Podcasts about Baroque

T. K. Rex is a science fiction and fantasy author from the western United States, whose stories can be read in numerous publications, including The Wildcraft Drones, their debut collection on shelves May 21, 2026. The Wildcraft Drones begins in the near future of "The Flowers Where Five-Eighty Used To Be" and follows the evolving relationship between humanity, nature and technology into the far future. T. K.'s stories, socials, and newsletter can be found at tkrex.wtf.This story originally appeared in Tractor Beam, March 2025Narration by: Diane SeversonDiane Severson is a lyric soprano specializing in Early Music, especially Baroque and medieval music. Diane has been involved in the SF Poetry Scene (yes, it's a thing) since 2010. She has narrated for StarShipSofa, and PodCastle. She produces the sporadic podcast, Poetry Planet and is a member of the Science Fiction Poetry Association. She is a staff blogger for Amazing Stories Magazine focusing on Science Fiction Poetry. The best place to find her is on the web because she tends to pick up and move to another country at the drop of a hat. She and her family currently reside in Paris.Support this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.

Le 3 juillet dernier, la première visite guidée musicale à travers les rues et les ruelles, mais aussi les cours et quelques petits endroits cachés, de Beaune a rencontré un vif succès faisant le plein de touristes, mais aussi de beaunois curieux de redécouvrir leur ville autrement.Bérangère Clara, chargée de mission patrimoine à Beaune Tourisme nous en dit davantage, accompagnée d'un extrait musical. C'est à écouter ci-dessous !

durée : 01:28:57 - par : Aurélie Moreau - L'Akademie für Alte Musik de Berlin, au départ réunion d'un groupe d'amis musiciens des orchestres de Leipzig, est devenue un ensemble de référence dans l'interprétation historiquement informée. Aujourd'hui : Bach et CPE Bach, Haendel, Mendelssohn… - équipe : Cécile Bonnet des Claustres, Etienne Rouch - invités : Aurélie Moreau Productrice Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:29:46 - par : Suzanne Gervais - Membre fondateur du quatuor Nevermind et plus récemment de l'ensemble Près de votre oreille, le gambiste Robin Pharo explore les répertoires de la Renaissance et du premier Baroque en conjuguant rigueur et liberté. Portrait d'un musicien en quête de pépites musicales. - équipe : Colin Gruel, Max Dozolme, Julia Macarez, Maxime Laporte, Désirée Ristorto, Maud Noury Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Foreign executives often ask whether they should copy the Japanese presentation style when selling to Japanese companies. The short answer is no. Do not become a weak imitation of a Japanese presenter. Instead, deliver a professional, global-standard presentation and support it with a mountain of detailed data. Japanese buyers often want far more information than Western sellers expect. A clean pitch deck may look polished in New York, London, Sydney or Singapore, but in Tokyo it can feel underfed. The solution is not to clutter the main slides. The solution is to separate the performance deck from the due-diligence data pack. Should foreigners copy Japanese presentation style in Japan? Foreign presenters should not copy the weaker habits of Japanese business presentations; they should stay professional, clear and energetic while adapting to Japanese information needs. Copying monotone delivery, dense slides and screen-reading will not make the presentation more persuasive. The old "when in Rome, do as the Romans do" idea sounds logical, but it breaks down here. Japanese business audiences may be used to data-heavy decks, yet that does not mean they love poor delivery. A speaker who maintains eye contact, uses voice variety, gestures well and keeps slides visually clear will stand out. In Japan, being respectful does not require becoming boring. Do now: Keep your delivery global-standard, but adapt your preparation to Japanese buyers' appetite for detail. Why are many Japanese business slides so dense? Japanese business slides are often dense because buyers and internal stakeholders want extensive detail for review, comparison and risk reduction. The deck becomes both a presentation tool and a due-diligence document. Western pitch decks often prize simplicity: one idea per slide, strong visuals and minimal text. In Japan, however, slides may contain multiple fonts, colours, graphs, spreadsheets and large blocks of text. To Western eyes, this can look like Baroque chaos rather than Zen simplicity. The deeper issue is not design taste alone. Japanese companies often need detailed materials to circulate internally through layers of managers, technical specialists, finance teams and decision influencers. Do now: Do not mistake dense slides for best practice. Understand the information hunger behind them and satisfy it separately. Why do Japanese buyers want so much data? Japanese buyers want extensive data because business culture in Japan is highly risk-aware and decision-making depends on careful internal consensus. They are not just listening for interest; they are searching for problems. In Japan, the people attending the presentation may not be the final decision-makers. They may be responsible for gathering evidence, identifying risk and preparing internal recommendations. This is why a slim proposal can leave the buyer feeling hungry. They want specifications, implementation details, costs, risks, case studies, timelines, compliance points and proof. In B2B sales, IT solutions, professional services, manufacturing and training, this data-devouring behaviour is normal. Do now: Prepare for forensic due diligence. Give buyers enough evidence to defend the decision internally. What should the main presentation deck look like? The main deck should follow global best practice: clear, simple slides that can be understood in about two seconds.If the audience has to decode the slide, the speaker has already lost momentum. The presentation deck is for persuasion, not data storage. Use clean headlines, strong visuals, limited text and a logical flow. Then deliver with eye contact, vocal variety, gestures and confidence. This approach works in Tokyo, Osaka, Singapore, London and New York because audiences everywhere appreciate clarity. The difference in Japan is that the simple deck alone will rarely be enough. It must be paired with deep supporting material. Do now: Build one concise presentation deck for the room and one detailed data pack for the decision process. What supporting materials should sellers bring to Japanese clients? Sellers should bring a comprehensive supporting compendium packed with the detailed information Japanese clients need after the meeting. Think of it as the evidence vault behind the pitch. This compendium can include case studies, technical specifications, pricing assumptions, project timelines, risk controls, client references, implementation steps, FAQs, comparison tables and relevant compliance information. After the presentation, someone on the Japanese side may be assigned to comb through every page looking for concerns. That is not hostility. That is risk management. The better prepared you are, the easier you make their internal approval process. Do now: Bring the thick supporting pack. No one in a Japanese buying team will complain that you gave them too much useful detail. How can foreign companies win trust in Japanese presentations? Foreign companies win trust by combining professional delivery with deep preparation, cultural sensitivity and abundant evidence. Be yourself, but be smart, organised and fully loaded with data. Japanese buyers do not need you to pretend to be Japanese. They need you to understand the conversation happening inside their organisation: "Is this safe? Can we justify it? What could go wrong? Do we have enough proof?" When you answer those questions before they are asked, you reduce anxiety and build trust. The best approach is global presentation quality plus Japan-specific due-diligence support. Do now: Present simply, speak professionally and come packing heavy with data, lots and lots of data. Final Summary Foreign presenters should not copy poor Japanese presentation habits when doing business in Japan. Do not read dense slides, speak in a monotone or bury the audience under spreadsheets during the live presentation. That reduces your impact and wastes the chance to persuade. Instead, use two tools. First, deliver a clean, professional, global-standard presentation that highlights the key message. Second, provide a detailed supporting compendium that satisfies the Japanese buyer's need for data, proof and risk reduction. In Japan, the winning formula is clarity in the room and depth after the room. Author Bio Dr. Greg Story, Ph.D. in Japanese Decision-Making, is President of Dale Carnegie Tokyo Training and Adjunct Professor at Griffith University. He is a two-time winner of the Dale Carnegie "One Carnegie Award" (2018, 2021) and recipient of the Griffith University Business School Outstanding Alumnus Award (2012). As a Dale Carnegie Master Trainer, Greg is certified to deliver globally across all leadership, communication, sales and presentation programs, including Leadership Training for Results. He has written several books, including three best-sellers — Japan Business Mastery, Japan Sales Mastery and Japan Presentations Mastery — along with Japan Leadership Mastery and How to Stop Wasting Money on Training. His works have been translated into Japanese, including Za Eigyō (ザ営業), Purezen no Tatsujin (プレゼンの達人), Torēningu de Okane o Muda ni Suru no wa Yamemashō (トレーニングでお金を無駄にするのはやめましょう), and Gendaiban "Hito o Ugokasu" Rīdā (現代版「人を動かす」リーダー). Greg also publishes daily business insights on LinkedIn, Facebook and Twitter, and hosts six weekly podcasts. On YouTube, he produces The Cutting Edge Japan Business Show, Japan Business Mastery and Japan's Top Business Interviews, which are widely followed by executives seeking success strategies in Japan.

Tunes: William Mackie: Taste Life's Glad Moments, Robin Adair, Ye Branks and Baes of Bonny Dune, The Banks of the Dee, What ails this heart of mine, Paddy O'Rafferty Robert Menzies: Taste Life's Glad Moments, Smollet Holden: Aleen Aroon O'Farrell: Paddy O'Rafferty with variations Angus MacKay: Paddy O'Rafferty with variations Seamus Ennis: Paddy O'Rafferty, The Reverend Brother's Jig Big Thanks to John Dally, Stephen McNally, Pete Stewart and Adam Sanderson for helping with my attempts at salvaging my miserable pornunciations. For an article on the "Z" or yogh letter: https://www.scotlandspeople.gov.uk/scottish-handwriting/coaching/letter-finder/letter-yogh Most of the tunes this week come from William Mackie's 1828 Pastoral Pipes manuscript still available on Ross's Music Page: https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/mackie-part1.pdf here is an archived photo of Mackie's pipes: https://web.archive.org/web/20240329181248/http://nms.scran.ac.uk/database/record.php?usi=000-000-579-671-C&scache=2u56p5txg5&searchdb=scran Other Sources: ====== 1823: Taste Life's Glad Moments from Edinburgh Chapbook https://digital.nls.uk/chapbooks-printed-in-scotland/archive/104184666 +X+X+ 1793: Robin Adair from Edinburgh Musical Miscellany https://digital.nls.uk/special-collections-of-printed-music/archive/94581712 +X+X+ 1818: Robin Adair : The Much Admired Ballad, as sung by Mr. Philipps arranged for piano forte or harp by W. Reeve [https://hdl.handle.net/2027/mdp.39015096437556](https://hdl.handle.net/2027/mdp.39015096437556) For a Chapter on the History of “Robin Adair and Eileen Aroon” see: Stories of Famous Songs vol 1_ by S. J. Adair Fitz-Gerald, 1901 [https://hdl.handle.net/2027/umn.31951002410743h](https://hdl.handle.net/2027/umn.31951002410743h) +X+X+ 1810: Aleen Aroon from Smollet Hoden's A Collection of Farorite Irish Airs arranged for the Harp or Pianoforte” https://ks15.imslp.org/files/imglnks/usimg/8/8f/IMSLP740826-PMLP1177690-smollet +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Join our next FASO Show Live!https://artists.boldbrush.com/p/the-faso-showLearn the magic of marketing  with us here at BoldBrush!boldbrushshow.com--To start off the season, we sat down with fine artist and former software developer Maureen Dunlap. Maureen shares how a childhood immersed in traditional oil painting, guided by mentor Arthur Maynard, eventually wound its way through typography, photo typesetting, and front-end development before circling back to a full-time art career. Maureen talks about rebuilding her painting practice after years away, moving from fast alla prima pieces to highly detailed, indirect paintings that draw on Art Nouveau, Art Deco, Pre-Raphaelite, and Baroque influences. She describes her richly layered seascapes, lace-draped still lifes, and narrative figurative works that often live in ornate vintage or trompe l'oeil frames, all infused with her whimsical titles and maximalist sensibility. Maureen also opens up about the realities of being a full-time artist later in life, balancing joy and financial stability, diversifying income with small works and jewelry, navigating social media and online sales, and her growing desire to teach the next generation of painters.Maureen's FASO site:maureendunlap.com/Maureen's Social Media:facebook.com/profile.php?id=100083217888057instagram.com/maureenjdunlapMaureen's Jewelry Store:instagram.com/the.wonder.cabinet

Title: James Watt – How (opus) Track: Quartet in G Major, WKO 227 Allegretto Title: La Rêveuse,Florence Bolton & Benjamin Perrot Publisher: ℗ 2025 harmonia mundi / La Rêveuse

J'ai le plaisir de recevoir pour ce dernier épisode de la saison la violoniste baroque Sophie de Bardonnèche. Sophie commence  par l'alto avant de découvrir le violon baroque pour lequel elle a un véritable coup de coeur. Elle s'engage donc à fond dans l'apprentissage de cet instrument et y trouve sa voie. Aujourd'hui, elle joue des deux instruments et mène une brillante carrière accompagnée de son ensemble le Consort. Les pièces diffusées dans cet épisode sont: VIVALDI: Cappricio Presto de la sonate n°12 opus 2: Sophie de Bardonnèche au violon baroque et Justin Taylor au clavecin MADEMOISELLE GUESDON DE PRESLES: Ariette dans le goût nouveau avec Sophie de Bardonnèche au violon baroque, accompagnée par Lucile Boulanger à la viole gambe et J-Taylor au clavecinE. JACQUET DE LA GUERRE : Sonata No. 1 in D Minor: Presto et Adagio par Sophie de Bardonnèche au violon baroque et Justin Taylor au clavecinMRS PHILARMONICA: Sonata terza in G Minor, parte prima: IV. Tempo giusto' by Le ConsortAlpha Classics

The IBO Young Artists Programme is a specialist early-career training programme run by the Irish Baroque Orchestra in partnership with West Cork Music. Evelyn Grant talks with Doireann Kelly and Kevin Meehan.

Title: Duchess Anna Amalia The founder of the Court of Muses in Weimar Track: Duchess Anna Amalia's opera: Erwin und Elmire (Entre Acte) Artist: Weimar Staatskapelle with Peter Gülke conducting. 4:51 Publisher: Capriccio 2006

Tunes: Pretty incomplete tune list: Tunes: Cuddy's Wedding from Vickers, Auld Lang Syne from Appomattox, Hoopers and Girders (Pete Stewart's Setting from David Young), Over the Hills and Far Away, Mill Mill O, Oyster Wive's Rant, Gravel Walks, Brenda Stubberts, Mason's Apron, Miss McLeod of Raasay, Atholl Highlanders, and many more. Càirdeas is pretty booked up for this year actually, but be sure to get on their mailing list here: https://www.cairdeas.org/ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Why did a Jesuit republic of 140,000 people in the subtropical forests of South America — with its own armed militia, its own printing presses, its own Baroque composers, and the only successful mate plantation in colonial history — get destroyed by a riot about hats? How did the Guaraní and the Society of Jesus together solve a domestication mystery that no one else could crack, and why did that knowledge vanish the moment the priests were expelled?Join John as he tells the story of Paraguay and yerba mate — the Jesuit utopia, the bandeirante raiders, the angel faces carved in subtropical sandstone, and the leaf that built a kingdom...----------In Sponsorship with J&K Fresh.The customs broker who is your fruit and veggies' personal bodyguard. Learn more here!-----------Join the History of Fresh Produce Club for ad-free listening, bonus episodes, book discounts and access to an exclusive chatroom community.Support us!Share this episode with your friendsGive a 5-star ratingWrite a review-----------Subscribe to our biweekly newsletter here for extra stories related to recent episodes, book recommendations, a sneak peek of upcoming episodes and more.-----------Instagram, TikTok, Threads:@historyoffreshproduceEmail: historyoffreshproduce@gmail.com

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychoanalysis

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

From the inside flap: “A rich resource of Deleuze's research that is unavailable in his published writing Includes summaries of 216 seminar sessions available in transcripts and recordings Summaries are based on research for the Deleuze Seminars project (co-directed by Charles J. Stivale and Daniel W. Smith), where full transcripts and translations, to which readers will have access for simultaneous or subsequent consultation, have been developed by an international team of scholar-translators Alongside summaries, an attached critical apparatus provides references to corresponding links within Deleuze's writings, seminars, and other sources to facilitate additional research The texts in this volume - summaries of the 216 seminars taught by Gilles Deleuze - provide unique insight into the latter half of Deleuze's teaching career. Deleuze understood his seminars as a laboratory for developing his ongoing research, and this volume is a guide to the creative becomings in the development of his philosophical works through teaching.From Anti-Oedipus (1972) to The Fold: Leibniz and the Baroque (1987), Deleuze examined a wide range of philosophical perspectives in pursuit of successive thematic topics. These summaries and commentaries serve as incitement for further research, allowing readers familiar with Deleuze's work to find new angles of approach and providing greater access to readers coming to his work for the first time." New Books Network: Stivale, Charles J., and Daniel W. Smith. (2025-10-21). "Gilles Deleuze, On Painting" Machinic Unconscious Happy Hour: Stivale, Charles J., Taylor Adkins, and Cooper Cherry. (2025-08-12). "Deleuze and Guattari – How Do You Make Yourself A Body Without Organs" Stivale, Charles J., Daniel W. Smith. (2023-06-29). "Deleuze on Painting and Cinema". The Deleuze Seminars: here Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Title: Lady Dering The first published female composer in British history. Track: Mary Harvey: In Vain Fair Chloris You Design Artist: Lucile Richardot, Adam Laloum & ActeSix Publisher: ℗ 2024 Oktav Records

Episode: 1591 Baroque violins and the notion of a completed technology.  Today, let's talk about complete technologies.

Cat Rambo's 300+ fiction publications include stories in Asimov's, Clarkesworld Magazine, and The Magazine of Fantasy and Science Fiction. In 2020 they won the Nebula Award for fantasy novelette Carpe Glitter. They are a former two-term President of the Science Fiction and Fantasy Writers of America (SFWA). Their most recent works are space opera Devil's Gun (Tor Macmillan, 2023) and anthology The Reinvented Detective (Arc Manor, 2023), co-edited with Jennifer Brozek.Narration by: Diane Severson Daine Severson is a lyric soprano specializing in Early Music, specifically Baroque and medieval music and loves her work teaching people to sing. She has narrated for Escape Pod, PodCastle, Cast of Wonders, Pseudopod, and Tales to Terrify. Diane has been involved in the Speculative Poetry Scene since 2010, she is Vice President and membership chair of the Science Fiction and Fantasy Poetry Association and is a passionate promoter of genre poetry. The best place to find her is on the web because she tends to pick up and move to another country at the drop of a hat.Fact: Looking Back At Genre History by Amy H SturgisSupport this show http://supporter.acast.com/starshipsofa. Hosted on Acast. See acast.com/privacy for more information.

Title: Denner Flute of 1725 An important find in a house about to be demolished. Track: Jacques-Martin Hotteterre: Airs et brunettes à deux et trois dessus pour les flutes traversières: Prelude - Air de Monsieur de Bousset "Pourquoy, doux Artist: Ashley Solomon, Reiko Ichise & David Miller Publisher: ℗ 2020 Channel Classics Records

All songs in this episode are poems by Robert Louis Stevenson set to traditional tunes: “A Song of the Road” with Over the Hills and Far Away “The Spaewife” with unnamed tune collected by George St. J. Bremner “Wandering Willie” with Here Awa' There Awa' and Bonnie Dundee “Over the Sea to Skye” with the Skye Boat Song ======= Thanks to J.F.M. Russell, who has made his research into the music of Robert Louis Stevenson available on his website, https://sites.google.com/a/music-of-robert-louis-stevenson.org/introduction/home You can find many tantalizing tidbits about RLS' music manuscripts and stories about his writings. The index on his site will guide you to more information about the poems and songs I selected. ====== Thanks to Jeremy Kingsbury for inviting me to guest host this episode, and for the many words of advice and encouragement in the process of recording and editing it. Thanks to my son Ethan for his assistance and expert advice on mixing and mastering this episode. ====== A Song of the Road You can hear much more about the Over the Hills and Far Away tune in Wetootwaag's Bagpipe and History Podcast, Season 7 Episode 10: https://www.wetootwaag.com/s7e10 I didn't mention it in the episode, but one of my favorite sung settings of this song is arranged by Sean Dagher on La Nef's Sea Songs & Shanties album: (a great collection of sea shanty arrangements!) https://www.youtube.com/watch?v=vd69tvWD0xI&list=RDvd69tvWD0xI&start_radio=1 ====== The Spaewife Bremner's (unnamed) tune from a note with transcription by Fannie, Robert's wife, in her preface to Underwoods, A Child's Garden of Verses & Underwoods, Ballads, which is from the Works of Robert Louis Stevenson, Vailima Edition Volume VIII ====== Wandering Willie Original tune that Burns used for his Here Awa' There Awa', from a book RLS had in his library, The Songs of Scotland Without Words: https://www.google.com/books/edition/The_songs_of_Scotland_without_words_for/pGhBAQAAMAAJ?hl=en&gbpv=1&pg=PA19&printsec=frontcover&dq=wandering From (another book RLS had in his library) Gems of Scottish Song: (this is an adaptation of the tune that Burns used for his Bonnie Dundee) Page 1 and Page 2 RLS sketched a tune for Wandering Willie in his manuscripts, and based it on this Bonnie Dundee version, and likely altered it further in the second part. ====== Over the Sea to Skye Please see Mr. Russell's page about this song, which includes two examples of the song notated in Stevenson's hand. https://sites.google.com/a/music-of-robert-louis-stevenson.org/over-the-sea-to-skye/ And this note with transcription by Fannie, Robert's wife, in her preface to Underwoods, which is again from the Works of Robert Louis Stevenson, Vailima Edition Volume VIII https://www.google.com/books/edition/The_Works_of_Robert_Louis_Stevenson/t2Q4AAAAIAAJ?hl=en&gbpv=1&dq=spae%20wife%20brenmer&pg=PA89&printsec=frontcover ====== The Peter Pauper Press music journal is what I have been using for a few years to write down tunes as I'm learning them, or compose new ones, along with descriptions and other thoughts: https://www.peterpauper.com/products/music-journal My bellows-blown scottish smallpipes were made by Nate Banton https://natebanton.com/ My C chanter was made by Robert Felsburg https://www.thequietpiper.com/ My low D whistle and C whistle were made by Rob Gandara https://carbony.com/ +X+X+X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

The Quattro Canti is a spectacular example of Sicilian Baroque architecture on a grand scale!  Marking the entrance to Palermo's historic district, the Quattro Canti (technically Piazza Vigliena) is a large octagonal piazza laid out in the early 17th century, four side of which are occupied by Baroque facades. Each of these facades contains allegorical fountains on the ground level, statues of Sicily's Spanish rulers of Sicily on the next, and Palermo's four patron saints above. 

RHR interviews Christine Gevert, Founder and Artistic Director of Crescendo.Christine, an internationally acclaimed artist,will perform a solo harpsichord recital. Experience the genius of Wanda Landowska, the legendary keyboard player who brought Baroque harpsichord music back to life. Discover how the... Read More ›

RHR interviews Christine Gevert, Founder and Artistic Director of Crescendo.Christine, an internationally acclaimed artist,will perform a solo harpsichord recital. Experience the genius of Wanda Landowska, the legendary keyboard player who brought Baroque harpsichord music back to life. Discover how the... Read More ›

The trumpet is the most distinctive sound in the book of Revelation, more even than the harp. It has a long historical association with the divine, and has often been used to represent the voice of God and His angelic hosts. In the Baroque period, when this piece was written, the distinction between secular and sacred music was becoming more fluid, and pieces like this glorious sonata were soon adapted and played by the trumpet and organ during church services and religious processions. Let's use this brilliant Sonata for Trumpet and Strings by Henry Purcell, beautifully played by Anthony Thompson, to declare afresh the victory of the coming Kingdom of God.

Construction on the church of Sant Maria dell'Ammiraglio in Palermo, Italy, began in 1143 CE under the patronage of George of Antioch, admiral of King Roger II's navy, from which the church gets its name. The church preserves an extraordinary collection of 12th-century mosaics, the two most important of which are "Christ Coronating King Roger II" and " George of Antioch at the Feet of the Virgin Mary." In later centuries, the church received various Baroque-style additions and decorations, and the nickname "La Martorana" from the nearby Benedictine nunnery.

durée : 00:30:55 - Les Nuits de France Culture - par : Albane Penaranda - L'émission "Thèmes et controverses" proposait en 1961, un dialogue captivant entre Michel Foucault et Pierre Sipriot sur la folie et la raison, alors que Foucault publiait "Histoire de la folie à l'âge classique" (1ère diffusion : 20/10/1961 sur France III Nationale). - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Title: Pisendel in Venice How the composer Pisendel introduced Vivaldi's music to the glittering court of Dresden. Track: Vivaldi: Violin Concerto in A Major, RV 340, III. Allegro Artist: Le Concert de la Loge & Julien Chauvin Publisher: ℗ 2022 Naïve, a label of Believe Group

fWotD Episode 3313: Bicentennial Capitol Mall State Park Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Sunday, 31 May 2026, is Bicentennial Capitol Mall State Park.Bicentennial Capitol Mall State Park, commonly known as Bicentennial Mall, is an urban linear park in downtown Nashville, Tennessee, United States. The park is located on 19 acres (77,000 m2) north-northwest of the Tennessee State Capitol, and is considered an extension of the capitol grounds. It is modeled on the National Mall in Washington, D. C., and incorporates Classical Greek, Baroque, and Beaux-Arts architecture. It functions as an outdoor museum that uses symbolism to showcase the history, geography, culture, and musical heritage of Tennessee through a series of monuments, walkways, and interpretive displays. It is also landscaped with plants that are native to Tennessee. Receiving more than 2.5 million visitors annually, it is the most visited of the 61 state parks in Tennessee, and one of the most visited public spaces in Nashville.French Lick Creek passes through the site of the mall, which contained springs that attracted game wildlife and was an important hunting ground for Native Americans. These springs were later utilized by the first European explorers and settlers to the area in the 18th century. The site was prone to flooding from the nearby Cumberland River, and was not permanently settled until the arrival of German immigrants in the 1830s. When Nashville became the permanent state capital, the capitol building was constructed on the hill south of the site. French Lick Creek became contaminated with garbage and raw sewage, and was later channelized and buried in a brick sewer tunnel. The area fell into disrepair in the early 20th century, and many structures on and around the site were subsequently demolished as part of a large-scale urban renewal project funded by the Housing Act of 1949.Beginning in the mid-20th century, several tall buildings were constructed around the capitol, and some people began advocating for preserving the view from the capitol to the north. A large office complex was initially planned for the site to accommodate the enlarged Tennessee government. Plans subsequently shifted to construct a linear park for the state of Tennessee's bicentennial commemoration, although initially this plan faced skepticism from state planners. The park was designed by Tuck Hinton Architects in 1992 and 1993, and required coordination with several state agencies. Groundbreaking occurred on June 27, 1994, and the park was dedicated on June 1, 1996, the 200th anniversary of Tennessee's statehood. Additional features planned for the park, including a carillon and a walkway recognizing donors, were initially delayed due to funding constraints, but were added in succeeding years. The park struggled with maintenance difficulties and underuse in its early years. Since then, it has been recognized as a cultural and historical landmark. In 2018, the Tennessee State Museum moved to the northwest corner of the park, followed in 2021 by the Tennessee State Library and Archives, which moved to the northeast corner of the park. The incorporation of these entities into the mall complex fulfilled design concepts that were first envisioned during the initial planning of the park.This recording reflects the Wikipedia text as of 00:02 UTC on Sunday, 31 May 2026.For the full current version of the article, see Bicentennial Capitol Mall State Park on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Aria.

Robert Bremner: Duke of Perth's Reel, Capt. Ross's Reel, Short Apron, Hoptoun House, Lady Hariot Hope's Reel, The Highlandman Kiss'd His Mother, Miss Murray's Reel, Drummore's Rant, He Hirpl'd till her, Had the Lass till I winn at her, Cadgers of the Cannongate, Jeremy Kingsbury Sets: Colonel MacBain's Fancy, Brenda Stubbert's Reel, The Gravel Walk, Highlandman Kissed His Mother & Jenny Sutton From Bannocks of Barley Meal. Paddy Cary, Jigg Poltage, Ryan's Rant from Pay the Pipemaker. Dark-eyed one of the Night, Lady Seaforth, Dark Girl of the White Feet, Lady Mary Mackay, Mary Gray, Sweet Molly From Rowly Powly. J. Johnson: The Lads of Boot, William Ross: Miss Victoria Ross Iain MacInnes: Miss Victoria Ross, Lady Doll Sinclair, A'Chubhag (The Cuckoo), McFarlane's from Album Tryst Anselm Lingnau: (Traditional Tune Archive) Lady Susan Stewart's Reel John Walsh: Susan Stewart's Reel, Big thank you to Iain MacInnes for his blessing to include his track from Tryst. Tryst was published by Greentrax Label: https://greentrax.com/product/iain-macinnes-tryst-cd/ But is available on most streaming platforms as well. +X+ Cover Art is a Receipt from Robert Bremner's Shop in London courtesy of the British Museum: https://www.britishmuseum.org/collection/image/1544287001 +X+X+ I played tracks from Pay the Pipemaker: https://jeremykingsbury.bandcamp.com/album/pay-the-pipemaker Bannocks of Barley Meal: https://jeremykingsbury.bandcamp.com/album/bannocks-of-barley-meal and Rowly Powly: https://jeremykingsbury.bandcamp.com/album/rowly-powly +X+X+ Nearly all of the tunes this week come from Robert Bremner's 1757(ish) publication: A Collection of Scots Reels or Country Dances https://digital.nls.uk/special-collections-of-printed-music/archive/105002262 +X+X+ 1750: Lads of Boot From J Johnson's Country Dances (Via Traditional Tune Archive) https://tunearch.org/wiki/Lads_of_Boot +X+X+ 1869: Miss Victoria Ross: from William Ross's Collection of Pipe Music: https://ceolsean.net/content/WRoss/WRoss_TOC.html +X+X+ Susan Stewart's Reel From Traditional Tune Archive: https://tunearch.org/wiki/Lady_Susan_Stewart%27s_Reel +X+X+ 1758 (I've also seen 1760): Lady Susan Stewart's Reel from John Walsh's Caledonian Country Dances Vol 2 part IV https://archive.org/details/walsh4caledonian/ +X+X+ For may Hihland Man Kissed His Mother Episode Listen here: https://www.wetootwaag.com/s5e28 +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Worship for Pentecost Sunday May 24, 2026, from Queen Anne Lutheran Church in Seattle, our 10:00 service— Pastor Dan Peterson; Cantor Kyle Haugen Prelude— Organ settings of Luther's Pentecost hymn, KOMM HEILIGER GEIST (ELW 395, “Come, Holy Ghost, God and Lord”) by Baroque composers—Matthias Weckmann (1616–1674)  •  Dietrich Buxtehude (1637–1707) • Processional Hymn—O Holy Spirit, Enter In (ELW 786) • First Reading— Acts 2:1-21 • Psalm 104:24-34, 35b • Second Reading— 1 Corinthians 12:3b-13  • Gospel—John 20:19-23  • Sermon—Pastor Dan Peterson—"The Job of the Spirit" • Hymn of the Day—Spirit of God, Descend Upon My Heart (ELW 800) • Offertory—Psalm 68:28b–29 • Distribution Hymn—Eternal Spirit of the Living Christ (ELW 402) • Sending Hymn —God of Tempest, God of Whirlwind ELW 400) • Postlude— from an organ partita on KOMM, HEILIGER GEIST, Matthias Weckmann⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit this link⁠⁠⁠⁠⁠⁠.

Title: Schrank II What lay behind the doors of Cabinet II in Dresden? Track: Henricus Albicastro: Violin Sonata in F Minor: III. Passacaglia Artist : Kinga Ujszászi & Tom Foster Publiher: ℗ 2022 First Hand Records

This episode of The Other Side of the Bell, featuring historical, classical and jazz trumpeter Brian Shaw, is brought to you by Bob Reeves Brass. This episode also appears as a video episode on our YouTube channel, you can find it here: "Brian Shaw Trumpet Interview" And, find the expanded show notes, transcript and more photos here --- Whether it's big band jazz, classical baroque, or any number of styles in between, Brian Shaw's trumpet career is a reflection of the word, "versatility." Brian is the type of musician who, when having trouble deciding whether to major in classical or jazz, decided to simply do both! Hence a double major in jazz studies and classical performance, which yes, did result in him having to do two senior recitals. But Brian embraced the challenge, just as he did in finishing his doctorate in one year instead of three, so that he would have more time to pursue all the various avenues he wanted to explore. Today, Brian pursues teaching, writing, performance, arrangement and more from his home base near Seattle, WA. And, as you'll know from our recent "Kenny Wheeler Special," he and Nick Smart recently collaborated on a biography of inspirational trumpeter Kenny Wheeler, Song For Someone: The Musical Life of Kenny Wheeler, which added published author to Brian's resume as well. Brian joins us today to talk about his early inspirations coming from a non-musical family in small town southern Illinois, to being the first in his family to attend college, taking control of your musical education, and the various stops and projects he's pursued along his trailblazing journey. About Brian Shaw: Brian Shaw is an active performer, arranger, and educator known for his versatility. He is one of the few trumpet players in the world equally comfortable in early music, orchestral, jazz, and commercial settings on modern and period instruments, and enjoys an international performing career as a modern and historical trumpet soloist. He holds principal positions with the Dallas Winds, Santa Fe Pro Musica, Spire Baroque Orchestra. He is also a regular guest instructor of Historical Trumpet at the Eastman School of Music. From 2007-2021, he was Professor of Trumpet and Jazz Studies at Louisiana State University and was Principal Trumpet of the Baton Rouge (Louisiana) Symphony from 2014-2021. Brian has also served as guest Principal Trumpet of the Oregon Symphony, Kansas City Symphony, St. Louis Symphony, and Pacific Northwest Ballet Orchestra (US). A noted Baroque trumpet player, Shaw's 2008 recording Virtuoso Concertos for Clarino includes some of the most difficult pieces ever written for the instrument. Early Music America observed: "Shaw's tone is beautiful, and his playing unfailingly musical… His is a voice that will make a major mark on Baroque trumpet playing." His critically-acclaimed 2014 solo trumpet recording redshift was accompanied by the Dallas Wind Symphony and conductor Jerry Junkin. Brian has also released a collaborative album of classic recital pieces with pianist Jan Grimes called Sonatas and Fantasies: A Century of Standards for Trumpet and Piano, and has just completed another recording project called Virtuosic Versatility, outlining the history of the trumpet, from early music to modern jazz.  As a jazz musician, Brian plays solo and lead trumpet professionally in the Seattle area and leads a big band in Baton Rouge every December, which released a holiday-themed album titled Christmas at the Manship! in 2017. He is in demand as an arranger as well, with many scores for jazz band, brass ensemble, studio orchestra, and wind ensemble to his credit. Brian Shaw lives near Seattle with his wife Lana, their sons Thomas and Elliot, and their dog, Ernie. Episode Links: www.brianshawmusic.com YouTube: https://www.youtube.com/user/bshawmusic Apple Music: https://music.apple.com/us/artist/brian-shaw/1564984803 Kenny Wheeler book: https://www.equinoxpub.com/home/song-someone-musical-life-kenny-wheeler/ Bob Reeves Brass Events and Appearances: William Adam Trumpet Festival July 9-12, Southern Illinois University, Carbondale, Ill. Book your trumpet alignment here: https://trumpetmouthpiece.com/products/william-adam-trumpet-festival-valve-alignment-presale Podcast Credits: "A Room with a View" - composed and performed by Howie Shear Podcast Host - John Snell Photo Credits - Courtesty Brian Shaw and Equinox Publishing Audio Engineer - Ted Cragg

Title : A salon in Paris where the finest Italian and French musicians could mingle. Track : J.B. Quentin: Sonata in D Minor for Violin and Continuo, Book III No. 10, IV. Gracioso Artist : David Plantier & Les plaisirs du parnasse Pubisher : ℗ 2024 David Plantier

After six years, the Abu Ghosh festival on Shavuot is returning to the Kiryat Yearim church May 22-23, with a two-day concentrated program of vocal and instrumental masterpieces from the Baroque and Classical repertoire. Among the four special concerts is: I Am a Guitar, featuring the Barrocada Ensemble with acclaimed guitar virtuoso Liat Cohen and the radiant soprano Daniela Skorka. Cohen spoke earlier with KAN's Naomi Segal (Photo: Rob Sitbon) See omnystudio.com/listener for privacy information.

Stijn Schmitz welcomes Art Berman to the show. Art Berman is known as the energy realist and he paints a dire picture of the global energy situation, describing the Strait of Hormuz disruption as an unprecedented crisis with no historical precedent. He likens the world economy to a human losing 20% of its blood supply daily, explaining that while the West hasn’t felt immediate effects due to drawing on oil inventories, these savings will soon run out, and the lag will hit hard. Discussing supply numbers, Berman clarifies that roughly 15 to 20 million barrels per day of crude and refined products normally flow through the strait, but the effective loss is reduced to around 10 million barrels by bypass pipelines, still a catastrophic bleed-out. Berman outlines scenarios, starting with an unrealistic best case where everything resolves by June 1st, yet logistical hurdles like de-mining, insurance, and tanker queues mean oil wouldn’t flow until late 2026 at the earliest, leaving the world with no supply replenishment for months. His base case is that the Strait of Hormuz never returns to normal flows, as Iran has no incentive to relinquish the immense geopolitical leverage it now holds. He emphasizes that the U.S. is not truly energy independent, importing 6.5 million barrels of heavy crude daily because domestic light oil cannot substitute for the diesel and jet fuel the economy requires. Production restarts would be fraught with technical problems, and investor confidence in the region is permanently shattered. Berman stresses the irreversible nature of these events, comparing them to personal betrayals or missed opportunities—stabilization may occur, but the world will never return to 2025 economic norms. He notes that credible analysts predict global oil storage could hit operational limits by late July, with price spikes to $150-$160 possible before demand destruction tempers them. He highlights the unprecedented rate of supply loss, 99 times faster than any previous oil shock. Despite the bleakness, Berman finds hope in the crisis forcing necessary behavioral changes and a reevaluation of humanity's planetary footprint. Timestamps: 00:00:00 – Introduction 00:00:49 – Strait of Hormuz Disruption Significance 00:03:59 – Inventory Drawdown Effects 00:11:01 – Missing Barrel Estimates 00:16:44 – Best Case Recovery Scenario 00:27:37 – Base Case Permanent Blockade 00:28:39 – United States Energy Impact 00:32:33 – Crude Oil Quality Differences 00:45:12 – Long Term Geopolitical Outlook 01:05:40 – Storage Inventory Limits 01:25:29 – Concluding Thoughts Guest Links: Website: https://artberman.com X: https://x.com/aeberman12 Art Berman isn’t your run-of-the-mill energy consultant; he’s a full-blown disruptor in a realm riddled with myths. With 40 years in petroleum geology and an intriguing twist – a degree in Middle Eastern history – Art slices through energy complexities with academic rigor and market savvy. Forget what you thought you knew. This man’s comparative inventory approach is a guiding light for traders, investors, and policymakers. And he doesn't just spend his time consulting. Art is an adjunct lecturer at the University of Houston, your go-to expert witness, and an electrifying keynote speaker who doesn’t mince words. In a sector awash with misinformation, Art’s your source for gut-punching, data-backed truths. His clientele spans from ambitious investors to globe-spanning corporations, all seeking decisions steeped in reality, not fantasy. Love him or hate him, one thing is certain: Art Berman is an undeniable force in the energy sector. Away from the charts and graphs, Art enjoys Baroque music and psychology and spending family time with his wife, kids, grandkids, and his dog, Lily. So, are you ready for the unvarnished truth? Look no further.

durée : 00:27:13 - Les émissions culturelles de France Culture - par : Lucile Commeaux - L'heure du bilan cannois a sonné ; au programme du débat critique, trois films importants qui divisent : "La Bola Negra" de Javier Calvo et Javier Ambrossi, "L'Inconnue" d'Arthur Harari et "Minotaure" d'Andrey Zvyagintsev. - réalisation : Anne-Laure Chanel, Hélène Trigueros, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Sandra Onana Critique française de cinéma, Philippe Rouyer Critique et historien de cinéma à la revue Positif Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Title : A favourite of Madame du Pompadour and Louis XV. Track : Louis-Gabriel Guillemain - Six sonates en quatuors, Op. 12, Sonate No. 3: I. Allegro moderato Artist : Nevermind Publisher : ℗ 2015 Alpha Classics / Outhere Music France

Send us Fan MailWhy has Pachelbel's Canon in D become one of the most popular wedding pieces of all time?In this episode of The Classical Music Minute, we explore how a Baroque composition written centuries ago became closely associated with modern wedding ceremonies.Known for its flowing melodies and repeating harmonic progression, Canon in D creates a calm and elegant atmosphere that naturally suits processions and ceremonial moments. Its adaptable instrumentation has also helped make it a favourite for string quartets, organists, pianists, and wedding ensembles of all kinds.Although the piece was not originally composed for weddings, its popularity grew rapidly during the twentieth century through recordings, films, and widely broadcast ceremonies.In just sixty seconds, discover why this gentle Baroque masterpiece continues to accompany couples down the aisle around the world.Fun FactThe famous chord progression in Canon in D has become so recognizable that variations of it have appeared in countless pop songs over the years, leading some musicians to jokingly call it “the four-chord ancestor” of modern music.About The Classical Music MinuteThe Classical Music Minute is a short podcast exploring fascinating stories, quirky history, and surprising facts from the world of classical music—all in about sixty seconds.Each episode offers a quick and entertaining glimpse into composers, masterpieces, musical traditions, and the curious moments that shaped music history.You can also read the written versions of these episodes on Substack, where they're published as short articles delivered directly to subscribers.About Steven, HostSteven Hobé is a Canadian composer and actor based in Toronto and a member of the Canadian League of Composers. He is the creator and host of The Classical Music Minute, a series devoted to making classical music history engaging, surprising, and accessible.Topics CoveredCanon in D, Pachelbel Canon in D, wedding classical music, why Canon in D weddings, Johann Pachelbel, famous wedding music, Baroque music, classical wedding songs, Canon in D history, wedding procession musicJoin me on Substack

Tunes: Robert Bremner: Ratha Fair, Lady Doll Sinclair's Reel, The Milkmaids of Blantyre, Miss Polly Skinner's Reel, Miss Ramsey's Reel, The Parks of Kilburnie, Kiss me Sweetly, Cameron Has Got his Wife Again, Mr. Robert Kenney's Reel, Miss Blair's Reel, I'll gae nae mair to your Town, The Fyket, Isle of Sky, Jacky Stewart's Reel, Capt. Ross's Reel, Duke Of Perth's Reel, Wililam Vickers: Lanox Love, Sutherland: Clean Peas Straw, Donald MacDonald: Pease Straw, Thomas Glen: Pease Strae, Abraham MacIntosh: Miss Parker's Reel, James Aird: The Fyket, +X+X+ If you like the sound of my new whistles, check out Verdant Whistles here: https://www.irishflutestore.com/products/verdant-whistles?variant=46855357432034 +X+ If you want to hear Robert Bremner's Treatise on music you can listen to my reading of it here: https://www.wetootwaag.com/s8e2 +X+ The Articles I found about the Possible "Lady Doll Sinclair" https://tunearch.org/wiki/Annotation:Lady_Doll_Sinclair https://threadinburgh.scot/2023/01/04/the-thread-about-the-ninth-day-of-christmas-the-lady-behind-lady-fifes-house-well-and-brae-and-what-she-has-to-do-with-primrose/ https://www.facebook.com/share/1CzNLUYjcC/ +X+X+ Nearly all of the tunes this week come from Robert Bremner's 1757(ish) publication: A Collection of Scots Reels or Country Dances https://digital.nls.uk/special-collections-of-printed-music/archive/105002262 +X+ I'm hoping ot update the notes soon, but shoot me an email if you're looking for any of the other sources I didn't link yet. FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Cello and piano can be a brutal matchup when nobody makes room, but when the balance is right it becomes one of the most revealing duo formats in music. We sit down with cellist Matt Haimovitz and pianist Christopher O'Riley to trace how their partnership started, why it clicked so fast, and what they've learned from years of turning rehearsal into a kind of shared research lab.We talk about building programs that cross borders without losing rigor, from Shuffle Play Listen to projects that pull ideas from Beethoven, contemporary music, and arranged songs by artists like Radiohead. Chris shares the pianist's responsibility for momentum and for protecting the “lyric impulse,” and Matt explains how true collaboration feels less like compromise and more like testing ideas until the music tells you what it needs.Then we go deep on Bach Dialogues: Bach sonatas reimagined with a five-string Baroque cello piccolo and the clavichord, an instrument Bach loved for its dynamic control and string-like touch. They unpack the realities of gut strings, pitch standards like A=415, why the clavichord is both expressive and famously quiet, and how modern recording and modeling technology can help bring an “impossible” instrument pairing to life onstage and in the studio.If you care about chamber music, historically informed performance, Bach interpretation, or simply how great musicians listen to each other, this conversation is full of practical insight. Subscribe, share this with a musician friend, and leave a review so more listeners can find the show.For more information on Matt: https://www.matthaimovitz.com/You can also find Matt on Facebook and Instagram: @MatthaimovitzYoutube: @MatthaimovitzFor more information on Chris: https://christopheroriley.com/You can also find Chrison Facebook and Instagram: @christopher_oriley_Youtube: @ChristopherORiley360To download "The Bach Dialogues https://www.pentatonemusic.com/product/the-bach-dialogues-digital-only-album/If you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out www.theCelloSherpa.comFollow us on Facebook, Instagram, Threads & YouTube: @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

I've decided to make it Tenor Week here on Countermelody. Earlier this week, we heard Charles Kullman in a smattering of live and studio recordings. Back in November, as I was collating material for the arie antiche episode, which featured more than a century's worth of great singers, I noticed one singer who frequently programmed such (restyled) Italian baroque songs in his concerts and recordings, the Italian tenor Beniamino Gigli, considered by many to be the greatest tenor, Italian or otherwise, since Caruso. I confess that, in all my years of listening, Gigli was a singer to whose charms I had remained mostly indifferent. But then I began to listen to his recordings of arie antiche, many of them made in the last decade of his career, and I was charmed and delighted by his performances. There is a freshness of voice, an evenness of scale, a headiness of timbre, and, most of all, a sheer delight in singing, that is completely infectious. So today I have compiled most, if not all, of his recordings of this material for an episode of pure vocal escapism. Here is Gigli, all his problematic qualities set aside, singing the songs and arias of Carissimi, Caldara, Cesti, Marcello, Scarlatti, and Bononcini, among others, in a way that invites us to leave our troubled world for a few moments and partake of his vocal stylings of these delectable faux-Baroque bocconcini. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

This year marks the tercentenary of polymath Sir John Vanbrugh, regarded as the rockstar architect of the Baroque era. Art historian Sir Charles Saumerez Smith, co-curator of the Vanbrugh exhibition at the Sir John Soane's Museum, and Rory Fraser who is writing a biography on Vanbrugh, discuss the man happy creating dramas for the British stage and dramatic buildings on the British landscape.Turner Prize-winning artist Lubaina Himid is known for her distinctive brightly coloured paintings of black characters. She reflects on representing Great Britain at this year's Venice Biennale, and her ambition as a painter to capture the awkward moment.Marking tonight's first semi-final of the Eurovision Song Contest, television critic Scott Bryan assesses this year's runners and riders aiming to win the song for Europe.Theatre and opera director Kip Williams on directing the UK premiere of the Pulitzer prize-winning opera Angel's Bone which has its UK premiere in Manchester tonight. Fresh from directing one-woman shows with Cynthia Erivo in Dracula, and Sarah Snook in The Picture of Dorian Gray, he talks about juggling the challenges of a contemporary genre-fusing opera.Presented by Nick Ahad Produced by Ekene Akalawu

Title: Not one Nicola Matteis, but three. Track: Matteis Jnr "Alia Fantasia" Artist: Isabelle Faust Publisher: ℗ 2023 harmonia mundi

Episode: 3373 Today we meet Thomas Campion: medical doctor, and a great poet and composer.  Today, let's meet Thomas Campion.

Tunes: David Young: The Drunken Wives in Pearson's Closs, Robert Bremner: Oyater Wives Rant, Lady Doll Sinclair's Reel, James Aird: The Oyster Wive's Rant, Mullindough or the Black Laddie, Angus Cumming: Haugh's of Cromdale, John Peacock: Oyster Wifes Rant Donald MacDonald: A Mulinn Dubh, The Whimsical, Jingling Johnie, The Miller's Fair Daughter, Morag is Domhnull (or Marion & Donald), The Jolly Old Gardner, John Rook: The Black Laddie, Thomas Glen: Mulinn Dubh (The Black Mill), William Gunn: Am Muilen Dubh (The black Mill) William Ross: The Black Mill LBPS Blue Book: The Oyster Wife's Rant, Jeremy Kingsbury: Oyster Wife's Rant, Be sure to Post your performance to your own instagram account and tag it #LBPS or #LBPSTOTM or post your rendition straight to the Lowland and Border Pipers' Group (Formerly LBPS Forum) https://www.facebook.com/share/g/1FZMPP8vUm/ You should also explore the growing resources at the LBPS Tune of the Month Website: https://lbps.net/j3site/index.php/repertoire/tune-of-the-month/1297-may-2026-oyster-wifes-rant SOURCES +X+ 1740: The Drunken Wives in Pearson's Closs from David Young's A Collection of the Newest Country Dances Perform'd in Scotland at Edinburgh by Da. Young WM Image Courtesy Pete Stewart +X+ 1760s: The Oyster Wive's Rant From Robert Bremner's A Collection of Scots Reels or Contry Dances https://digital.nls.uk/special-collections-of-printed-music/archive/105003175 +X+ 1780: The Oyster Wive's rant from James Aird's A selection of Scotch, English, Irish, and foreign airs : adapted to the fife, violin or German-flute https://archive.org/details/selectionofscotc00ingl/page/2/mode/2up +X+ 1800(ish): Oyster Wifes Rant from John Peacock's A Favourite Collection of Tunes with Variations Adapted for the Northumberland Small Pipes, Violin or Flute http://www.farnearchive.com/farneimages/jpgs/K0101300.jpg +X+ 1828: A Mulinn Dubh from Donald MacDonald's A Collection of Quicksteps, Strathspeys, Reels & Jigs Arranged for the Highland Bagpipe https://digital.nls.uk/special-collections-of-printed-music/archive/105682759 +X+ 1840: The Black Laddie from John Rook's Manuscript Multum in parvo or a Collection of old English, Scotch, Irish & Welsh Tunes. https://www.cl.cam.ac.uk/archive/rja14/musicfiles/manuscripts/rook/rook_pages/059.htm +X+ 1843: Mulinn Dubh From A New and Complete Tutor for the Great Highland Bagpipe by Thomas Glen https://ceolsean.net/content/TGlen/TGlen_TOC.html +X+ 1848: An Muilen Dubh (The black Mill) from William Gunn's The Caledonian Repository of Music adaptes for the Bagpipes https://ceolsean.net/content/Gunn/Gunn_TOC.html +X+ 1869: The Black Mill From Ross's Collection of Pipe Music by William Ross https://ceolsean.net/content/WRoss/WRoss_TOC.html +X+ Black Mill Set from Cold and Raw: https://jeremykingsbury.bandcamp.com/album/cold-and-raw + 1828: The Whimsical (Fall of Foyers) from Donald MacDonald's Collection of Quicksteps, Strathspeys, reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682660 + 1828: Jingling Johnie (Kate Dalrymple) from Donald MacDonald's Collection of Quicksteps, Strathspeys, reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682737 + 1828: The Miller's Fair Daughter from Donald MacDonald's Collection of Quicksteps, Strathspeys, reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682605 + 1828: Morag is Domhnull (or Marion & Donald) from Donald MacDonald's Collection of Quicksteps, Strathspeys, Reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682682 + 1828: The Jolly old Gardener from Donald MacDonald's Collection of Quicksteps, Strathspeys, reels and Jigs https://digital.nls.uk/special-collections-of-printed-music/archive/105682627 +X+X+ The Oyster Wife's Rant from Lowland and Border Pipers' Society The Blue Book; Committee Sessions Repertoire https://j3site.lbps.net/index.php/repertoire/miscellaneous-collections/379-the-blue-book-committee-sessions-repertoire +X+ Link to the Discussion of “Playing Reels to Oyster women” https://lbps.net/j3site/index.php/common-stock/archive-issues/130-june-2012/690-playing-reels-to-oyster-women Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Ms. Trixie Mattel and Ms. Katya Zamo kindly request the distinguished honor of your presence at their most magnificent nuptial celebration, where the theme shall be "Baroque Techno Jurassic Gothic Cyborg Barbie Vampire." It will be held at the abandoned Hawthorne Plaza Mall in Hawthorne, CA, where the decor shall scream "gilded ruin of Baroque splendor where pink-hued creatures of the night have mated with cyborgs in orgiastic bliss." Guests are respectfully encouraged to appear in formal attire befitting the evening's vision, namely Gothic court dress enriched with jewel tones, polished mechanical adornments, vampiric elegance, prehistoric accents, and, if one feels so moved, a whisper of pink-tinged old Hollywood glamour. A supper and bar of darkly splendid delicacies and rosy, probiotic blood-orange libations shall be served post-ceremony. Please feel free to visit our registry at The Sharper Image and make sure to RSVP no later than April 1st. To get simple, online access to personalized, affordable care for ED, Hair Loss, Weight Loss, and more, visit: https://Hims.com/BALD Need a website? Head to Squarespace.com for a free trial, and when you're ready to launch, save 10% off your first purchase of a website or domain at: https://Squarespace.com/BALD To get fifty percent off your first month, then twenty percent off for two months with free shipping, use code 50BALD at: https://Greenchef.com/50BALD Find furniture, decor, and essentials that fit your unique style and budget! To shop all things home, head to: https://Wayfair.com Start saving today with Rakuten! Download the Rakuten app today or join for free at: https://Rakuten.com Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/TrixieKatyaYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out our official YouTube Clips Channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/TrixieAndKatyaClipYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to follow the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to support the show, and get all the episodes ad-free go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thebaldandthebeautiful.supercast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out future Live Podcast Shows, go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://trixieandkatya.com/#tour⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out the Trixie Motel in Palm Springs, CA: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.trixiemotel.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen and Watch Anywhere! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Trixie: Official Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.trixiemattel.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@trixie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter (X): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Follow Katya: Official Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.welovekatya.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@katya_zamo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/welovekatya⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/katya_zamo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter (X): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/katya_zamo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   #TrixieMattel #KatyaZamo #BaldBeautiful Learn more about your ad choices. Visit podcastchoices.com/adchoices