Podcasts about Baroque

Title: Recorder in Art Track: Antonio Vivaldi: Recorder Concerto in C minor, RV 441, III. Allegro Artist: Cordevento Publisher: ℗ 2009 Brilliant Classics

RPG hot takes, direct to you!We just had a Zelda Direct and Nintendo Direct one-two punch so Nadia, Victor, and special guest Lucas White are here to tell you why SaGa and Mystery Dungeon are the things you should be most excited about. Subscribe for bonus episodes and discord access at ⁠https://www.patreon.com/bloodgodpod⁠ and get merch at ⁠https://shop.bloodgodpod.com⁠ Also in this episode: RIP Level-5 Eternal Anima Persona 4 Revival, Persona 6 Portopia Fate/EXTRA Record Void Terrarium, Izuna: Legend of the Unemployed Ninja, Sakura Wars: Dramatic Dungeon Timestamps: 12:30 - Main Topic - Zelda Direct 26:36 - Nintendo Direct - Romancing SaGa 3 53:16 - Torneko's Mystery Dungeon 1:13:40 - Random Encounters 1:34:04 - The Tavern - Dragon Quest Monsters, Baroque, Xenoblade Chronicles 2 Switch 2 Edition 1:47:23 - Nadia's Nostalgia Nook Music Used in this Episode: Axe of the Blood God Theme - [Lena Raine] Fighting of the Spirit - [Tales of Phantasia] Pub - [Lunar Knights] A Curious Tale - [Secret of Mana] Julian's Theme - [Romancing SaGa 3] Learn more about your ad choices. Visit megaphone.fm/adchoices

Title: Nyckelharpa Track: Traditional: Upon a Summer's Day Artist: Purcell's Polyphonic Party Publisher: ℗ 2017 Purcell's Polyphonic Party

Diese Oper von Georg Friedrich Händel ist selten zu sehen, vielleicht auch deshalb, weil sie nach der Uraufführung im Dezember 1721 mehr politische als musikalische Schlagzeilen machte. Ihr Thema ist aufwühlend, ihre Handlung weniger. Das machte auch die Bayreuther Inszenierung von Max Emmanuel Cencic zu einer zwiespältigen Angelegenheit.

Tunes played in this episode: Scottish Smallpipes Session: La Promeneuse, Hielan' Laddie and Road to Isles, Sound of Sleat, Horsburgh castle, The Duck, Drops of Brandy Northumbrian Smallpipes Session: Alston Flower Show hornpipe, Old Drove Road Irish Uilleann Pipes Session: Jim Ward's, Speed the Plough, Joe Banes / Gypsy Princess, Drops of Brandy, E minor Slip Jig (tune name?), The Butterfly, Man of the House Cabaret: Dos A Beer, The Haunting, The Boy's Lament for His Dragon Irish Session Guitar solo (Bruce Childress): Mona Ray SSP, whistle, and bowed dulcimer: Pretty Saro Thanks to: All The Pipers' Gathering session-goers; Cabaret performers Rebecca Connor, Benjamin Elzerman, and Nate and Asher Banton Keep up with us online: https://www.pipersgathering.org/ https://www.facebook.com/pipersgathering/ Look for the Cairdeas Session Tune Book on these sites: https://birchenmusic.com/product-category/collections/ https://www.cairdeas.org/ And listen to the tune recordings here: https://cairdeas-vermont.bandcamp.com/album/the-c-irdeas-session-tunebook-companion-recordings +X+X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Selten gespielt, politisch aufgeladen und hochaktuell im Thema: Händels "Floridante" erzählt vom Kampf um Freiheit und Selbstbestimmung. Die Bayreuther Inszenierung überzeugt optisch und musikalisch, lässt aber dramatische Spannung vermissen.

Stürz, Franziska www.deutschlandfunkkultur.de, Fazit

Title: The two sides of Thomas Weelkes Track: Thomas Weelkes — “Strike it up, Tabor” Artist: The King's Singers Publisher: ℗ 1982. EMI Records Ltd.

Fellow “archaeologists of sound” Erin Helyard and Simon Martyn-Ellis sit down for a conversation about the gallichon, theorbo, and the theory and practice of being a continuo player. They also explore what to listen for in Pinchgut Opera's upcoming tiny opera, Coffee and a Dead Canary.

Si ses Symphonies pour les soupers du roi et ses grands motets firent le bonheur de Louis XIV, Delalande saura se concilier les faveurs du Régent et dirigera la musique du sacre de Louis XV.Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Si ses Symphonies pour les soupers du roi et ses grands motets firent le bonheur de Louis XIV, Delalande saura se concilier les faveurs du Régent et dirigera la musique du sacre de Louis XV.Entrez dans les coulisses de la cour de Versailles et découvrez l'incroyable parcours de Michel-Richard Delalande, le compositeur préféré de Louis XIV !Dès 1683, ce jeune prodige de 26 ans remporte un concours prestigieux pour devenir sous-maître de la Chapelle royale. Sous la bienveillance du monarque, il va alors composer une impressionnante collection de 77 grands motets, qui feront l'admiration de tous durant plus de 50 ans.

Fluent Fiction - Hungarian: Unveiling Secrets Under Budapest's Twilight Skies Find the full episode transcript, vocabulary words, and more:fluentfiction.com/hu/episode/2026-08-28-22-34-02-hu Story Transcript:Hu: A nyár vége a legjobb időszak volt Budapesten.En: The end of summer was the best time in Budapest.Hu: Különösen a Széchenyi Termál Fürdőben.En: Especially at the Széchenyi Termál Fürdő.Hu: Ágnes mindig lenyűgözte a fürdő neo-barokk építészete.En: Ágnes was always impressed by the neo-Baroque architecture of the baths.Hu: A gőz hömpölygött az esti levegőben.En: Steam billowed in the evening air.Hu: De aznap este valami más is volt a levegőben.En: But that night, there was something else in the air.Hu: Titokzatosság.En: Mystery.Hu: St. István ünnepe után történt.En: It happened after the St. István celebration.Hu: Az emberek még az utolsó tűzijátékokat nézték, amikor Ágnes a fürdő felé tartott.En: People were still watching the last fireworks when Ágnes headed toward the baths.Hu: Egy fiatalember, Gábor, rejtélyes körülmények között eltűnt az éjszakai úszás során.En: A young man, Gábor, mysteriously disappeared during a night swim.Hu: A helyi legendák furcsa dolgokról szóltak.En: Local legends spoke of strange things.Hu: Mari, Gábor barátnője, kétségbeesett volt.En: Mari, Gábor's girlfriend, was desperate.Hu: Ágnes elhatározta, hogy kideríti az igazságot.En: Ágnes decided to uncover the truth.Hu: Az emberek hitetlenkedve hallgatták Ágnest.En: People listened to Ágnes with disbelief.Hu: Azt mondták, csak a képzelete játszik vele.En: They said it was just her imagination.Hu: De Ágnes nem hagyta magát.En: But Ágnes did not let that stop her.Hu: Történészként sok mindent látott már.En: As a historian, she had seen many things.Hu: Tudta, hogy a történeteknek sokszor igazságalapjuk van.En: She knew that stories often have a grain of truth.Hu: Az éjszaka csendjén Ágnes visszatért a fürdőbe.En: In the stillness of the night, Ágnes returned to the baths.Hu: Rejtőzködve belopakodott.En: She sneaked in stealthily.Hu: A csillagok csak haloványan világítottak.En: The stars only faintly illuminated the scene.Hu: A medencénél, ahol Gábor eltűnt, felfedezett egy régi, rejtett ajtót.En: By the pool where Gábor disappeared, she discovered an old, hidden door.Hu: Félve, de elszántan lépett be.En: Fearful, yet determined, she stepped inside.Hu: A lépcsők egy alattomos kamrába vezették.En: The stairs led her to a treacherous chamber.Hu: Tele volt régi tárgyakkal.En: It was full of old objects.Hu: Vajon ezek mind történelmi kincsek?En: Could these all be historical treasures?Hu: Ágnes szíve hevesen vert.En: Ágnes's heart was racing.Hu: Egy régi iratlapot talált, ami egy eltűnt királyi ládáról szólt.En: She found an old document about a lost royal chest.Hu: De ami a legfontosabb volt, Gábor egyik cipője is ott hevert.En: But most importantly, one of Gábor's shoes was lying there.Hu: Ágnes gyorsan visszament a felszínre, és Marihoz rohant.En: Ágnes quickly returned to the surface and ran to Mari.Hu: Megmutatta neki, amit talált.En: She showed her what she had found.Hu: Mari sírt, majd nevettek a megkönnyebbüléstől.En: Mari cried, then they laughed with relief.Hu: Ágnes sikeresen megtalálta a nyomokat, amelyek igazolták, hogy a legendák nem csak mesék.En: Ágnes had successfully found the clues that proved the legends were not just tales.Hu: Másnap Ágnes a közösség elé tárta felfedezéseit.En: The next day, Ágnes presented her discoveries to the community.Hu: Mindenki csodálkozott, majd elismeréssel tekintett rá.En: Everyone was astonished, then looked at her with admiration.Hu: Az emberek elkezdtek bízni benne, és őt mint szakértőt tartották számon.En: People began to trust her, acknowledging her as an expert.Hu: Ágnes önbizalma nőtt.En: Ágnes's confidence grew.Hu: Már mindenki tudta, hogy nem csak egy álmodozó.En: Everyone knew that she was not just a dreamer.Hu: Megmentette az éjszakát, és felfedett egy elveszett történetet Budapest szívében.En: She saved the night and uncovered a lost story in the heart of Budapest.Hu: A Széchenyi Termál Fürdő újra megtelt nevetéssel és csodálattal.En: The Széchenyi Termál Fürdő was once again filled with laughter and wonder.Hu: Csillogó fényekkel, ahol mindenki a múlt és a jelen találkozására emlékezett.En: With sparkling lights where everyone remembered the meeting of past and present.Hu: Ágnes pedig tudta, hogy még sok történet vár felfedezésre.En: And Ágnes knew that many more stories were waiting to be discovered. Vocabulary Words:neo-Baroque: neo-barokkbillowed: hömpölygöttmystery: titokzatosságcelebration: ünnepedisappeared: eltűntlegend: legendadesperate: kétségbeesettuncover: kiderítenidisbelief: hitetlenkedéshistorian: történészimagination: képzeletsneaked: belopakodottstealthily: rejtőzködveilluminated: világítotttreacherous: alattomoschamber: kamrahistorical: történelmitreasures: kincsekracing: hevesen vertroyal chest: királyi ládasurface: felszínrelief: megkönnyebbülésclues: nyomokastonished: csodálkozottadmiration: elismerésconfidence: önbizalomdreamer: álmodozóuncovered: felfedettsparkling: csillogóencounter: találkozás

Nourri par la philosophie des Lumières, Frédéric II a passé son règne à courir après la gloire, sans jamais être dupe de cette illusion. Loin de s'enorgueillir de ses immenses triomphes, il confiera même à sa plume une sentence désabusée : "La gloire, c'est d'être jugé par des ignorants et estimé par des imbéciles.""Secrets d'Histoire" est un podcast d'Initial Studio, adapté de l'émission de télévision éponyme produite par la Société Européenne de Production ©2024 SEP / France Télévisions. Cet épisode a été écrit et réalisé par Dominique Leeb.Un podcast présenté par Stéphane Bern. Avec la voix d'Isabelle Benhadj.Vous pouvez retrouver Secrets d'Histoire sur France 3 ou en replay sur France.tv, et suivre l'émission sur Instagram et Facebook.Crédits du podcastProduction exécutive du podcast : Initial StudioProduction éditoriale : Sarah Koskievic et Mandy LebourgMontage : Melody ChenHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Archétype du despote éclairé, Frédéric II transforme la petite Prusse en une redoutable puissance européenne. Ami de Voltaire, ce roi paradoxal manie avec le même talent la plume, la flûte et l'épée. Par son génie militaire et son ambition intellectuelle, "Frédéric le Grand" a forgé l'identité et le destin de toute une nation."Secrets d'Histoire" est un podcast d'Initial Studio, adapté de l'émission de télévision éponyme produite par la Société Européenne de Production ©2024 SEP / France Télévisions. Cet épisode a été écrit et réalisé par Dominique Leeb.Un podcast présenté par Stéphane Bern. Avec la voix d'Isabelle Benhadj.Vous pouvez retrouver Secrets d'Histoire sur France 3 ou en replay sur France.tv, et suivre l'émission sur Instagram et Facebook.Crédits du podcastProduction exécutive du podcast : Initial StudioProduction éditoriale : Sarah Koskievic et Mandy LebourgMontage : Melody ChenHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

À seulement 33 ans, Frédéric II s'impose déjà en vainqueur sur l'échiquier européen. Le jeune souverain ressent pourtant le besoin de fuir les tumultes du pouvoir. En janvier 1745, il ordonne la construction d'un palais d'été à son image. Un refuge intime, un véritable paradis terrestre dédié aux arts et à la rêverie, qui entrera dans la légende sous le nom de Sans-Souci."Secrets d'Histoire" est un podcast d'Initial Studio, adapté de l'émission de télévision éponyme produite par la Société Européenne de Production ©2024 SEP / France Télévisions. Cet épisode a été écrit et réalisé par Dominique Leeb.Un podcast présenté par Stéphane Bern. Avec la voix d'Isabelle Benhadj.Vous pouvez retrouver Secrets d'Histoire sur France 3 ou en replay sur France.tv, et suivre l'émission sur Instagram et Facebook.Crédits du podcastProduction exécutive du podcast : Initial StudioProduction éditoriale : Sarah Koskievic et Mandy LebourgMontage : Melody ChenHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Title: Bach and Handel Track: Handel Jephtha HWV70: Waft Her Angels Artist: Ian Bostridge Orchestra of the Age of Enlightenment & Harry Bicket Publisher: ℗ 2007 EMI Records Ltd.

Is metal just classical music in a leather jacket?  Danny and Mike have been asking a simple question: does genre actually describe the music, or just everything wrapped around it? Strip a metal riff back to its bones and could it just as easily sit next to a Baroque string passage? Swap a rock breakdown's distortion for an orchestra and does pop still sound all that different from classical rock, or modern rock, or anything else? If the notes underneath are often interchangeable, is genre measuring anything real? On this episode, Danny and Mike pull the idea apart, and ask whether it's ever been more than a costume.whatdoweknow.co.nzhttps://buymeacoffee.com/whatdoweknowshowFaceBook Page: https://www.facebook.com/whatdoweknowshow/FaceBook Group: https://www.facebook.com/groups/996177092759495Instagram: https://www.instagram.com/whatdoweknowshow/TAGSmusic podcast, genre, metal music, classical music, rock music, pop music, music theory, music production, music history, music debateSend us Fan MailSupport the show

Tunes: Jeremy Kingsbury Playing: Lee & Sylvia's Waltz by Gail Johnson, Manx Lullaby, Ancient Lullaby, The Star Above the Garter, The Duck, John Barbours 50th By Duncan Moore, Cotting Burn Aoife Nic Dhomhnaill & Liam Lonergan: Mullach a' tSí Goodman Trio ( Mick O'Brien, Emer Mayock, Aoife Ní Bhriain): An Seanduine ag Luasgadh an Chliabháin/Cosa Buidhe Árda Dearga Patrick Hutchinson: Ancient Lullaby from Petrie John Charles Bauschatz: O Gur Duine Truagh Mi (Alas I am a Forlorne Man) Barry Shears: Foxhunter's Reel Tim Cummings: Campbell's Farewell to Red Gap, Iain Gelston: Eagle's Whistle, Terry Cloth, The Lairds of Ryton,Huge thank you to Gail Johnson for giving the inspiration for the tunes and inspiration for the episode. and Sean Reidy, Benjamin Elzerman and Jessica Oberle Mulhollem for suggesting tunes. Thanks to Patrick Hutchinson, John Charles Bauschatz, Barry Shears, Tim Cummings, Iain Gelston, the Goodman Tunes Trio and Aoife Nic Dhomhnaill & Liam Lonergan for sending in tunes, or letting me play recordings. Check Out the Tunes from the Goodman Manuscripts By Mick O'Brien, Emer Mayock, Aoife Ní Bhriain here: https://goodmantunestrio.bandcamp.com/album/tunes-from-the-goodman-manuscripts Check out Mullach a' tSí by Aoife Nic Dhomhnaill & Liam Lonergan here: https://aoifeandliam.bandcamp.com/album/mullach-a-ts Check Out John Charles Bauschatz's Website here: https://asantobar.wordpress.com/ Check out Barry Shears' Work here: https://capebretonpiper.com/ Check out the Cairdeas Tunebook Album here: https://cairdeas-vermont.bandcamp.com/album/the-c-irdeas-session-tunebook-companion-recordings 100% of album sales funds tuitions for the Cairdeas school! Check out the LBPS 2025 Collogue Recording here: https://lbps.bandcamp.com/album/2025-lowland-and-border-pipers-society-collogue-in-dunkeld-scotland Check out Iain Gelston's Work here: https://iaingelston.wordpress.com/ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Jill Gomez, the brilliant, intrepid Trinidadian-British soprano, known for the last fifteen years of her life as Jill Carnegy, Countess of Northesk, died on August 11, just a few weeks short of her 84th birthday. She is a singer that I have loved and followed for decades, and one whose recordings I collected assiduously and that I had earmarked for a special celebratory episode, one that, like with Ben Luxon a few years ago, is instead being offered as a posthumous tribute. Not nearly as universally known as her younger colleague Felicity Lott, who died this spring, Gomez was a similarly eclectic, adventurous artist. Her accomplishments covered the gamut from the classiest, most pristine singer of Baroque music, to the most deep-delving recitalist, from the most playful purveyor of crossover material to the creator of roles in challenging contemporary operas including Michael Tippett's The Knot Garden in 1970 and Thomas Adès's Powder Her Face 25 years later. She also sang a wide range of operatic parts (primarily in the UK) from Mozart to Massenet. This episode, which includes collaborations with Robert Tear, Pierre Boulez, Franz Grundheber, John Constable, Ria Bollen, Felicity Palmer, and Benjamin Luxon, presents as wide-ranging a portrait in sound as you are ever likely to encounter anywhere, including excerpts from all the works mentioned above, to music by Ravel, Donizetti, Turina, Mahler, Schumann, Rameau, Wolf, Monteverdi, Debussy, Pergolesi, and Britten. The icing on the cake is an intimate and exquisite rendition of Satie's “Je te veux” that will remain in your mind's ear long after the episode is over. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Stijn Schmitz welcomes back Art Berman to the show. Art Berman is The Energy Realist. Berman explains that the initially feared catastrophic disruption from the Iran War has been partially offset, with production losses revised down to roughly 5 million barrels a day, though he stresses this remains a historically massive number. The absence of immediate global economic collapse is attributed to significant demand destruction, particularly in China, and the critical role of inventories. Using an analogy of a savings account versus a paycheck, he distinguishes between strategic and commercial reserves, noting that ample inventories have cushioned the market, preventing oil prices from spiking as they did during the Ukraine war when stocks were dangerously low. However, he warns that this cushion is finite and being drawn down at an alarming rate, with his comparative inventory model suggesting severe price pressures could materialize by November. The discussion highlights the profound risks associated with shut-in production, where wells may never return to prior output levels due to complex subsurface physics. Berman describes the situation as a permanent “phase shift,” arguing the global oil system is fragmenting into distinct geopolitical blocs and will never revert to its pre-war state. He emphasizes that alternative supplies are not a simple solution because crude oil quality varies dramatically; light U.S. shale oil cannot easily replace medium-grade Persian Gulf crude required by many refineries. Looking at the longer term, Berman frames oil as a mature, declining resource, stating that civilization must eventually adapt to the end of perpetual growth, a transition that will fundamentally reshape society. Timestamps: 00:00:00 – Introduction 00:00:44 – Iran War Energy Disruptions 00:03:00 – China Demand Destruction Analysis 00:05:24 – Diesel Prices Regional Impacts 00:06:52 – Stocks Versus Flows Distinction 00:09:04 – Savings Account Analogy 00:18:14 – Global Inventories Assessment 00:22:37 – Persian Gulf Production Losses 00:33:15 – Lost Production Focus 00:39:51 – Phase Shift Market Scenario 00:50:53 – Refinery Tightness Crack Spreads 00:59:03 – Comparative Inventory Tool 01:21:20 – Concluding Thoughts Guest Links: Website: https://artberman.com X: https://x.com/aeberman12 Art Berman isn’t your run-of-the-mill energy consultant; he’s a full-blown disruptor in a realm riddled with myths. With 40 years in petroleum geology and an intriguing twist – a degree in Middle Eastern history – Art slices through energy complexities with academic rigor and market savvy. Forget what you thought you knew. This man’s comparative inventory approach is a guiding light for traders, investors, and policymakers. And he doesn't just spend his time consulting. Art is an adjunct lecturer at the University of Houston, your go-to expert witness, and an electrifying keynote speaker who doesn’t mince words. In a sector awash with misinformation, Art’s your source for gut-punching, data-backed truths. His clientele spans from ambitious investors to globe-spanning corporations, all seeking decisions steeped in reality, not fantasy. Love him or hate him, one thing is certain: Art Berman is an undeniable force in the energy sector. Away from the charts and graphs, Art enjoys Baroque music and psychology and spending family time with his wife, kids, grandkids, and his dog, Lily. So, are you ready for the unvarnished truth? Look no further.

From MPR News, Art Hounds are members of the Minnesota arts community who look beyond their own work to highlight what's exciting in local art.Want to be an Art Hound? Submit here.A twilight circus takes over Raspberry Island Erinn Liebhard, artistic and executive director of Rhythmically Speaking, is looking forward to a one-night-only circus and cabaret performance Sunday, Aug. 23. Insomnia Salon Vol. 3: The River Night Circus takes place from 7 to 9 p.m. at Raspberry Island in St. Paul. The free event begins at twilight and is staged by Deeper Water Arts & Jackson Street Arts in partnership with St. Paul Parks. Liebhard notes that there's abundant free parking a short walk from the performance site. Liebhard says: "This show has brought together more than 45 performers to build an amazing twilight river circus, including fire dancers, aerialists, installation artists, giant puppets, food trucks, all manner of dancers and singers and musicians, tarot card readers, and a mysterious woman who tells your fortune by creating a custom fragrance for you. I'm so excited to bring my whole family to this. The show is going to be a totally delightful end-of-summer treat." Opera, drag and burlesque share the stage in St. Paul Isa Condo-Olvera is an actor and singer and St. Paul. She's a fan of both opera and drag, and she says these two high-drama performance styles combine to form "an absolute blast" in An Opera Theatre's Divas & Drag: Young, Sexy, and Baroque. Now in its fifth year, An Opera Theatre has partnered with the Bach Society of Minnesota, which will provide the musical accompaniment to opera, drag, and burlesque performers. The show takes place at the Historic Mounds Theatre in St. Paul, Aug. 21 – 24. Condo-Olvera says the combination "makes for really diverse audiences. There's the opera fans and there's the drag fans, and there's people that love both, like me. It makes for introducing new forms of art to both of those audience members, which is just so exciting and fun. It's also really fun to witness people discovering those new art forms, because the audience is such a huge part of drag." An upcycled quilt collects memories of Lake Superior Kristen McCoy creates designs from used clothes and textiles in Minneapolis under the brand ReThink and she wants to highlight two interactive, upcycled art opportunities at the Flock ArtFest taking place Aug. 21 and 22 at Bayfront Festival Park in Duluth. Resource Renew is hosting a Free Store where people can take gently used art supplies that were locally donated. Visitors can also contribute to Minneapolis-based artist Sadie Ward's Lake Superior memories quilt project by writing their memories of Lake Superior on denim from upcycled jeans. Ward will sew the pieces into a quilt in the shape of the lake. The choice of denim is intentional, McCoy says, not just for its shades of blue, but because cotton is a very water-thirsty crop. According to reporting from the U.N Environment Programme, making a single pair of jeans can take 800 to 1,000 gallons of water, with less efficient jeans soaking up as much as 2,600 gallons. "I like... everything coming together on this art project for Sadie. Having that parallel of using the denim to tell the stories of water, and also [having] a place where we can hold our memories close to us as climate change is making changes to our waterways and also with human impact changing our waterways too."

Title: The Father of Swedish Music Track: Johann Helmich Roman Bilagers musiquen (Royal wedding music), BeRI 2, "Drottningholmsmusique": Allegro Artist: Nils-Erik Sparf & Drottningholm Baroque Ensemble Publisher: ℗ 2012 Musica Sveciae

This week Dana and Dan review "A Case of Chiaroscuro." In this episode Una and a landing party must pretend to be people they are not to avoid detection by the Klingons. Of course the guys ramble about probes and dwarf stars. And we actually learn something about an art technique from the Baroque period. On a serious note, Dan is cycling to raise funds for the American Cancer Society. Please donate if you are able by clicking this link: https://gofund.me/7412e849b We'd love to hear from you. Please leave a message on the Damnit Jim Hotline, 509-676-6298, or send us an email at damnitjimpodcast@gmail.com Music courtesy of https://ende.app/en

In this episode of The Truth In This Art, the guest is Jose Duran.About Jose Duran: Born in Moca, Dominican Republic, Duran is a painter, designer, and sculptor whose work constructs elaborate, opulent interiors rooted in Baroque and Rococo traditions. His practice is grounded in extensive research into survival, celebration, vengeance, sabotage, and aspirational desire within Black communities. Duran centers Black feminine figures in his compositions as a reclamation of their historically overlooked contributions to European standards of taste, and as a form of retribution for generations of forced labor under colonial rule.In the conversation, Duran discusses his early career in fashion, including time spent studying and working in Paris, as well as an MBA program in Taipei focused on the Asian luxury market. He explains his decision, at age 41, to leave the fashion industry behind and commit fully to becoming a visual artist, a shift shaped in part by a residency in Senegal that marked his entry into the art world.Duran describes the influence of his late mother, a hairstylist whose gatherings between the Bronx and the Dominican Republic shaped his early understanding of beauty, celebration, and hospitality. He also outlines his research process, including his study of the historical relationship between textiles and the transatlantic slave trade, and his investigation into love-attraction plants once used by enslaved women in the Caribbean, both of which directly inform his work.The conversation also touches on Duran's early relationship with artist Mickalene Thomas, and how that connection shaped both his confidence and his development as an artist.Follow Jose Duran on Instagram at @joseduranstudio to keep up with his work and future projects.Photo courtesy of subject. The Truth In This Art is supported by William G. Baker, Jr. Memorial Fund, the Maryland State Arts Council's Creativity Grant and Mayor's Individual Artist Award - Creative Baltimore Fund (Baltimore). Host: Rob LeeMusic: Original music by Daniel Alexis Music with additional music from Chipzard and TeTresSeis.Production:Produced by Rob Lee & Daniel AlexisEdited by Daniel AlexisShow Notes courtesy of Rob Lee and TransistorPhotos:Rob Lee photos by Vicente Martin for The Truth In This Art and Contrarian Aquarian Media.Guest photos courtesy of the guest, unless otherwise noted.Support the podcastThe Truth In This Art Podcast Fractured Atlas (Fundraising): https://www.fracturedatlas.orgThe Truth In This Art Podcast Bluesky: https://bsky.app/profile/thetruthinthisart.bsky.socialThe Truth In This Art Podcast Instagram: https://www.instagram.com/truthinthisart/?hl=enThe Truth In This Art Podcast Website: https://www.thetruthinthisart.com/The Truth In This Art Podcast Shop: Merch from Redbubble ★ Support this podcast ★

Title: Concert of Antient Music Title: Avison: Concerto in D major, Op. 4, No. 3: I. Andante and II. Allegro Track: Avison Ensemble & Pavlo Beznosiuk Publisher: ℗ 2006 Naxos

Tunes: The Tunes I taught: Brose and Butter, Bundle and Go, Welcome Home My Dearie, Clark Colven, The Miller's Wedding, Robin Adair, New Way to Morpeth, The Pluner of the Lowlands now Grazes in the Glens, Yann Cariou, Tim Cummings, Jeremy Kingsbury, Ailis Sutherland, Clara Salem, Tunes I didn't Teach, Round two: Unfortunate Jock, Harris Dance (31), Harris Dance (32), Edward the Second Minuat, Wattie Laing, Cock-Laird fu' Cagie, Drummond Castle, I have a wife o my ain, Bonny Miller, Susan Stewart's Reel, Miss Murray's Reel, Tune to Learn by Ear: Welcome Home My Dearie Big thank you to the folks at Càirdeas and specifically to the instructors who let me use a recording of them playing: Yann Cariou, Tim Cummings, Ailis Sutherland and Clara Salem. Check out Càirdeas website here: https://www.cairdeas.org/ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

The Boise Baroque Orchestra is rehearsing for their first summer festival after the tragic loss of their Artistic Director last year.

Title: The Periodical Overtures Track: J.C. Bach - La Giula, W. G22: Overture: I. Allegro Di Molto Artist: Anthony Halstead and the Hanover Band Publisher: ℗ 1995 CPO

durée : 00:55:16 - Very Good Trip - par : Michka Assayas - Dans cet épisode, Michka Assayas revient sur la période psychédélique des Stones pendant laquelle Brian Jones puise son inspiration dans les musiques orientales et médiévales. Une nouvelle ère pour le groupe qui démarre avec un titre : "Paint It Black". - équipe : Vincent Godard Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Send us Fan MailMy guest today is Kerry Chaput, author of The Secret Courtesan, listed in the Visual Arts category on Art In Fiction.Watch on YouTube: https://youtu.be/fkX-QqvmnQgPremise for the novel: how a marble Venetian sculpture, surfacing after 400 years and credited to a male artist, sends Mia, a modern-day arts authenticator looking for the woman she is sure had carved it.Kerry found documented women painters of the Renaissance and Baroque, but no large-scale women sculptors, and decided that gap in the record was the story worth telling.Artemisia's dusty painting: the real-life rediscovery of an Artemisia Gentileschi painting in a Hampton Court storage room, proof that misattributed women's art isn't just a plot device.Veronica Franco and the real courtesans: how the film Dangerous Beauty and its real-life subject, Renaissance Venice's premier courtesan, inspired the character of Sofia, and why courtesans had more freedom, education, and political access than "respectable" women of the era.Pitched as The Da Vinci Code with a feminist twist: the puzzles and cliffhangers built into Mia's modern timeline, and why Kerry had to finish writing Sofia's 1609 story before she could solve Mia's.Zero outline, one nice bow: Kerry's pantser process from first page to last, alternating between timelines and following "wormholes" even when they lead nowhere.The hardest research wasn't the history: why untangling art authentication, auction houses, and international law was tougher than 17th-century Venice, and how friends in the art world helped her build a plausible Sotheby's-style plot.A law against something means someone was doing it: the logic behind laws barring women from studying art and obtaining materials, and what that says about who was quietly doing both anyway.Writing women who already have a voice: why Kerry skipped the "she finds her voice" arc for Sofia, and how a story about a woman claiming power she already has changes the whole shape of the narrative.Reading from The Secret Courtesan: a 2 a.m. library scene between Mia and fellow historian Noah as her theory about the sculptor's true identity finally comes out.What's next: Kerry's ongoing Substack, Badass Women in History, and her continued fascination with the women the historical record left out.Read more from Kerry Chaput on her Substack, Badass Women in History: https://kerrychaput.substack.com/Are you enjoying The Art In Fiction Podcast? Consider giving us a small donation so we can continue bringing you interviews with your favorite arts-inspired novelists.  Click this link to donate: https://ko-fi.com/artinfiction.Also, check out Art In Fiction at https://www.artinfiction.com and explore 2500+ novels inspired by the arts in 11 categories: Architecture, Dance, Decorative Arts, Film, Literature, Music, Photography, Textile Arts, Theater, Visual Arts, & Other.Want to learn more about Carol Cram, the host of The Art In Fiction Podcast? She's the author of several award-winning novels, including The Towers of Tuscany, A Woman of Note, The Muse of Fire, and The Choir. Check out her website...

Title: Wilhelmine von Bayreuth Track: Wilhelmina of Bayreuth: Sonata in A Minor for Flute & Artist: Cecila Flodén Traverso ,Camerata Øresund & Peter Spissky Publisher: ℗ 2025 Channel Classics Records / Outhere Music France

Alejandro Aranda—also known as Scarypoolparty—joins Caught on the Mike for a wide-ranging conversation about his musical journey, his creative process, and the release of his new EP, Baroque.After captivating audiences as the runner-up on American Idol in 2019, Alejandro has continued to chart his own artistic path, releasing acclaimed projects including Exit Form, Doom Hologram, The Act of Forgiveness, and now Baroque. Rather than following trends, he's built a reputation for blending classical, jazz, indie rock, electronic music, pop, and drum & bass into a sound that's entirely his own.In this episode, Alejandro discusses the inspiration behind Baroque, how the project reflects both his musical influences and personal evolution, and why he continues to challenge himself creatively with every release. We revisit his American Idol experience, explore his distinctive fingerstyle guitar technique, and talk about songwriting, artistic independence, and the freedom that comes from creating music without being confined by expectations or genre labels.Whether you've followed Alejandro since his American Idol days or recently discovered his work as Scarypoolparty, this conversation offers an insightful look at one of today's most inventive singer-songwriters and multi-instrumentalists, as well as the mindset that continues to shape his evolving career.www.caughtonthemike.comcaughtonthemike@gmail.com 

Tunes: Nae Tune list or dots this time around. At least not for a while, but you can hear me introduce the tunes. Lots of stuff from David Young, Patrick MacDonald and Donald MacDonald. Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

The Summer of Sting heats up with another spicy obscure video game, and this time Off the Deep End drags Jeff Rud back in front of a microphone to talk all about it! How much "Big Saturn Energy" can one video game exude? How does Baroque stack up in the context of modern Roguelike video games? Expect the answers to those questions, and many more questions you weren't asking in this thrilling episode! See the entire Off The Deep Ends ranked list at http://bit.ly/otderank Find OTDE's theme music and more at https://supersex-420.bandcamp.com/ If you've been enjoying the podcast, please consider supporting us at https://www.patreon.com/DeepListens If you like our new art and want to commission some of your own, reach out to Tyler at tylerorbin.net  

T. K. Rex is a science fiction and fantasy author from the western United States, whose stories can be read in numerous publications, including The Wildcraft Drones, their debut collection on shelves May 21, 2026. The Wildcraft Drones begins in the near future of "The Flowers Where Five-Eighty Used To Be" and follows the evolving relationship between humanity, nature and technology into the far future. T. K.'s stories, socials, and newsletter can be found at tkrex.wtf.This story originally appeared in Tractor Beam, March 2025Narration by: Diane SeversonDiane Severson is a lyric soprano specializing in Early Music, especially Baroque and medieval music. Diane has been involved in the SF Poetry Scene (yes, it's a thing) since 2010. She has narrated for StarShipSofa, and PodCastle. She produces the sporadic podcast, Poetry Planet and is a member of the Science Fiction Poetry Association. She is a staff blogger for Amazing Stories Magazine focusing on Science Fiction Poetry. The best place to find her is on the web because she tends to pick up and move to another country at the drop of a hat. She and her family currently reside in Paris.Support this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.

Title: Charpentier Pastorellette Track: Andate, Cercate by Charpentier Artist: Patricia Petibon with William Christie and Les Arts Florissants. Publisher: Erato, 1996

Title: The Walsh Publishers Track: Hasse: Sonata No. 2 in G Major, A. 29: I. Adagio – Allegro, from 6 Harpsichord Sonatas, Op. 7. Title: Andrea Friggi (harpsichord) Pubisher: ℗ 2026 Glaux Records

Tunes: William Mackie: Taste Life's Glad Moments, Robin Adair, Ye Branks and Baes of Bonny Dune, The Banks of the Dee, What ails this heart of mine, Paddy O'Rafferty Robert Menzies: Taste Life's Glad Moments, Smollet Holden: Aleen Aroon O'Farrell: Paddy O'Rafferty with variations Angus MacKay: Paddy O'Rafferty with variations Seamus Ennis: Paddy O'Rafferty, The Reverend Brother's Jig Big Thanks to John Dally, Stephen McNally, Pete Stewart and Adam Sanderson for helping with my attempts at salvaging my miserable pornunciations. For an article on the "Z" or yogh letter: https://www.scotlandspeople.gov.uk/scottish-handwriting/coaching/letter-finder/letter-yogh Most of the tunes this week come from William Mackie's 1828 Pastoral Pipes manuscript still available on Ross's Music Page: https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/mackie-part1.pdf here is an archived photo of Mackie's pipes: https://web.archive.org/web/20240329181248/http://nms.scran.ac.uk/database/record.php?usi=000-000-579-671-C&scache=2u56p5txg5&searchdb=scran Other Sources: ====== 1823: Taste Life's Glad Moments from Edinburgh Chapbook https://digital.nls.uk/chapbooks-printed-in-scotland/archive/104184666 +X+X+ 1793: Robin Adair from Edinburgh Musical Miscellany https://digital.nls.uk/special-collections-of-printed-music/archive/94581712 +X+X+ 1818: Robin Adair : The Much Admired Ballad, as sung by Mr. Philipps arranged for piano forte or harp by W. Reeve [https://hdl.handle.net/2027/mdp.39015096437556](https://hdl.handle.net/2027/mdp.39015096437556) For a Chapter on the History of “Robin Adair and Eileen Aroon” see: Stories of Famous Songs vol 1_ by S. J. Adair Fitz-Gerald, 1901 [https://hdl.handle.net/2027/umn.31951002410743h](https://hdl.handle.net/2027/umn.31951002410743h) +X+X+ 1810: Aleen Aroon from Smollet Hoden's A Collection of Farorite Irish Airs arranged for the Harp or Pianoforte” https://ks15.imslp.org/files/imglnks/usimg/8/8f/IMSLP740826-PMLP1177690-smollet +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Join our next FASO Show Live!https://artists.boldbrush.com/p/the-faso-showLearn the magic of marketing  with us here at BoldBrush!boldbrushshow.com--To start off the season, we sat down with fine artist and former software developer Maureen Dunlap. Maureen shares how a childhood immersed in traditional oil painting, guided by mentor Arthur Maynard, eventually wound its way through typography, photo typesetting, and front-end development before circling back to a full-time art career. Maureen talks about rebuilding her painting practice after years away, moving from fast alla prima pieces to highly detailed, indirect paintings that draw on Art Nouveau, Art Deco, Pre-Raphaelite, and Baroque influences. She describes her richly layered seascapes, lace-draped still lifes, and narrative figurative works that often live in ornate vintage or trompe l'oeil frames, all infused with her whimsical titles and maximalist sensibility. Maureen also opens up about the realities of being a full-time artist later in life, balancing joy and financial stability, diversifying income with small works and jewelry, navigating social media and online sales, and her growing desire to teach the next generation of painters.Maureen's FASO site:maureendunlap.com/Maureen's Social Media:facebook.com/profile.php?id=100083217888057instagram.com/maureenjdunlapMaureen's Jewelry Store:instagram.com/the.wonder.cabinet

Erik Bosgraaf und das Ensemble filoBarocco verbinden innovative Spieltechniken mit barocken Melodien und modernen Elementen.

Title: James Watt – How (opus) Track: Quartet in G Major, WKO 227 Allegretto Title: La Rêveuse,Florence Bolton & Benjamin Perrot Publisher: ℗ 2025 harmonia mundi / La Rêveuse

Title: Duchess Anna Amalia The founder of the Court of Muses in Weimar Track: Duchess Anna Amalia's opera: Erwin und Elmire (Entre Acte) Artist: Weimar Staatskapelle with Peter Gülke conducting. 4:51 Publisher: Capriccio 2006

Tunes: Pretty incomplete tune list: Tunes: Cuddy's Wedding from Vickers, Auld Lang Syne from Appomattox, Hoopers and Girders (Pete Stewart's Setting from David Young), Over the Hills and Far Away, Mill Mill O, Oyster Wive's Rant, Gravel Walks, Brenda Stubberts, Mason's Apron, Miss McLeod of Raasay, Atholl Highlanders, and many more. Càirdeas is pretty booked up for this year actually, but be sure to get on their mailing list here: https://www.cairdeas.org/ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Why did a Jesuit republic of 140,000 people in the subtropical forests of South America — with its own armed militia, its own printing presses, its own Baroque composers, and the only successful mate plantation in colonial history — get destroyed by a riot about hats? How did the Guaraní and the Society of Jesus together solve a domestication mystery that no one else could crack, and why did that knowledge vanish the moment the priests were expelled?Join John as he tells the story of Paraguay and yerba mate — the Jesuit utopia, the bandeirante raiders, the angel faces carved in subtropical sandstone, and the leaf that built a kingdom...----------In Sponsorship with J&K Fresh.The customs broker who is your fruit and veggies' personal bodyguard. Learn more here!-----------Join the History of Fresh Produce Club for ad-free listening, bonus episodes, book discounts and access to an exclusive chatroom community.Support us!Share this episode with your friendsGive a 5-star ratingWrite a review-----------Subscribe to our biweekly newsletter here for extra stories related to recent episodes, book recommendations, a sneak peek of upcoming episodes and more.-----------Instagram, TikTok, Threads:@historyoffreshproduceEmail: historyoffreshproduce@gmail.com

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Episode: 1591 Baroque violins and the notion of a completed technology.  Today, let's talk about complete technologies.

Cat Rambo's 300+ fiction publications include stories in Asimov's, Clarkesworld Magazine, and The Magazine of Fantasy and Science Fiction. In 2020 they won the Nebula Award for fantasy novelette Carpe Glitter. They are a former two-term President of the Science Fiction and Fantasy Writers of America (SFWA). Their most recent works are space opera Devil's Gun (Tor Macmillan, 2023) and anthology The Reinvented Detective (Arc Manor, 2023), co-edited with Jennifer Brozek.Narration by: Diane Severson Daine Severson is a lyric soprano specializing in Early Music, specifically Baroque and medieval music and loves her work teaching people to sing. She has narrated for Escape Pod, PodCastle, Cast of Wonders, Pseudopod, and Tales to Terrify. Diane has been involved in the Speculative Poetry Scene since 2010, she is Vice President and membership chair of the Science Fiction and Fantasy Poetry Association and is a passionate promoter of genre poetry. The best place to find her is on the web because she tends to pick up and move to another country at the drop of a hat.Fact: Looking Back At Genre History by Amy H SturgisSupport this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.

The Quattro Canti is a spectacular example of Sicilian Baroque architecture on a grand scale!  Marking the entrance to Palermo's historic district, the Quattro Canti (technically Piazza Vigliena) is a large octagonal piazza laid out in the early 17th century, four side of which are occupied by Baroque facades. Each of these facades contains allegorical fountains on the ground level, statues of Sicily's Spanish rulers of Sicily on the next, and Palermo's four patron saints above. 

Construction on the church of Sant Maria dell'Ammiraglio in Palermo, Italy, began in 1143 CE under the patronage of George of Antioch, admiral of King Roger II's navy, from which the church gets its name. The church preserves an extraordinary collection of 12th-century mosaics, the two most important of which are "Christ Coronating King Roger II" and " George of Antioch at the Feet of the Virgin Mary." In later centuries, the church received various Baroque-style additions and decorations, and the nickname "La Martorana" from the nearby Benedictine nunnery.