Podcasts about bwv

durée : 00:06:08 - avec le Quatuor Brodsky - Ce matin, nous écoutons un arrangement signé Paul Cassidy pour quatuor à cordes de l'Allegro final de la Sonate n°2 en la mineur BWV 1003 pour violon seul, interprété par le Quatuor Brodsky. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:08 - avec le Quatuor Brodsky - Ce matin, nous écoutons un arrangement signé Paul Cassidy pour quatuor à cordes de l'Allegro final de la Sonate n°2 en la mineur BWV 1003 pour violon seul, interprété par le Quatuor Brodsky. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:27:42 - Cantate BWV 94 « Was frag' ich nach der Welt » - Composée pour le 8e dimanche après la Trinité (6 août 1724) à partir d'un Choral de Balthasar Kindermann, la Cantate BWV 94 « Was frag' ich nach der Welt » / « Que puis-je attendre du monde » appartient au deuxième cycle liturgique leipzigois de Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:11 - Ciaconas en ré mineur et en sol mineur BWV 1178 et 1179 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

On the surface, the descendants of Mizraim just look like a lot of unpronounceable names. But these peoples would noticeably factor into the history of God's people, for good and (more often) for ill.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:06:29 - Le Bach du matin du samedi 07 mars 2026 - Nous écoutons la Toccata de la Partita n°6 en mi mineur BWV 830 de Jean-Sébastien Bach, interprété par Piotr Anderszewski au piano. Jean Sebastien Bach : Partitas 1, 3 et 6 (VIRGIN CLASSICS, 2002) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:29 - Le Bach du matin du samedi 07 mars 2026 - Nous écoutons la Toccata de la Partita n°6 en mi mineur BWV 830 de Jean-Sébastien Bach, interprété par Piotr Anderszewski au piano. Jean Sebastien Bach : Partitas 1, 3 et 6 (VIRGIN CLASSICS, 2002) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Why are the Swiss called the Swiss? After all, Schwyz in only of 26 cantons, and not one of the largest ones. How did the proud and prosperous citizens of Zurich or Berne, mighty city states in their own right, decide they wanted to be named after a mountainous region largely inhabited by peasants tending to their gorgeous brown cattle, the Braunvieh. They even called their national airline Swissair, until my former colleagues at McKinsey let the air out of that one.So, why Swiss? The answer goes back to today's topic, a war that the Swiss call the Schwabenkreig or Swabian War. This war played a massive role in Swiss historiography, and its main battles at the Caven and at Dornach was mentioned in the same breath as Morgarten and Sempach. It was seen as the moment when Switzerland de facto exited the Holy Roman Empire and began ploughing its own furrow in European history. Meanwhile in Germany, this war that we called the Schweizerkreig or Swiss War is largely forgotten amongst the hundreds of other military conflicts.It was also the first of many contests between the two formidable fighting forces of the Renaissance, the Swiss Reisläufer and the German Landsknechte. These soldiers of fortune have percolated the national consciousness on both sides, their fanciful dress depicted in art on both sides of the Rhine and still providing one of Rome's most instagrammable photo opportunities.That on top of the usual incompetence and skullduggery should be incentive enough to listen to this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Leaders, we begin rebuilding Chesterton's Fence by restoring the fences in ourselves. ---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

durée : 00:05:25 - Le Bach du matin du mardi 03 mars 2026 - Nous écoutons ce matin le Gloria de la Messe brève en Fa majeur BWV 233 de Jean-Sébastien Bach, par le chef Masaaki Suzuki et l'ensemble Bach Collegium Japan. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:25 - Le Bach du matin du mardi 03 mars 2026 - Nous écoutons ce matin le Gloria de la Messe brève en Fa majeur BWV 233 de Jean-Sébastien Bach, par le chef Masaaki Suzuki et l'ensemble Bach Collegium Japan. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:10 - Le Bach du matin du lundi 02 mars 2026 - Ce matin, nous écoutons le troisième mouvement du Concerto en Mi majeur BWV 1053 de Jean-Sébastien Bach, dans une version pour flûte à bec et orchestre, interprétée par Maurice Steger et La Cetra Barockorchester Basel. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Em novembro de 1720, Johann Sebastian Bach fez um concerto ao órgão como prova de admissão no cargo de organista da Sankt-Jacobi Kirche, a igreja luterana de São Tiago, em Hamburgo. Embora tenha sido escolhido entre os oito candidatos que disputaram o concurso, ele não assumiu o cargo, porque era uma exigência do Conselho daquela cidade do norte alemão que os nomeados para a função dessem uma generosa oferta em dinheiro para a igreja. Bach se recusou a pagar para trabalhar e retornou para a corte de Cöthen, onde era Kapellmeister (diretor de música). Duas músicas apresentadas por Bach no concerto em Hamburgo - que durou mais de duas horas - são exibidas nesta edição de Manhã com Bach: o prelúdio coral An Wasserflüssen Babylon, "Nos rios da Babilônia" (BWV 653), e a Fantasia e Fuga em Sol Menor (BWV 542). O podcast traz ainda a cantata Wer sich selbst erhöhet, "Quem exalta a si mesmo" (BWV 47). Ouça o podcast no link acima. Este podcast reproduz o programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 28 de fevereiro e 1º de março de 2026. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast no site do Jornal da USP. As edições anteriores do podcast Manhã com Bach estão disponíveis neste link.

durée : 00:06:10 - Le Bach du matin du lundi 02 mars 2026 - Ce matin, nous écoutons le troisième mouvement du Concerto en Mi majeur BWV 1053 de Jean-Sébastien Bach, dans une version pour flûte à bec et orchestre, interprétée par Maurice Steger et La Cetra Barockorchester Basel. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:23:10 - Cantate BWV 178 « Was Gott der Herr nicht bei uns halt » - Composée pour le 8e dimanche après la Trinité (30 juillet 1724) à partir d'un Choral de Justus Jonas, la Cantate BWV 178 « Was Gott der Herr nicht bei uns halt » / « Si Dieu, le Seigneur, ne se tient pas à nos côtés » appartient au deuxième cycle liturgique leipzigois de Bach Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:00 - Fantaisie en sol majeur BWV 572 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Moses continues telling us about the Israelites' very distant relatives. But he is also showing us how it didn't take long for people after the Flood to become like people before the Flood—Nimrod the hunter being a prime example.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Europe's political landscape is shifting fundamentally. No longer are wars fought between kings and their vassals, and emperors against popes - it is all about the balance of power. and this balaance is firmly out of whack. The largest, richest and most populous part of Europe, the empire that still formally included Italy, the Low Countries, the Swiss Confederation, Bohemia and Burgundy, was also its politically weakest entity, whilst the kings of France leveraged their smaller but more coherent state into European dominance.The struggle between France and its neighbours with england looking on was to become the dominant political pattern of Western European politics for 250 or arguable 350 years.Maximilian has a Grand Plan that could have nipped these centuries of death and destruction in the bud. But he did not...Karl Marx once said that history repeates itself twice, first as tragedy and then as farce. he was wrong on many (not all) things. This one repeats not twice but ten, if not dozens of times, but first as farce and then as tragedy...Enjoy the ride..The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic Knights

durée : 00:07:12 - Le Bach du matin du mercredi 25 février 2026 - Ce matin, nous écoutons le troisième mouvement du premier Concerto pour piano en Ré mineur BWV 1052 de Jean-Sébastien Bach, interprété par Martin James Bartlett et l'Orchestre du Mozarteum de Salzbourg, dirigé par Howard Griffiths. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Leaders, you might be listening to it, but can you hear it?---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

Paul Audi "Le Vrai du Beau. Regards sur la peinture" (Flammarion)On dit de la philosophie qu'elle nous apprend à vivre. La peinture, elle, en tant qu'art visuel, nous apprendrait à voir. Ou plutôt à regarder. Car regarder, ce n'est pas voir, mais savoir voir.Dans ces conditions, que s'agit-il de savoir pour regarder ? Et surtout, que faut-il réellement regarder lorsque nous sommes face à un tableau ? Attendons-nous de lui qu'il nous livre des secrets, ou bien cherchons-nous en lui une vérité ? Et si vérité il y a, à quel ordre peut-elle appartenir, puisque la peinture produit toujours une image qui ne dissimule jamais son irréalité ?En fait, c'est le tableau qui fait naître le regard. Ou plutôt il n'est de grand tableau que celui qui le fait émerger. Or la seule manière de prendre la mesure de cela est d'en faire l'expérience. C'est pourquoi cet essai convie son lecteur à parcourir un « musée imaginaire », au fil duquel il sera invité à contempler et admirer – car ce sont là deux manières de regarder – quelques chefs-d'œuvre de la peinture occidentale, du XIVᵉ au XXᵉ siècle.Musique: J.S. Bach – English Suite No.2 in A minor, BWV 0807: 1. PréludePar Ivo Pogorelich (1986). Deutsch GrammophonHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

durée : 00:04:41 - Le Bach du matin du mardi 24 février 2026 - Nous écoutons ce matin le deuxième mouvement du Concerto italien en Fa majeur BWV 971, de Jean-Sébastien Bach, interprété par le pianiste ukrainien Vadym Kholodenko. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

BACH: Magnificat BWV 243 (29.12). H. Heichele (sop.), H. Gardos (sop.), P. Esswood (contraten.), K. Equiluz (ten.), R. Holl (baj.), Concentus Musicus Wien, Niños Cantores de Viena, Coro de Viena. Dir.: N. Harnoncourt. Allemande, Courante, Bourrée I y II, Gigue (Suite para violoncello solo nº 3 BWV 1009) (14.22). N. Harnoncourt (vc.).Escuchar audio

durée : 00:05:20 - Le Bach du matin du lundi 23 février 2026 - Ce matin, nous écoutons Renaud Capuçon interpréter le quatrième mouvement de la Sonate n°3 pour violon en Ut majeur BWV 1005 de Jean-Sébastien Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:19:19 - Cantate BWV 107 « Was willst du dich betrüben ? » - Composée à partir du Choral de Johann Heermann pour le 7e dimanche après la Trinité (23 juillet 1724), la Cantate BWV 107 « Was willst du dich betrüben ? » / « Pourquoi veux-tu t'affliger ? » appartient au deuxième cycle liturgique leipzigois de Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:10:24 - L'Art de la Fugue BWV 1080 : Contrepoints 1 à 3 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Ham and his sons are identified primarily with Arabian and African territory. In this devotion, we attempt to locate more precisely where Ham's sons and grandsons settled. We also consider how much we have in common with them, in spite of our cultural differences.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:06:20 - Le Bach du matin du vendredi 20 février 2026 - Alors que nous venons d'apprendre la disparition du baryton-basse belge José Van Dam, nous l'écoutons interpréter l'air "Quoniam tu solus sanctus", issu de la Messe en Si mineur BWV 232 de Bach. Il est accompagné par l'Orchestre de chambre de Lausanne, sous la direction de Michel Corboz. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Prof Duncan Hardy is one of the leading experts in the history of the Holy Roman Empire and one of his main topics is the Imperial reform of 1495, making him the ideal guest for our show.In his first book, Associative Political Culture in the Holy Roman Empire he tries to define what the Holy Roman Empire was a question we will almost certainly spend quite some time discussing today.His forthcoming book, which he had so kindly sent me an advance copy, should be familiar to you all, since I do use it as a source for the show. It is titled Law, Society and Political Culture in Late Medieval and Reformation Germany and contains a large number of edited and translated primary sources illustrating German history circa 1350 to 1550.As a special treat, listeners to the Hstory of the Germans can order the book at Manchester University press with a 30% discount. The discount code is mentioned at the end of teh interview, so listen out. You can order ithere:Manchester University Press - Law, society and political culture in late medieval and Reformation GermanyDuncan has a PHD from Oxford University, fellowships from Cambridge, Erfurt and Bielefeld and currently teaches at the University of Central Florida.And he is a fellow listener of the show. So this will be the time where all my mistakes and random speculations will be dragged into the glare of academic scrutiny.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor Mundi

02.15.26 10am Service Prelude - bis du bei mir (' When Thou Art Near') BWV 508 by Johann Sebastian Bach (1685-1750) by First Community Church

BRAHMS: Sinfonía nº 4 en Mi menor, Op. 98 (39.25). Orq. Fil. de Berlín. Dir.: N. Harnoncourt. BACH: Preludio (Suite para violoncello solo nº 3 BWV 1009) (3.16). N. Harnoncourt (vc.).Escuchar audio

durée : 00:02:04 - Le Bach du matin du mercredi 18 février 2026 - Ce matin, nous écoutons le Prélude en Sol majeur BWV 860 de Jean-Sébastien Bach, dans une version pour violon et violoncelle interprétée par Sol Gabetta et Patricia Kopatchinskaja. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Leaders, two visions of human nature and human institutions have been locked in conflict since the time of Cain and Abel.  ---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

BEETHOVEN: Sinfonía nº 5 en Do menor, Op. 67 (34.26). Concentus Musicus Wien. Dir.: N. Harnoncourt. BACH: Sarabanda (Suite para violoncello solo nº 3 BWV 1009) (3.41). N. Harnoncourt (vc.).Escuchar audio

durée : 00:15:23 - Cantate BWV 137 « Lobe den Herrn, den Mächtigen König der Ehren » - La Cantate BWV 137 « Lobe den Herrn, den Mächtigen König der Ehren » / « Loue le Seigneur, le Roi tout-puissant de l'honneur » composée pour le 12e Dimanche après la Trinité (19 août 1725) appartient au troisième cycle liturgique leipzigois de Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:27 - Prélude et fugue en mi mineur BWV 54 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:50 - Le Bach du matin du samedi 14 février 2026 - Nous écoutons la Toccata et fugue en ré min BWV 565 de Jean-Sébastien Bach (arrangement pour quintette à vent), interprété par l'ensemble Pentaèdre. Autour de Bach (Atma Classique, 2021) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This Day in Legal History: Bruno Hauptmann ConvictedOn February 13, 1935, a New Jersey jury convicted Bruno Hauptmann of kidnapping and murdering the infant son of famed aviator Charles Lindbergh. The crime had transfixed the nation for nearly three years and was widely labeled the “Crime of the Century.” The child was taken from the Lindbergh home in 1932, and despite a ransom payment, was later found dead. Public outrage was immediate and intense, with newspapers covering nearly every development in the investigation and trial.Hauptmann's prosecution relied heavily on circumstantial evidence, including ransom notes and expert testimony linking his handwriting to those notes. The government also introduced evidence tying marked ransom bills to Hauptmann's possession. The trial raised early concerns about the reliability of forensic handwriting analysis and the influence of media attention on jury impartiality. Critics then and now have questioned whether the intense publicity compromised due process protections.The case also reshaped federal criminal law. In response to the kidnapping, Congress enacted the Lindbergh Law, formally known as the Federal Kidnapping Act. The statute made it a federal offense to transport a kidnapping victim across state lines, expanding federal jurisdiction over what had traditionally been a state crime. That shift reflected a broader trend during the early twentieth century toward increased federal involvement in criminal enforcement.Today, the Hauptmann conviction remains a staple in criminal law courses, not only for its tragic facts but also for its lasting procedural and constitutional implications.Goldman Sachs' chief legal officer, Kathy Ruemmler, resigned after newly released Justice Department documents detailed her past communications with Jeffrey Epstein. CEO David Solomon announced that he accepted her resignation, which will take effect on June 30. Ruemmler said the media attention surrounding her prior legal work had become a distraction. The disclosures showed she exchanged numerous emails with Epstein between 2014 and 2019 and received gifts from him, including luxury items. Some emails revealed that she advised Epstein on how to respond to press inquiries about his treatment by prosecutors.The documents also noted that Epstein attempted to contact her by phone on the night of his 2019 arrest on sex trafficking charges. Ruemmler stated that she knew Epstein only in her capacity as a defense attorney and denied any knowledge of ongoing criminal conduct. Before joining Goldman, she led the white-collar defense practice at Latham & Watkins and previously served as White House counsel during the Obama administration.The broader document release has drawn attention to Epstein's connections within major financial institutions, including UBS and JPMorgan. Ruemmler's departure marks one of the most prominent banking exits linked to the renewed scrutiny of Epstein's network.Top Goldman Sachs lawyer Ruemmler resigns after Epstein disclosures | ReutersA federal judge in Minnesota ruled that U.S. Immigration and Customs Enforcement improperly interfered with detainees' access to their attorneys during a recent enforcement operation. U.S. District Judge Nancy Brasel found that ICE's practices during “Operation Metro Surge” effectively denied thousands of people meaningful legal access. The order requires ICE to stop quickly transferring detainees out of Minnesota and to permit attorney visits and confidential phone calls. The ruling will remain in effect for 14 days while the case proceeds.The class action lawsuit was filed on January 27 on behalf of noncitizen detainees. According to the court, many individuals were moved out of state without notice, making it difficult or impossible for lawyers to locate them. In some instances, detainees were transferred so often that ICE itself lost track of their whereabouts. Judge Brasel concluded that while ICE did not formally deny the right to counsel, its actions in practice severely limited that right.The court also cited evidence that detainees were given limited phone access, sometimes sharing a small number of phones among dozens of people, with calls occurring in nonprivate settings. One asylum seeker with a valid work permit was held for 18 days despite a court order requiring his earlier release and was transferred across multiple states without explanation. The judge rejected ICE's claim that it lacked sufficient resources, noting that the agency had committed substantial personnel and funding to the enforcement effort.ICE blocked detainees' access to lawyers in Minnesota, judge finds | ReutersPresident Donald Trump announced four new judicial nominations, including a White House attorney selected for a seat on the U.S. Court of International Trade. The nominee, Kara Westercamp, currently serves as associate counsel in the White House and previously worked at the Justice Department. If confirmed, she would join a nine-member court that handles disputes involving U.S. trade laws, including challenges to tariffs. Her nomination comes as numerous companies contest Trump's sweeping global tariffs and seek refunds on duties already paid.Retailers and manufacturers such as Costco, Goodyear, and Revlon have filed lawsuits arguing that the tariffs exceed presidential authority. Earlier rulings from the trade court and the U.S. Court of Appeals for the Federal Circuit blocked most of the tariffs, and the U.S. Supreme Court is now reviewing the matter. Trump has publicly criticized the earlier decisions.In addition to Westercamp, Trump nominated Katie Lane to a federal district court in Montana, Sheria Clarke to a district court seat in South Carolina, and federal prosecutor Evan Rikhye to a 10-year term on the District Court of the Virgin Islands. All nominees must be confirmed by the Senate.Trump nominates White House lawyer to court hearing tariff cases | ReutersFormer CNN anchor Don Lemon is scheduled to appear in federal court in Minnesota to enter a plea related to charges stemming from his coverage of a protest at a St. Paul church. The protest targeted President Donald Trump's immigration enforcement surge in the state. Lemon, now an independent journalist, livestreamed the January 18 demonstration, which disrupted a worship service at Cities Church.Federal prosecutors charged him with conspiring to violate civil rights and with obstructing access to a house of worship under a statute also used in cases involving abortion clinic protests. His attorney argues that the prosecution infringes on Lemon's First Amendment rights and characterizes the case as an attack on press freedom. Trump publicly supported the charges, while Attorney General Pam Bondi stated that authorities would protect the right to worship without interference.The protest occurred during broader demonstrations against federal immigration actions in Minnesota, where thousands had gathered to oppose the crackdown. Lemon was seen on video speaking with activists before and during the disruption and interviewing participants and congregants inside the church. Another journalist, Georgia Fort, faces similar charges and has denied wrongdoing, stating she was reporting rather than participating.Journalist Don Lemon to enter plea in Minnesota ICE protest case | ReutersThis week's closing theme is by Johann Sebastian Bach.Bach stands as one of the central figures of the Baroque era, revered for the structural clarity and spiritual depth of his music. Born in 1685 into a long line of musicians, Bach spent much of his career serving as a church organist and cantor in German cities such as Arnstadt, Weimar, and Leipzig. Though not widely celebrated outside musical circles during his lifetime, his reputation has since grown to near-mythic status. His compositions balance intellectual precision with emotional resonance, blending intricate counterpoint with lyrical expression.This week's closing theme is his Cello Suite No. 1 in G major, BWV 1007, likely composed around 1720 during his tenure in Köthen. The suite opens with one of the most recognizable preludes in all of classical music, built from flowing arpeggios that unfold with quiet inevitability. Written for unaccompanied cello, the piece demonstrates Bach's ability to imply harmony and depth through a single melodic line. The suite follows the traditional Baroque dance structure, moving from Prelude through Allemande, Courante, Sarabande, Menuets, and Gigue.For many listeners, the Prelude evokes clarity, order, and calm—qualities that make it a fitting close to the week. Its simplicity is deceptive; beneath the surface lies careful architecture and subtle harmonic movement. The work fell into relative obscurity until the twentieth century, when cellist Pablo Casals famously revived it and brought it to concert stages worldwide. Today, it remains a cornerstone of the cello repertoire and a touchstone of Baroque artistry. As a closing theme, it offers both reflection and renewal, ending not with flourish but with quiet confidence.Without further ado, Johann Sebastian Bach's Cello Suite No. 1 in G major, BWV 1007–enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Japheth and his sons are identified primarily with European territory. In this devotion, we attempt to locate more precisely where Japheth's sons and grandsons settled.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Let me start today's episode with some outrageous national stereotypes. If an Englishman is disappointed with the way the affairs of state are conducted, he writes a letter to his member of Parliament. A Frenchman in that same situation rents a tractor and dumps manure outside the Palais d'Elysee. A German threatens to file a lawsuit with the constitutional court, the Bundesverfassungsgericht.Where did the Germans pick up the belief that courts and the law will protect them against government overreach? Sure, 19th and early 20th century judges had on occasion stood up to the Kaiser's administration and the Grundgesetz, the liberal constitution of 1949, had become a cornerstone of our national identity following the comprehensive loss of moral standing.But there is also a long strain that goes back to the Holy Roman Empire and the two imperial courts, the Reichskammergericht and the Reichshofrat. These courts have a bad reputation, not only because Johan Wolfgang von Goethe saw it fit to ridicule his former place of work. However, not everyone shared this negative perspective. Many social groups down to mere commoners relied on these independent judges to protect their life and property against rapacious princes.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic League

Leaders, it's time to articulate a vision for black Americans, here at the end of the Fourth Turning. ---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

When climbers work a project, the process often goes straight from beta discovery to dialing in microbeta. This isn't wrong, but might be missing some important pieces.  Watch it on YouTube ➡️ASSESS AND IMPROVE YOUR TECHNIQUE ➡️MONTHLY CLIMBING THOUGHTS IN YOUR INBOX  Music Used: "Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049" "Bass Vibes" "Bass Walker" "Rollin at 5" "String Impromptu Number 1" From: Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ DISCLAIMER: Climbing and training for climbing is inherently dangerous. Anything you do is at your own risk and Power Company Climbing and our coaches takes no responsibility.

콘클라베 Allegri: Miserere 브루탈리스트 Wagner: Das Rheingold: Hört, ihr Riesen! Mozart: Serenade No.13 4악장 어쩔수가없다 Mozart: 피아노 협주곡 23번 2악장 Marais: Le Badinage 세계의주인 Bach: 양들은 평화로이 풀을 뜯고 메이드인코리아 Bach: Goldberg Variation, BWV.988 Aria 하나 그리고 둘 Bach: Toccata BWV.914 Bellini: Vaga luna, che inargenti Beethoven: 피아노 소나타 14번 1악장 Beethoven: 첼로 소나타 1번 1악장

【主播的话】1936年，在风雨飘摇的上海，鲁迅因病去世，享年55岁。2026年，是鲁迅逝世九十周年。差不多整整一个世纪过去了，鲁迅却并未远去——他依然深深存在于当代中国人的精神生活之中，存在于我们的语言、记忆与时代观念里。在中国出生长大的人，对鲁迅几乎都不会陌生。他的作品是小学课本里的重点篇目，直到今天，我们也许仍然能够熟练背出其中许多段落：从《从百草园到三味书屋》到《阿Q正传》，从《狂人日记》到《祝福》……鲁迅的文学成就不仅是中国现代文学史上的一座丰碑，在世界文学史与思想史的坐标中，也占据着不可忽视的一席之地。似乎谁都能就着鲁迅聊上几句，但又很难有谁能够真的说清、说尽——鲁迅到底是谁？他留给我们的遗产，到底是什么？“在所有二十世纪中国作家中，鲁迅无疑最具有世界语境中的对话、批评与阐释价值。”纽约大学教授张旭东这样写道。张旭东本人的学术生涯，也与鲁迅密不可分。可以说，鲁迅贯穿了他三十余年的研究道路。上世纪八十年代，他从北京大学中文系毕业后，赴美留学，师从著名左翼理论家詹明信（Fredric Jameson），并逐渐成长为当代海内外最重要的中国现代思想与文学的研究者之一。他任教于纽约大学，曾先后担任东亚系系主任、中国中心主任。他是现代性批判传统的重要继承者，也是少数真正能打通中文思想界与英文理论界的桥梁。早在八十年代“文化热”的语境中，张旭东便开始写作关于鲁迅的文章，也是较早将鲁迅置于国际理论视野、与世界经验对接的学者之一。在学术上功成名就之后，他又将研究的重心重新转回鲁迅，开始写作极富野心的《鲁迅三部曲》。目前第一部《杂文的自觉——鲁迅文学的“第二次诞生”》已经出版。而这部作品的成书过程，也贯穿了他在疫情期间纽约封城中的经历。给这些看似属于历史的研究，加入了当下的维度。在鲁迅逝世九十周年之际，如果要重新追问，鲁迅我们今天为什么仍然需要鲁迅？他究竟如何穿越时代？恐怕很少有人比张旭东更合适来展开这场对话。【本期主播】王磬：微博@王磬【本期嘉宾】张旭东：纽约大学比较文学系和东亚研究系教授、东亚系系主任、国际批评理论中心主任，兼任北京大学、华东师范大学、东京大学访问教授。研究方向包括鲁迅研究、黑格尔美学及比较文学方法论等。【本期剧透】02:45 鲁迅去世 90 周年，为什么今天还要读鲁迅？07:25 与真实的关联：鲁迅的语言不允许他说谎09:55 博物学式的写作起点15:05 被引作纽约市长的赠言，鲁迅如何跨越时空23:15 金句化与鲁迅体：毒舌≠鲁迅30:00 从周氏兄弟理解中国现代散文的分叉36:10 为什么我们总读鲁迅：中国人曾有过的一种真实，是无法割舍的41:55 不谈文学第一性，就无法谈鲁迅47:56 杂文是什么？为何是鲁迅文学的中心？55:36 阅读鲁迅的第二个 100 年：如何看待其世界性？它只能是一种民族寓言吗？01:04:30 艺术的终结之后，现代社会需要怎样的文学01:10:40 如果鲁迅活到了今天，会是怎样的存在？【相关阅读】杂文的自觉：鲁迅文学的“第二次诞生” : 1924—1927作者：张旭东出版年份：2023本书为张旭东“鲁迅三部曲”首卷，分析鲁迅文学在1924—1927年间如何以“杂文的自觉”为标志从而“成为自己”。作者表明，此期间鲁迅文学所面对的空前的外部挑战和内部压力，带来一系列深刻且不可逆的风格史及文学原理意义上的选择、决定和突变。通过作者论、文本分析与理论阐释相结合的总体批评方法，本书探讨以文体混合和写作的政治本体论为核心的鲁迅杂文句法和现象学结构。结论是：有必要在新文学和近代世界文学的历史与价值论范畴，在“艺术的终结”的哲学命题层面，去分析和把握杂文这一高于“纯文学”建制及其意识形态的文体实验与风格运动。【本期音乐】Goldberg Variations, BWV. 988 - Variation 7【节目制作】方改则【Logo设计】刘刘（ins: imjanuary)【互动方式】小红书@不合时宜微博@不合时宜TheWeirdo商务合作可发邮件至 hibuheshiyi@126.com 或微博私信会员计划咨询可添加微信：hibuheshiyi3 或发送邮件至 hibuhehsiyi@gmail.com

durée : 00:25:44 - Cantate BWV 125 « Mit Fried und Freud ich fahr dahin » - Bach compose la Cantate BWV 125 « Mit Fried und Freud ich fahr dahin » / « Je pars maintenant en paix et dans la joie » pour la Fête de la Purification à l'occasion de son deuxième cycle liturgique leipzigois (2 février 1725). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:18:14 - Toccata et fugue en ré mineur, dite « dorienne » BWV 538 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Moses begins the fourth account of Genesis with an overview of Noah's three sons and their descendants. He starts with Japheth and his descendants, who are likely the ancestors of majority of those listening to this podcast.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

I am afraid today's episode is not your usual swordplay and skullduggery. What we are looking at today is the Reichstag as it operated throughout the Holy Roman Empire from 1495 to 1803. Sounds a bit like dour constitutional law, but bear with me.We will look at a couple of classic tropes, like, whether the empire consisted of more than 300 sovereign states who could do whatever they wanted, whether the Reichstag was a talking shop hat never did anything except stopping the emperor from becoming a proper monarch. And, as usual, we will talk about money and printing, and why German politician speeches are invariably long on fact and short on rhetoric.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Leaders, our national critical thinking fails us around issues of race.---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

We are now 7 episodes into the action-packed life of emperor Maximilian and he is only 35 years old. We still have another 24 years to go and they will be again full of wars, outlandish schemes, including one where he wants to make himself pope and of course marriages that create an empire. But if you look into German history schoolbooks, the thing that Maximilian is most famous for is what we will discuss today, the Imperial reforms that start in earnest in 1495 and will go through some iterations, before being largely completed in 1555.Of the 1495 reforms, the Ewige Landfrieden is the most impactful. And it begins as follows quote:“..from this moment on, no person of whatever rank, status, or condition shall make war on others, or rob, declare feud with, invade, or besiege them, or help anyone else to do so in person or through servitors; or violently occupy any castle, town, market, fortress, village, farmstead, or hamlet, or seize them illegally against another's will, or damage them with fire or in any other way, or assist by word or deed or in any other way support or supply any perpetrators of such deeds, or knowingly harbor, house, feed, or give drink, aid, and comfort to such persons.”That sounds great. Who could possibly disagree with that? Why did it take months and months of negotiations to agree this?Let's find out.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward Expansion