Podcasts about how i stopped worrying

"I'd like to walk that all back." In hot anticipation of Oppenheimer, we take a gander at a big classic: Dr Strangelove or: How I Stopped Worrying and Learned to Love the Bomb (1964). Grab a snack because we get into Stanley Kubrick's directing style, the way we watch black and white movies, and how to go about our daily lives with the threat of nukes hanging above our heads at all times. (Pro tip: the trick is to stop thinking about it).

This week Mark and Jonny discuss episodes 165 and 166 of "King of the Hill", "Dale Tech" and "How I Stopped Worrying and Learned to Love the Alamo".

Scott and Marty get acquainted with “that guy from that thing,” aka Lance Henriksen. You know who we're talking about! Core Connections:Network (1976, Dir. Sidney Lumet)Aliens (1985, Dir. James Cameron)Modigliani (2004, Dir. Mick Davis) Connective Cameos:The TerminatorNear DarkThe Visitor, aka StridulumThe Right StuffDr. Strangelove, or How I Stopped Worrying and Learned to Love the BombCatch-22Broadcast NewsDon't Look UpSilver StreakThe Big EasyNashvilleBridge on the River KwaiAcross 110th StreetJawsStar WarsAlienIron ManThe ExpendablesAlien3Repo ManMidnight RunMidnight in ParisBetter Off DeadTop SecretShakespeare in LoveCassandra's DreamThe Computer Wore Tennis ShoesThe Muppet MovieSilver StreakThrow Momma From the TrainIt's A Mad, Mad, Mad, Mad, WorldBatmanThe Addams FamilyHome Alone Linked Films to Date: 715 Follow us on Spotify, Apple Podcasts, Google Podcasts, or Amazon Music.Visit us at slackandslashpod.comEmail us at slackandslash@gmail.com

Madness. MADNESS! Join Scott and Marty on a rollicking ride through Ealing, up the river, and into the Castle with the Old (Jedi) Knight himself, Sir Alec.Core Connections:The Lavender Hill Mob (1951, Dir. Charles Crichton)Bridge on the River Kwai (1957, Dir. David Lean)Kafka (1991, Dir. Steven Soderbergh)Connective Cameos:Star Wars Episode IV: A New HopeStar Wars Episode V: The Empire Strikes BackStar Wars Episode VI: Return of the JediThe LadykillersKind Hearts and CoronetsA Fish Called WandaBreakfast at Tiffany'sA Hard Day's NightThe Magic ChristianJawsDr. Strangelove, or How I Stopped Worrying and Learned to Love the BombOcean's ElevenOcean's Eleven (the other one)Catch-22MASHApocalypse NowAll Quiet on the Western FrontPork Chop HillHigh NoonLawrence of ArabiaThe Guns of NavaroneIt's a Wonderful LifeBrief EncounterGreat ExpectationsOliver TwistThe ComediansThe GeneralThe Good, the Bad, and the UglyTrue Liessex, lies, and videotapeThe Third ManThe CastleThe Santa ClausePrivate PartsDark CityBrazilThe MatrixNashvilleSayanoraBlazing SaddlesThe PlayerFreaksSleuthBullets Over BroadwayYouthSpider BabyHouse of 1,000 CorpsesTitanicTrilogy of TerrorBrooklynThe Muppet Movie Linked Films to Date: 694 

Scott and Marty skip a groove again, but end up landing comfortably on Madeline Kahn, the Teutonic Tit-willow. Core Connections:Paper Moon (1973, Dir. Peter Bogdanovich)Blazing Saddles (1974, Dir. Mel Brooks)The Muppet Movie (1979, Dir. James Frawley)Connective Cameos:ClueNixonJudy BerlinMidnight RunSilver StreakThe Darjeeling Ltd.Leon: The ProfessionalRain ManThe Last Picture ShowNational Lampoon's VacationThe GriftersDr. Strangelove, or How I Stopped Worrying and Learned to Love the BombAirplane!The GunfighterThe Towering InfernoDjango UnchainedMinionsMuppet Treasure IslandThe Muppet Christmas CarolThe Great Muppet CaperE.T.: The Extra-TerrestrialHoward the DuckEmmet Otter's Jug Band ChristmasSpaceballsBy the SeaIt's a Mad, Mad, Mad, Mad WorldPlan 9 From Outer SpaceScarfaceThe Man Who Shot Liberty ValanceCatch-22The Third ManBig TroubleThe Spanish PrisonerDirty Rotten ScoundrelsAddams Family ValuesStrange BrewDead Men Don't Wear PlaidThree O'Clock HighBad Lieutenant Port of Call New OrleansKiss of Spider WomanThe Visitor, aka StridulumFast Times at Ridgemont High Linked Films to Date: 691

Marty, Scott, and guest John Hudson spend a super-sized episode discussing merkins, zithers, and precious bodily fluids. Core Connections:Dr. Strangelove, or How I Stopped Worrying and Learned to Love the BombThe Third ManStrange Brew Connective Cameos:The Bad Lieutenant: Port of Call New OrleansBarbarellaEasy RiderThe Magic ChristianBarry LyndonA Clockwork Orange2001: A Space OdysseyAirplane!Idle HandsMetropolisSilence of the LambsFail SafeCatch-22MASHThe Hunt for Red OctoberIt's a Mad, Mad, Mad, Mad WorldLost HighwayThe Magic ChristianA Shot in the DarkThe World of Henry OrientBeing ThereAnatomy of a MurderPanic in the StreetsPattonThe ComediansWinter KillsFight ClubWithout LoveThe PatsyNashvilleLost HighwayCitizen KaneTouch of EvilOur Man in HavanaGoldfingerLive and Let DieDiamonds are ForeverThe Man With the Golden GunEvil Under the SunThe Bicycle ThiefMTaxi DriverOh God! Book TwoThe Magic ChristianGreedIntoleranceSuperman IIStar WarsA Hard Day's NightThe Panic in Needle ParkOne Flew Over the Cuckoo's Nest Linked Films to Date: 587 

Sheri is an instructor at the Second City training center in the improv and music departments. She has performed at the Engaging Women Conference, been a guest on Vocalo Radio's Morning AMp Council of Feminist Thought show, and was a panelist for the Inside Jokes Comedy Conference hosted by Women In Comedy, and has appeared in numerous podcasts addressing wide-ranging subjects including art, equity, and criticism. Having performed in a variety of forms from Shakespeare to screen, Sheri is a member of the interracial, married sketch team FLANDERS, the head writer for CHOICE THE MUSICAL, was an ensemble member of Second City’s musical house ensemble, INFINITE SUNDAES, and founded the first and longest-running musical improv team CHEAP TRILLS at Just the Funny theater in Miami. She is represented by NV Talent. A member of the American Theater Critics Association, her writing as a freelance journalist, critic, and humorist, has been featured in publications such as McSweeney's, the Chicago Defender, the Chicago Sun-Times, the Chicago Reader, Rescripted, Performink, NewCity, Chicagoland Musical Theater, and the Windy City Times. Sheri was invited to cover the 2020 Sundance Film Festival as part of their Press Inclusion Initiative. There's more Sheri at www.sheriflanders.com or you can find her on Facebook and LinkedIn, too. You can find a lot of Sheri's writing online, but here are a couple of articles to get you going if you don't know where to start: Black Artistic Leaders Take Charge at Several Chicago Theaters -- The Chicago Reader Inclusion in Improv: or How I Stopped Worrying and Learned to Use the Bomb -- Rescripted

The London Aesthetics Forum is an initiative of the Institute of Philosophy. (http://philosophy.sas.ac.uk ) Joshua Landy In Praise of Depth: or, How I Stopped Worrying and Learned to Love the Hidden Wednesday, 14 June 2017 16.00-18.00 at Senate House, London Please

Oh, hi Mark! Welcome to Phantom Galaxy Episode 34. We return to kick off a big December full of podcasts with our first Cult Double Feature. Remember when looking in on and obsessing over the lives of seemingly mundane schlubs was the purview of the Truman Show? Reality TV vaporized that taboo long ago, and left us with a burnt-out wasteland of entertainment that sometimes still produces gems of absurdity. In this episode we look at two 'singular' individuals and the movies and cults they have inspired. First off, Nathan Seth and Chris study the cosmic badness of Tommy Wiseau's The Room and then review the new film 'The Disaster Artist', a manic account of the film's making. Then, we zoom into obscure cult territory with one of Chris' favorite movies; Windy City Heat or, How I Stopped Worrying and Learned to Love Perry Caravello. Not only do we explore the small but obsessive fan base that has rallied around Perry, but we've also got a shout-out from the man himself! Jump down the cult movie rabbit hole for another crazy jaunt through The Phantom Galaxy! Phantom Galaxy is a genre podcast that releases every week. If you’d like to support the cast please subscribe free in iTunes, and leave a review for the show! You can also contact us and share your recommendations for show topics and stuff to review (books, beer, movies, whatever!) or leave us a Phantom Rant at Phantomcasts@gmail.com and check us out on Twitter @fantomgalaxy.

Top Five Movies Episode 042 - Dark Comedies are the focus of this episode. Jonathan, Corey, and Michael discuss their favorite films that make them laugh and then feel guilty about it. The movies range quite a bit and all three tried to keep the some of the more obvious ones that they've spoken about on other episodes off their lists. Jonathan's list: 5. Swiss Army Man (2016) 4. Worlds Greatest Dad (2009) 3. The Whole Nine Yards (2000) 2. So I Married an Axe Murderer (1993) 1. The Lobster (2015) Michael's list: 5. Heathers (1988) 4. Dr. Strangelove or: How I Stopped Worrying and Learned to Love the Bomb (1964) 3. Network (1976) 2. Freeway (1996) 1. Happiness (1998) Corey's list: 5. Don't Tell Mom the Babysitters Dead (1991) 4. Harold and Maude (1971) 3. Delicatessen (1991) 2. Ghost World (2001) 1. Lars and the Real Girl (2007) --- Support this podcast: https://anchor.fm/berkreviewscom-moviecasts/support

Galbicka, Gregory - Response Shaping and Percentile Schedules - or "How I Stopped Worrying and Learned to Love Rank Orders" - In the Behavior of Organisms, Skinner detailed a process of differential reinforcement of successive approximations to a terminal response, subsequently termed 'shaping,' to create novel behaviors. Despite its fundamental nature in operant conditioning, shaping has little been studied, in either the laboratory or more applied settings. Owing to the dynamic nature of the interaction between shaper and responder, the 'rules' of shaping as typically practiced are qualitative in nature only, and shapers themselves are more often selected than shaped. Percentile schedules provide one means of formalizing these rules, generating as a consequence a more consistent arrangement between responses and reinforcements that may form the basis for an experimental analysis of the parameters involved in shaping, as well as easing the need to clearly delineate criteria a priori in applied settings. This formalization requires little mathematical ability. It does. however, depend on a perspective of viewing operant responses not as unitary events but rather as a population of behaviors clustered in time. This perspective is, I believe, in many regards closer to Skinner's original intent in defining operants.