a bump in the road at age 10. The BRITISH INVASION was in full force. Metheny saw the Beatles perform on TV in 1964, probably the Ed Sullivan Show, because that year the Beatles appeared. The Beatles are what inspired Metheny to defect from Trumpet to Guitar. Metheny persuaded his father to buy him a guitar for his 12th birthday. That first guitar was a Gibson ES-140. PAUSE That's a hollow-body guitar, built in ¾ scale for young players and small hands. It's a scale model of the Gibson ES-175 hollow body. Metheny soon got bigger hands and acquired a Gibson ES-175 …and that guitar is featured on his early albums like those in this podcast episode… Metheny started playing in pizza parlors at age fourteen (that's 1968). At age 15, Metheny won a scholarship from Down Beat Magazine to attend a jazz camp (1969). That camp led to a meeting with Jazz guitarist Jim Hall, and bassist Ron Carter. So, by the time he graduated from high school (1972) he was the first-call guitarist for Kansas City jazz clubs, private clubs, and jazz festivals. Metheny had A LOT of support from his musical environment. Even though he switched from trumpet to guitar. Metheny briefly attended college at U of Miami in Florida, but quickly realized after practicing on guitar for years all day long… he was unprepared for a college program … He realized then he was first and foremost, a serious guitarist and composer. Metheny moved to Boston to teach at Berklee College of Music at the age of 19, where he met Jazz Vibraphonist Gary Burton. Teaching Jazz Theory and Performance was in demand. BIT BUCKET and for those not familiar, the ES-175 is sought-after by jazz country and rock guitarists - - - these vintage guitars today sell for $3,000 to $25,000. Back in the day, made in Kalamazoo MI. How about that for your first guitar? I am jealous, my first guitar was a Kay (named after John Kay) and it was … a very basic and cheap and crude electric starter guitar. Metheny, on the other hand, got a wonderful instrument, because
“Music in the soul can be heard by the universe.”— Lao Tzu Music moves the soul in so many ways. It moves the spirit and inspires living beings to become one with the music. Argentinian Julieta Eugenio was just that person from a young age. She's not entirely sure why. Her parents didn't play an instrument though they played recordings around the house. As long as she can remember, music was in her life. Her personal interest wasn't piqued until she saw a piano when she was about five years old. It was like magic, Julieta recalls. She was visually pinned to the piano. That's love at first site. Music grabbed her and it hasn't let her go since. Later, when she was in middle school, when she joined the school band, Julieta nonchalantly selected a saxophone when presented with a choice of instruments. A tenor saxophone. Julieta Eugenio hails from Argentina and now lives in New York city. She made this bold change in her life at 23 years old. Alone. No family or friends to accompany her. Julieta's formal music studies began following high school in Buenos Aires at Conservatorio Manuel de Falla (Bachelor 2012) and the Conservatorio Nacional Lopez Buchardo (IUNA) where she studied jazz. In New York, Julieta attended Queens College where she studied jazz and performed in area clubs with the masters, including pianist Johnny O'Neal, David Kikoski and Pasquale Grasso. The mental journey Julieta took was immense. She loves jazz and knew she had to take the leap, leaving the familiar settings and family, the beautiful landscape of Argentina, and the comfort of her home country to challenge herself in New York City. It seems, though, to be paying itself off as Julieta was recently recognized as one of the top ten emerging jazz talents by the Recording Academy in their online publication, “Grammys.” In 2017, Eugenio won the International Women in Jazz Competition as a member of the SIJ Trio, which she formed with pianist Sarah Slonim and bassist Inbar Paz. With her own trio, she won the DCJazzPrix 2022, a competition presented by the DC Jazz Fest. I think we all know what it's like to be somewhere new, far from home and vastly different from home. Thrust a global pandemic into this formula. That's what Julieta had to face, alone in New York. Then, good fortune showed up. One of her beloved sisters decided to immigrate to New York for work, which saved Julieta. And those are her words describing the arrival of her sister. Jazz also saved her. Thank you for listening to this podcast. Subscribing will make sure you're one of the first ones to receive future episodes. Check out my website for other articles and photos. As usual, you will be treated to two complete tracks of music. These compositions will come from Julieta's 2022 debut recording, Jump, which can be found on Greenleaf Music. Jazz Journalists Association president, Howard Mandel, gave the album a four-star rating in DownBeat Magazine. This features her trio with Julieta on tenor sax, Matt Dwonszyk on bass and Jonathan Barber on drums. Upcoming episodes include saxophonist Roxy Coss, pianist Miki Yamanaka, who has a new album soon to be released, and harpist Brandee Younger. You can listen to this podcast on Spotify, Apple, Amazon and other streaming services. Thank you for listening.
This program, originally posted January of 2019, features tracks from 2018 albums that Downbeat Magazine reviewers–and a few others–raved about. You’ll hear: -singer Stacey Kent -Polish bassist Wojtek Masolewski and his Quintet – Canadian trumpet player Ingrid Jensen -More trumpet from Ambrose Akinmusire -Downbeat Hall of Fame pianist Kenny Barron -Guitarist Steve Tibbets -London’s Sons…Continue reading Archives: Episode 50, Top Rated Albums of 2018
All music used with permission by Aimée Allen. Matter of Time - Allen In My Web - Allen Eden Autumn & Noah Too - Allen Quantum Entanglement - Allen Earth is Waiting - Allen Little Sunflower - Hubbard Love's Crescendo - Atakoglu/Allen Bye Bye Blackbird/It Could Happen to You Medley - Dixon/Henderson/Baker Night Owl - Allen Touch the Sun - Moutin/Allen Autumn Leaves / Les Feuilles Mortes - Kosma/Prevert/Mercer Nica's Dream - Silver Aimée Allen is a NYC-based jazz vocalist and songwriter who has released multiple critically acclaimed jazz albums including 2019's Wings Uncaged, which was named one of Downbeat Magazine's best. For this performance, entitled Strings and Chords, she's joined by two exemplary performers, including internationally recognized bassist Francois Moutin and versatile guitarist Tony Romano. From October 22nd, 2021 it's Aimée Allen Trio: Strings and Chords - Live at the Bop Stop. Live at the Bop Stop is made possible by the Music Settlement – serving Northeast Ohio by offering music instruction – music therapy and early childhood education since 1912. The Music Settlement's mission is to welcome all to our music and arts community to learn – create – inspire – and heal. This program is recorded at the Robert Conrad Studios at the Bop Stop in Cleveland, Ohio and the studios of KUNV in Las Vegas, Nevada. Additional production at the Bop Stop is provided by Graham Rosen. Editing for WOBC,WNPA and the Public Radio Exchange is provided by Dr. Pete Naegele - and for our podcast and other radio affiliates by Shawn Gilbert at Gilazar Media. The executive producer is Daniel Peck – with additional consulting production by Bryan Kennard and Gabe Pollack. For extended versions of all of our shows –our Live at the Bop Stop podcast can be found on your favorite podcast app or visit our website at www.themusicsettlement.org and click the Bop Stop link. Want to Support The Bop Stop? Donate here! Contact us here
A native of São Paulo, Brazil, Felipe Salles has been an active musician in the US since 1995, where he has worked and recorded with prominent jazz artists, including Randy Brecker, Paquito D'Rivera, David Liebman, Melissa Aldana, Lionel Loueke, Jerry Bergonzi, Chico Pinheiro, Magos Herrera, Sofia Rei, Yosvany Terry, Jovino Santos Neto, Oscar Stagnaro, Luciana Souza, and Bob Moses. He has toured extensively in Europe, North and South America, India, and Australia, as a sideman and a leader of his own group. Salles is a 2018 Guggenheim Foundation Composition Fellow, a 2021 South Arts Jazz Road Creative Residency Grant Fellowship recipient, a 2015 NALAC Fund for the Arts Grant winner, a 2009-2010 winner of the French American Jazz Exchange Grant, and a 2005-2006 winner of the Chamber Music America New Works: Creation and Presentation Grant Program, grants sponsored by The Doris Duke Charitable Foundation. He was awarded First Place in the 2001 Concurso SGAE de Jazz " TETE MONTOLIU; 2001, with his composition The Return of The Chromo Sapiens. His arrangements and compositions have been performed by some of the top groups in the world including The Metropole Orchestra, UMO Helsinki Jazz Orchestra, Cayuga Chamber Orchestra, Amazonas Band, Helsinki Philharmonic Violas, Meta4 String Quartet, Manhattan School of Music Jazz Orchestra, Manhattan School of Music Jazz Philharmonic Orchestra, New England Conservatory Jazz Orchestra, and New England Conservatory Wind Ensemble, among others. Salles has released nine critically acclaimed recordings as a leader. Departure (Tapestry, 2012) received 4 stars from DownBeat Magazine and placed on their best albums of the Year list in 2013. They noted that Salles is adept at “crafting pieces that juggle intriguing complexity with buoyant rhythms and lush colors.” JazzTimes Magazine noted that “Felipe Salles blends the visceral and the cerebral on his fascinating fifth album, infusing classical modernist strains with the buoyant rhythms of his Brazilian homeland.” Ugandan Suite (Tapestry, 2014) also earned a place on DownBeat Magazine's best albums of the Year list in 2014 and was praised by jazz guitarist Lionel Loueke: “This is one of the best progressive works I have heard in a long time. What a great blend of classical, African, and Jazz music.” Varanda (Tapestry, 2017) with the Brazilian jazz collective titled The Reunion Project, also earned critical acclaim including 4.5 stars in DownBeat Magazine. The Lullaby Project and Other Works for Large Jazz Ensemble (Tapestry, 2018) is Salles' first large jazz ensemble recording and was composed for and recorded by his own Interconnections Ensemble, to critical acclaim (DownBeat Magazine's best albums of the year list in 2019). His second extensive ensemble recording, the ambitious The New Immigrant Experience (Tapestry, 2020), was released as a CD/DVD set, to critical acclaim, including a 4.5 stars review from DownBeat Magazine, making the magazine's list of best albums of 2020. He has recently released a quartet album, Tiyo's Songs of Life (Tapestry, 2022), featuring Avery Sharpe, Zaccai Curtis, and Jonathan Barber, and his third significant ensemble recording, Home is Here (Tapestry, 2023), featuring an array of guest artists. Felipe Salles is a D'Addario Woodwinds Select Reeds and Conn-Selmer Saxophones Artist/Clinician. He currently leads both The Felipe Salles Group and The Felipe Salles' Interconnections Ensemble and works as a member of the New World Jazz Composers Octet, Kyle Saulnier Awakening Orchestra, Alex Alvears Mango Blue, and Gonzalo Grau (Grammy Nominated) La Clave Secreta. Felipe Salles has a Master's and a Graduate Diploma in Jazz Performance from New England Conservatory, and a Doctorate in Jazz Arts Advancement from Manhattan School of Music. He is a Professor of Jazz and African American Music Studies at the University of Massachusetts Amherst, where he has taught since 2010. In this episode, Felipe shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
GRAMMY-nominated violinist and composer Curtis Stewart releases of Love., an album dedicated to his mother, Elektra Kurtis-Stewart, who died of brain cancer on Sept. 7, 2021, at age 66. “He is a giant … combining omnivory and brilliance” (The New York Times), “a gem of a string player” (The Strad), “whose über passionate and virtuosic outpourings … grapple with reconciling the classical and jazz camps” (Downbeat Magazine). On of Love., a through-composed collection of 20 works, Curtis Stewart celebrates the perseverance of Kurtis-Stewart, a violinist and composer herself. Recorded in his late mother's Upper West Side, Manhattan, apartment — the apartment where Stewart was raised, the apartment where he cared for his mom during her dying days — of Love. is a requiem to cherish life, time, and lifetimes.Help support our show by purchasing this album at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Katy Salomon representing Primo Artists.
Minnesota-based trumpet player Jake Baldwin swung through the studios of Jazz88 to discuss garnering a 4 star review for his latest Shifting Paradigm release in Downbeat Magazine!
Born on the Massachusetts North Shore, critically-acclaimed singer-composer and lyricist Lauren Henderson has been a key part of the New York scene for the past decade. Among Jazz Charts Top 5, and the Year End Jazz Week Top 50 (2020), Lauren accesses elements from a range of influences, delivering a distinct, versatile sound that uncovers layers of her cultural heritages and her diverse background in English and Spanish. Across her ten albums as a leader, Lauren's own compositions share stories that reflect journeys of the movement, migration, and scattering of people away from their ancestral homes and how that interplays with Lauren's Panamanian, Montserratian and vast Caribbean roots and her North American upbringing. In addition to discussing her latest release, CONJURING, we talk about her Jazz, Latin American styles, Flamenco, R&B and Soul roots, as well as her love of, and respect for the sound and lyrics of Jazz standards. “I don't feel like I can give a strong interpretation and representation of the song, “ Lauren told Downbeat Magazine, “if I can't find some way of connecting to it.” There are so many highlights in our conversation that it's difficult to just pick one. But what our biggest takeaway, besides her prodigious talent, is what a warm, diverse and interesting person she is. We're sure you'll feel that way, too.
A native of Hong Kong, Henry Wong has lived in the U.S. since attending high school at St. John's Preparatory School in Minnesota. He attended Penn State University as a Biology major, and worked in a neurology lab at Johns Hopkins School of Medicine. In 1990, his hobby took over, and he founded the trendsetting record store An die Musik in Towson. It was the first in the nation to sell CDs without the long cardboard boxes and the first to establish listening stations for any disc in the store, earning them such attention as an article in Newsweek Magazine. He also established partnerships with organizations that contracted him to sell CDs during their performance, including the BSO and Baltimore Opera Company, and in DC with the Kennedy Center, Blues Alley and many Embassies. In addition, he staged regular CD signings and live performances and refreshments in the retail store.Reacting to changes in the retail music industry, he moved the business to Mt. Vernon in 1997, and added live music presentations under the moniker An Die Musik Live. The venue is an intimate listening room on the second floor of an historic Baltimore townhouse, located in the heart of the Mt. Vernon Cultural District. Voted several times as one of the top 100 jazz venues in the world by Downbeat Magazine, An die Musik Live has presented over 4,500 shows.Long before the current pandemic, Wong has had to innovate and re-engineer the business in response to economic and social challenges, including increased competition by big box retailers, 9/11, music downloading, the housing market bust, and Baltimore's civil unrest. By always operating as part of the community—and in service to musicians—people have rallied around his efforts to remain a vibrant part of Baltimore's arts scene.His latest innovation is adapting his business to live streaming concerts. He has relied on friends, consulted tech industry leaders, and recruited Peabody Institute sound engineering graduate students to create the model and continually improve it. But it's more than just a way to remain open for business—he encourages audience members to add donations to further help the artists. In addition, he has been consulted by other arts organizations who are navigating the same challenges.Image creditCreators & Guests Rob Lee - Host Henry Wong - Guest The Truth In This Art, hosted by Rob Lee, explores contemporary art and cultural preservation through candid conversations with artists, curators, and cultural leaders about their work, creative processes and the thinking that goes into their creativity. Rob also occasionally interviews creatives in other industries such as acting, music, and journalism. The Truth In This Art is a podcast for artists, art lovers and listeners interested in the creative process.To support the The Truth In This Art: Buy Me Ko-fiUse the hashtag #thetruthinthisartFollow The Truth in This Art on InstagramLeave a review on Apple Podcasts, Spotify or wherever you get your podcasts.THE TRUTH IN THIS ART IS SUPPORTED IN PART BYThe Gutierrez Memorial FundThe Robert W. Deutsch Foundation ★ Support this podcast ★
North Portland used to have a thriving jazz scene before a freeway was built through the predominantly Black neighborhood in the ‘60s. But earlier this year, DownBeat Magazine named The 1905 in North Portland one of the best jazz clubs in the world. Today we're checking in with Alex Newman, host of 'New Jazz For Lunch' on KMHD, about the city's jazz scene and all the best places to catch a live show. Links from today's episode: The 1905: https://the1905.org/ Hey Love: https://www.heylovepdx.com/ The Jack London Revue: https://www.jacklondonrevue.com/ Jazz at The Hoxton: https://thehoxton.com/portland/whats-on/pdx-jazz-thursdays-portland/ Cathedral Park Jazz Festival: https://jazzoregon.org/2023-festival Mt. Hood Jazz Festival: https://www.mhcc.edu/Mt-Hood-Jazz-Festival/ Charlie Brown III: https://www.instagram.com/browncharlie3/?hl=en Mel Brown: https://www.facebook.com/melbrownb3organgroup/ KMHD's New Jazz for Lunch Playlist: https://open.spotify.com/playlist/6vYElNwCufFtcwRuQKGQgC Who would you like to hear on City Cast Portland? Shoot us an email at portland@citycast.fm, or leave us a voicemail at 503-208-5448. Still want more Portland news? Then make sure to sign up for our morning newsletter, Hey Portland, and be sure to follow us on Twitter and Instagram. Looking to advertise on City Cast Portland? Check out our options for podcast and newsletter ads at citycast.fm/advertise. Learn more about your ad choices. Visit megaphone.fm/adchoices
Pianist-composer Vijay Iyer has been described by The New York Times as a “social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway.” He has been praised by Pitchfork as “one of the best in the world at what he does,” by the Los Angeles Weekly as “a boundless and deeply important young star,” and by Minnesota Public Radio as “an American treasure.” He received a MacArthur Fellowship, a Doris Duke Performing Artist Award, a United States Artist Fellowship, a Grammy nomination, the Alpert Award in the Arts, and two German “Echo” awards, and was voted Downbeat Magazine's Jazz Artist of the Year four times in the last decade. But beyond all that praise, he is at his core simply a seeker of genuine connection and community. Here he talks about growing up in Rochester, NY as one of a small handful of first generation Indian Americans (his parents immigrated), how he developed his musical identity alongside an academic career as a scientist (he did his undergraduate work in math and physics at Yale and holds a PHD from UC Berkeley in the cognitive science of music), creating work for an uncertain future, how to make music matter, and his most recent recordings. He released Love In Exile - a collaborative album with Arooj Aftab and Shahzad Ismaily - last month on Verve Records. www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/studios
For today's episode we welcome jazz organist Tony Monaco to the show. Tony is a master of the Hammond B3 and has collaborated with many other great jazz musicians, including fellow jazz organist Joey DeFrancesco, drummer Steve Smith, as well as guitarists Pat Martino and George Benson, among many others. Downbeat Magazine named Tony in the top 5 jazz organists internationally for the years 2005-2011 and his albums have been both commercially successful and critically acclaimed, with several climbing to the upper levels of Jazzweek's annual top 100 listings. Our conversation covers much ground related to error, ego, humility and music, but also Tony's struggles with alcoholism over the course of his career. And be sure to listen all the way to the end for a great live rendition of Tony's composition I'll Remember Jimmy. John Kaag is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
For today's episode we welcome jazz organist Tony Monaco to the show. Tony is a master of the Hammond B3 and has collaborated with many other great jazz musicians, including fellow jazz organist Joey DeFrancesco, drummer Steve Smith, as well as guitarists Pat Martino and George Benson, among many others. Downbeat Magazine named Tony in the top 5 jazz organists internationally for the years 2005-2011 and his albums have been both commercially successful and critically acclaimed, with several climbing to the upper levels of Jazzweek's annual top 100 listings. Our conversation covers much ground related to error, ego, humility and music, but also Tony's struggles with alcoholism over the course of his career. And be sure to listen all the way to the end for a great live rendition of Tony's composition I'll Remember Jimmy. John Kaag is Professor and Chair of Philosophy at UMass Lowell and External Professor at the Santa Fe Institute. John W. Traphagan, Ph.D. is Professor and Mitsubishi Heavy Industries Fellow in the Department of Religious Studies at the University of Texas at Austin, where he is also a professor in the Program in Human Dimensions of Organizations. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Jeremy Pelt has become one of the preeminent young trumpeters within the world of jazz. Forging a bond with the Mingus Big Band very early on, as his career progressed, Pelt built upon these relationships and many others which eventually lead to collaborations with some of the genre's greatest masters. These projects include performances and recordings with Cliff Barbaro, Keter Betts, Bobby "Blue" Bland, Ravi Coltrane, Frank Foster, Winard Harper, Jimmy Heath, Vincent Herring, John Hicks, Charli Persip, Ralph Peterson, Lonnie Plaxico, Bobby Short, Cedar Walton, Frank Wess, Nancy Wilson, and The Skatalites, to name a few. Pelt frequently performs alongside such notable ensembles as the Roy Hargrove Big Band, The Village Vanguard Orchestra, and the Duke Ellington Big Band, and is a member of the Lewis Nash Septet and The Cannonball Adderley Legacy Band featuring Louis Hayes. As a leader, Pelt has recorded ten albums and has toured globally with his various ensembles, appearing at many major jazz festivals and concert venues. Pelt's recordings and performances have earned him critical acclaim nationally and internationally. He has been featured in the Wall Street Journal by legendary jazz writer and producer, Nat Hentoff, and was voted Rising Star on the trumpet, five years in a row by Downbeat Magazine and the Jazz Journalist Association. Pelt is touring throughout the United States and Europe in support of his latest release, "Soundtrack". In this episode, Jeremy shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
Known as one of the most eclectic trumpet players in New York City, Bailey is an in-demand musician and teaching artist on call for everything from traditional jazz to R&B and Pop, to classical. He became a member of The Buddy Rich Band while still in college, and his career has included long-running gigs with Ray Charles, master conguero and bandleader Ray Barretto, The Woody Herman Orchestra, and Frank Sinatra, Jr. His work with Latin Jazz innovator Arturo O'Farrill won two Grammy awards for the albums The Offense of the Drum and Cuba - The Conversation Continues. He has played on more than 70 albums and, as a jazz educator, has taught at the University of Miami and Florida International University. A trumpet prodigy, Bailey's spectacular gifts began to be noticed as a high school musician in 1984 when DownBeat Magazine cited him in its annual Student Music Awards for outstanding performances in both the classical and jazz trumpet categories, noting “Shades of Wynton!” The same year, he was a finalist in the National Foundation for Advancements in the Arts (NFAA) Arts Recognition and Talent Search, along with Donny McCaslin and Bill Charlap; and won the National Association of Jazz Educators' Youth Talent Contest. Later, as a senior at the Eastman School of Music, he won DownBeat's Best Instrumental Soloist award. Looking back, he says, “It all started for me when I discovered Clifford Brown. Clifford was the centerpiece of the golden era of jazz trumpet, and a great place to begin my lifelong study of the instrument. He was influenced by everyone before him, and became an influence on everyone after.” Bailey, who continues to teach privately, believes that educating the next generation of musicians is essential for any artist. “In American culture, where the arts are often ignored or deemphasized in both schools and the mainstream media, it is up to us, the artists, to inspire an appreciation for great art,” he says. “By keeping performance standards as high as possible and sharing our devotion with others, especially children, we enrich countless lives.” In this episode, John shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com
Jimmy Smith didn't invent the electric organ but, for several decades at least, you wouldn't know it. The response to his Blue Note and Verve LPs in the Fifties and Sixties made him a festival headliner and earned him the nickname "The Incredible Jimmy Smith." To this day, no one in the Jazz idiom can sit down at a Hammond B3 without contending with his influence or his very life force, even 17 years after he left this earth. Brian Charette knows. He has been in the top 10 in Downbeat Magazine's critics' poll of best organ players for most of the last 10 years because he is a player of wit, passion, and intensity. On this Monday's Deep Focus, Mitch Goldman will lead Brian through the WKCR archives and ask him to show us what kind of live performer The Incredible Jimmy Smith really was. It's only on WKCR 89.9FM, WKCR HD-1 and wkcr.org Monday night from 6pm to 9pm NYC time. Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ Photo credit: fair use. #WKCR #JazzAlternatives #DeepFocus #JimmySmith #BrianCharette #MitchGoldman #JazzRadio #JazzPodast #JazzInterview
Air Week: January 23-29, 2023 Swing Time Records In the fall of 1949, Down Beat Records owner Jack Lauderdale had a problem. DownBeat Magazine was threatening to sue him over the use of the name. Unsure of a new name, Lauderdale decide to use Swing as a placeholder along with Swing Beat Records before finally […]
Jimmy Smith didn't invent the electric organ but, for several decades at least, you wouldn't know it. The response to his Blue Note and Verve LPs in the Fifties and Sixties made him a festival headliner and earned him the nickname "The Incredible Jimmy Smith." To this day, no one in the Jazz idiom can sit down at a Hammond B3 without contending with his influence or his very life force, even 17 years after he left this earth. Brian Charette knows. He has been in the top 10 in Downbeat Magazine's critics' poll of best organ players for most of the last 10 years because he is a player of wit, passion, and intensity. On this Monday's Deep Focus, Mitch Goldman will lead Brian through the WKCR archives and ask him to show us what kind of live performer The Incredible Jimmy Smith really was. It's only on WKCR 89.9FM, WKCR HD-1 and wkcr.org Monday night from 6pm to 9pm NYC time. Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ Photo credit: fair use. #WKCR #JazzAlternatives #DeepFocus #JimmySmith #BrianCharette #MitchGoldman #JazzRadio #JazzPodast #JazzInterview
Jimmy Smith didn't invent the electric organ but, for several decades at least, you wouldn't know it. The response to his Blue Note and Verve LPs in the Fifties and Sixties made him a festival headliner and earned him the nickname "The Incredible Jimmy Smith." To this day, no one in the Jazz idiom can sit down at a Hammond B3 without contending with his influence or his very life force, even 17 years after he left this earth. Brian Charette knows. He has been in the top 10 in Downbeat Magazine's critics' poll of best organ players for most of the last 10 years because he is a player of wit, passion, and intensity. On this Monday's Deep Focus, Mitch Goldman will lead Brian through the WKCR archives and ask him to show us what kind of live performer The Incredible Jimmy Smith really was. It's only on WKCR 89.9FM, WKCR HD-1 and wkcr.org Monday night from 6pm to 9pm NYC time. Next week it goes up on the Deep Focus podcast on your favorite podcasting app or at https://mitchgoldman.podbean.com/ Photo credit: fair use. #WKCR #JazzAlternatives #DeepFocus #JimmySmith #BrianCharette #MitchGoldman #JazzRadio #JazzPodast #JazzInterview
My guest today is Ben Rubin a producer, mixer, bassist, and composer in Brooklyn NY. Whether he's melding hip-hop and jazz with legends like Masta Ace and Donny McCaslin, playing upright bass at the Newport Jazz Festival with Dred Scott Trio, remixing Karsh Kale or WuTang's Killah Priest, rockin' on electric bass with Marshall Crenshaw, or producing Peter Bernstein solo jazz guitar, Grammy-nominated producer/(re)mixer/bassist/composer Ben Rubin (aka Benny Cha Cha) is renowned for making records that are pure or genre-bending or both. Picked seven times as a “Rising Star Producer” in DownBeat Magazine's International Critics' Poll, Rubin has well over 100 album credits to his name. Lately, he has been working with a diversity of artists including Queen Esther, Erik Deutsch & Theo Bleckmann, Steve Conte (New York Dolls), Stripmall Ballads, Rachel Eckroth (St Vincent), Lower Power, Caleb Wheeler Curtis, Drifter feat. Lucy Woodward, Buzzed Armstrong, and Jon Irabagon, as well as labels like Ropeadope, Sunnyside and Imani. Most recently, Rubin's attention has focused on Analog Players Society at the Bridge Studio in Brooklyn with APS founder Amon Drum creating cut-up hip-hop instrumental records and jazz albums released on Ropeadope and described by Downbeat Magazine as “truly compelling.” featuring legendary Juice Crew MC Masta Ace described as “in the direct lineage of classics like A Tribe Called Quest's Low-End Theory, and Guru's Jazzmatazz.” Bens production and mixing credits include Walking Distance feat. Jason Moran, Grammy nominated composer/pianist Emilio Solla, and many recordings for Smalls Live Records releasing more than 30 records with jazz greats including Larry Goldings, Louis Hayes, Tom Harrell, Johnny O'Neal, Chris Potter, Tim Ries, Roy Hargrove, Mulgrew Miller, Seamus Blake, and Cyrille Aimeé to name just a few. As a bassist, Ben has toured and recorded both upright and electric bass with a diversity of artists, including Dred Scott Trio, Patti Smith, James Maddock, Courtney Love, Mary J. Blige, Moby, Bill Frisell, and his own acclaimed, genre-bending band Mudville which I believe my brother Nate played in at one point. Ben has also composed scores for features and short films, including director Nelson Kim's feature film debut, Someone Else, which premiered at the Miami International Film Festival in 2015. Get access to FREE mixing mini-course: http://MixMasterBundle.com THANKS TO OUR SPONSORS! https://RecordingStudioRockstars.com/Academy Use code ROCKSTAR to get 10% https://samplyaudio.com Use code RSR20 to get 20% off for the first 3 months https://carltatzdesign.com/Mixroom-Mentor https://www.Spectra1964.com http://MacSales.com/Rockstars http://iZotope.com/Rockstars use code ROCK10 for 10% off http://www.thetoyboxstudio.com http://UltimateMixingMasterclass.com Hear guests discography on Spotify: https://open.spotify.com/playlist/2aB7hmdR5SWAEgLBsSPPaf?si=03284414c7fd418e If you love the podcast, then please leave a review: https://RSRockstars.com/Review CLICK HERE FOR COMPLETE SHOW NOTES AT: http://RSRockstars.com/342
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