Podcasts about Drawing room

In part 1 of my conversation with acclaimed bartender Charles Joly, some of the topics we discuss include: The two predominant “schools” of cocktail programs you might encounter in the early 2000s, and how Charles found his home and his voice in the seasonal and ingredient-focused program at a place called The Drawing Room. The conditions and events that led Charles to take on his break-out role on a national stage as the beverage director of the incredibly high-profile bar at The Aviary--a venue renowned for its avant-garde, highly technical molecular mixology drink preparations. How Charles handled the culture shock of transitioning into that role - the feeling of being parachute-dropped into a foreign land - and why a round of cheeky Tequila shots with guests helped to humanize the service style just a little. We also discuss what it means for a cocktail or ingredient to make “sense,” which involves using context cues and narrative structure to help communicate the “why” behind the “what” and “how” of a drink. Along the way, we explore the tattoos you'd see on Charles' arms if he were to prepare a drink in front of you, why every bartender should know somebody peddling rare tea and Iberico ham, the beauty of “vibe-based” bartender's choice cocktails, and much, much more.  

The Fondation Folon has a new show entitled Drawing Room featuring 150 works of art by Folon and eleven artists who inspired him. The exhibition is an intimate look at the creative process. Exhibition director Pauline Loumaye tells us what we can expect to experience both in the show and at the foundation's magnificent estate. Through 31 August. https://fondationfolon.be

SUPPORT INDEPENDENT PODCASTING OR, AS I CALL IT, INTELLECTUAL ENTREPRENEURSHIPIf Hogarth and Mario Bros had a son, it would be Hardeep Pandhal, the artist whose drawings sprawl on the walls, on paper and on canvas at the Drawing Room until until the 13 April. Half auto-biography, half hybrid character-driven cross-temporal fantasies, one thing is certain, we loved “Inner World”.If you're not in London, and you want to know more about the artist, he is represented by Jhaveri Contemporary in Mumbai, who I profusely thank for all the information they sent me.This time, my two co-hosts, interdisciplinary movement artist Naissa Bjørn and visual artist Constança Saturnino, are YOUNG.  So we have an Gen X versus Gen Z episode. And it's a delight. We talk also talk about: neurodiversity, the spectator experience, drawing, community, aphantasia, dyslexia, synesthesia, contemporary drawing, exhibitions, art galleries. Follow Naissa, and Naissa's hairdressing business. Follow Constança, and Constança's tattoo business.We also mention Milo's song An Encyclopedia. Listen here. It's great.Follow us:SubstackWebsiteWebsiteBluesky: @exhibitionistas.bsky.social

Welcome to season 3 of Storytime for Grownups! We are reading The Woman in White by Wilkie Collins, a few chapters at a time, with a few notes along the way. It's like an audio book with built in notes. So brew a pot of tea, find a cozy chair, and settle in. It's storytime!To hear Faith on The Overthinkers podcast (mentioned in this episode), click hereTo submit a question or comment about this episode, click hereTo visit the merch store, click hereTo become a Storytime for Grownups member and gain access to The Drawing Room, click hereTo learn more about your host, Faith Moore, click hereTo join Faith's mailing list, click hereFollow Faith on X hereTo pick up a copy of Faith's novel, Christmas Karol, click hereTo support the show financially, click hereNext time, we'll be reading Hartright's Narrative 11-12Support the show

Welcome to season 3 of Storytime for Grownups! We are reading The Woman in White by Wilkie Collins, a few chapters at a time, with a few notes along the way. It's like an audio book with built in notes. So brew a pot of tea, find a cozy chair, and settle in. It's storytime!To submit a question or comment about this episode, click hereTo visit the merch store, click hereTo become a Storytime for Grownups member and gain access to The Drawing Room, click hereTo learn more about your host, Faith Moore, click hereTo join Faith's mailing list, click hereFollow Faith on X hereTo pick up a copy of Faith's novel, Christmas Karol, click hereTo support the show financially, click hereNext time, we'll be reading Hartright's Narrative 9-10Support the show

Welcome to season 3 of Storytime for Grownups! We are reading The Woman in White by Wilkie Collins, a few chapters at a time, with a few notes along the way. It's like an audio book with built in notes. So brew a pot of tea, find a cozy chair, and settle in. It's storytime!To submit a question or comment about this episode, click hereTo visit the merch store, click hereTo become a Storytime for Grownups member and gain access to The Drawing Room, click hereTo learn more about your host, Faith Moore, click hereTo join Faith's mailing list, click hereFollow Faith on X hereTo pick up a copy of Faith's novel, Christmas Karol, click hereTo support the show financially, click hereNext time, we'll be reading Hartright's Narrative 8Support the show

Welcome to season 3 of Storytime for Grownups! We are reading The Woman in White by Wilkie Collins, a few chapters at a time, with a few notes along the way. It's like an audio book with built in notes. So brew a pot of tea, find a cozy chair, and settle in. It's storytime!To submit a question or comment about this episode, click hereTo visit the merch store, click hereTo become a Storytime for Grownups member and gain access to The Drawing Room, click hereTo learn more about your host, Faith Moore, click hereTo join Faith's mailing list, click hereFollow Faith on X hereTo pick up a copy of Faith's novel, Christmas Karol, click hereTo support the show financially, click hereNext time, we'll be reading Hartright's Narrative 6-7Support the show

Welcome to season 3 of Storytime for Grownups! We are reading The Woman in White by Wilkie Collins, a few chapters at a time, with a few notes along the way. It's like an audio book with built in notes. So brew a pot of tea, find a cozy chair, and settle in. It's storytime!To submit a question or comment about this episode, click hereTo visit the merch store, click hereTo become a Storytime for Grownups member and gain access to The Drawing Room, click hereTo learn more about your host, Faith Moore, click hereTo join Faith's mailing list, click hereFollow Faith on X hereTo pick up a copy of Faith's novel, Christmas Karol, click hereTo support the show financially, click hereSupport the show

Contemporary and performance artist Paul Maheke moves between France, Congo, and Canada, exploring the ‘archive of their body' through drawing and dance, via Taboo Durag (2021). To Be Blindly Hopeful emerged from the very last sentence of a journal that Paul Maheke kept between August 2020 and June 2021, capturing the turbulence of the COVID pandemic. Central to Maheke's practice is a delicate dance between the individual and the collective, personal and broader sociopolitical contexts, echoing the sentiment expressed by bell hooks, who reminds us that ‘the space of our lack is also the space of possibility.' Currently based in France, Paul shares works 'staged' in previous exhibitions at South London Gallery, Chisenhale Gallery, and Tate Modern, highlighting how the ‘new' drawings, prints, book illustrations, and paintings on display here have long formed part of his practice. He explains how performance and dance can be both emancipatory and trapping, with respect to queerness, masculinity and gender, and the reality of being ‘brown body looked at my white audience' - drawing on his lifelong admiration for the French-born ice skater, Surya Bonaly. We discuss Paul's popular culture and academic Influences like Grace Jones and Félix González-Torres, Audre Lorde and Édouard Glissant, and Bruce Nauman to Paul B. Preciado - not as icons but real, complex people. Finally, Paul highlights how his work changes in its global travels, from the Baltic Triennale in Estonia, to Johanneburg, South Africa - and, drawing on collaborations with family members and fellow artist Melika Ngombe Kolongo (Nkisi) for the Congo Biennale in 2021, his personal relationship with arts institutions on the continent, as a diasporic artist. ⁠Paul Maheke: To Be Blindly Hopeful⁠ runs at MOSTYN, Wales until 29 June 2024. It includes Taboo Durag (2021), produced as a performance to camera for ⁠Glasgow International⁠ 2021. This episode marks this iteration of Scotland's biennale festival of contemporary art, which continues until 23 June 2024.** Paul has also shown work as part of the ⁠Diaspora Pavilion at the 58th Venice Biennale in 2019⁠, the first to feature an official performance programme co-produced with the Delfina Foundation, and has work in the ⁠Drawing Biennal 2024⁠, which runs at the Drawing Room in London until 3 July 2024. For another of Paul's collaborators, listen to Barby Asante's Declaration of Independence (2023), performed as part of Art on the Underground in London: pod.link/1533637675/episode/aa2803b68933ab974ca584cf6a18479c For another exhibition from MOSTYN, hear artist and curator Taloi Havini on Habitat (2017) and Artes Mundi 10: pod.link/1533637675/episode/e30bd079e3b389a1d7e68f5e2937a797 For more about bell hooks, listen to Professor Paul Gilroy, on The Black Atlantic (1993-Now): pod.link/1533637675/episode/90a9fc4efeef69e879b7b77e79659f3f And for more about Édouard Glissant, listen to Manthia Diawara, co-curator of The Trembling Museum at the Hunterian in Glasgow, and artist Billy Gerard Frank on Palimpsest: Tales Spun From Sea And Memories (2019), part of PEACE FREQUENCIES 2023.: instagram.com/p/C0mAnSuodAZ/?img_index=1 PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Alec Egan (b. 1984, Los Angeles, CA) completed his MFA at Otis College of Art and Design in 2013, and received a BFA in creative writing and poetry from Kenyon College. Recent solo exhibitions include Drawing Room at Brattleboro Museum and Art Center, Brattleboro, VT; Blue Setting, Charles Moffett, New York, NY; Look Out, Anat Ebgi, Los Angeles, CA; and Miro's Corner, MAKI Gallery in Tokyo, Japan. His work has also been exhibited in group and solo exhibitions at Almine Rech, Paris, France; Dubuque Museum of Art, Dubuque, IA; California Heritage Museum, Santa Monica, CA; Torrance Art Museum, Torrance, CA; Anat Ebgi, Los Angeles / New York; Charles Moffett Gallery, New York, NY; MAKI Gallery, Tokyo, Japan. Egan lives and works in Los Angeles, CA.

Dearest listeners, grab your tickets and front row seats for our encore performance of ‘Four Clowns Lose Their Minds Over 32 Seconds of Footage.' In this special bonus episode, we can't see the forest for the trees, but we'll be placing our newest theories under the spotlight as we tackle the ever-growing mystery of the Season 3 timeline.   We'll be reading Whistledown with a grumpy Unicolin, drinking lemonade with Anton Chekov and contemplating whether an innocent bit of blue fabric is in fact a smoking gun-in-waiting.  Elsewhere, we'll be chasing Moonlight Polin through the shrubbery and asking the all-important question, ‘how many times can we say the word ‘topiary' in one episode?' Unfortunately, dear listeners, it would seem the limit does not exist.  But forgive us for hedging our bets with these particular points of interest. After all, those topiaries have taken shape so naturally, one could take it for planted.  * Show Notes  ⁠YouTube: Bridgerton S3 sneak peek - Drawing Room scene⁠ ⁠YouTube: Next on Netflix 2024 – ft. Moonlight Polin scene ⁠Shondaland: Sneak peek article ⁠IG: BridgertonNetflix reel of sneak peek IG: Cat Quinn reel about Penelope's kiss curls IG: Cat Quinn reel about Penelope's hair Wikipedia: Chekhov's Gun   * Follow Us Instagram⁠ ⁠ TikTok⁠ YouTube

Comedians and dearest pals Tom Allen and Suzi Ruffell chat friendship, love, life and culture....sometimes.... Get in touch with all your problems or if you want to give your Like Minded Friend a shout out: hello@likemindedfriendspod.com We'll be out and in your ears wherever you get your podcasts every Wednesday morning, and if you like what you hear why not leave us a review on Apple Podcasts or wherever it is you listen... Thanks - Tom & Suzi xx A 'Keep It Light Media' Production Sales, advertising, and general enquiries: HELLO@KEEPITLIGHTMEDIA.COM Learn more about your ad choices. Visit podcastchoices.com/adchoices

Having first captured our attention with Monolithic Nuance (2018) for Longform Editions, Megan Mitchell's Cruel Diagonals has continued to impress with each new work. With Fractured Whole, she set herself the task of producing an album using nothing but her voice as raw material. While she deserves recognition as a gifted vocalist, she deserves at least as much praise for her production work, alchemically transmuting her voice into a wide range of instruments and textures. In this episode, she discusses the production challenges posed by Fractured Whole, her background in musical theatre, her work with the feminist archive Many Many Women, and much more. Read more at www.acloserlisten.com TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) Cruel Diagonals - “Penance” (Fractured Whole, Beacon Sound, 2023) INTRO Cruel Diagonals - “Monolithic Nuance” (Monolithic Nuance, Longform Editions, 2018) Mika Vainio - “Se On Olemassa (It Is Existing)” (In The Land Of The Blind One​-​Eyed Is King, Touch, 2003) Matthewdavid - “Phased Moon” (Mycelium Music, Leaving, 2023) Cruel Diagonals - “Monolithic Nuance” (Monolithic Nuance, Longform Editions, 2018) Cruel Diagonals - “Render Arcane” (Disambiguation, Drawing Room Records, 2018) Cruel Diagonals & Jon Carr - “Fall Back Into Earth” (Fall Back Into Earth, 2022) Asmus Tietchens - “Club of Rome” (The Emergency Cassette Vol. 2, Los Angeles Free Music Society, 1981) Faust - “Why don't you eat carrots?” (Faust, Polydor, 1971) Can - “One More Night” (Ege Bamyasi, Liberty, 1972) Demdike Stare - “Black Sun” (Voices of Dust, Modern Love, 2010) Andy Stott - “Luxury Problems” (Luxury Problems, Modern Love, 2012) Porter Ricks - “Biokinetics 2” (Biokinetics, Chain Reaction, 1996) Anne Gillis - “A6” (Monetachek, Rangehen, 1985) Techno Animal - “Bionic Beatbox (Tortoise version)” (Techno Animal Versus Reality, City Slang, 1998) Cruel Diagonals - “Intuit Sensate [edit]”  (Fractured Whole, Beacon Sound, 2023) Pauline Oliveros, Stuart Dempster, Panaiotis - “Lear” (Deep Listening, New Albion, 1989) Eliane Radigue - “L'​Î​le re​-​sonante (2000)” (L'​Î​le re​-​sonante, Shiiin, 2005) Annea Lockwood - “For Ruth” (T​ê​te​-​à​-​t​ê​te by Ruth Anderson & Annea Lockwood, Ergot, 2023) Petr Kotik – S.E.M. Ensemble – Many Many Women – Part 13 (That being uncovered) (Many Many Women, Labor, 1981) Cruel Diagonals - “Fluvial” (A Dormant Vigor, 2021) Laurie Spiegel - “Three Sonic Spaces II” (Unseen Worlds, Scarlett/Infinity, 1991) Lana Del Rabies - “Grace the Teacher (Cruel Diagonals remix)” (Becoming Everything: STREGA BEATA Remixed, 2024) Cruel Diagonals - “Live in Los Angeles - March 2023 pt.1” (Live in Los Angeles, March 2023, Beacon Sound, 2023) Cruel Diagonals - “Vestigial Mythology (remix)” (Live in Los Angeles, March 2023, Beacon Sound, 2023) Cruel Diagonals - “Vestigial Mythology” (Fractured Whole, Beacon Sound, 2023) Andy Stott - “Submission” (We Stay Together, Modern Love, 2011) Andy Stott - “Promises” (It Should Be Us, Modern Love, 2019) Luc Ferrari - “Music Promenade” (Music Promenade / Unheimlich Sch​ö​n, Recollection GRM, 2019) Cruel Diagonals - “Soporific Return” (Disambiguation, Drawing Room, 2018) Cruel Diagonals - “Decimated Whole” (Fractured Whole, Beacon Sound, 2023) Pauline Oliveros, Roscoe Mitchell, John Tilbury, Wadada Leo Smith - “Part III [Encore]” (Nessuno, I Dischi Di Angelica, 2016) Demdike Stare - “We have already died” (Elemental, Modern Love, 2012) Can - “Call Me” (Saw Delight, Mute/Spoon, 1977/1991) Silent Servant - “Violencia” (Violencia, Sandwell District, 2008) Realivox Ladies (2015) Bjork - “It's Not Up To You” (Vespertine, Polydor, 2001) Pauline Oliveros - “Sound Patterns” (Extended Voices, Odyssey, 1967) Maxwell - “This Woman's Work” (Now, 2001) Richard Maxwell - “Pastoral Symphony” (An Anthology of Noise & Electronic Music Volume 5, 2008) Cruel Diagonals - “Live in Los Angeles - March 2023 pt.2” -—- Sound Propositions produced by ⁠⁠Joseph Sannicandro⁠⁠. --- Support this podcast: https://podcasters.spotify.com/pod/show/soundpropositions/support

Formerly belonging to King Louis XIV and displayed in his palace at Versailles, the huge cabinets known as the Cucci Cabinets are two of the most important pieces of furniture in the world - and if you have visited the State Rooms at Alnwick Castle, you will have seen them on display in the Drawing Room.To find out more about these two stars of the castle collection, our podcast hosts Deborah and Daniel spoke to cabinetmaker and conservator Yannick Chastang, who worked for eighteen months on the Cucci Cabinets to preserve them for the future. We spoke with Yannick for nearly an hour on the full history of the cabinets and how they came from Versailles to Alnwick; how they were made, the decorative techniques that make them so special, and what they were used for; and his own part in the history of these objects.Make sure to ask about the Cucci Cabinets on your next visit to Alnwick Castle so you don't miss them - and if you enjoyed the episode please let us know with a rating or review on your podcast platform!

Sutapa Biswas talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Biswas was born in Santinekethan, India, in 1962, and her work in painting, drawing, photography and video explores race and gender within the context of colonialism and its legacies. Made over five decades since the early 1980s, her art is both rigorously consistent in its themes and thrillingly diverse in mood and mode—by turns poetic, activist and even satirical. She discusses her studies in art and art history with Griselda Pollock, among others, at the University of Leeds in the 1980s, where she challenged the Eurocentric framing of the course, and made crucial early pieces including the painting Housewives with Steak-knives (1983-85). She reflects on her family history, and the traumatic journey to the UK from India, and how this haunts her work today. She discusses the influence of artists including Leonor Fini, Johannes Vermeer and Mary Kelly, film-makers like Satyajit Ray and Jean Cocteau, and writers including Marcel Proust. And she answers our usual questions, including the ultimate: what is art for?Women in Revolt! Art and Activism in the UK 1970-1990, Tate Britain, London, until 7 April 2024; The Time of Our Lives, Drawing Room, London, 25 January-21 April 2024; Photographing 80s Britain: A Critical Decade, Tate Britain, London, 21 November 2024-5 May 2025. Hosted on Acast. See acast.com/privacy for more information.

SCARED TO DEATH IS EXPLICIT IN EVERY WAY. PLEASE TAKE CARE WHILE LISTENING. Dan's  first story to share this week revolves around a clock. While it might not sound so scary, it's actually terrifying. Could a clock be built as an occult object? Could it have some sort of demonic entity attached to it? Let's find out! Next, the story of a ton of UFO sightings coming from Italy in October of 1954. Could roughly 10,000 people have all seen the same UFOs at a football match? Lynze has some animal themed tales this week, which is kind of funny but not really. Her first story features a bunny, which is known to be a symbol of the underworld. What was this particular bunny up to? And then, her worst nightmare, frogs! What is going on with these frogs throwing themselves up against a window? Tune in and find out! New Merch:  Brand new Spoopy design featuring an adorable wide eyed bat and large words SPOOPY. Available now in a tee shirt and mug.Head on over to badmagicmerch.com and check it out! Bad Magic Productions Monthly Patreon Donation: Morry's Camp, also known as Project Morry. Project Morry was born out of summer camp pioneer Morry Stein's dream that all children, regardless of economic status, should experience the life-changing gift of summer camp. Beginning as a summer camp experience, Project Morry has grown into a comprehensive year-round youth development organization. And with this non profit, the support for under served children does not stop at summer camp. Project Morry is committed to working to ensure young people from under-resourced communities graduate high school ready for college, careers and life.  With the generosity of the bartenders at camp donating the amazing amount of tips collected at summer camp, we are donating $17,225 to Morry's Camp and another $1,525 is headed to the scholarship fund. WOW! To learn more, please visit projectmorry.orgStandup:If you want to see a very different side of Dan than you see here and possibly see Lynze in the crowd (she is always happy to say HI!) get on over to   dancummins.tv for ticket links to shows. You can find Dan in Burlington, Buffalo, Providence and more! Thank you for continuing to send in your stories, Creeps and Peepers!**Please keep doing so. Send them to mystory@scaredtodeathpodcast.comSend everything else to info@scaredtodeathpodcast.comWant to be a Patron? Get episodes AD-FREE, listen and watch before they are released to anyone else, bonus episodes, a 20% merch discount, additional content, and more! Learn more by visiting: https://www.patreon.com/scaredtodeathpodcastPlease rate, review, and subscribe anywhere you listen. Thank you for listening!Follow the show on social media: @scaredtodeathpodcast on Facebook and IGWatch this episode: https://youtu.be/lg2bbwjpYR0Website: https://scaredtodeathpodcast.com/Facebook: https://www.facebook.com/scaredtodeathpodcast/](https://www.facebook.com/scaredtodeathpodcast/)Instagram: https://bit.ly/2miPLf5Mailing Address:Scared to Deathc/o Timesuck PodcastPO Box 3891Coeur d'Alene, ID 83816Video/Audio by Bad Magic ProductionsOpening Sumerian protection spell (adapted):"Whether thou art a ghost that hath come from the earth, or a phantom of night that hath no home… or one that lieth dead in the desert… or a ghost unburied… or a demon or a ghoul… Whatever thou be until thou art removed… thou shalt find here no water to drink… Thou shalt not stretch forth thy hand to our own… Into our house enter thou not. Through our fence, breakthrough thou not… we are protected though we may be frightened.  Our life you may not steal, though we may feel SCARED TO DEATH."

  This week marks the penultimate episode in our six-part mini-series on special places in our palaces. We're following Curator Polly Putnam into Queen Charlotte's Drawing Room in Kew Palace, the home of the Royal Family during the illnesses of George III.  This small and domestic-feeling room holds a lot of sadness from the past, but from this Polly is able to reflect on finding joy in the meaning of home.  If you'd like to find out more on visiting Kew Palace go to: https://www.hrp.org.uk/kew-palace/visit  To learn more about the lives of Queen Charlotte and George III go to: https://www.hrp.org.uk/kew-palace/history-and-stories  

Sex, drugs, and Meyerbeer? Listen to our newest guest Felicia about all things Jewish history, her newest series Once Upon a Time in the East End and not to mention some very funny moments

Join The Man of the West for more villain dialog — this time from everyone's three favorite trolls: Bert, Tom, and Bill. And don't forget the talking purse!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5854727/advertisement

Jeremy Musson discusses with Ivan six things which should be better known. Jeremy Musson is an author of many books on the country house and historic buildings and related subjects, How to Read A Country House, English Ruins, The Drawing Room, Up and Down: Stairs the history of the country house servant, and a contributor or contributing editor to many more, including with Prof Sir David Cannadine, The Country House: Past, Present and Future. Born in London in 1965, he grew up in London and Surrey, and after a law degree, at University College, London, and an M Phil in renaissance history, at the Warburg Institute, he worked for the Victorian Society as an architectural adviser, before moving to the National Trust, in East Anglia, as a junior curator. From 1995, he worked for Country Life magazine, as architectural writer and then architectural editor. Since 2007, he has been an independent author, expert and consultant, advising on the care of numerous historic buildings, including St Paul's Cathedral, Bevis Marks Synagogue, Red House, Chartwell - Churchill's country home - and Oxburgh Hall and Hardwick Hall, as well as advising on a number of new architectural projects in sensitive contexts. An occasional television presenter on architectural subjects, he was the presenter and co-writer of the two BBC 2 series of The Curious House Guest. A Fellow of the Society of Antiquaries, he also teaches for the University of Cambridge, the University of Buckingham and New York University (London programmes). He sits on the FAC for Ely Cathedral, is a trustee of the Historic Houses Foundation, and is chair of the Hall Bequest Trust. He is also a former Trustee of the Stowe House Preservation Trust and the Pevsner Book Trust. He is married with two grown up daughters, has lived in Cambridge since 1993, and is an active member of the Champion of the Thames Rowing Club in Cambridge. Stanway https://www.stanwayfountain.co.uk/ The Dennis Severs House https://www.theguardian.com/culture/2021/jul/25/dennis-severs-house-recreates-his-eccentric-tours-based-on-found-tapes The churchyard garden, Little St Mary's Church in Cambridge https://www.parksandgardens.org/places/little-st-marys-churchyard The Compton Mortuary Chapel https://www.wattsgallery.org.uk/visit/explore-our-site/watts-cemetery-chapel Homes Sweet Homes by Osbert Lancaster https://www.houseandgarden.co.uk/gallery/osbert-lancaster Friendships by Mark Girouard https://catholicherald.co.uk/the-writer-who-goes-where-historians-dont-dare/ This podcast is powered by ZenCast.fm

April 18, 1937 - Lady Milicent's Husband is the name of the English drawing room drama that Jack Benny and the gang put on. References include Jeeves and Wooster, the actor Gary Cooper, casting for "Gone With The Wind", the movies "Lost Horizon", "Tarzan Escapes" and Jack Benny's movie "College Holiday.

Trains provide a comfortable way to travel, and a chance to meet people on those long distance excursions. Rogue meets a woman with an interesting request, she wants him to…

Trains provide a comfortable way to travel, and a chance to meet people on those long distance excursions. Rogue meets a woman with an interesting request, she wants him to…

Industry icon, bar educator, entrepreneur, and bartender Charles Joly drops by the Bar Hacks podcast to chat with host David Klemt. The two discuss Charles' start and his journey from the trenches to opening Chicago's Drawing Room, and also his role at the city's legendary Aviary. Charles also talks about Crafthouse Cocktails, the premium ready-to-serve brand, and his barware label Crafthouse by Fortessa. Interestingly, his love of bar history and vintage barware design not only informs his own designs, it manifests in Telltail Vintage, his Instagram shop. Not one to sit still for long, Charles is also involved in craft ice startup Abstract Ice. The conversation also touches on spirits categories that appear to be dominating or otherwise seeing a big lift; advice for aspiring career bartenders; and advice for operators who want to succeed in today's restaurant and bar world. Connect with Charles via his website www.CharlesJoly.com and on Instagram. Connect with the Bar Hacks podcast on Instagram and Twitter, and with host David @david.ex.machina. Cheers!

Writing Gilded Age romances with hellions, scandals, and one starchy Duke - Joanna Shupe joins the Duchess and Lady.

This is a rebroadcast of an episode of This Thing We Call Art, a podcast where the host Kelly Lloyd speaks to people in the arts about their livelihoods. Lloyd originally interviewed artist Nicole Morris on February 25, 2021 and the 44-minute episode featuring portions of the two and a half-hour-long conversation was released on February 24, 2022. The podcast features a conversation that includes discussion of navigating being a solo artist and an art educator, the limitations of the formats of the solo show and the retrospective, motherhood, reproductive labor and care labor, and incidental interruptions in the creative process. Kelly Lloyd is a transdisciplinary artist who focuses on issues of representation and knowledge production and prioritizes public-facing collaborative research. Lloyd has recently held solo exhibitions at the Royal Academy Schools (London), Crybaby (Berlin), Bill's Auto (Chicago), Demo Room (Aarhus), and Dirty House (London) for which she won the Art Licks Workweek Prize. Lloyd was the Starr Fellow at the Royal Academy Schools during the 2018/19 school year and is currently studying at The University of Oxford's Ruskin School of Art and Wadham College for her DPhil in Practice-Led Fine Art with support from an All Souls-AHRC Graduate Scholarship and an Open-Oxford-Cambridge Doctoral Training Programme Studentship. In 2021, Lloyd launched This Thing We Call Art, a podcast and online archive featuring excerpts from 50+ interviews with people in the arts she has conducted since 2017. Nicole Morris is an artist working across gallery, education and community settings both in a solo and collaborative context. Her work uses textiles and film to explore themes of domesticity and labour and how these are performed or re-presented in new contexts. Her work has recently been included in exhibitions and projects at The Foundling Museum, London; Southwark Park Galleries, London; Royal Museums Greenwich, London; The Drawing Room, London; [SPACE], London; Baltic, Gateshead; South London Gallery; Bluecoat, Liverpool; G39, Cardiff; Jerwood, London and The National Gallery, Prague.

Duchess and Lady add another notch to their bedpost with another of the brilliant minds behind DILF, RILF, and now VILF!

Today we're speaking with Hoyt and Trey from Heroes of Trilash. Heroes of Trilash is a RPG universe where artists and fans come together to create characters on live stream. --- Support this podcast: https://anchor.fm/evening-alpha/support

In s3e7 of Platemark series three, Ann Shafer and Tru Ludwig sit down with Elizabeth Wyckoff, Curator of Prints and Drawings at the Saint Louis Art Museum, to talk about the exhibition Catching the Moment: Contemporary Art from the Ted L. and Maryanne Ellison Simmons Collection, which is open until September 11, 2022. The Simmons collection, recently acquired by the Saint Louis Art Museum, provided an opportunity to take a deep dive into three artists they collected in depth: Kiki Smith, Enrique Chagoya, and Tom Huck. The major through line is works that critique a broad range of social, political, and art historical concepts. Other artists in the exhibition include Jaune Quick-to-See Smith, Bruce Nauman, H.C. Westermann, Tony Fitzpatrick, and Kara Walker. Elizabeth, like so many curators of prints and drawings, is responsible for works of art on paper from the 15th century through tomorrow, even though her dissertation focused on Dutch print publisher Jan Pietersz Berendrecht, who was active in Haarlem in the 1620s. Hear about living in Amsterdam while researching Berendrecht, working with the Simmons, and what her (fictitious) retirement gift will be. Episode image of Elizabeth Wyckoff: Courtesy of the Saint Louis Art Museum. Saint Louis Art Museum Print and Drawing Room link: https://www.slam.org/research/print-study-room/  

Today's episode is brought to you by a handful of my patrons: Drew, Jenine, and Leslie. You can read more about the benefits they're enjoying here. Follow Ryan and J. Rieger & Co. The first place Ryan mentions working is Pierpont's. This is where he had both a terrible and life-changing Sazerac. He mentions ingredients like Peychaud's, Old Overholt, and Grand Absenté.He mentions Mr. Boston cocktail books as well as Dale Degroff's The Craft of the Cocktail.Ryan talks about visiting bars like Milk & Honey (New York) and Chicago establishments The Violet Hour and Drawing Room.He mentions bartenders Sasha Petraske and Charles Joly. People mentioned involved in launching J. Rieger & Co include Andy Rieger, Steve Olson, and Dave Pickerell. Places Ryan has opened include Manifesto and The Rieger (both are now closed) as well as The Hey! Hey! Club and his newer sprawling J. Rieger & Co distillery, bar, and more. Rieger's Kansas City Whiskey is made unique by having a small percentage of oloroso sherry make up the total. He also mentioned their Caffé Amaro.When I asked him about menus he loved he mentioned The Violet Hour, Pouring Ribbons (now closed), and The Aviary.Special thanks to Chris Bay for production and editing support. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit decodingcocktails.substack.com

September 11, 2001 was a day of shocking violence and loss. But, in the aftermath, it was also a day of heroism and of community. As planes bound for New York were being turned away, many of them found themselves being directed to the small town of Gander, in Newfoundland, Canada. Almost seven thousand people landed in Gander on that day. It could have been impossible. It could have been overwhelming. But instead, the town opened its arms to those strangers. Their story was turned into a Tony Award winning musical, Come From Away, and in the Drawing Room, Gander residents Oz Fudge and Brian Mosher share how those days changed their lives.

Robert Wilson is an acclaimed director of experimental theatre and opera. but his latest work sees him stepping away from the stage and into the gallery, with a series of portraits. But these are no ordinary portraits. They're short films, which mix celebrity and art history and involve large teams behind the scenes. Helping it all come together is Chris Green, Robert's producer, who also happens to be the executive director of Harvard Law School's Animal Law & Policy Program.

Is it possible to tell when someone is lying to you? Not just to guess, but to truly know? Michael Robotham's debut thriller sold more than a million copies, he's since become one of the biggest names in crime, and his latest novel features a woman with that precise skill In the Drawing Room, Michael explains how he keeps the tension high, when the truth can be so easily exposed.

In the small city of Yellowstone, in the old west, the mine has shut and the town is slowly dying. Then, one day, a wild local strikes gold. But hopes for a revival are quickly dashed when the man is murdered on his way home from celebrating. A recently arrived outsider makes for a convenient suspect, but in this town, nothing is what it seems. Australian director Richard Gray talks about his new film, Murder at Yellowstone City, and the town he built along the way.

Most of us would think of Australia as a trustworthy country, largely free from corruption and dirty money, at least in a global context. But, if that's right, why has Australia been pointed to as one of the top targets in the world to launder money through real estate? And why have several major institutions in Australia been linked to money laundering? Nathan Lynch is an expert on financial crime and the author of a new book, The Lucky Laundry.

Whether it's “can't we all just get along” or “agree to disagree”, not everyone embraces an argument when it arrives. But Lee Siegel argues that argument is essential: to the individual, to art, and to society. Argument leads to change and it helps us to understand the world. Whether that argument plays out in political platforms, in art, or, increasingly, online, it's a way of understanding the other side and convincing them that your point of view is better.

Stanley Jordan is a guitar virtuoso who has been pushing the boundaries with his playing for over four decades.

The worlds of classical music and urban culture very rarely rub shoulders. However, KLASSIK underground, aims to bring these worlds together by combining classical music with other art forms such as dance, street art, poetry and video installations - to create innovative music events. In the Drawing Room, Australian violist and creative producer, Tahlia Petrosian, talks about how she's bringing together laser artistry with Shostakovich.

Our Blood Runs in the Street is a visceral and raw examination of the violence and persecution experienced by the LGBTQI community in Australia. Blending physical theatre with verbatim text, the production looks at a spate of brutal bashings and murders in Sydney that brought terror to the LGBTQI community for decades. In the Drawing Room, award-winning director, Shane Anthony, talks about how he went about bringing these challenging and important stories to the stage.

Il Trovatore is perhaps Verdi's most complicated opera, with betrayals, abductions, revenge and hidden identities. The character of Leonora is led by her heart and lacks reason. For singer, Leah Crocetto, who is taking on the role in Opera Australia's latest production, it's not a character she easily identifies with. In the Drawing Room, Leah talk about how she's learnt to channel her inner teenager for the role and shares how a rejection from the Met Chorus changed the trajectory of her career.

[Merknad:Kilde] Vårt panel av eminente språkforskarar består denne gonga av Anne Dahl, Rikke van Ommeren og Olaf Husby. 01.26: Kvifor heiter det Latvia, Hellas og Nederland? Og ikkje Lettland, Grekenland og Dutchland? 15.24: Versus eller vørsus? Skal slike ord uttalast med engelsk schwung? 19.18: Nemlig! Ein lyttar meiner det er eit av dei mest irriterande og meiningslause fyllorda me har, som burde utslettast. 26.41: Vetting? Er dette eit nytt ord inne i det norske språket, og kva betyr det? 32.50: Sør eller søndre? Kva er kvar og kvifor? 36.43: Dialektbytte! Kvifor er det slik at enkelte kjendisar bytter dialekt? 50.24: Norsk ord for "drawing room"? Ein svensk lyttar lurer på om det verkeleg er "teiknerom" Send oss dine spørsmål og innspel til snakk@nrk.no! Hør episoden i appen NRK Radio

What magic happens when a musical genius is exposed to Beethoven, Vivaldi, and AC/DC at a young age, and loves them all? William Barton is a composer, producer, multi-instrumentalist, vocalist and one of Australia's leading didgeridoo players. His latest song is a cover of the classic rock song Johnny B. Goode, as part of Chess Records' seventieth anniversary album, Everybody Knows I'm Here.

Robert Dessaix is an essential part of the Australian literary world. As a writer, a performer, and an interviewer, he's explored the meaning of life and the stories behind the stories. For that work, he's the recipient of the 2022 Australia Council Award for Lifetime Achievement in Literature. In the Drawing Room, Robert shares how he likes to connect ideas and talks about his latest release, Abracadabra.

The songs of Jimmy Barnes have become anthems for generations of Australians; his is a voice and a sound that's part of the fabric of this country. But the sound that Jimmy grew up with was something else entirely. He grew up listening to the classics of soul, and that's a sound that's stayed with him throughout his career. In the Drawing Room, Jimmy Barnes talks about the 30th anniversary of his Soul Deep record, crashing a Tina Turner concert, and music as communion.

What would Australia look like if we were to put children at the centre of public policy? Would we see more children thrive in school and stay out of prisons? And would they then go on to be more productive and prosperous adults?   In the Drawing Room, Jeni Whalan, Chief Strategy Officer at the Paul Ramsay Foundation and host of the Life's Lottery podcast talks about what it would mean to put kids at the centre of public policy.

Verdi's La Traviata invites you to indulge in the opulence and glamour of the Parisian salon. Violetta is a free-spirited courtesan who throws lavish parties with the finest champagne but amidst the glitz and glamour a tragic love story unfolds as our effervescent host relinquishes her only chance at love. In the Drawing Room, Constantine Costi, the opera's revival director, talks about how he's making sparks fly in his new interpretation of this well-known opera classic.

Episode Description: In this episode, The Duchess meets Viscountess Gage of Firle Place. Lady Gage share with us the incredible art collection at Firle, we learn about the eclectic female poet that became a central figure in Christian mysticism. Emma also talks to Lady Gage about why Firle Place is considered by many to be one of prettiest houses in the country. Top Quotes: “There's an endless movement and evolution in the use of these homes. They defy the notions of permanence.” - Lady Gage “Prince Philip used to call Firle Place the prettiest little house he ever knew.” - Lady Gage About the Guest and Stately Home: Alexandra, Viscountess Gage is the current custodian of Firle Place with her husband, Nicholas, 8th Viscount Gage. The couple married in 2009 and have one son together. Alongside being custodian of Firle, Lady Gage has her own skincare range called 'Beauty Energy Balms', made by hand on the estate from herbs grown in the garden. Of the collection she says: “I would say that it's been a labour of love, except that it's felt like more love than labour,” The products are on Firle's website and in the gift shop. The history of Firle Place is the history of the one family; the Gages. The house was built by Sir John Gage in 1473 and there have been Gages at Firle ever since. During the Tudor period, Sir John Gage, KG (1479-1556) had a distinguished political career. He served as Governor of Calais and Constable of the Tower of London. The transformation of Firle from a Tudor manor to an elegant Georgian home, was the work of Sir William Gage in the early 18th century and completed by his cousin, the 1st Viscount Gage, who inherited the estate in 1744. Major interior features include the neo-classical Drawing Room, designed by William Kent, and the Long Gallery, the work of Scottish architect Colen Campbell. The Long Gallery displays the internationally important Cowper Collection of fine art, amassed by the 3rd Earl Cowper, one of the great art collectors of the 18th century. The house is also known for its beauty and wonderful collection of books. About the Host: Emma, Duchess of Rutland, grew up far away from the world of the aristocracy. Born Emma Watkins, the Duchess grew up the daughter of a Quaker farmer, in the Welsh countryside. She trained as an opera singer in the Guildhall School of Music, and worked as a successful interior designer before meeting her future husband David Manners, the 11th Duke of Rutland, at a dinner party. Their marriage in 1992 thrust Emma into a new world, which included the responsibility of preserving one of the nation's greatest stately homes: Belvoir Castle. While simultaneously running the day to day operations of the castle, and raising five children, the Duchess became fascinated with the history and importance of the other stately homes of the UK. Join Emma as she embarks on a wonderful journey through time, to learn more about the incredible homes that have defined Great Britain and, most importantly, meet the other extraordinary women who work tirelessly in the background, to preserve their homes history and magic for future generations. Resources: https://firle.com/ (https://firle.com/) https://www.belvoircastle.com/ (https://www.belvoircastle.com/) https://www.onefineplay.com/ (https://www.onefineplay.com/) https://www.emmaduchessrutland.com/ (https://www.emmaduchessrutland.com/)

Return to Seoul follows a young French-Korean woman as she travels to her country of birth on a holiday. She swears she isn't there to connect to her biological family, but, once in the country, she can't help but reach out. This isn't the tale of a joyous reunion though, it's complicated, messy, and prickly, just like real life. In the Drawing Room, the film's creator, Davy Chou, talks about the real experience that inspired the script, and the complicated questions of belonging that lie at its heart.

When faith and power collide, is it possible to avoid compromising your beliefs? Tarik Saleh's new film, Boy from Heaven, was inspired by Umberto Eco's The Name of the Rose, but takes audiences to al-Azhar University in Cairo, where the death of the Grand Imam could change the power dynamics of the country. In the Drawing Room he talks about the importance of truth in fiction and why he loves a country that doesn't love him back.

Rachel Kushner joins Deborah Treisman to read and discuss “Come Into the Drawing Room, Doris,” by Edna O'Brien, which was published in The New Yorker in 1962. Kushner is the author of three novels and most recently the essay collection “The Hard Crowd,” which was published last year.