Podcasts about bwv

Canadian violinist Yolanda Bruno spoke to me about her new album Dear Jeanne and her film The Immortal Serafin, which both honour the late Jeanne Lamon, the renowned baroque violinist, and Music Director of Tafelmusik for 34 years. Yolanda explains how she explores the story of Jeanne's 1759 Santo Serafin baroque violin, which was generously loaned to Yolanda for one year. You'll hear a few clips from the album, including Jeanne's masterful string trio arrangement of Bach's iconic Ciaccona, as well as a taste of a Leclair duo with Julia Wedman, another important mentor for Yolanda, and a work by Beth Silver honouring Jeanne's Dutch-Jewish heritage. Yolanda reflects on what it means to live more sustainably with her partner, the accordionist Michael Bridge, who was previously featured on this podcast. She shared how her her annual project Music for Your Blues has impacted her life, as well as a very memorable experience performing in a high-security penitentiary, which taught her about connection and dignity, and the value of live music. I also wanted to shine a light on Yolanda's brilliant first ablum, The Wild Swans, featuring 11 women composers, recorded with pianist Isabelle David. You'll hear short excerpts by Lera Auerbach and Kelly-Marie Murphy. We end the episode with Yolanda's insights about avoiding burnout by achieving balance in her life using the idea of longer cycles of time, which I loved.Complete Show Notes with All the Links! Yolanda Bruno Websitephoto: Curtis Perry(00:00) Intro(02:34) Dear Jeanne and her film The Immortal Serafin, Jeanne Lamon, Tafelmusik(12:25) Jeanne's arrangement of Bach Ciaconna with clip (Yolanda with Julia Wedman, Christina Mahler - J.S. Bach Ciaccona from Partita No. 2 in D minor, BWV 1004(15:46) film The Immortal Serafin, living more sustainably and mindfully, Michael Bridge(24:39) the process of buying the Serafin, Jaak Liivoya, Bill Monical(30:56) how Yolanda started playing baroque violin, meeting Jeanne(34:41) clip of Jean-Marie Leclair Sonata for Two Violins in D Major, Op. 3, No. 3, ii. Allegro, lessons with Julia Wedman(38:00) other linked episodes and ways to support this series(38:50) Leclair, Beth Silver, Jeanne Lamon's Dutch-Jewish heritage (44:16) musical family, The Wild Swans album, Lera Auerbach with clip Lera Auerbach - 24 Preludes for Violin and Piano, op. 46: No. 9 in E Major (Allegro)(51:38) Kelly Marie-Murphy The Swan Parapraxis with clip Kelly-Marie Murphy - The Swan Parapraxis, Carmen Bruno cello The Wild Swans album, Katherine Dowling(55:22) Music for Your Blues, reading, memorable concerts(01:02:37) performing for incarcerated audience in a penitentiary, Jean Rohe, Diane Schoemperlen(01:07:04) studying in England, balancing life in annual cycles

There is a place for noting and observing differences between humans and groups of humans. But it is also healthy for us to note the commonalities we share, including our common blood.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:06:52 - Le Bach du matin du vendredi 21 novembre 2025 - Sous la baguette de Masaaki Suzuki, le Bach Collegium du Japon interprète le choeur d'ouverture de la cantate BWV 206 : "Schleicht spielende Wellen und murmelt gelinde". Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:52 - Le Bach du matin du vendredi 21 novembre 2025 - Sous la baguette de Masaaki Suzuki, le Bach Collegium du Japon interprète le choeur d'ouverture de la cantate BWV 206 : "Schleicht spielende Wellen und murmelt gelinde". Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:43 - Le Bach du matin du mardi 18 novembre 2025 - Au programme de ce matin, le mandoliniste Avi Avital interprète l'Allegro du Concerto en Ré mineur BWV 1060 dans un arrangement pour mandoline, flûte à bec, cordes et basse continue. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:43 - Le Bach du matin du mardi 18 novembre 2025 - Au programme de ce matin, le mandoliniste Avi Avital interprète l'Allegro du Concerto en Ré mineur BWV 1060 dans un arrangement pour mandoline, flûte à bec, cordes et basse continue. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Las ideologías interpretan la realidad desde una sola idea. La libertad política colectiva responde a unas reglas de juego formales donde cada ideología, derecha e izquierda, intervenga políticamente. Interviene José de Murcia y como presentador Alberto Iturralde. Fuentes del audio: Radio libertad constituyente: https://www.ivoox.com/rlc-2018-01-26-piensa-veras-audios-mp3_rf_23386869_1.html Música: Allegro assai. BWV 1062. J.S.Bach. --------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

Os textos das cantatas de Johann Sebastian Bach são muito ruins, porque foram escritos por poetas menores, mas isso foi conveniente para o compositor, porque assim ele podia alterar esses textos de acordo com as necessidades de suas composições e, dessa forma, ter mais liberdade na criação musical. Essa é a opinião do jornalista suíço Franz Rueb, que ele expõe no livro 48 Variações sobre Bach, publicado no Brasil em 2001 pela Editora Companhia das Letras, em tradução de João Azenha Júnior. Nesse livro, escrevendo sobre os textos das cantatas de Bach, Rueb observa que o compositor precisava de textos que lhe garantissem a maior liberdade possível. Ou seja, precisava de um texto que ele pudesse mexer, alterar, trocar, de acordo com as necessidades da composição, o que dificilmente poderia ser feito se se tratasse de um poeta consagrado e de um texto canonizado. No entanto, continua o jornalista suíço, não é o sentido intrínseco desses textos que chama a atenção, mas sim a música de Bach. “A música de Bach é que nos arrebata, nos toca, nos comove e nos enleva, deitando por terra todo o caráter duvidoso desses textos de cantatas, mesmo que sejam ‘ruins' e incompreensíveis”, escreve Rueb. Uma cantata de Bach com letra de um dos "poetas menores" citados por Rueb é apresentada nesta edição de Manhã com Bach: a cantata Vergnügte Ruh, beliebte Seelenlust, "Repouso feliz, amado prazer da alma” (BWV 170). A letra é de autoria do poeta e escritor alemão Georg Christian Lehms (1684-1717), que nasceu em Liegnitz - atualmente uma cidade da Polônia -, estudou na Universidade de Leipzig, tornou-se poeta da corte de Darmstadt e morreu de tuberculose aos 33 anos de idade. Manhã com Bach exibe ainda a Suíte Orquestral Número 1 em Dó Maior (BWV 1066). Ouça o podcast no link acima. Este podcast reproduz o programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 15 e 16 de novembro de 2025. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast no site do Jornal da USP. As edições anteriores do podcast Manhã com Bach estão disponíveis neste link.

durée : 00:32:10 - Cantate BWV 168 « Tue Rechnung ! Donnerwort ! » - Bach compose la Cantate BWV 140 « Wachet auf, ruft uns die Stimme / « Réveillez-vous, la voix nous appelle » à Leipzig, pour le 27e dimanche après la Trinité (25 novembre 1731). Cette célèbre cantate est connue sous le titre de « Cantate du Veilleur ». Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:07:31 - Fugue en si mineur sur un thème de Corelli BWV 579 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Præludium: Johann Pachelbel: Ak Gud, fra himlen se herned Davidssalme: 116,5-8 Salme: 305 "Kom, Gud Helligånd, kom brat!" Fra det N.T.: Filipperbrevet 1, 6-11 Trosbekendelsen Salme: 522 "Nåden er din dagligdag" Postludium: Johann Sebastian Bach: 5. sats fra Concerto d-mol efter Vivaldi, BWV 596

durée : 00:02:44 - avec Igor Levit - Pour débuter notre émission ce samedi, nous écoutons la Partita n°6 en mi min BWV 830 : Tempo di gavotta, interprété par Igor Levit au piano. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:02:44 - avec Igor Levit - Pour débuter notre émission ce samedi, nous écoutons la Partita n°6 en mi min BWV 830 : Tempo di gavotta, interprété par Igor Levit au piano. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

God had told Noah before the Flood that he would establish his covenant with him (Gen. 6:18). Now, after the Flood, he makes a covenant not just with Noah, but with all flesh. Are these two covenants the same or different?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Comments/ideas: theasiaclimatecapitalpodcast@gmail.com Explore the powerful links between climate, health, and development. Hear from Vera Siesjö how the Asia Infrastructure Investment Bank is tackling health challenges in Asia and beyond. Discover how climate change, digital innovation, and infrastructure investment shape health for millions. Learn why a healthy planet means healthier lives.REF: INFRASTRUCTURE FOR PLANETARY HEALTHABOUT VERA: Vera Siesjö is a global health leader with nearly two decades of international experience advancing planetary health, health systems transformation, and sustainable development. At the Asian Infrastructure Investment Bank (AIIB), she leads the Bank's thought leadership agenda at the nexus of health, nature, climate, and inclusion—helping shape strategies that connect human well-being with the resilience of our planet. Before joining AIIB, Vera held leadership roles across leading international organizations. As Advisor to the Swedish International Development Cooperation Agency (Sida), she oversaw health programs across Asia, North Africa, and the Middle East. She also served as Senior Program Officer and founding team member of the Defeat NCD Partnership at UNOPS in Geneva, and as Director of ACCESS Health International, a global think tank and implementation partner working to accelerate health systems reform worldwide. Throughout her career, Vera has led pioneering initiatives in health financing, climate and health integration, digital innovation, and people-centered healthcare. She has contributed to the creation and management of key global collaborations, including the Center for Health Market Innovation and the Joint Learning Network for Universal Health Coverage. An entrepreneur at heart, Vera co-founded E-Pharma and continues to advise several health sector startups driving innovation and equity in care. Vera holds a Doctor of Psychology from UP and a Master's in International Public Health from the University of Sydney.FEEDBACK: Email Host | HOST, PRODUCTION, ARTWORK: Joseph Jacobelli | MUSIC: Ep0-29 The Open Goldberg Variations, Kimiko Ishizaka Ep30-50 Orchestra Gli Armonici – Tomaso Albinoni, Op.07, Concerto 04 per archi in Sol - III. Allegro. | Ep51 – Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod. Licensed under Creative Commons: By Attribution 4.0 License

Season 4's sophomore episode features some thieving Rats, a wandering Yen and a totally normal, not at all strange barber surgeon named Regis. Played by a scene-stealing Laurence Fishburne, Regis is also a home distiller and the reason we sought out a bottle of the gothic af Von Payne Black Blended Whiskey to pair this one with. (The fact that it also looks a little bit like blood is just a coincidence, we swear.) While we both agree that the newest member of Geralt's hansa is a delight, we're not at all aligned when it comes to choosing our favorite member of the Rats, deciding whether someone should give Jaskier a sword and counting up this week's “Hmms.” But we're still both very confused about what's going on with Geralt's pants, so at least there's that. Track: Johann Sebastian Bach - Toccata and Fugue in Dm, BWV 565 Provided by Classical Music Copyright Free [https://tinyurl.com/visit-cmcf] Watch: https://youtu.be/jTN6ibiJ9bA?si=I_JwpFii-e_OtGDD

durée : 00:06:03 - Le Bach du matin du mardi 11 novembre 2025 - Altiste du Quatuor Brodsky, Paul Cassidy propose un arrangement pour quatuor à cordes de la Sonate n°3 en Ut majeur BWV 1005, initialement composée par Bach pour violon seul. Ensemble, ils en interprètent le quatrième mouvement. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:03 - Le Bach du matin du mardi 11 novembre 2025 - Altiste du Quatuor Brodsky, Paul Cassidy propose un arrangement pour quatuor à cordes de la Sonate n°3 en Ut majeur BWV 1005, initialement composée par Bach pour violon seul. Ensemble, ils en interprètent le quatrième mouvement. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:04 - Le Bach du matin du lundi 10 novembre 2025 - Le claveciniste français Justin Taylor interprète le premier mouvement du Concerto italien en Fa majeur BWV 971. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Johann Sebastian Bach hatte ein feines Gespür für die technischen Möglichkeiten und das klangliche Potential der Traversflöte - ein Instrument, das sich mehr und mehr etablierte und das Bach in seiner Leipziger Zeit immer häufiger anstelle der Blockflöte einsetzte. Die h-Moll-Flötensonate BWV 1030 komponierte Bach vermutlich um 1736–1737. Sie ist die längste und komplexeste von Bachs Flötensonaten und gilt als Höhepunkt seiner Auseinandersetzung mit dem Instrument. Anders als die meisten seiner anderen Flötensonaten ist BWV 1030 keine Triosonate mit Generalbass, sondern eine Sonate für zwei gleichberechtigte Partner: Flöte und Cembalo treten in einen engen Dialog, wechseln sich in Themenführung und virtuosen Passagen ab und schaffen so eine dichte musikalische Struktur. In der Diskothek werden sechs unterschiedliche Aufnahmen der Flötensonate BWV 1030 von J.S. Bach verglichen. Gäste von Eva Oertle sind der Flötist Marco Brolli und die Cembalistin Urte Lucht.

durée : 00:11:22 - Pièce d'orgue en sol majeur BWV 572 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:17:17 - Cantate BWV 163 « Nun jedem das Seine » - Bach compose la Cantate BWV 163 « Nun jedem das Seine » / « A chacun son dû » pour la chapelle ducale de Weimar, à l'occasion du 23e dimanche après la Trinité (24 novembre 1715), sur un livret du poète de la cour Salomon Franck. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

When the sun peeks through the clouds after a storm, we usually start looking around for a rainbow. It's one of the most beautiful sights in nature, and can be observed throughout the world. But did you know it's not merely a natural occurrence, but has a divine meaning?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:06:55 - Le Bach du matin du samedi 08 novembre 2025 - Pour débuter notre émission ce samedi, nous écoutons le Triple concerto pour flûte traversière violon clavecin en la min BWV 1044 : 3. Alla breve, avec l'orchestre English concert - Trevor Pinnock à la direction et au clavecin, Stephen Preston à la flûte et Simon Standage au violon Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

How long can an emperor not be an emperor. The official record stands at 25 years, that is how long Friedrich III had stayed out of the core areas of the Holy Roman Empire. That meant 25 ears of Imperial Diets without the presence of an Emperor, 25 years of stasis on the challenges of the time, the reform of the empire and the defense against the Ottoman expansion. But sometime in the late 1460s the apathic emperor Friedrich III, dubbed the Imperial Arch Sleepy head awakes and does what he had never done before, something. And that something turned into a lot of things, some related toimperial reform, but the most significant something for European history was a marriage, well, an engagement for now, followed by a flight down the river Mosel away from the intended father of the bride. Yes, it is that famous marriage, just not in the way you may have thought it happened. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the...

durée : 00:02:55 - Le Bach du matin du jeudi 06 novembre 2025 - Le claveciniste Justin Taylor interprète le troisième mouvement "Presto" du Concerto en ré mineur BWV 974, transcrit par Bach d'après le Concerto pour hautbois et cordes en ré mineur d'Alessandro Marcello. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Sunday Worship for November 2, 2025, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Pastor Dan Peterson; Cantor Kyle Haugen, and guest trumpeters Morris Northcutt and Ben McDonald. Introit—Revelation 7:14b, Psalm 31:1,5 • Prelude on the hymn tune RHOSYMEDRE, Ralph Vaughan Williams; The Fairest of Roses: Fanfare for Two Trumpets and Organ, Frederik Magle • Processional Hymn —For All the Saints, (ELW 422) • First Reading—Daniel 7:1-3, 15-18 • Psalm 149 • Second Reading—Ephesians 1:11-23 • Gospel—Mark 16:1-8 • Sermon— Pastor Dan Peterson, "With God All Things Are Possible" • Hymn of the Day—Give Thanks for Saints (ELW 428)  • Distribution Hymn—Sing with All the Saints in Glory (ELW 426) • Recessional Hymn —For All the Saints (ELW 422)  • Postlude—Fantasia in C minor, BWV 562, J. S. Bach ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit this link⁠⁠⁠⁠⁠⁠.

durée : 00:04:04 - Le Bach du matin du mercredi 05 novembre 2025 - Le pianiste russe Konstantin Emelyanov interprète le premier mouvement de la Suite française n°3 en Si mineur BWV 814. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:35 - avec Isabelle Faust - Isabelle Faust au violon, Kristian Bezuidenhout au clavecin et Kristin von der Goltz au violoncelle interprètent le troisième mouvement de la Sonate pour violon et basse continue en Mi mineur BWV 1023. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:02:39 - Le Bach du matin du lundi 03 novembre 2025 - Le musicien franco-japonais Yasunori Imamura interprète au théorbe la Courante de la Suite pour violoncelle n°2 en ré min BWV 1008. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:17:43 - Cantate BWV 185 « Barmherziges Herze der ewigen Liebe » - Bach compose la Cantate BWV 185 « Barmherziges Herze der ewigen Liebe » / « Cœur miséricordieux de l'amour éternel » pour le 4e dimanche après la Trinité alors qu'il est konzermeister à Weimar (14 juillet 1715). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:17:18 - Toccata en ré mineur BWV 913 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The covenant God makes in Genesis 9:8–11 is not his most generous covenant, but it is his most inclusive, including all creatures on earth, both humans and animals, until the end of time.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

fWotD Episode 3101: Gott der Herr ist Sonn und Schild, BWV 79 Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Friday, 31 October 2025, is Gott der Herr ist Sonn und Schild, BWV 79.Gott der Herr ist Sonn und Schild ('God the Lord is sun and shield'), BWV 79, is a church cantata for Reformation Day by Johann Sebastian Bach. He composed it in 1725, his third year in the position of Thomaskantor in Leipzig, and led the first performance on 31 October that year. It is possibly his first cantata for the occasion. He used most of the music for two of his four short masses in the 1730s.The text was written by an unknown poet, who did not refer to the prescribed readings for the day. He began the libretto for the feast with a quotation from Psalm 84 and included two hymn stanzas, the first from Martin Rinckart's "Nun danket alle Gott", associated with Reformation Day in Leipzig, as the third movement, and as the last movement the final stanza of Ludwig Helmbold's "Nun laßt uns Gott dem Herren". Bach composed a work of "festive magnificence", structured in six movements, with an aria following the opening chorus, and a recitative and duet following the first chorale. He scored the work for three vocal soloists, a four-part choir, and a Baroque instrumental ensemble of two horns, timpani, two transverse flutes (added for a later performance), two oboes, strings and continuo. He achieved a unity within the structure by using the horns not only in the opening but also as obbligato instruments in the two chorales, the first time even playing the same motifs.Bach performed the cantata again, probably in 1730. He later reworked the music of the opening chorus and a duet again for his Missa in G major, BWV 236, and the music of an alto aria for his Missa in A major, BWV 234.This recording reflects the Wikipedia text as of 01:19 UTC on Friday, 31 October 2025.For the full current version of the article, see Gott der Herr ist Sonn und Schild, BWV 79 on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Jasmine.

Today we will talk a lot about Matthias Corvinus, the legendary renaissance king of Hungary whose library outshone that of the Medici in Florence and whose standing army was one of the greatest – and most expensive - military forces in 15th century Europe. Why are we talking about a Hungarian ruler in a series about the Habsburgs? Trust me, there is a good reason beyond it being a fascinating life story.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Comments/ideas: theasiaclimatecapitalpodcast@gmail.com Discover how nature itself is becoming the new infrastructure shaping our future. In this episode, experts from the Asian Infrastructure Investment Bank reveal how wetlands, mangroves, and forests are not just scenery but powerful tools for climate resilience and sustainable economic growth. We discuss innovative finance solutions mobilising private capital, the challenges of valuing natural assets, and why protecting nature is critical for survival, economics, and smart planning.REF: INVESTING IN NATURE AS INFRASTRUCTUREABOUT ERIK: Erik Berglof is the Bank's inaugural Chief Economist. He sets the vision and strategy for the Economics Department and leads the planning, implementation and supervision of its work plan in support of the Bank's mandate. Prior to joining AIIB in September 2020, he was Director of the Institute of Global Affairs, London School of Economics, and Chief Economist of the European Bank for Reconstruction and Development from 2006 to 2015, where he was part of creating, and co-led, the Vienna Initiative, a European crisis response team credited with mitigating the impact of the 2008 Global Financial Crisis. He is an expert in transition economics and institutional transformation through private sector development. He holds a PhD in Financial Economics and an MA in Business and Economics, both from the Stockholm School of Economics. Berglof is from Sweden.ABOUT JP: Jang Ping Thia joined the AIIB in 2016 and is currently the Lead Economist and the Manager of the Economics Department. The department is responsible for economic analysis at AIIB, covering country macroeconomics, debt sustainability analysis, review of project economics, to support investment operations. The department is also responsible for AIIB's flagship publication, the Asian Infrastructure Finance report, which highlights infrastructure development and financing issues. He was previously with the Singapore Ministry of Finance, covering expenditures on security, sports, community and telecommunication infrastructure. With a PhD from the London School of Economics, he also held a stint as the Economics Director at the Ministry of Trade and Industry, overseeing economic forecasting, research and the development of the Economist Service. Working on trade and geography, infrastructure development and finance related issues, his research has been published in various journals.FEEDBACK: Email Host | HOST, PRODUCTION, ARTWORK: Joseph Jacobelli | MUSIC: Ep0-29 The Open Goldberg Variations, Kimiko Ishizaka Ep30-50 Orchestra Gli Armonici – Tomaso Albinoni, Op.07, Concerto 04 per archi in Sol - III. Allegro. | Ep51 – Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod. Licensed under Creative Commons: By Attribution 4.0 License

    Intro: One More Night – Can I Feel The Earth Move – Carole King (2:58) Earth Died Screaming – Tom Waits (3:38) Planet Earth – Sun Ra & his Solar Arkestra (4:57) Salt of the Earth – Rolling Stones (4:48) Earthquake – Prince Buster & the All Stars (3:18) Earth Dub – Scientist (4:30) Vishnu Schist – North Sea Radio Orchestra (5:49)  Third Stone from the Sun – Jimi Hendrix Experience (6:44)  Agnus Dei, from ‘Missa Et Ecce Terrae Motus' – Antoine Brumel, Phillips/Tallis Scholars (3:15) Not to Touch the Earth – The Doors (3:54) Mother Earth – Neil Young & Crazy Horse (4:54)   Earth (Gaia) – The Orb (9:48)  Cold Earth – Boards of Canada (3:42) Aria VIII, from ‘Der Himmel Lacht!  Die Erde Jubiliert!' BWV 31 – J.S. Bach, Leusink/Holton/ Netherlands Bach Collegium (4:38) Earth Saw – $75 Bill (7:19) Earth Sized Worlds – Mandrake Handshake (9:32) Hello Earth – Kate Bush (6:13) Strings in the Earth and Air – Dr Strangely Strange (1:54) Earth – Third Ear Band (9:54) Adoration of the Earth (introduction) from ‘Le Sacre du Printemps (The Rite of Spring')                               – Igor Stravinsky, Currentzis/MusicAeterna (3:15) Earth Fear – The Prophets (Yabby You) (2:37) Earth Mother – Nucleus (5:14) Outro: Pogles Walk – Vernon Elliott Ensemble

Eamonn, Robert and Sammy meet 'earlier than they'd like it, sir' to enjoy Sansara singing Pärt, a hugely fun piece by Robert Heppener and some Bach.MUSIC LINKSArvo Pärt - Stabat Mater / SANSARA / Fretwork / Tom Herring; Listen on Apple Music - https://apple.co/49h8UDyRobert Heppener - Del iubilo del core che esce in voce / Netherlands Chamber ChoirJS Bach - Der Gerechte kommt um, BWV deest / English Baroque Soloists / John Eliot Gardiner / Monteverdi Choir; Listen on Apple Music - https://apple.co/3JcskPrSupport this show http://supporter.acast.com/choral-chihuahua. Hosted on Acast. See acast.com/privacy for more information.

durée : 00:07:34 - Le Bach du matin du lundi 27 octobre 2025 - Avec les Berliner Barock Solisten, et sous la baguette de Reiner Kussmaul, Emmanuel Pahud interprète l'Ouverture de la Suite n°2 en si min BWV 1067. A cette ouverture à la française succède une suite de danses baroques. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:27:33 - Cantate BWV 80 " Ein' feste Burg ist unser Gott " - Bach compose la Cantate BWV 80 « Ein' feste Burg ist unser Gott » / « Notre Dieu est une solide forteresse » à Leipzig pour fêter l'anniversaire de la Réforme (31 octobre 1724). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:58 - Prélude et fugue en ut majeur BWV 553 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

We sometimes hear about overpopulation and population control. But is there such a thing?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

It is November 1462 and the emperor Friedrich III and his young family are huddling together in the cellars of the Hofburg. The citizens of Vienna are shooting cannonballs into the 13th century castle, the walls are crumbling and any moment now the angry crowds may break in. Outside, supporting the insurrection stood his own brother, calling on him to give up. Two crowns he has already lost and a third is about to be knocked off his head as the imperial princes had ganged up on him. Friedrich III was a man who firmly believed in ancient laws and traditions and was profoundly ill suited for a world where, as Picciolomini wrote in the last sentence of his history of the emperor Friedrich III quote: “We are of the opinion that empires are won by weapons, not by legal means!” Friedrich III and with him the Habsburgs hit rock bottom, but how and why exactly he ended up there, and w hat that tells us about the profound changes during this period of history is what we are going to explore in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman...

Cast:Benjamin ChandlerAdditional Music: 'Minuet for Violins' by Cercles Nouvelles (Epidemic Sound), 'J S Bach_ Cello Suite No 2 in D minor BWV 1008 V Menuets I & II' by Laura Metcalf (Epidemic Sound), 'J S Bach_ Cello Suite No 2 in D minor BWV 1008 II Allemande' by Laura Metcalf (Epidemic Sound), 'Currents' by Jakob Ahlbom (Epidemic Sound), 'World of Wonders' by Martin Landstrom (Epidemic Sound), 'Jehile's Reel' by Roy Edwin Williams (Epidemic Sound), 'Currents' by Jakob Ahlbom (Epidemic Sound), 'J S Bach_Cello Suite No 2 in D minor BWV 1008 IV Sarabande' by Laura Metcalf (Epidemic Sound), 'J S Bach_Cello Suite No 2 in D minor BWV 1008 VI Gigue' by Laura Metcalf (Epidemic Sound).Content warnings: Strong themes of death, scenes involving the discussion of violence and war, emotional manipulation and addiction.#planescape #planescapetorment #dnd #audiodrama #podcast #opendnd #fanfiction #fantasy #undersigil #philosophyWith thanks to all our Patrons and donators.While searching for more information on the night hag Ravel Puzzlewell, the Nameless One explores the Civic Festhall's famous sensorium.Listen along to the story of the Nameless One and his companions in this audio drama/podcast style re-telling of this classic Dungeons & Dragons game.To support this show, please consider joining our Patreon at: patreon.com/revocergmOr donating on our Ko-Fi page at: ko-fi.com/revocergmOn these pages you will also find my Discord invite link, available to everyone.Also check out Mimir.net for some wonderful articles on Planescape lore and locations.You can also find us on Threads, Instagram and X, all at @revocergmThank you,RevocerGM (Squidge) Hosted on Acast. See acast.com/privacy for more information.

durée : 00:13:59 - 4 Duetti BWV 802-805 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:21:21 - Cantate BWV 69 « Lobe den Herrn, meine Seele » - Bach utilise la musique d'une cantate composée en 1723 (Cantate BWV 69a) pour écrire cette Cantate BWV 69 « Lobe den Herrn, meine Seele (II) » / « Loue le Seigneur, ô mon âme » en vue de l'inauguration du nouveau Conseil Municipal de Leipzig (26 août 1748). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The reason God gives for his prohibition against taking human life is that he made mankind in his image. Is this referring to a present reality? Is mankind still made in God's image? Or is this referring back to when God first made mankind, and what he desired by making mankind that way?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Our journey today will take us away from the emperor Friedrich III who will spend most of the episode holed up in his castle at Wiener Neustadt, fretting and gardening. Instead we look at the dramatic life of his younger cousin, Ladislaus Postumus, king of Hungary, king of Bohemia and Archduke of Austria. This will take us back to Prague and its complex religious politics, to Vienna where the people fall for the alluring promises of a populist and to Hungary where one of the greatest generals of the age squares up against Mehmet II, the conqueror of Constantinople.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Hello friends of the History of the Germans. I am afraid there will not be an episode this week. I would have preferred to say that I have caught a bug or something, but the truth is, I just could not put something together that lives up to your and my standards. Sorry, this does not happen very often, but it does. The muse was busy somewhere else or missed the entry point for my humble attic. So, rather than wasting your time with something sub-par, I decided to call it off for this week. I will go back to the drawing board and make sure something sensible shows up in your feed next week.If however you need your weekly fix of German history content, you can go to the History Rage Podcast where Paul Bavil allowed me to go on for far too long about my pet hate, which is people endlessly repeating Voltaire's quip that the Holy Roman empire was neither Holy, nor Roman nor an empire. Not only is that joke 200 years old, it isn't even accurate. https://pod.fo/e/3330ceAnd if you are of a gentler disposition and cannot bear me losing my rag, you can always prepare yourself for next week's episode by listening back to some older episodes where we have discussed the mid-15th century in the Hanseatic League, Prussia, Bohemia and Germany. For instance episode 122, where we heard how right around this time the Hanseatic League's stranglehold over the Baltic led to a collapse of the once sprawling herring fair in Scania and the rise of the Dutch herring industry based in Amsterdam. In episode 136 we covered the 13-year long war between the Teutonic Knights and the cities and major aristocrats of Prussia, that started in 1454 and ended up with the loss of Gdansk and Western Prussia. The Mainzer Stiftsfehde and the Furstenkrieg that also fall into this period is so complex, we had to break it down into multiple podcasts. Episode 186 about Mainz and Hessen, 189 about the Count Palatine on the Rhine and his conflict with Friedrich III, 191/192 where we look at the involvement of Baden and Wurttemberg, and 196 and 197 about the internecine warfare in Bavaria that linked into it. Or just think of a number, any number between zero and 209, and listen to that episode. Either that or listen to any of the thousands ad thousands of other great episodes talented podcasters put out every week.See you next week.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you...

Today we – and the Habsburgs – stride back on to the grand stage of European politics. Not with a titan of history or monarch whose long and fruitful reign resonates across the centuries, but with Friedrich III, better known as the Reichserzschlafmütze - the imperial arch sleepy head, Or perhaps more fittingly the imperial arch dawdler.He ruled from 1440 to 1493, a total of 53 years - the longest reign of any Holy (or unholy) Roman Emperors (bar Constantine VIII). And yet, is also the most derided of reigns. In 1878 the Historian Georg Voigt sneered: “He was not remotely capable of handling such far-reaching politics, leaving Bohemia to its own devices, the Hungarian throne dispute to the helpless queen dowager, Austria to the arrogant dynasts, and the mercenary and robber bands.” “His light, simple hair, his long face with little movement, and his sedate gait betrayed a sluggish, deliberate nature, to which any enthusiasm, indeed any excitement, was alien. His love of peace has been endlessly mocked, but it was based on a completely dull sense of manhood and honour. No prince was so easily consoled by such insolent and repeated insults.” End quote.Modern historians are kinder, praising his thorough education and dogged determination to preserve what was left of the majesty of the Holy Roman Emperors. But even they can't avoid calling him flabby, underhand and happy to sell out his friends and allies. Not exactly the kind of guy one wants to spend three or four episodes with. But this is history, not Hollywood. The nice guys do not usually win by yanking hard on the levers of destiny. More often than not tenacious men of low cunning, who weasel their way through, are the ones who are bringing the results.And results he did get. At the end of his reign, the empire had changed profoundly. The open constitution of the Middle Ages had given way to a denser and more structured organization.Why and how Friedrich III – despite all his many shortcomings - got to move the needle of German history is what we will look at over the next few weeks.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.