Podcasts about Baroque

English singer and multi-instrumentalist Patrick Wolf built his sizable reputation on a blend of Baroque pop and arty, classically-informed folk-rock. But a series of setbacks kept him from the music scene for a decade, before he returned with an EP in 2023, and in June of 2025, his latest LP called Crying The Neck. Patrick Wolf joins us at the piano, to play new songs, in-studio. Set list: 1. Enter the Day 2. The Last of England 3. Foreland 

Tunes: Rhiona Sidley, Stuart Letford and Tom Rust with MacCrimmon's Lament Jeremy Kingsbury: Hacky Honey, Tam Glen/Lads Wi' the Kilts, Stool of Repentance, Merry Old Woman, Jackson's Lake, Fionnlaigh Mac a Phiocair with the Rolling Wave Set Ian Kinnear with The Bloody Fields of Flanders and Lochanside +X+X+ Big thanks to all the musicians and LBPS for inviting me over! Check out the episode on Enjoy Your Piping: https://enjoyyourpiping.buzzsprout.com/2146429/episodes/18254064-episode-125-bellows-in-dunkeld Check out the LBPS Website here: https://lbps.net/j3site/index.php Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

This podcast takes you into the extraordinary building and collection of the Borghese Gallery in Rome, Italy. From the great hall with its beautiful ceiling fresco, ancient Roman floor mosaics depicting gladiators and beast hunters, and ancient/Baroque statue of "Marcus Curtius," to the adjoining Caravaggio room which houses six paintings by the great master, a visitor to the Borghese Gallery is immediately struck by the magnificence of the collection.   

In this episode Jeremy contemplates the 'shape' of time with the help of French philosopher Gilles Deleuze. If reclaiming time from the catastrophe of progress requires that we invent new forms of temporality, then perhaps the fold, a concept developed by Deleuze, can help us develop better metaphors, more dynamic 'shapes,' for time. Folds and pleats fold, unfold, and enfold, emphasizing interrelationships between past, present and future. The fold helps us think with a weirder time of the present, opening a zig-zagging path towards more relational futures.Show note:Join Jeremy for a weekend seminar starting on December 5, "Integral Futuring: Reclaiming Time in the Radical Present."Gilles Deleuze. The Fold: Liebniz and the Baroque.Forthcoming: Fragments of an Integral Future: Essays on Time, Ecology, and a New Worldview (early 2026).

C'est son album le plus personnel, avec lequel il nous dévoile des facettes que l'on ne connaissait pas ou si peu de lui, à travers un répertoire qu'il ne fréquentait guère en public. David Fray a réuni un florilège de petites pièces du répertoire baroque, dans l'esprit de Bis. « Baroque Encores » tel est, justement le titre de cet album sorti chez Erato. A l'exception de Bach, il n'avait, jusqu'ici, jamais osé jouer ou enregistrer des pièces de compositeurs tels Rameau, Couperin ou Pancrace Royer qui figurent à ce programme. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Title: St Cecilia(Saint and Muse - Cecilia is breaking my heart) Track: Herbert Howells: A Hymn for St Cecilia Artist: The choir of Royal Holloway is conducted by Rupert Gough Publisher: ℗ 2014 Hyperion Records Limited

durée : 00:14:26 - Le Disque classique du jour du lundi 24 novembre 2025 - Dans ce nouvel album, qui marque son retour après plusieurs années de silence, le pianiste David Fray présente un répertoire comprenant des œuvres pour clavier originales de Bach, Rameau ou Scarlatti, ainsi que des transcriptions pour piano de Haendel, Vivaldi, Royer... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:26 - Le Disque classique du jour du lundi 24 novembre 2025 - Dans ce nouvel album, qui marque son retour après plusieurs années de silence, le pianiste David Fray présente un répertoire comprenant des œuvres pour clavier originales de Bach, Rameau ou Scarlatti, ainsi que des transcriptions pour piano de Haendel, Vivaldi, Royer... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Step into a world where music transcends time, weaving a tapestry of sound and storytelling. From the majesty of the Baroque to the passion of the Romantic era, from cinematic landscapes to bold contemporary soundscapes, the organ's voice will transport you across centuries. Laughter and drama unfold in a lively work for organ and narrator, while the ethereal fusion of organ and tape blurs the line between the real and the otherworldly.

Auditrices :Alice :  22h31–23h41Atteinte de syllogomanie, Alice cherche une solution. Vanessa :  23h46–00h14Avec son groupe Baroque and Pop, Vanessa revisite les grandes œuvres lyriques. Brigitte : 00h15–00h33Psychopédagogie : Brigitte souligne l'importance des mots chez les jeunes. Fanny : 00h37–00h56Fanny est en proie à des rêves récurrents qui l'épuisent.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités :Alice : atteinte de syllogomanie, Alice cherche une solution.Vanessa : avec son groupe Baroque and Pop, Vanessa revisite les grandes œuvres lyriques.Brigitte : Psychopédagogie : Brigitte souligne l'importance des mots chez les jeunes.Fanny est en proie à des rêves récurrents qui l'épuisent.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Auditrices :Alice :  22h31–23h41Atteinte de syllogomanie, Alice cherche une solution. Vanessa :  23h46–00h14Avec son groupe Baroque and Pop, Vanessa revisite les grandes œuvres lyriques. Brigitte : 00h15–00h33Psychopédagogie : Brigitte souligne l'importance des mots chez les jeunes. Fanny : 00h37–00h56Fanny est en proie à des rêves récurrents qui l'épuisent.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Auditrices :Alice :  22h31–23h41Atteinte de syllogomanie, Alice cherche une solution. Vanessa :  23h46–00h14Avec son groupe Baroque and Pop, Vanessa revisite les grandes œuvres lyriques. Brigitte : 00h15–00h33Psychopédagogie : Brigitte souligne l'importance des mots chez les jeunes. Fanny : 00h37–00h56Fanny est en proie à des rêves récurrents qui l'épuisent.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Auditrices :Alice :  22h31–23h41Atteinte de syllogomanie, Alice cherche une solution. Vanessa :  23h46–00h14Avec son groupe Baroque and Pop, Vanessa revisite les grandes œuvres lyriques. Brigitte : 00h15–00h33Psychopédagogie : Brigitte souligne l'importance des mots chez les jeunes. Fanny : 00h37–00h56Fanny est en proie à des rêves récurrents qui l'épuisent.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This Day in Legal History: Mississippi BurningOn November 21, 1964, a federal grand jury convened in Meridian, Mississippi, and indicted 19 men in connection with the murders of James Chaney, Andrew Goodman, and Michael Schwerner—three civil rights workers abducted and killed by the Ku Klux Klan during Freedom Summer. The brutal killings had shocked the nation, but Mississippi officials refused to pursue murder charges, prompting the federal government to step in. Lacking jurisdiction over homicide, federal prosecutors turned to a rarely used provision of the Reconstruction-era Civil Rights Act of 1870, charging the defendants with conspiracy to violate the victims' civil rights.This legal maneuver led to United States v. Price (1967), a pivotal Supreme Court case that affirmed the federal government's authority to prosecute state actors and private citizens working in concert to deprive others of constitutional rights. The Court unanimously held that the Due Process Clause of the Fourteenth Amendment could be enforced through criminal prosecution when state officials or their proxies engaged in unlawful conduct.At trial, seven of the defendants, including a deputy sheriff, were convicted—though none received more than ten years in prison. Several of the most notorious perpetrators, including Edgar Ray Killen, evaded justice for decades. Still, the case marked one of the first successful federal efforts to hold white supremacists accountable for racial violence in the Jim Crow South.The Mississippi Burning case revealed both the limits of federal power—since murder charges were off-limits—and its emerging role as a necessary backstop when local justice systems failed. It signaled a new willingness by the Department of Justice to engage in civil rights enforcement, even in the face of deep local hostility. The grand jury's action on this day helped set legal and moral precedent for future federal interventions in civil rights cases.Google is making a final argument in federal court to avoid a forced breakup of its advertising technology business, as the U.S. Department of Justice (DOJ) wraps up its antitrust case. U.S. District Judge Leonie Brinkema already ruled in April that Google maintains two illegal monopolies in the ad tech space. Now the court is weighing remedies, with the DOJ and several states pushing for the sale of Google's AdX exchange, a key platform where digital ads are auctioned in real time.During an 11-day trial that began in September, the DOJ argued that only a forced divestiture would effectively curb Google's anticompetitive conduct. In response, Google contended that breaking up its ad business would be technically disruptive and harmful to customers. The company also emphasized that it would comply with less drastic remedies.The trial represents one of the most serious legal threats to Google's ad empire to date. While Google has largely avoided major penalties in previous antitrust actions, this case—and others still pending against Meta, Amazon, and Apple—could mark a turning point in federal enforcement against Big Tech.Google has pledged to appeal any adverse ruling, including Judge Brinkema's earlier decision and a separate finding in Washington that declared Google's dominance in online search and advertising unlawful. In that case, Google was not forced to sell its Chrome browser but was ordered to share more data with competitors.The outcome of this trial could have lasting implications for the structure of the digital ad industry and the future of antitrust enforcement in the tech sector.Google aims to dodge breakup of ad business as antitrust trial wraps | ReutersAs the federal government considers limiting state regulation of artificial intelligence, many U.S. states are moving in the opposite direction—introducing legislation to curb algorithmic pricing practices that may be inflating costs for consumers. These laws target the growing use of software that sets prices based on personal data, such as location, browsing history, and past purchases. Critics argue this enables businesses to charge consumers what they're perceived to be willing to pay, not a fair market rate.Former FTC Chair Lina Khan, now advising New York City's incoming administration, is helping shape efforts to leverage state authority to combat such practices. Laws already passed in New York and California prohibit algorithmic collusion in rental markets, and 19 other states are considering similar bills to restrict price-setting based on competitor data.The issue has attracted bipartisan concern. Utah Republican Tyler Clancy plans to introduce legislation aimed at giving consumers more control over the data companies collect and use to personalize prices. Advocacy groups like Consumer Reports warn that AI-driven pricing risks exacerbating inequality, allowing companies to charge different prices based on who they think the buyer is—effectively punishing certain groups of consumers.Meanwhile, President Trump is reportedly considering an executive order that would block state-level AI rules, escalating the tension between federal deregulation efforts and state-led consumer protection initiatives.US states take aim at data-driven pricing to ease consumer pain | ReutersIn a landmark decision, the New Jersey Supreme Court has become the first high court in the U.S. to ban prosecutors from introducing expert testimony that shaking alone can cause the internal injuries typically attributed to Shaken Baby Syndrome (SBS). The 6–1 ruling came in two separate child abuse cases involving fathers accused of harming their infant sons. The court held that the state failed to show sufficient scientific consensus across relevant fields, particularly from biomechanical engineering, to justify presenting SBS as a reliable diagnosis in the absence of external trauma.While SBS has long been used to explain serious injuries like brain swelling and internal bleeding in infants—forming the basis for thousands of abuse prosecutions—the court emphasized that scientific evidence must be broadly accepted and reliable, not speculative or limited to select disciplines. Pediatricians and neurologists largely support the SBS diagnosis, but the court noted that the foundational research stemmed from a 1968 whiplash study, and the biomechanics field has not confirmed that shaking alone, without head impact, can produce the injuries.One of the defendants, Darryl Nieves, had his case dismissed, while the other, Michael Cifelli, remains charged but plans to seek dismissal based on the ruling. The decision opens the door for challenges in past SBS convictions and may limit future prosecutions relying solely on SBS testimony.Justice Fabiana Pierre-Louis wrote that the door isn't permanently closed—if future research can establish consensus, such testimony may be admitted. But for now, the ruling significantly raises the bar for the use of SBS in court. Justice Rachel Wainer Apter dissented, warning that the majority gave too much weight to a single scientific field over others.New Jersey high court first in US to ban Shaken Baby Syndrome testimony | ReutersA piece I wrote for Forbes this week examined how Foreign Bank and Financial Account (FBAR) reporting enforcement has evolved into a penalty system wildly out of sync with the actual harm caused. I opened with the United States v. Saydam decision, where a dual citizen was hit with a $437,000 civil penalty for failing to file FBAR forms—even though the government's tax loss was only about $29,000. There was no fraud, no evasion, and no criminal behavior, yet the punishment looked like something reserved for offshore tax schemers. I argued that this case shows how FBAR has drifted far from its original purpose under the Bank Secrecy Act, which was aimed at serious financial crime, not routine reporting lapses.In the article, I explained how the concept of “willfulness” has morphed into something elastic enough to include recklessness or even simple inattention, giving the IRS license to impose penalties of up to 50% of an account's highest balance per year. That structure means the punishment often bears no relation to any underlying tax obligation. Saydam's case illustrates this perfectly—the government simply took his highest‑balance year, sliced it in half, spread it across the years he didn't file, and ended up with a crushing figure.I also emphasized that the people being hit hardest aren't drug traffickers or money‑launderers; they're ordinary taxpayers with overseas ties—dual citizens, immigrants, retirees—whose “wrongdoing” is usually limited to missing a form. The court's acknowledgment that FBAR penalties are indeed “fines” under the Eighth Amendment should have prompted a stronger proportionality analysis, but instead it set a very forgiving standard for the government, effectively blessing massive penalties for paperwork lapses.In my view, when penalties exceed the actual tax loss by a factor of fifteen, we're no longer talking about a compliance tool—we're talking about a punitive revenue mechanism. The system now incentivizes extracting large sums from people who pose no threat to the tax base. Saydam didn't hide money or lie about his income; he just didn't file a disclosure. Yet he now faces nearly half a million dollars in liability. As I wrote, if this is the precedent, FBAR has stopped being a transparency measure and has become a blunt instrument aimed at immigrant taxpayers.The Rise And Proliferation Of Excessive FBAR PenaltiesThis week's closing theme is by Henry Purcell.This week's closing theme comes from Purcell, the brilliant English Baroque composer often called “the Orpheus Britannicus” for the beauty and depth of his music. Born in 1659 and active during the late 17th century, Purcell's work bridged the gap between Renaissance polyphony and the emerging Baroque style, blending French elegance, Italian expressiveness, and a distinctly English sensibility. Though he died young at just 36, his influence on British music would echo for centuries.While his “Ode to Saint Cecilia”—written for the patron saint of music—is his most direct connection to November 22, the official feast day of Saint Cecilia, Purcell's music is appropriate listening for this week. His compositions often graced the St. Cecilia Day festivals held annually in London, celebrating music itself as a divine art.The Overture in G minor, which closes our episode today, is not among his ceremonial odes but showcases many of his signature strengths: tight contrapuntal writing, a dark, dignified mood, and striking harmonic shifts that feel centuries ahead of their time. The overture begins with a slow, solemn introduction before launching into a more vigorous section, where rhythmic vitality meets melodic restraint.It's a concise, powerful piece that reflects Purcell's talent for writing music that is both emotionally direct and structurally refined. Though originally composed for a larger suite or theatrical context, it stands on its own as a miniature masterwork. As the week draws to a close and Saint Cecilia's Day approaches, Purcell's music reminds us that even in constraint—of time, of scale, of form—there can be grandeur.And with that, enjoy Purcell's Overture in G minor! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Andrew talks in detail about his unsure entry into the world of Dungeons and Dragons. A story about the use of A.I. in documentaries has Luke very concerned. And a favorite TBTL song scats its way back onto the show. 

Title: Baroque Minimalism (Need some calming 400 year old ‘minimalist' music while studying for exams?) Track: Kapsberger's Toccata Arpeggiata Artist: Darko Karajić Publisher: ℗ 2015 Darko Karajic

durée : 00:03:56 - Quand Joe Hisaishi rencontre Antonio Vivaldi - par : Max Dozolme - Ses plus grands modèles sont Debussy et Mahler et pourtant Joe Hisaishi, le compositeur phare des films de Kitano et Miyazaki apprécie aussi beaucoup la musique baroque. Il a même arrangé une œuvre célèbre de Vivaldi pour un court-métrage méconnu du Studio Ghibli. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

A Mile to Ride, Dorrington Lads, Generous Fox, Bonny Lad, Welcome to Town Again, Rock and Wee Pickle Tow, Terribus, Ye Banks and Braes of Bonnie Doon, Jack Lattin Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

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Before the idea of feminism took shape, there was what writers once called “the woman question.” The phrase comes from the querelle des femmes—a centuries-long debate in Europe about women's rights, intellect, and place in society. One of the first to take it up was Christine de Pizan, the Italian-French court writer who, in 1405, published The Book of the City of Ladies. At a time when most women were excluded from education and public life, de Pizan challenged misogyny head-on, laying some of the earliest groundwork for what we now understand as feminist thought. That question—what is a woman's place in culture and history?—has echoed ever since. In 1971, the art historian Linda Nochlin famously reframed it by asking: “Why Have There Been No Great Women Artists?” We have a clear answer: there had been great women artists all along, but their stories were often overlooked, dismissed, or erased. A new exhibition at the recently opened Museum of Modern Art in Warsaw hones in on that conversation. "The Woman Question: 1550–2025," curated by Alison M. Gingeras, gathers nearly five hundred years of women's creative production—from Renaissance pioneers like Sofonisba Anguissola and Lavinia Fontana, to Baroque heroines such as Elisabetta Sirani and Artemisia Gentileschi, and contemporary artists including Betty Tompkins and Lisa Brice. With more than 200 artworks, the exhibition focuses on how women saw and depicted themselves and the world, and how the represented power, resistance, desire, and violence. Through portraits, allegories, and bold depictions of female experience, these artists reveal how women have long claimed creative agency despite the structures built to contain them. On this episode of The Art Angle, Gingeras joins senior editor Kate Brown from Warsaw, Poland, to talk about early women art stars, recent rediscoveries, and why, after all this time, we still need all-women exhibitions.

Venice is a museum without walls — but behind her doors, each palace tells a different story.In this episode, Monica takes you through the city's most fascinating museums — places where beauty, history, and imagination still breathe.In this episode:

This week it's the tale of the Portuguese galleon Padre Eterno, launched in the Bay of Guanabara in 1663. More the story of a ship that did wreck at some point and the world she inhabited rather than a nuts-and-bolts 'shipwreck' yarn. The Sameer Project Sources: Blackburn, Robin. The Making of New World Slavery: From the Baroque to the Modern, 1492 - 1800. Verso, 1998. Camenietzki, Carlos Ziller. “O galeão Padre Eterno.” BN Digital Brasil. https://bndigital.bn.gov.br/dossies/historia-da-ciencia/o-galeao-padre-eterno/Costa, Fernando Dores. A Guerra da Restauração, 1641 - 1668 (Temas de História de Portugal. Livros Horizonte, 2004. Gomes, Laurentino. Escravidão, Volume I: Do primeiro leilão de cativos em Portugal até a morte de Zumbi dos Palmares. GloboLivros, 2019. Lara Mesquita, João. “Padre Eterno: maior navio do século 17 no Brasil.” Mar Sem Fim, 13 Jan 2020. https://marsemfim.com.br/maior-navio-do-mundo-no-seculo-17-foi-construido-no-brasil/Marcolin, Neldson. “Por mares sempre navegados.” Pesquisa, vol. 189, Nov 2011. https://revistapesquisa.fapesp.br/por-mares-sempre-navegados/Russell-Wood, A. J. R. The Portuguese Empire, 1415 - 1808: A World On The Move. Johns Hopkins University Press, 1998.https://lisboa-e-o-tejo.blogspot.com/2019/06/padre-eterno.htmlEls Segadors (Catalan National Anthem) referenced in the episodeSupport the show

Title: Telemann's Garden (Opus Article) Track: James Oswald: Airs for the Seasons, Spring. Ranunculus: I. Moderato and II. Allegro Andante Artist: Rezonance Baroque Ensemble Publisher: ℗ 2023 Leaf Music ULC

Art Historian Eleanor Walker joins us this episode to discuss the life and patronage of Isabella d'Este, Marchioness of Mantua. Isabella perfectly bridges the northern courts of Este Ferrara and Gonzaga Mantua, serving as the pivotal figure who united the two courts.Eleanor Walker introduces us to the life and vibrant personality of this Renaissance giant, looking at the scope and limitations of women in power in the northern courts. Then we turn to her patronage, diving deep into her portrait by Titian and a copy of another Titian portrait of Isabella by the Baroque master Peter Paul Rubens. Works Discussed: Titian, Isabella in Black, ca. 1536 https://www.khm.at/kunstwerke/isabella-d-este-markgraefin-von-mantua-1474-1539-1940Peter Paul Rubes, Isabella in Red (copied after Titian), ca. 1605 https://en.wikipedia.org/wiki/Isabella_in_Red_(Rubens)Support/Watch/Follow: https://linktr.ee/italian_renaissance_podcastJennifer Samit and Eleanor Walker, Women Artists in Their own Words: https://www.merrellpublishers.com/9781858947235Jill Burke, How to Be a Renaissance Woman, https://www.amazon.it/How-Renaissance-Woman-Jill-Burke/dp/1788166663/ref=asc_df_1788166663?mcid=84574746f829322698bfc93eb94e80af&tag=googshopit-21&linkCode=df0&hvadid=700814440216&hvpos=&hvnetw=g&hvrand=11473624181355666976&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9199215&hvtargid=pla-1888711395289&psc=1&hvocijid=11473624181355666976-1788166663-&hvexpln=0Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

We've unlocked a bonus episode for everyone, since there's some useful information here for an upcoming main episode dealing with Portugal/Brazil. Sources:Blackburn, Robin. The Making of New World Slavery: From the Baroque to the Modern, 1492 - 1800. Verso Books, 1998. Silva, Daniel Neves. "Escravidão no Brasil." Universo Online, https://mundoeducacao.uol.com.br/historiadobrasil/escravidao-no-brasil.htmTinnie, Dinizulu Gene. “The Slaving Brig Henriqueta and Her Evil Sisters: A Case Study in the 19th Century Illegal Slave Trade to Brazil.” The Journal of African American History, vol. 93, no. 4, Fall 2008, pp. 509 - 531. "Trans-Atlantic Slave Trades - Estimates." https://www.slavevoyages.org/assessment/estimatesSupport the show

durée : 01:33:17 - Les Nuits de France Culture - par : Mathias Le Gargasson - Ce numéro de "Surpris par la nuit" reprend l'enregistrement du cours donné en 1986 par Gilles Deleuze sur le pli, Leibniz et le baroque. Un assemblage qui semble bien hétéroclite mais qui a été un moment essentiel de la pensée deleuzienne, l'un des apports les plus connus à l'histoire de la pensée. - réalisation : Vincent Abouchar - invités : Gilles Deleuze Philosophe français; Rodolphe Burger Compositeur, guitariste et chanteur français; Georges Didi-Huberman Historien de l'art et philosophe, maître de conférences à l'EHESS; Gibus de Soultrait Directeur de “Surfer's Journal” France

Title: Telemann meets Don Quixote Track: Don Quixote Suite: III Son Attaque Des Moulins a Vent, IV Les Soupirs Amoureux Apres La Princesse Dulcinee, VII Le Couche De Don Quixote Artist: Christian Lindberg, Musica Vitae & Georg Philipp Telemann Publisher: ℗ 2020 European Gramophone

The great French soprano Rachel Yakar died on 24 June 2023 at the age of 87. As she frequently performed opposite our last subject, Swiss tenor Eric Tappy, this episode makes a suitable pendant to that one. Celebrated for her transcendent performances of Baroque music, (Monteverdi and the French Baroque in particular), Yakar was (like previous podcast subjects Eugene Holmes, Oralia Domínguez, Hana Janků, Gwendolyn Killebrew, and Teresa Żylis-Gara) also a member of ensemble of the Deutsche Oper am Rhein in Düsseldorf and Duisburg, with which company she performed for more than 25 years, singing a dizzying range of repertoire, everything from Mélisande to Arabella, Liù to Rusalka, Euridice to Desdemona. She also performed Donna Elvira and the Marschallin at Glyndebourne; and was an unforgettable Poppea in the Ponnelle-Harnoncourt Monteverdi cycle filmed for Unitel. In her prime she was also a frequent visitor to the recording studio, singing everything from Rameau to Varèse, Mozart to Messiaen, with conductors from Harnoncourt to Boulez, Leonhardt to Nagano. She was also a devoted song recitalist and in the later years of her career, she made two recordings of melodies for Virgin Records with the admirable support of her long-term accompanist Claude Lavoix. For the majority of this episode, I have chosen excerpts from both of those recordings, featuring the songs of Fauré and Hahn, which include settings of poets central to their output, including Paul Verlaine, Armand Silvestre, Léconte de Lisle, and Théodore de Banville, supplementing it with additional material in French by Ravel, Lekeu, Clérambault, Messiaen, and Poulenc. Yakar, who, like Régine Crespin and Nadine Denize, studied under the French dramatic soprano Germaine Lubin, was renowned for her faultless technique, her acting prowess, her peerless French diction, and her communicative artistic sensibility, traits of which are all in evidence in all of her recordings from the 1960s through the end of her career in the mid-1990s. Yakar was especially treasured by her colleagues, friends, and students for the warmth and effervescence of her personality, and her devotion to passing on her knowledge and experience to a younger generation of singers. May you delight in the delicacy, humor, precision, and pathos of one of the most prodigiously gifted and versatile vocal artists of her generation. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

In this episode of History 102, 'WhatIfAltHist' creator Rudyard Lynch and co-host Austin Padgett explore 18th-century Europe's L'Ancien Regime: aristocratic culture, Louis XIV's Versailles, military revolutions, European warfare, Enlightenment developments, and the economic and political conditions leading to the French Revolution. -- SPONSOR: SHOPIFY⁠⁠⁠⁠ Shopify powers millions of businesses worldwide, handling 10% of U.S. e-commerce. With hundreds of templates, AI tools for product descriptions, and seamless marketing campaign creation, it's like having a design studio and marketing team in one. Start your $1/month trial today at ⁠⁠⁠https://shopify.com/cognitive⁠⁠⁠ -- FOLLOW ON X: @whatifalthist (Rudyard) @LudwigNverMises (Austin) @TurpentineMedia -- TIMESTAMPS: (00:00) Intro (06:00) European haute culture, Baroque period, and aristocratic living (14:40) Louis XIV, Versailles, and French court politics (19:59) Sponsor: Shopiy (22:00) Enlightenment developments and Treaty of Westphalia (28:20) Seeds of the French Revolution and bureaucratic power (34:40) Economic inequality in 18th century France (40:00) Military revolution: from mercenaries to national armies (49:00) English systems: accent evolution, boarding schools, and Civil War (52:20) Religious wars in Britain and the Glorious Revolution (56:10) Enlightenment, literacy, and class divisions across Europe (1:05:00) European regional divisions (Northwest, Latin, Eastern, Ottoman) (1:12:10) English nobility strategy and meritocratic integration (1:21:50) British Isles unification: Scotland and Ireland (1:27:40) European warfare system and balance of power (1:29:50) Austrian and Russian Empires (1:35:50) Great Northern War: Charles XII vs Peter the Great (1:39:50) Enlightened despotism (Catherine the Great, Frederick II, Maria Theresa) (1:45:50) Spain's decline and Vauban's predictions for France (1:56:30) War of Spanish Succession (2:04:40) 18th century warfare culture and tactics (2:11:10) Frederick the Great and the Seven Years War (2:15:20) War of Jenkins' Ear (2:16:40) Wrap Learn more about your ad choices. Visit megaphone.fm/adchoices

Tunes: Jeremy Kingsbury: Drømde mik en drøm i nat, Niizh Aandegog, Twa Corbies, Robert Bremner: Bristol Petrie: The Song of the Ghost Readings: 'History of the Danes' of Saxo Grammaticus "The Burial of the Foster Brothers" (In Medieval Ghost Stories by Andrew Joynes) A book about Bristol, historical, ecclesiastical, and biographical, from original research by John Taylor: "A Ghost Story" A Narrative of the Captivity of John Tanner: "The Place of the two Dead Men" XX* You can Find the Poster for The Minnesota LBPS Gathering Here: https://www.facebook.com/photo/?fbid=1227215585913336&set=gm.25902092846047993&idorvanity=134798469870784 +X+X+ Drømde mik en drøm i nat: I just used music off Wikipedia article: https://en.wikipedia.org/wiki/Dr%C3%B8mdemikendr%C3%B8mi_nat +X+X+ The Niizh Aandegog version of the Twa Corbies goes into "Saw Ye Not My Maggy" which I got from the playing of Pete Stewart. +X+X+ The Song of the Ghost: Comes from The Petrie Collection of Irish Music Part II: https://imslp.org/wiki/TheCompleteCollectionofIrishMusic(Petrie%2C_George) +X+X+X+ Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

fWotD Episode 3101: Gott der Herr ist Sonn und Schild, BWV 79 Welcome to featured Wiki of the Day, your daily dose of knowledge from Wikipedia's finest articles.The featured article for Friday, 31 October 2025, is Gott der Herr ist Sonn und Schild, BWV 79.Gott der Herr ist Sonn und Schild ('God the Lord is sun and shield'), BWV 79, is a church cantata for Reformation Day by Johann Sebastian Bach. He composed it in 1725, his third year in the position of Thomaskantor in Leipzig, and led the first performance on 31 October that year. It is possibly his first cantata for the occasion. He used most of the music for two of his four short masses in the 1730s.The text was written by an unknown poet, who did not refer to the prescribed readings for the day. He began the libretto for the feast with a quotation from Psalm 84 and included two hymn stanzas, the first from Martin Rinckart's "Nun danket alle Gott", associated with Reformation Day in Leipzig, as the third movement, and as the last movement the final stanza of Ludwig Helmbold's "Nun laßt uns Gott dem Herren". Bach composed a work of "festive magnificence", structured in six movements, with an aria following the opening chorus, and a recitative and duet following the first chorale. He scored the work for three vocal soloists, a four-part choir, and a Baroque instrumental ensemble of two horns, timpani, two transverse flutes (added for a later performance), two oboes, strings and continuo. He achieved a unity within the structure by using the horns not only in the opening but also as obbligato instruments in the two chorales, the first time even playing the same motifs.Bach performed the cantata again, probably in 1730. He later reworked the music of the opening chorus and a duet again for his Missa in G major, BWV 236, and the music of an alto aria for his Missa in A major, BWV 234.This recording reflects the Wikipedia text as of 01:19 UTC on Friday, 31 October 2025.For the full current version of the article, see Gott der Herr ist Sonn und Schild, BWV 79 on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Jasmine.

Swiss tenor Eric Tappy (19 May 1931 – 11 June 2024) excelled in so many different musical styles, eras, and genres, that when one considers his artistic achievement systematically, as a whole, one is positively stunned at all that he achieved, and that within a relatively short international career that extended barely 20 years. In addition, at the beginning of his career, his voice was that of a light lyric tenor, but gradually he came to sing heavier roles such as Idomeneo and Tito. The episode considers his biography and the trajectory of that career, touching upon his opera and concert work which ranged from early Baroque through contemporary. For the first ten years of his adult life, he worked as a teacher, gradually gaining enough exposure that he was able to fully devote himself to his singing career after he won several international singing competitions. Tappy is heard in the episode in concert work of Bach, Berlioz, Haydn, and contemporary Dutch composer Rudolf Escher; art songs by both Franz Schubert and Lili Boulanger; and operas by Monteverdi, Gounod, Mozart, and Debussy (his Pelléas was as legendary as his Monteverdi and Mozart impersonations). In addition, Tappy is heard in live and radio recordings of work by his fellow Swiss compatriots Arthur Honegger, Frank Martin, Constantin Régamey, and Hermann Suter. Guest singers include Countermelody favorites Ileana Cotrubaș, Rachel Yakar, Hugues Cuénod, Edda Moser, and Gino Quilico; musical collaborators include Ernest Ansermet, Michel Corboz, Nino Sanzogno, John Pritchard, Armin Jordan, Hans Münch (brother of Charles), Colin Davis, Hans Vonk, and Jean Françaix, among others. Prepare to be surprised and delighted by this great singer, who ended his active singing career at the age of only 50 but who continued as a formative and beloved teacher well into his old age. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

A live recording and chat with Aoife Barry from our recent Listening Party for Jeff Buckley's Grace (1994) at the Big Romance in Dublin. One of the '90s most revered albums, Grace is an astonishing debut LP from the American singer-songwriter Jeff Buckley. Sadly, it was to be his only album as he tragically died three years later but the album is considered a classic for its wide-ranging, reaching vocals (Buckley's voice spanned four octaves), its resonant melding of rock, folk, soul and jazz and songs of intensity, beauty and grandeur including of course, the definitive cover of Leonard Cohen's 'Hallelujah', along with songs like 'Lover, You Should've Come Over', 'Mojo Pin', and 'Grace'. Baroque, sweeping, poetic, soul–baring, biblical, elemental and melodramatic Grace is considered one of the best debut albums of all time, and generally just one of the best records of all time. The high drama of his life imbues Buckley's songs with a level of intensity and singular weight It's no wonder that it's an album that teenagers are still discovering today. We discuss the record in front of a live Listen Closely audience.   Listen on Apple | Android  | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Pod.Link

Departing from episode 148, Renaissance Music Pt.2 (Late), we now arrive at the Early Baroque period! Up for discussion will be some pioneer composers of this period such as Gabrieli, Monteverdi, Frescobaldi and Strozzi! We will also talk about the dawn of opera, the aria and the recitative. We will see how the rise in use of instrumental music also carried with it fugues, dance suites and a new appreciation for virtuosic performance!

Title: A stolen Stradivarius Track: Bach's A minor violin concerto – 3rd movement Artist: Joshua Bell with the Academy of St Martin in the Fields. Publisher: @ Sony Entertainment 2014

durée : 00:28:33 - Opéra symphonique III - le ballet (1/4) - par : Christian Merlin - Troisième volet de notre mini-série sur les pages symphoniques où, dans un opéra, les voix se taisent pour laisser place à l'orchestre : après les interludes, place au ballet, essentiel de l'opéra baroque au Grand-opéra à la française du XIXe siècle. - réalisé par : Arthur Rayrole Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:31 - Le Disque classique du jour du mercredi 22 octobre 2025 - Enregistré au milieu d'une tournée européenne en décembre 2024, ce disque marque les débuts du Monteverdi Choir et des English Baroque Soloists sous la direction du célèbre chef d'orchestre français Christophe Rousset. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:12:31 - Le Disque classique du jour du mercredi 22 octobre 2025 - Enregistré au milieu d'une tournée européenne en décembre 2024, ce disque marque les débuts du Monteverdi Choir et des English Baroque Soloists sous la direction du célèbre chef d'orchestre français Christophe Rousset. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Title: A stolen Stradivarius Track: Bach's A minor violin concerto – 3rd movement Artist: Joshua Bell with the Academy of St Martin in the Fields. Publisher: @ Sony Entertainment 2014

Tunes: Robin Moss Kingsbury: Spooky Song Peter MacLeod Jr: Loch Ness Monster TuneArchive Sources: Old Crow Reel, Raven Through the Bog, Jeremy Kingsbury: Twa Corbies, The Rakes of the Time, Hey Johnny Cock up Thy Beaver, The Werewolf Meadows Trio: Wolf in the Butter Rowan Leslie: The Siren Demon Barbers: The Werewolf Michael Hurley: The Werewolf Cat Power: The Werewolf Dan Whalen: The Witches Readings From: Adomnán: Vita Columba Unknown: The Book of Secrets of Albertus Magnus Unknown: The Bestiary (MS Bodley 764) Marie de France: Bisclavret the Werewolf Check out Dan Whalen on Tiktok at protectionroad https://www.tiktok.com/@protectionroad?isfromwebapp=1&sender_device=pc St. Columba story: https://www.esquareinch.com/st-columba-vs-the-loch-ness-monster/ Links Coming soon: Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Send us a textA Marian encounter in Tlaxcala brings burning trees that do not consume and a spring that heals, set amid conquest, epidemic, and a people searching for hope. We trace witness accounts, early Franciscan discernment, the rise of a shrine and basilica, and the enduring call to mercy and conversion.• Tlaxcala's turbulent context after the Spanish conquest• Juan Diego Bernardino's vision and guidance to a hidden spring• Burning ocote trees as a sign of purification and hope• Reports of healing and the spread of pilgrimage• Franciscan investigation and prudential discernment• Construction of the first shrine and later Baroque basilica• Legends of the statue and its role in devotion• Ecclesial approval and papal recognition anchoring the devotion• Invitation to deepen faith through pilgrimage and resourcesVisit our website today and let Journeys of Faith guide you to a deeper connection with the divineMarian Apparitions Collection at Journeys of Faith Online ShopOpen by Steve Bailey Support the show

Finishing season 6 off on a high, we have special guest David Bickerstaff - co-director of Exhibition on Screen's ‘Caravaggio' - exploring the true nature of the artist behind the ‘Bad Boy of Baroque' persona... Support the show

GBH's Adam Reilly and The Bay State Banner's Ron Mitchell join for Press Play media analysis. They talk about Pete Hegseth's effort to muzzle press Pentagon access, Trump's claim that flag burning no longer falls under first amendment-protected speech, Bari Weiss at CBS News, and other media headlines.NBC Boston's Sue O'Connell on the O'Keefe family's wrongful death lawsuit against Karen Read, plans for a refresh of the Kowloon, and Amazon's Melania Trump documentary coming to theaters in January.Boston Medical Center's Dr. Katherine Gergen Barnett reacts to a Washington Post op-ed by six former U.S. surgeons general arguing RFK Jr. is putting American's health at risk.Boston Baroque performs for Live Music Friday. We talk with Sarah Radcliffe Marrs and Christina Day-Martinson, plus guest conductor Christian Curnyn (who The Guardian has called “The Bad Boy of Baroque").

Today: Boston Baroque joins for Live Music Friday.Their season opens this weekend with two shows at NEC's Jordan Hall tomorrow and Sunday. Led by a man The Guardian once called “The Bad Boy of Baroque,” all the way from the UK – Christian Curnyn. Also here: Boston Baroque Executive Director Sarah Radcliffe-Mars and Concertmaster and associate artistic director, a familiar face to this show, Christina Day-Martinson. 

Mike Pekovich and Phil Huber join Ben to debrief their week-long woodworking tour of England—part museum crawl, part shop class, all inspiration. From London's Building Crafts College (trade-focused millwork and stonemasonry) to the Snowdon School of Furniture (studio furniture, domestic woods, and a “rip-only” tablesaw philosophy), they compare shop practices and rethink joinery workflows (tenoners, Domino, band-sawn cheeks, using the miter saw's depth stop). The trip winds through the Westonbirt Arboretum and an unforgettable boxwood deep-dive with a Baroque oboe maker, then into the V&A's technique-curated furniture gallery. In the Cotswolds, Rodmarton Manor (Barnsley/Gimson) and the Gordon Russell Museum spark lessons in design “grammar,” chamfers, and English drawer slips you'll want to steal. There's even a pub-hall turning demo with Paul Hannaby—pints included. Plus: a quick preview of next week's Woodworking in America in Des Moines and what Ben, Phil, and friends will be teaching and doing on site. For more information about our eLearning courses - http://www.finewoodworking.com/elearning For more information about our Woodworking Fundamentals journey - http://www.finewoodworking.com/fundamentals Join us on our new Discord server! - https://discord.gg/8hyuwqu4JH Links from this episode can be found here - http://www.shoptalklive.com Sign up for the Fine Woodworking weekly eLetter - https://www.finewoodworking.com/newsletter Sign up for a Fine Woodworking Unlimited membership - https://www.finewoodworking.com/unlimited Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking‘s biweekly podcast. Send your woodworking questions to shoptalk@finewoodworking.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page. Join us on our Discord server here.

Have you ever wandered through a museum and thought: Why is the Virgin Mary always dressed in blue? Did they really use eggs in egg tempera—and did it make those paintings smell weird? And why, for some reason, does baby Jesus sometimes look like a tiny grumpy old man?Professor Suzannah Lipscomb is joined by Verity Babbs, art historian and comedian, who is on a mission to shake the dust off art history. They take a whirlwind tour from the Renaissance through to the Baroque, taking in fig leaves, duels and murder.MORE:Durer: The Great Renaissance ArtistThe Tudors' Portrait Artist: HolbeinPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.

A new exhibition at the Fitzwilliam Museum in Cambridge, UK, called Made in Ancient Egypt, reveals untold stories of the people behind a host of remarkable objects, and the technology and techniques they used. The Art Newspaper's digital editor, Alexander Morrison visits the museum to take a tour with the curator, Helen Strudwick. One of the great revelations of the past two decades in scholarship about women artists is Michaelina Wautier, the Baroque painter active in what is now Belgium in the middle of the 17th century. The largest ever exhibition of Wautier's work opened this week at the Kunsthistorisches Museum in Vienna, and travels to the Royal Academy of Arts in London next year. Ben Luke speaks to the art historian who rediscovered this extraordinary painter, Katlijne Van der Stighelen, who has also co-edited the catalogue of the Vienna show. And this episode's Work of the Week is Robert Rauschenberg's Bed (1955), one of the most important works of US art of the post-war period. It features in the exhibition Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, which this week arrives at the Museum Ludwig in Cologne. We speak to Yilmaz Dziewior, the co-curator of the exhibition.Made in Ancient Egypt, Fitzwilliam Museum, Cambridge, UK, 3 October-2 April 2026Michaelina Wautier, Painter, Kunsthistorisches Museum, Vienna30 September-22 February 2026; Royal Academy of Arts, London27 March – 21 June 2026.Five Friends: John Cage, Merce Cunningham, Jasper Johns, Robert Rauschenberg, Cy Twombly, Museum Ludwig, Cologne, Germany,3 October-11 January 2026Student subscription offer: stay connected to the art world from your first lecture to your final dissertation with a three-year student subscription to The Art Newspaper for just £99/$112/€105. Gift, quarterly and annual subscriptions are also available.https://www.theartnewspaper.com/subscriptions-student?offer=4c1120ea-bc15-4cb3-97bc-178560692a9c Hosted on Acast. See acast.com/privacy for more information.

As we prepare for our fearless leader's graduation, it's time to celebrate the RPGs that made her. From tactics to action, from sim to rogue-lite, Kat, Eric, and Victor discuss Kat's idea of the perfect RPG library. Plus, Eric's been playing Trails in the Sky 1st Chapter; is this the Trails games that will hook newcomers? Listen to this perfectly bitter-sweet episode of Axe of the Blood God to find out! Tune in to live recordings of the show every Saturday morning at https://www.twitch.tv/bloodgodpod, subscribe for bonus episodes and discord access at https://www.patreon.com/bloodgodpod and celebrate our 10th Anniversary with new merch at https://shop.bloodgodpod.com Also in this episode: Vampire: The Masquerade Bloodlines 2 Baroque is back, baby! How easy it is to play old games Timestamps: 3:12 - Big News! 10:52 Main Topic - Kat's Perfect RPG Library 22:32 - Tactics 35:12 - Turn-Based 47:28 - Action 56:48 - Dungeon Crawler 1:05:36 - Simulation 1:13:52 - CRPG 1:20:16 - Rogue-lite 1:26:48 - Monster Collecting 1:27:18 - Wildcards 1:32:08 - Random Encounters 1:53:20 - The Tavern - Trails in the Sky 1st Chapter Remake 1:36:08 - Nadia's Nostalgia Nook Music Used in this Episode: Do Your Best - [Breath of Fire III] Pub - [Lunar Knights] Cityscape - The Sun Rises for Ones Who Smile - [Etrian Odyssey V] Learn more about your ad choices. Visit megaphone.fm/adchoices