Podcasts about Baroque

Flute 360 | Episode 246: “Let's Talk Baroque with Dr. Dennette McDermott” Welcome to Episode 246 of the Flute 360 podcast, hosted by Dr. Heidi Kay Begay! In this episode, Heidi interviews Dr. Dennette Derby McDermott who is a flutist, author, recording artist, and educator. Throughout this episode, Dr. McDermott talks about the traverso flute and how it's different than the Böhm flute, Baroque resources, and her latest Čart flute album. She also talks about the lessons she's learned while recording this album, and funding that you can get for your next recording project! If you're interested in learning more about the baroque flute and its unique sound, this episode is a must-listen. Tune in to hear from one of the leading experts in the field and gain insights that will help you take your flute playing to the next level! E246 – Resources Mentioned: Join the Flute 360's Accelerator Program Here! Join anytime, so you can access past masterclass & mastermind videos! Next meetup is Saturday, May 27, 2023 from 11:00 A.M.-1:00 P.M./CT! Thank You to Our Sponsor: Need a new flute? Click here to visit the Carolyn Nussbaum Music Company's website! Guest's Links: Čart: Three Sonatas, Vol. 1 (Little Piper) Čart, Three Sonatas, Vol. 2 (Little Piper) Dennette McDermott's YouTube Channel Čart, YouTube Recordings Additional Resources: Telemann Methodical Sonatas Vol. 1 Telemann Methodical Sonatas Vol. 2 Telemann Methodical Sonatas Vol. 3 Telemann Methodical Sonatas Vol. 4 Telemann Methodical Sonatas Vol. 5 Telemann Methodical Sonatas Vol. 6 The Department of Winds & Percussion at the University of Michigan School of Music, Theatre & Dance Northwestern State University of Louisiana - Dept. of Music Follow Heidi! Follow Flute 360 via TikTok! Follow Flute 360 via Instagram! Follow Flute 360 via Twitter! Follow Flute 360 via LinkedIn! Follow Flute 360 via Facebook! Join the Flute 360 Newsletter! Join the Flute 360 Family's Facebook Private Group! Subscribe to the Flute 360's YouTube Channel!

TITLE: A Strange Gift TRACK: John Munday: Robin ARTIST: Gustav Leonhardt PUBLISHER: @2022 Paridizo

durée : 01:29:00 - Keith Jarrett, baroque et classique - par : François-Xavier Szymczak - Le célèbre pianiste de jazz s'est toujours nourri des répertoires baroques et classiques, enregistrant de nombreuses partitions de Bach, Haendel, Mozart, Bartók, Chostakovitch ou Arvo Pärt au piano, mais aussi au clavecin.

Flemish painter Michaelina Wautier's style was realistic and detailed, with a dark, almost somber color palette. And for a long time, she remained an unknown, even among art historians. Research: Atkins, Christopher D.M. and Jeffrey Muller, editors. “Michaelina Wautier and The Five Senses: Innovation in 17th-Century Flemish Painting.” CNA Studies. December 2022. Museum of Fine Arts, Boston. 2022. Atkins, Christopher and Alyssa Trejo. Email correspondence. Center for Netherlandish Art, Museum of Fine Arts Boston. 4/12/2023. “Six Paintings by 17th-Century Artist Michaelina Wautier Sought by Rubens House.” 4/26/2017. https://www.codart.nl/art-works/six-paintings-17th-century-artist-michaelina-wautier-sought-rubens-house/ Dill, Vithória Konzen. “5 Things You Should Know About Michaelina Wautier.” Daily Art Magazine. 1/8/2023. https://www.dailyartmagazine.com/michaelina-wautier/ Esterow, Milton. “For Centuries, Her Art Was Forgotten, or Credited to Men. No More.” New York Times. 12/5/2022. https://www.nytimes.com/2022/12/02/arts/design/michaelina-wautier-artist-boston.html Kairis, Pierre-Yves. “Interview with Pierre-Yves Kairis.” MAS. https://mas.be/en/page/interview-pierre-yves-kairis Kimball, Jill. “Student-curated MFA Boston exhibition spotlights long-forgotten female Flemish painter.” Brown University. 12/7/2022. https://www.brown.edu/news/2022-12-07/wautier Kunsthistorisches Museum Wien. “Looking at the Overlooked: A live conversation on the life and work of Michaelina Woutier.” Via YouTube. 12/9/2020. https://www.youtube.com/watch?v=HJArJm9kR7Q “Michaelina Baroque's Leading Lady.” Exhibition pamphlet. 2018. McCouat, Philip. “Forgotten Women Artists #4: Michaelina Wautier: Entering the Limelight After 300 Years.” Journal of Art in Society. 2019. https://www.artinsociety.com/forgotten-women-artists-4-michaelina-wautier-entering-the-limelight-after-300-years.html Museum of Fine Arts Boston. “Michaelina Wautier and ‘The Five Senses'.” https://www.mfa.org/gallery/michaelina-wautier-and-the-five-senses Needleman, Sam. “Michaelina's Boys.” The New York Review. 3/12/2023. https://www.nybooks.com/online/2023/03/12/michaelinas-boys/ Nordenfalk, Carl. “The Five Senses in Late Medieval and Renaissance Art.” Journal of the Warburg and Courtauld Institutes , 1985, Vol. 48 (1985). Via JSTOR. https://www.jstor.org/stable/751209 Van der Stighelen, Katlijne. “CHAPTER 6 Anna Francisca de Bruyns (1604/5–1656), Artist, Wife and Mother: a Contextual Approach to Her Forgotten Artistic Career.” Women and Gender in the Early Modern Low Countries, 2019. Via JSTOR. https://www.jstor.org/stable/10.1163/j.ctvrxk3hp.12 Van der Stighelen, Katlijne. “‘Doing justice to an artist no one knows is quite an undertaking'.” Apollo Magazine. 7/2/2018. https://www.apollo-magazine.com/doing-justice-to-an-artist-no-one-knows-is-quite-an-undertaking/ Van der Stighelen, Katlijne. “Michaelina Wautier 1604-1689: Glorifying a Forgotten Talent.” Rubenshuis and BAI Publishers. Translated. 2018. See omnystudio.com/listener for privacy information.

This 2015 episode covers Artemisia Gentileschi, often called the greatest female painter of the Baroque period. Her work is extraordinary, and reflects the influences of her father Orazio Gentileschi and Caravaggio.See omnystudio.com/listener for privacy information.

Artemisia Gentileschi was a woman who would not be kept down. She created some of the greatest masterpieces of her time and some would say that she was the first in all of art history to portray women as realistic protagonists in their own story. Her most famous works include women with bloody swords. She was a card-carrying member of the #MeToo movement (or at least she would have been if it had existed then). And she once told a prospective male patron that he would "find the spirit of Caesar in this soul of a woman."Trigger Warning: If you don't want to hear about the rape trial, skip from 4:14 to 7:00.Visit the website (herhalfofhistory.com) for sources, transcripts, and pictures.Support the show on my Patreon page for bonus episodes, polls, and a general feeling of self-satisfaction.Follow me on Twitter as @her_half. Or on Facebook or Instagram as Her Half of History.

Jean-Baptistle Lully is perhaps best known for the unusual circumstances of his death. But he lived a fascinating life that would rival any fictional rags-to-riches story.  Research: James R. Anthony. “Lully's Airs. French or Italian?” The Musical Times, vol. 128, no. 1729, 1987, pp. 126–29. JSTOR, https://doi.org/10.2307/964491 Brett, Philip. “Issues in Music and Sexuality in the Long Eighteenth Century.” Historical Reflections / Réflexions Historiques, vol. 33, no. 1, 2007, pp. 69–77. JSTOR, http://www.jstor.org/stable/41299400 Fairleigh, James P. “Lully as ‘Secrétaire Du Roi.'” Bach, vol. 15, no. 4, 1984, pp. 16–22. JSTOR, http://www.jstor.org/stable/41640222 Britannica, The Editors of Encyclopaedia. "Baroque music". Encyclopedia Britannica, 18 Mar. 2023, https://www.britannica.com/art/Baroque-music.  Britannica, The Editors of Encyclopaedia. "the Fronde". Encyclopedia Britannica, 5 Feb. 2014, https://www.britannica.com/event/The-Fronde Anthony, James R. “The New Grove French Baroque Masters: Lully, Charpentier, Lalande, Couperin, Rameau.” New York. Norton. 1986. Accessed online: https://archive.org/details/newgrovefrenchba00anth/page/30/mode/2up?view=theater “The Sun King's Musician, 1632-1687.” Chateau de Versailles. https://en.chateauversailles.fr/discover/history/great-characters/lully “Jean Baptiste Lully.” New World Encyclopedia. https://www.newworldencyclopedia.org/entry/Jean_Baptiste_Lully See omnystudio.com/listener for privacy information.

TITLE: Music for a Coronation TRACK: Coronation Anthem No. 1, HWV 258 "Zadok the Priest" ARTIST: Robert King with the King's Consort and Choir Of New College Oxford PUBLISHER: Hyperion

Flute 360 | Episode 245: “Let's Talk Baroque with Professor Michael Lynn” Welcome to Episode 245 of the Flute 360 podcast, hosted by Dr. Heidi Kay Begay! In this episode, Heidi interviews Professor Michael Lynn, an early music professor and baroque flute specialist who teaches at Oberlin Conservatory in Ohio. Together, they explore the unique sound and techniques of the baroque flute and discuss how it differs from the modern flute. Throughout the episode, Professor Lynn shares his experiences as a baroque flute specialist and discusses the importance of understanding historical performance practices when playing early music. He also touches on the repertoire for the baroque flute and its continued relevance in contemporary music. If you're interested in learning more about the baroque flute and its unique sound, this episode is a must-listen. Tune in to hear from one of the leading experts in the field and gain insights that will help you take your flute playing to the next level! E245 – Resources Mentioned: Join the Flute 360's Accelerator Program Here! Join anytime! Next meetup is Saturday, May 27, 2023 from 11:00 A.M.-1:00 P.M./CT! Thank You to Our Sponsor: Need a new flute? Click here to visit the Carolyn Nussbaum Music Company's website! Guest's Links: Michael Lynn's Website Michael Lynn's YouTube Channel Oberlin College & Conservatory Additional Resources: Telemann Methodical Sonatas Vol. 1 Telemann Methodical Sonatas Vol. 2 Telemann Methodical Sonatas Vol. 3 Telemann Methodical Sonatas Vol. 4 Telemann Methodical Sonatas Vol. 5 Telemann Methodical Sonatas Vol. 6 Follow Heidi! Follow Flute 360 via TikTok! Follow Flute 360 via Instagram! Follow Flute 360 via Twitter! Follow Flute 360 via LinkedIn! Follow Flute 360 via Facebook! Join the Flute 360 Newsletter! Join the Flute 360 Family's Facebook Private Group! Subscribe to the Flute 360's YouTube Channel!

A form at the origins of Western literature, the epic has always been theorized in contrast to other literary genres, those that would either perfect it (such as tragedy, according to Aristotle) or partially take its place, from the chivalric romance to the modern novel.  Corrado Confalonieri's Torquato Tasso and the Desire for Unity: Jerusalem Delivered and a New Theory of the Epic (Torquato Tasso e il desiderio di unità: “La Gerusalemme liberata” e una nuova teoria dell'epica) critically traces three different historical phases in the theorization of the epic: the classical poetics of Aristotle and Horace, the debates about poetics and poets in sixteenth-century Italy, and Hegelian philosophy and later twentieth-century theories of literary genres. The point of theoretical and interpretative reference throughout the volume is Torquato Tasso's epic poem Gerusalemme liberata (Jerusalem Delivered). The book's final chapter undertakes a careful rereading of Tasso's magnum opus that overcomes the traditional dichotomy between epic unity and novelistic variety by demonstrating how unity remains a desire rather than a result. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the histories of diplomacy and sociality. Her publications have appeared in The Italianist and the Routledge Encyclopedia of the Renaissance World, with forthcoming research on the intersections across affect, masculinity, early modern poetics, and Baroque opera. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This episode is a kind of birthday podcast in honour of the well-known and popular harpsichordist and conductor Trevor Pinnock and the ensemble he founded 50 years ago: The English Concert. To mark the occasion, DG has released a collection of their complete recordings on Archiv Produktion in a box set of 100 discs. Trevor and Sarah chat about making recordings, being period instrument pioneers and how the heart is connected to Baroque music.

A form at the origins of Western literature, the epic has always been theorized in contrast to other literary genres, those that would either perfect it (such as tragedy, according to Aristotle) or partially take its place, from the chivalric romance to the modern novel.  Corrado Confalonieri's Torquato Tasso and the Desire for Unity: Jerusalem Delivered and a New Theory of the Epic (Torquato Tasso e il desiderio di unità: “La Gerusalemme liberata” e una nuova teoria dell'epica) critically traces three different historical phases in the theorization of the epic: the classical poetics of Aristotle and Horace, the debates about poetics and poets in sixteenth-century Italy, and Hegelian philosophy and later twentieth-century theories of literary genres. The point of theoretical and interpretative reference throughout the volume is Torquato Tasso's epic poem Gerusalemme liberata (Jerusalem Delivered). The book's final chapter undertakes a careful rereading of Tasso's magnum opus that overcomes the traditional dichotomy between epic unity and novelistic variety by demonstrating how unity remains a desire rather than a result. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the histories of diplomacy and sociality. Her publications have appeared in The Italianist and the Routledge Encyclopedia of the Renaissance World, with forthcoming research on the intersections across affect, masculinity, early modern poetics, and Baroque opera. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

A form at the origins of Western literature, the epic has always been theorized in contrast to other literary genres, those that would either perfect it (such as tragedy, according to Aristotle) or partially take its place, from the chivalric romance to the modern novel.  Corrado Confalonieri's Torquato Tasso and the Desire for Unity: Jerusalem Delivered and a New Theory of the Epic (Torquato Tasso e il desiderio di unità: “La Gerusalemme liberata” e una nuova teoria dell'epica) critically traces three different historical phases in the theorization of the epic: the classical poetics of Aristotle and Horace, the debates about poetics and poets in sixteenth-century Italy, and Hegelian philosophy and later twentieth-century theories of literary genres. The point of theoretical and interpretative reference throughout the volume is Torquato Tasso's epic poem Gerusalemme liberata (Jerusalem Delivered). The book's final chapter undertakes a careful rereading of Tasso's magnum opus that overcomes the traditional dichotomy between epic unity and novelistic variety by demonstrating how unity remains a desire rather than a result. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the histories of diplomacy and sociality. Her publications have appeared in The Italianist and the Routledge Encyclopedia of the Renaissance World, with forthcoming research on the intersections across affect, masculinity, early modern poetics, and Baroque opera. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

TITLE: The Uhrovska Collection TRACK: Two pieces (276 and 298) from the Uhrovska Collection ARTIST: Ensemble Caprice under Matthias Maute PUBLISHER: Telemann and the Baroque Gypsies Analekta 2009

TITLE: The Uhrovska Collection TRACK: Two pieces (276 and 298) from the Uhrovska Collection ARTIST: Ensemble Caprice under Matthias Maute PUBLISHER: Telemann and the Baroque Gypsies Analekta 2009

Mercury performs music by Vivaldi and Handel.

Here is our weekly merry-go-round of recent and upcoming albums, which this time will feature great saxophonists, up and coming composers, and various projects showing that jazz is the most inclusive genre out there, welcoming any source of inspiration from Baroque to Brazilian to Flamenco. The playlist features Walter Smith III; Riccardo Gola; Felipe Salles, Melissa Aldana; Ben Rosenblum; Cyro Baptista [pictured]; Gianluigi Trovesi, Stefano Montanari; Jean-Marie Machado; Yvonnick Prené; Shirley Scott. Detailed playlist at https://spinitron.com/RFB/pl/17269003/Mondo-Jazz (up to "By The Time I Get to Phoenix"). Happy listening! Photo credit: Makota Ebi

+X+X+X+ Cover Art from David Allan's Lead Processing at Leadhills: Weighing the Lead Bars from the 1780s showing a Blue Bonnet and a Cocked hat. Courtesy of National Galleries Scotland: https://www.nationalgalleries.org/art-and-artists/99127/lead-processing-leadhills-weighing-lead-bars 1686: John Playford, Dancing Master rendition of Johnny Cock thy Beaver here: https://www.cdss.org/elibrary/dancing-master/Dance/images/Play1138.gif This whole database was helpful: https://www.cdss.org/elibrary/dancing-master/Index.htm 1900: I would not have known to look here were it not for John Glen's monumental work on early Scottish melodies, if you hadn't noticed it is Glen's collection that makes up much of the archival copies of these texts I rely on: https://digital.nls.uk/special-collections-of-printed-music/archive/91349758 ?: Carolan's Setting for Variations came likely from Donal O'Sullivan's work of tunes actually composed by Turlough O'Carolan (b.1670-d.1738) I got the transcription (and apparently also a key change) on Vince Brennan's remarkable website, with ABC copies of all the tunes: http://www.oldmusicproject.com/occ/tunes.html Note this setting is likely not Carolan, also, that you shouldn't say the “O'” before Carolan's name if you're speaking English. 1733: William Dixon's Watty's Away: https://www.mattseattle.scot/product-page/the-master-piper-new-edition 1750ish: James Oswald's Setting for Johnny Cock-up thy Beaver: https://digital.nls.uk/special-collections-of-printed-music/archive/94599108 1792: Scots Musical Museum (Robert Burns Song) https://digital.nls.uk/special-collections-of-printed-music/archive/87798244 1757: Bremner's Setting for Scots Bonnet: https://digital.nls.uk/special-collections-of-printed-music/archive/105002603 1807-1810: O'Farrell's setting of The Blue Bonnett: http://www.cl.cam.ac.uk/~rja14/Papers/ofarrellspc3.pdf It is tune 17 on the PDF You can read through the fascinating discussion of Beaver and links to many newspaper articles from the early 20th century here on the English Language and Usage Stack Exchange forum: https://english.stackexchange.com/a/503590 June 1922: Missouri Newspaper: Cambridge Students Pride themselves on their whiskers https://chroniclingamerica.loc.gov/lccn/sn89066316/1922-06-26/ed-1/seq-4/#words=%22yelling%2Bbeaver%22 October 1922: Washington Newspaper: King George may need to shave https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-10-29/ed-1/seq-59/#words=%22out%2Bbeaver%22 December 1922 Washington Newspaper: Beaver near extinction because of the Beaver Game: https://chroniclingamerica.loc.gov/lccn/sn84026749/1922-12-03/ed-1/seq-39/#words=%22out%2Bbeaver%22 “Looking For Whiskers Bearded men find themselves unwontedly popular at Cambridge just now. They are gravely or hilariously saluted by undergraduates with cries of ‘Beaver!' This is part of a game which the young wits of the University have devised in which pointes are scored by the player who first sights a bearded person. From Gloucester Citizen, Gloucester, England, Wednesday May 17, 1922 Volume 47, 115 From the Evening Telegraph (Dundee, Scotland) Tuesday october 3, 1922 Day By Day “There is absolutely no truth in the story that when a Royal figure wearing a beard entered a Cambridge function the undergraduates rose to their feet as one and shouted, ‘Royal beaver game, set, match.” “When Aussies wore Whiskers from Thursday Aug 2, 1934 Gloucester Citizen, talks about men wearing beards being scorned by barbers, and harassed on the street by cries of Beaver. Jan 20, 1941 Gloucester Citizen, “Ban on ‘Hitler' Moustache but ‘Beavers' are Popular Discusses how beards fell out of fashion, but are back in for military personnel after WWII. You can see the “Beaver!” Limerick printed here in the Wordsworth Book of Limericks: https://archive.org/details/wordsworthbookof0000unse/page/324/mode/1up? You can see several of the Mid-19th Century Bonny Black Hare Broadsides here, Courtesy of the Bodleian Libraries: http://ballads.bodleian.ox.ac.uk/search/title/Bonny%20black%20hare Interesting discussion of Bonny Black Hare from AL Lloyd and others that popularized singing it during the British Folk Revival: https://mainlynorfolk.info/lloyd/songs/thebonnyblackhare.html I have lost several hours to Grosse's 1811 Dictionary of the Vulgar Tongue: http://www.gutenberg.org/cache/epub/5402/pg5402-images.html Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my First Album on Bandcamp: https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes or my second album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/pay-the-pipemaker or my third album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/bannocks-of-barley-meal You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

“My first album for Deutsche Grammophon stems from a desire to share my love for Baroque music,” says rising-star French guitarist Raphaël Feuillâtre. Visages baroques, presents music by J.S. Bach and his French contemporaries Forqueray, Rameau, Royer and Duphly. The carefully curated programme translates works mostly conceived for solo harpsichord into the colourful soundworld of the guitar. They are performed by the first guitarist signed to DG in many years, an artist hailed as “a tremendously versatile and sensitive player” (Classical Guitar). Raphaël Feuillâtre J.S. Bach: The Well-Tempered Clavier, Book 1, BWV 846-869 / Prelude & Fugue in C Major, BWV 846: I. Prelude (Transcr. for Guitar) 01:56 Raphaël Feuillâtre Royer: Pièces de clavecin, Book 1: No. 6, L'aimable (Arr. Feuillâtre for Guitar) 04:29 Raphaël Feuillâtre J.S. Bach: Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): I. Allegro (Arr. Perroy for Guitar) 02:30 Raphaël Feuillâtre J.S. Bach: Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): II. Larghetto (Arr. Perroy for Guitar) 04:07 Raphaël Feuillâtre J.S. Bach: Concerto No. 1 in D Major, BWV 972 (After Vivaldi RV 230): III. Allegro (Arr. Perroy for Guitar) 02:35 Raphaël Feuillâtre Rameau: L'entretien des muses, RCT 3/6 (Arr. Grizard for Guitar) 05:46 Raphaël Feuillâtre Rameau: Les cyclopes, RCT 3/8 (Arr. Grizard for Guitar) 03:49 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: I. Prelude (Arr. Reichenbach for Guitar) 02:16 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: II. Allemande (Arr. Reichenbach for Guitar) 03:50 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: III. Courante (Arr. Reichenbach for Guitar) 03:10 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: IV. Sarabande (Arr. Reichenbach for Guitar) 05:24 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: V. Menuet I (Arr. Reichenbach for Guitar) 01:42 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: VI. Menuet II (Arr. Reichenbach for Guitar) 01:34 Raphaël Feuillâtre J.S. Bach: Partita in B-Flat Major, BWV 825: VII. Gigue (Arr. Reichenbach for Guitar) 02:29 Raphaël Feuillâtre Forqueray: Suite No. 1 in D Minor: No. 4, La Bellmont (Arr. Antoine Fougeray and Feuillâtre for Guitar) 03:46 Raphaël Feuillâtre Duphly: Pièces de clavecin, Book 3: No. 4, La Forqueray (Arr. Antoine Fougeray for Guitar) 04:58 Raphaël Feuillâtre Duphly: Pièces de clavecin, Book 3: No. 6, Médée (Arr. Antoine Fougeray for Guitar) 04:38 Raphaël Feuillâtre J.S. Bach: Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en Rondeau (Transcr. for Guitar) 03:22Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

durée : 01:28:54 - John Eliot Gardiner et la musique baroque (5/5) - par : François-Xavier Szymczak - Concluons cette série avec quelques grands tubes du baroque, comme l'Air du froid de Purcell, l'Air de la Troisième Suite pour orchestre de Bach ou le Messie de Haendel.

durée : 01:28:14 - John Eliot Gardiner et la musique baroque (4/5) - par : François-Xavier Szymczak - A l'occasion des quatre-vingts ans du maestro, nous revenons certains des grands compositeurs baroques qu'il a honorés comme Bach et son Oratorio de Noël, Purcell et son Ode pour l'anniversaire de la Reine Marie, sans oublier les Italiens comme Scarlatti ou Monteverdi.

durée : 01:27:41 - John Eliot Gardiner et la musique baroque (3/5) - par : François-Xavier Szymczak - A titre exceptionnel, John Eliot Gardiner put profiter en 1989 d'une Basilique Saint-Marc de Venise vidée de ses touristes pour y enregistrer en 1989 les Vêpres de Monteverdi.

TITLE: Lament for a Young Soprano TRACK: Lamento D'Arianna: Lasciatemi Morire ARTIST: Concerto Italiano, Rinaldo Alessandrini PUBLISHER: ℗ 2006 naïve classique

durée : 01:28:47 - John Eliot Gardiner et la musique baroque (2/5) - par : François-Xavier Szymczak - Les Vêpres de Monteverdi fut la première partition chantée par le Monteverdi Choir à leur fondation en 1964. Nous l'écoutons dans une version enregistrée dix ans plus tard.

Jamison and Blake give some background on the lengthy time between episodes, talk about emotions and how we handle them, and make too many innuendos accidentally throughout the episode. Also, we talk shit on Ari Aster. Then we dig into 2004's much reviled Coen Bros. film The Ladykillers and try to figure out if it is in fact their worst film. As is the case with any episode about the Coen Brothers, we end up talking about their whole filmography in relation to this film. Then we talk about Noah Hawley's Fargo. Then we talk about the fact that Zencastr has made it to where we can only record 120 minutes of audio PER MONTH. We are still reeling from this discovery. Stay tuned... References: The Ladykillers (1955) --- Send in a voice message: https://podcasters.spotify.com/pod/show/flybyfilms/message

durée : 01:28:14 - John Eliot Gardiner et la musique baroque (1/5) - par : François-Xavier Szymczak - Le chef anglais John Eliot Gardiner fête cette semaine ses 80 ans ! L'ampleur de son répertoire est vertigineux, mais nous revenons spécifiquement sur son apport essentiel à la musique baroque

It's Easter season, so Justin has written six questions all about the holiest day of the Christian year! We also talk about animation, poetry, and the Middle Ages!2:34: Q1 (Times & Places): The term “Easter” is derived from the name of a pagan English goddess whose festival was celebrated in April, at least according to what Venerable eighth-century monk and scholar?8:12: Q2 (Movies & TV): Easter Yeggs is a 1947 animated short in which the Easter Bunny meets what other famous Bunny?15:36: Q3 (Music): Catalog number BVW 4, “Christ lay in death's bonds” is an Easter cantata by what Baroque composer, who was voted the greatest composer of all time in a poll of 174 living composers in 2019?22:08: Q4 (Sports & Games): Nicknamed both “The Easter Race” and “The Hell of the North”, Paris-Roubaix is one of the “Monuments” – the five most prestigious one-day races in what sport?27:53: Q5 (Arts & Literature): Easter, 1916 is a poem by what Irish Nobel laureate, also known for “Leda and the Swan”, “Death”, and “Sailing to Byzantium”?33:37: Q6 (Everything Else): In the Christian liturgical calendar, Easter is preceded by what 40-day observance, in which Christians often give up something they enjoy?Theme music: "Thinking it Over" by Lee Rosevere, licensed under CC BY 2.0E-Mail: quizandhers@gmail.com Facebook: https://www.facebook.com/quizandhers/Twitter: https://twitter.com/quizandhersInstagram: https://www.instagram.com/quizandhers/Bore Meets World Podcast: https://podcasts.apple.com/us/podcast/bore-meets-world-a-boy-meets-world-podcast/id1357883583Brain Ladle Productions: http://www.brainladletrivia.com/Cormac on Twitter: @CormacsThoughts

TITLE: Music from the heart or the head? TRACK: Durante: Concerto No. 8 in A Major, "La Pazzia", 2nd movement ARTIST: Accademia dell'Annunciata & Riccardo Doni PUBLISHER: ℗ 2023 Lo Scrigno della Musica, under exclusive licence to Outhere Music France

S7 E08 John Charles Guest Host Singer Spotlight: Kenneth MacIver of Lewis with guest tracks from Brìghde Chaimbeul and Ross Ainslie, Allan MacDonald, Julie Fowlis and Jeremy Kingsbury Featuring musical guests: Brìghde Chaimbeul and Ross Ainslie Allan MacDonald Julie Fowlis Jeremy Kingsbury Episode notes: On this episode we celebrate the recordings of Kenneth MacIver of Lewis (1924-1978). Kenneth's recordings are available from the School of Scottish Studies, via Tobar an Dualchais here: https://www.tobarandualchais.co.uk/person/7570?l=en Tunes Tha M'inntinn a-raoir a-nochd 's a-raoir - On my mind last night, tonight and last night Also known as "Munlochy Bridge" Sung by Kenneth: https://www.tobarandualchais.co.uk/track/101365?l=en Munlochy Bridge on "LAS" by Brìghde Chaimbeul and Ross Ainslie: https://brighdechaimbeul.bandcamp.com/track/strathspeys-and-reels Siuthadaibh Bhalachaibh, Siuthadaibh - Go to it Lads, Go To It Also known as "Devil in the Kitchen". Sung by Kenneth: https://www.tobarandualchais.co.uk/track/101365?l=en Played by Allan MacDonald on "Fhuair mi Pog": https://www.greentrax.com/music/product/Allan-MacDonald-Margaret-Stewart-Fhuair-Mi-Pog-CD Càit am bi na Maraichean - Where will the Sailors Be? Sung by Kenneth: https://www.tobarandualchais.co.uk/track/101359?l=en Mo Chailinn Bheag Dhonn - My Little Brown-Haired Lass Sung by Kenneth: https://www.tobarandualchais.co.uk/track/101363?l=en Hì Horò na Boireannaich - Hi Horò the Women Sung by Kenneth: https://www.tobarandualchais.co.uk/track/101361?l=en O Nach Àghmhor A-Nis - Oh How Joyful it is Just Now Sung by Kenneth: https://www.tobarandualchais.co.uk/track/94168?l=en Nam Bithinn na Mo Mhaighdeann - If I was a Maiden Sung by Kenneth: https://www.tobarandualchais.co.uk/track/101379?l=en Tha Fionnlagh ag Innearadh - Finlay is Spreading Manure Sung by Kenneth: https://www.tobarandualchais.co.uk/track/101379?l=en By Julie Fowlis on Cuilidh: https://www.juliefowlis.com/product/cuilidh-cd/ By Allan MacDonald at 1998 piping recital: https://musicscotland.com/products/series-3-1998-vol-2 Mac a' Phì Cnag-Shùileach - Big-Eyed MacPhee Also known as "Mrs. MacLeod of Raasay" etc. Sung by Kenneth: https://www.tobarandualchais.co.uk/track/101379?l=en Jeremy's deep-dive episode on Campbells are Coming: https://www.wetootwaag.com/s5e13 You can get “Pig Town Fling” on Jeremy's most recent Album, Bannocks of Barley Meal: https://jeremykingsbury.bandcamp.com/album/bannocks-of-barley-meal (Cover art is a Photo Jeremy took of a Sailing Ship off the Coast of Lewis and Harris in 2019) Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my First Album on Bandcamp: https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes or my second album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/pay-the-pipemaker or my third album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/bannocks-of-barley-meal You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

TITLE: The English Siren TRACK: Arne Artaxerxes, The Soldier Tir'd of War's Alarms ARTIST: Catherine Bott is accompanied by Roy Goodman the Parley of Instruments. PUBLISHER: Hyperion 1996

Last we saw Baroque, we were talking “Heathers,” but this time, he joins the pod to talk about the 2009 classic that made college humor extend to adulthood. Together we reminisce about 2000's comedies, Lord of the Rings franchise, whether or not Paramount should make a Shire in real life, and stories about child actors. Also, we talk about the beginning of a then unknown, but soon-to-be comedy legend: Zach Galifinakis.

This episode is a read through of my dissertation chapter: CHAPTER FIVE: JOHN FUBBISTER, OZAAWINDIB, THE RED RIVER AND THE QUEER ATLANTIC WORLD Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my First Album on Bandcamp: https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes or my second album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/pay-the-pipemaker or my third album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/bannocks-of-barley-meal You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

TITLE: Signor Bach in Turkey TRACK: Oboe Sonata in C Minor, "Signor Bach": I. Andante ARTIST: Karla Schroter and Concert Royal Köln PUBLISHER: ℗ 2009 Cantate

One of the world's most formidable generals and one of history's most beguiling politicians are joined by two frustrated young men and an irresistible widow in Handel's Baroque masterpiece, Giulio Cesare in Egitto.  Join Pat, Kathleen, and Grant for a journey through history, literature, and myth in exploring the influences and meaning of this enduring opera.   For more cultural and arts commentary by Kathleen Van De Wille, visit Constructive Criticism on Substack.

S7 E06 Hymn Tunes with Guest Host James Moyar This episode I am grateful for James Moyar to take time out of his busy Droning On and Piping Dojo schedule to share some of his favorite hymn tunes on bagpipes. Be sure to listen to James on my favorite Piping Podcast, Droning On: https://droningon.podbean.com/ And Check out his Merch Store where I have some materials for sale as well: https://www.bagpipeswag.com/ Many of the tunes he plays through on this episode are available on his excellent collection of Hymn tunes on smallpipes available on Bandcamp: Sunday Smallpipes Vol I: https://heritagebagpipes.bandcamp.com/album/sunday-smallpipes-vol-i Tunes: -Track 1: Madrid (Trad, Spain) By: Unknown, traditional Spanish Melody Year: unknown Other Examples: —”Come, Christians, Join to Sing” arr. Sterling Procter, performed by The Chancel Choir + The Chapel Choir + Broadway Baptist Church +The Oratoriao Chorus + Southwestern Baptist Seminary + The Festival Brass + Albert Travis on Organ + Congregational singing under direction of David Keith. https://www.youtube.com/watch?v=OO9vTae4Rxs —------------------------------------------------------------------------------------------------------------ -Track 2: Aus der Tiefe Rufe Ich (18th c, Germany) By: Attributed to Martin Herbst in the 2nd half of the 17th century, possibly reworked by Bach in the early 18th century Other examples: Played on piano by Andrew Remillard under the title, “Forty Days and Forty Nights” https://www.youtube.com/watch?v=x66KEopPjEY —------------------------------------------------------------------------------------------------------------ -Track 4: Breslau (15th c, Germany) By: Joseph Clauder, though he may have simply arranged or harmonized an even older tune, his instances of it go back to at least 1450 Other examples: Choir of Girton College singing it with organ under the lyric title, “Take Up Thy Cross, the Savior Said,” https://www.youtube.com/watch?v=T0frmiQHNOo —------------------------------------------------------------------------------------------------------------ -Track 5: O Breath of God / St Columba By: Unknown (Trad, Ireland) Story of St. Columba: https://www.youtube.com/watch?v=zfhesEWpok8 Very old, traditional gaelic/Irish tune, very popular, has remained in-use in a lot of hymnals for a very long time Other Examples: Organ arrangement by Ste Duckett: https://www.youtube.com/watch?v=31fo_aAAstU Harp by Ray Pool: https://www.youtube.com/watch?v=Ym6z4cPkHE8 —------------------------------------------------------------------------------------------------------------ -Track 6: Eventide / Abide with Me, Fast Falls the Even Tide By: William H. Monk, https://hymnary.org/person/Monk_William , text by Henry Francis Lyte Year: (19th c, England) According to some sources, William H. Monk wrote EVENTIDE for Lyte's text in ten minutes. As the story goes, Monk was attending a hymnal committee meeting for the 1861 edition of Hymns Ancient and Modern of which he was music editor. Realizing that this text had no tune, Monk sat down at the piano and composed EVENTIDE. The hymn was then published in that edition of Hymns Ancient and Modern. The tune has always been associated with this text. —------------------------------------------------------------------------------------------------------------ -Track 10: Windsor By: From Este's Psalter Year: 16th Century https://hymnary.org/tune/windsortyedaman#Composer_attributedto_ —------------------------------------------------------------------------------------------------------------ -Track 11: O Waly, Waly By: Trad, England Year: ? https://youtu.be/86G3ZHSx6RA "The Water is Wide" https://youtu.be/TEap3IVX_kg —------------------------------------------------------------------------------------------------------------ -Track 16: Arfon By: ? Year: Trad Common in major and minor. Good examples: https://youtu.be/SVZY-5d5NHM https://youtu.be/Jn20a6ESL34 —------------------------------------------------------------------------------------------------------------ -Track 18: Donne Secours By: From the Genevan Psalter Year: 16th Century Other examples: Andrew Remillard on Piano: https://youtu.be/ZE4aph6OKAc Emma Lou on Organ: https://youtu.be/la9p9IcTNL4 Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my First Album on Bandcamp: https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes or my second album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/pay-the-pipemaker or my third album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/bannocks-of-barley-meal You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

At the ripe old age of 71, Michelangelo took over the direction of the most important building project in Europe – the Fabbrica of St. Peter's Basilica. Michelangelo redesigned the great building and saw construction through to the base of the cupola. This project would occupy the last 17 years of his life and consume nearly all his creative energies. This episode examines Michelangelo's role in the realization of the great basilica, as well as analyzing his revolutionary architectural style that paved the way for Baroque-style architecture in the next century.

Dublin: A Writer's City investigates the extent to which Dublin has been created by its authors, poets and dramatists - Peter Whelan on the busy spring and summer ahead for the Irish Baroque Orchestra - Television BAFTAs nominations - Great Expectations, the Charles Dickens classic, is the new Sunday night drama on BBC TV.

TITLE: A find on eBay TRACK: Buffardin – Sonata III in G Major, Andante ARTIST: Olivier Riehl with Le Petit Trianon. PUBLISHER: ℗ 2020 Le Petit Trianon

Concept albums are few and far between, and rarer yet in classical music. THINGS IN PAIRS, a conceptual as well as a musical beacon by violin/piano duo Audrey Wright and Yundu Wang, fills this gap. The tracks on THINGS IN PAIRS were not just carefully curated – rather, they were selected and sorted with the precision of a steady-handed artist stacking a formidable house of cards. Spanning five centuries, these pieces contrast the classical Joseph Bologne with modern minimalist Arvo Pärt, and Baroque virtuoso Biber with the contemporary Rain Worthington, all under the watchful eye of Viennese Classical Beethoven.For more information and to purchase, please visit:Things In Pairs – Navona Records

TITLE: The Fabelmans – music and memory TRACK: Bach Concerto in D Minor, BWV 974: II. Adagio based on Alessandro Marcello's oboe concerto, Adagio ARTIST: John Williams & Joanne Pearce Martin PUBLISHER: ℗ 2022 Storyteller Distribution Co., LLC, under exclusive license to Sony Classical, a label of Sony Music Entertainment

Navona Records presents JOYS ABIDING, an album of vocal duets by female composers including previously unpublished duets by British-American composer Rebecca Clarke, the text of which inspired the album title. The extensive track list of duets from the Baroque, Classical, and Romantic periods is performed by Dana Zenobi, soprano, Oliver Worthington, baritone, Chuck Dillard, piano/harpsichord, and David Murray, double bass. JOYS ABIDING aims to elevate the important work of female composers who have historically been excluded from the male-dominated classical duet canon.For more information about this album and to purchase, please visit:You searched for joys abiding – Navona Records

S7 E05 Joey Abarta's King of the Blind Review and Donald MacDonald Playthrough Part 2 Tunes: From Joey Abarta, King of the Blind: Any Ol' Jig will do, The Black Rock, Top it Off, The Longford Piper, The Balintore Fancy, Follow me up to Carlow From Donald MacDonald: Ranting Roving Highlander, Miss Montgomery, Because he was a Bonny Lad, Miss M. Mackenzie, I come Home, Bog'n Lochain, We'll Gang Noe Mair to Yon Town, Fill the Stoup, The Miller's Fair Daughter, Lady Wemsy's Jig, Pease Straw, The Jolly Gardner, +X+X+ Thanks Joey for letting me have an early peak at King of The Blind. You can get your own copy March 31st on Bandcamp, or by ordering through his website here: https://www.joeyabarta.com/ It will eventually be on his Bandcamp page, but now you can pick up his first solo album there as well: https://joeyabarta.bandcamp.com/album/swimming-against-the-falls +X+X+X+ King of the Blind The first track I play from Joey is: Any Ol' Jig will do, The Black Rock, Top it Off, The next set is: The Longford Piper, The Balintore Fancy, Follow me up to Carlow Both are from his Upcoming Album, The King of the Blind which will be available March 31st various places: https://www.joeyabarta.com/ +X+X+X+ Donald MacDonald 1828: A Collection of Quicksteps, Strathspeys, Reels, and Jigs arranged for the Highland Bagpipe by Donald MacDonald All of the Donald Macdonald tunes are played from the edition available from Ceol Sean here: https://ceolsean.net/content/McDlight/McDlight_TOC.html Or you can look through most of the tunes on the edition available on National Library of Scotland's Website here: https://digital.nls.uk/special-collections-of-printed-music/archive/105682572 Ranting Roving Highlander, Miss Montgomery, Because he was a Bonny Lad, Miss M. Mackenzie, I come Home, Bog'n Lochain, We'll Gang Noe Mair to Yon Town, Fill the Stoup, The Miller's Fair Daughter, Lady Wemsy's Jig, Pease Straw, The Jolly Gardner, +X+X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my First Album on Bandcamp: https://jeremykingsbury.bandcamp.com/album/oyster-wives-rant-a-year-of-historic-tunes or my second album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/pay-the-pipemaker or my third album on Bandcamp! https://jeremykingsbury.bandcamp.com/album/bannocks-of-barley-meal You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Synopsis Some special music had its premiere at Harvard University (in Cambridge, Massachusetts) on today's date in 1980. It was commissioned to honor the memory of Walter Piston, who had taught composition at Harvard for a number of years, and it was one of his students, the American harpsichordist and organist Daniel Pinkham, who composed it. Pinkham had exceptional teachers. He studied harpsichord with Wanda Landowska, organ with E. Power Biggs and, in addition to Piston, Pinkham studied composition with Aaron Copland, Samuel Barber, and Arthur Honegger. But Pinkham credits another familiar name for his most important musical epiphany. In 1939, while still a teenager, Pinkham heard one of the first American concerts given by the Trapp Family, whose sentimentalized story is familiar from "The Sound of Music." The Trapp Family's usual ensemble, which combined Renaissance and Baroque instruments like recorders and gambas with the bright and clear voices of young children, spoke to the young Pinkham as no music had before, becoming "a part of my way of looking at things," as he put it later. Since then, Pinkham has composed everything from symphonies to electronic music. His choral and organ works are especially admired, and in 1990, he was named "Composer of the Year" by the American Guild of Organists. Music Played in Today's Program Daniel Pinkham (1923 - 2006) Serenades Maurice Murphy, trumpet; London Symphony; James Sedares, conductor. Koch International 7179

Liam Neeson or Leslie Nielsen? You decide.Things to know about Cortona:Ancient city - Etruscans - walls go back to 5th c. BCRomansAlso long history as a tourist destination, even before Under the Tuscan SunWhat to see in CortonaCathedral of Santa Maria Assunta, built in 1456MAEC - Museo dell'Accademia Etrusca e della Città di CortonaDiocesan Museum — The Annunciation by Beato Angelico (From 1408 to 1418, Fra Angelico was at the Dominican friary of Cortona, where he painted frescoes, now mostly destroyed, in the Dominican Church and may have been assistant to Gherardo Starnina or a follower of his) and The Deposition by Luca Signorelli (c. 1441/1445 – 16 October 1523)Archeological area - Etruscan tombs in Sodo and Camucia dating to 6th c BCE, uncovered in 20th c.Girifalco castle —Medici fortress, 1556 - today hosts exhibitions and occasionally concertsVia Romea Germanica passes through CortonaEremo Le Celle — first hermitage to be founded by San Francesco- 4 km from Cortona. The Monastery is perched on Monte Sant'Egidio and in the gorge dividing the two buildings runs a mountain stream - ‘Celle', which does not refer to the little buildings friars used to live in, but rather to some constructions built from the rock by shepherds and peasants. San Francesco arrived in Cortona around the year 1211 and met Guido Vagnotelli, a young man from a good-to-do  family who often welcomed Francesco in his home to pray. Guido decided to follow a religious vocation and offered the land where the Hermit would have been built laterBasilica of Santa Margherita in Cortona-14th-century church adorned in Baroque style - Margaret of Cortona (1247 – 22 February 1297) was an Italian penitent of the Third Order of Saint Francis. She was born in Laviano, near Perugia, and died in Cortona. She was canonized in 1728. Patron saint of the falsely accused, hoboes, homeless, insane, orphaned, mentally ill, midwives, penitents, single mothers, reformed prostitutes, stepchildren, and tramps. At the age of 17 she met a young (noble)man, and ran away with him, lived in the castle as his mistress, near Montepulciano and bore him a son. When her lover failed to return home from a journey/hunt one day, Margaret became concerned. The unaccompanied return of his favorite hound alarmed Margaret, and the hound led her into the forest to his murdered body. Returned all the gifts he had given her to his family and left. Her family refused her so she went to the Franciscan friars at Cortona, where her son eventually became a friar. She fbecame a penitent known for extreme fasting, joined the Third Order of Saint Francis and chose to live in poverty. Established a hospital in Cortona for the sick, homeless and impoverished. To secure nurses for the hospital, she instituted a congregation of Tertiary Sisters, known as "le poverelle" (Italian for "the little poor ones”). She also established an order devoted to Our Lady of Mercy and the members bound themselves to support the hospital and to help the needy. On several occasions, Margaret participated in public affairs. Twice, claiming divine command, she challenged the Bishop of Arezzo, Guglielmo Ubertini Pazzi, in whose diocese Cortona lay, because he lived and warred like a prince. She moved to the ruined church of Basil of Caesarea, now Santa Margherita, and spent her remaining years there; she died on 22 February 1297. Frequently depicted as a “new” Magdalene.

This podcast is about big ideas on how technology is making life better for people with vision loss. Marcus Roberts, Stevie Wonder, Ray Charles, and even Louis Braille (who invented the Braille Music Notation system still used today) prove that musicians who are blind or visually impaired have made profound impacts on our musical landscape. However, to get their work to us, musicians who are blind have had to structure complex workarounds, like relying on sighted musicians to demonstrate complex scores; memorizing long pieces; or only performing when they can have a Braille score in front of them, shutting them out from opportunities that fall to those who can sight read, since Braille scores have often been time-consuming and expensive to produce. However, new technologies in music composition and production are making composition, nuanced scoring, and Braille printing easier than ever, bringing musicians and composers who are blind to centerstage to share their sound and song.   The Big Takeaways: “Lullay and  Lament” by James Risdon. The recorder — pivotal in music from the Renaissance and Baroque periods — only lately has emerged from a long period of obsolescence. James Risdon, a passionate player who lost his vision due to Leiber's congenital amaurosis as a child, has written the original song for recorder “Lullay and Lament” for his album Echoes of Arcadia, which marries the early recorder with contemporary recorder music. To make this album, he relied on new musical technologies like Dancing Dots. Dancing Dots with Bill McCann. Bill McCann is the founder and president of Dancing Dots Braille Music Notation software. Dancing Dots is a suite of software — plus educational resources and training — that helps people who are blind to read, write and record their music. McCann founded Dancing Dots in 1992. Chris Cooke and PlayHymns.com. When Chris Cooke got the Dancing Dots software in 2016, her creativity exploded. She was able to arrange a song and bring it to church and play a duet with a member of the congregation, something she hadn't been able to do before, given the former time and cost of translating music into Braille notation. What is Braille Music? Louis Braille, a noted musician, created the Braille musical notation system. Being able to translate music easily between Braille Musical Notation and Western musical notation, and to easily print either of these, helps musicians who are blind share music with other musicians, both sighted and blind, and play music together with ease. Musical Instrument Digital Interface and MusicXML. MIDI has made it possible for musicians to play music into their instruments and have it automatically translated into digital musical notation. MusicXML has made universal the file type for a score and allows musicians to share scores across popular music notation applications like Finale or Sebelius. The question of parity. James and Chris agree that while Dancing Dots technology has enabled them to take advantage of new musical opportunities, no technology exists that offers them complete parity with sighted musicians because musicians who are blind need additional lead time to get the music scanned correctly or to memorize pieces. Chris adds that preparing the music in a timely fashion and on a budget would help. The MIDI-to-brain connection. Bill McCann has explored using the Brainport, a technology from WICAB (which we profiled in an episode from September 2021, on “Training the Brain: Sensory Substitution”) to allow musicians who are blind to read music on their tongues. This is important if someone needs to read music live in a performance in order to play any instrument that also requires their hands. Early trials showed signs of success. He posits that maybe someday, maybe soon, people could think new music into notation.   Tweetables: “I said, I will never put myself in this position again. If I write something and I am asking other people to play it, and they ask me questions or there's something I am going to know before we meet exactly what I want and what I have.” — Bill McCann, founder and president of Dancing Dots “So the duet that we played was hot off my printer and went with me and we played it. And it was great to be able to share music in that way because of the technology in the Dancing Dots program.” — Chris Cooke, musician and music arranger, creator of Playhymns.com “As a blind person, I can say this for myself, often we end up following sighted people, or following somebody. Braille music gives blind musicians the chance to become leaders.” — Bill McCann, founder and president of Dancing Dots “I've set aside 2023 as a year. I'd really like to kind of develop some more expertise in the area and also come to grips with some of the technology that would help the process.” — James Risdon, musician and recorder player “Someone sitting there and getting inspired is what we call the MIDI-to-Brain connection. We're not there yet, but you could … think the music in your head … at a computer and … music materializes in the form of a score.” — Bill McCann, founder and president of Dancing Dots   Contact Us: Contact us at podcasts@lighthouseguild.org with your innovative new technology ideas for people with vision loss.   Pertinent Links: Lighthouse Guild Dancing Dots James Risdon Chris Cooke and Playhymns.com

Helen Solterer and Vincent Joos edited volume Migrants Shaping Europe, Past and Present: Multilingual Literatures, Arts, and Cultures (Manchester UP, 2022) examines the sustained contribution of migrants to Europe's literatures, social cultures, and arts over centuries. Europe has never been a continent bounded by the seas that surround it. In premodern times, migrants imprinted the languages, arts, and literatures of the places where they settled. They contributed to these cultures and economies. Some were on the move in search of a better life; others were displaced by war, dispossessed, expelled; while still others were brought in servitude to European cities to work, enslaved. Today's immigration flows in Europe are not exceptional but anchored in this longue durée process. Iberia/Maghreb, Sicily/Lampedusa, Calais are the three hotspots considered in this volume. These regions have been shaped and continue to be shaped by migrants; by their cultures; their Spanish, Arabic, Italian, and Somali; their French, English and Mandarin languages. They are also shaped by migrants' struggles. The scholars and artists who wrote Migrants Shaping Europe, Past and Present compose a new significant chapter in the cultural history of European migration by reflecting on the forces that have put people into motion since the premodern period and by examining the visual arts, literature, and multilingual social worlds fostered by migration. This historically expansive and multilingual approach to mobility and expressiveness makes a crucial contribution: migrants as a lifeblood of European cultures. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the histories of diplomacy and sociality. Her publications have appeared in The Italianist and the Routledge Encyclopedia of the Renaissance World, with forthcoming research on the intersections across affect, masculinity, early modern poetics, and Baroque opera. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Helen Solterer and Vincent Joos edited volume Migrants Shaping Europe, Past and Present: Multilingual Literatures, Arts, and Cultures (Manchester UP, 2022) examines the sustained contribution of migrants to Europe's literatures, social cultures, and arts over centuries. Europe has never been a continent bounded by the seas that surround it. In premodern times, migrants imprinted the languages, arts, and literatures of the places where they settled. They contributed to these cultures and economies. Some were on the move in search of a better life; others were displaced by war, dispossessed, expelled; while still others were brought in servitude to European cities to work, enslaved. Today's immigration flows in Europe are not exceptional but anchored in this longue durée process. Iberia/Maghreb, Sicily/Lampedusa, Calais are the three hotspots considered in this volume. These regions have been shaped and continue to be shaped by migrants; by their cultures; their Spanish, Arabic, Italian, and Somali; their French, English and Mandarin languages. They are also shaped by migrants' struggles. The scholars and artists who wrote Migrants Shaping Europe, Past and Present compose a new significant chapter in the cultural history of European migration by reflecting on the forces that have put people into motion since the premodern period and by examining the visual arts, literature, and multilingual social worlds fostered by migration. This historically expansive and multilingual approach to mobility and expressiveness makes a crucial contribution: migrants as a lifeblood of European cultures. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the histories of diplomacy and sociality. Her publications have appeared in The Italianist and the Routledge Encyclopedia of the Renaissance World, with forthcoming research on the intersections across affect, masculinity, early modern poetics, and Baroque opera. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Since the late twentieth century, the Venetian courtesan Veronica Franco has been viewed as a triumphant proto-feminist icon: a woman who celebrated her sexuality, an outspoken champion of women and their worth, and an important intellectual and cultural presence in sixteenth-century Venice. In Veronica Franco in Dialogue (U Toronto Press, 2022), Marilyn Migiel provides a nuanced account of Franco's rhetorical strategies through a close analysis of her literary work. Focusing on the first fourteen poems in the Terze rime, a collection of Franco's poems published in 1575, Migiel looks specifically at back-and-forth exchanges between Franco and an unknown male author. Migiel argues that in order to better understand what Franco is doing in the poetic collection, it is essential to understand how she constructs her identity as author, lover, and sex worker in relation to this unknown male author. Veronica Franco in Dialogue accounts for the moments of ambivalence, uncertainty, and indirectness in Franco's poetry, as well as the polemicism and assertions of triumph. In doing so, it asks readers to consider their ideological investments in the stories we tell about early modern female authors and their cultural production. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the histories of diplomacy and sociality. Her publications have appeared in The Italianist and the Routledge Encyclopedia of the Renaissance World, with forthcoming research on the intersections across affect, masculinity, early modern poetics, and Baroque opera. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Since the late twentieth century, the Venetian courtesan Veronica Franco has been viewed as a triumphant proto-feminist icon: a woman who celebrated her sexuality, an outspoken champion of women and their worth, and an important intellectual and cultural presence in sixteenth-century Venice. In Veronica Franco in Dialogue (U Toronto Press, 2022), Marilyn Migiel provides a nuanced account of Franco's rhetorical strategies through a close analysis of her literary work. Focusing on the first fourteen poems in the Terze rime, a collection of Franco's poems published in 1575, Migiel looks specifically at back-and-forth exchanges between Franco and an unknown male author. Migiel argues that in order to better understand what Franco is doing in the poetic collection, it is essential to understand how she constructs her identity as author, lover, and sex worker in relation to this unknown male author. Veronica Franco in Dialogue accounts for the moments of ambivalence, uncertainty, and indirectness in Franco's poetry, as well as the polemicism and assertions of triumph. In doing so, it asks readers to consider their ideological investments in the stories we tell about early modern female authors and their cultural production. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the histories of diplomacy and sociality. Her publications have appeared in The Italianist and the Routledge Encyclopedia of the Renaissance World, with forthcoming research on the intersections across affect, masculinity, early modern poetics, and Baroque opera. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Please support the podcast by taking Airwave's short listener survey at https://www.surveymonkey.com/r/airwave. ______ Today, gender is largely understood as a fluid concept. And while an increasingly loud minority insist that "men are men and women are women," and that's simply the way it's always been…a look through the lens of art history is just one way to quickly realize how flawed that worldview just might be. Jusepe de Ribera (1591-1652) provides that lens in his 1631 portrait of Magdalena Ventura, subtitled 'The Bearded Woman.' Is this a depiction of a woman boldly defying gender norms? Or simply a person existing with the hand they were dealt by nature? Today's Image: Jusepe de Ribera, Magdalena Ventura with Her Husband and Son (La Mujer Barbuda) (1631). Museo Fondación Duque de Lerma, Toledo, Spain. ______ New episodes every month. Let's keep in touch! Email: artofhistorypod@gmail.com Patreon: https://www.patreon.com/matta_of_fact Instagram: @artofhistorypodcast Learn more about your ad choices. Visit megaphone.fm/adchoices