Podcasts about Pops

With the absolutely massive amounts of money tied up in the AI data centre boom, it's not hard to see why people fear a bubble. That worry has come into sharper focus in recent weeks, following comments from OpenAI and some big moves on the stock market.This recent round of bubble fear isn't about the tech itself. Rather, it's a growing realization that the boom is being funded in a way that's starting to resemble some historically devastating bubbles of the past.Paul Kedrosky is a partner at the venture capital firm SK Ventures and a research fellow at MIT's Initiative for the Digital Economy. He explains why changes in the AI boom's financing are renewing fears of a bubble bursting, and the massive potential impacts if it does.For transcripts of Front Burner, please visit: https://www.cbc.ca/radio/frontburner/transcripts

In this episode we're joined by Pete Paphides, former rock critic for the London Times and author of 2020's acclaimed memoir Broken Greek. We start with our guest's unique "'Starman' moment" – seeing the Brotherhood of Man lip-sync to the ghastly 'Save Your Kisses for Me' on Top of the Pops in 1976 – and then plunge straight into a celebration of his favourite pop group ABBA. We hear about his love of the Swedes' countless classic songs; his interviews with Björn Ulvaeus and Benny Andersson; and how the quartet was indirectly responsible for his marriage to fellow scribe Caitlin Moran. Pete talks us through his journalistic odyssey from ill-fated pubescent fanzine Pop Scene via the longer-lasting Perturbed to Jim Arundel's mentoring of him at Melody Maker. Talk of his tenures at Time Out and The Times leads to his memory of "falling back in love with music" after years of being glutted with free records. The 60th anniversary of the release of 'Uptight' takes us into clips from Amy Linden's 1995 audio interview with the musical colossus that is Stevie Wonder – and a broad discussion of the Motown legend's creative evolution from 'Uptight' to Songs in the Key of Life. After Mark quotes from a 1963 review of the Beatles' first album Please Please Me, Jasper talks us out with his thoughts on Jaan Uhelszki's 2015 interview with the extraordinary Joanna Newsom.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

Playlist: Cookin on 3 Burners, featuring Wilson Blackley - Away From My HeartJorja Smith - With You (Acoustic)Mélissa Laveaux - 7SistersCharlotte Day Wilson - SelfishSunDub, Scientist - Jump And Dance - Scientist Vocal MixThe 18th Parallel, Roberto Sanchez, Cornell Campbell - Stars AboveStick Figure - Walking in my ShoesNightmares on Wax, featuring Greentea Peng - I RememberL'Entourloop, featuring Ruffian Rugged - Madder Than DatNickodemus, Jungle Brothers, Mamadou Tangoudia, featuring Monk One Remix - AfrokineticJimi Tenor Band, Florence Adooni - Shine All NightDragon Fli Empire - Banff AvenueAquakultre - GallowsLettuce - Rising to the TopThe Philharmonik - Pay Me (LIve at NPR's Tiny Desk)Potatohead People - Keepin' it KoolKenny Dope, Róisín Murphy - Born Under Punches (The Heat Goes On)Tribeqa, Fanta Dembele, Dramane Dembele - LifeVulfmon, Zachary Barker - Disco SnailsRoy Ayers - Moving, GroovingDyke & the Blazers - Let a Woman Be a Woman (And a Man Be a Man)Sargeant x Comrade - Kick it With YouJames Brown - Hot Pants ( She Got To Use What She Got To GetWhat She Wants)Sola Rosa,, Deva Mahal - Redeemer

How Discipline, Speaking Life, and the Rule of 10 Create Explosive Growth in Faith-Based Leadership and Team CultureIf you've ever wondered why your business isn't growing, what if the real issue isn't your systems—it's your people? In this powerful episode, I share a heartfelt conversation I had with my Pops (he's wise, honest—and yes, blunt)—and how he boiled our biggest business meltdown down to one simple truth: “Build the people and then allow the people to build the business.”Drawing on the transformative lessons from Proverbs 13, we dive into:Why discipline over convenience is a non-negotiable. How speaking life early and often changes a culture (private > public).The power of the “Rule of 10” — serve one person incredibly well, then leverage the ripple.Why overcomplicating leadership is the growth killer; simplicity and clarity are the rocket fuel.Applying biblical wisdom to your team, your mission, and your leadership identity.

Can God Speak to You in Chaos when life feels like trying to hear a whisper in the noise of a crowded stadium? Yes. In this episode, Pops shows how to hear God's voice in chaos through Scripture, stillness, prayer, and discernment (Luke 10:41; 1 Kings 19; Psalm 46:10; John 10:27). Learn why a restless mind struggles to hear a peaceful God, how to set your mind on things above (Col 3:2), and simple practices to quiet noise and chaos and hear the gentle whisper of the Lord. We'll walk through a weekly challenge (Psalm 23), practical steps (meditation, solitude, testing impressions with Scripture), and a hopeful reminder that chaos never has the last words God does.SUBSCRIBE to our channel / @binmin_org JOIN the NEWSLETTER at https://binmin.org/newsletter/SUPPORT Binmin with a tax-deductible gift HERE - https://binmin.org/donate0:00 - INTRO 1:19 - ELIJHA'S GENTLE WHISPER (1 KINGS 19)2:20 - THE SECRET OF STILLNESS (PSALM 46:10)3:00 - START WITH A PSALM (23/27/46/103)3:30 - PRAYER AND SOLITUDE LIKE JESUS (MARK 1:35)4:14 - PERSISTENCE, PATIENCE, AND DISCERNMENT4:55 - JESUS IS NOT SILENT IN YOUR CHAOS5:15 - WEEKLY CHALLENGE5:39 - OUTRO JOIN the⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ NEWSLETTER⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. SUPPORT Binmin with a tax-deductible gift⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ HERE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CONNECT WITH BINMIN: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linkedin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Binmin.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Questions?: info@binmin.orgPODCAST RESOURCES: More from Binmin:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Binmin.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe on Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LEAVE A REVIEW on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

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Succession — it's not just one of the best tele shows ever created, it's also something of a challenge when it comes to the wine world of Aotearoa. I recently wrote a piece on how the future of NZ wine might need to look a lot more collaborative as opposed to inherited, and as if to really double down on the idea, our guests for today have embraced both. They've only gone and collaborated to make a really special, actually quite spectacular, wine together from the magical fruits of the Two Terraces Vineyard in Hawkes Bay under the Three Fates label. Of course, I'm talking about Holly Girven Russell and her dad, Gordon Russell. These two are a total delight and, as we chatted away, Holly challenged her Pops to a blind tasting of what turned out to be - his very own wine. Did he guess what it was? Did he even guess that he made it? Did any of us manage to guess it? Well, no spoilers but suffice to say the wine was a great nod to Gordo's experimental and creative wine career. Gordon has worked as winemaker at one of New Zealand's most respected wine estates for over 30 years and he's an innovator. He spent his winemaking life getting all experimental with new wine varieties and blends that contributed to the evolution of NZ wine. And he played a lot of vinyl. He reckons he just missed the Punk era but to be frank, it feels like Gordo is adept at embracing a bit of counter culture. As if London is some sort of portal to a wine career for this family, Holly was off to live the bright lights, big city life in London town herself and with some wine hook ups from her Dad, she ended up working as part of the wine buying team for Marks & Sparks.Fast forward to 2025 Holly is now a winemaker, making wine in Hawkes Bay on her own terms which has culminated in a role at Decibel Wines and as one Fate of the truly wonderful, explorative, collaborative wine brand Three Fates which Holly started with pals, Hester Nesbitt & Casey Motley.Just like a map of London, this chat departs down side streets and little lanes of family memories, shared experience and how making a wine together has created an incredible opportunity that both Father and Daughter have each brought their own inimitable style and panache.So old chaps, pull your A to Z map book and your tube pass from your satchel, pour yourself a jolly crisp refreshment and Mind the Gap, this is the not serious Holly Girven Russell and Gordon Russell chat. not serious wine chats would like to thank our supporters:TradecraftBy the BottleAntipodes Water Co. Special thanks to my pal, Benj Brooking of Popular.nz for his help with the editing. An expert filmmaker, editing these chats is being done as one mate helping another. Thanks Benj. You're a legend. join the chatinstagram | facebookIf you're struggling to put that glass down, perhaps our chats aren't the right ear candy for you. While the chats are not serious, living your best life is a very serious matter indeed and a life fuelled by addiction doesn't sound dreamy at all. If you think you need a hand, visit the Ministry of Health site for platforms that might help you take the first step towards taking control back. Our warmest wishes for success on that journey.

Good Morning Nashville ☀️ We are excited once again to be a part of you guys new week, and want to thank you for taking time out of your day to listen in to this weeks episode of Black Men Vent Too. Pops and I stand proudly as the FIRST & ONLY black father and son podcast in the state of Tennessee, aiming to change the narratives behind black men one episode at a time. Man oh man, we definitely got a good one today! So, let's lock in!

Weekly Anime Recap time! Maxwell and Davis go full send on eight shows: My Hero Academia (S9E6) keeps cooking as Deku dives into Shigaraki's core—ghost-quirk chorus, blackwhip feints, and hype BGM galore. Spy x Family (S3E6/7) is pure gold with the Red Circus bus hijack, Anya/Becky chaos, Fiona & “Scruffy” collateral damage, and a cliffhanger that had us yelling. Meanwhile One Punch Man… yikes. A dragon-level showdown that should've been peak ends up stiff and lifeless—our biggest disappointment of the week. Balance restored by Tojima Wants to Be a Kamen Rider (ep. 6): heroic punch of the season, sister's shop comedy, and a villain beatdown that absolutely rules. May I Ask You One Last Question? brings slick fights and character moments, SANDA delivers a stylish brawl with a terrifying headmaster and a surprise mentor, and Gachiakuta (ep. 18) is our Episode of the Week thanks to a killer Scissors-vs-Electric throwdown, a jaw-drop gun reveal, and the eerie vital instruments sacrifice. We close with One Piece (Egghead): Vegapunk info bombs, Mother Flame teases, Gorosei menace, Sanji/Franky saves, and the “world is sinking” drumbeat getting louder.If you're here for sharp takes, dumb jokes, and real talk on what's worth your watchlist, this one's for you.Support the show

This week on Say Whats Reel, Dom, Q head back to South Central L.A. to revisit the hood comedy that started it all — Friday (1995)! Directed by F. Gary Gray and written by Ice Cube & DJ Pooh, this cult classic stars Ice Cube and Chris Tucker as Craig and Smokey — two best friends dealing with one wild day full of debt, drama, and Deebo.From Big Worm's threats to Smokey's antics and Pops' legendary bathroom scene, the crew breaks down what made Friday one of the funniest and most iconic comedies of the ‘90s.Does Friday still hold up today? Tune in to find out

This week (11/28 & 11/30) on ART ON THE AIR our whole show features the storied career of Chicago-based photographer, storyteller, and former public relations executive, Tom Doody, whose work spans three decades across media, hospitality, and the arts including his recent soirée into war-torn Ukraine.Our Spotlight is on LaPorte County Symphony Orchestra's - Holiday at the Pops concert on December 13, 2025 at the LaPorte Civic Auditorium under the baton of Dr. Carolyn Watson leading the orchestra in the festive annual event that has come to signal the arrival of the holiday season in LaPorte. Tune in on Sunday at 7pm on Lakeshore Public Media 89.1FM for our hour long conversation with our special guests or listen at lakeshorepublicmedia.org/AOTA, and can also be heard Fridays at 11am and Mondays at 5pm on WVLP 103.1FM (WVLP.org) or listen live at Tune In. Listen to past ART ON THE AIR shows at lakeshorepublicmedia.org/AOTA or brech.com/aota. Please have your friends send show feedback to Lakeshore at: radiofeedback@lakeshorepublicmedia.orgSend your questions about our show to AOTA@brech.comLIKE us on Facebook.com/artonthairwvlp to keep up to date about art issues in the Region. New and encore episodes also heard as podcasts on: NPR, Spotify Tune IN, Amazon Music, Apple and Google Podcasts, YouTube plus many other podcast platforms. Larry A Brechner & Ester Golden hosts of ART ON THE AIR.NPR Link: https://www.lakeshorepublicmedia.org/show/art-on-the-air/2025-11-12/art-on-the-air-november-30-2025

In today's episode we draft things that we pretend to have an understanding of but don't, we talk about how Pops would be a great worker at Trader Joes, Danny tells the story of when he was fired from Orangetheory, we give our review on the movie Bugonia, answer lots of questions from the breadsticks, and more!! Be sure to tune in every Monday and Thursday for new episodes!

The Brown Bag crew tackles a huge holiday crisis on the Homie Helpline, where a single dad is threatening to cancel Thanksgiving and Christmas because his 22-year-old daughter borrowed $2,000 for parking tickets and tags and still hasn't paid him back. You'll want to listen carefully as the team also reviews the dramatic and suspicious audio from Vic's viral "ringer dinger" chiropractor visit, discusses Kim Kardashian blaming psychics for failing her bar exam, and celebrates the saga of the woman who managed to make it across the Mexico border in a stolen car. [Edited by @iamdyre

Eesti muusikale pühendatud raadiosaate viieteistkümendada hooaja sees popsib seitmesaja kolmekümne seitsmes saade.

God's timing, humor, and consistency are too perfect to miss. This episode dives deep into the divine alignment between Scripture, music, and memory—showing that you can't make this stuff up. When songs from Maverick City Music—“Too Good to Not Believe,” “Refiner,” and “Kingdom” featuring the lyric “Do you wanna know what Heaven looks like? It's looking like me and you”—randomly shuffled into my quiet time, it felt like heaven itself was speaking.In this powerful reflection, I share how Proverbs 10, my parents' timeless wisdom, and a “random” playlist all collided to prove one truth: God's consistency is undefeated. Verse after verse reminds us that righteousness brings joy, diligence beats laziness, and wisdom invites discipline. My mom used to say, “Count your many blessings, name them one by one,” and my pops would remind me, “Boy, you're the greatest—so act accordingly.” Turns out, they were echoing what God wrote 3,000 years ago.

All of the highlights from today's show at one push of a button! Check out all of our favorite moments from the show in this one easy to listen-to podast.

Former Ironman, Matt Poole has popped the question to Annelyse Oatway whilst on a family vacation to Palm Cove. Matt got down on one knee alongside their six-month-old son, Parker and his daughter Posie, who he shares with ex fiancé Tammy Hembrow. Olivia Rogers has revealed she’s moving in with her boyfriend of two years, Hugo Breakey. The Miss Universe Australia winner said she’s excited for this next chapter and referred to the business consultant as the ‘love of her life.’ Simone Anderson, has shared the results of her recent breast augmentation surgery. Posting to her 430k followers, the New Zealand influencer, shared a carousel of faceless images of her new boobs. Tammy Hembrow has thrown shade at her baby daddies, declaring she has always felt like a single mum. UK influencer, Saffron Barker has admitted her move to Dubai has put pressure on her relationship with boyfriend, Josh Miln. AND Veruca Salt has already blocked her new husband on Instagram. The couple tied the knot in Vegas after knowing each other for just two weeks. See omnystudio.com/listener for privacy information.

Alexei and Talal get down to discussing all the most important issues of the day: Lily Allen! D&D! Halloween! Fireworks! Top of the Pops! Oh, and revolutionary global politics too, I guess... Follow NOOW Media on YouTube here. Check out White Kit Collective's London show TONIGHT here. Be a comrade and support the show! Become a Patron and get access to the video version of the podcast, live episodes and more - patreon.com/AlexeiSaylePodcast Send your fan art, thoughts and questions to alexeisaylepodcast@gmail.com Please consider leaving us a review on Apple Podcasts or wherever you get your podcasts. Subscribe to Alexei's YouTube channel here and join him for his Bike Rides. The Alexei Sayle Podcast is produced and edited by Talal Karkouti Music by Tarboosh Records Photograph from the Andy Hollingworth Archive  

Joining us on the third episode of the "Rockabilly 2 Rachmaninoff" series, is conductor Bradley Thachuk. Maestro Thachuk, is the Music Director of the Niagara Symphony Orchestra (NSO). He has been connected to the Buffalo Philharmonic Orchestra for over 10 years, conducting occasional Pops and Rock series performances each concert season. Post-pandemic, he's served as the conductor of the Rock series, which is comprised of three concerts per season.  A versatile and diverse musician, Maestro Thachuk has also established himself globally as one of the handful of conductors who moves easily between the classical and rock worlds. He is a highly sought-after symphonic arranger, with numerous collaborations. Recent and upcoming projects include Steve Hackett of Genesis, the music of Leonard Cohen, a tribute to the Tragically Hip, Dave Mason of Fleetwood Mac and Traffic, ABC's Dancing with the Stars franchise, Tony-Award winning Heather Headley, Sarah Slean, Chantal Kreviazuk, The Beach Boys, and Air Supply. 

This Friday episode brings a game of Quote Roulette and the conclusion of the first-ever "Draft Week" to start your weekend. Brendan is ready to skip forward to Sunday afternoon's big Jets-Browns tilt at MetLife Stadium with rumors swirling that he may meet up with PJ to watch the game in-person. Andy and Brendan run through the early leaderboards for the HSBC Abu Dhabi Championship and World Wide Technology Championship before diving into press conference clippings from around the world. Rory McIlroy wasn't impressed by LIV's move to 72 holes and doesn't think they'll be getting too many OWGR points as things currently stand. Lee Westwood took exception to these remarks by the Masters champion, saying that Rory may change his mind next week on whatever he said anyway. Westy believes that the LIV fans are the biggest winners of this "innovation" as they'll be seeing an extra day of golf! Paul McGinley spoke to Bunkered about the impending DP World Tour fine decision on players like Jon Rahm and Tyrrell Hatton. McGinley believes there are larger things at play for the future of the DP World Tour's existence and acknowledges that making Ryder Cup players be members is one of few cards the Euro circuit has left. Perhaps most importantly, there was some late-night beef between Joe Mayo and the Short Game Chef on Instagram on Wednesday night. In a now-deleted Instagram post, Mayo started a grease fire in the Chef's kitchen, airing out some past texts and conversations and calling out the Chef's teachings. Andy and Brendan are giddy about this long-winded IG caption and lose it when Joseph LaMagna joins in to share a comment about "extra Mayo." Lastly, the President of the PGA of America spoke to the 31,000 or 34,000 or 37,000 members this week and apologized for "harming the association" in past months. We play the audio of this apology and have added it to the soundboard. "Draft Week" wraps up with a double whammy and a new guest: Joseph joins Andy, Brendan, and PJ to draft 2026 Pro Golf Venues AND the best players in the world age 28-and-younger.

How do you architect a Secure Access Service Edge (SASE) to provide critical security services to millions of endpoints distributed across the planet? How do you build such a service for scale, performance, and resiliency? One option is to build your own PoPs or use colocation facilities, run your own infrastructure stack, and connect everything... Read more »

How do you architect a Secure Access Service Edge (SASE) to provide critical security services to millions of endpoints distributed across the planet? How do you build such a service for scale, performance, and resiliency? One option is to build your own PoPs or use colocation facilities, run your own infrastructure stack, and connect everything... Read more »

Kerry Lutz and John Rubino break down the cracks appearing in the economy — and they aren't small. Layoffs are rising, consumer debt is hitting record highs, and defaults are climbing. Even cardboard box demand is falling, a subtle signal that spending is slowing. Petroleum consumption is down, partially due to the rise of electric vehicles, which is also impacting jobs in energy sectors. Car prices remain sky-high, leaving many buyers on the sidelines. Across the board, the economy is showing stress. In Las Vegas, the focus on wealthy visitors has inflated prices for everyday services, leaving the city emptier than you might expect, even on weekends. Meanwhile, the Southwest faces a worsening water crisis, which could spark conflicts between urban areas and agriculture. Rubino and Lutz also explore the volatility in AI stocks, likening the scene to the dot-com bubble, and discuss the urgency of resolving the ongoing government shutdown. The takeaway is clear: the signs of a slowdown — and a potential recession — are everywhere. Find John here: https://Rubino.substack.com Find Kerry here :https://khlfsn.substack.com and here: https://inflation.cafe  Kerry's New Book "The World According to Martin Armstrong – Conversations with the Master Forecaster" is now a #1 Best Seller on Amazon. . Get your copy here: https://amzn.to/4kuC5p5

How do you architect a Secure Access Service Edge (SASE) to provide critical security services to millions of endpoints distributed across the planet? How do you build such a service for scale, performance, and resiliency? One option is to build your own PoPs or use colocation facilities, run your own infrastructure stack, and connect everything... Read more »

Tottenham cruised past FC Copenhagen in the Champions League, but beneath the 4-0 scoreline there's plenty to unpack. Jack is joined by Last Word on Spurs' own Ricky Sacks to discuss Micky van de Ven's outrageous solo goal, Xavi Simons finding form, and whether Thomas Frank's cautious midfield setup is holding Spurs back. They also talk Tottenham's recruitment, Richarlison vs Dane Scarlett, and answer your listener questions - from the origins of LWOS to Jah Wobble on Top of the Pops and whether or not Ricky would take 38 points for an FA Cup. Theme is Ghost Cat by Gillen. Learn more about your ad choices. Visit podcastchoices.com/adchoices

“AI may not simply be 'a bubble,' or even an enormous bubble. It may be the ultimate bubble,” writes tech journalist Brian Merchant. In the first half of the year, AI contributed to 1.1% of GDP growth and eight tech companies are now valued at $1 trillion or more. While investors are giddy at the pace of growth, many economic analysts are more sober. We get to the bottom of the bubble and what might happen if it pops. Guests: Charlie Warzel, staff writer, The Atlantic. Warzel is also the author of "Galaxy Brain," a newsletter about the internet and big ideas. - he co-authored the piece "Here is How the AI Crash Happens" Brian Merchant, tech journalist, writes the "Blood in the Machine" newsletter, author, "Blood in the Machine: The Origins of the Rebellion against Big Tech; his most recent piece in Wired is "AI is the Bubble to Burst Them All" Learn more about your ad choices. Visit megaphone.fm/adchoices

The latest episode of Taste Radio's Elevator Talk spotlights innovative leaders from Pantry Gems, Berski, Benni Pops, KiuKiu and Superlova. In this installment, founders and CEOs introduce their brands and share recent company updates and milestones. This week's special co-host is Mia Medina, the founder and CEO of Gather Brands. She offers insightful questions, thoughtful feedback, and strategic perspective alongside regular host Ray Latif, editor and producer of the Taste Radio podcast. Early-stage food and beverage entrepreneurs are encouraged to apply for future episodes of Elevator Talk. Participation is free, interviews are conducted remotely, and it's a unique opportunity to pitch your product, share news, and receive expert feedback from industry leaders. Apply now to be featured in an upcoming episode.

Jason and Jeff chat about the "circular" AI deals, whether AI stocks are just hype, and what it would actually take for this bubble to keep inflating. In this episode, we ask:Are AI stocks dangerously overvalued? What are these "circular deals" between companies like Nvidia, AMD, and OpenAI? Is this AI rally just like the dot-com bubble? Will AI lead to massive job losses, or will it just change what our jobs look like? Where will all the energy come from to power AI? (And what does this mean for nuclear power?) How we're thinking about investing and building a resilient portfolio right now.00:23 Exploring the AI Bubble00:56 Pitching the Premium Plan03:38 Market Crash Expectations06:33 AI's Impact on the Market15:55 Energy and AI: A Symbiotic Relationship22:41 The Future of Jobs in an AI-Driven World26:16 AI's Impact on Employment and Economy27:08 Amazon's AI Evolution with Alexa28:05 AI's Role in Business and Education33:34 AI's Influence on Market and Investments37:10 Future of Top Companies and AI42:06 Investment Strategies Amid AI UncertaintyCompanies mentioned: ADBE, AMD, AMZN, ASML, LMND, NOK, NOW, NVDA, TSM*****************************************Join our PatreonSubscribe to our portfolio on Savvy Trader *****************************************Email: investingunscripted@gmail.comTwitter: @InvestingPodCheck out our YouTube channel for more content: ******************************************To get 15% off any paid plan at fiscal.ai, visit https://fiscal.ai/unscripted******************************************Listen to the Chit Chat Stocks Podcast for discussions on stocks, financial markets, super investors, and more. Follow the show on Spotify, Apple Podcasts, or YouTube******************************************The Smattering Six2025 Portfolio Contest2024 Portfolio Contest2023 Portfolio Contest

Chad Hartman and Dave Harrigan are out, Scott Korzenowski and Lindsey Brown are in! Scott opens the show with talking about election day and how his step-daughter sent out an early morning text letting everyone know their marching orders to the polls. Scott and Lindsey wade into the complicated loaded legacy of the now late Dick Cheney. Then, Scott is joined by Amy Koch to discuss Rep. Lisa DeMuth entering the race for Governor of Minnesota. Her intro ad features strong anti-Tim Walz messaging. Amy gives her thoughts on Rep. DeMuth's candidacy, what she's up against running as a Republican in a state that hasn't chosen a Republican governor in over two decades and the races for Minnesota State Senate on the ballot today. To wrap up the hour, Scott talks about his Halloween experience as Pops the Duck and how much he has grown to love Halloween with his grandkids.

We're live from Wrigleyville North catching up with Super Great, Tucker! Join us as we get the scoop on Paranormal Activity the Play, go yacht rockin' with Young Gun Silver Fox and discover alt rocker Chan Fuze. We also play "Bugs Ya or Not Bothered?", get into tasty News Nuggies and share our latest POPs.Find is on Instagram:https://www.instagram.com/notsupergreatpodcastFind us on TikTok:https://www.tiktok.com/@notsupergreatpodcastGo to the places we record at:https://www.webpubbucktown.com/https://www.longroomchicago.com/https://www.WrigleyvilleNorthChicago.com/

From Wall Street to Main Street, the latest on the markets and what it means for your money. Updated regularly on weekdays, featuring CNBC expert analysis and sound from top business newsmakers. Anchored by CNBC's Jessica Ettinger. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rusty Egan in conversation with David Eastaugh https://rustyeganpresents1.bandcamp.com/ https://www.amazon.co.uk/Rusty-Egan-Autobiography/dp/0857162934 https://www.youtube.com/watch?v=OZAM6TFMvAc https://www.mixcloud.com/rustyegan/ Egan was the drummer of British new wave band Rich Kids, from its inception in March 1977, until its disbandment in December 1978, along with former Sex Pistols bassist Glen Matlock (bass and vocals), Steve New (guitar and vocals), and Midge Ure (guitar, vocals, and keyboards). Egan continued working with Ure, and later collaborated with The Misfits, Skids and Shock, and well as being a founding member of Visage. He played drums on a remixed version of Phil Lynott's song "Yellow Pearl", which the BBC used as the Top of the Pops theme tune from 1981 to 1986.  

(Episode 357) Amanda Jones and Mason Dixon join Host Rob Byrd in the studio to talk about the Blueberry Chicks, CR 689, looking for lost millions, the ghost in the building, and spray on hair. Scott T calls in for a Road Report and to tell everyone about the complications of delivering cars to a Ma and Pops dealership in Minnesota. Dr. Max Masters from Masters Chiropractic and Rehabilitation calls in to tell us how Rob hurt his back. On Racin' Mason Dixon's Front Porch Stomp he invites Biko Skalla, the extraordinary Announcer from the Savanah Bananas. Biko calls in to tell us about the playoffs and expansion of the Bananas. It's all here, right now and so much more on The Moondog Show. MoondogShow.com

Playlist: Screaming Jay Hawkins - I Put a Spell on YouBegonia - Morning (By Your Side)BADBADNOTGOOD, Charlotte Day Wilson - SleeperDominic Pierce - Chapstick GirlTanika Charles - Don't Like You AnymoreOdario, Mad Professor, Yolanda Sargeant - The SituationO'Luge - JourneyChet Singh - Red CanoeJack DeJohnette's Special Editon - Inflation BluesThe Harpoonist - I May Not Have it TogetherThe Barr Borthers - Let it HissBahamas - DearbornSay She She - ChaptersObongjayar - Give Me MoreGlam Sam and his Colour Combo, ANGELINA - Sweet Summer Nights (The Sweets for my Honey Groove)Sargeant x Comrade - PowerTendavillage - Ralph WiggumBusty & The Bass - Out of LoveL'Impératrice, Louve - chrysalisEugene Tambourine - In the Good LIfeMr Day - SpookyJames Brown - People Get Up And Drive Your Funky SoulSly & the Family Stone - In TimeSt. Paul & The Broken Bones - I Think You Should KnowLittle Willie John - I'm Shakin'Freak Motif - The Following

In this episode, Cem Karsan returns to Excess Returns to break down the market through the lens of liquidity, reflexivity, and options-driven market structure. We cover why he believes we are in a bubble but still early in its trajectory, the mechanics behind today's volatility dynamics, the role of AI spending in sustaining the cycle, and why traditional 60/40 portfolios may face major challenges in the years ahead. Cem also explains how investors should think about tail risk, true diversification, and building portfolios for a world where liquidity flows dictate outcomes.Main topics coveredWhy we are in a bubble but still likely to go higher firstFundamentals vs liquidity as drivers of returnsOptions as the “3-D” market and how they now drive equitiesReflexivity and how option flows influence asset pricesRetail adoption of options and misperceptions in the spaceAI investment boom, tail risks, and market liquidity feedback loopsHistorical valuation regimes and recency bias in marketsPortfolio construction beyond the 60/40 modelTail hedging and the role of long volatilityImportance of true diversification and managing interest-rate riskTimestamps00:00 Bubble dynamics and why being bullish can coexist with danger 03:00 Fundamentals vs liquidity as market drivers 08:00 Rise of options and how they now influence markets 14:00 Reflexivity explained in simple terms 19:00 Mistakes investors make with options and structured products 24:00 AI spending, liquidity expansion, and similarities to 1999 31:00 Tail risks, China/Taiwan, private markets, inflation signals 38:00 Why 60/40 has worked recently – and why it may fail ahead 52:00 Inequality, cycles, crisis as a clearing mechanism 54:00 Building a portfolio for the next decade: diversification, tail hedging, box spreads, and non-correlated strategies 1:04:00 Closing thoughts and takeaway for investors

The wonderful Celine Byrne pops in to studio ahead of her Madama Butterfly at the Bord Gais Energy Theatre with the Irish National Opera.

This week on R&B Money, Tank and J Valentine sit down with Singer, Entertainer, Actor and Author, Omarion.  In Part One of this Two-Part episode, Omarion will take us back in time through his journey in Los Angeles, booking a Pops commercial as a teen, teaching himself to backflip and going to his play-auntie's house party that resulted in the formation of the Legendary B2K. O will discuss the origin of his name, his beginnings as a rapper, the feeling of rejection, the triumph of success, the Power of Choosing Joy, childhood friends parting ways, moving forward and ultimately, Reflection. Listen and Enjoy the Young Legend, Omarion Part 1 Follow The Podcast: Tank: @therealtank   J Valentine: @JValentine Podcast: @RnbMoneyPodcast  https://www.youtube.com/RnBMoneyPodcastSee omnystudio.com/listener for privacy information.

Jase recounts a travel gauntlet worthy of its own sitcom, including an in-air collision with his favorite waterfowl, before walking into a rough crowd where his jokes flop. But a heartfelt tribute to Missy leaves her beaming and Al and Zach taking notes for their own playbooks. The surprise arrival of Jase's son Reed turns the conversation serious as the guys continue through John 18, contrasting Christ's unshakable kingdom with the seductive traits of the antichrist and the deceivers who twist truth for power. In this episode: Exodus 33; John 18, verses 28–40; 1 Corinthians 10, verse 4; Daniel 2, verses 34–35, 44–45; Ephesians 2; Mark 1, verse 15; Matthew 6, verse 13 (doxology note); John 17; 1 John 2; 1 John 4; 2 John, verse 7 “Unashamed” Episode 1196 is sponsored by: Stand firm for values that matter. Join the fight & give today at https://www.frc.org/unashamed https://tomorrowclubs.org/unashamed — For a limited time, all donations to this “Binga Blitz” will be matched! Join us now and double your impact! https://myphdweightloss.com — Find out how Al is finally losing weight! Schedule your one-on-one consultation today by visiting the website or calling 864-644-1900 https://andrewandtodd.com or call 888-888-1172 — These guys are the real deal. Get trusted mortgage guidance and expertise from someone who shares your values! https://duckstamp.com/unashamed — Get your all-new digital duck stamp today. It's easier than ever! http://unashamedforhillsdale.com/ — Sign up now for free, and join the Unashamed hosts every Friday for Unashamed Academy Powered by Hillsdale College Check out At Home with Phil Robertson, nearly 800 episodes of Phil's unfiltered wisdom, humor, and biblical truth, available for free for the first time! Get it on Apple, Spotify, Amazon, and anywhere you listen to podcasts! https://open.spotify.com/show/3LY8eJ4ZBZHmsImGoDNK2l Listen to Not Yet Now with Zach Dasher on Apple, Spotify, iHeart, or anywhere you get podcasts. Chapters: 00:00-03:49 What annoys Jase about Zach 03:50-14:51 Jase scores an “I was right” over Missy14:52-22:35 If the cornerstone isn't right, nothing will be 22:36-26:45 What makes the anti-Christ?26:46-32:00 How to make your wife beam happily 32:01-39:40 Rome finds Jesus innocent39:41-47:57 Modern signs that Jesus conquered Rome 47:58-56:22 Jesus mic drops on Pilate — Learn more about your ad choices. Visit megaphone.fm/adchoices

What if someone told you every day, “You are the greatest—so act accordingly”… and then actually lived it out?That's exactly what our Pops said to us growing up—and my big brother, my best friend, my hero, Big Rob, took that message and made it his life's blueprint.In this special episode of Inch Stones, we dive into Proverbs 28, a chapter that reveals what unparalleled, impeccable character looks like in action. From boldness like a lion to humility that honors God, it's a roadmap for living with integrity, faith, and courage—just like Big Rob.This one's part celebration, part reflection, and all heart. You'll walk away challenged to rise a little higher, love a little deeper, and act accordingly.

Ahead of Wednesday's earnings, Microsoft (MSFT) jumped Tuesday morning after restructuring its deal with OpenAI. As Kevin Green explains, it changes the stake Microsoft has in the company but adds clarity to OpenAI's future with Azure cloud. Speaking of clarity, Kevin later notes the tick higher in consumer confidence and more data to come that will create a clearer economic picture.======== Schwab Network ========Empowering every investor and trader, every market day.Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/About Schwab Network - https://schwabnetwork.com/about

From Wall Street to Main Street, the latest on the markets and what it means for your money. Updated regularly on weekdays, featuring CNBC expert analysis and sound from top business newsmakers. Anchored by CNBC's Jessica Ettinger. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Two Glasgow Celtic supporters (jubilant) and a West Ham supporter (worried) join for an hour of video game fun! https://www.patreon.com/cw/VideoGamesChronicle for more awesome content... Hosted on Acast. See acast.com/privacy for more information.

Hilarious comedy couple (they will absolutely hate me for this) Myka Fox & Tim McLaughlin hang with mommy & daddy to talk about their favorite moments coming up in stand-up, what it's like running a pod together (Great Hang Podcast rips), and a lil drama. Plus, Jordan goes into it about what happened to her on Twitter. Sub to the Patreon for early episode access and bonus Patreon only episodes/content: https://www.patreon.com/BeinIanpod IAN FIDANCE | WILD HAPPY & FREE | FULL STAND UP SPECIAL: https://youtube.com/watch?v=-30PenMy1O8 JORDAN JENSEN | DEATH CHUNK: https://youtube.com/watch?v=ytsilX-QL3s&t=2s Podcast Merch Here!: https://www.coldcutsmerch.com/collections/bein-ian-with-jordan-podcast -Try your first month of BlueChew for free, just pay $5 for shipping. Use code SKA at https://www.bluechew.com -The best way to cook just got better. Go to HelloFresh.com/SKA10FM to get 10 free meals + a free item for life. One per box with active subscription. Free meals applied as discount on first box, new subscribers only, varies by plan. -Your new wardrobe awaits! Get 20% off @chubbies with the code IAN at https://www.chubbiesshorts.com/ian #chubbiespod Follow Jordan Jensen: @jordanjensenlolstop https://instagram.com/jordanjensenlolstop See Jordan Live! - https://punchup.live/jordanjensen Follow Ian on Twitter, Twitch, and Instagram: @ianimal69 https://instagram.com/ianimal69/ See Ian Live! - https://punchup.live/ianfidance Follow Myka Fox here: https://www.instagram.com/mykafox/ Follow Tim McLaughlin here: https://www.instagram.com/hot_comic69/ Follow their show Great Hang Pod here: https://www.instagram.com/greathangpod/ Please RATE, REVIEW, and SUBSCRIBE to Bein Ian with Jordan on all platforms! Produced by: James Webb https://instagram.com/thechicagopro/ Intro song: “Bein Ian with Jordan” by Wesley Schultz and Ian Fidance Outro song: Title Holder “It Doesn't Matter” Learn more about your ad choices. Visit megaphone.fm/adchoices

The guys break down the Broncos' historic 33-32 comeback from 19-0 down in the fourth quarter against the Giants, run a “frauds or for real” gauntlet (Broncos, Chiefs, Eagles, Packers, Steelers, Cowboys), and roast the NFL's two-game Monday Night slate. They marvel at the Chiefs' absurd dominance over the Raiders (with a full stats dunk), debate Justin Herbert, Baker and the Bucs, and shout out Shohei Ohtani's superhero night. Plus, Pops' crucial life advice about potato storage, a brief college coaching carousel chat, and uniform crimes by the Chargers.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

October 22, 2025- The largest algal bloom recorded in the Hudson Valley over the last four decades appeared this summer in the Hudson River, so we explore how to prevent these environmental risks in the future with Shannon Roback, science director for Riverkeeper.

NPR's Pop Culture Happy Hour asked Brittany to go to the movies and bring them her thoughts on The Rock's new movie, The Smashing Machine. She fulfilled the assignment and more.In this special bonus episode, Brittany, Pop Culture Happy Hour's Aisha Harris, Code Switch's Gene Demby, and NPR contributor Reanna Cruz get into The Rock's attempt at capital-A acting. Is Dwayne Johnson going to get an Oscar, or is the movie an all-around skip? You can listen to more episodes of NPR's Pop Culture Happy Hour here.Follow Brittany Luse on Instagram: @bmluseFor handpicked podcast recommendations every week, subscribe to NPR's Pod Club newsletter at npr.org/podclub.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Our passionate friend Wil from Georgia pops backs on the program. There's so much to talk about and Wil came in fully loaded. Let's get into it.

Polymarket scales with Wall Street's blessing, Kalshi fires up KOLs, and BNB chain melts down as fast as it ran. We dissect Aster's data drama, the new privacy wave lifting Zcash, and Galaxy One's glossy yields—what's smart strategy vs. old mistakes in new clothes? Welcome to The Chopping Block — where crypto insiders Haseeb Qureshi, Tom Schmidt, Tarun Chitra, and Robert Leshner chop it up about the latest in crypto. This week, we unpack Polymarket's jaw-dropper: a $2B raise at a $9B valuation led by ICE (parent of the NYSE), the token tease, and whether prediction markets will eat sportsbooks. We get into the KOL wars (Kalshi vs. Polymarket), the line between paid shilling and product marketing, and what “parlays” look like on prediction platforms. Then: Aster vs. Hyperliquid and DeFiLlama's delist sparks transparency questions, while BNB Chain's 72-hour meme-coin supercycle goes boom→bust. Privacy takes center stage as Zcash rips and the “privacy meta” returns. We close with Galaxy One's 8% yield pitch — BlockFi déjà vu or smarter risk management in a post-CeFi world? Show highlights

(1:20) Broncos-Eagles Film Review: "It was really Bo Nix making Baller Throws"(13:50) Deep Dive: Running into loaded boxes and why teams get scared(33:50) Rookie of the Week: Cam Ward "pops off the screen"(49:45) What's More Likely: Caleb vs Jayden, Herbert vs Tua, Saquon vs G-Men, and more Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.