Podcasts about bwv

I am afraid today's episode is not your usual swordplay and skullduggery. What we are looking at today is the Reichstag as it operated throughout the Holy Roman Empire from 1495 to 1803. Sounds a bit like dour constitutional law, but bear with me.We will look at a couple of classic tropes, like, whether the empire consisted of more than 300 sovereign states who could do whatever they wanted, whether the Reichstag was a talking shop hat never did anything except stopping the emperor from becoming a proper monarch. And, as usual, we will talk about money and printing, and why German politician speeches are invariably long on fact and short on rhetoric.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

We are now 7 episodes into the action-packed life of emperor Maximilian and he is only 35 years old. We still have another 24 years to go and they will be again full of wars, outlandish schemes, including one where he wants to make himself pope and of course marriages that create an empire. But if you look into German history schoolbooks, the thing that Maximilian is most famous for is what we will discuss today, the Imperial reforms that start in earnest in 1495 and will go through some iterations, before being largely completed in 1555.Of the 1495 reforms, the Ewige Landfrieden is the most impactful. And it begins as follows quote:“..from this moment on, no person of whatever rank, status, or condition shall make war on others, or rob, declare feud with, invade, or besiege them, or help anyone else to do so in person or through servitors; or violently occupy any castle, town, market, fortress, village, farmstead, or hamlet, or seize them illegally against another's will, or damage them with fire or in any other way, or assist by word or deed or in any other way support or supply any perpetrators of such deeds, or knowingly harbor, house, feed, or give drink, aid, and comfort to such persons.”That sounds great. Who could possibly disagree with that? Why did it take months and months of negotiations to agree this?Let's find out.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward Expansion

Leaders, you must have a vision before you have a model of leadership.---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

durée : 00:16:31 - Cantate BWV 156 « Ich steh' mit einem Fuss im Grabe » - Bach compose la Cantate BWV 156 « Ich steh' mit einem Fuss im Grabe » / « Je me tiens, un pied dans la tombe » à Leipzig pour le 3e Dimanche après l'Epiphanie (23 janvier 1729). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:51 - Prélude et fugue en ré majeur BWV 532 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Noah was the last person the Bible records to surpass 900 years in age. Through his long life, God made him a vital link between the pre-Flood and post-Flood world, especially for the transmission of his Word.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

The world is a-changing. Maximilian I may still dream of the medieval universal empire where he will lead Christendom in an epic crusade to expel the Turks from the European mainland, even reconquering Jerusalem. Meanwhile his main adversary, king Charles VIII of France unleashed the fury of war in Italy, kicking off a struggle that would last for 50 years and replaced the medieval world of popes and emperors with a system based on the balance of powers.In the near term, this expedition to conquer the kingdom of Naples triggered not only the outbreak of Syphilis, but also the double marriage between Habsburg and Spain that Maximilian did not want, but ended up being the second of the three marriages that created an empire.Lots to get through, none of it boring..The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Leaders restoration has more meaning behind it than as a synonym for gentrification. ---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

durée : 00:23:19 - Cantate BWV 102 « Herr, deine Augen sehen nach dem Glauben » - Bach compose la Cantate BWV 102 « Herr, deine Augen sehen nach dem Glauben » / « Seigneur, ces yeux veulent découvrir la foi » à Leipzig, pour le 10e dimanche après la Trinité (25 août 1726). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:20:47 - Toccata et fugue en ré mineur BWV 565 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

We have looked at the curse of Canaan and the blessing given to Shem. In this devotion, we consider the blessing given to Japheth.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

After 13 years of fighting in the Low Countries, Maximilian, the newly elected king of the Roman, returns home to a rammed full inbox. There is his cousin, the dissolute count Sigismund of Tyrol who is about to sell out the family fortune to the dukes of Bavaria. The king of Hungary is still occupying Vienna – and there is a new heiress out on the market, Anne of Brittanny.Some of the issues he tackles together with his now seriously elderly father, the emperor Friedrich III, others are very much his own tasks. In the process Friedrich creates a structurally new political entity, the Swabian League, Maximilian builds a relationship with Jakob Fugger, the money man who will grease the cogs of the Habsburg empire, and once again they fight, one battle after another.And despite tremendous success, this period from 1489 to 1493, ends with some epic humiliation, not in war, but in love. “No man on earth has ever been disgraced as I have been at the hands of the French” is how he summarised it.Come along and watch as the plot thickens.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic Knights

微信公众号：「潮羽读书」（chaoyudushu)。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【听潮馆】发布 。QQ：647519872 背景音乐： 1.吉俣良 - 古い栞~雫のゆくえ~；2.Khatia Buniatishvili - Cantata, BWV 208： No. 9, Schafe können sicher weiden (Arr. for Piano)；3.小松正史 - Candle；4.Alicia de Larrocha,Sir Colin Davis,English Chamber Orchestra - Piano Concerto No.23 in A Major, K. 488：II. Adagio；5.折戸伸治 - アルカテイル -Story-。

Bach's music turns up everywhere from cigar ads to horror films. You can probably hum bits of Bach even if you're not a classical fan. But what makes his music so popular and why is he still so influential 300 years on? To celebrate The Bach Choir's 150th Anniversary, we've made three special episodes all about Bach and his best-known compositions. This time our host and Musical Director, David Hill, is joined by BBC Radio 3's Linton Stephens to talk about six of Bach's most famous pieces. Along the way they tackle musical taboos (why can't most classical musicians improvise?), classical music wrangles (did Bach actually write the Toccata and Fugue?), and great stories (why did Bach once threaten a bassoonist with a sword?). Plus, we hear from some of our friends - including superstar organist and broadcaster Anna Lapwood - about their favourite Bach pieces.Want to see the video version of this podcast? Watch here on YouTube – https://youtu.be/etxZzSAo-6QChaptersIntroduction - 0.00Linton's favourite Bach piece - 4.09Bach's beginnings (Toccata and Fugue in D minor) - 5.35A melody that transcends time (Jesu, Joy of Man's Desiring) - 12.24The essence of Bach, and of music itself (Cello Suite No. 1 in G Major) - 17.40Why can't classical musicians improvise anymore? (Brandenburg Concertos) - 24.02The father of harmony (Well-Tempered Clavier) - 28.44A painting with just two colours (Air on a G String) - 32.46Anna Lapwood's favourite Bach works - 37.35Bach's legacy - 38.32If you'd like to hear more from David Hill and The Bach Choir, our newsletter is the answer. Every month we send out performance videos, musical analysis, exclusive offers and details of The Bach Choir's live concert dates. We're currently giving away a free concert video of Rachmaninoff's Vespers to new subscribers. Sign up here to have that full concert video sent to your email address – https://thebachchoir.org.uk/thanks-for-listening-signup/Linton's podcast So, Hear Me Out, which he presents with Gillian Moore for Southbank Centre, is also all about getting more people into classical music. You can listen or watch it here – https://www.southbankcentre.co.uk/so-hear-me-out/Change Your Tune is a Podcart production. The series producer is Jayne Morgan. Video by Joe Garvey.Pieces in this podcast (in order)JS Bach – Toccata and Fugue in D minor, BWV 565Performed by Kevin MacLeodJS Bach – Herz und Mund und Tat und Leben, BWV 147 (‘Jesu, Joy of Man's Desiring')Performed by The Bach Choir (choir and piano version)JS Bach – Herz und Mund und Tat und Leben, BWV 147Performed by Orchestra Ali Armonici (orchestral version)JS Bach – Herz und Mund und Tat und Leben, BWV 147Performed by Michel Rondeau and Aline Letendre (organ and trumpet version)JS Bach – Cello Suite No. 1 in G Major, BWV 1007 (‘Air on a G String')Performed by Philip MilmanJS Bach – Double Violin Concerto in D minor, BWV 1043Performed by the Advent Chamber Orchestra with David Parry and Roxana Pavel GoldsteinJS Bach – Prelude No. 1 in C major, BWV 846 (‘Well-Tempered Clavier')By Audio LibraryJS Bach – Goldberg Variations, No. 25, BWV 988Performed by Shelley KatzJS Bach – Orchestral Suite No. 3 in D major, BWV 1068 (‘Air on a G String')Music provided by Classical Music Copyright FreeJS Bach – Toccata and Fugue in D minor, BWV 538 (‘Dorian Toccata')Performed by Jarle FagerheimJS Bach – Concerto in G Major, BWV 1048 (‘Brandenburg Concertos')Performed by Advent Chamber Orchestra Hosted on Acast. See acast.com/privacy for more information.

“Was I ever really there?”CastAva - Finlay StevensonLibuza - Shelly DarringtonTycho Brahe - Alan BurgonJep - Julian MapleKirsten - Rebekah McLoughlinCristoph Clavius - Florian SeidlerCaspar - Joe FisherKrok - Karim KronfliWritten by Joe FisherProduced and Directed by Joe Fisher and Finlay StevensonArt by JuicheeMusic:String Quartet no. 19 in C major 'Dissonant', K. 465 - Mozart, Perf. Museopen String QuartetPassacaglia in C minor, BWV 582 Passacaglia in C minor, BWV 582 (Pedal-Harpsichord) - Bach, Perf. Nicholas DanbySonata No. 3 in a minor, Z.804 - Henry Purcell, Perf. Carl Pini, John Tunnell, Anthony Pini and Harold LesterChromatic Fantasia & Fugue, BWV 903 (Clavichord) - Bach, Pref. Michael ThomasRead and search Scripts with PodScripts: https://podscripts.app/For more information on our show, visit our website: https://www.weopenatsix.comSubscribe for early access, ad free episodes, additional content and more!Subscribe on Patreon: https://www.patreon.com/midnightburgerSubscribe on Apple Podcasts: https://podcasts.apple.com/us/podcast/midnight-burger/id1537653218How about some merch? https://www.midnightburgermerch.comSign up for our newsletter: https://weopenatsix.beehiiv.com/Find and support our sponsors at: fableandfolly.com/partnersSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Leaders gain more value from Voltaire than from the Harvard Business Review.---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!--- ★ Support this podcast on Patreon ★ Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out HSCT Publishing at: https://www.hsctpublishing.com/.Check out LeadingKeys at: https://www.leadingkeys.com/Check out Leadership ToolBox at: https://leadershiptoolbox.us/Contact HSCT for more information at 1-833-216-8296 to schedule a full DEMO of LeadingKeys with one of our team members.---Leadership ToolBox website: https://leadershiptoolbox.us/.Leadership ToolBox LinkedIn: https://www.linkedin.com/company/ldrshptlbx/.Leadership ToolBox YouTube: https://www.youtube.com/@leadershiptoolbox/videosLeadership ToolBox Twitter: https://twitter.com/ldrshptlbx.Leadership ToolBox IG: https://www.instagram.com/leadershiptoolboxus/.Leadership ToolBox FB: https://www.facebook.com/

durée : 00:15:49 - Cantate BWV 168 « Tue Rechnung ! Donnerwort ! » - Bach compose la Cantate BWV 168 « Tue Rechnung ! Donnerwort ! » / « Rends compte ! Parole foudroyante ! » à Leipzig pour le 9e dimanche après la Trinité (29 juillet 1725), à partir d'un livret (1715) de Salomon Franck, le poète de la cour de Weimar. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:48 - Prélude et fugue en ut mineur BWV 546 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In Genesis 9:24–27, Noah doesn't just pronounce a curse on Ham's son Canaan. He also pronounces blessings on Shem and Japheth. In this devotion, we look at the blessing pronounced on Shem, or rather on “the LORD, the God of Shem.”Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

In this episode the 15-year long war over the Burgundian succession will come to its end. You may have thought it was done last time, but no. The revolutionary spirit of the Flemish cities is not yet broken and their most audacious move is still to come. And this time they are not going up against an archduke and regent, but against a newly elected king of the Romans.Maximilian of Habsburg's experience in Burgundy swung between moments of utter delight and happiness and depths of death, destruction and despair. It shaped this young duke who arrived aged 18 full of dreams of chivalry and left, aged 31 an battle hardened general with a clear view of where he wanted to take the empire. Get ready for the ultimate roller coaster.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

durée : 00:11:12 - Toccata et fugue en ré mineur BWV 565 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:19:08 - Cantate BWV 65 « Sie werden aus Saba alle kommen » - Bach compose la Cantate BWV 65 « Sie werden aus Saba alle kommen » / « Ils viendront tous de Saba » à Leipzig pour la fête de l'Epiphnaie (6 janvier 1724). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Now that we know what the curse of Canaan was, and wasn't, how was it actually fulfilled?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:06:14 - Le Bach du matin du mercredi 31 décembre 2025 - L'altiste Antoine Tamestit et la claveciniste Masako Suzuki interprètent l'air de ténor « Ergieße dich reichlich », extrait de la cantate BWV 5 Wo soll ich fliehen hin de Johann Sebastian Bach, dans un arrangement pour alto et clavecin, le morceau ayant été écrit pour viole de gambe et clavecin. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:49 - Le Bach du matin du lundi 29 décembre 2025 - Notre Bach du matin est une partition qu'affectionnait tout particulièrement Brigitte Bardot : l'Andante du Concerto pour deux clavecins en ut mineur BWV 1062. Il est ici interprété par Pierre Hantaï et Aapo Häkkinen avec l'Orchestre baroque d'Helsinki. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:56 - BWV 143" Lobe den Herrn meine Seele (III) " - Bach compose la Cantate BWV 143 « Lobe den Herrn meine Seele (III) » / « Loue le Seigneur, ô mon âme » pour le Jour de l'an (qui correspond à la Circoncision du Christ) à Mühlhausen ou à Weimar (entre 1708 et 1714). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:13:51 - Bach et l'orgue du dimanche 28 décembre 2025 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Die Hörbar Rust mal mitten in der Woche abends – für unsere Sonderausgabe im "Schönen Schaufenster" im Bikini Berlin haben wir einen beliebten Schauspieler eingeladen. Vielen ist er seit 2002 für seine Rolle als Kriminalkommissar Frank Thiel im Tatort Münster bekannt. Brummelig und Norddeutsch. Geboren in Eutin, aufgewachsen in Neustadt, Studium in Kiel. Und auch wenn Prahl mittlerweile in Brandenburg lebt, ist er ein echtes Nordlicht. Ein kluger Fuchs, bodenständig, voller Seefahrerromantik und ein passionierter Musiker, der neben der Schauspielerei regelmäßig mit seinem "Inselorchester" auf Tour geht. Dieses Jahr wurde Axel Prahl 65 Jahre alt. Und nun gibt es auch noch ein Buch über ihn: "Was man liebt, braucht Zeit". Liebevolle Beobachtungen, persönliche Texte & Interviews mit Mutter Rita und vielen Schauspielkollegen – eine Collage von seinem Freund & Weggefährten Knut Elstermann. Zeit, ihn mal genauer unter die Lupe zu nehmen. Playlist: Peter Gabriel - Solsbury Hill J.S. Bach - AIR Orchestral Suite No. 3 in D Major, BWV 1068 II. Air on the G String David Qualey - Santa Cruz Country Joe and Fish - I Feel Like Im Fixin To Die Rag Neil Young - Heart of Gold Cat Stevens - Father & Son Knorkator - Milliardäre Dziuks Küche - Mein Schönes Berlin Diese Podcast-Episode steht unter der Creative Commons Lizenz CC BY-NC-ND 4.0.

Noah didn't just pronounce a curse on Canaan so that the curse would be more limited than, for instance, a curse pronounced on his son Ham, but also because he saw, by divine inspiration, how Ham's moral perversity would live on among the Canaanites.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Our 11 PM Candlelight Eucharist; Pastor Dan Peterson presiding; with Cantor Kyle Haugen.Congregational Carol—Lo, How a Rose E'er Blooming (ELW 272) • Choir—Every Valley Shall Be Exalted; K. Lee Scott • Congregational Carol—Once in Royal David's City(ELW 269) • Piano and Flute—Away in a Manger; Traditional, arr. Larry Beebe • Piano and Flute—O Holy Night; Adolphe Adam, arr. Heather Knezevich • Congregational Carol—What Child Is This (ELW 296) • Piano Duet—Silent Night; Franz Gruber, arr. Jerry Ray• Organ—Lo, How a Rose E'er Blooming; Johannes Brahms • Processional Hymn—O Come, All Ye Faithful (ELW 283) • Hymn of Praise—Angels We Have Heard on High (ELW 289) * First Reading—Isaiah 9:2-7• Second Reading—Titus 2:11-14 • The Holy Gospel—Matthew 1:18-25 • Hymn of the Day—It Came Upon the Midnight Clear (ELW 282) • Carols It O Little Town of Bethlehem (ELW 279); Infant Holy, Infant Lowly (ELW 276) • Hymn (candlelight)—Silent Night, Holy Night ( ELW 281)  •  Recessional Hymn—Hark! The Herald Angels Sing (ELW 270) • Postlude—Chorale prelude on IN DULCI JUBILO, BWV 729; J.S. Bach

durée : 00:07:21 - avec Francesco Croti - Pour débuter notre émission ce samedi, nous écoutons le Concerto pour clavecin en ré min BWV 1052 : 3. Allegro de Jean-Sébastien Bach, interprété au clavecin par Francesco Corti, et l'orchestre Il Pomo d'Oro. (Bach : Concertos pour clavecin, Pentatone, 2020) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:22 - Le Bach du matin du vendredi 26 décembre 2025 - Notre Bach du matin est un air de contralto extrait de la deuxième partie de l'Oratorio de Noël BWV 248. "Schlafe mein Liebster" - "Dors, mon doux enfant" - interprété par Bernarda Fink avec le Concentus Musicus de Vienne sous la direction de Nikolaus Harnoncourt. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:49 - Le Bach du matin du jeudi 25 décembre 2025 - Notre Bach du matin est l'Oratorio de Noël BWV 248 : Sinfonia (2ème partie) interprété par les Solistes Baroques Anglais et le Choeur Monteverdi sous la direction de John Eliot Gardiner. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:07:46 - avec Peter Schreier - Notre Bach du matin est un Bach en fête ! En cette veille de Noël, nous écoutons le chœur d'ouverture de l'Oratorio de Noël BWV 248 : "Jauchzet frohlocket", interprété par le Choeur de la radio de Leipzig et la Staatskapelle de Dresde, sous la direction de Peter Schreier. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:37 - avec Amandine Beyer - Comme chef et premier violon, Amandine Beyer interprète avec Vadym Makarenko, Yoko Kawakubo et l'ensemble Gli Incogniti le premier mouvement du concerto de chambre en Ré Majeur BWV 1064R, un arrangement pour trois violons du concerto pour clavecin BWV 1064. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:59:06 - Le Bach du dimanche du dimanche 21 décembre 2025 - par : Corinne Schneider - Au programme de cette 363e émission : on fête Noël avec Bill Evans, la Pastorale pour orgue, des extraits de l'Oratorio et de la Messe en si mineur ; le Magnificat en mi bémol majeur BWV 243a (1723) et la Cantate BWV 197a (1728), à l'écoute de Hans-Christoph Rademann, Holger Speck et Raphaël Pichon. - réalisé par : Anne-Lise Assada Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:16:19 - Pastorale en fa majeur BWV 590 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:24:57 - Cantate BWV 197a" Ehre sei Gott in der Höhe " - On suppose que Bach a composé la Cantate BWV 197a « Ehre sei Gott in der Höhe » / « Gloire à Dieu au plus haut des cieux » pour Noël 1728. Seul le livret de Picander est parvenu intégralement jusqu'à nous, la partition est largement incomplète. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Especially in early to mid-1800s, when slavery was being hotly debated in our country, many pro-slavery preachers would speak of “the curse of Ham” to defend slavery. But was there actually any curse of Ham?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

The words High and Late Middle Ages conjures up images of fog rising up over a field where knights in shining armor are trading blows with double handed swords, mighty bishops overseeing the construction of monumental cathedrals and peasants toiling on the land as serfs. The reason we see it that way goes back to the chivalric literature that celebrated the aristocratic lifestyle where tournaments and poetry mattered more than the humdrum world of business.But let's just take a look back at the High Middle Ages, the time of Richard the Lionheart, Saint Louis and Frederick Barbarossa. Who controlled access to the great endeavor of the time, the conquest of the Holy Land? Who re-opened up the connections to the wider world, from Novgorod to India and China? Who were the most ferocious fighters who neither expected norgranted any quarter? Who had all the money?These were the great cities of Italy, of Flanders, of Picardie and Provence and of the Holy Roman Empire. Verona under the Della Scala in the 14th century generated tax revenues twice as high as those of England, Venice capacity was sixty percent of what France could generate. And these cities fielded armies that, as we know, defeated the Holy Roman Emperors, even the most capable ones like Barbarossa and Frederick II time and time again. Their absolute dedication to fight to the end was evidenced by their extremely heavy and slow war carts, the Carroccios and by the bravery of the Flemish Militia at the Battle of the Golden Spurs. And the first European since Roman times to make to India and China wasn't a Knight errant, but a Venetian merchant, nor were the vast lands on the Eastern side of the continent linked up by military force. The crusades, the grand project of the age was as much a venetian mercantile adventure as a religious pilgrimage, culminating in the sack of Constantinople in 1204. What happened? Where did all these city states go? And why?That is what we are going to discuss today, when we look at the showdown between Maximilian of Habsburg, widower of the last duchess of Burgundy and father of Philip, the universally recognised heir of the Low Countries and the Flemish cities, and specifically its largest, the city of Ghent.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts....

durée : 00:18:27 - Cantate BWV 132« Bereitet die Wege, bereitet die Bahn ! » - Bach compose la Cantate BWV 132 « Bereitet die Wege, bereitet die Bahn ! » / « Préparez les chemins, préparez la voie ! » à Weimar pour le 4e dimanche de l'Avent (22 décembre 1715) sur un livret qui venait d'être publié par Salomon Franck. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:10:16 - Prélude et fugue en sol majeur BWV 541 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In Genesis 9:24–27, Noah pronounces a curse on his grandson Canaan and a blessing on his sons Shem and Japheth after waking up from his drunken sleep. These words have been widely misunderstood and misapplied. In this devotion, we consider how we should always listen to God's word, regardless of the mouthpiece he chooses to use.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

By 1477 the rules of war that had been enshrined in the laws of chivalry are gone. The contest between the French and the Habsburgs over the inheritance of the Grand Dukes of the West gives us a foretaste of the things to come. This war isn't just fought between the opposing armies lining up for the decisive battle, but include wholesale starving out of the population, funding local uprisings and using propaganda and bribery to incite rebellions on the enemy's homefront. No one in 15th century Northern Europe is better at this new game than the industrious spider, king Louis XI of France. But a plucky 18-year old Austrian duke who had arrived in Ghent with not much more than the clothes on his back, abundant energy and a budding military genius gave him a run for his huge amounts of money, until tragedy struck. Lots of deception, drama and devastation today…. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the...

durée : 00:39:36 - Cantate : BWV 21 " Ich hatte viel Bekümmernis " - Bach compose la Cantate BWV 21 « Ich hatte viel Bekümmernis » / « J'avais grande affliction en mon cœur » à Weimar, pour le 3e dimanche après la Trinité (17 juin 1714), mais il indique lors d'une reprise à Leipzig (13 juin 1723) qu'elle peut être destinée « à tous les temps liturgiques ». Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:11:52 - Prélude et fugue en la mineur BWV 543 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

How often have you heard this phrase “Let others wage war; you, happy Austria, marry". It goes back to a whole string of marriages, first Maximilian of Habsburg married the heiress of the duchy of Burgundy, then his son married the heiress of Spain and finally his grandson married the heiress of Hungary and Bohemia. And bish bash bosh, an empire is created in the horizontal.That is nice and neat but not exactly true. Sure the marriages happened, but not in the way at least I have been told. There was a lot more drama and a lot more agency than you think. For a whole six months Maximilian, the Last Knight in his shining armour, left Marie of Burgundy to fend off invasions, revolutions and conspiracies on her own. She was imprisoned, her ministers were hanged and she was told marriage to a 7-year old hunchback was her only wayout. How she managed through that and found herself in the very first truly passionate marriage we have heard about in the History of the Germans Podcast, well, that is what we are talking about today.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe...

durée : 00:13:18 - 3 Chorals de Leipzig BWV 659-660-661 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:58:57 - Le Bach du dimanche du dimanche 30 novembre 2025 - par : Corinne Schneider - Au programme de cette 360e émission : Sébastien Daucé et les Correspondances enregistrent leur premier album Bach avec 3 Cantates de Mühlhausen : BWV 4, 106 et 131 (Harmonia Mundi, 28 nov.) ; c'est aujourd'hui le premier dimanche de l'Avent, autour du Choral de Luther « Nun komm der Heiden Heiland » - réalisé par : Fanny Constans Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

What is it like to grow up the son of the emperor? For most of the rulers of the Holy Roman Empire we have covered so far, no idea. There are scarce reports about the way the princes grew up, safe for tales like the emperor Ludwig the Bavarian being kidnapped by his pet monkey. But now, as the Late Middle Ages make way for the Renaissance, we can see the boy who would be king at play, being fed by his nursemaid and pretending to be a knight at a tournament.And even better, this emperor is Maximilian, the last Knight, one of the most iconic rulers of his time. Come along as we descend into the delights and terrors of his epic childhood, complete with mythmaking in drawings and woodcuts.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation