Podcasts about bwv

Leaders, two visions of human nature and human institutions have been locked in conflict since the time of Cain and Abel.  ---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

Germán Valenzuela Sánchez, nació el 27 de diciembre de 1946 en Piedecuesta, Santander. fue una figura múltiple en la vida cultural y pública de Piedecuesta: Escritor y poeta. Bibliotecario municipal de Piedecuesta. Periodista, columnista del diario Vanguardia Liberal; colaboraba en espacios como "Hágase Oír". Concejal municipal. Auditor de la Granja Departamental; oficial de inventarios de la Contraloría. Compositor: creó el himno de Piedecuesta. Ha publicado numerosas obras literarias (algunas cifras: más de 20 obras reflejadas). Uno de sus libros se titula Piedecuesta, suelo y cielo de Santander (publicado en 1996, 318 páginas). También escribió Los Colmillos de la culebra. Germán Valenzuela Sánchez falleció; un artículo de opinión relata que murió de COVID 19 tras la reciente muerte de su esposa, señalando que estaba “destrozado”.

durée : 00:15:23 - Cantate BWV 137 « Lobe den Herrn, den Mächtigen König der Ehren » - La Cantate BWV 137 « Lobe den Herrn, den Mächtigen König der Ehren » / « Loue le Seigneur, le Roi tout-puissant de l'honneur » composée pour le 12e Dimanche après la Trinité (19 août 1725) appartient au troisième cycle liturgique leipzigois de Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:27 - Prélude et fugue en mi mineur BWV 54 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:50 - Le Bach du matin du samedi 14 février 2026 - Nous écoutons la Toccata et fugue en ré min BWV 565 de Jean-Sébastien Bach (arrangement pour quintette à vent), interprété par l'ensemble Pentaèdre. Autour de Bach (Atma Classique, 2021) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:50 - Le Bach du matin du samedi 14 février 2026 - Nous écoutons la Toccata et fugue en ré min BWV 565 de Jean-Sébastien Bach (arrangement pour quintette à vent), interprété par l'ensemble Pentaèdre. Autour de Bach (Atma Classique, 2021) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This Day in Legal History: Bruno Hauptmann ConvictedOn February 13, 1935, a New Jersey jury convicted Bruno Hauptmann of kidnapping and murdering the infant son of famed aviator Charles Lindbergh. The crime had transfixed the nation for nearly three years and was widely labeled the “Crime of the Century.” The child was taken from the Lindbergh home in 1932, and despite a ransom payment, was later found dead. Public outrage was immediate and intense, with newspapers covering nearly every development in the investigation and trial.Hauptmann's prosecution relied heavily on circumstantial evidence, including ransom notes and expert testimony linking his handwriting to those notes. The government also introduced evidence tying marked ransom bills to Hauptmann's possession. The trial raised early concerns about the reliability of forensic handwriting analysis and the influence of media attention on jury impartiality. Critics then and now have questioned whether the intense publicity compromised due process protections.The case also reshaped federal criminal law. In response to the kidnapping, Congress enacted the Lindbergh Law, formally known as the Federal Kidnapping Act. The statute made it a federal offense to transport a kidnapping victim across state lines, expanding federal jurisdiction over what had traditionally been a state crime. That shift reflected a broader trend during the early twentieth century toward increased federal involvement in criminal enforcement.Today, the Hauptmann conviction remains a staple in criminal law courses, not only for its tragic facts but also for its lasting procedural and constitutional implications.Goldman Sachs' chief legal officer, Kathy Ruemmler, resigned after newly released Justice Department documents detailed her past communications with Jeffrey Epstein. CEO David Solomon announced that he accepted her resignation, which will take effect on June 30. Ruemmler said the media attention surrounding her prior legal work had become a distraction. The disclosures showed she exchanged numerous emails with Epstein between 2014 and 2019 and received gifts from him, including luxury items. Some emails revealed that she advised Epstein on how to respond to press inquiries about his treatment by prosecutors.The documents also noted that Epstein attempted to contact her by phone on the night of his 2019 arrest on sex trafficking charges. Ruemmler stated that she knew Epstein only in her capacity as a defense attorney and denied any knowledge of ongoing criminal conduct. Before joining Goldman, she led the white-collar defense practice at Latham & Watkins and previously served as White House counsel during the Obama administration.The broader document release has drawn attention to Epstein's connections within major financial institutions, including UBS and JPMorgan. Ruemmler's departure marks one of the most prominent banking exits linked to the renewed scrutiny of Epstein's network.Top Goldman Sachs lawyer Ruemmler resigns after Epstein disclosures | ReutersA federal judge in Minnesota ruled that U.S. Immigration and Customs Enforcement improperly interfered with detainees' access to their attorneys during a recent enforcement operation. U.S. District Judge Nancy Brasel found that ICE's practices during “Operation Metro Surge” effectively denied thousands of people meaningful legal access. The order requires ICE to stop quickly transferring detainees out of Minnesota and to permit attorney visits and confidential phone calls. The ruling will remain in effect for 14 days while the case proceeds.The class action lawsuit was filed on January 27 on behalf of noncitizen detainees. According to the court, many individuals were moved out of state without notice, making it difficult or impossible for lawyers to locate them. In some instances, detainees were transferred so often that ICE itself lost track of their whereabouts. Judge Brasel concluded that while ICE did not formally deny the right to counsel, its actions in practice severely limited that right.The court also cited evidence that detainees were given limited phone access, sometimes sharing a small number of phones among dozens of people, with calls occurring in nonprivate settings. One asylum seeker with a valid work permit was held for 18 days despite a court order requiring his earlier release and was transferred across multiple states without explanation. The judge rejected ICE's claim that it lacked sufficient resources, noting that the agency had committed substantial personnel and funding to the enforcement effort.ICE blocked detainees' access to lawyers in Minnesota, judge finds | ReutersPresident Donald Trump announced four new judicial nominations, including a White House attorney selected for a seat on the U.S. Court of International Trade. The nominee, Kara Westercamp, currently serves as associate counsel in the White House and previously worked at the Justice Department. If confirmed, she would join a nine-member court that handles disputes involving U.S. trade laws, including challenges to tariffs. Her nomination comes as numerous companies contest Trump's sweeping global tariffs and seek refunds on duties already paid.Retailers and manufacturers such as Costco, Goodyear, and Revlon have filed lawsuits arguing that the tariffs exceed presidential authority. Earlier rulings from the trade court and the U.S. Court of Appeals for the Federal Circuit blocked most of the tariffs, and the U.S. Supreme Court is now reviewing the matter. Trump has publicly criticized the earlier decisions.In addition to Westercamp, Trump nominated Katie Lane to a federal district court in Montana, Sheria Clarke to a district court seat in South Carolina, and federal prosecutor Evan Rikhye to a 10-year term on the District Court of the Virgin Islands. All nominees must be confirmed by the Senate.Trump nominates White House lawyer to court hearing tariff cases | ReutersFormer CNN anchor Don Lemon is scheduled to appear in federal court in Minnesota to enter a plea related to charges stemming from his coverage of a protest at a St. Paul church. The protest targeted President Donald Trump's immigration enforcement surge in the state. Lemon, now an independent journalist, livestreamed the January 18 demonstration, which disrupted a worship service at Cities Church.Federal prosecutors charged him with conspiring to violate civil rights and with obstructing access to a house of worship under a statute also used in cases involving abortion clinic protests. His attorney argues that the prosecution infringes on Lemon's First Amendment rights and characterizes the case as an attack on press freedom. Trump publicly supported the charges, while Attorney General Pam Bondi stated that authorities would protect the right to worship without interference.The protest occurred during broader demonstrations against federal immigration actions in Minnesota, where thousands had gathered to oppose the crackdown. Lemon was seen on video speaking with activists before and during the disruption and interviewing participants and congregants inside the church. Another journalist, Georgia Fort, faces similar charges and has denied wrongdoing, stating she was reporting rather than participating.Journalist Don Lemon to enter plea in Minnesota ICE protest case | ReutersThis week's closing theme is by Johann Sebastian Bach.Bach stands as one of the central figures of the Baroque era, revered for the structural clarity and spiritual depth of his music. Born in 1685 into a long line of musicians, Bach spent much of his career serving as a church organist and cantor in German cities such as Arnstadt, Weimar, and Leipzig. Though not widely celebrated outside musical circles during his lifetime, his reputation has since grown to near-mythic status. His compositions balance intellectual precision with emotional resonance, blending intricate counterpoint with lyrical expression.This week's closing theme is his Cello Suite No. 1 in G major, BWV 1007, likely composed around 1720 during his tenure in Köthen. The suite opens with one of the most recognizable preludes in all of classical music, built from flowing arpeggios that unfold with quiet inevitability. Written for unaccompanied cello, the piece demonstrates Bach's ability to imply harmony and depth through a single melodic line. The suite follows the traditional Baroque dance structure, moving from Prelude through Allemande, Courante, Sarabande, Menuets, and Gigue.For many listeners, the Prelude evokes clarity, order, and calm—qualities that make it a fitting close to the week. Its simplicity is deceptive; beneath the surface lies careful architecture and subtle harmonic movement. The work fell into relative obscurity until the twentieth century, when cellist Pablo Casals famously revived it and brought it to concert stages worldwide. Today, it remains a cornerstone of the cello repertoire and a touchstone of Baroque artistry. As a closing theme, it offers both reflection and renewal, ending not with flourish but with quiet confidence.Without further ado, Johann Sebastian Bach's Cello Suite No. 1 in G major, BWV 1007–enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Japheth and his sons are identified primarily with European territory. In this devotion, we attempt to locate more precisely where Japheth's sons and grandsons settled.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:05:49 - Le Bach du matin du vendredi 13 février 2026 - Le Bach de ce matin est un extrait de la cantate BWV 67 "Halt im Gedächtnis Jesum Christ" avec le Bach-Collegium Stuttgart dirigé par le chef Helmuth Rilling, disparu il y a deux jours, le 11 février 2026, à l'âge de 92 ans Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:49 - Le Bach du matin du vendredi 13 février 2026 - Le Bach de ce matin est un extrait de la cantate BWV 67 "Halt im Gedächtnis Jesum Christ" avec le Bach-Collegium Stuttgart dirigé par le chef Helmuth Rilling, disparu il y a deux jours, le 11 février 2026, à l'âge de 92 ans Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Let me start today's episode with some outrageous national stereotypes. If an Englishman is disappointed with the way the affairs of state are conducted, he writes a letter to his member of Parliament. A Frenchman in that same situation rents a tractor and dumps manure outside the Palais d'Elysee. A German threatens to file a lawsuit with the constitutional court, the Bundesverfassungsgericht.Where did the Germans pick up the belief that courts and the law will protect them against government overreach? Sure, 19th and early 20th century judges had on occasion stood up to the Kaiser's administration and the Grundgesetz, the liberal constitution of 1949, had become a cornerstone of our national identity following the comprehensive loss of moral standing.But there is also a long strain that goes back to the Holy Roman Empire and the two imperial courts, the Reichskammergericht and the Reichshofrat. These courts have a bad reputation, not only because Johan Wolfgang von Goethe saw it fit to ridicule his former place of work. However, not everyone shared this negative perspective. Many social groups down to mere commoners relied on these independent judges to protect their life and property against rapacious princes.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic League

durée : 00:04:39 - Le Bach du matin du jeudi 12 février 2026 - Sous la baguette du chef belge René Jacobs, le Choeur de chambre du RIAS de Berlin interprète le premier chœur du motet "Fürchte dich nicht" BWV 228. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:39 - Le Bach du matin du jeudi 12 février 2026 - Sous la baguette du chef belge René Jacobs, le Choeur de chambre du RIAS de Berlin interprète le premier chœur du motet "Fürchte dich nicht" BWV 228. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:59 - Le Bach du matin du mercredi 11 février 2026 - Le pianiste András Schiff interprète le Prélude et Fugue en La bémol majeur BWV 886, issu du second livre du Clavier bien tempéré. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:59 - Le Bach du matin du mercredi 11 février 2026 - Le pianiste András Schiff interprète le Prélude et Fugue en La bémol majeur BWV 886, issu du second livre du Clavier bien tempéré. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Leaders, it's time to articulate a vision for black Americans, here at the end of the Fourth Turning. ---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

durée : 00:05:06 - Le Bach du matin du mardi 10 février 2026 - Ce matin, notre Bach est britannique. Le Monteverdi Choir et l'English Baroque Soloists, sous la direction de Sir John Eliot Gardiner, interprètent l'air de chœur de la cantate Gott der Herr ist Sonn und Schild, BWV 79. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:06 - Le Bach du matin du mardi 10 février 2026 - Ce matin, notre Bach est britannique. Le Monteverdi Choir et l'English Baroque Soloists, sous la direction de Sir John Eliot Gardiner, interprètent l'air de chœur de la cantate Gott der Herr ist Sonn und Schild, BWV 79. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

When climbers work a project, the process often goes straight from beta discovery to dialing in microbeta. This isn't wrong, but might be missing some important pieces.  Watch it on YouTube ➡️ASSESS AND IMPROVE YOUR TECHNIQUE ➡️MONTHLY CLIMBING THOUGHTS IN YOUR INBOX  Music Used: "Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049" "Bass Vibes" "Bass Walker" "Rollin at 5" "String Impromptu Number 1" From: Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ DISCLAIMER: Climbing and training for climbing is inherently dangerous. Anything you do is at your own risk and Power Company Climbing and our coaches takes no responsibility.

콘클라베 Allegri: Miserere 브루탈리스트 Wagner: Das Rheingold: Hört, ihr Riesen! Mozart: Serenade No.13 4악장 어쩔수가없다 Mozart: 피아노 협주곡 23번 2악장 Marais: Le Badinage 세계의주인 Bach: 양들은 평화로이 풀을 뜯고 메이드인코리아 Bach: Goldberg Variation, BWV.988 Aria 하나 그리고 둘 Bach: Toccata BWV.914 Bellini: Vaga luna, che inargenti Beethoven: 피아노 소나타 14번 1악장 Beethoven: 첼로 소나타 1번 1악장

【主播的话】1936年，在风雨飘摇的上海，鲁迅因病去世，享年55岁。2026年，是鲁迅逝世九十周年。差不多整整一个世纪过去了，鲁迅却并未远去——他依然深深存在于当代中国人的精神生活之中，存在于我们的语言、记忆与时代观念里。在中国出生长大的人，对鲁迅几乎都不会陌生。他的作品是小学课本里的重点篇目，直到今天，我们也许仍然能够熟练背出其中许多段落：从《从百草园到三味书屋》到《阿Q正传》，从《狂人日记》到《祝福》……鲁迅的文学成就不仅是中国现代文学史上的一座丰碑，在世界文学史与思想史的坐标中，也占据着不可忽视的一席之地。似乎谁都能就着鲁迅聊上几句，但又很难有谁能够真的说清、说尽——鲁迅到底是谁？他留给我们的遗产，到底是什么？“在所有二十世纪中国作家中，鲁迅无疑最具有世界语境中的对话、批评与阐释价值。”纽约大学教授张旭东这样写道。张旭东本人的学术生涯，也与鲁迅密不可分。可以说，鲁迅贯穿了他三十余年的研究道路。上世纪八十年代，他从北京大学中文系毕业后，赴美留学，师从著名左翼理论家詹明信（Fredric Jameson），并逐渐成长为当代海内外最重要的中国现代思想与文学的研究者之一。他任教于纽约大学，曾先后担任东亚系系主任、中国中心主任。他是现代性批判传统的重要继承者，也是少数真正能打通中文思想界与英文理论界的桥梁。早在八十年代“文化热”的语境中，张旭东便开始写作关于鲁迅的文章，也是较早将鲁迅置于国际理论视野、与世界经验对接的学者之一。在学术上功成名就之后，他又将研究的重心重新转回鲁迅，开始写作极富野心的《鲁迅三部曲》。目前第一部《杂文的自觉——鲁迅文学的“第二次诞生”》已经出版。而这部作品的成书过程，也贯穿了他在疫情期间纽约封城中的经历。给这些看似属于历史的研究，加入了当下的维度。在鲁迅逝世九十周年之际，如果要重新追问，鲁迅我们今天为什么仍然需要鲁迅？他究竟如何穿越时代？恐怕很少有人比张旭东更合适来展开这场对话。【本期主播】王磬：微博@王磬【本期嘉宾】张旭东：纽约大学比较文学系和东亚研究系教授、东亚系系主任、国际批评理论中心主任，兼任北京大学、华东师范大学、东京大学访问教授。研究方向包括鲁迅研究、黑格尔美学及比较文学方法论等。【本期剧透】02:45 鲁迅去世 90 周年，为什么今天还要读鲁迅？07:25 与真实的关联：鲁迅的语言不允许他说谎09:55 博物学式的写作起点15:05 被引作纽约市长的赠言，鲁迅如何跨越时空23:15 金句化与鲁迅体：毒舌≠鲁迅30:00 从周氏兄弟理解中国现代散文的分叉36:10 为什么我们总读鲁迅：中国人曾有过的一种真实，是无法割舍的41:55 不谈文学第一性，就无法谈鲁迅47:56 杂文是什么？为何是鲁迅文学的中心？55:36 阅读鲁迅的第二个 100 年：如何看待其世界性？它只能是一种民族寓言吗？01:04:30 艺术的终结之后，现代社会需要怎样的文学01:10:40 如果鲁迅活到了今天，会是怎样的存在？【相关阅读】杂文的自觉：鲁迅文学的“第二次诞生” : 1924—1927作者：张旭东出版年份：2023本书为张旭东“鲁迅三部曲”首卷，分析鲁迅文学在1924—1927年间如何以“杂文的自觉”为标志从而“成为自己”。作者表明，此期间鲁迅文学所面对的空前的外部挑战和内部压力，带来一系列深刻且不可逆的风格史及文学原理意义上的选择、决定和突变。通过作者论、文本分析与理论阐释相结合的总体批评方法，本书探讨以文体混合和写作的政治本体论为核心的鲁迅杂文句法和现象学结构。结论是：有必要在新文学和近代世界文学的历史与价值论范畴，在“艺术的终结”的哲学命题层面，去分析和把握杂文这一高于“纯文学”建制及其意识形态的文体实验与风格运动。【本期音乐】Goldberg Variations, BWV. 988 - Variation 7【节目制作】方改则【Logo设计】刘刘（ins: imjanuary)【互动方式】小红书@不合时宜微博@不合时宜TheWeirdo商务合作可发邮件至 hibuheshiyi@126.com 或微博私信会员计划咨询可添加微信：hibuheshiyi3 或发送邮件至 hibuhehsiyi@gmail.com

durée : 00:05:49 - Le Bach du matin du lundi 09 février 2026 - Ce matin, le Café Zimmermann, dirigé par le violoniste Pablo Valetti, interprète le Menuet et la Polonaise du Concerto brandebourgeois n° 1 en fa majeur (BWV 1046). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Estão preservadas três cantatas de Johann Sebastian Bach para o Domingo da Sexagésima - o segundo domingo antes da Quaresma, equivalente a cerca de 60 dias antes da Páscoa, como ocorreu neste domingo passado, dia 8 de fevereiro -, data festiva prevista no calendário cristão. Uma dessas cantatas é intitulada Gleichwie der Regen und Schnee vom Himmel fällt, “Assim como a chuva e a neve caem do céu” (BWV 18), que é exibida nesta edição de Manhã com Bach. O podcast traz ainda outras duas composições: a Tocata e Fuga em Fá Maior (BWV 540), para órgão, e a Sonata para Cravo em Ré Maior (BWV 963). A cantata ouvida nesta edição de Manhã com Bach tem duas versões. A primeira foi composta por Bach na corte de Weimar para o Domingo da Sexagésima de 1715, possivelmente. A outra versão foi apresentada no Domingo da Sexagésima de 1724, em Leipzig. Nessa segunda versão, Bach fez mudanças na tonalidade e acrescentou duas flautas doces. Com cinco movimentos, a obra inclui um recitativo em que cada uma das quatro estrofes é concluída com uma ladainha - uma prece curta -, típica do luteranismo do século 18. Ouça o podcast no link acima. Este podcast reproduz o programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 7 e 8 de fevereiro de 2026. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast no site do Jornal da USP. As edições anteriores do podcast Manhã com Bach estão disponíveis neste link.

durée : 00:05:49 - Le Bach du matin du lundi 09 février 2026 - Ce matin, le Café Zimmermann, dirigé par le violoniste Pablo Valetti, interprète le Menuet et la Polonaise du Concerto brandebourgeois n° 1 en fa majeur (BWV 1046). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:25:44 - Cantate BWV 125 « Mit Fried und Freud ich fahr dahin » - Bach compose la Cantate BWV 125 « Mit Fried und Freud ich fahr dahin » / « Je pars maintenant en paix et dans la joie » pour la Fête de la Purification à l'occasion de son deuxième cycle liturgique leipzigois (2 février 1725). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:18:14 - Toccata et fugue en ré mineur, dite « dorienne » BWV 538 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Moses begins the fourth account of Genesis with an overview of Noah's three sons and their descendants. He starts with Japheth and his descendants, who are likely the ancestors of majority of those listening to this podcast.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:05:45 - Le Bach du matin du vendredi 06 février 2026 - L'Ensemble Pygmalion interprète le Kyrie de la Missa brevis en Sol mineur BWV 235, sous la baguette du chef Raphaël Pichon. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

I am afraid today's episode is not your usual swordplay and skullduggery. What we are looking at today is the Reichstag as it operated throughout the Holy Roman Empire from 1495 to 1803. Sounds a bit like dour constitutional law, but bear with me.We will look at a couple of classic tropes, like, whether the empire consisted of more than 300 sovereign states who could do whatever they wanted, whether the Reichstag was a talking shop hat never did anything except stopping the emperor from becoming a proper monarch. And, as usual, we will talk about money and printing, and why German politician speeches are invariably long on fact and short on rhetoric.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

SONGS in this podcast episode: M1 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) M2 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20). M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40). M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55). M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06). M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (2:56) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) PROGRAM NOTES Johann Sebastian Bach was a German composer and organist from the late Baroque period. He was born in Eisenach, in what is now central Germany. Bach lived from 1685 to 1750, The Baroque period was a 150-year period in music, dating from 1600 to 1750. Baroque music is Western Classical Music that followed the Renaissance period. Baroque music features drama, ornamentation, major and minor tones, and was presented in new ways – – like the Opera, Concerto, and Sonata, Baroque composers included BACH, HANDEL, VIVALDI. M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27). Bach probably used the CLAVICHORD to compose most of his music. The Clavichord is small, lightweight and would not disturb people. The clavichord was very temperamental, because it required tuning before each play, just like a violin or guitar.  The keyboard instruments of the day were referred to as a general category: the “KLAVIER”….these included HARPSICHORD, CLAVICHORD, ORGAN and PIANOFORTE. Bach's favorite KLAVIER instrument was the LAUTENWERK or LUTE HARPSICHORD with animal gut strings.  The writing of music was in support of GOD and KINGS. Over time, Baroque Music evolved into what is today known as the modern Orchestra. Bach was a prolific composer, writing hundreds of pieces for solo instruments, particularly the organ. He also wrote pieces for orchestra and choir. Bach is MOST known for writing two or more  melodies or voices against each other. Also called point against point, or, Counterpoint. Bit Bucket A BWV catalog number is a unique identifier for musical works composed by Johann Sebastian Bach, standing for Bach-Werke-Verzeichnis (Bach Works Catalogue).  Today I will present 9 compositions, dating from 1710 to 1731, during the time Bach was about age 25 to 45. M1 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20) Our first piece — TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). an ORGAN COMPOSITION.     It is taken from a 1959 album of BACH ORGAN WORKS   . The movement is called ADAGIO ….which indicates “At Ease”, or “Slow and Stately”. Tempo is only 66-76 BPM. like the resting heart rate for many people. Great liner notes. HERE IS AN  excerpt from the liner notes on that album – – QUOTE “OUR BACH” said the obituary notice, “was the greatest organ and clavier player that ever lived”. Though it may seem strange to us now, Bach's genius during his life was recognized only as a master of the organ—not as a composer. It was actually over a hundred years after his death that his works revealed him as a unique and mighty composer. His reputation as an organist brought many invitations to test new organs and advise on the construction of them.  UNQUOTE As with most of his organ works , there is no autograph or manuscript score from Bach, his organ work manuscript copies are lost.  This song has a CONCERTO style and rhythm.  We will hear the 2nd or ADAGIO movement. . It is all very calm and beautiful and pastoral and serene…until Bach pulls out all the stops in the last minute of this ADAGIO movement. He is really rocking the walls and windows of that church. Without any further adieu, here is TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). PLAY M2 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M2 MUSICAL CREDIT: This Bach organ work  was recorded on the Luneburg Organ at St. Johanniskirche, in the town of Luneburg, in northern Germany, the organist is Professor Michael Schneider. This LP was produced and released on the SOMERSET label here in the US in 1959 The album title is BACH The Majesty of the Luneburger Organ. M2 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) Our next piece is the most famous church cantata written in 1714 for THE FIRST SUNDAY IN ADVENT. NUN KOMM DER HEIDEN HEILAND or in English “NOW COME, SAVIOR OF THE HEATHANS” A HEATHAN is a person with no religion, i.e., a PAGAN. In this chorale, Jesus is asked to …  come and save the pagans.  In 1714, Bach would have been 29 years of age. It turns out that this song goes back almost two centuries before BACH's time.  It's based on a LUTERAN CHORALE with words written by Martin Luther for the 1523 first Advent Sunday.  For centuries, this was the first hymn for the first Sunday of ADVENT.  What I will play next is an arrangement for as modern symphony orchestra (the Philadelphia Orchestra) and it is definitely JS BACH heard in those phrases. But it is a large orchestra – – Conducted by Leopold Stokowski.  This is an extremely restrained, demure, and understated interpretation of a Bach piece the most restrained I have ever heard. The recording you will hear next is performed by the Philadelphia Orchestra, with conductor   Leopold Stokowski. This recording is on a Vinyl LP titled THE SOUND OF GENIUS, produced by COLUMBIA MASTERWORKS, in 1960. It was one of many records that were shipped by mail to members of the Columbia Record Club. My parents were enthusiastic members. A new disc would arrive in the mail every month, such as this LP of classical music. Without further delay here is NOW COME, SAVIOR OF THE HEATHANS PLAY M1 SHOW PLUG – SHOW PLUG – DON'T TOUCH THAT DIAL ! ! That was…M1 NOW COME, SAVIOR OF THE HEATHANS” MUSICAL CREDIT: Arranger and Composer JS Bach, sometime between the years 1708-1717 Performance: Philadelphia Orchestra, conducted by Leopold Stokowski. Album: The Sound of Genius Limited Edition LP (1960) Members Only ! Label: Columbia Master Works BIT BUCKET This piece also is based on a song listed in the ZAHN Lutheran chorales catalog. ZAHN 1174 M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40) The next three pieces are called TWO PART INVENTIONS, composed by JS Bach around 1720   The inventions were composed for use in instruction of Bach's oldest son WILHELM FRIEDEMANN BACH who was 12 years old. Today, these inventions are introduced to music students in school grades 4-7. Learning the Two-Part Invention requires ROTE learning, practicing over and over until the two hands work completely independently of one another. The inventions teach, among other things, the use of COUNTERPOINT. Bach is MOST known for writing two melodies against each other. Also called point against point, or, Counterpoint. That is the feature of these inventions, in each one there are TWO PARTS, left and right hand parts. COUNTERPOINT is found mostly in Bach's FUGUES and in his INVENTIONS. Perhaps a brief demonstration is in order. Here is an excerpt from one of Bach's inventions. FIRST the right-hand part or first point – the melody SECOND the left-hand part or second point – the bass line LAST both parts played in counterpoint. In some of Bach works, the roles reverse, The left hand plays the first point – the melody And the right hand plays the second point – the bass line Could you do this by crossing hands on the keyboard – yes, but, the roles are reversed, so no cross-hand playing. I will now play  WENDY CARLOS's rendition of three BACH TWO-PART INVENTIONS from her 1969 recording titled “SWITCHED ON BACH” .. I will play all three, back-to-back. Each one is short – – average length ONE MINUTE EACH! PLAY M3 PLAY M4 PLAY M5 Credits: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) And now….. PLAY M4 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M4 MUSICAL CREDIT: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55) PLAY M5 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M5 We heard three inventions – – Bach's 2-PART INVENTION in F MAJOR And the 2-PART INVENTION in B-FLAT MAJOR And the 2-PART INVENTION IN D MINOR Each invention is very different than the other. Not just a key change like the work title would suggest ! Bach stated that he wrote his inventions “to be models of composition” in other words, to enable the student to form ways of developing musical ideas and “acquire a strong taste of composition” Bach wrote the inventions, one for of the notes A to G and one for each minor and major key. Today these inventions are over 300 years old ! MUSICAL CREDIT: Composer JS Bach Estimated dates between 1720-1723 Performer – Wendy Carlos – early prototype Moog Synthesizer Arranger and Recording Engineer – Wendy Carlos on MOOG SYNTHESIZER in 1968. Record and label:  Switched-On Bach, Columbia/CBS BIT BUCKET M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06) Next is Bach's “The Well-Tempered Clavier” written in 1722. He was 37. The title page to the Well-tempered Clavier song book reads : “The well-tempered Clavier, or Preludes and Fugues, through all the tones and semitones, both the [major] and [minor]. For the profit and use of the studious musical young…” Bach wrote these preludes and fugues in all keys in the chromatic scale … 12 major and 12 minor keys I have the version in D MAJOR. It's two sections – the prelude, and the fugue The Prelude is the introduction. LISTEN FOR the Stride Piano on the left hand !! It's a short 1:10. The Fugue is the second section. It's slower but with a more Bold left hand. Also short at 1:54. And now….PRELUDE & FUGUE No. 5 D-Major fromThe Well-Tempered Clavier PLAY M6 SHOW PLUG – DON'T TOUCH THAT DIAL !  That was…M6  PRELUDE & FUGUE No. 5 D-Major from The Well-Tempered Clavier MUSICAL CREDIT: Composer JS Bach and the autograph date is 1722 Pianist: Vasso Devetzi Label Festival Classique (1978) M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (3:22) Our next song is Jesu, Joy of Man's Desiring This song was also composed by JS Bach in that same year of 1723 – – prolific at age 38. This was written for the Christian Feast of the Visitation- celebrated at the end of May in Western Christianity. The song is a Lutheran hymn. … a CANTATA and it has a CHORALE or chorus piece repeated twice within this cantata. There are many arrangements and versions because this song is one of Bach's most beautiful, well-known, and popular. The version we will hear next is arranged for SOLO PIANO. the pianist is Leon Fleisher. And Now, Here is Jesu, Joy of Man's Desiring – Bach       1723 PLAY M7 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M7  Jesu, Joy of Man's Desiring MUSICAL CREDIT: JS Bach composer 1723 Performance: Leon Fleisher – Pianist    (courtesy of EPIC records) Album  THE SOUND OF GENIUS VOLUME 3   Label Columbia, 1962   (3:22) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) Here is another Chorale recording titled Chorale Prelude VACKET OFF “Wachet Auf”, which translates to SLEEPERS, WAKE! This hymn was transcribed from a Lutheran hymn written in 1599 by written by Phillippe Nicolai. This Cantata is truly a work from the middle ages. In 1731, Bach took this hymn and created a 7-movement cantata, we will hear the first movement or PRELUDE”.  This cantata is sung in church on the Trinity Sunday. Today this piece is very popular piece in general…it is POPULAR CLASSICAL MUSIC.    J.S. Bach wrote 46 of these cantatas for church, in all. ODD FACT  about this song… it was performed only once by Bach, in Leipzig that year. And now the FIRST MOVEMENT  from  VACKET OFF …the Prelude PLAY M8 SHOW PLUG – DON'T TOUCH THAT DIAL ! that was M4    The Chorale Prelude “Wachet Auf”, also known as SLEEPERS, WAKE! Song credits M4 Credits: Hymn by Phillippe Nicolai in 1599 Transcribed by JS Bach in 1731 Performance: Wendy Carlos – on an early prototype Moog Synthesizer Wendy Carlos arranger and recording engineer Album:  Switched-On Bach Label: Columbia/CBS, 1968 M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27) Our next AND LAST piece is from the Switched-On Bach album and s titled AIR ON A G-STRING. This title comes from Johann Sebastian Bach's Orchestral Suite No. 3 in D major,  written almost 300 years ago.   So what is the meaning of the song title Air on a G-String? Well, Bach composed this as an orchestral suite in 1730. 141 years later, August Wilhelm arranged the second movement for SOLO VIOLIN and he did something unique. He transposed the song down from D so that the entire piece could be played on one string of the violin, the G-String, which is the lowest register on that instrument. Here is an example of what this sounds like on the Violin G-String, thjs example with piano accompaniment—pardon the scratchy sound, is from an old 78 RPM disc in 1935. Play example  – Jacques Dumont (Violin) Bach Air On The G String with Andre Collard (piano) We went from Bach's orchestral piece, to Wilhelm's transcription for solo violin, to Wendy Carlos modern interpretation with her MOOG Synthesizer. Now here is Wendy Carlos' arrangement of Air on a G String, from her debut album, SWITCHED-ON BACH, in 1968. PLAY M9 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M9  MUSICAL CREDIT: Composer JS Bach 1730 Performance Wendy Carlos on early prototype MOOG SYNTHESIZER Arranger and Recording Engineer: Wendy Carlos  Album:  Switched-On Bach Label: Columbia/CBS, 1968 END OF PROGRAM VV-031

durée : 00:06:10 - Le Bach du matin du mercredi 04 février 2026 - Sous la baguette de Martyn Brabbins, l'Orchestre philharmonique de la BBC interprète la fugue de la Toccata et fugue en Ré mineur BWV 565 de Bach, orchestrée par Sir Andrew Davis quelques semaines avant sa mort en 2024. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Leaders, our national critical thinking fails us around issues of race.---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

durée : 00:12:27 - Concerto en ré mineur BWV 596 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:20:32 - Cantate BWV 83 « Erfreute Zeit im neuen Bunde » - Bach compose la Cantate BWV 83 « Erfreute Zeit im neuen Bunde » / « Heureux temps de la Nouvelle Alliance » pour la Fête de la Purification (40 jours après Noël) à l'occasion de son premier cycle liturgique leipzigois (2 février 1724). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Hearing about the sons of Noah fathering children after the Flood gives us an opportunity to reflect on how their parental attitude might have changed in their new circumstances, and to reflect on our own parenting.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:03:12 - Le Bach du matin du samedi 31 janvier 2026 - Nous écoutons la suite anglaise n°2 en la min BWV 807 - Gigue de Jean-Sébastien Bach, interprété par Jean-Frédéric Neuburger. Jean Frederic Neuburger live at suntory hall (MIRARE, 2008) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

We are now 7 episodes into the action-packed life of emperor Maximilian and he is only 35 years old. We still have another 24 years to go and they will be again full of wars, outlandish schemes, including one where he wants to make himself pope and of course marriages that create an empire. But if you look into German history schoolbooks, the thing that Maximilian is most famous for is what we will discuss today, the Imperial reforms that start in earnest in 1495 and will go through some iterations, before being largely completed in 1555.Of the 1495 reforms, the Ewige Landfrieden is the most impactful. And it begins as follows quote:“..from this moment on, no person of whatever rank, status, or condition shall make war on others, or rob, declare feud with, invade, or besiege them, or help anyone else to do so in person or through servitors; or violently occupy any castle, town, market, fortress, village, farmstead, or hamlet, or seize them illegally against another's will, or damage them with fire or in any other way, or assist by word or deed or in any other way support or supply any perpetrators of such deeds, or knowingly harbor, house, feed, or give drink, aid, and comfort to such persons.”That sounds great. Who could possibly disagree with that? Why did it take months and months of negotiations to agree this?Let's find out.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward Expansion

durée : 00:04:51 - Le Bach du matin du jeudi 29 janvier 2026 - Bertrand Cuiller, Pierre Gallon et Jean-Luc Ho interprètent le premier mouvement du Concerto pour trois clavecins en Ré mineur BWV 1063, avec Le Caravansérail. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Leaders, you must have a vision before you have a model of leadership.---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

durée : 00:05:18 - Le Bach du matin du mardi 27 janvier 2026 - Ce matin, notre Bach est français puisque nous écoutons Renaud Capuçon. Le violoniste interprète l'Allegro assai de la Sonate pour violon n°3 en ut majeur (BWV 1005). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:16:31 - Cantate BWV 156 « Ich steh' mit einem Fuss im Grabe » - Bach compose la Cantate BWV 156 « Ich steh' mit einem Fuss im Grabe » / « Je me tiens, un pied dans la tombe » à Leipzig pour le 3e Dimanche après l'Epiphanie (23 janvier 1729). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:51 - Prélude et fugue en ré majeur BWV 532 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Noah was the last person the Bible records to surpass 900 years in age. Through his long life, God made him a vital link between the pre-Flood and post-Flood world, especially for the transmission of his Word.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

The world is a-changing. Maximilian I may still dream of the medieval universal empire where he will lead Christendom in an epic crusade to expel the Turks from the European mainland, even reconquering Jerusalem. Meanwhile his main adversary, king Charles VIII of France unleashed the fury of war in Italy, kicking off a struggle that would last for 50 years and replaced the medieval world of popes and emperors with a system based on the balance of powers.In the near term, this expedition to conquer the kingdom of Naples triggered not only the outbreak of Syphilis, but also the double marriage between Habsburg and Spain that Maximilian did not want, but ended up being the second of the three marriages that created an empire.Lots to get through, none of it boring..The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Leaders restoration has more meaning behind it than as a synonym for gentrification. ---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

durée : 00:23:19 - Cantate BWV 102 « Herr, deine Augen sehen nach dem Glauben » - Bach compose la Cantate BWV 102 « Herr, deine Augen sehen nach dem Glauben » / « Seigneur, ces yeux veulent découvrir la foi » à Leipzig, pour le 10e dimanche après la Trinité (25 août 1726). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:20:47 - Toccata et fugue en ré mineur BWV 565 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

After 13 years of fighting in the Low Countries, Maximilian, the newly elected king of the Roman, returns home to a rammed full inbox. There is his cousin, the dissolute count Sigismund of Tyrol who is about to sell out the family fortune to the dukes of Bavaria. The king of Hungary is still occupying Vienna – and there is a new heiress out on the market, Anne of Brittanny.Some of the issues he tackles together with his now seriously elderly father, the emperor Friedrich III, others are very much his own tasks. In the process Friedrich creates a structurally new political entity, the Swabian League, Maximilian builds a relationship with Jakob Fugger, the money man who will grease the cogs of the Habsburg empire, and once again they fight, one battle after another.And despite tremendous success, this period from 1489 to 1493, ends with some epic humiliation, not in war, but in love. “No man on earth has ever been disgraced as I have been at the hands of the French” is how he summarised it.Come along and watch as the plot thickens.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic Knights

“Was I ever really there?”CastAva - Finlay StevensonLibuza - Shelly DarringtonTycho Brahe - Alan BurgonJep - Julian MapleKirsten - Rebekah McLoughlinCristoph Clavius - Florian SeidlerCaspar - Joe FisherKrok - Karim KronfliWritten by Joe FisherProduced and Directed by Joe Fisher and Finlay StevensonArt by JuicheeMusic:String Quartet no. 19 in C major 'Dissonant', K. 465 - Mozart, Perf. Museopen String QuartetPassacaglia in C minor, BWV 582 Passacaglia in C minor, BWV 582 (Pedal-Harpsichord) - Bach, Perf. Nicholas DanbySonata No. 3 in a minor, Z.804 - Henry Purcell, Perf. Carl Pini, John Tunnell, Anthony Pini and Harold LesterChromatic Fantasia & Fugue, BWV 903 (Clavichord) - Bach, Pref. Michael ThomasRead and search Scripts with PodScripts: https://podscripts.app/For more information on our show, visit our website: https://www.weopenatsix.comSubscribe for early access, ad free episodes, additional content and more!Subscribe on Patreon: https://www.patreon.com/midnightburgerSubscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/midnight-burger/id1537653218How about some merch? https://www.midnightburgermerch.comSign up for our newsletter: https://weopenatsix.beehiiv.com/Find and support our sponsors at: fableandfolly.com/partnersSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode the 15-year long war over the Burgundian succession will come to its end. You may have thought it was done last time, but no. The revolutionary spirit of the Flemish cities is not yet broken and their most audacious move is still to come. And this time they are not going up against an archduke and regent, but against a newly elected king of the Romans.Maximilian of Habsburg's experience in Burgundy swung between moments of utter delight and happiness and depths of death, destruction and despair. It shaped this young duke who arrived aged 18 full of dreams of chivalry and left, aged 31 an battle hardened general with a clear view of where he wanted to take the empire. Get ready for the ultimate roller coaster.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation