American symphony orchestra in New York, NY
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Karina Canellakis is an American conductor and former violinist internationally acclaimed for her expressive symphonic and operatic leadership. She is currently Chief Conductor of the Netherlands Radio Philharmonic Orchestra and Principal Guest Conductor of the London Philharmonic Orchestra. Notably, Canellakis was the first woman to be appointed Principal Guest Conductor for the London Philharmonic and the first woman to be Chief Conductor of any Dutch orchestra. She also made history as the first woman to conduct the Nobel Prize Concert in Stockholm and to serve as Principal Guest Conductor of the Berlin Radio Symphony Orchestra. As both a violinist and conductor, Canellakis has worked with leading orchestras across Europe and North America, including the New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, Bavarian Radio Symphony, Vienna Symphony, Orchestre de Paris, and Munich Philharmonic. Canellakis is also an accomplished opera conductor and has led Der Rosenkavalier at Santa Fe Opera and Dialogues des Carmélites in Paris. Originally trained as a violinist, she turned to conducting and built a groundbreaking career stemming from her musical upbringing in New York City.See omnystudio.com/listener for privacy information.
SynopsisToday, some “off-the-cuff” remarks about the role of shirt cuffs in music history.Starched, button-on, detachable cuffs for men's shirts were very popular from the early 19th through the early 20th centuries, and could serve as a sort of white linen Post-It note if a melody suddenly popped into the head of a composer. Like Dvořák, say, out for a walk along the Turkey River in Spillville, Iowa — he could scribble the tune down on his shirt cuff, assuming he carried a pencil, that is, since writing it in ink before the era of ballpoint pens would not be very practical and certainly not be very popular with whoever did the composer's laundry!Years after Carl Nielsen's Symphony No. 3 had its premiere — on today's date in 1912 — the Danish composer still recalled the moment when a theme in its third movement came to him. “I was standing on the back of a tram. And [the theme] came with such urgency that I had to quickly jot it down, partly on a scrap of paper I had in my pocket, and partly on one of my shirt cuffs,” Nielsen said. Music Played in Today's ProgramCarl Nielsen (1865-1931): Symphony No. 3 (Sinfonia Espansiva); New York Philharmonic; Alan Gilbert, conductor; Dacapo 220623
Bone2pick kicks off our 2026 season with a dynamic sit down with trombone virtuoso Colin Williams. Colin was appointed associate principal trombone of the New York Philharmonic in 2014. Prior to that, he was principal trombone of the Atlanta Symphony and the San Antonio Symphony. He has performed with the orchestras of Chicago, Boston, Philadelphia, Los Angeles, Washington D.C. and Houston. He is active as a soloist and chamber musician and is co-founder of the Southeast Trombone Symposium. His signature trombone is produced by the S.E. Shires Co. Enjoy!
Tune in Friday, February 20, 2026 @ 7pm EST/4pm PST/6pm CST for the next “He Said, He Said, He Said Live!” A Look at the World from A Seasoned Black Man's Perspective…because one perspective isn't enough!” for “From Voice to Vision: Larry Boggs Jr.'s Creative Journey to the Harlem Collective.” www.all-squared-away.org From Voice to Vision: Larry Boggs Jr.'s Creative Journeyto the Harlem CollectiveThis Friday, February 20th, He Said, He Said, He SaidLive presents a special edition of The Art of It, featuringmultidisciplinary artist, vocalist, and arts leader Larry Boggs Jr. — the incoming Costume Designer of The Harlem Collective.A native of Clinton, Maryland and a proud product of PrinceGeorge's County, Larry holds degrees from Morgan State University and New York University. His career bridges performance and design on both national andinternational stages. As a vocalist, he has performed across the U.S., Paris, and St. Petersburg, with recording credits including All Rise by Wynton Marsalis and the New York Philharmonic, and the motion picture soundtrack Godsand Generals.As a designer and wardrobe master, his work has shapedproductions at Baltimore Center Stage, ArtsCentric, Everyman Theatre, and Olney Theatre Center, with notable credits including CROWNS, Ma Rainey's Black Bottom, The Scottsboro Boys, and For Colored Girls…In this intimate and inspiring conversation, Larry reflectson artistry, leadership, discipline, and what it means to build a creative life across multiple worlds—onstage, behind the scenes, and in service to community.New Episodes of “He Said, He Said, He Said” - Live stream Fridays, 7 p.m. EST on all these links: https://linktr.ee/hesaidhesaidhesaid FACEBOOK: facebook.com/hesaidhesaidhesaidlive RELIVE and SHARE special moments from "He Said, He Said, He Said" here: SHOW CLIPS (22) He Said, He Said, He Said - Live - YouTubeFOLLOWUS —- CLICK LIKE and SUBSCRIBE to us hesaidhesaidhesaidlive on YouTube andInstagram!#HeSaidLive #TheArtOfIt #FromVoiceToVision #ArtsLeadership #PerformingArts #CostumeDesign#CreativeJourney #MultidisciplinaryArtist #BlackArtists #BlackCreatives #DMVArts #BlackTheatre #ArtsCommunity #CreativeDirector #CulturalLeadership #CreativeLife #ArtsAndCulture
Learn more at TheCityLife.org
This episode of the Trombone Corner Podcast is brought to you by The Colburn LA Brass Institute. Join hosts Noah and John as they interview Sasha Romero, principal trombone of the MET in New York. About Sasha: Sasha Romero was appointed principal trombone of the Metropolitan Opera Orchestra in 2018. Prior to her appointment at The MET, she held the position of principal trombone with the Fort Worth Symphony Orchestra from 2016-2018. Hailing from Longview, Texas, Sasha grew up within the acclaimed and robust Texas band system and achieved great musical success at a young age. She went on to earn her Bachelor of Music degree at Baylor University, where she studied with Brent Phillips; and her Master of Music degree at Rice University, studying with Allen Barnhill. In addition to a lengthy list of national and international solo and chamber music competition wins to her name, Sasha is honored to have been a semi-finalist in the first Brass Division of the 2019 XVI International Tchaikovsky Competition in St. Petersburg, Russia. Sasha is a passionate educator, and currently serves on the trombone faculties at Rutgers University, Mannes School of Music, and Bard College Conservatory of Music. A highly sought-after teacher, soloist, and clinician, she has presented solo recitals and masterclasses at numerous colleges, universities, music conservatories, and industry conventions across the United States. When she is not at The MET, teaching, or screaming into the night at the shortcomings of NYC's public transportation system (looking at you, weekend subway service), Sasha is occasionally invited to perform as a guest trombonist with the world's major orchestras, including the New York Philharmonic, London Philharmonic, Dallas Symphony, Houston Symphony, and others. She can be heard on Weezer's OK Human album, as well as the film soundtracks to The Good Liar (2019) and Joker (2019). Sasha currently makes her home in New York City, where she spends an embarrassing amount of time catering to the demands of her absurdly adorable cats and searching endlessly for decent Mexican food. Sasha Romero is an S.E. Shires Performing Artist and she has a signature mouthpiece line with Long Island Brass Co.
On episode 251, we welcome Patricia Martin to discuss identity formation in the modern world, our preoccupation with external validation and why it's unsustainable in the internet age, Carl Jung's understanding of the persona and our tendency to perform, the persona and chronic self-doubt, socially prescribed perfectionism and the fog of self, physical practices to re-center oneself, and the importance of cultivating meaning for identity integration. Patricia Martin is the author of four books, a researcher, and speaker. Her work has been featured in Harvard Business Review, Huffington Post, The New York Times, and Psyche Magazine. For over twenty-five years, influential brands and non-profits sought her insight as a consultant, including American Express, Oracle, and The New York Philharmonic, among others. She holds an MFA in nonfiction from Bennington College, with post-graduate work in medical narrative at Duke University, and Jungian theory at the C. G. Jung Institute of Chicago, where she gives workshops and hosts the popular podcast, Jung in the World. Her new book, available March 5, 2026, is called Will the Future Like You?: Reflections on the Age of Hyper-Reinvention. | Patricia Martin | ► Website | https://patricia-martin.com ► Twitter | https://x.com/PatriciaMartin ► Instagram | https://www.instagram.com/patriciamartin33 ► Substack | https://culturescout.substack.com ► Podcast | https://www.youtube.com/@JungInstituteChicago/videos ► Will the Future Like You? Book | https://amzn.to/3ZgU2in Where you can find us: | Seize The Moment Podcast | ► Facebook | https://www.facebook.com/SeizeTheMoment ► Twitter | https://twitter.com/seize_podcast ► Instagram | https://www.instagram.com/seizethemoment ► TikTok | https://www.tiktok.com/@seizethemomentpodcast
Peter Filichia, James Marino, and Michael Portantiere review Data @ The Lucille Lortel Theatre, New Jersey Repertory Company’s The Bookstore @ 59e59, Newsies @ Argyle Theatre, Philosophy Productions — Hans Litten: The Jew Who Cross-Examined Hitler @ Theatre Row, New York Philharmonic and Gustavo Dudamel at Radio City Music Hall, read more
Rob Schwimmer is a dynamic composer-pianist and renowned theremin virtuoso whose performances have captivated audiences worldwide. With accolades from The New York Times for his blend of “virtuosity, magic, and humor,” Rob's diverse talents shine through in his solo CD "Heart of Hearing," which features the theremin, Haken Continuum, and solo piano. He has collaborated with an impressive lineup of artists, including Bobby McFerrin, the New York Philharmonic, and Simon and Garfunkel, showcasing his unique ability to hang in multiple genres.In this episode, Rob shares his insights into the theremin's unique sound and its long-standing connection to sci-fi and other film genres. He recounts memorable performances—including a recent debut with the New York Philharmonic—and discusses the intricate relationship between improvisation and formal music training. Rob also demos some of the nuances of the Haken Continuum and the theremin. He shares several engaging stories about working in a variety of musical settings, from Carnegie Hall to hanging out with Willie Nelson.(Headshot photo by Michael Weintrob)Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!
Midori is a visionary artist, activist and educator who explores and builds connections between music and the human experience. In the four decades since her debut with the New York Philharmonic at age 11, she has performed with many of the world's most prestigious orchestras and has collaborated with world-renowned musicians including Leonard Bernstein, Yo-Yo Ma, and many others.She is in Albany to perform the Beethoven Violin Concerto with the Albany Symphony Orchestra with guest conductor André Raphel. Plus, you'll experience Shostakovich's gripping, intense Symphony No. 10 – and the concert opens with a work by Pulitzer Prize-winning composer Jennifer Higdon. Midori will be on stage tomorrow night - Saturday, January 17th @ 7:30PM at the Palace Theatre with André Raphel conducting.
In today's episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition. Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale. In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In today's episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition. Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale. In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices
In today's episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition. Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale. In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
In today's episode from the Vault, we revisit a 1982 lecture by the composer Lukas Foss, a leader of the American musical avant garde of the 1960s and 70s. In this lecture, a part of the “New American Music Series” of Gallatin Lectures at NYU, Foss discusses the state of American contemporary music, musical minimalism, and his own approach of combining serial elements with spontaneous composition. Foss was born Lukas Fuchs in Berlin, on August 15, 1922, the son of a lawyer and a painter. He began studying piano and music theory when he was 7, and sketched out an opera when he was 11. His family fled to Paris in 1933, and arrived in the U.S. in 1937. He attended the Curtis Institute of Music in Philadelphia, and studied composition with Paul Hindemith at Yale. In 1953, Foss succeeded Arnold Schoenberg as the head of the composition department at the University of California at Los Angeles. In 1962, “Time Cycle,” a four-movement vocal setting of texts by Auden, Housman, Kafka and Nietzsche, premiered with Leonard Bernstein and the New York Philharmonic. From 1971 to 1988 Foss was music director of the Brooklyn Philharmonic. After he left the Brooklyn Philharmonic, in 1990, Foss appeared as a guest conductor and pianist with orchestras around the world. He died in New York City on February 1, 2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
Will Healey is a pianist and composer who plays multiple genres of music including classical, jazz and hip hop. In 2023 he won the Leonard Bernstein Prize from the ASCAP Foundation. He has performed at venues like Jazz at Lincoln Center and Carnegie Hall. His arranging credits include works for the New York Philharmonic and the Albany Symphony. He is the artistic director and founder of ShoutHouse, a group of hip-hop, jazz, and classical musicians. As a pianist, he has performed solo recitals in the United States and abroad. He also plays piano and synthesizers in the Pathos Trio, an award-winning metal-influenced chamber group. He is also a founding member of Upstream, a duo with violinist and composer George Meyer. My featured song is “Moon Shot”, my recent single featuring Mark Lettieri from Snarky Puppy on guitar. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH WILL:www.willhealymusic.com—----------------------------------------ROBERT'S LATEST RELEASE:“MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars.CLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—---------------------------------------ROBERT'S RECENT SINGLE“MI CACHIMBER” is Robert's recent single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
In this episode, San Francisco Symphony Assistant Principal Bassist Stephen Tramontozzi joins Jason to talk about his new solo album Basso Antico. Alongside his orchestral work, Steve has built a wide‑ranging career as a soloist and educator. He has released a series of solo recordings, including Walkabout, Home Bass, Urban Bass, and Basso Novo. In this conversation, Steve shares the musical and historical ideas behind Basso Antico, which traces the evolution of the cello and bass voice from 17th‑century Italy through the world of J. S. Bach. He discusses approaching ricercari, early sonatas, and Bach's Suite No. 4 on the modern double bass, and how elements such as improvisation, counterpoint, and dance inform his interpretation. Download Steve's sheet music edition of Gabrielli: 7 Ricercari for solo double bass. Enjoy, and check out Basso Antico on Spotify or wherever you listen to music! Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg
In this episode, we sit down with Adam Kubota, bassist and bandleader of the internationally acclaimed Postmodern Jukebox. Adam shares his musical journey—from studying bass with Barry Green to becoming a key figure in one of the most innovative ensembles reimagining modern pop hits with vintage flair. Enjoy, and be sure to give Adam a follow on Instagram! Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg
Hollywood actors and writers are anxious about AI filmmaking, but one Bollywood director tells us that, as far as many Indian creators are concerned, it's democratizing the process. Many Calgarians are once again under a boil-water advisory after the second major water main break in as many years -- and this one left our guest stranded on the roof of her truck. Our guest fills us in on his annual headline-of-the-year bracket -- where the entrants range from the sublime to the ridiculous, except for the sublime part. We revisit our conversation with the Oscar-winning filmmaker Molly O'Brien and her pioneering aunt, Orin O'Brien -- about Orin's many years as the only female member of the New York Philharmonic. We'll hear what it was like to play for Leonard Bernstein -- and why artistry and acclaim don't always go hand in hand. A California man says the 550-pound black bear living underneath his house is no longer welcome -- but for obvious reasons, the bear does not care about that. As It Happens, the New Year's Eve Edition. Radio that knows it's gross when your roommate walks around bear-foot.
In this inspiring episode, Stephanie Patterson returns to share a deeply personal journey of resilience and adaptation. After experiencing serious health challenges that made it impossible to continue playing the double bass, Stephanie made the courageous decision to return to the viola—an instrument she hadn't played in over 50 years. This conversation explores the physical demands of playing large instruments, the importance of fitness for musicians, and how community orchestras provide invaluable support during life's unexpected transitions. Enjoy and check out Stephanie's past podcast appearances here. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsor! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg
durée : 01:58:41 - Quatre grandes flûtes solos - par : Christian Merlin - Quatre figures légendaires de flûtistes d'orchestre : Fernand Dufrêne, figure de proue de l'Orchestre National, Aurèle Nicolet, engagé par Furtwängler à Berlin, Julius Baker, star du New York Philharmonic, et Doriot Anthony Dwyer, première femme à occuper un poste de soliste à Boston. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
In this episode, we dive deep into the creation of Memoirs in Time, a groundbreaking new bass concerto with composer Jim Beckel and Indianapolis Symphony Principal Bassist JuFang Liu . This commission represents a significant addition to the bass repertoire and showcases the incredible versatility of the double bass. Watch the world premiere performance with full orchestra of "Memoirs in Time: Concerto for Bass and Orchestra" featuring JuFang Liu and the Indianapolis Symphony Orchestra, and check out this behind-the-scenes video on the creation of this piece. For those interested in performing this work, a piano reduction is also available on YouTube and can be purchased online here . Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Courses Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg
durée : 00:28:53 - Quatre grandes flûtes solos (4/4) - par : Christian Merlin - Quatre figures légendaires de flûtistes d'orchestre : Fernand Dufrêne, figure de proue de l'Orchestre National, Aurèle Nicolet, engagé par Furtwängler à Berlin, Julius Baker, star du New York Philharmonic, et Doriot Anthony Dwyer, première femme à occuper un poste de soliste à Boston. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
In the 18th century, Handel relied on royal patronage. Today, it's donors like Gary Parr who keep the music playing. In this bonus episode of our “Making Messiah” series, Parr breaks down the economics of the New York Philharmonic. SOURCES:Gary Parr, senior managing director and on the management committee at Apollo, philanthropist. RESOURCES:"A Notoriously Jinxed Concert Hall Is Reborn, Again," by Michael Kimmelman (New York Times, 2022)."Apollo's New Guy Is a Legend in Banking, a Novice in Buyouts," by Sonali Basak (Bloomberg, 2017).“Handel's Messiah,” performed by The London Symphony Orchestra (2007)."Racial/Ethnic and Gender Diversity in the Orchestra Field," by James Doeser (League of American Orchestras).Parr Prize for Excellence in Teaching Shakespeare. EXTRAS:"Making Messiah," series by Freakonomics Radio (2025). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
durée : 00:28:37 - Quatre grandes flûtes solos (3/4) : Julius Baker - par : Christian Merlin - Quatre figures légendaires de flûtistes d'orchestre : Fernand Dufrêne, figure de proue de l'Orchestre National, Aurèle Nicolet, engagé par Furtwängler à Berlin, Julius Baker, star du New York Philharmonic, et Doriot Anthony Dwyer, première femme à occuper un poste de soliste à Boston. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:28:47 - Quatre grandes flûtes solos (2/4) : Aurèle Nicolet - par : Christian Merlin - Quatre figures légendaires de flûtistes d'orchestre : Fernand Dufrêne, figure de proue de l'Orchestre National, Aurèle Nicolet, engagé par Furtwängler à Berlin, Julius Baker, star du New York Philharmonic, et Doriot Anthony Dwyer, première femme à occuper un poste de soliste à Boston. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:28:38 - Quatre grandes flûtes solos (1/4) : Fernand Dufrêne - par : Christian Merlin - Quatre figures légendaires de flûtistes d'orchestre : Fernand Dufrêne, figure de proue de l'Orchestre National, Aurèle Nicolet, engagé par Furtwängler à Berlin, Julius Baker, star du New York Philharmonic, et Doriot Anthony Dwyer, première femme à occuper un poste de soliste à Boston. - réalisé par : Marie Grout Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
In this episode, I talk with legendary timpanist, educator, and musical pioneer Jonathan Haas. Jonathan's journey weaves together St. Louis, Chicago, New York, Juilliard, Frank Zappa, Emerson Lake & Palmer, Philip Glass, and a powerful new project responding to the world we live in today.Jonathan tells the story of how a newspaper clipping from his mom led him to Washington University, where he studied with Rich O'Donnell, John Kasica, Tom Stubbs, and Rick Holmes—often taking four private lessons a week while subbing with the St. Louis Symphony.From there, he describes:Heading to Juilliard to study with Saul GoodmanSubbing with the New York PhilharmonicAuditioning for and touring with Emerson, Lake & Palmer (including opening Bolero in front of 50,000 people at Soldier Field!)A 20-year relationship and collaboration with Frank Zappa, sparked by a handwritten letterThe long road to commissioning the Philip Glass Double Timpani Concerto and why it had to become a double concertoHis work at NYU, including powerful new pieces by Lenny White and Tim Adams, connected to Black Lives Matter and the murder of George FloydJonathan is a phenomenal storyteller, and the combination of history, humor, honesty, and perspective makes this one of the most compelling conversations I've had.Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.
In this episode, we sit down with Laura Camacho, a double bassist, tango composer, and ethnomusicologist originally from Buenos Aires and now based in Austin, Texas. Laura shares her fascinating journey from performing with the ensemble Las del Abasto in Argentina—including opening for tango legend Mariano Mores—to pursuing a PhD in ethnomusicology at the University of Texas at Austin. We dive deep into Laura's new album, Todo Tiempo Pasado, released in November of 2025 with her ensemble, the Laura Camacho Tango Project. The album is a beautiful blend of tradition and experimentation, featuring original compositions, works by Astor Piazzolla and Mariano Mores, and tango-inspired arrangements of pop songs like Britney Spears' "Toxic" and Kate Bush's "Running Up That Hill." Enjoy and be sure to check out Laura's new album on all streaming platforms. Also, give her Tango Project a follow on Instagram! Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg
Join us for a conversation with Spanish double bassist Uxía Martínez Botana, who shares her journey from facing skepticism as a woman in classical music to becoming a celebrated soloist, chamber musician, and educator. Based in Amsterdam, she tours internationally with ensembles like the Budapest Festival Orchestra and Sol Gabetta's baroque ensemble, and is the first female double bass professor at a Spanish conservatory. We dig into topics like life on the road, work-life balance, her journey through the world of professional music, and her recent Mendelssohn X-Files Project. Enjoy, and learn more about Uxía and the great work she's doing through the links below Official Website: uxiamartinezbotana.com Mendelssohn X-Files Album: Fuga Libera Spotify: Uxía Martínez Botana YouTube: Official Channel Instagram: @uxiamartinezbotana Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg
In this episode, Gary Upton, the founder of Upton Bass, joins us for an in-depth conversation about the craftsmanship, innovation, and business of building double basses. We explore a wide range of topics including the growing popularity of 5/8-sized basses, the development of Kay-inspired plywood models, the economics of bass-making, and Upton's ventures into creating strings, amplifiers, and rosin specifically designed for double bass players. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg
The Horn Signal is proudly brought to you by Bob Reeves Brass. Join hosts John Snell and Preston Shepard as they interview horn players around the world. Today's episode features Audrey Flores, NYC freelancer and Broadway horn player. About Audrey: Audrey Flores is a freelancing horn player in New York City. She performs on a Patterson Hornworks Triple Horn. Audrey began playing as a substitute on The Lion King in 2012, and as solo horn on Aladdin in 2015, and held chairs in Tammy Faye in 2024 and Boop! The Musical in 2025. She is the horn player at Paper Mill Playhouse and has also played productions at the Westport Playhouse and at the Delaware Theatre Company. She can be heard on cast album recordings for Boop!, She Has Risen, an all-female concept album of Jesus Christ Superstar, and on the single tracks for Lempicka. Audrey also recorded a self-titled solo album in 2017. Audrey appeared as Principal Horn of the Princeton Symphony and the Reading Symphony during the 2023/2024 season. She was Acting Principal Horn of the Columbus Symphony Orchestra in Ohio for the 2017-2018 season. Audrey has also played with the New World Symphony, the Miami, the New Jersey Festival Orchestra, the Distinguished Concerts International Orchestra of New York, the Jerusalem Symphony, the American Ballet Theatre, the New York Philharmonic, the Mariinsky Orchestra, and the Orpheus Chamber Ensemble. She was a musician in the Radio City Christmas Spectacular Orchestra in 2019, 2018, 2012 and 2011, and in the New York Spectacular in the summer of 2016. She is also a proud member of Russ Anixter's Hippie Big Band in NYC, who recently produced its first album. She has also recorded for the 8-Bit Big Band, and is currently developing a new solo album which will celebrate Sephardic, Spanish, and Mexican music through horn and guitar. Audrey is a passionate advocate for musicians of color in the arts. In addition to mentoring and creating access for musicians of color in NYC through Musicians of Social Equity (MUSE) and Maestra Music, she has been a faculty member of Juilliard MAP since 2021, where she strives to give young underrepresented musicians any resource and benefit they might need to pursue the horn successfully and honestly.
In this episode, we sit down with Edmonton-based jazz bassist and composer Aretha Tillotson to discuss her highly anticipated second album, Kinda Out West, releasing on November 7th, 2025. Following her Western Canadian Music Award-winning debut, Introducing Aretha Tillotson, this new album pays tribute to the musicians and landscapes of Alberta and British Columbia. Aretha's chordless quartet channels the spirit of legendary groups led by Sonny Rollins and Ornette Coleman, creating a sound that's both rooted in tradition and distinctly modern. Enjoy, and give Aretha a follow on Instagram and bandcamp! Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg
In this episode, we sit down with Andy Anderson, the newly appointed Clinical Assistant Professor of Double Bass at the University of Illinois Urbana-Champaign. With over two decades of experience performing with some of Chicago's most prestigious ensembles, Andy brings a wealth of knowledge and passion to his teaching role. Enjoy, and check out Andy's past podcast appearances here. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg
Send us a textLeonard Bernstein played piano from age 10, and attended Boston Latin School and Harvard University. So he studied music theory before studying conducting and orchestration. In 1943, he was appointed assistant conductor of the New York Philharmonic. Then on November 14, 1943 he was summoned unexpectedly to substitute for the regular conductor Bruno Walter. His confidence and skill under such difficult circumstances and his overall talent marked the beginning of a new career. He later conducted the New York City Center Orchestra and appeared as a guest conductor in countries all over the world. In fact in 1953 he became the first American to conduct at La Scala in Milan. And from 1958 to 1969 Bernstein was conductor and musical Director of the New York Philharmonic. He made several international tours, and his popularity increased because of his skills as a conductor and pianist, but also as a commentator and even an entertainer.Support the showThank you for experiencing Celebrate Creativity.
In this episode, renowned bassist and educator Gaelen McCormick joins us to discuss her newly released annotated edition of Franz Simandl's 30 Etudes, published by Carl Fischer. For over a century, these etudes have been a cornerstone of double bass pedagogy. Gaelen's fresh annotations bring new insights and perspectives to this essential collection. Check out Gaelen's past podcast appearances here and pick up a copy of her new Simandl edition here. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg
In this episode, we chat with Darren Sacks, a double bass audition coach, UMass Boston Associate Lecturer, and Greater Boston freelance bassist, to discuss winning strategies for double bass auditions. Darren shares insights from his 9 years of coaching experience, during which he's helped students gain acceptance into major youth orchestras like the Boston Youth Symphony (BYSO) and NEC Prep, summer festivals including Interlochen and BUTI Tanglewood, and undergraduate programs such as Northwestern's Bienen School of Music. Enjoy, and you can connect with Darren on his website. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg
In this episode, Jason Heath interviews Rodney Slatford. Rodney is joined by his friend Mike Coombs, who helped facilitate this conversation. Together, they explore Rodney's remarkable career as a performer, educator, publisher, and advocate for the double bass. As founding Chairman of the Yorke Trust, Rodney Slatford has established himself as a renowned double bass player and teacher. His career includes over 1000 performances worldwide, 30 years with the Nash Ensemble of London, 10 years as co-principal bassist with the English Chamber Orchestra, and recording one of the first solo bass discs with the Academy of St. Martin-in-the-Fields. In 1978, he founded the Isle of Man International Double Bass Competition and Workshop. Rodney served as Head of the School of Strings at the Royal Northern College of Music (1984-2001) before retiring to Norfolk to focus on the Yorke Trust and personal interests. Learn more about Rodney and the great work he is doing with the Yorke Trust here. Connect with DBHQ Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg
Tim Rinehart is the Principal Double Bassist of the Oregon Symphony. A graduate of Rice University's Shepherd School of Music, Tim studied with Paul Ellison while also earning a Bachelor of Science in Mathematics. He is the winner of the 2025 International Society of Bassists Orchestral Division Competition and has performed with numerous prestigious orchestras including the Boston Symphony, London Symphony, and Houston Symphony. Tim shares his journey through multiple auditions in a single season, revealing the breakthrough preparation strategies that led to winning his current. He discusses mental performance techniques, systematic practice methods, committee expectations, his education with Paul Ellison at Rice University, and his new role with the Oregon Symphony. Connect with Tim: Website Instagram YouTube Oregon Symphony profile Connect with DBHQ: Join Our Newsletter Double Bass Resources Double Bass Sheet Music Double Bass Merch Gear used to record this podcast: Zoom H6 studio 8-Track 32-Bit Float Handy Recorder Rode Podmic Sony Alpha 7 IV Full-frame Mirrorless Interchangeable Lens Camera Sony FE 16-35mm F2.8 GM Lens Sony FE 24-70mm F2.8 GM Lens When you buy a product using a link on this page, we may receive a commission at no additional cost to you. Thank you for supporting DBHQ. Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. Theme music by Eric Hochberg
The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark. Join hosts Noah and John as they interview Joseph Alessi, principal trombone of the New York Philharmonic. About Joseph Alessi: Joseph Alessi was appointed Principal Trombone of the New York Philharmonic in the spring of 1985. He began musical studies in his native California with his father, Joseph Alessi, Sr. As a high school student in San Rafael, California, he was a soloist with the San Francisco Symphony before continuing his musical training at Philadelphia's Curtis Institute of Music. Prior to joining the Philharmonic, Mr. Alessi was second trombone of The Philadelphia Orchestra for four seasons, and principal trombone of L'Orchestre symphonique de Montreal for one season. In addition, he has performed as guest principal trombonist with the London Symphony Orchestra in Carnegie Hall led by Pierre Boulez. Mr. Alessi is an active soloist, recitalist, and chamber music performer. In April 1990 he made his solo debut with the New York Philharmonic, performing Creston's Fantasy for Trombone, and in 1992 premiered Christopher Rouse's Pulitzer Prize- winning Trombone Concerto with the Philharmonic, which commissioned the work for its 150th anniversary celebration. His most recent appearance with the Philharmonic as soloist was in performances of the Tan-Dun Trombone Concerto in March of 2024. Mr. Alessi also has appeared as soloist with the New York Philharmonic in performances of concerti by Kazimierz Serocki, Bramwell Tovey, William Bolcom, Chick Corea, and William Grant Still. Composed especially for Mr. Alessi, he performed the world premiere of the Chick Corea Trombone Concerto with the Säo Paulo Symphony Orchestra in August of 2021. Joseph Alessi has recorded and performed extensively with five prominent trombone quartets; The New York Trombone Quartet resulting in the only recording of Bartok's 4th String Quartet, Aries Trombone Quartet, Four of a Kind Trombone Quartet, the World Trombone Quartet, and Slide Monsters Trombone Quartet. Other solo engagements have included the New Japan Philharmonic, Nagoya Philharmonic, Gulbenkian Symphony, Costa Rica Symphony, National Symphony Orchestra of Taiwan, Tokyo Metropolitan Symphony, Orchestra of Teatro Bellini, Mannheim National Theater Orchestra, Hauge Philharmonic, Helsinki Philharmonic, and the Colorado, Nashville, Alabama, Santa Barbara, Syracuse, and Puerto Rico symphony orchestras. Mr. Alessi has also participated in numerous festivals, including the Festivale Musica di Camera in Portogruaro, Italy; Cabrillo Music Festival; Swiss Brass Week; and Lieksa Brass Week in Finland. He was featured in the 1997 International Trombone Festival in Feldkirch, Austria, and the International Meeting of Brass Instruments in Lille, France. In 2002 Mr. Alessi was awarded an International Trombone Association Award for his contributions to the world of trombone music and trombone playing, and in 2014, was elected President of that association. Mr. Alessi is currently on the faculty of The Juilliard School; his students now occupy posts with many major symphony orchestras in the U.S. and internationally. As a clinician for the Eastman-Shires Instrument Co., he has also given master classes throughout the world and has toured Europe extensively as a master teacher and recitalist. He has performed as soloist withseveral leading concert bands, including the U.S. Military Academy Band at West Point, U.S. Army Band (Pershing's Own), and the U.S. Marine Band (President's Own). In addition, he has performed with the Maria Schneider Orchestra, the Village Vanguard Orchestra, and has recorded with jazz greats, J.J. Johnson and Steve Turre. Mr. Alessi's discography includes many releases on the Summit record label, including the Trombonastics, and a disc with New York Philharmonic Principal Trumpet Philip Smith entitled Fandango; he also recorded New York Legends on the Cala label. His live recording of the Rouse Concerto with the New York Philharmonic can be heard on Volume II of the recent release, An American Celebration, on New York Philharmonic Special Editions, the Orchestra's own recording label. Mr. Alessi was invited by the International Trombone Association to record a solo disc of newly composed works, which was distributed to the Association's membership of 5,000 trombonists. in early 1999 and is now available as Beyond the End of the Century through Summit Records. His recording of George Crumb's Starchild on the Bridge record label, featuring Mr. Alessi as soloist, won a Grammy Award for 1999– 2000. Other recordings featuring Mr. Alessi are with the Canadian Brass (Sony Classical and Philips Records). Further information about Mr. Alessi can be found on his website, www.slidearea.com. Mr. Alessi plays exclusively on a Shires- Alessi model trombone. As a conductor, Mr. Alessi has conducted the Juilliard Trombone Choir, the Danbury Community Orchestra and the New York Concerti Sinfonietta in Carnegie Weill Recital Hall and will conduct the World Doctor's Orchestra in November of 2025.
The legendary composer, arranger, musician and penny whistle player, David Amram, will be in conversation with Academy Award documentary filmmaker Barbara Kopple at the Woodstock Film Festival on Sunday, 10/19 12 noon. The venue is the Kleinert/James Art Center, 34 Tinker St, Woodstock. David Amram started his professional life in music as a French Hornist in the National Symphony Orchestra (Washington, D.C.) in 1951. After serving in the US Army from 1952-54, he moved to New York City in 1955 and played French horn in the legendary jazz bands of Charles Mingus, Dizzy Gillespie, Lionel Hampton and Oscar Pettiford. In 1957, he created and performed in the first ever Jazz/Poetry readings in New York City with novelist Jack Kerouac, a close friend with whom Amram collaborated artistically for over 12 years. Since the early 1950s, he has traveled the world extensively, working as a musician and a conductor in over thirty-five countries including Cuba, Kenya, Egypt, Pakistan, Israel, Latvia and China. He also regularly crisscrosses the United States and Canada.He composed the scores for many films including Pull My Daisy (1959), Splendor In The Grass (1960) and The Manchurian Candidate (1962). He composed the scores for Joseph Papp's Shakespeare In The Park from 1956-1967 and premiered his comic opera 12th Night with Papp's libretto in 1968. He also wrote a second opera, The Final Ingredient, An Opera of the Holocaust, for ABC Television in 1965. From 1964-66, Amram was the Composer and Music Director for the Lincoln Center Theatre and wrote the scores for Arthur Miller´s plays After The Fall (1964) and Incident at Vichy (1966). Appointed by Leonard Bernstein as the first Composer In Residence for the New York Philharmonic in 1966, he is now one of the most performed and influential composers of our time. For tickets & details: https://woodstockfilmfestival.org/2025-all-events?eventId=68c4216f81b8e06c5bb8c1fc
Get More LVWITHLOVE Content at LVwithLOVE.com Become a partner! Families and young people are the future of the arts, and no one knows that better than Mark Fitzgerald Wilson, Executive Director of the Zoellner Arts Center at Lehigh University. Mark joined Zoellner in 2020, bringing an eclectic background as an educator, business professional, and opera singer. Originally from Iowa, he discovered the Lehigh Valley through his son's lacrosse tournaments and fell in love with the area's energy, trails, and sense of community. When he arrived at Zoellner, he noticed a missing piece in local arts programming: family experiences that were fun, welcoming, and accessible. The result was Family FUN-A-PALOOZA, an annual event that brings families together for live theater, interactive arts activities, and partnerships with local organizations. This year's Family FUN-A-PALOOZA takes place Saturday, November 1 from 10 AM to 1:30 PM, featuring Don't Let the Pigeon Drive the Bus! The Musical, based on the beloved children's book by Mo Willems. Developed by the Kennedy Center, the show promises laughter, energy, and plenty of opportunities for kids to move and make noise. “This is a non-shushing show,” Wilson says. “Kids, have fun. Parents tell us that when they hear that, the weight just lifts off their shoulders. This is for everyone. We have families with neurodivergent children, sensory-friendly audiences, and people who just want to enjoy being here together.” The event features more than 20 community and campus partners, including PBS, Lehigh University Art Galleries, and local dance groups. Visitors can take part in crafts, art projects, and pre-show performances throughout Zoellner's lobby and open spaces. Costumes are encouraged, even for parents. “It's the day after Halloween, so bring your costumes,” Wilson laughs. “Dress up, have fun, and parents, wear a costume too.” Beyond Family FUN-A-PALOOZA, Zoellner's fall and spring lineup is packed with major performances and new experiences. Wilson highlights Postmodern Jukebox, Dirty Dancing in Concert, and the Morgan Freeman Symphonic Blues Experience, along with orchestral performances from the New York Philharmonic and Philadelphia Orchestra. “We want to bring world-class artists to our stage while also connecting students to the professional world,” Wilson says. “There are so many great arts organizations in the Lehigh Valley, and each of us brings something different. For Zoellner, it's about giving people cultural experiences they might not get anywhere else.” He also points to Zoellner's new well-being concert series, which lets audiences lie onstage among musicians for a meditative, health-focused experience. “The arts are part of the ecosystem that keeps our community healthy,” Wilson explains. “Music and movement make people feel better. Across the country, doctors are prescribing the arts as part of someone's physical or mental health. That's where we're headed too.” Wilson says innovation will define the next phase of Zoellner's growth. Expect site-specific performances, partnerships with local nonprofits for community ticket programs, and more creative collaborations that bring people together in unexpected spaces. “People want experiences, not just events,” Wilson says. “Some want to sit in Baker Hall, some want to see a show outside, and some might even want to see something in a parking garage. The arts can meet people wherever they are.” Family FUN-A-PALOOZA 2025 takes place Saturday, November 1 from 10 AM to 1:30 PM at the Zoellner Arts Center on the campus of Lehigh University. Visit zoellner.cas.lehigh.edu for details and upcoming events. Listen to the full episode: www.lvwithlove.com Thank you to our Partners! WDIY 88.1 FM Wind Creek Event Center Michael Bernadyn of RE/MAX Real Estate Molly’s Irish Grille & Sports Pub Banko Beverage Company
In this episode, we speak with composer and flutist Dr. Sarah Bassingthwaighte about her groundbreaking Concerto for Double Bass and Orchestra, recently recorded by the London Symphony Orchestra with soloist Stephen Schermer. We dig into Sarah's approach to composition, the experience of writing this piece, balancing a solo bass with a full orchestra, and much more. Enjoy, and check out the sheet music for this cool new piece in our store! Subscribe to the podcast to get these interviews delivered to you automatically! Connect With Us Join Our Newsletter - https://jason-heath-llc.ck.page/double-bass-news Double Bass Resources: https://doublebasshq.com/ Double Bass Sheet Music: https://shop.doublebasshq.com/ Double Bass Merch: https://shop.doublebasshq.com/collections/merch Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg
This Substack is reader-supported. To receive new posts and support my work, consider becoming a free or paid subscriber.I'm excited to share that a new Broadway Drumming 101 podcast episode with Larry Lelli will be re-released soon. I originally sat down with Larry back on December 16, 2021, and since then, his career has kept growing in remarkable ways.Larry isn't just a veteran Broadway drummer—he's now also a Broadway producer. He's gone on to co-produce Water for Elephants (opened March 21, 2024), Gutenberg! The Musical! (opened October 12, 2023), and most recently Waiting for Godot (opened September 28, 2025).Before stepping into producing, Larry built a career most musicians dream of. He's played drums and conducted for over 40 Broadway shows, including The Producers, Assassins, How To Succeed In Business, and Million Dollar Quartet. His list of collaborations is just as impressive—Melissa Etheridge, Josh Groban, Audra McDonald, Patti LuPone, Bernadette Peters, Nick Jonas, Vanessa Williams, Jerry Lee Lewis, and even the New York Philharmonic.Larry is also a clinician with Yamaha Drums and Sabian Cymbals, and you can currently catch him performing in the Tony Award-winning hit Come From Away.In our conversation, we dug into:* Growing up in the Midwest playing in baton and drum corps* Touring with country star Doug Stone after moving to Nashville* How a jazz cruise changed his life and led him to New York City* Why subbing for Michael Hinton on Miss Saigon was his big break* Learning from legends like Paul Gemignani* How he approaches learning an entire Broadway showLarry's story is a masterclass in building a long, versatile career in music—and now he's added producing to his list of achievements.Stay tuned for the re-release of this edited Broadway Drumming 101 episode. It's one you won't want to miss.https://www.larrylelli.comClayton Craddock is the founder of Broadway Drumming 101 and the author of the forthcoming book Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career. His Broadway and Off-Broadway credits include tick, tick…BOOM!, Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, Cats: The Jellicle Ball, and The Hippest Trip: The Soul Train Musical, along with extensive subbing on shows like Rent, Motown, Evita, Avenue Q, and the Hadestown tour. He has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the TONY Awards, and has performed with artists from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis. www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
In this episode, Charles Gambetta introduces his innovative bass position system that addresses traditional limitations in fingerboard comprehension. His method combines Roman numerals with Arabic numbers to provide contextual information that enhances physical and mental connections during play. Charles explains how starting students at the 'primary lock' position and focusing on finger placement and shift intervals improves intonation. He also demonstrates how this approach benefits various playing styles and has transformed his teaching approach. Enjoy, and be sure to check out Charles' article on this approach in the New York ASTA Journal. Subscribe to the podcast to get these interviews delivered to you automatically! Connect with us all things double bass double bass merch double bass sheet music Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg
Winston "Jack" Budrow, former ISB board member, passed away on September 4, 2024, at age 79 after a brief hospice stay. Jack retired from Michigan State University's College of Music, where he served as professor of double bass and co-chair of the string area. His distinguished career encompassed both performance and teaching, including positions with the Houston Symphony and as principal bass in the North Carolina Symphony. His students have secured positions in prestigious orchestras worldwide, from Atlanta to Oslo. During summers, Jack also taught at the Interlochen Center for the Arts. For his exceptional teaching, Jack received Michigan's 2014 String Teacher of the Year award from the American String Teachers Association and the ISB's 2017 Special Recognition Award for Teaching. He will be remembered for his joyful presence and rollicking humor. This interview was conducted by John Grillo and Jason Heath in 2008, and a partial transcript of the interview is available here. Subscribe to the podcast to get these interviews delivered to you automatically! Connect with us all things double bass double bass merch double bass sheet music Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg
In this episode, we're joined by Gaelen McCormick, President of the International Society of Bassists, to discuss her groundbreaking book Teaching Violin, Viola, Cello, and Double Bass: Historical and Modern Pedagogical Practices, co-authored with Dijana Ihas and Miranda Wilson. Gaelen shares insights on the historical development of bass pedagogy and how teaching methods have evolved over centuries. We explore the fascinating evolution of bass pedagogy from 1800 to the present day, with special focus on how George Vance and Hal Robinson's Double Bass Project revolutionized bass education. We also discuss the valuable transferable skills that musicians develop through bass playing and apply to other professional contexts, along with examining the significant leap forward in teaching methodologies that has occurred since 2000. Subscribe to the podcast to get these interviews delivered to you automatically! Connect with us: all things double bass double bass merch double bass sheet music Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg
In today's episode, Trevor Jones and Jason explore the joys and terrors of subbing in the high-stakes world of musical theater. Read the transcription of this interview with other helpful links and resources. Subscribe to the podcast to get these interviews delivered to you automatically! Connect with us all things double bass double bass merch double bass sheet music Thank you to our sponsor! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg
In this episode, my wife, Courtney, and I share our exciting experiences from the recent Biarritz International Bass Academy in the beautiful coastal town of Biarritz, France. We discuss the unique atmosphere of this bass event and explore why gatherings like this are invaluable for musicians at all levels. Subscribe to the podcast to get these interviews delivered to you automatically! Connect with us: all things double bass double bass merch double bass sheet music Thank you to our sponsors! Upton Bass - From Grammy Award winners and Philharmonic players like Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! Carnegie Mellon University Double Bass Studio is a valued part of an innovative fine arts community in a top research university. Students receive weekly private lessons and solo classes with Micah Howard, and Peter Guild teaches weekly Orchestral Literature and Repertoire. They encourage students to seek lessons and guidance from local bassists. Members of the Symphony, the Opera, and the Ballet provide annual classes and individual attention. Visit Micah's website to sign up for a free online trial lesson here. theme music by Eric Hochberg
Music has the power to uniteMark Savage speaks to Venezuelan conductor Gustavo Dudamel about his life and career. Born in the city of Barquisimeto, he's famous for conducting orchestras all over the world, as well as film credits that include conducting the opening and end titles for Star Wars: the Force Awakens.With a unique ability to communicate joy and his passion for music to mass audiences, Dudamel has become a rare pop culture icon from the world of classical music - affording him mainstream appeal. He's currently in London, performing concerts alongside the band Coldplay.In this interview, he talks about El Sistema - Venezuela's unique programme which has helped train thousands of musicians, the highlights of his time as musical director of the LA Philharmonic, and taking over the helm of the New York Philharmonic.Thank you to the Culture team for their help in making this programme. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC. You can listen on the BBC World Service, Mondays and Wednesdays at 0700 GMT. Or you can listen to The Interview as a podcast, out twice a week on BBC Sounds or wherever you get your podcasts.Presenter: Mark Savage Producers: Bob Howard and Roxanne Panthaki Editor: Nick HollandGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Conductor Gustavo Dudamel performs onstage during weekend 2, day 2 of the Coachella Valley Music and Arts Festival Photo by Scott Dudelson/Getty Images for Coachella)
Gustavo Dudamel is a Venezuelan conductor, violinist and composer. He is known for bringing humour and joy to the podium. He is currently director of the Los Angeles Philharmonic and the Simon Bolivar Symphony Orchestra and in 2026 will take up the post of music director of the New York Philharmonic, following in the footsteps of Gustav Mahler and Leonard Bernstein. Gustavo was born in Barquisimeto, Venezuela in 1981, the son of a trombonist who played in a salsa band, and his mother who was a singing teacher. Growing up in a musical household, young Gustavo used to gather his toys together and put them on the floor in the shape of an orchestra, put a record on and conduct.His parents enrolled five year old Gustavo in the El Sistema music programme and he learned the violin. After showing a flair for conducting he eventually became the conductor of the Venezuelan National Youth Orchestra. After winning the Gustav Mahler Conducting Competition in Germany in 2004, his talent was spotted on a global stage. He was appointed the director of the Los Angeles Philharmonic in 2008. Presenter Lauren Laverne Producer Sarah Taylor
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