Podcasts about brandenburg concerto no

生前平淡無奇，身後驚才絕豔， 是誰讓我們叫他爸爸？ 多大的天賦、多狂的才華， 渾身光芒，竟掩蓋音樂圈其他成打的巴哈！ 一邊偉大，一邊忙著找頭路， 天籟的背後，是會為五斗米折腰， 還是硬著脖子寧可巴豆么？ 當優質的社畜碰上慣老闆， 一條艱辛的出頭路將抵達何種終點？ 【德國小甘菊＊最天然的純素保養】

Nadja [00:23] "Sievert Pt. 1" Sv Broken Spine Productions BSP015 2023 (original release 2016) Doomy ambient goodness from Aidan and Leah once again. Eurythmics [22:32] "Love Is a Stranger" Sweet Dreams Are Made of This RCA AFL1-4681 1983 Side one, track one from their sophomore album, with a classic video (https://youtu.be/o6f593X6rv8?si=JdUQVqkJ6oVbYuni) to go along for the ride. Plus, high harmonies by Kiki Dee (https://youtu.be/z0qW9P-uYfM?si=y9ywrtnrvrpZvDqI)! Mose Allison [26:15] "Stop This World" Swingin' Machine Atlantic SD 1398 1963 Amen, Mose. Throwing in some horns is not quite the same as the classic trio from the preceding album I Don't Worry About a Thing, but it's still pretty great. Wendy Carlos [29.38] "Brandenburg Concerto No. 3 in G Major - Third Movement" Switched-On Bach Columbia Masterworks MS 7194 1968 Carlos collaborated with Bob Moog on his nascent synthesizer technology to create this album. Because the Moogs were monophonic, it took 1,000 hours over five months to record. In case you are wondering what a traditional version of this movement sounds like, here is the Netherlands Bach Society performing it (https://youtu.be/qr0f6t2UbOo?si=yiW4DA0AxFSb3sB5&t=370). The Police [34:44] "Miss Gradenko" Synchronicity A&M Records SP-3735 1983 The requisite Stewart Copeland track from final album by The Police. Ultravox [38:18] "Slow Motion" Systems of Romance Antilles AN-7069 1978 Lead track and single from Ultravox's third studio album, which became a large influence on Gary Numan (https://youtu.be/_nt5EH0UYxE?si=pm0h_4YWwXlCKJks). T. Rex [41:44] "20th Century Boy" T. Rextasy: The Best of T. Rex, 1970-1973 Warner Bros. Records 25333-1 1985 As usual, Marc Bolan lays down an undeniable groove (https://youtu.be/9SG65dlho_o?si=4Q8NPlKJc_87trVQ), produced by Tony Visconti. I almost forgot about the sax parts. Can [45:23] "Mushroom" Tago Mago United Artists Records 1971 (2007 "unofficial" repress) Tago Mago was Damo first outing with the band, following Malcolm Mooney's departure. According to guitarist Michael Karoli, the explosion at the end of the song is a slowed-down recording of an exploding firecracker. Zola Jesus [49:41] "Long Way Down" Taiga Mute 9611-1 2014 Zola Jesus' fourth studio album and only outing on Mute (before returning to Sacred Bones). Produced by musician, sound designer, and composer Dean Hurley. The Folk Implosion [54:49] "Had to Find Out" Take a Look Inside...... Communion Label COMM 32 1994 The debut album from Lou Barlow and John Davis... released 30 years ago! Stevie Wonder [56:55] "You Are the Sunshine of My Life" Talking Book Tamla T319L 1972 What?! It's a great song. And it was the single that followed up "Supersition". That's a heckuva gear shift. Number one on the Hot 100, of course. Silver Jews [59:53] "Sometimes a Pony Gets Depressed" Tanglewood Numbers Drag City DC297 2005 A rehabilitated Dave Berman comes back with this album, the fifth studio album. He is joined once again by Bob Nastanovich and Stephen Malkmus, as well as his then-wife Cassie Berman. Cover photo by William Eggleston. Music behind the DJ: "Jackie (https://youtu.be/HqAbaqVBCyo?si=qu8P0gk6OeWL5SeB&t=224)" by Billy May and his Orchestra

Few musicians have left as profound a mark on their instrument as Friedemann Immer has on the Baroque trumpet. Renowned for his ability to effortlessly tackle some of the most demanding works in the repertoire, Friedemann has recorded Bach's iconic Brandenburg Concerto No. 2 an incredible ten times. In 2021, his contributions were recognized with the Christopher Monk Award from the Historic Brass Society. His career includes performances under legendary conductors and collaborations with esteemed ensembles like the Freiburger Baroqueorchester, Concentus Musicus Wien, and the Academy of Ancient Music in London. But his artistry doesn't stop at the trumpet. Friedemann was the first to record Haydn's Trumpet Concerto on the keyed trumpet, and as the founder and leader of the Trompeten-Consort Friedemann Immer, he continues to push the boundaries of historical performance practice. With over 200 publications through Editions Immer, he's also a driving force in preserving and expanding the repertoire.In Part 1, we begin with a great story about one of his performances of Bach's Brandenburg Concerto No. 2. This leads us into a discussion about the challenges of playing high notes and how the text of a piece informs his interpretation, using the bass aria from Bach's Christmas Oratorio as an example. We then dive into how Friedemann discovers “new” Baroque music, before moving to the topic of the keyed trumpet and his interpretive ideas regarding Haydn's and Hummel's trumpet concertos. The segment concludes with Friedemann sharing his deep admiration for conductor Nikolaus Harnoncourt and what it meant to perform under his baton.Part 2 [Subscriber Content] continues with an exploration of the differences between the Baroque trumpet and the piccolo trumpet, followed by a look at the Brandenburg Concerto No. 2, including stories and concepts that bring the music to life. We then ask Friedemann to reflect on the similarities and differences among some of the legendary conductors he has worked with throughout his career. Finally, we discuss his Editions Immer series, delving into his invaluable contributions to the Baroque repertoire and its performance.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

DescriptionMaestro of the Strings: The Concertmaster's Leading Role in 60 Seconds. Take a minute to get the scoop!Fun FactA famous concerto featuring the concertmaster is Johann Sebastian Bach's Brandenburg Concerto No. 4. In this piece, the concertmaster plays a prominent role as the solo violinist, leading intricate dialogues with two accompanying flutes. The violin part is technically demanding, filled with fast runs and ornate passages. The concertmaster's virtuosic performance is crucial to the concerto's lively character, highlighting the instrument's versatility while blending with the other soloists and the ensemble.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

SynopsisIn the summer of 1764, eight-year-old child prodigy Wolfgang Mozart was in England, accompanied by his 13-year-old sister, Nanerl, and their father, Leopold. The Mozarts had arrived in London wearing what back home in Salzburg would have passed as fashionable French-style clothing back home in Salzburg. But since England had just ended the Seven Years War with France, this faux pas resulted in the Mozarts receiving some rude comments and even ruder gestures from London street urchins, so Papa Leopold quickly acquired more “politically correct” attire for himself and the children.On August 5, 1764, the family settled in at a quiet house in Chelsea, as Papa Leopold had taken ill. While his father recovered, Wolfgang was temporarily forbidden to practice piano or make any noise, so he decided to try his hand at writing his first symphony. Perhaps as compensation for having to keep so quiet, Mozart suddenly was keen on writing for as many instruments as possible. As Nanerl later recalled, “While he composed and I copied, he said to me, ‘Remind me to give the horn something worthwhile to do!'”And so, Mozart's first symphony is scored for two oboes, two horns and strings.Music Played in Today's ProgramWolfgang Amadeus Mozart (1756-1791): Symphony No. 1; Prague Chamber Orchestra; Charles Mackerras, conductor; Telarc 80256The “bad news” relates to Bach's previous employer, namely the Duke of Weimar, who was not exactly pleased that Bach had accepted the new job. Court intrigue complicated the matter, and the Prince's “poaching” of Bach might have been perceived as just another indirect slap at the Duke maneuvered by a long-standing feud between the two noblemen. The upshot was that Bach was put on the Prince's payroll effective in August of 1717, but the Duke didn't accept Bach's resignation until five months later, and then only after throwing Bach in jail for almost a month to teach him a lesson, as the court secretary put it, “for too stubbornly forcing the issue of his dismissal.”In an age when Dukes and Princes could do as they pleased, it seems giving two weeks notice was a tad more complicated than it is today!Music Played in Today's ProgramJ. S. Bach (1685 - 1750) — Brandenburg Concerto No. 1 (Chamber Music Society of Lincoln Center; David Shifrin, cond.) Delos 3185

This delightful jig closes out our miniseries on Brandenburg 6.  Here we speak about the third movement's jumpy beats. and how these rhythmic anticipations give the whole piece a bouncy energy.  Bach, the expert violist among so many other things, gives the two viola parts the most intricate material, playing off each other and passing along the musical line.  Yet, in the ritornellos, he always doubles them, allowing for a rich, sweet viola tone to dominate in this delightful musical treat. Netherlands Bach Society performs Brandenburg 6 (skip to 3rd movement); Shunske Sato, artistic director

References Guerra, DJ. 2019-2024. Previous public lectures and podcasts. Bach, JS. 1721 Brandenburg Concerto No. 2 in F major, BWV 1047 https://youtu.be/3HSRIDtwsfM?si=AA-KdJF2Hyq8RlrE --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Welcome back to our yearly miniseries on the Brandenburg Concertos of J. S. Bach! This is part two of three. Today we look at the languid and luscious slow movement of Brandenburg Concerto No. 6. Music is (often) a setup of expectations, and then the satisfying fulfillment of those expectations OR the clever subversion of those expectations. Bach is especially good at this principle. We focus first on the unusual written-out cello part, separate from the basso continuo, creating a new entity but bound to the bass still (heterophony). Then we look at Christian's two moments, both of expectation and then subversion. Brandenburg 6 - movement 2 - Netherlands Bach Society

Welcome to our yearly miniseries on the Brandenburg Concertos of J. S. Bach!  Here we jump into Brandenburg 6, delighting in the weirdness that results when Bach decides to omit violins, preferring a dark, low sound of violas, violas de gamba, cello, and violone.  This brings us to some more examples across Bach's oeuvre, as well as some others by Brahms, Bruce Broughton, and John Williams.  As any creative person knows, setting limitations for yourself -- "no violins", for example -- is actually a good strategy for stimulating creativity, and results in a more unique creative output.  How fortunate for us, then, that Bach seems to agree. Brandenburg 6 - movement 1 - Netherlands Bach Society Other pieces that were used as audio examples: BWV 18 (cantata with 4 violas and no violins) - Netherlands Bach Society BWV 80 (Ein feste burg), middle movement (unison chorale) - Netherlands Bach Society Brahms - A German Requiem - movement 1: University of Chicago Orchestra, University Choir, Motet Choir, Members of the Rockefeller Chapel Choir, James Kallembach, conductor (recording used under Creative Commons Attribution Non-commercial No Derivatives 3.0 license) - refer to the first entry on this IMSLP page Other pieces that we talked about, but did not play as examples: Bruce Broughton - score from Tombstone (1993) - Gunfight at the O. K. Corral (4 bassoons can be heard in the first minute of this scene) John Williams - score from Harry Potter and the Sorcerer's Stone (2001) - Hogwarts Forever (French horn quartet) (can be heard from 0:00 - 1:50)

References Int J Mol Sci. 2019 Oct; 20(20): 5028 Nutrition. 2021-11-01, Volume 91, Article 111388 Bach, JS. 1720. "Brandenburg Concerto No. 6" in B Flat Major. BMV. 1051. https://youtu.be/_tr_uYEQkrs?si=rXXWMBAnWGbEuAOk Hunter-Garcia. 1970. "Stella Blue". [Wake of the Flood;lp] https://youtu.be/VKsWDyvWaL4?si=DnHgzSEiiKeUOXbj --- Send in a voice message: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/message Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Today’s Links! Wonderful World + Bon Appetit: Join Phil Rosenthal as he takes in the foods and sights of Italy, HERE. Sounds Good: Take in the wonder of Bach’s Brandenburg Concerto No. 5, HERE.

SynopsisOn today's date in 1967, British orchestral trumpeter David Mason went to the famous Abbey Road Studios in London to record a high-flying solo for a pop recording.A few days earlier, Paul McCartney had seen Mason on TV performing the Baroque piccolo trumpet part in Bach's Brandenburg Concerto No. 2 and decided on the spot that sound was exactly what he needed for a new Beatles tune he was working on called “Penny Lane.”And so, George Martin, the Beatles' producer, gave Mason a call. “I took nine trumpets along and we tried various things, by a process of elimination settling on the B-flat piccolo trumpet,” Mason said. “We spent three hours working it out: Paul sang the parts he wanted; George Martin wrote them out; I tried them. But the actual recording was done quite quickly. They were jolly high notes, quite taxing, but with the tapes rolling we did two takes as overdubs on top of the existing song.”Some Beatles fans not familiar with the sound of the Baroque trumpet assumed the tape was speeded up to make the trumpet sound so high, but Bach fans knew otherwise.Music Played in Today's ProgramJ.S. Bach (1685-1750): Brandenburg Concerto No. 2 (David Moore, tpt; New Philharmonia; Raymond Leppard, cond). HMV SXLP-20110 (LP); the Beatles: "Penny Lane" Capitol Records SMAL-2835

Récompensée aux Thea Awards , Symbolica est une magnifique attraction à la décoration impressionnante et détaillée du célèbre parc néerlandais Efteling ! Entre expertise du passé et innovation, elle est l'exemple que l'art a totalement sa place dans les parcs. Alors ouvrez les portes du palais de la fantaisie, et découvrez son histoire incroyable ! Pour être tenu informé sur les aventures du podcast, n'hésitez pas à le suivre sur Instagram ou encore Facebook : @histoiredattraction !  Réalisation du podcast et Graphic / Motion Design : Benjamin Noisette (insta : @benjaminnoisette) Musique d'introduction : Owlunight (insta : @owlunight) Histoire d'Attraction est un podcast audio vulgarisateur gratuit à but non-lucratif sur l'histoire des parcs d'attractions et ce qu'ils veulent nous raconter. Retrouvez le podcast sur YouTube et certaines plateformes de streaming audio : linktr.ee/histoiredattraction Contact : histoiredattraction.contact@gmail.com Sources de documentation pour cet épisode : -https://www.efteling.com/fr/a-propos-efteling/histoire  -https://www.youtube.com/playlist?list=PLax_Jl-_6xzB8J2cyIf6-asY9fbnoRnzM  -https://www.efteling.com/fr/kids/profils  -https://www.eftepedia.nl -https://www.aecom.com/content/wp-content/uploads/2018/05/2017-Theme-Museum-Index.pdf  -https://www.efteling.com/fr/presse/thea-award-symbolica/  -Musée Efteling (Musée situé dans le parc d'Efteling)  Musiques utilisées : "Anguish" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ – "Aquarium" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ – "Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ – "Dance of the Sugar Plum Fairies" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ – "Egmont Overture Finale" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ – "Enchanted Journey" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ – "First Call" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ – "Fox Tale Waltz Part 1 Instrumental" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ – "Lift Motif" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ – "Magic Escape Room" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ – "Peaceful Desolation" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 ⁠http://creativecommons.org/licenses/by/4.0/

Welcome to Episode 98. This is our fourth achievement focused episode. We have four games for you. The Games: The Procession to Calvary Evil Inside Apocalipsis the Tree of Knowledge of Good and Evil Conarium Intro Song "Letting Go" by Emerge. Title Art by Devious.Pixel. Internet Presence Preamble by Brandon Little. Podcast Edited by Brian Owsley. Sweet Jams: "Brandenburg Concerto No 2 in F Major" This track and more can be found on the Procession to Calvary OST. "Announcement Trailer Audio" This is for Evil Inside. "Trailer audio" This is for Apocalipsis the Tree of Knowledge of Good and Evil. "Menu Theme" This track and more can be found on the Conarium OST. "JS Bach Prelude and Fugue in A Minor" The Internet: Twitch Twitter Discord Facebook Instagram Lock Stock Store Patreon Action! The Movie Podcast Blake's Story "They Come This Night" 2smokingcontrollers@gmail.com The End --- Support this podcast: https://podcasters.spotify.com/pod/show/twosmokingcontrollers/support

Neste episódio, o professor da Nova Acrópole, Emerson Queiroz, traz uma reflexão sobre o “saber querer”, que nos permite chegar a ser o que queremos, de acordo com a melhor expressão de nossos potenciais humanos. Participantes: Emerson Queiroz e Danilo Gomes Trilha Sonora: J.S. Bach - Concerto de Brandenburg Concerto No. 5 in D maior, BWV 1050

Jesus Ministries, Joan Boney  ...    I Corinthians 10   1 Moreover, brethren, I would not that ye should be ignorant, how that all our fathers were under the cloud, and all passed through the sea;   2 And were all baptized unto Moses in the cloud and in the sea;   3 And did all eat the same spiritual meat;   4 And did all drink the same spiritual drink: for they drank of that spiritual Rock that followed them: and that Rock was Christ.   5 But with many of them God was not well pleased: for they were overthrown in the wilderness.   6 Now these things were our examples, to the intent we should not lust after evil things, as they also lusted.   7 Neither be ye idolaters, as were some of them; as it is written, The people sat down to eat and drink, and rose up to play.   8 Neither let us commit fornication, as some of them committed, and fell in one day three and twenty thousand.   9 Neither let us tempt Christ, as some of them also tempted, and were destroyed of serpents.   10 Neither murmur ye, as some of them also murmured, and were destroyed of the destroyer.   11 Now all these things happened unto them for ensamples: and they are written for our admonition, upon whom the ends of the world are come.   12 Wherefore let him that thinketh he standeth take heed lest he fall.   13 There hath no temptation taken you but such as is common to man: but God is faithful, who will not suffer you to be tempted above that ye are able; but will with the temptation also make a way to escape, that ye may be able to bear it.  

Yes, this episode is about Bach, the Bach, Johann Sebastian Bach. I know some of you are thinking this is a waste of a podcast episode, that you are never going to play any music by Bach and since he didn't write any music for harp anyway, this couldn't possibly be relevant to your harp playing. Let me tell you, you couldn't be more wrong. Bach may not have written anything for harp, but his influence is felt by every composer and musician since his time. You probably know that French composer Charles Gounod wrote his beautiful Ave Maria melody as a vocal addition to Bach's Prelude in C. But perhaps you didn't know that the trumpet solo on the Beatles song “Penny Lane” came about after Paul McCartney heard trumpeter Dave Mason performing the Brandenburg Concerto No. 2, the same concerto which is featured in the movie The Island of Doctor Moreau. Other movies featuring the music of Bach range from Disney's Fantasia to the Godfather to Master and Commander and Boogie Nights. But Bach's music is more than just amazing music. It is also a music theory education, a technical proving ground and a time-honored model for crafting a melody. You may associate Bach's music more with vast quantities of notes rather than melody, but discovering the basic yet profound musical principles embodied in Bach's compositions can change the way you understand all of the music you play. I know it did for me. Obviously, I won't be able to uncover all the layers in Bach's music on this podcast. What I want to do is to talk about what is meaningful to us as harpists and musicians. We'll clarify some of the musical terms that are associated with Bach and I'll show you how you can use his music to better understand chords, phrasing, flow, to develop your fingering technique, and to grow as a musician. Plus, we'll talk about which Bach pieces might be ideal for you to add to your repertoire or at least your practice list. I also have some facts and stories about Bach that you can include in program notes or repeat to impress your friends with your amazing musical knowledge.  Links to things I think you might be interested in that were mentioned in the podcast episode:  Free Clair de lune workshop in the Hub on June 23rd. Click here to join the Hub. Related resource Bach, and My Friend Edward Aldwell blog post Harpmastery.com Get involved in the show! Send your questions and suggestions for future podcast episodes to me at podcast@harpmastery.com  LINKS NOT WORKING FOR YOU? FInd all the show resources here: https://www.harpmastery.com/blog/Episode-109  

In our final episode in the miniseries on Brandenburg Concerto No. 5, we use the wonderfully resplendent recording of the last movement by the Netherlands Bach Society to explore three key moments. The music is a festive jig with an aggressively happy character. The twists and turns are rapid and numerous.   Recording link

In the middle episode of our Brandenburg 5 series, we explore the ponderous and affectionate-sounding second movement, scored for an intimate trio of violin, flute, and harpsichord.  The harpsichord again takes a role of heightened importance, though it's more subtle here than it was in the first movement.  And here, in Alex's favorite passage, another lone C-natural inspires our performers to make a creative choice: to hang on to a certain, special moment, for just a little longer.   Watch the video of Brandenburg 5, mvt.2, artfully staged by the Netherlands Bach Society  

Welcome to our traditional yearly miniseries, where we take moments from the three movements of one of the six beloved Brandenburg Concerti. In this first of three episodes, we look at the grand, gallant opening movement. We explore the exuberant refrain theme (ritornello), and the wild and bizarre harpsichord solo. We also follow and hunt for a rogue C natural through this piece where we expected C sharps.  The moment for today comes just before one ritornello, when the Netherlands Bach Society ensemble chooses to take some extra time before building back to it.    Performance (with special thanks to the Netherlands Bach Society for permission to use this audio in our podcast)  

Voice Acted By:(In Order Of Appearance)Chrisi Talyn Saje ... Unnamed SpeakerM.T. Goins ... Unnamed SpeakerJ. Henry ... Canary P.I.Tina Marie Serra ... Josephine WoodwardJani Suutarinen ... Jett SamuelssonMusic By:Just As SoonKevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0https://creativecommons.org/licenses/by/3.0/Sneaky AdventureKevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0https://creativecommons.org/licenses/by/3.0/Noire #2Music By PedroTeller of the TalesKevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0https://creativecommons.org/licenses/by/3.0/Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0https://creativecommons.org/licenses/by/3.0/Music provided by "Vivek Abhishek"Music used : "HASTAR"Music link : https://www.youtube.com/watch?v=pKy75p2M9s8Follow on Facebook : https://bit.ly/33RWRtPFollow on Instagram : https://bit.ly/2ImU2JVDark StandoffKevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0https://creativecommons.org/licenses/by/3.0/Music provided by "Vivek Abhishek"Music used : "The Lost Empire"Music link : https://www.youtube.com/watch?v=pVoS2wqGCZ0Follow on Facebook : https://www.facebook.com/VivekEKhsihbA/Follow on Instagram : https://www.instagram.com/vivek.abhishek.music/Impromptu in BlueKevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0https://creativecommons.org/licenses/by/3.0/

What do you want done with your head when you die? If you answered skeletonized and kept in an old english manor to torment those who would dare attempt to move it, have I got some good news for you! Join us today as we talk about The Screaming Skulls of England, cursed relics that bring poltergiest, plague, and even death to the poor occupants of the homes they haunt. Be sure to get a good grip on your own cranium because there's a good chance you'll lose it after this episode! Want to request your own personalized episode? Email me at theodderpod@gmail.com!Follow us on facebook here: https://www.facebook.com/theodderpodInstagram: https://www.instagram.com/theodderpodcastTwitter: https://twitter.com/theodderpodTikTok: https://www.tiktok.com/@theodderpodcastPlease rate and review!Music Credit:"Juniper" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Mysterioso March" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Sonata 17" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Main Theme:"Dream Catcher" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/

Stay with our maker as we look at the ups and downs of life and hear from Maxime Bibeau about his instrument and what it is like to share his career with a da Salo. Maxime Bibeau double bassist in the Australian Chamber Orchestra celebrated for his exceptional talent and profound connection to the historical instrument he plays on made by the famed violin maker Gasparo Da Salo chats to us, in this intimate interview, we gain insights into the unique challenges and joys he encounters while performing on this extraordinary Brescian double bass. Discover the allure of this instrument, crafted centuries ago in the heart of Brescia, Italy, as we explore its rich tonal character, exquisite craftsmanship, and the historical significance it holds in the world of music. Maxime Bibeau takes us on a sonic voyage, sharing the intricacies of his relationship with this rare double bass and the emotional depth it adds to his performances. Music you have heard in this episode is by Unfamiliar faces – All good folks, Budapest – Christian Larssen, Bloom - Roo Walker, Brandenburg Concerto No 4 – Kevin Macleod, Frost waltz- Kevin Macleod, Getting to the bottom of it – Fernweh Goldfish, Telemann Sonata in D maj for viola da gamba – Daniel Yeadon, Crooked old shrew – Fernweh Goldfish

Join me as I delve into the world of Gasparo Da Salo once again and discover what  guns, Monetverdi and a war in France have to do with his business. I speak to Violin maker and expert John Dilworth, fashion historian Emily Brayshaw about the influence clothes and style on players of Violins, Violas and cellos and finally Fillipo Fasser a contemporary violin maker in Brescia, explains the importance of the master Luthiers of his city. Music you have heard in this episode is by Bach Violin partita No 2, Telemann Sonata in D maj for viola da gamba – Daniel Yeadon, Unfamiliar faces – All good folks, Budapest – Christian Larssen, Bloom by Roo Walker, Brandenburg Concerto No 4 – Kevin Macleod, Frost waltz- Kevin Macleod, Getting to the bottom of it – Fernweh Goldfish

Join me as I explore the life and craftsmanship of Gasparo da Salò, a master luthier whose contributions shaped the course of violin making history. From his early beginnings in Brescia, Italy, we uncover the secrets behind his distinctive style and celebrated instruments. Discover the allure of Gasparo da Salò's double basses, renowned for their robust tone and striking aesthetics. In this episode I speak to Violin maker and expert John Dilworth as we delve into the techniques and innovations that set his instruments apart, captivating the ears and hearts of musicians across generations. Through expert insights and captivating anecdotes, we unravel the legacy of Gasparo da Salò and the profound impact his creations have had on the violin-making tradition. Explore the stories behind his violins, viola and cellos in The Violin Chronicles Podcast.   Music you have heard in this episode is by Bloom - Roo Walker, Szeptuchy part 2 - Maciej Sadowski , Brandenburg Concerto No 4 – Kevin Macleod, The penny drops – Ben McElroy, Frost waltz- Kevin Macleod, The waltz from beyond – Albert Behar, Wandering Knight – Giulio Fazio, Telemann Sonata in D maj for viola da gamba – Daniel Yeadon, Budapest – Christian Larssen, Unfamiliar faces – All good folks.

Today is a real treat for me, because Gustav is one of my best friends and one of the best people I know. Gustav Melander is regarded as one of Europe's most talented young trumpet players. Having studied with Bo Nilsson and Prof. Håkan Hardenberger at the Malmö Academy of Music, since graduating, Gustav has gone on to become one of the most in demand players. Currently the tenured Co-principal Trumpet of the Malmö Symphony Orchestra, Gustav also regularly features with other Scandinavian Orchestras such as the Swedish Radio Symphony Orchestra, Royal Stockholm Philharmonic and Oslo Philharmonic Orchestra. As a soloist, Melander performs regularly and has made notable solo appearances making his debut in 2014 with the Malmö Academy of Music Symphony Orchestra and in December 2016 performed Bach's Brandenburg Concerto No. 2 with the Malmö Symphony Orchestra. Passionate about education, Melander has a number of students and has been a trumpet teacher at the Malmö Academy of Music since 2015. --- Support this podcast: https://anchor.fm/artssalon/support

THIS CHUCK TINGLE BOOK CLUB TITLE WAS: Two Time Hugo Award Finalist Chuck Tingle's “Glazed By The Gay Living Donuts”: https://www.goodreads.com/book/show/25100230-glazed-by-the-gay-living-donuts   THE NEXT TITLE WILL BE: Two Time Hugo Award Finalist Chuck Tingle's “Bigfoot Pirates Haunt My Balls”: https://www.goodreads.com/en/book/show/25318276-bigfoot-pirates-haunt-my-balls   Taz's Notes: PBS - San Diego's Gay Bar History: https://www.pbs.org/video/san-diegos-gay-bar-history-tgoue6/   San Diego History Center - San Diego's Gay Bar History: https://sandiegohistory.org/journal/2019/july/san-diegos-gay-bar-history-reflections-on-community-history-and-the-documentary-film-process/   Constitution of the United States: https://www.senate.gov/civics/constitution_item/constitution.htm#a1_sec2   Police and the Criminalization of LGBT People: https://escholarship.org/content/qt1bm9z5v7/qt1bm9z5v7_noSplash_970f6149ed0fe6cd92de8e4d4073b332.pdf     SEE YOU NEXT TIME!   Our podcast can be found at www.pottopicpodcast.com/   Music credits: The theme is just me stealing the Call My Bluff theme tune. Come get me BBC!   The Pleasure Zone segment music is by Reuben Wall. The original tune can be found here: www.youtube.com/watch?v=1A0J9bdf1Zo   The Analysis segment music is: Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License www.creativecommons.org/licenses/by/3.0/

Brandenburg Concerto No. 5 by Bach and Con Alma by Dizzy Gillespie (Photo: Simon Fowler)

THIS CHUCK TINGLE BOOK CLUB TITLE WAS: Two Time Hugo Award Finalist Chuck Tingle's “Pharma Bro Pounded In The Butt By T-Rex Comedian Bill Murky And A Clan Of Triceratops Rappers Trying To Get Their Album Back”: www.goodreads.com/book/show/28173200-pharma-bro-pounded-in-the-butt-by-t-rex-comedian-bill-murky-and-a-clan-o   THE NEXT TITLE WILL BE: Two Time Hugo Award Finalist Chuck Tingle's “Glazed By The Gay Living Donuts”: https://www.goodreads.com/book/show/25100230-glazed-by-the-gay-living-donuts   Taz's Notes: The (Presumably) True Story Behind Martin Shkreli and That Wu-Tang Album: https://www.vulture.com/2017/07/martin-shkreli-wu-tang-album-once-upon-a-time-in-shaolin.html   Wine, Wu-Tang, and Pharmaceuticals: Inside Martin Shkreli's World: https://www.vice.com/en/article/mvxw83/why-is-martin-shkreli-still-talking   What Makes a Contract Invalid? https://ironcladapp.com/journal/contracts/what-makes-a-contract-invalid/   Tingle's post about Tinglers in times of sadness: https://twitter.com/ChuckTingle/status/1496962404839682065   Rob Wesley's original satire tweet of the heist clause: https://twitter.com/eastwes/status/674628837481820160   Love and Justice: a Paradox?: https://www.tandfonline.com/doi/full/10.1080/00455091.2017.1319656   Love and Justice: https://centreforethics.upce.cz/en/love-and-justice     SEE YOU NEXT TIME!   Our podcast can be found at www.pottopicpodcast.com/   Music credits: The theme is just me stealing the Call My Bluff theme tune. Come get me BBC!   The Pleasure Zone segment music is by Reuben Wall. The original tune can be found here: www.youtube.com/watch?v=1A0J9bdf1Zo   The Analysis segment music is: Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License www.creativecommons.org/licenses/by/3.0/

Episode 3 of our miniseries on Brandenburg 4. How much of Bach's music is actually written on the page, and how much is worked out by the performers? What is actually left out of the music notation, and kind of training is needed to realize what's missing? If performers are going to slow down or speed up subtly during a performance, that is usually worked out by them; it is rarely notated in music this early.  The final Presto of this concerto is a fugue so dense in energy and flow. Despite this, there is still a show-stopping feature for the solo violin, and we explore how Shunske Sato leads the group in slowing down and speeding up at the end of this feature: https://www.youtube.com/watch?v=oSZJ__GIbms&t=620s That concludes this year's 3-episode miniseries on another Brandenburg Concerto!

Episode 2 of our miniseries on Brandenburg 4. In this episode: JAZZ? We talk a bit about jazz harmony and how it shares some foundational chord progressions with baroque music.  We also pick apart a couple of measures from this twisty, moody movement, and we put them back together in a couple of different configurations, just like how Bach did it when he composed -- assembling the puzzle pieces to create the finished work, a machine of clockwork precision and beauty. See movement 2 of Brandenburg 4, performed by the Netherlands Bach Society, led by Shunske Sato: https://youtu.be/oSZJ__GIbms?t=401 An article about Dr. Carolyn Bremer, whose advice Alex mentioned in the episode: https://www.presstelegram.com/2018/09/04/cal-state-long-beach-mourns-death-of-prominent-music-professor/

Welcome to our miniseries on Brandenburg Concerto No. 4!  In this first episode, we will talk about the first movement. Bach's Brandenburg Concertos are considered by many to be the pinnacle of instrumental Baroque music.  Come and join us as we explore why. This episode explores the many small building blocks that come together to make the first movement of this concerto into something greater than the sum of its parts. Two agile recorders compete with a showy violin part, all accompanied by a background orchestra (which isn't really in the background). How can we pick a single moment from this dense kaleidoscope of musical devices? Let's look at several of those devices in this episode.  Stay tuned for the next two episodes in this miniseries, where we explore movements 2 and 3.    Brandenburg Concerto No. 4 in G major BWV 1049 as performed by Netherlands Bach Society: https://www.youtube.com/watch?v=oSZJ__GIbms Ter Schegget and Sato on Bach Brandenburg Concerto No. 4 BWV 1049 | Netherlands Bach Society: https://www.youtube.com/watch?v=yKAPxpBlh3Q

THIS CHUCK TINGLE BOOK CLUB TITLE WAS: Two Time Hugo Award Finalist Chuck Tingle's “Living Inside My Own Butt For Eight Years, Starting A Business And Turning A Profit Through Common Sense Reinvestment And Strategic Targeted Marketing”: www.goodreads.com/book/show/29486897-living-inside-my-own-butt-for-eight-years-starting-a-business-and-turni   THE NEXT TITLE WILL BE: Two Time Hugo Award Finalist Chuck Tingle's “Pharma Bro Pounded In The Butt By T-Rex Comedian Bill Murky And A Clan Of Triceratops Rappers Trying To Get Their Album Back”: www.goodreads.com/book/show/28173200-pharma-bro-pounded-in-the-butt-by-t-rex-comedian-bill-murky-and-a-clan-o   Taz's Notes: The College Payoff: Education, Occupations, Lifetime Earnings: https://cew.georgetown.edu/wp-content/uploads/2014/11/collegepayoff-complete.pdf   The Self-Made Man: http://www.slate.com/articles/news_and_politics/history/2014/09/the_self_made_man_history_of_a_myth_from_ben_franklin_to_andrew_carnegie.html?via=gdpr-consent   Trump: My dad gave me a 'small loan' of a million dollars: https://www.politico.com/story/2015/10/donald-trump-father-loan-1-million-dollars-215154   A teenage Elon Musk once casually sold his father's emeralds to Tiffany & Co. while his dad was sleeping: https://www.businessinsider.co.za/elon-musk-sells-the-family-emeralds-in-new-york-2018-2   Bill Gates: https://en.wikipedia.org/wiki/Bill_Gates     SEE YOU NEXT TIME!   Our podcast can be found at www.pottopicpodcast.com/   Music credits: The theme is just me stealing the Call My Bluff theme tune. Come get me BBC!   The Pleasure Zone segment music is by Reuben Wall. The original tune can be found here: www.youtube.com/watch?v=1A0J9bdf1Zo   The Analysis segment music is: Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License www.creativecommons.org/licenses/by/3.0/

Pick pick pick pick picking up sh...erbert. Dog walking is serious business, almost as serious as videogames. Elden Ring to be specific, it's firm, unlike the chocolate mousse Naylor has been farming in his back garden, but fair also unlike the mousse. Join us this week for some natter about dog eggs and Elden Ring, numbers of the beast and pudding of the week.Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Chimps, champs, Pokémon, Iron Maiden and fudge; these are the topics of the day. Do you spit blood when you brush your teeth? Don't ignore it, that's insane, IT'S BLOOD FROM YOUR MOUTH! Jesus Christ I cant believe I'm the one that has to point this out.., GO TO THE DENTIST!Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

Back in the Village by iron maiden. Sing that to yourself but replace village with gameroom. That's the pudding theme for this week. We are discussing videogames (and other nonsense) surrounded by videogames and we couldn't be happier.Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

Naylor is back! Blore doesn't have a cold! All is right in the land of idiots giggling to each other about cake and videogames.This week the pudding boys discuss weddings, Pokemon (again, look, I get it but Pokemon Legends: Arceus was a real big deal just get off my back about it dad jeeze.) Seventh Son of a Seventh Son and wedding cake!Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

What a privilege it is to welcome back to the show Justin Bland! I got to chat with Justin in the summer of '21 and was excited to book him for another interview. Justin is a truly world-class performer and teacher in all things trumpet, particularly baroque trumpet. I encourage you to give our previous interview a listen when you're finished with this one: https://trumpetdynamics.live/bland1 (https://trumpetdynamics.live/bland1) In this episode with Justin, you'll discover: -Why James Newcomb conscientiously objects to the use of the word "podcast" to describe this show -Justin Bland's most influential teachers -Tales of arranging for trumpet ensembles -"Misshapen pearls": An impromptu masterclass on trumpet history -How Justin vets potential participants for a music festival he directs in Denmark -And much more... About the guest: Applauded for his “gleaming trumpet work” (Hyde Park Herald) and “dazzling virtuosity” (Grunion Gazette), the American trumpeter Justin Bland is a versatile musician, performing on both historical and modern trumpets. He specializes in early music, most notably in difficult high-register music for Baroque trumpet; for example, he has played Bach's Brandenburg Concerto No. 2 with groups in Denmark, Germany, Portugal, Sweden, Spain, the USA, Canada, Serbia, and Colombia. Before formally studying Baroque trumpet, Justin won first prize in multiple historical instruments divisions of the National Trumpet Competition. As a highly sought-after solo/principal Baroque trumpeter, Dr. Bland has performed with several leading early music ensembles throughout North America including American Bach Soloists, Apollo's Fire, Washington Bach Consort, Tempesta di Mare, Musica Angelica, Scaramella, Bach Collegium San Diego, Lyra Baroque Orchestra, and many others. He has also played in South America with Ensamble Barroco de Bogotá. Now living in Denmark, Justin continues to perform as both a soloist and ensemble musician, combining ongoing North American engagements with new collaborations with leading Baroque ensembles in Denmark as well as in the rest of Scandinavia and Europe. In Europe he has played with Akademie für Alte Musik Berlin, Les Arts Florissants, Camerata Øresund, Barokksolistene, Arte dei Suonatori, Göteborg Baroque, ensemble Paulus Barokk, Orkester Nord (previously known as Trondheim Barokk), Göttinger Barockorchester, TSO Tidlig (the early music band of the Trondheim Symphony Orchestra & Opera), Wrocław Baroque Ensemble, New Trinity Baroque, Höör Barock, Enghave Barok, BaroqueAros, Copenhagen Soloists, the Næstved Early Music Festival, Ensemble Hven, and several others. As a modern trumpeter, Justin has experience performing in orchestras, wind ensembles, jazz ensembles, pit orchestras for opera and musical theater, British brass bands, and numerous chamber ensembles. Before beginning his college career, he was principal trumpeter of the DC Youth Orchestra and had the opportunity to tour Japan as a trumpet soloist. He also performed regularly with the Prince George's Philharmonic while in high school. More recently, he as appeared as a soloist with the South Dakota Symphony, the Firelands Symphony, and the Las Vegas Sinfonietta. In addition to being a trumpeter, Justin is also a countertenor and has sung with Apollo's Fire and Opera Cleveland. While in Ohio working on his Master's degree, he was an alto section leader in the chamber and chancel choirs at Trinity Cathedral in downtown Cleveland and was the countertenor with Cantores Cleveland (now Contrapunctus). Justin also plays recorder. Justin earned his DMA in trumpet performance from the University of Nevada, Las Vegas. He received his MA in early music performance practices from Case Western and his BM in trumpet performance from the University of Maryland. His primary trumpet teachers include Chris Gekker, Barry Bauguess, Steven Hendrickson, Steven Trinkle, and Justin Emerich. He has studied voice with...

I'm not saying our review/prediction of Pokemon: Arceus Legends recorded a week before release is spot on but it could have been far more wrong.It's a big week Pudding Audience, we're talking bowel movements, pokemon, television shows, Iron Maiden and of course pudding.Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049 Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

Raise your champagne, the Ooh La La boys are back! Join Sean, Cam, and Jared as they look back on the year 2020. Why are we releasing this on the first week of 2022? Well, uh...shouldn't it take a full year to properly review a year? Yeah, that's it! No other reason! In addition to the look back on 2020, the boys play a few games including Excusez Moi, The Big Dogs Game, and Gex Quotes. Happy New Year! Recorded in June of 2021. Reach out to us on Twitter! @OohLaLaPodcast Send us an email! oohlalapodcast@gmail.com Our theme song is "Brandenburg Concerto No. 4 in G, Movement I (Allegro), BWV 1049" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License creativecommons.org/licenses/by/3.0/

Doppelgangers are described in the Monster Manual as “devious shapeshifters that take on the appearance of other humanoids, throwing off pursuit or luring victims to their doom with misdirection and disguise. Few creatures spread fear, suspicion, and deceit better than doppelgangers. Found in every land and culture, they can take on the guise of any individual of any race.”We are joined by Noir.Noir is a voice actor, streamer, musician, and improviser. He has studied at Chicago's iO, Westside Theater, and Second City. He is the Nerdy host of Critical Misses' Morning Ritual, creator and Game Master for Kobold Presses Into the Southlands, Magpies CPP ProgramCheck Out Our Sponsors!Start Playing: find a gaming table today at StartPlaying.GamesWarrstories:Smoke, Steel and Sharpened Fangs campaign https://startplaying.games/adventure/62decda76e943140b20d64adGet a $10 Credit on StartPlaying.Games! https://startplaying.games/referral/ckaipkuw001akbopk4jimaqd2MUSIC"Creeping" by Borrtex"Memories Of Thailand" (Beat Doctor's 'stuck in Britain' remix) by Risey"Darkness" by Three Chain Links"The Blue Danube Waltz" by Johann Strauss II"Autumn Mvt 3 Allegro" by John Harrison with the Wichita State University Chamber PlayersBartok - Roumanian Folk Dances - Waistband Dance Roumanian Polka Maruntel" by the Advent Chamber Orchestra"Brandenburg Concerto No. 5 - Bach" by "Dee Yan-Key""Epic Cinematic" by Scott Holmes"Of Elias Dream" by BensoundKill Every Monster is a 5th Edition Dungeons and Dragons podcast. In each episode we are joined by a guest to discuss the lore, mechanics, and story potential of classic D&D creatures. We debate tactics for maximizing these creatures in your game, and we ask the ever-important question: are they really a monster?Send us your questions for our Season 1 Mailbag episode!COMMUNITYDiscordTwitterTikTokRedditInstagramFacebookSupport this podcast at — https://redcircle.com/kill-every-monster/exclusive-content

Amanda and Wade discuss the 2005 Cameron Crowe movie Elizabethtown! The film term “manic pixie dream girl” is discussed at length and Wade and Amanda come up with a fun new nickname for Orlando Bloom (‘Ando Boom). Will Wade be able to express his appreciation for Kirsten Dunst? Will Amanda overcome her initial trepidation for this movie? And for goodness sake, will Judy Greer ever win the dang Oscar she deserves? (#OscarForJudyGreer) To be fair, we won't find out about that last one on this episode, but as for the rest, you're going to have to listen to find out!   Credits:   www.instagram.com/dontworrybmovies   Logo – John Capezzuto - https://www.creativecap.net/  -    Intro and Outro Music – Andrew Wolfe of Darling Overdrive  -    Additional Music:      “Stylish Groove” by www.scottholmesmusic.com “Brandenburg Concerto No. 3 Mov. 3” By Johan Sebastian Bach performed by Advent Chamber Orchestra “Country Boy” by Loco Lobo

The Brandenburg Concertos by Johann Sebastian Bach are a collection of six instrumental works presented by Bach to Christian Ludwig, Margrave of Brandenburg-Schwedt, in 1721. They are widely regarded as some of the best orchestral compositions of the Baroque era.

The Brandenburg Concerto No. 1, BWV 1046.2 is the only one in the collection with four movements. The concerto also exists in an alternative version, Sinfonia BWV 1046.1 (formerly BWV 1046a), which appears to have been composed during Bach's years at Weimar. The Sinfonia, which lacks the third movement entirely, and the Polacca (or Poloinesse, polonaise) from the final movement, appears to have been intended as the opening of the cantata Was mir behagt, ist nur die muntre Jagd, BWV 208. This implies a date of composition possibly as early as the 1713 premiere of the cantata, although it could have been used for a subsequent revival.The first movement can also be found as the sinfonia of a later cantata Falsche Welt, dir trau ich nicht, BWV 52, but in a version without the piccolo violin that is closer to Sinfonia BWV 1046a. The third movement was used as the opening chorus of the cantata Vereinigte Zwietracht der wechselnden Saiten, BWV 207, where the horns are replaced by trumpets.

Why We Should Expose Our Kids To Classical Music https://ourtownlive.net #herbw79The trumpet part is still considered one of the most difficult in the entire repertoire, and was originally written for a clarino specialist, almost certainly the court trumpeter in Köthen, Johann Ludwig Schreiber. After clarino skills were lost in the eighteenth century and before the rise of the historically informed performance movement of the late twentieth century, the part was usually played on the valved trumpet, and sometimes on a modern F trumpet, a French horn, or even a B♭ piccolo trumpet.The clarino does not play in the second movement, as is common practice in baroque era concerti. This is due to its construction, which allows it to play only in major keys. Because concerti often move to a minor key in the second movement, concerti that include the instrument in their first movement and are from the period before the valved trumpet was commonly used usually exclude the trumpet from the second movement.The first movement of this concerto was chosen as the first musical piece to be played on the Voyager Golden Record, a phonograph record containing a broad sample of Earth's common sounds, languages, and music sent into outer space with the two Voyager probes. The first movement served as a theme for Great Performances in the early-to-mid 1980s, while the third movement served as the theme for William F. Buckley Jr.'s Firing Line; a revival featuring Margaret Hoover would also use the first movement.Recent research has revealed that this concerto is based on a lost chamber music version for quintet called "Concerto da camera in Fa Maggiore" (Chamber Concerto in F major): catalogue number is BWV 1047R. It's similar to the orchestra version, in that the trumpet, flute, oboe and solo violin parts are the same, but the orchestra part has been arranged for basso continuo (or piano) by Klaus Hofmann. This reconstructed quintet arrangement is also the very first piano reduction of the 2nd Brandenburg Concerto ever published by Bärenreiter Verlag (Product Number BA 5196).

On the final episode of the Phenomenal 50 we are pleased to present Johann Sebastian Bach's Brandenburg Concerto No. 4 in G major, BWV 1049 from a peformance on December 19, 2017 featuring violin soloist Kristin Lee and flute soloists Sooyun Kim and Tara Helen O'Connor along with violinists Danbi Um and Daniel Phillips, violist Mark Holloway, cellist Nicholas Canellakis, double-bassist Joseph Conyers, and Kenneth Weiss on harpsichord.

Chris and Sridhar discuss the (de)merits of applause, the effects of applause on repertoire and interpretive choices, Glenn Gould's recording of Beethoven's 6th Symphony on piano, how recording technology affects concert expectations, the Netherlands Bach Society's “All of Bach” project, and musicians/human beings extraordinaire. USEFUL LINKS Claudio Abbado booed at Vienna State Opera Glenn Gould: Canadian pianist Gould plays Beethoven's 6th Symphony on piano Bird call cadenza in Beethoven's 6th Symphony Netherlands Bach Society - All of Bach project Shunske Sato: violinist Sato plays Bach Partita No. 2 in D Minor for Solo Violin Sato plays Bach Sonata in E Major for Violin & Harpsichord Netherlands Bach Society plays Brandenburg Concerto No. 3 in G Major Natural trumpet Gabriele Cassone plays Brandenburg Concerto No. 2 in F Major on natural trumpet Chris with Gabriele Cassone Keith Jarrett: jazz/classical pianist Keith Jarrett plays Bach András Schiff plays Bach English Suites in marathon concert Joshua Bell plays Brahms Trios Yo-Yo Ma's NPR Tiny Desk Concert Yehudi Menuhin with Ravi Shankar Leonard Bernstein - Beethoven's 9th to celebrate the fall of the Berlin Wall András Schiff - "Boogie Woogie" András Schiff - "There is no moonlight"

Some thoughts on the driving rhythm and interweaving motives of Bach's 4th Brandenburg Concerto.

Organ Duet Recital At St Paul's Cathedral In London Vidas Pinkevicius and Ausra Motuzaite-Pinkeviciene, organ Concert Program: 1. Sonata in D Major for organ duet, K. 381/123a by Wolfgang Amadeus Mozart (12') Allegro-Andante-Allegro molto This is a sonata, originally intended be played on the piano for 4 hands but as many pieces from this period, sounds wonderfully on other keyboard instruments, such as the organ. As is the case with most classical sonatas, the middle gentle and slow movement is surrounded by the energetic and fast-paced outer parts. 2. Adagio für die Flötenuhr, WoO 33/1 by Ludwig van Beethoven (5') Beethoven composed this piece as part of the suite for the organ in the mechanical clock. Here enchanting melodies and lush harmonies alternate to create a dream-like delightful atmosphere. 3. Fantasia on the Themes by M.K. Ciurlionis, Op. 11a (2013) by Vidas Pinkevicius, arranged for organ duet by V. Pinkevicius (4') This Fantasia originally was created for flute and organ and is based on the themes taken from 2 piano preludes by the greatest Lithuanian painter/composer of all time, Mikalojus Konstantinas Ciurlionis (1875-1911). The themes alternate in different keys, played by various voices, sometimes in original and sometimes in inverted version. 4. Brandenburg Concerto No. 1 in F Major, III Part, Allegro, BWV 1046/3 by Johann Sebastian Bach, arranged for organ duet by V. Pinkevicius (6') This is the 3rd movement of the beloved Brandenburg Concerto No. 1 in which you will hear Bach's orchestral writing in new colors. It fits the organ texture so well that the listeners might wonder if this is a long forgotten organ composition by the great master. More information at: http://www.organduo.lt/bio.html