Podcasts about bwv

durée : 00:22:53 - Cantate BWV 43 « Gott fähret auf mit Jauchzen » - Bach a composé la Cantate BWV 43 « Gott fähret auf mit Jauchzen » / « Dieu s'élève aux Cieux dans des cris de joie » pour la fête de l'Ascension au cours de sa troisième année à Leipzig (30 mai 1726).

durée : 00:14:48 - Passacaille et fugue en ut mineur BWV 582 -

Moses wanted his audience to know the precise chronological framework of the Flood. The dates that he gives us suggest that, when the rain first began falling, it was expected. Which is precisely why its ultimate disaster was unexpected.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

What can Mao Zedong teach us about Donald Trump? To find out, ChinaTalk interviewed the legendary sinologist Orville Schell, who visited China during the Cultural Revolution and is currently at the Asia Society. We discuss… Mao Zedong's psychology and political style, Similarities and differences between Mao and Trump, How Mao-era traumas reverberate in modern China, including how the Cultural Revolution has influenced the Xi family, How Zhou Enlai and Deng Xiaoping survived the Cultural Revolution, and which of their tactics could be useful in modern America, What civil society can do to defend democracy over the next four years. Co-hosting is Alexander Boyd, associate editor at China Books Review and former ChinaTalk intern. Read Orville's article, "Trump's Cultural Revolution," here. Read the Asia Society piece on religion and political power here. Orville's crazy Asia Society event, From Pontius Pilate to Chairman Mao: Religion and Politics https://www.youtube.com/watch?v=opw9vqpPBqQ&ab_channel=AsiaSociety Book recommendations: Joseph Torigian - The Party's Interests Come First: The Life of Xi Zhongxun, Father of Xi Jinping Perry Link - The Anaconda in the Chandelier - ⁠excerpt⁠ from ChinaFile William Shirer - The Rise and Fall of the Third Reich Victor Klemperer - I Will Bear Witness: A Diary of the Nazi Years, 1933-1941 Outro music: Bach's Partita No. 1 for Solo Violin in B Minor, BWV 1002: VIII. Double, Gidon Kremer https://open.spotify.com/track/3x1Rdpgy6QGSlW9tItHYdm?si=20fa2051dc5d4f91 Aria from J.S. Bach Cantata 'Schwingt freudig euch empor' https://open.spotify.com/track/5pIy4Gll1YywqKX25EbbOb?si=520327db35f54201 Learn more about your ad choices. Visit megaphone.fm/adchoices

Last year I went to an exhibition at the Städel museum in Frankfurt that was entitled Holbein and the Renaissance in the North. That is the elder Holbein, the father of the Holbein who came to England. This exhibition has now ended, but there is still a great summary available on the Städel website.Though obviously not present at the exhibition, one key focus was the Fugger chapel in the church of St. Anne in Augsburg, one of the earliest and most significant Renaissance building north of the Alps. I wanted to kick off this episode with this chapel and then move on to Holbein, Burgkmair etc. But as I dug deeper and deeper into the late 15th and early 16th century art in Southern Germany, the more connections and links emerged that I hope you will find as fascinating as I did.Links to artworks:Fugger chapel: Die Fuggerkapelle | St. Anna AugsburgRiemenschneider Heilig Blut Altar: The Altar of the Holy Blood | ReliquarianThe Hare: Young Hare, 1502 - Albrecht Durer - WikiArt.orgSchongauer St. Anthony: Martin Schongauer | Saint Anthony Tormented by Demons | The Metropolitan Museum of ArtRhinocerus: Albrecht Dürer | The Rhinoceros | The Metropolitan Museum of ArtRitter, Tod und Teufel and other works: Albrecht Dürer (1471–1528) - The Metropolitan Museum of ArtThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I...

In this inspiring episode of The Piano Pod, "Bach Reimagined - Artistic Innovation of Timeless Music for All Audiences," Eleonor Bindman - pianist, arranger, and recording artist - joins us for an intimate conversation about her groundbreaking work reimagining the music of J.S. Bach for solo and four-hand piano.From her bestselling Brandenburg Duets with Jenny Lin to her most recent solo project ABSOLUTE—featuring beautifully idiomatic piano transcriptions of Bach's Lute Suites—Eleonor's artistry invites musicians and listeners of all levels to discover the joy, depth, and brilliance of Bach.In this episode, we talk about:Why she believes “there is no one way to play Bach”Her transcription philosophy and creative processAdvocating for accessible classical music—without compromising qualityHow piano duets can foster collaboration, joy, and musicianship at every stageTips for navigating polyphony, articulation, pedaling, and ornamentation in Bach's keyboard worksHer Stepping Stones to Bach series and empowering adult amateurs and young students alikeLegacy, innovation, and what it means to be a 21st-century artist-educator

Le Siècle des Lumières, également connu sous le nom d'âge de la raison, Enlightenment en Angleterre ou Aufklärung en Allemagne, couvre largement le XVIIIe siècle. Imaginez cette époque fascinante où de nouvelles idées bouillonnent, où des philosophes audacieux redéfinissent la politique, la science, et même la société elle-même. Dans cet épisode, nous allons découvrir comment des esprits brillants comme Voltaire, Rousseau et Diderot ont utilisé la puissance de la plume pour défier les rois et les traditions, et comment leurs idées ont allumé la mèche de révolutions.#4eme #2nde #français #lettres #philosophie***T'as qui en Histoire ? * : le podcast qui te fait aimer l'HistoirePour rafraîchir ses connaissances, réviser le brevet, le bac, ses leçons, apprendre et découvrir des sujets d'Histoire (collège, lycée, université)***✉️ Contact: tasquienhistoire@gmail.com***Suivez le podcast sur les réseaux sociaux***Instagram : @tasquienhistoireThreads : @tasquienhistoireTwitter : @AsHistoire Facebook : https://www.facebook.com/TasQuiEnHistoire*** Credits Son ***France 2 / Les Aventures du jeune Voltaire - bande-annoncehttps://www.youtube.com/watch?v=MH6mdswVhT8 @MusopenBach Concerto for 2 Harpsichords in C major, BWV 1061https://musopen.org/music/3505-concerto-for-2-harpsichords-in-c-major-bwv-1061/ Rameau: Les Indes galantes - BBC Proms 2013https://www.youtube.com/watch?v=uZtWNZ_U_f8 Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

La libertad política de España depende de la unidad del sujeto constituyente que es el conjunto de todos los españoles. Fuentes: Radio libertad constituyente: https://www.ivoox.com/rlc-2013-31-01-crisis-estado-crisis-la-audios-mp3_rf_1752434_1.html Música: Preludio de la suite para violonchelo BWV 1011 de J.S.Bach. ---------------------------- Escucha la lista de reproducción de los florilegios de Trevijano: https://go.ivoox.com/bk/9608366 ---------------------------- ¡APÓYANOS! - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ---------------------------- mcrc.es diariorc.com.

durée : 00:30:18 - Cantate BWV 147 « Herz und Mund und Tat und Leben » - Bach compose la Cantate BWV 147 « Herz und Mund und Tat und Leben » / « Le Cœur, la bouche, l'action et la vie » dans les premières semaines de son installation à Leipzig, pour la Fête de la Visitation de la Vierge Marie (2 juillet 1723).

durée : 00:15:02 - L'Art de la Fugue BWV 1080 -

Well, here we are my friends, the 100th and final episode!  We go back to where it all started, the National Gallery of Art, for a look at one of Pieter de Hooch's idealized depictions of what a Dutch household was supposed to be. This cozy home may have been more wishful thinking than reality, though!  We'll find out how an embarrassing meeting helped create the Gallery! And I'll share final thoughts and thank yous and a few podcast recommendations I think you'll really like (listed below). If you want to follow along, you can find it here on the Gallery's site SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode Music “The Well Tempered Clavier, Book I, BWV 846-869 - Prelude No. 19 in A major, BWV 864” composed by Johann Sebastian Bach. Performed by Kimiko Ishizaka. Courtesy of musopen.org https://musopen.org/music/43466-the-well-tempered-clavier-book-i-bwv-846-869 “Hand in Space” by Quantum Jazz https://archive.org/details/jamendo-046377 Artwork information https://www.nga.gov/artworks/1172-bedroom https://www.nga.gov/research/publications/online-editions/dutch-paintings-seventeenth-century-bedroom-16581660 Pieter de Hooch information “Pieter de Hooch, 1629-1684” by Peter C. Sutton (Archive.org) https://archive.org/details/pieterdehooch16200sutt https://www.theartstory.org/artist/de-hooch-pieter https://en.wikipedia.org/wiki/Pieter_de_Hooch “Public and Private Life in the Art of Pieter de Hooch” by Martha Hollander (JSTOR) Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art 51 (2000): 272–93. https://www.jstor.org/stable/24706499 Women in Dutch life “The Embarrassment of Riches” by Simon Schama (Bookshop.org) Gallery history https://www.nga.gov/about-us/our-history https://www.doaks.org/resources/cultural-philanthropy/national-gallery-of-art “America's National Gallery of Art” by Philip Kopper (Internet Archive) https://archive.org/details/americasnational0000kopp/americasnational0000kopp Jazz in the Garden https://www.nga.gov/calendar/jazz-garden “The Mill” by Rembrandt https://www.nga.gov/artworks/1201-mill The Object Podcast--Minneapolis Institute of Art https://new.artsmia.org/the-object-podcast The Modern Art Notes Podcast https://manpodcast.com Tyler Greene presents in-depth discussions with artists about their practice and curators about current shows for a fascinating look at today's art world. Immaterial https://www.metmuseum.org/perspectives/series/immaterial-podcast The Metropolitan of Art's limited series podcast tells us surprising stories about the stuff art is made from. Transcript available at https://alonglookpodcast.com/bedroom-de-hooch

Did you know that Noah loaded up his family and all the animals into the ark seven days before the Flood came? What were those days and nights like, as they made sure they had everything they were going to need and that everything was prepared? What was their peace in the midst of that stress? What is ours?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:09:59 - Le Bach du matin du samedi 17 mai 2025 - Faisons le plein d'énergie avec cette Toccata pour piano en fa dièse min BWV 910 sous les doigts de la pianiste Hortense Cartier-Bresson

durée : 00:09:59 - Le Bach du matin du samedi 17 mai 2025 - Faisons le plein d'énergie avec cette Toccata pour piano en fa dièse min BWV 910 sous les doigts de la pianiste Hortense Cartier-Bresson

Hello and welcome to the History of the Germans: Episode 194 – The Fuggers of Augsburg, which is also episode 10 of Season 10 “The Empire in the 15th Century”Jakob Fugger had been dubbed the Richest Man Who Ever Lived, but there are many more contenders, my favorite being an African, Mansa Musa, the ninth Mansa of the Mali empire whose generous gifts during a visit to Mecca in 1324 triggered a currency crisis.That is something Jakob Fugger would never have done. He never was a flamboyant banker who impressed his contemporaries with lavish displays of wealth. He was actually fairly dull. If anyone in the firm of Fugger was flamboyant, it was the chief accountant. So if Jakob is a bit of a pale shadow, the story of what happened in the world of European Finance between 1480 and 1520 is anything but boring. Within just 40 years the heart of the banking industry moved from Florence and Venice where it had held sway since it was invented and moved north, into a medium sized Swabian city, Augsburg.That is as if JP Morgan, Goldman Sachs and Morgan Stanley closed their doors and in their stead some local players from Scandinavia or Mexico took over the financing of the Global economy. I am not kidding, something like that really happened back in the late 15th century.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic League

Let's start episode 727 of Secrets of Organ Playing Podcast. This question was sent by Gene and he writes:My question is tempo, on BWV 624: Hilf Gott, dass mir's gelinge by J.S. Bach. I'm amazed that I can play it pretty well,  and it sounds pretty good on my funny, little house organ. Fluit 4, on the triplets and to Pedal. Cantus on Principal 8. I can play it @75, metronome, mostly. Soon, I will be able to do it, start-to-finish. Of course, I listen to people on YouTube playing it much faster. Is this an embarrassingly slow tempo? What should be a goal?

In this episode, we discuss recordings of “J. S. Bach: Mass in B Minor, Bwv 232” (Harmonia Mundi) by Pygmalion / Raphaël Pichon, “Jewish Vienna: Zemlinsky, Korngold, Mahler, Winter, Grünfeld” (Onyx) by Chen Reiss & The Jewish Chamber Orchestra Munich / Daniel Grossmann, “Concertos: Pécou, Lazkano, Nante” (Erato) by Alexandre Tharaud, “Steep Steps” (Hobby Horse Records) by Carl Winther, Richard Andersson & Jeff “Tain” Watts, “Hammonday” (A.MA. Records) by DIL Trio, and “Root Area: In Pursuit of Happiness” (Lamento Records) by Christoph Grab, Nicole Johänntgen, Marcel Thomi & Elmar Frey.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 212 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “J. S. Bach: Mass in B Minor, Bwv 232” (Harmonia Mundi) Pygmalion / Raphaël Pichon https://open.spotify.com/album/36I1sHlTYnsyrTDGVdI4uY https://music.apple.com/us/album/j-s-bach-mass-in-b-minor-bwv-232/1794898888 https://music.amazon.com/albums/B0DWBGMX7L   “Jewish Vienna: Zemlinsky, Korngold, Mahler, Winter, Grünfeld” (Onyx) Chen Reiss, Jewish Chamber Orchestra Munich / Daniel Grossmann https://open.spotify.com/album/2gcbAXgG84vg4fgXnLElHL https://music.apple.com/us/album/jewish-vienna/1802585691 https://music.amazon.com/albums/B0F1N83SCC   “Concertos: Pécou, Lazkano, Nante” (Erato) Alexandre Tharaud https://open.spotify.com/album/6bI8HUotFbewV3WMYX0OV0 https://music.apple.com/us/album/pécou-lazkano-nante-piano-concertos/1806217843 https://music.amazon.com/albums/B0F3FG9KJ7   “Steep Steps” (Hobby Horse Records) Carl Winther, Richard Andersson, Jeff “Tain” Watts https://open.spotify.com/album/6mSi775nA3yYvU9Njpd7LV https://music.apple.com/us/album/steep-steps/1796891336 https://music.amazon.com/albums/B0DXFZPK8X   “Hammonday” (A.MA. Records)  DIL Trio https://open.spotify.com/album/5hgXg12oSQYvrBCfpRdC7r No Apple Music https://music.amazon.com/albums/B0F59SG2PC   “Root Area: In Pursuit of Happiness” (Lamento Records)  Christoph Grab, Nicole Johänntgen, Marcel Thomi, Elmar Frey https://open.spotify.com/album/1CiVCYyDAhm0Dz28swzDE9 https://music.apple.com/us/album/root-area-in-pursuit-of-happiness-with-nicole/1798552432 https://music.amazon.com/albums/B0DYF66DVS  

durée : 00:39:57 - Cantate BWV 146 « Wir müssen durch viel Trübsal in das Reich Gottes eingehen » - Bach compose la Cantate BWV 146 « Wir müssen durch viel Trübsal in das Reich Gottes eingehen » / « Nous devons traverser maintes tribulations pour entrer dans le royaume de Dieu » à Leipzig pour le 3e Dimanche après Pâques (2 mai 1726 ou 18 avril 1728)

durée : 00:09:46 - Concerto en fa majeur BWV 978 -

Email comments or guest ideas (to reply, include your email address)In this episode of the Asia Climate Finance Podcast, Joseph and Mark Hutchinson from the Global Wind Energy Council (GWEC) discuss the latest developments in the offshore wind industry, especially in Asia. Mark highlights GWEC's role in promoting wind energy through government-industry collaboration and expanding office presence in key Asian markets such as China, India, Vietnam, and the Philippines. He details the progress and challenges in specific countries, including Japan, South Korea, Vietnam, and the Philippines, and underscores the importance of policy stability and technological innovation in driving growth. The conversation also touches on the impact of geopolitical shifts, the rise of digital solutions, and the necessity of achieving net-zero targets. Despite recent challenges, Mark expresses optimism about the industry's future.REF: GWEC's Global Wind Report 2025ABOUT MARK: Mark is a Director in GWEC's Asia team, and a proven leader in the Energy Transition. Mark spent 16 years leading both Wood Mackenzie's and IHS Markit's (now S&P Global) APAC regional Gas & Power and Energy Transition consulting teams. He has worked with companies, governments and other stakeholders to enable the move to a carbon free future including advising on billions of dollars of renewable energy sector acquisitions, financings, IPOs and other types of capital raising. At GWEC Mark focuses on helping industry and governments transition to better enable the success of the wind industry, helping to meet various net zero carbon, energy security and other policy goals.FEEDBACK: Email Host | HOST, PRODUCTION, ARTWORK: Joseph Jacobelli | MUSIC: Ep0-29 The Open Goldberg Variations, Kimiko Ishizaka Ep30-50 Orchestra Gli Armonici – Tomaso Albinoni, Op.07, Concerto 04 per archi in Sol - III. Allegro. | Ep51 – Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod. Licensed under Creative Commons: By Attribution 4.0 License

Præludium: Samuel Scheidt: I dødens bånd vor frelser lå Davidssalme: Psalme 46, 2-4,8 Salme: 741 "Op, min sjæl, this sol er oppe" Fra det N.T.: Hebræerbrevet 13, 12-16 Trosbekendelsen Salme: 332 "På Jerusalem det ny" Postludium: Johann Sebastian Bach: Vi tro, vi alle tro på Gud, BWV 680

In 1 Peter 3:20–22, the apostle Peter says that the water of the Flood was a type, foreshadowing, symbol, or picture of the water of baptism. What the water of the Flood did for Noah and his family, the water of baptism does for us.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Ravensburg, and you are very much forgiven if you cannot place it on the map, is today a town of 50,000 in the far south eastern corner of Baden-Württemberg between Friedrichshafen, home of the Zeppelins, and the city of Ulm and its majestic church tower. If you have heard of it, it may be because of Ravensburger, the publisher of puzzles and boardgames, but you would not have associated it with any great mercantile or commercial activity.Nevertheless, in the 15th century it housed the headquarters of a company that held a near monopoly in the trade between Spain and the empire and in certain wares, namely linen and a special cloth variously called barchent, bombast or fustian.Before we get into Ravensburger and the Grosse Handelsgesellschaft, we need to put the whole region into the context of the free imperial cities of the 15th century.Trading routes of the HABW_11_03_Ravensburger_Handelsgesellschaft.jpg (4957×3535)The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic Knights

Title: A Musical Prawn (Pictures of the prawn are in Opus Magazine) Track: Bach: Trio Sonata #1 In E Flat, BWV 525 - 1. Ohne Satzbezeichnung Artist: Hille Perl, Christine Schornsheim Publisher: 2009 Sony Music Entertainment

durée : 00:13:56 - Cantate BWV 112 « Der Herr ist mein getreuer Hirt » - Bach compose la Cantate BWV 112 « Der Herr ist mein getreuer Hirt » / « Le Seigneur est mon fidèle pasteur » à partir du Psaume 23 pour le 2e dimanche après Pâques, le 8 avril 1731 (Leipzig).

durée : 00:09:30 - Prélude et fugue en sol majeur BWV 550 -

There are only seven days left before God sends his destruction. Here we see the perseverance of Noah's faith (by God's grace), and here we see the stubborn persistence of the world's unbelief.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

The relentless stare of a hundred digital cameras, thousands of glares under masks, all focus in on a certain nobody — Caine Reyes — as they search for Su-jin, the only one they have eyes for. Featuring a split meaning for the title's pun, a way to make doors open, and three new voices… though one's more familiar to some. Trigger warnings for loud sounds, references to surveillance states, yelling, stalking, alarm sounds, and references to police brutality. Find us on our website at undertheelectricstars.com! Transcripts are available on our website. Follow us on social media! Tumblr ➠ undertheelectricstarspodcast.tumblr.com Bluesky ➠ https://bsky.app/profile/utes-podcast.bsky.social Thanks to our patrons Lucas, Christine, Ferris, Chris Magilton, Audrey Pham, Joshua Hazeghazam, Seth Timple, Inigo Sherwani, Tyler Jay, Everett Noir, James P. Olson, resa chiic, Miriam Brown, and No1 InParticular for their support. Team Rhea Anne as Caine Reyes Kevin Paculan as Vic Vass Robin Guzman as Jet Christine Kim as Su-jin Yi John Patneaude as Sebastian Reyes Chaitrika Budamagunta as Lalitha Suravaram Rue Dickey as Ganymede Moreno Lushika Preethraj as Cybil Blanche Philomena Sherwood as Tari de Whitte Katriel Rose as Nell Palomo Jae “GameJae” Shinn as Patton March Stephanie Arata as Elizabeth Haven Rey Yoali Olachea Martinez as Indra Motzie Dapul as Valeria Reyes Additional voices were provided by Eli Ramos and Daniel Mosby. 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The counts, dukes and ultimately kings of Württemberg had risen to the top by winning the genetic lottery. Their eldest sons tended to be competent, some even extremely so, their wives brought in dowries and sometimes entire counties, and they ruled for long enough that the next generation took over when they were ready.But all that falls apart in the 15th century. They are suddenly afflicted with the disease of dynasties, states inherited by babies and buffoons, some of them managing to be both. That would normally be the death nail for a noble House, but not this time. The Landtag, the Estates of Württemberg step in to protect the fledgling state, deposing buffoons when necessary and ruling on behalf of the babies. This is one of the lesser known and even more extraordinary political histories in europe and well worth listening to.And as a bonus we also investigate why the regions around Stuttgart, Mannheim, Karlsruhe and Freiburg have become hubs of technology and precision engineering, an area where there was no coal, no mining or any other natural advantage – except for the wine – no seriously, it was the wine. Can Winegrowing Cause Rural Development? Evidence from Baden-Württemberg | European Review of Economic History | Oxford AcademicThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward Expansion

durée : 00:24:06 - Cantate 29 BWV " Wir danken dir Gott " - Bach compose la Cantate BWV 29 « Wir danken dir Gott » / « Seigneur, nous te rendons grâce » pour le renouvellement du Conseil municipal de Leipzig, célébré le 27 août 1731 à l'Eglise Saint-Nicolas. La partition est ensuite reprise en 1739 et en 1749.

durée : 00:10:17 - Ouverture à la française en si mineur BWV 831 -

Robert Knöll ist Kunsthistoriker und Bilderrahmer. In seinem Atelier, das die grösste Sammlung barocker Bilderrahmen beherbergt, setzt er Kunstwerke gekonnt in Szene. Kunstsammler, Museen und Galerien vertrauen ihm, wenn es darum geht, berühmte Werke in den passenden Rahmen zu setzen. Ein Handwerk, das in seiner Familie eine lange Tradition hat: Schon sein Vater war ein leidenschaftlicher Sammler und Bilderrahmer. Nach dessen Tod übernahm Robert Knöll den Familienbetrieb, doch für ihn war dieser Schritt weit mehr als nur berufliche Verantwortung – er war eine Bestimmung. «Die Beschäftigung mit Bilderrahmen ist nicht nur mein Beruf, es ist meine Passion», sagt Robert Knöll, und es ist spürbar, dass diese Leidenschaft weit über den Arbeitsalltag hinausgeht. In seinen Träumen erscheinen Bilderrahmen, die ihn in seiner Freizeit genauso begleiten wie im Beruf. Wenn es darum geht, ein berühmtes Kunstwerk neu zu rahmen, reist er zu Museen in ganz Europa, um die perfekte Wahl zu treffen. Es fasziniert ihn immer wieder, wie die Wirkung eines Bildes sich verändert, je nachdem, wie es gerahmt wird. Bereits als Kind war Robert Knöll von Archäologie begeistert – der Blick hinter die oberste Schicht, das Entdecken von Geschichte und Kultur. Diese Faszination für Details und den Kontext von Kunstwerken zieht sich durch sein gesamtes Leben und wirkt sich auf seine Arbeit aus. In «Musik für einen Gast» bei Eva Oertle spricht Robert Knöll über seine Faszination für alte Rahmen und erklärt, warum sie oft im Schatten der eigentlichen Kunstwerke stehen. Er erzählt von einem besonderen Stück aus seiner Kindheit – einem echten Donatello, der über seinem Bett hing und heute einen Platz in einem Museum hat. Und er spricht über seine Liebe zum Cello und der Musik von Brahms. Die Musiktitel: 1. Johannes Brahms Cello Sonate No. 1 in E Moll, 1. Satz Pieter Wispelway, Cello / Dejan Lazić, Piano 2. Talking Heads - Sugar on My Tongue 3. Johann Sebastian Bach – Toccata und Fuge für Orgel d-Moll, BWV 565 Hannes Kästner, Orgel 4. Pippi Langstrumpf, Original TV Serie – Seeräuber-Opa Fabian Eva Mattes, Gesang / Georg Riedel, Komponist 5. Franz Schubert – 7. Ständchen aus dem Schwanengesang, Bearbeitung für Klavier von Franz Liszt Vladimir Horowitz, Klavier

In Genesis 7:1–3 God modifies his earlier instructions from 6:19–20. This simple modification highlights truths about God's character and about the priority of worship.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

What is it like to be a prince? Well, not quite what it is set out to be, in particular when you are a smaller prince, not in stature, but in land.The margraves of Baden are such princes. In the 15th century their main territory, a slither of South-West Germany, just 60km long was too small to play on the European, even on the German stage, but too big to escape the need of massive palaces and warfare.What makes Baden so fascinating is that despite its handicap, it managed to become a medium sized state, one half of Baden-Württemberg. The way there was a long one, involving friendship and loyalty to the death, piratical princesses, alchemy, someone called the Türkenlouis, a sun-shaped city and some skilled diplomacy. Hyperlink to map of Baden: HABW_06_01.jpg (5750×6500)The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Let's start episode 724 of Secrets of Organ Playing Podcast. This question was sent by Kathrin writes:I can‘t play versets for services like confirmation. I need festive, more or less bold and „friendly“ pieces, at least between 3 to 5 minutes, pieces with repeats are always nice. The „biggest“ organs I play regularly have 14 (a mechanical organ) and 12 (pneumatic organ) ranks on two manuals, no preparations. What would you suggest, not to play Dubois‘ „Fanfare“ and BWV 553 every year?

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.Park Jong Hoon - A Sad Motive；2.Max Richter - Your Reflection；3.Khatia Buniatishvili - Cantata, BWV 208： No. 9, Schafe können sicher weiden (Arr. for Piano)。

durée : 00:22:19 - Cantate BWV 31 " Der Himmel Lacht, die Erde jubiliert " - Bach compose la Cantate BWV 31 « Der Himmel Lacht, die Erde jubiliert » / « Le Ciel rit, la terre jubile » à Weimar, pour le dimanche de Pâques (21 avril 1715) ; cette musique d'église est ensuite reprise à Leipzig pour le dimanche de Pâques 9 avril 1723.

durée : 00:12:28 - Chorals BWV 625, 627 & 630 -

Between the time the first Nobel Prize was awarded in 1901 and 1933, a total of 31 were awarded to German scientists and politicians. To name just a few, Wilhelm Röntgen (1901), Max Planck (1918), Albert Einstein (1921) and Werner Heisenberg (1932) for Physics, Emil Fischer (1902), Fritz Haber (1918), Walther Nernst (1920) and Hans Fischer (1930) for chemistry, Emil von Behring (1901), Robert Koch (1905) and Otto Warburg (1931) for medicine, Theodor Mommsen (1902), Gerhart Hauptmann (1912) and Thomas Mann (1929) for literature and Gustav Stresemann for peace. The UK and France received 17 and 15 respectively, whilst the US picked up just 6 during that same period. How could German universities rise to such dominance during the 19th and early 20th century from very humble beginnings? That is what we will look at in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

In een nieuwe aflevering van Europa Draait Door schuift een bijzondere gast aan: Peter Altmaier, jarenlang minister in verschillende Duitse kabinetten onder Angela Merkel. Met hem spreken we natuurlijk over de nieuwe Duitse coalitie die eraan komt. Lukt het Friedrich Merz om de grote uitdagingen waar Duitsland voor staat — bijvoorbeeld op het gebied van migratie en economie — het hoofd te bieden? En in hoeverre zijn die problemen deels te wijten aan de periode onder Merkel? Altmaier was bovendien in de eerste periode van Trump een belangrijke onderhandelaar. Hoe kijkt hij naar de huidige relatie tussen Europa en Trump? Verder besteden we aandacht aan het bezoek van Meloni aan het Witte Huis en aan de Russische aanval op Soemy. Shownotes: De cognitieve test van Trump (https://www.youtube.com/shorts/yZ97FtZTnlg) Donald Trump again blames Ukraine for starting war with Russia (https://www.ft.com/content/edb590a4-f1b5-4b22-b41a-2dff90ee08c9) Europa levert steeds meer zware wapens aan Oekraïne, maar Rusland heeft meeste artillerie (https://www.volkskrant.nl/buitenland/europa-levert-steeds-meer-zware-wapens-aan-oekraine-maar-rusland-heeft-meeste-artillerie~bc1405d0/) Inside North Korea's vast operation to help Russia's war on Ukraine (https://www.reuters.com/graphics/UKRAINE-CRISIS/NORTHKOREA-RUSSIA/lgvdxqjwbvo/) Altmaier bij CNN (https://edition.cnn.com/2025/04/06/world/video/gps0406-trump-tariffs-germany-europe) Peter Altmaier - HJ Schoolezing 2018 (https://www.youtube.com/watch?v=np58PnjECfw) "Merz sollte ein bisschen mehr Merkel wagen" (https://www.zeit.de/politik/deutschland/2025-03/peter-altmaier-martin-schulz-koalitionsverhandlungen-kompromisse-ministerien) Inside Meloni's plan to sweet-talk Trump on tariffs (https://www.politico.eu/article/can-giorgia-meloni-cast-defensive-charm-donald-trump/) Trump Gushes over Meloni (https://www.youtube.com/shorts/2nxsXGNhJpw) Elanden kijken kan hier! (https://www.svtplay.se/video/8rQo4Rz/den-stora-algvandringen/idag-00-00?video=visa&position=30946) Matthäus-Passion, BWV 244 / Erster Teil: No. 1 "Kommt, ihr Töchter, helft mir klagen" (https://open.spotify.com/track/6M1Eo5wuTl8f5qbpLCuph0?si=0ce54460d2f9425a&nd=1&dlsi=bad080508a0d40a4)

durée : 00:20:24 - Cantate BWV 69a " Lobe den Herrn, meine Seele " - Bach compose la Cantate BWV 69a « Lobe den Herrn, meine Seele » / « Bénis le Seigneur, mon âme » au début de sa première année de cantorat à Leipzig, pour le 12e dimanche après la Trinité (15 août 1723).

durée : 00:13:52 - Concerto pour orgue en ré mineur BWV 596 -

Imagine what kind of ridicule and rejection Noah and his family faced in the 120 years between God's announcement of a flood and the actual flood. There is a parallel between what Noah's family faced and what Jesus said we will face in the days leading up to the ultimate day of destruction.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

This weekit is back to the political landscape of the empire. We will travel upriver from Mainz via Worms and the not yet existent cities of Mannheim and Ludwigshafen to Heidelberg, my old hometown. And there we will meet the man who held one of the empire's most confusing titles, the count Palatinate of the Rhine, Elector and High Steward of the Empire. His name is Friedrich, Friedrich der Siegreiche, Frederick the Victorious, and being victorious is barely half of what is interesting about him.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

durée : 01:58:38 - Le Bach du dimanche du dimanche 06 avril 2025 - par : Corinne Schneider - Au programme de cette 335e émission : en première heure la Messe en si mineur de Raphaël Pichon à la tête de Pygmalion (Harmonia Mundi, 4 avril) ; puis l'organiste néerlandais Léon Berben dans la Toccata et fugue BWV 540 et le consort de violes anglais Phantasm dans L'Art de la fugue (Linn, 14 mars) - réalisé par : Anne-Lise Assada

durée : 00:17:48 - Cantate BWV 179 " Siehe zu, dass deine Gottesfurcht nicht " - Bach compose la Cantate BWV 179 « Siehe zu, dass deine Gottesfurcht nicht » / « Veille à ce que ta crainte de Dieu ne soit pas hypocrisie » pour le 11e dimanche après la Trinité (8 août 1723), au début de son premier cycle liturgique leipzigois.

durée : 00:15:56 - Toccata et fugue pour orgue en fa majeur BWV 540 -

“We should note the force, effect, and consequences of inventions which are nowhere more conspicuous than in those three which were unknown to the ancients, namely printing, gunpowder and the compass. For these three have changed the appearance and the state of the world.” wrote Francis Bacon in 1620. And almost everybody agreed.Printing changed everything, but how exactly did it change everything? That is a question nobody posed properly until Elisabeth L. Eisenstein got on the academic stage in the 1970s and the debate has not yet stopped. In this episode I will try to take you through some of Eisenstein's ideas on the how of the change and, in the end, attempt a raincheck on what we can learn from it for the information revolution we are living through right now. No worries, this is still the History of the Germans, so we will talk facts and dates and processes, with only occasional attempts at breaking into the ivory tower…The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the...

This podcast is now well into its fourth year and I have established my process for research, script writing and recording. As for research, that usually means going to the London Library and bend down to the lowest shelf to dig up some age-old copy of a German language book that happens to be the one and only works that goes into the kind of detail on the topic at hand you guys have gotten used to. Imagine my confusion when I started looking into Johannes Gutenberg and found not just a few books, but whole shelves of books in English, German, French, Italian and dozens more talking about even the most intricate details of the life and works of the inventor of the printing press.Drowning in this avalanche of material, I realized that at a minimum this story requires two episodes, one about how Gutenberg came to achieve this breakthrough and then the impact his invention had on the world and on the Germans in particular. Hence today's episode is about the man and his invention, though about the man we know so very little….And here is a video that helps understnding how the machine works: How a Gutenberg Printing Press WorksAnd a book recommendation: The Gutenberg revolution : the story of a genius and an invention that changed the world : Man, John, 1941- : Free Download, Borrow, and Streaming : Internet ArchiveThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick...