Podcasts about mendelssohn

durée : 01:28:38 - Paul Meyer, le naturel d'un musicien accompli - par : Aurélie Moreau - Paul Meyer, célèbre clarinettiste, mène aussi une brillante carrière de chef d'orchestre en Europe, Asie, Amérique du Sud... Il est chef principal de l'Orchestre de Chambre de Manheim. Aujourd'hui : Beethoven, Weber, Mendelssohn, Zemlinsky, Haydn… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:29:00 - En pistes ! du mardi 21 octobre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Des concertos pour violon de Mendelssohn à la fin d'une intégrale de la musique de chambre de Schumann, En Pistes exalte la génération romantique ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:29:00 - En pistes ! du mardi 21 octobre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Des concertos pour violon de Mendelssohn à la fin d'une intégrale de la musique de chambre de Schumann, En Pistes exalte la génération romantique ! Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Este miércoles 22 de octubre a las 19:30, el Centro Cultural de Música presenta en el Teatro Solís a dos de los intérpretes más destacados de la escena internacional: la pianista Isata Kanneh-Mason y el violonchelista Sheku Kanneh-Mason, hermanos que han conquistado al público europeo con su virtuosismo y sensibilidad.Será su primera actuación en Montevideo, en el marco de la Temporada 2025 del CCM, con un programa que combina obras de Mendelssohn, Schumann, Boulanger y Poulenc, en un recorrido que atraviesa un siglo de música romántica y moderna.Bardo es un grupo de científicos de Uruguay, biólogos, ingenieros, antropólogos, docentes, que usando herramientas de teatro y cuentacuentos, se embarcan en este proyecto para la apropiación social de la ciencia a través del teatro y los monólogos.En ocasión del décimo aniversario, presenan una obra de teatro "Nostrum Bardo, una obra entre científicos", una comedia de divulgación científica, escrita colaborativamente y dirigida por Andrés David Pastorini, dónde un grupo de científicos intentarán llevar adelante la construcción de una cooperativa de vivienda.Funciones, domingo 26 de octubre 19:30 horas y jueves 30 de octubre a las 21:00 horas en UnderMovie. Entradas en venta por www.movie.com.uy

Son nouveau roman, Passion brève, publié aux éditions Mercure de France, est tout imprégné de musique. Il met en scène une jeune universitaire et un pianiste de quarante ans son ainé qui vivent une intense histoire d'amour et dont les sentiments se confondent parfois avec la musique, celle de Mendelssohn, de Schumann, de Dvorak, de Mozart ou de Liszt. Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Felix Mendelssohn-Bartholdy (1809-1847) - Trio n. 2 in do minore per violino, violoncello e pianoforte, op. 661.      Allegro energico e con fuoco2.      Andante espressivo3.      Scherzo: Molto allegro quasi presto4.      Finale: Allegro appassionatoChristel Lee, violino Jonathan Roozemann, violoncello Yekwon Sunwoo, pianoforte

El Stradivarius Mendelssohn aparece casi un siglo después después

Written in the era of the founding of Gresham College, Shakespeare's A Midsummer Night's Dream portrays the hypnotic dreaminess of a fairy world in which the real and the fantastic are blurred. This lecture explores how the innate musicality of Shakespeare's original has provoked adaptations across the centuries, including Ashton and Balanchine's ballets based on Mendelssohn's incidental music for the play, Britten's opera, Purcell's masque The Fairy Queen, Henze's Eighth Symphony and Elvis Costello's Il Sogno. What is it about Shakespeare's fairies that have inspired such diverse musical responses?This lecture was recorded by Professor Dominic Broomfield-McHugh on 22nd September  2025 at Conway Hall, London.Dominic Broomfield-McHugh is Gresham Visiting Professor of Film and Theatre Music. He is also Professor of Music at the University of Sheffield and is a graduate of King's College London. His scholarship focuses on the American musical on stage and screen, and he has published eight books including Loverly: The Life and Times of 'My Fair Lady' (OUP, 2012), The Letters of Cole Porter (Yale, 2019) and The Oxford Handbook of the Hollywood Musical (2022). He is Associate Producer of the PBS documentary Meredith Willson: America's Music Man and has appeared on all the main BBC television and radio stations as well as NPR in America. He has given talks and lectures at the Sydney Opera House, New York City Center, the Library of Congress, New York Public Library, Sadler's Wells, and Lincoln Center, among many others.The transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/watch-now/musical-fairiesGresham College has offered free public lectures for over 400 years, thanks to the generosity of our supporters. There are currently over 2,500 lectures free to access. We believe that everyone should have the opportunity to learn from some of the greatest minds. To support Gresham's mission, please consider making a donation: https://gresham.ac.uk/support/Website:  https://gresham.ac.ukTwitter:  https://twitter.com/greshamcollegeFacebook: https://facebook.com/greshamcollegeInstagram: https://instagram.com/greshamcollegeSupport the show

durée : 01:28:46 - Benjamin Grosvenor, un romantique au XXIème siècle - par : Aurélie Moreau - Pour le pianiste Benjamin Grosvenor, "si Chopin a le talent de la mélodie, Schumann sait traduire ce qui circule en nous, nos turbulences émotionnelles." (Classikeo). Aujourd'hui : Chopin, Bach, Scriabine, Mendelssohn, Moszkowski, Schumann et Liszt. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In un recente episodio, abbiamo parlato di Clara Schumann, una compositrice di grande talento che era sposata con Robert Schumann. Oggi vorremmo rivolgere la nostra attenzione su Fanny Mendelssohn-Hensel, un'altra compositrice di sorprendente talento che è stata coperta dall'ombra di un uomo famoso. Nel caso di Fanny, l'uomo da cui è stata oscurata era suo fratello Felix Mendelssohn-Bartholdy (1809-1847). E non è cosa da poco. Felix non fu solo uno dei più grandi compositori dell'epoca romantica, fu a dir poco un miracolo. Pensate al suo ottetto, alle sue musiche di scena per Sogno di una notte di mezza estate, alla sua musica da camera, alle sue sinfonie, alla sua musica per pianoforte, ai suoi oratori. Quanti altri compositori come lui conoscete? Senza dimenticare che compose ogni cosa in soli 38 anni: questa fu infatti l'età in cui morì. Eppure, anche accanto a un colosso come Felix, Fanny tiene testa. Se fosse vissuta in un'epoca in cui le donne non erano così emarginate, e se non fosse morta all'età di 41 anni, avrebbe potuto godere del riconoscimento e del rispetto che meritava. Ma oggi sferreremo un piccolo colpo a suo favore. Non possiamo correggere quasi due secoli di dimenticanza in un solo giorno, ma insieme possiamo scoprire di più sulla meravigliosa musica composta da questa donna straordinaria. Piccola biografia di Fanny Mendelssohn-Hensel Fanny Mendelssohn (che prese il nome di Mendelssohn-Hensel dopo il suo matrimonio nel 1829) nacque il 14 novembre 1805 ad Amburgo, in Germania. Era la maggiore di quattro figli di una distinta famiglia ebrea. Suo padre era nipote del filosofo Moses Mendelssohn. (Si noti che, a causa delle norme sociali osservate da alcuni ebrei tedeschi all'epoca, i piccoli Mendelssohn e i loro genitori furono battezzati e divennero luterani nel 1816.) Fanny mostrò un prodigioso talento musicale. Ricevette le sue prime lezioni di pianoforte da sua madre e in seguito studiò con Carl Friedrich Zelter, un importante compositore dell'epoca. Nonostante il suo talento, si astenne dall'esibirsi pubblicamente o dal promuovere le proprie composizioni. Molti dei suoi primi lavori furono pubblicati sotto il nome di suo fratello. Nel 1829 sposò l'artista Wilhelm Hensel. Fanny ha continuato a comporre e a esibirsi in contesti privati. Solo nel 1846 pubblicò una raccolta di canzoni con il suo nome. Morì di ictus il 14 maggio 1847, quando aveva 41 anni. Suo fratello Felix ne fu devastato e morì solo sei mesi dopo, a 38 anni. Eredità Le opere di Fanny Mendelssohn hanno ottenuto un crescente riconoscimento negli ultimi anni, rivelando i suoi significativi contributi al panorama musicale dell'epoca romantica. Le sue composizioni includono un quartetto d'archi, un trio con pianoforte, più di 125 pezzi per pianoforte e più di 250 canzoni. Consigli per l'ascolto Canzoni Eichendorff-Lieder (sei brani di poesie di Joseph von Eichendorff) Sei canzoni, Op. 7 Opere per pianoforte Sei canzoni per pianoforte, Op. 4 e 5 Piano Sonata in C- Musica da camera Trio in re minore per pianoforte, violino e violoncello op. 11 Quartetto d'archi in Mi bemolle Opere corali Oratorio su Scene della Bibbia, per solisti, coro e orchestra

Michael and Ethan discuss Faust, by Goethe, both part 1 and 2, while drinking Balvenie Doublewood 12yo single malt.In this episode:Dynamic in a pastoral wayBaffling talk of forms, mothers, material, and reality (and keys?)The Apocalypse has been happening since 1789This is roughly what Ethan is talking about regarding courtly loveIn case the references to “Walpurgis Night” are confusing, this probably won't help at allGoethe as both Enlightenment poet and Romantic poetSince when has this podcast gone in straight lines?Mendelssohn's Die Erste WalpurgisnachtThere is no striving in Elysium after drinking the waters of LetheThe GK Chesterton quote that Ethan mangles: “The riddles of God are more satisfying than the solutions of man.”Next time Michael and Ethan will discuss Doctor Faustus, by Thomas Mann! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

durée : 00:14:49 - Disques de légende du lundi 29 septembre 2025 - Aussi connu pour ses interprétations pointilleuses que pour son fort caractère, le chef d'orchestre Arturo Toscanini dirige ici l'Orchestre symphonique de la NBC de New York dans une interprétation de la 4e Symphonie de Mendelssohn aux accents furieux. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:49 - Disques de légende du lundi 29 septembre 2025 - Aussi connu pour ses interprétations pointilleuses que pour son fort caractère, le chef d'orchestre Arturo Toscanini dirige ici l'Orchestre symphonique de la NBC de New York dans une interprétation de la 4e Symphonie de Mendelssohn aux accents furieux. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Join The Revd Canon Dr Alison Joyce, Rector of St Bride's, and St Bride's Choir for this week's reflection in words and music. Our reflection opens as St Bride's Choir sings the eight-part motet "For he shall give his angels charge over thee" from Mendelssohn's great oratorio Elijah. In our reading we hear the parable of the rich man and the beggar, Lazarus. Alison goes on to reflect on this and our attitudes towards money in our journeys of faith. We close with the hymn "Immortal, invisible, God only wise" to the Welsh tune St Denio with text by the Scottish pastor Walter Smith. Information about our weekly Sunday services in St Bride's of Choral Eucharist at 11am (https://www.stbrides.com/worship-music/worship/regular-services/choral-eucharist/) and Choral Evensong at 5:30pm (https://www.stbrides.com/worship-music/worship/regular-services/choral-evensong/) can be found on the website. Find out what's happening at St Bride's at https://www.stbrides.com/whats-on If you enjoy listening, please leave a comment below or subscribe to our channel. It is great to get your feedback. SUPPORT ST BRIDE'S ================== We are hugely grateful for people's generosity which we wholly rely on to continue our work, maintain our wonderful architectural heritage and support world-class music-making. People are often surprised to learn that St Bride's receives no external funding. If you would like to make a donation, you can do so at https://www.justgiving.com/stbrideschurchfleetstreet

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutch Logo design by Robbie Mailer Howat robbiemailerhowat Thank you for listening - please do get in touch with any comments!

Gepresenteerd door: Leonard Evers In het AVROTROS Vrijdagconcert hoor je wekelijks live de mooiste concerten door het Radio Filharmonisch Orkest, het Groot Omroepkoor en gastensembles. Residentie Orkest Andrew Grams, dirigent Bomsori Kim, viool - George Gershwin - An American in Paris - Felix Mendelssohn - Vioolconcert op.64 in e kl.t. - Florence Price - Symfonie nr.3 Rechtstreeks vanuit de Grote Zaal van TivoliVredenburg in Utrecht.

durée : 01:28:59 - Théo Ould ; Emmanuel Coppey & Arthur Hinnewinkel ; « Du trobar au tarab » ; Lior Krief - par : Clément Rochefort - Théo Ould, accordéon, & le Quatuor Bilitis : hommage à Piazzolla ; Emmanuel Coppey, violon, & Arthur Hinnewinkel, jouent Beethoven & Mendelssohn ; l'ensemble médiéval ApotropaïK & trois musiciens arabo-andalous : « Du trobar au tarab » ; le Lior Krief Quartet : "The New Essence" - réalisé par : Claire Lagarde Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

‘Prelude' is de opmaat naar het AVROTROS Vrijdagconcert! Gastspreker: violist Judith van Driel Residentie Orkest Andrew Grams, dirigent Bomsori Kim, viool Gershwin An American in Paris Mendelssohn Vioolconcert Price Derde symfonie Meer info & kaarten (https://www.npoklassiek.nl/concerten/5bd7dde2-895a-492f-ae78-08a166bcfa4d/residentie-orkest-price-en-mendelssohn) In deze podcast vertelt presentator Leonard Evers je iedere week meer over de bijzondere stukken die gaan klinken in TivoliVredenburg én op NPO Klassiek. Dat doet hij samen met verschillende gasten die in de studio aanschuiven. Aan de hand van muziekfragmenten word je warm gemaakt voor de mooie composities die je te wachten staan. Abonneer je nu! Alles over het AVROTROS Vrijdagconcert (https://www.npoklassiek.nl/programmas/avrotros-vrijdagconcert)

Das Konzept ist genial und etwas für alle, die auf Gesang verzichten können: Mendelssohn schreibt Klavierstücke, so eingängig wie Arien – nur ohne den nervigen Gesang … Von Christoph Vratz.

durée : 01:28:23 - Kazuki Yamada, précision et sens des couleurs - par : Aurélie Moreau - Parmi ses mandats, Kazuki Yamada est à la tête du Philharmonique de Monte-Carlo et du Symphonique de la Ville de Birmingham, chef principal désigné de l'Orchestre Symphonique Allemand de Berlin. Aujourd'hui: Mendelssohn, Bizet, Strauss, Saint-Saëns… Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:30:23 - En pistes ! du vendredi 12 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Contemporain de Liszt et Beethoven, le compositeur Ferdinand Hiller est l'auteur de six symphonies dont deux sont mises à l'honneur dans une nouvelle parution discographique. Pour continuer avec le répertoire allemand, nous écouterons un septuor de Beethoven et la musique chorale des Mendelssohn... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:30:23 - En pistes ! du vendredi 12 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Contemporain de Liszt et Beethoven, le compositeur Ferdinand Hiller est l'auteur de six symphonies dont deux sont mises à l'honneur dans une nouvelle parution discographique. Pour continuer avec le répertoire allemand, nous écouterons un septuor de Beethoven et la musique chorale des Mendelssohn... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

La contrabajista Uxía Martínez Botana nos presenta su nueva grabación en donde interpreta cuartetos de cuerda de Mendelssohn.

Since posting a tribute to German heldentenor Ernst Kozub last year, I have continued combing through both his live and studio output and I have concluded that his work in Verdi is at least as good as his work in Wagner. And that's saying something! I have a wonderful setlist here which features the great Heldentenor singing everything from the lyric tenor parts of Alfredo in La Traviata and the Duke (or should I say the Herzog?!) in Rigoletto to the dramatic roles of Manrico in Der Troubadour, Radames in Aida and the title role of Otello. Between these two extremes, arias from Luisa Miller, Macbeth, and Ein Maskenball ring out with vigor and even some occasional subtlety! Excerpts from live performances of Don Carlos and La forza del destino (the only Verdi heard here in Italian) from the stage of the Hamburg Opera (where Kozub was fest between 1962 and his premature death in 1971) are a special treat, especially with in duet with phenomenal (though nearly forgotten) colleagues Norman Mittelmann, Vladimir Ruždjak, and Edith Lang (who will be featured next week in an upcoming episode). Legendary German stars Rita Streich and Franz Crass are also heard opposite Kozub in the recording studio. The episode opens with George London singing an excerpt from Mendelssohn's Elias under the baton of the late Christoph von Dohnányi, who died over the weekend two days before his 96th birthday. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

durée : 01:30:05 - En pistes ! du mardi 02 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le violoniste de légende fête ses 80 ans, l'occasion pour En Pistes de revenir toute cette semaine sur ses grands enregistrements. Nous l'écouterons aujourd'hui dans Rimski-Korsakov et Mendelssohn... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:30:05 - En pistes ! du mardi 02 septembre 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le violoniste de légende fête ses 80 ans, l'occasion pour En Pistes de revenir toute cette semaine sur ses grands enregistrements. Nous l'écouterons aujourd'hui dans Rimski-Korsakov et Mendelssohn... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Sein Urururgroßvater war Moses Mendelssohn, der Großvater von Felix Mendelssohn Bartholdy. Niklas Schmidt konnte als Musiker also gar nicht anders, als sich mit diesem Namen und der Musik Mendelssohn Bartholdys zu beschäftigen. Auch Schmidt ist in Hamburg geboren, Felix Mendelssohn ging dann nach Berlin, Düsseldorf und Leipzig, und Schmidt ist mit seinem Cello durch die ganze Welt gereist, gehört seit Jahrzehnten zu den gefragtesten Cellisten und Kammermusikern. In Hamburg kommen beide Künstler immer wieder zusammen, beim International Mendelssohn Festival, dessen Künstlerischer Leiter Schmidt ebenfalls ist. In diesem September gibt es wieder zehn Tage lang Kammermusik mit Werken vom Barock bis ins 20. Jahrhundert - Musik von Komponisten, die Mendelssohn beeinflusst haben oder die er beeinflusst hat; Musik, wie sie in den Salons der Zeit erklungen ist oder sein könnte. Eine besondere Rolle spielen dabei die großen Klaviervirtuosen des 19. Jahrhunderts, allen voran Frédéric Chopin und Franz Liszt. Im "Salonkonzert" zur Eröffnung des Festivals am 10. September kann man beide von einer weniger bekannten Seite erleben.

durée : 01:28:14 - En pistes ! du mardi 26 août 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le Quatuor Werther associe les œuvres de ces deux compositeurs allemands qui furent aussi de fervents lecteurs de Goethe. A retrouver également dans l'émission : un album composé d'airs de folie britanniques, et l'Art de la Fugue de Bach sur les instruments historiques que le cantor joua lui-même... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:14 - En pistes ! du mardi 26 août 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Le Quatuor Werther associe les œuvres de ces deux compositeurs allemands qui furent aussi de fervents lecteurs de Goethe. A retrouver également dans l'émission : un album composé d'airs de folie britanniques, et l'Art de la Fugue de Bach sur les instruments historiques que le cantor joua lui-même... Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

With three weeks remaining of this year's BBC Proms, Jeffrey Boakye and Anna Phoebe present a Proms-themed edition. Studio guests are the celebrated trumpeter Alison Balsom, who'll be performing in this year's Last Night of the Proms, and bassoonist, Radio 3 and Proms presenter Linton Stephens. Expect music from the Proms and beyond as we head from a live, scaled-back Springsteen anthem to the Outer Hebrides, via Mendelssohn, Shostakovich and Andrew Lloyd Webber. Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Born in the USA (live) by Bruce Springsteen 2nd movement of the Symphony No 10 in E Minor by Dmitri Shostakovich Superstar from Jesus Christ Superstar by Andrew Lloyd Webber & Tim Rice Andante: 2nd movement of the Violin Concerto in E minor by Felix Mendelssohn Hùg air a' Bhonaid Mhòir (Celebrate the Big Bonnet) by Julie Fowlis Other music in this episode:A Night on the Bare Mountain by Modest Mussorgsky Trumpet Concerto in E flat major by Johann Nepomuk Hummel The Lovecats by The Cure Born in the USA by Bruce Springsteen I Don't Know How to Love Him by Andrew Lloyd Webber & Tim Rice, sung by Yvonne Elliman Touch the Sky (from the film Brave) by Julie FowlisYou can listen to every Prom and unmissable moments from across the season on BBC Sounds. Just search ‘Proms'.

Die Fantasie der Musiker, Schriftsteller und Künstler richtete sich im 19. Jahrhundert auf Italien. Auch Felix Mendelssohn Bartholdy ging auf Bildungsreise. Der Ruf eines Wunderkindes eilte Mendelssohn voraus.

Die Fantasie der Musiker, Schriftsteller und Künstler richtete sich im 19. Jahrhundert auf Italien. Auch Felix Mendelssohn Bartholdy ging auf Bildungsreise. Der Ruf eines Wunderkindes eilte Mendelssohn voraus.

A quartet from the Green Mountain Chamber Music Festival joined host Abbey BK on ‘Rocket Shop,' Big Heavy World's weekly local Vermont music radio show on The Radiator-WOMM. Join us for an informal chat about their experience along with an amazing performance of Mendelssohn -String Quartet No. 4 in E minor, Op. 44, No. 2.https://gmcmf.org

durée : 00:24:54 - Un voyage à Moscou au tournant du XXe siècle - par : Anne-Charlotte Rémond - A la fin du 19e siècle, Moscou est en ébullition. On y entend la musique occidentale de la première moitié du siècle, Beethoven, Mendelssohn, Schumann, et de plus en plus, grâce à Nikolai Rubinstein, celle de la Nouvelle Ecole Russe avec Taneiev, Arensky, ou… Rachmaninov ! - réalisé par : Philippe Petit Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In Episode 31 of The Choral Director's Toolbox, host Dr. William Baker brings a touch of heavenly humor with The Pearly Gates Tavern, an imaginative conversation between Handel, Haydn, and Mendelssohn over brunch in the afterlife. The three legendary composers reflect on oratorios, earthly performances of Elijah, and the enduring joy of music. This week's listener question comes from a parent wondering how best to support musically inclined children as they begin school-year ensembles and piano lessons. Today's inspiration is The Lonely Child from Songs of the Holocaust by William W. Dreyfoos, performed by The William Baker Festival Singers. Tune in for an episode that blends whimsy, wisdom, and deep reverence for music's power across generations. Ask ChatGPT

Elke Heidenreich und Pianist Marc-Aurel Floros entführen ihr Publikum beim Festival in Immling nach Venedig. Mit Lesungen und Musik, von Wagner bis Mendelssohn, schaffen sie ein Gesamtkunstwerk, das die stille Schönheit der Stadt einfängt.

Für seine kreativen Ideen ist Niklas Liepe längst bekannt. Mit zurückliegenden Projekten wie dem Paganini-Projekt oder den #GoldbergReflections hat er international glänzende Rezensionen erhalten. In Göttingen geboren, in Braunschweig und Hannover aufgewachsen, ist er der NDR Radiophilharmonie engstens verbunden. Also hat er die Arbeit fortgesetzt und sein neues Album wieder mit dem Orchester aufgenommen. Mit dem Titel "Händel - Mendelssohn" verbindet Liepe Mendelssohns Violinkonzert e-Moll mit neuen Variationen bekannter Melodien Händels. Immer sind seine CD-Produktionen aufwendig und überraschend mit oft unerwarteten musikalischen Brückenschlägen. So hat er 2024 für ein Projekt die britische Komponistin und Oscar-Preisträgerin Rachel Portman gewinnen können. Ein Großprojekt, in dem er künstlerisch Stellung zum Thema Klimawandel bezieht. Rachel Portmans Violinkonzert "Tipping Points" - Kipppunkte - wird dabei kombiniert mit Vivaldis "Vier Jahreszeiten". Bei seinem aktuellen Projekt "Händel - Mendelssohn" sind wieder verschiedene Komponisten und Arrangeure beteiligt, darunter Tim Allhoff, Aleksey Igudesman und Florian Christl. In NDR Kultur à la carte spricht er mit Beate Scheibe über Ideen, virtuose Klangfarben und das Projekt alte Musik neu zu deuten.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutchThank you for listening - please do get in touch with any comments!

Interpreten: Anna ReichertLabel: Prospero ClassicalEAN: 4262353970638Johann Carl Eschmann – ein Name, der selbst eingefleischten Klassikliebhabern kaum geläufig sein dürfte. Und doch war der Schweizer Komponist ein hochgeschätzter Zeitgenosse von Mendelssohn und Brahms, letzterer empfahl ihn sogar persönlich seinem Verleger. Klaviermusik aus seiner Feder gibt es auf der jüngsten CD der Pianistin Anna Reichert kennenzulernen, die auch heute wieder Michael Gmasz näher vorstellt.Geboren in Winterthur, stammte Johann Carl Eschmann aus einer musikalischen Familie. Studiert hat er am renommierten Leipziger Konservatorium, unter anderem bei Felix Mendelssohn-Bartholdy und Ignaz Moscheles. Darüber hinaus pflegte Eschmann enge Kontakte zu bedeutenden Musikern seiner Zeit – darunter Richard Wagner, der ihm eine Serenade widmete, und Johannes Brahms, der ihn geschätzt und sogar seinem Verleger Simrock empfohlen hat. Und doch ist es ihm ähnlich ergangen, wie so vielen anderen auch. Er ist mehr oder weniger in Vergessenheit geraten. Seine Musik? Fein ziseliert, lyrisch, zurückhaltend – beeinflusst von Robert Schumann und seinem Lehrer Mendelssohn-Bartholdy. Seiner Wiederentdeckung hat sich nun die junge Schweizer Pianistin Anna Reichert verschrieben.Auf ihrem neuen Album „Licht und Schatten“ präsentiert Reichert eine Auswahl von Eschmanns Klavierwerken. Und das tut sie mit einer Hingabe, die berührt: charmant, nuancenreich, mit spürbarer Vertrautheit zur Musik. Jeder Ton wirkt durchdacht, jeder Phrasierungsbogen liebevoll gestaltet. Besonders hervorzuheben ist die Suite Licht und Schatten op. 62, die mit poetischen Titeln wie Sommernacht in der Veranda (am Zürichersee), Durch Wald und Flur oder Phantome eine fast bildhafte Klangwelt eröffnet. Auch die Werke aus den Zyklen Grillenfang, Trösteinsamkeit und Frühlingsblüten zeigen Eschmanns Gespür für Stimmungen und musikalische Miniaturen. Ihre intensive Beschäftigung mit ihrem Landsmann Eschmann drückt Anna Reichert auch im selbstverfassten Beihefttext aus, in dem sie uns den Komponisten auch persönlich ein wenig näherbringt. Wer also Lust hat, einen Komponisten neu zu entdecken, der einst von den Großen geschätzt wurde, sollte unbedingt reinhören. (mg)

El programa de radio para niños -y para todo el que se quiera acercar- celebra el centenario del nacimiento de la gran escritora Ana María Matute. Leemos En el bosque y felicitamos a la editorial Libros del Zorro Rojo, que también está de aniversario. Disfrutamos de la música clásica con nuestra compañera de Crescendo (Radio Clásica), Clara Sánchez, que nos acerca a Clara Schumann y a las noches veraniegas de Mendelssohn. Nuestro cuentacuentos de estación, David Acera, nos narra una maravillosa historia de la tradición oral. ¡Familia pasajera, ¡gracias por estar ahí!Escuchar audio

This Day in Legal History: Federal Housing AdministrationOn June 27, 1934, the Federal Housing Administration (FHA) was created through the National Housing Act, marking a major shift in the federal government's role in the housing market. The FHA was designed to address the housing crisis of the Great Depression, when foreclosures were rampant and private lenders were reluctant to issue long-term mortgages. By insuring loans made by private lenders, the FHA significantly reduced the risk of default, making it easier and more affordable for Americans to buy homes.The FHA introduced standardized, amortized 20- and 30-year mortgages—innovations that quickly became industry norms. These reforms expanded access to home financing for middle-class families and jump-started suburban development. However, the agency's early policies also entrenched racial segregation through redlining, where predominantly Black neighborhoods were systematically denied FHA-backed loans.While the FHA has since evolved and is now part of the Department of Housing and Urban Development (HUD), its legacy is a mix of increased homeownership and the deepening of racial disparities in wealth and housing. The legal framework it helped establish continues to shape U.S. housing policy today, making it a pivotal moment in both real estate law and civil rights history. Retired U.S. Supreme Court Justice Anthony Kennedy voiced alarm over the state of American political discourse during a recent international judicial forum, warning that the tone of current debates poses a threat to democracy and freedom. Speaking without directly referencing President Trump, Kennedy criticized the rise of identity politics and emphasized that civil discourse should be about issues, not partisan affiliations. He argued that judges are essential to a functioning democracy and must be protected—both physically and in terms of public respect.Other speakers, including South African jurist Richard Goldstone and U.S. District Judge Esther Salas, echoed Kennedy's concerns. Goldstone condemned personal attacks on judges who ruled against the current administration, while Salas highlighted the growing danger judges face, referencing her own experience with targeted violence and the record-high levels of threats now being reported in the U.S.The event underscored a growing consensus among jurists worldwide: that political attacks on the judiciary undermine democratic institutions and risk eroding the rule of law.Retired US Supreme Court Justice Kennedy warns 'freedom is at risk' | ReutersA federal judge has rejected a joint attempt by Ripple Labs and the U.S. Securities and Exchange Commission (SEC) to finalize a reduced settlement in their long-running legal battle over unregistered XRP token sales. U.S. District Judge Analisa Torres criticized both parties for proposing a $50 million fine in lieu of a previously imposed $125 million penalty and for attempting to nullify a permanent injunction she had ordered.Judge Torres ruled in 2023 that Ripple's public XRP sales weren't securities, but $728 million in sales to institutional investors violated federal securities laws. While both sides appealed, they later proposed to settle—if the court would cancel the injunction and approve the reduced fine. Torres refused, stating they lacked authority to override a court's final judgment involving a violation of congressional statute.She emphasized that exceptional circumstances justifying the request were not present and that vacating a permanent injunction would undermine the public interest and the administration of justice. The SEC and Ripple still have the option to continue their appeals or drop them entirely.The case is notable amid a broader shift under President Trump's second term, during which the SEC has dropped several high-profile crypto enforcement actions. XRP remains one of the top cryptocurrencies by market value.SEC, Ripple wants to settle crypto lawsuit, but US judge rebuffs them | ReutersThe Supreme Court allowed the Trump administration to move forward with its plan to end automatic birthright citizenship by narrowing the scope of judicial injunctions. Previously, lower courts had issued nationwide injunctions blocking the policy, but the Court ruled these injunctions should apply only to the parties involved in the lawsuits. This means that the policy can now proceed in most states, except those like New Hampshire where separate legal challenges remain in effect. The Court's decision followed ideological lines, with the conservative majority backing the administration and liberal justices dissenting. Justice Amy Coney Barrett, writing for the majority, emphasized that courts must not overreach their authority even when they find executive actions unlawful. In contrast, Justice Ketanji Brown Jackson warned the ruling could erode the rule of law by allowing inconsistent application of federal policy across states.The ruling does not address the constitutionality of ending birthright citizenship, leaving that question open for future litigation. The Trump administration's executive order, issued on January 20, 2025, reinterprets the 14th Amendment's Citizenship Clause to exclude children born in the U.S. to non-citizen or non-resident parents. This reinterpretation challenges the longstanding understanding established by the 1898 Supreme Court case United States v. Wong Kim Ark, which confirmed that nearly all individuals born on U.S. soil are citizens. The administration has argued that judges lack the authority to impose broad injunctions and that states challenging the policy lack standing. While the policy remains blocked in certain jurisdictions, the administration can now continue planning for its implementation and potentially face a patchwork of future legal challenges.Supreme Court curbs injunctions that blocked Trump's birthright citizenship planIn a piece I wrote for Forbes yesterday, the Trump administration briefly floated Section 899, a provision dubbed the “revenge tax,” as a retaliatory measure against countries imposing taxes deemed discriminatory toward U.S. companies—particularly tech giants. This measure, hidden within the broader One Big Beautiful Bill Act, proposed punitive tax increases on income earned in the U.S. by individuals and entities linked to “discriminatory foreign countries.” The policy was a response to international developments like the OECD's Pillar 2 framework and digital services taxes (DSTs), which the U.S. perceived as disproportionately targeting American firms.Section 899 would have enabled the Treasury to impose annual 5% tax hikes on everything from dividends to real estate gains, even overriding exemptions for sovereign wealth funds. What made the provision particularly aggressive was its vague triggering criteria—any foreign tax Treasury considered “unfair” could activate the penalties, without congressional oversight.Despite its bold intent, Section 899 was ultimately abandoned. It generated concern among investors and foreign governments alike, with critics warning it would destabilize capital markets and act as an unofficial sanctions regime. Treasury Secretary Scott Bessent eventually signaled its withdrawal, citing improved diplomatic relations. Though shelved for now, the idea may resurface if international tax disputes escalate.Section 899—The ‘Revenge Tax' That Didn't SurviveA double dose of me this week, another piece I wrote for Forbes:The Pro Codes Act, currently before Congress as H.R.4072, poses a serious threat to public access to the law by allowing private organizations to retain copyright over technical standards—even after those standards are incorporated by reference into statutes and regulations. Although pitched as a transparency measure, the bill effectively transforms enforceable legal obligations into intellectual property governed by restrictive licenses and online viewer limitations.The Act would require standards to be “publicly accessible,” but this access might mean only being able to view documents behind login walls, with no ability to download, search, or integrate them into legal or compliance tools. This is particularly troubling in areas like tax law, where these standards often form the basis for determining eligibility for deductions or credits.By commodifying access to legal standards, the Pro Codes Act would introduce a two-tiered system: well-resourced firms could pay for commercial access, while small legal clinics, nonprofits, and individuals could find themselves effectively barred from the rules they're legally obligated to follow. The result is an unequal legal landscape where justice becomes contingent on financial capacity.The bill directly undermines a key legal principle reaffirmed by the Supreme Court in 2020: laws and materials carrying the force of law cannot be copyrighted. Permitting private entities to control access to mandatory standards shifts power away from the public and toward entities seeking to monetize compliance.Pro Codes Act—Or, What If The Law Came Behind A Paywall?This week's closing theme is Variations sérieuses, Op. 54 by Felix Mendelssohn—a composer whose elegance, intellect, and structural precision made him one of the early Romantic era's brightest voices. Born into a wealthy, culturally vibrant German-Jewish family in 1809, Mendelssohn was a child prodigy whose musical maturity arrived astonishingly early. He played a pivotal role in reviving J.S. Bach's legacy and was admired for his orchestral works, choral music, and virtuosic piano writing.Composed in 1841, the Variations sérieuses reflect a side of Mendelssohn that is often overshadowed by his lighter, more lyrical pieces. Written as a contribution to a fundraising album for a monument to Beethoven, the work pays tribute to that master's weight and depth. In this set of 17 variations on a solemn original theme, Mendelssohn channels both Classical form and Romantic intensity. The variations begin introspectively but grow in technical difficulty and emotional force, culminating in a stormy, almost defiant finale.Unlike many variation sets of the time, which favored decorative flourishes, Mendelssohn's sérieuses live up to their name: they are dense, architecturally rigorous, and deeply expressive. The piece showcases his command of counterpoint, his sensitivity to dynamic contrasts, and his ability to build drama without sacrificing formal clarity. It's music that demands both interpretive depth and virtuosity—qualities that have kept it central to the serious piano repertoire for over 180 years. Mendelssohn once described music as a language too precise for words, and this piece speaks volumes in that tongue. It is a fitting and focused way to close the week.Without further ado, Variations sérieuses, Op. 54 by Felix Mendelssohn – enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Ein neues Album des RIAS Kammerchors und des Freiburger Barockorchesters - vorgestellt auf NDR Kultur.

Der Geiger und die NDR Radiophilharmonie stellen mit "Händel - Mendelssohn" ein Projekt vor, das klassische Musik neu interpretiert.

Donald Macleod traces the musical development of Fanny Hensel née Mendelssohn. Whilst Fanny's famous brother Felix Mendelssohn's career flourished, the equally talented Fanny was often held back by the conventions of the period and at times, by her own brother. Despite this, in her final years, Fanny would go on to publish her own music under her married name, Fanny Hensel. Music Featured:Das Jahr, H-U 385 Piano Quartet in A flat, H-U 55 Ferne, H-U 97 Der Fischer, H-U 85 An Suleika, H-U 148 Mailied, H-U 122 Piano Sonata in C minor, H-U 128 Prelude in G, H-U 243 Der Rosenkranz, H-U 168 Ostersonate, piano sonata in A, H-U 235 Am Flusse, H-U 204 Harfners Lied, H-U 162 Deinem Blick mich zu bequemen, H-U 151 Sonata o Fantasia, H-U 238 Hiob, H-U 258 Oratorio on words from the Bible, H-U 260 (Gott unser Schild) Klavierstück, in F minor H-U 302 (Allegro agitato) Hero und Leander, H-U 262 String Quartet in E flat, H-U 277 Mélodie, Op 4/5 No 4 (Lento appassionato) Overture, H-U 265 Im wunderschönen Monat Mai, H-U 323 Lobgesang, H-U 257 (Chorus: Meine Seele ist stille zu Gott) Warum sind denn die Rosen so blass, H-U 312 Gondellied, H-U 377 Capriccio in A flat, H-U 247 Aus meinen Tränen sprießen, H-U 327 Abschied von Rom, H-U 352 Die frühen Gräber, H-U 222 Dämmrung senkte sich von oben, H-U 392 Piano Trio in D minor, Op 11 Lobgesang, H-U 257 (excerpt) Im Herbste, H-U 416 Vorwulf, H-U 462 Bergeslust, H-U 466Presented by Donald Macleod Produced by Luke Whitlock for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Fanny Mendelssohn (1805-1847) https://www.bbc.co.uk/programmes/m002cym9And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z

Being a musician and and looking for gigs is is an ongoing process. You're always selling yourself. They're always looking for work. But so many of them have other jobs, because that's what pays the bills. This podcast is a little different, more of a book review with an entrepreneurial focus. David Eisenstadt, who's a founder and longtime owner of CPGR a well know communications company is also a very well-known author of a number of books that cover Jewish performers that run under the name Musicians Under The Radar. you know, it's really interesting to find out what jazz trumpeter, Freddie Stone, Anvil's heavy metal guitarist, Steve Lips Kudlow, Lorne Green, Robbie Robertson, even singer-songwriter Mendelssohn, Joe have in common. They are all talented Jewish Musicians who appear in David's latest book. This interview is a little different, because, of course, all these musicians have an entrepreneurial flair as they're creating their own their own content and selling it. And, of course David is a long time entrepreneur which makes this even more interesting. Find out more and check at David's latest book MUSICIANS UNDER THE RADAR – 46 Notable Canadian Jewish Performers on Amazon or go to www.undertheradarbook.com. Stay Connected with #CanadasEntrepreneur! Join our growing community of entrepreneurs across Canada! Don't miss out on inspiring interviews, expert insights, and the latest business trends from the people shaping the future of our economy.

Pieces by Haydn, Beethoven, Mendelssohn, Brahms, Debussy, Dohnányi, Shostakovich & Casarrubios performed by groups from Merit School of Music and the Music Institute of Chicago Academy. The post Chamber music for strings: Spizella Quartet, Luscinia Trio, Vermilion String Quartet appeared first on WFMT.

This week features young musicians studying at the Colburn School in LA. They range from a 14-year-old cellist who shares a mature performance of Beethoven to the winners of a major chamber music competition whose secret to success just might be their musical handshake. We also hear from an incredible trumpeter, a globe-trotting teen violinist, and a 15-year-old pianist performing Mendelssohn.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy