Podcasts about Baroque

Tunes: Advocates 5.2.22 Manuscript: The Laird of Ogle's, Tune # 8, 9 (Strathspey), 10 (Lochiel's Awa to France), 11 (The Black Mill), Jack has Got a Wife, Jack's Frolic, White Jock, Le Demoiselles, The School for Lovers, Cathal Brown: Gahagan's Frisk, The Humours Westmeath, James Aird: Jackson's Frolic, +X+X+ To Download Brian's Article Click here: https://www.patreon.com/file?h=140330775&m=542585391 Check out the Archive of Alternate Pipers of North America here: https://pipersgathering.org/apnaold/?pageid=1553 Check out Verdant Whistles here: https://www.irishflutestore.com/products/verdant-whistles?srsltid=AfmBOor8vrcJJgs8ymmlfAckxthB3VDDIiN2xFo5y_CZrqDeEfUOlqfo Sources: +X+X+ You can download the Patreon Tunebook this week: https://www.patreon.com/file?h=140330775&m=542604147 +X+X+ The Advocates' manuscript 5.2.22 is available online via Ross's Music Page: https://www.cl.cam.ac.uk/archive/rja14/music/index.html All the tunes (apart from Laird of Ogle's) Comes from PDF 1: https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/advocates1.pdf Laird of Ogle's Is in the 2nd PDF: https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/advocates2.pdf +X+X+ 1780s: Jackson's Frolic from Jame Aird's Collection https://archive.org/details/selectionofscotc01rugg/page/190/mode/2up +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Mike Pekovich and Phil Huber join Ben to debrief their week-long woodworking tour of England—part museum crawl, part shop class, all inspiration. From London's Building Crafts College (trade-focused millwork and stonemasonry) to the Snowdon School of Furniture (studio furniture, domestic woods, and a “rip-only” tablesaw philosophy), they compare shop practices and rethink joinery workflows (tenoners, Domino, band-sawn cheeks, using the miter saw's depth stop). The trip winds through the Westonbirt Arboretum and an unforgettable boxwood deep-dive with a Baroque oboe maker, then into the V&A's technique-curated furniture gallery. In the Cotswolds, Rodmarton Manor (Barnsley/Gimson) and the Gordon Russell Museum spark lessons in design “grammar,” chamfers, and English drawer slips you'll want to steal. There's even a pub-hall turning demo with Paul Hannaby—pints included. Plus: a quick preview of next week's Woodworking in America in Des Moines and what Ben, Phil, and friends will be teaching and doing on site. For more information about our eLearning courses - http://www.finewoodworking.com/elearning For more information about our Woodworking Fundamentals journey - http://www.finewoodworking.com/fundamentals Join us on our new Discord server! - https://discord.gg/8hyuwqu4JH Links from this episode can be found here - http://www.shoptalklive.com Sign up for the Fine Woodworking weekly eLetter - https://www.finewoodworking.com/newsletter Sign up for a Fine Woodworking Unlimited membership - https://www.finewoodworking.com/unlimited Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking‘s biweekly podcast. Send your woodworking questions to shoptalk@finewoodworking.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page. Join us on our Discord server here.

Have you ever wandered through a museum and thought: Why is the Virgin Mary always dressed in blue? Did they really use eggs in egg tempera—and did it make those paintings smell weird? And why, for some reason, does baby Jesus sometimes look like a tiny grumpy old man?Professor Suzannah Lipscomb is joined by Verity Babbs, art historian and comedian, who is on a mission to shake the dust off art history. They take a whirlwind tour from the Renaissance through to the Baroque, taking in fig leaves, duels and murder.MORE:Durer: The Great Renaissance ArtistThe Tudors' Portrait Artist: HolbeinPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.

A new exhibition at the Fitzwilliam Museum in Cambridge, UK, called Made in Ancient Egypt, reveals untold stories of the people behind a host of remarkable objects, and the technology and techniques they used. The Art Newspaper's digital editor, Alexander Morrison visits the museum to take a tour with the curator, Helen Strudwick. One of the great revelations of the past two decades in scholarship about women artists is Michaelina Wautier, the Baroque painter active in what is now Belgium in the middle of the 17th century. The largest ever exhibition of Wautier's work opened this week at the Kunsthistorisches Museum in Vienna, and travels to the Royal Academy of Arts in London next year. Ben Luke speaks to the art historian who rediscovered this extraordinary painter, Katlijne Van der Stighelen, who has also co-edited the catalogue of the Vienna show. And this episode's Work of the Week is Robert Rauschenberg's Bed (1955), one of the most important works of US art of the post-war period. It features in the exhibition Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, which this week arrives at the Museum Ludwig in Cologne. We speak to Yilmaz Dziewior, the co-curator of the exhibition.Made in Ancient Egypt, Fitzwilliam Museum, Cambridge, UK, 3 October-2 April 2026Michaelina Wautier, Painter, Kunsthistorisches Museum, Vienna30 September-22 February 2026; Royal Academy of Arts, London27 March – 21 June 2026.Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, Museum Ludwig, Cologne, Germany,3 October-11 January 2026Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available.https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

[Back to School]Far from being round and regular, “baroque pearls” have strange and unique shapes. Long considered wonders of nature, they inspired goldsmiths throughout the Renaissance and into the Baroque and Neo-Classical periods. Anna Maria Luisa de' Medici, known as the last descendent of the House of Medici, had a passion for such pearls.Voice of Jewels, a podcast from L'ÉCOLE, School of Jewelry Arts supported by Van Cleef & Arpels. Unveiling the stories and secrets behind History's most fascinating jewels.With Inezita Gay-Eckel, Jewelry Historian and Lecturer at L'ÉCOLE, School of Jewelry Arts, and Léonard Pouy, Art Historian and Content and Transmission Manager at L'ÉCOLE, School of Jewelry Arts.Written by Martin Quenehen and Aram Kebabdjian, performed by Edoardo Ballerini and produced by Bababam. Hosted on Acast. See acast.com/privacy for more information.

Title: Yet another Bach! Track: JL Bach Trauermusik: 25. Aria (Bass): "So viel Gnadengaben" Artist: Andreas Wolf (Bass) Hans-Christoph Rademann, Akademie für Alte Musik Berlin Publisher: ℗ 2011 harmonia mundi

I have become a big fan of Ruckus, a dynamic Early Music ensemble, and I so enjoyed this uplifting conversation with Clay Zeller-Townson, their Artistic Director and bassoonist. ou'll be hearing clips from The Edinburgh Rollick with music from the Niel Gow collection, featuring the violinist Keir GoGwilt, and because this music is very much at the crossroads of Scottish traditional music and Baroque music, it delights audiences who are more into folk as well as baroque. You'll be inspired to hear Clay's ideas around crafting something truly personal and unique and connecting with audiences, as well the importance of access to music education at all levels. We also got into Ruckus' Fly the Coop project with flutist Emi Ferguson with a wonderfully fresh take on the music of J.S. Bach, and a lot of what Clay shared was how the musicians connect deeply with their audiences with contemporary relevance in many different ways.You'll find the track names of the music included in the time stamps. The complete show notes on my website will take you the video and transcript for this episode.Ruckus Early Music Other episodes you'll love: bassoonist Christopher Millard, Lutenist Elizabeth Pallett, recorder player Sarah Jeffery , fiddler Alexis Chartrand, organist Gail Archer and cellist Juliana Soltis. Buy me a coffee? Newsletter Merch(00:00) Intro(02:04) Ruckus early music continuo band, creating unique style and sound(09:10) violinist Keir GoGwilt The Edingburgh Rollick (clip from The Jenny Nettles Set), Neil Gow(15:16) how Baroque bassoon is different from modern(18:10) Ruckus' collaborative creative process(23:23) Mrs. Ferguson's Strathspey, about the Beatles' quote(26:28) Playing for dancers(31:54) playing for opera with no conductor(37:02) Fiona Gillespie with clip of The Broome of Coudenknowes(40:15) Clay's childhood and discovery of the bassoon(42:19) other episodes you'll love(43:11) Clay's music education and forming Ruckus(46:38) flutist Emi Ferguson, album Fly the Coop with J.S. Bach Siciliana (54:53) The Edinburgh Rollick album art, The Gigg Set with clip(01:01:10) Clay's life as an educator(01:08:02) Early Music scene(01:14:07) Roscoe Mitchell project

Tunes: Robert Bremner: Montrose https://digital.nls.uk/special-collections-of-printed-music/archive/87723709 For links etc to the session, get in touch, or follow along here: https://www.facebook.com/share/1B5Tpbozyp/ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

“Il mio viaggio nel Nord-Est Europa”Johann Gottfried Müthel (1728-1788) - Concerto in sib per il cembalo, IJM 61.      Allegro2.      Poco adagio 6:543.      Allegro 16:18Drοttninghοlm Baroque Ensemble Björn Gäfvеrt, clavicembaloNils Erik Spаrf, conductor

Hola! This are Jorge Román and Fran Glaría, your passport to the hidden stories behind Spain's stone and stained glass. Today on Spanish Loops we are talking to a subject that is as old as civilization and twice as dramatic: what makes a churchdifferent from a cathedral, a basilica, or an ermita? From humble chapels tucked into cliff faces to awe striking cathedrals that declared a city's power, we will trace the architecture, the titles, the rituals, and the politics that turned simple worship spaces into symbols of pilgrimage, prestige, and yes, the occasional palace sized ego!We'll stroll through time, Roman foundations, medieval firestorms of reform, Renaissance showmanship, Baroque theatricality and pull apart the real reasons, a place gets called a basilica versus when a bishop sits in a cathedral'schair. You'll meet the hermits who birthed ermitas on lonely crags, the popes who handed out basilica status like royal favours, and the clever civic leaders who built cathedrals to put their town on the map. Expect human stories: miracles, rivalries, secret chapels, and the odd scandal that reshaped whole neighbourhoods.Are you a curious traveler planning your next Spanish loop?Do you love a good origin story? Do you want to sound brilliant at church tours? This episode is for you. We'll give you the quick ID points how to spot a cathedral from a basilica in under thirty seconds plus the cultural context that makes every stone matter.Tune in, subscribe, and share because these buildings don't just hold prayers, they hold the history of us. Now let's walk inside and listen to the stones.See you next week!

The 18th Century: Bonnie Prince Charlie, the Great Masculine Renunciation, life at sea, the slave trade. The new novel Ravenglass by Carolyn Kirby has all of that and more.Let's find out how this book about Baroque-n-Roll Adventures of a Gender Fluid Seafarer came to be.Welcome, Carolyn!Get Ravenglass:https://www.northodox.co.uk/product-page/ravenglass-paperbackFind Carolyn:https://www.carolynkirby.com/https://www.facebook.com/carolynkirbyauthor/https://www.instagram.com/novelcarolyn/Carolyn on Goodreads:https://www.goodreads.com/author/show/18475601.Carolyn_KirbyFind Baroque:https://www.ifitaintbaroquepodcast.art/https://www.reignoflondon.com/https://substack.com/@ifitaintbaroquepodcastSupport Baroque:https://www.patreon.com/c/Ifitaintbaroquepodcast/https://buymeacoffee.com/ifitaintbaroqueIf you would like to join Natalie on her walking tours in London with Reign of London:Saxons to Stuarts:https://www.getyourguide.com/london-l57/london-the-royal-british-kings-and-queens-walking-tour-t426011/Tudors & Stuarts:https://www.getyourguide.com/london-l57/royal-london-tudors-stuarts-walking-tour-t481355/The Georgians:https://www.getyourguide.com/london-l57/royal-london-the-georgians-walking-tour-t481358/Naughty London:https://www.getyourguide.com/london-l57/london-unsavory-history-guided-walking-tour-t428452/For more history fodder please visit https://www.ifitaintbaroquepodcast.art/ and https://www.reignoflondon.com/ Hosted on Acast. See acast.com/privacy for more information.

Hola! This are Jorge Román and Fran Glaría, your passport to the hidden stories behind Spain's stone and stained glass. Today on Spanish Loops we are talking to a subject that is as old as civilization and twice as dramatic: what makes a churchdifferent from a cathedral, a basilica, or an ermita? From humble chapels tucked into cliff faces to awe striking cathedrals that declared a city's power, we will trace the architecture, the titles, the rituals, and the politics that turned simple worship spaces into symbols of pilgrimage, prestige, and yes, the occasional palace sized ego!We'll stroll through time, Roman foundations, medieval firestorms of reform, Renaissance showmanship, Baroque theatricality and pull apart the real reasons, a place gets called a basilica versus when a bishop sits in a cathedral'schair. You'll meet the hermits who birthed ermitas on lonely crags, the popes who handed out basilica status like royal favours, and the clever civic leaders who built cathedrals to put their town on the map. Expect human stories: miracles, rivalries, secret chapels, and the odd scandal that reshaped whole neighbourhoods.Are you a curious traveler planning your next Spanish loop?Do you love a good origin story? Do you want to sound brilliant at church tours? This episode is for you. We'll give you the quick ID points how to spot a cathedral from a basilica in under thirty seconds plus the cultural context that makes every stone matter.Tune in, subscribe, and share because these buildings don't just hold prayers, they hold the history of us. Now let's walk inside and listen to the stones.See you next week!

Title: Baroque Festival 4: Exploring the Chalumeau Track: Telemann Concerto in D Minor for 2 Chalumeau, TWV 52:D1: II. Allegro Artist: Michel Portal, Paul Meyer & Orchestre Royal de Chambre de Wallonie Publisher: 2020 Orchestre Royal de Chambre de Wallonie & Alpha Classics / Outhere Music France

As we prepare for our fearless leader's graduation, it's time to celebrate the RPGs that made her. From tactics to action, from sim to rogue-lite, Kat, Eric, and Victor discuss Kat's idea of the perfect RPG library. Plus, Eric's been playing Trails in the Sky 1st Chapter; is this the Trails games that will hook newcomers? Listen to this perfectly bitter-sweet episode of Axe of the Blood God to find out! Tune in to live recordings of the show every Saturday morning at https://www.twitch.tv/bloodgodpod, subscribe for bonus episodes and discord access at https://www.patreon.com/bloodgodpod and celebrate our 10th Anniversary with new merch at https://shop.bloodgodpod.com Also in this episode: Vampire: The Masquerade Bloodlines 2 Baroque is back, baby! How easy it is to play old games Timestamps: 3:12 - Big News! 10:52 Main Topic - Kat's Perfect RPG Library 22:32 - Tactics 35:12 - Turn-Based 47:28 - Action 56:48 - Dungeon Crawler 1:05:36 - Simulation 1:13:52 - CRPG 1:20:16 - Rogue-lite 1:26:48 - Monster Collecting 1:27:18 - Wildcards 1:32:08 - Random Encounters 1:53:20 - The Tavern - Trails in the Sky 1st Chapter Remake 1:36:08 - Nadia's Nostalgia Nook Music Used in this Episode: Do Your Best - [Breath of Fire III] Pub - [Lunar Knights] Cityscape - The Sun Rises for Ones Who Smile - [Etrian Odyssey V] Learn more about your ad choices. Visit megaphone.fm/adchoices

Lithuania sits along the Baltic Sea, sharing borders with Latvia, Belarus, Poland, and Russia's Kaliningrad region. Its strategic location made it a crossroads of cultures and empires for centuries. This geography also gave Lithuania access to trade routes that shaped its prosperity. Interestingly, it is the only Baltic nation with a history as a medieval empire.Vilnius, the capital, is a UNESCO World Heritage Site thanks to its Baroque architecture and Old Town. Walking through its cobbled streets feels like stepping back in time. From Gothic churches to Renaissance courtyards, the city is a tapestry of styles. Fun trivia: Vilnius once competed with Florence for being called the “Jerusalem of the North.Lithuania is one of the oldest recorded states in Europe, officially mentioned in chronicles as early as 1009. That's more than a thousand years of history. Over time, it rose to become the heart of the Grand Duchy of Lithuania, stretching from the Baltic to the Black Sea. Imagine one small nation commanding such vast lands!The Grand Duchy of Lithuania reached its height in the 14th century. It was one of the largest countries in Europe, covering parts of today's Ukraine, Belarus, Poland, and Russia. This powerful state balanced military might with religious tolerance. Did you know it was one of the last places in Europe to officially convert to Christianity—in 1387? Hosted on Acast. See acast.com/privacy for more information.

Tunes: David Glen: Johnny Cope Nicolas Brown (Oswald): Johnnie Cope Father Son & Friends: Johnny Cope Jeremy Kingsbury & Carrie Dlutowski: Unremembered Air, Johnny Cope, Jenny Dang The Weaver, Mason's Apron, O'Keefe/Sean Keane: Johnny Cope Robert Millar: Jonny Cope +X+X+X Nicolas Brown's Johhny Cope Article: https://rushymountain.com/2017/10/06/johnny-cope/ And His Bandcamp page: https://nicolasbrown.bandcamp.com/album/good-enough-music-for-them-who-love-it And Our previous discussion way back in 2020: https://www.wetootwaag.com/s4e27 +X+X+X+ Check out Father Son and Friends Here: https://fathersonandfriends.com/home +X+X+X+ For More Information on the Battle of Prestonpans I highly recommend watching the “Road to Deafeat” Series presented by Aaron Johnston and the folks at Prestonpans Battlefield Museum https://youtu.be/NQYpTIm_4gI?si=N7IaRGyj48zePWYb https://www.battleofprestonpans1745.org/museum/ +X+X+X+ Wigwam Sessions Recording of Carrie and I: https://youtu.be/xsXM7iEwNgI?si=YAiSZuhcGbIqMk1N X+X+X For my earlier discussion of Johnny Cope and links to GHB Settings go here: https://www.wetootwaag.com/s9e16 +X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Tunes: Benjamin Elzerman: Taste Life's Glad Moments Barry Shears: Spanish Waltz, Jerry Holland's Pipe Jig, Old Joe's, James Kelly Patrick Hutchinson: Burn's March Rob Edwards: An Thou Were My Ain Thing Andrew O'Sullivan: Bu Deònach Leam Tilleadh, Bodach Innse Chrò, Ho Ro na Ribeanan, Caristìon' Nighean Eòghainn Rob Turner: Drimen Duff Robin Moss Kingsbury: Spidey Webs up Doc Ock John Dally: Battle of Waterloo, A Man's a Man for A' That, Haughs of Cromdale Jeremy Kingsbury: Jolly old Woman, Jackson's Lake Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

In this week's Gramophone Podcast, cellist Anastasia Kobekina talks about her new recording of one of the most revered series of works for her instrument - Bach's Solo Cello Suites. While the album isn't released by Sony Classical until next Friday (September 26), three movements are already available as singles, and in this side ranging conversation with Editor Martin Cullingford Kobekina talks about interpreting music from the Baroque through to the present day.  The Gramophone Podcast will now be included in The British Library Sound Archive, catalogued and preserved for future generations as part of the nation's audio and cultural heritage. Gramophone Magazine is a leading monthly publication for classical music, offering expert reviews, in-depth interviews, and industry insights. Available in print and online, it connects enthusiasts with the best recordings, artists, and trends in classical music worldwide.

EPYSODE 53: "If Only For A Moment" by Blossom Toes. Guest: Blossom Toes guitarist Jim Cregan. Additional commentary by Uncle Herff. This week we dive deep into "If Only For a Moment " (1969), the cult-favorite psychedelic rock masterpiece from Blossom Toes. Joining us is guitarist Jim Cregan, who shares rare, behind-the-scenes stories about the making of the album, the band's evolution from baroque pop to heavier rock, and how the record fits into the late-60s psychedelic movement. Whether you're a long-time fan or discovering Blossom Toes for the first time, this conversation brings new life to one of the era's most overlooked albums. I hope you dig "If Only For A Moment" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X here --> @VinylRelicsPod Email me here --> ⁠farmerjohnmusic@gmail.com⁠   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured ( *denotes track is not available on Spotify): https://open.spotify.com/playlist/2FeFu3VbQ9MjCmBvqoZJTu?si=ee265faaf3414b86 JEANNIE PIERSOL "Gladys" *THE CHEYNES (track title unkown) CHUCK BERRY “Ingo" THE INGOES “Fast Eddie” THE INGOES “I Don't Want You” SONNY BOY WILLIAMSON II & THE YARDBIRDS “Take It Easy Baby” THE MULDOONS “Lost Without You” THE VENTURES "Walk Don't Run" THE INGOES “Au Secours” THE INGOES “Se non Mi Aiuti Tu” BLOSSOM TOES “The Intrepid Baloonist's Handbook, Vol. 1” BLOSSOM TOES “Mr. Watchmaker” BLOSSOM TOES “Look At Me, I'm You” BLOSSOM TOES “Postcard” BLOSSOM TOES "Peace Loving Man" BLOSSOM TOES "Kiss Of Confusion" BLOSSOM TOES "Listen To The Silence" BLOSSOM TOES "Love Bomb" BLOSSOM TOES "Billy Boo The Gunman" BLOSSOM TOES "Indian Summer" BLOSSOM TOES "Just Above My Hobby Horse's Head" BLOSSOM TOES "Wait A Minute" B.B. BLUNDER “Go Have Yourself A Good Time” B.B. BLUNDER “New Day” *CENTIPEDE “Septober Energy” *MIRAGE “King's Head” FULL MONTE “Spark In The Dark” STUD "Sail On" STEVE HARLEY & COCKNEY REBEL “Make Me Smile (Come Up And See Me)” ROD STEWART “Passion” ROD STEWART “Tonight I'm Yours” ROD STEWART “The Best Days Of My Life” GLASS TIGER feat. ROD STEWART “My Town” ROD STEWART “Forever Young” ROD STEWART “Handbags And Gladrags” (live) ROD STEWART “Young Turks” THE LONDON QUIREBOYS “7 O'Clock” ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "One Of A Million" ^^That's my band. This is shameless self-promotion!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Title: Baroque Festival 3: Who was Mrs Philharmonica? Track: Mrs Philharmonica: Sonata quarta in B Minor, parte prima III. Adagio and IV. Vivace Artist:Le Consort Publisher: ℗ 2023 Alpha Classics / Outhere Music France & Le Consort

durée : 01:28:57 - l'Akademie für Alte Musik de Berlin, l'âme baroque - par : Aurélie Moreau - L'Akademie für Alte Musik de Berlin, au départ réunion d'un groupe d'amis musiciens des orchestres de Leipzig, est devenue un ensemble de référence dans l'interprétation historiquement informée. Aujourd'hui : Bach et CPE Bach, Haendel, Mendelssohn… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

The Charlotte Film Festival was started in 2006 to give established and emerging filmmakers a place to showcase their work. After 19 years, it's still going strong. This year's festival is at the International Picture House and promises a diverse line up of full and short-length features, documentaries, and animated films. Host Rachel Stewart talks with festival organizers Jay Morong and Taylor Montalto about what's on offer this year. She also chats with David Wilson, concertmaster of North Carolina Baroque Orchestra Chamber Players, which opens WDAV's Small Batch Concert Series.

IntroductionEach year millions of tourists visit the Czech capital, awed by its blend of architectural styles and dramatic landscape. St. Vitus's Gothic cathedral towers above the Charles Bridge and the Vltava River, while winding alleys lead to elegant squares lined with Renaissance palaces, Baroque statues, and modern glass structures. Yet this beauty obscures centuries of conflict — ethnic, religious, political, and more typically mundane conflicts— beginning when Prague was just a fort on a hill above a river. Presumably it wasn't built there for the view.In her new book, Prague: The Heart of Europe, Cynthia Paces traces the city's history from the late ninth century, when Slavic dukes built the first fortifications and church, through eleven centuries of triumph and tragedy. Prague has been both an imperial center of a great empire and a city on the periphery of empires—several of them. It became a European capital of art, politics, and pilgrimage, endured religious wars and defenestrations, and was nearly destroyed in the Thirty Years' War. At the beginning of the twentieth century it was celebrated as a beacon of democracy, only for its citizens to endure violent antisemitism, Nazi occupation, and communist repression — before once again becoming a beacon of democracy.Through her story of Prague we come to understand the truth of Franz Kafka's observation: “Prague does not let go; this little mother has claws.” Our conversation moves across centuries of wars, saints, emperors, rebellions, and revolutions to show why Prague still grips the imagination.About the GuestCynthia Paces is Professor of History at The College of New Jersey. She is the author of Prague Panoramas: National Memory and Sacred Space in the Twentieth Century and co-editor of 1989: The End of the Twentieth Century.For Further InvestigationCynthia Paces, Prague: The Heart of Europe (Oxford University Press, 2025)—Prague Panoramas: National Memory and Sacred Space in the Twentieth Century (University of Pittsburgh Press, 2009)Chad Bryant, Prague in Black: Nazi Rule and Czech Nationalism (Harvard University Press, 2007)Derek Sayer, Prague, Capital of the Twentieth Century: A Surrealist History (Princeton University Press, 2013)Related Episodes“Edges are Interesting: A History of Eastern Europe”“City of Light, City of Darkness”“Madrid”Listen & DiscussHow does Prague's geography help explain its importance across European history?What does the Prague Spring reveal about the continuing interplay in Prague's history of freedom, repression, and resilience? Share the podcast with someone who has visited Prague, or who has always meant to.

Sunday Worship for September 7, 2025, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Pastor Dan Peterson; Cantor Kyle Haugen. Prelude—Chorale preludes on “Now Thank We All Our God" by Baroque and modern composers • Introit—Psalm 119:30, 27, 26 • Gathering Hymn —Now Thank We All Our God, (ELW 840) • First Reading—Deuteronomy 30:15-20 • Psalm 1 • Second Reading—Philemon 1-21 • Gospel—Luke 13:25-33 • Sermon—Pastor Dan Peterson • Hymn of the Day—Take Up Your Cross, the Savior Said (ELW 667) • Distribution Hymn—Lord Jesus, You Shall Be My Song, (ELW 808)  • Sending Hymn —Lift Every Voice and Sing, (ELW 841)  • Postlude—Marche Triomphale: “Now Thank We All Our God”,  Sigfrid Karg-Elert (1877–1933)     ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving. ⁠⁠⁠⁠Visit this link⁠⁠⁠⁠.

Title: Baroque Festival 2: Tudor conspiracies and Tallis's Spem in Alium Track: Thomas Tallis: Spem in alium Artist:Peter Phillips: The Tallis Scholars Publisher: ℗ 2004 Gimell

Tunes: Jeremy Kingsbury: Twa Corbies (Niizh Aandegoog), Cock-Laird Fu' Cagie, Saw Ye Not my Maggy, Dargason, Such a Parcel of Rogues, The Surprise, Banks of Sicily, Herd of the Glen, Nature Boy, Jenny Nettles, Rod Nevin and Jeremy Kingsbury: Misty Mountains Deep, Clara Matlack: Sing After Fellows as you Hear me, Robin Hood Robin Hood said Little John, Now Foote it as I do, Tomboy Tom, The Crampe in my purse full sore, Special Thanks to Clara Matlack and the fine folks at Plimoth Patuxet: https://plimoth.org/ And The Dedham Historical Society: https://www.dedhammuseum.org/ And as so often is the Case, thanks to Rod Nevin! +X+X+ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Peter Moore is a virtuoso Irish-British trombonist. He was Born in Belfast and brought up in Manchester, England, and he was part of the world renowned Brass Band culture in the North of England.  He came to international attention in 2008 when, at aged 12, he became the youngest ever winner of BBC Young Musician of the Year. He's performed with a number of Europe's leading orchestras, including the BBC and the London and Lucerne Symphony orchestras. His repertoire extends from early Baroque to Romantic to contemporary works.  My featured song is “Lament” from the album Trippin by my band, Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH PETER:www.petermooretrombone.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com 

Francesco Cavallis wilder und satirischer Ritt durch die römische Antike überzeugte das Publikum bei der gestrigen Premiere in jeder Hinsicht. Regisseur Max Emanuel Cencic setzte in der Oper "Pompeo Magno" auf Opulenz und Tempo.

Liese, Kirsten www.deutschlandfunkkultur.de, Fazit

Venezianischer Karneval trifft Oper: Max Emanuel Cenčić inszeniert Cavallis "Pompeo Magno" als wildes Theaterstück voller Intrigen und Eifersucht. Ein musikalisches Abenteuer, das Realität und Spiel verschmelzen lässt.

In the 56th episode of the ECM podcast we're joined by lute player Rolf Lislevand, whose new album "Libro Primo", released on ECM's New Series, was produced by Manfred Eicher. Rolf discusses his personal approach to Baroque music and improvisation, the repertoire he chose to play on “Libro Primo” and more. 

This week on The Broski Report, Fearless Leader Brittany Broski discusses some of her favorite animated movies, pre-caps her trip to the UK and Ireland, and explores Irish Folklore.  The OFFICIAL Songs of The Week Playlist: https://open.spotify.com/playlist/3ULrcEqO2JafGZPeonyuje?si=061c5c0dd4664f01 

On today's Czechia in 30 Minutes show: Historic US Open quarterfinals for Czech tennis as four players reach the last eight; international Organ Festival in Olomouc celebrates Baroque masters Bach and Handel; and for our feature, our interview with Jiří Pehe in wake of the attack on opposition leader, Andrej Babiš.

Title: Baroque Festival 1: Lost and found Telemann Scores Track: Telemann: Sonata II in e Minor, TWV 40:142: III. Scherzando Artist: Luigi Lupo & Pietro Berlanda (flutes) Publisher: ℗ 2020 Elegia Classics

Soprano Rowan Pierce joins Jonathan Whiting to reflect on the intimacy of making chamber-scale Baroque music without a conductor, the challenges of Bach's expansive recitatives, and the almost operatic drama of Handel's 'Tra le fiamme'. She also speaks about her long collaboration with Ashley Solomon, the ensemble's director, and about finding new colours and meaning in these works – music that, though written three centuries ago, resonates with striking relevance today. We were also incredibly honoured to recently learn that the Gramophone Magazine Podcast will now be included in The British Library Sound Archive, catalogued and preserved for future generations as part of the nation's audio and cultural heritage. To hear other Gramophone podcasts, or to subscribe for free to new editions, search for 'Gramophone' in your Podcast App of choice, or visit Gramophone's page on Apple or Spotify.

Baroque and Butchered is the cover of Vol 10: Dismantled — a delirious feast of beauty, gore, and gallows humor from Robert Rausch and Oona Nelson. Think Rembrandt colliding with John Waters in a butcher shop: chandeliers, carcasses, fat suits, and live pigs crashing history painting.Vol 10: Dismantled will be available as a free digital download on September 1, 2025 at BureauQueerArt.com and on our Substack platform. A podcast interview with the artists drops the same day on all major platforms.Exhibition on view at Maryland Art Place, Sept 11 – Nov 1, 2025.Also online via Artsy.net.#Vol10Dismantled #BaroqueAndButchered #QueerArt #TBQA #Artsy #MAP #QueerResistance

Peter Whelan, Conductor of the Irish Baroque Orchestra, previews tonight's performance of Handel's Alexander's Feast at the BBC Proms in London.

Who knew powdered wigs and harpsichords could be so deadly?In this laughably lethal episode of Macabre: A Dark History Podcast, Halley and Blaire take you on a twisted tour of the Baroque era's most bizarre and ridiculous demises. From exploding toilets (yes, royal ones) to fatal fashion statements and one poor guy who literally laughed himself to death—this episode is proof that history really did have a dark sense of humor.Expect drama, death, and an unhealthy number of puns. It's like a costume drama… but everyone dies horribly.VOTE FOR HALLEY to become the "FACE of HALLOWEEN" here (until Sept. 2nd) :https://faceofhalloween.org/2025/heidi-2Support this podcast at — https://redcircle.com/macabre-dark-history/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Title: Bonjour Vivaldi! Track: Motet à Grand Chœur "Laudate Dominum de coelis", Psaume 148 (D'après le Printemps de Vivaldi): IV. Juvenes et virgines (Pastorale) Artist: Le Parlement de Musique, Martin Gester & La Maîtrise de Bretagne Publisher: ℗ 2009 Centre culturel de rencontre d'Ambronay

durée : 01:28:47 - En pistes ! du lundi 25 août 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'Accademia del Piacere et Fahmi Alqhai mettent en lumière les influences chrétiennes, musulmanes, juives et américaines de la musique espagnole des XVIe et XVIIe siècles. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:47 - En pistes ! du lundi 25 août 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'Accademia del Piacere et Fahmi Alqhai mettent en lumière les influences chrétiennes, musulmanes, juives et américaines de la musique espagnole des XVIe et XVIIe siècles. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Tunes: Redwing Blackbird Rob Edwards & Jeremy: Herd of the Glen Pittsburgh Scottish Session: Jenny Dang the Weaver Patrick Hutchinson, Keegan Loesel and Lynette Mulcreevy: Pleasures of Hope, the Peacock's Feather, and Peter Turbit's Patrick and Jeremy: The Eagle's Whistle A.J. Wright: Byker Hill, Randy Dandy O, The Banks of Sweet Primroses, A.J. and Jeremy: Elsie Marley, Let the Bulgine Run, A.J., Jeremy and James (?): Banjo set, Over the Hills and Far Away, Drops of Brandy Sea Chanter and C Shanty Chapel Session Featuring Jo Bergeron: Lowlands Away Pittsburgh Scottish Sessions FB Page: https://www.facebook.com/share/g/1CWBRckYkr/ Mystic Seaport Museum: https://mysticseaport.org/ AJ's Social Media: https://anayiswright.com/ The Pipers' Gathering: https://www.pipersgathering.org/Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

The Big Bank Theory is a podcast about Exeter City FC. In this episode, there's some unauthorised Chunk bag usage, and we see one of the stupidest own goals in years.

Cet été, retrouvez le meilleur d'Au cœur de l'Histoire, avec Virginie Girod ! Compositeur apprécié du Roi-Soleil, Lully collabore avec Molière afin d'œuvrer à la création de comédies-ballets. Le succès de l'illustre duo culmine en 1664, lors de la fête des Plaisirs de l'Ile Enchantée, à Versailles. Mais en 1687, une blessure fatale stoppe l'ascension du maître des fêtes de la Cour… Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Title: ‘The Musical Small Coalman' Track: Pepusch: final Allegro from his concerto for Oboe Artist: The harmonious society of Tickle-Fiddle Gentlemen” Publisher: Outthere 2012

The Boise Baroque Orchestra is on a mission to keep the music alive and encourage young musicians to learn about the art form!

Tunes: Patrick MacDonald: Coma Leam, coma leam cogadh no sithAlike to me peace or War, The Gathering of the Clans, William Ross: Loudon's Bonnie Woods and Braes, J&R Glen: Louden's bonny Woods and Braes, Robertson & Ramsay: Loudon's Bonnie Woods and Braes, Matthew Betham: Earl Moira's Welcome to Scotland, David Glen: Loudon's Bonnie Woods and Braes “Old Gaelic Air” Roddy Cannon/Keith Sanger: The Mother, Ailean Domhnullach (Allan MacDonald): The Harlaw Brosnachadh, Donald MacDonald: Cogadh na Sith Simon Chadwick: Cogadh no Sith – War or Peace C.A. Malcolm: The Piper in Peace and War Articles Read or Referenced: Keith Sanger's 2015 Post about War or Peace from Pibroch.net: https://pibroch.net/learning/cogadh-no-sith-or-war-or-peace/ Listen to the George Moss and Peter Cooke interview here: https://www.tobarandualchais.co.uk/track/65235?l=en Special thanks to Alan MacDonald and Bonnie Rideout for the Use of Alan's Performance on the Harlaw Album: https://youtu.be/3blkFtU0x9E?si=xtuSb06Iyoa8Lwr4 Check out Allan's Work here: https://allanmacdonald.com/ And Bonnie Rideout's work here: http://www.bonnierideout.com/ For the Translation I used for the Battle of Harlaw Poem is here: https://mastodon.scot/@scotlit/112841104994359938 Simon Chadwick's excellent post about his work preparing for his performance of War or Peace is here: https://simonchadwick.net/2016/07/cogadh-no-sith-war-peace.html To Watch Simon's Performance look here: https://youtu.be/eXZDTefKrFI?si=9S4man2MW0Id6R8b 1927: Excerpt from The Piper In Peace And War By C. A. Malcolm, M.A., Ph.D. https://electricscotland.com/history/scotreg/peaseandwar15.htm Sound effects at the beginning from BBC Sound Effects Archive: https://sound-effects.bbcrewind.co.uk/ Sources: Loudon's Bonny Woods and Braes 1869: Loudon's Bonnie Woods and Braes from William Ross's Collection of Pipe Tunes: https://web.archive.org/web/20210728140711/http://www.ceolsean.net/content/WRoss/Book08/Book08%206.pdf +X+X+ 1870: Loudon's Bonnie Woods and Braes from J & R Glen's Collection for the Great Highland Bagpipe Book Three https://web.archive.org/web/20211017230720/https://ceolsean.net/content/JRGlen/Book03/Book03%2017.pdf +X+X+ “Sixty Years Ago”: Loudon's Bonnie Woods and Braes from Robertson and Ramsay's Master Method for the Highland Bagpipes: https://web.archive.org/web/20211017213952/https://ceolsean.net/content/RobRam/Book02/Book02%2014.pdf +X+X+ 1815: Earl Moira's Welcome to Scotland (Loudon's Bonnie Banks and Braes from Matthew Betham MS: https://tunearch.org/wiki/EarlofMoira%27sWelcometoScotland(The) +X+X+X+X+ 1880s: Loudon's Bonnie Woods and Braes “Old Gaelic Air” from David Glen's Collection of Highland Bagpipe Music, Book 4 https://web.archive.org/web/20211017213952/https://ceolsean.net/content/RobRam/Book02/Book02%2014.pdf +X+X+ War or Peace 1784: Coma Leam, coma leam cogadh no sith_Alike to me peace or War, The Gathering of the Clans from Patrick MacDonald's Collection of Highland Vocal Airs: https://www.google.com/books/edition/ACollectionofHighlandVocalAirsTow/XCvLHYWLkFcC?hl=en&gbpv=1&pg=RA1-PA43&printsec=frontcover +X+X+ 1820s: Cogadh na Sith from Donald MacDonald Manuscript https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/macdonald/ +X+X+ 1890s: War or Peace from David Glen's Collection of Ancient Piobaireachd Book 5 https://web.archive.org/web/20240813223119/https://ceolsean.net/content/GlenPio/Book05/Book05%2014a.pdf +X+X+ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

It might at first sound like it would be nice to be the lover of the king of the Olympian gods, attended by divine spirits, and living in a luxurious palace among the clouds.  But this happily-ever-after turns sour after Princess Semele asks Jupiter for the gift of immortality.  After a bit of intrigue amongst the gods–not least among them Jupiter's resourceful and ruthless wife Juno–disaster strikes the princess Semele and her dreams are reduced to ashes. An “English opera” from the later career of Baroque master, George Frideric Handel, Semele teems with engaging arias as well as sumptuous choral pieces. Inspired by a tale told by Ovid, Handel and his librettist, William Congreve crafted a work of art that beguiles and entertains supremely. Hosted by Pat and Kathleen For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

In this weekend edition of Czechia in 30 Minutes, Vít Pohanka speaks with Julia Kňažková, a Slovak who has made her home in the picturesque South Bohemian village of Holašovice. A UNESCO World Heritage Site, it is famed for its perfectly preserved Baroque farmhouses and centuries-old village layout — and for the everyday life that continues behind its painted façades.

Poet and essayist Ross Gay (Catalog of Unabashed Gratitude) dissects privilege, pain, and skateboarding, all themes from his newest book Inciting Joy; Michelin Star chef Lane Regan outlines their journey from farmer's markets to foraging, while creating a new dining experience in the wilds of Michigan; and singer-songwriter Baroque Betty, accompanied by Mood Area 52, performs the title track off her album Sobering Up.