Podcasts about Drawing room

Send us Fan MailYouth sports can be the best thing that happens to a kid or the loudest source of stress in a family. We're joined by Dennis Biggs and Mark Rawls, two coaches who helped elevate the Gateway youth football program and who care more about the long game than the scoreboard. From the jump, they make it clear: winning cultures aren't built by slogans. They're built by adults who show up, do the unglamorous work, and earn trust one practice at a time.Dennis opens up about Sowing Seeds Consulting and the gaps he keeps seeing with high school athletes and parents. Training matters, but so does the business side of being a student-athlete: NCAA Clearinghouse steps, campus visits, communication with college coaches, grades, mindset, and the daily habits that decide whether “potential” becomes reality. We also talk about the pressure cooker created by social media and the small group of overbearing parents that can burn out great volunteer coaches, even when everyone is trying to do right by the kids.Then we go bigger: Western Pennsylvania grit, late bloomers, recruiting and scheme fit, and why the best mentor for your child might be someone outside your household. We wrap with Pittsburgh sports memories and why places like the Drawing Room can still spark the kind of real conversation that keeps communities tight. If you care about youth sports coaching, athlete development, recruiting honesty, and leadership that actually serves, this one's for you. Subscribe, share with a coach or parent who needs it, and leave a review with the best lesson sports ever taught you.THANK YOU FOR LISTENING!!!!www.holdmycutter.comhttps://www.thedrawingroompgh.com/ 

WOW!house is renowned as an international showcase for acclaimed designers, bold, emerging voices and stellar brands with creative collaborations transforming ideas into fully realised, inspirational spaces. In this episode, we explore the true impact and potential of WOW!house through the voices of those shaping it from the inside. We're joined by Natalia Miyar, who designed the Bedroom within WOW!house back in 2023, Sara Cosgrove of Sara Cosgrove Studio, who will be designing the Drawing Room for WOW!house 2026, and Alexandra Singer from luxury sponsor THG Paris. Together, they discuss what makes WOW!house such a catalyst for creativity, collaboration and commercial opportunity and why it has become a launchpad for new ideas, partnerships and design careers. Recorded in the THG Paris showroom at Chelsea Harbour. Chapters (00:00:00) - Welcome to the Interior Design Business(00:01:29) - The Design Team at Warehouse(00:05:25) - What is it about the exhibition?(00:08:04) - The interior of Wowhouse(00:11:02) - The Making of a Chelsea Harbor Hotel(00:17:01) - The London Design Studio's commitment to sustainability(00:18:54) - The Making of Your Room(00:19:25) - The St Leonard's Hotel(00:23:18) - The Making of Whitehouse(00:27:03) - Philip Jeffries: The Wowhouse Experience(00:32:01) - The Stabilo Warehouse Build(00:37:42) - A Last Minute View(00:38:16) - Has The Warehouse Room Led to Other Projects?(00:40:21) - The Creators of Wowhouse

Send us Fan MailA great title doesn't always come from a brainstorming session. Sometimes it comes from a Tuesday night at Mario's, a Pirates game on TV, and a buddy who grabs a pen, a bar napkin, and just knows the words. We're posted up at The Drawing Room in Pittsburgh with Robbie A great title doesn't always come from a brainstorming session. Sometimes it comes from a Tuesday night at Mario's, a Pirates game on TV, and a buddy who grabs a pen, a bar napkin, and just knows the words. We're posted up at The Drawing Room in Pittsburgh with A great title doesn't always come from a brainstorming session. Sometimes it comes from a Tuesday night at Mario's, a Pirates game on TV, and a buddy who grabs a pen, a bar napkin, and just knows the words. We're posted up at The Drawing Room in Pittsburgh with Robby Incmikoski and Paul “Uncle Paulie” Hogan, and the stories go from ridiculous to genuinely moving without ever feeling forced.We relive the Arizona trip that basically introduced them to each other, where a rented ballpark pool and a crew of Pirates fans turned into the kind of chaos that becomes local folklore. Then we get into Sacred Grounds, Robby's baseball book, and the exact moment Paul named it and sketched a diamond on a napkin after a few too many Great Bombs. From Cooperstown archive access to the strange layouts at places like Wrigley and the heartbreak of what happened to Oakland, we dig into what makes MLB ballparks feel alive and why baseball relationships last.Before we wrap, Paul shares what he does now after firefighting: transporting organs for transplant and research, driving through the night with hearts, lungs, and livers, and why the work gives him real purpose. If you love baseball travel, behind-the-scenes MLB stories, and friendships that actually sound real, this one's for you. Subscribe, share this with a friend who loves a good story, and leave a review with your favorite ballpark and why it matters to you. You can find more about the book here: https://www.robbyinc.com/book THANK YOU FOR LISTENING!!!!www.holdmycutter.comhttps://www.thedrawingroompgh.com/ 

Johanna Calle was born in 1965 in Bogotá, where she lives and works. Following her studies in the visual arts at the Talleres Artísticos of the Universidad de los Andes in Bogotá from 1984 to 1989, Calle received a British Council scholarship in 1992 to earn a master's degree at the Chelsea College of Art and Design in London. Her work draws on a range of archival and deciphering techniques, often associated with everyday life, to address the violence of recent Colombian history and evoke the victims of forced disappearances. Johanna Calle has been honored with numerous prestigious awards, including major prizes and honorary recognitions in Colombian art salons (1996–2003), a fellowship at the Cité Internationale des Arts in Paris (2001), and international grants and residencies in Europe and the United States (2008–2013). She has been included in international biennials such as the Sydney Biennale (2016), the São Paulo Biennial (2014), SITE Santa Fe (2014), and the Istanbul Biennial (2014). Selected exhibitions include Arquitecturas, Bienvenu Steinberg & C, New York (2026); Museum of Contemporary Art Denver (2024); Hayward Gallery (2020); Josée Bienvenu Gallery, New York (2019); La Maison de l'Amérique latine, Paris (2017); Museum of Modern Art (2017); Silentes 1985–2015, Museo de Arte del Banco de la República, Bogotá, traveled to Museum Amparo, Puebla, Mexico (2015); Fondation Cartier pour l'art contemporain (2013); the Drawing Room, London (2013); Wattis Institute for Contemporary Arts in San Francisco (2012); Museum of Latin American Art in Long Beach, California (2012); Sàn Art in Ho Chi Minh City, Vietnam (2012); and San Francisco Museum of Modern Art (2011). Her work is included in institutional collections such as the Museum of Modern Art; Tate Modern; San Francisco Museum of Modern Art; Museum of Modern Art, Buenos Aires; Fondation Cartier pour l'art contemporain; Museum of Fine Arts, Houston; Museum of Latin American Art, Long Beach; Museum of Bogotá; National Museum of Colombia, Bogotá; National Bank of the Republic of Colombia, Bogotá; Cisneros Fontanals Art Foundation, Miami; Sur Collection, San Francisco; Comfenalco Antioquia, Medellín; Enersis Collection, Santiago; and Teorética Museum, San José. Johanna Calle Arquitecturas, 2026 Signed and dated on the back Nail polish on chromogenic print (anonymous photograph) Framed in Optium Museum Acrylic 3.5 x 3.5 in (image) Johanna Calle Arquitecturas, 2026 Signed and dated on the back Nail polish on chromogenic print (anonymous photograph) Framed in Optium Museum Acrylic 3.5 x 3.5 in (image) Johanna Calle Abstractas, 2026 Signed and dated on the back Erased found chromogenic print (anonymous photograph) Framed in Optium Museum Acrylic 3.5 x 6 in (image)

Send us Fan MailPittsburgh soccer is getting bigger, faster than the stadium can hold it. We're joined by Rachel Williamson, GM of FNB Stadium, to unpack what it really takes to grow the Pittsburgh Riverhounds from a scrappy local club into a higher-division operation with a 15,000 seat future on the line. We dig into why sellouts matter, what a championship win changes in a market like Pittsburgh, and how “professional” is built through operations as much as results.Rachel walks us through the engine behind it all: the Riverhounds Development Academy and the youth soccer explosion in Western Pennsylvania, plus the Coriopolis training facility that supports both the pro team and year-round player development. We also get into the behind-the-scenes reality of running a stadium, including how COVID forced a crash course in leadership, how she prioritizes problems in a building where something breaks every week, and why listening to fans through surveys and real conversations can reshape the game day experience.Then we widen the lens beyond soccer. With only 17 home dates, Rachel explains the push to make FNB Stadium a true year-round Pittsburgh event venue, from rentals and banquet space to boxing nights and the long game of bringing concerts and festivals back to the riverfront. Along the way, we hit the unexpected details, like why covering a field for a concert can cost around $100,000, and how that factors into booking decisions.If you like sports business, venue strategy, and how cities build momentum around teams, hit play. Subscribe, share this with a Pittsburgh friend, and leave a review, then tell us what dream event you'd book at FNB Stadium first.THANK YOU FOR LISTENING!!!!www.holdmycutter.comhttps://www.thedrawingroompgh.com/ 

Nicola Tyson was born in 1960 in London, England. She attended Chelsea School of Art, St. Martins School of Art and Central/St. Martins School of Art in London, and currently lives and works in New York. Primarily known as a painter, Tyson has also worked with photography, film, performance and the written word, in addition to running Trial BALLOON, an NYC project space in the early 90s. In 2023, Nicola Tyson: Selected Paintings 1993-2022, the most comprehensive overview of the artist's work to date, was published. In 2011, Tyson released the limited-edition book Dead Letter Men, which is a collection of satirical letters addressing famous male artists. Her unique archive of color photos documenting the London club scene of the late 1970's — Bowie Nights at Billy's Club — was the subject of shows, both in New York and London, in 2012 and 2013. In 2025, Tyson was commissioned for Hayward Gallery's public project banner. Tyson has mounted solo exhibitions at Petzel Gallery, New York (2026, 2025, 2024, 2020, 2016); Nino Mier Gallery, Los Angeles (2024); Nino Mier Gallery, Brussels (2022); Sadie Coles HQ, London (2021, 2017, 2013); The Contemporary Art Museum St. Louis, St. Louis (2017); The Drawing Room, London (2017); Nathalia Obadia, Paris (2015); Susanne Vielmetter Gallery, Los Angeles (2014); White Columns, New York (2012), among others. She has participated in group exhibitions at the Design Museum, London (2025); The Modern Art Museum of Forth Worth, Fort Worth (2022); Art Institute of Chicago, Chicago (2021); Drawing Room, London (2021, 2018); Drawing Center, New York (2020); Whitechapel Gallery, London (2018); Cleveland Institute of Art, Cleveland (2016); Wexner Center for the Arts (2013); and Museum of Modern Art, New York (2012); among others. Tyson's work is included in major collections such as Museum of Modern Art, New York; Whitney Museum of Art, New York; Solomon R. Guggenheim Museum, New York; Philadelphia Museum of Art, Philadelphia; Museum of Contemporary Art, Chicago; UCLA Hammer Museum, Los Angeles; San Francisco Museum of Modern Art, San Francisco; Walker Art Center, Minneapolis; Corcoran Gallery of Art, Washington, D.C.; and Tate Modern, London. Nicola Tyson, Random Attachments, 2026 Charcoal, conte, pastel on sanded paper 50 x 38 in 127 x 96.5 cm. Photo: Meg Symanow Courtesy of the artist and Petzel, New York. Nicola Tyson Nature Nurture, 2026 Charcoal, conte, pastel on sanded paper 50 x 38 in 127 x 96.5 cm. Photo: Meg Symanow Courtesy of the artist and Petzel, New York. Nicola Tyson Motherload, 2026 Charcoal, conte, pastel on sanded paper 50 x 38 in 127 x 96.5 cm. Photo: Meg Symanow Courtesy of the artist and Petzel, New York.

Scenic Designer Sy Tomashoff was instrumental in creating the look for Dark Shadows. From the Collinwood Foyer and Drawing Room, to the Old House, to the Collins Mausoleum, and the Blue Whale, Sy's iconic sets and innovative designs were integral to establishing and perpetuating the feel and mood of the series. For the first time, Sy's career, with a special focus on Dark Shadows, is spotlighted in the upcoming book, Sy Tomashoff: Dark Shadows by Design by Patty Karapinar. Patty, a respected and skilled architect, offers unique insights into Sy Tomashoff's work in a meticulously researched book that includes blueprints, artwork, photos, and interviews. Join us as we discuss Patty's process in putting the book together and talk about some of our favorite Dark Shadows sets.Terror at Collinwood and Shilling Shockers shirts, stickers, mugs, and merch at the Penny Dreadful XIII TeePublic shopHelp support the podcast by donating at Buy Me a CoffeeRondo Awards Ballot LINKFollow the Terror at Collinwood Facebook PageDark Shadows 60th Anniversary Celebration Jul. 31-Aug. 2, 2026 - INFOPatty Karapinar's Blog LinkUCLA Library Film and Television Archive 60th Anniversary Screening: ABC-TV's Dark Shadows INFO LINKGrayson Hall in Happy End - Listen HereKatherine Gonzales YouTube ChannelSurfing the Shadows surf rock cover of Robert Cobert's Dark Shadows theme by Johnny D & The MoonlightersTaC logos by Eric MarshallPenny Dreadful's Shilling Shockers on Etsy

Send a textA five-story landmark from 1856 just became Pittsburgh's most intriguing clubhouse on the river. Its part rooftop restaurant, part private cigar lounge, part music venue, part distillery and much more. We step inside the Drawing Room to trace how a decrepit shell turned into a South Shore destination with a skyline overlook, historic structural beams saved from the past, and a culture obsessed with fit, not flash.We break down the vertical blueprint: a rooftop built for sunsets and city photos, an events floor that swings from weddings to corporate nights, a members-first cigar lounge with two simple rules and serious ventilation, a forthcoming restaurant concept shaped by neighborhood demand, and a ground-level deli, bottle shop, and distillery linking daily life to late nights. Along the way, we talk partnerships that matter city life, hotels, venues, local teams. They want highlight the riverfront so it becomes a destination circuit instead of a one-off stop. Draft week turns the volume up even more, with the Dan Patrick Show broadcasting from the Drawing Room and a calendar packed with parties, foundations, and live sets.Sports and city identity thread everything together. We swap memories of terrible towels and summer nights at the ballpark, and we wrestle with expectations: what “winning” really means, how culture beats clout in a clubhouse, and why a fanbase that fills seats and keeps TV numbers strong year after year. We explore the Pirates' outlook with their young talented arms, O'Neil Cruz's ceiling, and what it takes to keep generational stars through the lens of legacy deals and the city's history of creative solutions. If you care about urban revival, hospitality strategy, or how a curated community can turn a building into a beacon, this show is for you.Subscribe, share with a Pittsburgh friend, and leave a review to help more people find the show. What would you add to the South Shore to make it the city's next great night out?https://www.thedistillerycomplex.com/ https://www.thedrawingroompgh.com/ THANK YOU FOR LISTENING!!!!www.holdmycutter.com

With Nick Syris on vacation, James welcomes Jimmy Dailing to the show. In addition to being a reviewer at simplystogies.com, James announces that Jimmy is a new host at Simply Stogies Podcast. Jimmy also manages a brick & mortar called The Drawing Room in Davenport, Iowa. The duo discuss the cigar industry, cigar lounges, the proper etiquette while at a cigar lounge, cigar media, and much more. Join us in welcoming Jimmy to the roster of hosts at Simply Stogies Podcast!

Step inside the Drawing Room of the official residence of the Royal Family in Northern Ireland. Inspired by the Queen Mother, full of contemporary art, and surprisingly cozy, this is a room unlike any other across our palaces. Welcome to a new series of A Space I Love, the mini-series that transports you to history where it happened. In this first episode, Castle Host Carol McMullan takes us on an intimate tour of a place where state and family life have merged for generations of the royals, and where the history of Northern Ireland has been shaped by momentous negotiations. Discover more about Hillsborough Castle Gardens on our website.

James is holding Cigar Apocalypse in Livermore, IA at Smoldering Cigar so Tim has no choice but to find a replacement. Tim and Nick welcome first time guest host Jimmy who is not only a video reviewer for Simply Stogies but a lounge owner. Jimmy owns and operates The Drawing Room in Davenport, IA. Anyway, Tim, Nick, and Jimmy dive deeper into the discussion that Nick and James had on the last episode of Simply Stogies Podcast with Les Mann of ST Dupont Cigar Accessories. They talk about the different collabs that ST Dupont has done, Nick provides his guidance on getting into your first ST Dupont lighter, and the three wrap up the show throwing a few guesses as to who the big collaboration would be that would make Les think about having up his busy hat and enjoying some retirement time.

The latest Scots Whay Hae! podcast is the third of our Edinburgh Fringe Festival Previews, where Ali talks to a few of the artists who will be appearing at the Fringe this year.First of all actor, writer and theatre maker James Clements' tells us all about The Burns Project where we are promised "An immersive theatrical Burns experience like no other.". Without any spoilers, James talks about the research undertaken, how the show came together, working with director Cora Bissett, the extraordinary setting of The Drawing Room at The Georgian House, collaborating with the National Trust for Scotland, and much more.Then writer, performer (and regular guest on the SWH! podcast over the years) Alan Bissett talks about his show When Billy Met Alasdair where, using a photo of the occasion as the inspiration, Alan imagines the conversation between Billy Connolly and Alasdair Gray when they met at the launch of Alasdair's novel Lanark at the Third Eye Centre (now the CCA). He talks about creating a script from that initial premise, being in the Scottish Storytelling Centre, and the perilous nature of finally making it to the stage.These shows take on three Scottish icons with a global reach who have changed the face and very nature of Scottish culture, and it was fascinating to hear about both, which happen to feature in the SWH! Top 10 Picks Of The Edinburgh Fringe 2025.These podcasts are always a joy to record and get just a taste of what's happening in Edinburgh this August, and we hope these discussions get you in the mood for this year's Fringe.Full details, including all the ways to listen, are over at scotswhayhae.com

In this special episode, contemporary artist Amba Sayal-Bennett joins EMPIRE LINES live, to trace the migrations of rubber seeds between South America, London, and British colonies in South Asia in the 19th century, plus the role of soil in anticolonial resistance, through their digital drawing and sculpture, Kern (2024).Rubber is a commodity that was once so highly demanded that its value surpassed that of silver. In a mission facilitated by the British government, Henry Wickham stole and trafficked 70,000 rubber seeds from the Amazon rainforest in Brazil in 1876. Transported to Kew Gardens in London, they were then dispersed across Britain's colonies for cultivation. Its plural uses and potential for profit led to its proliferation across the globe - yet the soil in India, then known as the British Raj, refused to take the seeds, which the artist puts forward as a form of environmental resistance to the colonial project.Amba Sayal-Bennett's wall-based sculptures Kern (2024) and Phlo (2024) are part of their investigations into the migrations of forms, bodies, and knowledge across different sites. Presented in SEEDLINGS: Diasporic Imaginaries, currently touring Scotland with Travelling Gallery, we discuss this visual research into how colonial practices often decontextualise and appropriate forms. Amba delves botanical and anatomical drawings, and how these illustrations have been used to commodify and control plants, environments, and people. We consider through the construction and overlapping uses of terms like ‘native' and, ‘invasive', ‘indigenous', ‘naturalisation', and ‘dispersal', to challenge binaries between human and more-than-human beings, and consider ideas of home, identity, and belonging in the context of diasporas. Amba details her relationship with ornamentation, abstraction, and displacement, and how she translates her digital drawings into sculptural forms, rendered with biodegradable, but ‘unnatural', industrial plastics. Drawing on her site-specific works for Geometries of Difference (2022) at Somerset House, and Drawing Room Invites... in London, we also delve into Amba's critical engagement with sci-fi and modernist architecture, travelling to Le Corbusier's purpose-built city of Chandigarh in Punjab, the birthplace of her maternal grandparents, to explore tropical modernism.This episode was recorded live at Somerset House Studios in London, as part of the public programme for SEEDLINGS: Diasporic Imaginaries, curated by Jelena Sofronijevic with Travelling Gallery in Scotland. The group exhibition, featuring Emii Alrai, Iman Datoo, Radovan Kraguly, Zeljko Kujundzic, Remi Jabłecki, Leo Robinson, and Amba Sayal-Bennett, is touring across Scotland, culminating at Edinburgh Art Festival (EAF 2025) in August 2025.For more information, follow Travelling Gallery and EMPIRE LINES on social media, and visit: linktr.ee/SEEDLINGSTG2025Drawing Room Invites…: Anna Paterson, Alicia Reyes McNamara, Amba Sayal-Bennett is at the Drawing Room in London until 27 July 2025.For more about Between Hands and Metal (2024), a group exhibition featuring Amba Sayal-Bennett, Alia Hamaoui, and Raheel Khan at Palmer Gallery in London, read my article in gowithYamo:. gowithyamo.com/blog/palmer-gallery-maryleboneFor more science fiction and sci-fi films, hear Tanoa Sasraku on her series of Terratypes (2022-Now) at the Royal Albert Memorial Museum (RAMM) in Exeter: pod.link/1533637675/episode/3083096d6354376421721cfbb49d0ba7For more from Invasion Ecology (2024), co-curated by Jelena Sofronijevic for Radical Ecology, and Vashti Cassinelli at Southcombe Barn, an arts space and gardens on Dartmoor, visit: ⁠⁠⁠⁠radicalecology.earth/events/invasion-ecology-exhibition⁠⁠⁠⁠ and instagram.com/p/C7lYcigovSNPRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: ⁠⁠⁠instagram.com/empirelinespodcast⁠⁠⁠Support EMPIRE LINES on Patreon: ⁠⁠⁠patreon.com/empirelines

In part 1 of my conversation with acclaimed bartender Charles Joly, some of the topics we discuss include: The two predominant “schools” of cocktail programs you might encounter in the early 2000s, and how Charles found his home and his voice in the seasonal and ingredient-focused program at a place called The Drawing Room. The conditions and events that led Charles to take on his break-out role on a national stage as the beverage director of the incredibly high-profile bar at The Aviary--a venue renowned for its avant-garde, highly technical molecular mixology drink preparations. How Charles handled the culture shock of transitioning into that role - the feeling of being parachute-dropped into a foreign land - and why a round of cheeky Tequila shots with guests helped to humanize the service style just a little. We also discuss what it means for a cocktail or ingredient to make “sense,” which involves using context cues and narrative structure to help communicate the “why” behind the “what” and “how” of a drink. Along the way, we explore the tattoos you'd see on Charles' arms if he were to prepare a drink in front of you, why every bartender should know somebody peddling rare tea and Iberico ham, the beauty of “vibe-based” bartender's choice cocktails, and much, much more.  

The Fondation Folon has a new show entitled Drawing Room featuring 150 works of art by Folon and eleven artists who inspired him. The exhibition is an intimate look at the creative process. Exhibition director Pauline Loumaye tells us what we can expect to experience both in the show and at the foundation's magnificent estate. Through 31 August. https://fondationfolon.be

SUPPORT INDEPENDENT PODCASTING OR, AS I CALL IT, INTELLECTUAL ENTREPRENEURSHIPIf Hogarth and Mario Bros had a son, it would be Hardeep Pandhal, the artist whose drawings sprawl on the walls, on paper and on canvas at the Drawing Room until until the 13 April. Half auto-biography, half hybrid character-driven cross-temporal fantasies, one thing is certain, we loved “Inner World”.If you're not in London, and you want to know more about the artist, he is represented by Jhaveri Contemporary in Mumbai, who I profusely thank for all the information they sent me.This time, my two co-hosts, interdisciplinary movement artist Naissa Bjørn and visual artist Constança Saturnino, are YOUNG.  So we have an Gen X versus Gen Z episode. And it's a delight. We talk also talk about: neurodiversity, the spectator experience, drawing, community, aphantasia, dyslexia, synesthesia, contemporary drawing, exhibitions, art galleries. Follow Naissa, and Naissa's hairdressing business. Follow Constança, and Constança's tattoo business.We also mention Milo's song An Encyclopedia. Listen here. It's great.Follow us:SubstackWebsiteWebsiteBluesky: @exhibitionistas.bsky.social

Welcome to season 3 of Storytime for Grownups! We are reading The Woman in White by Wilkie Collins, a few chapters at a time, with a few notes along the way. It's like an audio book with built in notes. So brew a pot of tea, find a cozy chair, and settle in. It's storytime!To hear Faith on The Overthinkers podcast (mentioned in this episode), click hereTo submit a question or comment about this episode, click hereTo visit the merch store, click hereTo become a Storytime for Grownups member and gain access to The Drawing Room, click hereTo learn more about your host, Faith Moore, click hereTo join Faith's mailing list, click hereFollow Faith on X hereTo pick up a copy of Faith's novel, Christmas Karol, click hereTo support the show financially, click hereNext time, we'll be reading Hartright's Narrative 11-12Support the show

Welcome to season 3 of Storytime for Grownups! We are reading The Woman in White by Wilkie Collins, a few chapters at a time, with a few notes along the way. It's like an audio book with built in notes. So brew a pot of tea, find a cozy chair, and settle in. It's storytime!To submit a question or comment about this episode, click hereTo visit the merch store, click hereTo become a Storytime for Grownups member and gain access to The Drawing Room, click hereTo learn more about your host, Faith Moore, click hereTo join Faith's mailing list, click hereFollow Faith on X hereTo pick up a copy of Faith's novel, Christmas Karol, click hereTo support the show financially, click hereNext time, we'll be reading Hartright's Narrative 9-10Support the show

Welcome to season 3 of Storytime for Grownups! We are reading The Woman in White by Wilkie Collins, a few chapters at a time, with a few notes along the way. It's like an audio book with built in notes. So brew a pot of tea, find a cozy chair, and settle in. It's storytime!To submit a question or comment about this episode, click hereTo visit the merch store, click hereTo become a Storytime for Grownups member and gain access to The Drawing Room, click hereTo learn more about your host, Faith Moore, click hereTo join Faith's mailing list, click hereFollow Faith on X hereTo pick up a copy of Faith's novel, Christmas Karol, click hereTo support the show financially, click hereNext time, we'll be reading Hartright's Narrative 8Support the show

Welcome to season 3 of Storytime for Grownups! We are reading The Woman in White by Wilkie Collins, a few chapters at a time, with a few notes along the way. It's like an audio book with built in notes. So brew a pot of tea, find a cozy chair, and settle in. It's storytime!To submit a question or comment about this episode, click hereTo visit the merch store, click hereTo become a Storytime for Grownups member and gain access to The Drawing Room, click hereTo learn more about your host, Faith Moore, click hereTo join Faith's mailing list, click hereFollow Faith on X hereTo pick up a copy of Faith's novel, Christmas Karol, click hereTo support the show financially, click hereNext time, we'll be reading Hartright's Narrative 6-7Support the show

Welcome to season 3 of Storytime for Grownups! We are reading The Woman in White by Wilkie Collins, a few chapters at a time, with a few notes along the way. It's like an audio book with built in notes. So brew a pot of tea, find a cozy chair, and settle in. It's storytime!To submit a question or comment about this episode, click hereTo visit the merch store, click hereTo become a Storytime for Grownups member and gain access to The Drawing Room, click hereTo learn more about your host, Faith Moore, click hereTo join Faith's mailing list, click hereFollow Faith on X hereTo pick up a copy of Faith's novel, Christmas Karol, click hereTo support the show financially, click hereSupport the show

Contemporary and performance artist Paul Maheke moves between France, Congo, and Canada, exploring the ‘archive of their body' through drawing and dance, via Taboo Durag (2021). To Be Blindly Hopeful emerged from the very last sentence of a journal that Paul Maheke kept between August 2020 and June 2021, capturing the turbulence of the COVID pandemic. Central to Maheke's practice is a delicate dance between the individual and the collective, personal and broader sociopolitical contexts, echoing the sentiment expressed by bell hooks, who reminds us that ‘the space of our lack is also the space of possibility.' Currently based in France, Paul shares works 'staged' in previous exhibitions at South London Gallery, Chisenhale Gallery, and Tate Modern, highlighting how the ‘new' drawings, prints, book illustrations, and paintings on display here have long formed part of his practice. He explains how performance and dance can be both emancipatory and trapping, with respect to queerness, masculinity and gender, and the reality of being ‘brown body looked at my white audience' - drawing on his lifelong admiration for the French-born ice skater, Surya Bonaly. We discuss Paul's popular culture and academic Influences like Grace Jones and Félix González-Torres, Audre Lorde and Édouard Glissant, and Bruce Nauman to Paul B. Preciado - not as icons but real, complex people. Finally, Paul highlights how his work changes in its global travels, from the Baltic Triennale in Estonia, to Johanneburg, South Africa - and, drawing on collaborations with family members and fellow artist Melika Ngombe Kolongo (Nkisi) for the Congo Biennale in 2021, his personal relationship with arts institutions on the continent, as a diasporic artist. ⁠Paul Maheke: To Be Blindly Hopeful⁠ runs at MOSTYN, Wales until 29 June 2024. It includes Taboo Durag (2021), produced as a performance to camera for ⁠Glasgow International⁠ 2021. This episode marks this iteration of Scotland's biennale festival of contemporary art, which continues until 23 June 2024.** Paul has also shown work as part of the ⁠Diaspora Pavilion at the 58th Venice Biennale in 2019⁠, the first to feature an official performance programme co-produced with the Delfina Foundation, and has work in the ⁠Drawing Biennal 2024⁠, which runs at the Drawing Room in London until 3 July 2024. For another of Paul's collaborators, listen to Barby Asante's Declaration of Independence (2023), performed as part of Art on the Underground in London: pod.link/1533637675/episode/aa2803b68933ab974ca584cf6a18479c For another exhibition from MOSTYN, hear artist and curator Taloi Havini on Habitat (2017) and Artes Mundi 10: pod.link/1533637675/episode/e30bd079e3b389a1d7e68f5e2937a797 For more about bell hooks, listen to Professor Paul Gilroy, on The Black Atlantic (1993-Now): pod.link/1533637675/episode/90a9fc4efeef69e879b7b77e79659f3f And for more about Édouard Glissant, listen to Manthia Diawara, co-curator of The Trembling Museum at the Hunterian in Glasgow, and artist Billy Gerard Frank on Palimpsest: Tales Spun From Sea And Memories (2019), part of PEACE FREQUENCIES 2023.: instagram.com/p/C0mAnSuodAZ/?img_index=1 PRODUCER: Jelena Sofronijevic. Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcast And Twitter: twitter.com/jelsofron/status/1306563558063271936 Support EMPIRE LINES on Patreon: patreon.com/empirelines

Alec Egan (b. 1984, Los Angeles, CA) completed his MFA at Otis College of Art and Design in 2013, and received a BFA in creative writing and poetry from Kenyon College. Recent solo exhibitions include Drawing Room at Brattleboro Museum and Art Center, Brattleboro, VT; Blue Setting, Charles Moffett, New York, NY; Look Out, Anat Ebgi, Los Angeles, CA; and Miro's Corner, MAKI Gallery in Tokyo, Japan. His work has also been exhibited in group and solo exhibitions at Almine Rech, Paris, France; Dubuque Museum of Art, Dubuque, IA; California Heritage Museum, Santa Monica, CA; Torrance Art Museum, Torrance, CA; Anat Ebgi, Los Angeles / New York; Charles Moffett Gallery, New York, NY; MAKI Gallery, Tokyo, Japan. Egan lives and works in Los Angeles, CA.

Dearest listeners, grab your tickets and front row seats for our encore performance of ‘Four Clowns Lose Their Minds Over 32 Seconds of Footage.' In this special bonus episode, we can't see the forest for the trees, but we'll be placing our newest theories under the spotlight as we tackle the ever-growing mystery of the Season 3 timeline.   We'll be reading Whistledown with a grumpy Unicolin, drinking lemonade with Anton Chekov and contemplating whether an innocent bit of blue fabric is in fact a smoking gun-in-waiting.  Elsewhere, we'll be chasing Moonlight Polin through the shrubbery and asking the all-important question, ‘how many times can we say the word ‘topiary' in one episode?' Unfortunately, dear listeners, it would seem the limit does not exist.  But forgive us for hedging our bets with these particular points of interest. After all, those topiaries have taken shape so naturally, one could take it for planted.  * Show Notes  ⁠YouTube: Bridgerton S3 sneak peek - Drawing Room scene⁠ ⁠YouTube: Next on Netflix 2024 – ft. Moonlight Polin scene ⁠Shondaland: Sneak peek article ⁠IG: BridgertonNetflix reel of sneak peek IG: Cat Quinn reel about Penelope's kiss curls IG: Cat Quinn reel about Penelope's hair Wikipedia: Chekhov's Gun   * Follow Us Instagram⁠ ⁠ TikTok⁠ YouTube

Comedians and dearest pals Tom Allen and Suzi Ruffell chat friendship, love, life and culture....sometimes.... Get in touch with all your problems or if you want to give your Like Minded Friend a shout out: hello@likemindedfriendspod.com We'll be out and in your ears wherever you get your podcasts every Wednesday morning, and if you like what you hear why not leave us a review on Apple Podcasts or wherever it is you listen... Thanks - Tom & Suzi xx A 'Keep It Light Media' Production Sales, advertising, and general enquiries: HELLO@KEEPITLIGHTMEDIA.COM Learn more about your ad choices. Visit podcastchoices.com/adchoices

Having first captured our attention with Monolithic Nuance (2018) for Longform Editions, Megan Mitchell's Cruel Diagonals has continued to impress with each new work. With Fractured Whole, she set herself the task of producing an album using nothing but her voice as raw material. While she deserves recognition as a gifted vocalist, she deserves at least as much praise for her production work, alchemically transmuting her voice into a wide range of instruments and textures. In this episode, she discusses the production challenges posed by Fractured Whole, her background in musical theatre, her work with the feminist archive Many Many Women, and much more. Read more at www.acloserlisten.com TRACKLIST ARTIST – “TITLE” (ALBUM, LABEL, YEAR) Cruel Diagonals - “Penance” (Fractured Whole, Beacon Sound, 2023) INTRO Cruel Diagonals - “Monolithic Nuance” (Monolithic Nuance, Longform Editions, 2018) Mika Vainio - “Se On Olemassa (It Is Existing)” (In The Land Of The Blind One​-​Eyed Is King, Touch, 2003) Matthewdavid - “Phased Moon” (Mycelium Music, Leaving, 2023) Cruel Diagonals - “Monolithic Nuance” (Monolithic Nuance, Longform Editions, 2018) Cruel Diagonals - “Render Arcane” (Disambiguation, Drawing Room Records, 2018) Cruel Diagonals & Jon Carr - “Fall Back Into Earth” (Fall Back Into Earth, 2022) Asmus Tietchens - “Club of Rome” (The Emergency Cassette Vol. 2, Los Angeles Free Music Society, 1981) Faust - “Why don't you eat carrots?” (Faust, Polydor, 1971) Can - “One More Night” (Ege Bamyasi, Liberty, 1972) Demdike Stare - “Black Sun” (Voices of Dust, Modern Love, 2010) Andy Stott - “Luxury Problems” (Luxury Problems, Modern Love, 2012) Porter Ricks - “Biokinetics 2” (Biokinetics, Chain Reaction, 1996) Anne Gillis - “A6” (Monetachek, Rangehen, 1985) Techno Animal - “Bionic Beatbox (Tortoise version)” (Techno Animal Versus Reality, City Slang, 1998) Cruel Diagonals - “Intuit Sensate [edit]”  (Fractured Whole, Beacon Sound, 2023) Pauline Oliveros, Stuart Dempster, Panaiotis - “Lear” (Deep Listening, New Albion, 1989) Eliane Radigue - “L'​Î​le re​-​sonante (2000)” (L'​Î​le re​-​sonante, Shiiin, 2005) Annea Lockwood - “For Ruth” (T​ê​te​-​à​-​t​ê​te by Ruth Anderson & Annea Lockwood, Ergot, 2023) Petr Kotik – S.E.M. Ensemble – Many Many Women – Part 13 (That being uncovered) (Many Many Women, Labor, 1981) Cruel Diagonals - “Fluvial” (A Dormant Vigor, 2021) Laurie Spiegel - “Three Sonic Spaces II” (Unseen Worlds, Scarlett/Infinity, 1991) Lana Del Rabies - “Grace the Teacher (Cruel Diagonals remix)” (Becoming Everything: STREGA BEATA Remixed, 2024) Cruel Diagonals - “Live in Los Angeles - March 2023 pt.1” (Live in Los Angeles, March 2023, Beacon Sound, 2023) Cruel Diagonals - “Vestigial Mythology (remix)” (Live in Los Angeles, March 2023, Beacon Sound, 2023) Cruel Diagonals - “Vestigial Mythology” (Fractured Whole, Beacon Sound, 2023) Andy Stott - “Submission” (We Stay Together, Modern Love, 2011) Andy Stott - “Promises” (It Should Be Us, Modern Love, 2019) Luc Ferrari - “Music Promenade” (Music Promenade / Unheimlich Sch​ö​n, Recollection GRM, 2019) Cruel Diagonals - “Soporific Return” (Disambiguation, Drawing Room, 2018) Cruel Diagonals - “Decimated Whole” (Fractured Whole, Beacon Sound, 2023) Pauline Oliveros, Roscoe Mitchell, John Tilbury, Wadada Leo Smith - “Part III [Encore]” (Nessuno, I Dischi Di Angelica, 2016) Demdike Stare - “We have already died” (Elemental, Modern Love, 2012) Can - “Call Me” (Saw Delight, Mute/Spoon, 1977/1991) Silent Servant - “Violencia” (Violencia, Sandwell District, 2008) Realivox Ladies (2015) Bjork - “It's Not Up To You” (Vespertine, Polydor, 2001) Pauline Oliveros - “Sound Patterns” (Extended Voices, Odyssey, 1967) Maxwell - “This Woman's Work” (Now, 2001) Richard Maxwell - “Pastoral Symphony” (An Anthology of Noise & Electronic Music Volume 5, 2008) Cruel Diagonals - “Live in Los Angeles - March 2023 pt.2” -—- Sound Propositions produced by ⁠⁠Joseph Sannicandro⁠⁠. --- Support this podcast: https://podcasters.spotify.com/pod/show/soundpropositions/support

Formerly belonging to King Louis XIV and displayed in his palace at Versailles, the huge cabinets known as the Cucci Cabinets are two of the most important pieces of furniture in the world - and if you have visited the State Rooms at Alnwick Castle, you will have seen them on display in the Drawing Room.To find out more about these two stars of the castle collection, our podcast hosts Deborah and Daniel spoke to cabinetmaker and conservator Yannick Chastang, who worked for eighteen months on the Cucci Cabinets to preserve them for the future. We spoke with Yannick for nearly an hour on the full history of the cabinets and how they came from Versailles to Alnwick; how they were made, the decorative techniques that make them so special, and what they were used for; and his own part in the history of these objects.Make sure to ask about the Cucci Cabinets on your next visit to Alnwick Castle so you don't miss them - and if you enjoyed the episode please let us know with a rating or review on your podcast platform!

Sutapa Biswas talks to Ben Luke about her influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped her life and work. Biswas was born in Santinekethan, India, in 1962, and her work in painting, drawing, photography and video explores race and gender within the context of colonialism and its legacies. Made over five decades since the early 1980s, her art is both rigorously consistent in its themes and thrillingly diverse in mood and mode—by turns poetic, activist and even satirical. She discusses her studies in art and art history with Griselda Pollock, among others, at the University of Leeds in the 1980s, where she challenged the Eurocentric framing of the course, and made crucial early pieces including the painting Housewives with Steak-knives (1983-85). She reflects on her family history, and the traumatic journey to the UK from India, and how this haunts her work today. She discusses the influence of artists including Leonor Fini, Johannes Vermeer and Mary Kelly, film-makers like Satyajit Ray and Jean Cocteau, and writers including Marcel Proust. And she answers our usual questions, including the ultimate: what is art for?Women in Revolt! Art and Activism in the UK 1970-1990, Tate Britain, London, until 7 April 2024; The Time of Our Lives, Drawing Room, London, 25 January-21 April 2024; Photographing 80s Britain: A Critical Decade, Tate Britain, London, 21 November 2024-5 May 2025. Hosted on Acast. See acast.com/privacy for more information.

SCARED TO DEATH IS EXPLICIT IN EVERY WAY. PLEASE TAKE CARE WHILE LISTENING. Dan's  first story to share this week revolves around a clock. While it might not sound so scary, it's actually terrifying. Could a clock be built as an occult object? Could it have some sort of demonic entity attached to it? Let's find out! Next, the story of a ton of UFO sightings coming from Italy in October of 1954. Could roughly 10,000 people have all seen the same UFOs at a football match? Lynze has some animal themed tales this week, which is kind of funny but not really. Her first story features a bunny, which is known to be a symbol of the underworld. What was this particular bunny up to? And then, her worst nightmare, frogs! What is going on with these frogs throwing themselves up against a window? Tune in and find out! New Merch:  Brand new Spoopy design featuring an adorable wide eyed bat and large words SPOOPY. Available now in a tee shirt and mug.Head on over to badmagicmerch.com and check it out! Bad Magic Productions Monthly Patreon Donation: Morry's Camp, also known as Project Morry. Project Morry was born out of summer camp pioneer Morry Stein's dream that all children, regardless of economic status, should experience the life-changing gift of summer camp. Beginning as a summer camp experience, Project Morry has grown into a comprehensive year-round youth development organization. And with this non profit, the support for under served children does not stop at summer camp. Project Morry is committed to working to ensure young people from under-resourced communities graduate high school ready for college, careers and life.  With the generosity of the bartenders at camp donating the amazing amount of tips collected at summer camp, we are donating $17,225 to Morry's Camp and another $1,525 is headed to the scholarship fund. WOW! To learn more, please visit projectmorry.orgStandup:If you want to see a very different side of Dan than you see here and possibly see Lynze in the crowd (she is always happy to say HI!) get on over to   dancummins.tv for ticket links to shows. You can find Dan in Burlington, Buffalo, Providence and more! Thank you for continuing to send in your stories, Creeps and Peepers!**Please keep doing so. Send them to mystory@scaredtodeathpodcast.comSend everything else to info@scaredtodeathpodcast.comWant to be a Patron? Get episodes AD-FREE, listen and watch before they are released to anyone else, bonus episodes, a 20% merch discount, additional content, and more! Learn more by visiting: https://www.patreon.com/scaredtodeathpodcastPlease rate, review, and subscribe anywhere you listen. Thank you for listening!Follow the show on social media: @scaredtodeathpodcast on Facebook and IGWatch this episode: https://youtu.be/lg2bbwjpYR0Website: https://scaredtodeathpodcast.com/Facebook: https://www.facebook.com/scaredtodeathpodcast/](https://www.facebook.com/scaredtodeathpodcast/)Instagram: https://bit.ly/2miPLf5Mailing Address:Scared to Deathc/o Timesuck PodcastPO Box 3891Coeur d'Alene, ID 83816Video/Audio by Bad Magic ProductionsOpening Sumerian protection spell (adapted):"Whether thou art a ghost that hath come from the earth, or a phantom of night that hath no home… or one that lieth dead in the desert… or a ghost unburied… or a demon or a ghoul… Whatever thou be until thou art removed… thou shalt find here no water to drink… Thou shalt not stretch forth thy hand to our own… Into our house enter thou not. Through our fence, breakthrough thou not… we are protected though we may be frightened.  Our life you may not steal, though we may feel SCARED TO DEATH."

  This week marks the penultimate episode in our six-part mini-series on special places in our palaces. We're following Curator Polly Putnam into Queen Charlotte's Drawing Room in Kew Palace, the home of the Royal Family during the illnesses of George III.  This small and domestic-feeling room holds a lot of sadness from the past, but from this Polly is able to reflect on finding joy in the meaning of home.  If you'd like to find out more on visiting Kew Palace go to: https://www.hrp.org.uk/kew-palace/visit  To learn more about the lives of Queen Charlotte and George III go to: https://www.hrp.org.uk/kew-palace/history-and-stories  

Sex, drugs, and Meyerbeer? Listen to our newest guest Felicia about all things Jewish history, her newest series Once Upon a Time in the East End and not to mention some very funny moments

Join The Man of the West for more villain dialog — this time from everyone's three favorite trolls: Bert, Tom, and Bill. And don't forget the talking purse!This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5854727/advertisement

Jeremy Musson discusses with Ivan six things which should be better known. Jeremy Musson is an author of many books on the country house and historic buildings and related subjects, How to Read A Country House, English Ruins, The Drawing Room, Up and Down: Stairs the history of the country house servant, and a contributor or contributing editor to many more, including with Prof Sir David Cannadine, The Country House: Past, Present and Future. Born in London in 1965, he grew up in London and Surrey, and after a law degree, at University College, London, and an M Phil in renaissance history, at the Warburg Institute, he worked for the Victorian Society as an architectural adviser, before moving to the National Trust, in East Anglia, as a junior curator. From 1995, he worked for Country Life magazine, as architectural writer and then architectural editor. Since 2007, he has been an independent author, expert and consultant, advising on the care of numerous historic buildings, including St Paul's Cathedral, Bevis Marks Synagogue, Red House, Chartwell - Churchill's country home - and Oxburgh Hall and Hardwick Hall, as well as advising on a number of new architectural projects in sensitive contexts. An occasional television presenter on architectural subjects, he was the presenter and co-writer of the two BBC 2 series of The Curious House Guest. A Fellow of the Society of Antiquaries, he also teaches for the University of Cambridge, the University of Buckingham and New York University (London programmes). He sits on the FAC for Ely Cathedral, is a trustee of the Historic Houses Foundation, and is chair of the Hall Bequest Trust. He is also a former Trustee of the Stowe House Preservation Trust and the Pevsner Book Trust. He is married with two grown up daughters, has lived in Cambridge since 1993, and is an active member of the Champion of the Thames Rowing Club in Cambridge. Stanway https://www.stanwayfountain.co.uk/ The Dennis Severs House https://www.theguardian.com/culture/2021/jul/25/dennis-severs-house-recreates-his-eccentric-tours-based-on-found-tapes The churchyard garden, Little St Mary's Church in Cambridge https://www.parksandgardens.org/places/little-st-marys-churchyard The Compton Mortuary Chapel https://www.wattsgallery.org.uk/visit/explore-our-site/watts-cemetery-chapel Homes Sweet Homes by Osbert Lancaster https://www.houseandgarden.co.uk/gallery/osbert-lancaster Friendships by Mark Girouard https://catholicherald.co.uk/the-writer-who-goes-where-historians-dont-dare/ This podcast is powered by ZenCast.fm

April 18, 1937 - Lady Milicent's Husband is the name of the English drawing room drama that Jack Benny and the gang put on. References include Jeeves and Wooster, the actor Gary Cooper, casting for "Gone With The Wind", the movies "Lost Horizon", "Tarzan Escapes" and Jack Benny's movie "College Holiday.

Trains provide a comfortable way to travel, and a chance to meet people on those long distance excursions. Rogue meets a woman with an interesting request, she wants him to…

Trains provide a comfortable way to travel, and a chance to meet people on those long distance excursions. Rogue meets a woman with an interesting request, she wants him to…

Industry icon, bar educator, entrepreneur, and bartender Charles Joly drops by the Bar Hacks podcast to chat with host David Klemt. The two discuss Charles' start and his journey from the trenches to opening Chicago's Drawing Room, and also his role at the city's legendary Aviary. Charles also talks about Crafthouse Cocktails, the premium ready-to-serve brand, and his barware label Crafthouse by Fortessa. Interestingly, his love of bar history and vintage barware design not only informs his own designs, it manifests in Telltail Vintage, his Instagram shop. Not one to sit still for long, Charles is also involved in craft ice startup Abstract Ice. The conversation also touches on spirits categories that appear to be dominating or otherwise seeing a big lift; advice for aspiring career bartenders; and advice for operators who want to succeed in today's restaurant and bar world. Connect with Charles via his website www.CharlesJoly.com and on Instagram. Connect with the Bar Hacks podcast on Instagram and Twitter, and with host David @david.ex.machina. Cheers!

Writing Gilded Age romances with hellions, scandals, and one starchy Duke - Joanna Shupe joins the Duchess and Lady.

This is a rebroadcast of an episode of This Thing We Call Art, a podcast where the host Kelly Lloyd speaks to people in the arts about their livelihoods. Lloyd originally interviewed artist Nicole Morris on February 25, 2021 and the 44-minute episode featuring portions of the two and a half-hour-long conversation was released on February 24, 2022. The podcast features a conversation that includes discussion of navigating being a solo artist and an art educator, the limitations of the formats of the solo show and the retrospective, motherhood, reproductive labor and care labor, and incidental interruptions in the creative process. Kelly Lloyd is a transdisciplinary artist who focuses on issues of representation and knowledge production and prioritizes public-facing collaborative research. Lloyd has recently held solo exhibitions at the Royal Academy Schools (London), Crybaby (Berlin), Bill's Auto (Chicago), Demo Room (Aarhus), and Dirty House (London) for which she won the Art Licks Workweek Prize. Lloyd was the Starr Fellow at the Royal Academy Schools during the 2018/19 school year and is currently studying at The University of Oxford's Ruskin School of Art and Wadham College for her DPhil in Practice-Led Fine Art with support from an All Souls-AHRC Graduate Scholarship and an Open-Oxford-Cambridge Doctoral Training Programme Studentship. In 2021, Lloyd launched This Thing We Call Art, a podcast and online archive featuring excerpts from 50+ interviews with people in the arts she has conducted since 2017. Nicole Morris is an artist working across gallery, education and community settings both in a solo and collaborative context. Her work uses textiles and film to explore themes of domesticity and labour and how these are performed or re-presented in new contexts. Her work has recently been included in exhibitions and projects at The Foundling Museum, London; Southwark Park Galleries, London; Royal Museums Greenwich, London; The Drawing Room, London; [SPACE], London; Baltic, Gateshead; South London Gallery; Bluecoat, Liverpool; G39, Cardiff; Jerwood, London and The National Gallery, Prague.

Duchess and Lady add another notch to their bedpost with another of the brilliant minds behind DILF, RILF, and now VILF!

In s3e7 of Platemark series three, Ann Shafer and Tru Ludwig sit down with Elizabeth Wyckoff, Curator of Prints and Drawings at the Saint Louis Art Museum, to talk about the exhibition Catching the Moment: Contemporary Art from the Ted L. and Maryanne Ellison Simmons Collection, which is open until September 11, 2022. The Simmons collection, recently acquired by the Saint Louis Art Museum, provided an opportunity to take a deep dive into three artists they collected in depth: Kiki Smith, Enrique Chagoya, and Tom Huck. The major through line is works that critique a broad range of social, political, and art historical concepts. Other artists in the exhibition include Jaune Quick-to-See Smith, Bruce Nauman, H.C. Westermann, Tony Fitzpatrick, and Kara Walker. Elizabeth, like so many curators of prints and drawings, is responsible for works of art on paper from the 15th century through tomorrow, even though her dissertation focused on Dutch print publisher Jan Pietersz Berendrecht, who was active in Haarlem in the 1620s. Hear about living in Amsterdam while researching Berendrecht, working with the Simmons, and what her (fictitious) retirement gift will be. Episode image of Elizabeth Wyckoff: Courtesy of the Saint Louis Art Museum. Saint Louis Art Museum Print and Drawing Room link: https://www.slam.org/research/print-study-room/  

Today's episode is brought to you by a handful of my patrons: Drew, Jenine, and Leslie. You can read more about the benefits they're enjoying here. Follow Ryan and J. Rieger & Co. The first place Ryan mentions working is Pierpont's. This is where he had both a terrible and life-changing Sazerac. He mentions ingredients like Peychaud's, Old Overholt, and Grand Absenté.He mentions Mr. Boston cocktail books as well as Dale Degroff's The Craft of the Cocktail.Ryan talks about visiting bars like Milk & Honey (New York) and Chicago establishments The Violet Hour and Drawing Room.He mentions bartenders Sasha Petraske and Charles Joly. People mentioned involved in launching J. Rieger & Co include Andy Rieger, Steve Olson, and Dave Pickerell. Places Ryan has opened include Manifesto and The Rieger (both are now closed) as well as The Hey! Hey! Club and his newer sprawling J. Rieger & Co distillery, bar, and more. Rieger's Kansas City Whiskey is made unique by having a small percentage of oloroso sherry make up the total. He also mentioned their Caffé Amaro.When I asked him about menus he loved he mentioned The Violet Hour, Pouring Ribbons (now closed), and The Aviary.Special thanks to Chris Bay for production and editing support. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit decodingcocktails.substack.com

September 11, 2001 was a day of shocking violence and loss. But, in the aftermath, it was also a day of heroism and of community. As planes bound for New York were being turned away, many of them found themselves being directed to the small town of Gander, in Newfoundland, Canada. Almost seven thousand people landed in Gander on that day. It could have been impossible. It could have been overwhelming. But instead, the town opened its arms to those strangers. Their story was turned into a Tony Award winning musical, Come From Away, and in the Drawing Room, Gander residents Oz Fudge and Brian Mosher share how those days changed their lives.

Robert Wilson is an acclaimed director of experimental theatre and opera. but his latest work sees him stepping away from the stage and into the gallery, with a series of portraits. But these are no ordinary portraits. They're short films, which mix celebrity and art history and involve large teams behind the scenes. Helping it all come together is Chris Green, Robert's producer, who also happens to be the executive director of Harvard Law School's Animal Law & Policy Program.

Is it possible to tell when someone is lying to you? Not just to guess, but to truly know? Michael Robotham's debut thriller sold more than a million copies, he's since become one of the biggest names in crime, and his latest novel features a woman with that precise skill In the Drawing Room, Michael explains how he keeps the tension high, when the truth can be so easily exposed.

In the small city of Yellowstone, in the old west, the mine has shut and the town is slowly dying. Then, one day, a wild local strikes gold. But hopes for a revival are quickly dashed when the man is murdered on his way home from celebrating. A recently arrived outsider makes for a convenient suspect, but in this town, nothing is what it seems. Australian director Richard Gray talks about his new film, Murder at Yellowstone City, and the town he built along the way.

Most of us would think of Australia as a trustworthy country, largely free from corruption and dirty money, at least in a global context. But, if that's right, why has Australia been pointed to as one of the top targets in the world to launder money through real estate? And why have several major institutions in Australia been linked to money laundering? Nathan Lynch is an expert on financial crime and the author of a new book, The Lucky Laundry.

[Merknad:Kilde] Vårt panel av eminente språkforskarar består denne gonga av Anne Dahl, Rikke van Ommeren og Olaf Husby. 01.26: Kvifor heiter det Latvia, Hellas og Nederland? Og ikkje Lettland, Grekenland og Dutchland? 15.24: Versus eller vørsus? Skal slike ord uttalast med engelsk schwung? 19.18: Nemlig! Ein lyttar meiner det er eit av dei mest irriterande og meiningslause fyllorda me har, som burde utslettast. 26.41: Vetting? Er dette eit nytt ord inne i det norske språket, og kva betyr det? 32.50: Sør eller søndre? Kva er kvar og kvifor? 36.43: Dialektbytte! Kvifor er det slik at enkelte kjendisar bytter dialekt? 50.24: Norsk ord for "drawing room"? Ein svensk lyttar lurer på om det verkeleg er "teiknerom" Send oss dine spørsmål og innspel til snakk@nrk.no! Hør episoden i appen NRK Radio

Episode Description: In this episode, The Duchess meets Viscountess Gage of Firle Place. Lady Gage share with us the incredible art collection at Firle, we learn about the eclectic female poet that became a central figure in Christian mysticism. Emma also talks to Lady Gage about why Firle Place is considered by many to be one of prettiest houses in the country. Top Quotes: “There's an endless movement and evolution in the use of these homes. They defy the notions of permanence.” - Lady Gage “Prince Philip used to call Firle Place the prettiest little house he ever knew.” - Lady Gage About the Guest and Stately Home: Alexandra, Viscountess Gage is the current custodian of Firle Place with her husband, Nicholas, 8th Viscount Gage. The couple married in 2009 and have one son together. Alongside being custodian of Firle, Lady Gage has her own skincare range called 'Beauty Energy Balms', made by hand on the estate from herbs grown in the garden. Of the collection she says: “I would say that it's been a labour of love, except that it's felt like more love than labour,” The products are on Firle's website and in the gift shop. The history of Firle Place is the history of the one family; the Gages. The house was built by Sir John Gage in 1473 and there have been Gages at Firle ever since. During the Tudor period, Sir John Gage, KG (1479-1556) had a distinguished political career. He served as Governor of Calais and Constable of the Tower of London. The transformation of Firle from a Tudor manor to an elegant Georgian home, was the work of Sir William Gage in the early 18th century and completed by his cousin, the 1st Viscount Gage, who inherited the estate in 1744. Major interior features include the neo-classical Drawing Room, designed by William Kent, and the Long Gallery, the work of Scottish architect Colen Campbell. The Long Gallery displays the internationally important Cowper Collection of fine art, amassed by the 3rd Earl Cowper, one of the great art collectors of the 18th century. The house is also known for its beauty and wonderful collection of books. About the Host: Emma, Duchess of Rutland, grew up far away from the world of the aristocracy. Born Emma Watkins, the Duchess grew up the daughter of a Quaker farmer, in the Welsh countryside. She trained as an opera singer in the Guildhall School of Music, and worked as a successful interior designer before meeting her future husband David Manners, the 11th Duke of Rutland, at a dinner party. Their marriage in 1992 thrust Emma into a new world, which included the responsibility of preserving one of the nation's greatest stately homes: Belvoir Castle. While simultaneously running the day to day operations of the castle, and raising five children, the Duchess became fascinated with the history and importance of the other stately homes of the UK. Join Emma as she embarks on a wonderful journey through time, to learn more about the incredible homes that have defined Great Britain and, most importantly, meet the other extraordinary women who work tirelessly in the background, to preserve their homes history and magic for future generations. Resources: https://firle.com/ (https://firle.com/) https://www.belvoircastle.com/ (https://www.belvoircastle.com/) https://www.onefineplay.com/ (https://www.onefineplay.com/) https://www.emmaduchessrutland.com/ (https://www.emmaduchessrutland.com/)

Rachel Kushner joins Deborah Treisman to read and discuss “Come Into the Drawing Room, Doris,” by Edna O'Brien, which was published in The New Yorker in 1962. Kushner is the author of three novels and most recently the essay collection “The Hard Crowd,” which was published last year.