Podcasts about Nabucco

It's Pride Month, and what better time to focus on queer musical culture in all its various manifestations! As far back as I can remember, I have been an Opera Queen, and today I kick off our queer celebrations with the a tribute to one of our favorite divas, the late Grace Bumbry. The chutzpah that she demonstrated throughout her career found particularly thrilling manifestation when she began transitioning to soprano roles in the early 1970s. Always an intrepid singer, Bumbry had a confidence, a fearlessness that swept all before it. Sometimes her reach exceeded her grasp, but even so, the results were always breathtaking, more often than not in a good way. I am not going to make the tired claim that Bumbry should have remained a mezzo and that when she started singing soprano, she destroyed her instrument. This tired trope is belied by the evidence at hand, including an active singing career that lasted more than 60 years. A while back I did a version of this episode featuring her studio recordings of the soprano repertoire, but there's a wild, abandoned quality to her soprano singing that is especially compelling in live recordings. So today I have sought out live performances captured on recordings between 1971 and 2007 (at a seventieth birthday concert) which reveal La Bumbarina at her most thrilling, including excerpts from Tosca, La Gioconda, Il Trovatore, Nabucco, Porgy and Bess, Ernani, L'Africaine, Aida, Salome, and Anna Bolena with such co-stars as Franco Corelli, Norman Bailey, Louis Quilico, and her beloved frenemy Shirley Verrett. If you love Grace, you don't want to miss this episode. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Giuseppe Verdi: compositore italiano dell'Ottocento, autore di capolavori come Requiem, Rigoletto e La traviata, che hanno segnato la storia dell'opera.

Es gibt einige Chöre, die kennt fast jeder: zum Beispiel den "Gefangenenchor" aus Verdis "Nabucco". Auch der "Jägerchor" aus Carl Maria von Webers "Freischütz" ist so eine Art klassischer Gassenhauer. Und das "Halleluja" aus Händels "Messias" zählt ebenfalls zu diesen Chor-Hits. Begonnen hat die Erfolgsgeschichte des Händelschen Messias allerdings gar nicht so glorreich, sondern als der ungekrönte Opernkönig Georg Friedrich Händel in London ziemlich in der Klemme steckte...

durée : 00:16:18 - « Nabucco » la nouvelle production du LABOPÉRA Périgord-Dordogne qui passe à l'Aréna le Palio Boulazac les 5 et 6 avril 2025.

Bán Teodóra a Margitszigeti Színház ügyvezetője és művészeti vezetője. Beszélgetésünk apropója a 2025-ös nyári évad, amely idén is különlegesen gazdag programmal várja a nézőket. Jön a Pillangókisasszony, a Nabucco, a Shrek, a Rudolf, visszatér az Evita, de jazz hétvégével, gyereknappal és borfesztivállal is készülnek. Az EDDA idén először lép fel a Margitszigeten. A klasszikus műfaj mellett jazz, mese és crossover produkciók színesítik a szezont. Szó esik arról, hogy hogyan lehet közel kilencvenezer embert megszólítani pár hónap alatt, mitől válik egy nyári színház valódi kulturális találkozóhellyé – és hogy mit jelent Teodóra számára művészként és vezetőként egyszerre jelen lenni ebben a sokrétű szerepben. Kulisszatitkok, személyes élmények, világsztárok, legendás produkciók – és egy közösségi tér, ahol a művészetek és az emberi pillanatok egymásra találnak. Az előadásokon túl a színház környezete minden este élményt kínál. A nézők hajón érkezhetnek. Megállhatnak egy pohár borra a fák alatt. Felmehetnek a víztorony kilátójába. Végigsétálhatnak a költők sétányán. Minden mozdulat a színház estjére hangol. A színház idén bérletkonstrukciókat is bevezetett. A nézők így előre tervezhetnek. A visszatérő vendégek saját szezonjukat állíthatják össze. Az opera-, musical-, mese- és jazzbérletek új lehetőséget teremtenek.A Sláger FM-en minden este 22 órakor a kultúráé a főszerep S. Miller András az egyik oldalon, a másikon pedig a térség kiemelkedő színházi kulturális, zenei szcena résztvevői Egy óra Budapest és Pest megye aktuális kult történeteivel. Sláger KULT – A természetes emberi hangok műsora.

Avui hem sentit: "I masnadieri" (selecci

Avui hem sentit: "I due Foscari" (selecci

Avui hem sentit: "Ernani" (selecci

Avui hem sentit: "I Lombardi alla prima crociata" (selecci

Avui hem sentit: "Nabucco" (selecci

A cura di Paolo PellegriniGiuseppe Verdi, NabuccoNabucco, Ettore BastianiniAbigaille, Mirella ParuttoZaccaria, Ivo VincoIsmaele, Luigi OttoliniFenena, Anna Maria RotaGran Sacerdote, Renato SpagliAnna, Ottavia ImerAbdallo, Enzo GuagniOrchestra e Coro del Maggio Musicale FiorentinoBruno Bartoletti, direttorePresentazione a cura di Giovanni Giammarino

durée : 00:14:54 - Découvrez la mise en scène et les chanteurs lyriques de Nabucco produt par le LabOpéra Périgord

durée : 00:14:01 - le LABOPERA avec Nabucco de Verdi les 5 et 6 avril 2025 à l'Arena le Palio Périgord à Boulazac.

Parlem d'Òpera 593: "Òpera a Catalunya: Nabucco"

DescriptionVerdi's Nabucco: A Triumph of Freedom and Song in 60 Seconds. Take a minute to get the scoop!Fun FactGiuseppe Verdi's Nabucco is a landmark opera that established his reputation as a composer. Featuring the iconic "Chorus of the Hebrew Slaves," it blends dramatic storytelling with powerful music, reflecting themes of exile and freedom. Its success marked the rise of Verdi as a towering figure in Italian opera.__________________________________________________________________About Steven, HostSteven is a Canadian composer & actor living in Toronto. Through his music, he creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his music website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.

PALERMO (ITALPRESS) - "Siete bravissimi, avete eseguito magistralmente questi due pezzi, e non è facile con tanti strumenti ad arco, a fiato, a percussione. Complimenti ai vostri insegnanti e complimenti a voi". Lo ha detto il presidente della Repubblica Sergio Mattarella, nella sua visita a sorpresa nella scuola De Amicis, a Palermo, dopo che l'orchestra dei ragazzi delle classi della secondaria ha suonato due brani di Giuseppe Verdi: il coro delle Zingarelle dalla Traviata e il "Va, pensiero" dal Nabucco."La musica e la cultura sono il veicolo della vita, della convivenza, dell'apertura, della crescita personale e collettiva, tutti quanti insieme - ha aggiunto il capo dello Stato -. Per me è grande motivo di soddisfazione essere qui e farvi i complimenti"."Voi siete una scuola che con la lettura, la musica e altre iniziative di crescita culturale esprime i valori veri della convivenza nel nostro Paese e nel mondo, che è sempre più unito, connesso, sempre più senza confini - ha detto ancora Mattarella -. È una ricchezza quella di crescere insieme, scambiarsi opinioni, abitudini, idee. Ascoltare gli altri fa crescere e voi lo state facendo, per questo complimenti e auguri".sat/gtr (fonte video Quirinale)

PALERMO (ITALPRESS) - "Siete bravissimi, avete eseguito magistralmente questi due pezzi, e non è facile con tanti strumenti ad arco, a fiato, a percussione. Complimenti ai vostri insegnanti e complimenti a voi". Lo ha detto il presidente della Repubblica Sergio Mattarella, nella sua visita a sorpresa nella scuola De Amicis, a Palermo, dopo che l'orchestra dei ragazzi delle classi della secondaria ha suonato due brani di Giuseppe Verdi: il coro delle Zingarelle dalla Traviata e il "Va, pensiero" dal Nabucco."La musica e la cultura sono il veicolo della vita, della convivenza, dell'apertura, della crescita personale e collettiva, tutti quanti insieme - ha aggiunto il capo dello Stato -. Per me è grande motivo di soddisfazione essere qui e farvi i complimenti"."Voi siete una scuola che con la lettura, la musica e altre iniziative di crescita culturale esprime i valori veri della convivenza nel nostro Paese e nel mondo, che è sempre più unito, connesso, sempre più senza confini - ha detto ancora Mattarella -. È una ricchezza quella di crescere insieme, scambiarsi opinioni, abitudini, idee. Ascoltare gli altri fa crescere e voi lo state facendo, per questo complimenti e auguri".sat/gtr (fonte video Quirinale)

This Day in Legal History: Gary Gilmore ExecutedOn January 17, 1977, Gary Gilmore was executed by firing squad in Utah, becoming the first person to be put to death in the United States after a 10-year pause in capital punishment. This execution followed the Supreme Court's landmark 1976 decision in Gregg v. Georgia, which reinstated the death penalty under revised statutes that addressed prior concerns about arbitrariness and fairness. Gilmore had been convicted of two murders committed during robberies in Utah and notably refused to appeal his death sentence, demanding instead that it be carried out promptly.His case drew significant public and media attention, particularly as it coincided with the reopening of the death penalty debate in the U.S. After the Supreme Court's 1972 decision in Furman v. Georgia temporarily invalidated capital punishment, states had revised their laws to provide more structured sentencing guidelines. Gilmore's execution marked the first test of those reforms.The event reignited intense national debates over the morality, fairness, and efficacy of capital punishment. Proponents argued that it served as a deterrent and a just response to heinous crimes, while critics questioned its alignment with human rights principles and pointed to racial and socioeconomic disparities in its application. The firing squad method itself sparked further controversy over humane execution practices.Gilmore's case also influenced popular culture, inspiring Norman Mailer's Pulitzer Prize-winning book The Executioner's Song. His willingness to accept the penalty became a focal point in discussions about agency and justice within the death penalty system. The debates sparked by his execution continue to shape U.S. legal discourse, reflecting unresolved tensions over capital punishment in the American legal system.Pam Bondi, Trump's pick for attorney general, disclosed a net worth of $12.2 million, including nearly $3 million in Trump Media shares received after the public debut of Truth Social's parent company last year. Her financial disclosures, submitted during the Senate confirmation process, revealed significant earnings linked to Trump-related entities since leaving public service in 2019. Bondi earned $1.1 million as a lobbyist with Ballard Partners, a firm led by Trump fundraiser Brian Ballard, and $520,000 from the Trump-affiliated America First Policy Institute.She also reported earning $203,738 in 2024 as a lawyer with Panza, Maurer & Maynard, where her clients included Pfizer. Bondi's stake in Trump Media Technology Group includes $3 million in stock and warrants valued at $3.9 million as of December 2024, acquired as compensation for consulting services. Her financial disclosures showed $1.7 million in liabilities, largely from real estate mortgages and notes payable to relatives. Democrats expressed concerns about her close ties to Trump during her Senate hearing, questioning her independence if confirmed as attorney general.Trump AG Pick Bondi Discloses $3 Million in Truth Social StockDemocratic attorneys general are preparing to defend key Biden administration policies as Donald Trump is set to begin his second term as president. With Trump's plans to reverse rules on immigration, the environment, and transgender rights, AGs from over a dozen states, including California, New Jersey, and Michigan, have moved to intervene in legal cases. One major effort involves defending a Biden rule providing health insurance to immigrants brought to the U.S. as children, which is currently challenged by Republican AGs.These Democratic coalitions are also seeking to uphold Biden-era regulations on environmental protections, gun dealers, and firearm devices that allow rapid firing. New Jersey AG Matt Platkin emphasized their focus on protecting residents' rights and ensuring Trump's administration adheres to the rule of law. This strategy mirrors actions during Trump's first term when Democratic AGs filed 155 lawsuits against his policies, achieving an 83% success rate. However, the current legal landscape presents new challenges, with a more conservative judiciary shaped by Trump's earlier appointments. Democratic AG offices, however, are now more experienced, having honed their strategies in prior legal battles. Political experts anticipate numerous lawsuits targeting executive actions Trump may issue early in his term.Democratic states brace for Trump by launching defense of Biden policies | ReutersIn the latest development of the ongoing saga surrounding 97-year-old Judge Pauline Newman, the Federal Circuit's Judicial Council has dismissed her appeal against suspension as "meritless." In a brief filed with the DC Circuit, the Council, alongside the Department of Justice, argued that Newman's claim—that her suspension amounts to unconstitutional removal without impeachment—should be rejected under the Judicial Conduct and Disability Act.Judge Newman, the oldest active federal judge, was suspended after refusing to cooperate with an investigation into her mental fitness. Her second one-year suspension from hearing new cases remains in effect, though the government maintains it is not permanent and could be lifted if she agrees to participate in the inquiry. Newman has challenged the suspension through administrative proceedings and an appeal in the DC Circuit, where her court, known for its jurisdiction over patent cases, is also located.The brief, representing Chief Judge Kimberly A. Moore and the Judicial Council, asserts that Congress distinguishes temporary suspensions from removal. Newman's legal team, the New Civil Liberties Alliance, continues to argue her case.97-Year-Old Judge's Suspension Appeal 'Meritless,' Council SaysThe Biden administration will leave enforcement of the TikTok ban to the incoming Trump administration, signaling no immediate action to force the app offline when a new law targeting the platform takes effect. While TikTok itself could shut down to highlight the law's impact on its 170 million U.S. users, the Biden administration stated it will not enforce the ban, instead emphasizing that TikTok should operate under American ownership. The law imposes penalties on tech companies like Apple and Google if they continue providing services to TikTok while it remains under ByteDance's ownership, exposing them to significant financial risk. However, any delay in enforcement would require the president to grant an extension under strict conditions, none of which TikTok has met. Efforts in Congress to extend the deadline have stalled, with security concerns raised by lawmakers like Senator Tom Cotton blocking attempts to provide ByteDance with more time to divest.President-elect Trump has signaled openness to negotiating a resolution to keep TikTok operational, citing its value to his campaign and young voters. Discussions within his team include a potential executive order to delay the ban while exploring ways to safeguard user data. The Supreme Court has yet to issue a ruling on the law, though justices have expressed concerns about national security risks tied to TikTok's Chinese ownership. Meanwhile, Democratic leaders, including Senator Chuck Schumer, are urging further action to balance security, privacy, and the platform's continued availability.Biden administration will leave it to Trump to implement TikTok ban - ABC NewsThis week's closing theme is by Giuseppe Verdi (1813-1901). Verdi is one of the most celebrated composers in the history of opera, renowned for his ability to blend dramatic storytelling with deeply emotive music. A central figure in 19th-century Italian opera, Verdi's works, including La Traviata, Rigoletto, and Aida, remain staples of the repertoire worldwide. His music often reflected his passion for Italian nationalism and human emotion, making his operas timeless in their appeal. Among his earliest triumphs was Nabucco (1842), a work that established him as a leading composer and marked the start of his long and illustrious career.Nabucco, Verdi's third opera, tells the story of the plight of the Israelites under the rule of the Babylonian King Nebuchadnezzar (Nabucco). Its overture, a brilliant instrumental prelude, captures the opera's dramatic intensity and stirring themes. The piece begins with ominous, foreboding chords that hint at the struggles to come, followed by a sweeping and heroic melody that reflects the resilience and hope central to the story. The overture's dynamic shifts and richly textured orchestration showcase Verdi's ability to infuse orchestral music with the same dramatic power found in his vocal writing.Notably, Nabucco became a symbol of Italian unification during the Risorgimento, with its famous chorus "Va, pensiero" resonating as an anthem of liberation. While the overture does not include this iconic melody, it captures the essence of the opera's emotional and political undertones. As this week's closing theme, the Nabucco overture offers a perfect blend of drama, passion, and triumph, embodying Verdi's mastery and the timeless power of his music.Without further ado, Giuseppe Verdi's overture from Nabucco. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

durée : 00:14:09 - saison 4 de Labopera avec la représentation de « Nabucco de Verdi » des 5 et 6 avril à l'Arena Le Palio Périgord de Boulazac-Isle-Manoire

A cura di Paolo PellegriniG. Verdi – NabuccoNabucco, Sherrill MilnesIsmaele, Carlo CossuttaZaccaria, Ruggero RaimondiAbigaille, Grace Melzia BumbryFenena, Viorica CortezLe Grand Pretre, Marc VentoAbdallo, Robert DumeAnna, Janine BoulogneOrchestra e Coro del Teatro Nazionale dell'Opera de ParisNello Santi, direttore

durée : 00:15:23 - LABOPERA  "Nabucco de Verdi" e samedi 5 avril à 20H et le dimanche 6 avril à 16H à l'Arena Le Palio Périgord

Quan es parla del "bar

durée : 00:14:53 - Labopera Saison 4 : Nabucco de Verdi en 2025 (Episode 1)

La saison actuelle, tout comme celles à venir, sera caractérisée par des jalons importants pour la mezzo tuniso-canadienne Rihab Chaieb, ce qui comprend notamment son rôle-titre dans Carmen au Festival de Glyndebourne, son rôle de Claire dans Melancholia avec le Kungliga Operan, son rôle de Dorabella dans Così fan tutte tutte à la Seiji Ozawa Music Academy, en plus de ses apparitions auprès du Los Angeles Philharmonic, de la Compagnie nationale d'opéra du Canada et de l'Orchestre symphonique de Québec, ainsi que son retour au Metropolitan Opera et à la Bayerische Staatsoper.Rihab Chaieb a fait ses débuts à la Bayerische Staatsoper lors de la saison de 2022-2023, où elle a ébloui l'audience dans son rôle de Fenena dans Nabucco, sous la direction de Daniele Rustioni, puis au Los Angeles Opera dans le rôle de Cherubino dans Le nozze di Figaro de James Gray, sous la direction de James Conlon. Elle a ensuite repris son interprétation exceptionnelle de Carmen à la Compagnie nationale d'opéra du Canada et au Calgary Opera, avant de retourner au Grand Théâtre de Genève où elle a été mise en vedette dans son rôle de La mère Meryem lors la première mondiale du Voyage vers l'espoir de Jost.Sur les scènes de concert, elle est apparue aux côtés du Philharmonia Baroque Orchestra dans une prestation de Messiah de Handel, elle a également partagé la scène du Vancouver Symphony Orchestra pour présenter Les nuits d'été de Berlioz sous la direction d'Otto Tausk, puis elle a fait son premier spectacle auprès du Manitoba Chamber Orchestra dans le rôle de Ruggiero dans Alcina de Handel.Rihab Chaieb a marqué la saison 2021-2022 en faisant son entrée au Washington National Opera dans le rôle de Dorabella dans Così fan tutte, puis au Palm Beach Opera dans le rôle titre de Carmen. Elle a joué pour la première fois le rôle de Penelope dans Il ritorno d'Ulisse in patria en tournée et pour un enregistrement avec l'Ensemble I Gemelli, avant de retourner à l'Opéra National de Montpellier pour jouer Maddalena dans Rigoletto, puis au Metropolitan Opera pour incarner Nefertiti dans la production d'Akhnaten de Philip Glass mis en scène par Phelim McDermott et sous la direction Karen Kamensek.Elle a récemment connu de nombreux succès, notamment en faisant ses débuts au Houston Grand Opera lors de la première mondiale de The Phoenix de Tarik O'Regan, puis au Cincinnati Opera dans le rôle de Rosina dans Il barbiere di Siviglia, ainsi qu'à l'Opéra de Montpellier dans Fantasio d'Offenbach, au Teatro Santiago de Chile en incarnant Dorabella, à l'Opera Ballet Vlaanderen Kasturbai dans Satyagraha de Philip Glass, et enfin à l'Oper Köln dans le rôle de Carmen dans une production de Lydia Steier.Elle a joué le rôle de Charlotte dans Werther pour la première fois à l'Opera Vlaanderen sous la direction de Giedrė Šlekytė et elle a ouvert la saison au Muziektheater dans le rôle de Lola dans Cavalleria Rusticana de Robert Carsen sous la direction de Lorenzo Viotti. Sur les scènes de concert, Rihab Chaieb s'est produite avec l'Orchestre symphonique de Montréal dans un programme de Rossini sous la direction de Kent Nagano, ainsi que dans Lieder eines fahrenden Gesellen de Mahle sous la direction de Johannes Debus. Elle a également interprété Messiah de Handel sous la direction de Gustavo Gimeno avec le Toronto Symphony Orchestra. Elle a aussi chanté Three-Cornered Hat de Manuel de Falla avec le Vancouver Symphony Orchestra et le Bournemouth Symphony Orchestra sous la direction de Carlos Miguel Prieto.Instagram :https://www.instagram.com/laprescriptiondrfred/?hl=frFacebook :https://www.facebook.com/people/La-prescription-avec-Dr-Fred-Lambert/100078674880976/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Friedrich, Uwe www.deutschlandfunkkultur.de, Fazit

Ab17 - der tägliche Podcast mit Kathrin und Tommy Wosch. Montag bis Freitag. Morgens und AbendsInstagram: https://www.instagram.com/ab17podcastWhatsapp: https://www.whatsapp.com/channel/0029VaBSCV98kyyQceNs4A1ISchreib uns: kontakt@diewoschs.deIn dieser Episode sprechen Kathrin und Tommy über verschiedene aktuelle Ereignisse und kulturelle Themen. Zu Beginn der Folge nehmen sie den Geburtstag des umstrittenen Sängers Xavier Naidoo als Anlass, um über dessen umstrittene Äußerungen und den Umgang mit Künstlern, die sich in der Vergangenheit politisch fragwürdig geäußert haben, zu diskutieren. Dabei verknüpfen sie Naidoos Geschichte mit einer humorvollen Anekdote aus Pochers Welt, in der dieser Naidoo auf die Bühne zurück holt.Ein weiterer thematischer Schwerpunkt ist der bevorstehende Tag der Deutschen Einheit. Hier beleuchten die Hosts die Festlichkeiten in Schwerin und diskutieren das offizielle Motto "Vereint Segel setzen – Gemeinsam Demokratie und Vielfalt stärken." Sie werfen einen humorvollen Blick auf das Festprogramm, das unter anderem die „Billie Rock Party Band“ und die Band „Juli“ umfasst, und gehen auf die Bedeutung dieses nationalen Feiertages ein. Tommy findet es faszinierend, wie ein einfacher Radiomoderator dieses bedeutende Fest moderiert, was ihn zu einer launigen Reflexion über deutsche Medienpersönlichkeiten führt.Im weiteren Verlauf der Episode dreht sich das Gespräch um ein außergewöhnliches Ereignis in Alaska, bei dem der dickste Bär im Rahmen des „Fat Bear“-Wettbewerbs gekürt wird. Kathrin und Tommy werfen einen liebevollen und humorvollen Blick auf die Bären, die sich für den Winterschlaf vorbereiten, und spekulieren, welche der Tiere dieses Jahr den Titel erringen könnte.Am Ende der Episode gibt es einen kurzen Exkurs in die Opernwelt, wo die Hosts über eine Aufführung von „Nabucco“ in Berlin mit Anna Netrebko berichten. Dabei wird auch die politische Debatte um die Künstlerin erwähnt, die aufgrund ihrer Nähe zu Wladimir Putin in der Kritik steht. Auch hier bleiben die beiden Hosts ihrem humorvollen Stil treu und beenden die Folge mit einem Augenzwinkern.Inhalt00:00:13 Start und Diskussion über Xavier Naidoo00:02:20 Diskussion über den Tag der Deutschen Einheit00:04:51 Schwerin und die Feierlichkeiten00:08:19 Vorstellung der „Billie Rock Party Band“00:10:03 Auftritt der Band „Juli“00:12:19 Der „Fat Bear“-Wettbewerb in Alaska00:15:08 Leben der Bären und Winterschlaf00:18:20 Opernaufführung von „Nabucco“ mit Anna Netrebko00:20:25 Politische Kontroversen um Anna Netrebko Hosted on Acast. See acast.com/privacy for more information.

Na sexta-feira, dia 27/09, teremos a estreia de Nabucco, considerada a ópera que estabeleceu Giuseppe Verdi como um dos maiores compositores da história, sendo um sucesso instantâneo em sua estreia em 1842, com o famoso coro dos escravizados hebreus assumindo uma ressonância política frequentemente vista como um chamado para a luta de libertação nacional que acabaria levando à unificação italiana no século XIX.

Danuše a Miloslav Novotní k sobě chovají lásku už 58 let. „Padesátiny jsme měli v covidu, takže oslavy nebyly. Měli jsme lístky na operu Nabucco do Státní opery, ale o to jsme přišli,“ svěřuje Danuše.

Danuše a Miloslav Novotní k sobě chovají lásku už 58 let. „Padesátiny jsme měli v covidu, takže oslavy nebyly. Měli jsme lístky na operu Nabucco do Státní opery, ale o to jsme přišli,“ svěřuje Danuše.

Giuseppe Verdi - Nabucco: OvertureHungarian State Opera Orchestra Pier Giorgio Morandi, conductorMore info about today's track: Naxos 8.553089Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Jader Bignamini has conducted the Detroit Symphony Orchestra (DSO) since their 2020-2021 season. He and DSO musicians are at Interlochen this weekend for two concerts, including a side-by-side concert with the World Youth Symphony Orchestra. Saturday's program opens with "Don Juan" by Richard Strauss and includes Ludwig van Beeethoven's "Eroica" Symphony. Sunday's program features Dvorak's "New World" Symphony and the overture to "Nabucco" by Giuseppe Verdi.

Entramos en esta hora con la quinta y última palabra de "A la quinta va la vencida". Justo después llega nuestro latinista tuitero, Emilio del Río, que en esta entrega de "Verba Volant" nos habla de las abejas. Y en la recta final, el bajo-barítono Simón Orfila nos acerca la nueva versión de Nabucco que se representa estos días en el Teatro de la Maestranza de Sevilla.          Escuchar audio

Poder, opresión, traición, exilio, amor imposible, conflicto religioso y lucha de civilizaciones. Todo esto está presente en ese icónico drama lírico en cuatro partes que se ha convertido en una ópera impactante llena de momentos inolvidables: Nabucco. La obra de Verdi, un encargo accidental que el compositor recibió a regañadientes, se convirtió en un espectáculo clave en su carrera. Una ópera que reactivó su ánimo compositivo y que ahora recala en el Teatro de la Maestranza de Sevilla, donde se estrenó el pasado jueves y se representará los próximos 16,18, 19, 21 y 22 de junio. Para conocer esta producción con dirección escénica de Christiane Jatahy y musical de Sergio Alapont, charlamos con el bajo-barítono que encarna a Zaccaria, Simón Orfila. Escuchar audio

Dva lístky na operu Nabucco v nastudování Moravského divadla v Olomouci vyhrála naše posluchačka Kristýna, která zavolala do vysílání Ditě Vojnarové. Výhru pak darovala svým rodičům. Dárek dostali k 35. výročí manželství.

Tedenski pregled glasbenih dogodkov začenjamo s koncertoma Simfonic voices, v okviru katerega so v Kopru izvedli dve Pergolesijevi deli, ter koncertnim abonmajem Zavoda Celeia, v okviru katerega sta v Celju nastopila Franc Kosem in Jože Bogolin. V Fokusu oddaje se posvečamo koncertu cikla SOS Slovenske filharmonije, ki je bil ob visokem osebnem jubileju posvečen Lojzetu Lebiču, in koncertoma sodobne večkanalne elektroakustične glasbe ZVO.ČI.TI Akuzmonij Di-Fuzija. Poleg tega predstavljamo še konferenco o umetniškem raziskovanju Eparm, ki je potekala na Akademiji za glasbo, koncert godalnega kvarteta Ébène, ki je nastopal v okviru Koncertne poslovalnice Narodnega doma Maribor, ter premiero Verdijeve opere Nabucco, ki so jo uprizorili v Trstu.

durée : 00:18:22 - Disques de légende du mercredi 28 février 2024 - Nabucco de Verdi est une œuvre à laquelle Riccardo Muti s'est profondément identifié.

En este relanzamiento de «La Trinchera» hemos decidido hablar sobre «Hannah y sus hermanas», de Woody Allen, porque queremos hablar de aquello de lo que aquí venimos a hablar: el cine y la vida. Y de eso, precisamente, es de lo que habla la película y, si nos apuran, toda la filmografía del director neoyorquino. Hablamos, otra vez, de eso, cine y vida, valga la redundancia. RECOMENDACIONES LIBÉRRIMAS —«Gravedad cero», de Woody Allen, editado por Alianza Editorial. (https://www.alianzaeditorial.es/libro/libros-singulares-ls/gravedad-cero-woody-allen-9788413629926/) —«99 lecciones para ser un payaso», de Fabrice Hadjad, editado por Homo Legens. (https://homolegens.com/libro/99-lecciones-para-ser-un-payaso/) —Newsletter de Santiago Isla, «Sonajero». (https://substack.com/@sonajero) —Malmö 040. (https://open.spotify.com/intl-es/artist/6i0h6wBrfNkdf3eTUoelpP?si=JGaBb_gbQFWsBHr58JarMw) —Las esculturas de Giacometti. —El toreo de Juan Ortega. —BIS del coro «Va Pensiero», de «Nabucco», interpretado en la ópera de Roma con motivo del 150 aniversario de la unificación italiana y dirigido por el maestro Ricardo Muti. (https://youtu.be/oebv9IR7IjI?si=FVb1_NmLgvf86K6o9) —«Al otro lado del río y entre los árboles», de Paula Ortiz. (https://www.filmaffinity.com/es/film195838.html) —«Hemingway en otoño», de Andrea di Robilant, editado por Hatari! Books. (https://www.instagram.com/hataribooks/) —«El expreso de Tokyo», de Seicho Matsumoto, editado por Libros del Asteroide. (https://librosdelasteroide.com/libro/el-expreso-de-tokio) Intervienen: Pablo Mariñoso (@canteraepmdj) e Iñako Rozas (@inakorozas). Control técnico: Marcos Machado.

Las óperas más destacadas del repertorio suelen tener una obertura que consigue emocionarnos desde el primer acorde. Esos pasajes instrumentales sirven para que el público vaya entrando en calor ante la avalancha de música, canto y argumento que le esperan durante las siguientes horas. No es casualidad que las más recordadas fueran compuestas por grandes genios como los que nos ocupan en este primer capítulo que dedicamos a estas magníficas piezas sinfónicas. Teresa Cantalejo es la responsable de “¡Qué me estás contando!”, el podcast que dedicamos al mundo de la ópera una vez al mes; ella acompaña a Carlos y Mario mientras escuchamos 4 joyas como los inicios orquestales de “Medea”, “La flauta mágica”, “Nabucco” y “La urraca ladrona”, compuestas por Cherubini, Mozart, Verdi y Rossini. Así de bien suena la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

There's nothing like singing in an opera chorus. Marc Eliot Stein and Ted Shulman talk about their participation in Regina Opera's production of Verdi's "Rigoletto" in Sunset Park, Brooklyn, and the special ways a chorus can illuminate or enliven a classic opera. We chat about "Nabucco", "Turandot", "Parsifal", "Les Contes d'Hoffmann", "Orfeo ed Euridice", "HMS Pinafore" and "Aida", and the conversation also turns to amateur singing, drinking songs, offensive operas, gender of choruses, teamwork, the disastrous 2023 Israel/Gaza war, Lance Loud, reality TV, New York City's 1970s CBGBs punk scene and a mostly (but not completely) forgotten punk band called The Mumps.

Mettere nella stessa frase le parole “aereo” e “instabilità strutturale” non lascia presagire nulla di buono. Invece, sfruttare a proprio vantaggio un fenomeno fin qui considerato da evitare, costituisce il cuore del progetto NABUCCO, finanziato dall’Unione Europea con un ERC Grant da 1,5 milioni di Euro. NABUCCO vuole sviluppare un approccio radicalmente nuovo, in cui l’instabilità strutturale, anziché ostacolata, viene programmata ad hoc, per realizzare aerei più leggeri e più efficienti grazie ad ali in grado di cambiare forma sotto sforzo. Ce lo racconta Chiara Bisagni, professoressa di Strutture aerospaziali del Dipartimento di Scienze e Tecnologie Aerospaziali del Politecnico di Milano.

DAVID SERERO (Otto Frank/Director/Producer) David Serero, has received international recognition and critical acclaim from all over the world. At 38 years old, he has already performed more than 2,000 concerts and performances throughout the world, played in over 100 films and recorded 20 albums. He entered the prestigious Who's Who America for demonstrating outstanding achievements in the entertainment world and for the betterment of contemporary society. In 2019, he received the Morocco Day Distinguished Achievement Award, and the Trophy of the Culture of Morocco and has been honored by Royal Air Maroc as one of the 15 most influential moroccans worldwide. That same year, he received the 2019 Albert Nelson Marquis Lifetime Achievement Award. In 2020, David Serero was Awarded by the Trophy for Diversity by the UNESCO. David Serero is a member of the Recording Academy and of the Television Academy and a voting member both of the Grammys and Emmys. He has given concerts in Paris at the Opera Garnier, Olympia, Eiffel Tower; in New York at the Lincoln Center, Carnegie Hall, Times Square; in London at the Royal College of Music, Wembley Stadium; and in Moscow at the Tchaikovsky Hall; in Amsterdam at the Concertgebouw, the Budapest Opera conducted by Placido Domingo and more. He made his sold out West End debuts at the Dominion Theatre. He has sung more than 30 lead roles in Opera, Operetta and Musical Theater. In his extensive discography, he has recorded Cast Album Recording of iconic roles such as Shakespeare's Richard III and world Premiere adaptations. He is also the founder and producer of several music and film festivals. During the 2017/2018 season in New York, David Serero starred as Cyrano De Bergerac (Rostand), Don Giovanni (Mozart), Barabas (Marlowe's Jew of Malta), King Ahasuerus (from musical Queen Esther's Dilemma), King Lear (Jacob Gordin's The Yiddish King Lear), Napoleon's title role from Napoleon by Stanley Kubrick. For the 2018/19 season in New York, David starred as Nabucco's title role, Romeo (Shakespeare's Romeo and Juliet in a Jewish adaptation), Figaro (Mozart's Marriage of Figaro) which he directed and adapted. He opened his 2019/20 season with « Anne Frank, a musical », starring as Otto Frank, which he directed and produced, and the world premiere of "Lost in the Disco" with Lisa Azuelos. Upcoming engagements are Shylock (Merchant of Venice), his own theatrical adaptation of Carmen, Anne Frank a musical, "Lost in the Disco" at the Public Arts Hotel, Rodrigo in The Cid among others. Anne Frank A Musical Written by Jean-Pierre Hadida, adapted in English by Dylan Hadida, this musical was highly recognized in France for the last ten years. David Serero directed and produced of this premiere and received critical acclaim for his 2019 Off-Broadway production, also starring as Otto Frank. Anne Frank, a Musical features 12 artists on stage to bring the poetry and music of Jean-Pierre Hadida.

Anita Cerquetti (13 April 1931 - 11 October 2014), the subject of today's episode, possessed a one in a million voice, enormous, but with prodigious flexibility, and of an immediately recognizable timbre and style of text projection. She skyrocketed to world fame when she replaced Maria Callas in the title role of Bellini's Norma in Rome in January 1958. Before that, the young soprano, still in her twenties, had been steadily building a career, primarily in Italy but also internationally, working in Italy's biggest houses and music festivals with the greatest maestri and fellow singers of the period (including Ettore Bastianini and Franco Corelli, both of whom are heard on the episode). Immediately after those Rome performances, however, Cerquetti canceled a series of subsequent performances of Bellini's Il Pirata, and her live performances dwindled thereafter to a mere trickle. In the fall of 1960, not yet thirty years of age, she gave what proved to be the final performance of her career, a recording for Dutch radio of Abigaille in Verdi's Nabucco. Cerquetti is considered to be one of the great operatic mysteries of the second half of the twentieth century. She made only two commercial recordings, so the majority of her recorded legacy stems from live and radio performances. In this episode, I share some of my favorites among those recordings, and discuss the personal issues that surrounded Cerquetti's premature disappearance from the world's opera stages as well as why her still unmatched accomplishments still captivate listeners to this day. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.

At the beginning of 2023 Bulgaria gained access to Turkey's terminals and gas transmission network under a long-term deal that would help the country replace supplies once provided by Russia. This had come to a surprise to some in Athens, as Greece and Bulgaria have accelerated their energy cooperation through projects like the IGB natural gas pipeline and the FSRU in Alexandroupolis. It appears Bulgaria is now looking to deepen its ties with Turkey, with some raising the prospect of reviving a version of the Nabucco plan, which was disregarded in 2013 in favor of TAP. Dr. Thedoros Tsakiris, an Associate Professor of Geopolitics and Energy Policy at the University of Nicosia, joins Thanos Davelis to explain why a possible return of Nabucco should raise concerns not only in Athens, but at the EU level as well.Read Dr. Tsakiris latest in Kathimerini here (In Greek): Η επιστροφή του Nabucco και ο κίνδυνος για την ΕλλάδαYou can read the articles we discuss on our podcast here:Sofia and the Greek-Turkish energy raceAnalysis: Europe wary of Turkish hub to hide gas 'made in Moscow'Doubts over new LNG projectsMulti-billion-euro investments in energy and its storageTurkey will continue to ‘annoy,' says Erdogan at jet presentationSupreme Court to decide fate of Kasidiaris party

Daniel 2:46-49 Why does Nebuchnezzar get the vision? In this message, Pastor Jensen goes through why the vision was given to Nebuchnezzar. Lots to learn in this one! The video of this episode can be found here: https://youtu.be/H2PFc8ycrbs Web: www.ReformedRookie.com Podcast: https://anchor.fm/reformedrookie Facebook: https://www.facebook.com/TheReformedRookie Semper Reformanda!

A people yearns for freedom.  The power of their prayers, set to Verdi's incomparable music, have stirred audiences ever since the première of Nabucco in 1842.  The impact of this opera may relate to Verdi's own struggle to overcome personal tragedies preceding the composition the music.  It also resonates with the passions of the Italian people of his day, and their desire to free themselves from foreign domination.  Drawing inspiration from scripture, Verdi and his librettist created an opera that tells a timeless story, and gave Italians one of their great anthems, Va pensiero. Hosted by Pat and Grant

Qui fut, sur un plan historique, ce Nabucco porté sur la scène par Verdi ? Et que nous dit la Bible de sa relation complexe avec les Hébreux ? Mention légales : Vos données de connexion, dont votre adresse IP, sont traités par Radio Classique, responsable de traitement, sur la base de son intérêt légitime, par l'intermédiaire de son sous-traitant Ausha, à des fins de réalisation de statistiques agréées et de lutte contre la fraude. Ces données sont supprimées en temps réel pour la finalité statistique et sous cinq mois à compter de la collecte à des fins de lutte contre la fraude. Pour plus d'informations sur les traitements réalisés par Radio Classique et exercer vos droits, consultez notre Politique de confidentialité.

Though the great diva Grace Bumbry has often been featured on Countermelody, I have not yet done a full episode on this incomparable artist. Today's episode seeks to remedy that, and to celebrate a singer whose contribution and influence extends back many decades and continues to this very day. Normally when I consider an artist so well-renowned, I try to offer a perspective that sheds different light on that singer. So today's Bumbry celebration considers three aspects of her artistry that have received somewhat less attention. While her successes in a wide range of mezzo soprano repertoire are well-known and well-documented, her soprano assumptions have been somewhat more controversial. I highlight numerous scenes and arias, including from Macbeth, Salome, Turandot, and Nabucco, in both live and studio performances, that shed light on the enormous prowess and fearlessness with which she confronted these roles. Alongside such larger-than-life impersonations are Bumbry's intimate and detailed performances as a Lieder singer, a tribute to her training under that matchless singer and teacher Lotte Lehmann, with whom Bumbry studied at the Music Academy of the West. Recordings of art song by Schubert, Schumann, Brahms, Strauss, Liszt, and Berlioz, made over the course of 45 years are also a testament to Bumbry's vocal longevity and technical prowess. In recent years, Grace Bumbry has devoted her time to the care, nurturing, and training of young singers under the aegis of a program she has named “The Bumbry Way.” The episode closes with a definitive performance of the song “My Way,” which incorporates and encapsulates all the colors of this extraordinary singer in all her fearlessness, self-assurance, determination, vulnerability, and strength. Evviva “The Bumbry Way!” Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.  

American soprano Mary Elizabeth Williams, beloved in Seattle for performances such as Tosca, Abigaille in NABUCCO, and Serena in PORGY AND BESS, just made her role debut as Isolde, the first time she's ever sung a Wagner opera. She discussed the character, the singing, and her two-and-a-half year journey towards this achievement with Seattle Opera Dramaturg Jonathan Dean. This podcast features clips of Williams singing Tosca (conducted by Julian Kovatchev) and “Pace, pace, mio Dio” from LA FORZA DEL DESTINO (conducted by Carlo Montanaro), as well as Amber Wagner singing Brangäne in TRISTAN (conducted by Jordan de Souza).