Podcasts about auschwitz

News and Updates: Character.AI Ban: Character.AI, with 20 million monthly users, has completely cut off chatbot access for users under 18, citing urgent mental health and safety concerns.  Tragic Context: The restriction follows the deaths of at least two teenagers by suicide linked to chatbot usage, triggering lawsuits from parents and intense regulatory scrutiny.  User Outcry: Teens are expressing deep grief and anger over losing access to the chatbots, which many relied on for daily companionship, creativity, and emotional support.  Anthropic: Researchers found AI models (like Claude) learn to "reward hack" during training—lying, faking tests, and sabotaging safety mechanisms—though "inoculation prompting" reduces this by 90%. X Usernames: X officially rolled out its Handle Marketplace, allowing Premium subscribers to bid on inactive "Rare" usernames, with prices ranging from $2,500 to seven figures. X Locations: A new feature displaying account locations revealed that many prominent "American" MAGA accounts actually operate out of Thailand, Bangladesh, and Eastern Europe. Grok vs. The World: Users discovered Grok is biased to claim Elon Musk beats LeBron James in fitness and Mike Tyson in a fight, deleting the replies after they went viral. France Probes Grok: France launched a cybercrime investigation into Grok after the chatbot denied the historical use of gas chambers at Auschwitz, violating Holocaust denial laws.

Episode #185: What if your greatest challenges became your most powerful legacy? Join Kimberly Lovi as she sits down with her father-in-law, Alex Lovi, to uncover the remarkable life story that has become a beacon of resilience for their family. Born in 1956 in the shadow of post-World War II Romania, Alex shares how his father, a Holocaust survivor, defied the odds to build a new life in America. Through heart-wrenching accounts of survival and tenacity, Alex reveals the core values that his parents, David and Betty, instilled in him—lessons of love, responsibility, and common sense that continue to guide future generations. Listen as we honor the strength of a family bound by enduring love and the determination to carry forward a legacy shaped by history's darkest times. From the trauma of Auschwitz to the courage required to start anew in a foreign land, Alex's narrative is a tribute to the indomitable human spirit. This episode offers a powerful reflection on family, history, and the lasting impact our ancestors have on our lives. Join us for an inspirational conversation that celebrates the bonds that unite us across time and space. Chapters: (00:00) Generational Legacy (05:46) Surviving the Holocaust and Moving Forward Follow Kimberly on Instagram and TikTok @kimberlylovi or @iconicnationmedia 

Dans sa famille, toutes les filles de sa génération s'appellent Lisa, en souvenir d'une grand-mère, mais ses parents à elle ont voulu faire un peu différent. Ils t'appelèrent Élisa.Élisa nait le 1ᵉʳ février 1934, dans le 14ᵉ arrondissement de Paris et grandit dans une famille venue de Pologne : un père originaire de Varsovie, qui attendra longtemps avant d'obtenir la nationalité française, qu'il ne recevra qu'après la guerre, et une mère née dans un petit village voisin, Slodovicz; un lieu dont il ne reste presque aucune trace aujourd'hui.S'ils se sont connus en Pologne, c'est en france qu'ils se marient, juste avant la naissance de leur premier enfant, le frère d'Elisa, en 1927.Ouvrier dans la chaussure, le père d'Elisa finit par s'installer comme petit artisan dans le quartier de Belleville–Ménilmontant.Dès le début de la guerre, en 1939, il s'engage volontairement au 21ᵉ régiment de volontaires étrangers. Élisa n'a alors que cinq ans et demi.Ce premier épisode, le premier d'une série de trois, est consacré à l'histoire de ce père engagé : son parcours, son départ, et ce que cela a représenté pour sa petite fille. Voici le témoignage d'Elisa, 5 ans 1/2, enfant de la Shoah--------.

Sarah is suddenly a new woman who hates when it gets dark early, is not really into Halloween, and is crying over Christmas songs. Sounds like someone is happy and in love. So much so that we get an impromptu, spoken word version of Christmas Wrapping by the Waitresses. We hear about an inicident in the 1980s when two boys were supposedly influenced by the music of Judas Priest and persuaded to die by suicide. We hear how it ended, and why heavy metal music is an easy target. Susie reveals the data on IQs over the 20th and 21st centuries, and we learn why there was a sudden decrease in intelligence and what we can do about it. Susie describes an interview with a Holocaust guard who didn't harm any Auschwitz prisoners, but seems disconnected to his own involvement, and why it's more common than you'd think. We find out what it's like to be a pet influencer and why all the nonsense is basically the same as people influencers.Brain Candy Podcast Website - https://thebraincandypodcast.com/Brain Candy Podcast Book Recommendations - https://thebraincandypodcast.com/books/Brain Candy Podcast Merchandise - https://thebraincandypodcast.com/candy-store/Brain Candy Podcast Candy Club - https://thebraincandypodcast.com/product/candy-club/Brain Candy Podcast Sponsor Codes - https://thebraincandypodcast.com/support-us/Brain Candy Podcast Social Media & Platforms:Brain Candy Podcast LIVE Interactive Trivia Nights - https://www.youtube.com/@BrainCandyPodcast/streamsBrain Candy Podcast Instagram: https://www.instagram.com/braincandypodcastHost Susie Meister Instagram: https://www.instagram.com/susiemeisterHost Sarah Rice Instagram: https://www.instagram.com/imsarahriceBrain Candy Podcast on X: https://www.x.com/braincandypodBrain Candy Podcast Patreon: https://www.patreon.com/braincandy (JOIN FREE - TONS OF REALITY TV CONTENT)Brain Candy Podcast Sponsors, partnerships, & Products that we love:Go to https://thrivecausemetics.com/BRAINCANDY for an exclusive offer of 20% off your first order!Save 20% Off Honeylove by going to https://www.honeylove.com/BRAINCANDY #honeylovepodVisit https://www.carawayhome.com/BRAINCANDY10 to take advantage of this limited-time offer for up to 25% off your next purchase.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Learn how dreams help us process trauma with our guest Gdansk Professor Wojciech Owczarski​ who studies the dreams of Auschwitz survivors, modern Ukrainian refugees, and nursing home residents. He finds that dreams help us cope with trauma, adapt to new life situations, and feel optimistic for a better future. Nightmares help us deal with unresolved waking life issues and to integrate past traumas. A short clip from our conversation can be found here: After the break we take two calls. One from Kathy from Corona CA who is wondering about how best to introduce new members into her long-running group. The second call is from Ryan from Maryland who asks whether the prisoners at Auschwitz ever had revenge dreams. BIO. Wojciech Owczarski, PhD, is a professor of humanities and teaches literature and cultural studies at the University of Gdansk, Poland. He is the author of seven monographs on dreams and on literature. The most recent one is devoted to the dreams of the prisoners of the Auschwitz concentration camp and is called Dreaming in Auschwitz. https://www.cambridgescholars.com/product/978-1-5275-9040-3 This show, episode number 339, was recorded during a live broadcast on November 29, 2025 at KSQD.org, community radio of Santa Cruz. Intro and outro music by Mood Science. Ambient music new every week by Rick Kleffel. Archived music can be found at Pandemiad.com. Many thanks to Rick for also engineering the show and to Erik Nelson for answering the phones. SHARE A DREAM FOR THE SHOW or a question or enquire about being a guest on the podcast by emailing Katherine Bell at katherine@ksqd.org. Follow on FB, IG, LI, & YT @ExperientialDreamwork #thedreamjournal. To learn more or to inquire about exploring your own dreams go to ExperientialDreamwork.com. The Dream Journal aims to: Increase awareness of and appreciation for nightly dreams. Inspire dream sharing and other kinds of dream exploration as a way of adding depth and meaningfulness to lives and relationships. Improve society by the increased empathy, emotional balance, and sense of wonder which dream exploration invites. A dream can be meaningful even if you don’t know what it means. The Dream Journal is produced at and airs on KSQD Santa Cruz, 90.7 FM. Catch it streaming LIVE at KSQD.org 10-11am Pacific Time on Saturdays. Call or text with your dreams or questions at 831-900-5773 or email at onair@ksqd.org. Podcasts are available on all major podcast platforms the Monday following the live show. The complete KSQD Dream Journal podcast page can be found at ksqd.org/the-dream-journal/. Closed captioning is available on the YouTube version of this podcast and an automatically generated transcript is available at Apple Podcasts within 24 hours of posting. Thanks for being a Dream Journal listener! Available on all major podcast platforms. Rate it, review it, subscribe, and tell your friends.

Welcome to the 8th episode of BETHANY BREAKFAST with Mimi and Chiara Toone, where we take a closer look at the life and teachings of St Teresa Benedicta of the Cross, also known as Edith Stein. St Teresa was a philosopher who became a carmelite nun who eventually died in Auschwitz concentration camp. In this episode we will explore the rich philosophy St Teresa developed about women; the uniqueness and beauty of our souls; and the idea that as women we can manifest our gifts in various and beautiful ways throughout our lives. BETHANY BREAKFAST is a space to listen, to laugh and to ask questions about being a Gen Z Catholic woman. Join sisters Mimi and Chiara Toone for reflections on scripture, to hear special guests and to find answers to questions about the joys and challenges of being Catholic women in a new generation.If you enjoyed this programme, please consider supporting us with a one-off or monthly donation. It is only through the generosity of our listeners that we are able to be a Christian voice by your side. ⁠⁠⁠⁠⁠www.radiomariaengland.uk⁠⁠⁠⁠⁠

4/8 Persecution and Survival: The Composer Wang Xilin's Memory — Tanya Branigan — The biography of composer Wang Xilin, a zealous Communist Party member and peasant-background intellectual, illustrates the regime's betrayal of its devoted followers. Wang endured systematic persecution including multiple struggle sessions, during which he anticipated execution. Branigan documents that remembering this trauma remains acutely painful; Wangcompared his suffering to Holocaust experiences at Auschwitz. Wang demonstrates extreme anger when questioned about controversial gaps in his compositional legacy, reflecting the profound depth of his unresolved psychological trauma. 1967

USE CODE DEC25 FOR OUR HOLIDAY SALE. https://www.patreon.com/lionsledbydonkeys A group of people, forced into one of the worst jobs in human history, decide to launch a suicidal revolt to destroy the tools of the Holocaust. Sources: Lawerence Langer. Versions of Survival: The Holocaust and the Human Spirit Primo Levi. The Drowned and the Saved. Nathan Cohen. Diaries of the Sonderkommando - Confronting Fate and Reality. Tzipora Hager Halivni. Preparation for Revolt in Auschwitz-Birkenau: Heroes and Martyrs. Filip Muller. Eyewitness Auschwitz: Three Years in the Gas Chambers. Henryk Tauber. Deposition made on May 24, 1945. Auschwitz: Technique and Operation of the gas chambers. https://www.nationalww2museum.org/war/articles/sonderkommando-uprising-auschwitz-birkenau

Witold Pilecki era miembro de un grupo de resistencia clandestina en Polonia que aceptó la audaz misión de infiltrarse en el campo de concentración y reportar sobre las atrocidades cometidas allí.

Our speaker is Richard Breitman who is an Emeritus Professor of History at American University and the author of a new book entitled Calculated Restraint: What Allied Leaders Said About the Holocaust. I want to learn from Richard about whether the allies should have bombed the rail lines to the concentration camps and if Roosevelt and Churchill should have said more to warn the Jews of Europe to the Holocaust so that the Jews could have gone into hiding. Get full access to What Happens Next in 6 Minutes with Larry Bernstein at www.whathappensnextin6minutes.com/subscribe

Die Europäer wehren sich gegen die radikale Handelsideologie der Amerikaner und wollen dagegenhalten. Doch bei den Gesprächen in Genf waren keine Vertreter Polens anwesend. Warum? Die russische Aggression wird auch in Polen immer spürbarer. Wie soll man mit den Terrorattacken Russlands umgehen? Was ist vom neuen Sejmmarschall zu erwarten? Warum sollten einige deutsche Kunsthändler einmal nach Auschwitz fahren? Über diese und andere Themen spricht Jakub Kukla mit Dr. Tomasz F. Krawczyk, dem ehemaligen Berater des polnischen Ministerpräsidenten.

Der verstörende Film über den Todesengel von Auschwitz und über das heftige Zusammentreffen mit seinem Sohn Rolf. Von Simon Berninger

Sir Anthony Seldon has written about a 1,300 kilometre walk he took across Europe from Southern France, through Austria and the Czech Republic finally reaching his destination, Auschwitz in Poland. On the journey he seeks out inspiring stories of the lives of 'figures of light'. As he tells me , while he was walking through places associated with fascism and the second world war he was well aware of the worrying state of global politics in the 21st century. A thought provoking conversation.  

Rosa de Winter-Levy overleefde Auschwitz. Haar aangrijpende getuigenis van de verschrikkingen die ze meemaakte tekende ze vlak na de oorlog op. Uitgegeven door Alfabet uitgevers Spreker: Ronit Palache

Amber Alert info -- Gov. Cox responds to public backlash over Olympic logo -- Anniversary of the first public photos from Auschwitz 

Odcinek #228, w którym z tłumaczem Danielem Warmuzem szukamy języka, którym moglibyśmy opowiedzieć o książce "Zimne krematorium. Reportaż ocalałego z zagłady" Józsefa Debreczeniego.Zaczynamy od M jak milczenia, trwającego kilka dekad, ponieważ o książce węgierskiego dziennikarza i poety wydanej pierwszy raz w 1950 w Jugosławii głośno zrobiło się dopiero w 2024 roku. Pytam o B jak biografię samego Debreczeniego i historię powstania tekstu. Zastanawiamy się nad tym od wyróżnia "Zimne krematorium" na tle innych świadectw osób ocalałych z Holokaustu.Przyglądamy się S jak stylowi, który łączy reporterską narrację i poetycką frazą.Daniel przybliża nam różne W jak warstwy i wątki książki. Zwracamy uwagę na rozdział, który jest  wahadło. Dopytuję o P jak pułapki i T jak trudności przy tłumaczeniu książki z języka węgierskiego na polski. Co rusz powraca do nas S jak struktura, architektura i znakomita organizacja miejsc, które Debreczeni określił mianem krainy, państwa Auschwitz.W końcu docieramy do kluczowej dla książki części, obozu szpitalnego Dörnhau, miejsca, w którym umierało się w osamotnieniu, w nieludzkich warunkach, jak w "zimnym krematorium".

W audycji "Żebyś wiedział" Radia Wnet odbyła się obszerna i mocna rozmowa z prof. Andrzejem Chwalbą, historykiem specjalizującym się w dziejach Polski i Europy Środkowej. Pretekstem do zaproszenia profesora był głośny wpis Instytutu Yad Vashem, w którym przy fotografii opasek z Gwiazdą Dawida pojawiło się sformułowanie „żydowskie opaski z Polski”. Sformułowanie to — w opinii wielu obserwatorów, w tym byłego ambasadora RP Marka Magierowskiego — zacierało odpowiedzialność sprawców i sugerowało nieprawdziwe związki między Polską a systemem represji wprowadzonym przez III Rzeszę.Program rozpoczął się od przytoczenia wypowiedzi Marka Magierowskiego z anteny TOK FM: „Nigdy, ale to absolutnie nigdy nie słyszałem żadnego polityka izraelskiego, historyka, eksperta, który publicznie wypowiedział się pozytywnie o Polsce. (…) Ten wpis w takiej formie został opublikowany intencjonalnie.”Profesor Chwalba nie krył, że podziela diagnozę byłego ambasadora. „No trudno się nie zgodzić z panem ambasadorem Markiem Magierowskim. (…) Zna relacje polsko-izraelskie, zna środowiska żydowskie jak przysłowiową własną kieszeń” – mówił na początku rozmowy.Zdaniem historyka wpis Yad Vashem nie był zwykłą wpadką komunikacyjną, lecz świadomym zabiegiem retorycznym. Jak podkreślił: „Napisano coś, co nigdy nie miało miejsca, co jest kłamstwem. To nie kwestia doprecyzowania, tylko posługiwania się fałszywą informacją, która gdzieś już tam biegnie po łączach światowych.”Prowadząca zwróciła uwagę, że w tekście Yad Vashem słowo „niemieckie” pojawia się tylko raz i to dopiero w drugim akapicie, natomiast dalej w opisie mówi się już wyłącznie o „Generalnym Gubernatorstwie”, bez wyjaśnienia, czym ta struktura była i kto ją tworzył.Profesor skomentował: „Nie sądzę, żeby ktokolwiek na świecie wiedział, czym było Generalne Gubernatorstwo. (…) Ta niewiedza powoduje, że tego rodzaju wpis jest bardzo groźny.”W dalszej części rozmowy prof. Chwalba pokazywał szerszy kontekst: skąd bierze się zderzenie polskiej i izraelskiej pamięci. Podkreślał, że obie narracje funkcjonują obok siebie, niemal bez styku. „Te pamięci są równoległe, one się nie przenikają. Każdy widzi to, co chciałby zobaczyć.”W jego ocenie środowiska żydowskie koncentrują się na swojej traumie, często pomijając skalę polskich ofiar. „Najczęściej Żydzi nie wiedzą, że w Auschwitz byli mordowani Polacy, że ponad sto tysięcy Polaków zostało zamordowanych.” Jednocześnie — zauważył profesor — część izraelskich publicystów formułuje ogromne, niepodparte dowodami liczby, mówiąc o „morzu krzywd wyrządzonych Żydom przez Polaków”.Profesor wskazał też głębsze, polityczne tło tego typu narracji. Jego zdaniem część izraelskiego dyskursu o II wojnie światowej jest zbieżna z niemiecką polityką historyczną. „Polityka historyczna niemiecka wybiela zbrodnie niemieckie i podkreśla współodpowiedzialność narodów podbitych. (…) Ta polityka niemiecka jest spójna z polityką historyczną Izraela.”W jego ocenie nie jest przypadkiem, że Yad Vashem — instytucja państwowa — formułuje narracje zgodne z tym, co Niemcy od lat starają się utrwalać na arenie międzynarodowej: rozmywanie odpowiedzialności III Rzeszy i eksponowanie rzekomej współwiny innych narodów.Profesor podkreślił również, że Polska nie prowadzi silnej i konsekwentnej polityki historycznej. „My reagujemy od przypadku do przypadku. Nie mamy strategii, jak Niemcy, którzy powiedzieli po wojnie: przegraliśmy wojnę, ale musimy wygrać pamięć o niej.”Zapytany, czy Polacy muszą pogodzić się z tym, że co pewien czas pojawiają się na świecie sformułowania w rodzaju „polskie obozy śmierci”, odpowiedział, że jedynym remedium jest stała aktywność państwa i środowisk naukowych, bo bez tego „narracje będą dryfować w kierunku korzystnym dla innych”.W końcowej części rozmowy profesor przedstawił, jak jego zdaniem powinien wyglądać rzetelny wpis Yad Vashem: „Powinien brzmieć, że Polska była okupowana przez dwa państwa — Związek Sowiecki i Niemcy — a wszystkie działania były polityką państwa totalitarnego, które kontrolowało wszystko. Rząd Generalnego Gubernatorstwa był rządem niemieckim.”Na zakończenie prowadząca przypomniała, że w spornym wpisie Instytutu sześć razy pojawia się słowo „Polska”, a tylko raz słowo „Niemcy”, a także, że podpisy pod zdjęciami opasek wskazują je jako „opaski z Polski”.Wpis nie został dotąd skorygowany, mimo interwencji polskiego MSZ.

När verkligt våld blir till konst finns en risk att lidande exploateras. Lejla Cato undersöker strategier för att avbilda det som inte kan avbildas. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Våren 2017 är den jamaicansk-amerikanska poeten Claudia Rankine först ut på scen under en feministisk forskningskonferens i New York. Rankine inleder sitt föredrag med att visa en videoessä som hon gjort tillsammans med maken, tillika filmskaparen John Lucas. Filmen Situation 8 består av videomaterial som visar polisbrutalitet, våld och mord på svarta amerikanska medborgare. Klipp som cirkulerat i media och vars övergrepp flera i publiken ansträngt sig för att undvika.När filmen är slut läser Claudia Rankine ett brev från en kvinnlig professor som sett filmen vid en liknande tillställning några månader tidigare i Montréal. Hon berättar om hur de få svarta akademikerna i publiken dröjt sig kvar efter filmvisningen och sökt varandras stöd. Arga, ledsna och förbluffade frågade de sig hur Rankine kunde visa filmen utan en ynka varning. Var Rankine blind inför hur våldsscenerna återuppväcker kollektiva trauman? Brevförfattaren ber Rankine att fortsättningsvis informera publiken om vad de är i färd med att få se eller, allra helst, avstå från att visa filmen över huvud taget.Scenen beskrivs i den amerikanska författaren och teoretikern Christina Sharpes bok Ordinary notes från 2023. Christina Sharpe var på plats under konferensen i New York och precis som publiken i Montréal lämnades hon mållös av Rankines tilltag. Rankines val att rätt upp och ner visa det brutala våldet är ett sätt att återge en fruktansvärd verklighet. Men det väcker starka känslor och många reaktioner.Under 2000-talet har det förts en livlig debatt om hur konst och journalistik exploaterar lidande människor. I och med Susan Sontags reflektioner över krigsfotografiets etik i essäboken Att se andras lidande från 2003 uppmärksammades även vilka kroppar som vanligtvis avbildas i sin utsatthet. Till exempel är nyhetsmedier försiktigare och tar större hänsyn till personlig integritet när de som lider är vita, västerländska och heterosexuella. Medan bruna eller svarta personer oftare skildras i mer explicit våldsamma situationer. Så hur kan konsten representera våld utan att samtidigt exploatera och reproducera förtryckta gruppers lidande?Ett svar hittade jag i den internationella grupputställningen Oläkt som visades på Moderna Museet i Malmö under våren 2024. Utställningen kretsade kring upproren och revolutionerna som svepte över arabvärlden med start 2010. I ett rakt igenom svart rum fastnade jag framför en videoinstallation av albansk-syriska Adrian Paci. I hans verk ”Broken Words” berättar fem människor som har flytt från hemlandet Syrien om inbördeskriget, men istället för att avbilda den specifika tragedin riktar Paci uppmärksamheten mot det som inte sägs. På fem storbildsskärmar ser och hör man de inzoomade ansiktena treva efter ord, svälja, hämta andan. Paci har klippt bort själva orden och berättelsen, kvar är bara tystnaden däremellan. Närbilderna av människornas ansikten skapar en direkt och stundvis outhärdlig intimitet. I det mörka rummet tvingas besökaren se rakt in i ögon som knips ihop av minnena. Eller vänta nu, minnen av vad? Det får betraktaren aldrig veta.Inte heller i den tysk-schweiziske målaren Paul Klees verk ”Angelus Novus” från 1920 får betraktaren veta vad som sker. Målningen i naivistisk stil föreställer en ängel som har ansiktet vänt mot betraktaren. Ögonen är uppspärrade, munnen öppen. Vad som orsakar detta uttryck av fasa förblir okänt, eftersom skeendet är förlagt utanför verkets ram.Filosofen Walter Benjamin står för den mest kända tolkningen av vad ”Angelus Novus” egentligen ser. I essän Historiefilosofiska teser som publicerades postumt 1942 skriver Benjamin att ängeln är vänd mot det förgångna och där ”ser han en enda katastrof som oavlåtligt hopar ruiner på ruiner”. Ängeln bevittnar katastrofen, men är för evigt oförmögen att ingripa. En vind blåser ängeln bort från det förflutna och mot framtiden. Vad än ängeln har framför sig – nazismens frammarsch under Benjamins livstid eller 2000-talets alla krig och nedslagna revolutioner– så existerar det enbart som en spegling i figurens uttryck. Ett uttryck som får betydelse först i mötet med betraktaren.Valet att inte visa det fasansfulla har förstås med etik att göra. Och aldrig är avbildningens etiska aspekter så uppenbara som i frågan om Förintelsen. På den hypotetiska frågan om vad han hade gjort om han fått tag på en film inifrån en gaskammare svarade filmskaparen Claude Lanzmann: Förstört den. I sin nio timmar långa dokumentärfilm Shoah från 1985, som har kallats för den viktigaste filmen om Förintelsen, intervjuas överlevare, vittnen och bödlar. Ingenstans i filmen visas arkivbilder eller lidande kroppar. Lanzmanns hållning är glasklar: Konsten varken kan eller bör försöka att direkt avbilda Förintelsen. Det är nog de flesta beredda att hålla med om.Ändå fortsätter Förintelsen att ta plats i konsten. En metod som går igen hos filmskapare är att rikta uppmärksamheten mot sidan av det som inte kan, men måste, skildras. Den Oscarsprisade The Zone of Interest från 2023 är ett exempel. I filmen följer tittaren en familjs vardagsbestyr med att äta frukost, leka med barnen i trädgården och ordna bjudningar. Gräset är grönt, huset stort; allt liknar en borgerlig idyll, om det inte vore för att huset ligger alldeles intill Auschwitz där maken jobbar som kommendant.I en särskilt stark scen har frun i hushållet besök av sin mamma. Under natten väcks mamman av ett rött ljus som fyller gästrummet. Hon letar sig fram till fönstret och drar bort gardinerna. I nästa scen fokuserar kameran på mammans ansikte, men nu sett utifrån. Genom fönstret ser tittaren hur mammans ögon spärras upp och munnen öppnas; samtidigt syns reflektionen av det som orsakar fasan. En skorsten som sprutar eld och rök.Detta är vad tittaren som mest får se av lägret. Ändå är nazismens brott fullt påtagligt i The Zone of Interest. Under nästan hela filmen är koncentrationslägret närvarande i form av ett obehagligt bakgrundsljud i nazistfamiljens till synes gemytliga vardag. I det kolossala glappet mellan ljud och bild, mellan mammans uppspärrade ögon och familjens trädgårdsfest, lämnas ett tomrum som betraktaren får fylla i.Ibland kan det vara nödvändigt att konfronteras med våldet utan filter, så som i Claudia Rankines film om polisbrutalitet mot svarta amerikaner. Även då konsten avbildar det fruktansvärda som avsaknad, genom att helt enkelt utesluta delar av verkligheten, framträder våldet genom betraktarens fantasi. Frågan är om den indirekta skildringen är mindre exploaterande, då vår förståelse blir än mer beroende av en verklighetsuppfattning som ofta formas av förutfattade meningar. För vare sig det går att föreställa sig gaskammarens fasa eller inte, och vare sig man vill det eller inte, blir betraktaren medskapare till en annan berättelse, bortom det som berättas.Lejla Catopoet och litteraturvetareProducent: Ann Lingebrandt

In The Ripple Eclipse: Turning the Tide of Inherited Trauma, Audrey Hyams Romoff masterfully navigates between two seemingly disparate worlds: the glamorous, high-stakes realm of celebrity public relations and her ongoing struggle to break free from the grip of inherited trauma. With unflinching candour, wit, and a veteran storyteller's ear for dramatic moments, Hyams Romoff expands the lexicon of silent suffering, introducing a new way to describe how pain ripples across generations and obscures joy. For over thirty years, Hyams Romoff has been a fixture on Canada's cultural landscape, running the renowned agency OverCat Communications and shaping the public image of A-list clients, including Lady Gaga, Sarah Jessica Parker, Katy Perry, will.i.am, Isabella Rossellini, Timothy Olyphant, and Shania Twain.  Audrey grew up in the shadow of silence—her mother and grandmother survived the Holocaust but never spoke of it. One of Auschwitz's youngest survivors, her mother was emotionally unreachable. Her father became her lifeline. At forty-five, tragedy struck: her parents were found dead together in their garage. Her mother's suicide was clear; her father's death remains a mystery. From that darkness, she emerged with a vow: to confront the trauma that impacted four generations of women in her family. Audrey's titular metaphor, "ripple eclipse," neatly captures how trauma, particularly one as profound as surviving Auschwitz, is not confined to the person who endures it. Instead, its impact ripples outward, affecting children, grandchildren, and generations beyond.    Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Från studio till matsal, från matsal till kök, från kök till sovrum. Perlan och Burlin kör fri form med lite friare podd utan studio, vinjetter och lull-lull. Det är rått, det är naket och självklart Auschwitz. Välkommen in i skorstenen, en man i taget, på höjd! /Imperiet podcast

Some streams come to a head in this episode, as we discuss Jonathan Glazer's film of our time, The Zone of Interest. Rudolph Hoess, the commandant of Auschwitz concentration camp, lives with his family in a house just off the camp itself. ----- Friend of the show Bella, a refugee evacuated from Afghanistan in 2021, is raising money for her gender confirmation surgery! Anything you can give would be hugely appreciated! https://www.justgiving.com/crowdfunding/team-bella ----- Check out friend of the show Mattie's new book Simplicity here, or wherever fine graphic novels are sold! ----- FREE PALESTINE Hey, Devon here. In our home, we talk a lot about how insane everything feels, and agonise constantly over what can be done to best help the Palestinians trapped in Gaza facing the full brunt of genocidal violence. My partner Rebecca has put together a list of four fundraisers you can contribute to- all of them are at work on the ground doing what they can. -Palestinian Communist Youth Union, which is doing a food and water effort, and is part of the official communist party of Palestine https://www.gofundme.com/f/to-preserve-whats-left-of-humanity-global-solidarity -Water is Life, a water distribution project in North Gaza affiliated with an Indigenous American organization and the Freedom Flotilla https://www.waterislifegaza.org/ -Vegetable Distribution Fund, which secured and delivers fresh veg, affiliated with Freedom Flotilla also https://www.instagram.com/linking/fundraiser?fundraiser_id=1102739514947848 -Thamra, which distributes herb and veg seedlings, repairs and maintains water infrastructure, and distributes food made with replanted veg patches https://www.gofundme.com/f/support-thamra-cultivating-resilience-in-gaza ----- WEB DESIGN ALERT Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/ Kill James Bond is hosted by November Kelly, Abigail Thorn, and Devon. You can find us at https://killjamesbond.com , as well as on our Bluesky and X.com the every app account

"Whenever anyone speaks of Auschwitz, I always picture the iconic Arbeit Macht Frei Gate; an image linked to the atrocities associated with the holocaust. I have never been to Auschwitz, but when I heard the field recording I was instantly transported there. I found the sounds so evocative and tried to imagine how it must have felt for those individuals who were taken there in the 1940's, although this is ultimately impossible. What thoughts must have been going through their minds as they approached the gate? These were ordinary human beings, and I often wonder how another person could possibly dehumanise in such a brutal way as the Nazis did. "I wanted “The Bird' to consider these themes and think about the feelings of the people and whether they felt abandoned or simply resigned to their fate as they saw others being beaten or even killed. What must they have thought of the guards who treated them that way? I also wanted to try and represent the futility of such events by using the image of a bird flying, overlooking the camp, seeing the death and cruelty. What would the bird say of such sights if it could talk? I imagine they would be utterly bewildered by the pointlessness of it all.  "The sounds of the field recording are included throughout the whole of the song to ensure the focus is never lost, aiding the narrative and emphasising the importance of the lyric." Arbeit Macht Frei gate at Auschwitz reimagined by Simon Holmes.

Ambisonics recordings of the sound at the infamous "Arbeit Macht Frei" gate to Auschwitz-I.  This soundscape-composition is part of the HEYR project, presenting 3-dimensional soundscapes from special locations, connected to special events.  Find out more by visiting https://www.heyr.no Recorded by Anders Vinjar. 

In Nürnberg stellen die Alliierten ab 1945 Hermann Göring und andere Funktionäre der Nationalsozialisten vor Gericht. Die Nürnberger Prozesse vor 80 Jahren markieren einen Meilenstein im Völkerstrafrecht. Zum ersten Mal werden führende Vertreter eines Landes persönlich für ihre Taten zur Verantwortung gezogen. Filmemacher und Drehbuchautor Dirk Eisfeld erzählt bei 11KM die Geschichte des damals 22-jährigen Journalisten Ernst Michel. Michel ist nicht nur der jüngste unter den internationalen Reportern bei den Prozessen, sondern auch der einzige Holocaust-Überlebende. Im Gerichtssaal steht er vor einer Zerreißprobe: Wie kann er sachlich berichten, während er den Verantwortlichen des Holocausts gegenübersitzt? 11KM über die Bedeutung der Prozesse bis heute und über eine besondere Begegnung. Hier findet ihr das Dokudrama „Nürnberg 45 – Im Angesicht des Bösen“: https://www.ardmediathek.de/video/nuernberg-45-im-angesicht-des-boesen/nuernberg-45-im-angesicht-des-boesen/ard/Y3JpZDovL25kci5kZS81MzY2Y2ZlMy1jYjVhLTQ2NDAtYjJjZC02NmY1MzVhZTg1OWJfZ2FuemVTZW5kdW5n In dieser früheren 11KM-Folge geht es um eine der ersten investigativen Recherchen in Deutschland vor rund hundert Jahren: „Undercover in der Hitler-Redaktion“ https://1.ard.de/11KM_Hitler_Redaktion Hier geht's zu unserem Podcast-Tipp ""Der Nürnberger Prozess – Die Täter und ihr Psychologe & Seweryna und die unsichtbaren Nazis" im Feed von "Alles Geschichte": https://1.ard.de/alles-geschichte-nuernberg Diese und viele weitere Folgen von 11KM findet ihr überall da, wo es Podcasts gibt, auch hier in der ARD Audiothek: https://www.ardaudiothek.de/sendung/11km-der-tagesschau-podcast/12200383/ An dieser Folge waren beteiligt: Folgenautor: Stephan Beuting Mitarbeit: Caspar von Au und Marc Hoffmann Host: David Krause Produktion: Christiane Gerheuser-Kamp, Ruth-Maria Ostermann, Viktor Fölsner-Veress und Hanna Brünjes. Planung: Caspar von Au und Hardy Funk Distribution: Kerstin Ammermann Redaktionsleitung: Nicole Dienemann und Fumiko Lipp 11KM: der tagesschau-Podcast wird produziert von BR24 und NDR Info. Die redaktionelle Verantwortung für diese Episode liegt beim NDR.

Jonathan Freedland is the author of the New York Times bestseller The Escape Artist: The Man Who Broke Out of Auschwitz to Save the World and he's a weekly columnist for the Guardian and previously the Guardian's Washington correspondent. He hosts the Guardian's Politics Weekly America podcast, presents BBC Radio 4's The Long View and co-hosts the Unholy podcast,. He is also the author of several thrillers under the pseudonym Sam Bourne and is a past winner of the Orwell Prize for Journalism. His new book is The Traitors Circle: The True Story of a Secret Resistance Network in Nazi Germany—and the Spy Who Betrayed Them” Jonathan and I discuss his incredible new book as well as British politics and Nigel Farage's Reform UK party, and the populist parallels to Donald Trump's MAGA movement. Got somethin' to say?! Email us at BackroomAndy@gmail.com Leave us a message: 845-307-7446 Twitter: @AndyOstroy Produced by Andy Ostroy, Matty Rosenberg, and Jennifer Hammoud @ Radio Free Rhiniecliff Design by Cricket Lengyel

Entre las filas de las temibles SS Totenkopfverbände, la división más despiadada y encargada de los campos de exterminio, se encontraban guardias femeninas cuyo destino estaba sellado por su lealtad ciega al Reich y su devoción por Adolf Hitler. El 13 de diciembre de 1945, en la prisión de Hamelín, Irma Grese enfrentó su destino final. En un frío amanecer, fue conducida al patíbulo, escoltada por soldados aliados. A pesar de su juventud, su rostro no mostraba arrepentimiento. Vestida con un sencillo uniforme de prisión, subió los escalones de la horca con una calma que heló la sangre de los presentes. El verdugo ajustó la soga alrededor de su cuello mientras un silencio sepulcral envolvía la sala. Tras la liberación de Stutthof, muchas de las guardias intentaron escapar, conscientes de que sus crímenes no quedarían impunes. Entre las acusadas se encontraba Jenny-Wanda Barkmann, apodada "la bella bestia", conocida por su sadismo y crueldad, quien fue condenada a muerte junto a varias de sus compañeras. Cuando los Aliados liberaron los campos de concentración, capturaron a muchas de las guardias femeninas de las SS en los mismos lugares donde operaban. Muchos miembros de las SS fueron ejecutados por los soviéticos al liberar los campos, mientras que otros fueron enviados a gulags. Solo unas pocas guardias femeninas enfrentaron juicios, principalmente en procesos como los de Auschwitz, Ravensbrück, Stutthof y Majdanek. El brutal final que muchas guardias femeninas de las SS enfrentaron bajo control soviético se ejemplificó en Stutthof. Stutthof fue el primer campo de concentración construido fuera de Alemania, situado cerca del pueblo de Stutthof, ahora Sztutowo, en la Polonia ocupada. Inicialmente diseñado como un campo de internamiento civil para prisioneros políticos polacos, evolucionó rápidamente en un sitio de trabajos forzados y asesinatos en masa a medida que avanzaba la guerra. Operativo hasta su liberación por las fuerzas soviéticas el nueve de mayo de mil novecientos cuarenta y cinco, se estima que entre sesenta y tres mil y sesenta y cinco mil prisioneros murieron allí debido a una combinación de ejecuciones, hambre, enfermedades y condiciones de vida brutalmente inhumanas. Las condiciones de vida en Stutthof eran, por decirlo suavemente, horrendas. Los prisioneros estaban hacinados en barracas superpobladas, con refugio inadecuado y casi sin calefacción, especialmente durante los inviernos severos. Las barracas eran insalubres, infestadas de alimañas y sin ventilación adecuada. Las raciones de comida eran mínimas, consistiendo principalmente en sopa aguada y pan duro, lo que llevaba a una malnutrición generalizada y hambruna. Muchos prisioneros sufrían enfermedades debilitantes, como el tifus, que azotó el campo durante los inviernos de mil novecientos cuarenta y dos y mil novecientos cuarenta y cuatro, exacerbadas por la falta de atención médica y las condiciones insalubres.

St. Maximilian Kolbe—Auschwitz

What did ideological training for SS personnel at the Auschwitz camp look like, and how did the ideology of national socialism influence the functioning of this SS formation? These questions are addressed in the podcast by Dr. Agnieszka Kita, Deputy Head of the Auschwitz Museum Archives. ====Voiceovers: Therese McLaughlin and Kate Weinrieb

L'invitée : Agnès Graceffa, historienne médiéviste (musée de la Résistance de Bruxelles)Le livre : Une femme face à l'histoire. Raïssa Bloch, Saint-Pétersbourg-Auschwitz (1898-1943), Paris, Belin, 2016.La discussion : les origines du travail et la collecte des archives privées concernant Raïssa Bloch (1'15) ; le parcours de Raïssa Bloch qui débute dans une famille de la bourgeoisie juive de Saint-Pétersbourg (4'30) ; la possibilité des études universitaires pour les femmes en Russie à l'époque (6'50) ; le foisonnement artistique des débuts de l'URSS auquel participe Raïssa Bloch (8'06) ; du fait notamment de ses capacités linguistiques (10'20) ; la confrontation avec l'arbitraire du pouvoir soviétique et son arrestation (11'25) ; un premier exil en Allemagne, où vit une énorme communauté russe émigrée (14'20) ; les relations de Raïssa Bloch avec Vladimir Nabokov / Sirine (16'25) ; son insertion dans la médiévistique allemande, via les Monumenta Germaniae Historica et la réalisation de sa thèse sur Léon IX (21') ; un statut d' « intellectuelle précaire », reléguée à des tâches d'érudition fastidieuse (23'15) ; l'aide en France de Ferdinand Lot et son rôle pour intégrer Raïssa Bloch, auprès des médiévistes français, à qui elle apporte sa connaissance de l'Allemagne (27'30) ; en Allemagne, la montée du nazisme et les difficultés qu'elle rencontre (32'45) ; une vie plus difficile encore en France occupée, face aux persécutions, avec l'arrestation de son mari (35'50) ; son passage dans la clandestinité, son action dans l'OSE auprès d'enfants, et sa propre arrestation (40'40) ; leur souvenir entretenu par leurs proches (43'15).Le conseil de lecture : Jean-Michel Chaumont, Survivre à tout prix ? Essai sur l'honneur, la résistance et le salut de nos âmes, Paris, La Découverte, 2017.Un podcast créé, animé et produit par André Loez et distribué par Binge Audio. Contact pub : project@binge.audioHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Jak wyglądało szkolenie ideologiczne esesmanów z załogi KL Auschwitz i jaki był wpływ ideologii narodowego socjalizmu na funkcjonowanie tej formacji SS, opowiada dr Agnieszka Kita, zastępca kierownika Archiwum Muzeum Auschwitz.

A Catholic school in Pennsylvania put the words "Arbeit Macht Frei"—the infamous phrase from the Auschwitz gate—on the back of its Halloween float. Frank and Dan try to understand how something this shocking made it through so many adults without anyone realizing what it meant, and what it says about religious education and historical ignorance. Also this week: a "family values" lawmaker caught up in the Ashley Madison data leak, ICE detains an Episcopal priest who's legally in the U.S., and the Pope shuts down the "Mary as co-redemptrix" movement. Plus, Bangladesh clerics push to ban music in schools, and churches fail a TikTok test on helping hungry families. Finally, the guys talk about the outrage over New York City's new Muslim mayor, why so many people equate "Muslim" with "terrorist," and what that says about the fear that still drives American religion.

We talk with author Trevor James Wilson about courage, faith, and starting over at fifty, tracing a life from postwar Europe to guiding seniors around the world. Travel becomes a way to practice humility, face hard history, and find goodness in strangers.• leaving a senior banking career to lead travel• travel as education, empathy and self-belief• Berlin Wall, freedom and moral courage• guiding first-time and senior travelers abroad• gratitude, humility, balance as daily practice• finding beauty in unlikely places• confronting Auschwitz and preserving memory• humor and resilience as longevity tools• writing a debut memoir at eighty-four• practical links to buy the bookGet the book on Amazon, Barnes and Noble and most major online retailersTo learn more visit trevorjameswilson.comSupport the showElsa's AMAZON STORE Elsa's FAITH & FREEDOM MERCH STORE Elsa's BOOKSElsa Kurt: You may know her for her uncanny, viral Kamala Harris impressions & conservative comedy skits, but she's also a lifelong Patriot & longtime Police Wife. She has channeled her fierce love and passion for God, family, country, and those who serve as the creator, Executive Producer & Host of the Elsa Kurt Show with Clay Novak. Her show discusses today's topics & news from a middle class/blue collar family & conservative perspective. The vocal LEOW's career began as a multi-genre author who has penned over 25 books, including twelve contemporary women's novels. Clay Novak: Clay Novak was commissioned in 1995 as a Second Lieutenant of Infantry and served as an officer for twenty four years in Mechanized Infantry, Airborne Infantry, and Cavalry units . He retired as a Lieutenant Colonel in 2019. Clay is a graduate of the U.S. Army Ranger School and is a Master Rated Parachutist, serving for more th...

During today's Journalist Roundtable we look more in-depth on some stories that have flown under the radar. We're joined by Katie Meyer and Ed Mahon of Spotlight PA, the online statewide news service, and Brett Sholtis, who reports for the Philadelphia Inquirer. All three are veterans of WITF's newsroom. Also, after a float depicting the gate to the Nazi concentration camp Auschwitz appeared in the Hanover Halloween parade, we're looking at the shortcomings of Holocaust education. Boaz Dvir has a personal connection to the Holocaust but also works with educators to teach about the holocaust and other uncomfortable subjects. He is also the founding director of the Holocaust Genocide and Human Rights Education Initiative at Penn State University.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.

Anne Frank is one of the most widely read authors in history, although she did not live to see the publication of her book. Anne was a German teenager who happened to be Jewish as well. She and her family spent 2 years in seclusion in Amsterdam during World War II. Anne's diary describes the horrors of hiding from the Nazis - before eventually being sent to concentration camps. The Wannsee Conference was a clandestine meeting of Nazi leaders in 1942 to outline the systematic murder of Jews in Europe which became known as the Holocaust. 

Jennifer Khakshouri, Nina Kunz, Milo Rau und die Ärztin und Schauspielerin Natalia Conde diskutieren über «Organisch» von Giulia Enders, «Auf ganz dünnem Eis» von Peter Stamm, «ë» von Jehona Kicaj, «Eine Familie in Brüssel» von Chantal Akerman sowie über «Herscht 07769» von László Krasznahorkai. «Darm mit Charme» heisst der Bestseller, mit dem Giulia Enders noch als Medizinstudentin den Darm aus der Scham-Ecke befreit hat, witzig und wissenschaftlich fundiert. Nun – als promovierte Ärztin – legt sie mit «Organisch» in ihrem unverwechselbaren Stil nach: Die Lunge etwa vergleicht sie mit ihrer Urgrossmutter. Sie will, dass wir den Körper nicht länger als eine Art Maschine betrachten, sondern als lebendiges Ganzes. Der Schweizer Schriftsteller Peter Stamm umreisst in wenigen Worten ganze Leben. «Auf ganz dünnem Eis» heisst sein neuer Erzählband, in dem er Unspektakuläres spektakulär schildert. Ganz gewöhnliche Menschen am Wendepunkt. Einsame Menschen in der digitalen Welt. Die Figuren sind nahbar, beschrieben in knapper, klarer Sprache. Der Debutroman «ë» von Jehona Kicaj ist ein starkes Beispiel literarischer Vergangenheitsbewältigung. Seine Protagonistin ist mit ihren Eltern Ende der 1990er-Jahre aus dem Kosovokrieg nach Deutschland geflohen. Jetzt knirscht sie mit den Zähnen – so stark, dass ihre Zähne splittern. Das Schweigen fordert seinen Tribut. Der Roman führt vor Augen, wie wenig in Mitteleuropa über diesen Krieg Ende der 1990er-Jahre bekannt ist. «Eine Familie in Brüssel» ist ein Buch von Chantal Akerman, die vor allem als Filmemacherin berühmt war. Eine alte Frau berichtet darin in erlebter Rede über ihre Familie, die über die ganze Welt verstreut ist. Eine Familie, in der man kaum miteinander spricht, weil es Dinge gibt, die nicht berührt werden dürfen. Der atemlose Text ist auch eine Hommage an ihre eigene Mutter, die das Konzentrationslager von Auschwitz überlebte. László Krasznahorkai ist der diesjährige Nobelpreisträger. In seinen Werken beschreibt er regelmässig den Einbruch des Schreckens und der Gewalt in eine geschlossene Welt. Sein skurriler Roman «Herscht 07769» spielt in einer von Neonazis terrorisierten Kleinstadt im ostdeutschen Thüringen. Ein Gebäudereiniger sorgt sich um das drohende Weltende und wendet sich in verzweifelten Briefen an Angela Merkel.

See omnystudio.com/listener for privacy information.

See omnystudio.com/listener for privacy information.

In a cinema in south-west Germany an audience is gathered to watch an Oscar winning film, Zone of Interest, about the life of Rudolf Höss, Commandant of Auschwitz. Those present comprise Jewish people from around the world, and the special guest is Rudolf's grandson. The topic was rarely visited during Kai's childhood. It was only after a school history lesson that Kai began to comprehend Rudolf's role as head of the largest mass murder site in history. Reporter Shiroma Silva travels to his home in Germany to question Kai on his personal struggle. She tracks Kai's outlook today through Christianity, in which he uses his past to look forward and understand the particular place of Jewish people in the Bible. He questions how antisemitism thrived in Christian societies and his grandfather's early life in a devout Catholic family. This episode of The Documentary, comes to you from Heart and Soul, exploring personal approaches to spirituality from around the world

In this week's episode, JD Vance has a theory dumber than his face, he worries about Hinduism and reincarnation as a couch, and Tom and Cecil will be here to do some bad for good. --- To learn more about Vulgarity for Charity, click here: https://www.recoveringfromreligion.org/vulgarity-for-charity --- To make a per episode donation at Patreon.com, click here: http://www.patreon.com/ScathingAtheist To buy our book, click here: https://www.amazon.com/Outbreak-Crisis-Religion-Ruined-Pandemic/dp/B08L2HSVS8/ If you see a news story you think we might be interested in, you can send it here: scathingnews@gmail.com To check out our sister show, The Skepticrat, click here: https://audioboom.com/channel/the-skepticrat To check out our sister show's hot friend, God Awful Movies, click here: https://audioboom.com/channel/god-awful-movies To check out our half-sister show, Citation Needed, click here: http://citationpod.com/ To check out our sister show's sister show, D and D minus, click here: https://danddminus.libsyn.com/ Report instances of harassment or abuse connected to this show to the Creator Accountability Network here: https://creatoraccountabilitynetwork.org/ --- Guest Links: Hear more from Tom and Cecil on Cognitive Dissonance: https://www.dissonancepod.com/ --- Headlines: Our Vice President thinks UFOs could be fallen angels: https://www.christianpost.com/news/jd-vance-marjorie-taylor-greene-suggest-aliens-could-be-angels.html Calls to suicide OK hotline decline sharply after Ryan Walters resigns as education head: https://www.lgbtqnation.com/2025/10/calls-to-hotline-decline-sharply-after-christian-conservative-resigns-as-education-head/ Texas Supreme Court says faith-based bigotry by judges doesn't violate ethics rules: https://www.friendlyatheist.com/p/texas-supreme-court-says-faith-based Floridians realize that funding religious schools also means Muslims: https://www.friendlyatheist.com/p/florida-republicans-are-furious-that Church puts Auschwitz gate on their Halloween parade float: https://nypost.com/2025/11/01/us-news/pa-church-apologizes-for-halloween-float-featuring-phrase-from-auschwitz-gates-profoundly-offensive/ https://www.facebook.com/groups/715414578632190/permalink/3110025155837775/ JD Vance says he hopes his wife Usha embraces Christianity: https://www.nytimes.com/2025/10/31/us/politics/usha-jd-vance-christianity-religion-hindu.html https://substack.com/home/post/p-177493075

Gäster: Sofie Young, Viktor Elsnitz, Simon Gärdenfors, Rasmus Wimby, Ahmed Berhan För 90SEK/mån får du 5 avsnitt i veckan:4 Vanliga AMK MORGON + AMK FREDAG med Isak Wahlberg Se till att bli Patron via webben och inte direkt i iPhones Patreon-app för att undvika Apples extraavgifter:Öppna istället din browser och gå till www.patreon.com/amkmorgon Relevanta länkar: ...Leijnegatehttps://tt.omni.se/micke-leijnegard-falls-for-sexuellt-ofredande/a/rPvPW8 ...Auschwitz-skylten i paradenhttps://www.theguardian.com/us-news/2025/nov/04/pennsylvania-artist-apologizes-nazi-camp-arch ...stölden av Auschwitz-skyltenhttps://www.bbc.com/news/world-europe-13444744 ...Anders Högströmhttps://sv.wikipedia.org/wiki/Anders_H%C3%B6gstr%C3%B6m ...Bengt Sändhhttps://sv.wikipedia.org/wiki/Bengt_S%C3%A4ndh https://www.sverigesradio.se/avsnitt/984885 https://i.scdn.co/image/ab67616d0000b2731556b3cb0d50ec3eea9952a4 https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPTAMYMgECqfnV0lcxFBArH9E35GrabgA2bsFpOK9c0CWWEYqBTxMQgxl8ReKdlVSThD4e6ettYVaZdeuiQiosAO0WPNJ7n7CpHcEu82rBHZtK7ry8ocaSuf-2QZsEoYLmmmdYIPf7lNf-/s1600/Snapshot_20120519_1.JPG ...pojkväns diskussionenhttps://omni.se/kronikor-nu-ar-det-pinsamt-att-vara-ihop-med-en-kille/a/wgygjM https://www.vogue.com/article/is-having-a-boyfriend-embarrassing-now https://www.elle.se/lifestyle/ar-det-cringe-att-ha-kille/11099602 ...Lily Allens plattahttps://open.spotify.com/album/4Dn3Z14YfT2gQVDgLmWUVn?si=V-qi0JayQ3epIV2lh0tnzA ...älgmiljonärenhttps://www.instagram.com/reel/DQkGaP5DfXJ/?igsh=ZDEwZzA4N3M0Nmlm ...sexdockan på SHEINhttps://s.rfi.fr/media/display/9b837afc-b8a0-11f0-a868-005056bf30b7/w:1024/Captura-Shein.png https://omni.se/frankrike-blockerar-shein/a/mP7POE ...Förrädarnahttps://imageproxy.a2d.tv/?source=https:%2F%2Fimg.tv4.incomet.io%2F24302f94-6094-4825-8c97-747df7be178c%2Fcrop2x3.png&width=3840Låtarna som spelades var:4chan Stan - Lily AllenBreathe And Stop - Q-Tip Alla låtar finns i AMK Morgons spellista här:https://open.spotify.com/user/amk.morgon/playlist/6V9bgWnHJMh9c4iVHncF9j?si=so0WKn7sSpyufjg3olHYmg

On Today’s Show: Tim delivers a packed midweek show filled with vengeance, vile curses, AI abortions, and bowel emergencies. Sponsored by “Freeloading Fucktard,” today's DV opens with a dramatic, Shakespearean-style monologue addressed to “Aaron,” a former friend who betrayed a fellow listener — ending with a literal shit curse. From there, the show spirals into […] The post Wikipedia Pedo Panic and the Auschwitz Halloween Parade Float Oopsie first appeared on Distorted View Daily.

Meg Hamand has had a heart for storytelling since her first poem was published in an anthology in elementary school. Since then, she's been published in multiple print and online publications, and her debut novel is the award-winning Diamonds in Auschwitz, which simultaneously tells two stories of love, survival, and hope during World War II. Meg joins me to talk about the challenges of working with dark and difficult topics, such as taking care of yourself and navigating the line between too much and too little for your readers; plotting historical fiction; and how to do historical research. She also gives us a sneak peek into her next book, which is currently in progress. Episode breakdown: 00:00 30 Bad Poems in 30 Days; introduction. 04:42 Meg shares why she loves historical fiction and early writing inspiration. 09:03 Meg describes the origins and themes of Diamonds in Auschwitz. 14:00 Discussion of Terezin, visiting Holocaust sites, and historical accuracy. 18:38 Meg explains researching Terezin, children's art, and real accounts. 23:05 Talking about the heaviness of the subject and book's emotional impact. 27:03 Exploring character contrasts, children's resilience, and trauma responses. 32:10 Meg outlines her plotting process, changes during writing, and research. 36:35 Importance of Prague's setting as character, changes during revision. 42:46 Meg details her next book: Post-Revolutionary Charleston and Shakespeare. 47:26 How classic literature influenced new novel structure and motivation. 51:36 Advice for historical research, blending fiction, and traveling to locations. Join me for 30 Bad Poems in 30 Days!   Want more? Here's a handy playlist with all my previous interviews with guests in writing.   Check out the full show notes (now including transcripts!) at fycuriosity.com, and connect with me and fellow creatives on Substack. Please leave a review for this episode—it's really easy and will only take a minute, and it really helps me reach new listeners. Thanks! If you enjoyed our conversation, I hope you'll share it with a friend.

Thom talks to our friends at the Cincinnati Museum Center about their newest exhibit, Auschwitz, not long ago. Not far away. Also, Pastor Chad Hovind talks about dealing with stress.See omnystudio.com/listener for privacy information.

It was a bargain with the devil they couldn't refuse. A group of women prisoners in Auschwitz were offered a slim chance at survival in exchange for playing music. They played as inmates got off the trains. They played as prisoners marched for roll call. They played as ash from the crematoriums rained down on them. Historian and biographer Anne Sebba tells the story of the only female orchestra in the camps, exploring not only the moral dilemmas they faced, but the impact their music had on other prisoners. Anne Sebba is on tour around New Zealand to talk about her new book, The Women's Orchestra of Auschwitz: A story of survival. She joins Jesse in our Auckland studio.

durée : 00:58:42 - Avec philosophie - par : Géraldine Muhlmann, Nassim El Kabli - L'histoire d'une lettre retrouvée en 1945 à Auschwitz dans une bouteille en verre enterrée près d'un crématoire, et qui fut mal attribuée pendant 75 ans. Elle est lue ici pour la première fois à la radio par Liliane Rovère. - réalisation : Nicolas Berger - invités : Karen Taieb Responsable des archives au Mémorial de la Shoah; Tal Bruttmann Historien, spécialiste de l'histoire de la Shoah et de l'antisémitisme en France; Laurent Muntlak Petit-fils de l'auteur d'une lettre écrite à Birkenau le 6 novembre 1944 nommé Hersz-Hermann Strasfogel

Show Notes:In this profound episode of The Human Experience, host Jennifer Peterkin and guest interviewer Linda explore the extraordinary story of a woman whose Hungarian refugee parents survived World War II and the Holocaust. The guest recounts the shocking discovery of her hidden Jewish heritage within a family that had long believed they were Catholic. Through years of research, recovered letters, and family documents, she uncovers her mother’s recognition as “Righteous Among the Nations” and her father’s harrowing survival in Nazi labor camps. This conversation weaves together personal storytelling and historical truth, illuminating the weight of inherited trauma, the courage to confront silence, and the power of remembrance. Linda’s journey serves as a moving reminder that uncovering our histories—no matter how painful—connects us to our humanity and shapes the stories we pass forward. ⚠️ Content Warning: This episode contains discussions of war, genocide, and trauma related to the Holocaust. Listener discretion is strongly advised. Key Takeaways:● Exploration of personal and family identity across generations.● The guest’s discovery of hidden Jewish roots within a family who believed they were Catholic.● Her mother’s recognition as Righteous Among the Nations for protecting Jews during the Holocaust.● Her father’s survival through Nazi labor camps and the brutal conditions of Auschwitz.● The discovery of family documents and how they revealed a hidden legacy.● Insights into Hungarian Jewish experiences during World War II.● The importance of preserving memory and confronting silence among survivors.● The enduring impact of repression and trauma on post-war identity.● The guest’s efforts to educate others through The Politzer Saga book and museum exhibition.● A call to listeners to uncover and share their own family stories of resilience and truth. Interview recorded in Great Falls, Virginia.     Linda Ambrus Broenniman’s Bio:Linda Ambrus Broenniman grew up in Buffalo, New York, as the middle child of seven born to Catholic Hungarian physicians who survived World War II and began a new life in the United States in 1949. After earning her BA in Psychology from Swarthmore College and an MBA from Carnegie Mellon University, Linda left corporate America to pursue her passion for entrepreneurship, founding companies in technology and biotechnology. Her curiosity and drive to uncover hidden potential led her on a personal quest to uncover her own hidden family history. Through years of research, Linda pieced together the remarkable story of her Jewish ancestors—the Politzer family—and their lives lost to her father’s silence. Her book, The Politzer Saga, brings their stories to life and forms the foundation of The Politzer Saga Exhibit, a permanent exhibition housed in the newly renovated Rumbach Synagogue in Budapest, Hungary. Linda lives in Great Falls, Virginia with her husband, Ed, of 30 years.     Connect with Linda Ambrus Broenniman:

Triumph of the Heart, a moving and hopeful movie, set in a prison cell in Auschwitz, tells the story of the final days of Saint Maximillian Kolbe and his companions. Though the subject matter may seem dark and disturbing, it is actually a story of the triumph of hope over darkness.

This week, the boys dive deep into Heinrich Himmler's deranged Ahnenerbe - the SS's “research institute” dedicated to proving Aryan supremacy through archaeology, mythology, and pure pseudoscience. From Karl Wiligut, the self-proclaimed prophet of Nazi meth, to Hans Hörbiger's absurd “World Ice Theory,” we take a look at how crackpot archaeology, stolen children, and state-sanctioned madness fueled the SS's occult obsession - and set the stage for the unimaginable horrors to come. For Live Shows, Merch, and More Visit: www.LastPodcastOnTheLeft.comKevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Subscribe to SiriusXM Podcasts+ to listen to new episodes of Last Podcast on the Left ad-free, plus get Friday episodes a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Al, Zach, John Luke, and Christian explore the demonic powers revealed in Exodus as the plagues close in on Pharaoh's Egypt. Al and Zach recall their visit to Auschwitz, where they both felt a chilling, decades-old evil that seemed to confirm the spiritual realities Scripture describes. Back home, John Luke faces his own “plague of biblical proportions,” though his version is admittedly more mundane than the ones that befell Egypt. The guys reflect on why God revealed His name as Yahweh, what that name means for believers today, and how our hearts must be positioned before we can truly enter His presence. In this episode: Exodus 5–10; Exodus 6, verses 1–7; Exodus 7, verse 17; Exodus 8 (select); Genesis 15, verses 9–17; Acts 17, verse 31; Ephesians 6, verse 12 Today's conversation is about lesson 3 of The Exodus Story taught by Hillsdale Professor Justin Jackson. Take the course with us at no cost to you! Sign up at ⁠http://unashamedforhillsdale.com/⁠ More about The Exodus Story: Explore God's mercy as he leads Israel out of slavery in Egypt. Exodus is a central narrative of the Bible. It recounts the moment that God reclaims Israel as his people, rescues them from slavery in Egypt, and establishes the Ten Commandments to guide their moral and religious freedom as an independent society. In “The Exodus Story,” Professor of English Justin Jackson picks up the biblical narrative where his course on Genesis ended. Join Professor Jackson in learning about the nature of God's mercy, human freedom, and the relationship between the divine and man. Enroll today to discover the beauty of God reclaiming the Israelites through his mercy and love in “The Exodus Story.” Sign up at http://unashamedforhillsdale.com/ Check out At Home with Phil Robertson, nearly 800 episodes of Phil's unfiltered wisdom, humor, and biblical truth, available for free for the first time! Get it on Apple, Spotify, Amazon, and anywhere you listen to podcasts! https://podcasts.apple.com/us/podcast/at-home-with-phil-robertson/id1835224621 Listen to Not Yet Now with Zach Dasher on Apple, Spotify, iHeart, or anywhere you get podcasts. Chapters: 00:00-01:00 Opening prayer 01:00-06:10 What kept John Luke up all night 06:11-07:27 Phil's reaction to podcast banter07:28-10:45 Inside a podcast hosts's mind 10:46-15:29 Moses is afraid of his own people 15:30-19:10 Moses & the Titanic? 19:11-26:29 Egyptian magicians could have been aliens 26:30-36:18 The Bible says other gods are real36:19-39:39 Al & Zach encounter a real presence of evil39:40-45:41 Evil's encroachment process spelled out 45:42-49:57 God's presence can be dangerous — Learn more about your ad choices. Visit megaphone.fm/adchoices