Podcasts about Baroque

Title: Baroque Voyages: Cuba (How did the Neapolitan style reach Cuba?) Track: Esteban Salas: Silencio, por si dormido Artist: Ars Longa De La Habana directed by Teresa Paz. Publisher: ℗ 2019 Phaia Music

Tunes: Robyn Jamner: If I die at the Hands of a faceless man. William Dixon: The New Way to Morpeth James Aird: Johnny MacGill (Come under my Plaidy) Donald MacDonald: Buckskin Kilt, The Wren's Death, The Kilt is my Delight, Jenny Dang the Weaver +X+X+ Check Out Robyn Jamner (they/she) Here: https://www.tiktok.com/@robynjamner/video/7599064826803014942?is_from_webapp=1&sender_device=pc&web_id=7599175986731566606 https://youtube.com/@robynjamner?si=cxDy-rwXRtgWBBSH +X+X+ News Story from Leach Lake Band of Ojibwe Chairman: https://lptv.org/leech-lake-tribal-chairman-concerned-with-immigration-crackdown-in-mn/ +X+X+ For a quick crash course on Tartan check out Hugh Cheape's Tartan: the Highland Habbit https://archive.org/details/tartanhighlandha0000chea/mode/2up +X+X+ You can Find Isaac's Website Here: https://sites.google.com/view/ihwaltersfactotum/home Instagram https://www.instagram.com/i.h.walters/ Blarney Pilgrims Podcast Episode About Scottish Baroque Fiddling (amongst other things) with Shane Lestideau: https://www.blarneypilgrims.com/episodes/shane-lestideau We discussed the Niel McLean Portrait briefly, but I didn't use it as the cover art for the podcast, if you want to see it you can follow this link: I thought Niel won the first Bagpipe Competition held by the Highland Society in the 1780s, but looking through Angus MacKay's notes on the subject I'm not seeing his name. https://www.npg.org.uk/collections/search/portrait/mw138111/Neil-McLean +X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Nous sommes au début du XVe siècle, à Bruxelles. C'est vers 1401-1402 que débutent les travaux de ce qui deviendra l'Hôtel de Ville. Chef d'œuvre de l'art gothique, il demeure l'un des symboles les plus éclatants du patrimoine bruxellois. Sa façade ciselée et sa tour dominant la cité, incarnent l'ambition architecturale et politique d'une ville en plein essor. Sa construction marque un tournant dans l'histoire de la ville, affirmant son statut de centre administratif, économique et culturel. Autour de lui, la Grand-Place a vu se développer un ensemble de guildes et de maisons marchandes, chacune ornée d'une façade baroque rivalisant de splendeur. Ce cœur historique, inscrit au patrimoine mondial de l'UNESCO, révèle une ville façonnée par le commerce, l'artisanat et une profonde tradition civique. Mais le patrimoine bruxellois ne se limite pas à son centre médiéval. Il s'étend aux quartiers Art nouveau où Victor Horta et ses contemporains ont transformé l'architecture en un art total. Il s'exprime aussi sur les grandes avenues tracées sous Léopold II, dans les bâtiments Art déco et les parcs aménagés durant l'essor urbanistique du XIXe siècle. Chaque bâtiment raconte une étape de son développement, une influence culturelle, un souffle artistique, mais aussi des blessures infligées par la spéculation immobilière, l'indifférence ou tout simplement l'air du temps. Du domaine de Laeken à Val Duchesse, de la Maison Erasme à l'Hôtel Solvay et quelques autres, revenons sur des histoires pleines de portiques, d'entablements, de corniches, de voûtes, de pilastres et surtout de murs porteurs. Une histoire à rebondissements… ___________________________________________________________ Avec nous : Paul Grosjean, chroniqueur historique, spécialiste du patrimoine bruxellois. « Entre murs et jardins » (avec Mireille Roobaert) ; éd. Aparté. sujets traités : Bruxelles, patrimoine, baroque, Art nouveau, Victor Horta , Val Duchesse, Maison Erasme, Hôtel Solvay Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

durée : 00:04:28 - Le Grand reportage de France Inter - Le ballet Preljocaj reprend l'opéra Atys de Lully pour des représentations fin janvier à l'Opéra Royal de Versailles. Une version danse contemporaine créée par Angelin Preljocaj en 2022 pour le Grand Théâtre de Genève. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Many aspects of Giovanni Battista Pergolesi's life seem relatively normal when it comes to composers of the Baroque era. He was prolific, died young, and his music became very famous only after his death. However, all three of these facts are complicated by the unique circumstances of Pergolesi's life. He was somewhat prolific, but dozens of pieces that were once attributed to him are no longer considered authentic, including much of the music that Igor Stravinsky made famous in his ballet Pulcinella. Pergolesi did not just die young; he died remarkably young, at the age of twenty-six, from tuberculosis. And the idea that he became famous only after his death actually made him unusual among composers of his time, when popularity during one's lifetime was the primary mark of success. Most composers quickly fell into obscurity after they died. In Pergolesi's case, the opposite occurred. There was a massive surge of interest in his music immediately after his death, which in some ways contributed to the museum-like atmosphere that classical music has today. Pergolesi was ahead of his time in many ways, and that brings us to the piece we are going to talk about today, his Stabat Mater. We will discuss what the Stabat Mater is in more detail later, but simply put, it is a musical setting of the poem Stabat Mater Dolorosa, which, in a rather clumsy translation, means "the sorrowful mother stood." This thirteenth-century Christian hymn and poem focuses on the Virgin Mary's suffering as she witnesses the crucifixion of Jesus. The text has been set to music by many composers, but Pergolesi's version, surprisingly given his relative obscurity today, has endured in a way that many settings by more famous composers have not. Today, on this Patreon-sponsored episode, we will learn a bit about Pergolesi's life, or at least what we know of it, and talk through this Baroque-era masterpiece. Join us!

Title: Baroque Voyages: Japan (Four musical Japanese boys visit Europe in 1582) Track :Ortiz: Romanesca Artist: Jordi Savall: Hespèrion XXI Publisher: Alia Vox @2001

Ready to dive headfirst into the trends shaping how we'll live, lounge and recharge in the seasons ahead? On this episode of I AM HOME, Tyler, Becca and Hilary unpack the trends shaping the future of home - from Pantone's very quiet 2026 Color of the Year (Cloud Dancer, really?) to bold design shifts that bring warmth, drama and intention back into our spaces. They cover everything from cozy warm minimalism and a Baroque-meets-Art-Deco revival to country estate vibes, immersive furniture with all the bells and whistles, as well as the growing push for fewer screens and more balance at home. With rich textures, grounding colors, retro influences and smart design that actually improves how we live, this episode goes beige to bold and beyond - proving that home life really should be your best life.  Resources: nfm.com/podcast

Title: Baroque Voyages: Ethiopia (What instruments were taken deep into Ethiopia by the Portuguese Embassy of 1520?) Track: Enzina: Hoy Comamos Y Bebamos Artist: Jordi Savall, Rolf Lislevand, Michael Behringer, Etc. Publisher: @Alia Vox 1998

TUNES: William Dixon: The New Way to Bowden (Athol Braes) (though I say Morpeth in the Podcast) Walker Jackson: Jackson's Morning Brush Martin Freeman: One Tree Vale. I Ngleaun A Chruing Canon James Goodman: Jackson's Snack, The Bright Dawn of Day James Aird: The Dawning of the Day Canon Goodman, Courtesy of Mick O'Brien, Emer Mayock, Aoife Ní Bhriain: Ceann Dubh Dileas (My dark-haired darling), Pádruig, Píobaire (Patrick the Piper) / Quadrille, Humours of Glynn. Huge Thank you to Mick, Emer and Aoife for letting my play a few tracks from their new album: More Tunes from the Goodman Manuscripts. Be sure to check it out on Bandcamp: https://goodmantunestrio.bandcamp.com/album/more-tunes-from-the-goodman-manuscripts Be sure to check out Fin Dwyer's Outstanding Irish History Podcast for a far better discussion of the Famine in his 37 Episode Series: https://irishhistorypodcast.ie/podcast-introduction-to-the-great-famine-series/ I watched several videos on the Famine, but this one was particularly good: When Ireland Starved: https://youtu.be/B_K-q4GCdWg Cover Art for this Episode Comes From The Illustrated London News February 13, 1847: https://www.google.com/books/edition/TheIllustratedLondon_News/1dFCAQAAIAAJ?hl=en&gbpv=1 You can See it on the Original release of the Episode here: https://www.wetootwaag.com/s5e05 This week's episode is a companion piece to a presentation I gave for the Chippewa Valley Museum's February Folk Arts Festival https://www.cvmuseum.com/visit/folk-arts-fest/ The Mystery Tune from last week was Cutting Bracken (also Known as Buain na Rainich or Tha Mi Sgìth), big Thanks to those that let me know! Here are some links to recordings of it from Kist of Riches: http://tobarandualchais.co.uk/en/fullrecord/32380 http://tobarandualchais.co.uk/en/fullrecord/72046 http://tobarandualchais.co.uk/en/fullrecord/88532 http://tobarandualchais.co.uk/en/fullrecord/101278 http://tobarandualchais.co.uk/en/fullrecord/105641 (this is the version where the Fairy is complaining to be working alone). Here is the live 1972 Video I played a Sample from Alan Stivell: https://youtu.be/aJtdHmpjzxo 1733: William Dixon's The New Way to Bowden, I incorrectly refer to this tune as New way to Morpeth in the Podcast I think: from Matt Seattle's book: https://www.mattseattle.scot/product-page/the-master-piper-new-edition 1774: Walker Jackson's Jackson's Morning Brush: The book itself is not available online, but you can look at a fair transcription of the notes on Bill Black's Website: http://www.capeirish.com/webabc/working/source.folders/jcit/jcit_table.html 1860s: Canon James Goodman's Jackson's Airs, Snack Irish Traditional Music Archive (ITMA): http://port.itma.ie/score/ITMA_5894 Or the Original hosted Here: http://goodman.itma.ie/volume-four#?c=0&m=0&s=0&cv=6&z=-1730.7771%2C4123.5859%2C9428.2975%2C3406.3143 To read more about James Goodman you can read here: http://goodman.itma.ie/ https://www.irishtimes.com/culture/the-man-who-saved-a-feast-of-music-from-the-famine-years-1.923981 His Obituary was Reprinted in an Early Issue of An Piobaire: An Píobaire - sraith 2, uimhir 30 (May 1986) https://pipers.ie/source/media/?galleryId=1011&mediaId=25932 https://www.itma.ie/features/discover/canon-james-goodman You can see the article about the Cork Piper's Club in An Píobaire - sraith. 1, uimhir 1 (March 1969) https://pipers.ie/source/media/?galleryId=1010&mediaId=25878 1913/4: Alexander Martin Freeman's One Tree Vale: of I Ngleaun A Chruing (The tune appears on page 227) https://www.itma.ie/digital-library/text/journal-of-the-folk-song-society-no-24 1861: Canon Goodman's The Bright Dawn of Day ABC from ITMA: http://port.itma.ie/score/ITMA_1109 Original: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=4&z=-1312.2998%2C556.3838%2C10302.6954%2C3722.2222 Here Is the Video of Several Irish Singers singing Fáinne Gael an Lae https://youtu.be/NtQeo09xOGA 1780s: James Aird's Dawning of the Day: https://digital.nls.uk/special-collections-of-printed-music/archive/87705159 FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

From traditional nomadic dwellings to state-of-the-art airports, through monumental temples and Baroque palaces to high-rise apartments and high-fashion boutiques, The Story of the Interior: How We Have Shaped Rooms and How They Shape Us (Thames & Hudson, 2025) by Professor Graeme Brooker explores an exciting array of inside spaces from around the world to reveal how the fundamental elements of a room have evolved and endured. Organized in three parts – The Room, The Private Interior and The Public Interior – the book presents a fascinating account of how the interior has been conceived and thought of from antiquity to the present day. By calling attention to the most basic elements of inside space – walls, doors, windows, furniture, ambience to name a few – this engaging exploration delves into how private and public interiors actively shape the way we live, work, learn and play. The book spans a wide range of iconic and offbeat examples drawn from the world of architecture, urbanism and furniture design, as well as art installations and imagined spaces. Brooker deftly guides us through interiors as diverse as Frank Lloyd Wright's Fallingwater, Olafur Eliasson's The Weather Project, the Prada store in Marfa, Texas, and Sou Fujimoto's NA House, as well as the rock-cut Buddhist temples of India, medieval European castles and ancient Egyptian tombs, to unveil the drastically different and surprisingly similar spaces that surround us. The result is a fascinating tour of global interiors, tracing the genesis and evolution of these places and how they help us understand human presence and behaviour. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From traditional nomadic dwellings to state-of-the-art airports, through monumental temples and Baroque palaces to high-rise apartments and high-fashion boutiques, The Story of the Interior: How We Have Shaped Rooms and How They Shape Us (Thames & Hudson, 2025) by Professor Graeme Brooker explores an exciting array of inside spaces from around the world to reveal how the fundamental elements of a room have evolved and endured. Organized in three parts – The Room, The Private Interior and The Public Interior – the book presents a fascinating account of how the interior has been conceived and thought of from antiquity to the present day. By calling attention to the most basic elements of inside space – walls, doors, windows, furniture, ambience to name a few – this engaging exploration delves into how private and public interiors actively shape the way we live, work, learn and play. The book spans a wide range of iconic and offbeat examples drawn from the world of architecture, urbanism and furniture design, as well as art installations and imagined spaces. Brooker deftly guides us through interiors as diverse as Frank Lloyd Wright's Fallingwater, Olafur Eliasson's The Weather Project, the Prada store in Marfa, Texas, and Sou Fujimoto's NA House, as well as the rock-cut Buddhist temples of India, medieval European castles and ancient Egyptian tombs, to unveil the drastically different and surprisingly similar spaces that surround us. The result is a fascinating tour of global interiors, tracing the genesis and evolution of these places and how they help us understand human presence and behaviour. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

From traditional nomadic dwellings to state-of-the-art airports, through monumental temples and Baroque palaces to high-rise apartments and high-fashion boutiques, The Story of the Interior: How We Have Shaped Rooms and How They Shape Us (Thames & Hudson, 2025) by Professor Graeme Brooker explores an exciting array of inside spaces from around the world to reveal how the fundamental elements of a room have evolved and endured. Organized in three parts – The Room, The Private Interior and The Public Interior – the book presents a fascinating account of how the interior has been conceived and thought of from antiquity to the present day. By calling attention to the most basic elements of inside space – walls, doors, windows, furniture, ambience to name a few – this engaging exploration delves into how private and public interiors actively shape the way we live, work, learn and play. The book spans a wide range of iconic and offbeat examples drawn from the world of architecture, urbanism and furniture design, as well as art installations and imagined spaces. Brooker deftly guides us through interiors as diverse as Frank Lloyd Wright's Fallingwater, Olafur Eliasson's The Weather Project, the Prada store in Marfa, Texas, and Sou Fujimoto's NA House, as well as the rock-cut Buddhist temples of India, medieval European castles and ancient Egyptian tombs, to unveil the drastically different and surprisingly similar spaces that surround us. The result is a fascinating tour of global interiors, tracing the genesis and evolution of these places and how they help us understand human presence and behaviour. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

On this episode, join the Ladies of Macabre for a blast from the past for a hilarious look at the Worst Ways people died during the Baroque Period. From flaming wigs, to molten medicine, this installment of MACABRE EXHUMED digs up a PATREON exclusive episode for your listening pleasure. Hold on to your powdered wig and tighten your corsets for this unhinged episode of MACABRE. Exclusive Feed Spotify subscribers get ad free content, early access and exclusive bonus episodes .Paid supporters on Patreon, Join us for Macabre Movie Nights and Game Nights :⁠⁠⁠⁠ Macabre Patreon⁠⁠⁠⁠ along with ad free, early listening and loads of bonus content for your listening pleasure. Send in your stories for a future listener episode!Email us at thatssomacabre@gmail.comJoin our private Facebook Group at :⁠⁠⁠⁠ MacabrePodcast⁠⁠⁠⁠Get Macabre Exclusive Merch ⁠⁠ www.gothiccthreads.com

Title: Baroque Voyages: Mexico (What dance was banned by the Inquisition in 1716?) Track: De Murcia: Cumbees Artist: William Carter (Baroque Guitar) Publisher: ℗ 2007 Linn Records Ltd

Prague is one of the truly great cities of Central Europe.  Prague is noted for its preserved medieval and Baroque architecture, the Charles Bridge, Prague Castle, the Astronomical Clock, and its Gothic Old Town. In addition, it has one of the world's greatest beer and brewing cultures. They also happen to like to throw people out of windows.  Learn more about the defenestrations of Prague, why they happened, and their impacts on this episode of Everything Everywhere Daily. Sponsors Quince Go to quince.com/daily for 365-day returns, plus free shipping on your order! Mint Mobile Get your 3-month Unlimited wireless plan for just 15 bucks a month at mintmobile.com/eed Chubbies Get 20% off your purchase at Chubbies with the promo code DAILY at checkout! Aura Frames Exclusive $35 off Carver Mat at https://on.auraframes.com/DAILY. Promo Code DAILY DripDrop Go to dripdrop.com and use promo code EVERYTHING for 20% off your first order. Uncommon Goods Go to uncommongoods.com/DAILY for 15% off! Subscribe to the podcast!  https://everything-everywhere.com/everything-everywhere-daily-podcast/ -------------------------------- Executive Producer: Charles Daniel Associate Producers: Austin Oetken & Cameron Kieffer   Become a supporter on Patreon: https://www.patreon.com/everythingeverywhere Discord Server: https://discord.gg/UkRUJFh Instagram: https://www.instagram.com/everythingeverywhere/ Facebook Group: https://www.facebook.com/groups/everythingeverywheredaily Twitter: https://twitter.com/everywheretrip Website: https://everything-everywhere.com/  Disce aliquid novi cotidie Learn more about your ad choices. Visit megaphone.fm/adchoices

Tunes: Rebel's Minuet (Crìsdean & Johanna): Will ye go to Flanders You can hear from several stellar musicians playing at the various sessions in Dunkeld over the Collogue weekend. https://www.facebook.com/crisdean.quest.9 Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Title: Stradella's study of Lovesickness Track: "Così amor mi fai languir" from La forza dell'amor paterno by Stradella Artist: Bettina Simon with Nouva Barocco. Publisher: ℗ 2025 ossa

"Vladimir Horowitz Plays Great Sonatas" is culled from the legendary virtuoso's Columbia Masterworks and RCA Victor catalogs, and features selections ranging from the Baroque era to mid-20th century works that are strongly identified with the pianist. Although most of the performances can easily be sourced outside of this collection, piano mavens still will want to know about this ten-disc set, which can be obtained from second-hand dealers: https://www.amazon.com/Vladimir-Horowitz-Plays-Great-Sonata/dp/B0056K4V2M

Title: A Mexican Christmas (Can you find fire in snow and snow in fire?) Track: Zespedes: “Convidando esta la noche” Artist: Ex Cathedra & Jeffrey Skidmore Publisher: ℗ 2010 Hyperion Records Limited

This Day in Legal History: Entrapment as DefenseOn December 19, 1932, the U.S. Supreme Court decided Sorrells v. United States, a case that reshaped how American courts evaluate government conduct in criminal investigations. The case involved a Prohibition-era prosecution in which a federal agent repeatedly pressured the defendant to obtain illegal liquor. The Court held that criminal convictions should not stand when the government induces a crime that the defendant was not otherwise predisposed to commit. This decision formally recognized entrapment as a valid defense under federal law.Rather than focusing only on the defendant's actions, the Court emphasized the importance of limiting improper law enforcement tactics. The majority opinion reasoned that Congress could not have intended criminal statutes to be enforced through deception that manufactures crime. As a result, courts were instructed to examine whether the criminal intent originated with the government or the accused. The ruling reflected growing concern about aggressive policing methods during Prohibition. Over time, Sorrells became a foundational case cited whenever defendants challenge undercover operations. The decision also highlighted the judiciary's role in supervising executive conduct in criminal prosecutions.The Trump administration has suspended the Diversity Immigrant Visa Program—commonly known as the green card lottery—following two high-profile campus attacks. Homeland Security Secretary Kristi Noem announced the move, stating that the suspect in the fatal shootings of a Brown University student and an MIT professor had entered the U.S. through the program. The shooter, Claudio Manuel Neves Valente, a 48-year-old Portuguese national and former Brown student, was found dead in an apparent suicide. Noem said the pause is necessary to prevent further harm from what she called a “disastrous program.”The lottery program, which grants up to 50,000 green cards annually, has long been a target of Trump's immigration agenda, which links violent incidents to immigration policy failures. This suspension follows earlier actions by the administration, including visa restrictions after a separate shooting by an Afghan national and a proposal to impose a $100,000 application fee for H-1B work visas, which are heavily used in the tech industry.Trump's broader immigration crackdown also includes enhanced social media vetting for tourists, expanded ICE operations in major cities, and the development of large-scale immigration detention centers known as “mega centers.” These moves align with Trump's campaign promises to tighten border controls and execute large-scale deportations.Trump Suspends US Green Card Lottery After Brown, MIT AttacksTrump administration officials are scrambling to meet a Friday deadline to release a large cache of documents related to the Justice Department's investigations into Jeffrey Epstein. The release was mandated by a recently passed law, supported by both parties in Congress, following months of political pressure and public frustration over the administration's resistance to transparency. Though President Trump initially opposed the legislation, he reversed course shortly before the vote amid growing dissent from his own supporters.The new law permits the Justice Department to withhold certain details, including victims' identities and information tied to ongoing investigations. Attorneys in the department's National Security Division have been racing to redact sensitive data, raising internal concerns about the risk of mistakes, especially regarding private information. The tight timeline has disrupted other DOJ casework since Thanksgiving.Trump's handling of the Epstein matter has dented his support among Republicans, with only 44% approving of his actions, according to a recent Reuters/Ipsos poll. This contrasts sharply with his broader 82% approval within the party. Critics argue that Trump's past friendship with Epstein and his failure to follow through on a 2024 campaign promise to declassify the records have fueled suspicions of a cover-up. While Trump has denied knowledge of Epstein's crimes and has not been accused of wrongdoing, past email disclosures have added to the controversy.As more emails emerge—some implying Trump's involvement, others suggesting no direct misconduct—the administration has tried to redirect attention toward figures like Bill Clinton and JPMorgan. But with midterms approaching, the Epstein file release may remain a political liability.Trump administration officials race to meet Friday deadline for Epstein files | ReutersWisconsin Judge Hannah Dugan was found guilty of obstructing a federal proceeding for aiding a migrant in avoiding an immigration arrest at the courthouse, marking a significant legal win for the Trump administration's intensified immigration enforcement efforts. The jury acquitted Dugan on a lesser charge of concealing a person from arrest but convicted her on the more serious obstruction count. The case is part of a broader Justice Department campaign targeting local officials accused of interfering with Immigration and Customs Enforcement (ICE) operations.Prosecutors alleged that in 2023, Dugan helped Mexican national Eduardo Flores-Ruiz, who faced domestic violence charges, avoid a planned ICE arrest by rerouting him and his lawyer through a restricted exit after confronting ICE agents stationed near her courtroom. Dugan, a former head of Catholic Charities and longtime legal aid attorney, argued she was following internal court policies meant to manage ICE activity in courthouses, especially after prior arrests caused confusion and concern.Flores-Ruiz was ultimately arrested outside the courthouse after a brief chase. The Justice Department framed the case as a message that even judges are not above the law when it comes to obstructing federal immigration enforcement. Critics, however, view courthouse arrests as damaging to the legal system's integrity, potentially deterring vulnerable individuals from seeking legal protection.Judge found guilty of obstructing arrest in Trump immigration crackdown | ReutersIn a piece I wrote for Forbes earlier this week, I take down yet another One Big Beautiful Bill Act tax “reform” that, upon closer examination, isn't as great a deal as it may first seem.Starting in 2025, a new federal tax deduction allows taxpayers to deduct up to $10,000 in interest on qualifying new car loans—but only under strict conditions. The car must be newly purchased (not leased or used), assembled in the U.S., and not used for business purposes. The deduction phases out for individuals earning over $100,000 and joint filers over $200,000, narrowing its reach to a slim demographic of middle- to upper-middle-income earners. While promoted as consumer relief amid high car prices and interest rates, critics argue it's a veiled subsidy for automakers, not a meaningful economic benefit for struggling Americans.The policy resembles the mortgage interest deduction, which has long been criticized for inflating home prices and disproportionately benefiting wealthier borrowers. Similarly, this car loan deduction doesn't lower car costs—it subsidizes borrowing, pushing consumers toward pricier new vehicles and encouraging debt accumulation. The IRS will also gain new data from lenders, who must now report annual interest paid, further expanding government oversight.Despite the flashy $10,000 cap, few borrowers will come close to that threshold. A typical new car loan might yield only a $600 annual tax benefit—negligible compared to high monthly payments and rapid depreciation. Rather than meaningful relief, the policy appears to be more of a political gesture, using tax code tweaks to create the illusion of support while primarily serving industry interests.‘No Tax On Car Loan Interest'—Tax Reform Or Facade?This week's closing theme is by Louis-Nicolas Clérambault.This week's closing theme comes from Clérambault, a French Baroque composer born on December 19, 1676, whose music captures the elegance and structure of early 18th-century Paris. Clérambault is best known today for his sacred cantatas and his refined works for keyboard and chamber ensemble. He spent much of his career as an organist, serving at prominent Paris churches and developing a style that balanced expressive melody with formal clarity. His music reflects the French taste for ornamentation while remaining grounded and disciplined.The piece featured here is Suite du premier ton: V. Basse et Dessus de Trompette, presented in a complete performance. This movement highlights the contrast between a strong bass line and a bright, trumpet-like upper voice, a hallmark of French Baroque color and texture. Rather than showcasing virtuosity for its own sake, the music emphasizes balance and conversation between parts. The result is confident and ceremonial, yet never overstated.As a closing theme, this work offers a sense of order and resolution, bringing the week to a measured and dignified close. Clérambault's writing reminds us that Baroque music was as much about structure and purpose as it was about beauty. His music endures because it is clear, expressive, and carefully crafted. Ending the week with this piece is a quiet nod to tradition, discipline, and lasting musical craft.Without further ado, Louis-Nicolas Clérambault's Suite du premier ton: V. Basse et Dessus de Trompette–enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

觀光工廠 guān guāng gōng chǎng – tourist factory; factory open for visitors雄獅文具想像力製造所 Xióngshī wénjù xiǎngxiànglì zhìzào suǒ – SIMBALION Art StudioAddress: 桃園市龍潭區中原路二段188號 (No. 188, Section 2, Zhongyuan Rd, Longtan District, Taoyuan City)動手DIY dòngshǒu DIY – hands-on DIY; make it yourself文具 wénjù – stationery互動體驗 hùdòng tǐyàn – interactive experience設計裝置 shèjì zhuāngzhì – design installation上色 shàngsè – coloring塗鴉 túyā – graffiti; doodling療癒 liáoyù – therapeutic; healing芒果農創玫瑰綠柏園 Mángguǒ nóngchuàng méiguī lǜ Bǎiyuán – Mango Agro-Rose Green ParkAddress: 台南市楠西區水庫路9號 (No. 9, Shuiku Rd, Nanxi District, Tainan City)當季水果風味餐 dāngjì shuǐguǒ fēngwèi cān – seasonal fruit tasting meal芒果果乾 mángguǒ guǒgān – dried mango園區 yuánqū – park area; campus兒童遊樂設施 értóng yóulè shèshī – children's playground facilities空曠 kōngkuàng – open and spacious放風箏 fàng fēngzheng – fly kites取景 qǔjǐng – take photos; choose a scene for filming雲林 Yúnlín – Yunlin (county in Taiwan)土庫驛可可莊園 Tǔkù yì kěkě zhuāngyuán – Tukuyi Cocoa ManorAddress: 雲林縣土庫鎮大同路1之2號 (No.1-2, Datong Rd, Tuku Township, Yunlin County)莊園 zhuāngyuán – manor; estate整頓 zhěngdùn – organize; renovate北歐風 běi'ōu fēng – Nordic style種植 zhòngzhí – plant; cultivate可可樹 kěkě shù – cocoa tree食農教育 shí nóng jiàoyù – food and agriculture education佐登妮絲城堡生技園區 Zuǒdēng nī sī chéngbǎo shēngjì yuánqū – Château de Jourdeness ParkAddress: 嘉義縣大林鎮大埔美園區三路15號 (No. 15, 3rd Road, Meiyuan District, Dapu District, 22, Zhongkengli, Dalin Town, Chiayi County)採 cǎi – adopt; use; take文藝復興 wényì fùxīng – Renaissance巴洛克式 Bāluòkè shì – Baroque style穹頂 qióngdǐng – dome愛奧尼克柱列迴廊 Ài àoníkè zhùliè huíláng – Ionic column colonnade宮殿 gōngdiàn – palace保養品 bǎoyǎngpǐn – skincare/cosmetic products無法離開視線 wúfǎ líkāi shìxiàn – unable to take eyes off; mesmerizing城堡 chéngbǎo – castle宏偉 hóngwěi – magnificent; grandFollow me on Instagram: fangfang.chineselearning !

Mandy Aftel is a pioneering American artisan natural perfumer who has been called one of the fragrance industry's “most prolific talents” by Vogue and an “angel of alchemy” by Vanity Fair. She is an author, educator, and founder of Aftelier Perfumes and the Aftel Archive of Curious Scents located in Berkeley, CA. Mandy is renowned for her deep focus on plant-derived essences, historical fragrance, and innovative perfume creation that connects scent to memory and emotion, establishing new standards in natural perfumery through her many books like Essence & Alchemy and Fragrant. Her new book, Symbolorum: The Secret Wisdom of Emblems explores the esoteric insights and enchanting imagery of the Baroque emblem book, a long-lost cousin of the tarot.On this episode, Mandy discusses the alchemical magic of perfume, favorite sacred scents, and her latest fascination with the esoteric emblem book.Pam also talks about scented solar spells for Solstice, and answers a listener message from the snowy bottom of the globe.Check out the video of this episode over on YouTube (and please like and subscribe to the channel while you're at it!)Our sponsors for this episode are Mithras Candle, Zouz Incense, and Sister Temperance TarotWe also have print-on-demand merch like Witch Wave shirts, sweatshirts, totes, stickers, and mugs available now here, and all sorts of other bewitching goodies available in the Witch Wave shop.And if you want more Witch Wave, please consider supporting us on Patreon to get access to detailed show notes, bonus Witch Wave Plus episodes, Pam's monthly online rituals, and more! That's patreon.com/witchwave

Title: Cartloads of Music (Music for a foot tapping king) Track: John Jenkins: Fantasia-Suite in A Minor, VdGS group IV, No. 1, Courante Artist: Rachel Podger & Brecon Baroque. Publisher: ℗ 2024 Channel Classics Records / Outhere Music France & Kerkenstein Productions

To commemorate the release of the digital album release of the live audio recording of Pinchgut's 2019 production of Farnace, Conductor Erin Helyard chats with countertenor Christopher Lowrey and mezzo-soprano Helen Sherman to revisit the production. Together, they reflect on moments both on stage and off, while honouring the memory of beloved friends Taryn Fiebig, Max Riebl, and Jacqueline Dark, whose artistry and spirit left an enduring mark on Pinchgut and on all who knew them.

Tunes: Donald MacDonald: A Jig, A Jig, “The 92nd Gordon Highlanders” Quickstep, Buachail Na Gobhar. Is Na Caroach “The Goat Herd”, Taladh, or the Nurse's Song, “Mackay's March” Quickstep, A Reel “The Flirting Brown maid”, Hurichum Harichim “72nd Highlanders”, A Jig “The Gown and Apron”, The Highland Laddie, The Haughs of Cromdale, Buain Ne Ronich, or the Weary maid, Lochial's Awa' To France Mr. Mitchell: I'll Gar Ye Be Fain to Follow Me Alan Ramsay: Song To the Tune of “I'll Gar ye be fain to follow me O'Farrell: Fain to Follow Me Donald MacDonald 1828: A Jig from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682880 +X+ 1828: A jig from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682902 +X+ 1828: “The 92nd Gordon Highlanders” Quickstep from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682913 +X+ 1828: Buachail Na Gobhar. Is Na Caroach “The Goat Herd” from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682924 +X+ 1828: Taladh, or the Nurse's Song from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682946 +X+ 1828: “Mackay's March” Quickstep from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682957 +X+ 1828: A Reel “The Flirting Brown maid” from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682968 +X+ 1828: Hurichum Harichim “72nd Highlanders” from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682968 +X+ 1828: A Jig “The Gown and Apron” from Donald McDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682990 +X+ 1828: The Highland Laddie, The Haughs of Cromdale, from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682990 +X+ 1828: Buain Ne Ronich, or the Weary maid, from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105683012 +X+ 1828: Lochial's Awa' To France from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105683012 +X+X+ I'll Gar ye be Fain to Follow Me 1828: “I'll Make you be Fain to Follow me” A Jig, “Donachd Head” A Jig from Donald MacDonald https://digital.nls.uk/special-collections-of-printed-music/archive/105682891 +X+ 1731: I'll Gar Ye Be Fain to Follow Me from Mr. Mitchell's The Highland Fair, or Union of the Clans: https://archive.org/details/bimeighteenth-centurythe-highland-fair-or-umitchell-mr-joseph1731/page/51/mode/2up +X+ 1740: Song To the Tune of “I'll Gar ye be fain to follow me from Alan Ramsay's Tea Table Miscellany Vol 2 https://archive.org/details/teatablemiscella03rams/page/133/mode/1up +X+ 1806ish: Fain to Follow Me from O'Farrell https://archive.org/details/ofarrellspocketc00rugg/page/56/mode/1up +X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Anytime I do an episode on Fritz Wunderlich, the sun breaks through the clouds, emotionally speaking. Possessor of a bright-timbred voice of such exquisite beauty anchored by a profoundly satisfying musical sensibility, he and his legacy inspire rather than sadden me. Today I've chosen a duet program, because it allows me to showcase Fritz's effortless stylistic flexibility, while at the same time highlighting a rainbow of singing partners, some of whom are old favorites, and others of whom might not yet be well-known to my listeners. Today's treasure-trove of singers includes sopranos Maria Stader, Lucia Popp, Teresa Stratas, Erika Köth, Edith Mathis, Stefania Woytowicz, Pilar Lorengar, Melitta Muszely, Trude Eipperle, Hilde Güden, Anneliese Rothenberger, and Ruth-Margret Pütz; mezzo-soprano Christa Ludwig; and baritones Hermann Prey and Marcel Cordes, among others. Wunderlich and his co-stars sing repertoire ranging from the early Baroque through Janáček, including a particularly generous helping of Italian opera (albeit sung mostly in German), German Singspiel and Viennese operetta. It's a long episode, so don't hesitate to divide the episode up into bite-sized segments. No matter how you slice it up, I forecast a blissful response to these clarion tones! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

"The original source sound for this piece was from a bat echolocation detection device. So in this sonic interpretation, I aimed to create the feeling of reaching out into a mysterious, dark space of unknown size or location.  "The timbre is meant to be muffled and imprecise while the musical material is deliberate and approaching Baroque. I also bounced the original source sound between various audio and music composition softwares, relaying the message and having it change along the way–similar to a game of telephone. The rhythmic patterns were all taken for the rhythmic patterns of the sonified echolocation." Bat detector in Witney, England reimagined by Janae Jean.

Title: The King's Favourite ( The favourite composer of King Charles I and a piece about drops of water) Track: William Lawes: Almaine "La goutte" (the Drop): Fantasia-Suite No. 8 in D Major Artist: Rachel Podger & Brecon Baroque Publisher: ℗ 2024 Channel Classics Records / Outhere Music France & Kerkenstein Productions

Kevin is the guitarist and composer of the instrumental rock band Pyramids on Mars. Hard rock, industrial, and metal infused with lead guitar melodies inspired by violin melodies of Baroque classical composers Bach & Vivaldi. Kevin has been a guest on over 70 UFO Radio talk shows describing his UFO and ongoing Extraterrestrial Experiences. Kevin's latest album Cosmic Angels is inspired by his visitations by Extraterrestrials. Elements in all his albums incorporate many things that have been taught to him by these otherworldly visitors including, but not limited to telepathic storytelling, and tonal language (of the cetaceans and whales). Kevin has always had a passion for UFOs and Extraterrestrials. He spent over 20 years researching to understand why they are here. Kevin wanted to combine his passion for music with raising consciousness and awareness of the UFO and Extraterrestrial presence. He felt it was always his purpose in life. This calling was affirmed for him on August 21, 2014, when he had contact with an inter-dimensional craft of unearthly origin. Since then, Kevin began experiencing many related incidents like incredible synchronicities, music downloads, symbol downloads, through dreams (Neck Illusions DNA Double Helix design on his guitar), and increased Telepathy. His musical downloads are discussed in UFO Researcher Grant Cameron's book "Tuned In: The Paranormal World of Music." Many of Kevin's personal (CE5) ET encounters are discussed in "Inviting ET" by Su Walker. Kevin works with the P'ntl (Zetas) who reside in the Sandia Mountains, Albuquerque NM helping prepare humanity for Official First Contact. https://www.officialfirstcontact.com/ Kevin is the host of Pyramids on Mars UFO radio (since 2016 https://artistfirst.com/pyramidsonmars.htm ) on the Artistfirst. Kevin has a large network of friends, colleagues, and researchers in the UFO community who are Experiencers, Starseeds & Star Nation/Human Hybrids. He brings their stories to Artistfirst network.

durée : 01:27:41 - En pistes ! du mardi 09 décembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'Accademia Bizantina imagine une nouvelle lecture des six Concertos Brandebourgeois de Bach, en lien avec six parties du corps humain. A retrouver également ce matin, un disque que l'on doit au contre-ténor américain Reginald Mobley et qui mèle voix, luth et viole de gambe. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:27:41 - En pistes ! du mardi 09 décembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - L'Accademia Bizantina imagine une nouvelle lecture des six Concertos Brandebourgeois de Bach, en lien avec six parties du corps humain. A retrouver également ce matin, un disque que l'on doit au contre-ténor américain Reginald Mobley et qui mèle voix, luth et viole de gambe. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Within the hallowed expanse of Santiago de Compostela Cathedral, the organ resonates through centuries of devotion and artistry. Heard in this recording, the profound sonic environment of the historic basilica emerges as each note played on the grand organ seems to breathe life into the walls, carrying the weight of countless pilgrimages and prayers. As the music unfolds, it fills the space with transcendent quality, blending seamlessly with the ambient acoustics of the Romanesque architecture and Baroque embellishments. The rich tones of the organ evoke a sense of awe, paying homage to the cathedral's role as a sacred endpoint for the Way of St. James - a journey steeped in history and spirituality. This sound setting not only preserves the majestic beauty of the organ but also invites the listener to reflect on the timeless significance of this revered place. It is a sonic offering that mirrors the cathedral's enduring legacy as both a spiritual sanctuary and a monument to human devotion. Recorded by Serge Bulat. 

Tunes: Jeremy Kingsbury: Saw ye a Lassie of Fifteen at the mines in Wicklow or Bath? From Humours of Toddy ArBo Doughty: Far Away/ The Moth in the Lantern, Green Fields of Canada and Paddy's Rambles Through the Park from fahy's fields Nicholas Brown: Master, I Go Hunting - Shaving Baby With a Spoon - Sky Blue Dress (Hop Jigs) from Not so Good As The Flute Dave Rowlands: Cotting Burn from Musica ex alia terra Brendan Taaffe & Maurice Manning: Spin All the Stars, Grace it Falls from The Bucolics Project Muco: Wið ymbe (a beekeeper's charm) from Soþlice, Bryd One Brere from Summer Crossing and Frankie Archer: In Brunton Town from Sing Yonder 2 Mike MacNintch: The Keelman O'er the Land/Jenny Nettles/Drops of Brandy from The Chanter's Song Ian Lawther: Meggy's Foot from The Empty Trough Donald WG Lindsay & Alisdair Roberts: Wheels of Fortune, Jock Hawk's Adventures in Glasgow from Welcome Home My Dearie Matthew Welch: Lessons in Dragonease Six (Glass Dragons) from Dragon Fire Raflum | 雨鎖悲秋: Sunset Glow, Secluded Vale from Melodies of Forest and Springs 林泉吟 Sean Reidy: The Arduous Wait from Tunes for the Soul Landless: The Grey Selkie of Sule Skerry, The Hag from Lúireach Topette!!: JLP, Winstanley's/Les Trois Canards from Bourdon Marit and Rona: Kilmartin Glen Campsite from Turas +X+X+ Jeremy Kingsbury: Saw ye a Lassie of Fifteen at the mines in Wicklow or Bath? From Humours of Toddy https://jeremykingsbury.bandcamp.com/album/humours-of-toddy +X+X+ ArBo Doughty: Far Away/ The Moth in the Lantern, Green Fields of Canada and Paddy's Rambles Through the Park from fahy's fields https://arbodoughty.bandcamp.com/album/fahys-fields +X+X+ Nicholas Brown: Master, I Go Hunting - Shaving Baby With a Spoon - Sky Blue Dress (Hop Jigs) from Not so Good As The Flute https://nicolasbrown.bandcamp.com/album/not-so-good-as-the-flute +X+X+ Dave Rowlands: Cotting Burn from Musica ex alia terra https://daverowlandsbagpipes.bandcamp.com/album/musica-ex-alia-terra +X+X+ Brendan Taaffe & Maurice Manning: Spin All the Stars, Grace it Falls from The Bucolics Project https://brendantaaffe.bandcamp.com/album/the-bucolics-project +X+X+ Muco: Wið ymbe (a beekeeper's charm) from Soþlice https://muco.bandcamp.com/album/so-lice +X+ Bryd One Brere From Summer Crossing: https://muco.bandcamp.com/track/bryd-one-brere +X+ In Praise of Mary From Tiktok https://www.tiktok.com/@muco0/video/7558402271311121686?r=1&_t=ZP-91vvH6vnmYR +X+X+ Frankie Archer: In Brunton Town from Sing Yonder 2 https://karlsinfield.bandcamp.com/album/sing-yonder-2 +X+X+ Mike MacNintch: The Keelman O'er the Land/Jenny Nettles/Drops of Brandy from The Chanter's Song https://mikemacnintch.bandcamp.com/album/the-chanters-song +X+X+ Ian Lawther: Meggy's Foot from The Empty Trough https://ianlawther.bandcamp.com/album/the-empty-trough +X+X+ Donald WG Lindsay & Alisdair Roberts: Wheels of Fortune, Jock Hawk's Adventures in Glasgow from Welcome Home My Dearie https://donaldwglindsay.bandcamp.com/album/welcome-home-my-dearie +X+X+ Matthew Welch: Lessons in Dragonease Six (Glass Dragons) from Dragon Fire https://kotekanrecordslabel.bandcamp.com/album/dragon-fire +X+X+ Raflum | 雨鎖悲秋: Sunset Glow, Secluded Vale from Melodies of Forest and Springs 林泉吟 https://raflum.bandcamp.com/album/melodies-of-forest-and-springs +X+X+ Sean Reidy: The Arduous Wait from Tunes for the Soul https://seanpatrickreidy.bandcamp.com/album/tunes-for-the-soul +X+X+ Landless: The Grey Selkie of Sule Skerry, The Hag from Lúireach https://landless.bandcamp.com/album/l-ireach +X+X+ Topette!!: JLP, Winstanley's/Les Trois Canards from Bourdon https://topette.bandcamp.com/album/bourdon +X+X+ Marit and Rona: Kilmartin Glen Campsite from Turas https://maritandrona.bandcamp.com/album/turas +X+X+X+ FIN Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

Inside St Martin's Church, which was founded in 1356 by the Duke of Mazovia Ziemowit and his wife Euphemia. It has been repeatedly reconstructed in the Baroque style, following destruction in 1944, the Baroque interior was not rebuilt and now it is largely modern, with the only surviving original element being the partially burned crucifix in the main nave.  Recorded by Maria Papdomanolaki.

The Basilica of St. Mary Institute for Faith and Culture Presents: Beauty and the Beast, an Exploration of the Power of Beauty, Part 5 of 5 With Fr. James Searby  In this final class of Beauty and the Beast, we look at the tale's two feasts to understand beauty as a path back to communion, meaning, and sacramentality. The tavern scene becomes a picture of the ego- loud, empty, and isolating, while "Be Our Guest" reveals what self-giving love looks like when a community pours itself out in joy. From there, Fr. James Searby explores the vocation of the artist, the vulnerability of real creativity, and the way beauty acts almost like a sacramental, opening the soul to grace. This class traces the larger cultural story as well, from the Baroque renewal of the Church to the rise of modernity and postmodernity, and finally to our quiet rediscovery of wonder today. Using the fairy tale as a map, the episode shows how the loss of beauty disfigures a culture and how its return restores the human heart. At its center is the conviction that beauty heals, reveals, and reunites, and that when we allow ourselves to receive it, the beast in all of us begins to become whole again.

Title: The Dutch Muse (Can the muse Euterpe be found in old Amsterdam?) Track: Van Eyck: Comagain a 2 Pieter de Vois: Brande Yrlandt, Artist: Cordevento & Erik Bosgraaf Publisher: ℗ 2024 Brilliant Classics

English singer and multi-instrumentalist Patrick Wolf built his sizable reputation on a blend of Baroque pop and arty, classically-informed folk-rock. But a series of setbacks kept him from the music scene for a decade, before he returned with an EP in 2023, and in June of 2025, his latest LP called Crying The Neck. Patrick Wolf joins us at the piano, to play new songs, in-studio. Set list: 1. Enter the Day 2. The Last of England 3. Foreland 

Tunes: Rhiona Sidley, Stuart Letford and Tom Rust with MacCrimmon's Lament Jeremy Kingsbury: Hacky Honey, Tam Glen/Lads Wi' the Kilts, Stool of Repentance, Merry Old Woman, Jackson's Lake, Fionnlaigh Mac a Phiocair with the Rolling Wave Set Ian Kinnear with The Bloody Fields of Flanders and Lochanside +X+X+ Big thanks to all the musicians and LBPS for inviting me over! Check out the episode on Enjoy Your Piping: https://enjoyyourpiping.buzzsprout.com/2146429/episodes/18254064-episode-125-bellows-in-dunkeld Check out the LBPS Website here: https://lbps.net/j3site/index.php Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

This podcast takes you into the extraordinary building and collection of the Borghese Gallery in Rome, Italy. From the great hall with its beautiful ceiling fresco, ancient Roman floor mosaics depicting gladiators and beast hunters, and ancient/Baroque statue of "Marcus Curtius," to the adjoining Caravaggio room which houses six paintings by the great master, a visitor to the Borghese Gallery is immediately struck by the magnificence of the collection.   

In this episode Jeremy contemplates the 'shape' of time with the help of French philosopher Gilles Deleuze. If reclaiming time from the catastrophe of progress requires that we invent new forms of temporality, then perhaps the fold, a concept developed by Deleuze, can help us develop better metaphors, more dynamic 'shapes,' for time. Folds and pleats fold, unfold, and enfold, emphasizing interrelationships between past, present and future. The fold helps us think with a weirder time of the present, opening a zig-zagging path towards more relational futures.Show note:Join Jeremy for a weekend seminar starting on December 5, "Integral Futuring: Reclaiming Time in the Radical Present."Gilles Deleuze. The Fold: Liebniz and the Baroque.Forthcoming: Fragments of an Integral Future: Essays on Time, Ecology, and a New Worldview (early 2026).

Title: St Cecilia(Saint and Muse - Cecilia is breaking my heart) Track: Herbert Howells: A Hymn for St Cecilia Artist: The choir of Royal Holloway is conducted by Rupert Gough Publisher: ℗ 2014 Hyperion Records Limited

Step into a world where music transcends time, weaving a tapestry of sound and storytelling. From the majesty of the Baroque to the passion of the Romantic era, from cinematic landscapes to bold contemporary soundscapes, the organ's voice will transport you across centuries. Laughter and drama unfold in a lively work for organ and narrator, while the ethereal fusion of organ and tape blurs the line between the real and the otherworldly.

This Day in Legal History: Mississippi BurningOn November 21, 1964, a federal grand jury convened in Meridian, Mississippi, and indicted 19 men in connection with the murders of James Chaney, Andrew Goodman, and Michael Schwerner—three civil rights workers abducted and killed by the Ku Klux Klan during Freedom Summer. The brutal killings had shocked the nation, but Mississippi officials refused to pursue murder charges, prompting the federal government to step in. Lacking jurisdiction over homicide, federal prosecutors turned to a rarely used provision of the Reconstruction-era Civil Rights Act of 1870, charging the defendants with conspiracy to violate the victims' civil rights.This legal maneuver led to United States v. Price (1967), a pivotal Supreme Court case that affirmed the federal government's authority to prosecute state actors and private citizens working in concert to deprive others of constitutional rights. The Court unanimously held that the Due Process Clause of the Fourteenth Amendment could be enforced through criminal prosecution when state officials or their proxies engaged in unlawful conduct.At trial, seven of the defendants, including a deputy sheriff, were convicted—though none received more than ten years in prison. Several of the most notorious perpetrators, including Edgar Ray Killen, evaded justice for decades. Still, the case marked one of the first successful federal efforts to hold white supremacists accountable for racial violence in the Jim Crow South.The Mississippi Burning case revealed both the limits of federal power—since murder charges were off-limits—and its emerging role as a necessary backstop when local justice systems failed. It signaled a new willingness by the Department of Justice to engage in civil rights enforcement, even in the face of deep local hostility. The grand jury's action on this day helped set legal and moral precedent for future federal interventions in civil rights cases.Google is making a final argument in federal court to avoid a forced breakup of its advertising technology business, as the U.S. Department of Justice (DOJ) wraps up its antitrust case. U.S. District Judge Leonie Brinkema already ruled in April that Google maintains two illegal monopolies in the ad tech space. Now the court is weighing remedies, with the DOJ and several states pushing for the sale of Google's AdX exchange, a key platform where digital ads are auctioned in real time.During an 11-day trial that began in September, the DOJ argued that only a forced divestiture would effectively curb Google's anticompetitive conduct. In response, Google contended that breaking up its ad business would be technically disruptive and harmful to customers. The company also emphasized that it would comply with less drastic remedies.The trial represents one of the most serious legal threats to Google's ad empire to date. While Google has largely avoided major penalties in previous antitrust actions, this case—and others still pending against Meta, Amazon, and Apple—could mark a turning point in federal enforcement against Big Tech.Google has pledged to appeal any adverse ruling, including Judge Brinkema's earlier decision and a separate finding in Washington that declared Google's dominance in online search and advertising unlawful. In that case, Google was not forced to sell its Chrome browser but was ordered to share more data with competitors.The outcome of this trial could have lasting implications for the structure of the digital ad industry and the future of antitrust enforcement in the tech sector.Google aims to dodge breakup of ad business as antitrust trial wraps | ReutersAs the federal government considers limiting state regulation of artificial intelligence, many U.S. states are moving in the opposite direction—introducing legislation to curb algorithmic pricing practices that may be inflating costs for consumers. These laws target the growing use of software that sets prices based on personal data, such as location, browsing history, and past purchases. Critics argue this enables businesses to charge consumers what they're perceived to be willing to pay, not a fair market rate.Former FTC Chair Lina Khan, now advising New York City's incoming administration, is helping shape efforts to leverage state authority to combat such practices. Laws already passed in New York and California prohibit algorithmic collusion in rental markets, and 19 other states are considering similar bills to restrict price-setting based on competitor data.The issue has attracted bipartisan concern. Utah Republican Tyler Clancy plans to introduce legislation aimed at giving consumers more control over the data companies collect and use to personalize prices. Advocacy groups like Consumer Reports warn that AI-driven pricing risks exacerbating inequality, allowing companies to charge different prices based on who they think the buyer is—effectively punishing certain groups of consumers.Meanwhile, President Trump is reportedly considering an executive order that would block state-level AI rules, escalating the tension between federal deregulation efforts and state-led consumer protection initiatives.US states take aim at data-driven pricing to ease consumer pain | ReutersIn a landmark decision, the New Jersey Supreme Court has become the first high court in the U.S. to ban prosecutors from introducing expert testimony that shaking alone can cause the internal injuries typically attributed to Shaken Baby Syndrome (SBS). The 6–1 ruling came in two separate child abuse cases involving fathers accused of harming their infant sons. The court held that the state failed to show sufficient scientific consensus across relevant fields, particularly from biomechanical engineering, to justify presenting SBS as a reliable diagnosis in the absence of external trauma.While SBS has long been used to explain serious injuries like brain swelling and internal bleeding in infants—forming the basis for thousands of abuse prosecutions—the court emphasized that scientific evidence must be broadly accepted and reliable, not speculative or limited to select disciplines. Pediatricians and neurologists largely support the SBS diagnosis, but the court noted that the foundational research stemmed from a 1968 whiplash study, and the biomechanics field has not confirmed that shaking alone, without head impact, can produce the injuries.One of the defendants, Darryl Nieves, had his case dismissed, while the other, Michael Cifelli, remains charged but plans to seek dismissal based on the ruling. The decision opens the door for challenges in past SBS convictions and may limit future prosecutions relying solely on SBS testimony.Justice Fabiana Pierre-Louis wrote that the door isn't permanently closed—if future research can establish consensus, such testimony may be admitted. But for now, the ruling significantly raises the bar for the use of SBS in court. Justice Rachel Wainer Apter dissented, warning that the majority gave too much weight to a single scientific field over others.New Jersey high court first in US to ban Shaken Baby Syndrome testimony | ReutersA piece I wrote for Forbes this week examined how Foreign Bank and Financial Account (FBAR) reporting enforcement has evolved into a penalty system wildly out of sync with the actual harm caused. I opened with the United States v. Saydam decision, where a dual citizen was hit with a $437,000 civil penalty for failing to file FBAR forms—even though the government's tax loss was only about $29,000. There was no fraud, no evasion, and no criminal behavior, yet the punishment looked like something reserved for offshore tax schemers. I argued that this case shows how FBAR has drifted far from its original purpose under the Bank Secrecy Act, which was aimed at serious financial crime, not routine reporting lapses.In the article, I explained how the concept of “willfulness” has morphed into something elastic enough to include recklessness or even simple inattention, giving the IRS license to impose penalties of up to 50% of an account's highest balance per year. That structure means the punishment often bears no relation to any underlying tax obligation. Saydam's case illustrates this perfectly—the government simply took his highest‑balance year, sliced it in half, spread it across the years he didn't file, and ended up with a crushing figure.I also emphasized that the people being hit hardest aren't drug traffickers or money‑launderers; they're ordinary taxpayers with overseas ties—dual citizens, immigrants, retirees—whose “wrongdoing” is usually limited to missing a form. The court's acknowledgment that FBAR penalties are indeed “fines” under the Eighth Amendment should have prompted a stronger proportionality analysis, but instead it set a very forgiving standard for the government, effectively blessing massive penalties for paperwork lapses.In my view, when penalties exceed the actual tax loss by a factor of fifteen, we're no longer talking about a compliance tool—we're talking about a punitive revenue mechanism. The system now incentivizes extracting large sums from people who pose no threat to the tax base. Saydam didn't hide money or lie about his income; he just didn't file a disclosure. Yet he now faces nearly half a million dollars in liability. As I wrote, if this is the precedent, FBAR has stopped being a transparency measure and has become a blunt instrument aimed at immigrant taxpayers.The Rise And Proliferation Of Excessive FBAR PenaltiesThis week's closing theme is by Henry Purcell.This week's closing theme comes from Purcell, the brilliant English Baroque composer often called “the Orpheus Britannicus” for the beauty and depth of his music. Born in 1659 and active during the late 17th century, Purcell's work bridged the gap between Renaissance polyphony and the emerging Baroque style, blending French elegance, Italian expressiveness, and a distinctly English sensibility. Though he died young at just 36, his influence on British music would echo for centuries.While his “Ode to Saint Cecilia”—written for the patron saint of music—is his most direct connection to November 22, the official feast day of Saint Cecilia, Purcell's music is appropriate listening for this week. His compositions often graced the St. Cecilia Day festivals held annually in London, celebrating music itself as a divine art.The Overture in G minor, which closes our episode today, is not among his ceremonial odes but showcases many of his signature strengths: tight contrapuntal writing, a dark, dignified mood, and striking harmonic shifts that feel centuries ahead of their time. The overture begins with a slow, solemn introduction before launching into a more vigorous section, where rhythmic vitality meets melodic restraint.It's a concise, powerful piece that reflects Purcell's talent for writing music that is both emotionally direct and structurally refined. Though originally composed for a larger suite or theatrical context, it stands on its own as a miniature masterwork. As the week draws to a close and Saint Cecilia's Day approaches, Purcell's music reminds us that even in constraint—of time, of scale, of form—there can be grandeur.And with that, enjoy Purcell's Overture in G minor! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Andrew talks in detail about his unsure entry into the world of Dungeons and Dragons. A story about the use of A.I. in documentaries has Luke very concerned. And a favorite TBTL song scats its way back onto the show. 

A Mile to Ride, Dorrington Lads, Generous Fox, Bonny Lad, Welcome to Town Again, Rock and Wee Pickle Tow, Terribus, Ye Banks and Braes of Bonnie Doon, Jack Lattin Here are some ways you can support the show: You can support the Podcast by joining the Patreon page at https://www.patreon.com/wetootwaag You can also take a minute to leave a review of the podcast if you listen on Itunes! Tell your piping and history friends about the podcast! Checkout my Merch Store on Bagpipeswag: https://www.bagpipeswag.com/wetootwaag You can also support me by Buying my Albums on Bandcamp: https://jeremykingsbury.bandcamp.com/ You can now buy physical CDs of my albums using this Kunaki link: https://kunaki.com/msales.asp?PublisherId=166528&pp=1 You can just send me an email at wetootwaag@gmail.com letting me know what you thought of the episode! Listener mail keeps me going! Finally I have some other support options here: https://www.wetootwaag.com/support Thanks! Listen on Itunes/Apple Podcasts: https://podcasts.apple.com/us/podcast/wetootwaags-bagpipe-and-history-podcast/id129776677 Listen on Spotify: https://open.spotify.com/show/5QxzqrSm0pu6v8y8pLsv5j?si=QLiG0L1pT1eu7B5_FDmgGA

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Before the idea of feminism took shape, there was what writers once called “the woman question.” The phrase comes from the querelle des femmes—a centuries-long debate in Europe about women's rights, intellect, and place in society. One of the first to take it up was Christine de Pizan, the Italian-French court writer who, in 1405, published The Book of the City of Ladies. At a time when most women were excluded from education and public life, de Pizan challenged misogyny head-on, laying some of the earliest groundwork for what we now understand as feminist thought. That question—what is a woman's place in culture and history?—has echoed ever since. In 1971, the art historian Linda Nochlin famously reframed it by asking: “Why Have There Been No Great Women Artists?” We have a clear answer: there had been great women artists all along, but their stories were often overlooked, dismissed, or erased. A new exhibition at the recently opened Museum of Modern Art in Warsaw hones in on that conversation. "The Woman Question: 1550–2025," curated by Alison M. Gingeras, gathers nearly five hundred years of women's creative production—from Renaissance pioneers like Sofonisba Anguissola and Lavinia Fontana, to Baroque heroines such as Elisabetta Sirani and Artemisia Gentileschi, and contemporary artists including Betty Tompkins and Lisa Brice. With more than 200 artworks, the exhibition focuses on how women saw and depicted themselves and the world, and how the represented power, resistance, desire, and violence. Through portraits, allegories, and bold depictions of female experience, these artists reveal how women have long claimed creative agency despite the structures built to contain them. On this episode of The Art Angle, Gingeras joins senior editor Kate Brown from Warsaw, Poland, to talk about early women art stars, recent rediscoveries, and why, after all this time, we still need all-women exhibitions.

This week it's the tale of the Portuguese galleon Padre Eterno, launched in the Bay of Guanabara in 1663. More the story of a ship that did wreck at some point and the world she inhabited rather than a nuts-and-bolts 'shipwreck' yarn. The Sameer Project Sources: Blackburn, Robin. The Making of New World Slavery: From the Baroque to the Modern, 1492 - 1800. Verso, 1998. Camenietzki, Carlos Ziller. “O galeão Padre Eterno.” BN Digital Brasil. https://bndigital.bn.gov.br/dossies/historia-da-ciencia/o-galeao-padre-eterno/Costa, Fernando Dores. A Guerra da Restauração, 1641 - 1668 (Temas de História de Portugal. Livros Horizonte, 2004. Gomes, Laurentino. Escravidão, Volume I: Do primeiro leilão de cativos em Portugal até a morte de Zumbi dos Palmares. GloboLivros, 2019. Lara Mesquita, João. “Padre Eterno: maior navio do século 17 no Brasil.” Mar Sem Fim, 13 Jan 2020. https://marsemfim.com.br/maior-navio-do-mundo-no-seculo-17-foi-construido-no-brasil/Marcolin, Neldson. “Por mares sempre navegados.” Pesquisa, vol. 189, Nov 2011. https://revistapesquisa.fapesp.br/por-mares-sempre-navegados/Russell-Wood, A. J. R. The Portuguese Empire, 1415 - 1808: A World On The Move. Johns Hopkins University Press, 1998.https://lisboa-e-o-tejo.blogspot.com/2019/06/padre-eterno.htmlEls Segadors (Catalan National Anthem) referenced in the episodeSupport the show

Art Historian Eleanor Walker joins us this episode to discuss the life and patronage of Isabella d'Este, Marchioness of Mantua. Isabella perfectly bridges the northern courts of Este Ferrara and Gonzaga Mantua, serving as the pivotal figure who united the two courts.Eleanor Walker introduces us to the life and vibrant personality of this Renaissance giant, looking at the scope and limitations of women in power in the northern courts. Then we turn to her patronage, diving deep into her portrait by Titian and a copy of another Titian portrait of Isabella by the Baroque master Peter Paul Rubens. Works Discussed: Titian, Isabella in Black, ca. 1536 https://www.khm.at/kunstwerke/isabella-d-este-markgraefin-von-mantua-1474-1539-1940Peter Paul Rubes, Isabella in Red (copied after Titian), ca. 1605 https://en.wikipedia.org/wiki/Isabella_in_Red_(Rubens)Support/Watch/Follow: https://linktr.ee/italian_renaissance_podcastJennifer Samit and Eleanor Walker, Women Artists in Their own Words: https://www.merrellpublishers.com/9781858947235Jill Burke, How to Be a Renaissance Woman, https://www.amazon.it/How-Renaissance-Woman-Jill-Burke/dp/1788166663/ref=asc_df_1788166663?mcid=84574746f829322698bfc93eb94e80af&tag=googshopit-21&linkCode=df0&hvadid=700814440216&hvpos=&hvnetw=g&hvrand=11473624181355666976&hvpone=&hvptwo=&hvqmt=&hvdev=c&hvdvcmdl=&hvlocint=&hvlocphy=9199215&hvtargid=pla-1888711395289&psc=1&hvocijid=11473624181355666976-1788166663-&hvexpln=0Get additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show