Podcasts about mendelssohn

durée : 01:27:56 - Le Quatuor Ébène, l'alchimie du quatuor - par : Aurélie Moreau - Le Quatuor Ebène impressionne par la richesse et la profondeur de ses interprétations, tout comme son approche libre des différents styles musicaux. Au programme aujourd'hui : Beethoven, Mozart, Ravel, Mendelssohn, Fauré, Dvořák, Schoenberg…

Order of Service: - Prelude - O Rest in the Lord: O rest in the Lord, wait patiently for Him, and He shall give thee thy heart's desires: Commit thy way unto Him, and trust in Him, And fret not thyself because of evil doers. - F. Mendelssohn - Psalm 23 (p. 177; Tone 2): in unison - Prayer #67, p. 155: in unison - Hymn 371 - The Lord's My Shepherd, I'll Not Want: vv. 1 - 3 - Devotion - Hymn 371 - The Lord's My Shepherd, I'll Not Want: vv. 4, 5 - Blessing - Special Recognition - 'This Joyful Eastertide' arr. Jeffrey Blersch Service Participants: Chaplain Don Moldstad (Preacher), Laura Matzke (Organist), Aly Pettis (Soloist)

durée : 01:28:27 - Andreas Ottensamer, une sonorité poétique et chaleureuse - par : Aurélie Moreau - Andreas Ottensamer a conquis le public et la critique grâce à ses talents remarquables de clarinettiste et chef d'orchestre. Au programme aujourd'hui, des œuvres avec clarinette de Beethoven, Danzi, Mendelssohn, Weber, Spohr, J. Stamitz et Brahms.

This week features young musicians studying at the Colburn School in LA. They range from a 14-year-old cellist who shares a mature performance of Beethoven to the winners of a major chamber music competition whose secret to success just might be their musical handshake. We also hear from an incredible trumpeter, a globe-trotting teen violinist, and a 15-year-old pianist performing Mendelssohn.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLinks to selected individual recordings and cycles:Ignaz Friedman - https://www.youtube.com/watch?v=j_BeZQMySpMGuiomar Novaes - https://www.youtube.com/watch?v=lQG5gETm4nUGinette Doyen - https://www.youtube.com/watch?v=-wQJAyvktrgAnia Dorfmann - https://www.prestomusic.com/classical/products/8339372--mendelssohn-songs-without-wordsIlse von Alpenheim - https://www.prestomusic.com/classical/products/8051889--mendelssohn-lieder-ohne-worte-completeLivia Rev - https://www.youtube.com/watch?v=t-j2wIkiQPs&list=PLfKr3NKYHmGIqx8mZHNwrlnz5UKswuIJzDaniel Adni https://www.youtube.com/watch?v=qfHY26ZnYj4&list=PLZMKV2ojogjgqEc-MF1VglTcMd-_oUNUzRoberto Presseda - https://www.youtube.com/watch?v=hK2qWswKbhIDaniel Gortler - https://www.youtube.com/watch?v=nFOPeI2gPaMBobby Mitchell - https://www.youtube.com/watch?v=1gesrXj5hC8Daniel Barenboim - https://www.youtube.com/watch?v=k9DECFy-ZrE&list=OLAK5uy_n0UUnNjxWlkrl7Qj9Ohxgr3NTcVTrospo&index=2

Welcome to The UpWords Podcast, where we discuss the intersection of Christian faith in the academy, church, and marketplace. In today's episode, we are delighted to welcome painter and author Bruce Herman and Mia Chung-Yee — concert pianist, music professor, and executive director of the Octet Collaborative at MIT.In this episode of the UpWords Podcast, hosts Daniel Johnson, Bruce Herman, and Mia Chung-Yee explore the profound connections between creativity, faith, and the arts. They discuss the legacy of composers like J.S. Bach and Mendelssohn, the personal journeys of the speakers in their artistic expressions, and the evolving role of music and art in spiritual and community life. The conversation emphasizes the importance of integrating art into worship and the discipline required in artistic practice, ultimately highlighting the shared human experience through creativity.The speakers explore the intersection of faith, art, and academia, emphasizing the importance of grounding transcendence in reality. They discuss the role of discipline in worship and art, the challenges faced within the modern academy, and the tension between artistic expression and academic expectations. The conversation highlights the need for a holistic approach to education that embraces both the arts and sciences, encouraging young artists to integrate their faith into their creative endeavors while remaining humble and committed to their craft.Host:Daniel JohnsonGuests:Bruce Herman: Painter, writer, and speakerMia Chung-Yee: Concert pianist, music professor, and executive director of the Octet Collaborative at MITGuest Backgrounds:Mia Chung-Yee:Internationally known concert pianistFounder and executive director of the Octet Collaborative, a Christian Study Center at MITWinner of the Concert Artists Guild Competition (1993)Recipient of the Avery Fisher Career Grant (1997)Educational background: Bachelor's degree from Harvard College, Master's degree from Yale University, PhD from the Juilliard SchoolFormer Professor of Music and Artist in Residence at Gordon College (1991-2011)Current Professor of Musical Studies at the Curtis Institute of MusicBruce Herman:Painter, writer, and speakerArt exhibited in over 150 national and international exhibitionsCollections include the Vatican Museum of Modern Religious Art in Rome and various museums in the United States and CanadaNearly four decades of teaching at Gordon College, founding chair of the Art DepartmentEducational background: BFA and MFA degrees from Boston University College of Fine ArtsKey Topics Discussed:The role of Christian faith in the arts and academiaThe intersection of faith and creativity in the marketplacePersonal journeys and career highlights of Bruce Herman and Mia Chung-YeeInsights into the Octet Collaborative and its mission at MITReflections on the impact of faith on artistic expression and professional developmentThe legacy of composers like J.S. Bach and MendelssohnThe evolving role of music and art in spiritual and community lifeThe importance of integrating art into worshipThe discipline required in artistic practiceThe challenges faced within the modern academyThe tension between artistic expression and academic expectationsThe need for a holistic approach to education that embraces both the arts and sciencesEncouraging young artists to integrate their faith into their creative endeavors while remaining humble and committed to their...

durée : 00:04:55 - Edvard Grieg, de la Mort d'Ase au jazz ! - par : Max Dozolme - Après avoir dressé le portrait de Mendelssohn, Bizet ou encore Federico Mompou, le critique musical Jérôme Bastianelli fait publier chez Actes Sud une indispensable biographie d'Edvard Grieg, le plus grand classique des Norvégiens dont la musique a été reprise maintes fois notamment dans le jazz !

durée : 01:28:50 - Riccardo Chailly à Leipzig - par : Aurélie Moreau - Riccardo Chailly à la tête de l'Orchestre du Gewandhaus de Leipzig de 2005 à 2016, a construit une vaste discographie avec cette formation, autrefois dirigée par Mendelssohn. Ce compositeur au programme aujourd'hui, avec Bach, Brahms et Beethoven.

durée : 01:49:30 - Les Clefs de l'orchestre - par : Jean-François Zygel - Le célèbre pianiste-compositeur explore et révèle l'architecture, les secrets d'orchestration, tout ce qui fait la beauté et la richesse des chefs-d'œuvre du répertoire symphonique.

durée : 01:46:11 - Les Clefs de l'orchestre - par : Jean-François Zygel - Le célèbre pianiste-compositeur explore et révèle l'architecture, les secrets d'orchestration, tout ce qui fait la beauté et la richesse des chefs-d'œuvre du répertoire symphonique.

Die Noten zu Allegris Miserere hält der Vatikan streng geheim. Doch einem berühmten Teenager aus Salzburg gelingt es, sie nach einmaligem Hören komplett aufzuschreiben… Von Volker Sellmann.

Some of you may not know this about me, but I'm a musician and an artist.I always loved art as a kid—from finger painting in my blue smock at my Little Tikes easel to coloring and tracing to the pastel class I took one summer. For a while, my answer to the question, “What do you want to be when you grow up?” was “An artist or illustrator.”Music was always there, too—singing and playing the piano, learning letter names as I learned the alphabet, and later, accompanying, teaching, performing, and arranging.At some point, I set art aside to focus on music. I still did craft projects from time to time, but I didn't consider myself an artist.Then, during the pandemic, I found myself drawn to it again. In between online lessons, baking Jim Lahey's No-Knead Bread, and reading through Mendelssohn's Songs Without Words, I watched online painting tutorials. I practiced mixing colors in an art app on my iPad. I ordered supplies and started painting tiny acrylic landscapes.Now, five years later, I have a dedicated art table in my home office. I have a somewhat regular artistic practice alongside my music work. I've found that painting is a different facet of my creativity, a new form of artistic expression. And I have to say, it makes me come alive—to embrace my creativity as a whole, to invest in multiple aspects of my creative self at once.And I'm not the only one. From Felix Mendelssohn to Arnold Schoenberg, Joni Mitchell to Miles Davis, many musicians have found painting to be another form of artistic expression that complements and informs their musical side.In this episode, I'm exploring what art is teaching me about music. Whether you consider yourself an artist or not, I hope this inspires you to think about all the different facets of your creative self—and how to embrace them in your work.For show notes + a full transcript, click here.Resources Mentioned*Disclosure: I get commissions for purchases made through some of these links.Songs Without Words (Mendelssohn)On the Spiritual in Art (1910) (Kandinsky)Pictures At an Exhibition (Mussorgsky)Clair de Lune (Debussy)“October,” Lyric Preludes (Gillock)Piano Mastery (1915) (Brower)“Waltz for Miles,” Portraits in Jazz (Capers)“Rainbow Colors,” Piano Safari Repertoire 2 (Hague)Prelude in C, Op. 11, No. 1 (Scriabin)My artistic processDaily Rituals: How Artists Work (Mason Currey)Join the Musician & Co. Book Club (it's free!)On Developing a Daily Ritual: Insights From Mason Currey's BookIf you enjoyed this episode, please leave a review in Apple Podcasts >>Find me on Instagram: @ashleydanyewWhenever you're ready, here are three ways we can work together:1️⃣ Need fresh teaching ideas? Schedule a quick 25-min. call and we'll brainstorm on a topic of your choice. Build an idea bank that you can pull from in the months to come.2️⃣ Have questions about teaching or managing your music career? Book a 60-min call and get personalized advice, creative ideas & step-by-step strategies on up to 3-4 teaching/business topics.3️⃣ Develop the skills and strategies you need to plan the year, refine your teaching methods, and manage your time more effectively with a suite of online courses and professional development trainings

Für einen Dirigenten ist es besonders spannend, wenn er zum ersten Mal mit einem Orchester oder Chor zusammen arbeitet. Passt die Chemie? Verstehen die Musiker seine Körpersprache? Gerade begegnen sich unser BR-Chor und der russische Dirigent Maxim Emelyanychev für ein Konzert bei den Salzburger Osterfestspielen am 20. April. Im Interview erzählt er von den gemeinsamen Proben und Mendelssohn "Elias".

Sat, 12 Apr 2025 04:00:00 +0000 https://feed.neuezwanziger.de/link/21941/17004434/spotifys-mood-machine-krachts-air-varoufakis-zur-zollpolitik-thomas-wagners-soziologen-humans-fernseh-ki-atomkrieg-schoene-lieder-minority-rule 486b2b88f46363f31e8e12e574cb5b65 Wolfgang und Stefan treffen sich vorm Salon Am meisten überrascht von Spotifys Erfolg ist offenbar die Gründerriege von Spotify selbst. Junge Menschen, die technikaffin sehr reich wurden, davon träumen, den Tod auszutricksen und zum Teil seit Jahren keine Arbeit mehr in die Plattform stecken, sondern nur noch von ihrer Rendite leben - haben es mit einer Kundschaft zu tun, die einfach von Moment zu Moment einen guten Soundtrack sucht. Sie starteten als Werbeplattform, verstanden sich als Musiksuchmaschine, überzeugten mit einem Instant-Play-Button und stellten dann fest, dass das jahrzehntelang bewährte Konzept der Kuration auch für ihre Plattform taugt. Also überschreiben sie jetzt Suchanfragen und kümmern sich um "perfect fit content". Der für alles zentrale Grundbegriff lautet: Flattening. Wir reden ausführlich darüber. Dann besprechen wir Romane und weitere Literatur zum Atomkrieg, Trumps Zollplan und seine Panikattacke, Nachkriegssoziologie, Smart-Homes und GPT als Fernsehzuschauer. Außerdem heute die Legitimation: Ihr dürft eure Podcasts schneller hören! Termine KÄS-Termine 2025: Fr. 20.06. / Fr. 19.09. / Fr. 19.12. per Mail: neuezwanziger@diekaes.de SOMMERSALON am 23. August! Tickets gibts hier Literatur Spotify hat unser Hören verändert, macht den Musiker zum Content-Creator und verändert die Emotionen und Stimmungen der Gesellschaft. In ihrem Buch "Mood Machine. The Rise of Spotify and the Cost of the Perfect Playlist" untersucht Liz Pelly detailliert, wie KIs und Algorithmen immer mehr die Musikproduktion dominieren. simonandschuster.com Christian Kracht legt mit "Air" einen rätselhaften Roman vor: Moderne und archaische Welten überlagern sich, die Schrift gerät abhanden, der Minimalismus ist plötzlich nicht nur eine Mode. kiwi-verlag.de Donald Trump fantasiert seit Jahrzehnten über Zölle. Jetzt wurde es ernst und er bekam eine Panikattacke. Wir lesen von seinen Beratern und ein Lagebild von Yannis Varoufakis. stefanschulz.notion.site "Abenteuer der Moderne. Die großen Jahre der Soziologie. 1949 - 1969" heißt das neue Buch von Thomas Wagner, in dem er keine trockene Einführung in die Soziologie der frühen Bundesrepublik bietet, sondern anhand der schwierigen bis freundschaftlichen Beziehung zwischen dem rechten Arnold Gehlen und dem linken Theodor W. Adorno zeigt, wie ein Fach seine Renaissance erlebt und die Kunst Gegenpole verbindet. klett-cotta.de Human Nagafi hat Fernsehen geschaut und sich die Argumente einer "Hart aber fair"-Sendung von GPT kartographieren lassen. linkedin.com Brauchen wir dringend mehr atomare Aufrüstung? Spielt Putin nur mit unserer Angst? Wie hilfreich ist die Spieltheorie? Diese und weitere Fragen beantwortet der analytische Philosoph Olaf Müller in seinem lesenswerten Buch "Atomkrieg. Eine Warnung". reclam.de Lena Bültena sagt, ihr dürft eure Podcasts schneller hören. Im Zweifel macht es euch noch klüger. zeit.de Das Smart-Home ist inzwischen in jeder Neubausiedlung angekommen, die Superreichen aber rücken plötzlich von der Technologie ab, erläutert Alexandra Abramian. hollywoodreporter.com Werden wir von einer Minderheit regiert? Ja, sagt Ash Sarkar und klärt über eine Paradoxie auf. Wir warten mit ihr auf die angekündigte Revolution. bloomsbury.com Die aus Kairo stammende Sopranistin Fatma Said verliebte sich schon als Kind in das deutsche Kunstlied. Auf ihrem neuen sensationellen Album "Lieder" präsentiert sie Werke von Schubert, Mendelssohn, Brahms und Schumann. warnerclassics.com Komm' in den Salon. Es gibt ihn via Webplayer & RSS-Feed (zum Hören im Podcatcher deiner Wahl, auch bei Apple Podcasts und Spotify). Wenn du Salon-Stürmer bist, lade weitere Hörer von der Gästeliste ein. full Wolfgang und Stefan treffen sich vorm Salon no Stefan Schulz und Wolfgang M. Schmitt 2459

I've already done a Lententide episode devoted to contraltos singing the music of Bach, but it seemed to me that in the upheaval of today's vengeful and war-hungry world, we could use another contemplative episode to provide us with meditative (and even tuneful!) music to calm our spirits. The tunefulness comes especially from recordings of favorite religious music by Gounod, Franck, and other 19th-century French composers sung by Camille Maurane, Marcel Journet, Richard Verreau, and Françoise Pollet. Also included are a live excerpt from Parsifal with Jon Vickers and Hans Knappertsbusch; the miraculous yet voiceless Hugues Cuénod performing an excerpt from the first of Couperin's Leçons de Ténèbres; the unsung German-British soprano Ilse Wolf in a live performance of the Bach Johannes-Passion conducted by Pablo Casals; Gundula Janowitz in a searing but brief aria from Mendelssohn's Paulus; excerpts from settings of the Stabat Maters of Haydn and Dvorák, sung by Alfreda Hodgson, Sena Jurinac, and Heinz Hoppe; the original version of Hendrik Andriessen's exquisite Miroir de Peine cycle for voice and organ featuring our beloved Elly Ameling; and Jennie Tourel in an excerpt from her ultra-rare recording of Hindemith's Das Marienleben preceded by Lotte Lehmanns's recitation of the same Rilke poem. The episode begins and ends with realizations by Benjamin Britten and Michael Tippett of Baroque masters Henry Purcell and Pelham Humfrey sung, respectively, by Peter Pears and John Shirley-Quirk. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

David Anderson, music director of the Lake Geneva Symphony Orchestra, talks about the group's concert coming up this Saturday evening- a program that includes Sibelius's Finlandia and Mendelssohn's Reformation Symphony.

"Voyage à travers les siècles, les trésors des trios avec piano" ass ee Concert den 2. Abrëll 2025 am Ettelbrécker CAPE. Musikalesch geet et hei an d'Zäit tëschent Barock an dem 20. Joerhonnert. Vun Haydn a Mendelssohn, iwwer Schostakowitsch a Piazzolla. An alles vun Enseignanten aus dem Conservatoire gespillt. D'Schüler:inne sollen duerch esou Concerten dann och d'Méiglechkeet kréien hir Proffen op der Bün ze erliewen an esou déi Stécker an engem professionelle Kader ze héieren, déi si selwer vläicht grad och üben. Mee gëtt dës Méiglechkeet vun deene Jonke vill genotzt a firwat stinn dëst Joer grad d'Tasten am Vierdergrond?

Episodio #168En este episodio te muestro  cómo el concepto de exilio interior define la música coral romántica y analizo de qué manera compositores como Schubert y Mendelssohn lo plasmaron en sus obras. Explico tres elementos musicales clave que reflejan este sentimiento de desarraigo y comparto ideas prácticas para directores de coro interesados en interpretar este repertorio. También comento cómo la relación entre texto y música amplifica esta temática y cómo se puede abordar su trabajo en los ensayossuscribite a mi newsletter : https://www.dopplerpages.com/gusespada-D9EA4/Form6-62234

Acquista il mio nuovo libro, “Anche Socrate qualche dubbio ce l'aveva”: https://amzn.to/3wPZfmCMoses Mendelssohn e Gotthold Ephraim Lessing, oltre a conoscersi tra loro, furono due importanti esponenti dell'illuminismo tedesco, molto interessati alla libertà religiosa.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/dentro-alla-filosofia--4778244/support.

Finally!We reach the end of the Book of Psalms.The book ends on a high as writers sing unrestrained songs of praise to God.As the Psalms reach their upbeat finale, expect Milton, Mendelssohn and missing verses. And joy, lots of it. Written and produced by Chas BayfieldMusic by Michael Auld and Jon Hawkins MusicCover art by Lisa Goff

durée : 01:58:30 - Musique à programme : l'ouverture de concert - par : Christian Merlin - L'ouverture a tellement gagné en autonomie que certains opéras sont tombés dans l'oubli… sauf leur ouverture. Il n'en fallait pas plus pour donner à certains compositeurs l'idée de composer des ouvertures réservées au concert. Exemples choisis chez Beethoven, Mendelssohn, Schumann, Berlioz, Brahms. - réalisé par : Marie Grout

China, Österreich, Norwegen, die Besetzung des jungen, inzwischen in Wien ansässigen Simply Quartet ist - nach ursprünglich rein chinesischem Start in Shanghai - ziemlich international. Zusammenhalt und künstlerische Qualität scheint das eher zu fördern. Das Debüt-Album mit Mendelssohn und Dvořák ist jedenfalls hochkarätig und mehr als vielversprechend.

durée : 00:28:25 - Musique à programme : l'ouverture de concert (4/4) : De Brahms à Elgar - par : Christian Merlin - L'ouverture a tellement gagné en autonomie que certains opéras sont tombés dans l'oubli… sauf leur ouverture. Il n'en fallait pas plus pour donner à certains compositeurs l'idée de composer des ouvertures réservées au concert. Exemples choisis chez Beethoven, Mendelssohn, Schumann, Berlioz, Brahms. - réalisé par : Marie Grout

durée : 01:28:15 - Alina Ibragimova, le violon incandescent et magnétique - par : Aurélie Moreau - La violoniste Alina Ibragimova aborde la musique avec une immense énergie et une intelligence aiguisée, dans un équilibre rare entre le respect des œuvres et la personnalité de son jeu. Aujourd'hui : Schubert, Szymanowski, Mozart, Mendelssohn…

durée : 00:28:26 - Musique à programme : l'ouverture de concert (3/4) : Schumann et Berlioz - par : Christian Merlin - L'ouverture a tellement gagné en autonomie que certains opéras sont tombés dans l'oubli… sauf leur ouverture. Il n'en fallait pas plus pour donner à certains compositeurs l'idée de composer des ouvertures réservées au concert. Exemples choisis chez Beethoven, Mendelssohn, Schumann, Berlioz, Brahms. - réalisé par : Marie Grout

durée : 00:28:12 - Musique à programme : l'ouverture de concert (2/4) : Les ouvertures de Mendelssohn - par : Christian Merlin - L'ouverture a tellement gagné en autonomie que certains opéras sont tombés dans l'oubli… sauf leur ouverture. Il n'en fallait pas plus pour donner à certains compositeurs l'idée de composer des ouvertures réservées au concert. Exemples choisis chez Beethoven, Mendelssohn, Schumann, Berlioz, Brahms. - réalisé par : Marie Grout

durée : 00:28:02 - Musique à programme : l'ouverture de concert (1/4) : Les ouvertures de Beethoven - par : Christian Merlin - L'ouverture a tellement gagné en autonomie que certains opéras sont tombés dans l'oubli… sauf leur ouverture. Il n'en fallait pas plus pour donner à certains compositeurs l'idée de composer des ouvertures réservées au concert. Exemples choisis chez Beethoven, Mendelssohn, Schumann, Berlioz, Brahms. - réalisé par : Marie Grout

durée : 00:05:02 - Classic & Co - par : Anna Sigalevitch - .

durée : 01:28:18 - Fatma Said, une soprano chaleureuse et inspirée - par : Aurélie Moreau - Fatma Said a enregistré un disque de lieder : « cette merveilleuse combinaison de la grande poésie allemande et de compositeurs de génie ». Au programme aujourd'hui : Schubert, Mendelssohn, Schumann, Brahms… (Nouveau CD Warner Classics).

durée : 01:28:11 - En pistes ! du lundi 24 février 2025 - par : Max Dozolme - En Pistes part en voyage en ce début de semaine, avec l'Afrique du Sud et Leipzig sur son chemin : le nouvel album du violoncelliste Abel Selaocoe fait la part belle au répertoire baroque, de Marin Marais à Bach. Il sera accompagné dans ce périple par Schubert, Mendelssohn ou encore Stravinsky.

durée : 01:28:11 - En pistes ! du lundi 24 février 2025 - par : Max Dozolme - En Pistes part en voyage en ce début de semaine, avec l'Afrique du Sud et Leipzig sur son chemin : le nouvel album du violoncelliste Abel Selaocoe fait la part belle au répertoire baroque, de Marin Marais à Bach. Il sera accompagné dans ce périple par Schubert, Mendelssohn ou encore Stravinsky.

Interpreten: Thomas Hampson, Würth Philharmoniker, Claudio VandelliLabel: hänssler ClassicEAN: 881488240214Dass es auch in unserer Zeit und unseren Breiten noch wirkliches, gelebtes Kultur- und Musikmäzenatentum gibt, beweist nicht nur HP Haselsteiner mit seinem Engagement u.a. in Erl, sondern auch die Würth-Gruppe mit eigenem Konzertsaal und Museum im kleinen deutschen Städtchen Künzelsau. Und wenn schon eiin Konzertsaal gebaut wurde, hat die Reinhold Würth Musikstiftung 2017 auch gleich ein dazu passendes Orchester ins Leben gerufen. Auf der bereits dritten CD haben sich die Würth Philharmoniker mit Thomas Hampson einen besonderen Gast eingeladen. Michael Gmasz berichtet. Für ihr drittes Album sind die Würth Philharmoniker unter Chefdirigent Claudio Vandelli ihrer schon bisherigen Leidenschaft treu geblieben, nämlich Altbekanntem in neuer Fassung auf den Grund zu gehen. Thema des Albums mit Werken von Schubert, Brahms und Mendelssohn-Bartholdy ist die Orchestrierung, also die Kunst, Musik auf eine neue Orchesterbesetzung zu übertragen. Schuberts Lieder für mittlere Singstimme und Orchester erklingen in der Fassung von Brahms, aus seiner Feder gibt es auch die Variationen über ein Thema von Joseph Haydn. Zu original Brahms wiederum hat Detlev Glanert vier Präludien und ernste Gesänge für Bassbariton und Orchester geschrieben. Und zu guter Letzt ist das einzige Werk in „Originalbesetzung“ die Hebriden Konzertouvertüre von Felix Mendelssohn-Bartholdy.Thomas Hampson verleiht den Liedern von Schubert eine Dringlichkeit und Dramatik, bringt aber auch verliebten Schmelz zutage. Absoluter Höhepunkt auf dieser CD sind für mich aber vor allem die Vier Präludien und Ernsten Gesänge von Brahms und Detlev Glanert. Verwendet Glanert bei seinen Brahms-Bearbeitungen ausschließlich originales Musikmaterial, so schafft er mit seinen eigenen instrumentalen Zwischenspielen einen zeitgenössischen und zeitgemäßen Blick auf die 150 Jahre alten Lieder. Als durchkomponierte Suite angelegt, gelingen hier, inklusive Postludium, gute 22 Minuten spannungsreiche Musikdramatik. Die Würth Philharmoniker selbst präsentieren sich mit Brahms‘ Variationen über Haydns St-Antoni Choral und Mendelssohn Hebriden-Ouvertüre als ganz ausgezeichneter Klangkörper! Und lassen Sie mich noch einen Satz zur Reinhold Würth Musikstiftung sagen: man kann Geld auch auf viel schlechtere Weise anlegen, als in Kunst und Kultur. Also danke! (mg)

durée : 01:28:28 - Angelika Kirchschlager, naturel et raffinement - par : Aurélie Moreau - Angelika Kirchschlager, mezzo-soprano à la voix rayonnante, a reçu le Prix Européen de la Culture pour sa contribution exceptionnelle à l'art lyrique. Son enseignement est très recherché. Aujourd'hui : Bach, Korngold, Lehár, Mendelssohn, Berlioz…

durée : 00:18:28 - Disques de légende du jeudi 13 février 2025 - Mendelssohn avait déjà composé un premier concerto pour violon, en pleine jeunesse, quasi totalement oublié. Le second concerto pour violon est ainsi considéré comme le seul et unique... Viktoria Mullova en donne ici une interprétation absolument formidable.

Mendelssohn's Piano Trio No. 1 in D minor in Building a Library with Katy Hamilton.

durée : 01:29:13 - André Previn, musicien aux dons multiples - par : Aurélie Moreau - Compositeur, pianiste, jazzman et chef d'orchestre, André Previn a interprété avec bonheur tous les répertoires. Le voici notamment en tant que chef dans des œuvres de Mendelssohn, Holst, Tchaïkovski, Walton, Grieg, Vaughan Williams, Offenbach…

On the latest episode of ‘New Classical Tracks,' host Julie Amacher speaks with pianist Jeremy Denk about his latest album, recorded alongside violinist Joshua Bell and cellist Steven Isserlis, which features piano trios by Felix Mendelssohn. Listen now!

durée : 01:28:22 - Lang Lang, un virtuose superstar - par : Aurélie Moreau - Lang Lang, pianiste d'une immense célébrité, versé dans plusieurs genres musicaux, consacre la plus grande part de son art au répertoire classique. Au programme aujourd'hui : Mendelssohn, Mozart, Liszt, Beethoven, Scriabine et Saint-Saëns.

durée : 01:59:07 - Le Bach du dimanche du dimanche 26 janvier 2025 - par : Corinne Schneider - Au programme de cette 325e émission : une heure de piano romantique avec les transcriptions, arrangements et compositions signés Hummel, Moscheles, Mendelssohn, Chopin, Liszt et Saint-Saëns ; les 80 ans de Jacqueline du Pré et les 65 ans de Rinaldo Alessandrini (né le 25 janv. 1960) - réalisé par : Anne-Lise Assada

John Mendelssohn in conversation with David Eastaugh https://www.nortonrecords.com/a4-peculiar-to-mr-bowie-by-john-mendelssohn/ https://johnmendelssohn.wixsite.com/jnm-creative PECULIAR TO MR BOWIE : A Day With David Bowie. 1971 by John Mendelssohn  New photobook! Limited 48 page souvenir photobook by rock n' rollin' author/artist/photographer/journalist/bon vivant John Mendelssohn,  who  was tapped to meet up with an unknown longhair from London named David Bowie on his first trip to the US on a press junket for the  just-released Mercury album  The Man Who Sold The World. John met up with DB in San Franscisco with his camera in tow, and started  snappin and yappin. This book includes John's original story from Rolling Stone,  his revelations and jubilations on (and of) the topic of DB, plus we have Paul Gorman writing brilliantly about the origin and influence of the man-dress, as created by bespoke tailor Mr. Fish of London... and we have the photos, one roll of film that captured  both Mr Fish man-dresses-- the luxe, flowing, floral that appeared on the UK cover of The Man Who Sold The World and the sublime blue-gray raw silk number that graced a special edition collection, presented in a newspaperly dot screen reminiscent of the Rolling Stone print methods of the day.

durée : 01:28:01 - En pistes ! du jeudi 02 janvier 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Deux nouveautés dirigées par Jordi Savall : "Le Songe d'une nuit d'été" de Mendelssohn et la "Messe de Minuit" de Charpentier, une double féérie musicale à découvrir dans En Pistes !

durée : 01:28:01 - En pistes ! du jeudi 02 janvier 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Deux nouveautés dirigées par Jordi Savall : "Le Songe d'une nuit d'été" de Mendelssohn et la "Messe de Minuit" de Charpentier, une double féérie musicale à découvrir dans En Pistes !

durée : 01:28:26 - En pistes ! du mardi 31 décembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - C'est la dernière émission de l'année ! Et on la passe en compagnie de Shura Cherkassky, Mozart, Liszt, Mendelssohn, l'ensemble Irini et Romain Descharmes - réalisé par : Philippe Petit

durée : 01:28:26 - En pistes ! du mardi 31 décembre 2024 - par : Emilie Munera, Rodolphe Bruneau Boulmier - C'est la dernière émission de l'année ! Et on la passe en compagnie de Shura Cherkassky, Mozart, Liszt, Mendelssohn, l'ensemble Irini et Romain Descharmes - réalisé par : Philippe Petit

Welcome to a special Christmas edition of A Load of BS on Sport with the two Dans. In this festive bonus episode, we reflect on the highlights of Series 1, share  personal holiday stories, and look ahead to an exciting lineup for Season 2. Plus, don't miss our brand-new quiz feature, "Bigger Isn't Always Better," where Dan answers questions about his career and more. Grab a mince pie, settle in, and join us for a bit of holiday cheer and chatter!Show Notes:Dan and Dan's festive preparations Reflections on the incredible Series 1 guests, including Johnny Wilkinson, Sir Andrew Strauss, Geraint Thomas, Charlie Methven and Andrew Steele and moreSneak peek of guests lined up for Series Two, including Siya Kolisi, Richard Arnold, and possibly Gary Neville...Feature: "Bigger Isn't Always Better" QuizPlease leave a review if you like the podcast; and share with friends. Your support makes us very happy! Get the podcast in your inbox every week by subscribing here Find out more on our website Follow the podcast on LinkedIn Follow Dan R on LinkedIn Follow Dan R on Twitter Follow Dan B on LinkedIn Podcast music: Tamsin Waley-Cohen's Mendelssohn's violin concerto

In this episode, the conversation explores the development and launch of Matt Rybicki's new online jazz bass course, JAZZ BASS 101, which aims to deepen participants' understanding of fundamental jazz concepts through innovative teaching methods. Rybicki shares the inspiration behind the course, stemming from his 26 years in New York City and his experience in the Juilliard Jazz program. He discusses the inclusion of master bass player transcriptions, original compositions, call and response exercises, and play-along tracks featuring renowned musicians. The course promises a comprehensive and user-friendly experience for bassists of all levels, enabling them to master essential jazz tunes and structures.   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. Double Bassists: Register for the Grunewald International Music Competition, which will take place in the former Mendelssohn family palace in Berlin's Grunewald from December 2nd to 7th. Klaus Trumpf and Miloslav Gadjoš are double bass jury members.   heme music by Eric Hochberg

Jay begins with the song for which the podcast is named: “Music for a While,” by Purcell. He ends with some theme music by the late Quincy Jones, “The Streetbeater.” In between are Mendelssohn, Liszt, Sibelius, and estimable others. A nicely diverse program. Purcell, “Music for a While” Mendelssohn, “Song without Words” Mozart, Symphony No. 35 in D, “Haffner,” Presto Liszt, “Chasse-neige” Strauss, excerpt from “Elektra” Sibelius, “Water Droplets” Widor, Toccata from Organ Symphony No. 5 Jones, “The Streetbeater”

Today's episode features Brian Powell, double bass faculty at the Frost School of Music, discussing his recently released album, 'Suite Italienne Double Bass and Piano.' This album marks the first full arrangement and recording of Igor Stravinsky's Suite Italienne for double bass and piano, approved by Stravinsky's estate and published by Boosey & Hawkes.  It features 8 movements, incorporating elements of Pulcinella, with contributions from artists Oleksii Ivanchenko, Karen Lord-Powell, and Ross Harbaugh. Recorded in 2023 at the University of Miami, the album aims to contribute to the double bass repertoire, highlighting Powell's ongoing efforts to promote new music for the instrument.   Subscribe to the podcast to get these interviews delivered to you automatically! Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. Double Bassists: Register for the Grunewald International Music Competition, which will take place in the former Mendelssohn family palace in Berlin's Grunewald from December 2nd to 7th. Klaus Trumpf and Miloslav Gadjoš are double bass jury members.   theme music by Eric Hochberg

Many of the hymns we know and love are paired with classical tunes. Today, Stephen Nichols explores how compositions from Beethoven, Haydn, Mendelssohn, and others have shaped our beloved hymns. Read the transcript: https://ligonier.org/podcasts/5-minutes-in-church-history-with-stephen-nichols/classical-tunes-for-classic-hymns/ A donor-supported outreach of Ligonier Ministries. Donate: https://donate.ligonier.org/ Explore all of our podcasts: https://www.ligonier.org/podcasts

In this conversation, Nate Sabat, a bassist, singer-songwriter, and arranger based in Brooklyn, NY, discusses his musical journey from joining the Young People's Chorus in New York City to exploring the role of bass in folk and bluegrass music. Nate talks about his inspirations, including Edgar Meyer, and the influences that shaped his debut album, 'Bass Fiddler'. He shares insights into his education at Berklee, mentors like Scott Lee and Susan Hagen, and his approach to upright bass playing. Nate also discusses his teaching endeavors aimed at bridging the gap between beginner and advanced bluegrass bass players, promoting a curriculum for acoustic music bassists. His unique contribution to the genre comes through his exploration of acoustic and folk music, blending classical techniques with folk traditions. Enjoy, and be sure to check out Nate's Patreon for additional content from this cool artist!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us: all things double bass double bass merch double bass sheet music   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. ​Double Bassists: Register for the Grunewald International Music Competition December 2nd - 7th​. The Grunewald International Music Competition will take place in the former Mendelssohn family palace in the middle of Berlin's Grunewald. Double bass jury members are Klaus Trumpf and Miloslav Gadjoš. The competition also supports young up-and-coming artists with cash, non-cash prizes, and vouchers. theme music by Eric Hochberg