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Donald Macleod explores Tchaikovsky's life away from home. He spent significant parts of his peak years travelling or staying with friends, and a remarkable amount of his music was composed whilst staying with friends, on holiday or concert tours, or sometimes as a fugitive on the run. This evolved into a full decade of rootless wandering, which is peculiar given his frequent homesickness for Russia.Music Featured: Overture in C Minor Symphony No 1 in G Minor, Op 13, "Winter Daydreams" Cherevichki, Op 4 Symphony No 2 in C Minor, Op 17, "Little Russian" Piano Concerto No 1 in B-Flat Minor, Op 23 Eugene Onegin, Act III Scene 2, Onegin! Ya togda molozhe Swan Lake, Avt IV (excerpt) Symphony No 4 in F Minor, Op 36 Suite No 1 in D Major, Op 43 6 Romances, Op 38, No 6, Pimpinella (arr. E. Firsova) The Maid of Orleans, Op 4, Act I, Aria: Da, chas nastal - Ja, es ist Zeit … Lebt wohl, ihr Berge Capriccio Italien, Op 45 Mazeppa: Act II, Scene 2, O, Mariya, Mariya! (Mazepa) Vesper Service, Op 52 Les saisons (The Seasons), Op 37a Fantaisie de Concert in G Major, Op 56 Piano Trio in A Minor, Op 50 Suite No 4 in G Major "Mozartiana" Op 61 Manfred Symphony, Op 5 Symphony No 5 in E Minor, Op 64 The Queen of Spades (Pique Dame), Op 68: Act I Scene1 (excerpt) String Sextet in D, Souvenir de Florence, Op 70 The Nutcracker, Op 71: Act II Tableau 3: Dance of the Sugar-Plum Fairy Symphony No 6 in B Minor, "Pathétique" Op 74Presented by Donald Macleod Produced by Iain Chambers for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Pyotr Il'yich Tchaikovsky (1840-1893) https://www.bbc.co.uk/programmes/m002ftltAnd you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
On this episode of Inside the Music, Derek explores works of Mozart following his departure from his home of Salzburg in favor of Vienna. Join us for live CRC performances by the Artemis Quartet and pianist Jonathan Biss.Quartet in G Major, K. 387Allegro vivace assaiMenuettoArtemis Quartet [3/3/2002 performance]Piano Sonata in C Major, K. 545AndanteJonathan Biss [4/15/2009 performance]Piano Sonata in C Minor, K. 457Molto allegroAdagioAllegro assaiJonathan Biss [4/15/2009 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
Inside the Music continues exploring the music of Mozart, this time his compositions for wind instruments. Join Derek Delaney, Artistic Director of Capital Region Classical, and live CRC performances by the Nash Ensemble, wind soloists of the Chamber Orchestra of Europe, and horn player Richard Watkins.Oboe Quartet in F Major, K. 370AllegroAdagioRondeau: AllegroThe Nash Ensemble of London; Gareth Hulse, oboe [5/10/2001 performance]Horn Quintet in E‐flat Major, K. 407AllegroThe Nash Ensemble of London; Richard Watkins, horn [4/11/2003 performance]Wind Serenade in C Minor, K. 388AllegroAndanteMenuetAllegroWind Soloists of the Chamber Orchestra of Europe [3/1/1997 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
Jazz pianist Ashley Henry and bassoonist Amy Harman join Jeffrey Boakye and Anna Phoebe to add five more tracks to the playlist, taking us from a Bowie dance classic to Marvin Gaye via an unexpected rare, live, performance by a jazz icon in a school in California, surprisingly recorded by the caretaker in 1968.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:Modern Love by David Bowie Piano Sonata No 32 in C Minor by Beethoven Epistrophy (Live) by Thelonious Monk Apple by Charli XCX I Heard it Through the Grapevine by Marvin GayeOther music in this episode:Take it Higher by Ashley Henry The Magdalene Laundries by Joni Mitchell Starman by David Bowie Fame by David Bowie Under Pressure by David Bowie
Our journey back through the years of Suspense continues with my favorite episodes from 1944. Lucille Ball is a taxi dancer who hopes to avoid a murderous dance partner in “Dime a Dance” (originally aired on CBS on January 13, 1944), and Charles Ruggles suspects his new housekeeper may be too good to be true in “Suspicion” (originally aired on CBS on February 10, 1944). Orson Welles stars in a rare two-part Suspense science fiction drama “Donovan's Brain” (originally aired on CBS on May 18 and May 25, 1944), and Vincent Price and Ida Lupino co-star in “Fugue in C Minor,” a Gothic horror drama from the pen of Lucille Fletcher (originally aired on CBS on June 1, 1944). Charles Laughton encounters a strange man who claims to have invented an undetectable method for murder in “The Man Who Knew How” (originally aired on CBS on August 10, 1944), and Gene Kelly enjoys a seemingly supernatural streak of luck…until he doesn't in “The Man Who Couldn't Lose” (originally aired on CBS on September 28, 1944).
On this week's episode of Inside the Music, Artistic Director of Capital Region Classical Derek Delaney explores late works of Mendelssohn, including his final string quartet, written following the loss of his sister Fanny. This episode features live CRC performances by the Trio Cavatina and Modigliani Quartet.Piano Trio in C Minor, Op. 66Allegro energico e con fuocoAndante espressivoScherzo: Molto allegro quasi prestoTrio Cavatina [10/28/2009 performance]Quartet in F Minor, Op. 80Allegro vivace assaiAllegro assaiAdagioFinale: Allegro moltoModigliani Quartet [11/19/2017 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
ReferencesProc Natl Acad Sci U S A. 2023 Jan30;120(6):e2219630120Nature Cardiovascular Research 2023.volume 2, pages 425–437.Nature Metabolism 2019. volume 1, pages 937–946.Hunter/Garcia 1971. "Bertha" https://music.youtube.com/watch?v=82ADE0DUeM4&si=HAuEBhorg4bXRw-KHunter/Garcia. 1971. "Goin Down the Road/Not Fade Away"https://music.youtube.com/watch?v=pvcb1mkihho&si=c9AbanXawvcnEf6bSaint-Saens. 1886. Symphony 3.in C Minor. OP.78.https://music.youtube.com/watch?v=ZWCZq33BrOo&si=9dq44Wzw7l_Ij_0q
*Explicit Mix* - 128BPM -New workout mix featuring all songs in the key of C Minor. Instagram: @djrolemodel ❤❤❤ #djrolemodel
*Explicit Mix* - 128BPM -New workout mix featuring all songs in the key of C Minor. Instagram: @djrolemodel ❤❤❤ #djrolemodel
Allyson Devenish picks her favourite recording of Schubert's Piano Sonata in C minor.
In Episode 19 of The Choral Director's Toolbox, host Dr. William Baker unpacks the controversy surrounding Austrian or Germanic Latin in Classical-period choral performance. With his signature clarity and wit, Dr. Baker challenges conventional assumptions and offers practical insight on pronunciation for clarity and expression. This week's listener question addresses ideal seating—or no seating at all—for choral rehearsals. Today's inspiration features Mozart's majestic Kyrie from the Great Mass in C Minor, performed by The William Baker Festival Singers. Tune in for a thoughtful and invigorating episode!
On this week's episode of Inside the Music, Artistic Director of Capital Region Classical Derek Delaney explores Felix Mendelssohn's early works with live CRC performance by the Ébène Quartet and pianist Pei-Yao Wang and friends.Piano Quartet in C Minor, Op. 1AdagioScherzo: PrestoAllegro moderatoPei‐Yao Wang, piano; Carmit Zori, violin; Eric Nowlin, viola; Sophie Shao, cello[2/14/2010 performance]Quartet in A Minor, Op. 13Adagio non lentoIntermezzo: Allegretto con moto—Allegro di moltoPresto—Adagio non lentoÉbène Quartet [11/13/2014 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
Here is a edit i made of Paul Skelton's masterpiece Impromptu In C Minor I added a piece from the motivational speech 'Believe In Yourself' from Eddie Pinero in the breakdown to add some extra feelings to it. Really like how it works together Paul Skelton - Impromptu In C Minor, Beatport ---> https://shorturl.at/e2jzU Eddie Pinero - Believe In Yourself, Youtube ---> https://shorturl.at/frKiq = Believe In C Minor Hope you like it! All rights belong to their respective artists and/or license holders. Please be sure to support the original artists on Beatport. Thank You for listening // Peteerson
Nina Bernat is a double bass performer and educator based in New York City. In 2023, Nina was honored as a recipient of the Avery Fisher Career Grant and winner of the CAG Elmaleh Competition. Her recent first-prize awards include the Barbash J.S. Bach String Competition, the Minnesota Orchestra Young Artist Competition, the Juilliard Double Bass Competition, and the 2019 International Society of Bassists Solo Competition. In this episode, recorded live in San Francisco in 2025, Nina shares her background and discusses the program she performed at the 2025 San Francisco Winter Bass Bash. Enjoy! Recital program: Nina Bernat, double bass Keisuke Nakagoshi, piano Bach Suite No. 5 in C Minor, BV 1011 Prelude, Allemande, Courante Pantomime by Sofia Gubaidulina Prayer by Enrst Bloch Sonata for Violin by Aaron Copland photo credit: Titilayo Ayangade Subscribe to the podcast to get these interviews delivered to you automatically! Connect with us: all things double bass double bass merch double bass sheet music Thank you to our sponsor! Upton Bass - From Grammy Award winners and Philharmonic players like ME Max Zeugner of the New York Philharmonic, each Upton Bass is crafted with precision in Connecticut, USA, and built to last for generations. Discover your perfect bass with Upton Bass today! theme music by Eric Hochberg
Thu, 17 Apr 2025 23:00:00 +0000 https://seesee.podigee.io/s3e18-andrei-ionita 8b306c6e95ffcb5e607b501afe394bac In this episode, we have an in-depth conversation with Andrei Ioniță, the prodigious Romanian cellist and winner of the 2015 International Tchaikovsky Competition. We explore the emotional profundities and rich spectrum of colors that the cello can evoke, and how it reflects the subtleties of human emotion. Andrei shares his thoughts on playing Bach, discussing the personal connection he has with his instrument and his journey as a musician. He also reflects on the nuances of gut strings, the importance of good posture for a cellist, the physical sensation of the cello resting against his body, and how this intimate embrace influences emotional expression and depth of sound, particularly in the intense, low register passages. In this episode dedicated to music, Andrei also discusses his Romanian heritage and how the voice of Romania speaks through his bow, offering a personal insight into his cultural identity. In this episode, he takes us inside his experience during the 15th Tchaikovsky Competition and talks about his most difficult decisions as a musician. Most powerfully, Andrei opens up about how he conveys his whole soul through his music, sharing the courage it takes to be vulnerable and break through at the highest emotional peaks, only to let go and invite the listener into a shared human experience through his playing. This episode is a real treat for the ears and the heart! Andrei Ioniță's carrier it's a journey of emotional reflection and artistic courage – You'll understand what it is meant to “play from the gut”. Website: https://www.andreiionitacellist.com https://www.haefligerproduction.com/andrei-ionita https://www.symphonikerhamburg.de/laeiszhalle-orchester-symphoniker-hamburg/andrei-ionita-135 Instagram: ionita_andrei94 Facebook: Andrei Ioniță - Cellist This episode's Playlist and Playlist's credits: · Papandopulo, Boris. Rhapsodia Concertante: I. Introduzione Tempo Libero. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Tchaikovsky, Pyotr Ilyich. Variations on a Rococo Theme, Op. 33 (var. VII e Coda : Allegro vivo). Performed by Cellist Andrei Ioniță and the Münchener Philharmoniker conducted by Valery Gergiev recorded at the Philharmonie im Gasteig (Munich, Germany), on May 12, 2017 20:00 © A Coproduction by Munich Philharmonic Orchestra & Telmondis // In Association with medici.tv & Takt1 https://www.youtube.com/watch?v=-6dyn2LRxVo · Brett, Dean. 11 Oblique Strategies No. 1. Listen to the Quiet Voice. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brett, Dean. 11 Oblique Strategies No. 5. What are the Sections Sections of? Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 G Major, BWV 1007: I. Prelude. Performed byAndrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Cello Suite No. 1 in G Major BWV 1007: III. Courante. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Concertino in modo antico, OP.56 II Aria. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo:Works for Piano & Strings, CPO-555106-2, 2021.CD · Dmitri, Shostakovich. Sonata for Cello and Piano in D Minor, Op.40. The XV International Tchaikovsky Competition. Performed by Andrei Ioniţă: Cellist and Seong-Jin Cho: Pianist. Concert recorded at the Salle des Combins (Verbier, Switzerland), on July 25, 2018. © Idéale Audience with the participation of medici.tv https://www.youtube.com/watch?v=iHPd1dN89bM · Dmitri, Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 4. Allegro con moto. Performed by Andrei Ionuț Ioniță with the Mariinsky Theatre Symphony Orchestra conducted by Valery Gergiev. The XV International Tchaikovsky Competition's Winners' Concert. Recorded at the Great Hall of the Moscow Conservatory, on July 2, 2015. © MUSEEC/medici.tv https://www.youtube.com/watch?v=zzaCNTlJciI · Dmitri Shostakovich. Cello Concerto No. 1 in E-flat major, Op. 107 with the Draft. Performed by Andrei Ionuț Ioniță Orchestra of the Shostakovich State Academic Saint Petersburg Philharmonic conducted by Nikolai Alexeev. Cello: Final Round - Candidate #2 - First Prize - Recorded at the Grand Hall of the Saint Petersburg Philharmonia, on June 28, 2015, 7:45 p.m. https://www.youtube.com/watch?v=QfkQt0gSiJI · Henryson, Svante. Black Run. Performed by Andrei Ioniță. On Oblique Strategies. Orchid Classics ORC100096, 2019. CD. · Enescu, George: Piano Quartet No. 1 in D Major, Op. 16: II Andante mesto. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Papandopulo, Boris. Rapsodia Concertante: I. Introduziene. Tempo libero. Performed by Oliver Triendl, Amaury Coeytaux, Vanessa Szgeti, and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD · Rachmaninoff, Sergei: Sonata -Moll OP 19. Lento- Allegro moderato. 2. Allegro scherzando. 3 Andante. 4 Allegro mosso. Performed by Andrei Ioniță and Andrei Ioniță (Violoncello), Catalin Serban (Piano). Kammermusik am Max-Planck-Institut für Bildungsforschung in Zusammenarbeit mit Konzertleben e.V. January 17th, 2024. https://www.youtube.com/watch?v=QqpFqwfoBDg · Fauré, Gabriel: Piano Quartet No. 1 in C Minor, Op. 15: III Adagio. Performed by Catalin Serban, Andrei Ioniță, Karolina Errera, Suyeon Kang. On Mélodies Infinies: Fauré & Enescu Piano Quartets. Naxos 8.551477, 2024. CD https://www.youtube.com/watch?v=ktTHMbFcyp4 · Saint-Saëns, Camille. Concerto No.1 in A minor for Cello and Orchestra Op. 33. Performed by Solist Andrei Ioniță and the Filarmonica George Enescu conducted by Stefan Ausbury Opening Concert October 7th, 2020, at the Romanian Athenaeum lived-streamed on the Institutions Website and YouTube Channel. https://www.youtube.com/watch?v=ktTHMbFcyp4 · Brahms, Johannes. Clarinet Trio in A Minor, Op. 114: I. Allegro. Performed by Pablo Barragán, Andrei Ioniță, and Juan Pérez Floristán. On Brahms: Complete Clarinet Sonatas & Trio. IBS Classical, 2018. CD. · Papandopulo, Boris. Rhapsodia Concertante: III. Danza. Allegro. Performed by Oliver Triendl and Andrei Ioniță. On Boris Papandopulo: Works for Piano & Strings, CPO-555106-2, 2021.CD Albums: Available in all Platforms https://open.spotify.com/intl-de/album/3Cqhwf6m3Gl8i0HfDTzln1 https://www.naxos.com/CatalogueDetail/?id=C5463 https://open.spotify.com/intl-de/artist/4ITCrIEQbzQVUO8CPHhdLP 3 18 full no Cellist,World famous orchestras,world famous conductors,Tchaikovsky Competition,Bach,Shostakovich,Enescu,Fauré,Gut strings,Posture Dr. Cecilia Ponce Rivera
*Explicit Mix* - 128BPM -New workout mix featuring all songs in the key of C Minor. Instagram: @djrolemodel ❤❤❤ #djrolemodel
Thu, 03 Apr 2025 16:32:07 +0000 https://aus-liebe-zur-musik.podigee.io/127-new-episode 945b6c65198f572592951f71e84659b9 Christian ist im Urlaub, weshalb sich für diese Episode mal wieder Janek zu Peter gesellt. Janek und Christoph sind schon den Raum für das anstehende Katja Werker Konzert am vorbereiten. Eine große Lieferung von T+A ist angekommen, die Solitaire 540 und sowie höchstwertige Komponenten der herausragenden HV Serie. Janek hatte eine tolle Vorführung mit dem dCS Bartok an MBL 126, die noch weitere Hörvergleiche mit Accuphase Vorstufen nach sich zieht, denn: Nicht jeder ist rein digital Musik am genießen, was eine Schaltzentrale und Lautstärkeregelung in Form einer hochwertigen Vorstufe unerlässlich macht. Außerdem ist der neue Wiim Vibelink auf den Markt gekommen, den Peter und Janek kurz besprechen. Titel der Woche Janek: Symphony No. 5 in C Minor, Op. 67 - Beethoven; Beethoven Orchester Bonn, Stefan Blunier Peter: U2 - With or Without You (Songs of Surrender) Hier findet ihr die Playlisten zu unserem Podcast. Immer aktualisiert - einmal auf Qobuz und einmal auf Tidal: Qobuz: https://open.qobuz.com/playlist/13181317 Tidal: https://tidal.com/browse/playlist/794fc949-7d62-44d4-9c8c-3ede893e3a02 full no
Attention ALL JANE AUSTEN FANS!Regency-era beauty may look effortless in period dramas, but trust me, it was anything but!From toxic face creams to eyebrow-darkening lead shavings (yes, really), women went to extreme lengths to achieve the ideal porcelain complexion. In this episode, we're diving into the wild, weird, and downright dangerous beauty practices of the past. Was it all worth it? I'll let you be the judge!Are You Ready?***************Sources:Dead Pretty: The Perils of Georgian Beauty Regimes by Jon Sleighhttps://artuk.org/discover/stories/dead-pretty-the-perils-of-georgian-beauty-regimesFrom Vanity to Insanity? The Perilous Battle for Female Beauty In Georgian Britain by Iona Bentleyhttps://historiansforhistory.wordpress.com/2021/02/09/from-vanity-to-insanity-the-perilous-battle-for-female-beauty-in-georgian-britain-by-iona-bentley/Women's Regency Makeup: An Overviewhttps://hair-and-makeup-artist.com/womens-regency-makeup/Regency Cosmetics and Make-Up Looking your Best in 1811http://hibiscus-sinensis.com/regency/cosmetics.htm***************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on Social Media & Subscribe to our YouTube Channel!TikTok:tiktok.com/@beautyunlockedthepodYouTube:@beautyunlockedspodcasthour****************Intro/Outro Music:Music by Savvier from Fugue FAME INCAdditional Music:Audio HeroBellini "Fantasy on Themes from Norma"Vivaldi Classics "Concerto for Flute, Violin, and Continuo in C Minor
Irish violinist Aoife Ní Bhriain and jazz pianist and composer Julian Joseph are the first guests in the new series with Jeffrey Boakye and Anna Phoebe. Together they add the first five tracks, taking us from the Mercury Prize-winning jazz group Ezra Collective to a celebrated pair of sisters at the piano, via a 1975 pop classic heavily influenced by Frédéric Chopin.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:God Gave Me Feet For Dancing by Ezra Collective Nocturne No. 20 in C-Sharp Minor by Frédéric Chopin Could it be Magic by Barry Manilow Kabir by John McLaughlin, Shankar Mahadevan & Zakir Hussain Double Concerto for Two Pianos and Orchestra: Mvt 1 by Philip Glass, performed by Katia & Marielle LabèqueOther music in this episode:Everywhere by Fleetwood Mac Dollar Wine by Colin Lucas Feeling Good by Nina Simone Prelude in C Minor, Op 28, No 20 by Frédéric Chopin Could it be Magic by Donna Summer Could it be Magic by Take That
微信公众号:「365读书」(dus365),有不定期赠书福利;微博:365读书v。主播:潮羽,365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ:647519872 背景音乐: 1.GIN - Think of You;2.Alfred Brendel - Sonata No. 8 in C Minor for Piano, Op. 13, ''Sonata Pathétique'':II. Adagio cantabile;3.Gabriel Faure - Aprés un reve;4.Xeuphoria - Memories (Goodbye Version);5.Carinthia - Hidden Paths To Finding;6.Carlos Barbosa-Lima - Gymnopédie No. 1;7.Haneda Ryoko - 爱溜 (방울져 떨어질 사랑);8.Eminence Symphony Orchestra - Main Theme fromShe and Her Cat(Instrumental)。
On this week's episode of Inside the Music, Derek continues his exploration of Chopin and the composer's evocation of night and dreams in his works with live CRC performances by pianists Emanuel Ax, Jonathan Biss, Rafal Blechacz, Ieva Jokubaviciute, and Dubravka Tomsic. Fantasie in F Minor, Op. 49Dubravka Tomsic [12/4/2003 performance]Berceuse in D-flat Major, Op. 57Dubravka Tomsic [12/4/2003 performance]Nocturne in F Major, Op. 15, No. 1Emanuel Ax [1/25/2009 performance]Nocturne in C Minor, Op. 48, No. 1Ieva Jokubaviciute [2/21/2010 performance]Nocturne in E Major, Op. 62, No. 2Rafal Blechacz [10/26/2014 performance]Nocturne in C-sharp Minor, Op. 27, No. 1Emanuel Ax [2/29/2008 performance]Nocturne in D-flat Major, Op. 27, No. 2Jonathan Biss [4/15/2009 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
微信公众号:「365读书」(dus365),有不定期赠书福利;微博:365读书v。主播:潮羽,365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ:647519872 背景音乐:1.伍々慧 - Waltz in your dream;2.Yulia - 새벽 그림자;3.Khatia Buniatishvili - Cantata, BWV 208: No. 9, Schafe können sicher weiden (Arr. for Piano);4.Arthur Rubinstein - Sonata No. 8 in C Minor, Op. 13, "Pathétique": II. Adagio cantabile;5.久石譲 - マルコとジーナのテーマ。
American conductor Marin Alsop was the first woman to lead major orchestras in the UK, South America and in the United States, becoming principal conductor of the Baltimore Symphony Orchestra in 2007. Nominated for Grammy Awards five times, in 2013 she became the first ever woman to lead the Last Night Of The Proms, and is now regarded as one of the greatest conductors in the world. She talks to John Wilson about her professional musician parents who nurtured her love of music and supported her career choice from the age of 9 when she first revealed she wanted to be a conductor. Marin also talks about Leonard Bernstein, the great American composer and conductor, who inspired her ambitions and later became a mentor to her. She also chooses Carl Jung's work The Archetypes and the Collective Unconscious, and explains how his theories have helped her in leading orchestras around the world.Producer: Edwina PitmanMusic and archive used: Serenade in C major for String Orchestra, Op. 48; Valse, Pyotr Ilyich Tchaikovsky, New York City Ballet Orchestra, 1986 Irish Spring commercial: "Clean as a Whistle" 1980 Leonard Bernstein, Young People's Concerts: "What is Classical Music?", CBS Television, 24 January 1959 Omnibus: Leonard Bernstein's West Side Story, BBC2, 10 May 1985 Archive of Leonard Bernstein and Marin Alsop at the Schleswig-Holstein Musik Festival, 1987 Leonard Bernstein, Young People's Concerts: "What Does Music Mean?", CBS Television, 18 January 1958 Archive of OrchKids concert, Baltimore Symphony Orchestra Woman's Hour, BBC Radio 4, 26 July, 2005 Rhapsody in Blue, George Gershwin, Jean-Yves Thibaudet, Baltimore Symphony Orchestra, Marin Alsop Last Night of the Proms, BBC1, 7 September 2013 Symphony No. 2 in C Minor, "Resurrection", Gustav Mahler, Polish National Radio Symphony Orchestra, Marin Alsop
We'll look at Beethoven's final three piano sonatas: No. 30 in E Major, Op. 109 (1820); No. 31 in A-flat Major, Op. 110 (1822); and No. 32 in C Minor, Op. 111 (1822).
Happy HOlidays, PRIDE fam! Welcome to a brand new episode featuring Creative Director, President, and CEO of the National Children's Chorus Luke McEndarfer. Listen in as we discuss his love for music, what it was like winning a Grammy Award, how he got into conducting, hot topics and so much more! So grab yourself a treat, and take a little time to hang with PRIDE! --- Support this podcast: https://podcasters.spotify.com/pod/show/pridethepodcast/support
微信公众号:「365读书」(dus365),有不定期赠书福利;微博:365读书v。主播:潮羽,365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ:647519872 背景音乐:1.Otto A Totland - Solêr;2.Michele Campanella - Hungarian Rhapsody No.1 in C sharp minor, S.244;3.Alfred Brendel - Sonata No. 8 in C Minor for Piano, Op. 13, ''Sonata Pathétique'':II. Adagio cantabile。
Here are two statements by Dmitri Shostakovich about the same piece, the 8th symphony that we are talking about today: Statement No. 1, Shostakovich's published comments about the symphony when it was first performed in 1943: The 8th Symphony reflects my…elevated creative mood, influenced by the joyful news of the Red Army's victories…. "The Eighth Symphony contains tragic and dramatic inner conflicts. But on the whole it is optimistic and life-asserting. The first movement is a long adagio, with a dramatically tense climax. The second movement is a march, with scherzo elements, and the third is a dynamic march. The fourth movement, in spite of its march form, is sad in mood. The fifth and final movement is bright and gay, like a pastoral, with dance elements and folk motifs. "The philosophical conception of my new work can be summed up in these words: life is beautiful. All that is dark and evil rots away, and beauty triumphs." Statement No. 2, from the disputed book Testimony, published in the 1970s: ‘And then the war came and the sorrow became a common one. We could talk about it, we could cry openly, cry for our lost ones. People stopped fearing tears. Before the war there probably wasn't a single family who hadn't lost someone, a father, a brother, or if not a relative, then a close friend. Everyone had someone to cry over, but you had to cry silently, under the blanket, so no one would see. Everyone feared everyone else, and the sorrow oppressed and suffocated us. It suffocated me too. I had to write about it. I had to write a Requiem for all those who died, who had suffered. I had to describe the horrible extermination machine and express protest against it. The Seventh and Eighth Symphonies are my Requiems. I don't know of a more profound example of Shostakovich's doublespeak, or of his ability to make diametrically opposing statements about the meaning behind his music. Shostakovich's 8th symphony premiered at the height of World War II, and it was not a hit, unlike his 7th symphony which had swept the world with its seeming patriotic fervor and its devastating condemnation of the Nazis. Shostakovich's 8th is a very different piece, darker, edgier, less catchy, less simple, and certainly less optimistic. It was panned in the Soviet Union by the official critics and was effectively banned from performance in teh Soviet Union from 1948 until the late 1950s. It was also not particularly popular outside of the Soviet Union, as the 7th's popularity and accessibility dwarfed the 8th, though this equation has now flipped, with the 8th symphony now probably becoming slightly more often played than the 7th. As always with Shostakovich, he mixes tradition with his own Shostakovich-ian innovations. The symphony has a Sonata Form first movement, but that movement is longer than the following three movements combined. It has a darkness to light theme from C Minor to C Major, like in Beethoven's 5th and Mahler's 2nd, but whether the ending is optimistic is subject to furious debate. It has not 1 but 2 scherzos, but they are among the least funny scherzos ever written, and it has a slow movement that is surprisingly un-emotional. The requiem Shostakovich speaks of seems to happen slowly over the course of this 1 hour symphony. It is perhaps Shostakovich's most ambiguous mature symphony, and it is also thought of as one of his greatest masterpieces. Today on this Patreon Sponsored episode, we'll dive into this remarkable work, trying to create a framework to understand this huge and demanding symphony. Join us!
On this episode of Inside the Music, Derek explores two of Beethoven's late piano sonatas, Opp. 109 and 111, in their entirety performed live at CRC by pianist Paul Lewis.Piano Sonata in E Major, Op. 109Piano Sonata in C Minor, Op. 111Paul Lewis [3/22/2015 performance]Dive deeper into this episode's repertoire by heading to our YouTube channel for a discussion with some of our audience members about the program.Follow us to stay up to date on the latest from Capital Region Classical including concerts, events, and new episodes of Inside the Music:WebsiteFacebookInstagramYouTube© Capital Region Classical
To the Batcave! In this bonus episode, we'll hear five Suspense stars who played Gotham City bad guys opposite Adam West and Burt Ward on Batman. We'll hear Vincent Price (Egghead) and Ida Lupino (Dr. Cassandra Spellcraft) in "Fugue in C Minor" (originally aired on CBS on June 1, 1944), Roddy McDowall (Bookworm) in "One Way Street" (originally aired on CBS on January 23, 1947), Anne Baxter (Zelda the Great, and Olga, Queen of the Cossacks) in "Always Room at the Top" (originally aired on CBS on February 20, 1947), Van Johnson (The Minstrel) in "The Defense Rests" (originally aired on CBS on October 6, 1949), and Milton Berle (Louie the Lilac) in "Rave Notice" (originally aired on CBS on October 25, 1950).
Donald Macleod examines Bruckner's lifelong struggle to become the great composer we know todayFrom our modern perspective, it can be difficult to appreciate why it took so long for Anton Bruckner to be recognised as one of the leading musical voices of the 19th century. His spectacular symphonies regularly pack out concert halls today but his own era took many decades to warm up to his music. Only in his sixties did Bruckner begin to achieve the popularity he deserved and, even then, he retained a reputation as a bit of an oddball. Colleagues were disturbed by his unsophisticated manners, unquestioning religious devotion and peculiar personal habits. His tendency to see enemies all around regularly tested his relationships. His romantic choices were routinely disastrous.Music Featured: Mass No 2 in Em (Kyrie) Symphony No 2 in C minor (1872 first Version, ed. W. Carragan) (2nd mvt, Scherzo. Schnell) Requiem in D Minor, (No 2, Sequentia; Dies irae) Symphony No 9 in D Minor, (1st mvt Feierlich, misterioso) Symphony No 8 in C minor (1890 Version, ed. Novak): (2nd mvt, Scherzo, Allegro moderato - Trio, Langsam) Ave Maria WAB 6 Symphony No 1 in C Minor (1877 Rev. Linz Version, Ed. Nowak), (1st mvt, Allegro) Mass in F Minor, (3rd mvt, Credo) Symphony No 6 in A major (ed. Novak) (3rd mvt, Scherzo, Nicht schnell - Trio, Langsam) Symphony No 2 in C minor (1877 version) (2nd mvt, Andante) Symphony No 3 in D minor ‘Wagner Symphony' (1873 version) (4th mvt, Finale, Allegro – Etwas langsamer – Erstes Zeitmaß) String Quintet in F major, (4th mvt, Finale, Lebhaft bewegt) Prelude in D Minor Te Deum in C major (opening) Symphony No 7 in E Major (arr. Hermann Behn), (3rd mvt, Scherzo, Sehr schnell) Ave Maria, WAB 7 (Arr. for Horn Ensemble) Symphony No 7 in E Major (Ed. Haas), (2nd mvt, Adagio, Sehr feierlich und sehr langsam) Te Deum in C major (No 5, In te domini speravi) Virga Jesse, WAB 52 Symphony No 8 in C minor (ed. Novak) (1st mvt, Allegro moderato) Symphony No 8 in C minor (ed. Haas): (4th mvt, Finale, Feierlich, nicht schnell)Presented by Donald Macleod Produced by Chris Taylor for BBC Audio Wales & WestFor full track listings, including artist and recording details, and to listen to the pieces featured in full (for 30 days after broadcast) head to the series page for Anton Bruckner (1824-1896) https://www.bbc.co.uk/programmes/m0022c5f And you can delve into the A-Z of all the composers we've featured on Composer of the Week here: http://www.bbc.co.uk/programmes/articles/3cjHdZlXwL7W41XGB77X3S0/composers-a-to-z
An austere fugue subject here begins with a strange leap. To play this four-note opening on a keyboard is to outline a symmetrical structure, reminding us of the bare pillar that holds up the structure. Adorned on the structure are two faster, florid themes which enter later in this long piece. But our moment today is its ending -- a deceptive ending leads to a brief coda, but when it happens, its harmony strikes us with a surprising dissonance, feeling almost like the resolute major tonic triad that it wants to become. But a pesky A natural, the sixth scale degree, dashes this to pieces. Bertrand Cuiller plays the C# minor fugue (with prelude) for the Netherlands Bach Society
Mr. Wobblebottom Likes to Wiggle! - By Eian Tsou Mendelssohn Trio in C Minor, No. 2 - Performed by Katherine Jung, Aurelia Solars, and Ryan Huang
☕️左岸咖啡館,乘載了法國塞納河左岸的人文底蘊,也包含對法式生活的美好嚮往。 無論是青澀回憶中的昂列奶茶、陪你晨起甦醒的拿鐵咖啡, 或是如假日心情、更輕盈的無加糖拿鐵… 走進左岸咖啡館,享受一個人的美好時光。
Baritone Roderick Williams and bassoonist Amy Harman kick off with a famous four-letter acronym as they add the next five tracks to the playlist with Anna Phoebe and Jeffrey Boakye as they go on their latest international musical journey.From the cop, the cowboy and the construction worker in Greenwich Village, the show drops in on Brahms, visits the Canary Islands, and ends up at an unorthodox Ella Fitzgerald version of a traditional Scottish folk song.Producer: Jerome Weatherald Presented with musical direction by Jeffrey Boakye and Anna PhoebeThe five tracks in this week's playlist:YMCA by The Village People Scherzo in C Minor from the F-A-E Sonata by Johannes Brahms Canarios by John Williams ‘Pourquoi me réveiller?' by Alfredo Kraus My Bonnie Lies Over the Ocean by Ella FitzgeraldOther music in this episode:Linger by The Cranberries Don't Let Me Be Misunderstood by Nina Simone Macho Man by The Village People In the Navy by The Village People America from West Side Story by Leonard Bernstein and Stephen Sondheim Gypsy Woman by Crystal Waters Riverdance by Bill Whelan My Bonnie by Tony Sheridan and The Beat Brothers My Bonnie by Ray Charles
Send us a Text Message.In this closing episode of Season 1 of the Piano Ninja Tricks podcast, join your host Lisa Spector, The Piano Ninja, as she shares Piano Ninja Tricks from her recent all-Chopin YouTube Live concert. Lisa shares Chopin's Nocturne in C Minor, Op. 48 No. 1 as performed in her recent All Chopin program on YouTube Live. WATCH THE FULL CHOPIN PROGRAM ON YOUTUBE HERE ⬇️https://www.youtube.com/live/E92z-cyEgWMListen in to discover specific piano ninja tricks highlighted during her performance of the C minor nocturne. Lisa also shares exciting news about her upcoming projects, including re-recording all piano ninja tricks and preparing for the Beyond the Keys Piano Retreat in Monterey, California.This retreat offers a unique blend of masterclasses, private lessons, and outdoor activities designed to inspire piano enthusiasts. Learn more and sign up at https://LisaSpector.com/retreat. Tune in for this special finale and get a sneak peek into what's coming next in September!Music opening and closing played by Lisa SpectorOpening: End of Chopin Etude Op. 10 No. 12 "Revolutionary"Closing: Beginning of Chopin Etude Op. 25 No. 2 in F minorInstagram IG Broadcast Channel YouTubeBest Free Piano Ninja Fingering TricksPiano Ninja Tricksters ClubWebsitePodcast Art by Cindy Wyckoff at Design It Digital
Support Breaking Walls at https://www.patreon.com/thewallbreakers The man you just heard is famed actor Vincent Price. While Price was a film star, he had a unique contract which allowed him to act in as much radio as he wanted. By early June 1944 Price was thirty-three years old and had starred on Broadway and appeared in more than ten films. On Thursday June 1st and then again on Monday June 5th for the west coast, Price appeared with Ida Lupino in an episode of Suspense called “Fugue in C Minor.” Written by Lucille Fletcher, it's a horror story about a widower and woman who fall in love through their sharing of classical music. As their relationship progresses, the woman learns the man's children think their father murdered their mother and hid her body in a room behind the mechanism of their home's pipe organ. The instrument is so large it is part of the very structure of the house. While Vincent Price was very comfortable working in radio, many film stars weren't. By the time this west coast version of Suspense was airing Monday June 5th, 1944 at 9PM over KNX, allied soldiers were in their boats, slowly making their way across the English channel to begin their invasion of the Normandy coast of France. This would be Vincent Price's last broadcast before departing for military service. For more info on the D Day invasion, tune into Breaking Walls episode 152 which covers the entire broadcast day.
The famous C minor fugue near the beginning of the Well-Tempered Clavier expresses the emotions of sadness, loneliness, and melancholy, according to harpsichordist Masato Suzuki. Suzuki provides a sensitive performance with attention to articulate detail in the fugue subject. This, naturally, leads Christian and Alex into a comparison with race cars. But, more straightforwardly, this fugue is part of the large journey that is the whole two books of preludes and fugues. The first prelude is a walk in the garden; its fugue is a hopeful step forward. But the following prelude in C minor is intrepid and fearless, boldly marching out the door. So, this fugue is when we finally run onto the road, with all of the uneasiness this entails. Explore with us how these first four parts of the WTC work together, what a countersubject (or even a second countersubject) is, and how this fugue embodies the very word root of "fugue" (to fly, flee). Fugue in C minor as played by Masato Suzuki for the Netherlands Bach Society Playlist with the entire Well-Tempered Clavier
Clive Myrie is an award-winning journalist and news presenter who is one of the BBC's most experienced foreign correspondents. In 2021 he took over from John Humphrys as Question Master of the quiz show Mastermind and has also presented travel programmes about Italy and the Caribbean. Clive's parents are from Jamaica and he was born in Farnworth, near Bolton – one of seven children. As a young boy he had a paper round and one of the perks was reading the leftover newspapers which gave him the opportunity to learn about a world beyond Bolton. He loved watching the news on television and his role models were Alan Whicker and Sir Trevor McDonald who inspired him to become a journalist. After he graduated from university Clive took up a place on the BBC's reporter training scheme and in 1996 he was sent to Japan - his first posting as a foreign correspondent. During his career he has reported from war zones including Afghanistan, Iraq and Ukraine. In 2021 Clive was named Television Journalist of the Year and Network Presenter of the Year at the Royal Television Society Television Journalism Awards.Clive lives in north London with his wife Catherine. DISC ONE: String Quartet No. 14 in C-Sharp Minor, Op. 131: VI. Adagio quasi un poco andante. Composed by Ludwig van Beethoven and performed by Kodály Quartet DISC TWO: Welcome to My World - Jim Reeves DISC THREE: Così fan tutte ossia La scuola degli amanti, K.588 / Act 1 - Soave sia il vento. Composed by Wolfgang Amadeus Mozart and performed by Kiri Te Kanawa (soprano), Ann Murray (mezzo soprano), Ferruccio Furlanetto (bass) and Wiener Philharmoniker DISC FOUR: All Blues - Miles Davis DISC FIVE: Cello Suite No. 5 in C Minor, BWV 1011: I. Prelude. Composed by Johann Sebastian Bach and performed by Paul Tortelier DISC SIX: Slave to the Rhythm - Grace Jones DISC SEVEN: Long, Long Summer - Dizzy Gillespie DISC EIGHT: Stomp! - The Brothers JohnsonBOOK CHOICE: The Metropolitan Museum of Art catalogue LUXURY ITEM: Hot pepper sauce CASTAWAY'S FAVOURITE: Long, Long Summer - Dizzy GillespiePresenter Lauren Laverne Producer Paula McGinley
Please enjoy Fugue In C Minor a great episode of the legendary Suspense - - a Old Time Radio OTR classic.
A Candle In The Window - By Andrea Kaczmarek Mendelssohn Trio in C Minor, No. 2 - Performed by Katherine Jung, Aurelia Faidley, Ryan Huang
This week, Aaron and Leyla continue their traversal through the Shrek-iverse in Shrek 2! Join us for a discussion of deadbeat donkeys, needing more Fiona, and Fairy Godmother being one of the villains of all time. --- Our theme song is "Obsolete" by Keshco, from the album "Filmmaker's Reference Kit Volume 2." Our other projects: Aaron's TTRPGs- https://aaronsxl.itch.io/ Aaron's TTRPG Reviews- https://www.youtube.com/@aavoigt https://aavoigt.com/
Mother Earth blesses us with a trillion natural medicines. in the ongoing reality of viruses, and contaminations, and environmental diseases, despair, and disasters it is high time we take back our human authority and integrity from the pharmaceutical agglomerates and their power driven race to profit from human disease and despair in the last century. This is our golden opportunity to take back our rightful reigns in reclaiming indigenous, native systems of medicine- so that, once again, we can heal, nourish ourselves, each other and Mother Nature.Background Music: Rachmaninoff - Piano Concerto #2 in C Minor, Op. 18 Support the Show.May Peace Be Your Journey~www.mayatiwari.comwww.facebook.com/mayatiwariahimsa.Buzzsprout.com
SOME LISTENERS ARE LOSING MIXES ON THEIR APPLE PODCASTS. NOT SURE THE REASON, BUT ALL MIXES ARE AVAILABLE ON THE PODOMATIC APP. *Explicit Mix* - 128BPM - New workout mix featuring songs in the key of C Minor! Instagram: @djrolemodel ❤❤❤ #djrolemodel
Back during the pandemic, our friends and fellow podcast Rockin' the Suburbs hosted a weekly Zoom jam session for its listeners called the “Friday Night Hootenanny.” It was at those jams that Jay met our guest this week, Mike Wagner. Mike's just released an album, as Total Strangers, featuring many of the musicians that joined those Friday jams. Songs:Total Strangers - “All Falling Down”Total Strangers - “Card Trick”Nick joins the show minutes after moving into his new place and brings us a Three for Thursday this week.Songs:Quade - “The Balance”Lusine - “Come and Go”Scary Goldings - “Professor Vicarious”Via Music Radar, Greg discovered an interview from late March on the The Colin & Samir Show with Jacob Collier. In it, Collier takes issue with Rick Rubin's “Creativity Manifesto” and the guys discuss his points. It's a conversation worth sticking around for…Song:Bach - “Prelude No. 2 in C Minor”
The Honourable Lady Rita Rae is a lawyer and judge, and the current Rector of the University of Glasgow. Early in her career she was a rare woman in the heavily male-dominated legal world. She went on to work on many high profile criminal cases over five decades as a solicitor, an advocate and subsequently a judge in Scotland's Supreme Court.Rita grew up in Plains, Airdrie, to the east of Glasgow. She was a shy child but earned the nickname ‘The Last Word' from her parents because of her need to argue her case when she felt something wasn't right. She was inspired to become a lawyer by her maternal grandfather, a noted advocate and anti-fascist from Naples.Her parents met in a munitions factory in Italy where her mother was working. Her father was a Scottish bomb disposal expert helping to dismantle munitions after the war. They married and moved to Scotland, but Rita and her brother were not accepted by her Scottish family because of their Catholicism. Rita became a solicitor in 1974, entering a world dominated by men. When told by a senior colleague that women were ‘emotionally unsuitable for court work', she set about proving him wrong. She became a partner in her firm at the age of 27, and was called to the bar in 1982, one of just 13 female advocates in Scotland at the time. She was made a Sheriff in 1997 and a Judge of the Supreme Courts in 2014.In 2021 she was elected Rector of the University of Glasgow, the first female working rector in the university's 570-year history.DISC ONE: Piano Concerto No. 2 in C Minor, Op. 18 - III. Allegro scherzando. Composed by Sergei Rachmaninoff, performed by Vladimir Ashkenazy (piano) and London Symphony Orchestra, conducted by André Previn DISC TWO: “Ah! Dite alla giovine” from Act 2 of La Traviata. Composed by Giuseppe Verdi, performed by Angela Gheorghiu (soprano), Leo Nucci (baritone) and Orchestra of the Royal Opera House, Covent Garden, conducted by Sir Georg Solti DISC THREE: Mamma - Beniamino Gigli DISC FOUR: Aranjuez mon amour - Massimo Ranieri DISC FIVE: Cheap Flights - Fascinating Aïda DISC SIX: “The Flower Song” (“La fleur que tu m'avais jetee”), Carmen, Act II. Composed by Georges Bizet, performed by José Carreras (tenor) and Orchestra of the Royal Opera House, Covent Garden, conducted by Jacques Delacôte DISC SEVEN: Ave Maria. Composed by Giulio Caccini (Arr. Brinums) and performed by Inessa Galante (Soprano), Latvian National Symphony Orchestra, conducted by Aleksandrs Vilumanis DISC EIGHT: Climb Ev'ry Mountain - Peggy WoodBOOK CHOICE: The Pursuit of Italy: A History of a Land, its Regions and their Peoples by David Gilmour LUXURY ITEM: A solar powered car CASTAWAY'S FAVOURITE: Mamma - Beniamino Gigli Presenter Lauren Laverne Producers Paula McGinley and Tim Bano
This week is full of beautiful cello headbanging as Grace takes us on another journey to Get Bakedthoven! We have a High Thought about saxopets (or trumpophones?), a messy and thrilling Bong Box on the trials of living in the age of apps, and a discussion of who did or did not influence the character of Lydia Tar. Shoutout to Gretchen Yanover! Roll up, light up, and join us. All audio included in this episode for educational discussion. Watch the full videos here: Calidore String Quartet plays Mendelssohn's Quartet in D major for Strings, Op.44, No.1 Jerusalem Quartet plays Shostakovich String Quartet No. 8 in C Minor, Op.110 The Brentano Quartet plays Schumann String Quartet in A Major, op.41, no.3 Nina Lee: Cellist for Brentano String Quartet interview on I am every GIRL Marin Alsop interview on Wired Marin Alsop conducts National Youth Orchestra playing Mahler's Symphony No.1 in D Major, 'Titan' Gretchen Yanover for Northwest Sinfonietta playing 'Suddenly I Felt Joy' looped live ---- Find us: www.stonerchickspodcast.com Want more Stoner Chicks? Become a Patron! patreon.com/stonerchicks Grace Penzell, Phoebe Richards (@27phoebe27), Kayla Teel (@kayla_teel), and Stephani Thompson (@fannytragic). Instagram: @stonerchickspodcast Facebook: Stoner Chicks Podcast TikTok: @broccolibroads Email: stonerchickspodcast@gmail.com Snail Mail: PO Box 80586, Seattle, WA 98108 --- Edited by German at YPEditor.com; Theme Song by Jessica DiMari; Cover Art by Ben Redder, AJ Dent, and Kayla Teel
This two-parter from 2012 covers William Chester Minor, whose life was tumultuous. Medical school, mental health issues, and murder are all part of the story of this prolific contributor to the Oxford English Dictionary.See omnystudio.com/listener for privacy information.