Podcasts about Ludwig

This week, the boys talk about their thoughts on One Piece, the maddest we've been at each other, and how Ludwig cheated in his own basketball event! Learn more about your ad choices. Visit megaphone.fm/adchoices

Al Jolson sang his signature song, "My Mammy," very few times on the radio. This great rendition is from the 16 Feb 48 Lux Radio Theatre adaptation of "The Jolson Story." Ludwig Donath, who played Papa Yoelson in the film, also played the role in this broadcast, and can be heard at the beginning of this segment. There is much more material is in the complete program which, along with other Jolson radio shows, circulates on the Official Al Jolson Website at www.jolson.org.

One of the most dramatic and mysterious love letters of all time was penned by composer Ludwig van Beethoven and was only discovered after his death in 1827. The hastily handwritten letter is full of passionate lines like, “My eternally beloved . . . I can only live either wholly with you or not at all.” Tragically, it appears the letter was never sent, and his intended recipient remains unknown. Beethoven’s letter is treasured by readers who can identify with his desperate yearning for love. We seek love and fulfillment in many people, things, and experiences that cannot fully satisfy. But far greater than a fleeting romance is the love of God for His covenant people, to whom He showed great love for the sake of all people. Through the prophet Jeremiah, God declared, “I have loved you with an everlasting love; I have drawn you with unfailing kindness” (Jeremiah 31:3). Because of His great love, God promised a future of rest and favor (v. 2) and the restoration of anything that was broken (v. 4). Despite their repeated rejection and rebellion, God vowed to bring them back to Himself (v. 9). Many years later, that same everlasting love motivated Jesus to endure death for sinners, even before we ever returned His love (Romans 5:8). We don’t have to search for love or try to earn it. We’re already loved with an everlasting love!

Questo episodio è dedicato a come riconoscere la modalità minore.Ascoltiamo subito Bella ciao. E' l'esempio migliore in assoluto della modalità minore perché è una canzone famosissima, conosciuta internazionalmente, ed essendo anche cantata è più facile da ricordare. La conosce anche chi non la ascolta attivamente, cioè anche chi non sceglie di ascoltarla, chi non ha studi musicali, ed è un tema transgenerazionale, che conoscono tutti a prescindere dall'età che hanno.  E' un canto chiaramente in minore: non espande, non addolcisce, guarda in faccia alla realtà nella sua crudità e proprio per questo non consola, non è depressivo né lamentoso. E' seria. E' una dichiarazione di ciò che la realtà è.   Giusto una curiosità di tipo culturale:  Bella ciao deriva da un canto popolare di lavoro delle mondine nelle risaie italiane, con testi sulla fatica e lo sfruttamento, e solo dopo la Seconda Guerra mondiale è diventato l'inno simbolico della Resistenza partigiana contro fascismo e nazismo. Ti faccio sentire un brano di questo canto nella versione di una cantante, Milva, appassionata cultrice di canti popolari! Milva ha amato, interpretato e valorizzato canti popolari e “impegnati”, portandoli anche nei palcoscenici principali e incidendoli nei suoi album.  Quella che nasce dalla fatica e dalla durezza del lavoro delle mondine, e che negli anni è stata poi trasformata in un canto di lotta politica e simbolo di libertà. Oggi, è diventata un inno cantato in tutto il mondo, oltre che per questioni politiche e sociali anche grazie alla serie “La casa de Papel”. In questo episodio del podcast ti faccio ascoltare brani che sono già nella tua memoria sonora e ti aiuto a creare una categoria identificativa della modalità minore. Sono tutti brani tratti di una selezione sonora intuitiva, immediatamente riconoscibile e internazionale, tutta roba che “suona minore” anche a chi non sa cosa sia una scala.Non sono musicista, non ho intenzione di usare tecnicismi che non padroneggio neppure io. Il mio mantra resta lo stesso: zero tecnicismi, sentire prima di sapere e sfruttare competenze e conoscenze che hai già, in modo da organizzarle.Ascoltiamo Greensleeves. E' una delle melodie più antiche e riconoscibili della tradizione europea. Famosa anche per essere stata affiancata alle melodie natalizie.Intima, narrativa, essenziale. Il minore qui non è drammatico, non è teatrale: è raccolto, ti accompagna dentro una storia, non ti spinge chissà dove nella fantasia. Altro esempio famosissimo, di cui forse non conosci il titolo ma di certo conosci il tema musicale: Sonata al chiaro di luna – primo movimento, di Ludwig van Beethoven. E' probabilmente uno dei brani in minore più conosciuti al mondo. Lento, ipnotico, sospeso. Il minore qui non chiede azione, non chiede energia: chiede ascolto interno, presenza, silenzio. Continuiamo con un esempio pop internazionale: Eleanor Rigby dei Beatles. Il minore, in questo brano racconta un clima sobrio, reale, quotidiano. Enuncia semplicemente le cose come un dato di fatto: è spoglio, umano, diretto, non cerca commozione facile, niente di melodrammatico. Proseguiamo con una sigla che conosciamo da sempre: Heidi Una sigla per bambini, eppure chiaramente in minore. Esprime una atmosfera nostalgica, tenera, intima. Il minore qui racconta di una realtà, non spaventa, non opprime, è quindi accessibile anche all'infanzia. Parla di casa, memoria, legame. Non c'è tristezza o clima “pesante” ma solo calma e fotografia di una realtà.  Ascoltiamo una ninnananna che definirei universale, forse la più cantata. Forse ce l'hai in mente così: suonata con il carillon. E' la ninnananna di Brahms. Originariamente cantata (ti faccio sentire un brano), viene tradott ain altre lingue e cantata ovunque, riconosciuta da chiunque. Il minore qui è avvolgente, rassicurante, non stimola ma calma. Il minore non è tristezza obbligatoria. Così come il maggiore non è “allegria obbligatoria”! È interiorità, è densità emotiva, è uno spazio più raccolto.  Se il maggiore è piena luce in un giorno di sole con il cielo azzurro, il minore è come stare in una stanza con una luce più morbida. Non stai peggio. Respiri diversamente. Se facciamo un'analisi percettiva, possiamo dire che il minore ha alcune caratteristiche molto chiare: lo spazio sonoro si contrae e diventa intimo, privato, quindi l'attenzione si sposta verso l'interno, non genera una spinta immediata all'azione, e porta invece alla presenza. Gli esempi che ho usato appartengono a un repertorio occidentale, non sono universali in senso assoluto. Ma la sensazione che producono, di raccoglimento, presenza, descrizione di una immagine reale, è riconosciuta da moltissimi esseri umani, anche in culture musicali molto diverse. Cambiano i sistemi musicali. Cambiano i nomi. Ma corpo ed emozioni no. Sono Sabina Todaro mi occupo di flamenco e di danze e musiche del mondo arabo dal 1985. Dal 1990 insegno baile flamenco a Milano, a Il Mosaico Danza, e un lavoro sull'espressione delle emozioni che ho chiamato Lyrical Arab Dance. Vediamo come si utilizza il minore nel flamenco. Dato che il flamenco non nasce per rassicurare, ma per raccontare l'esperienza umana per come è, il minore si adatta perfettamente, descrivendo la presenza nell'esperienza. Pochissimi palos vivono stabilmente nel minore molti lo attraversano, lo evocano. I palos che si svolgono su modalità minore: Farruca, Tango de Malaga, lo stile di Fandango de Huelva di Cabezas Rubias, tango de Triana o del Titi, Milonga, Vidalita. La petenera gioca sulla modalità minore, ma non è solo in modalità minore: utilizza un linguaggio tonale instabile in area minore. Vai ad ascoltare i podcast sulla Petenera, se hai la curiosità. Ci sarà un podcast dedicato a chiarire il concetto di tonale e di modale, queste parolacce che fanno impazzire noi che abbiamo la formazione di teoria musicale che si limita alla teoria musicale delle medie con il flauto dolce. Ossia: zero.Molti palos utilizzano in parte il linguaggio minore: Mariana, Granaina, Media granaina, Mirabrás (attraversa maggiore, minore e modalità flamenca), Alegrías de Córdoba, alcuni Fandangos personales, Fandango de Huelva (molte strofe in area minore, con remate in modalità flamenca).  Come sempre, ti invito a sfruttare competenze e conoscenze che hai già, e semplicemente ti aiuto a riunirle sotto un nome, a dar loro una casa 

Ref.: Pfarrvikar Jürgen Jung, Pfarrvikar in St. Joseph und St. Ludwig in München, München

This week, the boys talk about going to the superbowl, Slime trying Ludwig's performative garbage bag method, and how Slime ran into a frat leader at ASU and got brutally frame mogged by him.. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dyrektor Teatru Klasyki Polskiej Jarosław Gajewski zaprasza na premierę spektaklu Porwanie Europy – ponadczasowej sztuki Jarosława Marka Rymkiewicza. Jak mówi, przedstawieniu towarzyszyć będzie muzyka autorstwa Antoniego Wojnara. Premiera już 22 lutego, w Scenie Stygmat na pl. Grzybowskim w Warszawie. Następnie, w kolejnej odsłonie cyklu Co w trawie piszczy? rozmawiamy z Markiem Podkalickim z Bieszczadzkiej Inicjatywy Narodowej. Gość przybliża najpierw działalność stowarzyszenia, którego głównym celem jest prowadzenie działalności edukacyjnej w zakresie inicjatyw patriotycznych na terenie Bieszczad, pomoc rodzinom w trudnej sytuacji materialnej, a także Polakom mieszkającym za granicą. W dalszej części rozmowy nasz gość podejmuje temat populacji wilków i niedźwiedzi w Bieszczadach oraz analizuje konflikty, jakie te zwierzęta wywołują w regionie. Na koniec łączymy się z Łukaszem Strusińskim, kierownikiem ds. programowych Orkiestry Sinfonia Varsovia, który zaprasza na jutrzejszy koncert Uczta Mistrzów. W programie: Wolfgang Amadeusz Mozart, Ludwig van Beethoven i Józef Haydn, dyryguje maestro Jong-Jie Yin, a w roli solisty wystąpi Jan Wachowski.

Are we ready to watch another quirky detective? Did the premise hook us? Is the mystery engaging enough? Tune in to find out!Edited with thanks to Playlyst StudiosConnect with us:  Buy us a coffee at buymeacoffee.com/thepilotpodcast | Visit us at thepilotpodcast.com | Email us at askthepilotpodcast@gmail.com | Follow us @ThePilotPod on Twitter, Instagram, and TikTok | Please leave a rating and review on Apple Podcasts

Gespräch mit Raliza Nikolov über die Berliner Philharmoniker und ihren Chefdirigenten Kirill Petrenko und die multimediale Hardcover-Edition mit vielfach ausgezeichneten und hoch gelobten Aufnahmen von Werken von Ludwig van Beethoven, Peter Tschaikowsky, Franz Schmidt und Rudi Stephan neu in einer exklusiven CD/SACD-Edition. Diese Einspielungen sind ein spannendes Zeugnis der beginnenden fruchtbaren Zusammenarbeit mit Kirill Petrenko bis hin zu seinem Antrittskonzert als Chefdirigent des Orchesters im September 2019. Ihre Veröffentlichung als schlankere Neufassung enthält die Musik auf 4 Hybrid-SACDs, die sowohl auf herkömmlichen CD-Playern als auch in hochaufgelöster Audio-Qualität und im Surround-Sound auf SACD-Spielern wiedergegeben werden kann.

Ludwig Magnusson, grundare Soscale, gästar podden Framtidens E-Handel och pratar om varför kreativa strateger är navet mellan data, media och content, hur du bygger ett kreativt team i takt med att omsättningen växer, samt varför Partnership Ads just nu är ett av de starkaste vapnen på Meta. Du får också konkreta ramverk för hur annonser bör prioriteras, hur AI används praktiskt i creative workstreams och varför varumärken som inte vågar släppa sin brand book i ads riskerar att bromsa sin tillväxt.03:08 – Förlusten På 800 000 Kr Som Formade Entreprenörsresan07:36 – De Första Anställningarna Som Avgör Bolagets Framtid11:12 – Nya Kreativa Roller Inom Ads Och E-handel13:19 – Kreativa Strategen Som Bryggan Mellan Data Och Content19:49 – Andromeda Och Metas Största Algoritmskifte21:05 – Varför Liknande Annonser Nu Straffas22:03 – Creative Trees, Koncept, Vinklar Och Personas29:10 – Hur Kreativa Test Prioriteras Strategiskt33:36 – Partnership Ads Och Varför De Skalar Så Bra38:24 – Lokal Vs Global Annonsering För Varumärken42:36 – Hur Du Minskar Beroendet Av Enskilda Kanaler45:03 – Konflikten Mellan Brand Och Performance52:43 – AI Som Verktyg För Kreativa StrategierHär hittar du Ludwig & Soscale:https://www.linkedin.com/in/ludwig-magnusson-032658165/ https://www.soscalemedia.se/ Sponsor Shopify:www.shopify.com/framtiden Berns Event:https://framtidensehandel.se/products/roast Följ Björn på LinkedIn:https://www.linkedin.com/in/bjornspenger/ Följ Framtidens E-handel på LinkedIn:https://www.linkedin.com/company/framtidens-e-handel/ Besök vår hemsida, YouTube & Instagram:https://www.framtidensehandel.se/ https://www.instagram.com/framtidens.ehandel/ https://www.youtube.com/channel/UCEYywBFgOr34TN8NtXeL5HQPoddproducent och klippare Michaela Dorch & Videoproducent Fredrik Ankarsköld:https://www.linkedin.com/in/michaela-dorch/ https://www.linkedin.com/in/ankarskold/ Tusen tack för att du lyssnar!Support till showen http://supporter.acast.com/framtidens-e-handel. Hosted on Acast. See acast.com/privacy for more information.

Communism! A menace to all god-fearing Americans in the 1960s, a real travesty against society. At least that was the background that this novel and film dropped into to make a much larger point about the horrors of war and trauma. But even more than a knotty, complicated conspiracy thriller, this is a really unique film from an underrated director and shockingly talented cast…for the most part. Frank Sinatra is pulling quadruple duty here with producing, acting, cajoling studio heads, and really, really acting and it pays off in a major way, even if this was a little too weird for the Oscars. Watch out for the Queen of Diamonds this week as we watch The Manchurian Candidate on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film The Manchurian Candidate, written and composed by David Amram. © 1962 Frank Sinatra Trust Number 10. All Rights Reserved. Excerpt taken from the main title to the film Klute, composed and conducted by Michael Small. Copyright 1971 Warner Bros. All Rights Reserved.

It's that time of year - to debate Oscar nominations! Except we haven't seen most of these movies so we have gut reactions to a bunch of things we have little to no business reacting to! Yet! We're talking Oscar nominations this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

The 2025-2030 Dietary Guidelines for Americans have arrived, and they're sparking serious debate. Are we finally seeing a meaningful shift toward metabolic health? What do the guidelines get right, and where is there still room for improvement?To unpack it all, Dr. Bret Scher is joined by two long-time voices in nutrition science: Dr. David Ludwig and Gary Taubes. Together, they dig into what the new guidelines get right, what they overlook, and what this all means for public health, clinical practice, and the food industry.They explore:The shifting stance on animal protein, and the controversy it's stirredA long-overdue move away from refined carbohydratesWhy the term “ultra-processed food” was intentionally left outThe important nod to low-carb diets for chronic diseaseHow school lunches and government food programs may (or may not) changeThe tension between dietary health and environmental goalsWhy robust clinical trials, not just policy documents, are urgently neededThis lively discussion blends agreement, disagreement, and deep insights into what these guidelines mean, not just on paper, but in real life. Whether you're a clinician, policymaker, parent, or just trying to eat healthier, this episode will help you rethink the “official” nutrition narrative.

A round-up of the main headlines in Sweden on February 2nd 2026. You can hear more reports on our homepage www.radiosweden.se, or in the app Sveriges Radio. Presenter/producer: Kris Boswell.

Disproving the popular narrative that shootings are the calculated acts of malicious or desperate people, Ludwig shows how most shootings actually grow out of a more fleeting source: interpersonal conflict, especially arguments. By examining why some arguments turn tragic while others don't, Ludwig shows gun violence to be more circumstantial—and more solvable—than our traditional approaches lead us to believe.Drawing on decades of research and Ludwig's immersive fieldwork in Chicago, including “countless hours spent in schools, parks, playgrounds, housing developments, courtrooms, jails, police stations, police cars, and lots and lots of McDonald's,” Unforgiving Places: The Unexpected Origins of American Gun Violence (University of Chicago Press, 2025) is a breakthrough work at the cutting edge of behavioral economics. As Ludwig shows, progress on gun violence doesn't require America to solve every other social problem first; it only requires that we find ways to intervene in the places and the ten-minute windows where human behaviors predictably go haywire. Jens Ludwig is the Edwin A. and Betty L. Bergman Distinguished Service Professor at the University of Chicago Harris School of Public Policy. He is the Pritzker Director of the University of Chicago's Crime Lab, codirector of the National Bureau of Economic Research's working group on the economics of crime, elected member of the National Academy of Medicine, and a member of the Committee on Law and Justice of the National Academies of Science. Alfred Marcus is the Edson Spencer Professor at the Carlson School, University of Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Disproving the popular narrative that shootings are the calculated acts of malicious or desperate people, Ludwig shows how most shootings actually grow out of a more fleeting source: interpersonal conflict, especially arguments. By examining why some arguments turn tragic while others don't, Ludwig shows gun violence to be more circumstantial—and more solvable—than our traditional approaches lead us to believe.Drawing on decades of research and Ludwig's immersive fieldwork in Chicago, including “countless hours spent in schools, parks, playgrounds, housing developments, courtrooms, jails, police stations, police cars, and lots and lots of McDonald's,” Unforgiving Places: The Unexpected Origins of American Gun Violence (University of Chicago Press, 2025) is a breakthrough work at the cutting edge of behavioral economics. As Ludwig shows, progress on gun violence doesn't require America to solve every other social problem first; it only requires that we find ways to intervene in the places and the ten-minute windows where human behaviors predictably go haywire. Jens Ludwig is the Edwin A. and Betty L. Bergman Distinguished Service Professor at the University of Chicago Harris School of Public Policy. He is the Pritzker Director of the University of Chicago's Crime Lab, codirector of the National Bureau of Economic Research's working group on the economics of crime, elected member of the National Academy of Medicine, and a member of the Committee on Law and Justice of the National Academies of Science. Alfred Marcus is the Edson Spencer Professor at the Carlson School, University of Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Eureka The Pentecostal Church - Thursday Service - 09/18/2025"Walkers Workers & Warriors"Bro. Nate LudwigConnect with us! Instagram: instagram.com/eurekachurch Facebook: Eureka The Pentecostal Church Youtube: youtube.com/c/EurekaThePentecostalChurch Website: eureka.churchListen/Download this sermon on Spotify or Apple Podcasts - Eureka the Pentecostal Church All songs are performed by licensing agreement through CCLI #1578358 and Streaming License #21284088

Disproving the popular narrative that shootings are the calculated acts of malicious or desperate people, Ludwig shows how most shootings actually grow out of a more fleeting source: interpersonal conflict, especially arguments. By examining why some arguments turn tragic while others don't, Ludwig shows gun violence to be more circumstantial—and more solvable—than our traditional approaches lead us to believe.Drawing on decades of research and Ludwig's immersive fieldwork in Chicago, including “countless hours spent in schools, parks, playgrounds, housing developments, courtrooms, jails, police stations, police cars, and lots and lots of McDonald's,” Unforgiving Places: The Unexpected Origins of American Gun Violence (University of Chicago Press, 2025) is a breakthrough work at the cutting edge of behavioral economics. As Ludwig shows, progress on gun violence doesn't require America to solve every other social problem first; it only requires that we find ways to intervene in the places and the ten-minute windows where human behaviors predictably go haywire. Jens Ludwig is the Edwin A. and Betty L. Bergman Distinguished Service Professor at the University of Chicago Harris School of Public Policy. He is the Pritzker Director of the University of Chicago's Crime Lab, codirector of the National Bureau of Economic Research's working group on the economics of crime, elected member of the National Academy of Medicine, and a member of the Committee on Law and Justice of the National Academies of Science. Alfred Marcus is the Edson Spencer Professor at the Carlson School, University of Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Disproving the popular narrative that shootings are the calculated acts of malicious or desperate people, Ludwig shows how most shootings actually grow out of a more fleeting source: interpersonal conflict, especially arguments. By examining why some arguments turn tragic while others don't, Ludwig shows gun violence to be more circumstantial—and more solvable—than our traditional approaches lead us to believe.Drawing on decades of research and Ludwig's immersive fieldwork in Chicago, including “countless hours spent in schools, parks, playgrounds, housing developments, courtrooms, jails, police stations, police cars, and lots and lots of McDonald's,” Unforgiving Places: The Unexpected Origins of American Gun Violence (University of Chicago Press, 2025) is a breakthrough work at the cutting edge of behavioral economics. As Ludwig shows, progress on gun violence doesn't require America to solve every other social problem first; it only requires that we find ways to intervene in the places and the ten-minute windows where human behaviors predictably go haywire. Jens Ludwig is the Edwin A. and Betty L. Bergman Distinguished Service Professor at the University of Chicago Harris School of Public Policy. He is the Pritzker Director of the University of Chicago's Crime Lab, codirector of the National Bureau of Economic Research's working group on the economics of crime, elected member of the National Academy of Medicine, and a member of the Committee on Law and Justice of the National Academies of Science. Alfred Marcus is the Edson Spencer Professor at the Carlson School, University of Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

Disproving the popular narrative that shootings are the calculated acts of malicious or desperate people, Ludwig shows how most shootings actually grow out of a more fleeting source: interpersonal conflict, especially arguments. By examining why some arguments turn tragic while others don't, Ludwig shows gun violence to be more circumstantial—and more solvable—than our traditional approaches lead us to believe.Drawing on decades of research and Ludwig's immersive fieldwork in Chicago, including “countless hours spent in schools, parks, playgrounds, housing developments, courtrooms, jails, police stations, police cars, and lots and lots of McDonald's,” Unforgiving Places: The Unexpected Origins of American Gun Violence (University of Chicago Press, 2025) is a breakthrough work at the cutting edge of behavioral economics. As Ludwig shows, progress on gun violence doesn't require America to solve every other social problem first; it only requires that we find ways to intervene in the places and the ten-minute windows where human behaviors predictably go haywire. Jens Ludwig is the Edwin A. and Betty L. Bergman Distinguished Service Professor at the University of Chicago Harris School of Public Policy. He is the Pritzker Director of the University of Chicago's Crime Lab, codirector of the National Bureau of Economic Research's working group on the economics of crime, elected member of the National Academy of Medicine, and a member of the Committee on Law and Justice of the National Academies of Science. Alfred Marcus is the Edson Spencer Professor at the Carlson School, University of Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices

Disproving the popular narrative that shootings are the calculated acts of malicious or desperate people, Ludwig shows how most shootings actually grow out of a more fleeting source: interpersonal conflict, especially arguments. By examining why some arguments turn tragic while others don't, Ludwig shows gun violence to be more circumstantial—and more solvable—than our traditional approaches lead us to believe.Drawing on decades of research and Ludwig's immersive fieldwork in Chicago, including “countless hours spent in schools, parks, playgrounds, housing developments, courtrooms, jails, police stations, police cars, and lots and lots of McDonald's,” Unforgiving Places: The Unexpected Origins of American Gun Violence (University of Chicago Press, 2025) is a breakthrough work at the cutting edge of behavioral economics. As Ludwig shows, progress on gun violence doesn't require America to solve every other social problem first; it only requires that we find ways to intervene in the places and the ten-minute windows where human behaviors predictably go haywire. Jens Ludwig is the Edwin A. and Betty L. Bergman Distinguished Service Professor at the University of Chicago Harris School of Public Policy. He is the Pritzker Director of the University of Chicago's Crime Lab, codirector of the National Bureau of Economic Research's working group on the economics of crime, elected member of the National Academy of Medicine, and a member of the Committee on Law and Justice of the National Academies of Science. Alfred Marcus is the Edson Spencer Professor at the Carlson School, University of Minnesota. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textIn this episode of the Inside Data Centre Podcast, Andy Davis is joined by Richard Ludwig, Director of Digital Infrastructure at Elantra. Richard breaks down the major financial and M&A activity that shaped 2025, from early market wobbles caused by DeepSeek and Microsoft lease cancellations to record-breaking deals, including the $40 billion Cyline acquisition. They also explore what's driving continued investment in 2026 and beyond.Key Topics:Why 2025 saw the largest data centre M&A deal ever at $40BN.Enterprise colo making a comeback as hyperscale valuations price out mid-market funds.Neo clouds emerging as a new category of customer alongside hyperscalers.Power constraints, AI growth zones, and the UK's pricing challenges.Full stack acquisitions and Middle East expansion trends for 2026.Why flashy megawatt announcements aren't always what they seem.Tune in for a sharp, insider look at where the money's flowing, and where it's heading next.Download the report here - Alantra 2025 Data Centre M&A Review - DataX ConnectLearn more about Alantra - Alantra | Possibility is in the ascentSupport the showThe Inside Data Centre Podcast is recorded in partnership with DataX Connect, a specialist data centre recruitment company based in the UK. They operate on a global scale to place passionate individuals at the heart of leading data centre companies. To learn more about Andy Davis and the rest of the DataX team, click here: DataX Connect

B wie bekannte Komponisten: Bach, Beethoven, Brahms oder die Beatles beruhigen Dich und bringen Dich behaglich ins Bett.Diese Stücke hast Du in der Folge gehört:Bach, Johann Sebastian - "Klavierkonzert f-Moll (Largo)" //Bear's Den - "Gabriel" //Beethoven, Ludwig van - "Klavierkonzert 5 (2. Satz)" //Brahms, Johannes - "Intermezzo Es-Dur" //Beatles - "Let it be" //Den Podcast "Bergfreundinnen" vom BR findest Du hier:https://1.ard.de/BergfreundinnenWenn Du eine Idee oder einen Wunsch zu einem musikalischen Thema hast, dann schreib ihm eine Mail: playlist@ndr.de

1957 came hard for us with the ever-menacing presence of…Andy Griffith? This one is a real underrated gem, a heady brew of media stardom, political power and ego that makes an aimless narcissistic drifter into a king drunk on his sway. Everyone is fantastic in this movie and it has absolutely zero hardware to show for it - a fact that would be utterly shocking if not for the notes we get into with the trivia. Get yourself hyped up with a couple of Vitajex as we discuss A Face in the Crowd on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film A Face in the Crowd, composed and conducted by Tom Glazer & Budd Schulberg and performed by the Warner Bros. Studio Orchestra. Copyright 1957 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from the main title to the film The Manchurian Candidate, written and composed by David Amram. © 1962 Frank Sinatra Trust Number 10. All Rights Reserved.

On peut être un malfrat et offrir à Napoléon Bonaparte l'une de ses plus belles victoires. L'histoire de Karl Ludwig Schulmeister le prouve. Sans aucune formation militaire, ce simple marchand a participé aux guerres napoléoniennes, et s'en est toujours tiré avec les honneurs. Du moins, pendant un temps. Son arme ? Sa ruse, sa connaissance du terrain et un certain bagout propre à son activité de contrebandier.Secrets d'agents • Histoires Vraies est une production Minuit.

Ludwig van Beethoven - Romance No. 2Takako Nishizaki, violin Slovak Philharmonic OrchestraKenneth Jean, conductorMore info about today's track: Naxos 8.553216Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Show NotesLegendary drummer Simon Phillips joins host Steve Roby to discuss five decades of rhythmic mastery, from teenage session work in 1970s London to leading the modern jazz fusion powerhouse Protocol.In This Episode:The Early Days – Simon recalls stepping into BBC studios at 16 with long hair, patchouli oil, and a Ludwig kit, sight-reading charts for string sections while older musicians in ties looked on skeptically. He shares how growing up in his father's band prepared him for high-pressure sessions with session legends like Herbie Flowers and Ray Cooper. Protocol V & Beyond – Fresh off the acclaimed 2022 release Protocol V, Simon reveals he's already recorded Protocol Six, set to drop this spring alongside a major European tour. He discusses his new approach of road-testing material live before release, following in the footsteps of Tony Williams and his late collaborator Harami. The Music Breakdown:"Jagannath" – How a Wednesday morning trash truck inspired an Indian-influenced opener with massive sound"Undeviginti" – The story of a melody that interrupted breakfast and became a groove in 19/16 that still makes you nod your head The Band – Meet the Protocol lineup heading to Yoshi's: bassist Ernest Tibbs (since 2013), keyboardist Otmaro Ruiz, guitarist Alex Sill, and new saxophonist Philip Whack, whose Joe Henderson-esque tone brings fresh energy to the group. The Yoshi's Experience – Why Simon loves the Oakland venue's Meyer sound system, professional crew, and intimate vibe (even if he wishes they'd let him play longer sets). Gear Talk – Simon debuts a brand new Tama mahogany kit finished in green lacquer—the same kit used to record Protocol VI. Catch Simon Phillips & Protocol Live:

This week, the boys talk about Ludwig being heat checked at the college football championship, Nick's 'famous cousin' idea, and how Ludwig was gifted a big chair! Learn more about your ad choices. Visit megaphone.fm/adchoices

QT and Ludwig episode! In Utah, QT and Lud talk Heated Rivalry with (help from AustinShow), Ludwig's crazy high school dance stories, and old pictures of ex's... also don't ask Ludwig about his white shorts.✨ Bonus Content: https://patreon.com/wineaboutit

In this episode, we welcome Dr. Natasha Ludwig (Kennedy Krieger Institute / Johns Hopkins) and Dr. Jenny Downs (Kids Research Institute, Australia) for an exciting update on the Inchstone Project—a collaborative international effort to improve how we measure progress and quality of life for individuals with developmental and epileptic encephalopathies (DEEs), including Phelan-McDermid Syndrome (PMS).We discuss:What the Inchstone Project is and why it mattersHow families helped shape new research by contributing to the DEE Parent Speak SurveyKey findings on quality of life, including the importance of communication, cognitive skills, and touchscreen useWhat “clinical meaningfulness” really means—and why small changes can have a big impactHow this research is informing clinical trial readiness and future interventionsWhat's next for the Inchstone team, including a follow-up longitudinal studyPMS families made up nearly 20% of the study sample! Thank you for helping move science forward.Recorded: July 22, 2025Aired: January 21, 2026Updates since being recordedDr. Ludwig is a confirmed speaker at the 2026 PMSF Family Conference!The paper on quality of life is published! Check it out here: https://link.springer.com/article/10.1007/s11136-025-04153-0

We're coming in this week like a flying saucer into Earth's atmosphere with a movie that's both way ahead of its time and also incredibly dated. Flying saucer movies could be a dime a dozen in the atomic age, but only a few managed to capture the public's imagination like this week's movie. This is the template for a lot of sci-fi to come, even though it suffers from some haphazard execution and some frankly terrible acting. Make sure you're on Gort's good side and don't get vaporized as we discuss The Day the Earth Stood Still on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken "Prelude and Outer Space" from the film The Day The Earth Stood Still, written and composed by Bernard Herrmann and conducted by Joel McNeely. © 1951 Twentieth Century Fox Film Corporation, 2003 Varese Sarabande Records, Inc. Excerpt taken from the main title to the film A Face in the Crowd, composed and conducted by Tom Glazer & Budd Schulberg and performed by the Warner Bros. Studio Orchestra. Copyright 1957 Warner Bros. Entertainment Inc. All Rights Reserved.

In this episode we look at the published version of Chapter 22. We talk about how proactive Anne is in these final chapters, the arrival of Charles, Mary and the Musgrove clan, Louisa's change in personality, how the Musgroves all want Anne to be with them, and the first time Wentworth actually refers to the time he and Anne were together.The characters we discuss is are Charles and Mary Musgrove. In the historical section, Michael talks about the shooting, and for popular culture Harriet looks at two books that retell Persuasion from the point of view of another character.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Sheila Kaye-Smith and G.B. Stern, Talking of Jane Austen (1943) and More Talk of Jane Austen (1950)Historical discussion:E. W. Bovill, English Country Life, 1780-1830 (1962) ‘The Thing About Willoughby's Pointers with guest Dr. Stephanie Howard-Smith‘, The Thing About Austen podcast, Episode 73Popular culture discussion:Amanda Grange, Captain Wentworth's Diary (2007)Dorothea-Sofia Rossellini, Mrs Clay: The Austen Expert's Companion to ‘Persuasion' (2016) Diana Birchall, In Defense of Mrs Elton (1999) Creative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Si la Ludwig de Hal Blaine (1929-2019) hablara la más extraordinaria historia de los 60-70 ante nuestros oidos. Más de 140 números en el Top Ten americano y 40 nº1."Taste of Honey” (Herb Alpert),“Good Vibrations" (Beach Boys), “Strangers in the Night”o “These Boots for Walking” para la "Sinatra family" pero también Mama´s & Papa´s o Simon & Garfunkel, lista interminable. Todo empezó con un individuo peculiar dispuesto a romper las reglas, Phil Spector, junto a un selecto grupo de estudio. “The wall of Sound”. No figuraban en créditos, no cobraban royalties; sus memorias los recuperan del olvido. Dos horas sin levantarse del sillín," Be My Baby” y Hal Blaine cabalgan de nuevo. Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.

Next up in the Oscar Snubs is the paragon of fast-talking screwball comedies. Except that this movie might be too fast. That's right, when you tell five jokes in 30 seconds, and they're all dated back to the late 30's, at some point you're no longer funny, you're exhausting. It's impeccably executed, but utterly meaningless, and by the end you're just happy to turn the movie off. Lock up your rollaway desks as we discuss His Girl Friday on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main titles to the film His Girl Friday, written and composed by Sidney Cutner and Felix Mills. Excerpt taken "Prelude and Outer Space" from the film The Day The Earth Stood Still, written and composed by Bernard Herrmann and conducted by Joel McNeely. © 1951 Twentieth Century Fox Film Corporation, 2003 Varese Sarabande Records, Inc.

We've got a new series to talk through movies that were snubbed for or didn't win major Oscars as we lead into awards season! We start off with a living Looney Tunes cartoon, which makes sense given that Looney Tunes based itself off these movies. The Marx Brothers were already comedy legends when this film came along, but director Leo Carey brings a dash of satire that makes for an incredible film, all wrapped up in under 70 minutes of run time. This isn't just a comedy, it's a masterpiece, and we're catching up on it today. Hail, hail Freedonia as we watch Duck Soup on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the title themes from the film Duck Soup, written and composed by Harry Ruby and John Leipold. © 1933 Paramount Productions, Inc. Renewed 1960 by EMKA Ltd. All Rights Reserved.

This Day in Legal History: 18th Amendment to the US ConstitutionOn January 16, 1919, the 18th Amendment to the United States Constitution was ratified, marking a pivotal moment in American legal history by establishing the prohibition of alcoholic beverages. The amendment prohibited “the manufacture, sale, or transportation of intoxicating liquors” for consumption in the United States and its territories. It was the culmination of decades of temperance activism, led by organizations such as the Women's Christian Temperance Union and the Anti-Saloon League, which argued that alcohol was responsible for societal problems including crime, poverty, and domestic violence.The amendment passed Congress in December 1917, but ratification by the states was required for it to take effect. That threshold was reached on January 16, 1919, when Nebraska became the 36th state to ratify it. One year later, on January 17, 1920, the Volstead Act—the federal statute enforcing the amendment—went into effect, ushering in the Prohibition era.However, the law led to unintended consequences. Rather than curbing alcohol consumption, it fueled the rise of organized crime, as bootleggers and speakeasies flourished across the country. Enforcement proved difficult and inconsistent, and public support for prohibition waned through the 1920s.Ultimately, the 21st Amendment repealed the 18th Amendment on December 5, 1933, making it the only constitutional amendment ever to be entirely repealed. The legacy of the 18th Amendment remains significant as a historical experiment in moral legislation and the limits of constitutional power.A federal judge in Virginia will soon decide whether Dominion Energy can resume construction on its $11.2 billion Coastal Virginia Offshore Wind project, which was halted by the Trump administration last month. The Interior Department paused five offshore wind projects on December 22, citing classified concerns about radar interference and national security. Dominion is now challenging that pause in court, arguing that it violated procedural and due process laws and is causing the company significant financial harm—around $5 million in daily losses. Dominion has already invested nearly $9 billion in the project, which began construction in 2023 and is planned to power 600,000 homes.Similar legal challenges from other developers, including Orsted and Equinor, have already succeeded in federal courts in Washington, allowing their Northeast offshore wind projects to proceed. Those decisions raise the stakes for Dominion's case, which could influence the broader offshore wind industry amid continued hostility from the Trump administration toward the sector. Trump has long criticized wind energy as costly and inefficient. While the outcomes of these lawsuits may let projects move forward, industry uncertainty remains due to ongoing legal battles and political opposition.US judge to weigh Dominion request to restart Virginia offshore wind project stopped by Trump | ReutersA federal judge in Boston, William Young, said he will issue an order to protect non-citizen academics involved in a lawsuit challenging the Trump administration's deportation of pro-Palestinian student activists. The upcoming order would block the government from altering the immigration status of the scholars who are parties to the case, absent court approval. Young emphasized that any such action would be presumed retaliatory and would require the administration to prove it had a legitimate basis.The lawsuit stems from Trump's executive orders in early 2025 directing agencies to crack down on antisemitism, which led to arrests and visa cancellations for several students, including Columbia graduate Mahmoud Khalil and Tufts student Rumeysa Ozturk. These moves targeted those expressing pro-Palestinian or anti-Israel views on campus. Young previously ruled that these actions violated the First Amendment by chilling free speech rights of non-citizen academics.In his comments, Young described Trump as “authoritarian” and sharply criticized what he called the administration's “fearful approach to freedom.” He limited his forthcoming order to members of academic groups like the AAUP and Middle East Studies Association, rejecting a broader nationwide block as too expansive. Meanwhile, the administration, which plans to appeal Young's earlier ruling, accused the judge of political bias.US judge to shield scholars who challenged deporting of pro-Palestinian campus activists | ReutersA federal judge in California has dismissed a lawsuit filed by the U.S. Justice Department seeking access to the state's full, unredacted voter registration list. Judge David Carter ruled that the department's claims were not strong enough under existing civil rights and voting laws, and that turning over detailed voter data—such as names, birth dates, driver's license numbers, and parts of Social Security numbers—would violate privacy protections.Carter emphasized that centralizing such sensitive information at the federal level could intimidate voters and suppress turnout by making people fear misuse of their personal data. The lawsuit, filed in September by the Trump administration, targeted California and other Democrat-led states for allegedly failing to properly maintain voter rolls, citing federal law as justification for demanding the data.California Secretary of State Shirley Weber welcomed the decision, stating her commitment to defending voting rights and opposing the administration's actions. The DOJ had reportedly been in discussions with the Department of Homeland Security to use voter data in criminal and immigration probes. Critics argue the push was driven by baseless claims from Trump and his allies that non-citizens are voting in large numbers.US judge dismisses Justice Department lawsuit seeking California voter details | ReutersWhy can't people harmed by ICE just sue the agents themselves?U.S. Immigration and Customs Enforcement (ICE) is a federal agency under the Department of Homeland Security, created in 2003. It enforces immigration laws and investigates criminal activities involving border control, customs, and immigration. ICE derives its authority from various federal statutes, including the Immigration and Nationality Act, and its agents operate with broad discretion during enforcement actions.Suing ICE agents or the agency itself is legally difficult. Individuals cannot usually sue federal agents directly because of sovereign immunity, a legal doctrine that protects the government and its employees from lawsuits unless explicitly allowed by law. One such exception is the Federal Tort Claims Act (FTCA) of 1946, which permits lawsuits against the federal government when its employees cause injury or damage while acting within the scope of their employment. Under the FTCA, victims can bring wrongful death or negligence claims, as Renee Good's family is now considering.However, FTCA claims are limited. Plaintiffs cannot seek punitive damages or a jury trial, and compensation is capped based on state law where the incident occurred. The government is also shielded from liability for discretionary decisions made by its employees—meaning if the ICE agent used judgment during the incident and it's deemed reasonable, the claim can be dismissed. In Good's case, the government will likely argue self-defense.Suing ICE agents personally is even harder. The Bivens v. Six Unknown Named Agents case in 1971 created a narrow legal path for suing federal officials for constitutional violations, but courts have since restricted its use. In 2022, the Supreme Court ruled that Bivens does not apply to border agents conducting immigration enforcement, further insulating ICE officers from personal liability.Criminal prosecution of federal agents is also rare. State prosecutors may bring charges, but only if they can prove the agent acted clearly outside the scope of their duties and in an objectively unlawful way—a high bar that is seldom met.This week's closing theme is by Ludwig van Beethoven. Beethoven, one of the most influential composers in Western music history, revolutionized the classical tradition with works that bridged the Classical and Romantic eras.This week's theme is Franz Liszt's transcription of Beethoven's Symphony No. 5 in C minor, Op. 67 — specifically, the first movement, Allegro con brio, catalogued as S.464/5. As one of the most iconic works in classical music, Beethoven's Fifth needs little introduction, but hearing it through Liszt's fingers offers a fresh perspective on its brilliance. In this solo piano version, Liszt doesn't simply condense Beethoven's orchestral power—he reimagines it, capturing the storm, structure, and spirit of the original with astonishing fidelity and virtuosity.The movement begins with the unforgettable four-note “fate” motif, its rhythmic insistence rendered on the piano with punch and precision. From there, Liszt unfolds Beethoven's dramatic argument, demanding the pianist conjure the textures of a full orchestra with nothing but ten fingers and a well-calibrated pedal. Every surging crescendo, sudden silence, and harmonic twist remains intact, though filtered through Liszt's Romantic sensibility and pianistic imagination.It's a piece that asks as much of the performer as it does of the listener—requiring clarity, power, and emotional depth. As a transcription, it's both a tribute and a transformation, placing Beethoven's revolutionary energy in the hands of a single interpreter. We chose this movement not just for its fame, but for how it exemplifies two musical giants in dialogue—Beethoven, the architect of modern symphonic form, and Liszt, the artist who made the orchestra speak through the piano.Without further ado, Beethoven's Symphony No. 5 in C minor, Op. 67 — the first movement, Allegro con brio. Enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Nicholas Hersh, the guest conductor for the Reno Phil's concerts "Elgar Cello Concerto" on January 24 and 25, 2026, speaks with Chris Morrison about his life and career, and the featured music. The concerts will feature the Overture by Grazyna Bacewicz, the Cello Concerto by Sir Edward Elgar, with Davidson Fellow Zlatomir Fung as cello soloist, and the Symphony No. 7 by Ludwig van Beethoven.

"Nicht Bach, Meer sollte er heißen”, sagte schon Ludwig van Beethoven über Johann Sebastian Bach. Und Laury und Uli sind sich einig: Eine Podcastfolge reicht kaum aus, um dieses gigantische Werk zu fassen.

This week, the boys talk about Slime podcasting with Valkyrae, Ludwig losing to Stanz in minecraft speedrunning, and how Ludwig shut down the gucci store.. Learn more about your ad choices. Visit megaphone.fm/adchoices

We told Rae that Ludwig would be doing the podcast with her. Slime came instead. Chaos ensued.✨ Bonus Content: https://patreon.com/wineaboutit

The term "ultra-processed food" appeared nearly 100 times in the White House's Make America Healthy Again report. But what if the concept is too imprecise to guide real policy—and could even cause harm?Dr. David Ludwig—Harvard endocrinologist, obesity researcher, and author of Always Hungry—joins Dr. Dominic D'Agostino to dismantle the ultra-processed food framework from the inside out. Ludwig reveals why the NOVA classification system lumps protein bars with soda, why the FDA admitted they can't define what they're trying to regulate, and why the famous studies showing ultra-processed foods cause overeating may be fundamentally flawed.This conversation cuts through the noise to identify what actually matters: the mechanistic difference between processing carbohydrates, fats, and proteins—and why that distinction should reshape nutrition policy.Questions answered in this episode:Can ultra-processed foods be "fixed" through reformulation?What's the most overrated "healthy" food in supermarkets?Should omega-3 levels be part of standard blood work?Are GLP-1 drugs a metabolic reset or a lifelong crutch?If you could pass one food policy law, what would it be?Why did the low-fat diet era make obesity worse?Dr. Ludwig argues that "ultra-processed food" is a compelling marketing term without mechanistic grounding—and that precise, actionable targets like highly processed carbohydrates and demonstrably harmful additives would do far more to improve public health.Special thanks to the sponsors of this episode:✅ Fatty15 – Get 15% off a 90-day Starter Kit with code METABOLICLINK here.✅ Troscriptions – Get 10% off your first order with code METABOLICLINK here.✅ iRestore - Get a huge discount on the iRestore Illumina Face Mask when you use the code METABOLICLINK here.✅Genova Connect – Get 15% off any test kit with code METABOLICLINK here.In every episode of The Metabolic Link, we'll uncover the very latest research on metabolic health and therapy. If you like this episode, please share it, subscribe, follow, and leave us a comment or review on whichever platform you use to tune in!You can find us on all your major podcast players here and full episodes are also up on our Metabolic Health Summit YouTube channel!Find us on social: Instagram Facebook YouTube LinkedIn Please keep in mind: The Metabolic Link does not provide medical or health advice, but rather general information that does not serve as a substitute for a licensed healthcare professional. Never delay in seeking medical advice from an appropriately licensed medical provider for any health condition that you may have.

Rievochiamo oggi la vicenda che coinvolse il gruppo "Ludwig", che tra il 77 e l'84 compì uccisioni mirate all'insegna dell'ideologia nazista. Interviene la giornalista Alessandra Coppola autrice del saggio "Il fuoco nero".

This week, the boys talk about Ludwig being the lolcow of MCSR, Slime spamming Ludwig with messages, and how Aiden isn't leaving the pod.. yet.. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ludwig van Beethoven - Choral FantasyClaire Rutter, soprano Matilde Wallevik, mezzo-soprano Marta Fontanals-Simmons, mezzo-soprano Peter Hoare, tenor Julian Davies, tenor Stephen Gadd, baritone Leon McCawley, pianoCity of London Choir Royal Philharmonic Orchestra Hilary Davan Wetton, conductorMore info about today's track: Naxos 8.572783Courtesy of Naxos of America Inc. SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This week, the boys talk about their nightmarish few days before Christmas, making the Mogul Moves Wagyu Ice Cream™, and how Ludwig might go to China to act in a video game! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome Squeex to the show! Fresh off his marathon with Ludwig, they talk legos, Christmas, and embarrassing school stories. Also Ludwig proposing to QT in her dream. ✨ Bonus Content: https://patreon.com/wineaboutit

Ludwig van Beethoven is one of the most celebrated musicians in history. Nearly two centuries after his death in 1827, his compositions are still among the most performed pieces. His talent has been widely heralded, and he’s often described as a virtuoso. A study of Beethoven’s DNA, however, indicates he may not have been born with some of his abilities—as we might assume. When his genes were compared to those of 14,500 other people who’d shown an ability to keep rhythm (merely one aspect of musical talent), Beethoven ranked surprisingly low. Beethoven also had ample opportunity and exposure to music (which developed the genetic aptitude he did have). Yet neither talent nor opportunity fully account for God’s role in endowing us with the abilities we have. Our Creator equipped two men, Bezalel and Oholiab, with specific skills to be used in building the tabernacle. God filled Bezalel “with knowledge and with all kinds of skills—to make artistic designs” and appointed Oholiab “to help him” (Exodus 31:3-6). God gave “ability to all the skilled workers to make everything [He] commanded]” (v. 6). Few of us will work on projects as significant as God’s tabernacle. And our abilities may never be recorded in history’s annals. Yet God has equipped us with the skills, aptitudes, and experiences He wants us to share with the world. May we serve Him faithfully, in His strength and for His glory.

Episode #289Founding CKY drummer Jess Margera, older brother to Bam Margera from Jackass fame, joins Mistress Carrie to talk about the bands new song 'Can't Stop Running, family, celebrating the Holidays, Elvis, Led Zeppelin, Def Leppard, Ludwig drums, Tony Hawk, Desmond Child, Ville Valo, cats, Sonic Temple, Australia, and so much more! Episode Notes Check out the custom playlist for Episode #289 here! Find Jess Margera Online: Instagram Find CKY online: WebsiteFacebookInstagramTwitterTikTokYoutubeBSKY Find Mistress Carrie Online: Official WebsiteThe Mistress Carrie Backstage Pass on PatreonXFacebookInstagramThreadsYouTubeCameoPantheon Podcast NetworkFind The Mistress Carrie Podcast online:InstagramThreads Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the boys are joined by Fanfan! They talk about her beginnings as a streamer after college, the future after streaming, and how she was tricked by Ludwig at Disney... Learn more about your ad choices. Visit megaphone.fm/adchoices

On Episode 597 of Spittin' Chiclets, the boys are absolutely humming. The Internet Invitational Finale came out with some insane cheating allegations, Paige & Malosi drama, Frankie's butterknife, and Beef, Francis & Dalke taking the crown. With all the golf talk, we have a Sandbagger dropping this Thursday, Gaborik's interview from last week was all-time, and plenty more chiclets content coming to you soon. The injury bug hammered the NHL this weekend. Doughty out, Dach fractured his foot, but nothing crazier than Jack Hughes slicing his hand at a team dinner. Eight weeks out… and yes, Frank the Tank. The curse lives. Luke Hughes finally pots his first, Marchand hits 1,000 points, Hyman returns throwing his weight around, and the Stars keep rolling. The boys bring on Frank, then send it to Ludwig for some classic Luds takes. Leafs lose five straight, Stecher claimed, Nylander ice cold, and trade rumors swirling. This is an Episode you won't want to miss. Support the Show: 00:00:00 - START 00:00:25 - Chiclets Updates 00:22:15 - Injury Plague 00:33:38 - Frank The Tank 00:49:50 - Marchand 1k Pts 01:01:59 - Boston Bruins 01:11:17 - Hyman's Back 01:12:51 - Craig Ludwig Interview 01:50:41 - TOR LEAFS 01:55:10 - ETC. Support the Show: PINK WHITNEY: Take Your Shot with Pink Whitney GAMETIME: Download the Gametime app today and use code CHICLETS for $20 off your first purchase RHOBACK: Use code CHICLETS on https://rhoback.com for 20% off your first purchase through the end of this week  DRAFTKINGS: GAMBLING PROBLEM? CALL 1-800-GAMBLER, (800) 327-5050 or visit gamblinghelplinema.org (MA). Call 877-8-HOPENY/text HOPENY (467369) (NY). Please Gamble Responsibly. 888-789-7777/visit ccpg.org (CT), or visit www.mdgamblinghelp.org (MD).  21+ and present in most states. (18+ DC/KY/NH/WY). Void in ONT/OR/NH. Eligibility restrictions apply. On behalf of Boot Hill Casino & Resort (KS). Pass-thru of per wager tax may apply in IL. 1 per new customer. Must register new account to receive reward Token. Must select Token BEFORE placing min. $5 bet to receive $200 in Bonus Bets if your bet wins. Min. -500 odds req. Token and Bonus Bets are single-use and non-withdrawable. Token expires 1/11/26. Bonus Bets expire in 7 days (168 hours). Stake removed from payout. Terms: sportsbook.draftkings.com/promos. Ends 1/4/26 at 11:59 PM ET. Sponsored by DK. RO: Connect with a provider at RO.co/CHICLETS to find out if prescription Ro Sparks are right for you and get $15 off your first order NOBULL: Visit https://nobullproject.com/chiclets for 30% off your entire order.You can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/schiclets