Podcasts about Adagio

Official Weekly Podcast from Paul Oakenfold Playlist: Episode 800 01 Paul Oakenfold feat. Matt Goss - Firefly [Perfecto] 02 Paul Oakenfold ft. Tiff Lacey - Hypnotized (Markus Schulz Remix) [Perfecto]  03 Paul Oakenfold x Franky Wah - Bullet In The Gun (Radio) [Perfecto] 04 Paul Oakenfold & Galestian - Summer Nights (Radio Edit) [Perfecto Black] 05 Mystica - Ever Rest (Mystic Remix) [Perfecto Fluoro] 06 Perfecto Allstarz - Reach Up (Papa's Got A Brand New Pigbag) (Extended Remix) [Perfecto] 07 LUM1NA featuring Zaa & Carly Lind - Something (Radio Edit) [Perfecto] 08 Roger-M - Stargazing (Extended Mix) [Perfecto] 09 Paul Oakenfold ft. Brittany Murphy - Faster Kill Pussycat (Rework) [Perfecto] 10 Paul Oakenfold - Ready Steady Go (René LaVice Remix) [NewState Music] 11 Paul Oakenfold & Carl Cox - Concentrate (Extended Mix) [Perfecto] 12 Paul Oakenfold - Mini Mix [Perfecto]      01 Paul Oakenfold - Café Del Mar      02 Paul Oakenfold - Dreams      03 Paul Oakenfold - Barber's Adagio for Strings (Vocal Mix)      04 Paul Oakenfold - Toca Me      05 Paul Oakenfold - Ready Steady Go (Beatman & Ludmilla Remix)      06 Paul Oakenfold - Hold That Sucker Down       07 Paul Oakenfold & Planet Perfecto Knights - ResuRection      08 Armin van Buuren & Paul Oakenfold - Sonata      09 Paul Oakenfold & Cassandra Fox - Touch Me (Beat Service Remix)      10 Christian Burns, Paul Oakenfold & Jes - As We Collide

Professor Michele Dougherty is President of the Institute of Physics and Professor of Space Physics at Imperial College London. She was appointed Astronomer Royal last year – the first woman to hold the post in its 350-year history.She was brought up in Durban in South Africa and studied for a Bachelor of Science degree in applied maths at Natal University. After completing a Master's and PhD she took up a fellowship at the Max Planck Institute for Astronomy in Germany where she investigated solar wind and galactic wind outflows.In 1991 she joined Imperial College London where she helped devise a magnetic field model for the Ulysses mission. In 1997 she became principal investigator for the magnetometer instrument on board the Cassini probe which was sent to study Saturn and its system.She is currently lead investigator for the J-MAG magnetometer instrument on the European Space Agency's JUICE mission (Jupiter Icy Moons Explorer) which launched in 2023. It will reach Jupiter in 2031 and spend at least three years observing the planet and three of its largest moons, Ganymede, Callisto and Europa.Michele was appointed CBE in the 2018 New Years Honours List for services to UK Physical Science Research.DISC ONE: Puccini: Turandot, Act III: Nessun dorma! Performed by Luciano Pavarotti (tenor), John Alldis Choir, Wandsworth School Boys Choir and London Philharmonic Orchestra, conducted by Zubin Mehta DISC TWO: Cello Concerto in E Minor, Op. 85: III. Adagio. Composed by Elgar. Performed by Jacqueline du Pré (cello) and London Symphony Orchestra, conducted by Sir John Barbirolli DISC THREE: Violin Concerto No. 1 in D Major, Op. 19: III. Moderato. Composed by Tchaikovsky. Performed by Frank Peters Zimmerman (violin), and Berliner Philharmoniker, conducted by Lorin Maazel DISC FOUR: We Three Kings of Orient Are - Robert Shaw Chamber Singers DISC FIVE: Dancing Queen - ABBA DISC SIX: Dance With My Father - Luther Vandross DISC SEVEN: Franck: Panis Angelicus. Performed by Dame Kiri Te Kanawa (soprano), English Chamber Orchestra, conducted by Barry Rose DISC EIGHT: Pie Jesu (From Requiem) Composed by Andrew Lloyd Webber. Performed by Malakai Bayoh, Schola Cantorum of the Cardinal Vaughan Memorial School and London Mozart Players, directed by Scott Price BOOK CHOICE: The Lord of The Rings by J. R. R. Tolkien LUXURY ITEM: An assortment of wine CASTAWAY'S FAVOURITE: Cello Concerto in E Minor, Op. 85: III. Adagio. Composed by Elgar. Performed by Jacqueline du Pré (cello) and London Symphony Orchestra, conducted by Sir John Barbirolli Presenter: Lauren Laverne Producer: Paula McGinleyDesert Island Discs has cast many space experts away to the island over the years including NASA's Dr Nicola Fox, the astronomer Carl Sagan and the astronauts Tim Peake and Chris Hadfield. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

Alessandro Scarlatti (1660-1725)Concerto grosso, Sinfonia No. 2 in re maggiore1.      Spiritoso2.      Adagio 00:00:583.      Allegro 00:02:014.      Adagio 00:04:015.      Presto 00:05:27 Concerto grosso, Sinfonia No. 3 in re minore1.      Vivace 00:07:312.      Adagio 00:08:103.      Andante 00:09:474.      Adagio 00:11:535.      Allegro 00:13:10 Capella TiberinaAlexandra Nigito, clavicembalo

El guitarrista francés de origen español Thibaut García, a sus 32 años uno de los grandes nombres internacionales de la guitarra clásica y exclusivo de Erato / Warner Classics, será el protagonista del próximo concierto de la Filarmónica Ferrolana. García interpretará el emblemático Concierto de Aranjuez de Joaquín Rodrigo junto a la Orquesta Sinfónica de Galicia (OSG), dirigida por Roberto González-Monjas, obra que también formará parte de su próxima gira británica en marzo. El programa comienza con la Suite Nº 2 de El sombrero de tres picos de Manuel de Falla, donde el folclore y el ritmo español cobran vida. A continuación, García despliega la melancolía y virtuosismo del Concierto de Aranjuez, pieza compuesta en París durante la Guerra Civil Española, famosa por su segundo movimiento, el Adagio, un diálogo íntimo entre guitarra y corno inglés. La velada concluirá con La mer de Claude Debussy, obra maestra del impresionismo francés que retrata la fuerza y delicadeza del mar en tres movimientos, inspirada en el orientalismo y en la icónica estampa japonesa La gran ola de Kanagawa. El concierto tendrá lugar el jueves 19 de febrero, a las 20:30h, en el Auditorio de Ferrol, prometiendo un viaje musical entre España y Francia de inigualable belleza.

“Adagio, Amelia, Adagio.” A heated rivalry, a high stakes competition ... there's something off about that last note. Written by D.H. Parish Narrated by Bridgett Freeman Additional voices by Brooke Jennett Music composed by Caleb Ritchie* Editing and sound design by Brooke Jennett Video Editing by Brooke Jennett Additional Assistance from Ian Epperson and Mason Amadeus Watch the video for this episode! *Classical pieces included alongside original composition: Debussy - L'Isle joyeuse Beethoven - Sonata in E Minor Op. 90 Beethoven - Sonata in C-sharp Minor Op. 27 No.2 Liszt - Liebestraume No. 3 Rachmaninov - Etude-Tableaux Op. 33 No. 7 in G Minor Support Thirteen on Patreon Check out our merch store Find Thirteen on social media at: ⁠Facebook⁠, ⁠Tiktok⁠ and⁠ Instagram⁠ Email us with any questions, comments, or story submissions  at  ⁠info@thirteenpodcast.com⁠ Additional Music/SFX licensed through ⁠Artlist⁠ We're part of the SpectreVision Radio network! SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests and persistent passions. SpectreVision Radio ⁠Website⁠ SpectreVision Radio ⁠Socials⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Richard Strauss (1864 - 1949) - Trio per pianoforte n. 1 in la maggiore1. Allegro moderato 00:012. Adagio 07:103. Menuetto: Allegretto 11:054. Allegro vivace 13:58 Odeon TrioKurt Guntner, violinoAngela May, violoncelloLeonard Hokanson, pianoforte

Sunday Worship for February 8, 2026, from Queen Anne Lutheran Church in Seattle, our 10:30 service— Guest Pastor Erik Wilson-Weiberg; Cantor Kyle Haugen. Prelude (Omitted) • Introit—Psalm 95:6, 7a, 1 • Gathering Hymn— Gather Us In, (ELW 532) • First Reading— Isaiah 58:1-12 • Psalm 112:1-9 • Second Reading— 1 Corinthians 2:1-12 • Gospel—Matthew 5:13-20 • Sermon—Rev. Erik Wilson-Weiberg • Hymn of the Day—Lord of Light  (ELW 688) • Distribution Hymn—This Little Light of Mine (ELW 677) • Sending Hymn —Rise, Shine, You People (ELW 665) • Postlude—Sonata in A Minor “Arpeggione”  II. Adagio; Franz Schubert (1797–1828) • Leslie Johnson, viola⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link here to view the bulletin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enjoying our worship recordings? Consider giving. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit this link⁠⁠⁠⁠⁠⁠.

Twee liefdevolle, innige stukken van barokcomponist Henri-Joseph de Croes, voor een bijna vergeten instrument, de klarinet d'amore. Deze klarinet heeft een peervormig opzetstuk dat een Liebesfuss wordt genoemd. De klank is teer, bedachtzaam en in deze stukken extra romantisch, omdat er twee klarinetten d'amore samen zingen.  Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7).   

En el programa de hoy vamos a hablar de músicas que más allá de su estética y belleza, son transformadoras. Su vibración, su forma de ejecutarse, sonidos que envuelven y que actúan sobre el interior. Recorreremos diferentes estilos y tradiciones desde la música clásica occidental a la oriental, pasando por cantos de chamanes y músicas espirituales. Wolfgang Amadeus Mozart: "Sonata para dos pianos en Re mayor, K.448" Wolfgang Amadeus Mozart: "Preludio nº1 en Do Mayor - J.S.Bach - BWV 846" Erik Satie: "Gymnopédies & Gnossiennes" Gurdjieff & De Hartmann: "Orthodox Hymn from Asia Minor" Arvo Pärt: "Alina" Iégor Reznikoff: "Alléluia à sainte Cécile I" Marconi Union: "Weightless" Samuel Barber: "Agnus Dei" (arr. Adagio for Strings) - Laurens Symfonisch - LIVE Lamento di Tristano (c. 1400) Lisa Gerrard: "The Host of Seraphim" (Live in Sofia, 2018) Ícaros Chamánicos - "Ayahuasca, Cantos for travel in Ayahuasca ceremonies" María Sabina: "Canto sagrado" Wimme: "Live at Nordic Roots Festival 2002 (solo joik)" Maalem Mahmoud Guinia: "Marrakech Live Performance" Ustad Zia Mohiuddin Dagar: "Rudra veena" - Raga Panchmkauns & Raga Malkauns Pandit Shivkumar Sharma (Santoor) and Dr. Zakir hussain on Tabla: "Raga Yaman" Pandit Shivkumar Sharma: "Raga Bhairavi" Pandit ShivKumar Sharma & Zakir Hussain: "Raga Kirwani" Muhammad al-Qasabgi: "Taqsim Rast" Classical Arabic Orchestra of Aleppo: "Samai Bayati (Maqam bayati)" National Arab Orchestra (director Michael Ibrahim): "Taqasim Oud - Maqam Hijaz" Bassam Saba: "Arabic ney improvisation" Sauleme de la Cruz Santiago: "Música y Canto Ceremonial Huichol" Nikolay Oorzak: "Молитва. Часть 1" Evenki Song: "Memories - Boyin" Música: Zero Project: -"Appassionata" Maryna: -"Uplifting Emotion Background" http://creativecommons.org/licenses/by-nc-sa/3.0/ Película: "Los chicos del coro" (2004, Christophe Barratier)

Hay músicas que se escuchan… y otras que parecen mirarnos desde dentro. El Adagio del Concierto BWV 974 de Johann Sebastian Bach pertenece a ese territorio extraño: lento, suspendido, casi inmóvil, y sin embargo lleno de vida interior. Pocos saben que esta obra es en realidad una transcripción. Bach tomó un concierto para oboe de Alessandro Marcello y lo transformó para teclado. Pero lo que surgió no fue una simple adaptación: fue una metamorfosis. La melancolía veneciana se convirtió en una meditación profunda, casi intemporal. En este episodio de Enigmas de la Música exploramos por qué esta pieza, escrita hace más de tres siglos, suena sorprendentemente moderna… y por qué, al escucharla, muchos sienten que no oyen una melodía, sino un estado del alma. Escucha en silencio. Tal vez descubras algo que no esperabas encontrar. 🎧 Obra: Adagio del Concierto en re menor BWV 974 ✒️ Basado en el concierto para oboe de Alessandro Marcello 🎼 Johann Sebastian Bach (1685–1750) Si este tipo de contenidos te interesa, suscríbete a EDENEX y acompáñanos en la exploración de los grandes misterios de la música. https://www.edenex.es Puedes ampliar tu experiencia desde el canal EDENEX en YouTube. #Bach #AlessandroMarcello #MusicaClasica #Barroco #Piano #HistoriaDeLaMusica #EnigmasDeLaMusica #EDENEX

Johann Sebastian Bach (1685 - 1750) - Concerto per Oboe, violino, archi e b.c. in do minore BWV 1060R1.      Allegro2.      Adagio 5:313.      Allegro 10:10Netherlands Bach Society Emma Black, oboe Shunske Sato, violino e direzione

SONGS in this podcast episode: M1 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) M2 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20). M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40). M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55). M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06). M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (2:56) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) PROGRAM NOTES Johann Sebastian Bach was a German composer and organist from the late Baroque period. He was born in Eisenach, in what is now central Germany. Bach lived from 1685 to 1750, The Baroque period was a 150-year period in music, dating from 1600 to 1750. Baroque music is Western Classical Music that followed the Renaissance period. Baroque music features drama, ornamentation, major and minor tones, and was presented in new ways – – like the Opera, Concerto, and Sonata, Baroque composers included BACH, HANDEL, VIVALDI. M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27). Bach probably used the CLAVICHORD to compose most of his music. The Clavichord is small, lightweight and would not disturb people. The clavichord was very temperamental, because it required tuning before each play, just like a violin or guitar.  The keyboard instruments of the day were referred to as a general category: the “KLAVIER”….these included HARPSICHORD, CLAVICHORD, ORGAN and PIANOFORTE. Bach's favorite KLAVIER instrument was the LAUTENWERK or LUTE HARPSICHORD with animal gut strings.  The writing of music was in support of GOD and KINGS. Over time, Baroque Music evolved into what is today known as the modern Orchestra. Bach was a prolific composer, writing hundreds of pieces for solo instruments, particularly the organ. He also wrote pieces for orchestra and choir. Bach is MOST known for writing two or more  melodies or voices against each other. Also called point against point, or, Counterpoint. Bit Bucket A BWV catalog number is a unique identifier for musical works composed by Johann Sebastian Bach, standing for Bach-Werke-Verzeichnis (Bach Works Catalogue).  Today I will present 9 compositions, dating from 1710 to 1731, during the time Bach was about age 25 to 45. M1 TOCCATA & FUGUE in C MAJOR M.2 ADAGIO, 1710-1717, BWV 564 (4:20) Our first piece — TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). an ORGAN COMPOSITION.     It is taken from a 1959 album of BACH ORGAN WORKS   . The movement is called ADAGIO ….which indicates “At Ease”, or “Slow and Stately”. Tempo is only 66-76 BPM. like the resting heart rate for many people. Great liner notes. HERE IS AN  excerpt from the liner notes on that album – – QUOTE “OUR BACH” said the obituary notice, “was the greatest organ and clavier player that ever lived”. Though it may seem strange to us now, Bach's genius during his life was recognized only as a master of the organ—not as a composer. It was actually over a hundred years after his death that his works revealed him as a unique and mighty composer. His reputation as an organist brought many invitations to test new organs and advise on the construction of them.  UNQUOTE As with most of his organ works , there is no autograph or manuscript score from Bach, his organ work manuscript copies are lost.  This song has a CONCERTO style and rhythm.  We will hear the 2nd or ADAGIO movement. . It is all very calm and beautiful and pastoral and serene…until Bach pulls out all the stops in the last minute of this ADAGIO movement. He is really rocking the walls and windows of that church. Without any further adieu, here is TOCATA & FUGUE in C MAJOR , the 2nd movement (ADAGIO). PLAY M2 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M2 MUSICAL CREDIT: This Bach organ work  was recorded on the Luneburg Organ at St. Johanniskirche, in the town of Luneburg, in northern Germany, the organist is Professor Michael Schneider. This LP was produced and released on the SOMERSET label here in the US in 1959 The album title is BACH The Majesty of the Luneburger Organ. M2 NUN KOMM DER HEIDEN HEILAND, JS BACH, 1714, BWV 61 (5:21) Our next piece is the most famous church cantata written in 1714 for THE FIRST SUNDAY IN ADVENT. NUN KOMM DER HEIDEN HEILAND or in English “NOW COME, SAVIOR OF THE HEATHANS” A HEATHAN is a person with no religion, i.e., a PAGAN. In this chorale, Jesus is asked to …  come and save the pagans.  In 1714, Bach would have been 29 years of age. It turns out that this song goes back almost two centuries before BACH's time.  It's based on a LUTERAN CHORALE with words written by Martin Luther for the 1523 first Advent Sunday.  For centuries, this was the first hymn for the first Sunday of ADVENT.  What I will play next is an arrangement for as modern symphony orchestra (the Philadelphia Orchestra) and it is definitely JS BACH heard in those phrases. But it is a large orchestra – – Conducted by Leopold Stokowski.  This is an extremely restrained, demure, and understated interpretation of a Bach piece the most restrained I have ever heard. The recording you will hear next is performed by the Philadelphia Orchestra, with conductor   Leopold Stokowski. This recording is on a Vinyl LP titled THE SOUND OF GENIUS, produced by COLUMBIA MASTERWORKS, in 1960. It was one of many records that were shipped by mail to members of the Columbia Record Club. My parents were enthusiastic members. A new disc would arrive in the mail every month, such as this LP of classical music. Without further delay here is NOW COME, SAVIOR OF THE HEATHANS PLAY M1 SHOW PLUG – SHOW PLUG – DON'T TOUCH THAT DIAL ! ! That was…M1 NOW COME, SAVIOR OF THE HEATHANS” MUSICAL CREDIT: Arranger and Composer JS Bach, sometime between the years 1708-1717 Performance: Philadelphia Orchestra, conducted by Leopold Stokowski. Album: The Sound of Genius Limited Edition LP (1960) Members Only ! Label: Columbia Master Works BIT BUCKET This piece also is based on a song listed in the ZAHN Lutheran chorales catalog. ZAHN 1174 M3 TWO-PART INVENTION in F MAJOR, JS BACH, 1720-1723 (0:40) The next three pieces are called TWO PART INVENTIONS, composed by JS Bach around 1720   The inventions were composed for use in instruction of Bach's oldest son WILHELM FRIEDEMANN BACH who was 12 years old. Today, these inventions are introduced to music students in school grades 4-7. Learning the Two-Part Invention requires ROTE learning, practicing over and over until the two hands work completely independently of one another. The inventions teach, among other things, the use of COUNTERPOINT. Bach is MOST known for writing two melodies against each other. Also called point against point, or, Counterpoint. That is the feature of these inventions, in each one there are TWO PARTS, left and right hand parts. COUNTERPOINT is found mostly in Bach's FUGUES and in his INVENTIONS. Perhaps a brief demonstration is in order. Here is an excerpt from one of Bach's inventions. FIRST the right-hand part or first point – the melody SECOND the left-hand part or second point – the bass line LAST both parts played in counterpoint. In some of Bach works, the roles reverse, The left hand plays the first point – the melody And the right hand plays the second point – the bass line Could you do this by crossing hands on the keyboard – yes, but, the roles are reversed, so no cross-hand playing. I will now play  WENDY CARLOS's rendition of three BACH TWO-PART INVENTIONS from her 1969 recording titled “SWITCHED ON BACH” .. I will play all three, back-to-back. Each one is short – – average length ONE MINUTE EACH! PLAY M3 PLAY M4 PLAY M5 Credits: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M4 TWO-PART INVENTION in B-FLAT MAJOR, JS BACH, 1720-1723 (1:30) And now….. PLAY M4 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M4 MUSICAL CREDIT: HOLD ON READING THE CREDITS UNTIL ALL THREE INVENTIONS ARE PLAYED M5 TWO-PART INVENTION in D MINOR, JS BACH, 1720-1723, (0:55) PLAY M5 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M5 We heard three inventions – – Bach's 2-PART INVENTION in F MAJOR And the 2-PART INVENTION in B-FLAT MAJOR And the 2-PART INVENTION IN D MINOR Each invention is very different than the other. Not just a key change like the work title would suggest ! Bach stated that he wrote his inventions “to be models of composition” in other words, to enable the student to form ways of developing musical ideas and “acquire a strong taste of composition” Bach wrote the inventions, one for of the notes A to G and one for each minor and major key. Today these inventions are over 300 years old ! MUSICAL CREDIT: Composer JS Bach Estimated dates between 1720-1723 Performer – Wendy Carlos – early prototype Moog Synthesizer Arranger and Recording Engineer – Wendy Carlos on MOOG SYNTHESIZER in 1968. Record and label:  Switched-On Bach, Columbia/CBS BIT BUCKET M6 PRELUDE & FUGUE No. 5 “Le Clavier Bien Tempere” D-Major, JS BACH, 1722, BWV 850 (3:06) Next is Bach's “The Well-Tempered Clavier” written in 1722. He was 37. The title page to the Well-tempered Clavier song book reads : “The well-tempered Clavier, or Preludes and Fugues, through all the tones and semitones, both the [major] and [minor]. For the profit and use of the studious musical young…” Bach wrote these preludes and fugues in all keys in the chromatic scale … 12 major and 12 minor keys I have the version in D MAJOR. It's two sections – the prelude, and the fugue The Prelude is the introduction. LISTEN FOR the Stride Piano on the left hand !! It's a short 1:10. The Fugue is the second section. It's slower but with a more Bold left hand. Also short at 1:54. And now….PRELUDE & FUGUE No. 5 D-Major fromThe Well-Tempered Clavier PLAY M6 SHOW PLUG – DON'T TOUCH THAT DIAL !  That was…M6  PRELUDE & FUGUE No. 5 D-Major from The Well-Tempered Clavier MUSICAL CREDIT: Composer JS Bach and the autograph date is 1722 Pianist: Vasso Devetzi Label Festival Classique (1978) M7 JESU, JOY OF MAN'S DESIRING, JS BACH, 1723, BWV 147 (3:22) Our next song is Jesu, Joy of Man's Desiring This song was also composed by JS Bach in that same year of 1723 – – prolific at age 38. This was written for the Christian Feast of the Visitation- celebrated at the end of May in Western Christianity. The song is a Lutheran hymn. … a CANTATA and it has a CHORALE or chorus piece repeated twice within this cantata. There are many arrangements and versions because this song is one of Bach's most beautiful, well-known, and popular. The version we will hear next is arranged for SOLO PIANO. the pianist is Leon Fleisher. And Now, Here is Jesu, Joy of Man's Desiring – Bach       1723 PLAY M7 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M7  Jesu, Joy of Man's Desiring MUSICAL CREDIT: JS Bach composer 1723 Performance: Leon Fleisher – Pianist    (courtesy of EPIC records) Album  THE SOUND OF GENIUS VOLUME 3   Label Columbia, 1962   (3:22) M8 CHORALE PRELUDE “WACHET AUF”, JS BACH, 1731, BWV 140 (3:37) Here is another Chorale recording titled Chorale Prelude VACKET OFF “Wachet Auf”, which translates to SLEEPERS, WAKE! This hymn was transcribed from a Lutheran hymn written in 1599 by written by Phillippe Nicolai. This Cantata is truly a work from the middle ages. In 1731, Bach took this hymn and created a 7-movement cantata, we will hear the first movement or PRELUDE”.  This cantata is sung in church on the Trinity Sunday. Today this piece is very popular piece in general…it is POPULAR CLASSICAL MUSIC.    J.S. Bach wrote 46 of these cantatas for church, in all. ODD FACT  about this song… it was performed only once by Bach, in Leipzig that year. And now the FIRST MOVEMENT  from  VACKET OFF …the Prelude PLAY M8 SHOW PLUG – DON'T TOUCH THAT DIAL ! that was M4    The Chorale Prelude “Wachet Auf”, also known as SLEEPERS, WAKE! Song credits M4 Credits: Hymn by Phillippe Nicolai in 1599 Transcribed by JS Bach in 1731 Performance: Wendy Carlos – on an early prototype Moog Synthesizer Wendy Carlos arranger and recording engineer Album:  Switched-On Bach Label: Columbia/CBS, 1968 M9 AIR ON A G-STRING, JS BACH, 1730, BWV 1068 (2:27) Our next AND LAST piece is from the Switched-On Bach album and s titled AIR ON A G-STRING. This title comes from Johann Sebastian Bach's Orchestral Suite No. 3 in D major,  written almost 300 years ago.   So what is the meaning of the song title Air on a G-String? Well, Bach composed this as an orchestral suite in 1730. 141 years later, August Wilhelm arranged the second movement for SOLO VIOLIN and he did something unique. He transposed the song down from D so that the entire piece could be played on one string of the violin, the G-String, which is the lowest register on that instrument. Here is an example of what this sounds like on the Violin G-String, thjs example with piano accompaniment—pardon the scratchy sound, is from an old 78 RPM disc in 1935. Play example  – Jacques Dumont (Violin) Bach Air On The G String with Andre Collard (piano) We went from Bach's orchestral piece, to Wilhelm's transcription for solo violin, to Wendy Carlos modern interpretation with her MOOG Synthesizer. Now here is Wendy Carlos' arrangement of Air on a G String, from her debut album, SWITCHED-ON BACH, in 1968. PLAY M9 SHOW PLUG – DON'T TOUCH THAT DIAL ! That was…M9  MUSICAL CREDIT: Composer JS Bach 1730 Performance Wendy Carlos on early prototype MOOG SYNTHESIZER Arranger and Recording Engineer: Wendy Carlos  Album:  Switched-On Bach Label: Columbia/CBS, 1968 END OF PROGRAM VV-031

[✐1.Adagio, 2.Andante]Direction: above, below, right, left みぎ、ひだりetc.“Give me the one on the top.”[00:07]Hello, everyone. How are you doing?Today, we will practice directions, such as above/up, below/under, right, left, etc. If you think it's too easy, you can jump to Dialogue[08:22] and “Interpreting Challenge[10:25]” toward the end.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「いちばんうえのをください。」[00:07]みなさん、こんにちは。おげんきですか。きょうは、うえ、した、みぎ、ひだりなどのdirectionsをれんしゅうします。If you think it's too easy, you can jump to Dialogue and “Interpreting Challenge” toward the end.Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Antonin Dvorak (1841-1904) - Trio per pianoforte n. 1 in si bemolle maggiore, op. 21 (B.51) 1.      Allegro molto2.      Adagio molto e mesto [10:56]3.      Allegretto scherzando [19:23]4.      Finale. Allegro vivace [25:53] ATOS TrioAnnette von Hehn, violinoStefan Heinemeyer, violoncelloThomas Hoppe, pianoforte

Johann Gottfried Müthel (1728–1788) - Concerto in do minore per clavicembalo e archi 1.      Andante [00:03]2.      Adagio [11:27]3.      Allegro ma non troppo [22:43] Arte dei Suonatori ensembleMarcin Świątkiewicz, clavicembalo 

Johann Pachelbel (1653 – 1706) - Partie Suite in sol maggiore 1.      Sonatine (0:01)2.      Allemande (1:01)3.      Gavotte (3:48)4.      Courante (4:38)5.      Aria (5:34)6.      Sarabande (6:12) 7.      Gigue (7:50)8.      Adagio (9:18) Musica Antiqua KölnHenk Bouman, clavicembaloReinhard Goebel, conductor 

Gabriel Fauré (1845 - 1924) - Quartetto in sol minore n. 2 per pianoforte, violino, viola e violoncello, Op. 45 1.      Allegro molto moderato (sol minore)2.      Allegro molto (do minore)3.      Adagio ma non troppo (mi bemolle maggiore)4.      Allegro molto (sol minore) Quartetto WertherAntonino Fiumara, pianoforteMisia Iannoni Sebastianini, violinoMartina Santarone, violaSimone Chiominto, violoncello

Niccolò Paganini (1782 - 1840) - Quartetto con chitarra n. 1 in la minore 1.      Andante marcato.2.      Vivace 1:113.      Minuetto. Andantino 9:07 4.      Trio 11:14 5.      Minuetto. Andantino 12:11 6.      Tema. Adagio cantabile 13:32 7.      Variazione I. Più mosso 15:32 8.      Variazione II. Minore 16:39 9.      Variazione III. Presto 18:07  Mario Hossen, violinoMarta Potulska, violinoAlexander Swete, chitarraLiliana Kehayova, violoncello

Giovanni Bottesini (1821-1889) – Gran Quintetto in do minore1.      Allegro moderato2.      Scherzo: Allegro ma non troppo [06:55]3.      Adagio [11:50]4.      Finale: Allegro con brio [17:59]Juraj Tomka, violino Andrej Baran, violinoMartin Ruman, viola Pavol Mucha, violoncelloJán Krigovský, contrabasso

In this episode we look at the published version of Chapter 22. We talk about how proactive Anne is in these final chapters, the arrival of Charles, Mary and the Musgrove clan, Louisa's change in personality, how the Musgroves all want Anne to be with them, and the first time Wentworth actually refers to the time he and Anne were together.The characters we discuss is are Charles and Mary Musgrove. In the historical section, Michael talks about the shooting, and for popular culture Harriet looks at two books that retell Persuasion from the point of view of another character.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Historical discussion:E. W. Bovill, English Country Life, 1780-1830 (1962) ‘The Thing About Willoughby's Pointers with guest Dr. Stephanie Howard-Smith‘, The Thing About Austen podcast, Episode 73Popular culture discussion:Amanda Grange, Captain Wentworth's Diary (2007)Dorothea-Sofia Rossellini, Mrs Clay: The Austen Expert's Companion to ‘Persuasion' (2016) Diana Birchall, In Defense of Mrs Elton (1999) Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

微信公众号：「潮羽读书」（chaoyudushu)。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【听潮馆】发布 。QQ：647519872 背景音乐： 1.吉俣良 - 古い栞~雫のゆくえ~；2.Khatia Buniatishvili - Cantata, BWV 208： No. 9, Schafe können sicher weiden (Arr. for Piano)；3.小松正史 - Candle；4.Alicia de Larrocha,Sir Colin Davis,English Chamber Orchestra - Piano Concerto No.23 in A Major, K. 488：II. Adagio；5.折戸伸治 - アルカテイル -Story-。

Você já imaginou como seria viver em Mannheim no século XVIII? Muito além de uma cidade alemã moderna, Mannheim foi o berço de uma revolução musical: a famosa Escola de Mannheim, que mudou para sempre o estilo clássico com crescendos dramáticos, contrastes dinâmicos e uma sonoridade vibrante que conquistou a Europa.É nesse cenário que surge Carl Philipp Stamitz, filho de Johann Stamitz, fundador da Escola de Mannheim. Diferente de Mozart ou Haydn, Carl seguiu o caminho do artista independente, viajando por cidades como Paris, Londres e Amsterdã, levando sua música e talento como violinista, violista e compositor prolífico.Entre suas mais de 50 obras, uma se destaca: o Piano Concerto em Fá maior, composto por volta de 1795. Chamado por alguns de “Easy Piano Concerto”, ele é leve e acessível, mas cheio de charme e energia. Uma obra que une simplicidade melódica com a força contagiante do estilo Mannheim.No podcast de hoje, você vai descobrir:Como Stamitz ajudou a consolidar o clarinete no repertório clássico.Por que sua música influenciou diretamente Mozart.O que torna o Concerto em Fá maior tão especial, com seus três movimentos cheios de personalidade — do elegante Allegro ao lírico Adagio, até o festivo Rondo.Prepare-se para mergulhar em uma viagem sonora que conecta história, emoção e inovação. Dê o play e deixe-se envolver pela genialidade de Carl Stamitz!Apresentado por Aroldo Glomb com Aarão Barreto na bancada. Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Gustavo Holtzhausen, João Paulo Belfort , Arthur Muhlenberg e Rafael Hassan.#CarlStamitz #PianoConcerto #MúsicaClássica #EscolaDeMannheim #Mozart #ConcertoEmFáMaior #PodcastDeMúsica #HistóriaDaMúsica #CompositoresClássicos #ConcertoParaClarinete #MúsicaDoSéculoXVIII #PodcastCultura #PodcastHistória #PodcastMúsicaClássica

Non dobbiamo dimentarci della bellezza del cinema di genere. Il sano e sempre gradito Cinema di Genere. Uno che non ha bisogno di farselo ripetere due volte è di certo Stefano Sollima, grande professionista deciso a promuovere (sempre e comunque) un tipo di Cinema che il nostro bel paese non riesce a valorizzare.Tornato a casa, Sollima chiude la trilogia sulla Roma criminale con il suo film più personale e desolante. "Adagio" è il racconto di un mondo prossimo alla fine e in cui i criminali di ieri sono i derelitti di oggi.01. Text link alla HomepageeREADER

The first World Tour edition of 2026 on the Global DJ Broadcast takes us to one of the most important cities in Markus Schulz's career: Los Angeles. Recorded live on New Year's Eve from Avalon Hollywood, this special episode captures highlights from Markus' open to close solo set - a tradition he has returned to time and again to mark the turn of the year.   Los Angeles has long been a second home for Markus, a city where extended solo journeys, trust from the dancefloor, and musical risk-taking helped shape his identity as a storyteller behind the decks. From late-night introspection to peak-time energy and afterhours depth, this World Tour reflects the full arc of an open to close experience on a night where history, emotion, and momentum collide.   A powerful way to begin 2026 - live from a venue and city that remain central to the Global DJ Broadcast story.   Tracklist:   01. Tiësto - Adagio for Strings (Markus Schulz Remix) 02. Fish56Octagon x Plastic Boy -  Silver Bath 03. Markus Schulz featuring Delacey - Destiny (ID Remix) 04. HI-LO vs. Kx5 & Hayla - Escape Reese (Oliver Heldens Mashup) 05. Mark Sixma, Orjan Nilsen, Push & nilsix vs. Layton Giordani, Sarah de Warren & Linney - Act of Urban Shakedown (Markus Schulz Down the Rabbit Hole Mashup) 06. Giuseppe Ottaviani & Ultra Shock - The Sound of E 07. Thomas Schumacher & ADHD vs. KAAZE & Alina Pozi vs. HI-LO & Danny Avila - When I Rock Papi Paradise (Markus Schulz Mashup) 08. Markus Schulz - Ram Attack 09. ID - High All the Time 10. Eric Prydz - Pjanoo (Markus Schulz Private Remix) 11. JOA - Everyday 12. Joyhauser - Free Your Mind (Markus Schulz Private Remix) 13. Markus Schulz - Remember This (ID Remix) 14. Gabry Ponte & Jerome Isma-Ae vs. Stylo, Space Motion & Amethyst - Walk Alone, Sucker (Markus Schulz Down the Rabbit Hole Mashup) 15. Massano - The Lights 16. Nemke - Stampedo 17. Daxson - While We Wait 18. Daxson featuring Andy Ruiz - Insomnia 19. Robert Nickson - Nine Lives 20. Wippenberg - Pong (NOMADsignal Remix) 21. Paul Oakenfold & Goom Gum - The House of House 22. Yves Deruyter - Back to Earth (Daxson Rave Mix) 23. Stoneface & Terminal vs. Anyma, Argy, Son of Son & Amelie Lens - Voices in My Pulsetracker (Markus Schulz Down the Rabbit Hole Mashup) 24. Kay D. Smith & Marc Tall - Hoipolloi (Ben Gold Remix) 25. Markus Schulz - Simulated 26. KASIA & Charles D featuring Sarah de Warren - Psycho 27. CIRCA96 x Ton TB - Electronic Malfunction 28. Sander van Doorn - Joyenergizer (Sander van Doorn 2025 Remix) 29. Luvstruck - Walking with Elephants 30. Monoline - Relapse 31. Space Frog - X-Ray (Follow Me) (Charles D Remix) 32. System F - Out of the Blue (Markus Schulz Private Remix) 33. Marco V - Teaser 34. Markus Schulz x Pavlo Vicci vs. Age of Love - The Age of Love Will Get You Higher (Markus Schulz Mashup)  

Edvard Grieg - Symphony: AdagioMalmo Symphony OrchestraBjarte Engeset, conductorMore info about today's track: Naxos 8.557991Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Which one is correct, “あした、いきます” or “あしたに、いきます”? [✐1. Adagio] basic adverbs of time“I'll eat (it) tonight.”[00:07]Hello, everyone. How are you doing. Let's start straight away!Repeat after me[00:14](The Subject could be I/she/he/it/they)1. I'll go today.2. I'll go tomorrow.3. I went yesterday.4. When are you going?5. When did you go?6. S/he will come today.7. S/he will come tomorrow.8. S/he came yesterday.9. When will s/he come?10. When did s/he come?11. I'll go home today.12. I'll go home tomorrow.13. I went home yesterday.14. When are you going home?15. When did you go home?Note: kyou, ashia, kinou = Those time words have functions as adverb, so you usually don't need the particle に(to indicate to do something at a specific time, day, month etc.)[02:20]Please answer as follows.When are you going?This afternoon→ I'm going this afternoon.Ready?[02:31]1.  When did yougo?/ yesterday→ I went yesterday.2. When are you going?/ the day after tomorrowI'm going the day after tomorrow.3. When are you going?/ next Wednesday→ I'm going next Wednesday.4. When are you going to eat?/ tonight→ I'm going to eat tonight.5. When did you eat?/ this morningI ate this morning.6. When did you come?/ half a year ago→ I came half a year ago.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「こんばん、たべます。」[00:07]みなさん、こんにちは。おげんきですか。では、さっそく、はじめましょう。Repeat after me[00:14]1. きょう、いきます。2. あした、いきます。3. きのう、いきました。4. いつ、いきますか。5. いつ、いきましたか。6. きょう、きます。7. あした、きます。8. きのう、きました。9. いつ、きますか。10. いつ、きましたか。11. きょう、かえります。12. あした、かえります。13. きのう、かえりました。14. いつ、かえりますか。15. いつ、かえりましたか。Note: きょう、あした、きのう = Those time words have functions as adverb, so you usually don't need the particle に(to indicate to do something at a specific time, day, month etc.)[02:20]では、つぎのようにこたえましょう。いつ、いきますか。きょうのごご→ きょうのごご、いきます。いいですか。[02:31]1. いつ、いきましたか。/ きのう→ きのう、いきました。2. いつ、いきますか。あさって→ あさって、いきます。3. いつ、いきますか。らいしゅうのすいようび→ らいしゅうの すいようびに いきます。4. いつ、たべますか。こんばん、→ こんばん、たべます。5. いつ、たべましたか。けさ→ けさ、たべました。6. いつ、きましたか。はんとしまえ→ はんとしまえに きました。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

微信公众号：「潮羽读书」（chaoyudushu)。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【听潮馆】发布 。QQ：647519872 背景音乐：1.Karl Leister,Ferenc Bognár,Johannes Brahms - Sonata No. 2 for Clarinet and Piano in E-Flat Major, Op. 120, No. 2 III. Andante con moto - Allegro；2.Arthur Rubinstein - Sonata No. 8 in C Minor, Op. 13, ＂Pathétique＂： II. Adagio cantabile；3.Ludwig van Beethoven - Adagio Cantabile from Sonata Op.13 (Pathetique)；4.松下奈緒 - 足迹。

微信公众号：「听潮馆」（chaoyudushu)。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【听潮馆】发布 。QQ：647519872 背景音乐：1.Otto A Totland - Solêr；2.Sleep Dealer - Spring Thaw；3.International Cinephonic Orchestra - Piano sonata no. 14 in C-sharp minor ＂Moonlight＂： I. Adagio sostenuto；4.Dan Gibson - Symmetry；5.Francesco Tristano - Grey Light；6.Deuter - East of the Full Moon。

By popular demand, we have an in-betweeny episode on the most famous woman in all of French history. How much was she really to blame for the disasters leading up to the Revolution? This episode we go through the main events of Marie Antoinette's life. Next time we will rate her and leave behind the Ancien Regime for good! ⚜️ Music used in this episode: Intro music: ⁠"Dansez" by Fasion⁠. Go check out more of their stuff ⁠here⁠. Music under Maria Theresa's letter: “Don Juan, Wq. 52: III. Andante” performed by English Baroque Soloists, conducted by John Eliot Gardiner, ℗ 1982 Warner Classics International. Composed by Christoph Willibald Gluck, a favourite composer of the Austrian court at the time. Outro music: “Violin Concerto in D Major, Op. posth., No. 2: Adagio” performed by Zhou Qian and the Toronto Chamber Orchestra, conducted by Kevin Mallon, ℗ 2004 Naxos. Composed by Joseph Boulogne, Chevalier de Saint-Georges, a mixed-race composer popular at Marie Antoinette's court. ⚜️ Battle Royale's intro/outro music is ⁠"Dansez" by Fasion⁠. Go check out more of their stuff ⁠here⁠. ⚜️ Visit our website ⁠for episode images, score summaries and more! Contact us by ⁠Email⁠, or follow us on ⁠Instagram⁠, our ⁠Facebook Group⁠ or ⁠BlueSky⁠. Make sure you leave us a review on ⁠Apple Podcasts⁠, ⁠Spotify⁠ or wherever you listen. You can also support the show on ⁠Patreon⁠! Join the official Angry Mob and get access to our bonus content: movie reviews, deep dives, bonus biographies and our exclusive spinoff series rating the Royal Mistresses. ⚜️ Details of our 5 categories used to rate the French Monarchs can be found ⁠on our website⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mario Fortunato"Magnolia Quartet"Aboca Edizioniwww.abocaedizioni.itScritto nel tono di una confessione spietata, alternando allegria a cupezza, Magnolia quartet si legge con lo stesso divertimento, con lo stesso allarme con cui si affronta un giro sulle montagne russe.Scandito in quattro movimenti (Allegro, Adagio, Scherzo e Rondò) secondo il più classico dei canoni musicali, Magnolia quartet è il racconto di un'amicizia – ora candida come un fiore di magnolia, ora inebriante e sensuale come il suo profumo – tra un pittore cinquantenne ossessionato dal proprio fallimento e tre giovanissimi chef per i quali fallire non è un'opzione: non a tavola e – santo cielo! – neppure a letto. Da Roma a Londra, da un passato che non passa a un presente più insidioso e labile di un tranello, i quattro protagonisti della storia corrono lungo le pagine di questa commedia, con un'energia e forse una disperazione che talvolta azzera le distanze generazionali e altre volte le moltiplica con chirurgica precisione. Quale è il senso, o il segreto, del loro rapporto? E riusciranno le loro voci a trovare un accordo, una comune melodia? Scritto nel tono di una confessione spietata, alternando allegria a cupezza, Magnolia quartet si legge con lo stesso divertimento, con lo stesso allarme con cui si affronta un giro sulle montagne russe.Mario Fortunato è nato in Calabria e a lungo ha vissuto a Londra, dove è stato direttore dell'Istituto Italiano di Cultura. Ha collaborato con Bbc, “The Guardian”, “Le Monde” e “Süddeutsche Zeitung”. Per molti anni critico letterario del settimanale “L'Espresso”, traduttore di autori come Maupassant, Virginia Woolf, Evelyn Waugh e Francis Scott Fitzgerald, è autore di romanzi, saggi e memoir. Il suo ultimo libro si intitola Il giardino di Bloomsbury (Bompiani, 2024). Tra gli altri ricordiamo anche, editi da Bompiani: Sud, Quelli che ami non muoiono e I giorni innocenti della guerra (nel 2007 secondo classificato al Premio Strega). Con Aboca è già uscito nel 2023 Vita immaginaria di un alloro (di prossima pubblicazione negli Stati Uniti).Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Sally Mann is a photographer and a New York Times bestselling writer. She is best known for making large-format black and white photographs of the people and places in her immediate surroundings: her children, her husband, and the rural landscape of her home state and the American South. Sally was born in Lexington, Virginia, the youngest of three children to Robert and Elizabeth Munger. Her father was a doctor and gave Sally his old Leica camera to play with. After university, she wanted to be a poet but she spent more than a decade as a commercial photographer while starting a family of her own and exhibiting her work on a small scale. She published her first book of photographs in 1984. That same year, she began taking pictures of her three children for a series called Immediate Family, which brought her both renown as well as infamy for touching on ordinary moments in their daily lives – playing, sleeping, and eating, sometimes while naked – but also speaking to larger themes such as death and cultural perceptions of childhood, rendering familiar subjects “both sublime and disquieting”. In the mid-1990s, she began to move away from the family pictures in favour of photographing the landscape around her. Much of Sally's body of work comes from observing what is closest at hand because, she says, “The things that are close to you are the things that you can photograph the best.” She has explored the identity of the American South, and her relationship with her place of origin, as well as mortality and decay, and the effects of muscular dystrophy on her husband. In her latest book, Art Work, she considers the challenges and pleasures of the creative process. Sally continues to live on the 800-acre family farm near Lexington with her husband Larry and a number of dogs. DISC ONE: Köln, January 24, 1975, Part I - Keith Jarrett DISC TWO: Take This Hammer - Odetta DISC THREE: Trustful Hands - The Dø DISC FOUR: Oh Holy Night. Composed by Adolphe Adam and performed by Concert Choir of St Andrew's School, Delaware and Virginia Mann (Soprano) DISC FIVE: Moby Dick (an extract of Chapter 3) Written by Herman Melville and narrated by Frank Muller DISC SIX: County Seat - Emmett Mann DISC SEVEN: Vivaldi: Oboe Concerto in C major, RV 452: 2. Adagio. Performed by Heinz Holliger (Oboe), I Musici (Ensemble) DISC EIGHT: You Are My Friend (Live) - Sylvester BOOK CHOICE: In Search of Lost Time by Marcel Proust LUXURY ITEM: Paper and a pencil CASTAWAY'S FAVOURITE: You Are My Friend (Live) - Sylvester Presenter Lauren Laverne Producer Sarah TaylorDesert Island Discs has cast many photographers away over the years including Eve Arnold, Val Wilmer and Vanley Burke. You can hear their programmes if you search through BBC Sounds or our own Desert Island Discs website.

Hey Midnighters,This week's guest mix comes from a name that's been making serious waves in the scene: Poly Powder. Known for emotional depth and dancefloor power, he's delivered a high-impact mix filled with unreleased heat and future-forward collaborations.The set opens with his own Sunset Remix of Tiësto's classic “Adagio for Strings,” a cinematic start that sets the tone for what's ahead. From there, it's an all-original journey packed with exclusives. You'll hear collaborations with Van Snyder, Davey Asprey, Patrick Scuro, JAN DE VICE, and more. Several IDs are locked in with future release dates, all the way into 2026.“Echoes of the Future,” edited by Markus Schulz for ISOS, is a standout moment. “Heart of Acid” with Select Avenue hits hard with that hypnotic acid edge, while “Lose Control” and “Shelter in the Dark” carry serious emotional weight.This mix is all Poly Powder. No fillers. No fluff. Just the real thing.Check out the full playlist right here:

There is something left behind. Ask who this belongs to.[✐1. Adagio] の : possession + get familiar with Japanese names“Who does this belong to?”[00:07]Hello, everyone. How are you doing? There is something left behind. Ask who this belongs to.Note: これ  kore – “this one here (close to the speaker)”; それ sore - “that one there (something close to the speaker or between speaker and the listner), あれare - “that one over there” (far from both).Repeat after me[00:18]1. Who does this belong to?2. Who does that belong to?3. Who does that (over there) belong to?4. Who does this bag belong to?5. Who does this textbook belong to?6. Who does this smartphone belong to?7. Who does that umbrella belong to?8. Who does that pen belong to?9. Who does that notebook belong to?10. Who does that wallet (over there) belong to?11. Who does that scarf (over there) belong to?12. Who does that jacket (over there) belong to?13. Who does this key belong to?14. Who does that hat belong to?15. Who do those glasses (over there) belong to?16. Who does this mask belong to?17. Who do those earphones belong to?18. Who does that bicycle (over there) belong   to?19. Who does this car belong to?20. Who does that trash belong to?=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*= 「これはだれのですか。」[00:07]みなさん、こんにちは。おげんきですか。There is something left behind. わすれものがありますね。Ask who this belongs to.Note: これkore – “this   one here (close to the speaker)”; それsore - “that one there (something close to the speaker or between speaker and listner, あれare - “that one over there” (far from both).Repeat after me[00:18]1. これは だれのですか。2. それは だれのですか。3. あれは だれのですか。4. このかばんは だれのですか。5. このきょうかしょは だれのですか。6. このスマホは だれのですか。7. そのかさは だれのですか。8. そのペンは だれのですか。9. そのノートは だれのですか。10. あのさいふは だれのですか。11. あのスカーフは だれのですか。12. あのジャケットは だれのですか。13. このかぎは だれのですか。14. そのぼうしは だれのですか。15. あのめがねは だれのですか。16. このマスクは だれのですか。17. そのイヤホンは だれのですか。18. あのじてんしゃは だれのですか。19. このくるまは だれのですか。20. そのゴミは だれのですか。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

Ray Ray's Podcast — Episode 170 “Adagio Management, Mother Earth, & Kush & Orange Juice”The team behind Adagio Management, along with Mother Earth and Kush & Orange Juice, join Ray Ray's Podcast to discuss the upcoming “Sticky Icky” private cannabis event — a celebration of culture, education, and entrepreneurship in the cannabis community.They dive deep into the importance of cannabis education, breaking down legal misconceptions, and exploring what it really takes to legally sell and operate within the cannabis industry. From advocacy and event curation to responsible business practices, this conversation sheds light on the evolving landscape of cannabis culture in Dallas and beyond. Recorded at Hello Studios Dallas, this episode is for entrepreneurs, advocates, and anyone curious about the future of legal cannabis. Subscribe for weekly episodes featuring actors, musicians, athletes, entrepreneurs, and community leaders sharing their stories and lessons learned. Topics & Keywords: Sticky Icky event, cannabis education, cannabis legalization, Adagio Management interview, Kush & Orange Juice, Mother Earth, Dallas cannabis events, cannabis business, legal cannabis in Texas, entrepreneurship, advocacy, community engagement, Hello Studios Dallas. Connect with Us:Instagram: @rayrays_podcastWebsite: www.rayrayspodcast.comEmail: ray@rayrayspodcast.com#RayRaysPodcast #StickyIcky #CannabisEducation #AdagioManagement #KushAndOrangeJuice #MotherEarth #DallasPodcast #CannabisEvent #Entrepreneurship #CannabisBusiness #CannabisCommunity #HelloStudiosDallas

SHOSTAKOVICH: Sinfonía nº 14 en Sol menor, Op. 135 (Parte I: De profundos, Malagueña, Loreley, El suicida, Alerta, Mirad, señora) (27.12). M. Kasrashvili (sop.), A. Safiulin (baj.), orq. Sinf. Estatal del Ministerio de Cultura de la URSS. Dir. G. Rozhdestvensky. Suite de ballet nº 2 (selec.) (Vals, Adagio, Polka, Primavera vals) (13.24). Orq. Fil. de Minsk. Dir.: W. Mnatsakanov.Escuchar audio

与视频播客「限时虚构」主理人龍韻闲聊节目的第二部分。根据孟获习惯的，也是当代文艺生活的主流三种媒体形式「书影音」，包雪龙、龍韻和孟获分别推荐了三本图书，三部影视或动画作品，三个音乐作品。但显然，我们的条件和边界都没有事先沟通，聊天也蔓延到了很多之前未曾想到的领域。不过，这大概就是闲聊之要义吧。欢迎去Bilibili 关注《限时虚构》，你也可以在「小宇宙」等平台关注声音版的《限时虚构》《文学远征》，以及鹤无粮老师的公众号《塔中之塔》。如果你喜欢这类节目，请在留言区和我们互动。也别忘了给「声波飞行员」在「爱发电」平台上打赏，增加我们继续飞行下去的动力，谢谢。时间轴： 0:00:03 BGM#1. Wiener Philharmoniker, Karl Böhm - Symphony No.9 In D Minor Op.125 - Choral3. Adagio molto e cantabile 0:02:18 规则介绍；「限时虚构」E06 - 私人电影大赏：这些年我们看过的好电影；「限时虚构」E04 - 私人图书大赏：这十年我们看过的好书（和烂书）； 0:03:04 第一本书：《金魅殺人魔術》by 新日嵯峨子 0:06:25 第二本书：《星之继承者》系列三部曲（1/2/3） by 詹姆斯·P·霍根，仇春卉译； 0:07:58 第三本书：《你的谜题由我作答 2》 by 纸城境介； 0:10:31 第四本书：《象之首》 by 白井智之； 0:11:38 关于《三体》系列与刘慈欣； 0:16:57 第五本书：《要命还是要灵魂》 by Anne Fadiman，汤丽明 / 刘建台 / 杨佳蓉 译； 0:19:45 第六本书：《月光狂想曲》 by 迈克尔·夏邦，孙璐译； 0:20:55 第七本书：《犹太警察工会》 by 迈克尔·夏邦，陈震译； 00:22:04 第八本书：《阴影线：一部自白》 by 约瑟夫·康拉德，徐成译； 00:23:36 第九至十二本书：《木心全集》《鲁迅全集》《托尔斯泰全集》《尼采全集》； 00:24:25 《文学回忆录 1989-1994》 木心 讲述 / 陈丹青 笔录； 00:25:46 托尔斯泰《战争与和平》与《伊凡·伊里奇致死》； 00:26:11 鲁迅的《故事新编》； 00:26:38 尼采的《朝霞》；「现代人读尼采是一个长骨头的过程」； 00:28:36 「不要羞于去推荐经典」 00:29:21 第一部影视作品：笑之大学 笑の大学 (2004)； 00:31:52 第二部影视作品：12个温柔的日本人 12人の優しい日本人 (1991)； 00:33:17 第三部影视作品：「古畑任三郎」系列 1995-2006； 00:35:45 关于编剧三谷幸喜； 00:36:47 第四部影视作品：百年酒馆 Horace and Pete (2016)；关于Louis C.K. 的一个同性恋笑话； 00:38:16 第五部影视作品：四月三周两天 4 luni, 3 săptămâni și 2 zile (2007)；另一个现代的美国版本：从不，很少，有时，总是 Never Rarely Sometimes Always (2020)； 00:41:27 第六部影视作品（那个关于小孩儿的）：四百击 Les quatre cents coups (1959)；关于男主让-皮埃尔·利奥德 Jean-Pierre Léaud 和他主演，Aki Kaurismäki 导演的电影：我聘请了职业杀手 I Hired a Contract Killer (1990)； 00:43:14 第七部影视作品：奥丽芙·基特里奇 Olive Kitteridge (2014)； 00:43:57 关于公认最伟大的TV 连续剧：火线 The Wire；关于略萨（Mario Vargas Llosa）的一点讨论； 00:47:55 第八部影视作品：五至七时的克莱奥 Cléo de 5 à 7 (1962)； 00:50:50 第九部影视作品：阿拉伯的劳伦斯 Lawrence of Arabia (1962)； 00:53:32 关于影像的奇迹：疯狂的麦克斯4：狂暴之路 Mad Max: Fury Road (2015)；头号玩家 Ready Player One (2018)； 00:54:45 第十部影视作品：昨日欢愉 Old Joy (2006)； 00:58:14 BGM#2. 周杰伦 - 反方向的钟 伴奏版（去鼓轨） 01:00:32 第一个音乐作品：周杰伦 - 十一月的萧邦； 01:01:23 第二个音乐作品：陈奕迅 DUO 演唱会 2010； 01:01:45 第三个音乐作品：贝多芬《D小调第九交响曲》Op.125； 01:02:28 关于周杰伦；阿张RayZhang 的视频：「从夯到拉！锐评周杰伦的所有专辑！上」「腥风血雨！从夯到拉！锐评周杰伦的所有专辑！下」； 01:05:00 第四个音乐作品：Girl Dead Monster - Keep The Beats! 01:06:22 第五个音乐作品：Sia - This Is Acting 01:07:08 第六个音乐作品：珂拉琪 Collage - MEmento·MORI；YouTuber 视频「珂拉琪〈萬千花蕊慈母悲哀〉外表看似跳躍，結構卻過於常人的歌詞｜聽歌職業病」by 朱宥勳使出人生攻擊! 01:08:11 BGM#3. 珂拉琪 Collage - 萬千花蕊慈母悲哀 01:12:05 关于张雨生《口是心非》、重轻的音乐常识类播客节目；关于保留自己的感受力； 01:16:01 第七个音乐作品：野孩子：二十周年专场音乐会 2015；一部电影：抓壮丁 (1963)； 01:20:24 第八个音乐作品：野外合作社 - 台风； 01:22:08 BGM#3. 野外合作社 - 复活 01:28:01 关于《台风》之中被删掉的三首歌：上帝的意志、八十九、复活； 01:28:57 3+1位音乐人；什么是「可以重复欣赏的艺术」； 01:34:17 第九个音乐作品：陈建年 - 海洋； 01:36:40 魏德圣《賽德克·巴萊》（太陽旗、彩虹橋）；杨德昌《一一》《牯嶺街少年殺人事件》与侯孝贤《悲情城市》；其他的华语电影创作者； 01:42:40 BGM#4. Sia - Unstoppable 01:43:14 结束语；记得去关注「限时虚构」与「文学远征」。参与录音： 龍韻 @「限时虚构」 包雪龙 / 孟获 @「声波飞行员」

[✐1 Adagio, 2 Andante] Numbers – intensive drills“How much is the change?”[00:07]Hello, everyone. How are you doing? We practice “numbers” today![00:11]First, please change the English numbers to Japanese.For example,35 thirty-five (35)→ sanjugo(sorry for my not-good English pronunciation!)Ready?[00:21]1. 5 go2. 6 roku3. 9 kyu4. 8 hachi5. 77 nanajuu nana6. 21 nijuu ichi7. 18 juu hachi8. 55 gojuu go9. 619 roppyaku juu ku (kyu)10. 399 sanbyaku kyuujuu kyu (ku)11. 135 hyaku sanjuu go12. 214 nihyaku juu yon13. 444 yonhyaku yonjuu yon14. 108 hyaku hachi15. 2,021 nisen nijuu ichi16. 1,978 sen kyuhyaku nanajuu hachi17. 6,666 rokusen roppyaku rokujuu roku18. 15,817 ichiman gosen happyaku juu nana19. 46,974 yonman rokusen kyuuhyaku nanajuu yon20. 123,456 juuniman sanzen yonhyaku gojuu roku[03:34]Now, please answer as follows.For example,How much is this?/ 250→ It's 250 (nihyaku gojuu) yen.[03:45]1. How much is this?/ 1,480→ It's 1,480 (sen yonhyaku hachi juu) yen.2. I'll have this, too. How much?/ 680→ It's 680 (roppyaku hachijuu) yen.3. How much are these two in total?/ 700→ It's 700 (nana hyaku) yen.4. This one, this one and then, that one, please. How much is it in total?/12,500→ It's 12,500 (ichiman nisen gohyaku) yen.5. Well, I will buy this one. How much is it?/ 7,850→ it's 7,850 (nanasen happyaku gojuu) yen.=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=「おつりはいくら？」[00:07]みなさん、こんんちは。おげんきですか。きょうはすうじです。[00:11]まず、えいごのすうじをにほんごにしてください。たとえば、35 → さんじゅうご(sorry for my not-good English pronunciation!)いいですか。[00:21]1. 5     ご2. 6 ろく3. 9 きゅう4. 8 はち5. 77 ななじゅうなな6. 21 にじゅういち7. 18 じゅうはち8. 55 ごじゅうご9. 619 ろっぴゃくじゅうく(きゅう)10. 399 さんびゃくきゅうじゅうく(きゅう)11. 135 ひゃくさんじゅうご12. 214 にひゃくじゅうよん13. 444 よんひゃくよんじゅうよん14. 108 ひゃくはち15. 2,021 にせんにじゅういち16. 1,978 せんきゅうひゃくななじゅうはち17. 6,666 ろくせんろっぴゃくろくじゅうろく18. 15,817 いちまんごせんはっぴゃくじゅうなな(しち)19. 46,974   よんまんろくせんきゅうひゃくななじゅうよん20. 123,456 じゅにまんさんぜんよんひゃくごじゅうろく[03:34]では、つぎのようにこたえてください。たとえば、これ、いくら？/ 250→ 250円(えん)です。いいですか。[03:45]1. それはいくらですか。/ 1,480→ 1,480円(えん)です。2. これもください。いくらですか。/ 680→ 680円(えん)です。3. これ、2つでいくらですか。/ 700→ 700円(えん)です。4. これと、これと、それからそれもおねがいします。ぜんぶでいくらですか。/ 12,500→ 12,500円(えん)です。5. えっと、これ、かいます。いくらですか。/ 7,8507,850円(えん)です。Support the show=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=*=Need more translation & transcript? Become a patron: More episodes with full translation and Japanese transcripts. Members-only podcast feed for your smartphone app. Japanese Swotter on PatreonNote: English translations might sound occasionally unnatural as English, as I try to preserve the structure and essence of the original Japanese.

微信公众号：「听潮馆」（chaoyudushu)。主播：潮羽，365天每天更新一期。 文字版已在微信公众号【听潮馆】发布 。QQ：647519872 背景音乐：1.Sylvain Chauveau - L'orée Du Bois；2.Ludwig van Beethoven - Piano Sonata No.14, Op.27 No.2： Adagio sostenuto；3.Neville Marriner - Joseph Haydn： Symphony No. 44 In E Minor, H 1／44, ＂Trauer＂ - III. Adagio；4.Andreas Waldetoft - The Celestial City。

In this episode, we talk about private communications in public spaces, Wentworth's possible feelings in the encounter at Mollands and in the Assembly Room, the question of whether Lady Russell was legitimately trying to identify a set of curtains, and Anne's feelings towards Mr Elliot.The character we discuss is Elizabeth Elliot. In the historical section, Michael talks about the Bath Assembly Rooms, and for popular culture Harriet discusses the 2023 independent film Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Historical discussion:Blackadder the Third (1987)YouTube video: Dr Timothy Moore, ‘Change & Challenge: The History of Bath's Assembly Rooms‘, Bath Royal Literary and Scientific Institution, 30 July 2024Assembly Rooms floorplan (Source: http://www.victoriahinshaw.com/victorias-vibes—-a-blog/archives/05-2019)Popular culture discussion:Persuasion (2023, Agatha Films) – starring Skylar Pierce and Dan BrownCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Antonio Vivaldi - The Four Seasons: Autumn: AdagioTakako Nishizaki, violinCapella IstropolitanaStephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550056Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Ready to slow down and explore music in a whole new way? Join Ms. Elizabeth, Forte the Lion, and our very slow (but very sweet!) friend Adagio the Tortoise as we learn about tempo — how music can be slow like adagio or super fast like presto! With playful characters, guided movement, original songs, and a silly musical game, this episode will help your child feel the speed of music in their body and their imagination.

Alessandro Marcello - Oboe Concerto: AdagioJozef Cejka, oboe Capella Istropolitana Richard Edlinger, conductorMore info about today's track: Naxos 8.556603Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

America's Grandmother stops by to discuss the haunting melody of Adagio for Strings, dropping one's phone in the toilet, and Peggy's handsy masseuse. Big thanks to our awesome sponsors PureTalk.com/Rowe Get a Samsung Galaxy A36 for FREE with a $35 qualifying plan. TrumanBoot.com Use code MIKE for 15% off. SkillsUSA.org/mike Join the skilled trade movement!