Podcasts about ferruccio furlanetto

Clive Myrie is an award-winning journalist and news presenter who is one of the BBC's most experienced foreign correspondents. In 2021 he took over from John Humphrys as Question Master of the quiz show Mastermind and has also presented travel programmes about Italy and the Caribbean. Clive's parents are from Jamaica and he was born in Farnworth, near Bolton – one of seven children. As a young boy he had a paper round and one of the perks was reading the leftover newspapers which gave him the opportunity to learn about a world beyond Bolton. He loved watching the news on television and his role models were Alan Whicker and Sir Trevor McDonald who inspired him to become a journalist. After he graduated from university Clive took up a place on the BBC's reporter training scheme and in 1996 he was sent to Japan - his first posting as a foreign correspondent. During his career he has reported from war zones including Afghanistan, Iraq and Ukraine. In 2021 Clive was named Television Journalist of the Year and Network Presenter of the Year at the Royal Television Society Television Journalism Awards.Clive lives in north London with his wife Catherine. DISC ONE: String Quartet No. 14 in C-Sharp Minor, Op. 131: VI. Adagio quasi un poco andante. Composed by Ludwig van Beethoven and performed by Kodály Quartet DISC TWO: Welcome to My World - Jim Reeves DISC THREE: Così fan tutte ossia La scuola degli amanti, K.588 / Act 1 - Soave sia il vento. Composed by Wolfgang Amadeus Mozart and performed by Kiri Te Kanawa (soprano), Ann Murray (mezzo soprano), Ferruccio Furlanetto (bass) and Wiener Philharmoniker DISC FOUR: All Blues - Miles Davis DISC FIVE: Cello Suite No. 5 in C Minor, BWV 1011: I. Prelude. Composed by Johann Sebastian Bach and performed by Paul Tortelier DISC SIX: Slave to the Rhythm - Grace Jones DISC SEVEN: Long, Long Summer - Dizzy Gillespie DISC EIGHT: Stomp! - The Brothers JohnsonBOOK CHOICE: The Metropolitan Museum of Art catalogue LUXURY ITEM: Hot pepper sauce CASTAWAY'S FAVOURITE: Long, Long Summer - Dizzy GillespiePresenter Lauren Laverne Producer Paula McGinley

Il basso Ferruccio Furlanetto per i suoi concerti di Melbourne e Sydney ha scelto pochi brani dal suo vasto repertorio ma molto significativi: ognuno di loro racconta la storia dei momenti più importanti della sua lunga carriera giunta oggi alle soglie del mezzo secolo.

Il basso Ferruccio Furlanetto presenta domani, primo giugno, al Melbourne Recital Centre un concerto di due ore per celebrare quasi mezzo secolo di carriera.

Ferruccio Furlanetto is one of the world's greatest operatic basses. Over five decades, Furlanetto has stamped his authority on the works of Verdi and Mozart with his powerful voice and impressive stage presence. In the Drawing Room, he looks back over his career so far, and talks about taking on the role of Mefistofele.

Ferruccio Furlanetto is one of the world's greatest operatic basses. Over five decades, Furlanetto has stamped his authority on the works of Verdi and Mozart with his powerful voice and impressive stage presence. In the Drawing Room, he looks back over his career so far, and talks about taking on the role of Mefistofele.

Appuntamento delle grandi occasioni all'Arts Centre di Melbourne con la messa in scena del Mefistofele di Arrigo Boito interpretato da Ferruccio Furlanetto con la direzione d'orchestra di Andrea Battistoni.

Verdi's early success with Rita Hunter, Kostas Paskalis and Ferruccio Furlanetto.

Ferruccio Furlanetto ist einer der großartigsten Bassisten unserer Zeit, beginnt aber als Popsänger. Während seiner langen Karriere blieb er seinem Stammrepertoire treu: den großen Basspartien von Verdi und Mozart.

Singers such as Rosa Ponselle, Francesco Tamagno, Ferruccio Furlanetto, and Dolora Zajick have given definitive performances of Verdi’s late works, from the first OTELLO in 1887 through to the present day. What can their recordings tell us about the evolution of Verdian singing, and career-making moments on the opera stage? Find out in our final installment of the Verdi All-Stars lecture series, featuring Met Radio commentator Ira Siff.

We've known Keturah Stickann as a choreographer and as assistant director for two San Diego Opera seasons. Now she's back as the stage director for Massenet's Don Quixote. In this revealing interview, Education Director Nicolas Reveles speaks with her about the opera, working with Ferruccio Furlanetto and telling the story through music. Enjoy!

We welcome our favorite basso, Ferruccio Furlanetto, back to San Diego Opera to sing the title role of Jules Massenet's Don Quichotte. This is one of Furlanetto's favorite roles, along with King Philip in Don Carlo and Boris Godunov. In this interview with Director of Education Nicolas Revlees, he reflects on forty years of working in the opera world (actually to the day when this interivew was conducted!) along with advice to young singers looking to jump into a singing career. Enjoy!

We're always honored and delighted to have the return to San Diego Opera of one of the world's greatest singers, bass Ferruccio Furlanetto. This season he sings, for the first time in the U.S., the role of Archbishop Thomas Becket in Ildebrando Pizzetti's Murder in the Cathedral, a role that he thinks compares to the other great roles for bass: Boris, Philip in Don Carlo, Don Quixote. In this wide-ranging conversation with Nicolas Reveles, Geisel Director of Education and Outreach, he talks about this neglected opera and the challenges of the role.

Conducting for San Diego Opera for the first time is Maestro Donato Renzetti, the wonderful Italian conductor who led the La Scala forces for a revival of Pizzetti's Murder in the Cathedral with Ferruccio Furlanetto a couple of years ago. He comes to us, then, with unique experience of the work. As well, as you'll hear in this interview, he studied conducting with Gianandrea Gavazzeni, the original conductor of the La Scala orchestra, chorus and soloists at the premiere of the work in 1958. Enjoy this delightful conversation with a marvelous new friend of San Diego Opera!

 A most exciting live performance of Verdi's Attila, (Charlie's favorite early Verdi opera) from Il Teatro Verdi di Trieste, 2000. It is conducted by Donato Renzetti and features the magnificent Ferruccio Furlanetto, Dimitra Theodossiou, Carlo Ventre, and Alberto Gazale (Ezio). (73 min.)