Podcast appearances and mentions of Wynton Marsalis

Ted Rosenthal is the real deal. He's a Grammy nominated jazz pianist and composer and one of the leading lights in this genre. He has performed worldwide as a soloist, with his trio, and with many jazz greats including Gerry Mulligan, Wynton Marsalis, Jon Faddis, Art Farmer, Phil Woods, and James Moody.  All are jazz icons. He's a Winner of the Thelonious Monk International Competition. He's released 19 CDs as a leader. He's performed with the Boston Pops, Detroit Symphony and Phoenix Symphony among others.  He has been accompanist for many of the top jazz vocalists including Ann Hampton Callaway, Kurt Elling and Barbara Cook. His jazz opera, “Dear Erich,” was commissioned and premiered by New York City Opera. He's also been commissioned by Alvin Ailey American Dance Theater. He is on the faculties of The Juilliard School and Manhattan School of Music. My featured song is my cover of Thelonious Monk's “Well, You Needn't”. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Robert's Project Grand Slam Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH TED:www.tedrosenthal.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production:Kymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Born in Colombia, Edmar Castañeda is celebrated worldwide as one of the most innovative harpists in modern music. His work combines the folk traditions of his homeland with contemporary jazz. A Latin Grammy nominee, Castañeda has collaborated with artists including Wynton Marsalis and Béla Fleck and introduced his music to millions through the soundtrack of Disney's Encanto.

Barry, Abigail, and special guest Nick Martino discuss Ozomatli by Ozomatli and sample Sole of the Sea (collaboration with Rockport Brewing Company in Rockport, Massachusetts), Drip, and girl, so confusing from Lost Shoe Brewing and Roasting Company in Marlborough, Massachusetts.Nick is now a four-timer, having previously appeared on our second Christmas bonus episode, Bonus: A Christmas Day's Eve! Original Songs by Our Friends, and both of our live episodes: Bonus: LIVE from Stand Up! Pod Jam 2024: Pops on Hops Friend Exchange (New York Funk Exchange and Able Baker Brewing) and Bonus: LIVE from Stand Up! Pod Jam 2025: Neon Desert Challenge (the latter of which he also produced for us!). Give his previous appearances some love; they are a lot of fun!Nick, in part, chose to assign us this album because of Abigail's beef with He's the DJ, I'm the Rapper by DJ Jazzy Jeff & The Fresh Prince as displayed in Jukebox: He's the Drinker, We're the Talkers (DJ Jazzy Jeff & The Fresh Prince and Evil Genius Beer Company). Coincidentally, this album reminded Abigail of a different Derek Hummel, Sr., Jukebox selection, Make Yourself by Incubus, as discussed in Jukebox: Make Your Flight (Incubus and Hell 'n Blazes Brewing Co.).Both DJ Cut Chemist and MC Chali 2na left Ozomatli after this album because their other group, Jurassic 5, was blowing up.We found a great blog with additional information about and clips of Nick's favorite “trumpet battle” between Wynton Marsalis and Trombone Shorty at the House of Blues in New Orleans, Louisiana, in 2009. Evidently, trumpet battles have been going on for over 100 years!Watch Chali 2na and New Orleans-based jazz band Naughty Professor perform Cut Chemist Suite live at the Culture Room in Fort Lauderdale, Florida, in 2018!Oh look, more self-promotion! O Le Le names Edie Brickell, whom we have previously reviewed (see Using Honeybees for the Meads [Edie Brickell & New Bohemians and B. Nektar]). We could think of at least one other time an artist we reviewed explicitly names an artist we'd previously reviewed: Crash Test Dummies (see Pops Shuffled His Flight [Crash Test Dummies and Toll Road Brewing Company]) names David Bryne (see Byrned-Again [David Byrne and Lincoln & South Brewing Company]) in When I Go Out with Artists. These two latter albums are both among Abigail's top five favorite albums we've ever reviewed, as revealed in our Pops on Hops Hot 100 Special!Super Bowl Sundae contains a sample that sounds very similar to a sample previously discussed on the podcast: Hip Hop Dancer's Theme by DJ Jazzy Jeff & The Fresh Prince samples Peter Piper by Run-D.M.C., which sampled Take Me to the Mardi Gras by Bob James.Abigail plugged The Manifesto (feat. Trueno and Proof) off of Gorillaz' recently released The Mountain, a song featuring both Indian influence and a Spanish-language rapper!girl, so confusing was brewed with the 2026 Pink Boots hop blend from Yakima Chief Hops. Sales of this hop blend benefit the Pink Boots Society, which supports women and non-binary individuals in the fermented and alcoholic beverage industry!Up next… I've Got My Own Album to Do by Ronnie WoodJingles are by our friend Pete Coe.Visit Anosmia Awareness for more information on Barry's condition.Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic!Leave us a rating or a review on Apple Podcasts or Spotify!Facebook | Instagram | Bluesky | YouTube | Substack | Website | Email us | Virtual Jukebox | Beer Media Group

The upcoming visit of Wynton Marsalis and the Lincoln Center Jazz Orchestra to these shores prompts an hour of listening to their diverse music in the Hot Box. Founded in 1988 and under Marsalis' direction since 1991, it has become an important icon for quality and stability in the world of jazz music. It has played in Ireland before, but since Marsalis announced his upcoming retirement, their concerts in Ireland develop even more significance. Enjoy an hour taken from their huge catalogue of recordings in Hot Box 151. Track list for The Hot Box #151 – Jazz at Lincoln Center Orchestra with Wynton Marsalis Havan Special Arturo O'Farrill Black & Tan fantasy Duke Ellington 2/3 Adventure Carllos Henriquez Baa Baa Black Sheep Sherman Irby Dizzy Moods Charles Mingus Mood indigo – Bli Blip – Harlem Air Shaft – Portrait of Louis Armstrong Duke Ellington Blood Cry/ La Lamada de la Sangue Wynton Marsalis All tracks The Lincoln Centre Jazz Orchestra Tune In: Listen Back: Catch past episodes on The Hot Box Jazz and Jazz Ireland. Subscribe to The Hot Box: Via Android: Subscribe on Android By Email: Subscribe by Email Spread the Word: Help us grow our jazz community by sharing The Hot Box with your friends and on social media. Your support keeps us going!

'The wonderful world of Louis Armstrong', que acaba de publicarse, se grabó en el Dizzy´s club de Nueva York, durante la última semana de diciembre de 2012. El trompetista Wynton Marsalis, nacido también en Nueva Orleans, rememora con el saxofonista Vince Giordano y su banda las primeras grabaciones de Armstrong como líder de los Hot Five y Hot Seven a mediados de los años veinte. Temas de Kid Ory, de la pianista Lil Hardin -mujer de Armstrong- o del propio Louis Armstrong como 'Hotter than that', 'The Savoy blues', 'Cornet chop suey', 'Heebie jeebies', 'Skin-dat-de-dat', 'Jazz lips', 'I´m not rough', 'Weary blues', 'Potato head blues' o 'Ory´s creole trombone'.Escuchar audio

In this soulful episode of Classic & Curious, Anne sits down with internationally acclaimed jazz trumpeter, composer, and storyteller Dominick Farinacci for a conversation about music, humanity, and the stories that connect us.From growing up in Cleveland to becoming part of Juilliard's inaugural jazz studies program — under the influence and mentorship of jazz legend Wynton Marsalis and the community of Jazz at Lincoln Center — Dominick shares the experiences that shaped both his artistry and his understanding of music as a universal language.Together, Anne and Dominick explore how music can transport us, create connection, and bring people together across cultures and generations. Dominick reflects on his global experiences, the emotional power of jazz, and how music became a bridge between people and shared human experience.Known for his TED Talk at the Kennedy Center on music, wellbeing, and mental health, Dominick also shares the personal experiences that transformed his work, including his mother's cancer journey and the creation of Modern Warrior Productions, an immersive storytelling platform centered around resilience, healing, and the power of storytelling through music.At its heart, this episode is about the beauty of storytelling — the kind that makes us slow down, lean in, and linger a little longer at the table. Because whether through music, memory, or shared experience, these are the conversations that remind us what it means to live a full and beautiful life.Connect with Dominick @DominicklifeConnect with Anne: @classicandcuriouslife, classicandcurious.com and on Substack: Curiosities by Anne Kokoskie

This episode of The Other Side of the Bell, featuring trumpet performer, composer and designer Thomas Gansch, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Thomas Gansch Trumpet Interview" And, find the expanded show notes, transcript and more photos here From his groundbreaking Mnozil Brass to his original take on a rotary valve trumpet, the "Gansch Horn," Thomas Gansch has made an indelible impact on professional music. Thomas joins us today to share his musical journey from a young boy, surrounded by instruments in a musician's family, to becoming a prominent trumpet player in Austria and beyond. He opens up quite honestly about his struggles with classical music education, and family expectations, before eventually making his transition towards jazz, which he embraced as part of his wide-range of musical interests. Growing up as the son of renowned Austrian composer Johann Gansch, and as the much younger brother of Hans Gansch, a prominent trumpet soloist and professor himself (and principal trumpeter of the Vienna Philharmonic), there was a lot of push and pull as both brothers sought their own place of identity, creativity and freedom to pursue their musical dreams. It was through humor and originality that Thomas truly found his wings, particularly with the Mnozil Brass septet, considered the "Monty Python of the musical world." Going strong since 1992, Mnozil forms just part of Thomas' busy schedule that comprises all sorts of musical styles and groups. And he gives us a tour of the original Gansch Horn, a rotary trumpet that can be played with one hand, which gives it its distinctive arced bell shape. Thomas worked directly with the noted Austrian manufacturer Schagerl in the early 2000's to create the horn that has become his identity. From practice routines to juggling gigs, jamming with Wynton Marsalis and Jerry Hey to looking after your body and mind, this is a wonderful conversation of breadth and inspiration! About Thomas Gansch: Thomas Gansch, born in 1975, has always successfully eluded any categorisation. Whether in the formation "Mnozil Brass", which he co-founded and with which he has been performing around the world for thirty years, in the legendary "Vienna Art Orchestra", as a soloist with a large orchestra or as part of a family theatrical ensemble with his wife Theresia and the joint programme "Doppelgansch", whether as a composer, arranger, compere, pop singer, big band leader or brass band conductor, the native of Lower Austria does not allow himself to be confined to any musical genre. He likes to summarise all varieties of his art under the term "music" that "either touches him or doesn't touch him" in order to put all prejudices to one side and to give listeners an intuitive approach to listening. Various projects have taken Gansch to over 45 countries and his first musical experiences in the brass band of his father Johann Gansch S. (1925 - 1998), which he - in the spirit of the gifted improviser - always integrates directly into his work. Today, Gansch draws on his wealth of artistic experience and also brings his engaging personality to every project, from symphony orchestras to chamber music ensembles, from jazz to new music, from pop acts to musical theatre and comedy programmes, into his performances. There are no hierarchies in his understanding of art, and so he manages to inspire and "pick up" the audience again and again. Episode Links: Mnozil Brass: https://mnozilbrass.at/en YouTube: @ThomasGanschOFFICIAL Instagram: @thomasgansch  Facebook: @thomasganschofficial  Bob Reeves Brass Events and Appearances: Next Up! Concert Series: Watch the live streamed premier of Dan Rosenboom's special composition, "In a World Like This," with the Los Angeles Brass Alliance: https://www.youtube.com/watch?v=2xfR6Gwtyw4 And stay tuned for the fully HD version coming soon! William Adam Trumpet Festival July 9-12, Southern Illinois University, Carbondale, Ill. Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Photo Credits - ©Daniela Matejschek Audio Engineer - Ted Cragg

We speak with Russ Johnson, director of the Jazz Ensemble at the University of Wisconsin-Parkside, about Wynton Marsalis's Abyssisian Mass: A Gospel Celebration, which is being performed at the University of Wisconsin-Parkside on Sunday afternoon and Monday evening in Frances Bedford Hall. This is a collaboration between the Jazz Ensemble and the choirs at Parkside, conducted by James Kinchen.

Tuesday on the News Hour, tensions mount as the U.S. and Iran trade threats and compete for control of the Strait of Hormuz. States scramble to redraw congressional maps ahead of November's midterms. Nearly a month after Israeli strikes across Lebanon, families of those killed still search the rubble for remains. Plus, Wynton Marsalis on why he thinks jazz is the perfect metaphor for democracy. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Renowned trumpeter and composer Wynton Marsalis has launched a new project, a kind of call and response for these times. Senior arts correspondent Jeffrey Brown met Marsalis at the Jazz at Lincoln Center, for our series Art in Action, exploring the intersection of art and democracy, part of our CANVAS coverage. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Renowned trumpeter and composer Wynton Marsalis has launched a new project, a kind of call and response for these times. Senior arts correspondent Jeffrey Brown met Marsalis at the Jazz at Lincoln Center, for our series Art in Action, exploring the intersection of art and democracy, part of our CANVAS coverage. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Since the mid-2000s, pianist Adam Birnbaum has been one of the most in-demand sidemen in jazz—anchoring ensembles for Cécile McLorin Salvant, Wynton Marsalis, and the Vanguard Jazz Orchestra. But as a leader, he's charting a different course. His latest project, Preludes, takes on the monumental task of re-imagining J.S. Bach's Well-Tempered Clavier alongside bassist Matt Clohesy and percussionist Keita Ogawa. Today, join us as Adam breaks down the careful choices made in handling this historic body of work.

Scotty Barnhardt rejoins the Feeding the Starving Artist podcast! William "Scotty" Barnhart is an American jazz trumpeter. A three-time Grammy winner, he hasplayed since 1993 as a featured soloist with CountBasie Orchestra. In September 2013, Barnhart was announced asthe new director of the Basie Orchestra.  He has multiple recordings with pianist Marcus Roberts, as well as recordings with Tony Bennett, DianaKrall, Ray Charles, and Tito Puente. A solo CD, released with Unity Music, is titled Say It Plain and features Clark Terry, Ellis, Wynton Marsalis, Marcus Roberts, Jamie Davis and Etienne Charles; it achieved number 3 on the JazzCharts. Also active as an educator and clinician, he is author of The World of Jazz Trumpet - A Comprehensive History and Practical Philosophy (published by Hal Leonard). He is a professor in the College of Music at Florida State University.Scotty was born in Atlanta, Georgia and was amember of the historic Ebenezer Baptist Church where he was christened by Martin Luther King Jr.  

Speciaal voor Koningsdag: een parade van jazz‑royalty, van Kings en Queens tot Dukes, Counts en zelfs een verdwaalde Prince of Darkness. In deze feestelijke Koningsdag‑special duiken we in de swingende wereld van adellijke bijnamen, vorstelijke titels en de verhalen achter de muzikale monarchen die de jazzgeschiedenis hebben gevormd. Waarom heten zoveel jazzhelden eigenlijk Duke, Count of King? En wat zegt dat over hun muziek, hun tijd… en hun ego? In deze TORcast hoor je de anekdotes, de legendes én natuurlijk de muziek die deze artiesten hun koninklijke status bezorgde. Een vrolijke, verrassende en vooral swingende ode aan de enige dag waarop heel Nederland een beetje royalty is. Welkom bij de podcast waar jazz en Koningsdag elkaar ontmoeten — en iedereen een kroon krijgt. Playlist: Benny Goodman quintet: Bei Mir Bist Du Schön; King Oliver: King Porter Stomp; King Oliver: St. James Infirmary; Wynton Marsalis, Ellis Marsalis: In The Court Of King Oliver; Benny Goodman, the King Of Swing: After You’ve Gone; Dubbelaar: Roger Miller: King Of The Road; Jimmy Smith, Wes montgomery: King Of The Road; Nat King Cole: L-O-V-E; B.B. King, Eric Clapton: The Thrill Is Gone; Dave Brubeck 4: The Duke; Dubbelaar: Duke Ellington, Louis Armstrong: Duke’s Place; Duke Ellington, Ella Fitzgerald: Duke’s Place; Trijntje Oosterhuis: Sir Duke; Rita Reys, Mathilde Santing: People Will Say We’re In Love; Count Basie, Frank Sinatra: Fly Me To The Moon; Cont Basie: Count Me In; Bily Holiday: Blue Moon; Bessie Smith: Nobody Knows You When You’re Down and Out; Prince: Sometimes It Snows In April. Noblesse Oblige Veel jazzmusici droegen bijnamen die verwezen naar adellijke of koninklijke titels, zoals King, Queen, Duke, Count, Prince en Lady. Koningen (Kings) Buddy “King” Bolden — Een van de vroegste jazzmonarchen uit New Orleans. Benny Goodman – “The King of Swing” — Klarinettist en icoon van de swingperiode. King Oliver (Joseph Nathan Oliver) — Mentor van Louis Armstrong en invloedrijke cornettist. Nat King Cole (Nathaniel Adams Coles) — Pianist en zanger met een vorstelijke bijnaam. King Pleasure (Clarence Beeks) — Bekend om zijn vocale jazzstijl. BB King – De koning van de blues en de bluesgitaar. Koninginnen & Keizerinnen (Queens & Empresses) Ella Fitzgerald – “The Queen of Jazz” — Een van de grootste jazzvocalisten ooit. Rita Reys – “The First Lady of Jazz in Europe” Mildred Bailey – “The Queen of Swing” — Invloedrijke zangeres uit de swingperiode. Bessie Smith – “The Empress of the Blues” — De machtige stem van de vroege blues. Hertogen, Graven & Baronnen (Dukes, Counts & Barons) Duke Ellington (Edward Kennedy Ellington) — Een van de grootste componisten en bandleiders in de jazzgeschiedenis. Count Basie (William James Basie) — Pianist en leider van een van de meest invloedrijke bigbands. The Jazz Baroness – Pannonica de Koenigswarter — Beschermvrouw van vele jazzmusici, o.a. Thelonious Monk. Prinsen & Adellijke titels (Princes & Other Titles) Miles Davis – “The Prince of Darkness” — Trompettist en vernieuwer van meerdere jazzstromingen. Chet Baker – “The Prince of Cool” — Trompettist en icoon van de cooljazz. Oscar Peterson – “The Maharaja of the Keyboard” — Virtuoos pianist met een exotisch klinkende eretitel. Lester Young – “Prez / The President” — Tenorsaxofonist met een bijnaam die politieke adel suggereert. Billie Holiday – “Lady Day” — Een van de meest expressieve jazzvocalisten. Prince – (Prince Roger Nelson) de troonopvolger en ongekroonde koning van de funk. Diplomatieke en ceremoniële titels Louis Armstrong – “The Ambassador” — Symbool van jazz als internationale taal. Eugene Wright – “The Senator” — Bassist uit het Dave Brubeck Quartet.

Performance and Works used with permission from the artists and venue. A chance meeting with Wynton Marsalis in Dayton, Ohio led Stacy Dillard to New York where the saxophonist thrives fronting three of his own bands that cut across R&B/Funk and Hip Hop and serves as an in-demand sideman. It's also where he met pianist Kiego Hirakawa with whom he partners for this performance. Keigo has spent the last 20 years touring the Midwest with his piano trio and has released three full length albums as a leader including his most recent release Pixel. You're listening to Stacy Dillard and Kiego Hirakawa. Live at the Bop Stop.

Scotty Barnhart is an American jazz trumpeter. A three-time Grammy winner, he has played since 1993 as a featured soloist with CountBasie Orchestra. In September 2013, Barnhart was announced asthe new director of the Basie Orchestra. He has multiple recordings with pianist Marcus Roberts, as well as recordings with Tony Bennett, Diana Krall, Ray, Charles, and Tito Puente. A solo CD, released with Unity Music, is titled Say It Plain and features Clark Terry, Ellis, Wynton Marsalis, Marcus Roberts, Jamie Davis and Etienne Charles; it achieved number 3 in the Jazz Charts. Also active as an educator and clinician, heis author of The World of Jazz Trumpet - A Comprehensive History and Practical Philosophy (published by Hal Leonard). He is a professor in the College of Music at Florida State University.Scotty was born in Atlanta, Georgia and was amember of the historic Ebenezer Baptist Church where he was christened by MartinLuther King Jr.  

Kate Kortum is a terrific 24-year-old jazz vocalist from Houston, Texas. She blends together bebop, blues, the Great American Songbook, and musical theatre. She's got a fresh, contemporary take on jazz vocals. She's performed at major venues including the Newport Jazz Festival, Birdland, the Blue Note, Dizzy's, SXSW, and Jazz at Lincoln Center. She haș toured internationally and collaborated with Wynton Marsalis and the Jazz at Lincoln Center Orchestra. She's also a member of The Sunhouse Singers, a New York-based vocal trio. They've been featured in projects by Charlie Rosen, Christian Wiggs, and Benny Benack III, each of whom has been a guest on this podcast.  My featured song is “Mi Cachimber All Stars”, my recent single. YouTube link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Voices Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH KATE:www.katekortum.com —--------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

American conductor James Gaffigan is recognized worldwide for his extraordinary collaborative spirit, and he has attracted international attention for his work as a conductor of symphony orchestras and opera. James was recently named the next music director of Houston Grand Opera, and he will assume his new role in the 2027/28 season. James is in demand at opera companies and symphony orchestras across the world. He serves as the general music director of Komische Oper Berlin, where he leads his third season in 2025/26. He also serves as music director of the Verbier Festival Junior Orchestra. James Gaffigan has conducted for the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Zürich Opera, Vienna Staatsoper, Deutsche Oper Berlin, Dutch National Opera, Glyndebourne Festival, Lyric Opera of Chicago, and Santa Fe Opera, among many others. He regularly leads the world's greatest orchestras, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony,Los Angeles Philharmonic, National Symphony Orchestra, Boston Symphony Orchestra, Cleveland Orchestra, Philadelphia A champion of new music, James has led more than 30 premieres by composers including Thomas Adès, Kaija Saariaho, Anders Hillborg, Andrew Norman, Sarah Kirkland Snider, and Wynton Marsalis. 

Summer Camargo is a spectacular, award winning, 24 year old trumpeter, composer and bandleader. She's the youngest member of the Saturday Night Live house band, and she also plays in the Charles Mingus Big Band and Broadway's Just in Time. Downbeat Magazine, the jazz bible, has dubbed her a rising star. She's toured with the Jazz at Lincoln Center Orchestra, performed at the Newport Jazz Festival, and collaborated with artists such as Jon Batiste and Wynton Marsalis. And she released her debut album in 2024. My featured song is “Child's Play”, from the album Miles Behind. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Voices Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH SUMMER:www.summercamargo.com —--------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Ornette Coleman's The Shape of Jazz to Come (1959) may be the most controversial album in jazz history, and one of the most important.In 1959, a broke musician from Fort Worth, Texas arrived in New York City with a plastic saxophone and a band that didn't play by the rules. And EVERYONE had an opinion about it.Jazz legends hated it. Miles Davis said Ornette was "all screwed up inside." Max Roach punched him in the mouth. Dizzy Gillespie said Ornette's music wasn't even jazz. Meanwhile, Leonard Berstein and John Coltrane celebrated him.So what exactly is The Shape of Jazz to Come, and why was it so radical? Jazz pianists Peter Martin and Adam Maness break down every track, from "Lonely Woman" to "Chronology". They dig into harmolodics, free jazz, and how Ornette shaped everyone from Miles Davis (who eventually came around) to the '80s burnout crew, including Wynton Marsalis, who personally recommended this record to Peter.Dig into The Shape of Jazz to Come with us, and learn why this soft spoken saxophonist inspired both criticism and awe.-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs:https://openstudiojazz.com/yhi-------------------------------Related You'll Hear It episodes:Mingus Ah Um: https://youtu.be/XYeRZ0Awui4Giant Steps: https://youtu.be/8umC2yZlPHcKind of Blue: https://youtu.be/ShzSnjP8bSgTime Out: https://youtu.be/-_qPhFSJeQUNina Simone at Town Hall: https://youtu.be/2PDjN5_2y5Q-------------------------------About You'll Hear It:In this popular music series Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Sign up for the You'll Read It newsletter for little known stories about the artists you love:https://youllhearit.com/newsletter-------------------------------0:00:00 - Ornette Coleman's The Shape of Jazz to Come0:01:42 - 1959: A Pivotal Year0:03:06 - Ornette Coleman: The Backstory0:04:44 - Ornette's Earlier Sound0:06:18 - Lore of the Five Spot0:07:00 - "Lonely Woman"0:12:27 - Harmolodics Explained (Charlie Haden + Don Cherry)0:13:27 - "Eventually"0:14:42 - The '80s Jazz Connection (Wynton, Branford, Kirkland)0:17:21 - "Peace"0:23:50 - Ad: Open Studio0:24:57 - Mingus Said THIS About Coleman0:27:47 - "Focus on Sanity"0:29:40 - When Peter Played with Charlie Haden0:32:43 - Don Cherry's Kids: Neneh Cherry + Eagle-Eye Cherry0:34:22 - "Congeniality"0:36:28 - "Chronology"0:37:23 - Technical Technique vs. Artistic Vision0:42:13 - Categories: Desert Island Tracks, Apex Moments0:48:55 - You'll Read It Newsletter + Ambies

Kali Rodriguez-Pena is a Cuban born, Latin Grammy nominated, trumpeter, bandleader and composer. His music combines traditional Cuban music with classic jazz. He has led his own bands in top venues and festivals in North America and shared the stage with artists including Wynton Marsalis, Paquito D'Rivera, Arturo O'Farrill, Anat Cohen and Esperanza Spalding. He won the top prize in Havana's JoJazz competition. He was a finalist in the National Trumpet Competition. His music is featured in the TV show “Let The Right One In” on Showtime. My featured song is “Mi Cachimber”, my recent single. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH KALI:www.kalirodriguezpena.com —---------------------------------------- ROBERT'S LATEST RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- ROBERT'S RECENT SINGLE “MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhorn CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S LATEST ALBUM: “WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)” CLICK HERE FOR THE OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Diana Wyenn is the creative director for Interlochen's Imagine US: Celebrating America at 250 tour. Wyenn recently spoke with Classical IPR about her vision for the upcoming Imagine US: Celebrating America at 250 tour and how the program is bringing together all of Interlochen's arts areas to celebrate the past, present and future of the United States. The tour program includes the premiere of a new cello concerto, composed by Wynton Marsalis. The students are also performing the Symphony no. 4 by Charles Ives and RE|Member, a work by Reena Esmail. All of these pieces are woven together with multidisciplinary elements, presented by students called "devisors." In her role as creative director for the tour, Wyenn helped shape the program and worked with Interlochen Arts Academy students to create the multidisciplinary content linking the pieces of music. Interlochen Arts Academy's Imagine US: Celebrating America at 250 tour begins Saturday, March 7, 2026 in Interlochen with additional stops in Detroit, Philadelphia and Boston.

Tune in Friday, February 20, 2026 @ 7pm EST/4pm PST/6pm CST for the next “He Said, He Said, He Said Live!” A Look at the World from A Seasoned Black Man's Perspective…because one perspective isn't enough!” for “From Voice to Vision: Larry Boggs Jr.'s Creative Journey to the Harlem Collective.” www.all-squared-away.org From Voice to Vision: Larry Boggs Jr.'s Creative Journeyto the Harlem CollectiveThis Friday, February 20th, He Said, He Said, He SaidLive presents a special edition of The Art of It, featuringmultidisciplinary artist, vocalist, and arts leader Larry Boggs Jr. — the incoming Costume Designer of The Harlem Collective.A native of Clinton, Maryland and a proud product of PrinceGeorge's County, Larry holds degrees from Morgan State University and New York University. His career bridges performance and design on both national andinternational stages. As a vocalist, he has performed across the U.S., Paris, and St. Petersburg, with recording credits including All Rise by Wynton Marsalis and the New York Philharmonic, and the motion picture soundtrack Godsand Generals.As a designer and wardrobe master, his work has shapedproductions at Baltimore Center Stage, ArtsCentric, Everyman Theatre, and Olney Theatre Center, with notable credits including CROWNS, Ma Rainey's Black Bottom, The Scottsboro Boys, and For Colored Girls…In this intimate and inspiring conversation, Larry reflectson artistry, leadership, discipline, and what it means to build a creative life across multiple worlds—onstage, behind the scenes, and in service to community.New Episodes of “He Said, He Said, He Said” - Live stream Fridays, 7 p.m. EST on all these links: https://linktr.ee/hesaidhesaidhesaid  FACEBOOK: facebook.com/hesaidhesaidhesaidlive  RELIVE and SHARE special moments from "He Said, He Said, He Said" here: SHOW CLIPS (22) He Said, He Said, He Said - Live - YouTubeFOLLOWUS —- CLICK LIKE and SUBSCRIBE to us hesaidhesaidhesaidlive on YouTube andInstagram!#HeSaidLive #TheArtOfIt #FromVoiceToVision #ArtsLeadership #PerformingArts #CostumeDesign#CreativeJourney #MultidisciplinaryArtist #BlackArtists #BlackCreatives #DMVArts #BlackTheatre #ArtsCommunity #CreativeDirector #CulturalLeadership #CreativeLife #ArtsAndCulture

The Rev. Jesse Jackson, a civil rights icon and two-time presidential candidate, has died at the age of 84, his family said. Jackson worked alongside Dr. Martin Luther King Jr. and founded the Rainbow PUSH Coalition. Ed O'Keefe looks at his legacy. Marc Morial, president and CEO of the National Urban League, speaks to "CBS Mornings" about the legacy and impact of the Rev. Jesse Jackson, who died at the age of 84. Morial highlighted Jackson's political impact on future Democratic candidates, his work with Dr. Martin Luther King Jr., and more. Oscar-winning actor Robert Duvall died on Sunday at the age of 95. Duvall starred in classics like "The Godfather" and "Apocalypse Now." Vladimir Duthiers looks back at his career. Matt Shumer joins "CBS Mornings" to discuss his now viral article, "Something Big Is Happening." He writes that AI's "capability for massive disruption could be here by the end of this year." Shumer explains why he wrote the article, and his message to concerned readers. American bobsledder Elana Meyers Taylor won her first gold Olympic medal on Monday in the women's solo event. Prior to the Games she had won five medals in four Olympics. She is now tied as the most decorated American woman in Winter Olympics history. Jon Meacham, a historian and bestselling author, discusses the state of American politics, what we can learn from U.S. history, and his latest book, "American Struggle: Democracy, Dissent and the Pursuit of a More Perfect Union." Jazz legend Wynton Marsalis discusses his decision to step down as the managing and artistic director of Jazz at Lincoln Center, which he founded nearly 40 years ago. Social media and tech mogul Gary Vayberchuk tells "CBS Mornings" about the ways he predicts AI will change the way we live our lives. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week, Oz, Euphonic and Fluent celebrate Wynton Marsalis; Oz has a mouthful to say about the Diaspora Wars; The Boys discuss the passing of both Michael "5000" Watts and James Van Der Beek; the Super Bowl, ICE not getting their wages and MORE! Plus, your listener letters and the Top 3 STFUs. Pour Up! Song of the Week: Goldy- "Padme"

SHOW NOTES: In this episode of Backstage Bay Area, host Steve Roby sits down with Haitian American jazz vocalist Tyreek McDole to discuss his meteoric rise in the jazz world, his chart-topping debut album, and his philosophy that music is a tool for healing and collective dreaming. In This Episode: • Early Recognition: How winning the Outstanding Vocalist Award from Wynton Marsalis at age 18 and the 2023 Sarah Vaughan International Jazz Vocal Competition launched Tyreek's career • "Open Up Your Senses": The story behind his 2025 debut album that hit #1 on JazzWeek and earned four stars from DownBeat Magazine • Music as Healing: Tyreek shares how "The Sun Song" transformed his own life and why he's committed to singing it for the rest of his career • Bridging Traditions: How Tyreek connects Louis Armstrong's romantic tradition with avant-garde influences like Pharaoh Sanders and Nicholas Payton • The Power of Listening: Why opening up our senses—especially in today's turbulent times—is more important than ever • Multi-Generational Collaboration: Working with jazz legends like Kenny Barron, Rodney Whitaker, and Sullivan Fortner alongside rising stars • Live at SFJAZZ: What to expect from his intimate performances at the Joe Henderson Lab with his touring quintet • What's Next: A sneak peek at his sophomore album and upcoming world tour Featured Tracks:"The Sun Song""Won't You Open Up Your Senses" (title track)Catch Tyreek McDole Live:SFJAZZ Center's Joe Henderson LabFebruary 12-13, 2025Two shows nightly: 7:00 PM & 8:30 PMTickets: sfjazz.org

Kenny Rampton: Jazz at Lincoln Center, Sesame Street & Finding Positivity Through Music Join us for an intimate conversation with Kenny Rampton, trumpet player with Jazz at Lincoln Center Orchestra and Sesame Street. Kenny shares his journey from growing up in a musical family in Las Vegas to becoming one of New York's most respected jazz musicians. In this interview, Kenny discusses: • His 11-year tenure with Wynton Marsalis and Jazz at Lincoln Center • Recording for Sesame Street and the impact of children's television • Writing and arranging for big bands • His nonprofit Jazz Outreach Initiative (JOI) and the Las Vegas Youth Jazz Orchestra • Influences from Clark Terry, Clifford Brown, and Maynard Ferguson • Navigating the challenges of COVID-19 as a New York musician • The importance of listening, practice, and finding positivity in difficult times Timestamps: 0:00 - Introduction & Welcome 0:54 - Meeting Kenny & Common Connections 2:44 - The Sesame Street Gig 5:49 - Recording Process & Remote Sessions 10:05 - Lincoln Center & Jazz at Lincoln Center Orchestra 14:48 - How the Lincoln Center Gig Came About 19:50 - Philosophy on Mistakes & Perfection 23:19 - Writing & Arranging for Big Band 27:35 - Early Years & Musical Background 31:28 - Starting Trumpet & Early Improvisation 33:28 - Teaching & Jazz Outreach Initiative 38:35 - Influences & Listening Recommendations 45:05 - Maynard Ferguson & Current Listening 50:10 - Meeting Sergei Nakariakov & Embracing Silence 51:36 - COVID Impact on New York Musicians 58:30 - Finding Positivity in Difficult Times 1:03:30 - Round Table Discussions with Legendary Musicians 1:06:10 - Closing Thoughts & Final Message Featured Topics: Jazz education and mentorship The reality of being a working musician in NYC Collaboration with world-class artists Life on the road with a touring big band The journey vs. the destination in music and life Connect with Kenny Rampton: Jazz Outreach Initiative: [Add link if available]

William "Bill" Easley, born in Olean, NY, is a saxophonist, flutist and clarinetist, has performed with some of the most iconic musicians, including George Benson, Isaac Hayes, Ruth Brown, Ron Carter, Grady Tate, Bobby Short, John Lewis, Winton Marsalis and Louis Bells, just to name a few! He has been part of the orchestra of 10 Broadway Shows, including Black and Blue, Sophisticated Ladies, The Wiz, Jelly Last Jam, Fosse.As side from being a sideman on many recording, he has 5 recording as a leader.He has performed in a host of club such as Minton's, Village Vanguard in New York, Plugged Nickel in Chicago, The Jazz Work Shop in Boston to Carnegie Hall and Lincoln Center. He began performing with his father, a bandleader with his own band and his mother, who was a master pianist. This episode is informative, historic yet oh so funny! It is not to be missed. You'll love meeting Bill Easley!!! Produced, directed, edited and hosted by Stephen E Davis Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Sean Mason stands as one of the most compelling jazz pianists, composers, and record producers of his generation. A Grammy Award nominee, Bessie Award winner, and Bistro Award recipient, Mason has quickly distinguished himself in contemporary music through his innovative approach and profound connection to jazz tradition. His discography, highlighted by his critically acclaimed 2023 debut album The Southern Suite and Grammy-nominated collaborations, reflects an artist of significant impact on the global jazz landscape. Mason's musical journey began at age 13 in his native Charlotte, North Carolina, where he taught himself piano, influenced by gospel music and the music of Ray Charles. At 15, his talent led him to enroll in the JazzArts Initiative Camp in Charlotte, North Carolina. At age 17, Mason won the inaugural Loonis McGlohon Young Jazz Competition, an award that included an opportunity to perform as guest soloist with Delfeayo Marsalis. A pivotal moment arrived in 2017 while Mason was attending the University of North Carolina at Greensboro (UNCG). He met Branford Marsalis, who was giving lessons there. Marsalis, recalling their encounter, recounted how Mason impressed him by quickly learning and memorizing complex pieces. Marsalis subsequently advised Mason to consider The Juilliard School, telling him directly: "You might want to consider Juilliard. Go to their website, put in your audition tape, and they will call you." He also contacted his brother, Wynton Marsalis, Director of Juilliard Jazz, asking him to "Be on the lookout for this kid." This significant endorsement propelled Mason to Juilliard, where he was accepted and enrolled in 2018, leading to his relocation to New York City for his studies. Upon arriving in New York in 2018, Mason quickly established himself in the city's jazz scene through his work as a sideman. Concurrently, he formed his own trio, featuring bassist Butler Knowles and drummer Malcolm Charles. This trio performed at notable New York City jazz venues such as Dizzy's Club and Smoke Jazz Club. From 2019 to early 2020, Mason's trio cultivated a dedicated following through a consistent after-hours residency at Smalls Jazz Club, performing every other Monday, from 1:00 AM to 4:00 AM. This residency continued until the onset of the COVID-19 pandemic. During this initial period in New York, Mason also contributed as the pianist for the soundtrack of the 2020 Netflix film Ma Rainey's Black Bottom. The years following the pandemic saw Mason continue his vital work as a sideman, touring globally with various artists and contributing to numerous album recordings. His versatility expanded into film and theatre; he served as pianist for the soundtrack of the 2021 Emmy-nominated History Channel documentary Tulsa Burning: The 1921 Race Massacre, and the Netflix film Rustin. In theatre, Mason was involved in various musical roles for Broadway productions such as Hadestown and Phantom of the Opera.. During this time, Mason also served as musical director for The Soapbox Presents, a Harlem-based performing arts organization. In August 2022, Mason was recognized by NPR's Jazz Night in America as a member of their inaugural Youngbloods class, a sub-series featuring up-and-coming jazz musicians acknowledged for revolutionizing the genre. Also in 2022, Mason formed his quintet, the ensemble featured on his debut album The Southern Suite. This group, consisting of Tony Glausi (trumpet), Chris Lewis (tenor saxophone), Felix Moseholm (bass), and Domo Branch (drums), performed on a two-week tour sponsored and presented by Jazz at Lincoln Center as part of an initiative to develop new music. On October 27, 2023, he released his debut album as a leader, The Southern Suite, on Blue Engine Records, Jazz at Lincoln Center's in-house label. This marks Mason's emergence as a formidable bandleader, composer, and recording artist. Featuring his quintet, the album received widespread critical acclaim. Jazziz Magazine praised its "captivating blend of sophistication and raw emotion," noting its "contemporary jazz sound rooted in tradition while remaining utterly fresh." Paris-Move lauded it as "a powerful and sophisticated work" and "a masterpiece of contemporary jazz." NPR recognized the album as part of his "meteoric rise" and praised its unique sound. The Southern Suite is a deeply personal exploration of Mason's North Carolina roots, woven into a cohesive artistic statement. Mason's artistic contributions were further recognized with a Bessie Award in 2023 for Outstanding Sound Design and Music Composition for his work on The Jazz Continuum. His creative spirit continued to flourish in 2024 with two notable co-releases. He joined forces with poet Mahogany L. Browne for Chrome Valley, a project that uniquely blends jazz with spoken word. The same year, on August 23, 2024, Mason's collaborative album My Ideal with acclaimed vocalist Catherine Russell arrived on Dot Time Records. This duo album quickly earned a Grammy Award nomination for Best Jazz Vocal Album at the 67th Annual Grammy Awards. My Ideal was further honored with a 2025 Bistro Award for Outstanding Recording, with critics frequently commending Mason's "sophisticated and nuanced piano playing" and his profound ability to complement Russell's vocals through a deep understanding of jazz standards. Today, Sean Mason maintains an active and extensive international performance schedule as a bandleader and solo artist. He consistently presents at major jazz festivals and prestigious venues across the globe, solidifying his position as a dynamic and influential force in contemporary jazz.

El artista panameño grabó el disco 'Salswing!' con la orquesta de Roberto Delgado y canciones como 'Pennies from heaven', 'The way you look tonight', 'Watch what happens', 'Do you hear four?', 'Mambo Gil' o 'Ya no me duele'. Y con la Jazz at Lincoln Center Orchestra de Wynton Marsalis, en 'Una noche con Rubén Blades', canta 'Ban ban quere', 'Too close for comfort', 'I can´t give you anything but love', 'Apóyate en mi alma', 'Fever' o 'They can´t take that away from me'. Escuchar audio

How much do you know about Peter Martin? In this conversation with Kirk Hamilton of the Strong Songs podcast, Peter shares his musical influences and trajectory as a young jazz pianist. He brings us right back to the '70s, '80s, and '90s with stories of meeting Wynton Marsalis, and playing with jazz legends like Betty Carter, Roy Hargrove and Joshua Redman.Plus, he shares his take on jazz education, the marathon runner's mindset and why anyone and everyone can play music.Check out the Strong Songs podcast: https://strongsongspodcast.com/Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 00:00 - Introducing Today's Episode02:50 - Peter's Strong Songs Interview06:00 - Peter's Musical Background08:00 - The Suzuki Method14:30 - Nurturing Talent 16:30 - How Peter Discovered Jazz20:30 - Meeting Wynton Marsalis27:00 - The Midwestern Jazz Scene33:20 - Juilliard, Roy Hargrove and the Young Lions35:40 - Moving to New Orleans38:30 - The Economics of Jazz in the 90s40:00 - Playing with the Legendary Betty Carter44:30 - Jazz Musicianship Then and Now47:15 - Roy Hargrove and the Summer of '9452:15 - Joining Joshua Redman57:45 - Rethinking Jazz Education1:02:15 - The Marathon Runner's Mindset1:07:20 - Kenny Kirkland: Awe & Inspiration1:15:00 - Roy Hargrove, The RH Factor and Hard Groove1:20:00 - My Funny Valentine - Miles Davis1:25:00 - How to Find the Recommendations in this Episode

In this episode, we discuss recordings of “Charpentier: Baroque Christmas” (Soli Deo Gloria) by Monteverdi Choir & English Baroque Soloists / Christophe Rousset, “Respighi: Lauda per la natività del Signore; Frontini / Arman: Sizilianische Weihnacthslieder” (BR Klassik) by Chor des Bayerischen Rundfunks / Howard Arman, “Cuban Christmas” (Deutsche Grammophon) by The Sarahbanda, Sarah Willis, Yuniet Lombida, Carlos Calunga / José Antonio Méndez Padrón, “Lost Christmas” (Trygger Music) by the Coco Chatru Quartet, “Big Band Holidays III” (Blue Engine Records) by the Jazz At Lincoln Center Orchestra & Wynton Marsalis, and “Salsa Navidad” (Ovation Records) by the Spanish Harlem Orchestra.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 238 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Charpentier: Baroque Christmas” (Soli Deo Gloria) Monteverdi Choir, English Baroque Soloists / Christophe Rousset https://open.spotify.com/album/2WhQIq5g4lu3bSPQTsjW6p https://music.apple.com/us/album/charpentier-baroque-christmas/1833327284 https://music.amazon.com/albums/B0FDXBQTH3   “Respighi: Lauda per la natività del Signore; Frontini / Arman: Sizilianische Weihnacthslieder” (BR Klassik) Chor des Bayerischen Rundfunks / Howard Arman https://open.spotify.com/album/2sgIiUdqQp2KB9yWHe5E3W https://music.apple.com/us/album/italian-christmas/1837425803 https://music.amazon.com/albums/B0FH7FHGWK   The Sarahbanda, Sarah Willis, Yuniet Lombida, Carlos Calunga / José Antonio Méndez Padrón https://open.spotify.com/album/2Oo7Jfdd1IGDZ4atGVYPXs https://music.apple.com/us/album/cuban-christmas/1828159631 https://music.amazon.com/albums/B0FJFWDQJC   “Lost Christmas” (Trygger Music) Coco Chatru Quartet https://open.spotify.com/album/4bmM9TmQyPdHrN325lRLyu https://music.apple.com/us/album/lost-christmas/1851651942 https://music.amazon.com/albums/B0FZJP1YTM   “Big Band Holidays III” (Blue Engine Records) Jazz At Lincoln Center Orchestra, Wynton Marsalis https://open.spotify.com/album/0QzFg1dRSkhRjR5oiAHlZr https://music.apple.com/us/album/big-band-holidays-iii/1850503207 https://music.amazon.com/albums/B0FZDD87LX   “Salsa Navidad” (Ovation Records)  Spanish Harlem Orchestra https://open.spotify.com/album/4KfWmSDceezEppcWVKZCR2 https://music.apple.com/us/album/salsa-navidad/1853548101 https://music.amazon.com/albums/B0G2M7C8FN

Today, we're putting The Tonearm's needle on pianist Marcus Roberts.Roberts plays jazz piano like he's lived through its entire history. His style pulls from Jelly Roll Morton and Fats Waller as much as it does from bebop. He spent years in Wynton Marsalis's band, has performed piano concertos with Seiji Ozawa, and today leads The Modern Jazz Generation, a 12-piece ensemble encompassing three decades of musicians.Roberts is here today to talk about something beyond performance. He's one of twenty artists awarded a grant from the Doris Duke Foundation's Performing Arts Technologies Lab. His project tackles a technical problem that's plagued remote music collaboration: latency. He's working to get the delay below 40 milliseconds so musicians in different cities can actually play together in real time.Roberts has been blind since age five, and he's used technology his whole life to access music and create it. From Braille music notation to AI-powered tools, he shows us how tech can serve artists rather than replace them. And that's just a hint of where this conversation goes.(The first two musical excerpts heard in the interview are from a Marcus Roberts live performance, Jazz in Marciac 2024)–Dig Deeper• Visit Marcus Roberts at marcusroberts.com • Check out Marcus Roberts' music on Qobuz • Marcus Roberts on Wikipedia • Marcus Roberts - 60 Minutes Profile "The Virtuoso" (2014)• Jason Marsalis - drummer in Marcus Roberts Trio and The Modern Jazz Generation • Rodney Jordan - bassist in Marcus Roberts Trio • The Modern Jazz Generation - Roberts' 12-piece ensemble founded in 2012• Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on pianist Marcus Roberts.Roberts plays jazz piano like he's lived through its entire history. His style pulls from Jelly Roll Morton and Fats Waller as much as it does from bebop. He spent years in Wynton Marsalis's band, has performed piano concertos with Seiji Ozawa, and today leads The Modern Jazz Generation, a 12-piece ensemble encompassing three decades of musicians.Roberts is here today to talk about something beyond performance. He's one of twenty artists awarded a grant from the Doris Duke Foundation's Performing Arts Technologies Lab. His project tackles a technical problem that's plagued remote music collaboration: latency. He's working to get the delay below 40 milliseconds so musicians in different cities can actually play together in real time.Roberts has been blind since age five, and he's used technology his whole life to access music and create it. From Braille music notation to AI-powered tools, he shows us how tech can serve artists rather than replace them. And that's just a hint of where this conversation goes.(The first two musical excerpts heard in the interview are from a Marcus Roberts live performance, Jazz in Marciac 2024)–Dig Deeper• Visit Marcus Roberts at marcusroberts.com • Check out Marcus Roberts' music on Qobuz • Marcus Roberts on Wikipedia • Marcus Roberts - 60 Minutes Profile "The Virtuoso" (2014)• Jason Marsalis - drummer in Marcus Roberts Trio and The Modern Jazz Generation • Rodney Jordan - bassist in Marcus Roberts Trio • The Modern Jazz Generation - Roberts' 12-piece ensemble founded in 2012• Dig into this episode's complete show notes at podcast.thetonearm.com–• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Bryan Carter is a Grammy and Tony Award-winning drummer, vocalist, composer, arranger, orchestrator, and bandleader. After completing his training at The Juilliard School, Carter played with legendary artists including McCoy Tyner, Wynton Marsalis, Kenny Barron, and Kurt Elling. In addition to working in the worlds of film, television, and Broadway, Bryan founded "Jazz at Pride," a non-profit organization dedicated to curating performances and educational engagements featuring world-class artists from the LGBTQIA+ community. Bryan most recently served as co-orchestrator for Broadway's “Some Like It Hot,” for which he and his co-orchestrator Charlie Rosen made history as the first orchestrators to sweep all three major awards in a single season: the 76th Annual Tony Awards for Best Orchestrations, the Outer Critics Circle Awards, and the Drama Desk Awards for Outstanding Orchestrations. Rosen and Carter continued their streak of success at the 66th Annual GRAMMY Awards, winning the title of Best Musical Theater Album as producers on the recording. In the fall of 2024, Bryan premiered “Rustin in Renaissance,” a seven-movement oratorio on the life of civil-rights pioneer Bayard Rustin. The premiere was held at Jazz at Lincoln Center's Appel Room and coincided with the 20th anniversary of “The House of Swing.” In this episode, Bryan talks about: Playing multiple instruments and musical roles since early childhood  His orchestration role on “Some Like It Hot” that garnered him a Tony and a Grammy His experience at Julliard, and feeling like the curriculum put him in too small a box Looking around for “who was hiring” in New York and what that looks like on that scene The New York tradition of older established artists seeking out younger musicians and giving them a platform Writing and playing for George Clooney's Broadway production of “Good Night and Good Luck” How using piano for composition has made him think of drumming from an arrangement standpoint  Welcoming how different performers offer different interpretations of what he writes ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage

Episode Description: In this episode of Backstage Bay Area, host Steven Roby sits down with vocalist and songwriter Sachal Vasandani. Known for a voice that critics call "transfixing," Sachal has collaborated with everyone from Wynton Marsalis to Bobby McFerrin.Sachal discusses his latest project, Best Life Now, and the surprising journey of taking that album—originally produced with deep grooves by drummer Nate Smith—and stripping it back to its raw, acoustic essentials. We dive into his philosophy on jazz improvisation, his "brush your teeth" approach to vocal discipline, and how he navigates the confusing headspace of post-pandemic life through song.In This Episode, We Cover:·       The Ella Effect: How listening to Ella Fitzgerald taught him to find new "nooks and crannies" in songs he has sung thousands of times.·       The Acoustic Pivot: Why a logistical travel snag turned into a creative breakthrough for his Acoustic Sessions EP.·       Lyrical Tension: The story behind the title track "Best Life Now" and why living your "best life" isn't always as simple as it sounds.·       Teaching Jazz: Sachal's unique philosophy on balancing technical discipline with the freedom to break the rules.·       Live at Joe Henderson Lab: Previewing his intimate reunion with Bay Area natives Dayna Stephens and Charles Altura.Featured Music:·       "Best Life Now" (Acoustic Version)·       "Too Easy"Links & Resources:·       Tickets: Sachal Vasandani at SFJAZZ (Dec 12)·       Album: Best Life Now & Acoustic Sessions EP (Available on all streaming platforms)Connect with Backstage Bay Area:·       Website: Backstagebayarea.com·       Host: Steven Roby

Kirk sits down with jazz piano legend Peter Martin to talk about Peter's musical background, his momentous early encounters with Wynton Marsalis and Kenny Kirkland, the jazz scene of the 1990s, how the Suzuki method works, and why jazz students today should be less shy about talking to their heroes. Check out Peter's online jazz education program Open Studio, as well as You'll Hear It, the music podcast he co-hosts with Adam Maness. DISCUSSED/REFERENCED:“Variations Sur ‘Le Carnaval de Venise” feat. Wynton Marsalis and the Eastman Wind Ensemble from Carnival, 1987“Path Adjacent” Peter Martin w/ Gregory Hutchinson, Sarah Hanahan & Reuben Rogers from Generation S, 2023“Bag's Groove” by Milt Jackson from Miles Davis, Bag's Groove, 1967“Tea For Two” by Youmans/Ceasar, played by Art Tatum from Piano Starts Here, 1968“Broad Way Blues” by Ornette Coleman from New York Is Now, 1968“Swingin' at the Haven” by Branford Marsalis from Royal Garden Blues, 1986“Now's The Time/Billie's Bounce” by Charlie Parker from Jamey Aebersold Vol. 6: All Bird“Naima's Love Song” by Betty Carter from I_t's Not About The Melody_, 1992“Mental Phrasing” by Roy Hargrove live w/ Joshua Redman, Ron Blake, Peter Martin, Rodney Whitaker, Greg Hutchinson“Turnaround” by Joshua Redman w/ Pat Metheny from Wish, 1993“Jig-A-Jug” by Joshua Redman and “St. Thomas” by Sonny Rollins” from Spirit of the Moment: Live at the Village Vanguard, 1995“Cat Battles” and “One Shining Soul” by Joshua Redman from Freedom in the Groove, 1996“The Loneliness of a Long Distance Runner” intro and “Mind and Body” from Solo, Live in New York, 2015“Why Approach Chords Matter” - Adam Maness for Open Studio on YouTube, 2025“2 Down & 2 Across,” “Sing a Song of Song,” “Before It's Time to Say Goodbye” by Kenny Garrett feat. Kenny Kirkland from Songbook, 1997“Phyrzzinian Man” by Wynton Marsalis from Black Codes from the Underground, 1985“Necessary Evil” by Elvin Jones and “Whatever Possessed Me” by Chet Baker feat. Pat LaBarbera (Tenor) and Kenny Kirkland from Brother John, 1982“Stella by Starlight” by Hoagy Carmichael, performed by the Miles Davis Quintet on My Funny Valentine: In Concert, 1965----LINKS-----

Today, we explore the world through phrases. Not just any phrases, but aphorisms – those short sentences with the power to stop us in our tracks, cause us to rethink how we see things, and even make better decisions. I'm joined by James Geary, author of the newly re-released book, The World in a Phrase: A Brief History of the Aphorism. James is a lecturer at Harvard's Kennedy School. James is also a self-confessed 'aphorism addict', and he studied the history of what he calls the world's oldest written art form. As you will hear, aphorisms transcend culture and historical periods. And James's work and this conversation refer to the likes of Lao Tzu, the ancient Greeks, through to Mark Twain, and modern figures like Wynton Marsalis and Brian Eno. From a decision-making lens, aphorisms have potency as heuristics. When we think about modern challenges, James explains that they can help us so very much, particularly as AI is taking over the written word and threatening to reduce our cognitive load to zero. Show notes: James' website The World in a Phrase: A Brief History of the Aphorism James on Instagram James on Blue Sky Stanisław Lec Yogi Berra The I Ching G.K Chesteron Cyril Connolly Brian Eno Wynton Marsalis Clet Abraham Steven Wright Brian Wilson Josh Billings Eric Jarosinski Joseph Joubert _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Like what you heard? Check out: The Decision-Making Studio: https://thedecisionmaking.studio/ The Decision-Making Studio Podcast: https://thedecisionmaking.studio/podcast

In this interview from the recent Journey of Jazz cruise, trumpeter Sean Jones talked with fellow brassman Wycliffe Gordon about his storied life in music. The trombonist talked about his early years playing music in churches, his introduction to jazz, his experience with playing in the McDonald's High School All-Star Band, and his work with Wynton Marsalis in both Wynton's Septet and the Jazz at Lincoln Center Orchestra.

Episode 91: Christian McBride. Nine-time GRAMMY winner Christian McBride is one of the most influential jazz artists in the game. His collaborations span icons like Chick Corea, Herbie Hancock, Pat Metheny, James Brown, and Sting. He's the leader of multiple acclaimed bands including the Christian McBride Big Band, Inside Straight, and New Jawn. He also serves as the host of NPR's Jazz Night in America and was the Artistic Director of the Newport Jazz Festival for a decade. His story is incredible, and we're setting the stage here with Part 1, The Early Years. Growing up in Philadelphia, Christian was surrounded by greatness. His high school classmates included Questlove, Black Thought, Joey DeFrancesco, and Kurt Rosenwinkel, just to name a few. In this episode, we talk about those formative years, the Philly music scene, and how he broke into the spotlight with Wynton Marsalis and Freddie Hubbard, along with the wild story of his rare opportunity to play for Miles Davis. We also get into his professional mentality, early lessons on leadership, and what it took to earn respect from legends while still a teenager. Christian is an amazing storyteller, and this conversation is full of history, heart, and laughs. We had the best time recording this one, so I hope you enjoy it as much as we did. Lets go! Special thanks to Apogee Electronics. We used their Apogee HypeMic and Podcast Kit in this episode and they sounded great. Check it out! Apogee HypeMic & Podcast Kit: https://hubs.li/Q03zczhb0 ‘Go with Elmo Lovano' is a weekly podcast where Elmo interviews creatives and entrepreneurs in music on HOW they push forward every day, got where they are in their careers, manage their personal lives, and share lessons learned and their most important insights. Please SUBSCRIBE / FOLLOW this podcast to catch new episodes as soon as they drop! Your likes, comments and shares are much appreciated! https://www.patreon.com/gowithelmo Become a Patreon Member to stay in the loop as we post Patreon-only exclusive content, Zoom hangs, invite only events, and discussions about music and music careers. Listen to the audio form of this podcast wherever you get your podcasts: https://elmolovano.komi.io/ Follow Christian: https://www.instagram.com/chrmcbride/ Follow Go With Elmo: https://www.instagram.com/gowithelmo/ https://www.tiktok.com/@gowithelmo https://x.com/gowithelmopod Follow Elmo Lovano: https://Instagram.com/elmolovano https://x.com/elmolovano Follow Jammcard: https://www.youtube.com/@jammcard jammcard.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we invite the highly entertaining Lisa Verrico to join us from her native Glasgow and talk us through her career from IPC's Vox magazine to The Times. Commencing with her memory of first hearing Prince's 'Little Red Corvette' as a kid on holiday in Spain, our guest recalls her days of raving (and working in radio) before describing how she got her foot in the door at Vox. Hair-raising Mancunian encounters with Happy Mondays and Mark E. Smith serve as preludes to Lisa's hilarious 1994 interview with Oasis. We hear her "bootleg recording" of the Gallagher brothers' competing impersonations of Mick Jagger on the band's impromptu rendition of 'You Can't Always Get What You Want'. A broad discussion of what the '90s meant for pop culture takes in Lisa's memories of Oasis hanger-on Evan Dando and of the altogether different My Bloody Valentine. Clips from a 1989 audio interview with the latter's Kevin Shields and bandmates prompt reflections on MBV's extraordinary sound and their somewhat dysfunctional relationship with Creation's Alan McGee. We return to Lisa's own story by asking her what happened after Vox folded in 1998 — and how she wound up  reviewing (and interviewing) for The Times for 25 years. We also discuss how much the live music experience has changed in that time. Finally, we hear about our guest's 2019 trip to L.A. to interview 17-year-old superstar-in-the-making Billie Eilish. After paying heartfelt tribute to cult neo-soul star D'Angelo — note that news of the death of former KISS guitarist Ace Frehley only reached us after this episode was recorded — Mark quotes from a 1984 interview with jazz giant Wynton Marsalis and Jasper takes us out with his thoughts on Joe Muggs' 2011 interview with the great James Blake. Many thanks to special guest Lisa Verrico. You can find her writing in The Times.  Pieces discussed: Oasis: Shake'n'vac, Evan Dando: Baby I'm Bored, Evan Dando: "I get the feeling I'm being bullshitted", Evan Dando: The Smoker You Drink, The Player You Get, Evan Dando: Different Drum, My Bloody Valentine audio, Billie Eilish, D'Angelo: Soul Asylum, On D'Angelo and the Birth of Neo-Soul, D'Angelo: Black Messiah, Wynton Marsalis: The Hottest Lips in America and James Blake: Point Blake.

Clarence rejoins Rick and Ron on the podcast. Clarence is one of the busiest jazz drummers in the world, a leader of multiple bands, a composer, a prolific producer, and a music educator.He's an accomplished jazz drummer, highly regarded for his impressive skills in music composition, production, and education. Since his arrival in New York City in 1991, Penn has worked with an extensive list of renowned musicians, including Ellis and Wynton Marsalis, Betty Carter, and Michael Brecker, among others. He has also toured extensively and recorded a myriad of studio albums, covering a wide range of jazz expressions.

The RH Factor's Hard Groove might sound uncontroversial to modern ears, but in the early 2000s it was revolutionary. With this record, Roy Hargrove broke away from the straight-ahead jazz revival of the Young Lions era and created something entirely new. Hard Groove blended Roy's trumpet with the voices of R&B and soul heavyweights like D'Angelo, Erykah Badu, and Common, artists whose platinum-selling albums (Voodoo, Mama's Gun, Like Water for Chocolate) already featured Roy's melodic horn playing and orchestral arrangements.With Hard Groove, Roy flipped the script: instead of lending his sound to the hip hop and neo-soul world, he invited those artists into a jazz record. The result was a landmark project that blurred genres and redefined what jazz could be in the 21st century.You'll Hear It has been nominated for a Listener's Choice award for Best Music Podcast at the Signal Awards. Vote for us here: https://vote.signalaward.com/PublicVoting#/2025/shows/genre/musicWant more neo-soul? Check out our Voodoo episode: https://youtu.be/AYqmFNF2s0U Watch the documentary "Hargrove": https://youtu.be/liK1u6DQQ4M?si=SZ83SNHazZX2JMImStart your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi 

Clarence Penn joins the Feeding the Starving Artist podcast. Clarence is one of the busiest jazz drummers in the world, a leader of multiple bands, a composer, a prolific producer, and an educator.He's an accomplished jazz drummer, is highly regarded for his impressive skills in music composition, production, and education. Since his arrival in New York City in 1991, Penn has worked with an extensive list of renowned musicians, including Ellis and Wynton Marsalis, Betty Carter, and Michael Brecker, among others. He has also toured extensively and recorded a myriad of studio albums, covering a wide range of jazz expressions.

The Real Ambassadors is a poignant tale of cultural exchange, anti-racism, and jazz history. And it's a love story — between life-long husband and wife partners, Iola & Dave Brubeck and their vision for a better world. Appalled by the racist treatment of Black jazz musicians in the United States in the 1950s and 60s, the Brubecks wrote a musical based on the Jazz Ambassadors Program established by President Eisenhower and the US State Department during the Cold War. In an effort to win hearts and minds, jazz musicians were sent out around the world to represent the freedom and creativity of America through their art form. Louis Armstrong, Dizzy Gillespie and most of the other Jazz Ambassadors were Black. The irony is that they were treated like royalty around the world, but could not stay in hotels or play in integrated bands in their own country.Performed live only once, at the Monterey Jazz Festival in 1962, the Real Ambassadors featured Louis Armstrong, Carmen McCrae, Dave Brubeck and Lambert Hendricks and Bavan. The musical was a chance for Louis Armstrong to speak out about his deep feelings about racism and segregation in this country — feelings he rarely expressed publicly.The story features original music, rare archival recorded letters sent back and forth between the Brubecks and Louis Armstrong about the project, rehearsal recordings and interviews with Dave and Iola Brubeck. Other voices include: the Brubecks' sons, Chris and Dan Brubeck, Keith Hatschek, author of the  book, "The Real Ambassadors,” Ricky Riccardi, Director of Research Collections for the Louis Armstrong House Museum, and singer/actress Yolande Bavan, the last surviving performer involved in the project.Thanks to: Keith Hatschek, Chris Brubeck, Dan Brubeck, Ricky Riccardi, Yolande Bavan,  Lisa Cohen, and Wynton Marsalis.Special thanks to: The Louis Armstrong Educational Foundation and the Louis Armstrong House Museum; Michael Bellacosa and the Brubeck Collection, Wilton Library, Wilton, Connecticut; The Complete Louis Armstrong Columbia & RCA Victor Studio Sessions 1946-66 Mosaic Records 270; The Milken Family Foundation Archive Oral History Project; and The Library of Congress.Produced by The Kitchen Sisters (Nikki Silva and Davia Nelson) and Brandi Howell in collaboration with Jackson Spenner. Mixed by Jim McKee.

Ariadne Trujillo Durand is a powerhouse Cuban-born, Grammy nominated, virtuoso pianist and singer, one of the world's leading Latin Jazz musicians. She began performing at age 14 with Cuba's top symphonic orchestras. She's worked with Paul Simon, Paquito D'Rivera, Wynton Marsalis and Esperanza Spalding. Her vocal technique ranges from opera to jazz. This past March she released her first solo album, “Legacy”, along with a live performance at Lincoln Center with her 10 piece orchestra.My featured song is my reimagined version of “The ‘In' Crowd”, the 1960s hit by Dobie Gray from the album East Side Sessions by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH ARIACNE:www.ariacne.com____________________ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Receiving B.S. and M.S. degrees from The Julliard School of Music, David Taylor started his playing career as a member of Leopold Stowkowski's American Symphony Orchestra, and with appearances with the New York Philharmonic under Pierre Boulez. Simultaneously, he was a member of the Thad Jones Mel Lewis jazz band, and recorded with groups ranging from Duke Ellington to The Rolling Stones. He has also recorded numerous solo CDs on the following labels: Koch, New World, ENJA, DMP, Tzadik, CIMP, PAU, and TLB. Mr. Taylor performs recitals and concerti around the world: from Lincoln Center in NY to the Musikverein in Vienna and Suntory Hall in Japan. In addition to his own compositions, he has been involved in well over a hundred commissioning projects for solo bass trombone collaborating with composers including Alan Hovhaness, Charles Wuorinen, George Perle, Frederic Rzewski, Lucia Dlugoszchewski, Eric Ewazen, Dave Liebman, and Daniel Schnyder. He has appeared and recorded chamber music with Yo Yo Ma, Itzhak Perlman, and Wynton Marsalis and performs with the Lincoln Center Chamber Music Society, the Mostly Mozart Festival Orchestra, Orpheus, and the St. Luke's Chamber Orchestra. Throughout his career, Taylor has appeared and recorded with major jazz and popular artists including Barbara Streisand, Miles Davis, Quincy Jones, Frank Sinatra, and Aretha Franklin. Mr. Taylor has won the National Academy of Recording Arts and Sciences Most Valuable Player Award for five consecutive years, and has been awarded the NARAS Most Valuable Player Virtuoso Award, an honor accorded no other bass trombonist. He has also won The International Trombone Association's Award “in recognition of his distinguished career and in acknowledgement of his impact on the world of trombone performance. He has been a member of the bands of Gil Evans, Thad Jones-Mel Lewis, Jaco Pastorius, Charles Mingus, JJ Johnson, Joe Henderson, George Russell, Michele Camilo, Bob Mintzer, Dave Matthews, Dave Grusin, Randy Brecker, and the Words Within Music Trio (Daniel Schnyder, David Taylor, Kenny Drew Jr., The Art of the Duo (with D Schnyder) and B3+. He has performed on numerous GRAMMY Award winning recordings. David Taylor is also on the faculties of the Manhattan School of Music, Mannes College, and NYU. He plays Edwards bass trombones and Griego/Taylor mouthpieces exclusively. https://www.davetaylor.net/

www.patreon.com/banjopodcast   Cynthia is a modern virtuoso of the 4-string plectrum banjo! She is celebrated not only for her talents in the traditional jazz/plectrum repertoire, but also for her original pieces and creative interpretations of different musical genres from around the world. Her accolades include the 2023 Steve Martin Banjo Prize and an inductee into the American Banjo Hall Of Fame, the first banjoist to win the 2019 Bistro Award and 2018 Global Music Awards, and in 2018 the first 4-string jazz banjoist to be a featured artist at the iconic Newport Jazz Festival. Cynthia rose to international prominence as a founding member of Woody Allen's New Orleans Jazz Band, and has played with leading jazz, popular, and roots music artists including Bucky Pizzarelli, Dick Hyman, Andy Statman, Les Paul, Marvin Hamlisch, Wynton Marsalis, Scott Bradlee's Postmodern Jukebox, Vince Giordano, The Kingston Trio, Scott Robinson, and many others.  Sayer has appeared as a guest and performer on CBS, FOX & ABC network television, on NPR's “Piano Jazz,” and elsewhere. Her work has been featured in The New York Times, DownBeat, Fretboard Journal, People Magazine, The Wall Street Journal, and countless other local, trade, and foreign media outlets.   Cynthia Sayer is also an avid educator. She has been a guest clinician at The Berklee College Of Music, The New School and others, given multiple educational programs at Lincoln Center, in public schools, and more. She's on the faculty of the NY Hot Jazz Camp, and gives lessons and workshops. Her play-along program, You're IN The Band is popular with players of all instruments learning and practicing traditional/hot jazz and swing. Her newest book for banjo, guitar and mandolin, The Swinging Solos Of Elmer Snowden, was published in 2022.  Cynthia lives in New York City and endorses Ome banjos, GHS Strings, Blue Chip Picks, and The Realist Banjo Pickups by David Gage.   Sponsored by Elderly Instruments, Peghead Nation, Bluegrass Country Radio, and Sullivan Banjos   Cynthia on the web: https://cynthia-sayer.squarespace.com/  

An exclusive behind-the-scenes look at the work of Pulitzer Prize-winning jazz trumpeter and bandleader Wynton Marsalis, one of America's greatest living musicians. How does a great artist pass on the lessons and traditions of their culture to the next generation? We follow Wynton and the Jazz at Lincoln Center Orchestra as they prepare for the international premiere of Wynton's Democracy! Suite. This episode of The Documentary, comes to you from In the Studio, exploring the processes of the world's most creative people.

When the jazz singer Cécile McLorin Salvant was profiled in The New Yorker, Wynton Marsalis described her as the kind of talent who comes along only “once in a generation or two.” Salvant's work is rooted in jazz—in the tradition of Ella Fitzgerald and Sarah Vaughan and Abbey Lincoln—and she has won three Grammy Awards for Best Jazz Vocal Album. But her interests and her repertoire reach across eras and continents. She studied Baroque music and jazz at conservatory, and performs songs in French, Occitan, and Haitian Kreyòl. “I think I have the spirit of a kind of a radio d.j. slash curator,” she tells David Remnick. “It's almost like making a mixtape for someone and only putting deep cuts.” And even when singing the standards, she aims “to find the gems that haven't been sung and sung and sung over and over again.” During a summer tour, she visited the studio at WNYC to perform “Don't Rain on My Parade,” made famous by Barbra Streisand; “Can She Excuse My Wrongs,” by John Dowland, the English composer of the Elizabethan era; and “Moon Song,” an original from Salvant's album “Ghost Song.”This segment originally aired on May 31, 2024.