Podcasts about Ludwig

We are joined by the Podcast Socialite herself, Alice Lauren for the week. Drebin continues to search Ludwig's office. Check out Alice @PodSocialite on Twitter and @PodcastSocialite on TikTok.

Send us a textGet the vidIQ plugin for FREE: https://vidiq.ink/boostpluginWant a 1 on 1 coach? https://vidiq.ink/theboost1on1Join our Discord! https://www.vidiq.com/discordWatch the YouTube version: https://www.youtube.com/@vidIQPodcastsWe explore YouTube growth strategy through the lens of real creator experiences and algorithmic understanding, from Ludwig's experiment starting a new anonymous channel to handling viral success.• 99% of viewers on successful videos are new people who don't know your channel history• Ludwig's humbling experiment showed it took five hours for anyone to show up on his anonymous stream• YouTube is a marathon, not a sprint—value every view as a real person choosing to watch• Effective hooks in long-form content should be under 15 seconds and validate the thumbnail/title promise• After a viral hit, double down on similar content rather than making random videos• Creative sponsorship integration is crucial as YouTube makes it easier for viewers to skip sponsored segments• Community posts, shorts, and thoughtful engagement are effective ways to maintain audience connection between uploads• When starting out, celebrate small wins—50 people watching your video is 50 real people giving you their timeText us your YouTube questions at the link in description or email theboost@vidIQ.com

Eric Jack Nash finishes his week with us. Frank fights against a mount of pistachio shells, then searches Ludwig's office for a Bingo card. Check out Eric Jack Nash @LuckyMustard on the socials and his podcasts: Watchmen Minute, Almost Famous Minute and Feels Like Weezer

Frank and Ed sit in a car outside Ludwig's building eating Pistachios. Check out Eric Jack Nash @LuckyMustard on the socials and his podcasts: Watchmen Minute, Almost Famous Minute and Feels Like Weezer

Send us a textThis week we're tackling a food we all know and love: flour. But is it really as harmless as it seems? Join me as I break down the surprising science of refined flour, cravings, and hormones—plus how a few small shifts can help you take back control of your weight loss journey.We'll talk about why flour is classified as an ultra-processed food, how it hijacks hunger signals, and why it can make weight loss feel harder than it should. Don't worry, I'll make it simple, light, and easy to understand—because this is about living your best life, not stressing over bread.Quote of the Week:“Your body is your home—feed it with care.” – Unknown Citations:Monteiro et al., 2019 – Ultra-processed foods: What they are and how to identify them. Public Health Nutrition.Hall et al., 2019 – Ultra-processed diets cause excess calorie intake and weight gain. Cell Metabolism.Ludwig, 2002 – The glycemic index: Physiological mechanisms relating to obesity, diabetes, and cardiovascular disease. JAMA.Friedman, 2014 – Leptin and the regulation of body weight. American Journal of Clinical Nutrition.Volkow et al., 2013 – The addictive dimensionality of obesity. Biological Psychiatry.Slavin, 2013 – Fiber and prebiotics: Mechanisms and health benefits. Nutrients.Hu, 2011 – Globalization of diabetes: The role of diet, lifestyle, and genes. Diabetes Care.ADA, 2020 – Standards of medical care in diabetes—2020. Diabetes Care.Let's go, let's get it done. Get more information at: http://projectweightloss.org

God’s Word is the antidote to low self-esteem. Today’s verse: Ephesians 2:10 Please give Bible Boost a rating or review. Doing so helps other people find it!See omnystudio.com/listener for privacy information.

Es ist eines der furiosesten Comebacks der Musikgeschichte: Richard Wagner - künstlerisch gescheitert, finanziell am Boden - wird errettet durch den 18-jährigen König Ludwig II. von Bayern. Der Beginn einer außergewöhnlichen Beziehung, die Wagner zu beispiellosen Erfolgen führen und Ludwig das Herz brechen wird.

Are ultra-processed foods really the villain, or is the story more complicated? In this lively, no-nonsense conversation, endocrinologist Dr. David Ludwig (of Harvard and Boston Children's Hospital) and journalist Gary Taubes unpack why “UPF” is an enticing label but a blunt tool for science, policy, and everyday guidance.They cover:Why defining “ultra-processed” is messy, and how lumping diverse packaged foods into one bucket can mislead.How high-profile trials are interpreted (and misinterpreted), from short study durations to dropout bias and carryover effects.The role of bias and confirmation bias in nutrition research and media narratives.Where the debate should go next: moving beyond slogans toward mechanisms like how carbohydrate processing affects blood sugar and insulin.What to do in the meantime: clearer study design, healthier discourse, and pragmatic takeaways people can use now.In this conversation, you'll hear sharp disagreements, candid critiques, and concrete suggestions for doing better science. Plus a spirited back-and-forth on what “good evidence” should look like and how individuals, clinicians, and policymakers can each act on different standards of proof.What's at stake isn't academic nitpicking; it's policy decisions, headlines, and, ultimately, what lands on your plate.

"Mand", "Okay, let's go" of "Heet jij Hedwig? Ik ben Ludwig." De echte internetter weet gelijk wat dit zijn: memes. Gekke internetfilmpjes of plaatjes die op social media viral gaan. Recent heeft een hamburgerketen een meme gebruikt in hun marketing. Maar mag dat? Zit er auteursrecht op internetfilmpjes? Dat hoor je van jurist Charlotte Meindersma.

We've been on a run of serious films, so it was time to mix in a Western comedy. At least, that's what this movie is supposed to be, but this is a comedy without a whole lot of jokes. We have some diverging opinions on this one, mostly coming down to the script, because this should be a much better movie than it is. But you can bet we both agree that James Garner is one of the most charming cutie-pies ever. Make sure to order the bars for the jail while we watch Support Your Local Sheriff! on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the main theme to the film Support Your Local Sheriff!, written and composed by Jeff Alexander. Copyright 1969 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved. Excerpt taken from "Signature / Main Title (Instrumental)" from the film Blazing Saddles, written and composed by John Morris, Max Steiner and Mel Brooks. Copyright 1974 Warner Bros. All Rights Reserved.

The chilling final chapter of Jeffrey Gordon's murder trial unfolds through the eyes of an unlikely hero—a former flight attendant turned law student who helps bring justice to her slain colleague. In a courtroom run by women, a monster's mask finally slips.When Cori Reyes, an intern with the Wayne County Prosecutor's Office, volunteered to assist with the Nancy Ludwig murder case, she brought a unique perspective. Having worked as a flight attendant for years, Reyes had been trained using Ludwig's murder as a cautionary tale—"there's someone out there preying on flight attendants." Now she had a chance to help catch that predator.The scientific evidence presented by forensic expert Link Helton was devastating: DNA matching Gordon to the crime scene with odds of 97 quadrillion to one. As she testified, Helton kept stealing glances at Gordon, her eyes sending a silent message: the DNA doesn't lie. The graphic autopsy details brought jurors to tears as the medical examiner described 45 separate wounds inflicted on Ludwig—evidence of a frenzied, prolonged attack that contradicted Gordon's story of innocence.But the most shocking moment came behind the scenes. When defense attorney Tank confronted his client about inconsistencies in his story, Gordon underwent a terrifying transformation. According to Tank, Gordon "went crazy," ranting about the women in the courtroom and confessing to killing both Ludwig and another victim. "He would kill all these kinds of women, just like he had killed these two," Tank later revealed. The mountain man persona Gordon had maintained crumbled, revealing the monster beneath.The jury took less than two hours to find Gordon guilty on all counts. Evidence later emerged suggesting Gordon kept coded souvenirs from his victims, including underwear labeled "Nel North"—likely referring to Nancy Ludwig from Northwest Airlines. Though now serving life without parole, Gordon's shadow still looms large over those who encountered him. Prosecutor Elizabeth Walker admits, "He's the only man I've ever been afraid of. To this day when I go home, I pull my shades. I never used to."What drives someone to such calculated brutality? And how many other victims might be out there, their cases still unsolved? Listen now to understand how justice finally caught up with a predator who thought he was untouchable.Send us a text Support the show

Hartmann, Ludwig www.deutschlandfunkkultur.de, Studio 9

Zwei verfeindete Zwillingsbrüder im alten Ägypten und Griechenland, eine Massenhochzeit, ein Massenmord und ein Schlussbild mit Furienchor und Feuerregen - Salieri lieferte dem Pariser Publikum bei der Uraufführung 1784 eine Dramatik und ein Spektakel, das man dort noch nicht gesehen hatte. Antonio Salieri landete mit seinen Danaiden einen Riesenerfolg, der noch Jahrzehnte nachwirkte. Über diesen Fünfakter schwärmten später auch Hector Berlioz sowie Richard Wagner, und Ludwig van Beethoven, nur einer der vielen berühmten Schüler des Hofkomponisten von Joseph II., kopierte Stellen des Werks im Unterricht, um davon zu lernen. Wohl wegen des aufkommenden Nationalismus am Anfang des 19. Jahrhunderts fielen Antonio Salieri und sein grosses, teils geradezu avantgardistisches Œuvre mit fast 40 Opern zwischen Stuhl und Bank: Für die Italiener war der bereits als Teenager ausgewanderte Salieri ein Wiener, für die Wiener blieb er Italiener, und für die Franzosen war er ein Deutscher. Er wurde somit in keinem der Länder, in welchen er so erfolgreich wirkte, zur nationalen Identifikationsfigur oder zum Nationalkomponisten erkoren. Zum Doppeljubiläum von Salieri, seinem 275. Geburtstag am 18. August und seinem 200. Todestag am 7. Mai 2025, besprechen wir in der Diskothek erstmals ein Werk dieses damals so beliebten und häufig gespielten Komponisten. Gäste von Moritz Weber sind der Salieri-Biograf Timo Jouko Herrmann und der Bassbariton Robert Koller.

Mon, 08 Sep 2025 17:03:00 +0000 https://jungeanleger.podigee.io/2558-kapitalmarkt-stimme-at-daily-voice-251-365-wer-war-ludwig-erhard-ep-1-6-der-serie-zu-libertarer-politik-mit-philipp-bagus 3443a0c7fb9ce52e5613019a2222dbed Episode 251/365 der kapitalmarkt-stimme.at daily voice auf audio-cd.at. In KW 37 mache ich eine sechsteilige Serie zu Libertärer Politik, dies auf Basis einiger Antworten von Philipp Bagus im Börsepeople Podcast, Philipp ist Professor für Volkswirtschaftslehre an der Universidad Rey Juan Carlos in Madrid, Mitglied des Wissenschaftlichen Beirats des Ludwig von Mises Instituts Deutschland sowie Autor des Buches "Die Ära Milei". Die komplette Börsepeople-Episode mit Philipp ist natürlich verlinkt. Folge 1: Ludwig Erhard und das deutsche Wirtschaftswunder nach dem 2. Weltkrieg https://philippbagus.de/ - Philipp Bagus im Börsepeople-Podcast: https://audio-cd.at/page/podcast/7758 - Die Ära Milei: https://www.amazon.de/Die-Ära-Milei-Argentiniens-neuer/dp/3784437192/ - https://www.amazon.de/Warum-andere-Kosten-reicher-werden/dp/3898798577/ref=sr_1_1? - https://www.amazon.de/Die-Tragödie-Euro-System-zerstört/dp/3898796701 Unser Ziel: Kapitalmarkt is coming home. Täglich zwischen 19 und 20 Uhr. kapitalmarkt-stimme.at daily voice Playlist auf spotify: http://www.kapitalmarkt-stimme.at/spotify http://www.kapitalmarkt-stimme.at Musik: Steve Kalen: https://open.spotify.com/artist/6uemLvflstP1ZerGCdJ7YU Playlist 30x30 (min.) Finanzwissen pur: http://www.audio-cd.at/30x30 Bewertungen bei Apple (oder auch Spotify) machen mir Freude: http://www.audio-cd.at/apple http://www.audio-cd.at/spotify 2558 full no Christian Drastil Comm. (Agentur für Investor Relations und Podcasts)

I vårt mest revolverviftande avsnitt hittills går vi – på vår arbetsgivare Pehrs begäran, men till hans kompis Ludwigs glädje – igenom de norska polistrupperna under vk2. Med ”polis” avses här folk som rustades med artilleri. Mattis är den som tar fram batongen den här gången och beskriver polistrupperna. Fram träder en bild av en massa rävspel, oklarheter kring vem som visste vad, och en liten norsk armé som upprättades på det neutrala Sveriges mark. Pers roll är den här gången att förhäxas över Revolver-Harrys framåtanda.Stort grattis till Ludwig (i förskott)! Det här är hans personliga expressavsnitt (från Pehr, det blev lite kånpliserat det här).Vill du också ha ett personligt expressavsnitt? Bli då vår patreon på tier Gustav II Adolfs livvaktsstyrka. Hosted on Acast. See acast.com/privacy for more information.

Mac McCaughan and Laura King from Superchunk are here to discuss their new album, Songs in the Key of Yikes, North Carolina living and many Ludwig drums, writing dark-hued songs packaged in sunny, energetic arrangements, Jon Wurster retiring from Superchunk and how the band have met the challenge of filling his role, Laura's musical background and why drummers have been in the news so much in 2025, why Mac wanted so many women from the Merge community to sing on this record, whether Superchunk could tour across Canada by train, confirmed upcoming non-train tour dates, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #963: DestroyerEp. #924: Lance Bangs and Bob Nastanovich on ‘Pavements'Ep. #913: QuiversEp. #892: Fucked UpEp. #847: RosaliEp. #845: The Messthetics and James Brandon LewisEp. #752: Yo La TengoEp. #746: H.C. McEntireEp. #738: SuperchunkEp. #545: Owen PallettSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Amir Kamber razgovara s Ludwigom Bauerom o njegovom novom romanu „Kuća ili čovjek koji je kupovao čavle“. Kako je pojedincu koji gradi kuću u zavičaju – ali se teško snalazi u domaćem kolektivu? Davor Korić nas detaljnije uvodi u književni rad Ludwiga Bauera iz Hrvatske, jednog od najnagrađivanijih hrvatskih pisaca. Kakvu ulogu u njegovim djelima igra njemačko porijeklo? Ako ste ikad pokušali izgraditi kuću - znate da jedan mali čavao tj. obični mali ekser može biti tek početak duge avanture! Von Amir Kamber.

Wie Monique ihre Altersvorsorge radikal neu aufgesetzt hat – transparent, kosteneffizient, selbstbestimmt In dieser Folge spreche ich mit unser Sparheldin-Kundin, Monique - früher mal Bankerin, heute Tagesmutter, systemischer Coach sowie Trainerin für Meditation & Stressbewältigung. Sie kam mit mehreren Altverträgen (u. a. Riester) aus Bankzeiten, viel Einzahlung, kaum Wertentwicklung – und einem mulmigen Gefühl wegen Kosten auf mich zu. Es war höchste Zeit für einen Realitäts-Check… Wir haben zunächst ihre Ziele, ihren Bedarf im Alter und ihre Risikoneigung geklärt – nicht „Produkt zuerst“, sondern Lebensentwurf und Zahlen dahinter. Dann haben wir ihre Vorsorge komplett neu aufgestellt: einen festen Rentenbaustein für Sicherheit und ein flexibles Depot für Wachstum und tägliche Transparenz. Monique erlebte den Unterschied sofort: weniger Kosten, Transparenz und bereits innerhalb des ersten Anlagejahres zweistellige Renditen – statt einmal jährlich eine ernüchternde Post. Wichtiges Learning: Vertrauen ist gut, aber Kosten, Struktur und Zweck der Produkte müssen schwarz auf weiß überzeugen. Ein zweites Thema: finanzielle Eigenständigkeit in der Partnerschaft – Altersvorsorge auf Augenhöhe, ohne „Trenn-Agenda“, aber mit Klarheit. Dazu gehörten Notfallfragen wie Vollmachten „über den Tod hinaus“ und Zugriff auf Konten & Depots – besonders relevant mit drei Kindern. Heute sagt Monique: „Ich bin Investorin“ – nicht wegen einer Million, sondern weil ihr Geld jeden Monat für sie arbeitet. Wir treffen uns jährlich zum Check‑in und passen an, damit die Strategie zu ihrem Leben passt – jetzt und später.

CONTENT WARNING: Discussion of sex work, sexual assault. Spaghetti westerns are their own unique style, their own flavor, and one of the key issues is the dialogue is almost always sloppy and cheesy. Yet Sergio Leone, a true master of filmmaking, took that to a different artistic height, and really made it perfect with this film. This film is impeccably shot, with spans of John Ford's favorite locations that would make the father of the genre salivate. The cast is top notch, with a truly evil villain made all the more bad by the fact that they got America's Dad to play him. The only thing missing is punchier dialogue, but when it comes to Leone, it's worth the eye rolls to wait for the next incredible shot. Bide your time with a little harmonica as we watch 1968's Once Upon a Time in the West on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Man With A Harmonica" from the film Once Upon a Time in the West, written and composed by Ennio Morricone. Copyright 1968 Rafran - San Marco Production. Excerpts taken from the main theme to the film Support Your Local Sheriff!, written and composed by Jeff Alexander. Copyright 1969 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved.

In this first half of a special two-part conversation, Devin Patrick Hughes speaks with broadcaster and author John Suchet about Beethoven's beginnings in Bonn, his precocious childhood on the Rhine, his mentors and patrons, and the myths surrounding his father and early works. Together, they explore Beethoven's revolutionary ideas, his first “unplayable” compositions, and the legendary (and mysterious) meeting with Mozart. Along the way, Suchet shares insights from his new book, In Search of Beethoven: A Personal Journey, and we hear the music that shaped the young Beethoven and echoed throughout his career. Featured Music All works composed by Ludwig van Beethoven, unless noted. Große Fuge, Op. 133 — Artemis Quartet (live, Paris 2001) Musik zu einem Ritterballet, WoO 1: No. 8 Coda — Günther Herbig & Staatskapelle Berlin (1971) Quartet WoO 36 No. 3 in C Major: I. Allegro Vivace — Christoph Eschenbach, Norbert Brainin, Peter Schidlof, Martin Lovett Sonatina in E-flat Major WoO 47, Kurfürstensonate No. 1 — Jörg Demus Cantata on the Death of Emperor Joseph II, WoO 87 — Reetta Haavisto, Juha Kotilainen, Leif Segerstam, Turku Philharmonic, Chorus Cathedralis Aboensis Violin Concerto in D Major, Op. 77: II. Adagio — Johannes Brahms, Itzhak Perlman, Chicago Symphony, Carlo Maria Giulini “Aria de Florestan: Gott!” from Fidelio — Jonas Kaufmann, Nikolaus Harnoncourt 12 Variations on “Se vuol ballare”, WoO 40 — Yehudi Menuhin & Wilhelm Kempff For more information on John Suchet, see https://www.johnsuchet.co.uk. You can find his most recent book In Search of Beethoven, A Personal Journey where ever books are sold. You can always find more info at OneSymphony.podbean.com.  If you appreciate what we do you can Support the show and get exclusive content at patreon.com/onesymphonywithdevinpatrickhughes. Feel free to rate, review, or share the podcast! Until next time, thank you for being part of the music.

100 Jahre Schweizer Hörspiel: Mit einer «Sitcom aus dem alten Wien»! Ludwig van Beethoven ist nach Wien gezogen. Als erster freischaffender Künstler der Geschichte hat er seine liebe Not mit adligen Mäzenen, lästigen gesellschaftlichen Verpflichtungen und vorwiegend männlichen Groupies ... Im Mittelpunkt dieser Dramedy steht Beethoven, der Mensch. Als erster freischaffender Künstler der Geschichte hat er seine liebe Not mit adligen Mäzenen, lästigen gesellschaftlichen Verpflichtungen und dem Ansturm vorwiegend männlicher Groupies. Ein wiederkehrender Störfaktor ist ein hartnäckiger Schweizer Dilettant auf der Suche nach einem Kompositionslehrer. Und so gestaltet es sich für den skrupulösen Tonsetzer äusserst schwierig, eine vernünftige Note zu Papier zu bringen, während er vom Trubel der multinationalen Kaiserstadt überrollt wird. Nur sein Willen, etwas Bleibendes zu schaffen, seine Liebe zur Welt und sein Freiheitsdrang retten Ludwig den Tag. Dabei wäre es so einfach: Alles, was der arme Mann will, ist seine Ruhe. Ein letztes Wort noch über das Personal: Es ist verheerend. Mit: Christoph Maria Herbst (Ludwig van Beethoven), Sandra Kreisler (Erzählerin), Anikó Donáth (Frau Schnaps), Jürg Kienberger (Schnyder), Helmut Berger (Rainer/Polizist), Gottfried Breitfuss (Schuppanzigh/Kaiser Franz), Mona Petri (Marie Bigot/Johanna van Beethoven/Verehrerin), Martin Ostermeier (Grillparzer), Stefan Merki (Goethe/Vermieter), Barbara Falter (Kaspar), Raphael Clamer (Rossini/Bigot) und Barbara Horvath Komposition: Christian Ludwig Mayer und Ulrich Bassenge, Klavier: Christian Ludwig Mayer - Tontechnik: Helge Schwarz und Basil Kneubühler - Regie: Johannes Mayr und Ulrich Bassenge - Produktion: SRF/BR 2020 - Dauer: 57'

When was the last time you really tuned in to what your body is trying to tell you—beneath the habits, the hustle, and the health checklists? In Part 2 of my conversation with mindset coach Terry Ludwig, we explore how the body holds energy, emotion, and truth—and how healing often starts with listening differently. We talk about the frequency your body lives on, how fear blocks health, and what it takes to move forward with self-trust. Terry shares what it means to shift from survival mode into self-leadership, why love and fear can't coexist, and how to reconnect to your body's wisdom without shame or guilt. If you've ever felt stuck in loops of self-doubt, sabotage, or just “trying harder,” this episode offers a new, more compassionate way forward—one that honors your nervous system, your energy, and your wholeness. Takeaways from Part 2: How your body's frequency impacts health and healing The hidden ways fear drives your habits and self-talk Why regulating stress is a pillar of true wellness What self-led healing actually looks and feels like The mindset shift from fixing to trusting Don't miss Part 1 if you haven't heard it yet—these two conversations work best together.   To Connect with Terry Ludwig:  TerryJoLudwig.com Get Weekly Health Tips:  thrivehealthcoachllc.com Let's Connect:@‌ashleythrivehealthcoach or via email: ashley@thrivehealthcoachingllc.com Podcast Produced by Virtually You!  

Die Villa Ludwigshöhe in der malerischen Südpfalz bei Edenkoben war die Sommerresidenz des Königs Ludwig I. von Bayern. Nach sechs Jahren Renovierung eröffnet das Landschlösschen mit einem großen Fest. Besonderer Baustil Angela Kaiser-Lahme, Direktorin im Bereich Burgen, Schlösser, Altertümer bei der Generaldirektion Kulturelles Erbe Rheinland-Pfalz sagt, es sei wichtig gewesen, die historischen Schauräume wieder so ins Leben zu rufen, wie die Wittelsbacher sie erfahren hätten. Das Besondere an der Villa sei, dass sie nach italienischer Art gebaut wurde und nicht im Stil der Romantik oder der Neugotik, wie das im 19. Jahrhundert üblich gewesen wäre. König Ludwig habe „im Grunde genommen im Stil des Klassizismus eine italienische Villa nach Deutschland verpflanzt“, so Kaiser-Lahme. Zeichen gegen liberale Strömungen Die Villa diente nicht zum Regieren, sondern der Erholung. Aber König Ludwig sendete mit dem Bau auch ein politisches Zeichen, erklärt die Historikerin. Die Villa liegt in Sichtweite des Hambacher Schlosses, wo 1832 zehntausende Menschen Freiheits- und Bürgerechte sowie einen deutschen Nationalstaat einforderten. Die Villa Ludwigshöhe sei damit auch „eine politische Demonstration gegen liberale Strömungen und gegen das Hambacher Schloss“, sagt Angela Kaiser-Lahme.

In this episode of The Blackletter Podcast, host Tom Dunlap sits down with Wright Lewis, partner at Dunlap Bennett & Ludwig, to break down the unique challenges of mergers and acquisitions (M&A) in the government contracting (GovCon) space.Unlike traditional M&A, GovCon deals involve regulations, set-asides, security clearances, and novation requirements that can make or break a transaction. Wright shares expert insights on what contractors, buyers, and sellers need to know before heading to market.Key topics covered:GovCon M&A vs. traditional M&A – why stock purchases dominate and how novation impacts deals.Handling facilities clearances and personnel clearances during acquisitions.The role of set-aside contracts (8(a), WOSB, SDVOSB, etc.) and how they affect valuations.Organizational Conflicts of Interest (OCIs) and how to manage them in due diligence.Market uncertainty from DOGE contract terminations and SBA rule changes.Which sectors are rising in value (AI, cyber, defense, intelligence) vs. which are under pressure.Strategic advice for GovCon sellers:Market timing around set-aside expiration deadlines.Diversifying contracts and clients to reduce risk.Maximizing backlog and margins before going to market.Making yourself redundant as a seller to increase buyer confidence.Wright and Tom also touch on earn-outs, revenue concentration risks, and why buyers are inserting new protective clauses into GovCon transactions in today's uncertain environment.

CONTENT WARNING: Discussion of brownface. If this movie is the rebirth of the Western, it'd be hard to tell because it's a real mess. It's a classic, and it absolutely makes sense why, but it's also a total mess of a film. No one knows what movie they're supposed to be in, the script is missing a ton of connective tissue, and Steve McQueen has the audacity to be bad at acting and an insufferable tool. Still, Yul Brynner and Charles Bronson are total badasses, and this Western via samurai flick manages to be a little entertaining. But really, just go watch Seven Samurai instead. Round up the gunfighters as we watch The Magnificent Seven on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the theme to the film The Magnificent Seven, written and composed by Elmer Bernstein. Copyright 1960 Metro-Goldwyn-Mayers Studios Inc. All Rights Reserved. Excerpt taken from "Man With A Harmonica" from the film Once Upon a Time in the West, written and composed by Ennio Morricone. Copyright 1968 Rafran - San Marco Production.

In this episode, we talk about the upward and downward social interactions taking place, what the implications are behind the Dalrymples being Irish aristocracy, the introductions of Mrs Smith and Nurse Rooke, the comedy of Mary's letter and Admiral Croft's meeting with Anne, and the fact that in the book's timeline it is only a month before Napoleon Bonaparte will escape from Elba.The characters we discuss are Admiral and Mrs Croft. In the historical section, Ellen talks about nurses, and for popular culture Harriet discusses the 2020 television movie Modern Persuasion.Things we mention:General discussion:Janet Todd and Antje Blank [Editors], The Cambridge Edition of the Works of Jane Austen: Persuasion (2006)Maria Edgeworth, Castle Rackrent (1800)Character discussion:Walter Scott, Waverley (1814)Patrick O'Brien, Master and Commander (1969) and sequels in the Aubrey and Maturin seriesHistorical discussion:Charles Dickens, Martin Chuzzlewit (1844)Elizabeth Fry (19th century English prison reformer, social reformer, philanthropist and Quaker)Wellcome Collection in LondonPopular culture discussion:Modern Persuasion (2020, Tangerine Entertainment) – starring Alicia Witt and Shane McRaeCreative commons music used:Extract from Wolfgang Amadeus Mozart, Sonata No. 12 in F Major, ii. Adagio.Extract from Joseph Haydn, Piano Sonata No. 38. Performance by Ivan Ilić, recorded in Manchester in December, 2006. File originally from IMSLP.Extract from Wolfgang Amadeus Mozart, Sonata No. 13 in B-Flat Major, iii. Allegretto Grazioso. File originally from Musopen.Extract from George Frideric Handel, Suite I, No. 2 in F Major, ii. Allegro. File originally from Musopen.Extract from Ludwig van Beethoven, Piano Sonata No. 28 in A major. File originally from Musopen.

Rob finishes out his (first) week with us. Ludwig pushes a button.

Send us a textIn this episode of the WTR Small-Cap Spotlight podcast, we are joined by Ludwig Enterprises (OTC: LUDG) Co-Founder and Chief Scientific Officer Marvin Hausman MD to talk about the company's innovative and proprietary mRNA genomic technology. Dr. Hausman discusses  how it revolutionizes  early detection of chronic inflammatory-driven diseases like cancer and advances the adoption of personalized medicine.

Ed gives Frank 24 hours to clear Nordberg of doing what Ed told him to do, and Ludwig greets a potential client.

This week, the boys are joined by supertf! They talk about going professional in Overwatch, being interviewed by Jimmy Fallons, and how Ludwig and Super have beef.... Learn more about your ad choices. Visit megaphone.fm/adchoices

What if your portfolio could evolve with you, like a financial blueprint that updates in real time? Michael Parise sits down with Ben Ludwig of City National Rochdale to unpack what truly personalized investing means for high-net-worth families, and why it matters more than ever. From shifting risk tolerance to multi-generational planning, Ben breaks down … Read More Read More

Ever feel like no matter how hard you try to “get healthy,” something's still off? Like you're doing all the right things—but your mind won't follow? That's not a you problem. That's a mindset loop, and today's guest, Terry Ludwig, is here to help you break free from it for good. Terry is a certified mindset coach, retreat leader, and founder of Live the Life You Love. In this conversation, we go deep on what's actually keeping women stuck in cycles of self-sabotage, all-or-nothing thinking, and perfectionism—especially when it comes to our health. She shares the story of how her own trauma shaped her path and explains why healing your mindset is the real starting point for lasting change. In this episode we explore: What a life coach really does (and how to know if you need one) Why you're not your thoughts—or even your body How early childhood trauma impacts your health identity The difference between numbing and healing What happens when you start seeing yourself as the architect of your life Because the truth is: you don't need more willpower. You need a mindset that's safe, supported, and ready to thrive. And that starts here. Don't miss Part 2 coming up, where we dive even deeper into how unhealed wounds shape your self-image, how to actually start rewiring your thoughts, and the daily practices that build lifelong self-love.

Jan Swafford is a distinguished American author and composer, known for his insightful biographies of great composers like Charles Ives, Ludwig van Beethoven, and Wolfgang Amadeus Mozart. With degrees from Harvard and Yale, he's made significant contributions to classical music literature. His works, including the Vintage Guide to Classical Music and "Language of the Spirit," reveal the rich narratives behind the music we love. His unique insights and deep understanding of these composers illuminate their artistic journeys in a way that resonates with both music lovers and scholars alike.In our conversation, we explore the fascinating lives of Haydn and Mozart, delving into their prolific output and the support systems that fueled their creativity. Jan highlights how Haydn composed to commission, leading to his astonishing catalog of works, while debunking myths about Mozart's talent and lifestyle. “He worked himself to death because his body couldn't handle it anymore,” Jan reflects on Mozart's relentless pursuit of excellence.[Subscriber Content] In the subscriber section, Jan shares his thoughts on Tchaikovsky and Brahms, revealing personal preferences and insights about their contrasting styles. He also reflects on the evolution of music through the lens of history, discussing how composers like Schoenberg and Stravinsky marked a shift in musical innovation. Jan emphasizes the importance of authenticity in composition, stating, "It has to come from your core; otherwise, it's no good." Prepare for a warm exploration of music's profound connections to the human experience, as Jan shares his unique perspective on these influential figures.DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

Eureka The Pentecostal Church - Sunday Morning Service  - 07/20/2025"If My People Will Pray"Bro Nate LudwigConnect with us! Instagram: instagram.com/eurekachurch Facebook: Eureka The Pentecostal Church Youtube: youtube.com/c/EurekaThePentecostalChurch Website: eureka.churchListen/Download this sermon on Spotify or Apple Podcasts - Eureka the Pentecostal Church All songs are performed by licensing agreement through CCLI #1578358 and Streaming License #21284088

Dan is one half of Breaking Mayberry, an anti-nostalgia podcast about watching old TV (starting with, as the title suggests, The Andy Griffith Show) and figuring out how it broke your grandparents' brains.After last week's episode all about analyzing TV and talking about storytelling, we wanted to spotlight the fun and goofiness of old genre TV. And we couldn't have found a better example than Shitty Ensigns, an RPG about poorly equipped Starfleet ensigns bumbling their way through missions.BREAKING MAYBERRY: https://pod.link/BreakingMayberrySHITTY ENSIGNS: https://litzabronwyn.itch.io/shitty-ensignsFOLLOW BREAKING MAYBERRY ON SOCIAL: https://breakingmayberry.bsky.social/FOLLOW MARTY ON SOCIAL: https://bsky.app/profile/lokrobster.bsky.socialALL MY FANTASY CHILDREN: http://www.allmyfantasychildren.com/PARTY OF ONE DISCORD: https://discordapp.com/invite/SxpQKmKSUPPORT JEFF ON PATREON: www.patreon.com/jeffstormerFOLLOW JEFF ON TWITCH: www.twitch.tv/gmjeffstormerTHEME SONG: Mega Ran feat. D&D Sluggers, “Infinite Lives,” RandomBeats LLC, www.megaran.comSupport this podcast at — https://redcircle.com/party-of-one-podcast/donationsAdvertising Inquiries: https://redcircle.com/brands

Steve rounds out his week with us, as Ludwig persuades Jane to get close to Frank. Check out Steve's trivia games at: https://www.facebook.com/KnowContest

00:22:28 Trauner, Martin full Credits Autor/in dieser Folge: Martin Trauner Regie: Martin Trauner Redaktion: Thomas Morawetz Interviews mit:  Prof. Winfried Nerdinger (Architekturhistoriker, ehem. Leiter des   Architekturmuseum der TU München)  Prof. Egon Johannes Greipl - ehemaliger (seit 30-11-2013) bayerischer   Generalkonservator Geschichte: Noch mehr Interesse an Geschichte? Dann empfehlen wir: Alles Geschichte – Der History-Podcast Wir freuen uns über Feedback und Anregungen zur Sendung per Mail an radiowissen@br.de. Radiowissen finden Sie auch in der ARD Audiothek: ARD Audiothek | Radiowissen JETZT ENTDECKEN Das vollständige Manuskript gibt es HIER. Lesen Sie einen Ausschnitt aus dem Manuskript: ERZÄHLERIN Endlich, nach beinahe 16 Jahren Planungs- und Bauzeit ist es soweit. - Jetzt, 1843, ist sie fertiggestellt: Die königliche Hof- und Staatsbibliothek in München.   ZITATOR (Architekturführer) Dieser in den großartigsten Verhältnissen angelegte Bau wurde im italienischen-mittelalterlichen Style ausgeführt. -    ERZÄHLERIN - schreibt ein zeitgenössischer bautechnischer Führer -   ZITATOR (Architekturführer) - In seinen ausgedehnten Räumlichkeiten umschließt das Gebäude die außerordentlich reiche, gegenwärtig 1.300.000 Bände zählende Staatsbibliothek.   MUSIK    1. ZUSPIELUNG (Greipl) Da denkt man - riesengroß - da müssen alle Bücher der Welt hineinpassen -   ERZÄHLERIN Sagt Egon Greipl, (ehemaliger) oberster Denkmalschützer in Bayern. -   2. ZUSPIELUNG (Greipl) - und dann geht man hinein und sieht, da ist eine Menge Platz verschenkt worden für eine Treppe und solche repräsentative Sachen.   MUSIK    ERZÄHLERIN Eine Prachttreppe, die seinerzeit nur der König benutzen durfte. An ihr hat man bis zuletzt gearbeitet. 54 Stufen muss die Majestät überwinden, um aus dem dunklen Eingangsbereich in das Licht, zu den Büchern, zur Wissenschaft zu gelangen. - Obwohl der König in den letzten Jahren meist ein schwieriger Auftraggeber gewesen ist, ständig an den Plänen etwas ändert oder ändern lässt, die Treppe findet selbst der Architekt so schlecht nicht:   ZITATOR GÄRTNER Für die Haupttreppe stehe ich gut, das ist die pompöseste die wenigstens in Deutschland existiert. Diese gefällt mir selbst.   MUSIK    ERZÄHLERIN Und das ist der Baumeister des 152 Meter langen und 24 Meter hohen Monumentalbaus: Friedrich von Gärtner. Die Bibliothek: sein erster Auftrag für König Ludwig I. - Vor 16 Jahren, 1827, ließ Ludwig den gar nicht mehr so jungen Architekten gewähren: Gärtner soll nun endlich sein erstes Gebäude überhaupt bauen. Und dann gleich ein so großes.   3. ZUSPIELUNG (Nerdinger) Ein riesiger Bau. Und die besondere Pointe oder Gemeinheit könnte man auch sagen, liegt darin, dass er diesen Bau an der von Klenze geplanten Ludwigsstraße vorgesehen hat...   ERZÄHLERIN - so Winfried Nerdinger, Architekturhistoriker aus München. - Die Ludwigsstraße, sie ist des Königs Lieblingskind, sie soll seine Prachtmeile werden...     4. ZUSPIELUNG (Nerdinger) Klenze hat ja diese Straße komplett geplant, das war "seine Straße", er hat den ganzen südlichen Teil bereits mit Neubauten bestückt und jetzt mitten hinein in seine Straße, der größte Bau überhaupt bis dahin, die Staatsbibliothek, da bekommt ausgerechnet sein Konkurrent den Auftrag. Und das war sicherlich für Klenze ein Schlag.   MUSIKAKZENT   ERZÄHLERIN Friedrich Gärtner und Leo Klenze, zwei Baumeister in königlichen Diensten - ein Berufsleben lang lauern sie wie Skylla und Charybdis, die beiden Ungeheuer, an der Meerenge von Messina. Und, um im mythologischen Bild zu bleiben, kein königlicher Auftrag soll an ihnen ungeschoren vorbei kommen.   5. ZUSPIELUNG (Nerdinger) Die waren beide nicht von Pappe, um es mal salopp zu formulieren und haben mit allen Mitteln sich gegenseitig bekämpft und für ihre Karriere gekämpft.   ERZÄHLERIN 26 Jahre ist er alt, da wird der junge begabte Nachwuchsarchitekt Friedrich Gärtner Ludwig vorgestellt. Und wer bringt ihn zum Kronprinzen? Der 7 Jahre ältere Klenze. Der, ein protestantischer Preuße, ist schon seit einem Jahr in Diensten des Königshofs.   ZITATOR GÄRTNER Dass dieser zum Faktotum geworden ist, ersah ich schon längst, den Grad aber ersah ich da näher.   6. ZUSPIELUNG (Nerdinger) Als drittes muss man immer noch den König mit einbeziehen, genauer gesagt, den Kronprinzen, der beide letztlich wie Schachfiguren in seinem Spiel benutzt hat.   ZITATOR GÄRTNER Ich sah nur zu deutlich, dass einem schlechten Schachspieler leicht eine Figur genommen und die andere dafür hingesetzt werden kann.   MUSIKAKZENT    ERZÄHLERIN Über Gärtners Karriereleiter sind wir Sprosse um Sprosse relativ gut informiert. Denn mehr als 30 Jahre lang schreibt er Briefe, an Martin von Wagner. -    7. ZUSPIELUNG (Nerdinger) Nun: der Martin von Wagner war eigentlich der Kunsthändler des Kronprinzen in Rom.   ERZÄHLERIN Martin von Wagner ist der Freund von Friedrichs Vater, dem Hofbauintendanten Andreas Gärtner. Und auch wenn die Mutter Bedenken gegenüber Wagner äußert, Friedrich beschwichtigt:   ZITATOR GÄRTNER Deine Warnung, gute Muttern über Wagner ist recht gut, allein sei versichert, sie war nicht nötig. So kenne ich meine Leute noch. Wagner ist ein guter, ernsthaft rechtschaffener Mann, allein nie für einen Freund geschaffen.   ERZÄHLERIN Friedrich Gärtner und Wagner werden trotzdem Freunde, gute Freunde. Netter Nebeneffekt für Gärtner: Wagner hat einen sehr guten Draht zum Kronprinzen. - Gärtner macht in seinen Briefen aus seinem Herzen keine Mördergrube. Winfried Nerdinger:   8. ZUSPIELUNG (Nerdinger) Ich glaube auch, dass man natürlich mit gewissen Abstrichen diesen Briefwechsel als ziemlich wichtige authentische Aussage nehmen kann, weil er sich da einem Freund geöffnet hat - Wir können da doch relativ tiefe Einblick in das Gefühlsleben Gärtners tun und in das Intrigenspiel bei Hofe.   ERZÄHLERIN Über 100 Mal wird die Post von Gärtner die Zeiten überdauern, die Post von Wagner retour dagegen nicht. - Kennen gelernt haben sich die beiden in Rom. -   ZITATOR GÄRTNER Rom ist nebenbei gesagt der herrlichste Ort, um einem als Mensch die besten Lebensregeln zu erteilen!   MUSIK  ERZÄHLERIN Im Oktober 1814 kommt Gärtner nach Rom. Nach seinem Architekturstudium in München bei Carl von Fischer, nach Lehrjahren in Paris, zieht der 22-Jährige in die deutsche Künstlerkolonie. "Quartiere degli Infedeli", "Viertel der Abtrünnigen", nennen es die Römer, wegen der vielen deutschen Protestanten. Der Katholik Gärtner kennt bald alle Trattorien und Weinstuben rund um seine Wohnung in der Via Sistina, nahe der spanischen Treppe. Jetzt will er wieder lernen, dieses Mal aber das Leben: MUSIK    ZITATOR GÄRTNER Der Durst war groß, der Wein war gut und so wurde allgemeiner Jubel unter der Gesellschaft. Eine Gitarre, die uns begleitete, spielte bald ihren Saltarello, bald ihren Walzer...   ERZÄHLERIN Martin von Wagner nimmt Friedrich in seine Obhut, im Auftrag von Andreas Gärtner, dessen Vater. Er zeigt ihm die mediterrane Lebensart, er bringt ihn in die Kreise der Rom-liebenden deutschen Künstler. Die feiern sich und "ihren" bayerischen Kronprinzen, den Kunstmäzen, am liebsten im Caffè Greco - keine zwei Minuten von der Wohnung Gärtners entfernt. Hier treffen sich auch die Mitglieder eines von Martin von Wagner initiierten Geheimbundes: "Nemesis" heißt er : MUSIK    9. ZUSPIELUNG (Nerdinger) Diese Künstler haben sich die Nemesianer genannt. - Die Nemesis als ihre Göttin, die dem einzelnen das Geschick zuweist, dem einen das Gute, dem anderen das schlechte. So etwas, was für Künstler ja ganz wichtig ist: Der eine steigt auf, der andere steigt ab...   ERZÄHLERIN Nemesis gibt sich zunächst wankelmütige, was das Schicksal des jungen Friedrich betrifft. Der "Orlando furioso", wie ihn seine Freunde jetzt rufen, genießt zwar in Rom das süße Leben in vollen Zügen, ganz untätig ist er freilich nicht. Er zeichnet etliche antike Ruinen, fährt nach Pompeji und Sizilien, besteigt die Vulkane Italiens. Und er beteiligt sich - auf sanftes Drängen seines Vaters -  am Wettbewerb zum Bau der Münchner Glyptothek. Mit Hilfe seines Vaters, der die Pläne ein wenig korrigiert und nachbessert, wird sein Entwurf vom Preisgericht als der für den Bau geeignetste befunden. Den Auftrag bekommt, allem zu Trotz, wie kann es anders sein, Leo Klenze.    MUSIK    ZITATOR GÄRTNER Thermometer 5 Grad Beaumont - Pluvianopolis am 12ten des 8. Regenmonats 1817 nach Christi Geburt - Parameter (wie gewöhnlich): Regen, Hagel, Wind.   ERZÄHLERIN Gärtner ist nach fast drei Jahren Sommer, Sonne, Kaktus wieder in München. In Pluvianopolis, der Regenstadt. Er schreibt an Wagner nach Rom:   ZITATOR GÄRTNER Der ewigen Nemesis zum Gruße! Ohne Nachrichten aus Rom bin ich ein geschlagener Mensch. Oh große Nemesis! Was habe ich verschuldet, dass du gerade jetzt mich ins Exil geschickt, wo ich dickes Bier um 12 Uhr saufen muss. MUSIK    ERZÄHLERIN Nemesis meint es tatsächlich nicht gut mit ihm. Nicht nur dickes Bier und saurer Wein schlagen ihm auf den Magen: In München, im Exil, findet er keine adäquate Anstellung, obwohl sein Vater immer noch königlich bayerischer Hofbauintendant ist, also de facto der oberste Baumeister. Und er würde so gerne in dessen Fußstapfen treten.   ZITATOR GÄRTNER Es ist traurig, wenn  man mehrere Jahre sich bemüht, um etwas zu lernen und am Ende wieder dort hingestellt ist, von wo man ausgegangen. Seit meiner Zurückkunft sitze ich da und lege die Hände in den Schoß.   ERZÄHLERIN 26 Jahre ist Gärtner mittlerweile. Er sehnt sich nach Rom. Hier im kalten Norden, in München: -  "Ein Windloch". Die Mutter stirbt. Er fühlt sich dazu verpflichtet, die Familie finanziell zu unterstützen, lebt aber im Gegenteil vom Geld des Vaters. Und dann auch noch das:   ZITATOR GÄRTNER Mit unverändertem Gemüte durchlas ich heute die Entlassung meines alten und würdigen Vaters von seinem treuen Dienste und dessen Erstattung durch Klenze mit einer vermehrten Besoldung von 3000 fl.   10. ZUSPIELUNG (Nerdinger) Aus den Briefen, die er an seinen Freund Martin von Wagner schrieb, kommt ganz klar heraus, dass diese Verdrängung seines Vaters als Hofbauintend

Our next film should, by all rights, be one of the greatest all-time Westerns even made. Instead, it's a mealy-mouthed, boring, limp noodle of a movie that's stuck trying too hard to be a Big Deal instead of being the allegory for McCarthyism it was written to be. Fred Zinneman has shots for days, but he can't get convincing performances from his actors, and nobody in the cast can convincingly portray the real tension of this movie. Sure, it makes sense why this resonates today. But overall it's a real slog to sit through. Watch the clocks as we watch 1952's High Noon on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "The Ballad of High Noon" from the film High Noon, written by Ned Washington, composed by Dimitri Tiomkin, and performed by Tex Ritter. Trademark and Copyright 2007 by Paramount Pictures. All Rights Reserved. Excerpt taken from the theme to the film The Magnificent Seven, written and composed by Elmer Bernstein. Copyright 1960 Metro-Goldwyn-Mayers Studios Inc. All Rights Reserved.

Truth in the Marketplace | The Book of Acts

Episode 303 features a discussion on the Major League Baseball career of the legendary Hall of Fame pitcher, Waite Hoyt.  Jimmy Carbone and Sean Ludwig talk about whole hog cooking and the upcoming barbecue event, Pig Island NYC.  Hunter Breshears of Plainville Farms and Leidy's Premium Meats takes us to a New York Mets game. Tim Manners is a writer, communications consultant and baseball fan.  He is a former FM-radio disc jockey, publicist and magazine publisher. His latest project is Schoolboy: The Untold Journey of a Yankees Hero which he co-wrote with baseball great Waite Hoyt, even though Hoyt had been deceased for almost 40 years before Tim began the project. That story and so much more are in the book and we touched upon some of it in our discussion.  Waite Hoyt signed with the New York Giants in 1915 when he was a junior in high school.  When he was younger, he was faced with the possibility of having both hands amputated, but overcame that and a lot more to become the best pitcher for the New York Yankees in the 1920s as he and his teammates, including Babe Ruth and Lou Gehrig won three of their World Championships.   Jimmy Carbone is back and this time he and Sean Ludwig engage in a fascinating discussion about whole hog cooking which you may get to try at his upcoming event, Pig Island NYC.  Pig Island NYC is back for its 16th year on September 6, 2025 when, more than 20 chefs come together at Snug Harbor Cultural Center & Botanical Garden to serve up some of their best dishes.  For more information or to purchase tickets go to  https://pigisland.com/ Sean Ludwig is the founder of NYC BBQ, http://www.nycbbq.com a website and newsletter with news and information on all things barbecue in the NYC metro area.  He is also a co-founder with Ryan Cooper of The Smoke Sheet, https://www.bbqnewsletter.com which is a weekly newsletter that curates the latest national barbecue news, upcoming events, books to read, podcasts to listen to, videos to watch, recipes, and so much more.  Sean provides his thoughts on Pig Island and discusses whole hog cooking with Jimmy Carbone. We recommend you go to Baseball BBQ, https://baseballbbq.com for special grilling tools and accessories, Magnechef https://magnechef.com/ for excellent and unique barbecue gloves, Cutting Edge Firewood High Quality Kiln Dried Firewood - Cutting Edge Firewood in Atlanta for high quality firewood and cooking wood, Mantis BBQ, https://mantisbbq.com/ to purchase their outstanding sauces with a portion of the proceeds being donated to the Kidney Project, and for exceptional sauces, Elda's Kitchen https://eldaskitchen.com/   We conclude the show with the song, Baseball Always Brings You Home from the musician, Dave Dresser and the poet, Shel Krakofsky. We truly appreciate our listeners and hope that all of you are staying safe. If you would like to contact the show, we would love to hear from you. Call the show:  (516) 855-8214 Email:  baseballandbbq@gmail.com Twitter:  @baseballandbbq Instagram:  baseballandbarbecue YouTube:  baseball and bbq Website:  https//baseballandbbq.weebly.com Facebook:  baseball and bbq

Ludwig van Beethoven - Symphony No. 6 “Pastoral”: 2nd movementDanish Chamber Orchestra Adam Fischer, conductorMore info about today's track: Naxos 8.505251Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

This week on Wine About It:Rae won the Pokemon Tournament! Streamer social skills, and QT disassociating at Tara Yummy's birthday party. Oh, also QT tells a crazy story of an obsessed Ludwig fan? ✨ Bonus Content: https://patreon.com/wineaboutit

CONTENT WARNING: Discussion of racism against Natives, bullying, animal cruelty. Grab your six shooters and your saddles, we're kicking off our first-ever Westerns series! There's a lot in the genre for us to catch up on, and we start this week with a seminal film, one whose importance is unfortunately the only thing it's really got going for it. John Ford practically created the Western as we know making this movie but the dialogue and the characters are so rigid that it's somehow boring for a 90-minute movie. Still, if you've ever rolled your eyes at John Wayne and wondered "how the hell did he get to be a movie star", look no further than his performance here, smoldering and intense while staying relatable. The cast is pretty great, and the stunts are on par with anything that can be done with wires today. Still, this one is more "important" than a fun hang, so proceed with caution. Load up the wagon as we watch 1939's Stagecoach on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the theme to the film The Magnificent Seven, written and composed by Elmer Bernstein. Copyright 1960 Metro-Goldwyn-Mayers Studios Inc. All Rights Reserved. Excerpts taken from the main theme to the film Stagecoach, written and composed by Richard Hageman. Copyright MCMXXXIX by Walter Wagner Productions, Incorporated. Excerpt taken from "The Ballad of High Noon" from the film High Noon, written by Ned Washington, composed by Dimitri Tiomkin, and performed by Tex Ritter. Trademark and Copyright 2007 by Paramount Pictures. All Rights Reserved.

I just loved this conversation with Jason Ludwig from Riverside Archery in Mount Vernon, Washington. What a cool and interesting guy. We had an even better conversation after the podcast about life and just being better people. If you want to learn about archery or already shoot and need help, look them up. I hope you enjoy this one. Thank you Jason!

This week, the boys talk about the aftermath of the DougDoug challenge, what is the dream outfit everyone should wear, and how Ludwig and Aiden's dad have become best friends... Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Wine About It:Rae's Pokemon degen-ing, getting left out of QT's family night, and Ludwig (hypothetically) dying. Oh also QT licked her sock???✨ Bonus Content: https://patreon.com/wineaboutit

CONTENT WARNING: Discussion of sexual abuse of minors by clergy. While no explicit mentions are made of actions or abuse, listener discretion is advised. This one has been on our must watch list since it came out, and somehow it lingered for 10 years. In fact, you might suspect we did this series just to watch this movie, and you'd be at least a little bit right. Fortunately, the film doesn't disappoint, taking the well-worn movie journalism formula and taking it in a completely different direction. This movie is all about subtlety, accuracy, and most of all, real human storytelling. There's very few frills involved and very few liberties taken, which is the perfect way to tell the story of uncovering one of the most heinous abuses of power and trust in human history. There's no hero worship and no easy answers here, just plain great storytelling. No wonder it won Best Picture. We're finish on a high note with 2015's Spotlight on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Spotlight" from the soundtrack to Spotlight, written and composed by Howard Shore. Copyright 2015 Howard Shore; Entertainment Rights Holdings, EOT Film Productions, LLC. All Rights Reserved. Excerpts taken from the main theme to the film The Magnificent Seven, written and composed by Elmer Bernstein. Copyright 1960 Metro-Goldwyn-Mayers Studios Inc. All Rights Reserved.

This week, the boys talk about Ludwig's basketball event, the drama between Stanz and Lacy, and how Aiden has beef... Learn more about your ad choices. Visit megaphone.fm/adchoices

Lord Alf Dubs is a Labour peer and former MP. He came to the UK from Prague in 1939 on one of the Kindertransport trains organised by Sir Nicholas Winton which rescued mostly Jewish children from Nazi-occupied Czechoslovakia.Alf was born in Prague in 1932. His father was from a Jewish background and was brought up in what was then Northern Bohemia while his mother came from Austria. His father left Prague for London as soon as the Nazis invaded Czechoslovakia in March 1939. In June, when he was six-years-old, Alf was put on a Kindertransport train, arriving at Liverpool Street station two days later where he was met by his father. His mother eventually joined them in London the day before war broke out. Alf studied Politics and Economics at the London School of Economics and was elected as the Member of Parliament for Battersea South in May 1979. He lost his seat in 1987 and the following year he was appointed director of the Refugee Council, becoming the first refugee to head up the charity.In March 2016 Alf tabled an amendment to the 2016 Immigration Act (known as the Dubs Amendment) which asked the Government to accept 3,000 unaccompanied refugee children into the UK. The amendment passed but the Government closed the scheme the following year after accepting 480 children.In 2016 Alf received the Humanist of the Year award by Humanists UK of which he is also a patron. In 2021 his Czech citizenship was restored making him the first Czech-British member of the House of Lords.DISC ONE: It's Easy To Remember (Take 4) - John Coltrane Quartet DISC TWO: Smetana: Má Vlast, JB1:112: 2. Vltava. Performed by Czech Philharmonic Orchestra, conducted by Jiří Bělohlávek DISC THREE: She's Leaving Home - The Beatles DISC FOUR: Bandiera Rossa - Canzoniere del Lame DISC FIVE: Mozart: Horn Concerto No. 1 in D Major, K. 412: I. Allegro. Performed by Barry Tuckwell (French horn), Academy of Saint Martin in the Fields, conducted by Neville Marriner DISC SIX: Danny Boy - Daniel O'Donnell DISC SEVEN: Take This Waltz - Leonard Cohen DISC EIGHT: Ode to Joy. Composed by Ludwig van Beethoven and performed by Gewandhausorchester Leipzig, conducted by Herbert BlomstedtBOOK CHOICE: Germinal by Émile Zola LUXURY ITEM: Walking boots CASTAWAY'S FAVOURITE: It's Easy To Remember (Take 4) - John Coltrane Quartet Presenter Lauren Laverne Producer Paula McGinley