Podcasts about Baroque

No tunes, just a track of a thunder storm I recorded one night on May of 2025 on an Island in North Carolina. Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

In his second appearance on Anthony Plog on Music, celebrated biographer and composer Jan Swafford returns for an expansive two-part conversation that dives deep into the very soul of classical music. In his previous interview from 2021, Jan discussed his monumental biographies of Mozart, Beethoven, Brahms, and Ives. But his intellectual and creative output extends far beyond those volumes, and this new set of interviews explores more of his wide-ranging contributions to the world of music.In Part 1, the focus turns to Jan's book Language of the Spirit: An Introduction to Classical Music, a refreshingly vivid and often personal guide to the history of Western music. The discussion begins with a few select quotes that set the tone for Swafford's engaging style—an approach that never shies away from humor, insight, or imagination. Along the way, Tony and Jan take an unexpected detour into a blog post imagining a conversation between Mozart and Picasso's Guernica. As the conversation returns to the content of Language of the Spirit, the two explore key aspects of the Baroque period, including figured bass and the challenges of intonation. The episode concludes with a discussion of three of Jan's own compositions—They That Mourn, Late August, First Snow, and River—offering a glimpse into his creative voice as a composer.Part 2 picks up right where they left off, continuing the discussion of the Baroque with special attention to the genius of Bach and the dramatic flair of Händel. This naturally leads into a thoughtful debate on performance practice, particularly the tension between historically informed performances (HIP) and modern approaches. Jan brings his signature candor and wit to the conversation, questioning what authenticity really means and whether the HIP movement sometimes overreaches. The episode closes on a memorable note, as Jan describes the extraordinary experience of holding the original manuscripts of Mozart's Marriage of Figaro and Brahms's German Requiem in his hands. And in true Swafford fashion, he promises to return again—next time, to tackle the Classical era through to the present day.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Tunes: James Aird: The Miller's Rant, Quickstep of the 37th Regiment, The Wrights Rant William Dixon (Seattle): The Stool of Repentance William Vickers: Parth Inch, A Mile to Ride, John Peacock* Note that I say Francis Peacock in te : A Mile to Ride, Bonny Lad, Welcome to the Town Again Bruce and Stoke: Dorrington Lads Jeremy Kingsbury ? Maybe?: The Generous Fox, Come share some tunes and chat, July 31 at 6:30 PM US Central time: https://www.facebook.com/share/1DC1oAhTHt/ +X++X++X+ Quick note to say that Iain Allen made the reed I used on the previous episode in Zexuan Qiao's Border Chanter. Check out Iain Allen's Website here: https://www.bagpipereeds.co.uk/ JAMES AIRD 1782: The Millers Rant from Aird Vol I https://archive.org/details/selectionofscotc02rugg/page/n25/mode/1up?view=theater +X+ 1782: Quickstep 37th Regt from James Aird's Collection vol 1 https://archive.org/details/selectionofscotc02rugg/page/n39/mode/1up?view=theater- +X+ 1782: The Wright's Rant from James Aird's Collection vol 1 https://archive.org/details/selectionofscotc02rugg/page/n71/mode/1up +X+ 1733: The Stool of Repentance from William Dixon from Matt Seattle's Setting from William Dixon's Manuscript available here: https://www.mattseattle.scot/product-page/the-master-piper-new-edition +X+ WILLIAM VICKERS 1776: Parth Inch From William Vickers (NOTE G#) http://www.farnearchive.com/farneimages/jpgs/R0301100.jpg +X+ 1776: A Mile to Ride From William Vickers http://www.farnearchive.com/farneimages/jpgs/R0301800.jpg +X+X+ JOHN PEACOCK 1810: Welcome to the Town Again, Bonny Lad, Welcome to the Town Again, From John Peacock's “A Favourite Collection of Tunes with Variations adapted for the Northumberland Small Pipes Violin or Flute http://www.cl.cam.ac.uk/~rja14/musicfiles/manuscripts/peacock.pdf +X+ Here is a Link to the Francis Peacock Collection I was excited by: https://archive.org/details/Shand3/page/n50/mode/1up +X+X 1882: Dorrington Lads From Northumbrian Minstrelsly from Bruce and Stoke https://archive.org/details/ACollectionOfTheBalladsMelodiesAndSmall-pipeTunesOfNorthumbria/page/n92/mode/1up +X+X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Pippa speaks to organist Stefan Steyn who will be playing South Africa’s only baroque organ in a special concert on Sunday in Kommetjie. Lunch with Pippa Hudson is CapeTalk’s mid-afternoon show. This 2-hour respite from hard news encourages the audience to take the time to explore, taste, read and reflect. The show - presented by former journalist, baker and water sports enthusiast Pippa Hudson - is unashamedly lifestyle driven. Popular features include a daily profile interview #OnTheCouch at 1:10pm. Consumer issues are in the spotlight every Wednesday while the team also unpacks all things related to health, wealth & the environment. Thank you for listening to a podcast from Lunch with Pippa Hudson Listen live on Primedia+ weekdays between 13:00 and 15:00 (SA Time) to Lunch with Pippa Hudson broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/MdSlWEs or find all the catch-up podcasts here https://buff.ly/fDJWe69 Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

This week, Geoff and Rory are joined by countertenor, arranger of classical music and co-founder of 'Vache Baroque', Jonathan Darbourne, to discuss the storied history of the The Vache - an elegant, privately owned Elizabethan country house nestled in the gently rolling Chiltern Hills - and the Baroque music festival he directs every summer in its grounds.Every year in late August and early September, the discreet and immensely private gardens of The Vache are to be found buzzing with people immersed in music and surrounded by beauty, as Vache Baroque celebrates baroque music in all its splendour. The festival transforms this magical Grade II‑listed country house setting into a vibrant, multi-sensory stage with pop‑up performances, art installations and opera under the trees, all designed to captivate both novice aficionado alike.With a keen vision for community outreach and engaging audiences who aren't usually exposed to baroque (or classical) music, Vache Baroque succeeds both in reaching new audiences with music and championing the history and importance of country houses and their place in our nation's history. Critics have lauded its 'astonishing acoustics' and 'thrilling performance', while audiences delight in the relaxed, picnic‑style ambience as evening opera unfolds beneath the Chiltern sky.Please join us for this fun episode celebrating music, the country house and their enduring relationship with each other. If you like this episode please like it and write us a review. Please also send in questions for our soon-to-be-resurrected Q&A episodes!

Title: Revolution! (what happened to 3 composers connected Marie Antoinette) Track: Dussek: The Sufferings of the Queen of France Artist: David Kadouch Publisher: ℗ 2019 Mirare

Local youth musicians are taking part in a four-day workshop with the Boise Baroque Orchestra and will showcase their work in an upcoming summer concert.

Tunes: William Litten: Patrick's Hill, Nymph, Wild Irish Man, Ashley's Ride, “James Aird”: Rise Lazy Lubber, The Ranting Highlandman, I'll Touzle your Kurchy, The Lady's Play Thing or Gen Howe's March, The Oyster Wives Rant, The Moon and Seven Stars, The Corporal, A Rondo, McFarlane's Strathspey Colin Melville: The Lowland & Border Pipers' Society, Williiam Vickers: Old Waggan Way, John Watlen (Miss C.D.): Miss Watson's Favorite, Eliza Ross: Miss Mary ___, Unnamed Jig, William Dixon (Matt Seattle): Golden Locks, Come and hang out for a Session on Zoom at 6:30 PM https://www.facebook.com/share/16w3ijYUpP/ Links to sources coming soon. Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Jeff Bezos drops a cool $50 million on a Venice wedding that makes Versailles look modest, complete with foam parties and enough champagne to fill the canals. Meanwhile, Trump's first six months delivered Supreme Court wins, NATO compliance, and DeSantis building Alligator Alcatraz in the Everglades. Plus, Secretary Noem's radio PSA has a very different tone than the previous administration.From Somali flags in Minneapolis to Von Bülow documentaries, this episode proves the 70s and 80s were the last time America made sense – when wrestling was real, neighbors weren't narcs, and nobody had to explain what a woman was.

Title: Forging Bach Track: Casadesus: Concerto for Viola in C Minor: III. Allegro molto energico Artist: Nemanja Radulović & Double Sens Publisher: ℗ 2016 Deutsche Grammophon GmbH, Berlin

Tunes: Jason Rouse: Napoleon's Grand March Stables: Napoleon's Grand March Angus MacKay: Up and Waur them A' Willie, The Haughs of Cromdale, Robert Miller: The Highland Brigade at Waterloo, Lochiel's March (Pibroch of Donald Dhu) John Gow: The Highland Brigade at Waterloo Donald MacLeod: The Highland Brigade at Waterloo John McLachlan: The Highland Brigade at Waterloo David Glen: The Highland Brigade at Waterloo, The Highland Brigade at Waterloo (2nd setting), Pibroch of Donald Dhu, Donald MacDonald: Piobaireachd Dhomnuill Duibh (Black Donald Balloch of the Isles), John Grant: The Gathering of the Clans, Readings: Henry John Thoroton Hildyard: Historical record of the 71st regiment Highland light infantry, from its formation in 1777, under the title of the 73rd, or McLeod's highlanders, up to the year 1876 C.A. Malcolm: The Piper in Peace and War Allan MacDonald Thesis: The Relationship Between Pibroch and Gaelic Song: Its Implications on the Performance Style of the Pibroch Urlar +X+ Checkout Jason's Album Heavy Metal on Bandcamp: https://pipingrouse.bandcamp.com/album/miotal-trom-heavy-metal Be sure to come check out the Zoom Tune Session Thursday at 6:30 PM US Central time: https://und.zoom.us/j/95809246209 Here is the Facebook Even for the Session: https://www.facebook.com/share/1EHr9pYUKD/ Sources: +X+X+X+ Late 19thc: Napoleon's March From Henry Stables Cumbria Manuscript by way of Chris Partington and Traditional Tune Archive: https://tunearch.org/wiki/Napoleon%27s_March +X+X+ 1854: Up and Waur Them A' Willie from Angus MacKay's The Pipers' Assistant https://digital.nls.uk/special-collections-of-printed-music/archive/105007223 +X+X+ The Highland Brigade at Waterloo 1858: The Highland Brigade at Waterloo From Miller Manuscript +X+ 1817: The Highland Brigade at Waterloo from Gow's 4th Repository https://imslp.org/wiki/Gow%27sRepositoryoftheDanceMusicofScotland(Gow%2C_Niel) +X+ 1854: The Highland Brigade at Waterloo from John McLachlan's The Piper's Assistant https://digital.nls.uk/special-collections-of-printed-music/archive/105010534 +X+ 1870s: The Highland Brigade at Waterloo from the Glen Edinburgh Collection (Book 2) https://ceolsean.net/content/EdinColl/EdinColl_TOC.html +X+ 1890s: The Highland Brigade at Waterloo from David Glen's Collection of Highland Pipe Music (Book 9) https://ceolsean.net/content/Dglen/Dglen_TOC.html +X+X+X+ Pibroch of Donald Dbhu 1821: Pibroch of Donald Dbhu from Donald MacDonald https://books.google.co.uk/books?id=hdpWAAAAcAAJ&pg=RA1-PA106#v=onepage&q&f=false Check out Alasdair Boyd's Singing on Tobar an Dualchais: https://www.tobarandualchais.co.uk/track/44689?l=en +X+ 1858: Lochiel's March From Robert Miller's Manuscript +X+ 1880s: Pibroch of Donald Dhu from book five of David Glen's Collection of Highland Bagpipe Music https://ceolsean.net/content/Dglen/Dglen_TOC.html +X+ 1840: Donald Dhu, or Lochiel's March from Davie's Caledonian Repository I didn't play this on the episode https://digital.nls.uk/special-collections-of-printed-music/archive/104999413 +X+ 1816: Pibroch of Donald Dubh from Alexander Campbell's Albyn's Anthology (Lyrics by Walter Scott) I didn't play this on the episode https://archive.org/details/albynsanthologyo00camp_0/page/82/mode/2up?view=theater +X+X+X+X+ 1828: The Haughs of Cromdale From Donald MacDonald I didn't play this on the episode https://ceolsean.net/content/McDlight/Book02/Book02%2020.pdf +X+ 1844: The Haughs of Cromdale From Angus MacKay's The Pipers' Assistant https://ceolsean.net/content/PipeAsst/Book02/Book02%209a.pdf +X+X+ 1920: The Gathering of the Clans by PM John Grant from “The Pipes of War” a Collection of Original Pipe Tunes Compose during the Great War 1914-1918 https://ceolsean.net/content/Pwar/Book01/Book01%2014a.pdf +X+X+X+X+X+ Readings: George Clarke: 1876: Excerpt from Historical record of the 71st regiment Highland light infantry, from its formation in 1777, under the title of the 73rd, or McLeod's highlanders, up to the year 1876 by Henry John Thornton Hildyard https://archive.org/details/historicalrecord00hildiala 'Anecdote of the bravery of the Scotch piper of the 71st Highland Regiment, at the Battle of Vimiero', 1808 https://collection.nam.ac.uk/detail.php?acc=1971-02-33-533-12 Music Division, The New York Public Library. "The Highland Piper, George Clarke" New York Public Library Digital Collections. Accessed July 5, 2025. https://digitalcollections.nypl.org/items/510d47dc-9cac-a3d9-e040-e00a18064a99 +X+ Pipe Major Cameron: 1927: Excerpt from The Piper In Peace And War By C. A. Malcolm, M.A., Ph.D. https://electricscotland.com/history/scotreg/peaseandwar15.htm +X+ 1995: Thesis: The Relationship Between Pibroch and Gaelic Song: Its Implications on the Performance Style of the Pibroch Urlar by Allan MacDonald's https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/allanmacdonald/ +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Eine CD von Hamburger Ratsmusik und Neoclassical Ensemble of Tehran - vorgestellt auf NDR Kultur.

In Biber's time, harmony was something cosmic, vibrating in a God-given resonance between human, instrumental, and celestial bodies. After all, the string instrument in early modern Europe was configured as a human body – with a neck, belly, and ribs to match. The Sonatas were therefore not only designed to delight, but also potentially to balm and heal; Biber described the sonatas as a kind of prayer for his patron's longevity and good health.

Title: Franz Benda Track: Franz Benda: Violin Sonata in G Major, LeeB 3.86: III. Scherzando Artist: Evgeny Sviridov with Ludus Instrumentalis. Publisher: ℗ 2023 CPO

Tunes: O'Farrell: Delvin House, Major Graham, Love & Whiskey or Bob and Joan with Variations, Contented I am, The White Cockade, One Bottle More, Morgiana in Ireland, I had a Horse I had Nae Mair, Dunkeld Hermitage, Why Should Old Acquaintance be forgot, The Humours of Cork, A Man's a man for a that, Jackson's Bottle of Punch, We all take a sup in out turn, The Soldier Laddie, The Humours of Passage, Cumbernauld House, The Pausteen Feaun or the Fair Child, Special Appearance from National Park Service Lawnmower at Fort Necessity National Battlefield Sources and Links: Checkout LBPS's Weekend of Pipe Music at Dunkeld Scotland, there is a great lineup of musicians and presentations and we'll get to hang out in Scotland. For more information checkout https://lbps.net/j3site/index.php or the Facebook event here: https://www.facebook.com/share/19iAqm73vV/ +X+X+ Send me a tune to bagpipehistory@gmail.com for me to use on the listener submitted episode! Tunes: X++X 1808ish: Delvin House, Major Graham, Love & Whiskey or Bob and Joan with Variations, Contented I am, The White Cockade, One Bottle More, Morgiana in Ireland, I had a Horse I had Nae Mair, Dunkeld Hermitage, Why Should Old Acquaintance be forgot, The Humours of Cork, A Man's a man for a that, Jackson's Bottle of Punch, We all take a sup in out turn, The Soldier Laddie, The Humours of Passage, Cumbernauld House, The Pausteen Feaun or the Fair Child, All of the tunes from this episode come from O'Farrell's Pocket Companion Volume 3. You can download a PDF from Ross's Music page: https://www.cl.cam.ac.uk/archive/rja14/Papers/ofarrellspc3.pdf +X+X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Title: Georg Benda Track: Georg Benda: harpsichord concerto in F Minor. 3. Allegro Molto Artist: Francesco Corti performs with Il Pomo d'Oro. Publisher: ℗ 2025 Outhere Music France

Summer's heating up—and so is Epcot! This week, Project Manager Kaity leads the charge as the Idiots head to South America to dream up a long-awaited addition to World Showcase: a brand-new Brazil pavilion! Complete with Baroque-inspired architecture, vibrant street markets, a churrascaria with sunset views, and an interactive attraction starring a mythical forest protector (and yes—giant flying capybaras), this proposal brings Brazil's food, folklore, and festive spirit to life like never before.From Samba dance lessons and caipirinhas to a high-tech, eco-forward ride through the Amazon, Kaity's immersive vision is both imaginative and grounded in real-world possibilities.If you've ever wished for more feijoada and folklore in your Disney day, this episode is for you. Plus, the team drops hints about next week's milestone 100th episode!Send us a textSupport the showDon't forget to check us out on Instagram!

Kevin Michael Estrella – he is the guitarist and composer of the instrumental rock band called Pyramidson Mars. Hard rock, industrial, and metal infused with lead guitar melodies inspired by violin melodiesof Baroque classical composers Bach & Vivaldi. Kevin's latest album, Cosmic Angels, is inspired by hisvisitations by Extraterrestrials. Elements in all his albums incorporate many things that have beentaught to him by these other worldly visitors including, but not limited to, telepathic storytelling, and thetonal language of the cetaceans. Kevin has been a guest on over 90 UFO Radio talk shows describing hisUFO and ongoing Extraterrestrial Experiences. This calling was affirmed on August 21, 2014, when hehad contact with an inter-dimensional craft of unearthly origin. Since then, Kevin began experiencingmany other related incidents like incredible synchronicities, music downloads, symbol downloadsthrough dreams, and increased Telepathy. Kevin works with the P'ntl (Zetas) who reside at the SandiaMountains, Albuquerque NM helping prepare humanity for Official First Contact. Thank you for leavingme a comment, like my videos, and do share my content with your friends!YouTube Link: https://youtu.be/TuVlmw0m_gcKevin Michael Estrella's Links:YouTube: https://www.youtube.com/@PyramidsonMarsWebsite: https://pyramidsonmars.com/Music: https://pyramidsonmars.bandcamp.com/merchFirst Contact: https://www.officialfirstcontact.com/Pyramids on Mars UFO radio: https://artistfirst.com/pyramidsonmars.htmKaren Holton's Links: Link Tree: https://linktr.ee/karenholtontv Download my exclusive audio content found only on SPREAKER, Spotify, Apple, Podbean,iHeart, Goodpods and more – https://www.spreaker.com/show/quantum-guides-show-with-karen-holton TRANSDIMENSIONAL: Meet the New Neighbours by Karen Holton (paperback & Kindle nowavailable from Amazon Worldwide) US:https://www.amazon.com/dp/1069173509?ref_=pe_93986420_774957520& Canada: https://www.amazon.ca/TRANSDIMENSIONAL-Neighbours-Ms-Karen-Holton/dp/1069173509TRANSDIMENSIONAL 2: Meet the Greys Picture Book by Karen Holton (paperback & Kindlenow available from Amazon Worldwide) US: https://www.amazon.com/TRANSDIMENSIONAL-Meet-Greys-Picture-Book/dp/B0DVSRX8BQ & Canada:https://www.amazon.ca/TRANSDIMENSIONAL-Meet-Greys-Picture-Book/dp/B0DVSRX8BQ Buy Me A Coffee: https://buymeacoffee.com/karenholtontv Join My YouTube Channel to receive my perks!https://www.youtube.com/@KarenHoltonTV/join Website: https://www.karenholtonhealthcoach.com/ Inspired Images: https://www.karenholtonhealthcoach.com/product-category/inspired-images/ Signed Books: https://www.karenholtonhealthcoach.com/product-category/signed-books/ Vital Services: https://www.karenholtonhealthcoach.com/product-category/services/ Zen Domes Orgonite: https://www.karenholtonhealthcoach.com/product-category/zen-domes-orgonite/ Comfort Crystals: https://www.karenholtonhealthcoach.com/product-category/comfort-crystals/ Inspired Images: https://www.karenholtonhealthcoach.com/product-category/inspired-images/ Free Resources: https://www.karenholtonhealthcoach.com/free-resources/ YouTube: https://www.youtube.com/c/KarenHoltonTV Rumble: https://rumble.com/c/c-2423374 (KarenHoltonTV) Odysee: https://odysee.com/@KarenHoltonTV X (Twitter): https://x.com/KarenHoltonTV Telegram: https://t.me/KarenHoltonTV Facebook: https://www.facebook.com/karen.holton3 Instagram: https://www.instagram.com/karenholtontv Forbidden Knowledge News Network: www.forbiddenknowledge.newsThe Quantum Guides Show and the Aliens & Angels Podcast are now part of the Forbidden KnowledgeNews Network! https://forbiddenknowledge.news/Other podcast series from Karen Holton:Quantum Health Transformation V.3.0 - a free, no strings attached, 9 Step online, lifestyle course to giveyou the tips and resources you need to thrive! By following my own channeled advice, I made mydreams come true! Whether you are in the ascension process, or simply want more out of life, thiscourse is for you.Complete Quantum Health Transformation V3.0 Playlist on YouTube:https://www.youtube.com/watch?v=qwSmOYvGXBA&list=PLe1pNMTCSTLlzyU9vc_SmK4zs4_JCcpa1&pp=gAQBiAQBor watch the Quantum Health Transformation program on Karen's website:https://www.karenholtonhealthcoach.com/quantum-health-transformation-free-online-course/

Tunes: John Gow: Lamentation for the Fallen Heroes of Waterloo William Gunn: 71st Highlander's quick step, Johnny Cope, Robert Miller: Johny Cope (or Fly to the Hills in the Morning) Thomas Glen: Johnny Cope, Angus MacKay: Johnny Cope, David Glen: Johnny Cope, DG setting for Johnny Cope, O'Farrell: Johnny Cope, Margaret Barry: Johnny Cope, Patrick MacDonald: A Lament (I'm wounded), Readings: Thomas Pockocke, Sergeant-Major Dickson, Victor Hugo, Sources: Episode Cover Art: 'Anecdote of the bravery of the Scotch piper of the 71st Highland Regiment, at the Battle of Vimiero', 1808 https://collection.nam.ac.uk/detail.php?acc=1971-02-33-533-12 +X+X+ 1817: Lamentation for the Fallen Heroes of Waterloo (Eb) https://imslp.org/wiki/Gow%27sRepositoryoftheDanceMusicofScotland(Gow%2C_Niel) +X+X+ 1848: 71st Highlander's Quick Step From William Gunn's Caledonian Repository of Music Adapted for the Bagpipes https://ceolsean.net/content/Gunn/Gunn_TOC.html +X+X+ 1838: Johnny Cope (or Fly to the Hills in the Morning) From Robert Miller Manuscript +X+X+ 1843: Johnny Cope From Thomas Glen's “A New and Complete Tutor for the Highland Bagpipe” https://ceolsean.net/content/TGlen/TGlen_TOC.html +X+X+ 1843: Johnny Cope From Angus MacKay's The Piper's Assistant https://ceolsean.net/content/PipeAsst/PipeAsst_TOC.html +X+X+ 1848: Johnny Cope From William Gunn's Caledonian Repository of Music Adapted for the Bagpipes https://ceolsean.net/content/Gunn/Gunn_TOC.html +X+X+ 1870s: Johnny Cope From David Glen's Collection of Highland Bagpipe Music Book 2 https://ceolsean.net/content/Dglen/Dglen_TOC.html +X+X+ 1880s?: Johnny Cope From David Glen's Collection of Highland Bagpipe Music Book 6 https://ceolsean.net/content/Dglen/Dglen_TOC.html +X+X+ 1810: Johnny Cope From O'Farrell's Pocket Companion vol 3 https://www.cl.cam.ac.uk/archive/rja14/Papers/ofarrellspc3.pdf +X+X+ 2002: Johnny Cope from Margaret Barry: https://www.rogermillington.com/tunetoc/johnnycopebarrynf.html +X+X+ 1784: I'm Wounded (A Lament) from Patrick MacDonald's Vocal Airs: (From Perthshire section) https://books.google.com/books?id=XCvLHYWLkFcC&newbks=0&pg=RA1-PA14#v=onepage&q&f=false +X+X+ Written Accounts Thomas Pococke Journal of a soldier of the 71st, or Glasgow regiment, Highland Light Infantry, from 1806 to 1815 (Edinburgh: 1819). https://babel.hathitrust.org/cgi/pt?id=mdp.39015039571487&seq=5 +X+X+ Seargant Major Dickson, “The Greys at Waterloo: Reminiscences of the Last Survivor of the Famous Charge” Mackenzie MacBride Ed., With Napoleon at Waterloo and Other Unpublished Documents of the Waterloo and Peninsular Campaigns (Francis Griffiths, London: 1911). https://archive.org/details/withnapoleonatwa00macbuoft/page/136/mode/2up +X+X+ Victor Hugo, “The Battle of Waterloo” Rossiter Johnson Ed. The Great Events by Famous Historians, (The National Alumni, 1905). https://archive.org/details/in.ernet.dli.2015.41048/page/n389/mode/2up +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Title: Mrs Cornelys Part 2 – Impresaria Track: JC Bach 6 Quartets, Op. 8, No. 2 in D Major, W. B52 Artist: Les Ombres Publisher: ℗ 2022 Mirare

Tunes: Miller: Bundle and Go, The Highlandmen come over the Hill, The Plunder of the Lowlands now Grazes in the Glens, Glengary's Strathspey, MacLeod Fencibles Quick March, The Bonniest Wife this side of Lord Reay's Country, Gather and Go, Kiss and Come Again, The Piper he died cauld in a barn, As I was Kissd yestreen, MacLeod's March, Jeremy Kingsbury: When the King Enjoys His Own Again/The World Turned Upside Down, Simon Fraser: The Plunder of the Lowlands now Grazes in the Glens, Dàimh: Harris Dance (track). Andy M. Stewart: Dinny The Piper William Ross: MacLeod's March George S. MacLennan: The MacLeod's March Thank you to Keith Sanger for sending me the Manuscript to look over and play from. Big thank you to Dàimh! Check out their album here: https://daimh.bandcamp.com/album/the-hebridean-sessions Sources: 1838: Bundle and Go, The Highlandmen come over the Hill, The Plunder of the Lowlands now Grazes in the Glens, Glengary's Strathspey, MacLeod Fencibles Quick March, The Bonniest Wife this side of Lord Reay's Country, Gather and Go, Kiss and Come Again, The Piper he died cauld in a barn, As I was Kissd yestreen, MacLeod's March, From Robert Miller's 1838 “A Collection of National Music for the Great Highland Bagpipe set by Mr. Robert Miller, Musician for John C Cameron, Piper and Pipe Maker, Dundee 1838. Courtesy of Keith Sanger. +X+X+ 1816: The (Spraith) or Plunder of the Lowlands now Graze in the Glens from Simon P Fraser's The Airs And Melodies Peculiar To The Highlands Of Scotland And The Isles https://archive.org/details/airsmelodiespecu00fras/page/n43/mode/1up?view=theater +X+X+ Listen to A Great Highland Bagpipe setting of Plunder of the Lowlands (or Old Man's Calf) that avoids the Cs all together here on Kist of Riches: https://www.tobarandualchais.co.uk/track/25962?l=en +X+X+ For More info on Dinny The piper check out: https://mainlynorfolk.info/folk/songs/dinnythepiper.html check out the album here: https://store.compassrecords.com/products/dublin-lady?srsltid=AfmBOopPhYlYu_QUS2HZZN4jTJarIINW8t3Xn9VphHsuZ5ohO02gkefO +X+X+ 1869+: McLeod's March from William Ross's https://ceolsean.net/content/WRoss/WRoss_TOC.html +X+X+ 1929: The McLeod's March from George S McClennan's Highland Bagpipe Music https://ceolsean.net/content/mclennan/MacLennan_TOC.html +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

This Day in Legal History:  Miranda v. ArizonaOn June 13, 1966, the U.S. Supreme Court issued its landmark decision in Miranda v. Arizona, fundamentally reshaping American criminal procedure. The case centered on Ernesto Miranda, who had confessed to kidnapping and rape during a police interrogation without being informed of his constitutional rights. In a narrow 5–4 ruling, the Court held that the Fifth Amendment's protection against self-incrimination and the Sixth Amendment's right to counsel require law enforcement officers to inform suspects of their rights before custodial interrogation begins.The decision mandated that suspects be told they have the right to remain silent, that anything they say can be used against them in court, and that they have the right to an attorney—either retained or appointed. These now-standard warnings, known as "Miranda rights," became a required part of police procedure across the United States.Chief Justice Earl Warren, writing for the majority, emphasized that custodial interrogation is inherently coercive and that procedural safeguards were necessary to preserve the individual's privilege against self-incrimination. The dissenters, led by Justice Harlan, argued the decision imposed an impractical burden on law enforcement and that traditional voluntariness tests were sufficient.Miranda sparked immediate controversy, with critics warning it would hamper police efforts and allow guilty individuals to go free. Nonetheless, it has endured as a cornerstone of American constitutional law, embodying the principle that the government must respect individual rights even in the pursuit of justice. Over the years, the ruling has been refined but not overturned, and Miranda warnings are now deeply embedded in both law enforcement training and popular culture.Tesla has filed a trade secret lawsuit in California federal court against former engineer Jay Li and his startup, Proception, alleging that Li stole confidential information to accelerate the development of robotic hands. According to the complaint, Li worked on Tesla's Optimus humanoid robot project from 2022 to 2024 and allegedly downloaded sensitive files related to robotic hand movements before departing the company. Tesla claims Li used this proprietary data to give Proception an unfair edge, enabling the startup to make rapid technological gains that had taken Tesla years and significant investment to achieve.The suit points out that Proception was founded just six days after Li left Tesla and began showcasing its robotic hands five months later—devices Tesla says bear a “striking similarity” to its own designs. Tesla is seeking monetary damages and a court order to prevent further use of its alleged trade secrets. Legal representation for Tesla includes attorneys from Gibson Dunn & Crutcher, while counsel for Proception and Li has not yet been disclosed.Tesla lawsuit says former engineer stole secrets for robotics startup | ReutersA federal district court and a federal appeals court issued conflicting rulings over President Donald Trump's deployment of National Guard troops in Los Angeles amid protests over aggressive immigration enforcement.U.S. District Judge Charles Breyer ruled earlier in the day that Trump's order to deploy the Guard was unlawful. He found that the protests did not meet the legal threshold of a “rebellion,” which would be necessary for the president to override state control of the Guard under the Insurrection Act or related powers. Breyer concluded the deployment inflamed tensions and stripped California of the ability to use its own Guard for other state needs. His 36-page opinion ordered that control of the National Guard be returned to California Governor Gavin Newsom.However, about two and a half hours later, the 9th U.S. Circuit Court of Appeals granted an administrative stay, temporarily pausing Breyer's ruling and allowing Trump to retain command of the Guard for now. The three-judge panel—two appointed by Trump and one by President Biden—stressed that their order was not a final decision and set a hearing for the following Tuesday to evaluate the full merits of the lower court's decision.Meanwhile, a battalion of 700 U.S. Marines was scheduled to arrive to support the Guard, further escalating the federal presence. Critics, including L.A. Mayor Karen Bass and Senator Alex Padilla—who was forcibly removed from a press event—argued that the military response was excessive and politically motivated. Supporters of the deployment, including Trump and DHS Secretary Kristi Noem, defended it as necessary to restore order. A Reuters/Ipsos poll showed public opinion split, with 48% supporting military use to quell violent protests and 41% opposed.Appeals court allows Trump to keep National Guard in L.A. with Marines on the way | ReutersIn a pattern that surprises few, the conservative-dominated U.S. Supreme Court has granted President Donald Trump a series of victories through its emergency—or "shadow"—docket, continuing a trend of fast-tracking his policy goals without full hearings. Since returning to office in January, Trump's administration has filed 19 emergency applications to the Court, with decisions in 13 cases so far. Of those, nine rulings went fully in Trump's favor, one partially, and only two against him. These rapid interventions have enabled Trump to enforce controversial policies—including ending humanitarian legal status for migrants, banning transgender military service, and initiating sweeping federal layoffs—despite lower court injunctions.District court challenges to these actions often cite constitutional overreach or procedural shortcuts, but the Supreme Court has repeatedly overruled or paused these lower court decisions with minimal explanation. The emergency docket, once used sparingly, has become a regular tool for the Trump administration, matching the total number of applications filed during Biden's entire presidency in under five months. Critics argue that the Court's increasing reliance on this docket lacks transparency, with rulings frequently unsigned and unexplained. Liberal justices have voiced strong objections, warning that rushed decisions with limited briefing risk significant legal error.The Court's 6-3 conservative majority, including three Trump appointees, has given the president a judicial green light to implement divisive policies while litigation plays out. Some legal scholars argue these outcomes reflect strategic case selection rather than simple ideological bias. Still, in light of the Court's current composition and its repeated willingness to empower executive action, the results are hardly shocking.Trump finds victories at the Supreme Court in rush of emergency cases | ReutersThis week's closing theme is by Tomaso Albinoni.This week's closing theme is Sinfonia in G minor, T.Si 7 by Tomaso Albinoni, a composer whose elegant, expressive works have often been overshadowed by his more famous contemporaries. Born on June 14, 1671, in Venice, Albinoni was one of the early Baroque era's leading figures in instrumental music and opera. Though he trained for a career in commerce, he chose instead to live independently as a composer, unusual for his time. He wrote extensively for the violin and oboe, and was among the first to treat the oboe as a serious solo instrument in concert music.Albinoni's style is marked by a graceful clarity and balanced formal structure, qualities well represented in this week's featured piece. The Sinfonia in G minor, T.Si 7 is a compact, three-movement work likely composed for a theatrical performance or ceremonial function. It opens with a dramatic Grave, setting a solemn tone that gives way to a lively Allegro and a brief yet expressive final movement.The G minor tonality gives the piece an emotional intensity, without tipping into melodrama—typical of Albinoni's refined dramatic sensibility. While his best-known composition today may be the Adagio in G minor—ironically, a piece reconstructed long after his death—Albinoni's authentic works, like this sinfonia, display a deft hand at combining lyricism with architectural clarity.His music enjoyed wide dissemination in his lifetime and was admired by J.S. Bach, who used Albinoni's bass lines as models for his own compositions. As we close out this week, Albinoni's Sinfonia in G minor offers a reminder of the beauty in restraint and the enduring resonance of Baroque form.Without further ado, Tomaso Albinoni's Sinfonia in G minor, T.Si 7. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Recorded May 13th, 2025. A seminar by PhD Music students presenting their research, organised by the Department of Music. Learn more at www.tcd.ie/trinitylongroomhub

[@ 5 min] Alright, this week…we go Inside the Huddle with Julia Bullock (!!!). The distinctive soprano and muse of John Adams just wrapped the Met premiere production of Antony and Cleopatra and is sticking around Lincoln Center with her collaborators at American Modern Opera Company for the upcoming Run AMOC Festival. Somehow, she agreed to spend her only 30 minutes of downtime with us! [@ 29 min] And then, in “Home Team,” we bring you a second exclusive interview with Elijah McCormack. The male soprano, who is set to star in Haymarket Opera's production of Artaserse, helps us celebrate Pride Month and the totally queer excesses of Italian opera seria during the high Baroque! [@ 52 min] Plus, in the ‘Two Minute Drill'…Donald Trump earns rave reviews in a Cantonese Opera, but his ticket sales at home are tanking at the Kennedy Center… GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 operaboxscore.bsky.social

The United States has gone, in less than six months, from being seen by many as a defender of democracy and human rights, to being the latest – and most powerful - administration to embrace authoritarianism.  Amid a head-spinning flood of presidential orders and harsh policies - towards women, immigrants, the poor, the disabled and the sick, it's hard to know where to focus. In this episode, veteran Turkish journalist and human rights activist Murat Celikkan tells host Akwe Amosu what he has been paying attention to, and reflects on how Turkey's human rights  movement has been trying to strengthen its own work.And in the Coda, why a dose of Baroque music might ease your mind. Contact us at pod@strengthandsolidarity.org We are now publishing our newsletter on Substack, if youwould like to subscribe: ⁠https://substack.com/@strengthsolidarity⁠Quick LinksInterviewBio: Murat Celikkan: https://hakikatadalethafiza.org/en/teamLitHub: Murat Celikkan: Another Turkish Journalist in Prison for ‘Unspecified Reasons' https://lithub.com/murat-celikkan-another-turkish-journalist-in-prison-for-unspecified-reasons/StrengthandSolidarity.org: Murat Celikkan reads Ariel Dorfman: https://strengthandsolidarity.org/podcast/rebuilding-a-movements-culture-after-crisis/Hafiza Merkezi: https://hakikatadalethafiza.org/en/en/why-hafiza-merkeziChatham House: The future of the Trukish opposition after Imamoglu's arrest https://www.chathamhouse.org/2025/05/future-turkish-opposition-after-imamoglus-arrestHRW: Turkey Events of o2024 https://www.hrw.org/world-report/2025/country-chapters/turkiyeWikipedia: Gezi Park protests https://en.wikipedia.org/wiki/Gezi_Park_protestsWikipedia: Saturday mothers https://en.wikipedia.org/wiki/Saturday_MothersCodaFrancoise Girard: https://www.fmus.org/aboutFeminism Makes Us Smarter (FMUS): https://www.fmus.org/Wikipedia: Baroque Music https://en.wikipedia.org/wiki/Baroque_musicFMUS podcast: https://www.fmus.org/fmus-podcastMusic credits:Juditha triumphans, RV 644: Air "Veni, veni me sequere fida" by Antonio Vivaldi, performed by Lea Desandre, Jupiter Ensemble, Thomas DunfordJuditha triumphans, RV 644: “Air Armatae face et anguibus” by Antonio Vivaldi, performed by Jupiter EnsembleAriodante, HWV 33, Act 2: Aria. "Se l'inganno sortisce felice" (Polinesso) by George Frideric Handel, performed by·Marie-Nicole Lemieux, Alan Curtis, Il Complesso Barocco“Forêts paisibles” from Les Indes Galantes by Jean-Philippe Rameau, performed by Les Arts FlorissantsStrength&Solidarity podcast:Episodes 1-50 shows and transcripts:Episodes 51 onwards, shows and transcripts

Title: Mrs Cornelys Part 1 – Soprano (an unusual woman) Track: È pena troppo barbara'from Gallupi's Antigono. Artist: Catherine King and Il Canto Di Orfeo conducted by Gianluca Capuano. Publisher: Linn Records 2016

I'm going all out (literally) for this year's Pride celebrations, especially because the haters are out there in such force. Today I pay tribute to my fellow Milwaukeean, the marvelous bass-baritone Donald Gramm (1927-1983), one of the central house singers at both the Metropolitan Opera and New York City Opera from the 1960s through his premature death at the age of 56. Gifted with an intrinsically beautiful voice, an impeccable technique and an expansive range, he also was a crackerjack musician whose repertoire easily encompassed musical styles from florid Baroque music through the thorniest contemporary idioms. He is probably best celebrated these days for his commitment to American art song. This episode focuses on both his intrepid and thoughtful programming of such songs, as well as a cross-section of his achievements on the operatic stage. Though Gramm may not have been “out” by today's standards, he lived his life unapologetically and is still remembered today for his exacting yet bountiful musicianship and voice. It's a treat to revisit his legacy today. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

Tunes: Dan Nolan: Un Canadien Errant, the wandering Canadian, A La Claire Fontaine, by the clear Spring Jon Schurlock: Playing Highland Laddie from William Dixon Ryan G Kirk: Mary Scott (From Oswald) Jeremy Kingsbury: She Rose and Let Me In Dave Rowlands: 'La Bernardina' by Josquin des Pres Jeremy Kingsbury: The Carle He Came O'Er the Craft, Jim Harding's Waltz (from Dave Rowlands, and Waltzish from Nicholas Konradsen) Charlie Rutan: Tu Scendi Dalle Stelle Benjamin Elzerman: Jacks Gone-a-Shearing From William Vickers/Matt Seattle Jeremy Kingsbury: Taladh, Bundle and Go, You Silly Fool, Mr. Mackay's Jig, The Piper's Maggot, Woo'ed and Married an' a (From Donald Macdonald and Eliza Ross) James Moyar: Battle of Waterloo Jim Sanders: Napoleon Crossing the Rhine +X+X+X+ Thanks Everyone so much for your tune submissions and for listening to the show, If you want to pick up a Wetootwaag Shirt head over to https://www.bagpipeswag.com/ I've included the written texts I got from folks in the off chance I mispronounced things so badly you won't be able to connect the threads: +X+X+ From Dan Nolan: I'm playing “my first HG was made by luthier Gordiy Starukh of Lviv Ukraine which I bought in 2019. It's a 3 stringer in DG and in a style that dates to the 18th cent. The songs are Un Canadien Errant, the wandering Canadian, which was written in 1842 as a lament for rebels exiled from Canada after the failed Lower Canada Rebellion, 1837-8. The 2nd is A La Claire Fontaine, by the clear Spring, which dates back to 1604 and was originally a song of lost love but also become a resistance song after the British takeover following the F&I War. I wanted to learn some French Canadian song for French reenactors at vous and the Battle of PDC Wi. since a unit portraying the one that fought in that siege would come from Canada to participate in the event as it neared the 250th anniversary of the battle. From Ryan Kirk: Mary Scott Hey Jeremy here's a quick run at Oswald's variations on Mary Scott, a tune I learned from your podcast! I [am playing] an Aulos plastic [flute], copy of a 18th century Grenser. Very nice Instrument for the price. Thought about a wood one but humidity control in our old house is not great. From Dave Rowlands: This is 'La Bernardina' by Josquin des Pres (1450-1521). Not known as a composer for bagpipes, but the leading composer of his time. I have chosen this because a) it is a new find for me, b) because if pipers had access to this music and good instruments they would have played it, and c) because we should not be hidebound to 'tradition', just because it does not come from a bagpiping tradition, does not mean we cant play it, and i cite Amazing Grace as just one case. This is played by Three Swayne D pipes, and one Swayne G pipe. I hope you like it and include it. Best wishes, Dave R From Charlie Rutan: Tu Scendi Dalle Stelle is the traditional Italian Christmas carol played by zampognari. Originally called 'Quanno Nascente Ninno', it was written down in 1754 by St Alphonsus Ligouri, with text in the Neapolitan language: and became so popular that it was later translated into Italian and became 'TU SCENDI DALLE STELLE', undergoing several small changes in its melody during that process. The melody probably existed in various forms for several centuries prior to its 1754 transcription, and is still a basis for many improvised PASTORELLES by zampognari today. I'm playing both Ciaramella ( the Italian folk oboe) and Sei Palmi Zampogna on this track. 'Sei palmi' refers to the length of the instrument's longest chanter, measured by the outsretched palm of the pipe maker's hand, much like the 'cubit' of the ancient world. Zampongne have existed in this form since at least the early 1300's; where we have evidence of the instrument being played in frescoes dated to that time. The zampogna is endemic to southern Italy, exists in about 20 different iterations in several sizes, and is a thriving bagpipe tradition to this day. Hit https://www.bagpipesfao.com/ for more zampogna fun. FIN +X+X+ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Operatic tenor Nicky Spence and recorder player and Baroque flautist Heidi Fardell are the studio guests of Jeffrey Boakye and Anna Phoebe. In today's five-track journey they head from the Democratic Republic of the Congo to Belgium, a rural French château, a charitable institution in Venice, finishing up in Ireland where the past casts a long shadow.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Spoiler by Baloji Panis Angelicus by César Franck Honky Cat by Elton John Flautino Concerto in C by Vivaldi The Magdalene Laundries by Joni MitchellOther music in this episode:The Third Man by Anton Karas Rapture by Blondie Rocket Man by Elton John

Adam Hurrey is joined on the midweek Adjudication Panel by Charlie Eccleshare & Nick Miller. On the agenda: the bonus Tom Cruise punditry we all wanted to hear, the traditional opening bell for the England/World Cup news cycle, tracking down the Richard Keys commentary from an early-90s management sim, the unofficial Cristiano Ronaldo classical music night, Dan Walker mixes up Baroque composers with generic Brazilian footballers and the club who are most obviously going to sign Aleksandar Mitrovic this summer. Meanwhile, the panel decide the point at which a game can be described as "end to end" and discover whose name has been uttered the most in Cliches pod history: Keys or Gray? Sign up for Dreamland, the new members-only Football Clichés experience, to access our exclusive new show and much more: https://dreamland.footballcliches.com Download SAILY in your app store and use our code CLICHES at checkout to get an exclusive 15% off your first purchase https://saily.com/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Atlanta Opera’s artistic director, Tomer Zvulun, sits down with “City Lights” host Lois Reitzes to discuss the rare gem of Baroque opera, George Frideric Handel’s “Semele,” which will be on stage June 7, 10, 13, and 15. Plus, we spotlight the Atlanta band Shock Tea in our series “Speaking of Music.” And we revisit another “Farewell Favorite” conversation between Lois and former Spelman president, Mary Schmidth Campbell. They discuss her 2018 book “An American Odyssey: The Life and Work of Romare Bearden.”See omnystudio.com/listener for privacy information.

In this episode of Chasing Leviathan, PJ and Dr. Tiffany Beechy discuss her book Aesthetics and the Incarnation in Early Medieval Britain. Together they explore the challenges of interpreting artifacts from this time using classical models, emphasizing the importance of vernacular traditions and the role of heteroglossia and oral traditions. Dr. Beechy reviews the complexities of Christ's incarnation, exploring its implications through the lens of Baroque aesthetics and the wisdom tradition. She also discusses the intersections of Celtic Christianity and the theological dynamics of representation, particularly in the context of iconoclasm in Britain. Make sure to check out Dr. Beechy's book: Aesthetics and the Incarnation in Early Medieval Britain: Materiality and the Flesh of the Word

Title: The Mysterious Comte de St Germain (an unusual man) Track: Six Sonatas for Two Violins with a Bass for the Harpsichord or Violoncello. Sonata I in F Major: I. Molto Adagio Artist: Ensemble Ad Fontes & Mojca Gal Publisher: ℗ 2022 MBM Mielke Bergfeld Musikproduktion oHG

Nate Widelitz is a singer, conductor, and educator. He is also the Founding Director of the Five Cities Baroque Foundation & Festival. He spoke with Community Voices about his music career, passion for teaching, and shares the story behind the foundation, which brings access to high-quality Baroque music to Central Illinois. Nate also previews what audiences can expect from the upcoming concerts, including featured pieces and performances. Learn more about the festival, including dates and locations here.

Nate Widelitz is a singer, conductor, and educator. He is also the Founding Director of the Five Cities Baroque Foundation & Festival. He spoke with Community Voices about his music career, passion for teaching, and shares the story behind the foundation, which brings access to high-quality Baroque music to Central Illinois. Nate also previews what audiences can expect from the upcoming concerts, including featured pieces and performances. Learn more about the festival, including dates and locations here.

Tunes: Fitzmaurice (1807): Rossy Castle, Fitzmaurice's Trip to Roslin Castle, Miss Ann Robinson's Jigg, Miss Duff's Jigg, O'Falvey's Hornpipe, Miss Smollett's Favorite. From Rod Nevin: Rossy Castle, Miss Smollet's Favorite. Rook (1840): Paddy O'Carrol, Irish Washerwoman, John Murphy (1810): Paddy O Carroll, The Irish Washerwoman Ravenscroft/ Chappel (1609): Oft have I Ridden upon my Grey Nag Playford (1651): Dargason, Jones (1784): Mwynen Cynwyd, Jackson (1774): Jackson's Humours of Panteen, O'Farrell (1807): The Humour of Ballinamult, Goodman (1861,63): The Humours of Jug, Tumble the Jug, Big thank you to Rod Nevin for an incredibly quick turn around after I requested a couple bass line performances from him. Seriously, I asked and he had them to me in less than 12 hours. You Rock Rod! +X+X+X+X+ Check Out Rod Nevin's Website here: https://www.rodericknevin.com/ Also his band's album: https://fireintheglen.bandcamp.com/album/cutting-bracken Sources: 1807: Rossy Castle From Fitzmaurice: https://www.google.com/books/edition/FitzmauricesNewCollectionofIrishTu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP10&printsec=frontcover +X+ 1840: Paddy O'Carrol from Rook Manuscript https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/rook/rook_pages/250.htm +X+ 1810: Paddy O Carroll from John Murphy's Collection of Irish Airs and Jiggs with Variations https://www.google.com/books/edition/AcollectionofIrishairsandjiggswit/Up5WmARde0C?hl=en&gbpv=1&pg=PA7&printsec=frontcover +X+X+ 1810: The Irish Washerwoman from John Murphy's Collection of Irish Airs and Jiggs with Variations https://www.google.com/books/edition/AcollectionofIrishairsandjiggswit/Up5WmARde0C?hl=en&gbpv=1&pg=PA6&printsec=frontcover +X+ 1609/1859: Oft have I Ridden upon my Grey Nag from Ravenscroft's Pammelia supposedly, but this is from William Chappel's Popular music of the olden time. https://digital.nls.uk/special-collections-of-printed-music/archive/91368611 +X+ 1651: Dargason from Playford vol 1 https://playforddances.com/dances/dargason/ +X+ 1840: Irish Washerwoman From the Rook Manuscript https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/rook/rook_pages/153.htm +X+ 1784: Mwynen Cynwyd The Melody of Cynwyd. From Edward Jones – Musical and Poetical Relicks of the Welsh Bards https://archive.org/details/MusocalAndPoeticalRelicksOfTheWelshBards/page/n136/mode/1up?view=theater +X+X+X+ 1807: Fitzmaurice's Trip to Rosline Castle, from Fitzmaurice's New Collection of Irish Tunes nos 2 https://books.google.com/books?id=vq4Fb5TyTK4C&newbks=0&pg=PP2#v=onepage&q&f=false +X+X+ 1807: Miss Ann Robinson's Jigg, Miss Duff's Jigg, O'Falvey's Hornpipe From Fitzmaurice: https://www.google.com/books/edition/FitzmauricesNewCollectionofIrishTu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP10&printsec=frontcover +X+ 1774: Jackson's Humours of Panteen from Jackson https://pipers.ie/source/gallery/?galleryId=51&gl=1n8kkbiupMQ..gaMTc5MDE0MTUwNS4xNzE2MDA4ODM2ga_8BBP57V9FE*MTcxNjAxMTYyNC4yLjEuMTcxNjAxMTYyOC4wLjAuMA +X+X+ 1807: Miss Smollet's Favorite From Fitzmaurice: https://www.google.com/books/edition/FitzmauricesNewCollectionofIrishTu/vq4Fb5TyTK4C?hl=en&gbpv=1&pg=PP10&printsec=frontcover +X+X+ 1807: The Humour of Ballinamult From O'Farrell: https://digital.nls.uk/special-collections-of-printed-music/archive/87780278 +X+ 1861: The Humours of Jug from the Goodman Manuscript vol 1 https://manuscripts.itma.ie/goodman/volume-one/ +X+ 1863: Tumble the Jug from the Goodman Manuscript vol 2 https://manuscripts.itma.ie/goodman/volume-two/ +X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Title: The Colourful Baron D'Astorga Track: Emanuele d'Astorga: Non è sol la lontananza Artist: Les Abbagliati & Soetkin Elbers Publisher: ℗ 2020 Les Abbagliati, under exclusive licence to Outhere Music

durée : 00:25:17 - Jean Rondeau, claveciniste (1/5) - par : Judith Chaine - De ses premiers pas au clavecin à son rayonnement international, découvrez comment ce musicien passionné bouscule les codes et fait vibrer la musique baroque d'une voix résolument contemporaine Retour sur le parcours personnel et artistique de Jean Rondeau au micro de Judith Chaine - réalisé par : Arnaud Chappatte

durée : 00:25:05 - Jean Rondeau, claveciniste (2/5) - par : Judith Chaine - Dans ce 2ème volet de notre entretien, Jean Rondeau nous parle de son apprentissage auprès de Blandine Verlet et de la manière dont il aborde aujourd'hui la musique ancienne. - réalisé par : Arnaud Chappatte

durée : 00:25:16 - Jean Rondeau, claveciniste (3/5) - par : Judith Chaine - Dans ce troisième épisode de notre entretien, le claveciniste évoque sa découverte du piano et de l'orgue. Il partage également sa vision de l'improvisation et nous parle de ses projets Note Forget et UNDR avec le batteur Tancrède Kummer. - réalisé par : Arnaud Chappatte

durée : 00:25:14 - Jean Rondeau, claveciniste (4/5) - par : Judith Chaine - Dans ce quatrième épisode de notre entretien, le claveciniste Jean Rondeau revient sur ses débuts professionnels, ses premiers enregistrements et souligne la nécessité de s'accorder du temps pour autre chose. - réalisé par : Arnaud Chappatte

durée : 00:25:17 - Jean Rondeau, claveciniste (5/5) - par : Judith Chaine - Pour clore notre entretien avec Jean Rondeau, le claveciniste revient sur son vaste projet d'enregistrement de l'intégrale pour clavecin de Louis Couperin. Il évoque aussi son quatuor Nevermind avec le projet de transcription des Variations Goldberg et nous parle de sa passion pour la transmission. - réalisé par : Arnaud Chappatte

After a six month break from Parliamentary business...M-Ps are returning to Ottawa for the first sitting of the year. It's expected to be short, but busy. The Conservatives and Liberals both held caucus meetings Sunday. Also: Five years after George Floyd's murder by a white police officer, Minneapolis honours the man whose name and image inspired an international movement against police killings of Black people. And: RFK Jr. is sticking his neck out for a flock of ostriches on a BC farm. He wants the Canadian Food Inspection Agency to call of a planned cull of the big birds.Plus: Russia's largest aerial assault on Ukraine, the future of U-N peacekeeping and Rome's Baroque history, and more.

When the jazz singer Cécile McLorin Salvant was profiled in The New Yorker, Wynton Marsalis described her as the kind of talent who comes along only “once in a generation or two.” Salvant's work is rooted in jazz—in the tradition of Ella Fitzgerald and Sarah Vaughan and Abbey Lincoln—and she has won three Grammy Awards for Best Jazz Vocal Album. But her interests and her repertoire reach across eras and continents. She studied Baroque music and jazz at conservatory, and performs songs in French, Occitan, and Haitian Kreyòl. “I think I have the spirit of a kind of a radio d.j. slash curator,” she tells David Remnick. “It's almost like making a mixtape for someone and only putting deep cuts.” And even when singing the standards, she aims “to find the gems that haven't been sung and sung and sung over and over again.” During a summer tour, she visited the studio at WNYC to perform “Don't Rain on My Parade,” made famous by Barbra Streisand; “Can She Excuse My Wrongs,” by John Dowland, the English composer of the Elizabethan era; and “Moon Song,” an original from Salvant's album “Ghost Song.”This segment originally aired on May 31, 2024.

Tunes: Me: Irish Washerwoman Send me your tunes to bagpipehistory@gmail.com Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

We often wonder, what would it have been like to go back in time and be there for a major event. Perhaps Baroque art is the pasts premiere way of transporting and observer to a brief moment in time. Harmony breaks it down for us using, "Rome's last true Renaissance man," Bernini. Harmony's Instagram Strider's Stand Up Special Makin' Memories Sources: nga.gov, walksofitaly.com, history.com, imdb.com, wikipedia.org, historyhit.com

What happens when the very thing that once lit you up feels out of reach—yet still lives deep in your soul, waiting to be reclaimed? In this episode, we sit down with Carla Sciaky, a lifelong musician, who opens up about her incredible journey from early musical brilliance to facing a dark night of the soul that transformed everything. Carla shares how her relationship with music shifted from pressure and perfectionism to something sacred—purpose-driven, healing, and deeply connected to Spirit. We explore how silence became her ally, how creativity cycles through light and shadow, and how music—far beyond just entertainment—has the power to change lives, starting with her own.From the science behind music's effect on the brain and body to its emotional influence on infants and elders alike, Carla offers a unique blend of personal story and universal truth. How does music shape our development? And what role can it play in reconnecting with who we truly are? Whether you're an artist, healer, or simply someone navigating your own transformation, Carla's wisdom will stir something in your soul. Tune in to remember the power of music—not just as a sound, but as a force for connection, healing, and coming home to yourself.Ways to Connect with Carla & her Music:https://www.carlasciaky.com/http://www.doorwaytoyourlife.com/Music video: https://www.youtube.com/watch?v=2n89CPWG4uELyric video: https://www.youtube.com/watch?v=MtQKKSbrEkgOrder an album on Carla's website: https://carlasciaky.com/index.html#storeP.S. A note from Carla: "It occurred to me to say that I really want other coaches, therapists, healers, etc., to feel free to use any of my songs in their work with clients, For example, my 12-step sponsor used to use my song “Awakening” (title song of my 1995 release) to do workshops and journaling exercises with recovering addicts. Putting on my musician/songwriter hat, I want to honor all musicians with the reminder that it is most respectful for anyone who puts our songs to use in this way to actually purchase either the individual cut or the album as a whole, and also to credit the songwriter, whoever it is. And at the same time, I would rather someone use it from YouTube or Spotify than not use it at all! I just want to mention that out of respect to all my fellow songwriters."About Carla Sciaky:Carla Sciaky has enjoyed over five decades in her career as a singer/songwriter and multi-instrumentalist, including a 2019 induction in the Colorado Music Hall of Fame with the group the Mother Folkers. Renowned for her clear articulate voice, strong fingerpicking style, and a warm intimacy with her audiences, she has toured the US and Europe, amassed a discography on Green Linnet and her own Propinquity labels, and was awarded awards and recognition for her songwriting in such arenas as the Kerrville New Song Competition, the Louisville (KY) songwriting competition, the Colorado Arts and Humanities Fellowship for Composition, and the Billboard Songwriting Competition. Her most recent solo album Heart of the Swan soared to the top of the folk radio charts upon its release in October 2024, and her music video “Standing by a River” has won multiple awards at film festivals worldwide in the categories of music video and songwriting. Carla has also performed on baroque violin as a core member of the Baroque Chamber Orchestra of Colorado and Sémplice Baroque, with Wyoming Baroque, Colorado Chamber Players and more. She lives with her husband Dan in Lakewood, Colorado, working as a published author and public speaker and with clients as a life coach through her practice Doorway to Your Life.Chapters00:00 Carla Sciaky's Musical Journey05:24 The Call Back to Music12:24 The Dark Night of the Soul17:32 Transforming the Creative Process25:54 The Impact of Music on People39:12 Music's Universal Language and Emotional Influence44:57 The Role of Silence in Creativity49:38 The Evolution of Music and Technology

Once upon a time, there was a heroic knight, the greatest of Charlamagne's famed paladins, and his name was Orlando (or Roland, depending on whom you ask.)  Among his many heroic deeds and great journeys was this: a quest to a magical isle to abduct the headstrong princess Angelica and steal the ashes of Melin (yes, that Merlin).  As his failure to win Angelica's heart leads him down the path to madness, we must ask: is there hope for this broken hero after all? Antonio Vivaldi, famed composer of The Four Seasons, is not widely known for his operas, however, he composed between 70 and 100 in his lifetime.  Join us for a discussion of this treasure of Baroque opera. Hosted by Pat and Jeff Counts (General Manager of the Grand Teton Music Festival, and KHOL's film critic) Grand Teton Music Festival

Tunes: Fitzmaurice: A Connaught Air, Spatter the Dew, Moggy Will you Come Again, Billy O'Rourke, I'm Asleep and Don't Wake Me, Mount the Stage, Donald Bran, Loose the Belt, Fitzmaurice's Trip to Rosline Castle, The Munster Lassie, The Lads of Fingall, Turn the Pig from the Tea Pot, Jigg, Mrs. Garden Campbell's Jigg, The Tore Retreat, Kick the World Before You, Fitzmaurice's Hornpipe, Hamilton: Berlin Waltz O'Farrell: Pay the Reckoning For my earlier playthroughs which include a lot of concordances check out: No. 1: https://www.wetootwaag.com/s5e14 No. 2: https://www.wetootwaag.com/s5e18 No. 3: https://www.wetootwaag.com/s5e30 No. 4: https://www.wetootwaag.com/s6e06 +X+X+ 1807: A Connaught Air, Spatter the Dew, Moggy Will you Come Again, Billy O'Rourke, I'm Asleep and Don't Wake Me, Mount the Stage, Donald Bran, Loose the Belt, Fitzmaurice's Trip to Rosline Castle, The Munster Lassie, The Lads of Fingall, Turn the Pig from the Tea Pot, Jigg, Mrs. Garden Campbell's Jigg, The Tore Retreat, Kick the World Before You, Fitzmaurice's Hornpipe, from Fitzmaurice's New Collection of Irish Tunes nos. 1-4 https://books.google.com/books?id=vq4Fb5TyTK4C&newbks=0&pg=PP2#v=onepage&q&f=false +X+X+ For the Trip to Rosline Castle set see Bannocks of Barley Meal: https://jeremykingsbury.bandcamp.com/track/the-berlin-waltz-fitzmaurices-trip-to-roslin-castle-pay-the-reckoning (1853) The Berlin Waltz from Hamilton's Universal Tune-Book digital.nls.uk/special-collections-of-printed-music/archive/94521216 (1805) Fitzmaurice's Trip to Roslin Castle: from Fitzmaurice's New Collection of Irish Tunes. Adapted for the Piano Forte, Union Pipe, Flute,&Violin: www.google.com/books/edition/FitzmauricesNewCollectionofIrishTu/vq4Fb5TyTK4C?hl=en&gbpv=0&kptab=overview (1806) O'Farrell's Pay the Reckoning (Bobbing for Eels/ Jackson's Bottle of Brandy) digital.nls.uk/special-collections-of-printed-music/archive/87779834 FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Time to hear from Jacopo, as the Giro team hit Italian soilSupport the POD, and protect your bike with BIKMO! Hosted on Acast. See acast.com/privacy for more information.