Podcasts about bwv

durée : 00:05:22 - Le Bach du matin du vendredi 26 décembre 2025 - Notre Bach du matin est un air de contralto extrait de la deuxième partie de l'Oratorio de Noël BWV 248. "Schlafe mein Liebster" - "Dors, mon doux enfant" - interprété par Bernarda Fink avec le Concentus Musicus de Vienne sous la direction de Nikolaus Harnoncourt. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:22 - Le Bach du matin du vendredi 26 décembre 2025 - Notre Bach du matin est un air de contralto extrait de la deuxième partie de l'Oratorio de Noël BWV 248. "Schlafe mein Liebster" - "Dors, mon doux enfant" - interprété par Bernarda Fink avec le Concentus Musicus de Vienne sous la direction de Nikolaus Harnoncourt. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:49 - Le Bach du matin du jeudi 25 décembre 2025 - Notre Bach du matin est l'Oratorio de Noël BWV 248 : Sinfonia (2ème partie) interprété par les Solistes Baroques Anglais et le Choeur Monteverdi sous la direction de John Eliot Gardiner. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Johann Sebastian Bach (1685 - 1750) - Pastorella (Pastorale) in fa maggiore, BWV 590 1.      Alla Siciliana 2.      Allemande (2:42)3.      Aria (4:38)4.      Alla Gigue (7:28) Karl Richter, organo

Bu podcast bölümünde öykü kitabım Doku Uyuşmazlığı vesilesiyle edebiyat üzerine konuşuyorum. Öykü kitabımın ortaya çıkışındaki kısa yolculuk ve neden durum öyküsü yazmayı tercih ettiğim gibi konular üzerinden sizi de bu yolculuğa ortak etmek istiyorum. Bölümün önemli bir kısmında ise aydınlanma dönemi öykücüleri, günümüz öykücülüğü ile hikâye anlatıcılığı konseptini edebiyat çerçevesinde değerlendiriyorum. Tabii ki edebiyatın neden önemli olduğunu hem sanat hem bilişsel hem de toplumsal açıdan değerlendirerek tartışma zeminini genişletiyorum.Bölüm Kapağı: Doku Uyuşmazlığı kitap kapağı06:36'daki müzik: Mendelssohn - Concerto in mi minore per violino e orchestra Op. 64, Allegretto Non Troppo, Allegro Molto Vivace11:18'deki müzik: Mozart - Piano Concerto No. 23 in A Major, K. 488 - II. Adagio14:34'teki müzik: Rossini - Sonate No.1 Pour Orchestre à cordes- 2. Andante18:56'daki müzik: Mozart - String Quartet #17 In B Flat, K 458, Hunt, 3. Adagio22:25'teki müzik: Bach - Concerto Pour Violon Et Orchestre En La Mineur, BWV 1041, Allegro Assai

durée : 00:05:49 - Le Bach du matin du jeudi 25 décembre 2025 - Notre Bach du matin est l'Oratorio de Noël BWV 248 : Sinfonia (2ème partie) interprété par les Solistes Baroques Anglais et le Choeur Monteverdi sous la direction de John Eliot Gardiner. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:07:46 - avec Peter Schreier - Notre Bach du matin est un Bach en fête ! En cette veille de Noël, nous écoutons le chœur d'ouverture de l'Oratorio de Noël BWV 248 : "Jauchzet frohlocket", interprété par le Choeur de la radio de Leipzig et la Staatskapelle de Dresde, sous la direction de Peter Schreier. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:07:46 - avec Peter Schreier - Notre Bach du matin est un Bach en fête ! En cette veille de Noël, nous écoutons le chœur d'ouverture de l'Oratorio de Noël BWV 248 : "Jauchzet frohlocket", interprété par le Choeur de la radio de Leipzig et la Staatskapelle de Dresde, sous la direction de Peter Schreier. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:37 - avec Amandine Beyer - Comme chef et premier violon, Amandine Beyer interprète avec Vadym Makarenko, Yoko Kawakubo et l'ensemble Gli Incogniti le premier mouvement du concerto de chambre en Ré Majeur BWV 1064R, un arrangement pour trois violons du concerto pour clavecin BWV 1064. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:37 - avec Amandine Beyer - Comme chef et premier violon, Amandine Beyer interprète avec Vadym Makarenko, Yoko Kawakubo et l'ensemble Gli Incogniti le premier mouvement du concerto de chambre en Ré Majeur BWV 1064R, un arrangement pour trois violons du concerto pour clavecin BWV 1064. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Kantate zum 1. Weihnachtsfeiertag für Soli, Chor und Orchester, BWV 110 Bei dieser Diskothek geht es um eine Kantate von J.S. Bach, die der Komponist für die Weihnachtstage komponiert hat: «Unser Mund sei voll Lachens», BWV 110 für den ersten Weihnachtstag für Soli, Chor und Orchester. Ein schöner Titel für die Weihnachtszeit – und heiter ist denn auch der Eingangschor, bevor in der Tenor- und Alt-Arie auch der Schmerz ausgedrückt wird. Das Duett für Sopran und Tenor (Ehre sei Gott in der Höhe) hat schliesslich einen fast tänzerischen Charakter im Dreiertakt. Und der prächtige Schlusschor rundet diese Kantate ab. In der Diskothek werden mehrere Interpretationen verglichen. Gäste von Annelis Berger sind der Cembalist, Organist und Komponist Thomas Leininger und der Musikjournalist Michael Struck-Schloen. Erstausstrahlung: 18.12.2023

durée : 01:59:06 - Le Bach du dimanche du dimanche 21 décembre 2025 - par : Corinne Schneider - Au programme de cette 363e émission : on fête Noël avec Bill Evans, la Pastorale pour orgue, des extraits de l'Oratorio et de la Messe en si mineur ; le Magnificat en mi bémol majeur BWV 243a (1723) et la Cantate BWV 197a (1728), à l'écoute de Hans-Christoph Rademann, Holger Speck et Raphaël Pichon. - réalisé par : Anne-Lise Assada Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:24:57 - Cantate BWV 197a" Ehre sei Gott in der Höhe " - On suppose que Bach a composé la Cantate BWV 197a « Ehre sei Gott in der Höhe » / « Gloire à Dieu au plus haut des cieux » pour Noël 1728. Seul le livret de Picander est parvenu intégralement jusqu'à nous, la partition est largement incomplète. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:16:19 - Pastorale en fa majeur BWV 590 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:07:46 - avec Bella Schütz - Pour débuter notre émission ce samedi, nous écoutons Fantaisie chromatique et fugue en ré min BWV 903 : 1. Fantaisie de Jean-Sébastien Bach, avec au piano Bella Schütz. (Chiaroscuro, Evidence, 2025) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:07:46 - avec Bella Schütz - Pour débuter notre émission ce samedi, nous écoutons Fantaisie chromatique et fugue en ré min BWV 903 : 1. Fantaisie de Jean-Sébastien Bach, avec au piano Bella Schütz. (Chiaroscuro, Evidence, 2025) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Especially in early to mid-1800s, when slavery was being hotly debated in our country, many pro-slavery preachers would speak of “the curse of Ham” to defend slavery. But was there actually any curse of Ham?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:05:35 - avec Itzhak Perlman et Ray Still - Itzhak Perlman et Ray Still interprètent le premier mouvement du Concerto pour violon et hautbois en Ut mineur BWV 1060, avec l'Orchestre Philharmonique d'Israël. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:35 - avec Itzhak Perlman et Ray Still - Itzhak Perlman et Ray Still interprètent le premier mouvement du Concerto pour violon et hautbois en Ut mineur BWV 1060, avec l'Orchestre Philharmonique d'Israël. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The words High and Late Middle Ages conjures up images of fog rising up over a field where knights in shining armor are trading blows with double handed swords, mighty bishops overseeing the construction of monumental cathedrals and peasants toiling on the land as serfs. The reason we see it that way goes back to the chivalric literature that celebrated the aristocratic lifestyle where tournaments and poetry mattered more than the humdrum world of business.But let's just take a look back at the High Middle Ages, the time of Richard the Lionheart, Saint Louis and Frederick Barbarossa. Who controlled access to the great endeavor of the time, the conquest of the Holy Land? Who re-opened up the connections to the wider world, from Novgorod to India and China? Who were the most ferocious fighters who neither expected norgranted any quarter? Who had all the money?These were the great cities of Italy, of Flanders, of Picardie and Provence and of the Holy Roman Empire. Verona under the Della Scala in the 14th century generated tax revenues twice as high as those of England, Venice capacity was sixty percent of what France could generate. And these cities fielded armies that, as we know, defeated the Holy Roman Emperors, even the most capable ones like Barbarossa and Frederick II time and time again. Their absolute dedication to fight to the end was evidenced by their extremely heavy and slow war carts, the Carroccios and by the bravery of the Flemish Militia at the Battle of the Golden Spurs. And the first European since Roman times to make to India and China wasn't a Knight errant, but a Venetian merchant, nor were the vast lands on the Eastern side of the continent linked up by military force. The crusades, the grand project of the age was as much a venetian mercantile adventure as a religious pilgrimage, culminating in the sack of Constantinople in 1204. What happened? Where did all these city states go? And why?That is what we are going to discuss today, when we look at the showdown between Maximilian of Habsburg, widower of the last duchess of Burgundy and father of Philip, the universally recognised heir of the Low Countries and the Flemish cities, and specifically its largest, the city of Ghent.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts....

durée : 00:05:20 - Le Bach du matin du jeudi 18 décembre 2025 - Notre Bach du matin est allemand : le chef Nikolaus Harnoncourt dirige l'ensemble Concentus Musicus Wien et le Chœur Arnold Schönberg accompagnés du baryon Gerald Finley. Ils interprètent "Grosser Herr o starker König", première partie de l'Oratorio de Noël BWV 248. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:20 - Le Bach du matin du jeudi 18 décembre 2025 - Notre Bach du matin est allemand : le chef Nikolaus Harnoncourt dirige l'ensemble Concentus Musicus Wien et le Chœur Arnold Schönberg accompagnés du baryon Gerald Finley. Ils interprètent "Grosser Herr o starker König", première partie de l'Oratorio de Noël BWV 248. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Comments/ideas: asiaclimatefinpod@outlook.comAsia's climate finance landscape is evolving rapidly. In our discussion, our guest,  KPMG's Ha Do, explores how Asian governments are shifting from policy ambitions to concrete implementation, the climate finance mechanisms proving most effective in mobilising capital, and why state-owned enterprises remain at mid-stage ESG maturity. We examine green public-private partnerships, regulatory convergence around global standards, and why Asia is increasingly positioned to shape, rather than follow, global climate finance architecture.ABOUT HA: Ha leads the Government and Public Sector, and IDAS practice for KPMG in the Asia Pacific region. She specializes in advising central and local governments, NGOs including multilateral and bilateral development banks/agencies, state-owned enterprise groups, and relevant stakeholders (private enterprises, starts-up, etc) especially in projects and transformation across areas of infrastructure, healthcare and sustainability. Before assuming the regional roles, Ha was Senior Partner of KPMG Hanoi office, Head of Infrastructure, Government & Healthcare (IGH) Sector, Head of Environmental, Social and Governance (ESG) and Head of State-Owned Enterprises of KPMG Vietnam and Cambodia. She serves as a board director of Pacific Basin Economic Council (PBEC), an international business association that promotes cross-border trades. She also sits in the Asia Pacific Advisory Council for Global Infrastructure Project Financing Association (IPFA), a global organization for the infrastructure and energy financing industry. Ha has recently participated in the United Nations Economic and Social Commission for Asia and the Pacific (UN ESCAP)'s Financing Energy Transition program as one of their Advisors. Ha has been a long-time Governor in the American Chamber of Commerce (AmCham) Board of Governors in Hanoi. She is currently the Chairwoman of Women in Business Committee in AmCham. Ha has been a Board Member of Sustainable Finance Sector Committee (SFSC) under European Chamber of Commerce, working with various stakeholders to mainstream green business, abolish barriers, and create the conditions for green business to thrive. Ha was Vice Chairwoman of the Hanoi Business Association for the period of 2017 – 2021, and she is actively involved in promoting business of Vietnamese private enterprises. She sits on various advisory boards for non-profit organisations and runs SympaMeals with her friends, a charity fund providing free meals to poor patients in Hanoi's cancer and heart hospitals.FEEDBACK: Email Host | HOST, PRODUCTION, ARTWORK: Joseph Jacobelli | MUSIC: Ep0-29 The Open Goldberg Variations, Kimiko Ishizaka Ep30-50 Orchestra Gli Armonici – Tomaso Albinoni, Op.07, Concerto 04 per archi in Sol - III. Allegro. | Ep51 – Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod. Licensed under Creative Commons: By Attribution 4.0 License

durée : 00:18:27 - Cantate BWV 132« Bereitet die Wege, bereitet die Bahn ! » - Bach compose la Cantate BWV 132 « Bereitet die Wege, bereitet die Bahn ! » / « Préparez les chemins, préparez la voie ! » à Weimar pour le 4e dimanche de l'Avent (22 décembre 1715) sur un livret qui venait d'être publié par Salomon Franck. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:10:16 - Prélude et fugue en sol majeur BWV 541 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In Genesis 9:24–27, Noah pronounces a curse on his grandson Canaan and a blessing on his sons Shem and Japheth after waking up from his drunken sleep. These words have been widely misunderstood and misapplied. In this devotion, we consider how we should always listen to God's word, regardless of the mouthpiece he chooses to use.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:05:35 - Le Bach du matin du vendredi 12 décembre 2025 - Le pianiste français David Bismuth interprète la fugue du Prélude et fugue en La mineur BWV 543, une œuvre pour orgue transcrite par Franz Liszt pour le piano. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Præludium: Johann Sebastian Bach: Nun komm', der Heiden Heiland, BWV 599 Fra det G.T.: Esajas 40,1-8 Salme: 91 "Store Gud og frelsermand" Fra det N.T.: Johannesevangeliet 1,6-14 Korvers: Søren Birch: Vi venter på det lys, vers 1 (Tekst: Johs. Møllehave) Salme: 65 "Troens smykke, Jesus sød" Postludium: Johann Sebastian Bach: Nun komm', der Heiden Heiland, BWV 659

By 1477 the rules of war that had been enshrined in the laws of chivalry are gone. The contest between the French and the Habsburgs over the inheritance of the Grand Dukes of the West gives us a foretaste of the things to come. This war isn't just fought between the opposing armies lining up for the decisive battle, but include wholesale starving out of the population, funding local uprisings and using propaganda and bribery to incite rebellions on the enemy's homefront. No one in 15th century Northern Europe is better at this new game than the industrious spider, king Louis XI of France. But a plucky 18-year old Austrian duke who had arrived in Ghent with not much more than the clothes on his back, abundant energy and a budding military genius gave him a run for his huge amounts of money, until tragedy struck. Lots of deception, drama and devastation today…. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the...

Præludium: Johann Sebastian Bach: Gottes Sohn ist kommen, BWV 600 Fra det G.T.: Esajas 25, 6-10a Salme: 79, vers 1-5 "Stat op i gry, min Gud, stat op" Fra det N.T.: 2. Korintherbrev 1, 3-7 Korvers: Søren Birch: Vi venter på det lys, vers 1 (Tekst: Johs. Møllehave) Salme: 79, vers 6-8 Postludium: Johann Sebastian Bach: Herr Gott, nun schleuss den Himmel auf, BWV 617

durée : 00:39:36 - Cantate : BWV 21 " Ich hatte viel Bekümmernis " - Bach compose la Cantate BWV 21 « Ich hatte viel Bekümmernis » / « J'avais grande affliction en mon cœur » à Weimar, pour le 3e dimanche après la Trinité (17 juin 1714), mais il indique lors d'une reprise à Leipzig (13 juin 1723) qu'elle peut être destinée « à tous les temps liturgiques ». Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:11:52 - Prélude et fugue en la mineur BWV 543 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:07:12 - Le Bach du matin du samedi 06 décembre 2025 - Pour débuter notre émission ce samedi, nous écoutons le Prélude pour piano en si min BWV 869 de Jean-Sébastien Bach, interprété par Cedric Pescia. (Jean Sébastien Bach : Le clavier bien tempéré Livre I BWV 846 à 869, LA DOLCE VOLTA, 2018) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Shem and Japheth's reaction to their father's drunkenness was very different than Ham's. In seeing the very different reactions of three men who all shared the same father and mother, we are reminded of how children inherit both the best and the worst of their parents.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

How often have you heard this phrase “Let others wage war; you, happy Austria, marry". It goes back to a whole string of marriages, first Maximilian of Habsburg married the heiress of the duchy of Burgundy, then his son married the heiress of Spain and finally his grandson married the heiress of Hungary and Bohemia. And bish bash bosh, an empire is created in the horizontal.That is nice and neat but not exactly true. Sure the marriages happened, but not in the way at least I have been told. There was a lot more drama and a lot more agency than you think. For a whole six months Maximilian, the Last Knight in his shining armour, left Marie of Burgundy to fend off invasions, revolutions and conspiracies on her own. She was imprisoned, her ministers were hanged and she was told marriage to a 7-year old hunchback was her only wayout. How she managed through that and found herself in the very first truly passionate marriage we have heard about in the History of the Germans Podcast, well, that is what we are talking about today.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe...

Sunday Worship for November 30, 2025, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Pastor Dan Peterson; Cantor Kyle Haugen. Prelude—Chorale prelude on NUN KOMM, DER HEIDEN HEILAND (ELW 263), J.S. Bach, BWV 659 • Introit—Psalm 25:1-3a.4a • Gathering Hymn— Savior of the Nations, Come, (ELW 263)• O Come, O Come, Emmanuel (ELW 257) • First Reading— Isaiah 2:1-5 • Psalm 122 • Second Reading—Romans 13:11-14 • Gospel—Matthew 24:36-44 • Sermon— Pastor Dan Peterson, "New (Church) Year Resolutions " • Hymn of the Day—Rejoice, Rejoice, Believers (ELW 244)  • Anthem at the Offering—Come, Lord Jesus; Oliver Tarney • Distribution Hymn—Wait for the Lord (ELW 262) • Sending Hymn —Hark the Glad Sound (ELW 239)  • Postlude—Chorale prelude on NUN KOMM, DER HEIDEN HEILAND (ELW 263), Johann Pachelbel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit this link⁠⁠⁠⁠⁠⁠.

早在 202 1年 9 月的节目 Vol.24: 栋梁与拙匠：又见梁思成 ，我们借由一场名为「栋梁」的展览回顾了梁思成作为建筑学家的一生。其间我们多次提及林徽因，一位对中国古建筑研究做出重要贡献、对新中国建筑事业发展影响至深的女性，同时也是一位常年被称为「民国才女」却又始终被坊间情感八卦萦绕的女性。直到 2024 年 5 月 18 日，宾夕法尼亚大学正式追授林徽因建筑学学士学位，许多人才终于开始正视林徽因作为一名建筑学家的成就与地位。今年一本名为《重识徽音：林徽因建筑笔记》的图书出版。这本书系统梳理并精编了一系列由林徽因主笔的建筑学文章，其中多篇我虽然读过，但这次重读又多了许多感动与震撼。这一次，我觉得是时候了！是时候让我们一起来好好重新认识一下这位在建筑学领域颇有建树、在中国古建筑考察与保护事业中全情投入的女性——林徽因了！本期节目，我们特别邀请到了《重识徽音：林徽因建筑笔记》这本书的责任编辑马思齐，和我们一起重识徽音。本期节目你将听到：[01:45] 2024 年宾夕法尼亚大学建筑系毕业典礼上的两位女性：林徽因与胡如珊[05:58] 一群学建筑出身的编辑们决定做一本关于建筑师林徽因的书[08:41] 林徽因对建筑学的热爱，以及她对梁思成专业选择的影响[13:06] 1931 年回到北平的林徽因正式开始了她的建筑学写作[27:46] 1931-1937 年，林徽因的古建筑考察与写作「大事记」[20:39] 林徽因与《晋汾古建筑预查纪略》[34:36] 林徽因和梁思成在中国古建筑考察过程中到底分别扮演怎样的角色？[38:16] 李庄，一个信仰之地，也是一个困境之地：林徽因面临的多重压力[47:16] 她始终关注的是普通人住在哪里、住得怎么样[56:54]「梁陈方案」背后的林徽因[1:04:41]《重识徽音》独特的设计巧思：宾大读书的徽音和抗战胜利后的徽因本期节目你将听到：[01:45] 2024 年宾夕法尼亚大学建筑系毕业典礼上的两位女性：林徽因与胡如珊[05:58] 一群学建筑出身的编辑们决定做一本关于建筑师林徽因的书[08:41] 林徽因对建筑学的热爱，以及她对梁思成专业选择的影响[13:06] 1931 年回到北平的林徽因正式开始了她的建筑学写作[27:46] 1931-1937 年，林徽因的古建筑考察与写作「大事记」[20:39] 林徽因与《晋汾古建筑预查纪略》[34:36] 林徽因和梁思成在中国古建筑考察过程中到底分别扮演怎样的角色？[38:16] 李庄，一个信仰之地，也是一个困境之地：林徽因面临的多重压力[47:16] 她始终关注的是普通人住在哪里、住得怎么样[56:54]「梁陈方案」背后的林徽因[1:04:41]《重识徽音》独特的设计巧思：宾大读书的徽音和抗战胜利后的徽因※ 感谢「认识建筑编辑部」对本期节目的支持▲ 2024 年宾夕法尼亚大学韦茨曼设计学院正式追授林徽因建筑学学士学位▲ 1925年林徽音在宾夕法尼亚大学学生证上的照片▲ 林徽音在宾夕法尼亚大学和她的同学们▲ 林徽音曾经使用的「名片」▲ 林徽因在佛光寺东大殿与「宁公遇」▲ 1945年抗战结束后的林徽因【节目主播/制作】主播/制作：VC微博：@VividCrystal 小红书：@午夜飞行VC 【节目互动】微博：@午夜飞行Official 公众号：午夜飞行【商务合作】商务合作联系邮箱：hello@marcastmedia.com或添加微信：hellomarcast 【欢迎加入听友群】入群方式 A：微信添加小助手 Amber (ID: hellomarcast)，拉你入群入群方式 B：关注公众号「午夜飞行」 ，回复「听友群」三个字，即可获取入群通道 【本集音乐】Music credit: 1. Orchestral Suite No. 3 in D Major, BWV 1068II. Air On a G String (Arr. for Piano) - 郎朗,Johann Sebastian Bach 2. First Impressions - 马友友 3. ThaïsMéditation - 马友友 4. Piano Sonata No.30 in E, Op.1093. Gesangvoll, mit innigster Empfindung (Andante molto cantabile ed espressivo) - 内田光子 5. Waltz for Debby - Bill Evans 6. Albumblatt in Walzerform, S.166 - Franz Liszt,Leslie Howard 7. Air from Orchestral Suite No. 3 in D major, BWV 1068 - Hamish Milne 8. 괜찮아 괜찮아 - 다을 【封面图片】Photos from 《山河岁月：回望林徽因》 【节目出品】本播客由 Marcast Media 制作出品，也欢迎你订阅收听 Marcast 旗下的其他播客节目。你可以通过以下方式找到我们：- 小红书：@Marcast - 公众号：Marcast - 微博：@Marcast - 进听友群请添加微信：hellomarcast- 欢迎加入 2500+ 朋友一起订阅 Beads Newsletter 每周一封精选英文播客内容分享，为你提取、总结那些 90% 的人听不到的、隐藏在声音里的一手信息、知识、经验、工具、趣味和审美，和你一起拓展认知和视野，每周一上午发送，订阅地址：https://beads.beehiiv.com© 2025 Marcast Media

durée : 00:06:12 - Le Bach du matin du lundi 01 décembre 2025 - Le pianiste chinois Lang Lang interprète le Prélude en Ut mineur BWV 999, écrit à l'origine pour luth. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:13:18 - 3 Chorals de Leipzig BWV 659-660-661 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:19:21 - Cantate BWV 61 « Nun komm der Heiden Heiland (I) » - Composée pour la chapelle ducale de Weimar à l'occasion du 1er dimanche de l'Avent (2 décembre 1714), la Cantate BWV 61 « Nun komm der Heiden Heiland (I) » / « Viens maintenant, Sauveur des Païens » est reprise par Bach à son arrivée à Leipzig pour la même occasion (28 novembre 1723) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:58:57 - Le Bach du dimanche du dimanche 30 novembre 2025 - par : Corinne Schneider - Au programme de cette 360e émission : Sébastien Daucé et les Correspondances enregistrent leur premier album Bach avec 3 Cantates de Mühlhausen : BWV 4, 106 et 131 (Harmonia Mundi, 28 nov.) ; c'est aujourd'hui le premier dimanche de l'Avent, autour du Choral de Luther « Nun komm der Heiden Heiland » - réalisé par : Fanny Constans Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

It quickly becomes clear after the Flood that God did not preserve Noah and his family on the ark because of their own merits, but out of his grace.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

"In a Mist": Jazz expanded its world with classical music beginning in the 1920s — borrowing attributes, techniques and sometimes making arrangements. Music: Louis Armstrong and His Hot Five: West End Blues (rec. 1928), Cornet Chop Suey (rec. 1926); Debussy: "Voile" Prelude Book 1, No. 2 (1910) (Arturo Benedetti Michelangeli); Bix Beiderbecke: In a Mist (1927); J.S. Bach 2-Part Invention No. 1 in C Major, BWV 772 (Angela Hewitt, piano); Louis Armstrong and Earl Hines Weather Bird, (rec. 1928); Summer Ridge Drive - Artie Shaw and His Gramercy Five (rec. 1940); Jelly-Roll Morton and His Red Hot Peppers Pontchartrain (1930); Jack Teagarden, Stars Fell On Alabama (rec. 1933); Duke Ellington & The Jungle Band Mood Indigo; John Kirby Sextet: Bounce of the Sugar Plum Fairy (rec. 1941), Lucia Sextet (rec. 1940), Mr. Haydn Gets Hip (1940); Raymond Scott: Dinner Music for a Pack of Hungry Cannibals (1937);

What is it like to grow up the son of the emperor? For most of the rulers of the Holy Roman Empire we have covered so far, no idea. There are scarce reports about the way the princes grew up, safe for tales like the emperor Ludwig the Bavarian being kidnapped by his pet monkey. But now, as the Late Middle Ages make way for the Renaissance, we can see the boy who would be king at play, being fed by his nursemaid and pretending to be a knight at a tournament.And even better, this emperor is Maximilian, the last Knight, one of the most iconic rulers of his time. Come along as we descend into the delights and terrors of his epic childhood, complete with mythmaking in drawings and woodcuts.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

durée : 00:18:05 - Cantate BWV 164« Ihr, die ihr euch von Christo nennet » - Bach compose la Cantate BWV 164 « Ihr, die ihr euch von Christo nennet » / « Vous qui vous réclamez du Christ » pour le 13e dimanche après la Trinité (26 août 1725, à Leipzig) à partir d'un livret publié en 1715 par Salomon Franck, le poète de la cour ducale de Weimar. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:09:50 - Ciacona en ré mineur BWV 1178 - Lundi 17 novembre 2025, deux nouvelles œuvres (Chaconnes pour orgue) de Jean-Sébastien Bach authentifiées par le musicologue allemand Peter Wollny ont été interprétées à l'Eglise Saint-Thomas par l'organiste néerlandais Ton Koopman, président des Archives Bach de Leipzig depuis 2019. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Canadian violinist Yolanda Bruno spoke to me about her new album Dear Jeanne and her film The Immortal Serafin, which both honour the late Jeanne Lamon, the renowned baroque violinist, and Music Director of Tafelmusik for 34 years. Yolanda explains how she explores the story of Jeanne's 1759 Santo Serafin baroque violin, which was generously loaned to Yolanda for one year. You'll hear a few clips from the album, including Jeanne's masterful string trio arrangement of Bach's iconic Ciaccona, as well as a taste of a Leclair duo with Julia Wedman, another important mentor for Yolanda, and a work by Beth Silver honouring Jeanne's Dutch-Jewish heritage. Yolanda reflects on what it means to live more sustainably with her partner, the accordionist Michael Bridge, who was previously featured on this podcast. She shared how her her annual project Music for Your Blues has impacted her life, as well as a very memorable experience performing in a high-security penitentiary, which taught her about connection and dignity, and the value of live music. I also wanted to shine a light on Yolanda's brilliant first ablum, The Wild Swans, featuring 11 women composers, recorded with pianist Isabelle David. You'll hear short excerpts by Lera Auerbach and Kelly-Marie Murphy. We end the episode with Yolanda's insights about avoiding burnout by achieving balance in her life using the idea of longer cycles of time, which I loved.Complete Show Notes with All the Links! Yolanda Bruno Websitephoto: Curtis Perry(00:00) Intro(02:34) Dear Jeanne and her film The Immortal Serafin, Jeanne Lamon, Tafelmusik(12:25) Jeanne's arrangement of Bach Ciaconna with clip (Yolanda with Julia Wedman, Christina Mahler - J.S. Bach Ciaccona from Partita No. 2 in D minor, BWV 1004(15:46) film The Immortal Serafin, living more sustainably and mindfully, Michael Bridge(24:39) the process of buying the Serafin, Jaak Liivoya, Bill Monical(30:56) how Yolanda started playing baroque violin, meeting Jeanne(34:41) clip of Jean-Marie Leclair Sonata for Two Violins in D Major, Op. 3, No. 3, ii. Allegro, lessons with Julia Wedman(38:00) other linked episodes and ways to support this series(38:50) Leclair, Beth Silver, Jeanne Lamon's Dutch-Jewish heritage (44:16) musical family, The Wild Swans album, Lera Auerbach with clip Lera Auerbach - 24 Preludes for Violin and Piano, op. 46: No. 9 in E Major (Allegro)(51:38) Kelly Marie-Murphy The Swan Parapraxis with clip Kelly-Marie Murphy - The Swan Parapraxis, Carmen Bruno cello The Wild Swans album, Katherine Dowling(55:22) Music for Your Blues, reading, memorable concerts(01:02:37) performing for incarcerated audience in a penitentiary, Jean Rohe, Diane Schoemperlen(01:07:04) studying in England, balancing life in annual cycles

There is a place for noting and observing differences between humans and groups of humans. But it is also healthy for us to note the commonalities we share, including our common blood.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Goodbye, Chronos. Hello Kairos. Enter qualitative time — the unhurried, opportune space where presence deepens and the habitual clutch of stories and roles loosens. Another way to describe this time is ancestral-eternal time, a place where myths and archetypes dwell. Kairos time is where we can dwell in “identity‑free space”. With Myrrh as our guide, a gap opens to release over‑identification with names, titles, and the ego's stories so we can meet what's true beneath them.You will be guided through a guided aromatherapy meditation set to Bach's Cello Suite No. 5 in C minor, BWV 1011 — Sarabande (Netherlands Bach Society / Suzuki recording) (minute 8:30). The episode includes my original poem “Last Night I Dreamt of Myrrh” (minute 17:15), followed by an exploration of Myrrh (minute 18:30): its ecology and etymology; the aromatic personality of its resin and essential oil; and clinical and ritual therapeutics for nervous system regulation, respiratory support, vulnerary and skin uses, and spiritual practice.To balance the somberness, we close with an uplifting musical respite: Così fan tutte — “Soave sia il vento” by Wolfgang Amadeus Mozart (minute 29:15).If you feel the pressure of the year‑end rush — the urgency to buy, perform, and over‑do between Thanksgiving and New Year's — Myrrh offers a counterweight: gravitas, steadiness, and a practice for making room rather than filling it. Join your host, Amy Anthony, for aromatic-somatic cues, ritual language, and practical aromatherapy guidance you can use to slow the impulse to consume, meet grief or clutter of the heart (and lungs), and enter a Kairos infused holiday season. Here's the Myrrh article mentioned in the episode: https://nycaromatica.com/plant-talk-myrrh/

How long can an emperor not be an emperor. The official record stands at 25 years, that is how long Friedrich III had stayed out of the core areas of the Holy Roman Empire. That meant 25 ears of Imperial Diets without the presence of an Emperor, 25 years of stasis on the challenges of the time, the reform of the empire and the defense against the Ottoman expansion. But sometime in the late 1460s the apathic emperor Friedrich III, dubbed the Imperial Arch Sleepy head awakes and does what he had never done before, something. And that something turned into a lot of things, some related toimperial reform, but the most significant something for European history was a marriage, well, an engagement for now, followed by a flight down the river Mosel away from the intended father of the bride. Yes, it is that famous marriage, just not in the way you may have thought it happened. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the...