Podcasts about New York Philharmonic

In this week's episode, Shanti recognizes her business's growth while Antoinette sees her breasts with new eyes. Together, we discuss Trump cussing out Netanyahu, and the recent verdict of the Rick Chow case that left a 14-year-old boy murdered. For pop culture, we dive into Jay Z's historic performance in Philly, his freestyle, and the demented response from Dame Dash. Join us...In collaboration with The CultureLP Disney's Encanto In Concert, presented by the New York Philharmonic, runs June 18–21 at David Geffen Hall. Ticket Link: https://bit.ly/EncantoclpContact Around The Way Curls:Hotline: (215) 948-2780Email: aroundthewaycurls@gmail.comPatreon: www.patreon.com/aroundthewaycurlsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Andrew Litton is the Music Director of the New York City Ballet and the Conductor Laureate of the Bournemouth Symphony Orchestra. He was previously Music Director of Norway's Bergen Philharmonic. He has led opera performances at the Metropolitan Opera and the Royal Opera House Covent Garden among many other venues. And he's also an accomplished pianist, and he plays jazz too. He recorded a solo album, A Tribute To Oscar Petererson. In total he's recorded over 140 recordings, receiving a Grammy nomination for Sweeney Todd with the New York Philharmonic and Patti LuPone.  My featured song is “Juliet Dances”. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Reflections Click here for Special Collections Click here for Legends Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH ANDREW:www.andrewlitton.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Short, sweet and totally different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com      

What happens when the people who are supposed to show up for you only do the bare minimum? In this episode, we explore the lasting impact of growing up in a low-effort family, where emotional support is scarce, communication is inconsistent, and relationships feel transactional rather than nurturing. Join us.*Giveaway * Disney's Encanto In ConcertIn collaboration with The CultureLP Disney's Encanto In Concert, presented by the New York Philharmonic, runs June 18–21 at David Geffen Hall.Ticket Link: https://bit.ly/EncantoclpContact Us:Hotline: (215) 948-2780Email: aroundthewaycurls@gmail.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Great. Then depressed. Then great again. Stephen Dubner gets the full story from David Lang; we also hear from some fans, and the New York Philharmonic's president. The math and the aftermath of wealth of nations. (Part two of a series.)   SOURCES: David Lang, composer and professor at the Yale School of Music. Matías Tarnopolsky, president and C.E.O. of the New York Philharmonic.   RESOURCES: "Finally, an Opera About Economics," by Stacey Vanek Smith (Bloomberg, 2026). "The Little Match Girl Passion," by David Lang (2023). The Wealth of Nations, by Adam Smith (1776).   EXTRAS: "David Lang's the wealth of nations," series by Freakonomics Radio (2026). "In Search of the Real Adam Smith," series by Freakonomics Radio (2022). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

durée : 01:28:34 - par : Lionel Esparza - On lui doit West Side Story, 3 symphonies, des pages chorales et liturgiques ; on lui doit aussi une discographie immense à la baguette, avec le New York Philharmonic mais pas seulement. Portrait de Leonard Bernstein chef d'orchestre, de Mozart à Chostakovitch, en passant par Brahms, Mahler & Ravel. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 01:28:34 - par : Lionel Esparza - On lui doit West Side Story, 3 symphonies, des pages chorales et liturgiques ; on lui doit aussi une discographie immense à la baguette, avec le New York Philharmonic mais pas seulement. Portrait de Leonard Bernstein chef d'orchestre, de Mozart à Chostakovitch, en passant par Brahms, Mahler & Ravel. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

“Nobody really teaches you how to write for the voice because every voice is different. We're given these standard ranges, which is fine for harmony exercises that aren't meant to be sung. The information we have guiding us is half-knowledge that's more dangerous than nothing at all. It's a question of ‘how can you empathize with the singer?' As a composer, I work with them to create a composite work of art that incorporates their expressive agencies.”Raphael Fusco is an Italian-American composer, keyboardist, and conductor praised as “a lively player and fine improviser” (Los Angeles Times), “one of the most outstanding composers of his generation” (El Mundo), and “a leader in the opera world today” (OperaWire). His compositions span opera, orchestral, choral, art song, and chamber works, that blend expressive lyricism and vibrant textures with structural clarity and dramatic depth. He has received commissions from the Chamber Orchestra of Philadelphia, Cecilia Chorus of New York, I Cantori NY, Hartford Chorale, and members of the New York Philharmonic and Metropolitan Opera Orchestras, with premieres at Carnegie Hall, Lincoln Center, Casa Milà (Barcelona), the Oriental Art Center (Shanghai), and ÉgliseSaint-Séverin (Paris).Fusco has won awards from the NATS Art Song Composition, Phoenix Boys Choir New Works Rising Competition, American Prize, Notre Dame University Liturgy Alive Composition Competition, Ruzickova Composition Competition, Fyfe Choral Composition, and Aliénor Harpsichord Competition.As a pianist and harpsichordist, he has performed with the New York Philharmonic, American Ballet Theatre, and Branford Marsalis. Fusco studied with David Loeb, Robert Cuckson, and Carl Schachter at the Mannes College of Music in New York, Giulio Castagnoli in the G. Verdi Conservatory of Turin, Philip Lasser and Narcis Bonet at the École Normale in Paris. He holds a doctorate from the University of Music and Performing Arts Graz, where his artistic research explored empathy and expressive agency in vocal composition.To get in touch with Raphael, you can find him on Facebook (@raphael.fusco.9), Instagram (@fuscoraphael), and YouTube (@RaphaelFusco) as well as visit his website: raphaelfusco.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

That's what the Pulitzer Prize-winning composer David Lang wanted to learn. So he turned Adam Smith's The Wealth of Nations into an oratorio. We tag along as Lang's piece heads toward its world premiere with the New York Philharmonic. (Part one of a two-part series.)   SOURCES: Fleur Barron, opera singer and mezzo-soprano. David Lang, composer and professor at the Yale School of Music.   RESOURCES: "Finally, an Opera About Economics," by Stacey Vanek Smith (Bloomberg, 2026). "The Little Match Girl Passion," by David Lang (2023). The Wealth of Nations, by Adam Smith (1776).   EXTRAS: "In Search of the Real Adam Smith," series by Freakonomics Radio (2022). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

durée : 00:10:27 - par : Lionel Esparza - Missionnaire de la modernité, Boulez grave la musique de Varèse sur plusieurs années : avec le New York Philharmonic en 1977, puis l'Ensemble Intercontemporain en 1984. Les 2 sessions sont réunies sur un même coffret en 1990, où grand orchestre et jeune ensemble se retrouvent sur un pied d'égalité. - réalisation : Flora Sternadel Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Isaac Trapkus is a bassist with the New York Philharmonic, rosin maker, and developer of Monkey Wrench DB—a tool that syncs sheet music PDFs with YouTube performances. He's also the creator of a free urtext-style edition of the Koussevitzky Double Bass Concerto, based on a previously unknown personal score copy he discovered at the Library of Congress. We cover a wide range of topics: Isaac's years-long journey developing his handcrafted rosin (Winter), the unique acoustic challenges of the double bass that make rosin so stubbornly hard to get right, and his Library of Congress discovery of Koussevitzky's clean personal score—complete with hidden measures taped over by the composer himself. We also dig into AI's expanding role in Isaac's tech projects, the ethics of open-source music tools, and the tension between building things because you can versus building things that actually matter. Find Isaac's Koussevitzky edition on IMSLP, explore Monkey Wrench DB at monkeywrenchdb.org, and check out his past podcast appearance here.   Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Theme music by Eric Hochberg

American conductor James Gaffigan is recognized worldwide for his extraordinary collaborative spirit, and he has attracted international attention for his work as a conductor of symphony orchestras and opera. James was recently named the next music director of Houston Grand Opera, and he will assume his new role in the 2027/28 season. James is in demand at opera companies and symphony orchestras across the world. He serves as the general music director of Komische Oper Berlin, where he leads his third season in 2025/26. He also serves as music director of the Verbier Festival Junior Orchestra. James Gaffigan has conducted for the Metropolitan Opera, Bayerische Staatsoper, Opéra National de Paris, Zürich Opera, Vienna Staatsoper, Deutsche Oper Berlin, Dutch National Opera, Glyndebourne Festival, Lyric Opera of Chicago, and Santa Fe Opera, among many others. He regularly leads the world's greatest orchestras, including the New York Philharmonic, Chicago Symphony Orchestra, San Francisco Symphony,Los Angeles Philharmonic, National Symphony Orchestra, Boston Symphony Orchestra, Cleveland Orchestra, Philadelphia A champion of new music, James has led more than 30 premieres by composers including Thomas Adès, Kaija Saariaho, Anders Hillborg, Andrew Norman, Sarah Kirkland Snider, and Wynton Marsalis. 

Born in wartime Shanghai and brought to the United States at age eleven with no knowledge of English, financier and philanthropist Oscar Tang reflects on a life shaped by displacement, ambition, and civic responsibility. In conversation with David M. Rubenstein, Tang recounts his journey from a small town in Vermont to Yale and Harvard, before building a successful career on Wall Street. He also discusses the experiences that shaped his philanthropic commitments—from supporting cultural institutions like the New York Philharmonic and the Metropolitan Museum of Art to helping strengthen educational and civic institutions across the United States.Recorded on February 20, 2026

From his childhood in Venezuela's famed El Sistema music education program to his rise as one of the world's leading conductors, Gustavo Dudamel reflects on the experiences that shaped his musical life. In conversation with David M. Rubenstein, Dudamel recounts conducting his first orchestra at age eleven, discusses the collaborative art of leading musicians, and shares how he prepares scores entirely from memory. Looking ahead to his tenure as music and artistic director of the New York Philharmonic, he explores the role orchestras can play in connecting communities and inspiring new generations of listeners.Recorded on September 17, 2025

Karina Canellakis is an American conductor and former violinist internationally acclaimed for her expressive symphonic and operatic leadership. She is currently Chief Conductor of the Netherlands Radio Philharmonic Orchestra and Principal Guest Conductor of the London Philharmonic Orchestra. Notably, Canellakis was the first woman to be appointed Principal Guest Conductor for the London Philharmonic and the first woman to be Chief Conductor of any Dutch orchestra. She also made history as the first woman to conduct the Nobel Prize Concert in Stockholm and to serve as Principal Guest Conductor of the Berlin Radio Symphony Orchestra. As both a violinist and conductor, Canellakis has worked with leading orchestras across Europe and North America, including the New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, Bavarian Radio Symphony, Vienna Symphony, Orchestre de Paris, and Munich Philharmonic. Canellakis is also an accomplished opera conductor and has led Der Rosenkavalier at Santa Fe Opera and Dialogues des Carmélites in Paris. Originally trained as a violinist, she turned to conducting and built a groundbreaking career stemming from her musical upbringing in New York City.See omnystudio.com/listener for privacy information.

SynopsisToday, some “off-the-cuff” remarks about the role of shirt cuffs in music history.Starched, button-on, detachable cuffs for men's shirts were very popular from the early 19th through the early 20th centuries, and could serve as a sort of white linen Post-It note if a melody suddenly popped into the head of a composer. Like Dvořák, say, out for a walk along the Turkey River in Spillville, Iowa — he could scribble the tune down on his shirt cuff, assuming he carried a pencil, that is, since writing it in ink before the era of ballpoint pens would not be very practical and certainly not be very popular with whoever did the composer's laundry!Years after Carl Nielsen's Symphony No. 3 had its premiere — on today's date in 1912 — the Danish composer still recalled the moment when a theme in its third movement came to him. “I was standing on the back of a tram. And [the theme] came with such urgency that I had to quickly jot it down, partly on a scrap of paper I had in my pocket, and partly on one of my shirt cuffs,” Nielsen said. Music Played in Today's ProgramCarl Nielsen (1865-1931): Symphony No. 3 (Sinfonia Espansiva); New York Philharmonic; Alan Gilbert, conductor; Dacapo 220623

Bone2pick kicks off our 2026 season with a dynamic sit down with trombone virtuoso Colin Williams. Colin was appointed associate principal trombone of the New York Philharmonic in 2014. Prior to that, he was principal trombone of the Atlanta Symphony and the San Antonio Symphony. He has performed with the orchestras of Chicago, Boston, Philadelphia, Los Angeles, Washington D.C. and Houston. He is active as a soloist and chamber musician and is co-founder of the Southeast Trombone Symposium. His signature trombone is produced by the S.E. Shires Co. Enjoy!

Tune in Friday, February 20, 2026 @ 7pm EST/4pm PST/6pm CST for the next “He Said, He Said, He Said Live!” A Look at the World from A Seasoned Black Man's Perspective…because one perspective isn't enough!” for “From Voice to Vision: Larry Boggs Jr.'s Creative Journey to the Harlem Collective.” www.all-squared-away.org From Voice to Vision: Larry Boggs Jr.'s Creative Journeyto the Harlem CollectiveThis Friday, February 20th, He Said, He Said, He SaidLive presents a special edition of The Art of It, featuringmultidisciplinary artist, vocalist, and arts leader Larry Boggs Jr. — the incoming Costume Designer of The Harlem Collective.A native of Clinton, Maryland and a proud product of PrinceGeorge's County, Larry holds degrees from Morgan State University and New York University. His career bridges performance and design on both national andinternational stages. As a vocalist, he has performed across the U.S., Paris, and St. Petersburg, with recording credits including All Rise by Wynton Marsalis and the New York Philharmonic, and the motion picture soundtrack Godsand Generals.As a designer and wardrobe master, his work has shapedproductions at Baltimore Center Stage, ArtsCentric, Everyman Theatre, and Olney Theatre Center, with notable credits including CROWNS, Ma Rainey's Black Bottom, The Scottsboro Boys, and For Colored Girls…In this intimate and inspiring conversation, Larry reflectson artistry, leadership, discipline, and what it means to build a creative life across multiple worlds—onstage, behind the scenes, and in service to community.New Episodes of “He Said, He Said, He Said” - Live stream Fridays, 7 p.m. EST on all these links: https://linktr.ee/hesaidhesaidhesaid  FACEBOOK: facebook.com/hesaidhesaidhesaidlive  RELIVE and SHARE special moments from "He Said, He Said, He Said" here: SHOW CLIPS (22) He Said, He Said, He Said - Live - YouTubeFOLLOWUS —- CLICK LIKE and SUBSCRIBE to us hesaidhesaidhesaidlive on YouTube andInstagram!#HeSaidLive #TheArtOfIt #FromVoiceToVision #ArtsLeadership #PerformingArts #CostumeDesign#CreativeJourney #MultidisciplinaryArtist #BlackArtists #BlackCreatives #DMVArts #BlackTheatre #ArtsCommunity #CreativeDirector #CulturalLeadership #CreativeLife #ArtsAndCulture

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This episode of the Trombone Corner Podcast is brought to you by The Colburn LA Brass Institute.  Join hosts Noah and John as they interview Sasha Romero, principal trombone of the MET in New York. About Sasha: Sasha Romero was appointed principal trombone of the Metropolitan Opera Orchestra in 2018. Prior to her appointment at The MET, she held the position of principal trombone with the Fort Worth Symphony Orchestra from 2016-2018. Hailing from Longview, Texas, Sasha grew up within the acclaimed and robust Texas band system and achieved great musical success at a young age. She went on to earn her Bachelor of Music degree at Baylor University, where she studied with Brent Phillips; and her Master of Music degree at Rice University, studying with Allen Barnhill. In addition to a lengthy list of national and international solo and chamber music competition wins to her name, Sasha is honored to have been a semi-finalist in the first Brass Division of the 2019 XVI International Tchaikovsky Competition in St. Petersburg, Russia. Sasha is a passionate educator, and currently serves on the trombone faculties at Rutgers University, Mannes School of Music, and Bard College Conservatory of Music. A highly sought-after teacher, soloist, and clinician, she has presented solo recitals and masterclasses at numerous colleges, universities, music conservatories, and industry conventions across the United States. When she is not at The MET, teaching, or screaming into the night at the shortcomings of NYC's public transportation system (looking at you, weekend subway service), Sasha is occasionally invited to perform as a guest trombonist with the world's major orchestras, including the New York Philharmonic, London Philharmonic, Dallas Symphony, Houston Symphony, and others. She can be heard on Weezer's OK Human album, as well as the film soundtracks to The Good Liar (2019) and Joker (2019). Sasha currently makes her home in New York City, where she spends an embarrassing amount of time catering to the demands of her absurdly adorable cats and searching endlessly for decent Mexican food. Sasha Romero is an S.E. Shires Performing Artist and she has a signature mouthpiece line with Long Island Brass Co.

On episode 251, we welcome Patricia Martin to discuss identity formation in the modern world, our preoccupation with external validation and why it's unsustainable in the internet age, Carl Jung's understanding of the persona and our tendency to perform, the persona and chronic self-doubt, socially prescribed perfectionism and the fog of self, physical practices to re-center oneself, and the importance of cultivating meaning for identity integration. Patricia Martin is the author of four books, a researcher, and speaker. Her work has been featured in Harvard Business Review, Huffington Post, The New York Times, and Psyche Magazine. For over twenty-five years, influential brands and non-profits sought her insight as a consultant, including American Express, Oracle, and The New York Philharmonic, among others. She holds an MFA in nonfiction from Bennington College, with post-graduate work in medical narrative at Duke University, and Jungian theory at the C. G. Jung Institute of Chicago, where she gives workshops and hosts the popular podcast, Jung in the World. Her new book, available March 5, 2026, is called Will the Future Like You?: Reflections on the Age of Hyper-Reinvention.   | Patricia Martin | ► Website | https://patricia-martin.com ► Twitter | https://x.com/PatriciaMartin ► Instagram | https://www.instagram.com/patriciamartin33 ► Substack | https://culturescout.substack.com ► Podcast | https://www.youtube.com/@JungInstituteChicago/videos ► Will the Future Like You? Book | https://amzn.to/3ZgU2in Where you can find us: | Seize The Moment Podcast | ► Facebook | https://www.facebook.com/SeizeTheMoment ► Twitter | https://twitter.com/seize_podcast ► Instagram | https://www.instagram.com/seizethemoment ► TikTok | https://www.tiktok.com/@seizethemomentpodcast  

Peter Filichia, James Marino, and Michael Portantiere review Data @ The Lucille Lortel Theatre, New Jersey Repertory Company’s The Bookstore @ 59e59, Newsies @ Argyle Theatre, Philosophy Productions — Hans Litten: The Jew Who Cross-Examined Hitler @ Theatre Row, New York Philharmonic and Gustavo Dudamel at Radio City Music Hall, read more

Rob Schwimmer is a dynamic composer-pianist and renowned theremin virtuoso whose performances have captivated audiences worldwide. With accolades from The New York Times for his blend of “virtuosity, magic, and humor,” Rob's diverse talents shine through in his solo CD "Heart of Hearing," which features the theremin, Haken Continuum, and solo piano. He has collaborated with an impressive lineup of artists, including Bobby McFerrin, the New York Philharmonic, and Simon and Garfunkel, showcasing his unique ability to hang in multiple genres.In this episode, Rob shares his insights into the theremin's unique sound and its long-standing connection to sci-fi and other film genres. He recounts memorable performances—including a recent debut with the New York Philharmonic—and discusses the intricate relationship between improvisation and formal music training. Rob also demos some of the nuances of the Haken Continuum and the theremin. He shares several engaging stories about working in a variety of  musical settings, from Carnegie Hall to hanging out with Willie Nelson.(Headshot photo by Michael Weintrob)Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Midori is a visionary artist, activist and educator who explores and builds connections between music and the human experience. In the four decades since her debut with the New York Philharmonic at age 11, she has performed with many of the world's most prestigious orchestras and has collaborated with world-renowned musicians including Leonard Bernstein, Yo-Yo Ma, and many others.She is in Albany to perform the Beethoven Violin Concerto with the Albany Symphony Orchestra with guest conductor André Raphel. Plus, you'll experience Shostakovich's gripping, intense Symphony No. 10 – and the concert opens with a work by Pulitzer Prize-winning composer Jennifer Higdon. Midori will be on stage tomorrow night - Saturday, January 17th @ 7:30PM at the Palace Theatre with André Raphel conducting.

In today's episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition. Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale. In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In today's episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition. Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale. In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition. Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale. In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In today's episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition. Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale. In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Will Healey is a pianist and composer who plays multiple genres of music including classical, jazz and hip hop. In 2023 he won the Leonard Bernstein Prize from the ASCAP Foundation. He has performed at venues like Jazz at Lincoln Center and Carnegie Hall. His arranging credits include works for the New York Philharmonic and the Albany Symphony. He is the artistic director and founder of ShoutHouse, a group of hip-hop, jazz, and classical musicians. As a pianist, he has performed solo recitals in the United States and abroad. He also plays piano and synthesizers in the Pathos Trio, an award-winning metal-influenced chamber group. He is also a founding member of Upstream, a duo with violinist and composer George Meyer. My featured song is “Moon Shot”, my recent single featuring Mark Lettieri from Snarky Puppy on guitar. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH WILL:www.willhealymusic.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

In this episode, San Francisco Symphony Assistant Principal Bassist Stephen Tramontozzi joins Jason to talk about his new solo album Basso Antico. Alongside his orchestral work, Steve has built a wide‑ranging career as a soloist and educator. He has released a series of solo recordings, including Walkabout, Home Bass, Urban Bass, and Basso Novo. In this conversation, Steve shares the musical and historical ideas behind Basso Antico, which traces the evolution of the cello and bass voice from 17th‑century Italy through the world of J. S. Bach. He discusses approaching ricercari, early sonatas, and Bach's Suite No. 4 on the modern double bass, and how elements such as improvisation, counterpoint, and dance inform his interpretation. Download Steve's sheet music edition of Gabrielli: 7 Ricercari for solo double bass. Enjoy, and check out Basso Antico on Spotify or wherever you listen to music! Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

In this episode, we sit down with Adam Kubota, bassist and bandleader of the internationally acclaimed Postmodern Jukebox. Adam shares his musical journey—from studying bass with Barry Green to becoming a key figure in one of the most innovative ensembles reimagining modern pop hits with vintage flair. Enjoy, and be sure to give Adam a follow on Instagram! Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

Hollywood actors and writers are anxious about AI filmmaking, but one Bollywood director tells us that, as far as many Indian creators are concerned, it's democratizing the process. Many Calgarians are once again under a boil-water advisory after the second major water main break in as many years -- and this one left our guest stranded on the roof of her truck. Our guest fills us in on his annual headline-of-the-year bracket -- where the entrants range from the sublime to the ridiculous, except for the sublime part. We revisit our conversation with the Oscar-winning filmmaker Molly O'Brien and her pioneering aunt, Orin O'Brien -- about Orin's many years as the only female member of the New York Philharmonic. We'll hear what it was like to play for Leonard Bernstein -- and why artistry and acclaim don't always go hand in hand. A California man says the 550-pound black bear living underneath his house is no longer welcome -- but for obvious reasons, the bear does not care about that. As It Happens, the New Year's Eve Edition. Radio that knows it's gross when your roommate walks around bear-foot.

In this inspiring episode, Stephanie Patterson returns to share a deeply personal journey of resilience and adaptation. After experiencing serious health challenges that made it impossible to continue playing the double bass, Stephanie made the courageous decision to return to the viola—an instrument she hadn't played in over 50 years. This conversation explores the physical demands of playing large instruments, the importance of fitness for musicians, and how community orchestras provide invaluable support during life's unexpected transitions. Enjoy and check out Stephanie's past podcast appearances here. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Thank you to our sponsor! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

durée : 01:58:41 - Quatre grandes flûtes solos - par : Christian Merlin - Quatre figures légendaires de flûtistes d'orchestre : Fernand Dufrêne, figure de proue de l'Orchestre National, Aurèle Nicolet, engagé par Furtwängler à Berlin, Julius Baker, star du New York Philharmonic, et Doriot Anthony Dwyer, première femme à occuper un poste de soliste à Boston. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode, we dive deep into the creation of Memoirs in Time, a groundbreaking new bass concerto with composer Jim Beckel and Indianapolis Symphony Principal Bassist JuFang Liu . This commission represents a significant addition to the bass repertoire and showcases the incredible versatility of the double bass. Watch the world premiere performance with full orchestra of "Memoirs in Time: Concerto for Bass and Orchestra" featuring JuFang Liu and the Indianapolis Symphony Orchestra, and check out this behind-the-scenes video on the creation of this piece. For those interested in performing this work, a piano reduction is also available on YouTube and can be purchased online here . Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Courses Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

durée : 00:28:53 - Quatre grandes flûtes solos (4/4) - par : Christian Merlin - Quatre figures légendaires de flûtistes d'orchestre : Fernand Dufrêne, figure de proue de l'Orchestre National, Aurèle Nicolet, engagé par Furtwängler à Berlin, Julius Baker, star du New York Philharmonic, et Doriot Anthony Dwyer, première femme à occuper un poste de soliste à Boston. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In the 18th century, Handel relied on royal patronage. Today, it's donors like Gary Parr who keep the music playing. In this bonus episode of our “Making Messiah” series, Parr breaks down the economics of the New York Philharmonic. SOURCES:Gary Parr, senior managing director and on the management committee at Apollo, philanthropist. RESOURCES:"A Notoriously Jinxed Concert Hall Is Reborn, Again," by Michael Kimmelman (New York Times, 2022)."Apollo's New Guy Is a Legend in Banking, a Novice in Buyouts," by Sonali Basak (Bloomberg, 2017).“Handel's Messiah,” performed by The London Symphony Orchestra (2007)."Racial/Ethnic and Gender Diversity in the Orchestra Field," by James Doeser (League of American Orchestras).Parr Prize for Excellence in Teaching Shakespeare. EXTRAS:"Making Messiah," series by Freakonomics Radio (2025). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

durée : 00:28:37 - Quatre grandes flûtes solos (3/4) : Julius Baker - par : Christian Merlin - Quatre figures légendaires de flûtistes d'orchestre : Fernand Dufrêne, figure de proue de l'Orchestre National, Aurèle Nicolet, engagé par Furtwängler à Berlin, Julius Baker, star du New York Philharmonic, et Doriot Anthony Dwyer, première femme à occuper un poste de soliste à Boston. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:47 - Quatre grandes flûtes solos (2/4) : Aurèle Nicolet - par : Christian Merlin - Quatre figures légendaires de flûtistes d'orchestre : Fernand Dufrêne, figure de proue de l'Orchestre National, Aurèle Nicolet, engagé par Furtwängler à Berlin, Julius Baker, star du New York Philharmonic, et Doriot Anthony Dwyer, première femme à occuper un poste de soliste à Boston. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:28:38 - Quatre grandes flûtes solos (1/4) : Fernand Dufrêne - par : Christian Merlin - Quatre figures légendaires de flûtistes d'orchestre : Fernand Dufrêne, figure de proue de l'Orchestre National, Aurèle Nicolet, engagé par Furtwängler à Berlin, Julius Baker, star du New York Philharmonic, et Doriot Anthony Dwyer, première femme à occuper un poste de soliste à Boston. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

In this episode, I talk with legendary timpanist, educator, and musical pioneer Jonathan Haas. Jonathan's journey weaves together St. Louis, Chicago, New York, Juilliard, Frank Zappa, Emerson Lake & Palmer, Philip Glass, and a powerful new project responding to the world we live in today.Jonathan tells the story of how a newspaper clipping from his mom led him to Washington University, where he studied with Rich O'Donnell, John Kasica, Tom Stubbs, and Rick Holmes—often taking four private lessons a week while subbing with the St. Louis Symphony.From there, he describes:Heading to Juilliard to study with Saul GoodmanSubbing with the New York PhilharmonicAuditioning for and touring with Emerson, Lake & Palmer (including opening Bolero in front of 50,000 people at Soldier Field!)A 20-year relationship and collaboration with Frank Zappa, sparked by a handwritten letterThe long road to commissioning the Philip Glass Double Timpani Concerto and why it had to become a double concertoHis work at NYU, including powerful new pieces by Lenny White and Tim Adams, connected to Black Lives Matter and the murder of George FloydJonathan is a phenomenal storyteller, and the combination of history, humor, honesty, and perspective makes this one of the most compelling conversations I've had.Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

In this episode, we sit down with Laura Camacho, a double bassist, tango composer, and ethnomusicologist originally from Buenos Aires and now based in Austin, Texas. Laura shares her fascinating journey from performing with the ensemble Las del Abasto in Argentina—including opening for tango legend Mariano Mores—to pursuing a PhD in ethnomusicology at the University of Texas at Austin. We dive deep into Laura's new album, Todo Tiempo Pasado, released in November of 2025 with her ensemble, the Laura Camacho Tango Project. The album is a beautiful blend of tradition and experimentation, featuring original compositions, works by Astor Piazzolla and Mariano Mores, and tango-inspired arrangements of pop songs like Britney Spears' "Toxic" and Kate Bush's "Running Up That Hill." Enjoy and be sure to check out Laura's new album on all streaming platforms. Also, give her Tango Project a follow on Instagram! Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

Join us for a conversation with Spanish double bassist Uxía Martínez Botana, who shares her journey from facing skepticism as a woman in classical music to becoming a celebrated soloist, chamber musician, and educator. Based in Amsterdam, she tours internationally with ensembles like the Budapest Festival Orchestra and Sol Gabetta's baroque ensemble, and is the first female double bass professor at a Spanish conservatory. We dig into topics like life on the road, work-life balance, her journey through the world of professional music, and her recent Mendelssohn X-Files Project. Enjoy, and learn more about Uxía and the great work she's doing through the links below Official Website: uxiamartinezbotana.com Mendelssohn X-Files Album: Fuga Libera Spotify: Uxía Martínez Botana YouTube: Official Channel Instagram: @uxiamartinezbotana Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg

In this episode, Gary Upton, the founder of Upton Bass, joins us for an in-depth conversation about the craftsmanship, innovation, and business of building double basses.  We explore a wide range of topics including the growing popularity of 5/8-sized basses, the development of Kay-inspired plywood models, the economics of bass-making, and Upton's ventures into creating strings, amplifiers, and rosin specifically designed for double bass players. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

In this episode, we sit down with Edmonton-based jazz bassist and composer Aretha Tillotson to discuss her highly anticipated second album, Kinda Out West, releasing on November 7th, 2025. Following her Western Canadian Music Award-winning debut, Introducing Aretha Tillotson, this new album pays tribute to the musicians and landscapes of Alberta and British Columbia. Aretha's chordless quartet channels the spirit of legendary groups led by Sonny Rollins and Ornette Coleman, creating a sound that's both rooted in tradition and distinctly modern. Enjoy, and give Aretha a follow on Instagram and bandcamp! Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

In this episode, we sit down with Andy Anderson, the newly appointed Clinical Assistant Professor of Double Bass at the University of Illinois Urbana-Champaign. With over two decades of experience performing with some of Chicago's most prestigious ensembles, Andy brings a wealth of knowledge and passion to his teaching role. Enjoy, and check out Andy's past podcast appearances here. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

In this episode, renowned bassist and educator Gaelen McCormick joins us to discuss her newly released annotated edition of Franz Simandl's 30 Etudes, published by Carl Fischer. For over a century, these etudes have been a cornerstone of double bass pedagogy. Gaelen's fresh annotations bring new insights and perspectives to this essential collection. Check out Gaelen's past podcast appearances here and pick up a copy of her new Simandl edition here. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today!   Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

In this episode, we chat with Darren Sacks, a double bass audition coach, UMass Boston Associate Lecturer, and Greater Boston freelance bassist, to discuss winning strategies for double bass auditions. Darren shares insights from his 9 years of coaching experience, during which he's helped students gain acceptance into major youth orchestras like the Boston Youth Symphony (BYSO) and NEC Prep, summer festivals including Interlochen and BUTI Tanglewood, and undergraduate programs such as Northwestern's Bienen School of Music. Enjoy, and you can connect with Darren on his website. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

In this episode, Jason Heath interviews Rodney Slatford. Rodney is joined by his friend Mike Coombs, who helped facilitate this conversation. Together, they explore Rodney's remarkable career as a performer, educator, publisher, and advocate for the double bass. As founding Chairman of the Yorke Trust, Rodney Slatford has established himself as a renowned double bass player and teacher. His career includes over 1000 performances worldwide, 30 years with the Nash Ensemble of London, 10 years as co-principal bassist with the English Chamber Orchestra, and recording one of the first solo bass discs with the Academy of St. Martin-in-the-Fields. In 1978, he founded the Isle of Man International Double Bass Competition and Workshop. Rodney served as Head of the School of Strings at the Royal Northern College of Music (1984-2001) before retiring to Norfolk to focus on the Yorke Trust and personal interests. Learn more about Rodney and the great work he is doing with the Yorke Trust here. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg

Tim Rinehart is the Principal Double Bassist of the Oregon Symphony. A graduate of Rice University's Shepherd School of Music, Tim studied with Paul Ellison while also earning a Bachelor of Science in Mathematics. He is the winner of the 2025 International Society of Bassists Orchestral Division Competition and has performed with numerous prestigious orchestras including the Boston Symphony, London Symphony, and Houston Symphony. Tim shares his journey through multiple auditions in a single season, revealing the breakthrough preparation strategies that led to winning his current. He discusses mental performance techniques, systematic practice methods, committee expectations, his education with Paul Ellison at Rice University, and his new role with the Oregon Symphony. Connect with Tim: Website Instagram YouTube Oregon Symphony profile Connect with DBHQ: Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast: Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens   When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ.   Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations.  Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. Theme music by Eric Hochberg

The legendary composer, arranger, musician and penny whistle player, David Amram, will be in conversation with Academy Award documentary filmmaker Barbara Kopple at the Woodstock Film Festival on Sunday, 10/19 12 noon. The venue is the Kleinert/James Art Center, 34 Tinker St, Woodstock. David Amram started his professional life in music as a French Hornist in the National Symphony Orchestra (Washington, D.C.) in 1951. After serving in the US Army from 1952-54, he moved to New York City in 1955 and played French horn in the legendary jazz bands of Charles Mingus, Dizzy Gillespie, Lionel Hampton and Oscar Pettiford. In 1957, he created and performed in the first ever Jazz/Poetry readings in New York City with novelist Jack Kerouac, a close friend with whom Amram collaborated artistically for over 12 years. Since the early 1950s, he has traveled the world extensively, working as a musician and a conductor in over thirty-five countries including Cuba, Kenya, Egypt, Pakistan, Israel, Latvia and China. He also regularly crisscrosses the United States and Canada.He composed the scores for many films including Pull My Daisy (1959), Splendor In The Grass (1960) and The Manchurian Candidate (1962). He composed the scores for Joseph Papp's Shakespeare In The Park from 1956-1967 and premiered his comic opera 12th Night with Papp's libretto in 1968. He also wrote a second opera, The Final Ingredient, An Opera of the Holocaust, for ABC Television in 1965. From 1964-66, Amram was the Composer and Music Director for the Lincoln Center Theatre and wrote the scores for Arthur Miller´s plays After The Fall (1964) and Incident at Vichy (1966). Appointed by Leonard Bernstein as the first Composer In Residence for the New York Philharmonic in 1966, he is now one of the most performed and influential composers of our time. For tickets & details: https://woodstockfilmfestival.org/2025-all-events?eventId=68c4216f81b8e06c5bb8c1fc