Podcast appearances and mentions of Don Quixote

I open this episode with a story from my childhood: a dam that broke above my uncle's farm, and two California kids who survived the flash flood only because they knew how to surf a wave instead of fighting it. That's exactly how I think about AI right now. It's a massive wave bearing down on all of us, and whether it becomes a wonderful tool or something that crushes us depends entirely on whether we learn to ride it. I walk through what happened when I went from writing off AI-generated code as "laughable" last fall to building real, deployable tools with it today, including the Andrew Winkler Reading Room, a free app that lets you read over a hundred of the world's greatest books in their original languages, from Homer's Greek to modern Japanese.In the second half, I get honest about what it's actually like working with AI day to day. I talk about building "Gentle Reader," a feature that lets language learners dive into real literature with only 70 to 75% vocabulary instead of waiting until they hit 95%, and the surprising detective work it took to get ancient and modern Japanese texts working properly. I also share where AI still struggles: its short-term memory lapses, its tendency to patch symptoms instead of solving root problems, and what my ongoing project to restore Don Quixote from a centuries-old scan taught me about "wisdom of crowds" and a 250-year-old quote from Sir Joshua Reynolds that turned out to apply just as much to machines as it does to us.In this episode you will learn:(00:00) Why I compare AI to a wave that can either be surfed or can crush you, using a story about a dam breaking above my uncle's farm(03:14) How the Andrew Winkler Reading Room lets you read the Odyssey and other classics in their original Greek, with every word's form, meaning, and pronunciation just a click away(06:06) What "Gentle Reader" is and why lowering the vocabulary threshold from 95% to 70-75% makes it possible to start reading real literature much sooner(09:04) Why I chose books like Wizard of Oz, Aesop's Fables in Chinese, and Nicholas Nickleby in Italian to fill gaps where no natural "great work" existed at the right reading level(12:01) What made Japanese the hardest language to build, including the challenge of AI handling ancient versus modern Japanese grammar and meaning shifts(14:54) Why AI models have what I call a "short-term memory slash auditory processing disorder," and how the "Attention Is All You Need" paper changed the game but didn't fully solve it(17:48) What my Don Quixote restoration project, removing decades of ink bleed and yellowing, then building a font from "wisdom of crowds," taught me about AI's tendency to avoid the real labor of thinkingLet's connect!linktr.ee/drprandyRead, with computer assistance, the best literature the world has ever producedandrew-winkler-reading-room.overskill.appLove Quotient: Stop Dying of Thirst in an Ocean of Love Kickstarterhttps://www.kickstarter.com/projects/amwphd/love-quotient Hosted on Acast. See acast.com/privacy for more information.

Dr. Sharon Blackie is an award-winning writer, psychologist and mythologist whose work sits at the junction of depth psychology, mythology and ecology. Coming from a background in behavioural psychology and neuroscience, she has spent over two decades reinstating imagination and intuition as ways of knowing. She is the author of seven books, including the internationally bestselling If Women Rose Rooted and Hagitude, which reframed midlife and elderhood as alchemical rather than diminishing. Her latest, Ripening: Why Women Need Fairy Tales Now, was published in May 2026.She writes the global-bestselling Substack The Art of Enchantment (60,000+ readers), is a Fellow of the Royal Society of Arts and an Honorary Member of the Association of Jungian Analysts, and recently founded the Nostos Institute, which aims to build a living Western spiritual path out of ancient philosophy and depth psychology.________________In this conversation, I sit down with Sharon to explore what it might mean to re-enchant a disenchanted world. We begin with her winding path: from a fiercely behaviourist psychology department, to a PhD in the neuroscience of anxiety, and finally to the imaginal, mythic heart of depth psychology. Sharon gives a crash course in Neoplatonism (the One, the Nous and the World Soul) and traces how James Hillman and Henri Corbin drew on it to describe the imaginal world: a real, intermediary realm where images, dreams and synchronicities live. We dig into the difference between enchantment and magical thinking, why so much Jungian thought stops short of the metaphysics, and how big dreams and synchronicities tend to convert people rather than arguments. We talk about Plato's Myth of Er and the guardian daimon, why Sharon has focused on reclaiming women's stories and the archetypes of the older woman (the Hagitude project), and what her new Nostos Institute is trying to build. Along the way: fairy tales as the antidote to alienation, why young people are turning to Christianity, and whether a screen-bound, precarious, increasingly mechanised world can find its way back to community and the more-than-human world. This is a conversation for anyone who feels the pull of meaning and belonging but can't quite find the door.________________

On this episode: Norman Leahy sits down with Ballotpedia CEO and Founder Leslie Graves to explore how foundational literary works—like Don Quixote and The Seven Brothers—shape national character and culture. They examine why America, despite being born from enlightenment philosophy, has never produced a true, definitive national novel, and what that absence might say about how Americans understand themselves as people. Read Leslie's Column: ⁠https://ballotpedia.org/From_the_desk_of_Leslie_Graves⁠ Check out our complete office hours series: ⁠https://www.youtube.com/playlist?list=PLtP8LWIl9mMO2t_0SXnYhwMv6HHgIoL75⁠ Complete a brief 5 minute survey to review the show and share some feedback: https://forms.gle/zPxYSog5civyvEKX6 Sign up for our Newsletters: https://ballotpedia.org/Ballotpedia_Email_Updates Stream "On the Ballot" on Spotify or wherever you listen to podcasts. If you have questions, comments, or love for BP, feel free to reach out at ontheballot@ballotpedia.org or on X (formerly Twitter) @Ballotpedia.*On The Ballot is a conversational podcast featuring interviews with guests across the political spectrum. The views and opinions expressed by them are solely their own and are not representative of the views of the host or Ballotpedia as a whole.

I'm digging into something that's genuinely changed how I spend my free time: using AI to build the tool I've wished existed for decades, one that helps me read the world's great literature in its original language. I tell the story of a chance dinner with a Hertz Fellow who turned out to be a major figure at Anthropic, and how that connection eventually led me back to a project I'd tried and abandoned before, a computer-assisted reader for Greek, Latin, Hebrew, and Aramaic texts. Six months ago, the AI models I tried couldn't get past writing a single working line of code. This time was different, and I walk through exactly what changed, what these models are actually good at, and where they still fall apart.I also get into the weeds a bit, sharing my process for getting better results out of these tools, why my public writing on Quora turns out to matter, and a wild multi-round debugging session with Gemini that kept insisting it had "finally" found all the bugs. I close with a personal aside into a physics insight I've been chasing since the 1970s, and how an AI helped me push it further, even if I lost most of the conversation to a very avoidable software glitch. Along the way I make my case for why AI right now is best thought of as a tireless, brilliant, but occasionally hallucinating army of interns, not a replacement for human judgment.In this episode you will learn:(00:00) How a chance dinner with a Hertz Fellow connected to Anthropic changed my skepticism about the current state of AI(03:37) Why I've always wished a computer could do the tedious lexical lookup work of reading Greek, Latin, Hebrew, and Aramaic texts(06:35) What large language models actually are under the hood, and why they can "spout like an idiot" and "pontificate like a sage" with equal ease(08:57) The multi-round debugging saga where Gemini kept insisting it had found the last bug, and the last bug, and the last bug(11:48) What gets lost in translation, using the hidden joke behind Don Quixote's horse Rocinante as an example(14:43) Inside the Andrew Winkler Reading Room, from the Septuagint to Shakespeare, and why computers and humans make a great reading team(17:10) My feature requests for Google and Apple after losing valuable AI conversations to a silent clipboard failure(19:36) Why I think of AI right now as an army of knowledgeable but wisdom-less interns, and what that means for companies rushing to replace workers with it(22:01) The physics insight I've been sitting on since the 1970s, and how AI helped me extend it into the standard model(24:28) What was lost when my breakthrough AI conversation on unit-free physics vanished, and why I'm sharing the story anywayLet's connect!linktr.ee/drprandyRead, with computer assistance, the best literature the world has ever producedandrew-winkler-reading-room.overskill.appLove Quotient: Stop Dying of Thirst in an Ocean of Love Kickstarterhttps://www.kickstarter.com/projects/amwphd/love-quotient Hosted on Acast. See acast.com/privacy for more information.

Benjamin Studebaker is a political theorist with a PhD from Cambridge whose work cuts against the grain of almost every revolutionary and reformist story on offer. He is the author of The Chronic Crisis of American Democracy: The Way Is Shut (2023) and Legitimacy in Liberal Democracies (2024).His central claim is that the Western democracies have become "embedded democracies" — systems in which citizens can no longer imagine an alternative worth sacrificing for, and so remain trapped in a low, stable, and deeply frustrating equilibrium.________________In this conversation, I sit down with Benjamin to explore his diagnosis of the chronic crisis at the heart of liberal democracy. We begin with the idea of the "embedded democracy" and the restricted imaginarium left behind by the catastrophes of the twentieth century, before working through why the culture war functions as a manageable — even useful — form of disagreement, one that dissipates energy rather than threatening the order. Benjamin unpacks his distinction between personal and impersonal hypocrisy, his four levels of legitimacy (perfect, full, minimal and liminal), and the concept of "enclavism": the retreat into faith, family, fandoms and futurism when politics feels futile. We range across Don Quixote and quixotic socialism, the Lord of the Rings image behind his book's subtitle, the problem of capital mobility, NATO defence spending and the Americanisation of European politics, and why a networked, nuclear-armed, drone-fought world makes the old theories of revolutionary change look obsolete. It's a sobering, clarifying conversation for anyone trying to understand why our politics feels simultaneously so turbulent and so stuck.________________You can find Benjamin's work at:Website: https://benjaminstudebaker.comAbout / all links: https://benjaminstudebaker.com/aboutSubstack: https://bmstudebaker.substack.com/________________⏳ Timestamps:00:00 Intro1:29 What is an "embedded democracy"? Why revolution is off the table3:10 Other kinds of democracy: Poland, Hungary and living memory6:31 Is China a viable alternative? The restricted imaginarium9:55 Ironism: why public culture can't take anything seriously12:12 The culture war as manufactured, manageable disagreement14:52 Fusionism, fragmentation and the collapse of coalitions21:06 Personal vs impersonal hypocrisy in US politics28:25 The material drivers: universities, consumers and producers35:14 "The way is shut": the Lord of the Rings reference explained37:07 Quixotic socialism: acting out a politics without stakes43:14 Enclavism and the four Fs: faith, family, fandoms, futurism46:16 Perfect, full, minimal, liminal: the four levels of legitimacy51:35 Can things get better? The New Deal, the 70s and why we can't go back54:29 Capital mobility: the unsolved problem at the heart of the crisis1:00:00 NATO, defence spending and the Americanisation of Europe1:07:53 In defence of the Westminster system: order over fairness1:11:03 Why reform stalls: lost threats and "middle capitalism"1:19:49 Immiseration and the shrinking sense of the possible1:24:25 Can revolution even happen now? Nukes, drones and integrated economies1:28:11 Where to find Benjamin's work1:28:48 Benjamin's guest recommendations

Die Elbe war jahrhundertelang Nahrungsquelle für die Menschen in Hamburg und Umland - inzwischen gibt es nur noch wenige Fischer, die von ihr leben. Einer von ihnen ist Lothar Buckow aus Jork im Alten Land. Fast 70 Jahre alt, seit sechs Jahrzehnten auf dem Wasser, kommt er aus einer Fischerfamilie, deren Wurzeln nach eigener Überlieferung bis in die Zeit des Dreißigjährigen Krieges zurückreichen.Der Hafenkonzert-Podcast begleitet Lothar Buckow bei seiner täglichen Reusenrunde rund um die Elbinsel Hanskalbsand. Zwischen Aalen, Kaulbarschen und der invasiven Wollhandkrabbe erzählt er von seinem ungewöhnlichen Weg in den Fischerberuf, von seinem Frust über wiederkehrende Sauerstofflöcher in der Elbe und den aus seiner Sicht ausbleibenden politischen Antworten darauf. Aber auch die Ruhe auf dem Wasser kommt zur Sprache - vier Stunden allein mit sich selbst, in denen sich mancher Gedanke sortieren lässt. Ganz nebenbei: Seeadler, Möwen - und wenn es gut läuft auch mal ein Schweinswal.Alle Ausgaben des Hamburger Hafenkonzerts gibt es unter ndr.de/hafenkonzert, in der NDR Hamburg-App und bei ARD Sounds.Themen dieser Ausgabe (in Sendereihenfolge):

Philippa is back with Lucy Speed, who plays Stella Pryor in The Archers, for part two — and this time the Facebook group gets their say.Lucy answers questions on everything from whether Stella would save Rosie or Cleo in a disaster (the answer is very clear), to whether a prenup would make life easier for everyone at Brookfield. She talks about not knowing Stella and Pip would get together when she first joined, what Stella's wedding outfit might look like, and whether the baby question could derail the wedding entirely.Also: Thor the miniature dachshund makes his podcast debut, Lucy reveals she played thirteen different characters in Radio 4's Don Quixote, why she has loved radio since childhood, and who Stella would choose as her Race Across the World partner — with a strong case made for Rex.Part one of this interview is available now if you missed it.Topics covered: Stella Pryor | Pip Archer | Lucy Speed | Thor | Rosie | Cleo | Wedding | Prenup | Race Across the World | Rex | Radio 4 | Don Quixote | The Archers 2026SUPPORT ALL ABOUT THE ARCHERS:You can BUY US A COFFEE here: buymeacoffee.com/allaboutthearchersYou can buy our MERCH here: https://www.redbubble.com/people/aboutthearchers/shopDo join our FACEBOOK Group: https://www.facebook.com/groups/1127587031446013/ Hosted on Acast. See acast.com/privacy for more information.

Podcast Norma Melhorança entrevista o Prof. Paolo Scappaticci sobre o curso on-line dedicado aos três livros de A Divina Comédia, de Dante Alighieri: Inferno, Purgatório e Paraíso (áudio legendado).Para que servem os livros clássicos? Por que, em 2026, ainda vale a pena ler as grandes obras da Sabedoria Universal?Nesta conversa, o Prof. Paolo Scappaticci mostra por que A Divina Comédia permanece uma das obras mais atuais da literatura e do pensamento ocidental. Muito além de um poema medieval, ela oferece um profundo itinerário de autoconhecimento, reflexão ética e transformação humana, capaz de iluminar os desafios individuais e coletivos do nosso tempo.Um convite para redescobrir um clássico que continua dialogando com as questões mais urgentes da contemporaneidade.Talvez não seja excessivo supor que, atravessado pelo exílio e pelas correntes filosóficas de sua época, Dante Alighieri tenha inscrito no poema ensinamentos místicos que permanecem vivos: das trevas para a luz. É por isso que a obra segue essencial, século após século, ela oferece um verdadeiro mapa de transformação interior do ser humano. Programação

Natey Jones is starring as Ivan in The Harder They Come at Theatre Royal Stratford East.Following acclaimed runs in New York and London, Natey has returned to the role for the production's second season at Stratford East. His performance as Ivan was named West End Frame's Top Performance of 2025.Natey's theatre credits include Richard Bullock and Raymond Hill in Tina: The Tina Turner Musical (Aldwych Theatre), Get Up, Stand Up! The Bob Marley Musical (Lyric Theatre), Death of a Salesman (Piccadilly Theatre), Small Island (National Theatre), Rockets and Blue Lights (Royal Exchange Theatre), Doctor Faustus, Don Quixote and The Alchemist (Royal Shakespeare Company), Romeo and Juliet (International Tour) and Tomorrow (White Bear Theatre). His screen credits include Casualty, Doctors, Father Brown, Waffle the Wonder Dog and Shakespeare Live! From the RSC.In this episode, Natey discusses returning to The Harder They Come and how his portrayal of Ivan has evolved across the show's different productions. He also reflects on the demands of the role, his journey into theatre via law school, why he doesn't consider himself a singer despite starring in major musicals, and lots more along the way.The Harder They Come runs at Theatre Royal Stratford East until 4th July. Visit www.stratfordeast.com for info and tickets. This podcast is hosted by Andrew Tomlins @AndrewTomlins32 Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts. Hosted on Acast. See acast.com/privacy for more information.

In part two, Travis takes us back in time to Western New York State during the beginning of the Jacksonian era. The plans of 50-year-old William Morgan to publish Masonic secrets turned into one of America's first nationwide true-crime media frenzies. After Morgan and printer David C. Miller threatened to expose the inner workings of Freemasonry, local Masons responded with lawsuits, surveillance, sabotage, armed mobs, bogus warrants, arson attempts, kidnapping, and possibly Morgan's murder in the Niagara River.  This episode follows the story from Batavia taverns and print shops to the Ontario County jail, the road to Rochester, the failed Canadian handoff, and the grim stone powder magazine at Old Fort Niagara where Morgan was last known to be held. We also dig into the forgotten role of David C. Miller, the “Masonic spy” Daniel Johns, the propaganda war between Masons and Anti-Masons, and how the scandal helped create the first major third party in American politics. Brad: https://x.com/LoveAndSaucers https://www.instagram.com/bradwtf/ Julian: https://superstructurepodcast.com/ https://www.instagram.com/superstructurepodcast/ Cursed Media: https://www.instagram.com/cursedmediadotnet/ https://www.cursedmedia.net/ Subscribe for $5 a month to get all the premium episodes: www.patreon.com/qaa Produced by Liv Agar & Corey Klotz. Theme by Nick Sena. Additional music by Pontus Berghe. Theme Vocals by THEY/LIVE (https://instagram.com/theyylivve / https://sptfy.com/QrDm ). Cover Art by Pedro Correa: (https://pedrocorrea.com ) https://qaapodcast.com QAA was known as the QAnon Anonymous podcast. The Hoop Pole Knights Abridged version of a 19th Century Anti-Masonic Song Some poets sing in epic strains, Of warriors and their fates, And some that rise and some that fall, Of kingdoms and of states; But hark ! the while in loftier song, And more sublimely grand, I sing to all the listening world The brave Masonic Band. The world was still, and wonders rare, Save now and then a dream Of railroads, and of side canals, And guns that go by steam; When Morgan swore a mighty oath, In spite of friends or foes, That he, for cash or conscience' sake, Would Masonry disclose And Miller swore to print the tale, And spread it far and near, That all the blind on earth might see, And all the deaf might hear; That from the greatest to the least, By Scripture rule, forsooth, That all should come to knowledge of The hidden light of truth. Then hell broke loose, and all the host Of Masons circled round, To kidnap both, destroy the book, Or burn Batavia down; And fury seized on many a brain, And vengeance seemed to start, In room of Love and Charity, From many a Mason's heart. And then the General Hoop-pole Knight, Renowned for chivalry, Began to feel that feather grow, Called popularity ; And how if he succeeded well By prowess in the fight, That he should be a Senator, As well as leading Knight: "And cried, ' Arise my friends, arise ! With pistols, swords, and dirks, Hoop-poles and knives, and cudgels strong, Prepared for bloody works; Without regard to powers that be, Or laws that men devise, On Miller, seize, and seize the book-- Succeed, or sacrifice.' On foot, on horse, in wagons stored, They marched ten miles or more, To guard their victim of revenge, And triumph in his gore; The while the people rose in strength, With blood at boiling heat, And sent him back to printing books, And made the band retreat. Nay, since the days of Don Quixote, When windmills were his foe, There has not been a scene like this, Unless in shades below; And even Don would laugh, and shake His sides till in distress, Had he but seen the Yankee Knights Attack a Printing Press.

At the time the saga of Don Quixote was written by Miguel de Cervantes (1547-1616), the city of Guanajuato in central Mexico was an important colonial town due to the area's large silver deposits. Because it was an important Spanish site, the city today boasts of lavish colonial architecture and a historic town center that is recognized by UNESCO for its cultural heritage. The city proudly holds an annual international festival in honor of Cervantes and his famous characters and story. E227. Check out the YouTube version of this episode at https://youtu.be/FXj0tjljTpE which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Not Just the Tudors podcast available at https://amzn.to/3OelJnj Suzannah Lipscomb books available at https://amzn.to/44M1dQ6 The Man Who Invented Fiction: How Cervantes Ushered in the Modern World by William Egginton available at https://amzn.to/3pSrvkY What Would Cervantes Do? by William Egginton available at https://amzn.to/3NKWtDG William Egginton books available at https://amzn.to/3OelFUB ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 X (twitter): https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio credits: Creator of Don Quixote: Cervantes by Not Just the Tudors podcast with Suzannah Lipscomb & guest William Egginton (History Hit). Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting.See omnystudio.com/listener for privacy information.

In the early 17th century, an aged veteran of Spain's wars against the Ottoman Empire published a book. It was the story of a poor nobleman who deludes himself that he is a knight errant and sets off on hilarious adventures. Don Quixote is an early 17th century fictional character made famous by the Spanish author, Miguel de Cervantes (1547-1616). The story’s influence on North American literature is immeasurable. E226. Check out the YouTube version of this episode at https://youtu.be/bphog1URND0 which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Not Just the Tudors podcast available at https://amzn.to/3OelJnj Suzannah Lipscomb books available at https://amzn.to/44M1dQ6 The Man Who Invented Fiction: How Cervantes Ushered in the Modern World by William Egginton available at https://amzn.to/3pSrvkY What Would Cervantes Do? by William Egginton available at https://amzn.to/3NKWtDG William Egginton books available at https://amzn.to/3OelFUB ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 X (twitter): https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio credits: Creator of Don Quixote: Cervantes by Not Just the Tudors podcast with Suzannah Lipscomb & guest William Egginton (History Hit). Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting.See omnystudio.com/listener for privacy information.

Should you move to Spain in 2026? Well, it depends. A blog called Expat Money recently published a list of the "top 7 reasons you should never move to Spain" and I don't think the author was wrong about them... I just think that Spain has some intangibles that make it a great place to live, and that for most of us, moving abroad is more than a mathematical calculation. Support this podcast at https://expatmadrid.com/donate/You can read my article here, obviously I've lived in Spain for 22 years and I'm somewhat biased: https://expatmadrid.com/reasons-never-move-spain/If you're looking for a more athletic type of holiday, check out my friend Raul over at https://biketourinspain.comI'll be going on his tour of La Rioja and Camino del Cid in a couple of months, and I've got two episodes on here about other bike tours, look for "#76 - Route of Don Quixote" and "#94 - Extremadura Bike Tour" for more about those.

Today on the Conversations on Dance podcast we are joined by Susan Jaffe, Artistic Director of American Ballet Theatre. Susan reflects on ABT's Spring Season, the challenges of the Met season shifting later into summer, and the company exceeding attendance goals while continuing strong ticket sales. She talk about how Executive Director Barry Hughson's arrival has strengthened fundraising and operations, freeing her to focus on artistic work. She previews the upcoming Met lineup—two weeks of Swan Lake, Cranko's Onegin, and 10 performances of Don Quixote with seven Kitri/Basilio casts. Jaffe details her Don Quixote refresh: keeping the 1978 production, tightening storytelling and pacing, making music cuts, adjusting mime and choreography, and more. See ABT at the Met June 17 - July 18th. Tickets available at ABT.org: https://www.abt.org/performances/summer-season/Listen to our other episodes with Susan here: https://www.conversationsondancepod.com/search?q=susan+jaffeListen to Conversations on Dance ad-free on Patreon: https://www.patreon.com/cw/conversationsondance____________________________________Introduction: Conversations on Dance with Susan JaffeJoin hosts Rebecca King Ferraro and Michael Sean Breeden on the latest episode of the "Conversations on Dance" podcast as they engage with Susan Jaffe, the esteemed artistic director of American Ballet Theatre (ABT). They dive into the intricacies of ABT's performances, the innovations under Jaffe's leadership, and the exciting future of ballet.Reflections on the Spring SeasonSusan Jaffe begins by reflecting on the challenges and triumphs of ABT's spring season. Originally set for mid-April at the Metropolitan Opera House, a shift pushed performances into summer, prompting concerns about audience engagement. Despite these challenges, ABT exceeded attendance expectations, experiencing what Susan coined as “Timothée Chalamet moments” – standing ovations each night. With the support of Executive Director Barry Hughson, the company navigated these changes with finesse, focusing on enriching its artistic offerings while maintaining strong ticket sales.Previewing the Met Season: New Approaches and Old FavoritesAs the discussion shifts to upcoming performances at the Metropolitan Opera House, Susan announces a packed lineup featuring two weeks of "Swan Lake", George Cranko's emotionally rich "Onegin", and a refreshed "Don Quixote" (Don Q). The conversation reveals how adjustments to the season were strategically planned to cater to both New York residents and the influx of summer tourists.Don Quixote Gets a RefreshThe process behind updating "Don Quixote" was intricate, with Susan focusing on tightening storytelling, enhancing choreography, and making selective cuts to maintain audience engagement. Her collaboration with renowned figures such as Susan Jones and forthcoming music director David LaMarche highlights a commitment to retaining the piece's essence while injecting fresh energy.Conclusion: An Invitation to Experience the MagicThe episode closes with an invitation from Susan Jaffe for audiences to experience the magic of ABT's upcoming performances. With refreshed classics and bold new directions, each ballet is crafted to captivate and inspire. Whether a longtime fan or a newcomer, ABT's vibrant season promises unforgettable experiences for all.Join the ConversationListen to the full episode for a detailed exploration of ABT's artistic journey. Subscribe to "Conversations on Dance" for more illuminating discussions on ballet's vibrant tapestry. Visit conversationsondancepod.com for more information and to explore sponsorship opportunities.LINKS:Website: conversationsondancepod.comInstagram: @conversationsondanceCOD MerchListen to COD on YouTubeJoin our email listSponsorship information Hosted on Acast. See acast.com/privacy for more information.

Lords: Ron https://grumpygamer.com/ Kevin https://rubixsqube.itch.io/ Topics: Do you do easy or hard tasks first? Magic (not the gathering, prestidigitation) as it exists in 2026 The thing that makes text adventures interesting The Universe: Original Motion Picture Soundtrack, by Tracy K. Smith https://www.poetryfoundation.org/poems/55517/the-universe-original-motion-picture-soundtrack Trash vs Treasure: ultra distant galaxies, little red dots, and brown dwarfs Weird hobbies Microtopics: Forgetting what you were going to say about prescription toothpaste. Microsoft Encarta '94. Back when computers were charming. A roguelike where the screen is always scrolling. Doing the hard tasks first so you no longer have to think about them. Trying to cover air quotes audially. Protaskination. Solving a topic for the first time ever. Advertisements for card tricks. Art forms involving lying to people. Nirvana the Band the Show the Movie. Using the language of punctuation to make people lean forward. Donnie Osmond being a jerk. Self-working card tricks. One of the greatest gifts ever given to you by the universe. Winning $6000 in a single spin of roulette and then retiring from gambling. Leaving decks of cards in bars that are 80% the same card. A mail order service that emails you a video of a begloved man preparing your order to ship. Why you own a nine of diamonds single card forcing deck. Video reviews that never discuss or show what the product being reviewed actually does. Dorky magicians in the Youtube era. The text adventure community adopting the Twine community. Zork's physics system and lighting model. A medium in which a single auteur can make a complete work in a few months. The Many Worlds interpretation of Twine adventures. Implementing gamepad controls for a text adventure. Complete inability to drop items in graphic adventures. A Dropping Place. Media in which only the author be clever vs. media in which the consumer can also be clever. The "that doesn't seem to work" response. How you interact with Starship Titanic. Robots saying inscrutable stuff to you. A firm turn-around wrong-way barrier. Keeping the magic of the text parser in your head even as you figure out exactly how it works. A text adventure with auto-complete. Pulitzer-winning poetry about the entire universe. White noise and black noise. The dark we've only ever imagined, now audible, thrumming. Learning how to hear poetry. (Like, at all.) A way of thinking about how the universe was born. Modern jazz as another way of exploring existence. Reading Shakespeare and having to look up "moiety" again. Reading a modern translation of Don Quixote and being annoyed that you can't find a modern translation of Shakespeare. Retreating away from the camera in horror. Unchecked ambition and desire for power. Shakespeare except it's a bunch of lawyers. Romeo and Juliet in the Globe Theater except everybody is shooting each other with guns. Bill and Ted's Excellent Use of Febreeze. JWST images of little weird pimples. Astronomers looking at Interlopers and saying "get this trash out of here" Leaving bugs in your game because they make the game more interesting. There's no such things as trash: it's all treasure to somebody. Throwing a disc up into the fizzlers. Playing a video game and thinking of a way to really fuck your game up and being compelled to find out if the developers thought of it. Always doing exactly what the game tells you not to do. Going to the Sega booth at E3 and playing Sonic as slowly as possible. Playing games in a way that makes the Sega representative come up and talk to you. The production glitches subreddit. Comb filtering. Arguing about whether it's a mistake that you can hear Alanis Morissette inhale. Parts of games that you need to polish and parts you can leave unpolished. Jim's secret to shipping video games. Polishing and honing and perfecting so much that you ruin the finished product. Picking hobbies that don't scale. Eating the top 1000 soups in the history of planet Earth. The kind of person who gets fulfillment out of people appreciating work you've done for them. Letting your wife know that you do have hobbies, actually. The Dead Poet's Society scene about measuring the relative merits of poetry. Jamming on the coffee table synthesizer, and thinking the whole time "I should make a finished song to upload to a web site" Years of meticulous cutting and shaping.

Miguel de Cervantes (1547-1616) wrote Don Quixote, an early 17th century fictional character made famous by the Spanish author. This epic novel went on to be read around the world in Spanish and most other languages, making its author one of the most-read writers in human history. The story’s influence on North American literature is immeasurable. Such admiration is displayed by a life-sized statue of Don Quixote de la Mancha and his faithful sidekick Sancho Panza that sits at the bottom of a rock cliff in Guadalajara, Mexico. E225. Check out the YouTube version of this episode at https://youtu.be/_01dLU4_K_4 which has accompanying visuals including maps, charts, timelines, photos, illustrations, and diagrams. Not Just the Tudors podcast available at https://amzn.to/3OelJnj Suzannah Lipscomb books available at https://amzn.to/44M1dQ6 The Man Who Invented Fiction: How Cervantes Ushered in the Modern World by William Egginton available at https://amzn.to/3pSrvkY What Would Cervantes Do? by William Egginton available at https://amzn.to/3NKWtDG William Egginton books available at https://amzn.to/3OelFUB ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORICAL JESUS podcast at https://parthenonpodcast.com/historical-jesus Mark's TIMELINE video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 X (twitter): https://twitter.com/MarkVinet_HNA Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio credits: Creator of Don Quixote: Cervantes by Not Just the Tudors podcast with Suzannah Lipscomb & guest William Egginton (History Hit). Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting.See omnystudio.com/listener for privacy information.

On this edition of Reelin'... The Featured Five Theme is Playing "Favorites": Songs that mention the word "favorite" in the title... Also, Paul McCartney talks about partnering with John Lennon to write "A Day In The Life"... Paul Simon on finding love on the set of Saturday Night Live... What band gets their name from a passage in the Spanish novel, Don Quixote?... New music from Marcus King, The Lone Bellow, and more!... Deep tracks from Blues Traveler, Mudcrutch, Mike Doughty, Split Enz, Gregg Allman, Mavis Staples, and much more! For more info on the show, visit reelinwithryan.com

Wayne Johnston is a master storyteller. He's been writing books for forty years, with the history, politics and people of Newfoundland figuring large in his works. His new novel is The Novice of Holloway Hall. He joins the show to talk about the books that have shaped him and his career. Plus, acclaimed English author Jeanette Winterson answers the Proust Questionnaire. Books discussed on this week's show include:Don Quixote by Miguel de CervantesSalome by Oscar WildeCollected Poems of Emily DickinsonAs You Like It by William ShakespeareOne Aladdin Two Lamps by Jeanette WintersonCheck us out on Instagram @cbcbooks and TikTok @cbcbooks

After completing a classics reading project, today's guest really wants to keep her reading momentum while also bringing more non-classics back into her reading life. Today we're trying something new and inviting a team member alongside Anne to help tackle one reader-specific reading dilemma. As you'll hear today, Anne couldn't help but notice that guest Cheryl Drury's tastes and recent reading project shares a lot in common with team member Ginger Horton's reading life. Ginger is our Modern Mrs Darcy Book Club community manager, and she has recently been immersed in the classics due to her current enrollment in a Great Books graduate study program. That's why Ginger seems like exactly the right reader to bring along for this conversation with Cheryl. Cheryl hails from Charleston, South Carolina. While she's always been a reader, she'd never really dabbled much in classics or Great Books until 18 months ago, when she embarked on a challenge to read through a year-long list of more than 100 influential books. The project energized Cheryl's reading life, but now she's not quite sure where to go next. Anne, Ginger, and Cheryl talk about how Cheryl may retain some of the structure from her classics project as well as where she can have more flexibility to follow where her reading whimsy takes her. Plus, they'll offer title ideas that may feel like just the right bridge between what Cheryl's been reading lately and what she'd love more of in the months ahead. Find the list of titles discussed today and share your ideas for Cheryl on our show notes page, at whatshouldireadnextpodcast.com/523. This year marks our 10th anniversary of Book Club. It has been so much fun along the way, and we've got great events queued up to celebrate this year. Plus, this is a wonderful time to join because it's Summer Reading Guide season. For more from Ginger and more Book Club fun, join us at modernmrsdarcy.com/club. Chapters: 07:43 Meet Cheryl 12:10 Cheryl's decision to read the classics 21:08 Don Quixote by Miguel de Cervantes 23:38 The Adventures of Huckleberry Finn by Mark Twain 26:15 A Gentleman in Moscow by Amor Towles 30:05 Dead Wake by Erik Larson 46:34 1000 Books to Read Before You Die by James Mustich 51:42 Q's Legacy by Helene Hanff 54:15 Hagseed by Margaret Atwood 55:52 What will Cheryl read next? Learn more about your ad choices. Visit megaphone.fm/adchoices

ONE EYE ON THE WORLD — Monocle, the brainchild of the expat Canadian magazine maker, Tyler Brûlé, was born in early 2007, a relatively awful year for the magazine business, not to mention the entire world. In that year alone, more than 100 print magazines folded—or, as Wikipedia terms it, were “dis-established”—among them: Life (yet again), Premiere, Red Herring, House & Garden, Jane, Child, and Business 2.0. Months later, the global economy was hit by the Great Recession. But Brûlé was coming out from under a rather lengthy non-compete agreement with Time Inc., after selling his previous startup, Wallpaper*, to the American media giant, and he was desperate to get back to the newsroom. Given the times, and the stream of fading print publications, one could judge Brûlé's resolve as “madness,” as Don Quixote cried in the opening clip. Digital was all the rage, the iPad was knocking on the door, and the radiation of the frenzied dotcom meltdown was still slowly killing legacy media. “Madness”? Not if you know Tyler Brûlé.  In his world, “life as it should be” is rich—a morning espresso in a bustling cafe with a crisp newspaper written and edited in the romance language of your choice, sorting out weekends skiing the Alps or lounging on the Med while riding the night train to Vienna. And then there's the print—not only the magazine itself, printed on “upwards of nine different paper stocks, crammed with extremely niche articles about carbon-neutral airlines in Costa Rica and sleek Afghan restaurants in Dubai,” but also special edition newspapers, coffee table books, and Monocle-approved travel guides.  (Someone forgot to tell Brûlé and his brilliant team of collaborators that print is dead). In a media culture traditionally obsessed with scale at any cost, Monocle's modest 100,000 circulation belies a thriving multi-media juggernaut that confidently ignores the lure of social media. “We're in a very fortunate position that we're an independent publisher,” says Brûlé, “and we don't have the commercial pressures of a big parent. And those commercial pressures can be two-fold: One is cost savings, but the other pressures are to go and chase after every new trend.” In fact, Brûlé thinks of Monocle as a family business. “We don't set out to be pioneers, but also we're a family company, and we can choose to do things quickly if we want to.” That same culture has manufactured the pressure to establish one's entrepreneurial cred. You're not the editor, you're the founding editor, the founding creative director, the founding director. But when asked about how he thinks of and refers to himself, Brûlé answers simply: “If I think about ‘What do I do?' I'm a journalist. I'm out to be a witness. I'm out to absorb, I'm out to interpret, and I'm out to communicate.  A print-centric media phenomenon, created as a family business, led by a journalist. Surprising? Not for someone who's been building a life—as it should be. — This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025

A lot of people move to Spain thinking they'll find happiness abroad. In reality, though, expat life is complicated, and happiness is far from guaranteed. Here are my thoughts on a "feeling of home", on getting away from it all, on Americans' love for moving, and much more. Support the podcast at https://expatmadrid.com/donate/I appreciate it! And I'll give you a shoutout on a future episode if you send some support.Also, you can sign up for walking tours of amazing locations in Spain and Europe with Walks Tours: https://expatmadrid.com/walks/Food tours in Spain and elsewhere with Devour Tours: https://expatmadrid.com/devour/And cycling tours such as the Route of Don Quixote with Bike Tour in Spain: https://biketourinspain.com/If you're interested in Spanish real estate, check out the list of Spanish real estate vocabulary over on my blog: https://expatmadrid.com/real-estate-vocab-spanish/

Antonio Martínez Asensio celebra el Día del Libro incorporando un nuevo libro a la sala de 'La Biblioteca' de 'Hoy por Hoy'. Y no un libro cualquiera, sino el libro más conocido a nivel mundial junto a La Biblia y el clásico español por excelencia: 'El ingenioso hidalgo Don Quixote de la Mancha', o simplemente 'El Quijote', de Miguel de Cervantes. ¿Será capaz de resumirlo en apenas tres minutos?

While we are on a break, enjoy this episode from Season 2!This week we pair two early-modern comedies that show how laughter can reveal truth. But first, we do a quick review of European history, looking at France, Spain, Italy and England, trying to place the things we're reading inside history. (I knew next to nothing about Spain at this time so it was really helpful for me!)This is a replay of one of my favourite episodes, episode 32. New episodes out May 19th!Cervantes' Don Quixote (1605) introduces a middle-aged dreamer who decides to become a knight-errant, setting out with his baffled squire Sancho Panza to defend honor and right wrongs. The famous windmill scene is only the start of his misadventures. Quixote is absurd yet strangely noble—so devoted to his ideals that he reshapes reality around them. His neighbors burn his books, a shepherdess defends her independence, and somehow, amid the chaos, it's all deeply human.Molière's Tartuffe (1664) offers lighter, sharper satire. The pious fraud Tartuffe charms his way into Orgon's household, scheming for both wife and wealth while the women—wife, daughter, and maid—quietly outsmart him. The play's snappy dialogue and quick pacing make it pure joy, right up until its too-neat royal ending.Both works explore self-delusion and sincerity, showing how belief, hypocrisy, and humor can coexist. This week's music—Spanish piano by Isaac Albéniz and Enrique Granados—was the perfect accompaniment: bright, bold, and unexpected.We'll be back next week with a look at The Prince (Machiavelli) and The Social Contract (Rousseau). See you then!LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321Captivate - https://crackthebook.captivate.fm

“There are parts of the business and finance world that are invested in making these things seem intimidating and scary. We really enjoy making things more approachable.” — Alex MayyasiWhat's the last taboo? The thing that we are totally embarrassed to discuss? No, not sex. It's money. At least according to Alex Mayyasi — frequent contributor to NPR's Planet Money — who has just published Planet Money: How to Live Richer, Spend Smarter, and Afford the Life You Want, a field guide to the big economic forces that shape our working, saving, loving and leisure lives.Mayyasi argues that money is the last taboo. We talk openly (perhaps too openly) about our sex lives now. But we still don't talk about our money lives — not with spouses, not with parents, not with our children. Companies that have tried full salary transparency report uncomfortable conversations about race and gender. Thus the need for Mayyasi's new book. It's not exactly porn, but Planet Money is designed to liberate us from our last taboo. Five Takeaways•       The Economy Was Invented During the Great Depression: If you asked someone a hundred years ago how the economy was doing, you'd get a strange look back. The concept didn't exist. It was the Depression that forced the question — because Roosevelt and his advisers had no way of knowing whether the New Deal was working. An economist was tasked with the Don Quixote-like job of counting every transaction in America to produce a single number: GDP. We have lived inside that number ever since.•       Money Is More Embarrassing Than Sex: We talk freely about sex now. We still don't talk about money — not with spouses, not with parents, not with children. Mayyasi advocates for salary transparency, even though companies that have tried it report uncomfortable conversations about race and gender pay gaps. The discomfort is the point. Maybe we need a Freud of finance to liberate us from the last taboo.•       Financial Time Travel: Markets give us the ability to move money through time — into the future through saving, or from the future to the present through borrowing. Student loans are the most relatable form: young people pulling their future income backwards to fund the human capital they need to earn it. Consumption smoothing across the life cycle is a perfectly valid use of debt, as long as you don't assume the future will be richer than it actually turns out to be.•       Productive Risk Versus Nihilistic Gambling: The GameStop ride looks quaint compared to today's parlay bets on whether a certain word will appear in the State of the Union. Higher risk, higher reward is a continuum, and savvy careers are built on calculated risks. But there is a difference between productive risk — the kind that builds businesses and careers — and the nihilistic flip of a coin. Knowing the difference is half of financial literacy.•       Bobby Bonilla and the Magic of Compound Interest: Bonilla agreed to defer his $6 million Mets salary for decades. Every year, the Mets still send him a cheque for over $1 million, which drives Mets fans insane. It looks bone-headed, but it is exactly how every successful retirement plan works: give up consumption now, let compound interest do its work, enjoy something like $30 million in the future. Bonilla was savvier than his critics. We can all learn from him. About the GuestAlex Mayyasi is a writer and frequent contributor to NPR's Planet Money. His new book, Planet Money: How to Live Richer, Spend Smarter, and Afford the Life You Want, was published this week.References:•       Planet Money: How to Live Richer, Spend Smarter, and Afford the Life You Want by Alex Mayyasi.•       Episode 2863: An Anticapitalist Mutiny — Noam Scheiber on the rise and revolt of the college-educated working class. The other side of Planet Money.About Keen On AmericaNobody asks more awkward questions than the Anglo-American writer and filmmaker Andrew Keen. In Keen On America, Andrew brings his pointed Transatlantic wit to making sense of the United States — hosting daily interviews about the history and future of this now venerable Republic. With nearly 2,800 episodes since the show launched on TechCrunch in 2010, Keen On America is the most prolific intellectual interview show in the history of podcasting.WebsiteSubstackYouTubeApple PodcastsSpotify Chapters:(00:31) - Introduction: things aren't quite right on Planet Money (03:18) - The Great Moderation: a fantastic run that we forgot to celebrate (05:49) - The economy was invented during the Great Depression (07:52) - Aristotle's oikonomia: economics has always been personal (09:20) - The Planet Money DNA: storytelling and the bank teller who met the ATM (13:23) - Why money makes everybody nervous (16:02) - Crypto out, AI in: the great pivot of the writing process (17:49) - Economists and AI: the longer perspective (20:03) - Financial time travel: student loans as moving income through time (22:40) - Productive risk versus nihilistic gambling (24:41) - Does money make you happy? Beyond the $60,000 plateau (27:25) - GDP versus the planet: externalities and corporate DNA (30:15) - More embarrassing than sex: why we can't talk about money (33:19) - Salary transparency: the case of Sweden (41:47) - Bobby Bonilla, the Mets, and the magic of compound interest (45:48) - Insurance as peace of mind  

APR. 7, 2026The life-giving Word."The words that I speak to you are spirit, and they are life." Jn 6:63 NKJVJesus was called "Rabbi" eleven times in the Gospels. But He wasn't like any other rabbi. Rabbis quoted others, but Jesus said, "Truly, I say to you..." In the gospel of John, He said it twice: "Truly, truly, I say to you..." The reason Jesus wasn't like any other rabbi was because He was God manifested in the flesh. And Paul says, "Christ, in whom are hidden all the treasures of wisdom and knowledge" (Col 2:2-3 NKJV). The early church fathers had a favorite saying: "The Gospels are a river in which a gnat can swim, and an elephant can drown." The Gospels-the record of Christ's life and teaching-have impacted the world so much that they have been translated into 2,527 languages. The second-most-translated book, Don Quixote, has been translated into about 60languages. To this day, the Bible remains the bestselling book of all time. In the academic world, scholars keep score of how often any articles they write are cited by other scholars. By this year's secular score, Jesus' intellectual impact is unprecedented. Why is this? Because when everything else fails, God's Word works. Jesus explained it this way: "It is the Spirit who gives life; the flesh profits nothing. The words that I speak to you are spirit, and they are life." If you are a teacher, you know that the number one question in any class is: "Will this be on the final?" If you want to pass your finals and hear, "Well done!" from the teacher, get into God's Word each day and get God's Word into you.The life-giving Word The bestselling book of all timeShare This DevotionalSend us Fan MailSupport the showChanging Lives | Building Strong Family | Impacting Our Community For Jesus Christ!

Podcast for a deep examination into the career and life choices of Adam Sandler (again). Patrick and Joe take a trip down memory lane and discover they don't like what they find. In an attempt to white wash history, the WTHHTT team decides to clean up their old podcasting mishaps. Will they be successful? Find out on this week's remixed episode of 'What the Hell Happened to Them?' Email the cast at whathappenedtothem@gmail.com Disclaimer: This episode was recorded in November 2024. References may feel confusing and/or dated unusually quickly.   'Jack and Jill' available on DVD and unnecessarily on Blu-ray: https://www.amazon.com/Jack-Jill-UltraViolet-Digital-Blu-ray/dp/B006LL3WAM/   Clips from 'Jack and Jill' Music from "I, Don Quixote" from the musical 'Lord of La Mancha': book by Dale Wasserman, lyrics by Joe Darion, music by Mitch Leigh Artwork from BJ West   quixotic, united, skeyhill, vekeman, sandler, syzygy, jack and jill, pacino, dunkin, donuts, twins, quixote, bird, dunkaccino, heat, scent of a woman, dog day afternoon, godfather, krisha

Don Quixote, Candide by Voltaire, Schopenhauer, William T Vollmann, Motherdying by Michael Lentz, The Gospel According to Jesus Christ by Jose Saramago. https://www.patreon.com/c/1storypod

In the most stunning return since MacArthur landed at Inchon, former Book and Film Globe editor Neal Pollack has come back with a new episode of the beloved Book and Film Globe podcast. Pollack welcomes back the Sancho Panza to his Don Quixote, chief film critic Stephen Garrett, so they can preview this weekend's Oscars together.In surgical fashion, they whittle the list of 10 Best Picture nominees down to five that really matter: One Battle After Another, Sinners, Bugonia, Hamnet, and Marty Supreme, analyze the good and bad of each, and, as they're wont to do, solve all the world's problems in a mere 25 minutes. No one loves movies more than Stephen and Neal do, which is why we love them.They did not, however, love The Bride!, Maggie Gyllenhaal's bizarre reinterpretation of the Frankenstein mythos. Jessie Buckley may win the Oscar this year. But she's going to win a Razzie next year. The Bride! is an all-time turkey. BFG likes to be on the right side of history.Enjoy the show! Hopefully there will be more.[ED'S NOTE: The Holocaust story from Marty Supreme is actually based in fact]

Jack Myers has been sharing observations and insights about media longer than some platforms have even existed. I used to study his “Jack Myers Report,” when I started in cable and it was actually the first faxed newsletter. Then fast forward a decade or two and I became the first Managing Editor of Jack’s next successful communications platform: Media Village! Its thousands of articles, interviews, and executive insights now serve as a living history of the business. That was where I created my first podcast…and fast forward another decade and Jack has his own podcast now, too… and has authored some seven books! But DON’T fast forward through this half hour of gems from Jack that will inform and inspire you about how we may not really BE in a “technology-first era.” Jack acknowledges he can relate to Don Quixote as some might think he’s “tilting at windmills” in fighting the perception that humanity will prevail in our tech-focused world. Why? Because Jack has seen and understands the through line of it across generational changes…and as a strategy. In this episode — and in fact in his own show with Tim Spengler, called Lead Human — we talk about what it means to be “human first” in a technology-accelerated era. We topline what empathetic leadership, performance culture, and how organizations are recalibrating as they navigate AI. He and Tim go deep on those topics, so check it out. In what Jack calls a human-recalibrated era, he's seeing a shift from “people first” as a cultural slogan to “people first” as a performance strategy — embedded into compensation, collaboration models, and operating systems. “It's not about how much content we produce, but how thoughtfully we decide what deserves to exist and be amplified.” But now that we’re both in podcasting how does this Media Ecologist see it as a business model? He explains the tension between programmatic advertising and authenticity, and why speed — in content, in media, in AI — may be the most overrated metric in the room.   Early podcasting days at MediaVillage And yes, we cover his latest reinvention: a historical fiction novel, a forthcoming science fiction trilogy, and what writing fiction reveals about understanding the human condition. At the end, I ask Jack what he hopes the media industry embraces more of — and less of — in the years ahead. His answer is less sentimental than you might expect, and more structural than most pundits are willing to articulate. This conversation spans decades of media evolution — from fax machines to AI voice replication — but it ultimately comes down to one idea: Speed without judgment is just noise. Key Highlights: 01:34 – What “human first” really means in media. 02:17 – Just the fax… the start of tracking generational shifts. 05:18 – Media Village: The house that Jack built  – on relationships and thought leadership 09:44 – How good listening led to a podcast — first for E.B., now for Jack 12:02 – Launching a leadership podcast in the AI era and how empathy is a performance strategy  19:32 – Technology-first or a time for human recalibration. 23:50 – The future of podcast monetization 28:32 – His pivot to fiction (or is it?!) in The Kissinger Conspiracy 32:17 – Media's inflection point. More responsibility. Less addiction to speed. Think ecosystem — not silos. Connect with Jack Myers: Jack Myers The Jack Myers Report  Connect with E.B. Moss and Insider Interviews: With Media & Marketing Experts            LinkedIn: https://www.linkedin.com/in/mossappeal Instagram: https://www.instagram.com/insiderinterviews Facebook: https://www.facebook.com/InsiderInterviewsPodcast/ Threads: https://www.threads.net/@insiderinterviews Substack: Moss Hysteria Please follow Insider Interviews, share with another smart business leader, and leave a comment on @Apple or @Spotify… or a tip in my jar!: https://buymeacoffee.com/mossappeal!  THANK YOU for listening!

Today we talk about current events.Also… last chance to order SIGNED Copies of Strange Company and the Wasteland Saga. Thank you.Strange Company Series and The Wasteland Saga Series are ready for ordering SIGNED copies. I do this at specific times because I need to order them in advance, as they are not always available. I'd jump on this if you want SIGNED copies for yourself, or, a gift for a special friend during the holidays or birthdays.These will be SIGNED Copies.I'll be SIGNING the Strange Company Books BUNDLE for $99.99 You get all 3 Books SIGNED for that price.TRIVA: These are beautiful books. The art on the covers is done by three of the most in-demand artists working in SciFi art today. Pascal Blanche (Dune Concept Artist) did Strange Company. Trent Kaniuga (Twilight Monk, Blizzard Diablo 3 Artist) did Voodoo Warfare. And Marc Lee (Coffee and Perspectives) did Hearts of Darkness. I think these are collectors' editions and I hope you take advantage of this offer. I wanted the best artists for the Strange Company, and I think the art adds to the story in an exceptionally satisfying way.I'll also be ordering copies of The Wasteland Saga.I'll be SIGNING The Wasteland Saga Series for $69.99. You get all 3 Books SIGNED for that price.TRIVIA: Artist M.S. Corley conceived and executed a very specific vision of the covers I wanted for The Wasteland Saga books. These were the third edition of the covers. The first, way back in 2011, was a cover I bought from an artist that was expensive for me at the time but didn't necessarily evoke what I wanted. Those were the early days of Indie pub and it was all I had the money for. It was kind of a take it or leave it deal. Then I sold the series to Harper Collins and they basically did a photoshop hack job for the covers. When I finally recovered the rights in 2019 I wanted to do something that evoked the Post-Apocalyptic Hemmingway nature of the books. I have a favorite sketch from Picasso. Don Quixote. I gave an image of the sketch to M.S. Corely and together we came up with covers that finally captured the series. Honestly… they are beautiful pieces of art and I love them even without the books. But that vintage feel they give to the covers of these books is very special to me and makes it feel like it was all worth it, and I am very pleased to offer them to you, SIGNED. These are keepers and I hope you cherish them as much as I do. -Nick This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit nickcole.substack.com/subscribe

To celebrate the centennial Left Page we go to the start, the originator of the modern novel: Don Quixote de la Mancha!We go over the fantasies of Don Quixote, the way the two books deal with reality, fantasy, and primarily books and reading! All the while not forgetting the deep materiality involved in the depictions, and how there is still more than we think to it.Come celebrate our 100th episode with one of the greatest of all time!Enjoy!Check out all the free stuff on Patreon and support us if you can there!https://www.patreon.com/leftpage And do join our Discord for more chats about games, books, and plenty more!https://discord.gg/J2wgG3yrPNIntro Music: Ultralounge · Kevin MacLeod (incompetech.com)Outro Music: Don't Leave! · El-Funoun Palestinian Popular Dance Troupe. From the Album: Zareef ℗ 2006 El-Funoun Hosted on Acast. See acast.com/privacy for more information.

Comedy and radio legend Phil Proctor talks about the origin of the Firesign Theater, his love of radio, his many careers as an actor, reporter, writer, comedian, author, and how he made the New York, San Francisco, and LA scenes when there were scenes to make!  He also talks about his biography “Where's My Fortune Cookie” and how he almost died three times.  Let's see if he survives our podcast. Bio: Proctor is a founding member of the thrice-Grammy-nominated Firesign Theatre, one of Rolling Stone's “Thirty Greatest Acts of All Time” and whose archives were purchased by the Library of Congress. He's appeared on-and-off Broadway, toured the USSR with the Yale Russian Chorus and the US and Canada with Proctor & Bergman and the L.A. Guitar Quartet in Don Quixote. He has appeared in scores of commercials, audiobooks, video games, films and TV shows, receiving Theatre World, LA Weekly, LA Free Press and Drama Critics' awards, and the Norman Corwin Excellence in Audio trophy as well as a recent Emmy for the PBS-aired documentary Feast Your Ears: The Story of WHFS Radio. His voice credits include memorable characters in Academy Award-winning films for Pixar and Disney from A Bug's Life to Inside Out, the Drunken French Monkey in Dr. Dolittle, Dr. Vidic in Assassin's Creed, Simon Stagg in Batman: Arkham Knight, and Howard in the multi-Emmy-winning Rugrats, including a star on the Hollywood Walk of Fame. He has also added scores of voices to the Golden Age of Pulp Fiction series and appeared on Irish radio and live on stage with his late wife, Melinda Peterson, at the 77th Science Fiction Convention in Dublin. He was the announcer for 3 seasons of Big Brother and has a recurring role as Detective Polehaus on the long-running Adventures in Odyssey and can be seen in many old--time radio recreations at the Online Radio Theatre on YouTube. He is a 15-year member of the Antaeus Theater and to accompany his autobiography and audiobook, Where's My Fortune Cookie? co-authored by Brad Schreiber, he co-wrote What to Say to Your Crazy Right-Wing Uncle, with Samuel Joseph and God Help Us! a political comedy which toured the U.S. and Canada starring the late Ed Asner. He currently co-hosts Phil & Ted's Sexy Boomer Show, every Tuesday afternoon on KPFK with Ted Bonnitt, featuring conversations with friends like John Goodman, Penn Jillette, Weird Al,  Laraine Newman and Harry Shearer among others. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mario Bros. is the biggest franchise of all time. Bigger than Star Wars, Marvel… bigger than Harry Potter. Nintendo is an empire. Dave Young: Welcome to the Empire Builders Podcast, teaching business owners the not-so-secret techniques that took famous businesses from mom and pop to major brands. Stephen Semple is a marketing consultant, story collector, and storyteller. I’m Stephen’s sidekick and business partner, Dave Young. Before we get into today’s episode, a word from our sponsor, which is… Well, it’s us, but we’re highlighting ads we’ve written and produced for our clients. So here’s one of those. [Travis Crawford Ad] Dave Young: Welcome back to the Empire Builders Podcast. Dave Young here with you, and Stephen Semple’s alongside, with another empire-building story for us that- Stephen Semple: An exciting story. Dave Young: It’ll take you back to childhood, but it doesn’t take me back to childhood because I’m too goddamned old. Stephen Semple: Well, it depends how you look at this, this might be- Dave Young: No, I suppose. I suppose the company [inaudible 00:01:55]. Stephen Semple: It might be older than your childhood, but depends what we decide to talk about. Dave Young: Yeah, it’s just like when the big games came out, the… So we’re talking about Nintendo today. Stephen Semple: Correct. Correct. Dave Young: And I had Atari and things like that. And my kids all had the Nintendo. I actually have a Nintendo Switch, but I didn’t get that until I was… Stephen Semple: It also originally started as an arcade game, if we go back, because we are going to go back far enough. Dave Young: Well, that’s true. That’s true. Stephen Semple: Yes, yes. But if we actually went back to the company, Nintendo, we would be going back to 1889. Dave Young: Okay. So not so much my childhood. There you go. Stephen Semple: 1889. Yeah. And we’re really not going to talk so much about the origin and Nintendo as a company, but really, the origin of the video game business, and more specifically Donkey Kong, and went on later to become the Mario Brothers franchise. That’s really what we’re going to talk about. Dave Young: Now, hold on. Hold on. Hold on. Now, I don’t know everything, but I’m pretty sure video wasn’t around in 1889. Stephen Semple: It was not. Dave Young: There was no video games. Stephen Semple: No, there was not. So that’s why we’re really going to be talking about more of the recent history of Nintendo. Dave Young: A real Donkey Kong, climbing ladders and throwing barrels. Stephen Semple: Okay. That’s it. That’s it. Dave Young: Or a monkey, a gorilla. Yeah. Stephen Semple: And here’s the thing, the Mario Brothers franchise is huge. It’s one of the biggest franchises in history. There’s been 800 million video games sold worldwide, making it the bestselling video game of all time. It’s bigger than Pokemon in game sales alone. The estimated lifetime sales across all revenues for the Mario Brothers franchise is $60 billion. Bigger than Star Wars, bigger than Harry Potter, bigger than Marvel. Dave Young: Wow. Stephen Semple: The movies alone sold over a billion dollars. There’s theme park now. It’s huge. It’s absolutely massive. And the Nintendo company is very old. It was founded back in Kyoto, Japan in 1889 by Fusajiro Yamauchi. That’s it, Yamauchi. Dave Young: Oh. Stephen Semple: Boy, I’m going to struggle with these names. Dave Young: What were they doing back then? What was the company doing? Stephen Semple: The first product they did was a playing card called Hanafuda, and it was very, very successful. So they actually started- Dave Young: As a gaming company. Stephen Semple: … in game business doing playing cards. Dave Young: Okay. Stephen Semple: Now, during the 1950s, during Japan’s economic recovery, because if you remember, the economy was decimated in World War II, and through the Marshall Plan and whatnot, there was this rebuild going on. And during that time, they had a new leader, Hiroshi Yamauchi, who decided to explore all sorts of new businesses. He was doing all sorts of stuff. They had taxis, they had love hotels. Yes, you heard it right, love hotels. Dave Young: Love hotels. Stephen Semple: Instant rice, and of course, toys. And most of the things they did failed, except toys held a promise, so they continued to lean into toys. So it’s April 1978, so this is basically really where our story starts, and Taito, a competitor, releases a game called Space Invaders. Dave Young: Oh, right. I remember Space Invaders. Sure. Stephen Semple: Remember Space Invaders? And of course, this is back in the day of arcades, and you’re putting money into the games. This is so big in Japan, there’s 100 yen shortage. It would be like being in the U.S., and we run out of quarters. Dave Young: Right. Stephen Semple: It’s so big. So Nintendo, because it’s having some success in the game space, decides to make a knockoff of Space Invaders. So it’s October 1980, they create this knockoff called Radar Scope, and they decide also to ship it to the U.S., because they’ve started up a U.S. division. And it takes four months for the game to travel from Japan to the United States, and once it arrives, the trend has changed, it’s no longer Space Invaders, it’s now Pac-Man is the big game. Dave Young: Okay. Stephen Semple: So they’re left with these 2,000 unsold cabinets sitting in the United States. Enter Shigeru Miyamoto, who’s a graphic designer with Nintendo, and he has an idea, and he says to them, “Look, let’s reuse the cabinets, and let’s just create a new game. Let’s do that.” And it’s like, “What the heck? Let’s give this a try.” So Shigeru grew up in rural Japan, and this deeply influenced how he looked at games, because he grew up in a place where there was no television, none of these things, and he would go and he would play in like a cave that was nearby, and he would create all of these stories and characters. And this is the ’80s where the games do not have characters or a story. Dave Young: Okay. Yeah. Stephen Semple: They didn’t have that. Dave Young: Space Invader, you’re just knocking down… Stephen Semple: Right. Pac-Man, the same thing, there was no story. Pong, all that stuff, no stories. He takes a look around and he realizes that Nintendo has the rights to use Popeye, so Shigeru makes a suggestion to create a game using Popeye, where they already have the rights, and he moves ahead and does that. And so he also decides to make a game where characters move up rather than scrolling left to right, and there’d be different levels, which was also a relatively new idea. And he created this whole thing where they could jump, and using just a joystick in the buttons that already existed. So they started to create this game, but they hit a snag. Just before the release, they discovered Nintendo only had the rights to use Popeye for playing cards. Dave Young: For playing cards. Darn it. Stephen Semple: Now, turns out this was a gift from heaven, and the best thing that could ever happen in Nintendo. Dave Young: So it would’ve been Bluto up at the top, and Popeye trying to get up there, climbing the ladders and- Stephen Semple: And saving- Dave Young: So sort of a nautical theme? Stephen Semple: And saving olive oil. Dave Young: Yeah. Stephen Semple: Because remember, he would always capture olive oil. Dave Young: Yeah. Stephen Semple: And Popeye was this love triangle, right? Dave Young: Yeah. Stephen Semple: So what does Shigeru do? Replaces- Dave Young: Bluto becomes- Stephen Semple: … with- Dave Young: … the gorilla. Stephen Semple: Right. Popeye becomes Mario. Dave Young: Yeah. Stephen Semple: And olive oil is Princess Peach. Dave Young: Okay. Stephen Semple: It’s the same story. Dave Young: Yeah. Beautiful. Stephen Semple: It’s exactly the same story. And if you think about it, even the whole idea of this gorilla capturing the princess kind of sounds like King Kong, doesn’t it? Dave Young: A little bit. Sure. Stephen Semple: A little bit. And of course, they can’t use the name King Kong, so it’s Donkey Kong. And the reason why Donkey Kong is, he went looking through English dictionaries, and there’s all this stubbornness, and all this other things that go along with it. So we went, “You know what? This monkey, this Kong is kind of stubborn.” So Donkey Kong is the name of the game. Dave Young: Did they run into any issues with the King Kong folks? Stephen Semple: Nope. Dave Young: No? Stephen Semple: No, because you think about it, it’s a completely different name, Donkey Kong, right? Dave Young: Yeah, but it’s still a big gorilla with the word Kong in it. Stephen Semple: Yeah. Nope, no. It was different enough. Dave Young: [inaudible 00:09:14] just because it’s stubborn, and it sort of went with the word Kong? Stephen Semple: Yep. So it was different enough. It was all great. And the original character was not Mario. Dave Young: Stay tuned. We’re going to wrap up this story and tell you how to apply this lesson to your business right after this. [Using Stories To Sell Ad] Let’s pick up our story where we left off, and trust me, you haven’t missed a thing. Stephen Semple: And the original character was not Mario. The original character was Jumpman. Jumpman. Dave Young: I kind of remember that. Stephen Semple: Jumpman. And the game allowed them to reuse the cabinets, and just do it. And think about it, the objective of this, because he was also just a very junior graphic designer, and the objective on this was, “Hey, if we can sell these 2,000 unsold cabinets sitting in the U.S., that’ll take the financial strain off of our U.S. operations, and it will be great, it will keep them afloat.” And here’s what happened, they sold in 1981 alone 60,000 cabinets. Dave Young: I tell you, I poured a lot of money into one of those cabinets when I was in college. Stephen Semple: So Shigeru goes from this low-level designer to the creator of one of the best performing games up to that point. And one of the things that also ends up happening, he starts making modifications to the game. And one of the modifications is, he’s walking one day, and he sees these pipes, and he realizes character should be a plumber, and the landlord for one of the Nintendo properties’ name was Mario. Dave Young: Okay. Stephen Semple: So that’s where the whole idea of Mario came from, and eventually evolved to being brothers, Mario and Luigi. And of course, there was continuing success, and other formats and differing games. And Mario Brothers grew beyond Donkey Kong, it went from Donkey Kong to really the franchise being the Mario Brothers, with all sorts of new characters being added, and all sorts of new themes, like there’s go-kart racing and all sorts of different things. But the birth of the idea happened when they had this problem of, “We’ve got to have these cabinets…” And Shigeru saying- Dave Young: “And we either have to make a whole bunch of Popeye playing cards, or we have to find something to put in these cabinets.” Stephen Semple: “We have to find something to put in these cabinets.” And Shigeru saying, “It needs to be a story.” Dave Young: Yeah. No, that’s brilliant. And I feel like I’d be remiss if I didn’t point out to our listeners here in the U.S. that Steve is Canadian, and he pronounces it Mario, and everybody I’ve ever met says Mario. Stephen Semple: Mario. Dave Young: Mario. It’s Mario Brothers. Stephen Semple: Mario. Dave Young: It’s sort of like you say Mazda, we say Mazda. Stephen Semple: Right. Yes. Yes. Dave Young: So- Stephen Semple: Yeah, that’s true. Dave Young: Here’s a weird tangential thought. Do you have a minute for one of my weird tangential thoughts? Stephen Semple: Isn’t that why we’re here? Just for your weird tangential… Isn’t what we tune in for? Dave Young: That’s the way I look at it. I wonder if the guy that shot the UnitedHealthcare… Luigi, I wonder if there was a little bump in Nintendo stock. Stephen Semple: Oh, I wonder. Dave Young: And I wonder too, what was the discussion inside Nintendo about that? At first it was probably, “Oh my God, a guy named Luigi just shot someone.” And that was probably, “Oh my God, a guy named Luigi just shot someone that… Okay.” It’s not cut and dry. Stephen Semple: Well, it isn’t, because sometimes these negative events actually have positive impacts on sales. The one that I always remember that always comes to mind, I always find bizarre, is the white two-door Ford Bronco was due to be discontinued until O.J. Simpson went and did a joyride on LA freeways, and it actually extended the sales of that vehicle several years. And to this day, the white two-door Ford Bronco is a premium price from that year. Dave Young: Yeah- Stephen Semple: It’s nuts. Sometimes these crazy things happen. Dave Young: I don’t know if it was a joyride, but yeah. But we remember it, for sure. Stephen Semple: But we remember it. But- Dave Young: And those things have these impacts that you couldn’t buy that. There’s nothing Ford Motor Company could do that would’ve done that, that would’ve saved the Bronco. Stephen Semple: So here’s the interesting thing, coming back to Nintendo, that I find… So one of the influences it had was it was the first game that came along and basically said, “We should have a story.” And if we take a look at video games today, they’re all very heavy story based. And in fact, the stories are unbelievably rich, like Zelda, and all these other ones are these very complex universes that have been created. And he was kind of the first to come along, and his influence from that came from the fact that he didn’t grow up with these things. Dave Young: Yeah, he grew up with stories. Stephen Semple: So again, it’s this whole outside… We had this graphic designer that didn’t grow up with these things saying to a game, “Here’s what it should do. It should have this story, and there should be this imagination.” And all these things. And when you think about it, there was a couple of accidents, a couple of lucky happenstances that led to the birth of this. First of all, the console. Because if you think about it, if it was the creating of a brand new game, you wouldn’t take some junior graphic artist and put on it. The objective was, “All we need to do is move these 2,000 consoles.” So it was like, “Okay, so we’ll give it to the junior guy to do.” And then it blows out of the water. The other lucky happenstance is, think about how Nintendo’s fortunes would be completely different if they actually had the rights to use Popeye. Dave Young: Yeah, it would have been, like, Mario Brothers, that whole universe would never have come about, and- Stephen Semple: Well, the whole universe would be Popeye Universe, even if it worked. Dave Young: And I can’t see that happening. Stephen Semple: Right. But even if it worked, it would not have been theirs, it would have been- Dave Young: Oh, true. Stephen Semple: The people who would have made all the money were the owners of the Popeye license, would have been a licensee. Dave Young: Yeah, that’s true. Stephen Semple: So they had a couple of really lucky, fortunate things that happened that totally changed the trajectory of Nintendo. But here’s the other interesting lesson, and look, we talk about this all the time in storytelling, is there’s a couple of things you can do in storytelling. One is, you can take an existing story and just change the characters. We just took Popeye, changed as Donkey Kong. And what you know is, we knew that story worked, so it’ll work over here with different characters. Or what you can do is, you can take existing characters, and you can change the setting. In magical worlds, you’re always talking about how Sherlock Holmes, and- Dave Young: House M.D. Stephen Semple: … House M.D. is the same story. Dave Young: Sure. Stephen Semple: It’s just one is a detective during Elizabethan times, and the other one is an emergency room doctor in modern times. Same character, different setting, changes the story. Dave Young: Right. Stephen Semple: So when you’re looking to use stories, find ones that work, and do that. Dave Young: Find the popular stories and just take the framework. And I’ll give you another example- Stephen Semple: Right. Either change the characters, make it same story with different characters, or take the characters and put them in a different setting. Dave Young: … there’s a book called the Bible that had this story about this Jesus fella. Stephen Semple: I think it’s rather a relatively popular book. Dave Young: And then in 1605, a guy named Miguel Cervantes wrote a book called Don Quixote, and he took a lot of the storylines and metaphors from this story in the Bible and created a book that became the second bestselling book of all time right after the Bible. Then a guy named John Steinbeck took a lot of the stories from Don Quixote, and renamed characters, and put them in different situations, but took the structures of the stories, and… So this works. Just do this. Stephen Semple: Oh, yeah. Dave Young: Just find a story you like- Stephen Semple: Absolutely. Dave Young: … and take the [inaudible 00:17:59]. Stephen Semple: Reimagine it. Reimagine it. Reimagine it. Either change it, keep the same story and change characters, or take the characters and put them in a new setting. Dave Young: I mean, the cool thing is, you can’t copyright a story arc, right? Stephen Semple: No, no. Dave Young: Something bad happens to someone and they overcome it. “Okay, no, that’s mine.” Stephen Semple: I’m still waiting for the overcome part. Dave Young: Yeah. Right? Stephen Semple: Yeah. Dave Young: That’s still the part of the story. Oh, I love it. Stephen Semple: I just found these things that came together for the creating of the Mario Brothers to be really interesting. And it’s also interesting when you consider who was expected to be the star of the show was the donkey, and it ended up becoming the Mario Brothers. Dave Young: Yeah. Great story. And I see it. Thank you for switching to English. American English. I’m sorry. Stephen Semple: American. Dave Young: [inaudible 00:18:54]. Stephen Semple: All right. Thanks, David. Dave Young: Where can we go play some Donkey Kong next time? Stephen Semple: Well- Dave Young: Anybody got an old Donkey Kong console? Stephen Semple: Yeah. You know what? My kids have got some old play stuff, I’ll bring it down. Dave Young: No, I want the console. I want the big- Stephen Semple: Oh, you want that… Well, I think we may have to look hard for that. Dave Young: Yeah, that’s good. Well, keep your eyes out. Stephen Semple: I will. Dave Young: Thanks for the story of Nintendo, Stephen. Stephen Semple: All right. Thanks, David. Dave Young: Thanks for listening to the podcast. Please share us. Subscribe on your favorite podcast app, and leave us a big, fat, juicy five-star rating and review at Apple Podcasts. And if you’d like to schedule your own 90-minute empire-building session, you can do it at empirebuildingprogram.com.

Cheryl Drury, a lifelong reader, is on a misssion to read a long list of classic books which she found on Ted Gioia's Substack page. She now has her own Substack page that features her podcast "Crack the Book" about classic books. We talk about The Great Gatsby, The Red Badge of Courage, Romeo and Juliet and other works of Shakespeare, The Odyssey, David Foster Wallace, James Joyce's Ulysses, Swann's Way, Les Miserables, Louise May Alcott's Little Women, Jane Austin's Pride and Prejudice, reading on a Kindle vs hardcopies, things we learn about life and human nature from reading classic books, Great Expectations and Charles Dickens, Gentleman in Moscow, Dead Souls, Fathers and Sons, The Brothers Karamazov, The Death of Ivan Ilyitch, characters, taking notes while reading, Dante, what makes a book a classic, Bleak House, Blood Meridian, The Road and Cormac McCarthy, Canticles for Liebowitz, Lord Jim by Joseph Conrad, reading aloud, poetry, Pablo Neruda, writing every day, why we love to read, Breakfast at Tiffany's, In Cold Blood, Brave New World, Blood Child, This is How you Lose the Time War, Isaac Asimov, classic science fiction, Don Quixote, The Golden Ass, and more.  Links are on the podcast shownotes page Support the show through Patreon

Let's talk about Don Quixote and Don Trump losing their battles against windmills....

Support the show:https://www.paypal.me/Truelifepodcast?locale.x=en_USOne on One Video Call W/George https://tidycal.com/georgepmonty/60-minute-meeting# Episode 1: “You Are Living in Flatland (And You Don't Even Know It)”-----**Welcome to the dimensional war. You just don't know you're fighting it yet.**In 1884, Edwin Abbott wrote *Flatland* - a mathematical romance about a two-dimensional world where beings live as shapes on a plane, unable to perceive the third dimension of depth. He thought he was writing social satire.**He was actually writing a transmission about 2026.**About YOU.Living in a reality you think is solid, complete, “realistic” - while being completely blind to dimensions you can't perceive.**Your worth measured in 2D metrics:** Credentials. Salary. Followers. Job titles.**Your identity flattened to geometry:** How many “sides” you've accumulated in the game of status.**Your future planned on a horizontal plane:** Assuming linear time, guaranteed tomorrows, safe predictability.**You are A Square. And you don't even know you're trapped.**-----## What if I told you there's a vertical dimension hiding in plain sight?**Not “up” in some abstract spiritual sense.**But **UP** as in: *What becomes visible when death shatters your 2D certainty?*When you're fired after 26 years and your identity evaporates.When someone you love faces mortality and all your careful plans dissolve.When you turn fifty and realize you don't fit in the traditional game anymore.**These aren't tragedies. These are dimensional initiations.**Moments when the **Sphere** - a being from a higher dimension - enters your flat world and shows you: *Everything you thought was solid is just a cross-section.*-----## This episode activates your Reticular Activating System.That part of your brain that filters reality - deciding what you notice and what you ignore.**After this episode, your RAS will be tuned to see Flatland everywhere:**- In conversations where people brag about credentials- In systems designed to keep you flat and measurable- In your own thoughts when you catch yourself playing the 2D game- **In the moments when death whispers: “None of this is real”****Once activated, you can't deactivate it.**You'll start seeing the prison bars. The dimensional limitations. The game beneath the game.**And you won't be able to unsee it.**-----## This isn't a book review. This is an initiation.I've been lifted out of Flatland three times:- **Fired after 26 years** (identity death - the 2D game of job = worth revealed as illusion)- **Wife fighting cancer** (mortality confrontation - the future I was planning for might not exist)- **Turning fifty** (threshold moment - realizing I don't fit in the traditional workforce anymore)**These were my Sphere moments.** When death entered my flat world and showed me dimensions I couldn't perceive before.Now I'm back in Flatland. But I'm… changed.I can't play the game anymore. Can't pretend credentials matter. Can't believe in “realistic” thinking.**Because I've seen the vertical dimension.**And once you've been there - once you've been initiated by death, loss, shattering - **you can never fully believe in Flatland again.**-----## What you'll discover in this episode:**The architecture of Flatland** - How 2D thinking imprisons you without you realizing it**Death as the third dimension** - The vertical axis that breaks the flat plane of “normal life”**Your initiations** - Recognizing the moments when the Sphere appeared in YOUR life (and you might have missed it)**The RAS activation** - How this episode will permanently change what you perceive in your reality**The elder's burden** - What to do when you've been lifted out but dropped back into a world that thinks you're crazy-----## WARNING: This is not safe content.This episode is designed to make you **dangerously curious** and **a little uncomfortable.**Not reassured. Not inspired in the Instagram quote way.**Initiated.**By the end, you'll question:- Whether your job defines you (it doesn't - that's Flatland)- Whether your plans are guaranteed (they're not - that's 2D thinking)- Whether “being realistic” is wisdom (it's not - it's prison maintenance)- **Whether consensus reality is actually real (it's not - it's Flatland)**You'll start seeing patterns you can't unsee.Noticing dimensional breaks you used to ignore.Recognizing when death is trying to teach you something.**And there's no going back.**-----## This is Part 1 of a 6-episode series exploring:**Episode 1:** You Are Living in Flatland (And You Don't Even Know It) ← *You are here***Episode 2:** The Sphere Has Already Appeared. You Just Don't Remember Yet.**Episode 3:** Being Lifted Out - What You See From the Vertical Dimension**Episode 4:** Dropped Back In - When You Can't Fit in Flatland Anymore**Episode 5:** The Prison of Consensus Reality - Why They'll Call You Crazy**Episode 6:** Living Between Dimensions - The Work of the Initiated-----## Required reading (but read it AFTER this episode):***Flatland: A Romance of Many Dimensions*** by Edwin Abbott Abbott (1884)- Free online, any edition- ~100 pages- **Warning:** After this podcast series, you won't read it as fiction-----## The quote that changes everything:*“You are not crazy for seeing dimensions others can't perceive. You've just been initiated by death. And prisoners who see the bars become insurgents.”*-----**Your RAS is now activated.****You can't unknow this.****Welcome to the vertical dimension.****Welcome to the resistance.**-----*Initiated by death. Returned to Flatland. Speaking from the vertical dimension.**This is the Flatland series. This is the dimensional war.**And you just enlisted.*-----**[CONTENT WARNING: Discusses death, mortality, job loss, cancer, identity dissolution, dimensional initiation, reality destabilization, and the systematic dismantling of consensus thinking. Not recommended for those committed to remaining comfortably two-dimensional.]**-----## About this series:Following the 5-episode *Don Quixote* initiation series (where we explored tilting at windmills, vision vs delusion, defeat at fifty, and coming home), the *Flatland* series takes you deeper into dimensional knowing.**This is live philosophy.** Real-time transformation documented through literature.Not memoir. Not self-help.**Transmission from someone who's been lifted out and dropped back.**Consider this your field manual for the dimensional war.-----*Listen with headphones. Take notes. Your future self will thank you.* One on One Video call W/George https://tidycal.com/georgepmonty/60-minute-meetingSupport the show:https://www.paypal.me/Truelifepodcast?locale.x=en_US

Tilting at Windmills. In 1605, the first edition of Don Quixote hit the shelves, or whatever humans were using to keep their books off the floor then. In it, the aforementioned knight saddles up and hits the dirt road in an attempt to bring back some measure of civic values and romance to his daily […]

Support the show:https://www.paypal.me/Truelifepodcast?locale.x=en_USOne on One Video Call W/George https://tidycal.com/georgepmonty/60-minute-meetingThe Knight of the White Moon: Coming HomeAt 50—the same age Don Quixote was when he lost his mind to become a knight and the same age he was when he was finally defeated—I found myself knocked off my own horse.After 26 years as a UPS driver, I was fired. My wife is fighting cancer. The future we planned may never arrive.In the book, the Knight of the White Moon (his friend in disguise) forces Don Quixote to give up the quest, take off the armor, and go home. Everyone thinks he's finally “cured.” But what if it wasn't defeat? What if it was the doorway?This episode is about the moment life forces you to shed the identity you've worn for decades—the job, the role, the armor—and asks: Who are you when it's all gone?I call it the second adolescence. The initiation into elderhood. The hard, beautiful rite of passage our culture forgot to give us.We explore:•  The terror and gift of being stripped of what defined you•  Why “coming home” to yourself might be the real point of the quest•  How defeat can be the beginning of something quieter, wiser, more real•  The power of elders: not what you do, but what you know after surviving it allIf you're 50, 60, 70… if you've been fired, retired, divorced, gotten sick, or simply feel the armor cracking… you're not alone.This isn't the end. It's the beginning of becoming who you actually are.Listen now. Walk through the doorway with me.(From the heart of a former UPS driver who's still figuring it out.)#SecondAdolescence #Elderhood #ComingHome #DonQuixote #LifeAfter50 One on One Video call W/George https://tidycal.com/georgepmonty/60-minute-meetingSupport the show:https://www.paypal.me/Truelifepodcast?locale.x=en_US

One on One Video Call W/George https://tidycal.com/georgepmonty/60-minute-meetingSupport the show:https://www.paypal.me/Truelifepodcast?locale.x=en_US“Follow me, and I'll make you governor of an island.”In Don Quixote, a poor farmer named Sancho Panza leaves his wife, his kids, and everything he knows to follow a lunatic into the wilderness. Why? Because he was promised an island.Sound familiar?“Work hard and you'll make partner.”“Grind now, equity later.”“We're a family here - your loyalty will be rewarded.”“Be your own boss - unlimited earning potential.”We're all Sancho Panza now. Following someone else's quest, enduring the chaos, waiting for an island that might never come - or worse, comes in a form we never actually wanted.This episode explores what happens when the everyman follows the madman's promise. What Cervantes understood about gig economy exploitation 400 years before Uber existed. And why Sancho's choice at the end might be the most radical thing you hear all year.Part 2 of “The Wisdom of Don Quixote” series. One on One Video call W/George https://tidycal.com/georgepmonty/60-minute-meetingSupport the show:https://www.paypal.me/Truelifepodcast?locale.x=en_US

One on One Video Call W/George https://tidycal.com/georgepmonty/60-minute-meetingSupport the show:https://www.paypal.me/Truelifepodcast?locale.x=en_USIs Your Vision Real or Are You Delusional?Don Quixote descended into a cave.He was down there for one hour.When they pulled him back up, he was pale, shaking, transformed. And he told them an impossible story:“I was in an enchanted palace. For three days. I met legendary knights. I saw magical maidens. I witnessed wonders I can barely describe.”Sancho looked at him. “Master, you were down there for an hour. Maybe less.”Don Quixote's voice wavered. For the first time in the entire novel, he seemed… uncertain.“I know what I saw,” he said. Then, quieter: “God knows the truth.”This is the Cave of Montesinos. The most mysterious, psychologically complex scene in all of Don Quixote.And it asks the question every visionary, creator, entrepreneur, and dreamer faces:How do you know if what you saw in the dark was real… or if you just made it all up?I've had 860 conversations on this podcast. And I keep coming back with the same vision: I see genius in people that the world doesn't validate. I see systems rigged against passion. I see the fight itself as what keeps us alive.But what if I'm just Don Quixote in the cave? What if I descended into the darkness with my own expectations and came back up with a beautiful story that isn't real?What if your calling is just a dream you had in the dark?What if the business idea that won't leave you alone is delusion dressed as vision?What if the injustice you see so clearly is just confirmation bias?You'll never know for sure.And that's the point.This episode is about what Don Quixote learned in that cave: Certainty is madness. Doubt is wisdom. And acting on your vision despite the doubt—that's the only courage that matters.“Time will tell,” Don Quixote said when asked if his vision was real.That's all any of us can say. One on One Video call W/George https://tidycal.com/georgepmonty/60-minute-meetingSupport the show:https://www.paypal.me/Truelifepodcast?locale.x=en_US

We are jumping straight into a flashback and finally learning what makes Law who he is. The duality of the Donquixote brothers is explored between Doflamingo and Rosinante. Cora goes out of his way to find a cure for Law and in the process, sacrifices himself so Law doesnt fall back into the clutches of Doflamingo.Next Week: Episodes 707-712https://linktr.ee/goingmerrypodMake sure you are checking out The Variant Vendetta Podcast! They will be returning from their break in just a few weeks!https://linktr.ee/VariantVendetta

One on One Video Call W/George https://tidycal.com/georgepmonty/60-minute-meetingSupport the show:https://www.paypal.me/Truelifepodcast?locale.x=en_USIn a world besieged by the relentless march of AI, where algorithms whisper promises of utopia or apocalypse, one timeless tale rises from the dust of centuries to mirror our chaotic present: Don Quixote. Join host [Your Name] in the premiere episode of [Podcast Name], “The Knight of the Sorrowful Algorithm,” as we embark on a quixotic quest through Cervantes' masterpiece—a story of a man whose brain “dried up” from devouring too many fantastical romances, only to armor up and charge into a reality that mocked his dreams.But this isn't just dusty literature. It's us. Right now. Scrolling through endless feeds of AI doomsayers and saviors: “Your job is obsolete!” “Embrace the disruption!” “AGI will save—or end—humanity!” We're all Don Quixote, lost in a whirlwind of narratives that blur truth and fiction, leaving us paralyzed by questions: Is adaptation surrender? Is optimism naivety? And who are the true mad knights of our age—the artists defying generative machines, the workers reclaiming their humanity, or those daring to pursue passion in a profit-obsessed empire?Delve into the heart of the madness: Why Don Quixote chose delusion over despair, and why “sanity”—accepting a world ruled by efficiency, oligarchs, and obsolescence—might be the deadliest illusion of all. In a finale that shatters illusions, discover how renouncing the quest led to his demise… and what that means for us tilting at digital windmills.Epic, introspective, and urgently relevant, this episode challenges you to ask: In the AI era, is going a little mad the only way to stay truly alive? Tune in, saddle up your Rocinante, and ride into the fray. Next up: “Sancho Panza and the Gig Economy”—the everyman's gamble on a madman's promise. One on One Video call W/George https://tidycal.com/georgepmonty/60-minute-meetingSupport the show:https://www.paypal.me/Truelifepodcast?locale.x=en_US

Sarah and Carrie are joined by Cameron Burns and DeVaughn Taylor to talk 2019's The Platform - it's bleak but we manage some laughs! We talk panna cotta, Indonesian names, sociopolitical architypes, dog death, cannibalism, snails, Don Quixote, and more! 

"Dance Talk” ® with Joanne Carey and special guests, Skylar Brandt and Vladimir RumyanstevIn this episode of "Dance Talk” ® , host Joanne Carey engages with Skylar Brandt, a principal dancer with the American Ballet Theatre, and her fiancé, pianist Vladimir Rumyantsev. They discuss their artistic journeys, the cultural differences in music and dance education, and how they met through their shared passion for the arts. The conversation delves into the emotional experience of performing, the creative process behind choreography, and the significance of art in serving humanity. They also explore their future aspirations, including the idea of incorporating their artistry into their wedding celebration.Skylar Brandt began her training at the age of six at Scarsdale Ballet Studio. She attended the Jacqueline Kennedy Onassis School at American Ballet Theatre from 2005-2009. Brandt was a silver medalist at Youth America Grand Prix in 2004 and 2008. Brandt joined ABT II in 2009, became an apprentice with ABT in 2010, and joined the corps de ballet in 2011. She was promoted to Soloist in 2015 and to Principal in 2020. Among her leading roles with the Company are Giselle in Giselle, Medora in Le Corsaire, Kitri in Don Quixote, Odette/Odile in Swan Lake, Gamzatti in La Bayadere, Olga in Onegin, Clara, the Princess in The Nutcracker, Young Jane in Jane Eyre, Columbine in Harlequinade, Princess Praline in Whipped Cream, the Lead Maiden in Firebird, the Golden Cockerel in The Golden Cockerel, and roles in The Green Table, Pillar of Fire, The Sleeping Beauty, Raymonda Divertissements, Sinfonietta, Symphonic Variations, and AFTERITE to name a few. Brandt was awarded a 2013 Princess Grace Foundation-USA Dance Fellowship. That same year, she was featured in the movie “Ballet's Greatest Hits”. In 2018, Brandt was the recipient of an unprecedented Special Jury Award for her performances on the Russian television show “Big Ballet”. In 2022, Brandt was named to the renowned "Forbes 30 Under 30" list of most influential leaders and entrepreneurs.https://www.skylarbrandt.com/ Vladimir Rumyantsev  is an internationally acclaimed pianist. At just seven years old, he made his debut at the Great Hall of the Moscow Conservatory where he won Moscow's Glinka competition.Rumyantsev received his foundational training at the Gnessin Moscow Special School for Music under Mikhail Khokhlov and later studied at the Moscow Conservatory with Sergey Dorensky, Alexander Bakhchiev, Elena Sorokina, Pavel Nersessian and Nikolai Lugansky. He earned advanced degrees at the Mannes School of Music in New York under Pavlina Dokovska and is currently pursuing his Doctor of Musical Arts degree at The Hartt School under the mentorship of Jose Ramos Santana.Rumyantsev has performed worldwide at such prestigious venues as the Moscow Philharmonic, Carnegie Hall, Covent Garden, the Mariinsky Theatre, New York City Center, The Kennedy Center, to name a few. His performances led to collaborations with the Mariinsky Ballet. The New York Times describes his playing of Beethoven's Diabelli Variations as “excellent,” and The Wall Street Journal noting his “potent” interpretation.In 2024 he recorded "Sapiens: A Brief History of Humankind" by Sean Hickey for solo piano. Most recently, Rumyantsev toured the world as a solo artist with Twyla Tharp Dance for her Diamond Jubilee and is producing his own concerts of piano and dance alongside Principal Dancer with American Ballet Theatre, Skylar Brandt. https://vladimirrumyantsev.com/“Dance Talk” ® with Joanne Carey wherever you listen to your podcasts. ⁠⁠⁠⁠ ⁠⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠⁠⁠⁠ Follow Joanne on Instagram @DanceTalkwithJoanneCarey Tune in. Follow. Like us. And Share. Please leave us review about our podcast! “Dance Talk” ® with Joanne Carey"Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

In The Man Behind the Curtain, a bonus Close Readings series for 2026, Tom McCarthy and Thomas Jones examine great novels in terms of the systems and infrastructures at work in them. For their first episode, they turn to the book that invented the modern novel. Don Quixote, the ingenious man from La Mancha, is thought to be mad by everyone he meets because he believes he's living in a book. But from a certain point of view that makes the hero of Cervantes' novel the only character who has any idea what's really going on. Tom and Tom discuss the machinery – narrative, theoretical, economic, psychological and literal (those windmills) – which underpins Cervantes' masterpiece. This is a bonus episode from the Close Readings series. To listen to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠ In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingsna⁠⁠ Further reading in the LRB: Karl Miller on ‘Don Quixote': ⁠https://www.lrb.co.uk/the-paper/v08/n03/karl-miller/andante-capriccioso⁠ Michael Wood: Crazy Don ⁠https://www.lrb.co.uk/the-paper/v17/n15/michael-wood/crazy-don⁠ Gabriel Josipovici on Cervantes' life: ⁠https://www.lrb.co.uk/the-paper/v01/n05/gabriel-josipovici/the-hard-life-and-poor-best-of-cervantes⁠ Robin Chapman: Cervantics ⁠https://www.lrb.co.uk/the-paper/v08/n16/robin-chapman/cervantics⁠

In The Man Behind the Curtain, a bonus Close Readings series for 2026, Tom McCarthy and Thomas Jones examine great novels in terms of the systems and infrastructures at work in them. For their first episode, they turn to the book that invented the modern novel. Don Quixote, the ingenious man from La Mancha, is thought to be mad by everyone he meets because he believes he's living in a book. But from a certain point of view that makes the hero of Cervantes' novel the only character who has any idea what's really going on. Tom and Tom discuss the machinery – narrative, theoretical, economic, psychological and literal (those windmills) – which underpins Cervantes' masterpiece. This is a bonus episode from the Close Readings series. To listen to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠ In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingsna⁠⁠ Further reading in the LRB: Karl Miller on ‘Don Quixote': ⁠https://www.lrb.co.uk/the-paper/v08/n03/karl-miller/andante-capriccioso⁠ Michael Wood: Crazy Don ⁠https://www.lrb.co.uk/the-paper/v17/n15/michael-wood/crazy-don⁠ Gabriel Josipovici on Cervantes' life: ⁠https://www.lrb.co.uk/the-paper/v01/n05/gabriel-josipovici/the-hard-life-and-poor-best-of-cervantes⁠ Robin Chapman: Cervantics ⁠https://www.lrb.co.uk/the-paper/v08/n16/robin-chapman/cervantics⁠

Reposted from Still Slaying: A Buffy-verse podcast which you can find at Still Slaying: a Buffy-verse podcast | Podcastica. Fun, in-depth talk about great TV. CW: Discussion of sexual topics and rape. “Because it's wrong.” Penny and Sam and Dina welcome Dina to Still Slaying and the trio get nostalgic about the TV landscape at the turn of the millennium. The wide-ranging discussion touches on The X-files, future robot selves, trauma, stevedores, porn stereotypes, queer subtext (and text), whether we would have sex with a clone of ourself, masturbation as healthcare, Stranger Things, heteronormativity, Heated Rivalry and the progress in queer representation on screen, Don Quixote, rape, Outlander, Nielson families and Sweeps Week, Repo Man, spoilers, hopes for the reboot and the nature of evil.  Next time we'll be talking about Buffy the Vampire Slayer, Season 4, Episode 17, “Superstar” and Episode 18, “Where the Wild Things Are.” Keep Slaying! News Links/Referenced Links Original Episode Promo https://youtu.be/Aoykd5iVt9g —---------------------------------------- Viewing Order Buffy 4x16 - Who Are You? (2/2) Buffy 4x17 - Superstar & 4x18 - Where the Wild Things Are Angel 1x16 - The Ring & 1x17 - Eternity Buffy 4x19 - New Moon Rising Angel 1x18 - Five by Five (1/2) Angel 1x19 - Sanctuary (2/2) Buffy 4x20 - The Yoko Factor (1/2) Buffy 4x21 - Primeval (2/2) Buffy 4x22 - Restless Angel 1x20 - War Zone Angel 1x21 - Blind Date Angel 1x22 - To Shanshu in LA Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover.  Follow us on Instagram Still Slaying: a Buffyverse Podcast from Podcastica Network (@stillslayingcast) • Instagram photos and videos Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. #smashthepatriarchy #slaythepatriarchy #feminism #patriarchy #sarahmichellegellar #marcblucas #buffy #buffyverse #buffyrewatch #alisonhannigan #amberbenson #anthonystewarthead #sunnydale #hellmouth #buffthevampireslayer #buffyseason4 #spike #spuffy #jamesmarsters #elizadushku #faith Learn more about your ad choices. Visit megaphone.fm/adchoices

The boys are in a festive and historically in-depth mood, combining laughs, facts, and a taste of nonsense, diving into stuffing or dressing, Don Quixote, cool small towns, 19th century politics, counterculture, and even more. A hearty mix that cries out "Salut"!

On this episode of Currently Reading, Kaytee and Megan are discussing: Bookish Moments: finally reading a big book and nerdy bookends Current Reads: all the great, interesting, and/or terrible stuff we've been reading lately Deep Dive: how the podcast has changed Megan P. Evan's life in all ways. The Fountain: we visit our perfect fountain to make wishes about our reading lives Show notes are time-stamped below for your convenience. Read the transcript of the episode (this link only works on the main site). .  .  .  2:01 - Our Bookish Moments of the Week 2:26 - From the Front Porch podcast 2:28 - Bookshelf Thomasville 2:33 - Don Quixote by Miguel de Cervantes Saavedra and John Rutherford (translator) 2:39 - Lonesome Dove by Larry McMurtry  3:39 - The Complete Stories by Flannery O'Connor 4:33 - Wicked Lego Bookends 6:36 - Our Current Reads 7:04 - The Book of I by David Greig (Megan) 10:07 - Black Woods, Blue Sky by Eowyn Ivy (Kaytee) 10:15 - Booktenders 10:31 - The Snow Child by Eowyn Ivy 15:46 - The Deep End by Julie Mulhern (Megan) 21:11 - House Love by Patric Richardson (Kaytee) 21:43 - Laundry Love by Patric Richardson 23:25 - Safe and Sound by Mercury Stardust 23:26 - Right at Home by Bobby Berk 25:19 - Above the Fire by Michael O'Donnell (Megan) 27:05 - The Road by Cormac McCarthy 27:44 - Moon of the Crusted Snow by Waubgeshig Rice 27:51 - Moon of the Turning Leaves by Waubgeshig Rice 27:52 - These Silent Woods by Kimi Cunningham Grant 29:20 - Sky Full of Elephants by Cebo Campbell (Kaytee) 35:03 - Megan's Reading Life 49:54 - Meet Us At The Fountain 50:12 - I wish you would consider reading more short books. (Megan) 51:05 - I wish for a book parade like the Macy's Thanksgiving Parade. (Kaytee)   Support Us: Become a Bookish Friend | Grab Some Merch Shop Bookshop dot org | Shop Amazon Bookish Friends Receive: The Indie Press List with a curated list of five books hand sold by the indie of the month. December's IPL is a recap of the year with Kaytee and Meredith. Love and Chili Peppers with Kaytee and Rebekah - romance lovers get their due with this special episode focused entirely on the best selling genre fiction in the business.  All Things Murderful with Meredith and Elizabeth - special content for the scary-lovers, brought to you with the behind-the-scenes insights of an independent bookseller From the Editor's Desk with Kaytee and Bunmi Ishola - a quarterly peek behind the curtain at the publishing industry The Bookish Friends Facebook Group - where you can build community with bookish friends from around the globe as well as our hosts Connect With Us: The Show: Instagram | Website | Email | Threads The Hosts and Regulars: Meredith | Kaytee | Mary | Roxanna Production and Editing: Megan Phouthavong Evans Affiliate Disclosure: All affiliate links go to Bookshop unless otherwise noted. Shopping here helps keep the lights on and benefits indie bookstores. Thanks for your support!

Hey lady! This week Dr. Dom and Terri are thrilled to welcome a legend who needs no introduction. Misty Copeland is known around the world as not only as a trailblazer and groundbreaking ballet dancer, most notably as the first African American female Principal Dancer with the prestigious American Ballet Theater, but also philanthropist, author, and mother. She joins Terri and Dr. Dom to discuss her upcoming final bow with the theater after a storied career and her plans for her exciting next chapter.Copeland's introducing the latest installment of her Bunheads, Act 2: the Dance of Courage, a picture book series offering a realistic and fun view of dance life. The series' characters embark on wonderous tales of adventure and this latest addition to the series follows them as they learn about the glorious tale of Don Quixote. By the end of the episode you'll want to grab a copy for the young dancers in your life.And, lady, Misty gives us a peek into her life that you can only catch on Patreon. Girl, are you on Patreon yet? It's our special area where we dive deeper and give behind the scenes of how we create this podcast and other cool things you won't want to miss. Join us! Quote of the Day:"I'll always be committed to opening doors, creating space, and making ballet a place where everyone belongs." – Misty Copeland  Goal Map Like a Pro WorkbookCultivating H.E.R. Space Sanctuary  Where to find Misty Copeland:Website: Misty CopelandBook: Bunheads, Act 2: The Dance of CourageTwitter: @mistyonpointeInstagram: @mistyonpointeFacebook: Misty CopelandYouTube: @MistyCopelandLifeInMotion  Resources:Dr. Dom's Therapy PracticeBranding with TerriMelanin and Mental HealthTherapy for Black Girls Psychology Today  Therapy for QPOC  Where to find us:Twitter: @HERspacepodcastInstagram: @herspacepodcastFacebook: @herspacepodcastWebsite: cultivatingherspace.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/cultivating-h-e-r-space-uplifting-conversations-for-the-black-woman--5470036/support.