Podcasts about Clive

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined by Clive (@clivepafc), and Paul (@poznaninmypants) to preview Newcastle United's visit to the Emirates. The pod starts with a bit of a preview of the game before a very long and detailed debate about Martin Odegaard breaks out. It finishes with some discussion of what we've learned from the Joe Willock sale. All that and more on this edition of the Arsenal Vision Post Match Podcast. Signup for our Patreon at patreon.com/arsenalvisionpodcast Get our latest merch at avpodshop.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined by Clive (@clivepafc), Tim (@stillberto) and Paul (@poznaninmypants) to breakdown a heavy defeat at Anfield. The discussion covers the selection, what worked early and then failed later on, the performances that underwhelmed, the confrontation between Klopp and Arteta, the problems with the attack, and where Arsenal stand in the pecking order going forward. All that and more on this edition of the Arsenal Vision Post Match Podcast. Signup for our Patreon at patreon.com/arsenalvisionpodcast Get our latest merch at avpodshop.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Michelle Gibson returns for more Piercing the Veil of Illusion. Who are the Great Philanthropists and how & why are they said to be responsible for so many of the wonders of the old world in the North American historical narrative? What do the mysterious men of the Independent Order of Odd Fellows have to do with shaping our national myths? And you've heard of World's Fairs, but have you heard about Sanitary Fairs? Join us for a reconstruction of our true timeline as we explore post Civil War era US and the glaring inconsistencies in the mainstream dogma about our past.Video Version of Episode: https://youtu.be/2DVp8Ayfi-MExtended Show On Rokfin & Patreon!https://rokfin.com/stream/11087 https://www.patreon.com/posts/58943930EPISODE LINKSMichelle Gibson on Youtube - https://www.youtube.com/channel/UCadBL43irIsBzL6-tIunFtAPiercing the Veil of Illusion (Michelle's Website) - https://piercingtheveilofillusion.comMusic In This Episode: "432 Decoded" by Norbz - https://open.spotify.com/artist/2OXrjcnQwqvsrIiufc0Ci7Original Episode Post - https://www.innerversepodcast.com/season-7/michelle-gibson-philanthropists-odd-fellows-sanitary-fairsSUPPORT INNERVERSEJoin the InnerVerse Tribe on our Telegram Chat - https://t.me/innerversepodcastchatInnerVerse T-Shirts, Posters & Art Store - https://www.designbyhumans.com/shop/TripFlipArt/t-shirts/Add to your metaphysical toolkit at Secret Energy - https://store.secretenergy.com/?ref=chancegartonBuy from Clive de Carle with this link to support InnerVerse with your purchase - https://clivedecarle.ositracker.com/197164/11489Leave a 5 Star Review for InnerVerse on iTunes - https://itunes.apple.com/us/podcast/innerverse-podcast/id1066918535?mt=2Make A Donation Through Paypal - https://paypal.me/chancegarton?locale.x=en_USInnerVerse is part of the Alt Media United Network. Find other enlightening info-tainment here: http://altmediaunited.com/ See acast.com/privacy for privacy and opt-out information.

Tonight I'm teaming up with Gabriel (Slick Dissident) and Chaney for a fully moon-charged & veil shredding conversation about the esoteric aspects of modern berth-rights, and how the hospital practices (especially regarding the placenta) that most parents take for granted are connected to the mysteries of royal bloodlines, the cosmic egg, Templars, Mary Magdalene, and world tree cosmology. It's an ambitious build but with these two syncromystic thinkers, I know we'll crack some skulls. Video Episode - https://youtu.be/cQD5YwP_fsQGet the 2nd part (a nearly 3 hour long show) on Rokfin or Patreonhttps://rokfin.com/stream/11087https://www.patreon.com/posts/project-chaney-58924567EPISODE LINKSChaney - https://projectchaney.com/ Slick Dissident - https://www.youtube.com/channel/UCSSMh4fE7dAdhPcdtP0rW2A Weaving Spiders Welcome #55 - https://youtu.be/54FTJMS_QmM Music: "Tiger By the Tail" by NorbzWorld - https://open.spotify.com/artist/2OXrjcnQwqvsrIiufc0Ci7?si=EIZ3WykrTMuy0Y2U-7RvLg SUPPORT INNERVERSEJoin the InnerVerse Tribe on our Telegram Chat - https://t.me/innerversepodcastchatInnerVerse T-Shirts, Posters & Art Store - https://www.designbyhumans.com/shop/TripFlipArt/t-shirts/Add to your metaphysical toolkit at Secret Energy - https://store.secretenergy.com/?ref=chancegartonBuy from Clive de Carle with this link to support InnerVerse with your purchase - https://clivedecarle.ositracker.com/197164/11489Leave a 5 Star Review for InnerVerse on iTunes - https://itunes.apple.com/us/podcast/innerverse-podcast/id1066918535?mt=2Make A Donation Through Paypal - https://paypal.me/chancegarton?locale.x=en_USInnerVerse is part of the Alt Media United Network. Find other enlightening info-tainment here: http://altmediaunited.com/ See acast.com/privacy for privacy and opt-out information.

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined by Clive (@clivepafc), and Paul (@poznaninmypants) to fully preview the trip to Anfield including questions about lineup, tactics, what should be expected of the team and what it means for the season. There are also contributions from listeners. All that and more on this edition of the Arsenal Vision Post Match Podcast. Support George's fight against cancer at https://www.gofundme.com/f/gorgeousgeorgeonebigfight Signup for our Patreon at patreon.com/arsenalvisionpodcast Learn more about your ad choices. Visit podcastchoices.com/adchoices

Keith Gladysz is a musician and creator in many artistic mediums. In 2019 he came on InnerVerse to talk about how he overcame Lyme with Eastern Medicine and movement practices. Tonight we'll be talking about his creative journey in the last 2 years since returning to peak condition, and maybe talking about being a home-school dad. Expect dad-gags. WATCH VIDEO VERSION OF SHOWhttps://rokfin.com/stream/11028https://youtu.be/01Z8GtOIlUwCALL IN TO VIBE RANTJoin this group on telegram to leave us a voice, image, text, or video message to play on the air:https://t.me/viberantcallsEPISODE LINKSKeith Gladysz | The Diet Kong Odyssey & Rising Above Lyme Disease - https://www.innerversepodcast.com/season-5/keith-gladysz-diet-kongDiet Kong on Spotify - https://open.spotify.com/artist/2UiXMOhjAUcU7NvTiMqYkjDiet Kong on Youtube - https://www.youtube.com/watch?v=CJ06M2HlspcInstagram - https://www.instagram.com/thisisdietkongKeith Gladysz (Art) on IG - https://www.instagram.com/keithgladyszSUPPORT INNERVERSEJoin the InnerVerse Tribe on our Telegram Chat - https://t.me/innerversepodcastchatInnerVerse T-Shirts, Posters & Art Store - https://www.designbyhumans.com/shop/TripFlipArt/t-shirts/Add to your metaphysical toolkit at Secret Energy - https://store.secretenergy.com/?ref=chancegartonBuy from Clive de Carle with this link to support InnerVerse with your purchase - https://clivedecarle.ositracker.com/197164/11489Leave a 5 Star Review for InnerVerse on iTunes - https://itunes.apple.com/us/podcast/innerverse-podcast/id1066918535?mt=2Make A Donation Through Paypal - https://paypal.me/chancegarton?locale.x=en_USInnerVerse is part of the Alt Media United Network. Find other enlightening info-tainment here: http://altmediaunited.com/ See acast.com/privacy for privacy and opt-out information.

Find more episodes of this show at https://www.shadowbannedpodcast.comSUPPORT INNERVERSEJoin the InnerVerse Tribe on our Telegram Chat - https://t.me/innerversepodcastchatInnerVerse T-Shirts, Posters & Art Store - https://www.designbyhumans.com/shop/TripFlipArt/t-shirts/Add to your metaphysical toolkit at Secret Energy - https://store.secretenergy.com/?ref=chancegartonBuy from Clive de Carle with this link to support InnerVerse with your purchase - https://clivedecarle.ositracker.com/197164/11489Leave a 5 Star Review for InnerVerse on iTunes - https://itunes.apple.com/us/podcast/innerverse-podcast/id1066918535?mt=2Make A Donation Through Paypal - https://paypal.me/chancegarton?locale.x=en_USInnerVerse is part of the Alt Media United Network. Find other enlightening info-tainment here: http://altmediaunited.com/ See acast.com/privacy for privacy and opt-out information.

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined by Clive (@clivepafc), Tim (@stillberto) and Paul (@poznaninmypants) to discuss some January transfer speculation. There are questions bout what will happen with outgoings like Balogun and Nketiah before the attention turns to possible striker and midfielder incomings. There's also a bit on the recently released Arsene Wenger movie as well as a section on the Women's upcoming Champions League tie against Barca at the Emirates. All that and more on this edition of the Arsenal Vision Post Match Podcast. Signup for our Patreon at patreon.com/arsenalvisionpodcast Get our latest merch at avpodshop.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

NOTE: Our main Twitter account for Patrick Henningsen @21WIRE has been permanently de-platformed by Twitter's censorship department, but please follow our alternative account @21stCenturyWire This week the SUNDAY WIRE broadcasts LIVE on ACR, as host Patrick Henningsen covers all the top stories internationally. In the first hour we'll connect with guest Nick Hudson, founder of PANDA (Pandemic Data and Analytics) to discuss where the ‘global pandemic' crisis is heading this winter, as we attempt to deconstruct the ever-evolving Covid and vaccine narratives as we head into what politicians and the media are already calling a ‘dark winter.' In the second hour, we'll connect with health freedom advocate Clive de Carle to discuss how to better prepare ourselves physically and mentally for the coming winter and the main issues that the mainstream health & medical orthodoxy are not telling us. In the final segment of overdrive, we're joined by the Sunday Wire's Roving Correspondent for Culture & Sport, Basil Valentine for more heady commentary on all the events de jour. All this and much more. Show links: https://twitter.com/NickHudsonCT https://www.pandata.org/ https://21w.co/shop-clive  http://21w.co/shop-clive-mg https://twitter.com/says_basil  GET YOUR COPY OF NEW DAWN MAGAZINE'S NOV-DEC ISSUE: https://21w.co/nd189  GET 'LUV'IN THE OLD NORMAL' T-SHIRTS HERE: https://21w.co/old-normal JOIN OUR TELEGRAM CHANNEL HERE: https://t.me/My21wire   SUPPORT OUR MEDIA PLATFORM HERE: https://21w.co/support  SUBSCRIBE & BECOME A MEMBER @21WIRE.TV: https://21wire.tv The Sunday Wire with Patrick Henningsen broadcasts LIVE on Alternate Current Radio SUNDAY 5pm-8pm UK Time, 12pm-3pm EST (US), 9am-12pm PST (US) at: http://alternatecurrentradio.com  http://thesundaywire.com

As aircrew we spend a huge amount of time training for different circumstances and emergencies. Dealing with a burning flare in your cockpit fired from a wingman's aircraft is not one of these circumstances!! Add in the complications of being a few thousand feet in the air, over hostile controlled land and in a sealed … Continue reading "RWS 108 – Sharing an Apache Cockpit with a Burning Flare with Clive Richardson" The post RWS 108 – Sharing an Apache Cockpit with a Burning Flare with Clive Richardson appeared first on The Rotary Wing Show Podcast.

Derek Tikkuri, aka Gematrinator, returns to round out this year's Gematria-encoded highlights, and discuss what's up with upcoming eclipses. Video Version of Episode: https://youtu.be/mHAhkiXBs_QGet the 2nd hour of this show and unlock the full archive of InnerVerse Plus+ Extensions on Rokfin or PatreonRokfin - https://rokfin.com/stream/10905Patreon - https://www.patreon.com/posts/58691243EPISODE LINKSFind Derek at http://gematrinator.com/On Youtube: https://www.youtube.com/channel/UC8-i42Y9UyzZF2QeatHmwtg/Donate to Derek via Paypal - https://www.paypal.com/paypalme/dtikkuriOriginal Post: https://www.innerversepodcast.com/season-7/derek-tikkuri-gematrinator-eclipse-codeSUPPORT INNERVERSEJoin the InnerVerse Tribe on our Telegram Chat - https://t.me/innerversepodcastchatInnerVerse T-Shirts, Posters & Art Store - https://www.designbyhumans.com/shop/TripFlipArt/t-shirts/Add to your metaphysical toolkit at Secret Energy - https://store.secretenergy.com/?ref=chancegartonBuy from Clive de Carle with this link to support InnerVerse with your purchase - https://clivedecarle.ositracker.com/197164/11489Leave a 5 Star Review for InnerVerse on iTunes - https://itunes.apple.com/us/podcast/innerverse-podcast/id1066918535?mt=2Make A Donation Through Paypal - https://paypal.me/chancegarton?locale.x=en_USInnerVerse is part of the Alt Media United Network. Find other enlightening info-tainment here: http://altmediaunited.com/ See acast.com/privacy for privacy and opt-out information.

This week, Ellie and Katie kick off the episode with some light-hearted talk about dog death. Katie then tells Ellie all about blue whales and their weird wannabe-teeth made out of fingernail stuff. Ellie introduces Katie to Clive, our resident skeleton in the wellington, and for some reason there is a lengthy discussion about ghosts. This episode has been split into 2 parts because Ellie and Katie have no concept of space or time. Lots of swearing and tangents, as always. Email: intoxecologypodcast@gmail.comTwitter: @intoxecologyInstagram: @intoxecologyWebsite: www.intoxecology.comPLEASE FIND US ON PATREON

Syncromystic sage Michael Wann and energy healer Jenny Rivers join us on Vibe Rant tonight to talk about the Living Matrix (the eternal womb), and how to make room in our energy fields for the expanding of Life Force. Watch the Video Replay: https://youtu.be/_pTadu7OHdk | https://rokfin.com/stream/10803CALL IN TO VIBE RANT Join this group on telegram to leave us a voice, image, text, or video message to play on the air: https://t.me/viberantcalls GUEST LINKS Michael Wann's website: https://www.susquehannaalchemy.com/ Susquehanna Alchemy on Youtube: http://youtube.com/susquehannaalchemy Jenny Rivers - Riversong Wellness: https://www.jennyrivers.com/ InnerVerse Telegram Channel (Follow for updates!) https://t.me/innerversepodcast InnerVerse Group Chat (Community Viiiibes ⚡) https://t.me/innerversepodcastchat https://www.innerversepodcast.com Get InnerVerse Plus+ and enjoy the second hour of each interview. Free listeners are only getting half of the goodness!Join on Patreon: https://www.patreon.com/innerverseJoin on Rokfin: https://rokfin.com/creator/innerverse SUPPORT INNERVERSE InnerVerse T-Shirts, Posters & Art Store - https://www.designbyhumans.com/shop/TripFlipArt/t-shirts/ Add to your metaphysical toolkit at Secret Energy - https://store.secretenergy.com/?ref=chancegarton Buy from Clive de Carle with this link to support InnerVerse with your purchase - https://clivedecarle.ositracker.com/197164/11489 Leave a 5 Star Review for InnerVerse on iTunes - https://itunes.apple.com/us/podcast/innerverse-podcast/id1066918535?mt=2 Make A Donation Through Paypal - https://paypal.me/chancegarton?locale.x=en_US See acast.com/privacy for privacy and opt-out information.

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined by Clive (@clivepafc) and Scott (@oh_that_crab) to discuss a variety of topics from the importance of England players in the Arsenal team and vice versa, as well as the recent Josh Kroenke interview and updating evaluations on the impact of KSE's ownership. After the break (43') Elliot is joined by Opta Huddersfield analyst and Brighton fan David Hartrick (@davidhartrick) to discuss the breaking news on the Premier League schedule for the 2022 World Cup, Emile Smith Rowe's development, and the unsurprising success of Benjamin White. All that and more on this edition of the Arsenal Vision Post Match Podcast. Signup for our Patreon at patreon.com/arsenalvisionpodcast Get our latest merch at avpodshop.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

I'm very excited to announce that Clive, The Wood Fired Oven Chef from YouTube, is coming on the show in a few weeks! I'll be taking a deep dive into Clive's wood fired oven journey, and explore his incredible cooking skills, techniques and recipes. Clive has lots of great tips and advice to help us supercharge our own wood fired oven cooking skills. I will also lift the curtain and discuss with Clive how he prepares and shoots his amazing YouTube Videos. This will be one (or two) episodes NOT to miss.Clive and I would also like to hear from YOU - The Wood Fired Oven Chef YouTube viewers and the Wood Fired Oven Podcast listeners. Send your questions into the show for a chance to have them featured on the episode with Clive. I use an audio service called SpeakPipe - which allows you to send me a 30 second audio clip of your question, which I can include in the actual episode.Head over to WoodFiredOven.Cooking and record your question for Clive now. You can also follow me on instagram, @marks_woodfiredoven, click the link in the bio, and send me a recorded question there too!Check out Clive's YouTube channel: The Wood Fired Oven ChefCheck out Clive's website: The Wood Fired Oven ChefReview Wood Fired Oven on Apple Podcasts to let me know what you think of the show.Check out my website for episode show notes and links, wood fired oven tips and advice, pictures and recipes:  woodfiredoven.cookingSocialInstagram: marks_WoodFiredOvenTwitter: @WFOPodcastFacebook: Wood Fired Oven PodcastFollow me on: YouTubeBurn FirewoodIf you live in Brisbane, try ordering your next batch of firewood for your wood fired oven, your smoker or your fireplace from Burn Firewood. They rock!Check out their website at burnfirewood.com.au or on instagram - @burnfirewoodauSupport the show (https://www.buymeacoffee.com/MarkG)

Dean Swain sits down with Nicola & Anthony Caulfield from Gracious Films to chat about their latest project, The Rubber Keyed Wonder. To find out more about the movie, please visit https://www.kickstarter.com/projects/1195082866/the-rubber-keyed-wonder-40-years-of-the-zx-spectrum Thanks to all of our Patreon's who made this episode possible. James Dunn Hans Crombeen Roushimsx Guto Threadbare Chris Atwill ChrisSilva Chris Hull Paul Bullard Harvey Watson Martyn Jones Ninjixel Tim TJ Walker Andy Hudson Ricardo Engel Adrian Nelson Alastair Barr HeavyMetalDon James Bentley Tony Parkinson Gaz H Mal Woods Red-Crested Breegull Richard Rogers Cane and Rinse LamptonWorm Salvio Calabrese Mitsoyama Rhys Wynne Clint Humphrey Mark Bylund Paul Ashton Chris Rowe Jon Sheppard Laurent Giroud Deadl0ck Aaron Maupin Jim-OrbitsIT Jon Veal Thomas scoffham Andy Marsh Patrick Fürst Laurens Andrew Gilmour Stephen Stuttard Matt Sullivan Magnus Esbjörner Darren Coles Garry Heather Edward Fitzpatrick Nick Lees Blake Brett Help support the Retro Asylum by becoming a patron: https://www.patreon.com/retroasylum Retro Asylum on Facebook: https://www.facebook.com/retroasylum/ Retro Asylum YouTube Channel: https://www.youtube.com/channel/UCfCC9rIvCKoW3mdbuCsB7Ag Retro Asylum on Instagram: https://www.instagram.com/the_retro_asylum/ Retro Asylum on Twitch:https://www.twitch.tv/theretroasylum Twitter: @theretroasylum Retro Asylum Merchandise: https://retroasylumstore.myspreadshop.co.uk/

At the outset of the pandemic, trade shows were one of the many facets of business imperiled by the crisis. But every crisis presents an opportunity for innovation. And for today's guests, Clive White, CEO, and Zach Person, General Manager, at Ensitech, a company that heavily relies on trade shows for garnering business, pushing past the initial pandemic panic ultimately paid off — fast forward to today, and they've revolutionized the trade show booth. They join me to discuss: - Their digital-analog hybrid trade show booth - How they stayed well-prepared for the inevitable technological hurdles they knew they'd face - How their innovative approach can be applied to other facets of business Subscribe to The Manufacturing Executive on Apple Podcasts, Spotify, or our website. Listening on a desktop & can't see the links? Just search for The Manufacturing Executive in your favorite podcast player.

We welcome health freedom advocate Clive de Carle (https://21w.co/shop-clive) as our special guest to the Sunday Wire show (https://21w.co/sw393) to discuss the immune challenges we're facing in battling our toxic environment, the new Covid and vaccine hysteria, and how society's pharmaceutical obsession is now derailing many aspects of life. Help support our show and independent media outlet, 21st Century Wire, by purchasing any of Clive's natural health essentials, including vitamin and mineral supplements via this link:  https://21w.co/shop-clive

Before we get to the analysis show this week we've got a special episode all about the 1991/92 4th Division title winning season with former club photographer, Clive Lawrence, & a member of that title winning squad, John Deary who share some of their memories from that time.Clive is bringing out a charity calendar to mark the 30th anniversary of that achievement & there is a launch event this Saturday at the 110 Club in Burnley. Admission is £10 which includes pie & peas supper with all proceeds going to the Lenny Johnrose charity. Calendars cost £15, of which £10 goes to the charity. You can contact Clive on  clivelawrence@me.com

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined by Clive (@clivepafc), Tim (@stillberto) and Paul (@poznaninmypants) to discuss a win against Watford that has Arsenal looking all the way up the table. The conversation starts with the continued evolution of the team's approach to games and the way they dominated Watford on the ball and in terms of territory on the pitch. The group discusses the critical moments before diving into the critical performances including a special section on Emile Smith Rowe and Bukayo Saka. Aubameyang's form is discussed. Then there's some discussion of the way the game ended and what comes next in terms of Arsenal's continued move up the table. All that and more on this edition of the Arsenal Vision Post Match Podcast. Signup for our Patreon at patreon.com/arsenalvisionpodcast Get our latest merch at avpodshop.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Nicola Clayton is an experimental psychologist whose studies of members of the crow family have shattered assumptions about the cognitive abilities of non-human animals. Through a series of imaginatively designed experiments, she has shown that rooks, jackdaws and jays can plan for the future and reflect on the past, as well as understand that members of their social groups have minds of their own. In pursuing her interest in the development and evolution of non-verbal cognition, Nicola also works with young children and non-human apes. Her findings have led her to suggest that intelligence in birds and human and non-human primates evolved independently. A dancer herself, Nicola explores dance as a form of non-verbal communication. She was the first Scientist in Residence at the dance company Rambert, a title she has continuously held since 2011. She also collaborates with artist and writer Clive Wilkins on The Captured Thought. Nicky and Clive regularly dance together, have given a TEDx talk entitled ‘Conversations Without Words.' Through the magic of six degrees of separation Nicky and I connected. How exactly? Henry Gee came on my show and said I should speak with Nicky. He was right! Bio: Nicola Clayton is Professor of Comparative Cognition in the Department of Psychology at the University of Cambridge, a Fellow of Clare College and a Fellow of the Royal Society. Her expertise lies in the contemporary study of comparative cognition, integrating a knowledge of both biology and psychology to introduce new ways of thinking about the evolution and development of intelligence in non-verbal animals and pre-verbal children. She is currently President of the British Science Association Psychology Section. In this episode of Trend Following Radio: The Intelligence of Crows Mental time travel Consciousness, identity, memory and creativity Chimpanzees and Humans Dance

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined by Clive (@clivepafc) and Paul (@poznaninmypants) to discuss the upcoming game against Watford and what might happen with left back now that Tierney is training. Then the group debates changes that might be needed to ride out the absences Arsenal are facing during African Cup of Nations. After the break (34') Phil Costa (@_PhilCosta) from Scouted Football joins the show to discuss Arsenal's Academy and the development of Emile Smith Rowe. All that and more on this edition of the Arsenal Vision Post Match Podcast. Signup for our Patreon at patreon.com/arsenalvisionpodcast Get our latest merch at avpodshop.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week the Moonlight Graham Show goes all the way from A to Z. Matt Adams and Andrew Zellmer that is. These former athletes and sports fans sit down with Tim on a Friday afternoon to talk a little about sports and a lot about Iowa. Matt and Andrew are two of the top dogs for Peoples Company out of Clive. This podcast is an opportunity for buddies to catch up and drain the batteries on the microphones.

Enjoy the best of Clive Driskill-Smith's Hallowe'en Concert as a musical gift for All Souls' Day. 

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined by Clive (@clivepafc) and Tim (@stillberto) to discuss a win away at Leicester. The conversation starts with praise for Gabriel and his under the radar player-of-the-season type form. Then there's a discussion about pressing, the performance of the players up front, and the period of the match where Arsenal dropped off and why that might happen. There's a lot of praise for Aaron Ramsdale as well as speculation about whether Tavares and Lokonga are making themselves hard to drop. Lastly there's a bit about the new manager of at the toilet bowl. All that and more on this edition of the Arsenal Vision Post Match Podcast. Signup for our Patreon at patreon.com/arsenalvisionpodcast Get our latest merch at avpodshop.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

(NOTE: Our main Twitter account for Patrick Henningsen @21WIRE has been permanently de-platformed by Twitter's censorship department, but please follow our alternative account @21stCenturyWire) This week the SUNDAY WIRE broadcasts LIVE on ACR, as host Patrick Henningsen covers all the top stories internationally. In the first hour we'll welcome health freedom advocate Clive de Carle to discuss the immune challenges we're facing in battling our toxic environment, the new Covid and vaccine hysteria, and how society's pharmaceutical obsession is now derailing many aspects of life. All this and much more. Show links: https://21w.co/shop-clive  GET YOUR COPY OF NEW DAWN MAGAZINE'S NOV-DEC ISSUE: https://21w.co/nd189  GET 'LUV'IN THE OLD NORMAL' T-SHIRTS HERE: https://21w.co/old-normal JOIN OUR TELEGRAM CHANNEL HERE: https://t.me/My21wire   SUPPORT OUR MEDIA PLATFORM HERE: https://21w.co/support  SUBSCRIBE & BECOME A MEMBER @21WIRE.TV: https://21wire.tv The Sunday Wire with Patrick Henningsen broadcasts LIVE on Alternate Current Radio SUNDAY 5pm-8pm UK Time, 12pm-3pm EST (US), 9am-12pm PST (US) at: http://alternatecurrentradio.com  http://thesundaywire.com

Are we the only ones who spend time every. single. day. wondering how our dogs are trying to communicate with us? We know there's at least one other person who's on the same page! Clive Wynne is a canine behaviorist who explores the incredible relationship between people and dogs in his new book, Dog is Love: Why and How Your Dog Loves You. ****** Thanks to our sponsors of this episode! --> Lumineux: plant and mineral hygiene products like Lumineux's famous toothpaste and whitening products are changing the game. They taste just as good and we were wowed by the research into why using their strategy works so well. Just in time for the holidays: enjoy 15% off your first purchase by going to http://www.oralessentials.com and using promo code 'Nobody'. --> Maxine's Heavenly Cookies: the most delicious plant-based, gluten-free, vegan, low sugar cookies! We love all of their flavors, especially Mint Chocolate Chunk and Chocolate Chocolate Chunk! Go to http://www.maxinesheavenly.com/nobody and use promo code 'nobody' to get 25% off your order. --> AirMedCare Network (AMCN): add inexpensive Fly-U-Home coverage to your AMCN membership so that if there's a medical emergency, you can make the call to be transported back to your local hospital—closer to your own doctor and family. Fly-U-Home takes care of absolutely everything from hospital A to hospital B. No bills. No paperwork. It's a smart way to reduce stress—and put control of your care in your hands. Sign up for Fly-U-Home today and receive up to a $100 eGift Card. by going to airmedcarenetwork.com/tellme and use offer code TELLME.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Clive and Ron sit through the entire Leprechaun series. The fools. MMW theme by Mike Powell Musical outro: Rockin' Rockin' Leprechauns by The Modern Lovers

Officially moving north now, Larkspur, Clive and Yesena meet a new stranger in the wilderness in the midst of a dense forest. Matt invents some new game mechanics and the whole table gets to become intimately familiar with death in RyuutamaLarkspur has been played by Jen Vaughn, who can be found on twitter @thejenya, and who's work can be found on hauntedvaultstudios.comYesena is played by Barbara Perez Marquez, who can be found online @mustachebabs. Check out her work via mustachebabs.comClive is played by Paul Harpring, who can be found online @paul_harpringMatt is around online just about everywhere @kintarotpcThe podcast can be followed @thecrowdex and the website is crowscodex.comMusic for this podcast is by Kevin MacLeod, who's works can be found at incompetech.filmmusic.ioThe tracks used in this episode is:Long Road Ahead B by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/3995-long-road-ahead-bLicense: https://filmmusic.io/standard-licenseTemple of the Manes by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4468-temple-of-the-manesLicense: https://filmmusic.io/standard-licenseThe world and Non-Player-Characters are mine. Information about the Ryuutama game system can be found via http://kotohi.com/ryuutama

Happy Halloween! We're joined by comics scribe Daniel "D.G." Chichester to talk about the history of horror comics, Marvel's return to the genre in the early 1990s, and the macabre anti-hero Terror (whom Chichester co-created).  ----more---- Issue 18 Transcript   Mike: [00:00:00] It's small, but feisty, Mike: Welcome to Tencent Takes, the podcast where we dig up comic book characters' graves and misappropriate the bodies, one issue at a time. My name is Mike Thompson, and I am joined by my cohost, the Titan of terror herself, Jessika Frazer. Jessika: It is I. Mike: Today, we are extremely fortunate to have comics writer, Daniel, DG Chichester. Dan: Nice to see you both. Mike: Thank you so much for taking the time. You're actually our first official guest on the podcast. Dan: Wow. Okay. I'm going to take that as a good thing. That's great. Mike: Yeah. Well, if you're new to the show, the purpose of our [00:01:00] podcast as always is to look at the weirdest, silliest, coolest moments of comic books, and talk about them in ways that are fun and informative. In this case, we looking at also the spookiest moments, and how they're woven into the larger fabric of pop culture and history. Today, we're going to be talking about horror comics. We're looking at their overall history as well as their resurrection at Marvel in the early 1990s, and how it helped give birth to one of my favorite comic characters, an undead anti-hero who went by the name of Terror. Dan, before we started going down this road, could you tell us a little bit about your history in the comic book industry, and also where people can find you if they want to learn more about you and your work? Dan: Absolutely. At this point, people may not even know I had a history in comic books, but that's not true. Uh, I began at Marvel as an assistant in the mid-eighties while I was still going to film school and, semi quickly kind of graduated up, to a more official, [00:02:00] assistant editor position. Worked my way up through editorial, and then, segued into freelance writing primarily for, but also for DC and Dark Horse and worked on a lot of, semi-permanent titles, Daredevil's probably the best known of them. But I think I was right in the thick of a lot of what you're going to be talking about today in terms of horror comics, especially at Marvel, where I was fiercely interested in kind of getting that going. And I think pushed for certain things, and certainly pushed to be involved in those such as the Hellraiser and Nightbreed Clive Barker projects and Night Stalkers and, uh, and Terror Incorporated, which we're going to talk about. And wherever else I could get some spooky stuff going. And I continued on in that, heavily until about 96 / 97, when the big crash kind of happened, continued on through about 99 and then have not really been that actively involved since then. But folks can find out what I'm doing now, if they go to story maze.substack.com, where I have a weekly newsletter, which features [00:03:00] new fiction and some things that I think are pretty cool that are going on in storytelling, and also a bit of a retrospective of looking back at a lot of the work that I did. Mike: Awesome. Before we actually get started talking about horror comics, normally we talk about one cool thing that we have read or watched recently, but because this episode is going to be dropping right before Halloween, what is your favorite Halloween movie or comic book? Dan: I mean, movies are just terrific. And there's so many when I saw that question, especially in terms of horror and a lot of things immediately jumped to mind. The movie It Follows, the recent It movie, The Mist, Reanimator, are all big favorites. I like horror movies that really kind of get under your skin and horrify you, not just rack up a body count. But what I finally settled on as a favorite is probably John Carpenter's the Thing, which I just think is one of the gruesomest what is going to happen next? What the fuck is going to happen next?[00:04:00] And just utter dread. I mean, there's just so many things that combined for me on that one. And I think in terms of comics, I've recently become just a huge fan of, and I'm probably going to slaughter the name, but Junji Ito's work, the Japanese manga artist. And, Uzumaki, which is this manga, which is about just the bizarreness of this town, overwhelmed with spirals of all things. And if you have not read that, it is, it is the trippiest most unsettling thing I've read in, in a great long time. So happy Halloween with that one. Mike: So that would be mango, right? Dan: Yeah. Yeah. So you'd make sure you read it in the right order, or otherwise it's very confusing, so. Mike: Yeah, we actually, haven't talked a lot about manga on this. We probably should do a deep dive on it at some point. But, Jessika, how about you? Jessika: Well, I'm going to bring it down a little bit more silly because I've always been a fan of horror and the macabre and supernatural. So always grew up seeking creepy media as [00:05:00] a rule, but I also loves me some silliness. So the last three or so years, I've had a tradition of watching Hocus Pocus with my friend, Rob around Halloween time. And it's silly and it's not very heavy on the actual horror aspect, but it's fun. And it holds up surprisingly well. Mike: Yeah, we have all the Funkos of the Sanderson sisters in our house. Jessika: It's amazing watching it in HD, their costumes are so intricate and that really doesn't come across on, you know, old VHS or watching it on television back in the day. And it's just, it's so fun. How much, just time and effort it looks like they put into it, even though some of those details really weren't going to translate. Dan: How very cool. Mike: Yeah. Jessika: Yeah. So, but I also really like actual horror, so I'm also in the next couple of days is going to be a visiting the 1963 Haunting of Hill House because that's one of my favorites. Yeah. It's so good. And used to own the book that the movie was based on also. And seen all the [00:06:00] iterations and it's the same storyline the recent Haunting of Hill house is based on, which is great. That plot line has been reworked so many times, but it's such a great story, I'm just not shocked in the least that it would run through so many iterations and still be accepted by the public in each of its forms. Mike: Yeah. I really liked that Netflix interpretation of it, it was really good. Dan: They really creeped everything out. Mike: Yeah. There's a YouTuber called Lady Night, The Brave, and she does a really great summary breakdown explaining a lot of the themes and it's like almost two hours I think, of YouTube video, but she does these really lovely retrospectives. So, highly recommend you check that out. If you want to just think about that the Haunting of Hill House more. Jessika: Oh, I do. Yes. Mike: I'm going to split the difference between you two. When I was growing up, I was this very timid kid and the idea of horror just creeped me out. And so I avoided it like the plague. And then when I was in high [00:07:00] school, I had some friends show me some movies and I was like, these are great, why was I afraid of this stuff? And so I kind of dove all the way in. But my preferred genre is horror comedy. That is the one that you can always get me in on. And, I really love this movie from the mid-nineties called the Frighteners, which is a horror comedy starring Michael J. Fox, and it's directed by Peter Jackson. And it was written by Peter Jackson and his partner, Fran Walsh. And it was a few years before they, you know, went on to make a couple of movies based on this little known franchise called Lord of the Rings. But it's really wild. It's weird, and it's funny, and it has some genuine jump scare moments. And there's this really great ghost story at the core of it. And the special effects at the time were considered amazing and groundbreaking, but now they're kind of, you look at, and you're like, oh, that's, high-end CG, high-end in the mid-nineties. Okay. But [00:08:00] yeah, like I said, or comedies are my absolute favorite things to watch. That's why Cabin in the Woods always shows up in our horror rotation as well. Same with Tucker and Dale vs Evil. That's my bread and butter. With comic books, I go a little bit creepier. I think I talked about the Nice House on the Lake, that's the current series that I'm reading from DC that's genuinely creepy and really thoughtful and fun. And it's by James Tynion who also wrote Something That's Killing the Children. So those are excellent things to read if you're in the mood for a good horror comic. Dan: Great choice on the Frighteners. That's I think an unsung classic, that I'm going to think probably came out 10 years too early. Mike: Yeah. Dan: It's such a mashup of different, weird vibes, that it would probably do really, really well today. But at that point in time, it was just, what is this? You know? Cause it's, it's just cause the horrifying thing in it are really horrifying. And, uh, Gary Busey's son, right, plays the evil ghost and he is just trippy, off the wall, you know, horrifying. [00:09:00] Mike: Yeah. And it starts so silly, and then it kind of just continues to go creepier and creepier, and by the time that they do some of the twists revealing his, you know, his agent in the real world, it's a genuine twist. Like, I was really surprised the first time I saw it and I - Dan: Yeah. Mike: was so creeped out, but yeah. Dan: Plus it's got R. Lee Ermey as the army ghost, which is just incredible. So, Mike: Yeah. And, Chi McBride is in it, and, Jeffrey Combs. Dan: Oh, oh that's right, right. right. Mike: Yeah. So yeah, it's a lot of fun. Mike: All right. So, I suppose we should saunter into the graveyard, as it were, and start talking about the history of horror comics. So, Dan, obviously I know that you're familiar with horror comics, Dan: A little bit. Mike: Yeah. What about you, Jess? You familiar with horror comics other than what we've talked about in the show? Jessika: I started getting into it once you and I started, you know, talking more on the [00:10:00] show. And so I grabbed a few things. I haven't looked through all of them yet, but I picked up some older ones. I did just recently pick up, it'll be more of a, kind of a funny horror one, but they did a recent Elvira and Vincent Price. So, yeah, so I picked that up, but issue one of that. So it's sitting on my counter ready for me to read right now. Mike: Well, and that's funny, cause Elvira actually has a really long, storied history in comic books. Like she first appeared in kind of like the revival of House of Mystery that DC did. And then she had an eighties series that had over a hundred issues that had a bunch of now major names involved. And she's continued to have series like, you can go to our website and get autographed copies of her recent series from, I think Dynamite. Jessika: That's cool. Mike: Yeah. Jessika: Nice. Mike: Speaking of horror comedy Elvira is great. Jessika: Yes. Mike: I recently showed Sarah the Elvira Mistress of the Dark movie and she was, I think really sad that I hadn't showed it to her sooner. Jessika: [00:11:00] That's another one I need to go watch this week. Wow. Don't- nobody call me. I'm just watching movies all week. Dan: Exactly. Mike: It's on a bunch of different streaming services, I think right now. Well it turns out that horror comics, have pretty much been a part of the industry since it really became a proven medium. You know, it wasn't long after comics became a legit medium in their own, right that horror elements started showing up in superhero books, which like, I mean, it isn't too surprising. Like the 1930's was when we got the Universal classic movie monsters, so it makes a lot of sense that those kinds of characters would start crossing over into comic books, just to take advantage of that popularity. Jerry Siegel and Joel Schuster, the guys who created Superman, actually created the supernatural investigator called Dr. Occult in New Fun Comics three years before they brought Superman to life. And Dr. Occult still shows up in DC books. Like, he was a major character in the Books of Magic with Neil Gaiman. I think he may show up in Sandman later on. I can't remember. Jessika: Oh, okay. Dan: I wouldn't be surprised. Neil would find ways to mine that. [00:12:00] Mike: Yeah. I mean, that was a lot of what the Sandman was about, was taking advantage of kind of long forgotten characters that DC had had and weaving them into his narratives. And, if you're interested in that, we talk about that in our book club episodes, which we're currently going through every other episode. So the next episode after this is going to be the third episode of our book club, where we cover volumes five and six. So, horror comics though really started to pick up in the 1940s. There's multiple comic historians who say that the first ongoing horror series was Prized Comics, New Adventures of Frankenstein, which featured this updated take on the original story by Mary Shelley. It took place in America. The monster was named Frankenstein. He was immediately a terror. It's not great, but it's acknowledged as being really kind of the first ongoing horror story. And it's really not even that much of a horror story other than it featured Frankenstein's monster. But after that, a number of publishers started to put out adaptations of classic horror stories for awhile. So you had [00:13:00] Avon Publications making it official in 1946 with the comic Erie, which is based on the first real dedicated horror comic. Yeah. This is the original cover to Erie Comics. Number one, if you could paint us a word picture. Dan: Wow. This is high end stuff as it's coming through. Well it looks a lot like a Zine or something, you know it's got a very, Mac paint logo from 1990, you know, it's, it's your, your typical sort of like, ooh, I'm shaky kind of logo. That's Eerie Comics. There's a Nosferatu looking character. Who's coming down some stairs with the pale moon behind him. It, he's got a knife in his hand, so, you know, he's up to no good. And there is a femme fatale at the base of the stairs. She may have moved off of some train tracks to get here. And, uh, she's got a, uh, a low, cut dress, a lot of leg and the arms and the wrists are bound, but all this for only 10. cents. So, I think there's a, there's a bargain there.[00:14:00] Mike: That is an excellent description. Thank you. So, what's funny is that Erie at the time was the first, you know, official horror comic, really, but it only had one issue that came out and then it sort of vanished from sight. It came back with a new series that started with a new number one in the 1950s, but this was the proverbial, the shot that started the war. You know, we started seeing a ton of anthology series focusing on horror, like Adventures into the Unknown, which ran into the 1960s and then Amazing Mysteries and Marvel Tales were repurposed series for Marvel that they basically changed the name of existing series into these. And they started doing kind of macabre, weird stories. And then, we hit the 1950s. And the early part of the 1950s was when horror comics really seemed to take off and experienced this insane success. We've talked about how in the post-WWII America, superhero comics were kind of declining in [00:15:00] popularity. By the mid 1950s, only three heroes actually had their own books and that was Superman, Batman, and Wonder Woman. Which, I didn't realize that until I was doing research. I didn't, I just assumed that there were other superhero comics at the time. But we started seeing comics about horror and crime and romance really starting to get larger shares of the market. And then EC Comics was one of those doing gangbuster business during this whole era. Like, this was when we saw those iconic series, the Haunt of Fear, the Vault of Horror, the Crypt of Terror, which was eventually rebranded to Tales from the Crypt. Those all launched and they found major success. And then the bigger publishers were also getting in on this boom. During the first half of the 1950s Atlas, which eventually became Marvel, released almost 400 issues across 18 horror titles. And then American Comics Group released almost 125 issues between five different horror titles. Ace comics did almost a hundred issues between five titles. I'm curious. I'm gonna ask both of you, what [00:16:00] do you think the market share of horror comics was at the time? Dan: In terms of comics or in terms of just like newsstand, magazine, distribution. Mike: I'm going to say in terms of distribution. Dan: I mean, I know they were phenomenally successful. I would, be surprised if it was over 60%. Mike: Okay. How about. Jessika: Oh, goodness. Let's throw a number out. I'm going to say 65 just because I want to get close enough, but maybe bump it up just a little bit. This is a contest now. Dan: The precision now, like the 65. Jessika: Yes. Mike: Okay. Well, obviously we don't have like a hard definite number, but there was a 2009 article from reason magazine saying that horror books made up a quarter of all comics by 1953. So, so you guys were overestimating it, but it was still pretty substantial. At the same time, we were also seeing a surge in horror films. Like, the 1950s are known as the atomic age and media reflected [00:17:00] societal anxiety, at the possibility of nuclear war and to a lesser extent, white anxiety about societal changes. So this was the decade that gave us Invasion of the Body Snatchers The Thing from Another World, which led to John Carpenter's The Thing eventually. Um, and the Creature from the Black Lagoon. Hammer horror films also started to get really huge during this time. So we saw the beginning of stuff like Christopher Lee's, Dracula series of films. So the fifties were like a really good decade for horror, I feel. But at the same time, violent crime in America started to pick up around this period. And people really started focusing on juvenile criminals and what was driving them. So, there were a lot of theories about why this was going on and no one's ever really come up with a definite answer, but there was the psychiatrist named Frederick Wortham who Dan, I yeah. Dan: Oh yeah, psychiatrist in big air quotes, yeah. Mike: In quotes. Yeah. [00:18:00] Yeah. And he was convinced that the rise in crime was due to comics, and he spent years writing and speaking against them. He almost turned it into a cottage industry for himself. And this culminated in 1954, when he published a book called Seduction of the Innocent, that blamed comic books for the rise in juvenile delinquency, and his arguments are laughable. Like, I mean, there's just no way around it. Like you read this stuff and you can't help, but roll your eyes and chuckle. But, at the time comics were a relatively new medium, you know, and people really only associated them with kids. And his arguments were saying, oh, well, Wonder Woman was a lesbian because of her strength and independence, which these days, I feel like that actually has a little bit of credibility, but, like, I don't know. But I don't really feel like that's contributing to the delinquency of the youth. You know, and then he also said that Batman and Robin were in a homosexual relationship. And then my favorite was that Superman comics were [00:19:00] un-American and fascist. Dan: Well. Mike: All right. Dan: There's people who would argue that today. Mike: I mean, but yeah, and then he actually, he got attention because there were televised hearings with the Senate subcommittee on juvenile delinquency. I mean, honestly, every time I think about Seduction of the Innocent and how it led to the Comics Code Authority. I see the parallels with Tipper Gore's Parent Music Resource Center, and how they got the Parental Advisory sticker on certain music albums, or Joe Lieberman's hearings on video games in the 1990's and how that led to the Electronic Systems Reading Board system, you know, where you provide almost like movie ratings to video games. And Wortham also reminds me a lot of this guy named Jack Thompson, who was a lawyer in the nineties and aughts. And he was hell bent on proving a link between violent video games and school shootings. And he got a lot of media attention at the time until he was finally disbarred for his antics. But there was this [00:20:00] definite period where people were trying to link video games and violence. And, even though the statistics didn't back that up. And, I mean, I think about this a lot because I used to work in video games. I spent almost a decade working in the industry, but you know, it's that parallel of anytime there is a new form of media that is aimed at kids, it feels like there is a moral panic. Dan: Well, I think it goes back to what you were saying before about, you know, even as, as things change in society, you know, when people in society get at-risk, you know, you went to Invasion of the Body Snatchers, Right. Which is classically thought to be a response to communism, you know, and the feelings of communist oppression and you know, the different, you know, the other, and it's the same thing. I think every single one of these is just a proof point of if you want to become, suddenly well-known like Lieberman or Wortham or anything, you know, pick the other that the older generation doesn't really understand, right? Maybe now there are more adults playing video games, but it's probably still perceived as a more juvenile [00:21:00] thing or comics or juvenile thing, or certain types of movies are a juvenile thing, you know, pick the other pick on it, hold it up as the weaponized, you know, piece, and suddenly you're popular. And you've got a great flashpoint that other people can rally around and blame, as if one single thing is almost ever the cause of everything. And I always think it's interesting, you know, the EC Comics, you know, issues in terms of, um, Wortham's witch hunt, you know, the interesting thing about those is yet they were gruesome and they are gruesome in there, but they're also by and large, I don't know the other ones as well, but I know the EC Comics by and large are basically morality plays, you know, they're straight up morality plays in the sense that the bad guys get it in the end, almost every time, like they do something, they do some horrific thing, but then the corpse comes back to life and gets them, you know, so there's, there's always a comeuppance where the scales balance. But that was of course never going to be [00:22:00] an argument when somebody can hold up a picture of, you know, a skull, you know, lurching around, you know, chewing on the end trails of something. And then that became all that was talked about. Mike: Yeah, exactly. Well, I mean, spring boarding off of that, you know, worth them and the subcommittee hearings and all that, they led to the comics magazine association of America creating the Comics Code Authority. And this was basically in order to avoid government regulation. They said, no, no, no, we'll police ourselves so that you don't have to worry about this stuff. Which, I mean, again, that's what we did with the SRB. It was a response to that. We could avoid government censorship. So the code had a ton of requirements that each book had to meet in order to receive the Comics Code Seal of Approval on the cover. And one of the things you couldn't do was have quote, scenes dealing with, or instruments associated with walking dead or torture, which I mean,[00:23:00] okay. So the latter half of the 1950's saw a lot of these dedicated horror series, you know, basically being shut down or they drastically changed. This is, you know, the major publishers really freaked out. So Marvel and DC rebranded their major horror titles. They were more focused on suspense or mystery or Sci-Fi or superheroes in a couple of cases, independent publishers, didn't really have to worry about the seal for different reasons. Like, some of them were able to rely on the rep for publishing wholesome stuff like Dell or Gold Key. I think Gold Key at the time was doing a lot of the Disney books. So they just, they were like, whatever. Dan: Right, then EC, but, but EC had to shut down the whole line and then just became mad. Right? I mean, that's that was the transition at which William, you know, Gains - Mike: Yeah. Dan: basically couldn't contest what was going on. Couldn't survive the spotlight. You know, he testified famously at that hearing. But had to give up all of [00:24:00] that work that was phenomenally profitable for them. And then had to fall back to Mad Magazine, which of course worked out pretty well. Mike: Yeah, exactly. By the end of the 1960s, though, publishers started to kind of gently push back a little bit like, Warren publishing, and Erie publications, like really, they didn't give a shit. Like Warren launched a number of horror titles in the sixties, including Vampirilla, which is like, kind of, I feel it's sort of extreme in terms of both sex and horror, because I mean, we, we all know what Vampirilla his costume is. It hasn't changed in the 50, approximately 50 years that it's been out like. Dan: It's like, what can you do with dental floss, Right. When you were a vampire? I mean, that's basically like, she doesn't wear much. Mike: No, I mean, she never has. And then by the end of the sixties, Marvel and DC started to like kind of steer some of their books back towards the horror genre. Like how some Mystery was one of them where it, I think with issue 1 75, that was when they [00:25:00] took away, took it away from John Jones and dial H for Hero. And they were like, no, no, no, no. We're going to, we're going to bring, Cain back as the host and start telling horror morality plays again, which is what they were always doing. And this meant that the Comics Code Authority needed to update their code. So in 1971, they revised it to be a little bit more horror friendly. Jessika: Scenes dealing with, or instruments associated with, walking dead or torture shall not be used. Vampires, ghouls and werewolves shall be permitted to be used when handled in the classic traditions, such as Frankenstein, Dracula, and other high caliber literary works written by Edgar Allen Poe, Saki, Conan Doyle, and other respected authors whose works are read in schools around the world. Mike: But at this point, Marvel and DC really jumped back into the horror genre. This was when we started getting books, like the tomb of Dracula, Ghost Rider, where will finite and son of Satan, and then DC had a [00:26:00] bunch of their series like they had, what was it? So it was originally The Dark Mansion of Forbidden Love, and then it eventually got retitled to Forbidden Tales of the Dark Mansion. Like, just chef's kiss on that title. Dan: You can take that old Erie comic and throw, you know, the Dark Mansion of Forbidden Love as the title on that. And it would work, you know. Mike: I know. Right. So Dan, I'm curious, what is your favorite horror comic or comic character from this era? Dan: I would say, it was son of Satan, because it felt so trippy and forbidden, and I think comics have always, especially mainstream comics you know, I've always responded also to what's out there. Right. I don't think it's just a loosening the restrictions at that point, but in that error, what's going on, you're getting a lot of, I think the films of Race with the Devil and you're getting the Exorcist and you're getting, uh, the Omen, you know, Rosemary's baby. right. Satanism, [00:27:00] the devil, right. It's, it's high in pop culture. So true to form. You know, I think Son of Satan is in some ways, like a response of Marvel, you know, to that saying, let's glom onto this. And for a kid brought up in the Catholic church, there was a certain eeriness to this, ooh, we're reading about this. It's like, is it really going to be Satanism? And cause I was very nervous that we were not allowed even watch the Exorcist in our home, ever. You know, I didn't see the Exorcist until I was like out of high school. And I think also the character as he looks is just this really trippy look, right. At that point, if you're not familiar with the character, he's this buff dude, his hair flares up into horns, he just wears a Cape and he carries a giant trident, he's got a massive pentacle, I think a flaming pentacle, you know, etched in his chest. Um, he's ready to do business, ya know, in some strange form there. So for me, he was the one I glommed on to the most. [00:28:00] Mike: Yeah. Well, I mean, it was that whole era, it was just, it was Gothic horror brought back and Satanism and witchcraft is definitely a part of that genre. Dan: Sure. Mike: So, that said, kind of like any trend horror comics, you know, they have their rise and then they started to kind of fall out of popularity by the end of the seventies or the early eighties. I feel like it was a definite end of the era when both House of Mystery and Ghost Writer ended in 1983. But you know, there were still some individual books that were having success, but it just, it doesn't feel like Marvel did a lot with horror comics during the eighties. DC definitely had some luck with Alan Moore's run of the Swamp Thing. And then there was stuff like Hellblazer and Sandman. Which, as I mentioned, we're doing our book club episodes for, but also gave rise to Vertigo Comics, you know, in the early nineties. Not to say that horror comics still weren't a thing during this time, but it seems like the majority of them were coming from indie publishers. Off the top of my head, one example I think of still is Dead World, which basically created a zombie apocalypse [00:29:00] universe. And it started with Aero comics. It was created in the late eighties, and it's still going today. I think it's coming out from IDW now. But at the same time, it's not like American stopped enjoying horror stuff. Like this was the decade where we got Friday the 13th, Nightmare on Elm street, Evil Dead, Hellraiser, Poltergeist, Child's Play, just to name a few of the franchises that we were introduced to. And, I mentioned Hellraiser. I love Hellraiser, and Dan, I know that you have a pretty special connection to that brand. Dan: I do. I put pins in my face every night just to kind of keep my complexion, you know? Mike: So, let's transition over to the nineties and Marvel and let's start that off with Epic Comics. Epic started in the eighties, and it was basically a label that would print, create our own comics. And they eventually started to use label to produce, you know, in quotes, mature comics. So Wikipedia says that this was your first editorial job at Marvel was with the [00:30:00] Epic Line. Is that correct? Dan: Well, I'll go back and maybe do just a little correction on Epic's mission if you don't mind. Mike: Yeah, yeah. Dan: You know, first, which is it was always creator owned, and it did start as crude. And, but I don't think that ever then transitioned into more mature comics, sometimes that just was what creator-owned comics were. Right. That was just part of the mission. And so as a creator-owned imprint, it could be anything, it could be the silliest thing, it could be the most mature thing. So it was always, you know, part of what it was doing, and part of the mission of doing creator-owned comics, and Archie Goodwin was the editor in chief of that line, was really to give creators and in to Marvel. If we gave them a nice place to play with their properties, maybe they would want to go play in the mainstream Marvel. So you might get a creator who would never want to work for Marvel, for whatever reason, they would have a great Epic experience doing a range of things, and then they would go into this. So there was always levels of maturity and we always looked at it as very eclectic and challenging, you know, sometimes in a good [00:31:00] way. So I'll have to go back to Wikipedia and maybe correct them. My first job was actually, I was on the Marvel side and it was as the assistant to the assistant, to the editor in chief. So I would do all of the grunt work and the running around that the assistant to the editor in chief didn't want to do. And she would turn to me and say, Dan, you're going to go run around the city and find this thing for Jim Shooter. Now, then I did that for about five or six months, I was still in film school, and then left, which everyone was aghast, you don't leave Marvel comics, by choice. And, but I had, I was still in school. I had a summer job already sort of set up, and I left to go take that exciting summer job. And then I was called over the summer because there was an opening in the Epic line. And they want to know if I'd be interested in taking on this assistant editor's job. And I said, it would have to be part-time cause I still had a semester to finish in school, but they were intrigued and I was figuring, oh, well this is just kind of guaranteed job. [00:32:00] Never knowing it was going to become career-like, and so that was then sort of my second job. Mike: Awesome. So this is going to bring us to the character of Terror. So he was introduced as a character in the Shadow Line Saga, which was one of those mature comics, it was like a mature superhero universe. That took place in a few different series under the Epic imprint. There was Dr. Zero, there was St. George, and then there was Power Line. Right. Dan: That's correct, yep. Mike: And so the Shadow Line Saga took his name from the idea that there were these beings called Shadows, they were basically super powered immortal beings. And then Terror himself first appeared as Shrek. He's this weird looking enforcer for a crime family in St. George. And he becomes kind of a recurring nemesis for the main character. He's kind of like the street-level boss while it's hinting that there's going to be a eventual confrontation between the main character of St. George and Dr. Zero, who is kind of [00:33:00] a Superman character, but it turns out he has been manipulating humanity for, you know, millennia at this point. Dan: I think you've encapsulated it quite well. Mike: Well, thank you. So the Shadow Line Saga, that only lasted for about what a year or two? Dan: Probably a couple of years, maybe a little over. There was about, I believe, eight to nine issues of each of the, the main comics, the ones you just cited. And then we segued those over to, sort of, uh, an omni series we call Critical Mass, which brought together all three characters or storylines. And then try to tell this, excuse the pun, epic, you know story, which will advance them all. And so wrapped up a lot of loose ends and, um, you know, became quite involved now. Mike: Okay. Dan: It ran about seven or eight issues. Mike: Okay. Now a couple of years after Terror was introduced under the Epic label, Marvel introduced a new Ghost Rider series in 1990 that hit that sweet spot of like nineties extreme with a capital X and, and, you know, [00:34:00] it also gave us a spooky anti heroes like that Venn diagram, where it was like spooky and extreme and rides a motorcycle and right in the middle, you had Ghost Rider, but from what I understand the series did really well, commercially for Marvel. Comichron, which is the, the comic sales tracking site, notes that early issues were often in the top 10 books sold each month for 91. Like there are eight issues of Ghost Rider, books that are in the top 100 books for that year. So it's not really surprising that Marvel decided to go in really hard with supernatural characters. And in 1992, we had this whole batch of horror hero books launch. We had Spirits of Vengeance, which was a spinoff from Ghost Rider, which saw a Ghost Rider teaming up with Johnny Blaze, and it was the original Ghost Writer. And he didn't have a hellfire motorcycle this time, but he had a shotgun that would fire hell fire, you know, and he had a ponytail, it was magnificent. And then there was also the Night Stalkers, [00:35:00] which was a trio of supernatural investigators. There was Hannibal King and Blade and oh, I'm blanking on the third one. Dan: Frank Drake. Mike: Yeah. And Frank Drake was a vampire, right? Dan: And he was a descendant of Dracula, but also was a vampire who had sort of been cured. Um, he didn't have a hunger for human blood, but he still had a necessity for some type of blood and possessed all the attributes, you know, of a vampire, you know, you could do all the powers, couldn't go out in the daylight, that sort of thing. So, the best and worst of both worlds. Mike: Right. And then on top of that, we had the Dark Hold, which it's kind of like the Marvel equivalent of the Necronomicon is the best way I can describe it. Dan: Absolutely. Yup. Mike: And that's showed up in Agents of Shield since then. And they just recently brought it into the MCU. That was a thing that showed up in Wanda Vision towards the end. So that's gonna clearly reappear. And then we also got Morbius who is the living vampire from [00:36:00] Spider-Man and it's great. He shows up in this series and he's got this very goth rock outfit, is just it's great. Dan: Which looked a lot like how Len Kaminsky dressed in those days in all honesty. Mike: Yeah, okay. Dan: So Len will now kill me for that, but. Mike: Oh, well, but yeah, so these guys were all introduced via a crossover event called Rise of the Midnight Sons, which saw all of these heroes, you know, getting their own books. And then they also teamed up with Dr. Strange to fight against Lilith the mother of demons. And she was basically trying to unleash her monstrous spawn across the world. And this was at the same time the Terror wound up invading the Marvel Universe. So if you were going to give an elevator pitch for Terror in the Marvel Universe, how would you describe him? Dan: I actually wrote one down, I'll read it to you, cause you, you know, you put that there and was like, oh gosh, I got to like now pitch this. A mythic manifestation of fear exists in our times, a top dollar mercenary for hire using a supernatural [00:37:00] ability to attach stolen body parts to himself in order to activate the inherit ability of the original owner. A locksmith's hand or a marksman, his eye or a kickboxer his legs, his gruesome talent gives him the edge to take on the jobs no one else can, he accomplishes with Savage, restyle, scorn, snark, and impeccable business acumen. So. Mike: That's so good. It's so good. I just, I have to tell you the twelve-year-old Mike is like giddy to be able to talk to you about this. Dan: I was pretty giddy when I was writing this stuff. So that's good. Mike: So how did Terror wind up crossing into the Marvel Universe? Like, because he just showed shows up in a couple of cameos in some Daredevil issues that you also wrote. I believe. Dan: Yeah, I don't know if he'd showed up before the book itself launched that might've, I mean, the timing was all around the same time. But everybody who was involved with Terror, love that Terror and Terror Incorporated, which was really actual title. Love the hell out of [00:38:00] the book, right. And myself, the editors, Carl Potts, who was the editor in chief, we all knew it was weird and unique. And, at one point when I, you know, said to Carl afterwards, well I'm just gonna take this whole concept and go somewhere else with it, he said, you can't, you made up something that, you know, can't really be replicated without people knowing exactly what you're doing. It's not just another guy with claws or a big muscle guy. How many people grab other people's body parts? So I said, you know, fie on me, but we all loved it. So when, the Shadowline stuff kind of went away, uh, and he was sort of kicking out there is still, uh, Carl came to me one day and, and said, listen, we love this character. We're thinking of doing something with horror in Marvel. This was before the Rise of the Midnight Sons. So it kind of came a little bit ahead of that. I think this eventually would become exactly the Rise of the Midnight Sons, but we want to bring together a lot of these unused horror characters, like Werewolf by Night, Man Thing, or whatever, but we want a central kind of [00:39:00] character who, navigates them or maybe introduces them. Wasn't quite clear what, and they thought Terror, or Shrek as he still was at that point, could be that character. He could almost be a Crypt Keeper, maybe, it wasn't quite fully baked. And, so we started to bounce this around a little bit, and then I got a call from Carl and said, yeah, that's off. We're going to do something else with these horror characters, which again would eventually become probably the Midnight Sons stuff. But he said, but we still want to do something with it. You know? So my disappointment went to, oh, what do you mean? How could we do anything? He said, what if you just bring him into the Marvel Universe? We won't say anything about what he did before, and just use him as a character and start over with him operating as this high-end mercenary, you know, what's he going to do? What is Terror Incorporated, and how does he do business within the Marvel world? And so I said, yes, of course, I'm not going to say that, you know, any quicker and just jumped into [00:40:00] it. And I didn't really worry about the transition, you know, I wasn't thinking too much about, okay. How does he get from Shadow Line world, to earth 616 or whatever, Marcus McLaurin, who was the editor. God bless him, for years would resist any discussion or no, no, it's not the same character. Marcus, it's the same character I'm using the same lines. I'm having him referenced the same fact that he's had different versions of the word terrors, his name at one point, he makes a joke about the Saint George complex. I mean, it's the same character. Mike: Yeah. Dan: But , you know, Marcus was a very good soldier to the Marvel hierarchy. So we just really brought him over and we just went all in on him in terms of, okay, what could a character like this play in the Marvel world? And he played really well in certain instances, but he certainly was very different than probably anything else that was going on at the time. Mike: Yeah. I mean, there certainly wasn't a character like him before. So all the Wikias, like [00:41:00] Wikipedia, all the Marvel fan sites, they all list Daredevil 305 as Terror's first official appearance in. Dan: Could be. Mike: Yeah, but I want to talk about that for a second, because that is, I think the greatest villain that I've ever seen in a Marvel comic, which was the Surgeon General, who is this woman who is commanding an army of like, I mean, basically it's like a full-scale operation of that urban myth of - Dan: Yeah. Mike: -the dude goes home with an attractive woman that he meets at the club. And then he wakes up in a bathtub full of ice and he's missing organs. Dan: Yeah. You know, sometimes, you know, that was certainly urban myth territory, and I was a big student of urban myths and that was the sort of thing that I think would show up in the headlines every three to six months, but always one of those probably friend of a friend stories that. Mike: Oh yeah. Dan: Like a razor an apple or something like that, that never actually sort of tracks back. Mike: Well, I mean, the thing now is it's all edibles in candy and they're like, all the news outlets are showing officially [00:42:00] branded edibles. Which, what daddy Warbucks mother fucker. Jessika: Mike knows my stand on this. Like, no, no, nobody is buying expensive edibles. And then putting them in your child's candy. Like, No, no, that's stupid. Dan: No, it's the, it's the, easier version of putting the LSD tab or wasting your pins on children in Snickers bars. Jessika: Right. Dan: Um, but but I think, that, that storyline is interesting, Mike, cause it's the, it's one of the few times I had a plotline utterly just completely rejected by an editor because I think I was doing so much horror stuff at the time. Cause I was also concurrently doing the Hellraiser work, the Night Breed work. It would have been the beginning of the Night Stalkers work, cause I was heavily involved with the whole Midnight Sons work. And I went so far on the first plot and it was so grizzly and so gruesome that, Ralph Macchio who was the editor, called me up and said, yeah, this title is Daredevil. It's not Hellraiser. So I had to kind of back off [00:43:00] and realize, uh, yeah, I put a little too much emphasis on the grisliness there. So. Mike: That's amazing. Dan: She was an interesting, exploration of a character type. Mike: I'm really sad that she hasn't showed back up, especially cause it feels like it'd be kind of relevant these days with, you know, how broken the medical system is here in America. Dan: Yeah. It's, it's funny. And I never played with her again, which is, I think one of my many Achilles heels, you know, as I would sometimes introduce characters and then I would just not go back to them for some reason, I was always trying to kind of go forward onto something new. Mike: Yeah. Jessika: Is there anything about Terror's character that you related to at the time, or now even. Dan: Um, probably being very imperious, very complicated, having a thing for long coats. Uh, I think all of those probably, you know, work then and now, I've kind of become convinced weirdly enough over time, that Terror was a character who [00:44:00] and I, you know, I co-created him with Margaret Clark and, and Klaus Janson, but I probably did the most work with him over the years, you know? So I feel maybe a little bit more ownership, but I've sort of become convinced that he was just his own thing, and he just existed out there in the ether, and all I was ultimately was a conduit that I was, I was just channeling this thing into our existence because he came so fully formed and whenever I would write him, he would just kind of take over the page and take over the instance. That's always how I've viewed him, which is different than many of the other things that I've written. Mike: He's certainly a larger than life personality, and in every sense of that expression. Jessika: Yes. Mike: I'm sorry for the terrible pun. Okay. So we've actually talked a bit about Terror, but I [00:45:00] feel like we need to have Jessika provide us with an overall summary of his brief series. Jessika: So the series is based on the titular character, of course, Terror, who is unable to die and has the ability to replace body parts and gains the skill and memory of that limb. So he might use the eye of a sharpshooter to improve his aim or the arm of an artist for a correct rendering. And because of the inability for his body to die, the dude looks gnarly. His face is a sick green color. He has spike whiskers coming out of the sides of his face, and he mostly lacks lips, sometimes he has lips, but he mostly lacks lips. So we always has this grim smile to his face. And he also has a metal arm, which is awesome. I love that. And he interchanges all of the rest of his body parts constantly. So in one scene he'll have a female arm and in another one it'll sport, an other worldly tentacle. [00:46:00] He states that his business is fear, but he is basically a paid mercenary, very much a dirty deeds, although not dirt cheap; Terror charges, quite a hefty sum for his services, but he is willing to do almost anything to get the job done. His first job is ending someone who has likewise immortal, air quotes, which involves finding an activating a half demon in order to open a portal and then trick a demon daddy to hand over the contract of immortality, you know, casual. He also has run-ins with Wolverine, Dr. Strange Punisher, Silver Sable, and Luke Cage. It's action packed, and you legitimately have no idea what new body part he is going to lose or gain in the moment, or what memory is going to pop up for him from the donor. And it keeps the reader guessing because Terror has no limitations. Mike: Yeah. Dan: was, I was so looking forward to hearing what your recap was going to be. I love that, so I just [00:47:00] want to say that. Jessika: Thank you. I had a lot of fun reading this. Not only was the plot and just the narrative itself, just rolling, but the art was fantastic. I mean, the things you can do with a character like that, there truly aren't any limits. And so it was really interesting to see how everything fell together and what he was doing each moment to kind of get out of whatever wacky situation he was in at the time.So. And his, and his quips, I just, the quips were just, they give me life. Mike: They're so good. Like there was one moment where he was sitting there and playing with the Lament Configuration, and the first issue, which I, I never noticed that before, as long as we ready this time and I was like, oh, that's great. And then he also made a St. George reference towards the end of the series where he was talking about, oh, I knew another guy who had a St. George complex. Dan: Right, right. Right, Mike: Like I love those little Easter eggs. Speaking of Easter eggs, there are a lot of Clive Barker Easter eggs throughout that whole series. Dan: [00:48:00] Well, That's it. That was so parallel at the time, you know. Mike: So around that time was when you were editing and then writing for the HellRaiser series and the Night Breed series, right? Dan: Yes. Certainly writing for them. Yeah. I mean, I did some consulting editing on the HellRaiser and other Barker books, after our lift staff, but, primarily writing at that point. Mike: Okay. Cause I have Hellraiser number one, and I think you're listed as an editor on it. Dan: I was, I started the whole Hellraiser anthology with other folks, you know, but I was the main driver, and I think that was one of the early instigators of kind of the rebirth of horror at that time. And, you know, going back to something you said earlier, you know, for many years, I was always, pressing Archie Goodwin, who worked at Warren, and worked on Erie, and worked on all those titles. You know, why can't we do a new horror anthology and he was quite sage like and saying, yeah. It'd be great to do it, but it's not going to sell there's no hook, right? There's no connection, you know, just horror for her sake. And it was when Clive Barker [00:49:00] came into our offices, and so I want to do something with Archie Goodwin. And then the two of them said, Hellraiser can be the hook. Right. Hellraiser can be the way in to sort of create an anthology series, have an identifiable icon, and then we developed out from there with Clive, with a couple of other folks Erik Saltzgaber, Phil Nutman, myself, Archie Goodwin, like what would be the world? And then the Bible that would actually give you enough, breadth and width to play with these characters that wouldn't just always be puzzle box, pinhead, puzzle box, pinhead, you know? And so we developed a fairly large set of rules and mythologies allowed for that. Mike: That's so cool. I mean, there really wasn't anything at all, like Hellraiser when it came out. Like, and there's still not a lot like it, but I - Jessika: Yeah, I was going to say, wait, what else? Mike: I mean, I feel like I've read other books since then, where there's that blending of sexuality and [00:50:00] horror and morality, because at the, at the core of it, Hellraiser often feels like a larger morality play. Dan: Now, you know, I'm going to disagree with you on that one. I mean, I think sometimes we let it slip in a morality and we played that out. But I think Hellraiser is sort of find what you want out of it. Right. You go back to the first film and it's, you know, what's your pleasure, sir? You know, it was when the guy hands up the book and the Centobites, you know, or angels to some demons, to others. So I think the book was at its best and the movies are at their best when it's not so much about the comeuppance as it is about find your place in here. Right? And that can be that sort of weird exploration of many different things. Mike: That's cool. So going back to Terror. Because we've talked about like how much we enjoyed the character and everything, I want to take a moment to talk about each of our favorite Terror moments. Dan: Okay. Mike: So Dan, why don't you start? What was your favorite moment for Terror [00:51:00] to write or going back to read? Dan: It's a great question, one of the toughest, because again, I had such delight in the character and felt such a connection, you know, in sort of channeling him in a way I could probably find you five, ten moments per issue, but, I actually think it was the it's in the first issue. And was probably the first line that sort of came to me. And then I wrote backwards from it, which was this, got your nose bit. And you know, it's the old gag of like when a parent's playing with a child and, you know, grabs at the nose and uses the thumb to represent the nose and says, got your nose. And there's a moment in that issue where I think he's just plummeted out of a skyscraper. He's, you know, fallen down into a police car. He's basically shattered. And this cop or security guard is kind of coming over to him and, and he just reaches out and grabs the guy's nose, you know, rips his arm off or something or legs to start to replace himself and, and just says, got your nose, but it's, but it's all a [00:52:00] build from this inner monologue that he's been doing. And so he's not responding to anything. He's not doing a quip to anything. He's just basically telling us a story and ending it with this, you know, delivery that basically says the guy has a complete condescending attitude and just signals that we're in his space. Like he doesn't need to kind of like do an Arnold response to something it's just, he's in his own little world moments I always just kind of go back to that got your nose moment, which is just creepy and crazy and strange. Mike: As soon as you mentioned that I was thinking of the panel that that was from, because it was such a great moment. I think it was the mob enforcers that had shot him up and he had jumped out of the skyscraper four and then they came down to finish him off and he wound up just ripping them apart so that he could rebuild himself. All right, Jessika, how about you? Jessika: I really enjoyed the part where Terror fights with sharks in order to free Silver Sable and Luke Cage. [00:53:00] It was so cool. There was just absolutely no fear as he went at the first shark head-on and, and then there were like five huge bloodthirsty sharks in the small tank. And Terror's just like, what an inconvenience. Oh, well. Mike: Yeah. Jessika: Like followed by a quippy remark, like in his head, of course. And I feel like he's such a solitary character that it makes sense that he would have such an active internal monologue. I find myself doing that. Like, you know, I mean, I have a dog, so he usually gets the brunt of it, but he, you know, it's, it is that you start to form like, sort of an internal conversation if you don't have that outside interaction. Dan: Right. Jessika: And I think a lot of us probably relate to that though this pandemic. Mike: Yeah. Jessika: But the one-liner thoughts, like, again, they make those scenes in my opinion, and it gave pause for levity. We don't have to be serious about this because really isn't life or death for Terror. We know that, and he just reminds us that constantly by just he's always so damn nonchalant. [00:54:00] Dan: Yeah. He does have a very, I'm not going to say suave, but it's, uh, you know, that sort of very, I've got this, you know, sort of attitude to it. Mike: I would, say that he's suave when he wants to be, I mean, like the last issue he's got his whiskers tied back and kind of a ponytail. Dan: Oh yeah. Jessika: Oh yeah. Dan: Richard Pace did a great job with that. Mike: Where he's dancing with his assistant in the restaurant and it's that final scene where he's got that really elegant tuxedo. Like. Dan: Yeah. It's very beautiful. Mike: I say that he can be suave and he wants to be. So I got to say like my favorite one, it was a visual gag that you guys did, and it's in issue six when he's fighting with the Punisher and he's got this, long guns sniper. And he shoots the Punisher point blank, and Terror's, like at this point he's lost his legs for like the sixth time. Like he seems to lose his legs, like once an issue where he's just a torso waddling around on his hands. And so he shoots him the force skids him back. [00:55:00] And I legit could not stop laughing for a good minute. Like I was just cackling when I read that. So I think all of us agree that it's those moments of weird levity that really made the series feel like something special. Dan: I'm not quite sure we're going to see that moment reenacted at the Disney Pavilion, you know, anytime soon. But, that would be pretty awesome if they ever went that route. Mike: Well, yeah, so, I mean, like, let's talk about that for a minute, because one of the main ways that I consume Marvel comics these days is through Marvel unlimited, and Terror is a pretty limited presence there. There's a few issues of various Deadpool series. There's the Marvel team up that I think Robert Kirkman did, where Terror shows up and he has some pretty cool moments in there. And then there's a couple of random issues of the 1990s Luke Cage series Cage, but like the core series, the Marvel max stuff, his appearance in books like Daredevil and Wolverine, they just don't seem to be available for consumption via the. App Like I had to go through my personal [00:56:00] collection to find all this stuff. And like, are the rights just more complicated because it was published under the Epic imprint and that was create her own stuff, like do you know? Dan: No, I mean, it wouldn't be it's choice, right. He's probably perceived as a, if people within the editorial group even know about him, right. I was reading something recently where some of the current editorial staff had to be schooled on who Jack Kirby was. So, I'm not sure how much exposure or, you know, interest there would be, you know, to that. I mean, I don't know why everything would be on Marvin unlimited. It doesn't seem like it requires anything except scanning the stuff and putting it up there. But there wouldn't be any rights issues. Marvel owned the Shadow Line, Marvel owns the Terror Incorporated title, it would have been there. So I'm not really sure why it wouldn't be. And maybe at some point it will, but, that's just an odd emission. I mean, for years, which I always felt like, well, what did I do wrong? I [00:57:00] mean, you can find very little of the Daredevil work I did, which was probably very well known and very well received in, in reprints. It would be like, there'd be reprints of almost every other storyline and then there'd be a gap around some of those things. And now they started to reappear as they've done these omnibus editions. Mike: Well, yeah, I mean, you know, and going back the awareness of the character, anytime I talk about Terror to people, it's probably a three out of four chance that they won't have heard of them before. I don't know if you're a part of the comic book historians group on Facebook? Dan: I'm not. No. Mike: So there's a lot of people who are really passionate about comic book history, and they talk about various things. And so when I was doing research for this episode originally, I was asking about kind of the revamp of supernatural heroes. And I said, you know, this was around the same time as Terror. And several people sat there and said, we haven't heard of Terror before. And I was like, he's great. He's amazing. You have to look them up. But yeah, it seems like, you know, to echo what you stated, it seems like there's just a lack of awareness about the character, which I feel is a genuine shame. And that's part of the [00:58:00] reason that I wanted to talk about him in this episode. Dan: Well, thank you. I mean, I love the spotlight and I think anytime I've talked to somebody about it who knew it, I've never heard somebody who read the book said, yeah, that sucks. Right. I've heard that about other things, but not about this one, invariably, if they read it, they loved it. And they were twisted and kind of got into it. But did have a limited run, right? It was only 13 issues. It didn't get the spotlight, it was sort of promised it kind of, it came out with a grouping of other mercenary titles at the time. There was a new Punisher title. There was a Silver Sable. There was a few other titles in this grouping. Everyone was promised a certain amount of additional PR, which they got; when it got to Terror. It didn't get that it like, they pulled the boost at the last minute that might not have made a difference. And I also think maybe it was a little bit ahead of its time in certain attitudes crossing the line between horror and [00:59:00] humor and overtness of certain things, at least for Marvel, like where do you fit this? I think the readers are fine. Readers are great about picking up on stuff and embracing things. For Marvel, it was kind of probably, and I'm not dissing them. I never got like any negative, you know, we're gonna launch this title, what we're going to dismiss it. But I just also think, unless it's somebody like me driving it or the editor driving it, or Carl Potts, who was the editor in chief of that division at that point, you know, unless they're pushing it, there's plenty of other characters Right. For, things to get behind. But I think again, anytime it kind of comes up, it is definitely the one that I hear about probably the most and the most passionately so that's cool in its own way. Mike: Yeah, I think I remember reading an interview that you did, where you were talking about how there was originally going to be like a gimmick cover or a trading card or something like that. Dan: Yeah. Mike: So what was the, what was the gimmick going to be for Terror number one? Dan: What was the gimmick going to be? I don't know, actually, I if I knew I [01:00:00] can't remember anymore. But it was going to be totally gimmicky, as all those titles and covers were at the time. So I hope not scratch and sniff like a, uh, rotting bodies odor, although that would have been kind of in-character and cool. Mike: I mean, this was the era of the gimmick cover. Dan: Oh, absolutely. Mike: Like,that was when that was when we had Bloodstrike come out and it was like the thermographic printing, so you could rub the blood and it would disappear. Force Works is my favorite one, you literally unfold the cover and it's like a pop-up book. Dan: Somebody actually keyed me in. There actually was like a Terror trading card at one point. Mike: Yeah. Dan: Like after the fact, which I was like, shocked. Mike: I have that, that's from Marvel Universe series four. Dan: Yeah. we did a pretty good job with it actually. And then even as we got to the end of the run, you know, we, and you can sort of see us where we're trying to shift certain aspects of the book, you know, more into the mainstream Marvel, because they said, well, we'll give you another seven issues or something, you know, to kind of get the numbers up. Mike: Right. Dan: And they pulled the plug, you know, even before that. So, uh, that's why [01:01:00] the end kind of comes a bit abruptly and we get that final coda scene, you know, that Richard Pace did such a nice job with. Mike: Yeah. I mean, it felt like it wrapped it up, you know, and they gave you that opportunity, which I was really kind of grateful for, to be honest. Dan: Yeah. and subsequently, I don't know what's going on. I know there was that David Lapham, you know, series, you did a couple of those, which I glanced at, I know I kind of got in the way of it a little bit too, not in the way, but I just said, remember to give us a little created by credits in that, but I didn't read those. And then, I know he was in the League of Losers at one point, which just didn't sound right to me. And, uh. Mike: It's actually. Okay. So I'm going to, I'm going to say this cause, it's basically a bunch of, kind of like the B to C listers for the most part. And. So they're called the Legal Losers. I think it's a really good story, and I actually really like what they do with Terror. He gets, she's now Spider Woman, I think it's, Anya Corazon, but it was her original incarnation of, Arana. And she's got that spider armor that like comes out of her arm. And so she [01:02:00] dies really on and he gets her arm. And then, Dan: That's cool. Mike: What happens is he makes a point of using the armor that she has. And so he becomes this weird amalgamation of Terror and Arana's armored form, which is great. Dan: Was that the Kirkman series? Is that the one that he did or. Mike: yeah. That was part of Marvel Team-Up. Dan: Okay. Mike: it was written by Robert Kirkman. Dan: Well, then I will, I will look it up. Mike: Yeah. And that one's on Marvel unlimited and genuinely a really fun story as I remembered. It's been a couple of years since I read it, but yeah. Dan: Very cool. Mike: So we've talked about this a little bit, but, so

https://www.youtube.com/watch?v=lkqILwMRRJA Andy Bizub, Midwest Performance Cars in Chicago is also a native of Chicago. His first career was 25 years as a commodity trader. He entered the professional auto industry in 2014 by acquiring a failing shop in downtown Chicago that he was a customer of and started a turnaround. Andy now has two locations. He bought his first car at age 19, a 1972 Triumph Spitfire, which was the start of his gas, oil, and automobile obsession. Listen to Andy's previous episodes https://remarkableresults.biz/?s=%22bizub%22 (HERE). Joe Jerkins, Owner Westside Auto Pro, Clive, IA. Joe has been in the Automotive Industry since 2007 when he joined a tire and mechanical repair chain store after spending multiple years in grocery store management.  He did not know anything about the industry and had no mechanical background but had a passion for helping people and sales.  After having spent some time there, he joined a dealership as a Service Advisor and quickly rose to the number 1 advisor based on sales at his dealership.  An opportunity as a Service Manager arose at a local repair facility and Joe decided it was time to get back into management as he was getting his legs under him in the automotive world.  After his second child was born, Joe sought an opportunity at his hometown dealership to run the Fixed Operations including Service, Body and helping oversee Parts.  In 2013, after realizing that there was a lot of “wrong” in this industry, generally speaking, he decided it was time for one last try with a shop he knew nothing about called Westside Auto Pros.  Joe was hired as the Service Manager and after a couple of years his title changed to General Manager.  In 2018, Ron Haugen, the owner at the time, and Joe decided to accelerate their 5 year plan of purchase and by October 1st of that year, Joe was the brand new owner of the already successful Westside Auto Pros.  Westside Auto Pros continues to grow its repair shop as well as its towing and roadside assistance department. Patrick Ryan, Technician, Eagle Automotive, Columbine Hills, CO, 4 Locations Key Talking Points What is important to dealership technicians transitioning to independent- make it apparent the technician matters in your business. If they quit at the dealership it wouldn't be noticed. They were “just a number.” Minimal and sometimes decreasing benefits. Interviewing dealership tech- discuss your team culture and environment. Many techs bounce from dealership to dealership because they are still finding “their place.”Don't view working at multiple places as negative necessarily. Show them a path for all ages of your technicians. Don't have a “cookie-cutter” interview process for all your hires. Career change- wanting to grow and be challenged, feel appreciated. Millennials/Gen Z- raised with no gravity “everything is great.” Introduce gravity a little at a time. Be taught instead of blocked. Be guided. The owner needs to be vulnerable- voice it to your team Break down stereotypes of large dealerships Technicians will check your social media prior to applying and read customer and employee reviews- promote your shop is a great place to work   Connect with the show: http://aftermarketradionetwork.com (Aftermarket Radio Network) http://youtube.com/carmcapriotto (Subscribe on YouTube) https://remarkableresults.biz/episodes (Visit us on the Web) https://www.facebook.com/RemarkableResultsPodcast (Follow on Facebook) https://remarkableresults.biz/insider/ (Become an Insider) https://www.buymeacoffee.com/carm (Buy me a coffee) https://remarkableresults.biz/books/ (Important Books) Check out today's partners: This episode is brought to you by Shop-Ware Shop Management. It's time to run your business at its fullest potential with the industry's leading technology. Shop-Ware Shop Management will increase your efficiency with lightning-fast...

Clive and Sherman are about to find out the truth to the rumors of spirits on the train they've hitched a ride on. But will they survive? Today's story is“https://www.sofurry.com/view/1736997 (Brunhilda)” by https://twitter.com/Nenekiri_Dragon (Nenekiri Bookwyrm), who is a dragon that makes games and writes stories. He's also been known to paint and play the ukulele on occasion. When he's not reading from his hoard of To-Read books, he makes time to write some stories of his own. He's recently been featured in https://www.etsy.com/listing/1031240816/signed-paperback-of-shark-week-anthology (Shark Week: An Anthro Ocean Animal Anthology) by https://madisonkeller.net/ (Rainbow Dog Books), and you can find more of his stories on http://www.nenekiri.com (www.nenekiri.com). He who seeketh danger, comes not back empty handed. If at all. Old proverb, of possible relevance. Also of possible relevance: the things seen on crossroads, bridges, train stations, and all the other liminal spaces where the known and the unknown meet. But judge that relevance for yourself, listener, in “Brunhilda” tonight on the Ghost of Dog.thevoice.dog | https://www.thevoice.dog/apple (Apple podcasts) | https://www.thevoice.dog/spotify (Spotify) | https://www.thevoice.dog/google (Google Podcasts) If you have a story you think would be a good fit, you can https://www.sofurry.com/view/1669084 (check out the requirements), fill out the https://drive.google.com/drive/folders/1z81u5O2i8PWSfEpzaVhHeTjrp1kKP7TX?usp=sharing (submission template) and get in touch with Khaki on Twitter or https://t.me/khakidoggy (Telegram)!

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined first by Clive to get his thoughts on why Arsenal were able to so thoroughly dominate Aston Villa and whether there were any specific tactical changes that might lead to improvements as the season wears on. Then he touches on his experience being interview for Sky Sports pregame coverage. After the break, Paul (@poznaninmpants) and Tim (@stillberto) join the pod to cover more specific individual performances that stood out from the game and of course there's time to laugh at United and wonder about what we can still achieve this season. All that and more on this edition of the Arsenal Vision Post Match Podcast. Signup for our Patreon at patreon.com/arsenalvisionpodcast Get our latest merch at avpodshop.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Michael Wann, the Susquehanna Sage himself, triumphantly returns to InnerVerse for a third fantastic flow state. This time around we discuss the nature of artificial reality, how it works, and how to reconnect to the larger, truer reality of nature. Full of surprises, this conversation shows how fun it can be to break out of the molds that the parasite masters have provided for us, and find the rhythm and feeling of real life once again.Video version of episode: https://youtu.be/QyBBz92n8BMExtended Version+ Patreon: https://www.patreon.com/posts/57587563+ Rokfin: https://rokfin.com/post/57390EPISODE LINKSMichael Wann's website: https://www.susquehannaalchemy.com/ Susquehanna Alchemy on Youtube: http://youtube.com/susquehannaalchemyMusic in this episode: "I See Fire" by Moon Frog - https://soundcloud.com/moonfrog/i-see-fire Original Episode Post: https://www.innerversepodcast.com/season-7/michael-wann-rewilding-consciousnessSUPPORT INNERVERSEJoin the InnerVerse Tribe on our Telegram Chat - https://t.me/innerversepodcastchatInnerVerse T-Shirts, Posters & Art Store - https://www.designbyhumans.com/shop/TripFlipArt/t-shirts/Add to your metaphysical toolkit at Secret Energy - https://store.secretenergy.com/?ref=chancegartonBuy from Clive de Carle with this link to support InnerVerse with your purchase - https://clivedecarle.ositracker.com/197164/11489Leave a 5 Star Review for InnerVerse on iTunes - https://itunes.apple.com/us/podcast/innerverse-podcast/id1066918535?mt=2Make A Donation Through Paypal - https://paypal.me/chancegarton?locale.x=en_USInnerVerse is part of the Alt Media United Network. Find other enlightening info-tainment here: http://altmediaunited.com/ See acast.com/privacy for privacy and opt-out information.

Jared Stansbury is joined by Cyclone Fanatic football analyst Jay Jordan to break down Iowa State's showdown with No. 8 Oklahoma State, Tim Mullen and Brent Blum hop in to make picks for the week then Stanz & Blum talk Cyclones in the NBA to close out this week's Cyclone Fanatic Radio Show presented by Nebraska Furniture Mark in Clive. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined by Paul (@poznaninmpants) and Clive (@clivepafc) to discuss a draw that left us with more questions than answers about the system and in particular the midfield. There are break downs of some individual performances, the errors leading to goals and questions about ways to change things that might make a difference. All that and more on this edition of the Arsenal Vision Post Match Podcast. Signup for our Patreon at patreon.com/arsenalvisionpodcast Get our latest merch at avpodshop.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

This show was recorded in front of a live audience at The Victoria Tavern with Clive, Tim, James McNicholas, James Benge, Elliot and Mairead from the Arsenal Foundation. The first section discusses the Arsenal Foundation's philanthropic projects. After that, the panel takes a shot at explaining "the process" before answering listener questions on topics ranging from player performances to managerial issues, to tactics and more. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Michael Nnebe Jr. is The Peace Dealer, a super-hero astrologer who makes sky-clock stuff way more fun than your average analyst. In this episode we talk about World War Zero, progressive chart reads, sidereal and tropical, the sweet spot with squares, and knowing your worth.In the Plus+ Extension we ponder psychic powers, the oneness of life force energy, ascension and higher octaves of existence, the divine archetypes (gods), discovering the inner zodiac, and how Tarot fits in to the constellations.VIDEO VERSION OF EPISODE: https://youtu.be/wJKRlnL1p2MJOIN INNERVERSE PLUS+ FOR ACCESS TO THE EXTENDED SHOW ARCHIVESRokfin: https://rokfin.com/stream/10068Patreon: https://www.patreon.com/posts/57488532/EPISODE LINKSProfessional Tarot and Astrology Readings with PD - https://thepeacedealer.com/The Peace Dealer on Youtube - https://www.youtube.com/user/MysticIlluminationsWorld War Zero Playlist - https://youtube.com/playlist?list=PLbiSi7oaH38_XPotizjl0Zkjkt-NKWNw0Music in this episode: Big Gigantic: Got Me Like - https://soundcloud.com/biggigantic/got-me-likeOriginal Post: https://www.innerversepodcast.com/season-7/michael-nnebe-jr-peace-dealer-astrologySUPPORT INNERVERSEJoin the InnerVerse Tribe on our Telegram Chat - https://t.me/innerversepodcastchatInnerVerse T-Shirts, Posters & Art Store - https://www.designbyhumans.com/shop/TripFlipArt/t-shirts/Add to your metaphysical toolkit at Secret Energy - https://store.secretenergy.com/?ref=chancegartonBuy from Clive de Carle with this link to support InnerVerse with your purchase - https://clivedecarle.ositracker.com/197164/11489Leave a 5 Star Review for InnerVerse on iTunes - https://itunes.apple.com/us/podcast/innerverse-podcast/id1066918535?mt=2Make A Donation Through Paypal - https://paypal.me/chancegarton?locale.x=en_US See acast.com/privacy for privacy and opt-out information.

Clive Larkman is an Aussie grower that writes for our sponsor Hort Journal Australia and really knows his herbs. Together with his wife Di, he runs Larkman Nurseries in Victoria, and he's also one of the growers for Renaissance herbs who distribute plants around the country.In this episode, Karen Smith, editor for the Journal and I interview him to see if we can understand a bit more about herbs, how to grow them, and how to sell them to consumers.If you'd like to read some of Clive's previous work, you can find it through the Hort Journal's website below. Subscribe for future editions and keep your workplace toilet stocked up with quality educational material from a reputable source.EPISODE LINKSVisit Hort Journal Australia: https://hortjournal.com.au/Contact Hort Journal Australia: https://hortjournal.com.au/contact/Subscribe to Hort Journal Australia: https://hortjournal.com.au/plans/hort-journal-subscriptions/Larkman Nurseries: http://www.larkmannurseries.com.auRenaissance Herbs: https://renaissanceherbs.com.au/Herb Chilli Festival: https://www.herbchillifestival.com.au/home Yarra Valley Plant Fair: http://www.yarravalleyplantfair.com.au/ FOLLOW US ON SOCIAL MEDIATwitter: @PlantsGrowHere / Facebook: @PlantsGrowHerePodcast - Join our Facebook group!VISIT OUR WEBSITEwww.PlantsGrowHere.comLET'S WORK TOGETHERAre you in the industry or an enthusiast with something of value to share? We're always on the hunt for interesting people, doing interesting things. If you'd like to work with us send a message via our online form or a direct email to plantsgrowhere@gmail.com.

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined by Tim (@stillberto) and Clive (@clivepafc) to discuss a few topics but starting with news that the podcast winning “best Premier League podcast” at the Football Content Awards last night and sharing a few thoughts on a memorable evening that is a reflection of a community of listeners that can't be beat! Then the group discusses the even Tim was invited to cover with a data company responsible for collecting player fitness and biometric data and how the club are using it in a variety of interesting ways. After that, it's a full on Palace preview, before a couple kind words at the very end. All that and more on this edition of the Arsenal Vision Post Match Podcast. Signup for our Patreon at patreon.com/arsenalvisionpodcast Get our latest merch at avpodshop.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

#390 - October horror movie month rolls on with the crowd funded, practical effect dominated The Void. Starring Aaron Poole, Kathleen Munroe, Daniel Fathers, Mik Byskov, Evan Stern, Kenneth Walsh, Art Hindle, and Ellen Wong. We also discuss elementary school handball lingo and list our favorite hospital scenes. Enjoy! Category: Movies HSF Rating Alex-5, Scott-4 Jeff-2  Please follow and contact us at the following locations: Patreon: http://patreon.com/hansshotfirst Facebook: Hans Shot First Twitter: http://twitter.com/hansshot1st Email: hansshotfirst@outlook.com iTunes: https://itunes.apple.com/us/podcast/hans-shot-first/id778071182 Google Play: https://play.google.com/music/m/I5q2th5tzsucvpzgmy3kmzgtd44?t=Hans_Shot_First iHeartRadio: https://www.iheart.com/podcast/256-hans-shot-first-30934202/ Spotify: https://open.spotify.com/show/0ityvhlXhdtoXFJFOO1cvA

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined first by Tim (@stillberto) then by Clive (@clivepafc) and then by Paul (@poznaninmypants) to take your questions about results, players, transfers, coaches, tactics. In other words, the usual stuff! All that and more on this edition of the Arsenal Vision Post Match Podcast. Signup for our Patreon at patreon.com/arsenalvisionpodcast Get our latest merch at avpodshop.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to the Oil and Gas HSE podcast — brought to you on the Oil and Gas Global Network by Endress+Hauser. Russell goes across the pond again to the UK and interviews the COO of Drilling Systems, an advanced simulator developer.  Clive is also Simulation Director at 3t Energy Group.  This is an informative discussion about how simulators can be brought directly on site to enhance both safety and efficiency.     Contact Clive Battisby via LinkedIn: linkedin.com/in/clive-battisby-32845357    https://www.drillingsystems.com/    https://www.drillingsystems.com/news/simulator-training-success-on-ocean-greatwhite-to-be-rolled-out-across-other-projects/     https://www.drillingsystems.com/news/on-the-rig-otr-simulator-training-helps-wellesley-reduce-exploration-risks/     https://www.drillingsystems.com/news/culzean-wells-team-gets-virtually-ready-with-drill-the-well-on-simulator-dwos/  Win an Endress+Hauser/OGGN jacket and koozieRegister for our monthly Endress+Hauser HSE Podcast giveaway here: https://cx.endress.com/hse-podcast Free day passes at The Cannon If you're in Houston ... The Cannon is a global membership community that is building a virtual and physical network of entrepreneurs, startups, investors, advisors and established companies to connect innovators of all types and from all backgrounds with the resources they need to succeed. If you are looking for flexible office or desk space so that you can take a break from your work from home situation, mention OGGN at the front desk of The Cannon for a free day pass!  More Oil and Gas Global Network PodcastsOGGN.com – https://oggn.com/podcasts OGGN Street TeamLinkedIn Group – https://www.linkedin.com/groups/12458373/ OGGN on SocialLinkedIn Group | LinkedIn Company Page | Facebook | modalpoint | OGGN OGGN EventsGet notified each month   Russell StewartLinkedIn

Today I will be joined by fellow fire sign freedom fighters Allen Marcus and Gabriel (aka Slick Dissident) for some hot syncro-mystic decode action. Flow is the only agenda, but when you swim live-streams of consciousness with Strength like these two firemen carry, the gnosis will surely drip like honey combs in the kingdom of Bee-ing.Watch the video playback of this livestream with the links below. Want to catch live shows in real-time? Make sure you follow InnerVerse on Telegram for updates, hit the notification bell on Youtube, or keep an eye on my Rokfin page!https://youtu.be/XCAmG0MdEHAJoin InnerVerse Plus+ on Rokfin or Patreon to access the extended version of this episode (about 1.5 hours of syncromystic sagery)https://rokfin.com/stream/9786/https://www.patreon.com/posts/57162004EPISODE LINKSCatch us on Weaving Spiders Welcome on Saturday Nights (LIVE) - https://www.youtube.com/channel/UCiYvX6l_DBRw8BA_wxoJPZAAllen Marcus' Website: http://allenmarcus.com/Allen Marcus on Twitter: https://twitter.com/Marcus86edSlick Dissident (Gabriel) on Youtube - https://www.youtube.com/channel/UCSSMh4fE7dAdhPcdtP0rW2AMusic in this episode: Kaya Project: 100 Lights (Grouch in Dub Remix) - https://soundcloud.com/grouchnz/kaya-project-one-hundred-lights-grouch-remixhttps://www.innerversepodcast.com/season-7/allen-marcus-slick-dissidentSUPPORT INNERVERSEJoin the InnerVerse Tribe on our Telegram Chat - https://t.me/innerversepodcastchatInnerVerse T-Shirts, Posters & Art Store - https://www.designbyhumans.com/shop/TripFlipArt/t-shirts/Add to your metaphysical toolkit at Secret Energy - https://store.secretenergy.com/?ref=chancegartonBuy from Clive de Carle with this link to support InnerVerse with your purchase - https://clivedecarle.ositracker.com/197164/11489Leave a 5 Star Review for InnerVerse on iTunes - https://itunes.apple.com/us/podcast/innerverse-podcast/id1066918535?mt=2Make A Donation Through Paypal - https://paypal.me/chancegarton?locale.x=en_US See acast.com/privacy for privacy and opt-out information.

Jamie joins me to kick off our annual spooktober series where cover the worst and best of the h0rror and supernatural thriller genre with our commentary and in-depth analysis. We will cover Nightmare on Elm Street, Hellraiser, Friday 13th, Child's Play! We will look at the symbolism and meaning of the slasher genre as well as the nihgtmarescape and what it really signifies. So far we have never covered these 80s beasts and tonight is the night. Use JAY60 promo code here https://choq.com for huge discounts – 60% off!

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined by Paul (@poznaninmypants) and Clive (@clivepafc) to discuss the ramifications, both sporting and otherwise, of the impending NUFC takeover by the Saudi PIF. All that and more on this edition of the Arsenal Vision Post Match Podcast. Signup for our Patreon at patreon.com/arsenalvisionpodcast Get our latest merch at avpodshop.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today in botanical history, we celebrate a beloved Indiana poet, the Engelmann Botanical Club and their display of fall flowers over 120 years ago, and an Australian author who had asthma as a child. We'll hear an excerpt from the New York Times bestselling author, Karen White. We Grow That Garden Library™ with a terrific book by a modern plantsman and nurseryman. And then we'll wrap things up with a poignant poem from a writer and critic who said his goodbyes through his writing.   Subscribe Apple | Google | Spotify | Stitcher | iHeart To listen to the show while you're at home, just ask Alexa or Google to “Play the latest episode of The Daily Gardener Podcast.” And she will. It's just that easy.   The Daily Gardener Friday Newsletter Sign up for the FREE Friday Newsletter featuring: A personal update from me Garden-related items for your calendar The Grow That Garden Library™ featured books for the week Gardener gift ideas Garden-inspired recipes Exclusive updates regarding the show Plus, each week, one lucky subscriber wins a book from the Grow That Garden Library™ bookshelf.   Gardener Greetings Send your garden pics, stories, birthday wishes, and so forth to Jennifer@theDailyGardener.org   Facebook Group If you'd like to check out my curated news articles and original blog posts for yourself, you're in luck. I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. So, there's no need to take notes or search for links. The next time you're on Facebook, search for Daily Gardener Community, where you'd search for a friend... and request to join. I'd love to meet you in the group.   Curated News Prairie Strips Prevent Soil Erosion, Help Pollinators | Farm Progress | Fran O'Leary   Important Events October 7, 1849 Birth of James Whitcomb Riley, American writer, and poet. In Indiana, he was especially beloved and is remembered as the Hoosier poet. James wrote in dialect - in the voice of the common man - and the majority of his over 1,000 poems were often sentimental or humorous. He managed to have a successful writing career despite a lifelong struggle with alcohol. Today, in James' hometown of Greenfield, Indiana, the Riley Festival is touted as Indiana's largest four-day gathering. The event started in 1925 and took place the first or second weekend of October. The "Riley Days" festival traditionally ends with a flower parade, and children place flowers around 1918 Myra Reynolds Richards' statue of Riley on the county courthouse lawn. James wrote several poems about flowers and gardens. One of his most famous poems is When the Frost is on the Punkin. Here's an excerpt from When The Green Gits Back In The Trees: In Spring, when the green gits back in the trees, And the sun comes out and stays, And yer boots pulls on with a good tight squeeze, And you think of yer bare-foot days; When you ort to work and you want to not, And you and yer wife agrees It's time to spade up the garden-lot, When the green gits back in the trees When the whole tail-feathers o' Wintertime Is all pulled out and gone! And the sap it thaws and begins to climb, And the swet it starts out on A feller's forred, a-gittin' down At the old spring on his knees— When the green gits back in the trees —   October 7, 1900     On this day, the St. Louis Post-Dispatch (St. Louis, Missouri) shared articles about autumn-blooming flowers. The wild flower exhibition held by the Engelmann Botanical Club in the Public Library Building gave the observer a striking idea of the beauty and profusion of the uncultivated flowers which can be found In the vicinity of St. Louis in the autumn.  To many it was a revelation.  Miss Ellen C. Clark, President of the Englemann Botanical Club, wrote,   The table that attracted the children the most was that on which the fruits and seeds were collected. The pods of the milkweed and dogbane families, with their hairy seed, those of the trumpet creeper and others, showed them how seed could fly; the berries of the dogwood, buckthorn, the coralberry, the pokeberry had each its special attraction. The Engelmann Botanical Club has had only a short existence. [It started] a little more than two years ago… When a name for the club was considered it seemed most fitting to honor Dr. Engelmann, the eminent St. Louis physician who made time in the midst of a large practice to do botanical work that distinguished him among the botanists of the world.  J. H. Kellogg wrote,   Besides the large exhibits of gentians, lobelias, asters, and goldenrods, there were others equally as attractive, although the Cardinal Lobelia is one of the most glaringly beautiful wildflowers to be found.  Eupatorium ageratoides, or whitesnake root, growing in rich shady woods with white flowers, is a very pretty plant, blooming until late in the fall.  Eupatorium coelestinum. or mistflower, with its delicate blue flowers, is very beautiful. It Is found growing in low grounds and blooming until cold weather.  Bidens Bipinnata or Spanish Needle is one of our common fall flowers, sometimes covering low meadows with its bright yellow flowers and along roadside almost everywhere.  Another group of plants that will attract your attention if you take a walk through the woods in almost any direction during the fall of the year is the Desmodiums or beggar's ticks [or beggar lice]. Not on account of their showy flowers, but of their seeds, which will stick to you "closer than a brother," as anyone can testify who has taken a walk in the country at this season of the year.   October 7, 1935  Birth of Thomas Keneally, Australian novelist. He is most widely known for his non-fiction novel Schindler's Ark, which was adapted into Steven Spielberg's 1993 Academy Award-winning film for Best Picture, Schindler's List. As a child, Thomas had terrible asthma. He wrote, I [was] frequently sick, particularly with asthma for which there was no proper treatment then. In September of 2009, Thomas helped open the brand new Asthma and Allergy Friendly Garden in the Eden Display Gardens in Sydney. A first of its kind in Australia, the garden was developed by Eden by Design with guidance from the Asthma Foundation NSW to help people living with asthma and allergies enjoy the benefits of gardening. One of the keys for asthmatics and allergy sufferers is to select low-allergen plants and female trees. Some tree species are distinctly male or female. The male plant produces pollen, and the female plants are often less triggering for folks with allergies. Other tips include gardening in the morning when the grass is still wet with dew - that helps keep the pollen on the ground. Avoid gardening on windy days when pollen is in the air. And after being in the garden, make sure to shower and change your clothes to remove any allergens that are on your body and clothes.   Unearthed Words I looked around the garden, the sun feeling warm on my back. "So why are you here? I would think you'd want to be as far away from a hurricane as possible." She looked at me as if I'd just suggested streaking down the beach. It took her a moment to answer. "Because this is home." She wanted to see if the words registered with me, but I just looked back at her, not understanding at all. After a deep breath, she looked up at a tall oak tree beyond the garden, its leaves still green against the early October sky, the limbs now thick with foliage. "Because the water recedes, and the sun comes out, and the trees grow back. Because" - she spread her hands, indicated the garden and the trees and, I imagined, the entire peninsula of Biloxi - "because we've learned that great tragedy gives us opportunities for great kindness. It's like a needed reminder that the human spirit is alive and well despite all evidence to the contrary." She lowered her hands to her sides. "I figured I wasn't dead, so I must not be done." ― Karen White, The Beach Trees   Grow That Garden Library The New Shade Garden by Ken Druse This book came out in 2015, and the subtitle is Creating a Lush Oasis in the Age of Climate Change. In this book, Ken Druse does it again. He provides another comprehensive guide - but this time focuses on shade plants and our changing climate. Ken's conversational writing style makes his advice stickier and easier to implement. Today gardeners need to be planning for the conditions their garden may face long term to maximize their efforts and investment. What shade plants are best if you have deer? How can I have a shade garden and also water less? What are the best plants for color in the shade garden of the future? These are the questions current and future generations of gardeners face. Beauty is still a garden goal, but today's gardener is looking for earth-friendly, climate-wise, and super functional plants. This book is 256 pages of everything you need to know to create or upgrade a shade garden from a modern plant master. You can get a copy of The New Shade Garden by Ken Druse and support the show using the Amazon Link in today's Show Notes for around $30.   Today's Botanic Spark Reviving the little botanic spark in your heart October 7, 1939 Birth of Clive James, Australian-born British literary critic, poet, lyricist, novelist, and memoirist. In 1972, Clive gained notoriety as a television critic for The Observer. His voice was unique, and his writing reflected his wry and intelligent humor. Then, eleven years ago, in 2010, Clive was diagnosed with both emphysema and leukemia. As one might expect, his deteriorating health impacted his work, and Clive began using his poetry to write his earthly goodbyes. One day in 2014, his daughter gifted him with a tree, and he wrote a touching poem called Japanese Maple. Clive worried he wouldn't live to see the tree change color in the fall. Here are the words he wrote from that particular verse. My daughter's choice, the maple tree is new. Come autumn and its leaves will turn to flame. What I must do Is live to see that.That will end the game For me, though life continues all the same. Clive James enjoyed several autumns with that tree. He died in 2019.   Thanks for listening to The Daily Gardener. And remember: "For a happy, healthy life, garden every day."

On this edition of the Arsenal Vision Post Match Podcast, Elliot (@yankeegunner) is joined by Paul (@poznaninmypants) and Clive (@clivepafc) to breakdown what went wrong at a very wet Amex on Saturday night. They cover the extent to which the conditions mattered, and some individually sloppy performances that made life difficult. There's analysis of why Arsenal couldn't play out from Brighton's pressure, the extent to which Arsenal went long, and the execution issues in midfield. The group discusses Xhaka's absence as well. There's a debate about the substitutions and praise for the center backs. Lastly, the Liverpool-City match is discussed as it relates to the level Arsenal aspire to reach. All that and more on this edition of the Arsenal Vision Post Match Podcast. Signup for our Patreon at patreon.com/arsenalvisionpodcast Get our latest merch at avpodshop.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Cat Rose Neligan is an astrologer, author, and coach, who has a mission to assist creatives on their path to discovering a truer calling in life. In this conversation we discuss her upcoming book: Discovering Your Personal Daimon, which is about connecting to the inner and outer guiding forces, integral to the universe, that are conspiring to align you to your deepest purpose. This episode is a great flow for anyone who seeks to improve their perspective on creativity and imagination.Video Version of Episode: https://youtu.be/IySLClXP-zcJoin InnerVerse Plus+ and get the extended version of this episode (2 hours), AND unlock the huge archive of full episodes!Rokfin: https://www.rokfin.com/creator/innerversePatreon: https://www.patreon.com/innerverseEPISODE LINKSCat Rose Neligan on Youtube - https://www.youtube.com/c/catneliganCat Rose Astrology (Astrocoaching & Tutoring) - https://www.catroseastrology.com/Discovering Your Personal Daimon on Kickstarter - https://www.kickstarter.com/projects/catrose/discovering-your-personal-daimonMusic In This Episode: "Follow the Vibe" by LSDream - https://soundcloud.com/wakaan/lsdream-x-taylr-renee-follow-the-vibeOriginal Episode Post - https://www.innerversepodcast.com/season-7/cat-rose-neligan-discovering-your-daimonSUPPORT INNERVERSEJoin the InnerVerse Tribe on our Telegram Chat - https://t.me/innerversepodcastchatInnerVerse T-Shirts, Posters & Art Store - https://www.designbyhumans.com/shop/TripFlipArt/t-shirts/Add to your metaphysical toolkit at Secret Energy - https://store.secretenergy.com/?ref=chancegartonBuy from Clive de Carle with this link to support InnerVerse with your purchase - https://clivedecarle.ositracker.com/197164/11489Leave a 5 Star Review for InnerVerse on iTunes - https://itunes.apple.com/us/podcast/innerverse-podcast/id1066918535?mt=2Make A Donation Through Paypal - https://paypal.me/chancegarton?locale.x=en_US See acast.com/privacy for privacy and opt-out information.

On this week's CF Radio Show, Jared Stansbury gives some thoughts on the stalled CFP expansion talks, Chris Williams, Brent Blum and Tim Mullen from Nebraska Furniture Mart in Clive give their picks then Stanz is joined by Craig Smoak of SicEm365 to preview Saturday's game between Iowa State and Baylor. Learn more about your ad choices. Visit megaphone.fm/adchoices