Podcasts about Ludwig

A movie with this reputation and this level of talent should be expected to at least be a competent film. But somehow Clint Eastwood chose the most tepid, non-committal way to tell a story that has more in common with great existential novels than Westerns. And that might be interesting, if it weren't for the fact that this movie is also convinced it's a western. Gene Hackman is acting his ass off and being just about the meanest son of a bitch you've ever met. But everything else in this movie just feels totally and completely missed, and that's a problem we can't solve because it happens to be one of the most lauded films of all time. Time to grab your guns one last time as we watch Unforgiven on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Claudia's Theme" from the film Unforgiven, written and composed by Clint Eastwood. © 1992 Unforgiven Warner Bros. Excerpt of “Mr. Lucky” written and composed by Karl Jenkins. Copyright 1980 Music De Wolfe, De Wolfe Ltd. Excerpt taken from "Main Theme" from the film Tombstone, written and composed by Bruce Broughton. © 1993 Hollywood Pictures.

It's rare to have two 80s movies back to back that encapsulate the entirety of the 80s, but boy does this get there. Take the best of the Brat Pack, throw them in a shockingly historically accurate western, sprinkle with some truly wild accents, and you get a rootin' tootin' good time. They're not good movies, but they are enjoyable to watch. Round up, Regulators, as we watch Young Guns and Young Guns II on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Main Title" from the film Young Guns, written and composed by Anthony Marinelli and Brian Banks. © 1988 Morgan Creek Productions, Inc. All Rights Reserved. Excerpts taken from "Blaze of Glory" from the film Young Guns II, written and performed by Jon Bon Jovi. © 1990 Bon Jovi Publishing/PRI Music, Inc. (ASCAP). ℗ © 1990 PolyGram Records, Inc. Excerpt taken from "Claudia's Theme" from the film Unforgiven, written and composed by Clint Eastwood. © 1992 Unforgiven Warner Bros.

The pandemic changed how we work forever. But are your workplace policies keeping up?In this episode, host Tom Dunlap talks with Scott Johnson, employment law attorney at Dunlap Bennett & Ludwig, about the legal challenges facing today's hybrid workplace.What You'll Learn:Why your COVID-era remote work policies need a complete redesignHow hiring across state lines creates unexpected legal compliance issuesThe hidden discrimination risks of AI in hiring decisionsNew workplace challenges: cyberbullying, proximity bias, and privacy concernsBest practices for creating hybrid work policies that actually workWhy one-size-fits-all approaches fail in today's distributed workforceKey Insight: If you're a Virginia-based company with employees in seven different states, you need seven different sets of compliance rules. Scott breaks down what employers need to know.Whether you're managing a hybrid team, updating your employee handbook, or just trying to understand the future of work, this episode delivers practical, actionable legal guidance.Guest: Scott Johnson, Partner at Dunlap Bennett & Ludwig, specializing in employment law for employers

This Day in Legal History: O.J. “Not Guilty”On October 3, 1995, a Los Angeles jury returned one of the most controversial and widely watched criminal verdicts in American history: O.J. Simpson was found not guilty of the murders of his ex-wife, Nicole Brown Simpson, and her friend Ron Goldman. The trial, which lasted more than eight months, captivated the nation with its blend of celebrity, race, police misconduct, and media spectacle. The prosecution presented DNA evidence linking Simpson to the crime scene, while the defense, led by Johnnie Cochran, argued that Simpson was framed by a racist LAPD, particularly Detective Mark Fuhrman.Cochran's now-famous line — “If it doesn't fit, you must acquit” — referred to a moment when Simpson tried on gloves allegedly worn during the murders, and they appeared not to fit. The defense used that moment to cast further doubt on the prosecution's case. The jury deliberated for less than four hours before acquitting Simpson, prompting strong reactions across racial and social lines.The case exposed deep divisions in American society, particularly around race and policing. It also helped usher in the era of the 24-hour news cycle and reality-style courtroom coverage, with networks like CNN and Court TV devoting extensive airtime to the trial. The not-guilty verdict did not end Simpson's legal troubles: in 1997, a civil jury found him liable for wrongful death and ordered him to pay $33.5 million in damages.Apple confirmed it has removed the ICEBlock app and similar tools from its App Store following pressure from the Trump administration and Attorney General Pam Bondi. ICEBlock allowed users to report and track the locations of ICE officers through crowdsourced data. Bondi stated the app endangered law enforcement officers and crossed a line by facilitating potential violence.The Department of Justice supported the move, citing safety concerns. This action followed an exposé by right-wing influencer Laura Loomer, who outed the creator of a similar app, Red Dot, and accused the platforms of enabling violence against ICE agents. Loomer also claimed that a recent deadly shooting at a Dallas ICE facility involved the use of such tracking apps.Apple defended its decision, stating it aims to keep the App Store a “safe and trusted” space, and that ICEBlock violated policies by potentially enabling harm to law enforcement. The app's developer, Joshua Aaron, criticized the removal, comparing it to how apps like Apple Maps crowdsource speed trap locations. He argued that his app was protected by the First Amendment and that Apple's action was a concession to authoritarian demands.Tech Giant Apple Bows to MAGA Demands and Removes ICE Tracking AppsOpenAI filed a motion in federal court to dismiss a trade secret lawsuit brought by Elon Musk's AI startup, xAI. The lawsuit, filed in San Francisco, accuses OpenAI of deliberately poaching xAI employees to gain access to confidential information about Grok, xAI's chatbot, which the company claims surpasses ChatGPT in performance.OpenAI rejected the allegations, calling them baseless and part of Musk's “ongoing harassment” campaign against the company. In its filing, OpenAI argued that employees are free to leave xAI and work wherever they choose, and that it is within its rights to hire them. The company suggested xAI's legal actions are designed to cover up its internal struggles and inability to retain talent.This case is one of several legal battles unfolding between Musk and OpenAI. Musk has also filed a separate suit accusing OpenAI of abandoning its original nonprofit mission. In turn, OpenAI has countersued Musk for harassment. Meanwhile, xAI has sued Apple, claiming it colluded with OpenAI to suppress competition—an accusation both companies deny and are also seeking to dismiss.OpenAI's legal response characterized xAI's complaint as a distraction from its own failings and a tactic to slow down competitors in the heated race for dominance in the AI industry.OpenAI asks court to dismiss trade-secret lawsuit from Musk's xAI | ReutersU.S. District Judge Michael Simon recused himself from a case challenging President Donald Trump's decision to deploy Oregon's National Guard to Portland. The Trump administration had raised concerns over public comments made by Simon's wife, Representative Suzanne Bonamici, criticizing the deployment as a “gross abuse of power.” To avoid any appearance of bias, Judge Simon opted to step aside, stating the case should remain focused on its core constitutional and legal questions.The lawsuit, filed by Oregon Attorney General Dan Rayfield, seeks to block Trump's use of state National Guard troops, arguing it is illegal and driven by political motives. The complaint alleges Trump is exaggerating protest threats to justify federal overreach and seize control of state forces. The case has been reassigned to Judge Karin Immergut, a Trump appointee.Bonamici, whose district includes much of Portland, made her critical remarks during a press conference with Oregon Governor Tina Kotek. The Department of Justice cited her comments in its request for Simon's recusal, arguing they could undermine public confidence in judicial impartiality.A hearing is scheduled for Friday on Oregon's request for a temporary restraining order. Similar legal challenges are underway in California and Washington, D.C., where federal troop deployments have also faced pushback. A California judge previously ruled Trump's actions unlawful, but that decision is currently on hold pending appeal. The D.C. case remains unresolved.Judge recuses himself from Oregon National Guard case | ReutersThis week's closing theme is by Ludwig van Beethoven, a composer of some note.This week, we close with Franz Liszt's transcription (S. 464) of the first movement—Allegro con brio—from Beethoven's Symphony No. 1 in C major, Op. 21. Originally premiered in 1800, this symphony marked Beethoven's formal debut in the genre, and even in its first movement, we hear the young composer testing the boundaries of the Classical form inherited from Haydn and Mozart. The opening chords start in the “wrong” key—a bold harmonic gesture that signaled Beethoven's intent to shake things up, even as he worked within a familiar structure.Liszt, the great 19th-century virtuoso and composer, took on the monumental task of transcribing all nine of Beethoven's symphonies for solo piano. The transcription of the First Symphony, catalogued as S. 464, is part of that sweeping project. These arrangements were not simply meant to showcase Liszt's pianistic brilliance (though they certainly do); they were a way to bring Beethoven's orchestral works into the drawing rooms and salons of Europe—before widespread orchestral performance or recording technology.In Liszt's hands, the Allegro con brio becomes a brilliant piano showpiece, retaining the symphony's rhythmic drive, thematic clarity, and structural ingenuity. He translates orchestral texture into ten fingers with remarkable fidelity, using tremolos, arpeggios, and dramatic dynamic shifts to recreate the energy of strings, winds, and brass. The transcription is virtuosic but never flashy for its own sake—it's an homage from one revolutionary to another.Beethoven's First Symphony bridges the Classical and Romantic eras, and Liszt's solo piano version builds a new bridge, connecting orchestral grandeur to the intimacy of a single performer. It's a reminder of both composers' commitment to pushing musical expression forward. As you listen, you may forget it's just one person at a piano—Liszt makes the entire orchestra sing.We leave you this week not only with Beethoven's bold opening statement to the symphonic world, but with Liszt's brilliant act of translation—a distillation of power, wit, and elegance, all under a single keyboard.Without further ado, Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21 – the first movement. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

In this episode, the boys talk about Acai's YARG showcase on Ludwig's Fast 52 event, the impending delisting of Rock Band 4, and the Daft Punk Experience in Fortnite.

Girls want painted lips, blankets and soft pillows, mornings should be great, should we try oura ring? What is vegan leather ? Uggs or crocs.   Lynley, return to paradise, Dublin murders, Ludwig, code of silence, happy valley, Shetland. Death Valley, blue lights, until I kill you , passenger.   The unwhich, lemon and ricotta pasta, chicken curry meat pies, crispy cheesy mashed potatoes, Hawaiian bbq chicken and Mac salad.   Happy hump day stars

This week, the boys talk about Ludwig ditching the podcast, Aiden finding about Indian drill beef, and how the yard logo drama has had a twist... Learn more about your ad choices. Visit megaphone.fm/adchoices

Das Wichtigste und Schönste am Musical ist für den Theaterleiter das Fühlen und Miterleben. Obwohl er aus der Opernwelt kommt und Opernregie studiert hat, gefällt ihm nach mehreren Jahren am Festspielhaus das Musical besser als die Oper. Im Podcast verrät er, warum. Eines der berührendsten Musicals ist für ihn das Stück Ludwig². In Füssen schrieb er Theatergeschichte, als er mit einer Crowdfunding-Aktion das Werk wieder auf die Bühne brachte. 200.000 Musicalfans besuchen jährlich das Festspielhaus, das direkt gegenüber von Schloss Neuschwanstein am Ufer des Forggensees liegt. Damit hat es in der Musicalwelt Deutschlands eine einmalige Lage fernab der Hektik der Großstadt. Benjamin Sahler erinnert sich noch genau, wie er Füssen das erste Mal besuchte und das erste Mal das Märchenschloss König Ludwigs sah. Sein Ansatz ist, den Leute mit seinen Musicals eine Freude zu machen und sie zu inspirieren. Aber genauso möchte er am Festspielhaus zeigen, dass Musical nicht nur Unterhaltung ist, sondern ebenso Inhalte transportieren kann. Auch ernsthafte Themen finden ihren Platz in dem Genre. Die Resonanz gibt ihm Recht: Mit dem Musical Die weiße Rose über die Widerstandsgruppe gegen die Nationalsozialisten ist das Festspielhaus gleich mehrmals für den Deutschen Musical Theater Preis nominiert.

Idag möter vi Gillis Edman, medlem i Betlehemskyrkans församling i Göteborg. Idag tar han sin utgångspunkt i temat längtan. Lyssna på alla avsnitt i Sveriges Radio Play. Ur andakten:Längtan är inre bilder och inre beskrivningar av något vi ännu inte har och kanske inte heller kommer att få. Men själva längtan är en kraft i sig då den som vågar längta också vågar hoppas på den framtid som ännu inte sett dagens ljus. Längtan blir till en inre kraft, en bild av något framtida åtråvärt. Den jordens brukare som sår vill också skörda, en skördefest som jordbrukaren längtar. Konstnären längtar att på den vita duken till ett sammanhang av färger och perspektiv som tillsammans blir till ett budskap från konstnärens hjärta till betraktarens öga på sin väg till dennes hjärta.Andakten sändes första gången 2024.Text:Psaltaren 42:1Musik:Pathetique (Sonat För Piano Nr 8 c-moll Op 13, andra satsen) av Ludwig van Beethoven med Daniel BarenboimProducent:Susanna Némethliv@sverigesradio.se

Ludwig van Beethoven (1770 - 1827) - Ottetto per fiati in mi bemolle maggiore, op. 1032 oboi, 2 clarinetti, 2 corni, 2 fagotti1.      Allegro2.      Andante3.      Minuetto4.      Finale: PrestoOttetto Italiano

Kaffeeröster Ludwig Himmel, im Gespräch mit Ursula Pucher

Rob Gougher is back on the show! Frank confronts Ludwig at the Queen's reception.

Karl Ludwig Harding war nach seinem Theologiestudium Hauslehrer beim Oberamtmann Johann Hieronymus Schroeter in Lilienthal bei Bremen. Dort entdeckte er den Asteroiden Juno und wurde zu einem bedeutenden Astronomen. Lorenzen, Dirk www.deutschlandfunk.de, Sternzeit

Idag möter vi Gillis Edman, medlem i Betlehemskyrkans församling i Göteborg. Han tar sin utgångspunkt i olika sinnestillstånd och inleder veckan med temat glädje och lycka. Lyssna på alla avsnitt i Sveriges Radio Play. Ur andakten:Den största delen av livet är när allt kommer omkring ganska grått, vardagligt och enahanda och så skall det förmodligen vara för livet är mestadels mycket vanliga dagar. Det är därför ögonblick av glädje och lycka är så viktiga. De dagarna skall ta plats, ge energi och forma all den kraften du behöver för ditt liv. Men, hur hittar vi glädjen och lyckan? Det sökandet kan definitivt tidvis kännas övermäktigt. Jag vill tro att ingångsporten heter engagemang, att ta steget för att ta del i en gemenskap i ett sammanhang där jag förunnas möta människor som jag aldrig annars skulle ha mött. I sådana sammanhang uppstår känslor av glädje och lycka.Andakten sändes första gången 2024.Text:Filipperbrevet 4:4-7Musik:Pathetique (Sonat För Piano Nr 8 c-moll Op 13, andra satsen) av Ludwig van Beethoven med Daniel BarenboimProducent:Susanna Némethliv@sverigesradio.se

Who Are You? | The Book of Acts

Die Oper Graz feierte zur Eröffnung der neuen Spielzeit 75 Jahre Grazer Philharmoniker. Vassilis Christopoulos, seit 2013 Chefdirigent, hat für den Termin ein Programm mit Musik von Richard Strauss, Gustav Mahler und Ludwig van Beethoven zusammengestellt. Nach welchen Gesichtspunkten? Seine erste Opernproduktion in dieser Saison ist Verdis Rigoletto Mitte November. Später folgen unter seiner Leitung Alban Bergs Wozzeck und der Rosenkavalier von Richard Strauss. Auf dieses Werk freut sich auch die Solobratschistin Elke Chibidziura sehr. Marion Eigl hat die beiden an ihrem "Arbeitsplatz" in der Oper Graz zum Gespräch getroffen.

  Alpenstromatisiert    Losät - Losät - losät. Soll ich mich nun wie darf ich euch jetzt meinen Zweifel erklären. Die Sendung, der Titel, ausschlaggebend für den Erfolg der Geschichte. Alpenstromatisiert. Alpenpower. Alpenenergie. Alpenstromatized ja so im besten English. Die Tradition, das Wasser, Verbundenheit und Brauchtum. Es geht Heute in diesem BLOG oder eben der Alpensendung nur um eines - FUCK UNLPLUGGED !!! - diese Sendung wird laut - laut - laut - was häsch gseit? Verstahhhh keis Wort - mach d Musik lysliger - chunt mer grad spontan i Sinn vam POLO. Nein aber es wird nicht ROCKIG, sondern first ever played on this Station : Alphorntechno my Loisach Marci, Alphorndisco by Enrico Lenzin, RAP - HIP - TECHNO  GROOVE — ok vam Deyrush bis zum Novi Mashilton und zum ST and my MySELF. Vielleicht werden die letzen zwei Zuhörer:innen meines Senders nun zum Tatort umstellen. FUCK UNPLUGGED.   Damit wir aber eben auch unter Strom stehen, braucht es Energie. Wir Menschen nehmen die Energie ja via Nahrungsaufnahme zu uns. Oder auch bim Sünnele aber eben - Sonnenschaden aber was mini Hütärztin gseit hät  ja linker Hoden hoch ! Rechter Hoden hoch ! Hatte dann auch noch die Idee euch vom handgeschriebenen Brief an meinen Chef zu erzählen. Handgeschrieben ? Ja wen sie dir den Strom abstellen? Nei aber darauf lassen wir uns Heute nicht ein. POSITIVE VIBES.  U ja nach dem ich den Podcast mit dem Loisach Marci gehört habe, und ja eben, es war noch zu früh um mit Arbeiten anzufangen, seid där ja niemärt merci ? Hab ich noch schnell den Film von Emil geschaut und der konnte sich da wegen der Deutschen Kellnerin und ihren Sättigungsbeilagen nicht erholen. Sättigungsbeilagen. Ja nu solche Wörter kommen eben nun von der Grenze her in unser Land.    Aber eben Energie welche schmeckt. Es ist wieder Suppenzeit und ja was trinken sie zu Suppe ? Wein? Steinpilzsüppli mit geräuchertem Paprika und Chorizzo -  Chili Meat Balls und dazu ein feinfruchtiges GLAS NEON vam Marc André Cina - De Canali Salgesch. Frucht trifft Schärfe. Nun ja und aber eben und über was ich eigentlich berichten wollte. Mein neustes Süppli - ready to rock the Chuchichäschtli Master Shows - Tomaten Frischkäse Créme Suppe mit Gorgonzola, Lauchstreifen, Jerky Beef Jalapeno als TOPPING, bisschen noch so Fetta Würfel on TOP und dazu somthing Sparkling, something Fruity - like AMIGNE Mousseux unique - by Cave Fin Bec Sion. Prickelt so schön in deinem Bauchnabel u da gits noch so ein kleines Witzchen - sagt eine Frau zur anderen. Du heute hab ich etwas zwischen meinen Brüsten, das war früher noch nicht da. Ja was dääää? Der Bauchnabel !!!! NEI GODI, passt jetzt gar nid. Funny Vibes, positive Vibes, bisch gluschtig?   Im Ohr läuft der BEAT vom Loisach Marci und da unbedingt ja auch den Podcast anhören, werde das sicher verlinken oder vielleicht hören wir einfach mal rein? Dieser Marci ist einfach ein MUTMACHER, der hat so eine positive Ausstrahlung und eine energiegeladene Lebenshaltung ?   Energize it. Globalize it. Die positive Energie. Walliser Totentanz. Akzeptanz. Alpentanz. Grupputanz. Intoleranz. Inakzeptanz. Die positive Arroganz.  Die grüne Energie. Let`s stromatize it. Sustainability. Sustainability - Billy who ? Bikini, Rimini, Fellini.  Und all die Beats vereint an einem Event? Pimp your Raclette.  Träumerei. Hornychons, Chochon. Cochonerie, Psychiatrie und saunalasierend so eben nun ja. Drums. Horns. Bells. Tanz. Bewegung. Pilzbefall. Mein Lieblingshoden. Ja der Rechte. Hoden sind hässlich. Irgenwo sind Rindshoden ein kulinarisches Highlight? Horny Balls ? Beziehungstatus zurück zu Häfligers - Gunti - Inserat : MONOGAM ! ( offiziell und leider unplugged )   Übrigens könnte diese Sendung von folgenden Sponsoren mit finanziert werden. Wie gesagt, könnte, ich liefere ja hier nur Ideen, umsetzen soll dann mal jemand anders? Alpenstromatized is powered by Elektro Saas, Stromag u Hunziker  - alle nun bei Burkhalter Group. Falls jemand einen Elektriker kennt - welcher gerne mal im Walliser Podcast ISCHE HENGERT mitmachen möchte?    Säg Marie du müesch dies Gunti unbedingt wieder dä heimuuu ischliessu, das secklut suscht hie där ganz Tag allnäää gwacklundu Puttini u chipolaata wissääää Tschaagääää na.    Alpsegen im GROOVE. Im Kontext mit Respekt und Demut zwischen Menschen und den Menschen der Natur steht die Alpenperformance die Idee einen Alpsegen mal etwas anders. Wir erinnern uns an mein Cabaret ? Noch etwas reifer gestalten? Dieser archaische Ruf wird von erhöhten Standorten aus meist mit Hilfe einer FOLLE, einem hölzernen Milchtrichter, der den Alpen gerufen. Als ritueller Abschluss des Arbeitsalltags soll er alle Lebewesen der Alp von drohendem Unheil schützen. Insbesondere vor den Gefahren der Nacht, vor Unwettern, wilden Tieren, Krankheiten und nicht selten auch vor übermenschlichen Wesen.   Ja die übermenschliche Schönheit einer weiblichen Brust oder eines knackigen Männerpos. Ja die Gefahren der Nacht und Gott bewahre uns von Sünden und führe uns nicht in Versuchung. Wird der Alpsegen auch noch heute in dieser Form als spirituellen Schutzgesang gepflegt und weiter gegeben ? Alpsegentechno ! Der Alpsegen ist eine klangliche Auseinandersetzung mit dem Spannungsfeld zwischen Tradition und Transformation.    Die Alpenperformance greift die Form des Betrufs auf, um Fragen nach Naturverbundenheit, feministischer Selbstermächtigung, kulturellem Erbe und Unsicherheiten hörbar machen.  Dies auch im Sinne vom Loisach Marci - mit der musikalischen Traditionen was GEILES machen, sich aber nicht verhunzen. Ein wahres Klangfeuerwerk das sich sprachlich kaum fassen lässt. ( die Presse ).  Und so gelangen wir auch schon ans Oktoberfest.    Dies ja nun Welt Weit von Eisten bis nach Stalden, der Lederhosenwahninn. Der Marci hat ja auch eine an und die ist über 120 Jahre alt. Made to survive you and yes dazu später gerne mehr. Warum aber eben Oktoberfest weltweit. Die Kostüme von TEMU ? Warum nicht und ja es ist gerade Ernte ZEIT, Trauben und vieles mehr werden geerntet und ja warum nicht ein Ernte-Dank Fest - GROOVE? Wir verstehen uns?  Ich will ja hier nicht herum jammern, mich an nichts mehr festklammern. Büroklammer, ja die GUVA, aber eben, jammern kann ja auch los la si? Lass es raus, üsalaaa, Trich Fendant, Treff die Fernanda uf där Feranda, alles ablagen, lass dich stromatisieren, tanzen, tief durchatmen und das Fest einatmen. Alles abladen und sich mal verladen lassen. Lass den Gefühlen freien lauf und was ist da besser als - KREATIV. Schreiben, musizieren, malen, tanzen ? Oder eben kochen mit geilem BEAT im Speaker. FUCK UNPLUGGED.  Share the Energy, the BEATS. Zeit für einen STROMSCHLAG. Ein Anschlag. Aufschlag, linke Ecke : ASS. 15 NULL:  Energieschub. Kopf hoch - witär tanzu. Rückschlag Akzeptanz aber vorher gang z Tanz !    Rhytmusmagie / Heimat / Einfluss / Entwicklung / Die musikalische Fügung. PLAN A - denn es gibt kein Plan B. Ich werde MUSIKER und ich werde davon leben können. Leidenschaft. In den Adern fliesst MUSIK und die Loisach so sagt es der Loisach Marci im Podcast.  / Klangfeuerwerk. Die tiefe Verbundenheit und den Bezug  zur Natur. Berge. Wasser. Tränen. Hier in der Natur - im Bach stehend, hier wird man abgeholt. / Heimat / Ideen - Entwicklung / Gedanken / Die Strömung - das Wasser fliesst weiter. Die spirituelle Erfahrung. FLUSS und die Verbindung. Weiter geht es immer irgendwie und der Fluss fliesst weiter. Holz - Sand - Skulpturen - Krokodile - Erinnerung - wenig Plastik. Ja der Fluss - der Gletscherbach fliesst solange das Schmelzwasser des Gletschers in nähren kann? Regen? Trockenzeit. Klimawandel. Solarstrom.  Be STOMATIZED by your NATURE.   Erinnere dich an deine Kindheit. NO FUCKING MOBILE PHONE? NO APPS aber ein Stück Lärchenrinde, ein Bächlein stauen und ja KIND SEIN. Die Lärchenrinde wird zum Alpensegeler und ja hinter den Bergen ist die Welt rund. Schiffsverkehr by Herbert Grönemeyer aber zur Zeit inspirieren die Texte von Nori Hamilton und Deyrush und die Worte von ST und Loisach Marci. Aber eben - heute staue ich noch gerne den Gletscherbach - es geht immer wieder um die NACKTHEIT und warum sich der Marci auf der Bühne nackt fühlt oder ich eben fittlablutt im Schnee - ufä FEE u z Roswitha hät das gseh - fittlablutt i der Gletscherwasserbadwanna ….. hät da die Fernande kei Walliser Schwarznasuschafwollrollchragu Bikini a…!   Kind sein. The Creative Adult is the Child who has survived. Ursula K. Writer.    Was hat nun aber König Ludwig und die Farben blau und rot mit eben Performance by Loisach Marci zu tun? Blau / Rot / Rider / denn das was du siehst ist mega wichtig. Bezug zur Landschaft. Die Optik. Haptik. Alles Taktik ? Eher Gefühl ! Das visuelle und dann galoppiert der Marci einfach schon wieder davon. Einfach mal wieder experimentieren, tauchen, ein und mal abtauchen. Die Menschen mit deiner Kunst berühren und was mir so gut gefällt. Der Wille kulturelle Events zu unterstützen und besuchen. Mal auch neue und unbekannt Künstler:innen kennen lernen? Gemäss meinem Lebensmotte : Life is to short to do it twice ? Es geht ja im Handwerk nicht um was in der Werkzeugskiste ist sondern um den Handwerker welcher eben mit dem Werkzeug hantiert.  ICH KLINGE und nie das Instrument ! Ich will aber auch EUCH wieder zum KLINGEN bringen.    Räume schaffen. Ich habe ja darum extra für uns mit EUCH das Studio Supersaxo in Naters und ja kommt ungeniert vorbei falls Ihr einfach mal so die Lust auf eine kreative Veränderung habtssss. Oder äu nur as Glasjiiii Fendärboerg u as bitzi hengertuuu? Aber ja machtsss was, die Schranken sind im Kopf. Lets stomatize it. Ja liebär mit dier fittlablutt i där Sauna wa vam Schaffuuu äs Trauma. / Zuverisichtig glaube ich an meine Pointen und stelle mich dem Zweifel und ja das ist gut so. Positive VIBES. Talent. Tiefe. Roots. Freies improvisieren. Noten? FUCK UNPLUGGED und ja Merci.  Ihr müsst die Kunst spüren. Den Arsch bewegen. Raus gehen. Ausgehen. Ausgang. Ihr müsst kommen. / Wenn ich raus gehe, bin ich danach immer ein Stück weiter. / Kultur konsumieren und es auch mal selber tun. ! Oder gemeinsam im Atelier. / Freiheit. Frei sein wollen. Raus aus dem Alltag   Fokus auf die schönen Dinge des Lebens. Stay Stomatized - never by unplugged ! Fuck unplugges. Energize you and all others - who love to be entertained ! Verliert Euer Kinderherz nicht.  Wir sind alle viel zu viel ERWACHSEN.    Musik by  www.marcelengler.com Loisach Marci Alphorntechno Podcast Spotify : Hoagartn - Podcast Garmish www.enricolenzin.ch Enrico Lenzin Alphorn-Disco Podcast Spotify : Fadegrad DEYRUSH _deyrush_ Instagram Novi Mashilton novi_maschilton Instagram ST Steven Schuster Exklusiv auf Radio Supersaxo - nächste Sendung !!!    Vinotainment www.decanali.ch www.finbec.ch   Food Ideas Horny Chef by Selexion Supersaxo.      NEXT EVENTS : Sparkling Festival am 1.10 in Zürich / am 2.10 Gottfried Supersaxo am Open MIC in Luzern im Tramhüsli. ( www.tramhuesli.ch ) 3.10 - Private Event Luzern / 11.10 - ISCHE HENGERT - der Walliser Podcast mit dum  DEYRUSH !   danach folgen OLMA, Weinmessen Bern - Basel - Biel und in Zürich die Weinschiffe.     

Peter Buwalda is schrijver en columnist. In 2010 debuteerde hij met zijn roman ‘Bonita Avenue' waarvan 400.000 exemplaren zijn verkocht. De roman won meerdere debuut en literatuurprijzen. Zijn boek ‘Otmars zonen' kwam op de bestsellerslijst en kreeg internationale erkenning.  Nu verschijnt zijn roman ‘De jaknikker'. Het boek toont de ontknoping van het succes ‘Otmars zonen'. In ‘De jaknikker' keren we terug naar bastaardzoon Ludwig Smit en Shell-ceo Johan Tromp. Op Sakhalin Island komt de verhouding tussen de twee onder hoge druk te staan wanneer Ludwig carrière maakt als tassendrager van Tromp. Samen keren ze zich tegen de journaliste Isabelle Orthel, die hun relatie onbewust op de proef stelt. ‘De jaknikker' is deel twee van de trilogie.  Ellen Deckwitz gaat met Peter Buwalda in gesprek.

Ludwig "Wiggerl" Hagn war über 60 Jahre Wirt auf der Wiesn - bis er 2018 seine Zelt-Lizenz verliert und sein "Lebenswerk in Trümmer zerlegt" sieht. Die Familie hat Glück: Tochter Stephanie darf das Löwenbräuzelt übernehmen.

Ludwig's goon falls in a vat. Frank holds his nose.

In this game, the boys talk about Alec's upcoming slot on Ludwig's Fast 52 stream event, Guitar Hero 3's amazing career progression, and Daft Punk in Fortnite.

CONTENT WARNING: Discussion of racism, . Mel Brooks' now-classic Western spoof is as controversial as it is well-regarded. Mel pulled absolutely no punches making this movie, and assembled a writer's room that was willing to push the envelope. The only problem is that Mel is too focused on landing the joke and less attentive to the story. It's funny, because that same year he'd release what may have been his masterpiece, a focused, fantastic parody of classic horror. It's hard to know what to cut here, but he definitely needed to figure out what story to tell. Grab your Gucci saddlebacks as we watch Blazing Saddles on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Signature / Main Title (Instrumental)" from the film Blazing Saddles, written and composed by John Morris, Max Steiner and Mel Brooks. Copyright 1974 Warner Bros. All Rights Reserved. Excerpts taken from "Blaze of Glory" from the film Young Guns II, written and performed by Jon Bon Jovi. © 1990 Bon Jovi Publishing/PRI Music, Inc. (ASCAP). ℗ © 1990 PolyGram Records, Inc.

In the second half of a special two part conversation, conductor Devin Patrick Hughes speaks with broadcaster and author John Suchet in Part 2 of a special two-part One Symphony series on Beethoven, based on Suchet's new book In Search of Beethoven: A Personal Journey. This episode explores Beethoven's life in Vienna — his patrons, performance venues, and independence as a composer. We also dive into his personal struggles, including his court battle for custody of his nephew Karl and his gradual onset of deafness, described as the “worst fate for a musician.” Through it all, Beethoven's music speaks of resilience and triumph. Suchet reminds us: “If I can overcome what I had, the worst fate that can befall a musician, you too can overcome.” Featured Music Includes: Wolfgang Amadeus Mozart Piano Concerto No 22 in E-flat Major, K. 482 I. Allegro. Performed by the English Chamber Orchestra featuring Murray Perahia on piano. Ludwig van Beethoven composed the rest of the featured music in this episode. Cello Sonata No 3 in A, Op. 69 II. Scherzo (Allego Molto). Performed by Mstislav Rostropovich on cello and Sviatoslav Richter on piano. Symphony No 3 Eroica in E-flat Major, Op. 55. I. Allegro con brio. Performed live by the Swedish Radio Symphony Orchestra conducted by Sergiu Celibidache.  Muzik zu einem Ritterballet (Music for a ballet of Knights), WoO 3. Jagdlied (Hunting Song), 6. Trinklied (Drinking Song), 4. Romanze (Romance). Performed by the Staatskapelle Berlin, conducted by Günther Herbig.  Symphony No 5. I. Allegro con brio. Performed by the Weiner Philharmoniker conducted by Carlos Kleiber.  Sonata No. 29 in B-flat Major, Op. 106 Hammerklavier. IV. Largo allegro resoluto. Performed live by Tatiana Nikolayeva.  Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo Performed by the Berliner Philharmoniker conducted by Herbert von Karajan.  Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Szene am Bach. Andante molto mosso. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter, Sturm. Allegro. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto. Performed by the Berliner Philharmoniker conducted by Herbert von Karajan. Piano Sonata No. 26 in E-flat Major Op. 81a “Les Adiuex” I. Das Lebewohl, Adagio-Allegro. Performed by Tatiana Nikolayeva.  Piano Sonata No. 14 in C-sharp minor, Op. 27 No. 2 “Moonlight:” III. Presto agitato. Performed by Emil Gilels.  Piano Sonata No. 17 in D minor, Op. 31 No 2. “Tempest”: III. Allegretto. Performed by Alfred Brendel.  Piano Sonata No. 28 in A Major, Op. 101. I. Etwas lebhaft, und mit der innigsten Empfindung. Performed by Emil Gilels.  

On peut être un malfrat et offrir à Napoléon Bonaparte l'une de ses plus belles victoires. L'histoire de Karl Ludwig Schulmeister le prouve. Sans aucune formation militaire, ce simple marchand a participé aux guerres napoléoniennes, et s'en est toujours tiré avec les honneurs. Du moins, pendant un temps. Son arme ? Sa ruse, sa connaissance du terrain et un certain bagout propre à son activité de contrebandier.

Predigt anlässlich der Feier zum 200jährigen Bestehen des Ortes Ludwigsthal

In this episode of The Blackletter Podcast, host Tom Dunlap is joined by David Ludwig and Carlos Linares, partners at Dunlap Bennett & Ludwig, to unpack the complex world of trademarks in social media and the metaverse.From influencers whose handles are worth millions to businesses fighting for control of their online identities, today's digital landscape presents unique legal challenges. David and Carlos share practical insights on how creators and companies can protect usernames, content, and brands in an environment where platform terms of service often matter as much as the law itself.Key topics covered:Why usernames and social handles are often treated like trademarks.What happens when two people want the same handle—and why platforms, not courts, usually decide.How to deal with dormant or inactive accounts that match your brand.Risks when a social media agency controls your handles or content.Why terms of service often outweigh trademark law on platforms.How influencers can trademark personal names and handles for stronger legal protection.The role of federal trademark registration in winning disputes with platforms.Why early registration and clear agreements are the key to avoiding costly battles later.David and Carlos emphasize a simple truth: if your brand or identity matters online, you need to treat it like intellectual property and lock down your rights early.

On peut être un malfrat et offrir à Napoléon Bonaparte l'une de ses plus belles victoires. L'histoire de Karl Ludwig Schulmeister le prouve. Sans aucune formation militaire, ce simple marchand a participé aux guerres napoléoniennes, et s'en est toujours tiré avec les honneurs. Du moins, pendant un temps. Son arme ? Sa ruse, sa connaissance du terrain et un certain bagout propre à son activité de contrebandier.Lorsque l'armée de Napoléon arrive aux portes de Ulm, férocement armée, les 40 000 soldats autrichiens ne peuvent rien faire. Et ce, malgré les 50 canons et les 3 000 chevaux dont ils disposent. L'assaut des artilleurs français fait plus de 25 000 prisonniers. Avec la reddition de huit généraux, c'est la fin de la présence autrichienne en Allemagne. Fort de cette réussite, Schulmeister ne compte pas s'arrêter là.

See omnystudio.com/listener for privacy information.

On peut être un malfrat et offrir à Napoléon Bonaparte l'une de ses plus belles victoires. L'histoire de Karl Ludwig Schulmeister le prouve. Sans aucune formation militaire, ce simple marchand a participé aux guerres napoléoniennes, et s'en est toujours tiré avec les honneurs. Du moins, pendant un temps. Son arme ? Sa ruse, sa connaissance du terrain et un certain bagout propre à son activité de contrebandier.Derrière chaque campagne napoléonienne, et ce depuis celle d'Italie, se trouve un réseau particulièrement bien organisé. Napoléon accorde parfois plus d'importance à ses espions qu'à la puissance brute de ses armées. Pour cela, il met en place des services, à l'instar du Grand Quartier Général, dirigé par le maréchal Berthier qui centralise toutes les données collectées. Il est épaulé par un cabinet topographique chargé des cartes et des études du terrain, et par un cabinet noir spécialisé dans l'interception et le déchiffrement des courriers ennemis.

We are joined by the Podcast Socialite herself, Alice Lauren for the week. Drebin continues to search Ludwig's office. Check out Alice @PodSocialite on Twitter and @PodcastSocialite on TikTok.

Send us a textGet the vidIQ plugin for FREE: https://vidiq.ink/boostpluginWant a 1 on 1 coach? https://vidiq.ink/theboost1on1Join our Discord! https://www.vidiq.com/discordWatch the YouTube version: https://www.youtube.com/@vidIQPodcastsWe explore YouTube growth strategy through the lens of real creator experiences and algorithmic understanding, from Ludwig's experiment starting a new anonymous channel to handling viral success.• 99% of viewers on successful videos are new people who don't know your channel history• Ludwig's humbling experiment showed it took five hours for anyone to show up on his anonymous stream• YouTube is a marathon, not a sprint—value every view as a real person choosing to watch• Effective hooks in long-form content should be under 15 seconds and validate the thumbnail/title promise• After a viral hit, double down on similar content rather than making random videos• Creative sponsorship integration is crucial as YouTube makes it easier for viewers to skip sponsored segments• Community posts, shorts, and thoughtful engagement are effective ways to maintain audience connection between uploads• When starting out, celebrate small wins—50 people watching your video is 50 real people giving you their timeText us your YouTube questions at the link in description or email theboost@vidIQ.com

Eric Jack Nash finishes his week with us. Frank fights against a mount of pistachio shells, then searches Ludwig's office for a Bingo card. Check out Eric Jack Nash @LuckyMustard on the socials and his podcasts: Watchmen Minute, Almost Famous Minute and Feels Like Weezer

Frank and Ed sit in a car outside Ludwig's building eating Pistachios. Check out Eric Jack Nash @LuckyMustard on the socials and his podcasts: Watchmen Minute, Almost Famous Minute and Feels Like Weezer

Send us a textThis week we're tackling a food we all know and love: flour. But is it really as harmless as it seems? Join me as I break down the surprising science of refined flour, cravings, and hormones—plus how a few small shifts can help you take back control of your weight loss journey.We'll talk about why flour is classified as an ultra-processed food, how it hijacks hunger signals, and why it can make weight loss feel harder than it should. Don't worry, I'll make it simple, light, and easy to understand—because this is about living your best life, not stressing over bread.Quote of the Week:“Your body is your home—feed it with care.” – Unknown Citations:Monteiro et al., 2019 – Ultra-processed foods: What they are and how to identify them. Public Health Nutrition.Hall et al., 2019 – Ultra-processed diets cause excess calorie intake and weight gain. Cell Metabolism.Ludwig, 2002 – The glycemic index: Physiological mechanisms relating to obesity, diabetes, and cardiovascular disease. JAMA.Friedman, 2014 – Leptin and the regulation of body weight. American Journal of Clinical Nutrition.Volkow et al., 2013 – The addictive dimensionality of obesity. Biological Psychiatry.Slavin, 2013 – Fiber and prebiotics: Mechanisms and health benefits. Nutrients.Hu, 2011 – Globalization of diabetes: The role of diet, lifestyle, and genes. Diabetes Care.ADA, 2020 – Standards of medical care in diabetes—2020. Diabetes Care.Let's go, let's get it done. Get more information at: http://projectweightloss.org

Es ist eines der furiosesten Comebacks der Musikgeschichte: Richard Wagner - künstlerisch gescheitert, finanziell am Boden - wird errettet durch den 18-jährigen König Ludwig II. von Bayern. Der Beginn einer außergewöhnlichen Beziehung, die Wagner zu beispiellosen Erfolgen führen und Ludwig das Herz brechen wird.

Es ist eines der furiosesten Comebacks der Musikgeschichte: Richard Wagner - künstlerisch gescheitert, finanziell am Boden - wird errettet durch den 18-jährigen König Ludwig II. von Bayern. Der Beginn einer außergewöhnlichen Beziehung, die Wagner zu beispiellosen Erfolgen führen und Ludwig das Herz brechen wird.

Are ultra-processed foods really the villain, or is the story more complicated? In this lively, no-nonsense conversation, endocrinologist Dr. David Ludwig (of Harvard and Boston Children's Hospital) and journalist Gary Taubes unpack why “UPF” is an enticing label but a blunt tool for science, policy, and everyday guidance.They cover:Why defining “ultra-processed” is messy, and how lumping diverse packaged foods into one bucket can mislead.How high-profile trials are interpreted (and misinterpreted), from short study durations to dropout bias and carryover effects.The role of bias and confirmation bias in nutrition research and media narratives.Where the debate should go next: moving beyond slogans toward mechanisms like how carbohydrate processing affects blood sugar and insulin.What to do in the meantime: clearer study design, healthier discourse, and pragmatic takeaways people can use now.In this conversation, you'll hear sharp disagreements, candid critiques, and concrete suggestions for doing better science. Plus a spirited back-and-forth on what “good evidence” should look like and how individuals, clinicians, and policymakers can each act on different standards of proof.What's at stake isn't academic nitpicking; it's policy decisions, headlines, and, ultimately, what lands on your plate.

We've been on a run of serious films, so it was time to mix in a Western comedy. At least, that's what this movie is supposed to be, but this is a comedy without a whole lot of jokes. We have some diverging opinions on this one, mostly coming down to the script, because this should be a much better movie than it is. But you can bet we both agree that James Garner is one of the most charming cutie-pies ever. Make sure to order the bars for the jail while we watch Support Your Local Sheriff! on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the main theme to the film Support Your Local Sheriff!, written and composed by Jeff Alexander. Copyright 1969 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved. Excerpt taken from "Signature / Main Title (Instrumental)" from the film Blazing Saddles, written and composed by John Morris, Max Steiner and Mel Brooks. Copyright 1974 Warner Bros. All Rights Reserved.

The chilling final chapter of Jeffrey Gordon's murder trial unfolds through the eyes of an unlikely hero—a former flight attendant turned law student who helps bring justice to her slain colleague. In a courtroom run by women, a monster's mask finally slips.When Cori Reyes, an intern with the Wayne County Prosecutor's Office, volunteered to assist with the Nancy Ludwig murder case, she brought a unique perspective. Having worked as a flight attendant for years, Reyes had been trained using Ludwig's murder as a cautionary tale—"there's someone out there preying on flight attendants." Now she had a chance to help catch that predator.The scientific evidence presented by forensic expert Link Helton was devastating: DNA matching Gordon to the crime scene with odds of 97 quadrillion to one. As she testified, Helton kept stealing glances at Gordon, her eyes sending a silent message: the DNA doesn't lie. The graphic autopsy details brought jurors to tears as the medical examiner described 45 separate wounds inflicted on Ludwig—evidence of a frenzied, prolonged attack that contradicted Gordon's story of innocence.But the most shocking moment came behind the scenes. When defense attorney Tank confronted his client about inconsistencies in his story, Gordon underwent a terrifying transformation. According to Tank, Gordon "went crazy," ranting about the women in the courtroom and confessing to killing both Ludwig and another victim. "He would kill all these kinds of women, just like he had killed these two," Tank later revealed. The mountain man persona Gordon had maintained crumbled, revealing the monster beneath.The jury took less than two hours to find Gordon guilty on all counts. Evidence later emerged suggesting Gordon kept coded souvenirs from his victims, including underwear labeled "Nel North"—likely referring to Nancy Ludwig from Northwest Airlines. Though now serving life without parole, Gordon's shadow still looms large over those who encountered him. Prosecutor Elizabeth Walker admits, "He's the only man I've ever been afraid of. To this day when I go home, I pull my shades. I never used to."What drives someone to such calculated brutality? And how many other victims might be out there, their cases still unsolved? Listen now to understand how justice finally caught up with a predator who thought he was untouchable.Send us a text Support the show

Hartmann, Ludwig www.deutschlandfunkkultur.de, Studio 9

Mac McCaughan and Laura King from Superchunk are here to discuss their new album, Songs in the Key of Yikes, North Carolina living and many Ludwig drums, writing dark-hued songs packaged in sunny, energetic arrangements, Jon Wurster retiring from Superchunk and how the band have met the challenge of filling his role, Laura's musical background and why drummers have been in the news so much in 2025, why Mac wanted so many women from the Merge community to sing on this record, whether Superchunk could tour across Canada by train, confirmed upcoming non-train tour dates, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #963: DestroyerEp. #924: Lance Bangs and Bob Nastanovich on ‘Pavements'Ep. #913: QuiversEp. #892: Fucked UpEp. #847: RosaliEp. #845: The Messthetics and James Brandon LewisEp. #752: Yo La TengoEp. #746: H.C. McEntireEp. #738: SuperchunkEp. #545: Owen PallettSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

CONTENT WARNING: Discussion of sex work, sexual assault. Spaghetti westerns are their own unique style, their own flavor, and one of the key issues is the dialogue is almost always sloppy and cheesy. Yet Sergio Leone, a true master of filmmaking, took that to a different artistic height, and really made it perfect with this film. This film is impeccably shot, with spans of John Ford's favorite locations that would make the father of the genre salivate. The cast is top notch, with a truly evil villain made all the more bad by the fact that they got America's Dad to play him. The only thing missing is punchier dialogue, but when it comes to Leone, it's worth the eye rolls to wait for the next incredible shot. Bide your time with a little harmonica as we watch 1968's Once Upon a Time in the West on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Man With A Harmonica" from the film Once Upon a Time in the West, written and composed by Ennio Morricone. Copyright 1968 Rafran - San Marco Production. Excerpts taken from the main theme to the film Support Your Local Sheriff!, written and composed by Jeff Alexander. Copyright 1969 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved.

In this first half of a special two-part conversation, Devin Patrick Hughes speaks with broadcaster and author John Suchet about Beethoven's beginnings in Bonn, his precocious childhood on the Rhine, his mentors and patrons, and the myths surrounding his father and early works. Together, they explore Beethoven's revolutionary ideas, his first “unplayable” compositions, and the legendary (and mysterious) meeting with Mozart. Along the way, Suchet shares insights from his new book, In Search of Beethoven: A Personal Journey, and we hear the music that shaped the young Beethoven and echoed throughout his career. Featured Music All works composed by Ludwig van Beethoven, unless noted. Große Fuge, Op. 133 — Artemis Quartet (live, Paris 2001) Musik zu einem Ritterballet, WoO 1: No. 8 Coda — Günther Herbig & Staatskapelle Berlin (1971) Quartet WoO 36 No. 3 in C Major: I. Allegro Vivace — Christoph Eschenbach, Norbert Brainin, Peter Schidlof, Martin Lovett Sonatina in E-flat Major WoO 47, Kurfürstensonate No. 1 — Jörg Demus Cantata on the Death of Emperor Joseph II, WoO 87 — Reetta Haavisto, Juha Kotilainen, Leif Segerstam, Turku Philharmonic, Chorus Cathedralis Aboensis Violin Concerto in D Major, Op. 77: II. Adagio — Johannes Brahms, Itzhak Perlman, Chicago Symphony, Carlo Maria Giulini “Aria de Florestan: Gott!” from Fidelio — Jonas Kaufmann, Nikolaus Harnoncourt 12 Variations on “Se vuol ballare”, WoO 40 — Yehudi Menuhin & Wilhelm Kempff For more information on John Suchet, see https://www.johnsuchet.co.uk. You can find his most recent book In Search of Beethoven, A Personal Journey where ever books are sold. You can always find more info at OneSymphony.podbean.com.  If you appreciate what we do you can Support the show and get exclusive content at patreon.com/onesymphonywithdevinpatrickhughes. Feel free to rate, review, or share the podcast! Until next time, thank you for being part of the music.

When was the last time you really tuned in to what your body is trying to tell you—beneath the habits, the hustle, and the health checklists? In Part 2 of my conversation with mindset coach Terry Ludwig, we explore how the body holds energy, emotion, and truth—and how healing often starts with listening differently. We talk about the frequency your body lives on, how fear blocks health, and what it takes to move forward with self-trust. Terry shares what it means to shift from survival mode into self-leadership, why love and fear can't coexist, and how to reconnect to your body's wisdom without shame or guilt. If you've ever felt stuck in loops of self-doubt, sabotage, or just “trying harder,” this episode offers a new, more compassionate way forward—one that honors your nervous system, your energy, and your wholeness. Takeaways from Part 2: How your body's frequency impacts health and healing The hidden ways fear drives your habits and self-talk Why regulating stress is a pillar of true wellness What self-led healing actually looks and feels like The mindset shift from fixing to trusting Don't miss Part 1 if you haven't heard it yet—these two conversations work best together.   To Connect with Terry Ludwig:  TerryJoLudwig.com Get Weekly Health Tips:  thrivehealthcoachllc.com Let's Connect:@‌ashleythrivehealthcoach or via email: ashley@thrivehealthcoachingllc.com Podcast Produced by Virtually You!  

In this episode of The Blackletter Podcast, host Tom Dunlap sits down with Wright Lewis, partner at Dunlap Bennett & Ludwig, to break down the unique challenges of mergers and acquisitions (M&A) in the government contracting (GovCon) space.Unlike traditional M&A, GovCon deals involve regulations, set-asides, security clearances, and novation requirements that can make or break a transaction. Wright shares expert insights on what contractors, buyers, and sellers need to know before heading to market.Key topics covered:GovCon M&A vs. traditional M&A – why stock purchases dominate and how novation impacts deals.Handling facilities clearances and personnel clearances during acquisitions.The role of set-aside contracts (8(a), WOSB, SDVOSB, etc.) and how they affect valuations.Organizational Conflicts of Interest (OCIs) and how to manage them in due diligence.Market uncertainty from DOGE contract terminations and SBA rule changes.Which sectors are rising in value (AI, cyber, defense, intelligence) vs. which are under pressure.Strategic advice for GovCon sellers:Market timing around set-aside expiration deadlines.Diversifying contracts and clients to reduce risk.Maximizing backlog and margins before going to market.Making yourself redundant as a seller to increase buyer confidence.Wright and Tom also touch on earn-outs, revenue concentration risks, and why buyers are inserting new protective clauses into GovCon transactions in today's uncertain environment.

CONTENT WARNING: Discussion of brownface. If this movie is the rebirth of the Western, it'd be hard to tell because it's a real mess. It's a classic, and it absolutely makes sense why, but it's also a total mess of a film. No one knows what movie they're supposed to be in, the script is missing a ton of connective tissue, and Steve McQueen has the audacity to be bad at acting and an insufferable tool. Still, Yul Brynner and Charles Bronson are total badasses, and this Western via samurai flick manages to be a little entertaining. But really, just go watch Seven Samurai instead. Round up the gunfighters as we watch The Magnificent Seven on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the theme to the film The Magnificent Seven, written and composed by Elmer Bernstein. Copyright 1960 Metro-Goldwyn-Mayers Studios Inc. All Rights Reserved. Excerpt taken from "Man With A Harmonica" from the film Once Upon a Time in the West, written and composed by Ennio Morricone. Copyright 1968 Rafran - San Marco Production.

Rob finishes out his (first) week with us. Ludwig pushes a button.

Ed gives Frank 24 hours to clear Nordberg of doing what Ed told him to do, and Ludwig greets a potential client.

This week, the boys are joined by supertf! They talk about going professional in Overwatch, being interviewed by Jimmy Fallons, and how Ludwig and Super have beef.... Learn more about your ad choices. Visit megaphone.fm/adchoices