Podcast appearances and mentions of don carlo

Recorded earlier on Monday, Jimbo assembles Julien Laurens, Pol Ballús, Seb Stafford-Bloor and James Horncastle as the Euro gang sign off for the summer in style. There's only one place to start - and the dramatic events on Friday night in Serie A as Scott McTominay and Romelu Lukaku were on the scoresheet as Napoli tasted Scudetto glory amid jubilant scenes inside the Maradona and on the streets of Naples. Inter will be hoping to put the disappointment of missing out on the title behind them as they prepare to face PSG in Saturday's Champions League final. The French champions warmed up for the occasion by cruising to a 3-0 victory over Reims in the Coupe de France. So - who'll come out on top in Munich?The curtain closed on the La Liga season this weekend with emotional goodbyes for Carlo Ancelotti & Luka Modrić as their time at Real Madrid came to an end with a 2-0 win over Real Sociedad. Barcelona wrapped up their domestic treble-winning season with a comfortable victory at Athletic Bilbao - while Real Betis prepare for Wednesday's Conference League final against Chelsea… And over in Germany, the Pokal fairytale wasn't to be for Arminia Bielefeld as Stuttgart ended their 18-year wait for a trophy with a 4-2 victory over their third-division opponents. Plus, the big news out of Leverkusen is that Erik ten Hag is back! Produced by Lucy Oliva.RUNNING ORDER: • PART 1: Moments of the weekend (00.50)• PART 2: Serie A review - MVP McTominay guides Napoli to glory (08.30)• PART 3: Coupe de France review - and Champions League final preview (23.45)• PART 4: La Liga review - Emotional farewells to Don Carlo & Luka Modrić & Conference League final preview (34.30)• PART 5: DFB-Pokal review - and ten Hag's in at Leverkusen! (49.05) Hosted on Acast. See acast.com/privacy for more information.

In de dagelijkse podcast van FC Afkicken bespreken Mart ten Have, Lars van Velsum en Alex Mazereeuw onder meer de Denzel Dumfries-show tegen Barca, de vele spelers die gaan vertrekken bij PSV, de gecancelde overgang van Carlo Ancelotti naar Brazilië, de interesse van Leverkusen in Farioli en Ten Hag en de halve finale duels in de Europa League!(0:30) De meest zwetende bank van Nederland(2:20) De Denzel Dumfries-show tegen Barca(14:30) Veel spelers richting de uitgang bij PSV(26:35) Don Carlo niet naar de Copacobana(29:20) Leverkusen heeft interesse in Farioli en Ten Hag(33:45) Korte blik op de Europa LeagueIn de podcast verwijzen Mart, Lars en Alex naar:Het interview van Denzel Dumfries bij CBS: https://youtu.be/r3qfYTjZyqM?si=nT3NqbyzHrT_nDnb De Eerste De Beste-podcast van woensdag 30 april: https://open.spotify.com/episode/4xrDXsJ9UgQOwEU0NSF5By?si=0YhTm-SjRxqBjrQS2DKkYA en op YouTube: https://youtu.be/9BsyOANyqm0?si=ayF8cCIyxl1Fpwlf Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

La Traviata, Rigoletto... tout le monde connait les opéras italiens de Verdi. Ce qu'on sait moins, c'est que certaines de ses œuvres furent créées à Paris en... français ! Mais quelle histoire lie la langue française à l'opéra italien ?  Don Carlos est un opéra de Verdi basé sur un drame du poète Friedrich Von Schiller et qui raconte les amours contrariées entre Elisabeth de Valois et Don Carlos, le prince héritier. C'est aussi une pièce politique qui pointe le pouvoir tyrannique de Philippe II, mais aussi le pouvoir de l'Église avec le personnage de l'Inquisiteur.  Cet opéra a été créé en français à Paris en 1867. Les compositeurs italiens sont tous passés par Paris vers la fin de leur carrière pour profiter de conditions de travail offertes par l'Académie Royale.Triompher à Paris au dix-neuvième siècle était le point d'orgue de la carrière, la consécration suprême à condition de produire des œuvres en français !Damien Colas-GalletÀ l'époque, l'opéra fonctionnait un peu comme la Comédie française : avec une troupe et un cahier des charges très exigeant. On ne pouvait composer en italien qu'au théâtre italien…  L'opéra a ensuite été raccourci et renommé Don Carlo dans sa version italienne. Le ballet a été « coupé », le Iᵉʳ acte a également été coupé. En abrégeant l'opéra, il a dû modifier certaines parties comme le duo entre Philippe II et le Marquis de Posa... Le duo était à l'origine composé « à la mode italienne » mais cela ne fonctionnait pas en français.             Pour les compositeurs, modifier une œuvre pour la réadapter était donc un défi ! Tant sur le fond que sur la langue… Il faut parfois travailler la prononciation et la stylistique. Passer d'une langue à l'autre en opéra est un travail énorme et passionnant ! La langue influence sur la couleur de la voix et sur l'expression. Tout le défi était qu'ils ne sentent pas entravés dans la manière de chanter les phrases ! Sandra Westphal Au XXe siècle, on a favorisé de nouveau la langue d'origine : langue italienne ou langue allemande. ► Invités : Damien Colas-Gallet, directeur de recherche au CNRS, musicologue et spécialisé sur l'opéra italien.   Sandra Westphale, pianiste, cheffe de chant à l'Opéra de Paris. Le chef de chant est un pianiste qui participe à tout le travail artistique qui se prépare avant l'arrivée de l'orchestre, qui joue la participation au piano pour faire travailler les chanteurs. Elle a travaillé sur le Don Carlos de Verdi, mis en scène par Krzysztof Warlikowski et actuellement joué à l'Opera Bastille.   Avec également le témoignage de Charles Castronovo, ténor lyrique américain qui joue le rôle de Don Carlos. Propos recueillis par Cécile Lavolot. ► Programmation musicale : L'artiste Anna Madjinson avec le titre Rose épine.

La Traviata, Rigoletto... tout le monde connait les opéras italiens de Verdi. Ce qu'on sait moins, c'est que certaines de ses œuvres furent créées à Paris en... français ! Mais quelle histoire lie la langue française à l'opéra italien ?  Don Carlos est un opéra de Verdi basé sur un drame du poète Friedrich Von Schiller et qui raconte les amours contrariées entre Elisabeth de Valois et Don Carlos, le prince héritier. C'est aussi une pièce politique qui pointe le pouvoir tyrannique de Philippe II, mais aussi le pouvoir de l'Église avec le personnage de l'Inquisiteur.  Cet opéra a été créé en français à Paris en 1867. Les compositeurs italiens sont tous passés par Paris vers la fin de leur carrière pour profiter de conditions de travail offertes par l'Académie Royale.Triompher à Paris au dix-neuvième siècle était le point d'orgue de la carrière, la consécration suprême à condition de produire des œuvres en français !Damien Colas-GalletÀ l'époque, l'opéra fonctionnait un peu comme la Comédie française : avec une troupe et un cahier des charges très exigeant. On ne pouvait composer en italien qu'au théâtre italien…  L'opéra a ensuite été raccourci et renommé Don Carlo dans sa version italienne. Le ballet a été « coupé », le Iᵉʳ acte a également été coupé. En abrégeant l'opéra, il a dû modifier certaines parties comme le duo entre Philippe II et le Marquis de Posa... Le duo était à l'origine composé « à la mode italienne » mais cela ne fonctionnait pas en français.             Pour les compositeurs, modifier une œuvre pour la réadapter était donc un défi ! Tant sur le fond que sur la langue… Il faut parfois travailler la prononciation et la stylistique. Passer d'une langue à l'autre en opéra est un travail énorme et passionnant ! La langue influence sur la couleur de la voix et sur l'expression. Tout le défi était qu'ils ne sentent pas entravés dans la manière de chanter les phrases ! Sandra Westphal Au XXe siècle, on a favorisé de nouveau la langue d'origine : langue italienne ou langue allemande. ► Invités : Damien Colas-Gallet, directeur de recherche au CNRS, musicologue et spécialisé sur l'opéra italien.   Sandra Westphale, pianiste, cheffe de chant à l'Opéra de Paris. Le chef de chant est un pianiste qui participe à tout le travail artistique qui se prépare avant l'arrivée de l'orchestre, qui joue la participation au piano pour faire travailler les chanteurs. Elle a travaillé sur le Don Carlos de Verdi, mis en scène par Krzysztof Warlikowski et actuellement joué à l'Opera Bastille.   Avec également le témoignage de Charles Castronovo, ténor lyrique américain qui joue le rôle de Don Carlos. Propos recueillis par Cécile Lavolot. ► Programmation musicale : L'artiste Anna Madjinson avec le titre Rose épine.

The Champions League quarterfinals have begun and drama is nigh. Join Tosin, Coach, and Deen for screeds on midfield profiles, Desire Doue, Vincent Kompany's job security, Don Carlo's eyebrow & so much more. Tap in!

El Real Madrid hizo el mejor partido de la temporada en el mejor momento de la temporada contra uno de los mejores equipos de los últimos años. Pedimos perdón a Ancianotti que hoy para nosotros es Don Carlo. Penalti Pop: Un recorrido divertido y nostálgico por aquellos temazos que mantienen viva nuestra memoria futbolera: https://amzn.eu/d/iLxLZTJ

Ülker'in katkılarıyla hazırlanan Socrates FC'de bu hafta İnan Özdemir, İlhan Özgen ve Buğra Balaban sizlerle... Bu haftaki bölümü Atahan Altınordu'nun ne olduğunu henüz öğrenemediğimiz alışverişiyle açıyoruz. İlhan'ın geçmişte Murat Gül ve Alptuğ Uslu ile yaptığı gezileri övmesinin ardından geçtiğimiz haftaki bölümde unuttuğumuz yerli dizileri sizlerden gelen yorumlardan sayesinde hatırlıyor, ek olarak bir izleyicimizin Tanju Çolak anısıyla açılış faslını geride bırakıyoruz. Juventus'un kimlikleşen sıkıcı oyununu ve takımdaki Dusan Vlahovic çıkmazını değerlendirmemizin ardından haftanın olayına geçiyoruz. Ülker Magma ile Haftanın Olayı'nda ise Barcelona'nın Süper Kupa'da Real Madrid karşısında aldığı 5-2'lik dev zaferi konuşuyoruz. Carlo Ancelotti'nin verdiği kötü sınav, Barcelona'nın 10 kişi kalmasından sonra iyice sıkıcılaşan maç, Raphinha'nın müthiş sezonu, Real Madrid'deki orta saha krizi ve Don Carlo'nun yerine gelmesi muhtemel adaylar bu kısmın gündem maddeleri arasında. FA Cup'taki Manchester United-Arsenal maçı, Altay Bayındır'ın hem maçta hem de seri penaltı vuruşlarında yaptığı kurtarışlar, maçın adamı seçilmesi, Arsenal'ın skandal forması ve futbol tarihinde unutamadığımız maçlar listelerimiz… Hepsi ve daha fazlası bu bölümde!

Ülker'in katkılarıyla hazırlanan Socrates FC'de bu hafta İnan Özdemir, İlhan Özgen ve Buğra Balaban sizlerle...Bu haftaki bölümü Atahan Altınordu'nun ne olduğunu henüz öğrenemediğimiz alışverişiyle açıyoruz. İlhan'ın geçmişte Murat Gül ve Alptuğ Uslu ile yaptığı gezileri övmesinin ardından geçtiğimiz haftaki bölümde unuttuğumuz yerli dizileri sizlerden gelen yorumlardan sayesinde hatırlıyor, ek olarak bir izleyicimizin Tanju Çolak anısıyla açılış faslını geride bırakıyoruz. Juventus'un kimlikleşen sıkıcı oyununu ve takımdaki Dusan Vlahovic çıkmazını değerlendirmemizin ardından haftanın olayına geçiyoruz.Ülker Magma ile Haftanın Olayı'nda ise Barcelona'nın Süper Kupa'da Real Madrid karşısında aldığı 5-2'lik dev zaferi konuşuyoruz. Carlo Ancelotti'nin verdiği kötü sınav, Barcelona'nın 10 kişi kalmasından sonra iyice sıkıcılaşan maç, Raphinha'nın müthiş sezonu, Real Madrid'deki orta saha krizi ve Don Carlo'nun yerine gelmesi muhtemel adaylar bu kısmın gündem maddeleri arasında.FA Cup'taki Manchester United-Arsenal maçı, Altay Bayındır'ın hem maçta hem de seri penaltı vuruşlarında yaptığı kurtarışlar, maçın adamı seçilmesi, Arsenal'ın skandal forması ve futbol tarihinde unutamadığımız maçlar listelerimiz… Hepsi ve daha fazlası bu bölümde!

More than four years ago, I published my very first bonus episode on Patreon, which I offer here in a fancy new setting and with a wonderful new coda. When I first published an episode on the great Ileana Cotrubaș in honor of her 81st birthday, I promised a bonus episode which would offer further examples of this treasurable artist's plangent and pathos-filled singing. This episode explores delves deeper into Cotrubaș's artistic legacy, examining roles that she took on later in her career, including Elisabetta in Don Carlo, Nedda in Pagliacci, Amelia in Simon Boccanegra, and Desdemona in Otello. In addition, I play excerpts of roles that lay somewhat outside of her normal repertoire, including Tatyana in Yevgeny Onegin, Konstanze in Die Entführung aus dem Serail, and Tytania in A Midsummer Night's Dream. This is followed by two extended live excerpts of her two greatest roles, Mimì in La Bohème and Violetta in La Traviata. The entire episode is capped with an exquisite example of Cotrubaș singing Bach, in anticipation of a new all-Bach episode at the end of the week. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford.

Illugi Jökulsson sá ekki sýningu Íslensku óperunnar á Don Carlo en kynnti sér ævi fyrirmyndarinnar, Carlosar krónprins.

ATENÇÃO: A entrevista foi feita em francês. Para acessar o vídeo com legenda, recomendamos acesse o nosso canal no YouTube ( https://youtu.be/f8rr2Ny_UNE ) Nesse vídeo, Christopher Forey, fala sobre como sua carreira de iluminador, atuando em diversos países europeus, construiu uma perspectiva sobre diferentes núcleos de trabalho dentro da iluminação na Europa. Christophe Forey criou as luzes para inúmeras apresentações de teatro, ópera e dança. ‌ Ele trabalha regularmente com os diretores Moshe Leiser e Patrice Caurier: Carmen, Fidelio, Leonore, Traviata, Mazeppa no WNO; Hamlet, Der Rosenkavalier, Pelléas et Mélisande, O Anel de Nibelungo, Don Carlo no Grande Teatro de Genebra; La Cenerentola, Turco na Itália, Maria Stuarda na Royal Opera House em Londres; Clari de Halevy, Gesualdo de M-A Dalbavie, Mosè, Comte Ory, Otello de Rossini na Ópera de Zurique; Giulio Cesare de Handel, Norma de Bellini, Iphigénie en Tauride de Gluck, O italiano em Argel de Rossini no Festival de Salzburgo, Giovanna d'Arco de Verdi no Scala de Milão; Don Giovanni e Nozze di Figaro de Mozart, A Coroação de Poppea de Monteverdi para Angers-Nantes-Opéra, Teseo de Händel no Teatro de Viena, etc. ‌ Ele também trabalhou com Günther Krämer, Lucinda Childs (Orfeo, Canções de Antes, Œdipus-Rex, O Mandarim Maravilhoso de Bartok), Silviu Purcarete (Parsifal de Wagner), Robert Gironès (Argélia 54-62 de Jean Magnan), Bruno Boëglin (Roberto Zucco de BM Koltès), Jean-Marc Bourg (Uma frase para minha mãe de Christian Prigent), Benjamin Dupé, Jean-Claude Berutti, Sarath Amarasingam, Cédric Dorier (incluindo Danse Delhi de Ivan Viripaev), Vincent Huguet (Os Contos de Hoffmann em Bilbau).

Don Carlo ignored by Bellingham.. bigger issue then you think..What has the preseason told you about United..A few online media are a joke..

In another exclusive for the Obi One Podcast, John and Chris are in the Spanish capital to speak to none other than Real Madrid boss Carlo Ancelotti. Fresh from a record-extending fifth European Cup triumph as manager, Don Carlo was only too willing to open the doors to Real's training ground for this wide-ranging and illuminating hour-long sit down. In it, Ancelotti lifts the lid on his approach to management, has some sage advice to young coaches setting out and discusses how he'll fit new summer signing Kylian Mbappé into his Real line-up next season. The Italian also talks candidly about a raft of his former charges from Toni Kroos to Cristiano Ronaldo and from Eden Hazard to Gareth Bale. It's not one you'll want to miss! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Segundo programa dedicado a recordar la memoria del gran Hans Hotter. Sobre su vida, anécdotas y arte seguimos conversando con Victoria Stapells y relatando algunos hechos y anécdotas de su carrera. Los salpimentamos con lieder de Schubert, Brahms, Strauss y Wolf y fragmentos de Don Carlo de Verdi, Tristán e Isolda y Los maestros cantores de Wagner y La mujer silenciosa de Strauss. El final de esta ópera es la mejor rúbrica a la evocaciónEscuchar audio

Vi har analysert helgas finale. Det endte - ikke overraskende - med at "Don Carlo" løftet sitt femte CL-trofé som manager da Real Madrid slo Julian Ryersons Dortmund. Men det ble spennende! Hva var det Dortmund traff så bra på i første omgang? Og hvordan ender Real Madrid opp med å slå xG-statistikken nok én gang? Vi har kanskje noen av svarene i ukas episode!See omnystudio.com/listener for privacy information.

pWotD Episode 2587: Carlo Ancelotti Welcome to popular Wiki of the Day where we read the summary of a popular Wikipedia page every day.With 271,170 views on Saturday, 1 June 2024 our article of the day is Carlo Ancelotti.Carlo Ancelotti (born 10 June 1959) is an Italian professional football manager and former player who is the manager of Real Madrid. Nicknamed "Carletto" in Italy and "Don Carlo" in Spain, he is regarded as one of the greatest football managers of all time. Ancelotti is the most successful manager in UEFA Champions League history, having won the trophy a record five times as coach (twice with AC Milan and three times with Real Madrid). He is also the first and only one to have managed teams in six Champions League finals. As a player, he won the European Cup twice with AC Milan in 1989 and 1990, making him one of seven people to have won the European Cup or Champions League as both a player and a manager. Ancelotti is also the first and only manager ever to have won league titles in all of Europe's top five leagues. He has won the FIFA Club World Cup three times, and is also the manager with the joint-most UEFA Super Cup triumphs, having won the trophy on four occasions, managing Milan and Real Madrid.Ancelotti played as a midfielder and began his career with Italian club Parma, helping the club to Serie B promotion in 1979. He moved to Roma the following season, where he won a Serie A title and four Coppa Italia titles, and also played for the late 1980s Milan team, with which he won two league titles and two European Cups, among other titles. At international level he played for the Italy national team on 26 occasions, scoring once, and appeared in two FIFA World Cups, finishing in third place in the 1990 edition of the tournament, as well as UEFA Euro 1988, where he helped his nation to reach the semi-finals.As a manager, Ancelotti worked for Reggiana, Parma and Juventus between 1995 and 2001, before rising to prominence with Milan. Appointed as manager in 2001, he went onto win both the 2002–03 Champions League and 2002–03 Coppa Italia. The following season, he won the Scudetto with an Italian record of 82 points from 34 games, and three years later he won his second Champions League with Milan. During his tenure with Milan, Ancelotti was awarded the Serie A Coach of the Year twice. He resigned from Milan after the 2008–09 season, leaving as Milan's longest-serving manager in a single spell.In 2009, Ancelotti was appointed manager of Chelsea, winning the domestic double of the Premier League and FA Cup in his first season. In 2011, he became the manager of French club Paris Saint-Germain; the following season he won them their first Ligue 1 title in 19 years and was awarded joint Ligue 1 Manager of the Year. Following his success in France, Ancelotti was appointed manager of Real Madrid. In his first season, he led Real Madrid to their long-sought tenth Champions League title, La Décima, and also won the Copa del Rey. Despite collecting further honours with the club and being awarded the Miguel Muñoz Trophy in 2014–15 for the best performing manager in La Liga, Ancelotti was dismissed from Real Madrid in May 2015. He became the manager of Bayern Munich in 2016, where he won the Bundesliga title in his first season, and following stints at Napoli and Everton between 2018 and 2021, he returned to Real Madrid in the summer of 2021, where he won two La Liga–Champions League doubles in 2022 and 2024.This recording reflects the Wikipedia text as of 01:50 UTC on Sunday, 2 June 2024.For the full current version of the article, see Carlo Ancelotti on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Ivy Standard.

Prieteni, înainte de orice vă dăm vestea că la jumătatea lunii mai apare următoarea carte a lui Radu Paraschivescu, Libertatea de depresie. O să revenim cu detalii despre lansare, poate ne și vedem, nu-i așa? Scriitoarea Doina Jela ne aduce istoriile știute și neștiute ale comunismului și o să vă țină cu sufletul la gură, vă garantăm. Avem și expresii, îngrijorări, cărți de povestit, ceva fotbal din liga mare și încheiem cu supe-cremă (avem și câteva recomandări). 00:00 - Radu Paraschivescu a dat BT pentru următoarea sa carte, Libertatea de depresie. Completăm cu noul show al lui Jimmy Carr, premiul luat de Radu și câteva bancuri. 14:18- Am fost la premiera filmului Nasty și ne-a plăcut, mergeți să-l vedeți. Este ceva ce nu ați mai văzut. Vă așteptăm la Conferințele Humanitas (18-20 mai) și vom avea câteva invitații de dat către comunitatea noastră de plătitori.  35:00 - Îngrijorările sănătoase pleacă de la cartea lui Salman Rushdie - Cuţitul. Reflecții în urma unei tentative de asasinat. 47:21 - De la Drumul Damascului la drumurile memoriei. Cu Doina Jela 2:23:37 - Expresii pe-nțelesul tuturor: ”a promite marea cu sarea și Oltul cu totul”, ”a încerca marea cu degetul” și ”cu darea treci marea”. 2:28:07 Neașteptări cu Taylor Swift și Vama 2:35:58 - Spuma filelor vine cu următoarele tiluti și autori: Ioana Bâldea Constantinescu - Castelul din orașul meu, Stejărel Olaru, Liviu Tofan - Ca-n filme, Marian Tudor - Dincolo de porțile rușinii 3:01:08 - Don Carlo și Manchester City la Fotbal și fotbalamuc 3:20:50 - Oale, ulcele și tigăi pline cu supă-cremă

Diese Folge ist vollgepackt mit Promis, Insights und Anekdoten rund im die wichtigsten Wochen im nationalen und internationalen Fußball. Es geht um schweren Rioja mit Don Carlo, um Smalltalk mit Bushido und um eindrückliche Treffen mit den absoluten Granden der Branche - sowie (natürlich) der katholischen Kirche. Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.Gern unterstützen wir dich bei deiner Podcast-Produktion.

Diese Folge ist vollgepackt mit Promis, Insights und Anekdoten rund im die wichtigsten Wochen im nationalen und internationalen Fußball. Es geht um schweren Rioja mit Don Carlo, um Smalltalk mit Bushido und um eindrückliche Treffen mit den absoluten Granden der Branche - sowie (natürlich) der katholischen Kirche.

Diese Folge ist vollgepackt mit Promis, Insights und Anekdoten rund im die wichtigsten Wochen im nationalen und internationalen Fußball. Es geht um schweren Rioja mit Don Carlo, um Smalltalk mit Bushido und um eindrückliche Treffen mit den absoluten Granden der Branche - sowie (natürlich) der katholischen Kirche. Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude.Gern unterstützen wir dich bei deiner Podcast-Produktion.

Holiday Deal!! Get Rise.TV for $7/month! Does a Christmas Tree Mafia have a hold on New York City? You've heard of The Godfather, Made Men, Al "Scarface" Capone, and Don Carlo. But have you ever heard of the “Tree Men”? New York City is one of the most festive cities in America for the holidays, and New Yorkers love their tradition of buying local vendor Christmas trees. Most people believe that they're supporting small, mom-and-pop businesses. However, the Christmas tree industry business in New York City is so cutthroat that it's allegedly filled with bribes, extortion, threats, and even murder. In this Friday Night Live episode, hear how the mafia took over the selling of Christmas trees.   On the topic of Christmas, how did setting up Christmas trees in our homes become a tradition in the first place? The reason why will shock you. Also in this episode, tune in for some special Christmas Mandela Effects in our popular “Bendela Effect” segment. Think you've heard of the one giant change in the poem ‘Twas the Night Before Christmas? Well, Ben found at least 3 and maybe even 4 more. Find out in this Friday Night Live what they are, and be prepared to be as shocked as a child who discovered Santa Claus in their living room. In the Metaphysical Minute segment, discover what Tucker Carlson said about aliens and “spiritual forces.” Join Ben and Rob from Edge of Wonder as they reveal all of this and so much more. Don't miss the Rise.TV-exclusive segments, the Top 10 Weirder News of the Week and the “Dig Deep” Live Q&A. See you out … on the edge!

TONIGHT: The show begins in Las Vegas with the mass murder of teachers atUNLV by a former teacher. Then moves to Milan for the opening of LaScala with a performance of Verdi's Don Carlo.  From Scottsdale to Singapore, from Sacramento to Lancaster County PA, from Boca Chica to ISS, from Troy to Long Beach, from Canada to PRC.  With attention to the question, why do skunks change their stripes? 1790 Naples

#Italy: La Scala premier opens with four-hour Don Carlo by Giuseppe Verdi.  Giorgia Meloni Government rejects Belt and Road. Lorenzo Fiori, Ansaldo Foundation  https://www.msn.com/en-us/news/world/la-scalas-gala-premiere-of-don-carlo-celebrates-italian-operas-new-status-as-cultural-treasure/ar-AA1l9Ak3 1909 La Scala

Oggi a Cult: il "Don Carlo" di Giuseppe Verdi inaugura stasera la stagione lirica del Teatro alla Scala: ascoltiamo le voci dei cantanti; le lavoratrici e i lavoratori dello spettacolo manifestano in piazza Scala contro le regenti misure del governo in tema di indennità di discontinuità; Giuseppe Isgrò e la cua compagnia Phoebe Zeitgest sono in scena all'Elfo Puccini con "Love Lies Bleeding" da Don De Lillo; la rubrica di lirica a cura di Giovanni Chiodi, sempre sul "Don Carlo"...

La Camera ha approvato la delega al governo in materia di retribuzione dei lavoratori, generando le polemiche delle opposizioni al grido di "Vergogna". Commentiamo la giornata politica con Emilia Patta, giornalista de Il Sole 24 Ore. "Prima o poi" il premier israeliano Benjamin Netanyahu pagherà per "i crimini di guerra che ha commesso" afferma Erdogan. Cerchiamo di capire insieme a Marta Ottaviani, giornalista esperta di Russia e Turchia, le mosse del sultano rispetto alla crisi in Medio Oriente. Ascoltiamo poi la testimonianza di Assaf Godo, parente di alcune vittime di un kibbutz.Domani la Prima della Scala: il Don Carlo di Giuseppe Verdi inaugura la stagione. Ne parliamo con Stefano Biolchini, giornalista da Il Sole 24 Ore.

Oggi a Cult: il libro "Io sono un'esplosione" (ed. Il Saggiatore) firmato da V, nuovo pseudonimo di Eve Ensler; l'attrice Deborah Zuin spiega le ragioni della nuova protesta delle lavoratrici e dei lavoratori dello spettacolo a seguito di alcune misure del governo sull'indennità di discontinuità; Riccardo Chailly dirige e Lluis Pasqual firma la regia del "Don Carlo" di G. Verdi, che aprirà la stagione lirica del Teatro alla Scala il prossimo 7/12; la rubrica di lirica curata da Giovanni Chiodi...

Oggi a Cult: Lara Guidetti della compagnia Sanpapiè firma lo spettacolo "Taka tè" allo Spazio Magnete di via Adriano a Milano, nell'ambito di un progetto su danza e terza età; "Artevisione 2023" è il titolo del progetto di CAREOF alla Fabbrica del Vapore di Milano; Consuelo Barilari, direttrice artistica del Festival dell'Eccellenza Femminile di Genova, introduce il recital dedicato a Maria Callas al Teatro Carlo Felice, con Anna Della Rosa e Italo Moscati; Lluis Pasqual, regista del "Don Carlo" che inaugura la stagione d'opera 23/24 del Teatro alla Scala, riflette sulle implicazioni polithce dell'opera verdiano nel nostro presente...

Oggi a Cult: a Milano inzia il Photovogue Festival 2023; voci dal convegno su "Don Carlo" di Giuseppe Verdi che apre la stagione lirica del Teatro alla Scala; Luca Crovi presenta l'antologia noir "Un Capodanno in noir"(Guanda Noir); a Cascina Cuccagna e all'ex-Macello l'edizione 2023 di Giacimenti Urbani...

It is hard to believe that it's already been 13 years since the death of Shirley Verrett on November 5, 2010. It has also already been four years since I did a pair of episodes on this extraordinary and beloved artist, and this anniversary gives me the perfect excuse to revisit the work of this mezzo-soprano turned soprano who more than any other singer in my experiences (even soon-to-be birthday girl Maria Callas) was capable of singing nearly anything. This type of singer is sometimes referred to as a soprano sfogato (or a falcon, after the 19th century French mezzo-cum-soprano Cornélie Falcon. Since Verrett, like Falcon, sang both mezzo and soprano, I instead coin the term falcon sfogatissima to describe her vocal magic. This episode is chock full of examples of Verrett's impassioned yet technically-grounded vocalism, from art songs by Brahms and Pasatieri to operatic roles by Handel, Gluck, Cherubini, Bellini, Puccini, and Verdi (including both soprano and mezzo roles in Aida and the Messa da Requiem and soprano roles in Ballo in Maschera, Macbeth, Don Carlo, and Otello). I close the episodes with Verrett's astonishing but limited forays into the German operatic repertoire. Her collaborators on this episode include conductors Seiji Ozawa, Claudio Abbado, Bernard Haitink, Zubin Mehta, Eve Queler, Georges Prêtre, Sarah Caldwell, and the late Kenneth Montgomery; and fellow operatic greats Sherrill Milnes, Luciano Pavarotti, James McCracken, Robert Massard (last week's featured artist), and her frenemy the late Grace Bumbry. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.  

In the thirty-fifth year of his career, Daniel Sumegi has sung over one hundred operatic roles on many of the world's major stages – including the Metropolitan Opera, San Francisco Opera, Los Angeles Opera, Washington National Opera, Seattle Opera, as well as at Opera Australia.  He has also appeared in the opera houses of Bonn, Cologne, Frankfurt and Hamburg, as well as Paris, Barcelona, Tokyo, Hong Kong, Los Angeles and Houston among many others. Regarded also for his dynamic acting, his broad repertoire encompasses all periods of music – from Monteverdi and Mozart to Britten, Tippett and Puts.  Equally comfortable as Strauss' Baron Ochs, Mozart's Sarastro and Commendatore, Verdi's Grand Inquisitor and Sparafucile, Offenbach's Four Villains or Puccini's Scarpia, he has participated in Ring Cycles in New York, Los Angeles, San Francisco, Strasbourg, Cologne, Tokyo, Buenos Aires, Seattle, Melbourne and Adelaide, most notably as Hagen.  He has additionally performed Hunding in concert for the Hong Kong, Atlanta, Stuttgart and Melbourne Symphony Orchestras. Daniel's 2021/2022 engagements included Die Walküre (Singapore), Salome (Victorian Opera), Fidelio (Dublin) and Bluebeard's Castle, Aida and Lohengrin (Opera Australia). Among other roles, he has sung Die Meistersinger von Nürnberg (Pogner) for Opera Australia, Salome (Jochanaan) for New Israeli Opera, Der fliegende Holländer (title role) for Malmö Opera in Sweden and Carmen (Zuniga) for Seattle Opera.  He also undertook his music theatre debut, as Judge Turpin in Sondheim's Sweeney Todd, seen in Sydney and Melbourne.   Past highlights include Don Carlo and Madama Butterfly (Metropolitan Opera), Der Rosenkavalier (Scottish and Welsh National Opera), Luisa Miller (San Francisco), Billy Budd and Rigoletto (Los Angeles), Parsifal (Hamburg, Barcelona, Adelaide), Salome (Washington, Hamburg, Leeds, Hong Kong), Der fliegende Holländer, Aida, Beatrice and Benedict and Barbiere (Seattle), Manchurian Candidate (Minnesota, Austin), and more than 25 principal roles for Opera Australia. He has collaborated with noted conductors such as James Conlon, Sir Andrew Davis, Charles Dutoit, Dan Ettinger, Asher Fisch, Valery Gergiev, Nicola Luisotti, Sir Charles Mackerras, Yannick Nézet-Séguin, Renato Palumbo, Sir Simon Rattle, Carlo Rizzi, Donald Runnicles, Nello Santi, Sir Jeffrey Tate, Edo de Waart, Sebastian Weigle, and Simone Young. Daniel Sumegi appears on CD in Beatrice di Tenda and Seattle Opera's acclaimed Ring Cycle, and on DVD in the San Francisco Opera Production of Capriccio, Opera Australia's Don Giovanni, and the historic condensed Ring Cycle from Teatro Colón, Buenos Aires. In December, he makes his role début as Wotan/The Wanderer in OA's new production of Der Ring des Nibelungen. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Presenter Samira Ahmed is joined by the broadcaster and Chair of Judges Reeta Chakrabarti to announce the shortlist of the 2023 BBC National Short Story Awards with Cambridge University. Front Row will interview each of the shortlisted authors in the coming weeks, ahead of hosting the award ceremony live from the BBC Radio Theatre on 26th September. Norwegian soprano Lise Davidsen has been described as possessing “a once-in-a-generation-voice.” Samira spoke to her between performances as Elizabeth of Valois in Verdi's Don Carlo at the Royal Opera House, looking ahead to her starring role in the Last Night of the Proms at the Royal Albert Hall and the BBC on Saturday. Our reviewers Alayo Akinkugbe, art historian and founder of the Instagram platform A Black History of Art, and Amon Warmann, Contributing Editor of Empire magazine and co-host of the Fade To Black podcast review the exhibition “Black Atlantic: Power, People, Resistance” at the Fitzwilliam Museum in Cambridge, which asks questions about Cambridge's role in the trade of enslaved people and how related objects and artworks have influenced our history and perspectives. We also review “Past Lives” from South Korean director Celine Song, about two childhood friends, Nora and Hae Sung, who are separated when Nora's family emigrates from South Korea. Two decades later, with Nora married to an American, they are reunited in New York for a week as they consider what might have been and perhaps still could be. Presenter: Samira Ahmed Producer: Corinna Jones NSSA Shortlist 00:57 Fitzwilliam Museum review 03:57 Naomi Wood 13:25 Past Lives review 21:14 Lise Davidsen 30:02

From a very young age I was interested in today's birthday celebrant, the great Gundula Janowitz, at least partially because of a similarity between her first name and my last name! But even more than that, I was drawn to the ethereal purity of her voice, possessed of an immediately identifiable timbre unlike that of any other singer. From the 1960s through the 1980s, Janowitz was the reigning queen of the jugendlich dramatisch soprano repertoire, excelling in the roles of Mozart, Strauss and Wagner (the so-called wagneriennes blanches heroines), as well as being a Bach singer of the highest order and an exceptional Lieder singer. What is there not to love? Janowitz was also a frequent visitor to the recording studio, and to this day her recordings form a cornerstone of the Deutsche Grammophon catalog. On today's episode, however, I stick firmly to her live and radio recordings, some of them quite rare, of the repertoire for which she was so justly celebrated. We sample live recordings of her Arabella, Fiordiligi, Agathe, and Elisabeth in Tannhäuser, as well as a more surprising Elisabetta, the conflicted queen in Verdi's Don Carlo. Also highlighted is her exceptional and career-defining performance of the role of Leonore in Beethoven's Fidelio, in a rare live 1977 from the Orange Festival. Guest vocalists include Lucia Popp and Franco Corelli. This is a mouthful, so I'll say it for all of us: Herzlichen Glückwunsch zum Geburtstag an eine der gefeiertsten und verehrtesten Sopranistinnen des 20. Jahrhunderts! Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly support at whatever level you can afford. Bonus episodes available exclusively to Patreon supporters are currently available and further bonus content including interviews and livestreams is planned for the upcoming season.  

Gesternabend fand im Kaiserhof des Stiftes Klosterneuburg die Premiere der Oper Klosterneuburg statt. Giuseppe Verdis "Don Carlo" in einer eigenen Klosterneuburger Fassung von Dirigent Christoph Campestrini, erstellt auf Basis der italienischen vieraktigen Mailänder Fassung. Musikchefin Ursula Magnes berichtet.

You know what is far from perfect though? DJ Grealo's set in the metaverse! That's right, Pete went in there and he brings news.Pete, Vish and Jim munch on that, how Man City's continued march to European silverware has left us feeling, and one of the best 45 minutes of football we've ever seen, which left even Don Carlo and his eyebrows completely powerless.We also discuss the real treble: Vish and his friends losing three phones on a night out in Bath in the noughties and retrieving all three within 24 hours.Follow us on Twitter, Instagram, TikTok and YouTube, and email us here: show@footballramble.com. You can find Pete stumbling around the metaverse with Jack Grealish here.Sign up for our Patreon for exclusive live events, ad-free Rambles, full video episodes and loads more: patreon.com/footballramble.***Please take the time to rate and review us on Apple Podcasts or wherever you get your pods. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!*** Hosted on Acast. See acast.com/privacy for more information.

European Round of 16 recap! Real Madrid and Don Carlo are just an unbeatable combo for Liverpool *deep, deep sigh*. I get that Messi played an amazing 6 games at the World Cup but until Sarah Conner shows up to stop him, Haaland should be the Ballon d'Or favourite! Will Arsenal ever get it right in Europe? Asking for a few friends...

Barton and Gabriel sit down to discuss the world of Opera, performance and Gabe's mindset of performing Internationally at the highest level.  Highlights from this podcast include: - Life lessons from his Voice Teacher Elizabeth Parham stating "that little voice in your head telling us we're not enough... that is the devil"- How Gabe thinks about performing for thousands of people- what type of things Gabe does to prepare himself for a big performance.- how the voice works and how he's able to create such powerful sound and sing professionally.  Gabriel's Bio: Multiple Grammy Award winning baritone Gabriel Manro has been called “a new kind of baritone: not lyric, not helden, not Kavalier, not Bariton-Martin — none of those. Rather, he's a knock-down baritone.” --San Francisco Classical Voice. Indeed, Manro regularly sings dramatic baritone roles such as Don Carlo di Vargas (La forza del destino), Andrei Shchelkalov (Boris Godunov), and Tonio (I Pagliacci) Opera News describes Manro as “Gifted with a striking, sinister baritone that remains strong, even and sonorous throughout the range, he tears into Verdi's music with a vengeance.” -- Opera News.Mr. Manro made his professional operatic debut as Third Inmate in Jake Heggie's ground-breaking opera Dead Man Walking for Opera Pacific with Frederica von Stade. He went on to perform the role of Inquisitor in Opera Pacific's Candide. Mr. Manro has appeared in numerous contemporary and world-premiere operas and musicals:As Muscovite Trader in John Corigliano's The Ghosts of Versailles (Pentatone Music: Grammy--Best Opera Recording), as the Mousling in the Los Angeles Philharmonic's Alice in Wonderland by Unsuk Chin, the Computer in Los Angeles Opera's The Fly by film composer Howard Shore (Lord of the Rings Trilogy); as The Chauffeur in Opera Santa Barbara's Séance on a Wet Afternoon by Stephen Schwartz (Wicked, Godspell); and as Angry Voter in Los Angeles Opera's Il Postino (Sony Classical DVD). Manro created the role of President Lincoln in Golden Gate Opera's world-premiere Civil War Epic: Lincoln and Booth. Off-Broadway, Mr. Manro led the original cast of Center for Contemporary Opera's production of Oration by Line Tjørnhøj. On television, Manro appeared as Joel Lynch and Father Jackson in the European premiere live telecast of William Mayer's: A Death in the Family at the Hungarian National Theater and Opéra Grand D'Avignon which was voted “audience favorite” opera.  Gabriel also played Jafar in Walt Disney Company's original stage production of Aladdin.Gabe's European operatic debut was as Doctor Bartolo (Il barbiere di Siviglia) with Corfu Opera in Greece. His extensive repertoire and engagements have also included the roles of Bluebeard (Bluebeard's Castle), Count Almaviva, Bartolo, Antonio (Le nozze di Figaro), Guglielmo, Don Alfonso (Cosí fan tutte), Don Giovanni (Don Giovanni). See Mr. Manro next as Osmund in the world-premiere stage production of Siegfried Wagner's Rainulf and Adelasia  during this summer's Bayreuth Festival in Germany.http://gabrielmanro.comhttp://instagram.com/g_manroBarton on Instagram https://www.instagram.com/bartonguybryan/Podcast Website is: https://www.podpage.com/the-mindset-forge-podcast/Join the Mindset Forge Premium membership for $3 / month (Donor Level) or $150 / month for Coaching: https://themindsetforge.supercast.com

Sam speaks to soprano Ella Taylor about their upcoming roles in Philip Glass's Akhnaten at ENO and Verdi's Don Carlo at the Royal Opera. The conversation turns to Ella's trepidation at embarking on a new production with a new set of co-workers, what it means to be a trans singer playing trouser roles – and ancient Egyptian trivia.…Links:Trans Voices video: https://www.theguardian.com/culture/video/2022/mar/10/the-uks-first-professional-trans-choir-its-a-joyful-act-of-resistance Akhnaten at ENO: https://www.eno.org/whats-on/akhnaten/ Don Carlo at ROH: https://www.roh.org.uk/tickets-and-events/don-carlo-by-nicholas-hytner-details Shadwell's Powder Down: https://shadwell.bandcamp.com/album/powder-down … Buy us a coffee innit: https://ko-fi.com/classicalpod … Follow us here: instagram.com/classicalpod/ twitter.com/ClassicalPod facebook.com/ClassicalPod/

[@ 2 min] We go ‘Inside the Huddle' with ​​Megan Gillis, the co-founder and executive director of City Lyric Opera in New York City, to talk about “Uncovered”, the company's current world premiere production… [@ 19 min] And then… it's another 'Listener Mailbag' (but not from the Bronx): intermission at the Met's “Don Carlo”… [@ 24 min] Plus, in the ‘Two Minute Drill'… Hooligans and hecklers are not just for the stadium. Opera has reached a new low as some jackhole at the Royal Opera House boos the performance of a child… We're off next week for Thanksgiving, then back with an all-new show on Thursday, December 1… operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

A director makes a play add up to more than the sum of its parts. That's something Adrian Noble knows as well as anyone. Noble has directed numerous productions of Shakespeare's plays, including Kenneth Branagh's breakout performance as Henry V in 1984 at the Royal Shakespeare Company. He served as artistic director of the RSC from 1991 to 2002, and directed musicals like Chitty Chitty Bang Bang on London's West End as well as operas like Verdi's Macbeth, Don Carlo, and Otello. Now, Noble has written a new book, How to Direct Shakespeare, a no-nonsense guide for directors confronting the challenge of staging Shakespeare's texts. Noble writes that Shakespeare presents unique challenges for actors and directors — but that his plays also serve as excellent preparation for all other directing work. For those of us who aren't directors, Noble's book is full of things we can look out for the next time we read one of Shakespeare's plays or watch it onstage. Adrian Noble is interviewed by Barbara Bogaev. Adrian Noble's new book, How to Direct Shakespeare, is available now. His previous book is How to Do Shakespeare. From the Shakespeare Unlimited podcast. Published November 8, 2022. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript of every episode, available at folger.edu. We had technical help from Rob Double at London Broadcast and Andrew Feliciano at Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Don Carlo and his wife, Karlen finally joins Al Do It Like This & DJ T-Kidd on this episode. He speaks about his beginnings as a house party DJ to now one of the most sought after event DJ, Don Carlo Events! Don Carlo discuss how he and his wife Karlen work very hard behind Don Carlo Events in terms of planning, marketing and booking events. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Bienvenue dans Radio Foot avec au menu ce mercredi à 16h10 T.U.: • Un nouveau départ pour les Aiglons ? Lucien Favre de nouveau sur le banc niçois, le projet Ineos redémarre avec de l'ambition. Les Rouge et Noir se déplacent jeudi (18 août 2022) en Israël pour affronter le Maccabi Tel Aviv en barrage aller de Ligue Europa Conférence. Avec un recrutement censé le rendre compétitif (Schmeichel, Ramsey, Beka Beka entre autres), en attendant des renforts en attaque, le «Gym» va-t-il retrouver l'Europe ? Peut-il se hisser sur le podium de Ligue 1 en mai 2023 ?   • «Don Carlo», sur le banc des «Blancos», pour combien de temps encore ? Il a annoncé qu'il ne briguera aucun poste, une fois sa 2è aventure avec le Real Madrid terminée. Qui peut rivaliser avec le «Mister», qui a remporté la «Decima» avec les Merengue, gagné 24 titres ? Jusqu'où ira le technicien le plus sacré en Ligue des Champions ? Le récent vainqueur de la Supercoupe d'Europe l'a affirmé, «le Real est le top dans le football». Et lui, est-il le top des entraîneurs de l'histoire ? • Descente aux enfers pour un Champion du monde 2018. Benjamin Mendy est jugé pour viol, depuis une semaine, dans le nord-ouest de l'Angleterre. L'appétence du défenseur pour le monde de la nuit aurait-elle dû alerter Manchester City ? • Avec Annie Gasnier aujourd'hui : Freddy Khoula, Jean-Philippe Bouchard et Patrick Juillard. -- Technique/Réalisation maestro Salerno -- David Fintzel/Pierre Guérin.

Bienvenue dans Radio Foot avec au menu ce mercredi à 16h10 T.U.: • Un nouveau départ pour les Aiglons ? Lucien Favre de nouveau sur le banc niçois, le projet Ineos redémarre avec de l'ambition. Les Rouge et Noir se déplacent jeudi (18 août 2022) en Israël pour affronter le Maccabi Tel Aviv en barrage aller de Ligue Europa Conférence. Avec un recrutement censé le rendre compétitif (Schmeichel, Ramsey, Beka Beka entre autres), en attendant des renforts en attaque, le «Gym» va-t-il retrouver l'Europe ? Peut-il se hisser sur le podium de Ligue 1 en mai 2023 ?   • «Don Carlo», sur le banc des «Blancos», pour combien de temps encore ? Il a annoncé qu'il ne briguera aucun poste, une fois sa 2è aventure avec le Real Madrid terminée. Qui peut rivaliser avec le «Mister», qui a remporté la «Decima» avec les Merengue, gagné 24 titres ? Jusqu'où ira le technicien le plus sacré en Ligue des Champions ? Le récent vainqueur de la Supercoupe d'Europe l'a affirmé, «le Real est le top dans le football». Et lui, est-il le top des entraîneurs de l'histoire ? • Descente aux enfers pour un Champion du monde 2018. Benjamin Mendy est jugé pour viol, depuis une semaine, dans le nord-ouest de l'Angleterre. L'appétence du défenseur pour le monde de la nuit aurait-elle dû alerter Manchester City ? • Avec Annie Gasnier aujourd'hui : Freddy Khoula, Jean-Philippe Bouchard et Patrick Juillard. -- Technique/Réalisation maestro Salerno -- David Fintzel/Pierre Guérin.

Episode 129! And it's a wild one. The team (down 1 member) open up with the Champions League Final as Real Madrid lifted their 14th title. We praise Modric, Benzema, Courtois and ‘Don Carlo' after an impressive run but provide honest criticism of Liverpool and question Trent Alexander Arnold's defensive abilities. There is a story about the Benfica curse, are football curses real?We also discuss the team of the season as well as bunch of wild takes and crazy agenda in an action packed episode of We'll Talk About That Later. Be sure to subscribe and follow on @WTATLOfficial

Man City and Real Madrid settled into their familiar roles last night, as Don Carlo's men refused to lay down and Man City were victims of yet more spectacular circumstances. Marcus, Luke and Andy are here to revel in the morning after the night before!Elsewhere, Roy the Boy reminds everyone of the real quiz after being awarded a CBE and Maradona's famous shirt collects a chunky sum at auction. Penny for Terry Butcher's thoughts?Tweet us @FootballRamble and email us here: show@footballramble.com.***Please take the time to rate and review us on Apple Podcasts or wherever you get your pods. It means a great deal to the show and will make it easier for other potential listeners to find us. Thanks!*** See acast.com/privacy for privacy and opt-out information.

Oddspapir. Don Carlo. Fotballdrakter. Is i utlandet. Prisdryss. Hvil i fred, Mino.

We delayed the podcast for a day in expectation of a banger in the Champions League and Don Carlo did not let us down. Wow! We giddily discuss the wild comeback by Real Madrid to knock on Pep Guardiola's Manchester City. We touch on Liverpool's defeat over a brave Villareal and speculate on Rulli's role in the whole thing. Your Twitter questions about Chelsea, Man United, and trivia nights are answered and of course, we do our customary EPL run-through. We're back baby, enjoy! See acast.com/privacy for privacy and opt-out information.

Don Carlo Gesualdo, hijo del príncipe de Venosa y sobrino del Muy Ilustre Cardenal, el martes, a las seis de la mañana subió con energía, en compañía de sus secuaces las escaleras que conducían a la habitación de Doña María de Ávalos, su esposa, quien era considerada como la más bella dama de Nápoles. Don Carlo mató enseguida al señor Fabrizio Carafa, duque de Andria, que estaba con ella y después mató a la dama...Todo el mundo pareció conmocionado por el horror del suceso. Escuchar audio

Operatic bass Paul Plishka debuted with the Met in 1967 as the Monk in Ponchielli's La Gioconda. Fifty seasons later, Plishka had appeared in 1,672 performances of 88 roles, including as Philip (II) in Don Carlo, King Marke in Tristan und Isolde, Raimondo in Lucia di Lammermoor, and as the title characters of Boris Godunov and Falstaff. In fact, according to The Met, only eight other people have sung more with the company. And this was a guy who used to think opera singers sounded like screeching chickens.

Sonya Baker is an accomplished singer and gifted educator who shared her journey so eloquently. Please listen through the end, where you will hear from Sonya about what it meant to her to sing "Ride the Chariot" as part of her time in the Glee Club. Thanks to the Yale Glee Club we have a a recording of Sonya singing her powerful solo of that spiritual, which is a real treat. Here is a bit more about Sonya: Dr. Sonya Gabrielle Baker, soprano, made her Carnegie Hall debut with conductor Michael Tilson Thomas, singing music of Aaron Copland. Noted for her performances of American music, Baker has been heard in concert both nationally and internationally, including performances in Havana, Cuba with the Yale Alumni Chorus and at the World Equestrian Games opening ceremonies with the American Spiritual Ensemble. Baker has toured regularly as a soloist with the American Spiritual Ensemble, a professional ensemble whose mission is to keep the American Spiritual alive. She appears on their recording entitled The Spirituals and in the PBS documentary by the same name. Baker's debut solo recording, SHE SAYS, featuring art songs of American Women composers, was released in 2004, a year after she appeared as soloist on the Yale Alumni Chorus tour to Moscow singing at the Kremlin. Baker's scholarly agenda is focused on crossing boundaries and disciplines, perhaps best exemplified by her solo recording and her lecture recital on Marian Anderson's 1939 Easter Concert. Baker has presented this lecture recital nationwide and is currently working on a second recording in tribute to Marian Anderson featuring Lieder and spiritual arrangements. Highlights of Baker's operatic roles include Elisabetta in Verdi's Don Carlo, Donna Anna in Mozart's Don Giovanni, Monisha in Joplin's Treemonisha, and the title role in the U.S. premiere of Mascagni's Pinotta. A former fellow with the American Council on Education, Baker has held leadership positions in higher education, serving as Associate Dean at JMU and Murray State University, and with various professional organizations: as board member for the Kentucky Arts Council, Kentucky Governor for the National Association of Teachers of Singing and currently a board member for the Alliance for the Arts in Research Universities (a2ru) and the Yale Alumni Chorus. A graduate of Leadership Kentucky, LEAD Virginia and the Society for College and University Planning Institute, Baker is fully committed to advocating for diverse communities and environments that embrace multiple peoples and perspectives. To this end, she has served on multiple university committees and has been a mentor both formally and informally throughout her career. Baker holds degrees from Yale, Indiana and Florida State Universities.