Podcasts about Harmonia Mundi

In this episode, we discuss recordings of “J. S. Bach: Mass in B Minor, Bwv 232” (Harmonia Mundi) by Pygmalion / Raphaël Pichon, “Jewish Vienna: Zemlinsky, Korngold, Mahler, Winter, Grünfeld” (Onyx) by Chen Reiss & The Jewish Chamber Orchestra Munich / Daniel Grossmann, “Concertos: Pécou, Lazkano, Nante” (Erato) by Alexandre Tharaud, “Steep Steps” (Hobby Horse Records) by Carl Winther, Richard Andersson & Jeff “Tain” Watts, “Hammonday” (A.MA. Records) by DIL Trio, and “Root Area: In Pursuit of Happiness” (Lamento Records) by Christoph Grab, Nicole Johänntgen, Marcel Thomi & Elmar Frey.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 212 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “J. S. Bach: Mass in B Minor, Bwv 232” (Harmonia Mundi) Pygmalion / Raphaël Pichon https://open.spotify.com/album/36I1sHlTYnsyrTDGVdI4uY https://music.apple.com/us/album/j-s-bach-mass-in-b-minor-bwv-232/1794898888 https://music.amazon.com/albums/B0DWBGMX7L   “Jewish Vienna: Zemlinsky, Korngold, Mahler, Winter, Grünfeld” (Onyx) Chen Reiss, Jewish Chamber Orchestra Munich / Daniel Grossmann https://open.spotify.com/album/2gcbAXgG84vg4fgXnLElHL https://music.apple.com/us/album/jewish-vienna/1802585691 https://music.amazon.com/albums/B0F1N83SCC   “Concertos: Pécou, Lazkano, Nante” (Erato) Alexandre Tharaud https://open.spotify.com/album/6bI8HUotFbewV3WMYX0OV0 https://music.apple.com/us/album/pécou-lazkano-nante-piano-concertos/1806217843 https://music.amazon.com/albums/B0F3FG9KJ7   “Steep Steps” (Hobby Horse Records) Carl Winther, Richard Andersson, Jeff “Tain” Watts https://open.spotify.com/album/6mSi775nA3yYvU9Njpd7LV https://music.apple.com/us/album/steep-steps/1796891336 https://music.amazon.com/albums/B0DXFZPK8X   “Hammonday” (A.MA. Records)  DIL Trio https://open.spotify.com/album/5hgXg12oSQYvrBCfpRdC7r No Apple Music https://music.amazon.com/albums/B0F59SG2PC   “Root Area: In Pursuit of Happiness” (Lamento Records)  Christoph Grab, Nicole Johänntgen, Marcel Thomi, Elmar Frey https://open.spotify.com/album/1CiVCYyDAhm0Dz28swzDE9 https://music.apple.com/us/album/root-area-in-pursuit-of-happiness-with-nicole/1798552432 https://music.amazon.com/albums/B0DYF66DVS  

Juan Ignacio Gómez Gorjón, conocido artísticamente como Chicuelo, (La Albuera , Badajoz; 1968) es un guitarrista español de flamenco, compositor e intérprete.En 2025 actúa con Marco Mezquida en el Menorca Jazz Festival.Trayectoria artísticaChicuelo vive desde niño en Cornellá de Llobregat (Barcelona), donde inicia su afición por la guitarra flamenca a la edad de 12 años con el maestro Casimiro González. Trabaja como guitarrista en el tablao de Carmen con Mario Escudero, Angelita Vargas, La Tolea, Eva Yerbabuena, Sara Baras, Adrián Galia, Belén Maya, Antonio ‘El Pipa' o Joaquín Grilo. Posteriormente acompaña a cantaores como Enrique Morente, Rancapino, Chano Lobato, José Mercé, Duquende, Mayte Martín, Diego "El Cigala", Carmen Linares, Potito. Ha trabajado con músicos de jazz como Chano Domínguez, Carles Benavent, Jorge Pardo, Jordi Bonell, Raynald Colom, Marco Mezquida, entre otros; y ha colaborado con la pianista Maria João Pires.En 1996 crea y lidera Cambalache, con la cual tiene un gran reconocimiento. También es componente de Guitarras mestizas con el que graba dos trabajos discográficos. Ha compuesto parte de la música de la última película de Orson Welles, El Quijote.Ha dirigido y producido los trabajos Siento y Oscuriá de Ginesa Ortega, en Suena flamenco, Zaguán o Desglaç de Miguel Poveda y en Mi forma de vivir de Duquende y ha participado en grabaciones junto a Tomatito, Mayte Martín, Joan Manuel Serrat, La Vargas Blues Band, Antonio Carmona, Jordi Tonel, entre otros.Ha compuesto música para las compañías de danza flamenca de los artistas más reconocidos: Antonio Canales, Joaquín Cortés, Israel Galván, para quien compone la música original de sus obras La Metamorfosis (2000), Torero alucinógeno (2004) y Lo Real/Le Réel/The Real, estrenado en 2012 en el Teatro Real de Madrid. Desde 1992 es director musical de la compañía de danza japonesa de Shoji Kojima, destacando las obras presentadas en el Festival de Jerez y la Bienal de Flamenco de Sevilla, La Celestina (2012) y Fatum (La fuerza del destino), en las cuales compuso la música original.Desde 2003 también dirige la música de la compañía de baile Somorrostro Dansa Flamenca producida por el Taller de Músics.,y donde compone las obras Andanzas e Inconnexus XXI, esta última junto a Enric Palomar y con coreografías de Javier Latorre.Chicuelo ha sido el guitarrista habitual de Miguel Poveda y de Duquende, con los que ha realizado numerosas giras por Europa, Japón y Estados Unidos. Ha sido director musical de Tarantos, musical dirigido por Emilio Hernández con coreografías de Javier Latorre. En el 2000 presenta su primer CD como solista y con repertorio propio: Cómplices (Harmonia Mundi) con el que realiza directos por todo el país. Este trabajo fue premiado como mejor disco de guitarra solista por la revista Flamenco Hoy. En el 2001 recibe, de la misma revista, el premio como mejor guitarra de acompañamiento en el trabajo discográfico Zaguán de Miguel Poveda.Ha participado, entre otras, en la producción Un momento y la Eternidad del bailaor Israel Galván, además de su relevante participación junto a Miguel Poveda como intérprete y compositor en los discos Desglaç en 2005 (música, arreglos y guitarra en los temas: No et veuré més, Jo, l´invertit de cos i d´ànima y Posseït) y en la gira posterior entre 2005 y 2007.

In this episode, we discuss recordings of “Strana Armonia d'Amore” (Harmonia Mundi) by Les Cris de Paris / Geoffroy Jourdain, “Stravinsky: Pulcinella, Le Baiser de La Fée (divertimento)” (Harmonia Mundi) by Isabel Leonard, Paul Appleby & The Toronto Symphony Orchestra / Gustavo Gimeno, “Folios of Light” (Azure Sky) by Stanford Cheung, “Factory Fresh” (SteepleChase) by Anthony Ferrara, “Rêverie” (TCB Records) by Samuel Blaser, Tilman Günther, Peter Bockius & Lucien Bovet, and “Looking Back” (Savant) by Richard Baratta.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 203 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Strana Armonia d'Amore” (Harmonia Mundi) Les Cris de Paris / Geoffroy Jourdain https://open.spotify.com/album/2fLGrLcltEJ0i3LbQoD6l0 https://music.apple.com/us/album/strana-armonia-damore/1781039027 https://music.amazon.com/albums/B0DNR7RH18   “Stravinsky: Pulcinella, Le Baiser de La Fée (divertimento)” (Harmonia Mundi) Isabel Leonard, Paul Appleby, Toronto Symphony Orchestra / Gustavo Gimeno https://open.spotify.com/album/6McSFpibFg5lsfuIJjIguh https://music.apple.com/us/album/stravinsky-pulcinella-le-baiser-de-la-fée-divertimento/1779332546 https://music.amazon.com/albums/B0DMTN4FLC   “Folios of Light” (Azure Sky) Stanford Cheung https://open.spotify.com/album/1QahXtx1tlS7u93nHamC13 https://music.apple.com/us/album/folios-of-light-music-by-contemporary-japanese-composers/1791099739 https://music.amazon.com/albums/B0DT9TKP5J   “Factory Fresh” (SteepleChase) Anthony Ferrara https://open.spotify.com/album/3y3b0nOsJD6YSaxU805ih6 No Apple Music https://music.amazon.com/albums/B0DT282VNG   “Rêverie” (TCB Records) Samuel Blaser, Tilman Günther, Peter Bockius, Lucien Bovet https://open.spotify.com/album/3ehhaffCsraOggyvx0aO7c https://music.apple.com/us/album/rêverie/1786712854 https://music.amazon.com/albums/B0DR3KYSM6   “Looking Back” (Savant)  Richard Baratta https://open.spotify.com/album/0a84xLdOtvPckpZmezk8TY https://music.apple.com/us/album/looking-back/1786261359 https://music.amazon.com/albums/B0DQWLXQ4L

durée : 00:24:59 - Disques de légende du mercredi 26 février 2025 - Bien qu'il soit tout récent, le disque de Kristian Bezuidenhout et Pablo Heras-Casado a déjà marqué son temps. La réunion par Harmonia Mundi des deux artistes en 2020 donna une intégrale des concertos de Beethoven de légende.

durée : 00:24:59 - Disques de légende du mercredi 26 février 2025 - Bien qu'il soit tout récent, le disque de Kristian Bezuidenhout et Pablo Heras-Casado a déjà marqué son temps. La réunion par Harmonia Mundi des deux artistes en 2020 donna une intégrale des concertos de Beethoven de légende.

durée : 00:12:09 - " Curiosity, Genius, and the search for Petula Clark " : Stravinsky / Kelly-Marie Murphy - Toronto Symphony Orchestra - Cette pièce a été commandée par l'Orchestre symphonique de Toronto. Il s'agit d'une œuvre en un seul mouvement pour orchestre écrite pour célébrer le 85e anniversaire de Glenn Gould et le 70e anniversaire de sa première prestation avec le Toronto Symphony Orchestra. (Harmonia Mundi 2025)

durée : 00:12:09 - " Curiosity, Genius, and the search for Petula Clark " : Stravinsky / Kelly-Marie Murphy - Toronto Symphony Orchestra - Cette pièce a été commandée par l'Orchestre symphonique de Toronto. Il s'agit d'une œuvre en un seul mouvement pour orchestre écrite pour célébrer le 85e anniversaire de Glenn Gould et le 70e anniversaire de sa première prestation avec le Toronto Symphony Orchestra. (Harmonia Mundi 2025)

durée : 00:12:09 - " Curiosity, Genius, and the search for Petula Clark " : Stravinsky / Kelly-Marie Murphy - Toronto Symphony Orchestra - Cette pièce a été commandée par l'Orchestre symphonique de Toronto. Il s'agit d'une œuvre en un seul mouvement pour orchestre écrite pour célébrer le 85e anniversaire de Glenn Gould et le 70e anniversaire de sa première prestation avec le Toronto Symphony Orchestra. (Harmonia Mundi 2025)

durée : 00:18:56 - Disques de légende du jeudi 19 décembre 2024 - Depuis quatre ans, chez Harmonia Mundi, Samuel Hasselhorn fait des merveilles en récitals avec piano, côté Schumann ou Schubert. Au printemps 2024, grâce à sa jeune notoriété, il peut se permettre d'enregistrer un album de lieder avec orchestre. Et c'est une superbe réussite !

durée : 00:18:56 - Disques de légende du jeudi 19 décembre 2024 - Depuis quatre ans, chez Harmonia Mundi, Samuel Hasselhorn fait des merveilles en récitals avec piano, côté Schumann ou Schubert. Au printemps 2024, grâce à sa jeune notoriété, il peut se permettre d'enregistrer un album de lieder avec orchestre. Et c'est une superbe réussite !

Metai baigiasi, laikas skaičiuoti geriausius. Nuo šiol „Kitame laike“ iki pat Kūčių – geriausieji 2024-ųjų leidiniai. Visų pirma akademinės, tada džiazo, o paskiausiai – pasaulio muzikos. Pirmoje laidoje – klasikos derlius:Pygmalion, Raphaël Pichon – Mozart: Requiem (Harmonia Mundi);Žibuoklė Martinaitytė: ALETHEIA – Choral Works; Latvian Radio Choir, Sigvards Klava (Ondine);Takács Quartet – Ngwenyama: Flow (Hyperion);Bertrand Chamayou – Cage² (Erato);Kremerata Baltica, Gidon Kremer, Vida Miknevičiūtė, Magdalena Ceple, Andrei Pushkarev – Songs of Fate (ECM New Series);Fume – Mass (Sūru Records);Yunchan Lim – Chopin: Études, Opp. 10 & 25 (Decca);Miró Quartet – Home (Pentatone);Vinsent Planjer – Warm To the Touch (Kepera Records);Gabriela Ortiz: Revolución diamantina – Los Angeles Philharmonic Orchestra, Los Angeles Master Chorale, Gustavo Dudamel (Platoon);Anna Gourari, Orchestra Dell Svizzera Italiana, Markus Poschner – Paul Hindemith / Alfred Schnittke (ECM);Echo Vocal Ensemble, Sarah Latto – Innocence: Echo Vocal Ensemble (Resonus Classics);Reto Bieri, Patricia Kopatchinskaja, Polina Leschenko – Take 3 (Alpha);Anima Eterna, Pablo Heras-Casado – Bruckner: Symphony No. 4 (Harmonia Mundi).Ved. Domantas Razauskas

William Christie, the founder - and guiding spirit for the past 45 years – of Les Arts Florissants, celebrates his 80th birthday on December 19.  Gramophone's James Jolly went to visit him at home in Paris to talk about his long career and its colossal impact of the rediscovery of the music of his adopted homeland. Since leaving the USA in the early 1970s and settling in France, Christie has been a major figure both in concert and on record (with a clutch of Gramophone Awards to his name), focusing on music of the 17th and 18th centuries. Their conversation ranged widely taking in memories of the harpsichordist Ralph Kirkpatrick, the countertenor Alfred Deller, the founder of Harmonia Mundi Bernard Coutaz, and many others. Musical excerpts are from from his Harmonia Mundi catalogue, including his latest release 'Bill and Friends' which finds him performing with a host of young musicians.  

Hasta bien entrado el siglo XX, las ideas musicales se exponen de acuerdo con un desarrollo ordenado según una estructura previamente estudiada, escrita o planteada. Mediado el siglo, algunos compositores se acogen a una tendencia que deja margen al indeterminismo, la flexibilidad y el azar._____Has escuchadoAngelica Music. Exercise 10 (1973-1974) / Christian Wolff. Apartment House; Christian Wolff, melódica. I Dischi di Angelica (2015)Aus den sieben Tagen. Liaison (1968) / Karlheinz Stockhausen. Ensemble Musique Vivante; Diego Masson, director. Harmonia Mundi (1988)HPSCHD. Solo VII: For Harpsichord & Computer-Generated Sound Tapes (1967) / John Cage y Lejaren Hiller. Jukka Tiensuu, clave. Ondine (1999)Pithoprakta (1956) / Iannis Xenakis. Orchestre philharmonique du Luxembourg; Arturo Tamayo, director. Timpani (2008)_____Selección bibliográficaADORNO, Theodor W., “Vers une musique informelle”. En: Escritos Musicales I-III, vol. 16. Akal, 2006*BEHRMAN, David, “What Indeterminate Notation Determines”. Perspectives of New Music, vol. 3, n.º 2 (1965), pp. 58-73*BOULEZ, Pierre, “Alea”. Perspectives of New Music, vol. 3, n.º 1 (1964), pp. 42-53*CARDEW, Cornelius, Scratch Music. The MIT Press, 1974CHARLES, Daniel, “L'interprète et le hasard”. Musique en Jeu, n.º 3 (1971), pp. 45-51*DELIÈGE, Célestin, “Indétermination et improvisation”. IRASM, vol. 2 (1971), pp. 155-191HARBINSON, William G., “Performer Indeterminacy and Boulez's Third Sonata”. Tempo, n.º 169 (1989), pp. 16-20*JENSEN, Marc G., “John Cage, Chance Operations, and the Chaos Game: Cage and the I Ching”. The Musical Times, vol. 150, n.º 1907 (2009), pp. 97-102*MEDINA, Ángel, “Apuntes sobre la recepción de la música abierta en España”. Anuario Musical, n.º 51 (1996), pp. 217-232*MORO VALLINA, Daniel, “Aleatoriedad y flexibilidad en la vanguardia musical española”. Actas do I Encontro Iberoamericano de Jovens Musicólogos (2012), pp. 236-248: [PDF]NIETO, Velia, “La forma abierta en la música del siglo XX”. Anales del Instituto de Investigaciones Estéticas, vol. 30, n.º 92 (2008), pp. 191-203O'GRADY, Terence J., “Aesthetic Value in Indeterminate Music”. The Musical Quarterly, vol. 67, n.º 3 (1981), pp. 366-381*PEYROU, Mariano, Oídos que no ven. Taurus, 2022POLO PUJADAS, Magda y Josep Maria Mestres Quadreny, Pensamiento y música a cuatro manos: la creatividad musical en los siglos XX y XXI. Universidad de Murcia, Servicio de Publicaciones, 2015*REYNOLDS, Roger, “Indeterminacy: Some Considerations”. Perspectives of New Music, vol. 4, n.º 1 (1965), pp. 136-140*TRENKAMP, Anne, “The Concept of Alea in Boulez's Constellation-Miroir”. Music & Letters, vol. 57, n.º 1 (1976), pp. 1-10* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

durée : 00:19:27 - Disques de légende du mardi 03 décembre 2024 - Sorti en 2012 chez Harmonia Mundi, l'enregistrement du volume n°2 de ce qui était enfin une intégrale des Sonates et Partitas de Bach par Isabelle Faust a débuté deux ans auparavant.

durée : 00:19:27 - Disques de légende du mardi 03 décembre 2024 - Sorti en 2012 chez Harmonia Mundi, l'enregistrement du volume n°2 de ce qui était enfin une intégrale des Sonates et Partitas de Bach par Isabelle Faust a débuté deux ans auparavant.

durée : 00:06:53 - Disques de légende du lundi 11 novembre 2024 - En 1987 Philippe Herreweghe, à la direction de La Chapelle Royale, présentait chez Harmonia Mundi une " Messe de Requiem " d'André Campra tout à fait remarquable.

durée : 01:28:44 - Disques de légende du lundi 11 novembre 2024 - En 1987 Philippe Herreweghe, à la direction de La Chapelle Royale, présentait chez Harmonia Mundi une " Messe de Requiem " d'André Campra tout à fait remarquable.

durée : 00:06:53 - Disques de légende du lundi 11 novembre 2024 - En 1987 Philippe Herreweghe, à la direction de La Chapelle Royale, présentait chez Harmonia Mundi une " Messe de Requiem " d'André Campra tout à fait remarquable.

durée : 01:28:44 - Disques de légende du lundi 11 novembre 2024 - En 1987 Philippe Herreweghe, à la direction de La Chapelle Royale, présentait chez Harmonia Mundi une " Messe de Requiem " d'André Campra tout à fait remarquable.

durée : 00:14:22 - Disques de légende du vendredi 25 octobre 2024 - Harmonia Mundi et Radio France collaborent pour créer la collection les Nouveaux Interprètes permettant à de jeunes musiciens d'enregistrer un premier disque.

durée : 00:14:22 - Disques de légende du vendredi 25 octobre 2024 - Harmonia Mundi et Radio France collaborent pour créer la collection les Nouveaux Interprètes permettant à de jeunes musiciens d'enregistrer un premier disque.

[@ 1 min] It's the return of TKO, when we pit two sopranos against each other, one American and one Italian, in the obstacle course that is Madama Butterfly… [@ 39 min] And then, Ermonela Jaho, one of the undisputed great Cio-Cio San's of our time, takes a Free Throw on her signature role. [@ 55 min] And, in the listener mailbag, a field report on the Met's production of Grounded. [@ 1 hr] Plus, in the ‘Two Minute Drill'…Harmonia Mundi sells its soul? I mean, I guess it is almost Halloween… GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

You purchase downloads for two of these Harmonia Mundi releases here:https://www.prestomusic.com/classical/products/7941659--van-cliburn-competition-2005-sa-chenhttps://www.prestomusic.com/classical/products/7941658--international-van-cliburn-competition-2005

SynopsisOn today's date in 2000, King's Chapel in Boston presented a festival of music by the early American composer William Billings, honoring the 200th anniversary of his death in 1800.  As the Chapel's records of 1786 stated, Billings taught singing “to such persons of both sexes as incline to sing psalm-tunes.” They must have liked him, because in 1790, when Billings was in financial trouble, the Chapel held a benefit concert for him.When Billings was born in 1746, America was still a British colony. The last record we have of him as a composer dates from 1799, when he wrote music for a memorial concert for George Washington, the first president of the United States, who had died in December of that year.Today, Billings is regarded as America's first truly original composer. His contemporaries agreed. The Reverend William Bentley of Salem was moved to write in his diary: “Many who have imitated him have excelled him, but none had better original powers … he was a singular man, short of one leg, with one eye, and with an uncommon negligence of person. Still, he spake and sung and thought as a man above common abilities.”Music Played in Today's ProgramWilliam Billings (1746-1800): Emmaus and Shiloh; His Majestie's Clerkes; Paul Hillier, conductor; Harmonia Mundi 90.7048

durée : 01:58:30 - Le Bach du dimanche du dimanche 22 septembre 2024 - par : Corinne Schneider - Au programme de cette 307e émission : le séjour de « Giovannino Bach » en Italie (1755-1762) ; Paul Agnew et Les Arts Florissants au Festival d'Ambronay ; le deuxième enregistrement de Jean-Guihen Queyras des Six Suites pour violoncelle (nouveauté Harmonia Mundi, 20 septembre) avec des CD à gagner ! - réalisé par : Fanny Constans

Una de las características de su obra es la incorporación de sonoridades no codificadas de la voz, como risas, susurros o carraspeos. He aquí su tema: la voz, su naturaleza orgánica, traspuesta y abierta a la sensibilidad de la escucha a través de los incipientes procedimientos electrónicos._____Has escuchadoCorale (1981). Maryvonne Le Dizès, viola; Ensemble InterContemporain; Pierre Boulez, director. Sony Classical (1990)Folk Songs. Black Is the Color (1964). Cathy Berberian, mezzosoprano; Julliard Ensemble; Luciano Berio, director. BMG Classics (1973)Laborintus 2. Première partie (1965) / textos de Edoardo Sanguineti. Ensemble Musique Vivante; Chorale Expérimentale; Luciano Berio, director. Harmonia Mundi (1987)Sinfonia. O King (1968). Göteborg Konserthus; Peter Eötvös, director. Deutsche Grammophon (2005)_____Selección bibliográficaBERIO, Luciano, Un recuerdo al futuro. Acantilado, 2019*BOULEZ, Pierre y Enzo Restagno, Sequenze per Luciano Berio. Ricordi, 2000COHEN-LEVINAS, Danielle (ed.), Omaggio a Luciano Berio. L'Harmattan, 2006*DALMONTE, Rossana y Bálint András Varga (eds.), Luciano Berio: Two Interviews. Marion Boyars, 1985ECO, Umberto, “Eco in ascolto: entrevista de Umberto Eco con Luciano Berio”. Revista de Occidente, n.º 114 (1990), pp. 123-136*FERRARI, Giordano, “El teatro musical como crítica de la sociedad: Passagio de Luciano Berio y Edoardo Sanguineti”. Doce Notas Preliminares, n.º 14 (2004-2005), pp. 120-138FERRARI, Giordano (ed.), Le théâtre musical de Luciano Berio: actes des six journées d'études qui ont eu lieu à Paris et à Venise entre 2010 et 2013. L'Harmattan, 2016FLYNN, George W., “Listening to Berio's Music”. The Musical Quarterly, vol. 61, n.º 3 (1975), pp. 388-421*HALFYARD, Janet K., Berio's Sequenzas: Essays on Performance Composition and Analysis. Ashgate, 2007*HICKS, Michael, “Text, Music, and Meaning in the Third Movement of Luciano Berio's Sinfonia”. Perspectives of New Music, vol. 20, n.º 1-2 (1981), pp. 199-224*JOOS, Maxime, “Luciano Berio: Dramaturgie et Œuvre Ouverte”. Musurgia, vol. 10, n.º 2 (2003), pp. 7-27*MEHINOVIC, Vedran, “Two Late Orchestral Works of Luciano Berio”. Tempo, vol. 69, n.º 273 (2015), pp. 20-29*MULLER, Theo y Luciano Berio, “‘Music Is Not a Solitary Act': Conversation with Luciano Berio”. Tempo, n.º 199 (1997), pp. 16-20*NEIDHÖFER, Christoph, “Inside Luciano Berio's Serialism”. Music Analysis, vol. 28, n.º 2-3 (2009), pp. 301-348*OSMOND-SMITH, David, “Berio and the Art of Commentary”. The Musical Times, vol. 116, n.º 1592 (1975), pp. 871-872*—, Berio. Oxford University Press, 1991SZENDY, Peter, “Un roi à l'écoute”. En: L'Opéra éclaté: la dramaturgie musicale entre 1969 et 1984. Editado por Giordano Ferrari. L'Harmattan, 2005 *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March

Viaggiando e Mangiando: un weekend tra i colli parmensi e le cantine umbre!Abbiamo esplorato i tesori enogastronomici di Felino, partecipato al Festival Franciacorta in Cantina, e scoperto le meraviglie del Romagna DOC.Un weekend all'insegna del gusto e della scoperta! Nuovi vini e cantine da scoprire! In questa puntata abbiamo assaggiato il Romagna DOC Sangiovese Predappio e presentato Harmonia Mundi di Santa Margherita.Inoltre, abbiamo parlato del Festival Franciacorta in Cantina e dei tesori enologici dei colli parmensi. Non perdere l'appuntamento del venerdì con Viaggiando e MangiandoDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/viaggiando-e-mangiando--3286496/support.

durée : 02:00:02 - Le Bach du dimanche du dimanche 08 septembre 2024 - par : Corinne Schneider - Au programme de cette 305e émission : une princesse musicienne, Anna Amalia de Prusse, avec Jean Brégnac (Harmonia Mundi, 12 juillet) ; Jean-Pierre Leguay, organiste aveugle dans le moment d'orgue ; et la découverte de l'arrangement des Variations Goldberg par Gustavo Trujillo (Cobra Records, 2017) - réalisé par : Fanny Constans

Recién llegado de la 36 edición del Festival de Úbeda, donde ha ofrecido un recital de la mano de la formación instrumental y vocal que dirige (Nereydas), Ulisés Illán nos habla de todos los proyectos musicales que está cocinando. Entre los que destacan un concierto que ofrecerá el próximo 6 de julio en La Granja de San Ildefonso y que celebrará los 300 años de la creación del palacio. Una cita muy especial en la que la luz será otra de las protagonistas de la noche. Y además de entregarse a los directos, el director de orquesta manchego también vive volcado en la producción de dos discos junto a Nereydas que se publicarán antes de que termine el año a través del sello Harmonia Mundi, uno de los más prestigiosos dentro de la música clásica. Escuchar audio

For their debut Harmonia Mundi release as a duo, pianists Pavel Kolesnikov and Samson Tsoy have recorded two works by Schubert, the great Fantasy in F minor and the Divertissement à la Hongroise, and, in between, a work they commissioned, Trompe-l'oeil by the Russian composer Leonid Desyatnikov (b1955), who has said of his piece, ‘You can envisage it as the follow-up, or the rough draft of Schubert's Fantasy. Something incomplete. Like a study for a composition that's been abandoned en route.' James Jolly went to visit Pavel and Samson, partners both off stage and on, at their home in North London recently to talk about the art of piano four-hands …

durée : 01:59:07 - Le Bach du dimanche du dimanche 05 mai 2024 - par : Corinne Schneider - Au programme de cette 295e émission : Benjamin Alard à la mi-chemin de son intégrale des œuvres pour clavier, avec le volume 9 « Köthen 1717-1723 : Les années heureuses » (Harmonia Mundi, 3 mai) ; la fête de l'Ascension avec la Cantate BWV 128 et le nouveau CD de Lionel Meunier (Alpha, 12 avril) - réalisé par : Emmanuel Benito

pedro luís e a parede | eletrosamba | aniceto do império | dorina | erasmo carlos | chocalhos e badalos | ínsula | moisés santana | naná vasconcelos e itamar assumpção | cassiano | roberta sá | josildo sá e paulo moura | caximbinho e geraldo mouzinho | renato fechine | lupicínio rodrigues | glauco e o trem | pélico | lia de itamaracá | ska maria pastora | alabama 3 | ney matogrosso e plap | spok frevo orquestra | vítor pirralho e unidade | naurêa | juarezNO ROOM FOR BOREDOMAn overview of Ponto Enredo, the last studio album by Pedro Luís e A Parede,  produced by Lenine and released in Europe through French label Harmonia Mundi. The Caipirinha Appreciation Society crew are long-time fans of PLAP, whose ecclectic groovy mix blends in very nicely with our other prime picks of the week. Enjoy a rare recorded interview with PLAP and Monobloco founders Pedro Luís and Celso Alvim. À PROVA DE TÉDIOConvidamos vocês a revisitar com a gente o último CD da PLAP, Ponto Enredo, produzido pelo Lenine e lançado na Europa pelo selo francês Harmonia Mundi. Há tempos que a equipe do Caipirinha Appreciation Society é fã dos sons suingados e ecléticos da banda. Eles completam perfeitamente a seleção preparada para este programa. Também nessa edição, um raro bate-papo nosso com Pedro Luís e Celso Alvim, fundadores da PLAP e do Monobloco.

SynopsisWe're cranking up the Datebook time machine today to take you back to a charity concert that took place in Hamburg on today's date in 1786. The concert was organized and conducted by 72-year-old composer Carl Philipp Emanuel Bach, who had been producing new sacred music in Hamburg for many years.But instead of new works, for the charity concert C.P.E. Bach programmed some music that in 1786 was almost 40 years old: he opened with the Credo from his father J.S. Bach's Mass in B minor, followed by two excerpts from Handel's Messiah, namely the Hallelujah Chorus and I Know that My Redeemer Liveth, both sung in German, and then his own setting of the Latin Magnificat, a work he had composed back in 1749 when his father was still alive.C.P.E. Bach's Magnificat is not heard as often as J.S. Bach's more famous setting, which is a shame, since, like his father's Magnificat, C.P.E.'s is a festive, exciting piece of sacred music with trumpets and drums and tuneful vocal solos, along with great choral writing — and we suspect papa J.S. Bach would have nodded with approval that his son's version concluded with a well-constructed choral fugue.Music Played in Today's ProgramC.P.E. Bach (1714-1788): Sicut Erat In Principio, from Magnificat; RIAS Kammerchor & Akademie für Alte Musik Berlin, Hans-Christoph Rademann; Harmonia Mundi 902167

durée : 00:58:37 - Benjamin Alard, une conversation intime avec Jean-Sébastien Bach - par : Aurélie Moreau - Benjamin Alard, claveciniste et organiste talentueux et très inspiré, enregistre une intégrale pour clavier de Bach dont le Vol.9 paraîtra le 3 mai (Harmonia Mundi). Extraits en avant-première pour cette Journée Européenne de la Musique Ancienne.

durée : 01:58:43 - Le Bach du dimanche du dimanche 17 mars 2024 - par : Corinne Schneider - Au programme de cette 288e émission : zoom sur les symphonies de Carl Philipp Emanuel Bach, à l'occasion du dernier CD de l'intégrale de l'Akademie für Alte Musik de Berlin, à paraître chez Harmonia Mundi le 22 mars ; puis en deuxième heure, l'actualité des concerts à l'approche de Pâques - réalisé par : Emmanuel Benito

SynopsisIn 1724, Feb. 20 fell on a Sunday, and at St. Thomas Church in Leipzig, Jesus nahm zu sich die Zwölfe, or, in English, Jesus Gathered the 12 to Himself, a church cantata by Johann Sebastian Bach, was performed as part of the Sunday service.Meanwhile, on Feb. 20 in London that same year, audiences at the King's Theater in the Haymarket heard the premiere of Giulio Cesare in Egitto or, Julius Caesar in Egypt, a new Italian opera by George Frideric Handel.How interesting to find Bach in church and Handel in the theater, on the same date — but not, as it turns out, on the same day.In 1724, Bach's Germany kept track of time under the Gregorian calendar, but in Handel's England, the older Julian calendar was still used, and so Handel's calendar would say Feb. 20 was a Thursday, while Bach's would say was it was a Sunday. It wasn't until 1752 that England adopted the same calendar that Germany used — the Gregorian one we still use today.In the 18th century, apparently, you didn't need Albert Einstein to remind you that time is a very relative concept!Music Played in Today's ProgramJ.S. Bach (1685-1750): Excerpt fr Cantata No. 22; Yo Yo Ma, cello; Amsterdam Baroque Orchestra; Ton Koopman, cond. Sony Classical 60680George Frederic Handel (1685-1757): Excerpt, fr Giulio Cesare; Barbara Schlick, soprano; Concerto Cologne; Rene Jacobs, cond. Harmonia Mundi 90.1458

Timothy Ridout won last year's Concerto category at the Gramophone Awards for his Harmonia Mundi recording, with the BBC Symphony Orchestra and Martyn Brabbins, of Elgar's Cello Concerto transcribed by Lionel Tertis for viola, alongside the Bloch Suite for Viola and Orchestra. His new HM release continues his exploration of the huge role that Tertis played in the history of the viola, as player, teacher, arranger and champion of the instrument. Ridout's new double album, for which he's joined by pianists Frank Dupree and James Baillieu, includes sonatas by York Bowen and Rebecca Clarke, as well as many shorter works with powerful links to Tertis. James Jolly met up with Timothy to talk about the album, and the place that Tertis holds for viola-players.

SynopsisOn today's date in 1693, a new opera based on an old legend had its premiere performance at the Académie de la Musique in Paris. The new opera was by French Baroque composer Marc-Antoine Charpentier. The old legend was that of Medea, the sorceress who murdered her children to avenge her abandonment by their father, the Greek hero Jason.Charpentier's Médée (to give his opera its French title) was well received by its first audiences. The most celebrated French soprano of her day sang the title role, but one contemporary critic, impressed by Charpentier's achievement, wrote, “The emotions are so vivid, that even if the role were only spoken, the opera would not fail to make a great impression.”In the three centuries following Charpentier's opera, many other musicians have taken up the Medea legend as well. In 1980, American composer Jacob Druckman took themes from three famous Medea operas and worked these into a three-movement orchestral suite, Prisms, with Charpentier's version of Medea having pride of place and quoted in the first movement of Druckman's score.Music Played in Today's ProgramMarc-Antoine Charpentier (1635 – 1704) Médée; Les Arts Florissants; William Christie, cond. Harmonia Mundi 90.1139/41Jacob Druckman (1928 – 1996) Prism; New York Philharmonic; Zubin Mehta, cond. New World 335

SynopsisOn today's date in 1979, a new play by Peter Schaffer titled Amadeus opened at the National Theatre in London.Schaffer's play tells the story of Mozart's final years in Vienna, including some posthumous gossip that it was the petty jealousy and back-stabbing intrigue of Mozart's Italian contemporary Antonio Salieri that hastened Wolfgang's untimely demise. There was even a Romantic legend that Salieri had actually poisoned Mozart, a legend Shaffer gave a psychological spin.Music historians were quick to attack Shaffer's play as wildly inaccurate and downright unfair to poor old Salieri, who, they said, was not all that bad a fellow. Accurate or not, Schaffer's play was a big hit, and five years later was made into a wildly successful film. That movie version of Amadeus prompted millions of new classical music fans to snap up any recordings of Mozart's Requiem they could find.And what about the music historians? They couldn't even find comfort in the old public relations adage, “There's no such thing as bad press as long as they spell your name right!” They felt even the movie's title was bogus. Mozart never signed his middle name “Amadeus,” preferring the French version, “Amadé.”Music Played in Today's ProgramWolfgang Mozart (1756 – 1791) Requiem; La Chapelle Royale and Orchestre des Champs Elysees; Philippe Herreweghe, cond. Harmonia Mundi 901620

In this episode, we discuss recordings of “Locatelli: Il Virtuoso, Il Poeta: Violin Concertos & Concerti Grossi” (Harmonia Mundi) by Isabelle Faust, & Il Giardino Armonico / Giovanni Antonini, “An Invitation At the Schumanns'” (Harmonia Mundi) by Trio Dichter, Théotime Langlois de Swarte, Hanna Salzenstein & Fiona Mato, “Dobrinka Tabakova: Orpheus' Comet, Earth Suite & Concertos” (Hallé) by Maxim Rysanov, Guy Johnston & Hallé Orchestra / Delyana Lazarova, “Witness to History” (Smoke Session Records) by Eddie Henderson, “The Magnificent” (Cellar Live) by Brad Turner, and “Over Here” (Criss Cross Jazz) by The Jim Rotondi Quintet.   The Adult Music Podcast is featured in: Feedspot's 100 Best Jazz Podcasts   Episode 136 Deezer Playlist   Fair use disclaimer: Music sample clips are for commentary and educational purposes. We recommend that listeners listen to the complete recordings, all of which are available on streaming services in the links provided. We also suggest that if you enjoy the music, you consider purchasing the CDs or high-quality downloads to support the artists.   “Locatelli: Il Virtuoso, Il Poeta: Violin Concertos & Concerti Grossi” (Harmonia Mundi) Isabelle Faust, Il Giardino Armonico / Giovanni Antonini https://open.spotify.com/album/6G1RWMrM6hcf9UwPJt2MpZ https://music.apple.com/us/album/locatelli-il-virtuoso-il-poeta-violin/1692437179   “An Invitation At the Schumanns'” (Harmonia Mundi) Trio Dichter, Théotime Langlois de Swarte, Hanna Salzenstein, Fiona Mato https://open.spotify.com/album/4ugajnviM5K6qCicpO4BKh https://music.apple.com/us/album/an-invitation-at-the-schumanns/1691906374   “Dobrinka Tabakova: Orpheus' Comet, Earth Suite & Concertos” (Hallé) Maxim Rysanov, Guy Johnston, Hallé Orchestra / Delyana Lazarova https://open.spotify.com/album/5mRJarRj6PYIt31sKNkA6F https://music.apple.com/us/album/dobrinka-tabakova/1699388933   “Witness to History” (Smoke Session Records)  Eddie Henderson https://open.spotify.com/album/6flKvwkNjtlz2Oej8Zaatm https://music.apple.com/us/album/witness-to-history/1695966843   “The Magnificent” (Cellar Live)  Brad Turner https://open.spotify.com/album/4vRv0EbCjfBJS0j3kZxTlQ https://music.apple.com/us/album/the-magnificent/1696161975   “Over Here” (Criss Cross Jazz)  Jim Rotondi Quintet https://open.spotify.com/album/6DCXIL4PV0xm1YRhS2kZ8u https://music.apple.com/us/album/over-here/1710758718   Be sure to check out: "Same Difference: 2 Jazz Fans, 1 Jazz Standard" Johnny Valenzuela and Tony Habra look at several versions of the same Jazz standard each week, play snippets from each version, discuss the history of the original and the different versions.      

durée : 00:18:39 - Schubert: Symphonies Nos. 5 & 7 "Unfinished" - Freiburger Barockorchester, Pablo Heras-Casado - Le label Harmonia Mundi nous présente un nouvel enregistrement Schubert par Pablo Heras-Casado et le Freiburger Barockorchester. Ensemble, ils abordent les Symphonies 5 & 7 avec vivacité. C'est notre disque du jour !

Synopsis On today's date in 1727, the opera season in London ended early when rival Italian prima donnas, Francesca Cuzzoni and Faustina Bordoni, came to blows on stage during a performance of an opera by Bononcini. Londoners were shocked, but not surprised. Trouble had been brewing between the two, egged on by partisan behavior from their rabid English fans, who (depending on their preference) greeted them with either extravagant applause and bravos, or catcalls, hissing, and, as one contemporary put it, “other great indecencies.” It was all terrific box-office, as Handel must have realized and so worked their rivalry into HIS opera Alessandro, in which the hero finds it hard to decide between the attractions of the dueling divas. Handel prudently gave exactly the same number of solos to each soprano. Even so, according to Handel's first biographer, years earlier he had threatened to toss Cuzzoni out the window when, during a rehearsal she refused point blank to sing one of his arias. Madam, Handel is quoted as roaring as he dragged her towards the window, “I know you are a veritable devil, but I would have you know that I am Beelzebub, the KING of all the devils!” Music Played in Today's Program George Frederic Handel (1685 - 1759) aria, fr Alessandro Lisa Saffer, soprano; Philharmonia Baroque Orchestra; Nicholas McGegan, conductor. Harmonia Mundi 90.7036

durée : 01:58:14 - Le Bach du dimanche du dimanche 14 mai 2023 - par : Corinne Schneider - Au programme de cette 252e émission : une heure à l'écoute de Benjamin Alard à l'occasion de la parution du vol. 8 de son intégrale (Harmonia Mundi, 12 mai) avec des CD à gagner ; puis la découverte des transcriptions de l'ensemble Aux Pieds du Roy de Michael Form (Pan Classics, 17 mars). - réalisé par : Anne-Lise Assada

The French pianist Cédric Tiberghien has just released a new album, Variation[s], on Harmonia Mundi. It takes Beethoven's many sets of themes and variations for solo piano as its starting point, and weaves in major sets by others composers, in Vol 1 by Mozart, Schumann and Webern. James Jolly caught up with the pianist in New York, by Zoom, to talk about the project and find out his thinking on the programme of this first volume. Gramophone Podcasts are given in association with Wigmore Hall

In this week's podcast, French mezzo soprano Lucile Richardot talks to Gramophone's Hattie Butterworth about Les heures claires, an album of the complete songs of Nadia and Lili Boulanger on the Harmonia Mundi label, and also about recording Scarlatti Cantatas with harpsichordist Philippe Grisvard, for Audax.  

durée : 01:58:28 - Le Bach du dimanche du dimanche 29 janvier 2023 - par : Corinne Schneider - Au programme de cette 237e émission : une heure avec Andreas Staier à l'occasion de la parution du Clavier bien tempéré (Livre I) chez Harmonia Mundi (6 janvier) ; 2 cantates à l'occasion de la Fête de la Purification (2 février) ; et la flûte à bec de Bach à Boulez par le néerlandais Erik Bosgraaf. - réalisé par : Anne-Lise Assada

The Spanish pianist Javier Perianes is racking up quite a lot of frequent flyer miles these days. This season alone, his concert schedule has him zigzagging the globe to perform with the Los Angeles Philharmonic and Dallas Symphony here in the States, Europe's Budapest Festival Orchestra and the Oslo Philharmonic, and a whirlwind trip to Australia for concerts with the Melbourne and Sydney Symphony Orchestras, among many other engagements. And while the thrill of making music with friends and colleagues around the world is a key driver for Perianes's career, his extensive travels also provide a key element that fuels his creativity: new life experiences. "When you're with a piece, you have big emotional landscapes — death, pain, suffering, hope, joy," Perianes shares on the latest episode of the Classical Post podcast. "Where can you get all those feelings to convey? You can't get that from others' lives. You can't imitate them. You have to have them deep inside you." That authentic approach to performance has served Perianes well. A prolific recording artist, he's released 20 critically acclaimed albums on the Harmonia Mundi label — and he's performed with many of today's leading conductors, including Gustavo Dudamel, Klaus Mäkelä, Daniel Barenboim, and Vladimir Jurowski. Next up for Perianes are three performances of Saint-Saëns's Fifth Piano Concerto — also known as "The Egyptian" — with the LA Phil and conductor Gustavo Gimeno. In this episode, we talk more about how he's preparing the Saint-Saëns concerto and what he hopes audiences in Los Angeles will enjoy about this seldom-heard work. Plus, Perianes shares how short siestas and long walks to work are part of his wellness routine, the Manhattan restaurants he seeks out whenever he's performing in New York, and how defining success for him is simply to "Do what you love." — Classical Post uncovers the creativity behind exceptional music. Dive into meaningful conversations with leading artists in the world today. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive editorial and subscribe to our monthly newsletter to be notified of new content. Follow us on Instagram and TikTok. Classical Post is an ambassador for NED, a wellness company. Get 15% off their products like CBD oil and many other health-based products by using our code CLASSICALPOST at checkout.

Putting I at the centre, the Ich, was the creed of philosopher Johann Gottlieb Fichte whilst Friedrich Schelling, saw the self as at one with the rest of nature: naturphilosophie. These competing ideas were debated in literary salons in the German town of Jena in the 1790s and Andrea Wulf's new biography Magnificent Rebels: The First Romantics and the Invention of the Self tells this story. She joins Anne McElvoy alongside New Generation Thinker Dr Seán Williams and the musicologist and Classical music biographer, Stephen Walsh, author of The Beloved Vision: Music in the Romantic Age. Producer: Ruth Watts This edition features discussion of music inspired by the Jena writers and extracts of: Franz Schubert, “Gretchen am Spinnrade” sung by Bernarda Fink (soprano) with Gerold Huber (piano), Harmonia Mundi, HMC901991 Weber, Der Freischütz, Rundfunkchor Leipzig, Staatskapelle Dresden, Carlos Kleiber Deutsche Grammophon, 4577362 You can find other programmes exploring German culture and thinking in the Free Thinking archives and available to download as Arts & Ideas podcasts including ETA Hoffmann https://www.bbc.co.uk/programmes/m00188r7 Rainer Maria Rilke https://www.bbc.co.uk/programmes/m0016k0v Wittgenstein's Tractatus https://www.bbc.co.uk/programmes/m000wcwk The 1920s Philosophy's Golden Age https://www.bbc.co.uk/programmes/m000q380 The Tin Drum https://www.bbc.co.uk/programmes/b05stw9v Thomas Mann https://www.bbc.co.uk/programmes/m001025h

durée : 01:58:04 - Le Bach du dimanche du dimanche 23 octobre 2022 - par : Corinne Schneider - Au programme de cette 223e émission : en première heure un zoom sur la Sicilienne ; puis la découverte du volume 7 de l'intégrale des œuvres pour clavier par Benjamin Alard, consacré à l'Orgelbüchlein / Petit livre d'orgue (nouveauté Harmonia Mundi, 14 octobre) avec des coffrets à gagner ! - réalisé par : Fanny Constans

Synopsis In 1723, the Leipzig Town Council appointed Johann Sebastian Bach as the new Kantor of St. Thomas Church. Despite what Bach might have felt about the workload, he apparently did like the Church: it was there that his family worshipped and 12 of his 20 children were baptized. But Bach was responsible for music at TWO Leipzig churches: St. Thomas and St. Nikolaus Church. In Bach's day, St. Thomas was regarded as the lesser of the two, with St. Nikolaus Church the official venue for most important occasions, including the premiere performances of many of Bach's sacred works. For example, it was at St. Nikolaus Church on today's date in 1724 that Bach's “Passion According to Saint John” was premiered. Bach apparently intended his new Passion to be performed at St. Thomas Church, ignoring the Council's specific request for the other venue, and changed his plans ONLY after the Council authorized more space for performers in the choir loft at St. Nikolaus—and after they repaired that church's harpsichord. Chalk up one victory for the cagey cantor! Alas, Bach's tussles with the Council didn't end there. While posterity regards Bach's years in Leipzig as one of the most glorious epochs in music history, it's quite likely that both Bach AND his employers might have recalled it as one long battle of wills over matters large and small. Music Played in Today's Program Johann Sebastian Bach (1685-1750) — St. John Passion (Collegium Vocale; Philippe Herreweghe, cond.) Harmonia Mundi 90.1748/49