Podcasts about bwv

durée : 00:23:59 - par : Corinne Schneider - Bach compose la Cantate pour soprano solo BWV 202 « Weichet nur, betrübte Schatten » / « Dissipez-vous ombres lugubres » à la cour de Köthen ou de Weimar, peut-être pour des noces, sur un texte dont l'auteur n'est pas identifié. - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:16:03 - par : Corinne Schneider - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:09:44 - par : Producteurs en alternance, Gabrielle Oliveira Guyon - Nous écoutons l'Adagio du Concerto en ré min BWV 1052, interprété au piano par Maria João Pires, accompagnée par l'Orchestre Gulbenkian de Lisbonne, dirigé par Michel Corboz. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:09:44 - par : Producteurs en alternance, Gabrielle Oliveira Guyon - Nous écoutons l'Adagio du Concerto en ré min BWV 1052, interprété au piano par Maria João Pires, accompagnée par l'Orchestre Gulbenkian de Lisbonne, dirigé par Michel Corboz. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

What did the Lord's confusion of human language accomplish, apart from the physical result of scattering humanity over the face of the whole earth? What good came out of it?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Tradicional evento dedicado à obra de Johann Sebastian Bach, o Festival Bach (Bachfest) será realizado entre os dias 11 e 21 deste mês em Leipzig, no leste da Alemanha. Nos 11 dias do encontro, está prevista a realização de 212 atrações, principalmente concertos, mas também conferências, debates, exposições, performances e visitas a museus e a locais relacionados com Bach. Neste ano, o tema do Bachfest é Em Diálogo (Im Dialog). Como acontece todos os anos, Manhã com Bach antecipa músicas que serão apresentadas no Bachfest. Nesta edição, o podcast traz o Prelúdio e Fuga em Dó Maior (BWV 545), o Magnificat (BWV 243) - que serão apresentados no concerto de abertura do evento, no dia 11, às 17 horas locais - e o prelúdio coral Wachet auf, ruft uns die Stimme, "Despertai, a voz nos chama" (BWV 645), que será ouvido no sábado, dia 13. Com o tema Em Diálogo, o evento busca destacar os diferentes diálogos possíveis a partir da música de Bach, como explica o diretor artístico do Bachfest, Michael Maul, em entrevista publicada no site do evento. Segundo ele, a música de Bach é um permanente diálogo entre vozes individuais. "O que torna a técnica composicional de Bach especial é que, nele, todas as vozes são iguais e tomam parte no discurso musical por direito próprio. Mas o resultado não é caos nem cacofonia, mas a mais maravilhosa harmonia", afirma Maul na entrevista. Em outro sentido - continua o diretor artístico do Bachfest -, Bach promove complexos diálogos entre diferentes instrumentos, como acontece, por exemplo, com suas sonatas para violino e cravo e para viola da gamba e cravo. E Bach sempre demonstrou grande interesse pela música de outros compositores. Por isso o Bachfest deste ano vai apresentar a música de Bach dialogando com a obra de Buxtehude, Händel, Couperin, Vivaldi e outros compositores que inspiraram Bach. Ouça o podcast no link acima. Este podcast reproduz o programa Manhã com Bach, da Rádio USP (93,7 MHz), transmitido nos dias 6 e 7 de junho de 2026. Dedicado à divulgação da música do compositor alemão Johann Sebastian Bach (1685-1750), Manhã com Bach vai ao ar pela Rádio USP (93,7 MHz) sempre aos sábados, às 9 horas, com reapresentação no domingo, também às 9 horas, inclusive via internet, através do site da emissora. Às segundas-feiras ele é publicado em formato de podcast no site do Jornal da USP. As edições anteriores do podcast Manhã com Bach estão disponíveis neste link.

durée : 00:32:03 - par : Corinne Schneider - Bach compose la Cantate pour soprano solo BWV 204 « Ich bin in mir vergnügt » / « Je me contente de mon sort » (Cantate dite « du contentement ») à Leipzig en 1726 ou 1727 à partir des vers publiés en 1713 par le poète Christian Friedrich Hunold (pseudonyme Menantes). - réalisation : Arthur Rayrole, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:13:03 - par : Corinne Schneider - réalisation : Arthur Rayrole, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:58:53 - par : Corinne Schneider - Au programme de cette 387e émission : le Bachfest de Leipzig « En dialogue » du 11 au 21 juin ; la Cantate pour soprano solo « Ich bin in mir vergnügt » BWV 204 par Dorothée Mields (2015) ; la 45e édition du Festival d'Auvers-sur-Oise (95) qui fête les 20 ans de l'orgue Bernard Hurvy (2006). - réalisation : Arthur Rayrole, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Order of the Day (1944) by General Dwight D. Eisenhower, Supreme Allied Commander.---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

God did not just confuse everyone's language randomly and form the people into new groups arbitrarily. He still let the people taste of his mercy.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:05:35 - par : Producteurs en alternance - Ce matin, nous écoutons l'arrangement pour traverso, violoncelle d'épaule et pianoforte du premier mouvement de la Sonate pour basse de viole et clavecin n° 3 en sol mineur BWV 1029 de Jean-Sébastien Bach, interprété par les Curiosités esthétiques. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:05:35 - par : Producteurs en alternance - Ce matin, nous écoutons l'arrangement pour traverso, violoncelle d'épaule et pianoforte du premier mouvement de la Sonate pour basse de viole et clavecin n° 3 en sol mineur BWV 1029 de Jean-Sébastien Bach, interprété par les Curiosités esthétiques. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:05:51 - par : Producteurs en alternance - Ce matin, nous écoutons l'allegro du cinquième concerto brandebourgeois en ré majeur BWV 1050 de Jean-Sébastien Bach, interprété par les Arts Florissants sous la direction Emmanuel Resche-Caserta. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:05:51 - par : Producteurs en alternance - Ce matin, nous écoutons l'allegro du cinquième concerto brandebourgeois en ré majeur BWV 1050 de Jean-Sébastien Bach, interprété par les Arts Florissants sous la direction Emmanuel Resche-Caserta. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:05:56 - par : Producteurs en alternance - Nous écoutons ce matin un arrangement pour mandoline de l'Allemande de la deuxième Partita pour violon en ré mineur BWV 1004 de Jean-Sébastien Bach, interprété par Alon Sariel. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Books overcome the challenges of human change.---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

durée : 00:06:07 - par : Producteurs en alternance - Ce matin, nous écoutons le premier mouvement de la sonate pour basse de viole et clavecin n° 3 en sol min BWV 1029 de Jean-Sébastien Bach, interprété par Christophe Rousset au clavecin et Atsushi Sakaï à la basse de viole. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:12:27 - par : Corinne Schneider - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:16:15 - par : Corinne Schneider - Bach compose la Cantate BWV 165 « O heiliges Geist- und Wasserbad » / « Ô saint baptême d'esprit et d'eau » à Weimar, sur un livret de Salomon Franck, pour la fête de la Trinité, le16 juin 1715. - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

To put a stop to humanity's rebellion against him, the Lord came down and confused their language. Can you imagine the creative potential for a director if this were adapted for the big screen? What did this confusion look like?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Præludium: Finn Viderø: O Herre Krist! dig til os vend Davidssalme: 23, 1-4 Salme: 435 "Aleneste Gud i Himmerig" Fra det N.T.: Efeserbrevet 1, 3-14 Vekselsang: Dit ord består, Herre Gud (Sl. 119, 89-90 & 23, 1-2) Salme: 6 "Dig være, mildeste Gud Fader" Postludium: Komm Gott, Schöpfer, Heiliger Geist; BWV 667

The Gulag Archipelago/One Day in the Life of Ivan Denisovich by Aleksandr I. Solzhenitsyn---Exploring Aleksandr Solzhenitsyn's The Gulag Archipelago and One Day in the Life of Ivan Denisovich, Hasan Sorrells delves into the catastrophic effects of suppressing free speech in totalitarian regimes. This episode examines the necessity of robust free speech for effective leadership, the dangers of totalizing ideologies, and the role of literature in preserving individual liberty and truth. Listeners will gain insights on how intentional leaders can resist cultural and political pressures to protect both speech and societal integrity.Book Titles: The Gulag Archipelago, One Day in the Life of Ivan DenisovichAuthor: Aleksandr SolzhenitsynGuest: Jesan Sorrells ---Time-Stamped Overview---Welcome and Introduction - 1:00The Gulag Archipelago - 2:0005:07 Nighttime arrests and their rituals14:39 Books on freedom of speech20:28 Outlawing political parties and arrests27:37 Jordan Peterson on Solzhenitsyn30:12 Early Soviet class warfare ideals36:22 Importance of Protecting Free Speech41:14 Shukov's survival tactics46:50 Leadership and emotional intelligence55:35 Freedom of speech and censorship59:47 Arrest and accusations of treason01:06:06 The power of social proof01:12:56 The role of truth in society01:17:20 Importance of Cultural Confidence01:21:42 Importance of Diverse Viewpoints01:22:00 Staying on the Leadership Path with The Gulag Archipelago, One Day in the Life of Ivan Denisovich---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

Leaders, it's time to start performing the long, hard work of resacralizing the Western world. ---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

Kyrie, Gott heiliger Geist (Kyrie, God the Holy Spirit), BWV 671, Johann Sebastian Bach (1685-1750) - Robert Griffith by First Community Church

durée : 00:17:10 - par : Corinne Schneider - Bach compose la Cantate BWV 68 « Also hat Gott die Welt geliebt » / « Ainsi Dieu a tant aimé le monde » pour le deuxième jour de la Pentecôte (21 mai 1725), au cours de son deuxième cycle liturgique leipzigois. - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:12:16 - par : Corinne Schneider - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

I met Nathan in the El Progreso Public Library in Uvalde, Texas in the Fall of 2022. Children all over the country were heading back to school but things were different in Uvalde. The community was still dealing with the trauma of the horrific shooting at Robb Elementary School on May 24, 2022. I was working on a photo essay for the New Yorker about children going back to school in the wake of the shooting.  One morning, I followed the sound of piano music into the rotunda of the El Progreso Public Library. Seated at a baby grand, silhouetted against a sunlit room of bookshelves, I found Nathan. He's a local minister and the part-time chaplain at the hospital in Uvalde. On the day of the shooting, he was there when they brought the children in. He sat with the families as they waited for news about their children. The next day, he came to the library and played the piano for anyone in the community who needed a quiet place and some peaceful music–including himself.  On this 4th anniversary of the shooting at Robb elementary, my heart goes out to the entire Uvalde community, especially to the parents and families of the victims. Show notes: This episode was produced by Greg Miller in May 2026. Waiting for the School Bus in Uvalde published in the New Yorker, October 10, 2022 Music: Canon in D Major — Johann Pachelbel Prelude No. 1 in C Major, BWV 846 (from The Well-Tempered Clavier, Book 1) — Johann Sebastian Bach Moonlight Sonata — Ludwig van Beethoven Danny Boy — Traditional Gymnopédie No. 1 — Erik Satie Clair de lune — Claude Debussy All music performed by Nathan Lafrenz. I want to thank Nathan for his time, his talent, and his healing words. Thanks also to Mendel Morgan, the former director of the El Progreso Public Library. Special thanks to everyone at the New Yorker, especially: Joanna Milter, Noel Flores-Théard, Megan Field, Bowen Fernie, Stacey Pittman, Andrew Katz, writer Rachel Monroe and of course, David Remnick. I get script editing help from Tina Chiappetta-Miller

Today we celebrate the topping out of the Habsburg empire. By the middle of the 16th century it reached its furthest extent as a political entity ruled by one man. Over the last 42 episodes we have seen this family of minor counts playing their game of snakes and ladders until they had amassed lordships over Austria, the Netherlands, Spain and large parts of Italy. Today we look at how they finally got hold of the last bits, Bohemia and Hungary.The story features a dutiful younger brother, the most cruel execution I have ever heard of, a foolish duke and an even more foolish king, the collapse of a kingdom, a love story and the reason for the incessant Habsburg inbreeding. I hope that will be enough to fill the last episode of this season.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFor do it yourself merchandise go to: Merchandise • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the ReformationThe Empire in the 15th centuryThe Fall and Rise of the Habsburgs

戛纳进行中，在这几个竞赛日里，主竞赛迎来多部重磅作品，罗泓轸，格雷，蒙吉交出了他们的新片，在这其中，有年度最具争议之作，也有年度电影。其中，罗泓轸时隔十年的《希望》——有人将它视为调度、动作与工业水准全面拉满的“怪物级”类型片，也有人认为它在庞杂的类型拼贴中逐渐失控、彻底放弃人物与文本。但几乎所有评论都承认，它的野心与规模在当下韩国电影中极为罕见。在韩国电影票房持续低迷的当下，这部超大规模制作甚至已经被不少人视作韩国电影工业最后的“希望”。在好莱坞大制片厂集体缺席戛纳的一年里，詹姆斯·格雷《纸老虎》的存在本身就是一种政治姿态——他代表了美国电影内部那个尚未被流媒体彻底吞噬的“作者力量”。他还在用胶片质感的摄影，他还在拍有古典悲剧结构的剧情片，在今天是则尤为珍贵，编辑部前线的小伙伴更是觉得他值得一座金棕榈奖杯。蒙吉的《峡湾》稳定发挥，几乎收获了一边倒的盛赞，编辑部前线的小伙伴集体给出高分，将其视作蒙吉又一次冷静而精准的社会解剖。电影聚焦挪威严苛的儿童保护，按照电影剧情推展，80%中国父母应该都难逃牢狱之灾。本期 2026 戛纳特别节目第三期，由阿莫多瓦特了、Peter Cat、鲍勃粥与 Luna 在戛纳前线录制。本期节目聚焦戛纳的重磅影片，深度解析克里斯蒂安・蒙吉《峡湾》的文化冲突与制度批判，探讨罗泓轸《希望》的工业意义与主竞赛争议，以及詹姆斯・格雷《纸老虎》的古典主义复古美学与时代信息。此外，还全面评析了安德烈・兹维亚金采夫《米诺陶》的俄乌隐喻、亚瑟・阿拉里《未知》的身份哲学、拉斯洛・奈迈施《穆兰》的历史叙事争议，《所爱之人》的父女创作权利关系，以及《嘉朗丝》《深夜的恋人们》等女性视角作品的创作亮点。一起走进这期戛纳播客吧。本期嘉宾：Peter Cat电影人、深焦创始人和前主编豆瓣 @Peter Cat鲍勃粥跨东亚电影及媒介研究者、影评人豆瓣 @鲍勃粥Luna第六届深焦DeepFocus影评大赛冠军阿莫多瓦特了金球奖国际投票人费比西国际影评人联盟成员时间轴：00:00:12 开场：四位深焦前线嘉宾亮相，开启戛纳第三期特别节目00:00:31 《米诺陶》：安德烈・兹维亚金采夫暌违十年回归，以俄乌征兵为背景讲述家庭复仇故事，叙事前后割裂、议题表达单薄过时00:07:04 《峡湾》：克里斯蒂安・蒙吉首部非英语片，罗马尼亚移民夫妇在挪威因疑似体罚孩子陷入跨国司法与文化冲突00:17:04 深度争议：本质是两种文明体制的碰撞，女性角色互动提供潜在和解空间，导演模糊立场与儿童主体性缺失引发激烈辩论00:23:49 《未知》：《坠落的审判》编剧亚瑟・阿拉里新作，以身体互换高概念探讨自我身份本质，散文化反叙事风格评价两极分化00:35:54 《深夜中的恋人们》：岨手由贵子一种关注单元作品，安井雪乃饰演酗酒图书编辑，精准捕捉东京都市人的孤独与疏离00:46:29 《穆兰》：拉斯洛・奈迈施重返戛纳主竞赛，法国抵抗英雄让・穆朗传记片，传统纳粹叙事与政治表达引发强烈争议01:03:52 《所爱之人》：西班牙导演罗德里戈・索罗戈延首入主竞赛，拒绝 "父女和解神话"，犀利剖析电影创作中的权力不平等关系01:12:34 《嘉朗丝》：阿黛尔・艾克萨勒霍布洛斯主演法国片，呈现年轻演员的迷茫生活与自我救赎，法式幽默轻盈且富有共情力01:17:19 《希望》：罗泓轸十年磨一剑科幻爽片，戛纳放映现场掌声与笑声不断，中外影评人评价呈现极端两极分化01:25:06 行业意义：展现韩国顶尖物理特效与工业水准，续集与 IP 开发设定挑战了传统电影节对 "作者电影" 的单一评价体系01:36:45 《纸老虎》：詹姆斯・格雷新作获全场嘉宾盛赞，教科书级古典主义调度，被评为本届戛纳截至目前最佳作品01:39:45 时代内核：以 1986 年纽约斯拉夫裔家庭为切入点，通过微观史书写映射新保守主义崛起的当代根源本期提及影片：《米诺陶》（安德烈・兹维亚金采夫，2026）《峡湾》（克里斯蒂安・蒙吉，2026）《希望》（罗泓轸，2026）《纸老虎》（詹姆斯・格雷，2026）《未知》（亚瑟・阿拉里，2026）《深夜的恋人们》（岨手由贵子，2026）《穆兰》（拉斯洛・奈迈施，2026）《所爱之人》（罗德里戈・索罗戈延，2026）《嘉朗丝》（让娜・埃里，2026）《无爱可诉》（安德烈・兹维亚金采夫，2017）《利维坦》（安德烈・兹维亚金采夫，2014）《四月三周两天》（克里斯蒂安・蒙吉，2007）《核磁共振》（克里斯蒂安・蒙吉，2022）《哭声》（罗泓轸，2016）《汉江怪物》（奉俊昊，2006）《世界末日》（詹姆斯・格雷，2022）《小奥德萨》（詹姆斯・格雷，2008）《小野田的丛林万夜》（亚瑟・阿拉里，2021）《坠落的审判》（茹斯汀・特里耶，2023）《东京贵族女子》（岨手由贵子，2020）《惠子，凝视》（三宅唱，2022）《索尔之子》（拉斯洛・奈迈施，2015）《利益区域》（乔纳森・格雷泽，2023）《情感价值》（约阿希姆·提尔，2025）《阿黛尔的生活》（阿布戴・柯西胥，2013）本期使用音乐：开场：夏のクラクション - 稲垣潤一中插：Prelude & Fugue No. 10 in E Minor, BWV 855-Prelude - Glenn Gould结尾：I Have But One Heart (O Marenariello) - Nino Rota制作团队：监制：Peter Cat统筹：阿莫多瓦特了策划：Peter Cat剪辑：黄哲成 蒋泽平编辑：蒋泽平

Præludium: Johann Sebastian Bach: Præludium e-mol, BWV 533/I Fra det G.T.: Esajas 44,21-24 Salme: 293, vers 1-5 "Gud Helligånd, vor trøstermand" Fra det N.T.: Johannesevangeliet 16, 16-22 Korvers: Merete Kuhlmann: O Gud, vi falder dig til fode (tekst: N. F. S. Grundtvig) Salme: 635 "Vær stærk, min sjæl, i denne tid" Postludium: Johann Sebastian Bach: Fuga e-mol, BWV 533/II

Slouching Towards Bethlehem by Joan Didion  ---Exploring Joan Didion's classic Slouching Towards Bethlehem, hosts delve into the unraveling of American culture, the evolution of masculine-coded communication in leadership, and strategies for grounding meaning and tradition in turbulent times. Special guest Nikki Ballou joins Hasan Sorrells to discuss the importance of personal reflection, myth-making in modern culture, and practical steps for rebuilding trust and community in a fragmented world.Book Title: Slouching Towards BethlehemAuthor: Joan DidionGuest Names: Jesan Sorrells (Host), Nicky Billou (Guest Co-Host)---Time-Stamped Overview---00:00 Introducing: Slouching Towards Bethlehem11:40 Discussing Click Clack Moo 17:06 John Wayne's strong presence18:44 Discussing masculine communication styles28:32 Challenges in modern communication29:59 Analyzing a successful campaign strategy37:25 Comparing Dana White to John Ford44:05 Dana White's narrative strategy49:54 Interviewing in a New York blizzard51:06 Critique of Didion's solipsism57:52 Solzhenitsyn's observations on the Gulag01:03:15 Starting a religious journey01:10:59 Walking your own path01:13:59 Planning next season's book list01:23:22 Discussing the impact of Haight Ashbury01:24:50 Reflecting on 1960s counterculture01:33:12 Critique of progressivism and socialism01:34:56 Discussing Trump's impact on America01:40:27 Staying on the Path with Slouching Towards Bethlehem.---Connect with Nicky Billou everywhere:Books: https://www.amazon.com/Thought-Leaders-Journey-Fable-Life/dp/179219384X/Podcast: https://www.thethoughtleaderrevolution.com/Instagram: https://www.instagram.com/nickybillou/Facebook: https://www.facebook.com/nicky.billou/LinkedIn: https://www.linkedin.com/in/nickybillou/ ---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

Det fanns en oro i riket när de församlade ständerna den 16 juni 1527 steg in i dominikanernas kloster i Västerås för att samlas till Sveriges första riktiga riksdag med representation av alla fyra stånden.Gustav Vasa var pressad av upprorsrykten från Dalarna och stora skulder till Lübeck, men han hade en lösning – kyrkan skulle betala. Med mycken politisk teater, åtminstone enligt Peder Svarts krönika, lyckades Gustav vingklippa den mäktiga kyrkan och ta en stor del av deras rikedomar. Riksdagen blev också ett godkännande för en försiktig reformation.I detta avsnitt av podden Historia Nu samtalar programledaren Urban Lindstedt med historikern Olle Larsson som skrivit boken Gustav Vasa – Furstar bland furstar. Detta är ett betalt samarbete med Västersås stad i inför 500 års-jubileet av Västerås riksdag år 1527.Västerås år 1527 räknas ofta som den första riksdagen i modern mening därför att ständerna här framträder tydligare som politiska aktörer i en förhandlingsprocess. Omkring 200 ledamöter nämns, och kungen lade fram sin proposition medan ständerna gav egna svar – ett mönster som gör det möjligt att tala om en riksdag som institution snarare än ett utvidgat rådsmöte.Att riksdagen hamnade i Västerås var inte självklart. Den var ursprungligen tänkt att hållas i Söderköping, men de oroliga förhållandena, särskilt i Dalarna, gjorde platsvalet osäkert. Västerås låg strategiskt så att kungens militära uppbåd snabbt kunde sättas in om läget försämrades norrut.Själva mötet kunde inte hållas på slottet eftersom det var härjat av unionsstriderna, och därför samlades man i dominikanernas kloster. Att just klostret blev riksdagens arena är talande: kort efteråt revs byggnaden och teglet användes för att renovera slottet – ett konkret eko av hur kyrkans resurser skulle komma att styras om till kronans behov.Det är också viktigt att notera att representationen inte var fullständig; den östra rikshalvan, Finland, var inte representerad. Ändå var uppslutningen och dokumentationen tillräckligt stark för att ge besluten särskild tyngd och för att Västerås 1527 i efterhand ska uppfattas som en milstolpe i riksdagens framväxt.I svensk tradition berättas också hur Gustav Vasa under förhandlingarna spelade högt – bland annat genom att antyda att han kunde avsäga sig ansvaret att styra om han inte fick stöd. Själva förloppet är källkritiskt svårt att följa i detalj; en central berättande källa är Peder Svarts krönika, som är omdiskuterad. Utfallet är däremot entydigt: ständerna accepterade en kursändring som gjorde kyrkans rikedomar åtkomliga för kronan.Bildtext: Västerås riksdag. Illustration av Elias Martin till Peder Svarts krönika, sent 1700-tal. På bilden skildras hur de fyra stånden håller enskilda överläggningar under riksdagen i Västerås 1527: adeln längst till vänster, därefter prästerna samlade kring biskop Brask (med biskopsmitra), följda av borgare och bönder. Bakom dem står kanslern Laurentius Andreæ, igenkännbar med långt skägg och kalott. Bilden ingår i samlingarna vid Uppsala universitetsbibliotek.Musik: Aria för sopran med obligat oboe ur Johann Sebastian Bachs kantat BWV 80, Ein' feste Burg ist unser Gott, komponerad och framförd i kyrklig kontext i Leipzig 1723. Musikexemplet belyser hur luthersk koraltradition blev konstmusik under reformationstidens efterklang. Johann Sebastian Bach. Wikimedia Commons. Public domain,Klippare: Emanuel Lehtonen Hosted on Acast. See acast.com/privacy for more information.

Books smuggle ideas across time. ---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

Prelude and Fugue in G Minor, BWV 55 Johann Sebastian Bach (1685-1750) - Robert Griffith by First Community Church

durée : 00:30:41 - par : Corinne Schneider - Bach compose cet Oratorio de l'Ascension BWV 11 « Lobet Gott in seinen Reichen, Himmelfahrt Oratorium » / « Louez Dieu en son royaume » à Leipig pour le 19 mai 1735 selon le principe de la parodie, à partir de musiques préexistantes. - réalisation : Noé Mignard, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:07:37 - par : Corinne Schneider - réalisation : Noé Mignard, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

When God saw what was happening in Shinar, his response almost makes it sound like he is worried that humans might pose a threat to his authority. But God is concerned about humans, not himself. That's why he imposed limitations on their project and abilities.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

J. S. Bach: Goldberg Variations, BWV 988: AriaPi-hsien Chen, pianoMore info about today's track: Naxos 8.550078Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

5月13日，戛纳首个竞赛日，主竞赛单元率先亮相的是深田晃司导演的《奈义日记》和夏琳·布儒瓦-塔凯察导演的《一个女人的生活》。从《奈义日记》里两位前姑嫂在雕塑工作室和低声絮语中情感的缓慢靠近，《一个女人的一生》里一场意外降临的中年爱情，《瘴气营地的青春性事与死亡》里女导演与女演员之间那道炽热的电流，这几部影片，不约而同地将女性之间的凝视与情感置于叙事中心，展现了对性别议题的丰富充沛的想象和探索。与此同时，4K修复版的《霸王别姬》的放映也在这天进行。5月14日，戛纳迎来第二个竞赛日，前方出现口碑爆款、帕维乌·帕夫利科夫斯基的《故土》！不仅我们前方的小伙伴们一致给出高分，《银幕》场刊评分更是给出了3.4分，领跑主竞赛全场。82分钟短小精悍的篇幅，对连日赶场而疲惫不堪的记者们来说，绝对犹如天降甘霖，自动在评论时多加半星。下半场则是伊朗名导阿斯加·法哈蒂的《平行故事》，与此同时，“一种关注”单元则放映了智利导演马努埃拉·马尔特利的《冰释雪融》。本期2026 戛纳特别节目第一期，由阿莫多瓦特了、Peter Cat与鲍勃粥在戛纳前线录制。节目聚焦戛纳开幕以来的前两个竞赛日，从全场热议的 AI 话题切入，探讨德尔·托罗、福茂等电影人对 AI 的不同态度，以及 AI 对全球尤其是中国电影工业的深层冲击。节目中三位嘉宾深度评析了第一个竞赛日主竞赛单元开幕片深田晃司的《奈义日记》的文本野心与风格转型；讨论了法国导演夏琳・布儒瓦—塔凯的《一个女人的生活》的性别议题与叙事问题；解读了一种关注单元开幕片《瘴气营地的青春性事与死亡》的媒介自反与酷儿表达；分享了《霸王别姬》4K 修复版时隔 33 年重返戛纳经典单元的现场盛况。对于第二个竞赛日，则讨论了对导演双周开幕片康捷米尔・巴拉戈夫《蝴蝶果酱》的期待落差，以及帕维乌・帕夫利科夫斯基《故土》的古典主义力量与阿斯加・法哈蒂《平行故事》的叙事溃败。本期嘉宾：阿莫多瓦特了金球奖国际投票人费比西国际影评人联盟成员Peter Cat 电影人、深焦创始人和前主编鲍勃粥 跨东亚电影及媒介研究者豆瓣 @鲍勃粥影评人时间轴：00:00:07 开场：戛纳开幕第二天首个竞赛日现场播报00:00:35 全场热议 AI 话题：德尔·托罗放映现场的激进宣言与评审团的多元态度00:02:22 福茂的 "电动自行车" 比喻：技术是工具而非替代，核心仍是创作本身00:02:56 AI对中国电影行业的冲击：开机量断崖式下跌与资方普遍观望心态00:05:39 为什么奇幻导演最痛恨 AI：创作成果被无偿剥削与特效成本的重构00:08:11 趋势观察：现实主义小成本文艺片反而成为 AI 时代最具性价比的选择00:09:08 主竞赛第一部：深田晃司《奈义日记》的风格转型与入围争议00:16:32 鲍勃粥五星解读：文本层面的地缘政治与二战历史创伤反思00:22:43 核心议题辨析：对 "脱亚论" 与新自由主义性别平权叙事的双重批判00:25:27 艺术作为实践：影片如何通过雕塑、建筑探讨人与人的连接与社群构建00:29:36 日本电影媒介理论传统：主体性议题在当代创作中的延续与发展00:31:36 警惕 "在地性" 的陷阱：乡村叙事与日本民族主义的历史关联00:35:28 主竞赛法国片：夏琳・布儒瓦—塔凯《一个女人的生活》的平庸与问题00:37:45 性别议题的悬浮：套壳政治正确的 "反内卷" 松弛叙事00:40:49 双重争议点：亚洲女性形象的刻板印象与医疗伦理的缺失00:45:27 表演评析：蕾雅・德吕盖的演技是否足以支撑影片拿奖00:47:15 本届评审团前瞻：左派倾向与多元背景可能带来的奖单走向00:49:33 一种关注开幕片：《瘴气营地的青春性事与死亡》的元电影实验00:51:18 译名纠正与影片核心：恐怖 IP 重启背后的媒介反思与酷儿表达00:54:42 超越身份政治：影片对恐惧与欲望边界的探讨与对 "觉醒叙事" 的戏谑00:56:41 观众作为生产者：邪典电影文化与当代媒介消费的反向创作00:59:09 戛纳经典单元：《霸王别姬》4K 修复版重映，巩俐亲临现场引发华语影迷狂欢01:00:54 修复版本说明：2023 年 30 周年修复版新增 20 分钟内容，近年已在多国重映01:03:40 导演双周开幕片：康捷米尔・巴拉戈夫《蝴蝶果酱》的期待与失望01:05:55 导演背景梳理：索科洛夫训练营出身的俄罗斯新浪潮代表01:07:52 影片评析：意象堆砌与叙事断裂，移民社群题材的表达局限01:12:47 主竞赛惊喜：帕维乌・帕夫利科夫斯基《故土》的古典主义美学01:16:00 文本内核：托马斯・曼的德国之旅与冷战初期的意识形态张力01:19:25 核心冲突：宏大观念与私人情感的割裂，对日耳曼浪漫主义的反思01:26:43 主竞赛争议：阿斯加・法哈蒂《平行故事》的概念先行与叙事崩塌01:27:16 致敬与落差：对基耶斯洛夫斯基的生硬模仿与剧作的空洞化01:34:06 问题剖析：人物动机缺失，元小说概念未能落地于真实生活本期提及影片：《奈义日记》（深田晃司，2026）《一个女人的生活》（夏琳・布儒瓦—塔凯，2026）《瘴气营地的青春性事与死亡》（简・申布伦，2026）《蝴蝶果酱》（康捷米尔・巴拉戈夫，2026）《故土》（帕维乌・帕夫利科夫斯基，2026）《平行故事》（阿斯加・法哈蒂，2026）《潘神的迷宫》（吉尔莫・德尔・托罗，2006）《恋爱裁判》（深田晃司，2025）《临渊而立》（深田晃司，2016）《爱情生活》（深田晃司，2022）《雷诺阿》（早川千绘，2025）《阿娜伊斯的爱恋》（夏琳・布儒瓦—塔凯，2021）《137 号案件》（多米尼克·摩尔，2025）《为了亚当》（劳拉·万德尔，2025）《塔尔》（托德・菲尔德，2022）《枯叶》（阿基・考里斯马基，2023）《荧屏在发光》（简・申布伦，2024）《我们要去世界博览会》（简・申布伦，2021）《洛基恐怖秀》（吉姆・沙曼，1975）《房间》（托米・韦素，2003）《霸王别姬》（陈凯歌，1993）《高个儿》（康捷米尔・巴拉戈夫，2019）《狭隘》（康捷米尔・巴拉戈夫，2017）《松开拳头》（基拉・科瓦连科，2021）《修女艾达》（帕维乌・帕夫利科夫斯基，2013）《冷战》（帕维乌・帕夫利科夫斯基，2018）《一次别离》（阿斯加・法哈蒂，2011）《过往》（阿斯加・法哈蒂，2013）《杀人短片》（克日什托夫・基耶斯洛夫斯基，1988）《爱情短片》（克日什托夫・基耶斯洛夫斯基，1988）《合法副本》（阿巴斯・基亚罗斯塔米，2010）《完美的日子》（维姆・文德斯，2023）《邪恶不存在》（滨口龙介，2023）《寂静的朋友》（伊尔蒂科·茵叶蒂，2025）《哈姆奈特》（赵婷，2025）《去死吧，我的爱》（琳恩·拉姆塞，2025）《最小的女儿》（阿弗西娅·埃尔奇，2025）书籍：《魔山》（托马斯・曼）本期使用音乐：开场：.and Alone (From -Hana-Bi- Soundtrack) - 久石譲中插：The Well-Tempered Clavier, Book 1-Prelude and Fugue No. 12 in F minor, BWV 857 - Sviatoslav Richter结尾：Schön Rosmarin - Arthur Grumiaux-Istvan Hajdu制作团队：监制：Peter Cat统筹：阿莫多瓦特了策划：Peter Cat剪辑：黄哲成编辑：蒋泽平

We are coming closer to the end of our series on the Fall and Rise of the House of Habsburg. We have seen the reconsolidation of Austria, the acquisition of Burgundy, the inheritance of Spain and today, we will look at the last stages of the Italian wars. This conflict, kicked off by king Charles VIII in 1494 had given “rise to changes of dominions, subversion of kingdoms, desolation of countries, destruction of cities and the cruellest massacres, but also new fashions, new customs, new and bloody ways of waging warfare, and diseases which had been unknown to that time”. Many players of this game had exited stage left and it was now just France and the Habsburgs in various alliances with the remaining Italian powers, who fought for control. The War of the League of Cognac, 1526 to 1530 was when brutality reached its zenith with the Sacco di Roma, the Sack of Rome that brought back the specter of the Vandals.A lot of drama to get through.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFor do it yourself merchandise go to: Merchandise • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the ReformationThe Empire in the 15th centuryThe Fall and Rise of the Habsburgs

A Book of Common Prayer by Joan Didion w/Tom Libby & Jesan Sorrells---Delving into Joan Didion's A Book of Common Prayer, Jesan Sorrells and guest Tom Libby analyze the intersections of perception, privilege, and empathy within leadership. They discuss the pitfalls of solipsism, the evolving role of journalistic language, and how understanding regional and cultural context is essential for authentic engagement. The conversation expands to address practical empathy in business, the impact of technology on communication, and the necessity of fostering grounded values at home and in organizations.Book Title: A Book of Common PrayerAuthor: Joan DidionGuest: Jesan Sorrells (Host), Tom Libby (Co-Host)---Time-Stamped Overview---00:00 Introducing A Book of Common Prayer07:44 A challenging day so far12:28 Winning a Vogue essay contest19:28 Discussing an underrated author26:48 Discussing editors and literary history30:45 Discussing LLMs and word precision36:26 Charlotte at Boca Grande airport39:28 Joan Didion and Central American conflicts44:03 Objective reporting in conflict zones53:59 WNBA pay and revenue discussion58:28 Nature versus nurture discussion01:01:57 Self-improvement and career inspiration01:05:51 Money's Impact on Boca Grande01:14:35 Discussing sympathy versus empathy01:21:43 Discussion on failed assassination attempt01:25:31 Business lessons from the book01:27:57 Ending the conversation---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

Leaders, the scourge of our time, is one Joan Didion spotted, because it lay deep within herself. ---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★

durée : 00:12:13 - par : Corinne Schneider - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:19:49 - par : Corinne Schneider - Bach compose la Cantate BWV 87 « Bisher habt ihr nichts gebeten in meinem Namen » / « Jusqu'à présent, vous n'avez rien demandé en mon nom » à Leipaig pour le 5e dimanche après Pâques (6 mai 1725), à partir d'un texte de la poétesse Christiana Mariana von Ziegler. - réalisation : Anne-Lise Assada, Geneviève Cras Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Moses tells us in Genesis 11:5 that “the LORD came down to see the city and the tower that the sons of men had built.” How are we supposed to understand expressions like this?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

In 1521 four men dominated Europe. They were all in their twenties: King Henry VIII of England, born 1491, King Francois I of France, born 1494, Suleiman the Magnificent, Ottoman Sultan, born that same year, 1494 and the youngest of them, Charles V, Holy Roman Emperor, King of Spain, Sicily, Naples and Sardinia, lord of the Netherlands, duke of Austria and Count of Tyrol.How the world had changed. In the days of Charles' predecessor, the emperor Maximilian, European politics was a impenetrable maze of alliances and enmities involving roughly a dozen mid-sized powers trying to get a leg up on each other.Now we are down to four guys, dancing a political Ceilidh, all elegantly dressed, swiftly moving and swapping partners at every turn.In this episode we are going to look at the first rounds of Gay Gordons and Dashing White Sergeants up to the point where Charles V gets a lock on Francois I at the Battle of Pavia in 1525The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFor do it yourself merchandise go to: Merchandise • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the ReformationThe Empire in the 15th centuryThe Fall and Rise of the Habsburgs

【主播的话】去年一个偶然的机会，我在纽约认识了高琴教授，还发现我们是邻居。在那之前，我已经对高琴教授的有所耳闻。她是著作丰硕的社会政策学者，在哥伦比亚大学社会工作学院任教，是讲席教授，同时担任博士项目主管副院长，以研究中国贫困问题见长。她常年组织大规模的社会调查，用数据来研究贫困的根源、影响与政策应对。她同时还是哥大“亚裔美国人”项目主任。在哥大——一个竞争激烈、精英云集、以全球化和多元化闻名、但却仍然主要由白人学者执掌的常春藤高校——能做到管理层的亚裔女性，仍然少之又少。这背后所需要的努力与卓越，超出常人想象。认识之后，邻里的便利让我们多了一些深聊的机会。串门这件事，在硕大的纽约并不常见——跟朋友约着喝个咖啡，通勤很可能要一小时以上。我们俩都来自县城，分享着从小地方到北京再到美国的点滴，在繁华的纽约这也不常见——能在这里留下扎根的华人朋友，大多数还是出身于中国的大城市，有着较好的家庭支持。我带着初到纽约的许多困惑，向她寻求过职业上的建议、也分享过生活的琐碎。而她也总是在极其繁忙的日程中挤出时间，跟我见面或者电话。我渐渐感到，她的本人比外在那些光鲜的标签还要闪光。她告诉我，自己如何开始对贫困问题感兴趣：在并不发达的山西县城长大，她从小就对贫困问题有切身感知。有乞丐上门讨食，奶奶永远会为他们准备食物，不让这些人空手而归。她那时就播下了种子，想知道：穷人为什么会如此贫穷？有什么办法可以改变他们的境遇吗？后来她离开山西、去了北京、上了北大；又离开中国、到了纽约，加入哥大，成为了全球知名的贫困和不平等研究学者。通过研究政策、改变政策的方式，为这些根深蒂固的贫困问题提出解法。在与高琴老师的数次聊天中，我时常感到启发与鼓舞。便向她发出邀请，到播客上来做一次分享，希望更多的人——特别是那些在世界不同地方被贫困、阶层、社会地位、性别种族偏见、历史周期暂时困住了的人——可以听到她的故事。【本期主播】王磬：微博@王磬【本期嘉宾】高琴：哥伦比亚大学莫里斯 · 罗素社会政策与社会工作实务讲席教授，社会工作学院博士教育主管副院长，哥大中国社会政策研究中心的创始主任，哥大“亚裔美国人”项目主任【本期剧透】01:41 童年种子：从山西农村到县城的人生跃迁07:15 从贵州/山西到北京，贫富差距与视野巨变10:33 不仅要看贫困率的“面”，更要看贫困人口具体的感受和体验的“深度”16:32 低收入人口如何界定？低收入意味着什么？21:07 中国低保制度的缘起与发展25:29 福利会养懒汉吗？中、美、欧的福利观有何不同？29:52 在美华人日渐增多，如何做这个群体的社会调查？37:37 亚裔美国人研究项目：从社会科学视角补齐历史缺失42:07 亚裔女性学者需要找到自己的勇气与能动性50:04 如何向学界证明亚裔课题的重要性？56:57 纽约生活与归属感：在第二故乡回馈社会【Get In Touch】高琴教授最近也刚刚开设了专门助力亚裔女性在美国职场发展的教练与培训服务。如果对此类服务感兴趣，欢迎发邮件咨询：gaocoaching@gmail.com【相关阅读】福利、工作与贫困：中国的社会救助Welfare, Work, and Poverty: Social Assistance in China作者：高琴出版社：Oxford University Press出版时间：2017年本书对中国主要的社会救助项目——“最低生活保障制度”（简称“低保”）自1993年建立以来的影响和成效进行了系统且全面的评估。低保制度肩负着双重功能：既要为贫困人口提供基础的安全网，又要维护社会的政治稳定。书中利用大量的实证研究证据，分析了这一全球覆盖人口最多的福利项目的实际运作情况。该书为政治学家、经济学家、社会学家、公共政策研究者以及社会工作者提供了理解当代中国社会转型和安全网构建的重要参考文献。Poverty Tracker纽约市贫困追踪者项目由哥伦比亚大学贫困与社会政策中心（Center on Poverty and Social Policy, CPSP）与纽约最大的扶贫慈善机构罗宾汉基金会（Robin Hood Foundation）共同发起。通过长期、高频的追踪，动态观察纽约居民如何进入贫困、如何挣扎以及如何脱贫。该项目于2012年启动，追踪一个由约 3,000 至 4,000 户纽约市家庭组成的代表性样本。项目最初每三个月（季度）进行一次调研，以捕获短期生活波动（如一次突发的医疗支出或失业）。自2022年起，调研频率调整为每年三次（即每四个月一次）。除了传统的“收入贫困”指标，它还衡量物质匮乏（如食物不足、无力支付账单）、健康状况以及社会流动性。其数据多次被纽约市政府用于评估最低工资政策、带薪家事假以及税收减免的效果，是美国地方政府制定反贫困政策的重要实证基础。根据其2026年3月发布的最新年度报告显示，由于通货膨胀和生活成本上升，纽约市的贫困率已攀升至 26%（约220万人）。罗宾汉基金会研究报告页面：https://robinhood.org/reports/poverty-tracker-annual-report-vol-8/哥伦比亚大学官方页面：https://povertycenter.columbia.edu/node/191全美华人调查National Survey of Chinese Americans该研究由哥伦比亚大学社会工作学院（高琴教授团队）与百人会（Committee of 100）于2022年联合开展首轮调查。它是目前针对美国华裔群体规模最大、覆盖面最广的社会调查之一，样本量接近 6,500名华裔成年人。调查不仅关注人口普查式的基本数据，更深入探讨了以下议题：身份认同与归属感：华裔如何看待自己在美身份以及“永久外国人”的刻板印象。歧视与心理健康：量化反亚裔仇恨（Anti-Asian Hate）对华裔日常生活、心理安全感的影响。政治参与度：华裔在选举、社区事务中的参与现状及政治偏好。经济贡献与差距：打破“模范少数族裔”的单一叙事，揭示华裔内部巨大的经济差距与贫困问题。该调查的数据为政策制定者、社区组织和学术界提供了极具价值的实证支持，旨在消除对华裔群体的误解，推动针对该群体的社会服务与政策改善。哥大中国社会政策中心研究报告发布页面：https://chinacenter.socialwork.columbia.edu/news/full-report-the-state-of-chinese-americans百人会官方项目主页 (State of Chinese Americans)：https://www.committee100.org/our-work/state-of-chinese-americans-survey/【本期音乐】Goldberg Variations, BWV. 988 - Variation 18. Canon on the sixthGoldberg Variations, BWV. 988 - Variation 7【节目制作】方改则【Logo设计】刘刘（ins: imjanuary)【互动方式】小红书@不合时宜微博@不合时宜TheWeirdo商务合作可发邮件至 hibuheshiyi@126.com 或微博私信会员计划咨询可添加微信：hibuheshiyi3 或发送邮件至 hibuhehsiyi@gmail.com

The Optimist's Daughter by Eudora Welty w/Tom Libby & Jesan Sorrells---Explore how Eudora Welty's The Optimist's Daughter delves into themes of grief, regional identity, and the challenge of preserving cultural memory in a rapidly globalizing world. Jesan Sorrells and Tom Libby discuss the impact of community traditions, the evolving role of observation in literature, and the struggle to find objective meaning amid today's digital noise. They highlight the contrast between sincere storytelling and modern content creation, drawing leadership lessons from Welty's keen insight into relationships and local culture.Book Title: The Optimist's DaughterAuthor: Eudora WeltyGuests: Jesan Sorrells (Host), Tom Libby(Co-Host)---Time Stamped Overview---00:00 Exploring existential themes in media10:46 Discussing a lesser-known author14:13 Discussing influential female authors21:13 Discussing African American Identity24:16 Global access to regional language28:08 Taylor Sheridan and rural storytelling36:00 Future writers' digital observations41:56 Funeral and community support46:31 Laurel's perspective and social commentary53:22 Discussing early misconceptions of truth58:02 Muddied information and confusion01:04:35 Boxer confronts online critic01:09:58 Handling past failures in marketing01:11:41 Lessons in leadership and kindness01:15:56 Losing traditional learning methods01:22:08 Star Wars fandom and cultural shifts01:30:00 Generational conflicts and technology gaps01:35:42 Observing before taking action01:38:14 Concluding a discussion without resolution---Opening theme composed by Felipe Sarro - Bach - Silotti - "Air"  from Orchestra Suite No. 3, BWV 1068 Closing theme composed by Brian Sanyshyn of Brian Sanyshyn Music.---Pick up your copy of 12 Rules for Leaders: The Foundation of Intentional Leadership NOW on AMAZON!Check out the Leadership Lessons From the Great Books podcast reading list!---Subscribe to the Leadership Lessons From The Great Books Podcast: https://bit.ly/LLFTGBSubscribeCheck out Leadership ToolBox at: https://leadershiptoolbox.us/ ★ Support this podcast on Patreon ★ ---

Maximilian I died on January 12th, 1519. But his likeness is everywhere. None of his predecessors left behind as many depictions of their life, from being fed by his nurse as a toddler to the Totenbild, the picture of the emperor in death, stripped of all his paraphernalia, even his teeth broken out.If you search in google for the most reproduced image of a Holy Roman Emperor, two come up, the portrait of Maximilian that Albrecht Dürer produced in Augsburg in 1518, as shown on last weeks episode artwork and Titian's equestrian portrait of Charles V after the battle of Mühlberg, which in turn is a composition that goes back to several equestrian portraits of Maximilian I.Basically, Maximilian I is the most visually present Holy Roman emperor of them all. And that is not by chance. As he said on several occasions, quote:"Whoever does not provide for his commemoration during his lifetime has no commemoration after his death and is forgotten with the sound of the bell that rings at his burial"The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFor do it yourself merchandise go to: Merchandise • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the ReformationThe Empire in the 15th centuryThe Fall and Rise of the Habsburgs