Podcasts about bwv

When two brothers, Ernst and Albrecht of Saxony divided up their enormous inheritance that comprised Thuringia, Meissen and the electorate of Sachsen-Wittenberg, they not only undermined their power base as the de facto #2 amongst the imperial principalities and planted the seed for a conflict that would play a key role in the Reformation but they also laid the foundations for the modern Länder of Thuringia and Saxony. And this division was not driven by the usual family feud but came after 20 years of largely harmonious government and a shared childhood trauma. Why they took, or had to take this fateful step, is what we will discuss today.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Что и как режет нам слух, кто укротил музыкальные инструменты и зачем индийскому ситару подвижные лады. Из подкаста «Уроки музыки», в котором редактор Arzamas Юлия Богатко и преподаватель Московской консерватории Федор Софронов разбирают музыку на составные части, а потом собирают обратно. В приложении «Радио Арзамас» и на нашем сайте arzamas.academy вы можете послушать целых 11 уроков! Большинство из них доступны по подписке, которую можно оформить с 20-процентной скидкой, если на странице https://arzamas.academy/promo ввести промокод КАМЕРТОН. В выпуске звучат фрагменты следующих произведений: Иоганн Себастьян Бах. «Прелюдия и фуга № 1 à 4 voci до мажор» из сборника «Хорошо темперированный клавир» (BWV 846, 1722). Исполняет Роберт Шретер. 2006. Wikipedia https://ru.wikipedia.org/wiki/%D0%A4%D0%B0%D0%B9%D0%BB:Bach_C_Major_Prelude_Equal.ogg Михаил Матюшин. «Композиция в четвертях тона» (1923). Исполняют Станислав Малышев (скрипка) и Наталья Черкасова (фортепиано). Союз композиторов России. 2023. YouTube https://www.youtube.com/watch?v=VwYbQ9h2TAc Жерар Гризе. «Partiels» («Частицы», 1975). Исполняет ансамбль Академии новой музыки (Сарагоса, Испания) под управлением Начо де Паса. 2017. YouTube https://www.youtube.com/watch?v=OrdCU7sjD0E «Раг дурга». Из архива Национального совета по исследованиям и подготовке в области образования Индии (NCERT). 2016. Wikipedia https://commons.wikimedia.org/wiki/File:Rag_Durga_-_NCERT.ogg Эдуард Артемьев. Музыка к кинофильму Андрея Тарковского «Солярис». 1972. «Мосфильм». YouTube https://www.youtube.com/watch?v=6-4KydP92ss

When the wind began to blow on the one hundred and fiftieth day of the Flood, initially Noah and his family may have thought that things were getting even worse. But God had a twofold plan with that wind.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Entelektüel podcast serisinin bu son bölümünde Foucaut, Deleuze, Gramsci ve Bauman gibi düşünürlerin görüşleri üzerinden “entelektüelin toplumsal ve siyasi açıdan bir sorumluluğu var mı?” sorusunu tartışıyorum. Bu sorunun cevabını ararken otokrat rejimlerin düşünen, okuyan ve entelektüel kişilerden neden haz etmediğini aktarırken özellikle 1950 sonrası Türkiye'de entelektüelin sistematik şekilde nasıl baskılandığını konuşuyorum. Bölüm Kapağı: Georg Reimer - Librarian (1850)07:25'teki müzik: Tchaikovsky - Variations on a Rococo Theme, Op. 33 for cello and orchestra Var. VI Andante12:01'deki müzik: Bach - Ouverture Nº 2 En Si Mineur, BWV 1067 Rondeau (Licence Free)17:28'deki müzik: Anton Arensky - Piano Trio No. 1 in D Minor, Op. 32 III. Elegie Adagio23:11'deki müzik: Chopin - Nocturnes, Op. 55 I. Andante28:43'teki müzik: Berlioz - Sinfonia Fantastica Op. 14 - Sogni e passioni (Licence Free)

Biodiversidade: o curioso caso do peixe 'extinto' que voltou à vida selvagem. É apenas um pequeno peixe, sem muitas cores e não desperta muito interesse em termos de conservação global. É o peixe tequila, que voltou a aparecer quase duas décadas depois de ter sido declarado extinto. "Desaparecido" desde 2003, Zoogoneticus tequila reapareceu recentemente em rios do sudoeste do México. A reintrodução está sendo apontada como um exemplo de como ecossistemas e espécies de água doce podem ser salvos. Os habitats de água doce são alguns dos mais ameaçados da Terra, de acordo com a União Internacional para a Conservação da Natureza (IUCN, na sigla em inglês), com as espécies dependentes de água doce "extinguindo-se mais rapidamente do que a vida selvagem terrestre ou marinha". Ameaças, a exemplo da poluição, continuam a exercer pressão não apenas sobre a vida selvagem, mas também sobre a água potável e a oferta de alimentos que dependem de rios e lagos. A comunidade local (pessoas que vivem perto do local de soltura do peixe tequila no estado mexicano de Jalisco) está desempenhando um papel fundamental, monitorando a qualidade da água dos rios e lagos. Esta é a primeira vez que uma espécie de peixes considerada extinta foi reintroduzida com sucesso no México. Então é um verdadeiro marco para a conservação. É um projeto que já abriu um precedente importante para a futura conservação de muitas espécies de peixes do país que estão ameaçadas ou mesmo extintas na natureza, mas que raramente chamam a nossa atenção. Embora os conservacionistas inicialmente tenham liberado 1.500 peixes, eles dizem que a população agora está se expandindo para o sistema fluvial. Espera-se que possa ser um modelo para outras espécies de água doce, incluindo o achoque, um parente próximo da salamandra axolotl que vive em apenas um lago no norte do México e que enfrenta ameaças muito semelhantes. Este anfíbio único, que segundo a cultura local tem propriedades curativas, foi salvo da extinção, em parte, por um grupo local de freiras que administram um criadouro de animais em cativeiro. Isso só mostra que os animais podem se readaptar à natureza quando reintroduzidos na hora certa e nos ambientes certos. Fontes (texto e créditos): https://www.bbc.com/portuguese/internacional-59818871#:~:text=A%20esp%C3%A9cie%20de%20que%20fala,rios%20do%20sudoeste%20do%20M%C3%A9xico. https://www.correiobraziliense.com.br/ciencia-e-saude/2021/12/4974052-biodiversidade-o-curioso-caso-do-peixe-extinto-que-voltou-a-vida-selvagem.html https://headtopics.com/br/o-curioso-caso-do-peixe-extinto-que-voltou-a-vida-selvagem-bbc-news-brasil-25267694 https://www1.folha.uol.com.br/ambiente/2021/12/biodiversidade-o-curioso-caso-do-peixe-extinto-que-voltou-a-vida-selvagem.shtml?utm_source=sharenativo&utm_medium=social&utm_campaign=sharenativo Imagem (créditos): https://www.bbc.com/portuguese/internacional-59818871#:~:text=A%20esp%C3%A9cie%20de%20que%20fala,rios%20do%20sudoeste%20do%20M%C3%A9xico. Trilha sonora (créditos): https://www.youtube.com/watch?v=4qKqM0-VBc0. J.S. Bach: Suite No. 3 in D Major, BWV 1068 - II. Air David Bell - Tema.

So, why did Holland really leave the empire? Was it because the valiant and tragic countess Jacqueline was “hunted down from one land to the other, all of them mine”. Was it a story of misogyny, betrayal, incompetence and ruthless power politics. Yes, it was. But it was a also a story of economic and climate change and one that links into the herring trade of the Hanseatic League, the decline of Teutonic Knights and even into the Hussite Revolt, topics that seem distant, but mattered. This week we focus on this, the latter part of the storyThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The OttoniansSalian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

What was going through the minds of those treading water and clinging to floating debris during the Flood? What should we take away from this complete and devastating destruction?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).Quote Source: Carl J. Lawrenz and John C. Jeske, "A Commentary on Genesis 1–11" (Milwaukee: Northwestern, 2004), 262.

Præludium: Johann Gottfried Walther: Aleneste Gud i Himmerig Fra det G.T.: Salme 113 Salme: 749 "I østen stiger solen op" Fra det N.T.: Matthæusevangeliet 4, 23-25 Korvers: Søren Birch: Salige er de, som hører Guds ord (Tekst: Lukas 11, 28) Salme: 54 "Hvad mener I om Kristus?" Postludium: Johann Sebastian Bach: 1. sats fra Concerto G-dur, BWV 592

durée : 00:15:58 - Prélude et fugue en ut mineur BWV 546 - Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:18:20 - Cantate BWV 167 « Ihr Menschen, rühmet Gottes Liebe » - Bach compose la Cantate BWV 167 « Ihr Menschen, rühmet Gottes Liebe » / « Hommes, célébrez l'amour de Dieu » pour la fête de la Saint Jean-Baptiste à son arrivée à Leipzig (24 juin 1723). Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Email comments or guest ideas (to reply, include your email address)In this episode, Joseph converses with Srini Nagarajan, who heads Asia for British International Investment (BII). BII is the UK's development finance institution. It is focused on investing in sustainable infrastructure and businesses in developing countries to promote economic growth and support the UK's development goals. Between 2022 and 2026, BII plans to allocate at least 30% of its total new commitments by value to climate finance. It already has investments in almost 1,500 businesses across 65 countries in emerging economies, with total assets exceeding $10.9 billion. The conversation covers the critical role of financial institutions in Asia's energy transition, actions governments can take to attract foreign investors, and the intersection of inclusion and climate change. Srini provides insights into BII's strategies, including investment in funds, direct equity investments, and the importance of blended finance. He also highlights successful examples from India and Southeast Asia. Enjoy the discussion and please do e-mail us to suggest topics for future episodes.RESOURCES: About BII; Latest news from BII.ABOUT SRINI: Srini Nagarajan is Managing Director and Head of Asia at British International Investment. Srini joined BII in 2013 to lead the Asia team under the organisation's new investment strategy. He has the distinction of having been our first overseas employee and recently moved to Singapore to lead BIIs expansion into the Indo-Pacific region. He has been instrumental in building a high-quality portfolio in the region, which focuses across products and sectors. Under his leadership, BII has a strong presence on the ground and the team has made successful investments in the financial services, healthcare, logistics and renewable energy sectors – including the creation of BII subsidiary Ayana Renewable Power in India, a pioneer renewable energy developer. His role includes support in the origination, execution and management of the portfolio for delivering development goals and value. In addition, he is building BII's presence in the South-East Asian markets with a focus on climate change. Srini started his career with Standard Chartered Bank, both in India and Southern Africa, before joining British International Investment in 1996. He has managed leasing companies in Africa and in India he managed legacy assets for value before moving into mainstream private equity investing for both British International Investment and Actis. He has a Masters degree in Economics and a post-graduate qualification in Business Administration from Warwick School of Business.FEEDBACK: Email Host | HOST, PRODUCTION, ARTWORK: Joseph Jacobelli | MUSIC: Ep0-29 The Open Goldberg Variations, Kimiko Ishizaka Ep30-50 Orchestra Gli Armonici – Tomaso Albinoni, Op.07, Concerto 04 per archi in Sol - III. Allegro. | Ep51 – Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod. Licensed under Creative Commons: By Attribution 4.0 License

Have you ever stopped to think about what those first forty days of the Flood must have been like for Noah and his family? How did they cope with it? And what applications are there for us in our dark days?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

durée : 00:09:35 - Le Bach du matin du samedi 21 juin 2025 - Commençons le week-end avec l'interprétation Fantaisie et fugue en la min BWV 904 - pour piano de Franz Schubert par Alfred Brendel Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

This Day in Legal History: Atkins v. VirginiaOn June 20, 2002, the U.S. Supreme Court delivered a landmark ruling in Atkins v. Virginia, holding that the execution of individuals with intellectual disabilities violates the Eighth Amendment's prohibition on cruel and unusual punishment. The case centered on Daryl Renard Atkins, who was convicted of abduction, armed robbery, and capital murder in Virginia. During the penalty phase of his trial, defense attorneys presented evidence that Atkins had an IQ of 59 and functioned at the level of a child. Despite this, he was sentenced to death.In a 6-3 decision, the Court reversed its earlier stance from Penry v. Lynaugh (1989), which had allowed such executions. Justice John Paul Stevens, writing for the majority, emphasized the "evolving standards of decency" in American society, noting that a growing number of states had barred the death penalty for individuals with intellectual disabilities. The Court recognized that such defendants are at a heightened risk of wrongful execution due to difficulties in assisting their own defense and the possibility of false confessions.The decision did not establish a national standard for determining intellectual disability, leaving that to the states, but it set a constitutional floor by barring executions in these cases outright. Atkins significantly reshaped the legal landscape of capital punishment, prompting states to revise death penalty statutes and sentencing procedures.The ruling reinforced the importance of individualized sentencing and safeguarded vulnerable populations from the most severe penalties. It also underscored the role of psychological and scientific evidence in constitutional interpretation. While not without criticism, Atkins remains a cornerstone of Eighth Amendment jurisprudence and a key moment in the Court's ongoing reevaluation of capital punishment.Technology giants Apple and Meta are currently facing possible penalties under the EU's Digital Markets Act (DMA), but the European Commission has decided not to immediately fine them—even if they don't fully comply by the deadline next week.In April, both companies were fined—€500 million for Apple and €200 million for Meta—and given 60 days (ending 26 June) to align their practices with DMA requirements. Apple was penalized for preventing app developers from directing users to alternatives outside its platform, infringing DMA fairness rules. Meta was fined for its “pay or consent” system, which required users to either pay for an ad-free experience or agree to extensive personal data use; the Commission saw this as limiting user choice.Since November 2024, Meta has offered a new, lower-data personalized advertising model, which remains under Commission review. The current situation involves ongoing dialogue: any future fines will depend on the outcome of that review and will be imposed only after detailed assessments, rather than automatically once the deadline passed.These April fines were deliberately modest—reflecting the short duration of non-compliance and signaling the EU's priority on achieving compliance over punishment, marking a softer approach compared to previous, harsher antitrust actions. The situation also plays into broader economic tensions: EU leaders have threatened digital advertising taxes in response to recent US tariffs, while a US trade report criticized EU digital regulation as a trade barrier.Tech giants Apple and Meta to escape sanctions for failing to meet EU digital rules | EuronewsA U.S. appeals court has temporarily allowed Donald Trump to retain control over California's National Guard, despite a legal challenge from California Governor Gavin Newsom. The decision from the 9th U.S. Circuit Court of Appeals pauses an earlier ruling by Judge Charles Breyer, who found Trump had unlawfully federalized the Guard without meeting statutory requirements or adequately coordinating with Newsom.The court stated Trump likely acted within his authority and that even if coordination with the governor was insufficient, Newsom lacked the power to override a presidential order. Still, the court left open the possibility of further challenges under laws barring federal troops from engaging in domestic law enforcement. Newsom plans to pursue his challenge, arguing Trump is misusing military force against civilians.The case stems from Trump's deployment of 4,000 National Guard troops and 700 U.S. Marines to Los Angeles earlier in June to suppress protests tied to his immigration policies—actions Newsom said infringed on state sovereignty and legal limits on military involvement in civilian matters. The Trump administration argued troops are protecting federal property, not performing law enforcement.During a hearing, the appellate judges examined whether courts can assess a president's decision to federalize troops under a law allowing such moves only during invasion, rebellion, or when civilian enforcement fails. The court found the last condition may have applied, given protest-related violence. However, it rejected the Justice Department's claim that such presidential decisions are beyond judicial review.The Insurrection Act and related federalization authority are central to this case. The Act allows a president to take control of a state's National Guard in limited situations—such as rebellion or when laws can't be enforced by normal means. This case illustrates both the expansive view of executive power and the judiciary's role in checking it, even amid claims of national emergency.US court lets Trump keep control of California National Guard for nowPresident Trump has once again extended the deadline for TikTok to be sold to a U.S. owner, granting a third 90-day reprieve through an executive order despite lacking a clear legal basis for the extensions. The move allows TikTok to continue operating in the U.S. while negotiations persist to transfer ownership from China-based ByteDance to an American entity. The previous extension fell through when China withdrew from talks following Trump's new tariffs.This delay has not yet faced a court challenge, even though the original ban—passed by Congress and upheld by the Supreme Court—briefly took effect in January. Trump's personal popularity on the platform, where he has more than 15 million followers, adds a political twist to the ongoing negotiations. TikTok praised the decision and emphasized its importance to 170 million users and 7.5 million U.S. businesses.Despite concerns from national security officials and lawmakers like Senator Mark Warner, who accuse the administration of ignoring known risks, the repeated extensions suggest a softening of resolve. Analysts describe the situation as a recurring political maneuver with no clear endpoint—likening it to the endless debates over the debt ceiling.Meanwhile, TikTok continues to roll out new features and expand its services, including AI tools debuted in Cannes, signaling confidence in its long-term U.S. presence. Tech giants Apple, Google, and Oracle remain engaged with TikTok, reassured that the administration won't penalize them under current law.Public opinion has shifted, with fewer Americans now supporting a ban compared to 2023. Concerns remain over data privacy, but many citizens are unsure or opposed to banning the app outright.Trump extends TikTok ban deadline for a third time, without clear legal basisThis week's closing theme is by Johann Sebastian Bach. Johann Sebastian Bach, one of the most influential composers in Western music history, composed the Goldberg Variations, BWV 988, in 1741. Originally written for harpsichord, the work consists of an aria followed by 30 variations, returning to the aria at the end in a da capo structure. It was likely commissioned by Count Hermann Karl von Keyserlingk, a Russian diplomat suffering from insomnia, who wanted music to soothe his sleepless nights—though this origin story is debated.The aria, which opens and closes the piece, is a gentle, sarabande-like melody in G major. Unlike other variation sets built on melodies, Bach bases the Goldberg Variations on the aria's bass line and harmonic structure. This allows for extraordinary variety in texture, form, and mood across the variations, while keeping a consistent foundation.The aria itself is simple and elegant, consisting of two balanced halves, each repeated. Its serene tone contrasts with the technical brilliance and contrapuntal complexity found in many of the following variations. Yet, the aria's emotional restraint and clarity set the tone for the entire cycle.Over the centuries, the Goldberg Variations have come to be seen as a pinnacle of keyboard composition. The aria, both opening and closing the work, serves as a kind of spiritual bookend—calm, contemplative, and timeless. Performers often approach it with reverence, as a moment of stillness and symmetry amid musical adventure.Without further ado, Johann Sebastian Bach's Goldberg Variations, BMV 988 – the aria. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Præludium: Matthias Weckmann: Komm, Helligånd, Gud, Herre from Fra det G.T.: Salme 119,33-40 Salme: 391 "Dit ord, o Gud, som duggen kvæger" Fra det N.T.: Matthæusevangeliet 4, 12-17 Korvers: Johann Sebastian Bach: Vor Herre kom til Jordans flod (tekst: Luther 1524, Grundtvig 1837) Salme: 582 "At tro er at komme" Postludium: Johann Sebastian Bach: In dir ist Freude, BWV 615

Today begins a two part series about how the Low countries modern day Belgium, Netherlands and Luxemburg shifted out of the Holy Empire. These lands, with the exception of Flanders, had been part of the empire for hundreds of years, ever since Henry the Fowler acquired Lothringia for east Francia in 925 – not by conquest but through diplomacy – as was his way.There are two ways to tell the story of the split away from the empire, one is about the dynastic machinations, the marriages, poisonings and inability to produce male heirs, the other one is about economics and the rising power of the cities. This, the first episode will look at the dynastic story, the pot luck and cunning plans that laid the groundworks for the entity that became known as the Low Countries to emerge, whilst the next one will look at the economic realities that thwarted the ambitions of one of the most remarkable women in late medieval history, Jacqueline of Bavaria, countess of Holland, Seeland and Hainault, and why that was ultimately a good thing, not for her and not for the empire, but for the people who lived in these lands.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic Knights

durée : 00:03:00 - Le Bach du matin du mardi 17 juin 2025 - Notre Bach de ce matin est un Bach au marimba, cet instrument aux rangées de lames de bois. Pour cet arrangement, le trio SR9 s'attaque à Bach dans son premier disque. Un très joli rendu, aux douces sonorités : la gigue de la suite anglaise n°6 en ré mineur BWV 811 de Bach. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Music has played an important role in church history. In previous episodes, we've talked about many composers who wrote hymns specifically for the church. However, there were also musicians like Bach who wrote sacred and secular music for the glory of God. Bach's compositions covered a wide range of emotions and were filled with theological insights. Join Sophia, Trinity, and Linus as they talk to Dr. Paul Grime, professor of Pastoral Ministry and Mission at Concordia Theological Seminary, about this important composer and his faith.   Show Notes: Bach's pieces that were mentioned in the podcast: Bach's Coffee Cantata: https://www.youtube.com/watch?v=nifUBDgPhl4 The piece Bach wrote shortly before his death is Vor deinem Thron tret ich hiermit ("I hereby come before Your throne"). The catalog number is BW 668. https://www.youtube.com/watch?v=9XTCZ1iUQeQ The cantata movement with the plucking strings imitating the knocking at the door is Cantata 61 (BWV 61), based on the Advent hymn "Savior of the Nations, Come." The movement with the plucked strings begins at the 9:32 mark. The whole cantata is a great example of the genre. https://www.youtube.com/watch?v=MzWJsRjanC4

durée : 00:09:55 - Fantaisie pour orgue en sol majeur BWV 572 -

durée : 00:22:20 - Cantate BWV 129 " Gelobet sei der Herr, mein Gott ? " - Bach compose la Cantate BWV 129 « Gelobet sei der Herr, mein Gott » / « Loué soit le Seigneur, mon Dieu » à Leipzig pour la fête de la Trinité (16 juin 1726).

The day had arrived. It was time for Noah and his family and the animals that had come to him to board the ark. Noah made sure he had everything and everyone he was supposed to. And the Lord took it upon himself to shut the door behind Noah.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

On November 14th and 15th 1475 one of the grandest events in the history of the Holy Roman Empire took place, the Landshuter Hochzeit, the nuptials of Georg, the Rich, son of Ludwig, the Rich and grandson of Heinrich, the Rich, all of them dukes of Bayern-Landshut, and Hedwig, the daughter of king Kasimir IV of Poland and Lithuania. The event attracted 10,000 guests, amongst them the Counts Palatine on the Rhine, the Dukes of Württemberg, the archduke Maximilian of Austria and the emperor Friedrich III himself. It lasted several days during which the eminent invitees as well as the citizens of Landshut ate, drank, danced and watched an endless row of tournaments, plays and musical performances.The fame of these festivities reverberated through the ages, so that in the 19th century the burghers of the town decided to stage the event again, initially annually and nowadays every 4 years. The reenactment involves over 2,000 participants, and culminates in a procession through the city, complete with bridal carriage, musicians and Landsknechte, all in splendid historical costumes.Which leaves us with more questions than answers. How come the most powerful ruler of central Europe, Kasimir King of Poland and Grand Duke of Lithuania married one of his precious daughters to the son of the ruler of half a duchy, hundreds of miles from his capital; secondly, how such a duke became so rich he could afford to stage an event that counted amongst the grandest weddings of this already very ostentatious century; and lastly, why Landshut is today a gorgeous, but only medium sized country town, and by no means the beating heart of Bavarian commerce, culture and politics. That is what we are going to explore in this episode.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture Controversy

Let's start episode 731 of Secrets of Organ Playing Podcast. This question was sent by Dan and he writes:Interesting podcast episode here, on pedal technique, Vidas.  You talk about putting hands on the bench during pedal solos. I'll often do this, as I'm not playing anything in the manuals.  Would you say this is a good thing to do, technically speaking?  Or would you advise organists that you're working with, to keep their hands on the manuals, so they can be ready for when manual parts come back in?  Speaking of playing baroque music with toes only, with the Toccata, from BWV 564, and the pedal solo that it has in it, how would you play the part that has triplets in it, as smooth as possible?  This is a bit in that pedal solo in that toccata that I've always not gotten as smooth as I'd like it to be, and as smooth as I've heard organists generally play it.  Find out more at https://organduo.lt

durée : 00:19:04 - Cantate BWV 34 « O ewiges Feuer, O Ursprung der Liebe » - Bach compose tardivement à Leipzig la Cantate BWV 34 « O ewiges Feuer, O Ursprung der Liebe » / « Ô feu éternel, ô source de l'amour ! » pour le dimanche de Pentecôte de l'année 1746 ou 1747.

durée : 00:08:44 - Fantasia super « Komm, eiliger Geist » BWV 651 -

Moses names two sources for the floodwaters. In this devotion we look at the second one—the opening of the sluice gates of the heavens. (Sluice gates are sliding gates or other devices for controlling the flow of water.)Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

A personal solo episode where I (Mary) share my “small joys” i.e. little acts of self-care that have made a big difference. Each one has become a gentle anchor, a little nudge to remember who I am and what I need. And through them, I'm realizing how the act of keeping promises to myself—no matter how small—has become a declaration of self-worth.You will hear about... 6 teeny tiny self-care practices that have made a big difference in my mental healththe books I've been reading lately (including my unpopular opinion about The Women by Kristin Hannah)reflections on relationships and making new friendshow to cultivate a positive mindsetAt the core of this episode is the idea that keeping promises to yourself is a declaration of self-worth. Every time you follow through on taking care of yourself, you are signaling that you are WORTHY of the time, energy, money, and attention self-care demands.Tune in for a gentle invitation to remember that your life is YOURS to shape, nurture, and enjoy. A positive mindset could be just a small step away.Deepen your self-love journey with Mary's books:1. The Gift of Self-Love, an interactive workbook that will help you build confidence, recognize your worth, and learn to finally love yourself.2. 100 Days of Self-Love, a guided journal with 100 prompts to help you calm self-criticism and learn to love who you are.Follow Mary on IG: @maryscupofteaa and @maryspodcastIf you're craving more conversations like this—about self-care, mental health, positive mindset, relationships, women's empowerment, and living in alignment with your authentic self—make sure to subscribe to this self-love podcast and leave a review. Your support helps this show reach more women and spread the gift of self-love.Mentioned In This Episode... Hilary Hahn performing J.S. Bach: Partita for Violin Solo No. 1 in B Minor, BWV 1002 - 4. Double (Presto)Ep. 243: How to Stay Hopeful, Joyful, and Soulful with Victoria Hutchins on Apple, Spotify, and YouTubeEp. 234: Finding Myself in the Unlikeliest of Places (Cuba) on Apple, Spotify, and YouTube

As you can hear from my voice, I am still all bunged up. I tried to record this episode in the usual way and quite frankly it was horrible. But the show has to go on. So I did have to resort to other means. I cloned my voice with elevenlabs and what you will hear now is not me, but bionic me. If that is not for you, just wait, maybe a week, hopefully no longer and I will record the episode again, this time in the traditional good old human way. The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

Welcome to episode 730 of Secrets of Organ Playing Podcast! This question was sent by Benas, our student at Vilnius University organ studio "Unda Maris" and he writes:After learning to play Bach's Trio Sonata in Eb major, I found myself reluctant to try and explore the rest of the Trio sonatas. What could I try to overcome this fear? Last year, I played Bach's Trio Sonata in E-flat major (BWV 525) at Vilnius University Unda Maris Studio Recital in winter. I found the entire learning process extremely difficult compared to any other piece I tried to learn. Usually, when I am learning to play any piece of music, at some point I get a certain feeling that it's all going to come together eventually and that has been a good predictor of whether I will perform it well in the concert. However, with this piece, I could not feel that at all and my concert performance was really not up to my liking, making an underwhelming result after practicing it for about a year (although I must admit, the practice schedule was not very rigorous). As a result - I am really reluctant to try to learn the rest of the Trio Sonatas. However, at some point in life, I would still like to learn them. Any tips to overcome this "fear" and strategies for my next practice sessions? Many thanks!!!More information: https://organduo.lt

durée : 00:03:46 - Le Bach du matin du mardi 03 juin 2025 - Notre Bach du matin est une nouveauté. Félicien Brut était notre invité le 22 mai dernier pour la sortie de son disque "L'accordéoniste", dans lequel il interprète le prélude en fa mineur BWV 881 de Bach... à l'accordéon.

durée : 00:21:22 - Cantate BWV 10 « Meine Seel erhebt den Herren » - La Cantate BWV 10 « Meine Seel erhebt den Herren » / « Mon âme exalte le Seigneur » composée pour la fête de la Visitation (2 juillet 1724) appartient au deuxième cycle de cantates liturgiques de Bach à Leipzig.

durée : 00:11:04 - Prélude et fugue en ut majeur BWV 547 -

Moses names two sources for the floodwaters. In this devotion we look at the first one—the rending asunder of the springs of the greet deep.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Unfortunately I have been felled by manflu a much belittled affliction. So no Agnes Bernauer and Bavarian dukes. That will be next week.For now some completely random stories about Berliner, aka Bismarck Doughnuts for our American friends, why and where and how - featuring Felix Mendelssohn, Richard Wagner, Frederick the Great and Cato the Elder and a guy who cuts the hearts out of one age-old culinary traditions...The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic KnightsThe Holy Roman Empire 1250-1356The Reformation before the Reformation

durée : 00:22:53 - Cantate BWV 43 « Gott fähret auf mit Jauchzen » - Bach a composé la Cantate BWV 43 « Gott fähret auf mit Jauchzen » / « Dieu s'élève aux Cieux dans des cris de joie » pour la fête de l'Ascension au cours de sa troisième année à Leipzig (30 mai 1726).

durée : 00:14:48 - Passacaille et fugue en ut mineur BWV 582 -

Moses wanted his audience to know the precise chronological framework of the Flood. The dates that he gives us suggest that, when the rain first began falling, it was expected. Which is precisely why its ultimate disaster was unexpected.Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

What can Mao Zedong teach us about Donald Trump? To find out, ChinaTalk interviewed the legendary sinologist Orville Schell, who visited China during the Cultural Revolution and is currently at the Asia Society. We discuss… Mao Zedong's psychology and political style, Similarities and differences between Mao and Trump, How Mao-era traumas reverberate in modern China, including how the Cultural Revolution has influenced the Xi family, How Zhou Enlai and Deng Xiaoping survived the Cultural Revolution, and which of their tactics could be useful in modern America, What civil society can do to defend democracy over the next four years. Co-hosting is Alexander Boyd, associate editor at China Books Review and former ChinaTalk intern. Read Orville's article, "Trump's Cultural Revolution," here. Read the Asia Society piece on religion and political power here. Orville's crazy Asia Society event, From Pontius Pilate to Chairman Mao: Religion and Politics https://www.youtube.com/watch?v=opw9vqpPBqQ&ab_channel=AsiaSociety Book recommendations: Joseph Torigian - The Party's Interests Come First: The Life of Xi Zhongxun, Father of Xi Jinping Perry Link - The Anaconda in the Chandelier - ⁠excerpt⁠ from ChinaFile William Shirer - The Rise and Fall of the Third Reich Victor Klemperer - I Will Bear Witness: A Diary of the Nazi Years, 1933-1941 Outro music: Bach's Partita No. 1 for Solo Violin in B Minor, BWV 1002: VIII. Double, Gidon Kremer https://open.spotify.com/track/3x1Rdpgy6QGSlW9tItHYdm?si=20fa2051dc5d4f91 Aria from J.S. Bach Cantata 'Schwingt freudig euch empor' https://open.spotify.com/track/5pIy4Gll1YywqKX25EbbOb?si=520327db35f54201 Learn more about your ad choices. Visit megaphone.fm/adchoices

What can Mao Zedong teach us about Donald Trump? To find out, ChinaTalk interviewed the legendary sinologist Orville Schell, who visited China during the Cultural Revolution and is currently at the Asia Society. We discuss… Mao Zedong's psychology and political style, Similarities and differences between Mao and Trump, How Mao-era traumas reverberate in modern China, including how the Cultural Revolution has influenced the Xi family, How Zhou Enlai and Deng Xiaoping survived the Cultural Revolution, and which of their tactics could be useful in modern America, What civil society can do to defend democracy over the next four years. Co-hosting is Alexander Boyd, associate editor at China Books Review and former ChinaTalk intern. Read Orville's article, "Trump's Cultural Revolution," here. Read the Asia Society piece on religion and political power here. Orville's crazy Asia Society event, From Pontius Pilate to Chairman Mao: Religion and Politics https://www.youtube.com/watch?v=opw9vqpPBqQ&ab_channel=AsiaSociety Book recommendations: Joseph Torigian - The Party's Interests Come First: The Life of Xi Zhongxun, Father of Xi Jinping Perry Link - The Anaconda in the Chandelier - ⁠excerpt⁠ from ChinaFile William Shirer - The Rise and Fall of the Third Reich Victor Klemperer - I Will Bear Witness: A Diary of the Nazi Years, 1933-1941 Outro music: Bach's Partita No. 1 for Solo Violin in B Minor, BWV 1002: VIII. Double, Gidon Kremer https://open.spotify.com/track/3x1Rdpgy6QGSlW9tItHYdm?si=20fa2051dc5d4f91 Aria from J.S. Bach Cantata 'Schwingt freudig euch empor' https://open.spotify.com/track/5pIy4Gll1YywqKX25EbbOb?si=520327db35f54201 Learn more about your ad choices. Visit megaphone.fm/adchoices

第78届戛纳电影节接近尾声，本期播客我们将系统聊一聊入围本届戛纳的三部华语片：毕赣导演的《狂野时代》、麦浚龙导演的《风林火山》和周璟豪导演的《花漾少女杀人事件》。三部影片中，最受大家期待的自然是毕赣导演《狂野时代》，本片在今天完成了戛纳首映，距离毕赣震惊世界的长片首作《路边野餐》刚好过去了十年时间。《狂野时代》延续了毕赣标志性的诗意长镜头与意识流叙事风格，以“电影怪物”的意象游走于六个围绕六觉（视觉、听觉、触觉、嗅觉、味觉、心觉）展开的章节之中。易烊千玺饰演的角色横跨默片时代到现代社会，从囚犯、父亲、小混混到文物贩子的多重身份，串联起关于梦境、感知、记忆的影像碎片。在世界电影诞生130周年和中国电影诞生120周年这个重要的时间节点，这部具有强烈的“电影的电影”特质的电影十分应景。影片延续了《路边野餐》和《地球最后的夜晚》的长镜头实验，片中的第五部分是长达35分钟的“一镜到底”，也回应了毕赣想要“重新引导观众回到原始观影体验”的创作初衷。我们在本期播客中，聊到了更多关于《狂野时代》的内容和评论。除了第一时间的观感，也聊到易烊千玺、舒淇、李庚希等演员在片中的表现，以及影片的拿奖概率。朱丽叶·比诺什为首的评审团，是否会青睐这部更具迷影情怀的电影，我们拭目以待。《狂野时代》戛纳首映嘉宾：阿莫多瓦特了自由撰稿人，《坠落的审判》十级学者Your generosityconceals sth dirtier and meaner.祝新《世界日出时》导演景一《植物学家》导演车琳电影研究者，策展人。现任教中国传媒大学戏剧影视学院，从事新媒体教学与创作、电影节研究和XR类策展实践。柳莺深焦DeepFocus 联合创始人 / 国际发行视幻文化PARALLAX FILMS主理人PeterCat电影人、媒体人、深焦DeepFocus创始人《风林火山》（麦浚龙，2025）剧照时间轴：00:01:28 毕赣《狂野时代》第一时间观感00:03:08 《狂野时代》的整体架构00:13:02 《狂野时代》所呈现的视觉效果00:15:29 《狂野时代》获奖的可能性00:20:04 麦浚龙《风林火山》引起的争议00:23:29 《风林火山》中“香港下雪”的指涉00:25:47 剪辑对《风林火山》的影响00:27:14 对周景豪《花样少女杀人事件》的评价00:31:12 《花样少女杀人事件》对母女关系的呈现00:39:41 对《镜的第三乐章》的评价00:44:43 佩措尔德的导演风格00:49:04 《镜的第三乐章》与《温蒂妮》和《红色天空》的对比00:56:33 对小克莱伯·门多萨《密探》的评价00:59:48 《密探》对小克莱伯·门多萨家乡的呈现01:07:59 《去死吧，我的爱》呈现产后抑郁01:14:43 詹妮弗·劳伦斯的生育经历对表演的帮助01:18:20 《去死吧，我的爱》中的视听语言01:21:34 作为母亲参与戛纳电影节的感受Family and Rainstorm Alex Colville涉及作品：《世界日出时》（祝新，2025）《风林火山》（麦浚龙，2025）《九龙城寨之围城》（郑保瑞，2024）《五月雪》（张吉安，2023）《风在起时》（翁子光，2022）《花样少女杀人事件》（周璟豪，2025）《少年的你》（曾国祥，2019）《七月与安生》（曾国祥 ，2016）《小小的我》（杨荔钠 ，2024）《镜的第三乐章》（克里斯蒂安·佩措尔德，2025）《植物学家》（景一，2025）《温蒂妮》（克里斯蒂安·佩措尔德，2020）《红色天空》（克里斯蒂安·佩措尔德，2023）《远离天堂》（托德·海因斯，2002）《卡罗尔》（托德·海因斯，2015）《过境》（克里斯蒂安·佩措尔德，2018）《黑水》（托德·海因斯，2019）《密探》（小克莱伯·门多萨，2025）《幽灵肖像》（小克莱伯·门多萨，2023）《巴克劳》（小克莱伯·门多萨，2019）《电光魔法》（小克莱伯·门多萨，2010）《风流一代》（贾樟柯，2024）《去死吧，我的爱》（琳恩·拉姆塞，2025）《母亲》（达伦·阿伦诺夫斯基，2017）《年轻的母亲之家》（让-皮埃尔·达内，2025）《主谋》（凯莉·莱卡特，2025）《推销员》（阿斯加·法哈蒂，2016）《岛屿上的煎熬》（阿尔伯特·塞拉 ，2022）《水浇园丁》（路易斯·卢米埃尔，1895）《地球最后的夜晚》（毕赣，2018）《路边野餐》（毕赣，2015）《荒野时代》（毕赣，2024）《神圣车行》（莱奥·卡拉克斯，2012）《年轻的母亲之家》（让-皮埃尔·达内，2025）剧照本期使用音乐：开场：Nocturne No. 15 inF Minor, Op. 55, No. 1中插：Concerto in DMinor, BWV 974_2. Adagio结尾：In Spite ofOurselves —— John Prine / Iris DeMent制作团队监制：Peter Cat统筹：Peter Cat策划：Peter Cat剪辑：黄哲成编辑：黄哲成

Last year I went to an exhibition at the Städel museum in Frankfurt that was entitled Holbein and the Renaissance in the North. That is the elder Holbein, the father of the Holbein who came to England. This exhibition has now ended, but there is still a great summary available on the Städel website.Though obviously not present at the exhibition, one key focus was the Fugger chapel in the church of St. Anne in Augsburg, one of the earliest and most significant Renaissance building north of the Alps. I wanted to kick off this episode with this chapel and then move on to Holbein, Burgkmair etc. But as I dug deeper and deeper into the late 15th and early 16th century art in Southern Germany, the more connections and links emerged that I hope you will find as fascinating as I did.Links to artworks:Fugger chapel: Die Fuggerkapelle | St. Anna AugsburgRiemenschneider Heilig Blut Altar: The Altar of the Holy Blood | ReliquarianThe Hare: Young Hare, 1502 - Albrecht Durer - WikiArt.orgSchongauer St. Anthony: Martin Schongauer | Saint Anthony Tormented by Demons | The Metropolitan Museum of ArtRhinocerus: Albrecht Dürer | The Rhinoceros | The Metropolitan Museum of ArtRitter, Tod und Teufel and other works: Albrecht Dürer (1471–1528) - The Metropolitan Museum of ArtThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I...

In this inspiring episode of The Piano Pod, "Bach Reimagined - Artistic Innovation of Timeless Music for All Audiences," Eleonor Bindman - pianist, arranger, and recording artist - joins us for an intimate conversation about her groundbreaking work reimagining the music of J.S. Bach for solo and four-hand piano.From her bestselling Brandenburg Duets with Jenny Lin to her most recent solo project ABSOLUTE—featuring beautifully idiomatic piano transcriptions of Bach's Lute Suites—Eleonor's artistry invites musicians and listeners of all levels to discover the joy, depth, and brilliance of Bach.In this episode, we talk about:Why she believes “there is no one way to play Bach”Her transcription philosophy and creative processAdvocating for accessible classical music—without compromising qualityHow piano duets can foster collaboration, joy, and musicianship at every stageTips for navigating polyphony, articulation, pedaling, and ornamentation in Bach's keyboard worksHer Stepping Stones to Bach series and empowering adult amateurs and young students alikeLegacy, innovation, and what it means to be a 21st-century artist-educator

durée : 00:30:18 - Cantate BWV 147 « Herz und Mund und Tat und Leben » - Bach compose la Cantate BWV 147 « Herz und Mund und Tat und Leben » / « Le Cœur, la bouche, l'action et la vie » dans les premières semaines de son installation à Leipzig, pour la Fête de la Visitation de la Vierge Marie (2 juillet 1723).

durée : 00:15:02 - L'Art de la Fugue BWV 1080 -

Well, here we are my friends, the 100th and final episode!  We go back to where it all started, the National Gallery of Art, for a look at one of Pieter de Hooch's idealized depictions of what a Dutch household was supposed to be. This cozy home may have been more wishful thinking than reality, though!  We'll find out how an embarrassing meeting helped create the Gallery! And I'll share final thoughts and thank yous and a few podcast recommendations I think you'll really like (listed below). If you want to follow along, you can find it here on the Gallery's site SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode Music “The Well Tempered Clavier, Book I, BWV 846-869 - Prelude No. 19 in A major, BWV 864” composed by Johann Sebastian Bach. Performed by Kimiko Ishizaka. Courtesy of musopen.org https://musopen.org/music/43466-the-well-tempered-clavier-book-i-bwv-846-869 “Hand in Space” by Quantum Jazz https://archive.org/details/jamendo-046377 Artwork information https://www.nga.gov/artworks/1172-bedroom https://www.nga.gov/research/publications/online-editions/dutch-paintings-seventeenth-century-bedroom-16581660 Pieter de Hooch information “Pieter de Hooch, 1629-1684” by Peter C. Sutton (Archive.org) https://archive.org/details/pieterdehooch16200sutt https://www.theartstory.org/artist/de-hooch-pieter https://en.wikipedia.org/wiki/Pieter_de_Hooch “Public and Private Life in the Art of Pieter de Hooch” by Martha Hollander (JSTOR) Nederlands Kunsthistorisch Jaarboek (NKJ) / Netherlands Yearbook for History of Art 51 (2000): 272–93. https://www.jstor.org/stable/24706499 Women in Dutch life “The Embarrassment of Riches” by Simon Schama (Bookshop.org) Gallery history https://www.nga.gov/about-us/our-history https://www.doaks.org/resources/cultural-philanthropy/national-gallery-of-art “America's National Gallery of Art” by Philip Kopper (Internet Archive) https://archive.org/details/americasnational0000kopp/americasnational0000kopp Jazz in the Garden https://www.nga.gov/calendar/jazz-garden “The Mill” by Rembrandt https://www.nga.gov/artworks/1201-mill The Object Podcast--Minneapolis Institute of Art https://new.artsmia.org/the-object-podcast The Modern Art Notes Podcast https://manpodcast.com Tyler Greene presents in-depth discussions with artists about their practice and curators about current shows for a fascinating look at today's art world. Immaterial https://www.metmuseum.org/perspectives/series/immaterial-podcast The Metropolitan of Art's limited series podcast tells us surprising stories about the stuff art is made from. Transcript available at https://alonglookpodcast.com/bedroom-de-hooch

Did you know that Noah loaded up his family and all the animals into the ark seven days before the Flood came? What were those days and nights like, as they made sure they had everything they were going to need and that everything was prepared? What was their peace in the midst of that stress? What is ours?Music Credit: J. S. Bach, “Wir eilen mit schwachen, doch emsigen Schritten,” aria from “Jesu, der du meine Seele,” BWV 78 (Leipzig, 1724).

Hello and welcome to the History of the Germans: Episode 194 – The Fuggers of Augsburg, which is also episode 10 of Season 10 “The Empire in the 15th Century”Jakob Fugger had been dubbed the Richest Man Who Ever Lived, but there are many more contenders, my favorite being an African, Mansa Musa, the ninth Mansa of the Mali empire whose generous gifts during a visit to Mecca in 1324 triggered a currency crisis.That is something Jakob Fugger would never have done. He never was a flamboyant banker who impressed his contemporaries with lavish displays of wealth. He was actually fairly dull. If anyone in the firm of Fugger was flamboyant, it was the chief accountant. So if Jakob is a bit of a pale shadow, the story of what happened in the world of European Finance between 1480 and 1520 is anything but boring. Within just 40 years the heart of the banking industry moved from Florence and Venice where it had held sway since it was invented and moved north, into a medium sized Swabian city, Augsburg.That is as if JP Morgan, Goldman Sachs and Morgan Stanley closed their doors and in their stead some local players from Scandinavia or Mexico took over the financing of the Global economy. I am not kidding, something like that really happened back in the late 15th century.The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic League

Ravensburg, and you are very much forgiven if you cannot place it on the map, is today a town of 50,000 in the far south eastern corner of Baden-Württemberg between Friedrichshafen, home of the Zeppelins, and the city of Ulm and its majestic church tower. If you have heard of it, it may be because of Ravensburger, the publisher of puzzles and boardgames, but you would not have associated it with any great mercantile or commercial activity.Nevertheless, in the 15th century it housed the headquarters of a company that held a near monopoly in the trade between Spain and the empire and in certain wares, namely linen and a special cloth variously called barchent, bombast or fustian.Before we get into Ravensburger and the Grosse Handelsgesellschaft, we need to put the whole region into the context of the free imperial cities of the 15th century.Trading routes of the HABW_11_03_Ravensburger_Handelsgesellschaft.jpg (4957×3535)The music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward ExpansionThe Hanseatic LeagueThe Teutonic Knights

The counts, dukes and ultimately kings of Württemberg had risen to the top by winning the genetic lottery. Their eldest sons tended to be competent, some even extremely so, their wives brought in dowries and sometimes entire counties, and they ruled for long enough that the next generation took over when they were ready.But all that falls apart in the 15th century. They are suddenly afflicted with the disease of dynasties, states inherited by babies and buffoons, some of them managing to be both. That would normally be the death nail for a noble House, but not this time. The Landtag, the Estates of Württemberg step in to protect the fledgling state, deposing buffoons when necessary and ruling on behalf of the babies. This is one of the lesser known and even more extraordinary political histories in europe and well worth listening to.And as a bonus we also investigate why the regions around Stuttgart, Mannheim, Karlsruhe and Freiburg have become hubs of technology and precision engineering, an area where there was no coal, no mining or any other natural advantage – except for the wine – no seriously, it was the wine. Can Winegrowing Cause Rural Development? Evidence from Baden-Württemberg | European Review of Economic History | Oxford AcademicThe music for the show is Flute Sonata in E-flat major, H.545 by Carl Phillip Emmanuel Bach (or some claim it as BWV 1031 Johann Sebastian Bach) performed and arranged by Michel Rondeau under Common Creative Licence 3.0.As always:Homepage with maps, photos, transcripts and blog: www.historyofthegermans.comIf you wish to support the show go to: Support • History of the Germans PodcastFacebook: @HOTGPod Threads: @history_of_the_germans_podcastBluesky: @hotgpod.bsky.socialInstagram: history_of_the_germansTwitter: @germanshistoryTo make it easier for you to share the podcast, I have created separate playlists for some of the seasons that are set up as individual podcasts. they have the exact same episodes as in the History of the Germans, but they may be a helpful device for those who want to concentrate on only one season. So far I have:The Ottonians Salian Emperors and Investiture ControversyFredrick Barbarossa and Early HohenstaufenFrederick II Stupor MundiSaxony and Eastward Expansion