Podcasts about bwv

Hello friends of the History of the Germans. I am afraid there will not be an episode this week. I would have preferred to say that I have caught a bug or something, but the truth is, I just could not put something together that lives up to your and my standards. Sorry, this does not happen very often, but it does. The muse was busy somewhere else or missed the entry point for my humble attic. So, rather than wasting your time with something sub-par, I decided to call it off for this week. I will go back to the drawing board and make sure something sensible shows up in your feed next week.If however you need your weekly fix of German history content, you can go to the History Rage Podcast where Paul Bavil allowed me to go on for far too long about my pet hate, which is people endlessly repeating Voltaire's quip that the Holy Roman empire was neither Holy, nor Roman nor an empire. Not only is that joke 200 years old, it isn't even accurate. https://pod.fo/e/3330ceAnd if you are of a gentler disposition and cannot bear me losing my rag, you can always prepare yourself for next week's episode by listening back to some older episodes where we have discussed the mid-15th century in the Hanseatic League, Prussia, Bohemia and Germany. For instance episode 122, where we heard how right around this time the Hanseatic League's stranglehold over the Baltic led to a collapse of the once sprawling herring fair in Scania and the rise of the Dutch herring industry based in Amsterdam. In episode 136 we covered the 13-year long war between the Teutonic Knights and the cities and major aristocrats of Prussia, that started in 1454 and ended up with the loss of Gdansk and Western Prussia. The Mainzer Stiftsfehde and the Furstenkrieg that also fall into this period is so complex, we had to break it down into multiple podcasts. Episode 186 about Mainz and Hessen, 189 about the Count Palatine on the Rhine and his conflict with Friedrich III, 191/192 where we look at the involvement of Baden and Wurttemberg, and 196 and 197 about the internecine warfare in Bavaria that linked into it. Or just think of a number, any number between zero and 209, and listen to that episode. Either that or listen to any of the thousands ad thousands of other great episodes talented podcasters put out every week.See you next week.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you...

durée : 00:23:12 - BWV 120" Gott, man lobet dich in der Stille " - Bach compose la Cantate BWV 120 « Gott, man lobet dich in der Stille » / « Dieu, on te loue dans le silence de Sion », pour fêter l'élection du nouveau Conseil Municipal de Leipzig de l'année 1728 ou 1729. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:16 - Bach et l'orgue du dimanche 05 octobre 2025 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

82版银翼杀手中仿生人Roy 在生命终结前说道「 I've seen things you people wouldn't believe.我所见过之事 人类绝对无法置信Attack ships on fire off the shoulder of Orion.我目睹战船在猎户座一端起火燃烧I've watched c-beams glitter in the dark near the Tannhauser Gate.我看过C射线在唐怀瑟之门附近的黑暗中闪烁All those ... moments 所有这些时刻will be lost in time,终将流逝在时光中 like tears...in rain.如同眼泪 消失在雨中」

In explicitly giving “all that lives and moves” to humans for food, God makes two exceptions. The first we covered last week. We now begin covering the second, that human life should not be taken for food, or for any reason, except as punishment for the taking of another human life.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Today we – and the Habsburgs – stride back on to the grand stage of European politics. Not with a titan of history or monarch whose long and fruitful reign resonates across the centuries, but with Friedrich III, better known as the Reichserzschlafmütze - the imperial arch sleepy head, Or perhaps more fittingly the imperial arch dawdler.He ruled from 1440 to 1493, a total of 53 years - the longest reign of any Holy (or unholy) Roman Emperors (bar Constantine VIII). And yet, is also the most derided of reigns. In 1878 the Historian Georg Voigt sneered: “He was not remotely capable of handling such far-reaching politics, leaving Bohemia to its own devices, the Hungarian throne dispute to the helpless queen dowager, Austria to the arrogant dynasts, and the mercenary and robber bands.” “His light, simple hair, his long face with little movement, and his sedate gait betrayed a sluggish, deliberate nature, to which any enthusiasm, indeed any excitement, was alien. His love of peace has been endlessly mocked, but it was based on a completely dull sense of manhood and honour. No prince was so easily consoled by such insolent and repeated insults.” End quote.Modern historians are kinder, praising his thorough education and dogged determination to preserve what was left of the majesty of the Holy Roman Emperors. But even they can't avoid calling him flabby, underhand and happy to sell out his friends and allies. Not exactly the kind of guy one wants to spend three or four episodes with. But this is history, not Hollywood. The nice guys do not usually win by yanking hard on the levers of destiny. More often than not tenacious men of low cunning, who weasel their way through, are the ones who are bringing the results.And results he did get. At the end of his reign, the empire had changed profoundly. The open constitution of the Middle Ages had given way to a denser and more structured organization.Why and how Friedrich III – despite all his many shortcomings - got to move the needle of German history is what we will look at over the next few weeks.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season.

Las primarias que se hacen en las partidocracias son pantomimas copiadas de la tradición democrática de Estados Unidos de América. Fuentes del audio: Radio libertad constituyente: https://www.ivoox.com/rlc-2016-02-02-albert-rivera-no-descarta-irse-a-audios-mp3_rf_10286907_1.html Música: Allegro. BWV 1055. J.S.Bach. --------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

durée : 00:21:05 - Cantate BWV 149 « Man singet mit Freuden vom Sieg » - Bach compose la Cantate BWV 149 « Man singet mit Freuden vom Sieg » / « On chante la Victoire avec joie » à Leipzig pour célébrer la fête de la Saint-Michel (29 septembre 1728). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:15:25 - Variations canoniques sur le choral « Vom Himmel hoch » BWV 769 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

微信公众号：「听潮馆」（chaoyudushu)。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【听潮馆】发布 。QQ：647519872 背景音乐：1.Brian Tyler - Bludworth；2.Park Jong Hoon - Aria (Chong Park)；3.服部克久 - Horizon(Instrumental Version)；4.Khatia Buniatishvili - Cantata, BWV 208： No. 9, Schafe können sicher weiden (Arr. for Piano)；5.David Davidson - Moon River (Silver Screen Classics Album Version)。

Præludium: Johann Gottfried Walther: Schmücke dich, o liebe Seele Davidssalme: 71,15-18 Salme: 743 vers 1-4 "Nu rinder solen op af østerlide" Fra det N.T.: Galaterbrevet 5,25-6-8 Trosbekendelsen Salme: 743 vers 5-7 Postludium: Johann Sebastian Bach: Wir glauben all an eine Gott, Schöpfer, BWV 680

Genesis 4:2–4 seems to strongly suggest that humans were already eating meat from animals before the Flood. So why does God specifically sanction the human eating of meat after the Flood? And why does he only give one restriction here, when he gives many more later?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Last week we saw the family slowly climbing out of the hole that Friedrich IV of the Tyrol had dug them. But despite all these consolidation efforts, the family was still in the second league of European princely families. Then, just 25 years after Ernst the Iron married down into minor Polish royalty, his first cousin once removed, Albrecht V became King of Hungary, King of the Romans and King of Bohemia, all in one single year, 1438. How was that possible? Here is friend of the podcast, Eneas Silvio Piccolomini summarizing events: quote Albrecht grew up and married Elizabeth, daughter of King Sigismund. She was a very beautiful woman, who lived with him most virtuously. After the Bohemians had turned to heresy and terrorised all their neighbours with wars, he alone, with great strength, protected Moravia and Austria, and the damage he inflicted upon the Bohemians was not less than the damage he took from them. He was always in arms and, like the Bohemians, used waggon formations in battle. Making his soldiers undergo hard military training, Albrecht was the only one of all their neighbours whom the Bohemians feared, having been often defeated by him and put to flight.When his father-in-law Sigismund died, the Hungarians soon called him to the kingship, and the Bohemians followed suit. Thus, in a very short time, he gained two large kingdoms. In the meantime, the electors of the Empire, having heard about Sigismund's death, elected Albrecht as King of the Romans and sent their decree to him in Vienna.” End quoteBish bash bosh – that is it, end of episode. Thanks for coming.OK, maybe we have to go with Skipper from the Penguins of Madagascar and demand: Kowalski- AnalysisThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture Controversy

Præludium: Johann Sebastian Bach: Præludium i e-mol, BWV 533/I Fra det G.T.: Ordsprogenes Bog 16, 16-20 Salme: 738, vers 1-6 O "Gud, ske lov til evig tid" Fra det N.T.: Matthæusevangeliet 19, 16-26 Korvers: Johann Sebastian Bach: Gud Helligånd! I tro os lær (Tekst: B. Ringwaldt 1581, S. Jonæson 1693) Salme: 738, vers 7-10 Postludium: Johann Sebastian Bach: Fuga i e-mol, BWV 533/II

In a special two-part Hear the Dance Episode, host Silas Farley leads us on a wide-ranging discussion of Jerome Robbins' 1971 ballet The Goldberg Variations. In this first part, Farley is joined by former NYCB Dancer Bruce Wells, an original cast member, and current Principal Dancer Emilie Gerrity, one of the ballet's present-day interpreters. Wells shares the challenges Robbins faced after an injury forced him to choreograph from a wheelchair, as well as highlights from the year-long creative process. Gerrity describes the "class" section of this monumental ballet as "simple but beautiful," and recalls learning the work from original dancer Christine Redpath, among other memorable coaches. (1:12:53) Written by Silas Farley Edited by Emilie Silvestri MUSIC:  Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach All music performed by New York City Ballet Solo Pianist Susan Walters Quotations from the writings of Lincoln Kirstein are © 2019 by the New York Public Library (Astor, Lenox and Tilden Foundations) Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Bach: Music in the Castle of Heaven by John Eliot Gardiner Bach's Musical Universe: The Composer and His Work by Christoph Wolff Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein

In the second part of this deep dive Hear the Dance discussion of Jerome Robbins' The Goldberg Variations, host Silas Farley is joined by former NYCB Dancers and current Repertory Directors Christine Redpath and Jean-Pierre Frohlich. Redpath, an original cast member of Goldberg, digs into Robbins' approach to the creation of this remarkably multi-faceted ballet, while Frohlich remembers the adjustments the choreographer made through the ensuing performances. Both talk about coaching Goldberg on today's company members and the ways in which the work has influenced the dancemakers of today. (42:29) Written by Silas Farley Edited by Emilie Silvestri MUSIC: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Aria with Variations in G, BWV 988 (1742), "The Goldberg Variations" by Johann Sebastian Bach All music performed by New York City Ballet Solo Pianist Susan Walters Quotations from the writings of Lincoln Kirstein are © 2019 by the New York Public Library (Astor, Lenox and Tilden Foundations) Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, by Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Bach: Music in the Castle of Heaven by John Eliot Gardiner Bach's Musical Universe: The Composer and His Work by Christoph Wolff Thirty Years: Lincoln Kirstein's The New York City Ballet by Lincoln Kirstein Repertory in Review: 40 Years of the New York City Ballet by Nancy Reynolds, with an Introduction by Lincoln Kirstein

En el Estado de partidos no hay representación, solamente hay integración de las masas en el Estado. La no separación de poderes hace que el poder no pueda ser controlado. Fuentes del audio: Radio libertad constituyente: https://go.ivoox.com/rf/25624339 Música: Allegro. BWV 1055. J.S.Bach. --------- - Vía iVoox: haz clic en APOYAR (botón de color azul). - Vía Paypal: https://www.paypal.com/donate?hosted_button_id=Y4WYL3BBYVVY4 - Vía Patreon: https://www.patreon.com/MCRC_es ------------ mcrc.es diariorc.com yonovoto.info

durée : 00:21:47 - Cantate BWV 193 « Ihr Tore zu Sion » - Bach compose la Cantate BWV 193 « Ihr Tore zu Sion » / « Vous, portes de Sion » pour le renouvellement du Conseil Municipal de Leipzig le 25 août 1727. La partition est parvenue jusqu'à nous de manière très lacunaire. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:07:22 - Choral pour orgue « Aus tiefer Not schrei ich zu dir » BWV 686 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Why do animals that could easily overpower and kill humans run away from them? Why do bugs and critters and fish fly and scurry and swim away as humans approach? Moses gives us the answer as he continues to record God's promises to Noah and his family after the Flood.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:07:47 - Le Bach du matin du samedi 20 septembre 2025 - Accompagné de l'ensemble Les violon du Roy dirigé par Bernard Labadie, le pianiste Alexandre Tharaud interprète le Concerto en ré min BWV 1052 de Jean-Sébastien Bach. Nous en écoutons ce matin l'Allegro. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:04:21 - Le Bach du matin du vendredi 19 septembre 2025 - Notre Bach du matin est un Bach britannique puisqu'András Schiff interprète la Suite anglaise pour piano n°6 en ré min BWV 811 : 5. Gavotte I et II. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

“The Habsburgs ruled half of Europe with a chin that entered the room five minutes before they did,” is one of those witticisms that made the 19th century so amusing. But by then the Habsburg jaw had long receded. It had its heyday in the 16th and 17th century when people in Spain called out to the future emperor Charles V: “Your majesty, shut your mouth! The flies of this country are very insolent.” And when they looked at his later descendant, king Charles II who was probably the worst affected, they said, he was “more Habsburg than human”. But where is the Habsburg Jaw from? The view repeated again and again in history books is that it came from Cymburga of Masovia, the wife of duke Ernst the Iron, but was she really responsible? Or was it something quite different that caused that deformation, and what has it to do with the prostration of duke Friedrich IV before emperor Sigismund in 1415?That is what we are looking at in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356

durée : 00:07:53 - Le Bach du matin du mercredi 17 septembre 2025 - Thomas Enhco au piano et Vassilena Serafimova au marimba interprètent le Prélude et fugue en ut mineur BWV 847 de J.S Bach arrangé par Thomas Enhco selon les codes du jazz. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Comments, guest ideas: theasiaclimatecapitalpodcast@gmail.comHow do you scale green hydrogen from a laboratory curiosity to industrial reality? Alexander Tancock, CEO of Intercontinental Energy, reveals the breakthrough P2H2 Node system that's turning massive renewable projects into factory-produced “Lego blocks.”With numerous projects across three continents and backing from strong financial partners, Intercontinental Energy isn't just making green hydrogen—they're creating green iron to decarbonise steel production and building new trade corridors between Australia's vast renewable resources and Asia's industrial heartlands.Alex shares why the hydrogen hype faded, how government partnerships became crucial, and why 2028 could mark the tipping-point for commercially viable green molecules at oil- and gas-scale.REF: InterContinental EnergyABOUT ALEX: Alexander Tancock is the CEO and Chairman of the Board of InterContinental Energy, a global leader in large-scale green hydrogen development who has been at the forefront of the industry for more than 10 years. Under his leadership, the company has pioneered a portfolio of groundbreaking projects, with its three flagship projects attracting partnerships from some of the largest names in energy. With backing from major institutional investors like GIC and Hy24, InterContinental Energy has established itself at the forefront of the green molecule sector. The company's innovative team and approach extend beyond project development, and into giga scale enabling technology through its patented P2(H2)NodeTM architecture. Alex's expertise and strategic insights make him a significant voice in the energy sector.FEEDBACK: Email Host | HOST, PRODUCTION, ARTWORK: Joseph Jacobelli | MUSIC: Ep0-29 The Open Goldberg Variations, Kimiko Ishizaka Ep30-50 Orchestra Gli Armonici – Tomaso Albinoni, Op.07, Concerto 04 per archi in Sol - III. Allegro. | Ep51 – Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod. Licensed under Creative Commons: By Attribution 4.0 License

durée : 00:06:52 - Le Bach du matin du mardi 16 septembre 2025 - La soprano colorature française Sabine Devieilhe et l'orchestre de l'ensemble Pygmalion, dirigé par Raphaël Pichon, interprètent la cantate BWV 51 "Jauchzet Gott in allen Landen", composée par J.S. Bach en 1730. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:48 - BWV 119" Preise, Jerusalem, den Herrn " - Bach compose la Cantate BWV 119 « Preise, Jerusalem, den Herrn ! » / « Glorifie ton Seigneur, Jérusalem ! » pour l'inauguration du nouveau Conseil Municipal de Leipzig, le 30 août 1723. Il s'agit de la première cantate leipzigoise composée pour ce type de circonstance. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:11:07 - Choral BWV 645 et Sinfonia BWV 29 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:41 - BWV 119" Preise, Jerusalem, den Herrn " - Bach compose la Cantate BWV 119 « Preise, Jerusalem, den Herrn ! » / « Glorifie ton Seigneur, Jérusalem ! » pour l'inauguration du nouveau Conseil Municipal de Leipzig, le 30 août 1723. Il s'agit de la première cantate leipzigoise composée pour ce type de circonstance. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:09:26 - Le Bach du matin du samedi 13 septembre 2025 - Pour débuter notre émission ce samedi, nous écoutons plusieurs extraits de la partita 3 en la mineur BWV 827 de Jean-Sébastien Bach par le pianiste américain Richard Goode. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Think of the load of responsibility on the shoulders of Noah and his sons as they look out over the vast and empty earth and realize that the future of mankind depends on them. Except God graciously makes sure it doesn't.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Success for a princely family in the Late Middle Ages has a lot to do with reproductive luck. Not having any offspring, in particular no male offspring is a bit of a knockout. But having too many sons that could be a major issue too.And in 1386 the Habsburgs struggled with exactly that problem. Their territory was already divided between an Albertine and a Leopoldine line. But then Leopold had four sons, bringing the number of archdukes of Austria to six, which is five too many.In this episode we will discuss how they managed to muck it up quite bad, in fact so bad, one of their number had to fall to his knees before the emperor, not once, not twice, but three times…Albertiner- Albrecht III (1349-1395) o Albrecht IV (1377-1404) § Albrecht V (II) (1397-1439) · Ladislaus Postumus (1440-1457)Leopoldiner- Leopold III (1351-1386) o Wilhelm (1370-1406) o Leopold IV (1371-1411) o Ernst der Eiserne (1377-1424) § Friedrich V (III) (1415-1494) § Albrecht VI (1418-1463) o Friedrich IV (1382-1439) § Siegismund der Munzreiche (1427-1496)The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic League

durée : 00:06:40 - Le Bach du matin du mercredi 10 septembre 2025 - Notre Bach du matin est un Bach japonais, on y retrouve le Bach Collegium Japan dirigé par Masaaki Suzuki qui interprète la cantate BWV 120 : "Gott man lobet dich in der Stille : Jauchzet ihr erfreuten Stimmen". Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:05:53 - Le Bach du matin du lundi 08 septembre 2025 - Créée il y a 299 ans, le 8 septembre 1726 à Leizpig, la cantate BWV 35 Geist und Seele wird verwirret (L'esprit et l'âme sont confondus) a été composée pour le 12e dimanche après la Trinité. Philippe Herreweghe à la tête de l'Orchestre du Collegium Vocale de Gand en livre une version euphorisante. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:10:31 - Prélude et fugue en ré mineur BWV 565 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:21:00 - BWV 71 « Gott ist mein König » - Bach compose la Cantate BWV 71 « Gott ist mein König » / « Dieu est mon roi » pour le renouvellement du Conseil Municipal de Mühlhausen, le 4 février 1708. C'est l'unique cantate de sa composition à être publiée de son vivant. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:06:25 - Le Bach du matin du samedi 06 septembre 2025 - Commençons le week-end avec l'écoute de la Toccata de la Partita pour piano n°6 en mi min BWV 830 de Jean-Sébastien Bach interprétée par Yvonne Lefébure. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Many fear tactics, like the threat of global flooding due to the melting polar ice caps, are used today in an effort to persuade humans to take better care of the earth. We *should* be good stewards of the earth, but God's promise in Genesis 8:22 makes it clear that such fear tactics are completely invalid.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:05:35 - Le Bach du matin du vendredi 05 septembre 2025 - Notre Bach du Matin est un Bach berlinois : Bernhard Forck interprète la "Sinfonia en Ré majeur" BWV 1045 – pour violon, 3 trompettes, 2 hautbois, timbales, cordes et basse continue, tout en étant à la tête de l'Akademie für Alte Musik de Berlin. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

On July 9th, 1386 in a field near the Sempach lake., the armies of archduke Leopold of Austria line up against the forces of the city of Lucerne and the men of Uri, Schwyz and Nidwalden Much of what hads been told about this batte, the backstory of the Swiss Confederation and the objectives of the Habsburgs have been drenched in myth. Myths that are in the main debunked. That being said, the story is still dramatic and hugely important.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Præludium: Johann Sebastian Bach: Præludium g-mol, BWV 558/I Fra det G.T.: Jeremias 17, 5-8 Salme: 298 "Helligånden trindt på jord" Fra det N.T.: Matthæusevangeliet 13, 53-58 Korvers: Egil Hovland: Hvem skal vi gå til, Herre? (Tekst: Britt G. Hallqvist) Salme: 163 "Fuglen har rede, og ræven har grav" Postludium: Johann Sebastian Bach: Fuga g-mol, BWV 558/II

Præludium: Georg Böhm: O Herre Krist! dig til os vend Davidssalme: 63,2-5 Salme: 748 "Nu vågne alle Guds fugle små" Fra det N.T.: 1. Korintherbrev 15, 1-10a Trosbekendelsen Salme: 523 "Min nåde er dig nok" Postludium: Johann Sebastian Bach: Fuga g-mol, BWV 578

After Noah and his family left the ark, he killed animals and then put each entire animal on an altar and burned the whole thing to the Lord. Why was this a soothing smell to the Lord, and why did it prompt him to add more promises to his existing promises?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Rudolf IV of Habsburg (1339–1365), son of Albrecht “the Wise,” reigned as Duke of Austria for just seven years but left a lasting mark. Born when the dynasty seemed close to extinction, Rudolf secured Austria's survival and prestige. Politically, he sought to elevate Vienna by founding the University of Vienna (1365) and beginning construction of St. Stephen's Cathedral. Though he fulfilled his father's ambition to gain the Tyrol, the family fell behind their rivals, namely the Luxemburgs.Rudolf's most audacious act was the Privilegium Maius, a set of forged charters claiming ancient Roman emperors had granted Austria near-sovereign status, primogeniture, and the unique title of Archduke. Though denounced by Petrarch as absurd, the documents shaped Habsburg identity for centuries and underpinned later power.By creating myths of divine and heroic origins, Rudolf forged a sense of Habsburg exceptionalism. Though dying young without heirs, he truly was “the Founder.”The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire...

I read from fugitive to fulfill.     You can listen to Toccata and Fugue in D minor. Wow. https://youtu.be/ho9rZjlsyYY?si=Kp6pkW3JqcGimNbE https://en.wikipedia.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565     I forgot that "Der Fuehrer's Face" was a Donal Duck cartoon! Wow, again.  https://youtu.be/I7vb89c6pQY?si=ofVFGJgbnkuIibUL (high quality) https://youtu.be/L90smU0SOcQ?si=Z719oVAGSRzjSPBB (with intro) My friend Gabe and I used a version of the song in a short sketch called "Gabracadabra".  https://youtu.be/J3T4jw1fXzo (original) https://youtu.be/ESyRx8th480 (animated)     About a third of the Fula people are pastoralists, "and their ethnic group has the largest nomadic pastoral community in the world." https://en.wikipedia.org/wiki/Fula_people     The word of the episode is "fulcrum".     The Lost Boys https://www.imdb.com/title/tt0093437/     Use my special link https://zen.ai/thedictionary to save 30% off your first month of any Zencastr paid plan.    Create your podcast today! #madeonzencastr     Theme music from Tom Maslowski https://zestysol.com/     Merchandising! https://www.teepublic.com/user/spejampar     "The Dictionary - Letter A" on YouTube "The Dictionary - Letter B" on YouTube "The Dictionary - Letter C" on YouTube "The Dictionary - Letter D" on YouTube "The Dictionary - Letter E" on YouTube "The Dictionary - Letter F" on YouTube     Featured in a Top 10 Dictionary Podcasts list! https://blog.feedspot.com/dictionary_podcasts/     Backwards Talking on YouTube: https://www.youtube.com/playlist?list=PLmIujMwEDbgZUexyR90jaTEEVmAYcCzuq     https://linktr.ee/spejampar dictionarypod@gmail.com https://www.facebook.com/thedictionarypod/ https://www.threads.net/@dictionarypod https://twitter.com/dictionarypod https://www.instagram.com/dictionarypod/ https://www.patreon.com/spejampar https://www.tiktok.com/@spejampar 917-727-5757

Can you imagine all the thoughts, concerns, and questions that Noah would have had on his mind after disembarking from the ark (after more than a year) onto a completely new and reshaped earth? Yet one thing was on his mind above all, and it was the right thing.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

The Habsburg dynasty, originating from Radobot's castle in 11th-century Switzerland, rose from obscurity to European prominence. In 1273 Rudolf of Habsburg was elected King of the Romans. Far from the later myth of a poor, humble count, Rudolf was wealthy, shrewd, and ruthless. He expanded his family's holdings through inheritance, war, and diplomacy, eventually securing Austria and Styria after defeating Ottokar II of Bohemia—an acquisition that became the dynasty's heartland.Rudolf's hopes to found a hereditary imperial dynasty failed, and his son Albrecht I was murdered in 1308. For decades, the Habsburgs teetered on decline. Friedrich “the Handsome” briefly contended for the throne but left little mark. His brother Albrecht II “the Wise” revived the family, gaining Carinthia and Carniola in 1335 and shifting focus to Austria. Near extinction due to lack of heirs, the dynasty was saved when Albrecht's wife Joan miraculously bore sons, including Rudolf IV, who would secure the Habsburg future.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire...

Hello and welcome friends of the History of the Germans Podcast.This week I will again showcase an independent history podcast I really like and listen to. And just to avoid any misunderstandings, I do this not for commercial reasons. This is literally so that you can find other great shows and well, I can have a break. Today's show is one you probably already know since I mention it regularly, Mike Corradi's A History of Italy. Mike is funny, thorough and something I struggle with enormously, concise. And this recent episode is a prime example. He runs through half of our coming season and half of the season thereafter in 20 minutes. I enjoyed that and I hope it gives you a foretaste of what is to come here and what you can find at A History of Italy.A History of Italy – A podcast on the history of the Italian peninsula from the fall of the Western Roman Empire to the presentAnd so, without further ado Mike's episode 189: “A German Priest and a New Emperor”. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic Knights

Hello friends of the History of the Germans Podcast. As I mentioned last episode, I am on holiday now, which means I spend my time reading up about the Habsburg and getting into gear for the next season.In the meantime, I will showcase some podcasts I really enjoy and listen to regularly. And one of those is History Rage. The host, Paul Bavill interviews historians and history podcaster about the one thing they really hope people would stop believing. Interview is such a lame term for what he does, it is more of a therapy session for geeks to let out their rage. Professional historians come armed with evidence, fury, and a burning desire to set the record straight. From “Vikings wore horned helmets” to “Britain stood alone in 1940” and “medieval people never bathed,” this is history with attitude, myth-busting with academic rigor, and truth-telling that pulls no punches. In the last 284 episodes he allowed some of the greatest names in history let off steam, including Roger Moorhouse. In this episode you will hear right now, Roger goes after the focus on Stauffenberg in the remembrance of the resistance against the Nazis inside Germany. By doing so, he argues, we are overlooking equally if not more deserving figures like Henning von Tresckow and the other members of the Kreisauer Kreis. And by the way Paul even allowed yours truly to vent about the perennial pun that the Holy Roman Empire was neither Holy, nor Roman, nor an Empire. That will come out on September 29. So in the meantime here is History Rage with: Stauffenberg: Hero or Hypocrite? The Complex Legacy of the July 20th Plot with Roger MoorhouseI hope you enjoy it.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early...

Sir Gregory Doran is the former artistic director of the Royal Shakespeare Company. He spent a total of thirty five years with the RSC directing fifty productions in the UK and abroad. He's been called “one of the great Shakespeareans of his age” and has won multiple awards for his work.Born in 1958, Greg was brought up near Preston and played a number of female Shakespeare roles when he was a young pupil attending an all-boys secondary school. He went on to study English and Drama at Bristol University followed by a stint studying classical acting at the Bristol Old Vic Theatre School. After a few bit parts in TV sitcoms and a spell at Nottingham Playhouse, Sir Greg decided that he would prefer to carve out a career as a director. He went on to stage some of the most critically acclaimed theatre productions – including an all-black cast of Julius Caesar and took Titus Andronicus to South Africa.More recently, he has been touring the globe on his Shakespeare's First Folio tour to look at as many different copies of the texts as possible. He survives his husband, the actor Sir Anthony Sher whom he met in 1987 whilst they were both part of a production of the Merchant of Venice at the RSC in Stratford. Sir Greg lives in London.DISC ONE: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) Composed by Georg Friedrich Händel and performed by Nathalie Stutzmann (contralto) Philippe Jaroussky (counter tenor) Oreo 55 (Orchestra) DISC TWO: Sicut cervus – The Choir of Preston Catholic College DISC THREE: Born Free - Matt Monro DISC FOUR: It's Raining Men - The Weather Girls DISC FIVE: Diamonds on the Soles of Her Shoes - Paul Simon DISC SIX: J.S. Bach: Cantata "Ich habe genug" BWV 82: I. "Ich habe genug, ich habe den Heiland". Performed by Thomas Quasthoff (bass-baritone), Berliner Barock Solisten, conducted by Rainer Kussmaul DISC SEVEN: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville Marriner DISC EIGHT: Where the Bee Sucks - Paul Englishby, Royal Shakespeare Company BOOK CHOICE: A 1609 copy of Shakespeare's Sonnets LUXURY ITEM: A shelf of photo albums CASTAWAY'S FAVOURITE: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville MarrinerPresenter: Lauren Laverne Producer: Sarah Taylor