Podcasts about bwv

Hello friends of the History of the Germans Podcast. As I mentioned last episode, I am on holiday now, which means I spend my time reading up about the Habsburg and getting into gear for the next season.In the meantime, I will showcase some podcasts I really enjoy and listen to regularly. And one of those is History Rage. The host, Paul Bavill interviews historians and history podcaster about the one thing they really hope people would stop believing. Interview is such a lame term for what he does, it is more of a therapy session for geeks to let out their rage. Professional historians come armed with evidence, fury, and a burning desire to set the record straight. From “Vikings wore horned helmets” to “Britain stood alone in 1940” and “medieval people never bathed,” this is history with attitude, myth-busting with academic rigor, and truth-telling that pulls no punches. In the last 284 episodes he allowed some of the greatest names in history let off steam, including Roger Moorhouse. In this episode you will hear right now, Roger goes after the focus on Stauffenberg in the remembrance of the resistance against the Nazis inside Germany. By doing so, he argues, we are overlooking equally if not more deserving figures like Henning von Tresckow and the other members of the Kreisauer Kreis. And by the way Paul even allowed yours truly to vent about the perennial pun that the Holy Roman Empire was neither Holy, nor Roman, nor an Empire. That will come out on September 29. So in the meantime here is History Rage with: Stauffenberg: Hero or Hypocrite? The Complex Legacy of the July 20th Plot with Roger MoorhouseI hope you enjoy it.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early...

The Agents, having lost access to expertise and equipment, realize the only way forward is deeper into the cave system.Want to read along? Transcript available here: https://sorryhoney.captivate.fm/Support The Work at: https://ko-fi.com/sorryhoneyWant to advertise with us? See our Sponsor Kit and Rate Card.Visit Us At: https://sorryhoney.captivate.fm/Join our Discord to tell us all the things we did wrong: https://discord.gg/y6XchFnkQUFollow us on Twitter for additional content: https://twitter.com/SorryHoneyCastLikewise, Instagram: https://www.instagram.com/sorryhoneycast/The Rescuers are played by the cast of 9mm Retirement RadioSeewolf: LukasPathfinder: CaiusWarden: MaxEcho: MikeLifeline: JanJesu, meine Freude, BWV 227: "Trotz dem alten Drachen"Performed by John Eliot Gardiner and the Monteverdi ChoirPublished by arrangement with the Delta Green Partnership. The intellectual property known as Delta Green is a trademark and copyright owned by the Delta Green Partnership, who has licensed its use here. Illustrations by Dennis Detwiller are reproduced by permission. The contents of this podcast are © GiggleDome Productions, LLC, excepting those elements that are components of Delta Green intellectual property.

Email comments or guest ideas (to reply, include your email address)This episode dives deep into Australia's position as an emerging leader in the green hydrogen market, exploring both the immense potential and current challenges facing the industry. Nick Smith, a leading expert, shares insights from his unique perspective spanning corporate, government, and advisory roles, discussing major projects like the 1.8 million tonne Murchison Green Hydrogen Project in Western Australia and the infrastructure developments reshaping the sector. The conversation covers critical topics including cost reduction strategies, safety considerations, financing models, and the shift from export-focused to domestic market applications. With China controlling 80% of global green hydrogen installations and Australia navigating boom-bust cycles, this episode provides a pragmatic assessment of where the industry stands and realistic expectations for the next two decades.ABOUT NICK. Nick is the Managing Director of Global Decarbonisation Advisory (GDA), bringing together people, projects and capital to accelerate decarbonisation across the energy, mineral processing and hard to abate industrial sectors. Nick is the current President of the International Association for Hydrogen Safety (HySafe), is a member of the International Hydrogen and Fuel Cell Association's Technical Committee and is a member of the Clean Energy Transition Advisory Committee at the Australia Japan Business Co-operation Committee. Nick has extensive experience as an executive and non-executive director predominantly in Australia and is recognised for delivering world leadership in decarbonisation across the energy sector and mineral extraction and processing sector in Australia. Prior to commencing GDA, Nick held a range of senior executive and leadership roles across the government, gas, and construction materials sectors delivering strategy, policy and commercial advice along with full accountability for business performance and profitability.Nick holds a Masters degree in Business Administration, is a graduate of the Australian Institute of Company Directors and a Fellow of the Australian Institute of Energy.FEEDBACK: Email Host | HOST, PRODUCTION, ARTWORK: Joseph Jacobelli | MUSIC: Ep0-29 The Open Goldberg Variations, Kimiko Ishizaka Ep30-50 Orchestra Gli Armonici – Tomaso Albinoni, Op.07, Concerto 04 per archi in Sol - III. Allegro. | Ep51 – Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod. Licensed under Creative Commons: By Attribution 4.0 License

“Doves are not considerate birds who bring men tokens of the state of affairs upon the earth. That this dove brought a leaf in its beak [to Noah] is to be attributed alone to an impulse divinely directed” (Leupold, Exposition of Genesis, 1:3:16). In this devotion, we reflect on what this leaf signified for Noah and his family.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Sin cambiar el sistema proporcional de listas de partido ni la financiación a los partidos es imposible abrir un período de libertad constituyente y derrocar la oligarquía de partidos estatales. Fuentes del audio: Radio libertad constituyente: https://www.ivoox.com/rlc-2013-31-01-crisis-estado-crisis-la-audios-mp3_rf_1752434_1.html Música: Andante. Allegro. BWV 1052. J.S.Bach. --------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

Gepresenteerd door: Saskia Voorbach In de maanden juni, juli en augustus klinken op zondag tussen 11:02 en 12:15 uur mooie opnamen uit het rijke archief van Het Zondagochtend Concert. Het nieuwe seizoen begint op zondag 7 september a.s. Richard Wagner - Tannhäuser - Ouverture Rotterdams Philharmonisch Orkest Rafael Payare, dirigent (opname 9 april 2017) Johann Sebastian Bach - Concert voor 2 violen en strijkorkest BWV.1043 in d kl.t. - compleet Combattimento Consort Amsterdam (opname 25 december 2016) Ludwig van Beethoven - Concert voor piano en orkest nr.2, op.19 in Bes gr.t. - compleet Württembergisches Kammerorchester Heilbronn Risto Joost, dirigent Hannes Minnaar, piano (opname 1 december 2024) Antonio Vivaldi - Concert voor strijkorkest RV.114 in C gr.t., "Concerto ripieno" - compleet Teatro Lirico Stephen Stubbs, dirigent (opname 23 april 2000)

Sir Gregory Doran is the former artistic director of the Royal Shakespeare Company. He spent a total of thirty five years with the RSC directing fifty productions in the UK and abroad. He's been called “one of the great Shakespeareans of his age” and has won multiple awards for his work.Born in 1958, Greg was brought up near Preston and played a number of female Shakespeare roles when he was a young pupil attending an all-boys secondary school. He went on to study English and Drama at Bristol University followed by a stint studying classical acting at the Bristol Old Vic Theatre School. After a few bit parts in TV sitcoms and a spell at Nottingham Playhouse, Sir Greg decided that he would prefer to carve out a career as a director. He went on to stage some of the most critically acclaimed theatre productions – including an all-black cast of Julius Caesar and took Titus Andronicus to South Africa.More recently, he has been touring the globe on his Shakespeare's First Folio tour to look at as many different copies of the texts as possible. He survives his husband, the actor Sir Anthony Sher whom he met in 1987 whilst they were both part of a production of the Merchant of Venice at the RSC in Stratford. Sir Greg lives in London.DISC ONE: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) Composed by Georg Friedrich Händel and performed by Nathalie Stutzmann (contralto) Philippe Jaroussky (counter tenor) Oreo 55 (Orchestra) DISC TWO: Sicut cervus – The Choir of Preston Catholic College DISC THREE: Born Free - Matt Monro DISC FOUR: It's Raining Men - The Weather Girls DISC FIVE: Diamonds on the Soles of Her Shoes - Paul Simon DISC SIX: J.S. Bach: Cantata "Ich habe genug" BWV 82: I. "Ich habe genug, ich habe den Heiland". Performed by Thomas Quasthoff (bass-baritone), Berliner Barock Solisten, conducted by Rainer Kussmaul DISC SEVEN: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville Marriner DISC EIGHT: Where the Bee Sucks - Paul Englishby, Royal Shakespeare Company BOOK CHOICE: A 1609 copy of Shakespeare's Sonnets LUXURY ITEM: A shelf of photo albums CASTAWAY'S FAVOURITE: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville MarrinerPresenter: Lauren Laverne Producer: Sarah Taylor

Moses definitely wants to draw our attention to the two birds Noah released from the ark. So we give a little more thought to them in this devotion—the unclean black raven that feeds on death and keeps its distance, and the pure white dove that feeds on life and returns to Noah in the ark.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Time skip! Last we left them, our trainers split to find more information about the fake reality that they've been caught in by The Futurists. Gathering information and making plans, they only have 18 days left before everything resets!The cast: Chartreuse (Charlie) Pine - played by Paul (also @AlakazamGanda) Liliana Shadowgarden - played by Lydia Professor Rudimentus Sneaze - played by Michael And our Game Master - Nick Eyeli - Eyeli Join our Facebook Group, where you can meet and chat with the cast and other fans! We'll approve everyone's request to join (unless you're a Rotom; we don't like Rotom). Also, join us on Discord! Check out Lydia's Fiverr for your Podcast/Radio Show editing needs!Donate to our Patreon, and earn sweet rewards by becoming a part of the Pokemon Rollout! family. MUSIC & SFX: Theme Music "Electric Donkey Muscles” by RoccoW. Used under an Attribution-ShareAlike License. “Bipolarity” by Poor Alexei. Used under an Attribution-Noncommercial-Share Alike 3.0 United States License.“We Can Do It! [Loop]” by Visager.“Bach - Italian Concerto In F Major, BWV 971 - Arranged for Harpsichord.mp3” by Gregor Quendel is licensed under a Attribution-NonCommercial-NoDerivatives 4.0 International License.“Afronauts” by Crowander is licensed under a Attribution-NonCommercial 4.0 International License.

El factor de gobierno con el régimen del 78 es la corrupción. España sufre las consecuencias de no haber roto con el franquismo. Fuentes: Radio libertad constituyente: http://www.ivoox.com/rlc-2016-09-28-hoy-pagamos-precio-no-audios-mp3_rf_13092645_1.html Música: Andante. Allegro. BWV 1034. J.S.Bach. --------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

Since it had taken forty days to flood the earth, Noah waited forty days after the ark came to rest to conduct some experiments to gauge the living conditions out of the ark. For his first experiment, he released a raven.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Præludium: Johann Sebastian Bach: Vater unser im Himmelreich, BWV 636 Fra det G.T.: Salme 121 Salme: 47 "Jeg løfter mine øjne op" Fra det N.T.: Matthæusevangeliet 7, 15-23 Korvers: Flemming Weis: Bed, så skal der gives jer (Tekst: Mat. 7, 7) Salme: 390, vers 1-3 "Gud, lad dit ord i nåde lykkes" Postludium: Johann Sebastian Bach: Fuga G-dur, BWV 541/II

This episode is a deviation from our normal programming. It is an eulogy - an end of life dedication of sorts - to a few loved ones that have passed away recently. I wrote this account to honor them; Robert O'Neill, Philip Waln, and Larry Reedy.  Though there are no really scary parts to this episode, as it is almost entirely non-fiction, there are some disturbing subjects. TW: addiction and real-life death. If you are okay with these subjects being briefly discussed, I hope that you proceed with the episode as it was written to honor and praise those that have left our world - people who were very dear to me in life. Please enjoy. This story was written by Phillip Clark. It was directed, engineered, and edited by Phillip Clark. The Hidden Archives is created by Phillip Clark, and is produced by Phillip Clark and Nicole Clark of the Rhodes Collaborative Experience LLC.   Executive Producer: Phillip Clark   Co-Executive Producer: Nicole Clark   This story was read by Phillip Clark.   Music: Theme is “Goldberg Variations, BWV 988 – 22 Variatio 21 Canone alla Settima” by J.S. Bach, and the story music was: “Piano Sonata in A Major D. 664 - 2. Adante” by Franz Schubert.    Please remember to follow us on Facebook and Instagram (for now) at hiddenarchivespodcast, and on Bluesky at @hiddenarchives.bsky.social   As always, feel free to message us on any or all of our social media platforms listed. Have a story idea, and theories on canon, or think you know something that might (or should) be in the Hidden Archives? Drop us a message and we'll see if you are curator material. We always respond to every direct message!

Johann Sebastian Bach (1685-1750) - Cantata "Non sa che sia dolore", BWV 2091.       Sinfonia [0:00]2.       Recitativo (Soprano): "Non sa che sia dolore" [6:26]3.       Aria (Soprano): "Parti pur, e con dolore" [7:16]4.       Recitativo (Soprano): "Tuo saver al tempo e l'età contrasta" [15:08]5.       Aria (Soprano): "Ricetti gramezza e pavento" [15:37] The Bach EnsembleJulianne Baird, sopranoJoshua Rifkin, conductor

When you enter the great hall of the Thomas Jefferson building at the Library of Congress in Washington, the first exhibit you will be facing is their Gutenberg Bible. And it is one of the finest Gutenberg bibles around, one of only three surviving pristine copies on vellum. This was the kind of bible that was so expensive to produce, it bankrupted Gutenberg. When the Library of Congress bought it in 1930, they paid $375,000, roughly $7.5m in today's money. But this is not the most expensive piece in the library's collection. That would a work by two Germans, Martin Waldseemüller and Matthias Ringmann. And it is not even a book, but a map. Not a small map, it is 2.3m or 91 inches wide and 1.3m or 50 inches tall. And this map, printed in 1507 claimed to be:A DESCRIPTION OF THE WHOLE WORLD ON BOTHA GLOBE AND A FLAT SURFACE WITH THE INSERTIONOF THOSE LANDS UNKNOWN TO PTOLEMYDISCOVERED BY RECENT MENAnd the authors wrote that the three continents known since antiquity, Europe, Africa and Asis, quote "have in fact now been more widely explored, and a fourth part has been discovered by Amerigo Vespucci (as will be heard in what follows). Since both Asia and Africa received their names from women, I do not see why anyone should rightly prevent this [new part] from being called Amerigen—the land of Amerigo, as it were—or America, after its discoverer, Americus, a man of perceptive character." End quote. This fourth part, they said was “surrounded on all sides by the ocean”. And indeed, in the left lower corner we find a fourth continent, a thin, stretched thing, with few place names and a western shore that hints at the Peruvian bulge, unmistakably, South America and then to north of it a very indistinguishable blob of land.This map, proudly displayed as America's Birth Certificate, is full of the most intriguing mysteries. How did Waldseemüller and Ringmann know that the Americas had a western shore, when it was only in 1513, 6 years later, that a European first glanced the Pacific? How did the name America stick though Amerigo Vespucci had neverled an expedition, not even commanded a ship? But most of all, why was this first map of America drawn not by a Spanish or Portuguese navigator, but by two Germans in the employ of the duke of Lorraine, working in St. Die, which is as far away from the sea as one can get in Western Europe. And then, more generally, what did the Germans have to do with the discoveries, the maps and globes that told the world about them? That is what we will explore in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram:

Comédien, metteur en scène et réalisateur né en 1943, François Marthouret avoue avoir peu de souvenirs de son enfance. Il en exhume quand même ici quelques-uns,  où perce le regret qu'il n'y ait pas eu plus de confiance et de complicité dans cette famille petite bourgeoise corsetée par les valeurs de l'époque. Il reconnaît toutefois la chance dont il a joui - du sport, des séjours linguistiques à l'étranger, des vacances nombreuses dans tous les coins de France, et la liberté qui lui a été laissée de devenir comédien. Réalisation : Frédéric Milano Musique du générique : Frédi Loth Musiques additionnelles • JS Bach : Toccata et fugue en ré mineur BWV 565, • Saez : Tricycle jaune, • La Fouine : Papa   Légandes photos François Marthouret enfant Plus grand La mère Le père Les quatre enfants Marthouret, avec une dame inconnue. François est le plus jeune des garçons L'aïeul côté paternel

El MCRC tiene como finalidad que el pueblo español descubra y conquiste su propia libertad política colectiva. Fuentes: Radio libertad constituyente: http://www.ivoox.com/rlc-2017-11-30-piensa-veras-audios-mp3_rf_22386747_1.html Música: Andante. BWV 1034. J.S.Bach. --------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

Delayed gratification, when people are willing to wait for a bigger payoff down the road instead of gratifying their desires right now, has been called “the most effective trait of successful people.” Christians in the habit of waiting on God's timetable have long known that patience in God always pays off in the end, including Noah.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Email comments or guest ideas (to reply, include your email address)Southeast Asia's energy transition faces a critical challenge: information fragmentation. With hundreds of projects, billions in investments, and countless stakeholders working across the region, coordination has been nearly impossible - until now. In this episode, we explore SIPET (Southeast Asia Information Platform for the Energy Transition), an open-source platform. Our guest, Maximilian Heil from GIZ, reveals how this innovative tool maps nearly 500 energy projects representing over $45 billion in investments across 10 ASEAN countries. We dive deep into the platform's three core tools - the knowledge hub, project mapping database, and power sector resources - and discover how they're breaking down silos between governments, donors, researchers, and private sector players. From just energy transition partnerships in Vietnam and Indonesia to community-level energy efficiency projects in Laos, SIPET is connecting the dots that were previously scattered across the region. This conversation goes beyond technology to explore the human element of energy transition: capacity building, knowledge sharing, and the collaborative networks that will ultimately determine Southeast Asia's path to carbon neutrality.REF: Southeast Asia Information Platform for the Energy Transition, GIZ.ABOUT MAX. Mr. Maximilian Heil is a Project Coordinator at the Deutsche Gesellschaft für Internationale Zusammenarbeit (GIZ) for the project “Clean, Affordable and Secure Energy for Southeast Asia” (CASE). Based in Bangkok, he leads coordination of regional initiatives such as the ASEAN Power Grid Advancement Programme (APG-AP) and the Southeast Asia Information Platform for the Energy Transition (SIPET). His work focuses on strengthening multilateral energy cooperation, promoting clean energy narratives, and enabling policy dialogue across Southeast Asia. Mr. Heil joined GIZ in 2018 as a liaison officer for Africa–EU Energy Partnership (AEEP) , supporting high-level engagement with the African Union and the European Commission. Before joining GIZ, he worked as a public affairs consultant on EU policy in the fields of energy, climate, and transport. His professional background combines expertise in international energy policy, strategic communication, and project management in multilateral environments. Maximilian Heil holds a bachelor and master 's degree in  business economics and development studies with international academic experience in Denmark, Mexico, and Germany. FEEDBACK: Email Host | HOST, PRODUCTION, ARTWORK: Joseph Jacobelli | MUSIC: Ep0-29 The Open Goldberg Variations, Kimiko Ishizaka Ep30-50 Orchestra Gli Armonici – Tomaso Albinoni, Op.07, Concerto 04 per archi in Sol - III. Allegro. | Ep51 – Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod. Licensed under Creative Commons: By Attribution 4.0 License

Præludium: Johann Sebastian Bach: O Herre Krist, dig til os vend, BWV 632 Davidssalme: 34,2-6 Salme: 292 vers 1-3 "Kærligheds og sandheds Ånd" Fra det N.T.: 1. Petersbrev 5, 6-11 Trosbekendelsen Salme: 292, vers 4 - 7 Postludium: Johann Sebastian Bach: Præludium C-dur, BWV 545

When two brothers, Ernst and Albrecht of Saxony divided up their enormous inheritance that comprised Thuringia, Meissen and the electorate of Sachsen-Wittenberg, they not only undermined their power base as the de facto #2 amongst the imperial principalities and planted the seed for a conflict that would play a key role in the Reformation but they also laid the foundations for the modern Länder of Thuringia and Saxony. And this division was not driven by the usual family feud but came after 20 years of largely harmonious government and a shared childhood trauma. Why they took, or had to take this fateful step, is what we will discuss today.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Præludium: Johann Ludwig Krebs: O Helligånd, i tro os lær Fra det G.T.: Salme 67 Salme:306 "O Helligånd, kom til os ned" Fra det N.T.: Efeserbrevet 4, 1-7 Korvers: Hans Leo Hassler: Gud Fader evig lovet vær (Tekst: Thomissøn 1569, Fr. Hammerich 1850) Salme: 6 "Dig være, mildeste Gud Fader" Postludium: Johann Sebastian Bach: Fuga c-mol, BWV 537/II

Что и как режет нам слух, кто укротил музыкальные инструменты и зачем индийскому ситару подвижные лады. Из подкаста «Уроки музыки», в котором редактор Arzamas Юлия Богатко и преподаватель Московской консерватории Федор Софронов разбирают музыку на составные части, а потом собирают обратно. В приложении «Радио Арзамас» и на нашем сайте arzamas.academy вы можете послушать целых 11 уроков! Большинство из них доступны по подписке, которую можно оформить с 20-процентной скидкой, если на странице https://arzamas.academy/promo ввести промокод КАМЕРТОН. В выпуске звучат фрагменты следующих произведений: Иоганн Себастьян Бах. «Прелюдия и фуга № 1 à 4 voci до мажор» из сборника «Хорошо темперированный клавир» (BWV 846, 1722). Исполняет Роберт Шретер. 2006. Wikipedia https://ru.wikipedia.org/wiki/%D0%A4%D0%B0%D0%B9%D0%BB:Bach_C_Major_Prelude_Equal.ogg Михаил Матюшин. «Композиция в четвертях тона» (1923). Исполняют Станислав Малышев (скрипка) и Наталья Черкасова (фортепиано). Союз композиторов России. 2023. YouTube https://www.youtube.com/watch?v=VwYbQ9h2TAc Жерар Гризе. «Partiels» («Частицы», 1975). Исполняет ансамбль Академии новой музыки (Сарагоса, Испания) под управлением Начо де Паса. 2017. YouTube https://www.youtube.com/watch?v=OrdCU7sjD0E «Раг дурга». Из архива Национального совета по исследованиям и подготовке в области образования Индии (NCERT). 2016. Wikipedia https://commons.wikimedia.org/wiki/File:Rag_Durga_-_NCERT.ogg Эдуард Артемьев. Музыка к кинофильму Андрея Тарковского «Солярис». 1972. «Мосфильм». YouTube https://www.youtube.com/watch?v=6-4KydP92ss

When the wind began to blow on the one hundred and fiftieth day of the Flood, initially Noah and his family may have thought that things were getting even worse. But God had a twofold plan with that wind.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Præludium: Johann Sebastian Bach: Præludium e-mol, BWV 555/I Fra det G.T.: Salme 55, 2-9 Salme:738 vers 1-4 "O, Gud ske lov til evig tid" Fra det N.T.: Matthæusevangeliet 5, 21-26 Korvers: Hans Leo Hassler: Gud Fader evig lovet vær (Tekst: Thomissøn 1569, Fr. Hammerich 1850) Salme: 366 "Nogen må våge i verdens nat" Postludium: Johann Sebastian Bach: Fuga e-mol, BWV 555/II

So, why did Holland really leave the empire? Was it because the valiant and tragic countess Jacqueline was “hunted down from one land to the other, all of them mine”. Was it a story of misogyny, betrayal, incompetence and ruthless power politics. Yes, it was. But it was a also a story of economic and climate change and one that links into the herring trade of the Hanseatic League, the decline of Teutonic Knights and even into the Hussite Revolt, topics that seem distant, but mattered. This week we focus on this, the latter part of the storyThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

What was going through the minds of those treading water and clinging to floating debris during the Flood? What should we take away from this complete and devastating destruction?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).Quote Source: Carl J. Lawrenz and John C. Jeske, "A Commentary on Genesis 1–11" (Milwaukee: Northwestern, 2004), 262.

Præludium: Johann Gottfried Walther: Aleneste Gud i Himmerig Fra det G.T.: Salme 113 Salme: 749 "I østen stiger solen op" Fra det N.T.: Matthæusevangeliet 4, 23-25 Korvers: Søren Birch: Salige er de, som hører Guds ord (Tekst: Lukas 11, 28) Salme: 54 "Hvad mener I om Kristus?" Postludium: Johann Sebastian Bach: 1. sats fra Concerto G-dur, BWV 592

durée : 00:18:20 - Cantate BWV 167 « Ihr Menschen, rühmet Gottes Liebe » - Bach compose la Cantate BWV 167 « Ihr Menschen, rühmet Gottes Liebe » / « Hommes, célébrez l'amour de Dieu » pour la fête de la Saint Jean-Baptiste à son arrivée à Leipzig (24 juin 1723). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:58 - Prélude et fugue en ut mineur BWV 546 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Have you ever stopped to think about what those first forty days of the Flood must have been like for Noah and his family? How did they cope with it? And what applications are there for us in our dark days?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:09:35 - Le Bach du matin du samedi 21 juin 2025 - Commençons le week-end avec l'interprétation Fantaisie et fugue en la min BWV 904 - pour piano de Franz Schubert par Alfred Brendel Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This Day in Legal History: Atkins v. VirginiaOn June 20, 2002, the U.S. Supreme Court delivered a landmark ruling in Atkins v. Virginia, holding that the execution of individuals with intellectual disabilities violates the Eighth Amendment's prohibition on cruel and unusual punishment. The case centered on Daryl Renard Atkins, who was convicted of abduction, armed robbery, and capital murder in Virginia. During the penalty phase of his trial, defense attorneys presented evidence that Atkins had an IQ of 59 and functioned at the level of a child. Despite this, he was sentenced to death.In a 6-3 decision, the Court reversed its earlier stance from Penry v. Lynaugh (1989), which had allowed such executions. Justice John Paul Stevens, writing for the majority, emphasized the "evolving standards of decency" in American society, noting that a growing number of states had barred the death penalty for individuals with intellectual disabilities. The Court recognized that such defendants are at a heightened risk of wrongful execution due to difficulties in assisting their own defense and the possibility of false confessions.The decision did not establish a national standard for determining intellectual disability, leaving that to the states, but it set a constitutional floor by barring executions in these cases outright. Atkins significantly reshaped the legal landscape of capital punishment, prompting states to revise death penalty statutes and sentencing procedures.The ruling reinforced the importance of individualized sentencing and safeguarded vulnerable populations from the most severe penalties. It also underscored the role of psychological and scientific evidence in constitutional interpretation. While not without criticism, Atkins remains a cornerstone of Eighth Amendment jurisprudence and a key moment in the Court's ongoing reevaluation of capital punishment.Technology giants Apple and Meta are currently facing possible penalties under the EU's Digital Markets Act (DMA), but the European Commission has decided not to immediately fine them—even if they don't fully comply by the deadline next week.In April, both companies were fined—€500 million for Apple and €200 million for Meta—and given 60 days (ending 26 June) to align their practices with DMA requirements. Apple was penalized for preventing app developers from directing users to alternatives outside its platform, infringing DMA fairness rules. Meta was fined for its “pay or consent” system, which required users to either pay for an ad-free experience or agree to extensive personal data use; the Commission saw this as limiting user choice.Since November 2024, Meta has offered a new, lower-data personalized advertising model, which remains under Commission review. The current situation involves ongoing dialogue: any future fines will depend on the outcome of that review and will be imposed only after detailed assessments, rather than automatically once the deadline passed.These April fines were deliberately modest—reflecting the short duration of non-compliance and signaling the EU's priority on achieving compliance over punishment, marking a softer approach compared to previous, harsher antitrust actions. The situation also plays into broader economic tensions: EU leaders have threatened digital advertising taxes in response to recent US tariffs, while a US trade report criticized EU digital regulation as a trade barrier.Tech giants Apple and Meta to escape sanctions for failing to meet EU digital rules | EuronewsA U.S. appeals court has temporarily allowed Donald Trump to retain control over California's National Guard, despite a legal challenge from California Governor Gavin Newsom. The decision from the 9th U.S. Circuit Court of Appeals pauses an earlier ruling by Judge Charles Breyer, who found Trump had unlawfully federalized the Guard without meeting statutory requirements or adequately coordinating with Newsom.The court stated Trump likely acted within his authority and that even if coordination with the governor was insufficient, Newsom lacked the power to override a presidential order. Still, the court left open the possibility of further challenges under laws barring federal troops from engaging in domestic law enforcement. Newsom plans to pursue his challenge, arguing Trump is misusing military force against civilians.The case stems from Trump's deployment of 4,000 National Guard troops and 700 U.S. Marines to Los Angeles earlier in June to suppress protests tied to his immigration policies—actions Newsom said infringed on state sovereignty and legal limits on military involvement in civilian matters. The Trump administration argued troops are protecting federal property, not performing law enforcement.During a hearing, the appellate judges examined whether courts can assess a president's decision to federalize troops under a law allowing such moves only during invasion, rebellion, or when civilian enforcement fails. The court found the last condition may have applied, given protest-related violence. However, it rejected the Justice Department's claim that such presidential decisions are beyond judicial review.The Insurrection Act and related federalization authority are central to this case. The Act allows a president to take control of a state's National Guard in limited situations—such as rebellion or when laws can't be enforced by normal means. This case illustrates both the expansive view of executive power and the judiciary's role in checking it, even amid claims of national emergency.US court lets Trump keep control of California National Guard for nowPresident Trump has once again extended the deadline for TikTok to be sold to a U.S. owner, granting a third 90-day reprieve through an executive order despite lacking a clear legal basis for the extensions. The move allows TikTok to continue operating in the U.S. while negotiations persist to transfer ownership from China-based ByteDance to an American entity. The previous extension fell through when China withdrew from talks following Trump's new tariffs.This delay has not yet faced a court challenge, even though the original ban—passed by Congress and upheld by the Supreme Court—briefly took effect in January. Trump's personal popularity on the platform, where he has more than 15 million followers, adds a political twist to the ongoing negotiations. TikTok praised the decision and emphasized its importance to 170 million users and 7.5 million U.S. businesses.Despite concerns from national security officials and lawmakers like Senator Mark Warner, who accuse the administration of ignoring known risks, the repeated extensions suggest a softening of resolve. Analysts describe the situation as a recurring political maneuver with no clear endpoint—likening it to the endless debates over the debt ceiling.Meanwhile, TikTok continues to roll out new features and expand its services, including AI tools debuted in Cannes, signaling confidence in its long-term U.S. presence. Tech giants Apple, Google, and Oracle remain engaged with TikTok, reassured that the administration won't penalize them under current law.Public opinion has shifted, with fewer Americans now supporting a ban compared to 2023. Concerns remain over data privacy, but many citizens are unsure or opposed to banning the app outright.Trump extends TikTok ban deadline for a third time, without clear legal basisThis week's closing theme is by Johann Sebastian Bach. Johann Sebastian Bach, one of the most influential composers in Western music history, composed the Goldberg Variations, BWV 988, in 1741. Originally written for harpsichord, the work consists of an aria followed by 30 variations, returning to the aria at the end in a da capo structure. It was likely commissioned by Count Hermann Karl von Keyserlingk, a Russian diplomat suffering from insomnia, who wanted music to soothe his sleepless nights—though this origin story is debated.The aria, which opens and closes the piece, is a gentle, sarabande-like melody in G major. Unlike other variation sets built on melodies, Bach bases the Goldberg Variations on the aria's bass line and harmonic structure. This allows for extraordinary variety in texture, form, and mood across the variations, while keeping a consistent foundation.The aria itself is simple and elegant, consisting of two balanced halves, each repeated. Its serene tone contrasts with the technical brilliance and contrapuntal complexity found in many of the following variations. Yet, the aria's emotional restraint and clarity set the tone for the entire cycle.Over the centuries, the Goldberg Variations have come to be seen as a pinnacle of keyboard composition. The aria, both opening and closing the work, serves as a kind of spiritual bookend—calm, contemplative, and timeless. Performers often approach it with reverence, as a moment of stillness and symmetry amid musical adventure.Without further ado, Johann Sebastian Bach's Goldberg Variations, BMV 988 – the aria. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Today begins a two part series about how the Low countries modern day Belgium, Netherlands and Luxemburg shifted out of the Holy Empire. These lands, with the exception of Flanders, had been part of the empire for hundreds of years, ever since Henry the Fowler acquired Lothringia for east Francia in 925 – not by conquest but through diplomacy – as was his way.There are two ways to tell the story of the split away from the empire, one is about the dynastic machinations, the marriages, poisonings and inability to produce male heirs, the other one is about economics and the rising power of the cities. This, the first episode will look at the dynastic story, the pot luck and cunning plans that laid the groundworks for the entity that became known as the Low Countries to emerge, whilst the next one will look at the economic realities that thwarted the ambitions of one of the most remarkable women in late medieval history, Jacqueline of Bavaria, countess of Holland, Seeland and Hainault, and why that was ultimately a good thing, not for her and not for the empire, but for the people who lived in these lands.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic Knights

Music has played an important role in church history. In previous episodes, we've talked about many composers who wrote hymns specifically for the church. However, there were also musicians like Bach who wrote sacred and secular music for the glory of God. Bach's compositions covered a wide range of emotions and were filled with theological insights. Join Sophia, Trinity, and Linus as they talk to Dr. Paul Grime, professor of Pastoral Ministry and Mission at Concordia Theological Seminary, about this important composer and his faith.   Show Notes: Bach's pieces that were mentioned in the podcast: Bach's Coffee Cantata: https://www.youtube.com/watch?v=nifUBDgPhl4 The piece Bach wrote shortly before his death is Vor deinem Thron tret ich hiermit ("I hereby come before Your throne"). The catalog number is BW 668. https://www.youtube.com/watch?v=9XTCZ1iUQeQ The cantata movement with the plucking strings imitating the knocking at the door is Cantata 61 (BWV 61), based on the Advent hymn "Savior of the Nations, Come." The movement with the plucked strings begins at the 9:32 mark. The whole cantata is a great example of the genre. https://www.youtube.com/watch?v=MzWJsRjanC4

durée : 00:22:20 - Cantate BWV 129 " Gelobet sei der Herr, mein Gott ? " - Bach compose la Cantate BWV 129 « Gelobet sei der Herr, mein Gott » / « Loué soit le Seigneur, mon Dieu » à Leipzig pour la fête de la Trinité (16 juin 1726).

durée : 00:09:55 - Fantaisie pour orgue en sol majeur BWV 572 -

The day had arrived. It was time for Noah and his family and the animals that had come to him to board the ark. Noah made sure he had everything and everyone he was supposed to. And the Lord took it upon himself to shut the door behind Noah.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

On November 14th and 15th 1475 one of the grandest events in the history of the Holy Roman Empire took place, the Landshuter Hochzeit, the nuptials of Georg, the Rich, son of Ludwig, the Rich and grandson of Heinrich, the Rich, all of them dukes of Bayern-Landshut, and Hedwig, the daughter of king Kasimir IV of Poland and Lithuania. The event attracted 10,000 guests, amongst them the Counts Palatine on the Rhine, the Dukes of Württemberg, the archduke Maximilian of Austria and the emperor Friedrich III himself. It lasted several days during which the eminent invitees as well as the citizens of Landshut ate, drank, danced and watched an endless row of tournaments, plays and musical performances.The fame of these festivities reverberated through the ages, so that in the 19th century the burghers of the town decided to stage the event again, initially annually and nowadays every 4 years. The reenactment involves over 2,000 participants, and culminates in a procession through the city, complete with bridal carriage, musicians and Landsknechte, all in splendid historical costumes.Which leaves us with more questions than answers. How come the most powerful ruler of central Europe, Kasimir King of Poland and Grand Duke of Lithuania married one of his precious daughters to the son of the ruler of half a duchy, hundreds of miles from his capital; secondly, how such a duke became so rich he could afford to stage an event that counted amongst the grandest weddings of this already very ostentatious century; and lastly, why Landshut is today a gorgeous, but only medium sized country town, and by no means the beating heart of Bavarian commerce, culture and politics. That is what we are going to explore in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture Controversy

durée : 00:19:04 - Cantate BWV 34 « O ewiges Feuer, O Ursprung der Liebe » - Bach compose tardivement à Leipzig la Cantate BWV 34 « O ewiges Feuer, O Ursprung der Liebe » / « Ô feu éternel, ô source de l'amour ! » pour le dimanche de Pentecôte de l'année 1746 ou 1747.

durée : 00:08:44 - Fantasia super « Komm, eiliger Geist » BWV 651 -

Moses names two sources for the floodwaters. In this devotion we look at the second one—the opening of the sluice gates of the heavens. (Sluice gates are sliding gates or other devices for controlling the flow of water.)Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

A personal solo episode where I (Mary) share my “small joys” i.e. little acts of self-care that have made a big difference. Each one has become a gentle anchor, a little nudge to remember who I am and what I need. And through them, I'm realizing how the act of keeping promises to myself—no matter how small—has become a declaration of self-worth.You will hear about... 6 teeny tiny self-care practices that have made a big difference in my mental healththe books I've been reading lately (including my unpopular opinion about The Women by Kristin Hannah)reflections on relationships and making new friendshow to cultivate a positive mindsetAt the core of this episode is the idea that keeping promises to yourself is a declaration of self-worth. Every time you follow through on taking care of yourself, you are signaling that you are WORTHY of the time, energy, money, and attention self-care demands.Tune in for a gentle invitation to remember that your life is YOURS to shape, nurture, and enjoy. A positive mindset could be just a small step away.Deepen your self-love journey with Mary's books:1. The Gift of Self-Love, an interactive workbook that will help you build confidence, recognize your worth, and learn to finally love yourself.2. 100 Days of Self-Love, a guided journal with 100 prompts to help you calm self-criticism and learn to love who you are.Follow Mary on IG: @maryscupofteaa and @maryspodcastIf you're craving more conversations like this—about self-care, mental health, positive mindset, relationships, women's empowerment, and living in alignment with your authentic self—make sure to subscribe to this self-love podcast and leave a review. Your support helps this show reach more women and spread the gift of self-love.Mentioned In This Episode... Hilary Hahn performing J.S. Bach: Partita for Violin Solo No. 1 in B Minor, BWV 1002 - 4. Double (Presto)Ep. 243: How to Stay Hopeful, Joyful, and Soulful with Victoria Hutchins on Apple, Spotify, and YouTubeEp. 234: Finding Myself in the Unlikeliest of Places (Cuba) on Apple, Spotify, and YouTube

As you can hear from my voice, I am still all bunged up. I tried to record this episode in the usual way and quite frankly it was horrible. But the show has to go on. So I did have to resort to other means. I cloned my voice with elevenlabs and what you will hear now is not me, but bionic me. If that is not for you, just wait, maybe a week, hopefully no longer and I will record the episode again, this time in the traditional good old human way. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

durée : 00:21:22 - Cantate BWV 10 « Meine Seel erhebt den Herren » - La Cantate BWV 10 « Meine Seel erhebt den Herren » / « Mon âme exalte le Seigneur » composée pour la fête de la Visitation (2 juillet 1724) appartient au deuxième cycle de cantates liturgiques de Bach à Leipzig.

durée : 00:11:04 - Prélude et fugue en ut majeur BWV 547 -

Unfortunately I have been felled by manflu a much belittled affliction. So no Agnes Bernauer and Bavarian dukes. That will be next week.For now some completely random stories about Berliner, aka Bismarck Doughnuts for our American friends, why and where and how - featuring Felix Mendelssohn, Richard Wagner, Frederick the Great and Cato the Elder and a guy who cuts the hearts out of one age-old culinary traditions...The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

What can Mao Zedong teach us about Donald Trump? To find out, ChinaTalk interviewed the legendary sinologist Orville Schell, who visited China during the Cultural Revolution and is currently at the Asia Society. We discuss… Mao Zedong's psychology and political style, Similarities and differences between Mao and Trump, How Mao-era traumas reverberate in modern China, including how the Cultural Revolution has influenced the Xi family, How Zhou Enlai and Deng Xiaoping survived the Cultural Revolution, and which of their tactics could be useful in modern America, What civil society can do to defend democracy over the next four years. Co-hosting is Alexander Boyd, associate editor at China Books Review and former ChinaTalk intern. Read Orville's article, "Trump's Cultural Revolution," here. Read the Asia Society piece on religion and political power here. Orville's crazy Asia Society event, From Pontius Pilate to Chairman Mao: Religion and Politics https://www.youtube.com/watch?v=opw9vqpPBqQ&ab_channel=AsiaSociety Book recommendations: Joseph Torigian - The Party's Interests Come First: The Life of Xi Zhongxun, Father of Xi Jinping Perry Link - The Anaconda in the Chandelier - ⁠excerpt⁠ from ChinaFile William Shirer - The Rise and Fall of the Third Reich Victor Klemperer - I Will Bear Witness: A Diary of the Nazi Years, 1933-1941 Outro music: Bach's Partita No. 1 for Solo Violin in B Minor, BWV 1002: VIII. Double, Gidon Kremer https://open.spotify.com/track/3x1Rdpgy6QGSlW9tItHYdm?si=20fa2051dc5d4f91 Aria from J.S. Bach Cantata 'Schwingt freudig euch empor' https://open.spotify.com/track/5pIy4Gll1YywqKX25EbbOb?si=520327db35f54201 Learn more about your ad choices. Visit megaphone.fm/adchoices

Last year I went to an exhibition at the Städel museum in Frankfurt that was entitled Holbein and the Renaissance in the North. That is the elder Holbein, the father of the Holbein who came to England. This exhibition has now ended, but there is still a great summary available on the Städel website.Though obviously not present at the exhibition, one key focus was the Fugger chapel in the church of St. Anne in Augsburg, one of the earliest and most significant Renaissance building north of the Alps. I wanted to kick off this episode with this chapel and then move on to Holbein, Burgkmair etc. But as I dug deeper and deeper into the late 15th and early 16th century art in Southern Germany, the more connections and links emerged that I hope you will find as fascinating as I did.Links to artworks:Fugger chapel: Die Fuggerkapelle | St. Anna AugsburgRiemenschneider Heilig Blut Altar: The Altar of the Holy Blood | ReliquarianThe Hare: Young Hare, 1502 - Albrecht Durer - WikiArt.orgSchongauer St. Anthony: Martin Schongauer | Saint Anthony Tormented by Demons | The Metropolitan Museum of ArtRhinocerus: Albrecht Dürer | The Rhinoceros | The Metropolitan Museum of ArtRitter, Tod und Teufel and other works: Albrecht Dürer (1471–1528) - The Metropolitan Museum of ArtThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I...