Podcasts about Oppenheimer

Send us a textFrom accidentally stealing the spotlight on David Letterman's show as a teenager to voicing beloved animated characters for two decades, James Urbaniak's acting journey reads like a masterclass in versatility and perseverance. In this wide-ranging conversation, Urbaniak reveals the unexpected path that took him from New Jersey community theater to New York's experimental off-off-Broadway scene in the late 1980s. With remarkable candor, he shares how challenging theatrical experiences—like performing a 75-minute solo monologue in "Tom Paine"—helped develop his craft before independent filmmaker Hal Hartley introduced him to the different demands of screen acting.Fans of Adult Swim's cult classic "The Venture Bros." will delight in Urbaniak's behind-the-scenes stories from his 20-year tenure voicing Dr. Rusty Venture and other characters. He recounts the surreal experience of having a makeup artist on the set of an HBO film tell him she was more excited to meet the voice of Dr. Venture than Al Pacino himself—a testament to the profound connection voice actors can forge with audiences.Urbaniak's philosophy of acting—describing himself as "a skeptic who likes to be surprised"—offers valuable insight into navigating the entertainment industry's inherent uncertainty. Whether discussing his brief but memorable appearance in Christopher Nolan's "Oppenheimer," his experience playing Robert Crumb in "American Splendor," or his current work on Apple TV+'s "Palm Royale," Urbaniak demonstrates why character actors are often the secret ingredient that elevates productions across all media.For aspiring actors, film buffs, animation fans, or anyone fascinated by the creative process, this conversation provides a rare glimpse into the life of a working actor who has successfully built a diverse career by embracing opportunities across multiple entertainment platforms.Support the show

Ep. 21: Dr. Barbara Malkas, North Adams Public SchoolsIn this episode of Thinking Like a Region, Drury High School student Miguel Pabon sits down with Superintendent Dr. Malkas to discuss her background as a dancer, the arts scenes in both New York City and the Berkshires, and the powerful creative capacities of observation, questioning, and telling the larger story of our society.Throughout the interview, the pair discuss the impact AI will have on the arts, as well as the 2023 blockbuster movies Barbie and Oppenheimer, and their mark on our cultural landscape.This episode was recorded in July 2023. Some references and information may be dated.A full transcript of the episode can be found here: https://tinyurl.com/TLAR-BMThis Episode's Voices:Barbara Malkas, Ed.D, is the Superintendent of North Adams Public Schools. Miguel Pabon is a student at Drury High School in North Adams, MA, and is a member of the Drury Stage Company.

Aedín talks to two-time Oscar award winning composer Ludwig Göransson. He took home the gold statuettes for Best Original Score for Black Panther and Oppenheimer, and he has scored one of this weekend's new releases, Sinners, directed by Ryan Coogler. (c) Getty

If you have got a wicked case of the munchies, boy howdy, do we have the perfect episode for you! MUNCHIES (1987) directed by Tina Hirsch and MUNCHIE (1992) directed by Jim Wynorski. It's a Roger Corman produced double feature celebrating 4/20 here on Death By DVD and we hope you tune in and light one up for this special fan request episode. Did you know that you can watch episodes of DEATH BY DVD and much much more on the official Patreon of Death By DVD? ★ Support this podcast on Patreon ★ subscribe to our newsletter today for updates on new episodes, merch discounts and more at www.deathbydvd.comHEY, while you're still here.. have you heard...DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES or copy and paste the link below : https://deathbydvd.com/who-shot-hankWhoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVD

(00:00-21:59) Miles Mikolas joins us giving his take on the smash hit "Youngry Birds." He doesn't do a lot of singing but he does have a pontoon boat. Not playing baseball year round as a kid. The Cards six-man rotation. The team's confidence level 18 games into the season. Being involved with Big League Impact and the Crisis Aid U.S. Safe Program. This team being more outwardly fun than in years past. (22:07-31:49) Animal House: Great. Some of our texters are evolving. Some aren't. The rest of the Blues/Jets series should be announced later today. Getting denied for having too much St. Charles in ya. (31:59-42:33) Mark Morrison. Jackson says Joey Vitale can be tough to schedule with. An emoji for sarcasm. The tongue emoji. I'm sorry or congratulations. There's something about hockey guys. Hockey weeds out the a-holes. Sean Avery was in Oppenheimer. Cueing up Jackson for a drop. Swing and a miss. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome to the DMF. I'm Justin Younts. In this video, I dive into the filmmakers who have inspired me the most throughout my journey in filmmaking. From Quentin Tarantino's unique storytelling style to Christopher Nolan's innovative techniques, I share my thoughts on what makes their work so impactful. Tarantino's use of violence as a stylistic choice and his chapter-based storytelling in films like 'Kill Bill' have always fascinated me. I appreciate how he keeps audiences guessing about how the chapters connect, creating a compelling narrative. Wes Anderson's attention to detail, especially in films like 'Asteroid City,' captivates me as well. I often find myself watching films on airplanes, fully immersed in the experience, and Anderson's work is no exception. His characters and storytelling approach resonate deeply with me. Then there's Christopher Nolan, who I admire for his ability to tell complex stories in a concise manner. His background in commercial advertising has shaped his storytelling skills, allowing him to convey powerful narratives in a short amount of time. I discuss how his films, like 'Interstellar,' explore profound themes of family and sacrifice, and how his commitment to practical effects enhances the viewing experience. I also touch on the importance of a strong script, as seen in shows like 'Westworld,' and how it can keep viewers engaged across multiple episodes. I reflect on the emotional depth of films like 'Interstellar' and 'Oppenheimer,' and how they leave a lasting impact on audiences. Join me as I explore these filmmakers' influences and share my passion for cinema. Whether you're a budding filmmaker or a film enthusiast, there's something to learn from these masters of storytelling. Don't forget to like, share, and subscribe for more insights into the world of filmmaking!00:00:01 - Introduction00:00:11 - Inspiration from Quentin Tarantino00:01:26 - Inspiration from Wes Anderson00:02:48 - Inspiration from Christopher Nolan00:04:26 - Discussing Interstellar00:09:35 - Discussing Oppenheimer00:10:31 - Discussing Casino00:10:55 - Discussing No Country for Old Men00:11:00 - Discussing Fargo00:14:31 - Discussing A Serious Man00:15:16 - Conclusion

Every now and then we hear about a film that's coming that's supposed to be a true event, Avengers Endgame, Oppenheimer, Avatar, Barbie, etc. When it lives up to the hype it has the ability to change the way we look at other films in that same realm. Ryan Coogler's Sinners is truly one of those films and without a doubt the best movie of 2025, T got a chance to catch an early screening and is here with all the details of the Vampire goodness!   Sinners   Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.   #sinners #sinnersmovie #ryancoogler #michaelbjordan #creed #blackpanther #wakandaforever #avengers #mcu #hawkeye #hishouse

Michael Angarano has been acting since he was an infant and has a long resume of memorable work in both comedic and dramatic roles—“Almost Famous,” “Will and Grace,” “This is Us,” “Gentlemen Broncos,” “Oppenheimer,” to name a few. His latest is a wonderful comedy with a lot of heart that he stars in, co-wrote and directed called “Sacramento.” On this episode he talks about the long road of getting that film made, how he needed to adjust once he saw Michael Cera's approach to the role, and the interesting realization that he may not need to act and direct and write at the same time again. He tells a story about suddenly facing a strange form of stage fright, and the sensitive way Steven Soderbergh helped him get though it. He explains why he says he doesn't have an acting process, has a particular aversion to relaxation exercises, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

His films are both epic & prolific and he's responsible for some of Hollywood's biggest blockbusters including "The Dark Knight," "Inception," and last year's Best Picture winner, "Oppenheimer." This week, Eric, Scott, and special guest Paul Levin rank the films of the one and only Christopher Nolan! Where do your favorites stack up? Tune in to this week's "Pop Ranks" to find out.  

War is hell… but Movie Squad is heaven. This week, with Tristan Fidler away on special assignment, Laura Blundell joins Simon Miraudo and Breakfast host Pam Boland for two bleak and despairing films that send her into a self-admitted spiral. First up, Laura reviews Small Things Like These, featuring Cillian Murphy in his first major role post Oscar-win for Oppenheimer. It sees him play an Irish coal merchant who witnesses the abusive workhouses for unwed mothers in 1980s Ireland. Then, Simon reviews Warfare, director Alex Garland's follow-up to 2024's Civil War; an even more immersive frontline thriller set during a single campaign of the Iraq War in 2006, told from the ‘memory' of co-director Ray Mendoza, and starring all the internet's boyfriends. Keep listening for a pod-exclusive chat about… Spice World? Be sure to tune in to RTRFM every Friday at 7:30am to hear Movie Squad live on Breakfast with Pam!

It's a small world. The great David Rieff came to my San Francisco studio today for in person interview about his new anti-woke polemic Desire and Fate. And half way through our conversation, he brought up Daniel Bessner's This Is America piece which Bessner discussed on yesterday's show. I'm not sure what that tells us about wokeness, a subject which Rieff and I aren't in agreement. For him, it's the thing-in-itself which make sense of our current cultural malaise. Thus Desire and Fate, his attempt (with a great intro from John Banville) to wake us up from Wokeness. For me, it's a distraction. I've included the full transcript below. Lots of good stuff to chew on. Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. 5 KEY TAKEAWAYS * Rieff views "woke" ideology as primarily American and post-Protestant in nature, rather than stemming solely from French philosophy, emphasizing its connections to self-invention and subjective identity.* He argues that woke culture threatens high culture but not capitalism, noting that corporations have readily embraced a "baudlerized" version of identity politics that avoids class discussions.* Rieff sees woke culture as connected to the wellness movement, with both sharing a preoccupation with "psychic safety" and the metaphorical transformation of experience in which "words” become a form of “violence."* He suggests young people's material insecurity contributes to their focus on identity, as those facing bleak economic prospects turn inward when they "can't make their way in the world."* Rieff characterizes woke ideology as "apocalyptic but not pessimistic," contrasting it with his own genuine pessimism which he considers more realistic about human nature and more cheerful in its acceptance of life's limitations. FULL TRANSCRIPTAndrew Keen: Hello everybody, as we digest Trump 2.0, we don't talk that much these days about woke and woke ideology. There was a civil war amongst progressives, I think, on the woke front in 2023 and 2024, but with Donald Trump 2.0 and his various escapades, let's just talk these days about woke. We have a new book, however, on the threat of woke by my guest, David Rieff. It's called Desire and Fate. He wrote it in 2023, came out in late 2024. David's visiting the Bay Area. He's an itinerant man traveling from the East Coast to Latin America and Europe. David, welcome to Keen on America. Do you regret writing this book given what's happened in the last few months in the United States?David Rieff: No, not at all, because I think that the road to moral and intellectual hell is trying to censor yourself according to what you think is useful. There's a famous story of Jean Paul Sartre that he said to the stupefaction of a journalist late in his life that he'd always known about the gulag, and the journalist pretty surprised said, well, why didn't you say anything? And Sartre said so as not to demoralize the French working class. And my own view is, you know, you say what you have to say about this and if I give some aid and comfort to people I don't like, well, so be it. Having said that, I also think a lot of these woke ideas have their, for all of Trump's and Trump's people's fierce opposition to woke, some of the identity politics, particularly around Jewish identity seems to me not that very different from woke. Strangely they seem to have taken, for example, there's a lot of the talk about anti-semitism on college campuses involves student safety which is a great woke trope that you feel unsafe and what people mean by that is not literally they're going to get shot or beaten up, they mean that they feel psychically unsafe. It's part of the kind of metaphorization of experience that unfortunately the United States is now completely in the grips of. But the same thing on the other side, people like Barry Weiss, for example, at the Free Press there, they talk in the same language of psychic safety. So I'm not sure there's, I think there are more similarities than either side is comfortable with.Andrew Keen: You describe Woke, David, as a cultural revolution and you associated in the beginning of the book with something called Lumpen-Rousseauism. As we joked before we went live, I'm not sure if there's anything in Rousseau which isn't Lumpen. But what exactly is this cultural revolution? And can we blame it on bad French philosophy or Swiss French?David Rieff: Well, Swiss-French philosophy, you know exactly. There is a funny anecdote, as I'm sure you know, that Rousseau made a visit to Edinburgh to see Hume and there's something in Hume's diaries where he talks about Rousseau pacing up and down in front of the fire and suddenly exclaiming, but David Hume is not a bad man. And Hume notes in his acerbic way, Rousseau was like walking around without his skin on. And I think some of the woke sensitivity stuff is very much people walking around without their skin on. They can't stand the idea of being offended. I don't see it as much - of course, the influence of that version of cultural relativism that the French like Deleuze and Guattari and other people put forward is part of the story, but I actually see it as much more of a post-Protestant thing. This idea, in that sense, some kind of strange combination of maybe some French philosophy, but also of the wellness movement, of this notion that health, including psychic health, was the ultimate good in a secular society. And then the other part, which again, it seems to be more American than French, which is this idea, and this is particularly true in the trans movement, that you can be anything you want to be. And so that if you feel yourself to be a different gender, well, that's who you are. And what matters is your own subjective sense of these things, and it's up to you. The outside world has no say in it, it's what you feel. And that in a sense, what I mean by post-Protestant is that, I mean, what's the difference between Protestantism and Catholicism? The fundamental difference is, it seems to me, that in Roman Catholic tradition, you need the priest to intercede with God, whereas in Protestant tradition, it is, except for the Anglicans, but for most of Protestantism, it's you and God. And in that sense it seems to me there are more of what I see in woke than this notion that some of the right-wing people like Chris Rufo and others have that this is cultural French cultural Marxism making its insidious way through the institutions.Andrew Keen: It's interesting you talk about the Protestant ethic and you mentioned Hume's remark about Rousseau not having his skin on. Do you think that Protestantism enabled people to grow thick skins?David Rieff: I mean, the Calvinist idea certainly did. In fact, there were all these ideas in Protestant culture, at least that's the classical interpretation of deferred gratification. Capitalism was supposed to be the work ethic, all of that stuff that Weber talks about. But I think it got in the modern version. It became something else. It stopped being about those forms of disciplines and started to be about self-invention. And in a sense, there's something very American about that because after all you know it's the Great Gatsby. It's what's the famous sentence of F. Scott Fitzgerald's: there are no second acts in American lives.Andrew Keen: This is the most incorrect thing anyone's ever said about America. I'm not sure if he meant it to be incorrect, did he? I don't know.David Rieff: I think what's true is that you get the American idea, you get to reinvent yourself. And this notion of the dream, the dream become reality. And many years ago when I was spending a lot of time in LA in the late 80s, early 90s, at LAX, there was a sign from the then mayor, Tom Bradley, about how, you know, if you can dream it, it can be true. And I think there's a lot in identitarian woke idea which is that we can - we're not constricted by history or reality. In fact, it's all the present and the future. And so to me again, woke seems to me much more recognizable as something American and by extension post-Protestant in the sense that you see the places where woke is most powerful are in the other, what the encampment kids would call settler colonies, Australia and Canada. And now in the UK of course, where it seems to me by DI or EDI as they call it over there is in many ways stronger in Britain even than it was in the US before Trump.Andrew Keen: Does it really matter though, David? I mean, that's my question. Does it matter? I mean it might matter if you have the good or the bad fortune to teach at a small, expensive liberal arts college. It might matter with some of your dinner parties in Tribeca or here in San Francisco, but for most people, who cares?David Rieff: It doesn't matter. I think it matters to culture and so what you think culture is worth, because a lot of the point of this book was to say there's nothing about woke that threatens capitalism, that threatens the neo-liberal order. I mean it's turning out that Donald Trump is a great deal bigger threat to the neoliberal order. Woke was to the contrary - woke is about talking about everything but class. And so a kind of baudlerized, de-radicalized version of woke became perfectly fine with corporate America. That's why this wonderful old line hard lefty Adolph Reed Jr. says somewhere that woke is about diversifying the ruling class. But I do think it's a threat to high culture because it's about equity. It's about representation. And so elite culture, which I have no shame in proclaiming my loyalty to, can't survive the woke onslaught. And it hasn't, in my view. If you look at just the kinds of books that are being written, the kinds of plays that are been put on, even the opera, the new operas that are being commissioned, they're all about representing the marginalized. They're about speaking for your group, whatever that group is, and doing away with various forms of cultural hierarchy. And I'm with Schoenberg: if it's for everybody, if it's art, Schoenberg said it's not for everybody, and if it's for everybody it's not art. And I think woke destroys that. Woke can live with schlock. I'm sorry, high culture can live with schlock, it always has, it always will. What it can't live with is kitsch. And by which I mean kitsch in Milan Kundera's definition, which is to have opinions that you feel better about yourself for holding. And that I think is inimical to culture. And I think woke is very destructive of those traditions. I mean, in the most obvious sense, it's destructive of the Western tradition, but you know, the high arts in places like Japan or Bengal, I don't think it's any more sympathetic to those things than it is to Shakespeare or John Donne or whatever. So yeah, I think it's a danger in that sense. Is it a danger to the peace of the world? No, of course not.Andrew Keen: Even in cultural terms, as you explain, it is an orthodoxy. If you want to work with the dominant cultural institutions, the newspapers, the universities, the publishing houses, you have to play by those rules, but the great artists, poets, filmmakers, musicians have never done that, so all it provides, I mean you brought up Kundera, all it provides is something that independent artists, creative people will sneer at, will make fun of, as you have in this new book.David Rieff: Well, I hope they'll make fun of it. But on the other hand, I'm an old guy who has the means to sneer. I don't have to please an editor. Someone will publish my books one way or another, whatever ones I have left to write. But if you're 25 years old, maybe you're going to sneer with your pals in the pub, but you're gonna have to toe the line if you want to be published in whatever the obvious mainstream place is and you're going to be attacked on social media. I think a lot of people who are very, young people who are skeptical of this are just so afraid of being attacked by their peers on various social media that they keep quiet. I don't know that it's true that, I'd sort of push back on that. I think non-conformists will out. I hope it's true. But I wonder, I mean, these traditions, once they die, they're very hard to rebuild. And, without going full T.S. Eliot on you, once you don't think you're part of the past, once the idea is that basically, pretty much anything that came before our modern contemporary sense of morality and fairness and right opinion is to be rejected and that, for example, the moral character of the artist should determine whether or not the art should be paid attention to - I don't know how you come back from that or if you come back from that. I'm not convinced you do. No, other arts will be around. And I mean, if I were writing a critical review of my own book, I'd say, look, this culture, this high culture that you, David Rieff, are writing an elegy for, eulogizing or memorializing was going to die anyway, and we're at the beginning of another Gutenbergian epoch, just as Gutenberg, we're sort of 20 years into Marshall McLuhan's Gutenberg galaxy, and these other art forms will come, and they won't be like anything else. And that may be true.Andrew Keen: True, it may be true. In a sense then, to extend that critique, are you going full T.S. Eliot in this book?David Rieff: Yeah, I think Eliot was right. But it's not just Eliot, there are people who would be for the wokesters more acceptable like Mandelstam, for example, who said you're part of a conversation that's been going on long before you were born, that's going to be going on after you are, and I think that's what art is. I think the idea that we make some completely new thing is a childish fantasy. I think you belong to a tradition. There are periods - look, this is, I don't find much writing in English in prose fiction very interesting. I have to say I read the books that people talk about because I'm trying to understand what's going on but it doesn't interest me very much, but again, there have been periods of great mediocrity. Think of a period in the late 17th century in England when probably the best poet was this completely, rightly, justifiably forgotten figure, Colley Cibber. You had the great restoration period and then it all collapsed, so maybe it'll be that way. And also, as I say, maybe it's just as with the print revolution, that this new culture of social media will produce completely different forms. I mean, everything is mortal, not just us, but cultures and civilizations and all the rest of it. So I can imagine that, but this is the time I live in and the tradition I come from and I'm sorry it's gone, and I think what's replacing it is for the most part worse.Andrew Keen: You're critical in the book of what you, I'm quoting here, you talk about going from the grand inquisitor to the grand therapist. But you're very critical of the broader American therapeutic culture of acute sensitivity, the thin skin nature of, I guess, the Rousseau in this, whatever, it's lumpen Rousseauanism. So how do you interpret that without psychologizing, or are you psychologizing in the book? How are you making sense of our condition? In other words, can one critique criticize therapeutic culture without becoming oneself therapeutic?David Rieff: You mean the sort of Pogo line, we've met the enemy and it is us. Well, I suppose there's some truth to that. I don't know how much. I think that woke is in some important sense a subset of the wellness movement. And the wellness movement after all has tens and tens of millions of people who are in one sense or another influenced by it. And I think health, including psychic health, and we've moved from wellness as corporal health to wellness as being both soma and psyche. So, I mean, if that's psychologizing, I certainly think it's drawing the parallel or seeing woke in some ways as one of the children of the god of wellness. And that to me, I don't know how therapeutic that is. I think it's just that once you feel, I'm interested in what people feel. I'm not necessarily so interested in, I mean, I've got lots of opinions, but what I think I'm better at than having opinions is trying to understand why people think what they think. And I do think that once health becomes the ultimate good in a secular society and once death becomes the absolutely unacceptable other, and once you have the idea that there's no real distinction of any great validity between psychic and physical wellness, well then of course sensitivity to everything becomes almost an inevitable reaction.Andrew Keen: I was reading the book and I've been thinking about a lot of movements in America which are trying to bring people together, dealing with America, this divided America, as if it's a marriage in crisis. So some of the most effective or interesting, I think, thinkers on this, like Arlie Hochschild in Berkeley, use the language of therapy to bring or to try to bring America back together, even groups like the Braver Angels. Can therapy have any value or that therapeutic culture in a place like America where people are so bitterly divided, so hateful towards one another?David Rieff: Well, it's always been a country where, on the one hand, people have been, as you say, incredibly good at hatred and also a country of people who often construe themselves as misfits and heretics from the Puritans forward. And on the other hand, you have that small-town American idea, which sometimes I think is as important to woke and DI as as anything else which is that famous saying of small town America of all those years ago which was if you don't have something nice to say don't say anything at all. And to some extent that is, I think, a very powerful ancestor of these movements. Whether they're making any headway - of course I hope they are, but Hochschild is a very interesting figure, but I don't, it seems to me it's going all the other way, that people are increasingly only talking to each other.Andrew Keen: What this movement seems to want to do is get beyond - I use this word carefully, I'm not sure if they use it but I'm going to use it - ideology and that we're all prisoners of ideology. Is woke ideology or is it a kind of post-ideology?David Rieff: Well, it's a redemptive idea, a restorative idea. It's an idea that in that sense, there's a notion that it's time for the victims, for the first to be last and the last to be first. I mean, on some level, it is as simple as that. On another level, as I say, I do think it has a lot to do with metaphorization of experience, that people say silence is violence and words are violence and at that point what's violence? I mean there is a kind of level to me where people have gotten trapped in the kind of web of their own metaphors and now are living by them or living shackled to them or whatever image you're hoping for. But I don't know what it means to get beyond ideology. What, all men will be brothers, as in the Beethoven-Schiller symphony? I mean, it doesn't seem like that's the way things are going.Andrew Keen: Is the problem then, and I'm thinking out loud here, is the problem politics or not enough politics?David Rieff: Oh, I think the problem is that now we don't know, we've decided that everything is part, the personal is the political, as the feminists said, 50, 60 years ago. So the personal's political, so the political is the personal. So you have to live the exemplary moral life, or at least the life that doesn't offend anybody or that conforms to whatever the dominant views of what good opinions are, right opinions are. I think what we're in right now is much more the realm of kind of a new set of moral codes, much more than ideology in the kind of discrete sense of politics.Andrew Keen: Now let's come back to this idea of being thin-skinned. Why are people so thin-skinned?David Rieff: Because, I mean, there are lots of things to say about that. One thing, of course, that might be worth saying, is that the young generations, people who are between, let's say, 15 and 30, they're in real material trouble. It's gonna be very hard for them to own a house. It's hard for them to be independent and unless the baby boomers like myself will just transfer every penny to them, which doesn't seem very likely frankly, they're going to live considerably worse than generations before. So if you can't make your way in the world then maybe you make your way yourself or you work on yourself in that sort of therapeutic sense. You worry about your own identity because the only place you have in the world in some way is yourself, is that work, that obsession. I do think some of these material questions are important. There's a guy you may know who's not at all woke, a guy who teaches at the University of Washington called Danny Bessner. And I just did a show with him this morning. He's a smart guy and we have a kind of ironic correspondence over email and DM. And I once said to him, why are you so bitter about everything? And he said, you want to know why? Because I have two children and the likelihood is I'll never get a teaching job that won't require a three hour commute in order for me to live anywhere that I can afford to live. And I thought, and he couldn't be further from woke, he's a kind of Jacobin guy, Jacobin Magazine guy, and if he's left at all, it's kind of old left, but I think a lot of people feel that, that they feel their practical future, it looks pretty grim.Andrew Keen: But David, coming back to the idea of art, they're all suited to the world of art. They don't have to buy a big house and live in the suburbs. They can become poets. They can become filmmakers. They can put their stuff up on YouTube. They can record their music online. There are so many possibilities.David Rieff: It's hard to monetize that. Maybe now you're beginning to sound like the people you don't like. Now you're getting to sound like a capitalist.Andrew Keen: So what? Well, I don't care if I sound like a capitalist. You're not going to starve to death.David Rieff: Well, you might not like, I mean, it's fine to be a barista at 24. It's not so fine at 44. And are these people going to ever get out of this thing? I don't know. I wonder. Look, when I was starting as a writer, as long as you were incredibly diligent, and worked really hard, you could cobble together at least a basic living by accepting every assignment and people paid you bits and bobs of money, but put together, you could make a living. Now, the only way to make money, unless you're lucky enough to be on staff of a few remaining media outlets that remain, is you have to become an impresario, you have become an entrepreneur of your own stuff. And again, sure, do lots of people manage that? Yeah, but not as many as could have worked in that other system, and look at the fate of most newspapers, all folding. Look at the universities. We can talk about woke and how woke destroyed, in my view anyway, a lot of the humanities. But there's also a level in which people didn't want to study these things. So we're looking at the last generation in a lot places of a lot of these humanities departments and not just the ones that are associated with, I don't know, white supremacy or the white male past or whatever, but just the humanities full stop. So I know if that sounds like, maybe it sounds like a capitalist, but maybe it also sounds like you know there was a time when the poets - you know very well, poets never made a living, poets taught in universities. That's the way American poets made their money, including pretty famous poets like Eric Wolcott or Joseph Brodsky or writers, Toni Morrison taught at Princeton all those years, Joyce Carol Oates still alive, she still does. Most of these people couldn't make a living of their work and so the university provided that living.Andrew Keen: You mentioned Barry Weiss earlier. She's making a fortune as an anti-woke journalist. And Free Press seems to be thriving. Yascha Mounk's Persuasion is doing pretty well. Andrew Sullivan, another good example, making a fortune off of Substack. It seems as if the people willing to take risks, Barry Weiss leaving the New York Times, Andrew Sullivan leaving everything he's ever joined - that's...David Rieff: Look, are there going to be people who thrive in this new environment? Sure. And Barry Weiss turns out to be this kind of genius entrepreneur. She deserves full credit for that. Although even Barry Weiss, the paradox for me of Barry Weiss is, a lot of her early activism was saying that she felt unsafe with these anti-Israeli teachers at Columbia. So in a sense, she was using some of the same language as the woke use, psychic safety, because she didn't mean Joseph Massad was gonna come out from the blackboard and shoot her in the eye. She meant that she was offended and used the language of safety to describe that. And so in that sense, again, as I was saying to you earlier, I think there are more similarities here. And Trump, I think this is a genuine counterrevolution that Trump is trying to mount. I'm not very interested in the fascism, non-fascism debate. I'm rather skeptical of it.Andrew Keen: As Danny Bessner is. Yeah, I thought Danny's piece about that was brilliant.David Rieff: We just did a show about it today, that piece about why that's all rubbish. I was tempted, I wrote to a friend that guy you may know David Bell teaches French history -Andrew Keen: He's coming on the show next week. Well, you see, it's just a little community of like-minded people.David Rieff: There you go. Well, I wrote to David.Andrew Keen: And you mentioned his father in the book, Daniel.David Rieff: Yeah, well, his father is sort of one of the tutelary idols of the book. I had his father and I read his father and I learned an enormous amount. I think that book about the cultural contradictions of capitalism is one of the great prescient books about our times. But I wrote to David, I said, I actually sent him the Bessner piece which he was quite ambivalent about. But I said well, I'm not really convinced by the fascism of Trump, maybe just because Hitler read books, unlike Donald Trump. But it's a genuine counterrevolution. And what element will change the landscape in terms of DI and woke and identitarianism is not clear. These people are incredibly ambitious. They really mean to change this country, transform it.Andrew Keen: But from the book, David, Trump's attempts to cleanse, if that's the right word, the university, I would have thought you'd have rather admired that, all these-David Rieff: I agree with some of it.Andrew Keen: All these idiots writing the same article for 30 years about something that no one has any interest in.David Rieff: I look, my problem with Trump is that I do support a lot of that. I think some of the stuff that Christopher Rufo, one of the leading ideologues of this administration has uncovered about university programs and all of this crap, I think it's great that they're not paying for it anymore. The trouble is - you asked me before, is it that important? Is culture important compared to destroying the NATO alliance, blowing up the global trade regime? No. I don't think. So yeah, I like a lot of what they're doing about the university, I don't like, and I am very fiercely opposed to this crackdown on speech. That seems to be grotesque and revolting, but are they canceling supporting transgender theater in Galway? Yeah, I think it's great that they're canceling all that stuff. And so I'm not, that's my problem with Trump, is that some of that stuff I'm quite unashamedly happy about, but it's not nearly worth all the damage he's doing to this country and the world.Andrew Keen: Being very generous with your time, David. Finally, in the book you describe woke as, and I thought this was a very sharp way of describing it, describe it as being apocalyptic but not pessimistic. What did you mean by that? And then what is the opposite of woke? Would it be not apocalyptic, but cheerful?David Rieff: Well, I think genuine pessimists are cheerful, I would put myself among those. The model is Samuel Beckett, who just thinks things are so horrible that why not be cheerful about them, and even express one's pessimism in a relatively cheerful way. You remember the famous story that Thomas McCarthy used to tell about walking in the Luxembourg Gardens with Beckett and McCarthy says to him, great day, it's such a beautiful day, Sam. Beckett says, yeah, beautiful day. McCarthy says, makes you glad to be alive. And Beckett said, oh, I wouldn't go that far. And so, the genuine pessimist is quite cheerful. But coming back to woke, it's apocalyptic in the sense that everything is always at stake. But somehow it's also got this reformist idea that cultural revolution will cleanse away the sins of the supremacist patriarchal past and we'll head for the sunny uplands. I think I'm much too much of a pessimist to think that's possible in any regime, let alone this rather primitive cultural revolution called woke.Andrew Keen: But what would the opposite be?David Rieff: The opposite would be probably some sense that the best we're going to do is make our peace with the trash nature of existence, that life is finite in contrast with the wellness people who probably have a tendency towards the apocalyptic because death is an insult to them. So everything is staving off the bad news and that's where you get this idea that you can, like a lot of revolutions, you can change the nature of people. Look, the communist, Che Guevara talked about the new man. Well, I wonder if he thought it was so new when he was in Bolivia. I think these are - people need utopias, this is one of them, MAGA is another utopia by the way, and people don't seem to be able to do without them and that's - I wish it were otherwise but it isn't.Andrew Keen: I'm guessing the woke people would be offended by the idea of death, are they?David Rieff: Well, I think the woke people, in this synchronicity, people and a lot of people, they're insulted - how can this happen to me, wonderful me? And this is those jokes in the old days when the British could still be savage before they had to have, you know, Henry the Fifth be played by a black actor - why me? Well, why not you? That's just so alien to and it's probably alien to the American idea. You're supposed to - it's supposed to work out and the truth is it doesn't work out. But La Rochefoucauld says somewhere no one can stare for too long at death or the sun and maybe I'm asking too much.Andrew Keen: Maybe only Americans can find death unacceptable to use one of your words.David Rieff: Yes, perhaps.Andrew Keen: Well, David Rieff, congratulations on the new book. Fascinating, troubling, controversial as always. Desire and Fate. I know you're writing a book about Oppenheimer, very different kind of subject. We'll get you back on the show to talk Oppenheimer, where I guess there's not going to be a lot of Lumpen-Rousseauism.David Rieff: Very little, very little love and Rousseau in the quantum mechanics world, but thanks for having me.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Home insurance is no longer a guarantee—millions of Americans are struggling to find affordable coverage, while others are being priced out entirely. With wildfires, hurricanes, and severe storms driving up claims, insurers are pulling out of high-risk areas, leaving homeowners vulnerable. In this episode of Let's Talk Future™, Jane Ross is joined by Isaac Espinoza (CEO, Kettle), Greg Hendrick (CEO, Vantage Group), and Ritendra Roy (Managing Director, Oppenheimer) to discuss the home insurance crisis. The discussion also highlights AI's role in predicting and mitigating risk. If you're a homeowner, investor, or financial professional, this episode is essential listening.   Episode Disclosure: This podcast is the property of Oppenheimer & Co. Inc. and should not be copied, distributed, published or reproduced, in whole or in part. The information/commentary contained in this recording was obtained from market conditions and professional sources, and is educational in nature. The information presented has been derived from sources believed to be reliable but is not guaranteed as to accuracy and does not purport to be a complete analysis of any strategy, plan, security, company, or industry involved. Opinions expressed herein are subject to change without notice. Oppenheimer has no obligation to provide any updates or changes. Any examples used in this material are generic, hypothetical and for illustration purposes only. All price references and market forecasts are as of the date of recording. This podcast is not a product of Oppenheimer Research, nor does it provide any financial, economic, legal, accounting, or tax advice or recommendations. Any liability therefore (including in respect of direct, indirect or consequential loss or damage) is expressly disclaimed. Securities and other financial instruments that may be discussed in this report or recommended or sold are not insured by the Federal Deposit Insurance Corporation and are not deposits or obligations of any insured depository institution. Investments involve numerous risks including market risk, counterparty default risk and liquidity risk. Securities and other financial investments at times maybe difficult to value or sell. The value of financial instruments may fluctuate, and investors may lose their entire principal investment. Prior to making any investment or financial decisions, an investor should seek advice from their personal financial, legal, tax and other professional advisors that take into account all of the particular facts and circumstances of an investor's own situation. The views and strategies described may not be suitable for all investors. This report does not take into account the investment objectives, financial situation or specific needs of any particular client of Oppenheimer or its affiliates. This presentation may contain forward looking statements or projections regarding future events.  Forward-looking statements and projections are based on the opinions and estimates of Oppenheimer as of the date of this podcast, and are subject to a variety of risks and uncertainties as well as other factors, including economic, political, and public health factors, that could cause actual events or results to differ materially from those anticipated in the forward-looking statements and projections.  Past performance does not guarantee future results. The performance of a benchmark index is not indicative of the performance of any particular investment; however, they are considered representative of their respective market segments.  Please note that indexes are unmanaged and their returns do not take into account any of the costs associated with buying and selling individual securities.  Individuals cannot invest directly in an index. Oppenheimer Transacts Business on all Principal Exchanges and Member SIPC  7803321.1

Peter Oppenheimer, chief global equity strategist at Goldman Sachs, discusses the likelihood of tariffs sparking a US recession. He is joined by Bloomberg's Jonathan Ferro, Lisa Abramowicz, and Annmarie Hordern.See omnystudio.com/listener for privacy information.

During a time where a global pandemic was ravaging the world, people were finally able to flock back to the theater for their first big theatrical experience in almost a year. What were they given after an overwhelming time? The film equivalent of your brain short circuiting! Christopher was back with 'Tenet'. Weirdly sandwiched between his historical dramas 'Dunkirk' and 'Oppenheimer', is this a natural progression on his usual twisty formula, or is a regression into old tropes?Starring - John David Washington, Robert Pattinson, Elizabeth Debicki, Kenneth Branagh, Aaron Taylor Johnson, Michael Caine

Death By DVD takes a bite out ofAMBROGIO : The First Vampire on this fresh from the grave episode! We have a real treat, the director, producers & stars of AMBROGIO : The First Vampire, Angelina Buzzelli & Alex Javo join me to discuss their new vampire epic and their careers as artists in general.  This is a delightful episode filled with great indie insight. It's educational and fun for everyone. I believe this is the first episode in Death By DVD history without a curse word! Don't hesitate, click play and hear this episode today. It may be one of the best we have ever released. I am so thankful to Alex Javo & Angelina Buzzelli for their time. Well, what are you waiting for?! Click play now! Tap here or copy and pate the link below for AMBROGIO : The First Vampire on IMDb : https://www.imdb.com/name/nm13682571/Tap here or copy and paste the link below for Alex Javo on IMDb : https://www.imdb.com/name/nm13682571/Tap here or copy and paste the link below for Angelina Buzzelli on IMDb : https://www.imdb.com/name/nm13682571/TAP HERE or copy and paste the link below to watch AMBROGIO : The First Vampire now on AMAZON : https://www.amazon.com/gp/video/detail/B0DRWH3LVJ/ref=atv_dp_share_cu_r ★ Support this podcast on Patreon ★ Don't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES Whoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVD ★ Support this podcast on Patreon ★

El año pasado ganó el Oscar por su papel en “Oppenheimer”, en los últimos tiempos ha liderado varios años la lista de los actores mejor pagados del cine americano y acaba de cumplir 60 años. Nos referimos a Robert Downey Jr que es también la estrella del episodio de esta semana. Hemos preparado un reportaje sobre sus primeros años de carrera, el camino que le llevó a convertirse en lo que es hoy. Un camino, en su caso, bastante tortuoso. Aprovechando el estreno de la película “Peter Pan, pesadilla en Nunca Jamás” le damos un repaso a todas las adaptaciones al cine que ha tenido este personaje. “Tierra de audaces”, la película protagonizada por Tyrone Power y Henry Fonda sobre las aventuras de Jesse James y su hermano Frank, es el western que nos trae esta semana Jack Bourbon. Y hemos charlado también con Pedro Piñeiro, director del Ecozine, un festival centrado fundamentalmente en películas de temas socio ambientales que se celebra estos días en Zaragoza y otras localidades de Aragón y Navarra.

On this week's show we discuss whether physical media is making a comeback and could a Bezel-less OLED be the future of large format TVs. We also read your emails and take a look at the week's news. News: Google kills off Nest Protect, partners with First Alert for new smart smoke detector Christie to collaborate with Dolby to develop the next generation of Dolby Vision laser projection systems YouTube Sees Record Viewing, Beats Disney in TV Viewing Share Other: 2025 Box-Office Aims To Hit $34 Billion Physical media is finally making a comeback, and here's the proof Despite a decline in overall physical media sales, which dipped below $1 billion in 2024, there are signs of resilience and growth in specific sectors. Major retailers like Best Buy and Target are phasing out physical media, but Sony's announcement of a new Blu-ray player, the UBP-X700/K, set for release in 2025, signals continued investment in the format. This player, while currently only available in Japan, supports 4K Blu-rays, which are region-free and growing in market share despite the higher cost compared to its predecessor. There is a niche but dedicated community keeping physical media alive, supported by boutique retailers like Criterion Collection and Arrow, which preserve films such as David Lynch's catalog, including the upcoming 4K release of Twin Peaks: Fire Walk With Me. Mainstream releases still often get physical versions, and affordable options abound online and in thrift stores, offering DVDs, Blu-rays, and 4K discs compatible with modern players. There are personal advantages of physical ownership, like better quality and reliability compared to streaming, which can be plagued by shifting availability and rising costs. While consoles may soon abandon disc drives and companies like LG have discontinued Blu-ray players, the 4K Blu-ray market is a bright spot, with growing demand evidenced by the sell-out of Oppenheimer's 4K release in 2023. The new Sony player supports Dolby Vision (though it requires manual toggling), enhancing the viewing experience over consoles like Xbox or PS5. The article concludes that 2025 is an opportune time to embrace physical media, especially for those frustrated with streaming, as it offers a tangible, cost-effective alternative with no risk of content disappearing—though it comes with minor inconveniences like disc-swapping for TV binges. The future remains uncertain, but the 4K sector offers hope for collectors. Full article here… Bezel-less tile OLED TVs could be the future of large-screen displays (from Tom's Guide) Samsung Display showcased a variety of innovative display technologies at MWC 2025, with a standout being their "bezel-less" OLED tile design. This concept involves combining smaller OLED panels, such as two 31.5-inch QD-OLED screens, to form larger displays with significantly reduced bezels—40% narrower than typical current market offerings. This makes the seams nearly invisible from a standard viewing distance, opening up possibilities for future OLED TV designs. The bezel-less OLED tiles could revolutionize large-screen TVs by improving portability and setup logistics. Unlike traditional massive TVs (e.g., 98- or 110-inch models), which are cumbersome and costly to ship and install, these tiles could be transported and assembled in smaller, manageable parts—ideal for urban dwellers in older buildings with limited access. Additionally, the design might simplify wall-mounting, potentially eliminating the need for complex mounts by allowing the tiles to sit flush against walls, reminiscent of concepts like Displace TV's suction-cup OLEDs. This technology could particularly enhance lifestyle TVs, such as Samsung's The Frame, by offering a sleek, frameless look that blends seamlessly into home decor. However, challenges remain—similar to MicroLED, the intricate engineering might make these TVs prohibitively expensive initially. While not yet ready for consumers, Samsung Display's tile concept hints at an exciting future for bigger, better, and more practical OLED TVs. Full article here… Let's Discuss Why This is a Good Thing: Easier Transport and Setup for Large TVs Simplified Wall-Mounting  Enhanced Design for Lifestyle TVs Scalability and Customization Improved Visual Experience Easier Transport and Setup for Large TVs The tiled OLED concept tackles the logistical nightmare of moving and installing massive TVs. By breaking a large display (like a 115-inch screen) into smaller, manageable pieces (e.g., two 31.5-inch QD-OLED panels), it becomes far more practical to transport and assemble. This is a game-changer for people in tricky living situations—like those in high-rise apartments with no elevators or tight staircases—where hauling a giant, crated TV is a non-starter. Instead of wrestling with one unwieldy unit, you'd handle smaller components, making setup less of a Herculean task. Simplified Wall-Mounting The ultra-thin, virtually bezel-less design hints at a future where wall-mounting could be a breeze. These tiles seem to sit flush against surfaces, potentially reducing or even eliminating the need for bulky wall mounts and toolkits. While it's not clear if they'd use something like suction cups (à la Displace TV) or another method, the streamlined look suggests a setup that's less about drilling and more about placement. This could make mounting a TV—especially over a fireplace or in tight spaces—more accessible and less intimidating. Enhanced Design for Lifestyle TVs The bezel-less tile concept aligns perfectly with the aesthetic goals of lifestyle TVs, like Samsung's The Frame. A flush, frameless display could elevate the “TV as art” vibe, blending seamlessly into home decor. You could even add a custom frame around the tiles if desired, keeping the versatility intact. This design flexibility could redefine how TVs integrate into living spaces, making them less of an obtrusive tech piece and more of a stylish feature. Scalability and Customization Tiling smaller OLED panels to create a larger screen opens up possibilities for scalable TV sizes. Want a 65-inch TV today but a 98-inch tomorrow? In theory, you could add more tiles. While this might not be fully practical yet, the modular nature suggests a future where screen size isn't fixed at purchase, offering a level of adaptability that current TVs lack. Improved Visual Experience Shrinking bezels by 40% compared to standard displays means the seams between tiles are nearly invisible at normal viewing distances. This creates a more immersive, uninterrupted picture—crucial for OLED's strengths like deep blacks and vibrant colors. It's a step toward making massive OLED screens feel cohesive rather than patchwork, enhancing the viewing experience for movies, gaming, or VR applications. It's Not All Good News: Cost and Accessibility Manufacturing and Durability Challenges Installation Complexity Wall-Mounting Uncertainties Potential Visual Trade-Offs Cost and Accessibility Complex engineering often leads to high costs. Much like MicroLED TVs, which are expensive due to their manufacturing processes, these bezel-less OLED tiles could follow a similar path. If they hit the market, they might be priced out of reach for the average consumer. Manufacturing and Durability Challenges Shrinking bezels by 40% and tiling multiple panels together sounds impressive, but it raises questions about production complexity and long-term durability. Seamlessly connecting 31.5-inch QD-OLED panels could introduce weak points where the tiles meet, potentially leading to issues like uneven wear, panel misalignment over time, or vulnerability to damage during transport or installation. The "bezel-less" claim might also exaggerate real-world performance if micro-gaps or seams remain faintly visible up close. Installation Complexity While the concept promises to simplify transporting and setting up XXL TVs by breaking them into smaller components, the assembly process could still be a hurdle. Consumers might need precise instructions—or even professional help—to align and connect the tiles perfectly. If the panels don't lock together intuitively or require specialized tools, the setup could negate some of the portability benefits, especially for less tech-savvy users. Wall-Mounting Uncertainties The idea of tiles sitting flush against the wall (possibly without traditional mounts) is appealing, but it's unclear how practical this would be. If Samsung Display isn't using suction cups like Displace TV, the attachment method remains a mystery. Adhesive solutions could damage walls or lose strength over time, while a lack of standard mounting hardware might make the TVs harder to secure safely, especially in homes with kids or pets. The "glued-on" aesthetic might also limit repositioning or removal flexibility. Potential Visual Trade-Offs Tiling multiple OLED panels could introduce subtle visual inconsistencies, such as slight color or brightness variations between tiles, especially as they age. While the bezels are minimized, any imperfections in alignment or panel uniformity might become noticeable during close viewing or in scenes with solid colors, detracting from the premium OLED experience consumers expect.

EVERY DAY IS MOTHER'S DAY—A monochromator is an optical device that separates light, like sunlight or the light from a lamp, into a range of individual wavelengths and then allows …… Sorry. I failed physics the last time I took it and I would fail it again. I'm not telling you about my shortcomings for any reason, because a podcast about my shortcomings would be endless.But I thought I'd look up the word when confronted with Monochromator magazine, which aims to “deconstruct selected films under a shared monochrome to reconstruct them for social relevance.” Look, that's what it says on the website.But when you read the magazine, you get it. This is politics and social issues filtered through big movies. How big? The first issue uses Barbie and Oppenheimer to examine the rise of American power (hard and soft).Having said that, it's very interesting reading and not heavy. And editor Alex Heeyeon Kil is not even sure she's editing a film magazine. She sees Monochromator as a discussion about the real world using fictional stories, in this case movies. And her team, divided between South Korea and Germany, publish this annual magazine knowing they might step on more than a few landmines.Strap in. Or turn on a lamp and take a look at the light and maybe you'll understand what you're seeing better than I ever will.—This episode is made possible by our friends at Freeport Press. A production of Magazeum LLC ©2021–2025

We're staying Down Under this week as we cover the career of Jason Clarke, one of Hollywood's great journeyman character actors. From supporting parts in Zero Dark Thirty and Oppenheimer to his leading roles in Everest, Pet Sematary and The Caine Mutiny Court Martial, we talk about his ability to play lawyers both good and bad, fishing simulators and Earth's highest mountain. Andrew Twitter: @Andrew_Carroll0 Stephen Twitter: @StephenPorzio I Know That Face Twitter: @IKnowThatFaceP1 / Instagram: @iknowthatface / Facebook: @iknowthatfacepod Edited by Andrew Carroll and Stephen Porzio Intro and Outro Music: No Boundaries (motorik groove) by Keshco. Licence Learn more about your ad choices. Visit megaphone.fm/adchoices

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Andrés Oppenheimer profundiza en las políticas de inmigración de Donald Trump y en su persistente enfoque en las deportaciones. Además, examina el impacto global de sus decisiones en un diálogo con el expresidente español Felipe González, quien cuestiona cómo estas acciones han alterado el orden mundial establecido. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this fresh from the grave episode of DEATH BY DVD we are talking about a movie that SUCKS. SUCKS blood, that is! Ambrogio : The First Vampire is a wonderful independent film shot entirely in Georgia and we are talking all things VAMPIRE on this episode. A brief history of vampire films and then we dive into all the glory that is AMBROGIO : The First Vampire. We discuss the cast, crew and of course the film itself. Hit play today to hear this epic indie episode all about AMBROGIO : The First Vampire.Tap here to watch Ambrogio : The first Vamprie now on Amazon.com or copy and paste the link below :https://www.amazon.com/gp/video/detail/B0DRWH3LVJ/ref=atv_dp_share_cu_rDon't forget, Death By DVD has its very own all original audio drama voiced almost entirely by Death By DVD!DEATH BY DVD PRESENTS : WHO SHOT HANK?The first of its kind, (On this show, at least) an all original narrative audio drama exploring the murder of this shows very host, HANK THE WORLDS GREATEST! Explore WHO SHOT HANK, starting with the MURDER! A Death By DVD New Year Mystery WHO SHOT HANK : PART ONE WHO SHOT HANK : PART TWO WHO SHOT HANK : PART THREE WHO SHOT HANK : PART FOUR WHO SHOT HANK PART 5 : THE BEGINNING OF THE ENDWHO SHOT HANK PART 6 THE FINALE : EXEUNT OMNES Whoah, you're still here?  Check out the official YOUTUBE of Death By DVD and see our brand new program, TRAILER PARK! The greatest movie trailer compilation of all time. Tap here to visit our YOUTUBE or copy and paste the link below : https://www.youtube.com/@DeathByDVD ★ Support this podcast on Patreon ★

En este episodio, desglosamos los temas más importantes que están marcando el pulso de los mercados: • Mercados a la espera del PCE: Los futuros caen con cautela mientras los traders esperan el reporte de inflación favorito de la Fed. Se anticipa un aumento del +0.3% mensual y +2.5% anual. También se publicará el índice de confianza del consumidor de Michigan (57.9 esperado). • CoreWeave debuta en el Nasdaq: $CRWV abrió a $40 por acción, recaudando $1.5B y valorada en ~$20B. Nvidia $NVDA invirtió $250M en la oferta. A pesar de una pérdida neta de $863M, los ingresos crecieron +700% en 2024. Busca posicionarse frente a $AMZN y $GOOGL en el sector cloud AI. • Aurora Innovation gana impulso: $AUR subió +4% tras recibir cobertura de Oppenheimer con rating Outperform y precio objetivo de $15. Destacan su liderazgo en camiones autónomos, su tecnología 4D-Lidar y asociaciones clave. El mercado potencial para 2028 se estima en ~$55B. • Ferrari resiste los aranceles: $RACE fue mejorada por Barclays a Overweight. A pesar de los nuevos aranceles automotrices, la firma mantiene su guía anual y aplicará aumentos de precios del 10% en ciertos modelos. Seis nuevos lanzamientos actúan como catalizadores positivos. Acompáñanos para entender cómo estos eventos reflejan el pulso de la inflación, la innovación tecnológica y la resiliencia del lujo europeo en medio de tensiones comerciales.

Helen and Gavin chat about On Becoming a Guinea Fowl, and We're All Gonna Die and it's the FINAL WEEK of our journey through Oscar Best Picture Winners, looking at the winners from 2023, 2024, and 2025; Everything Everywhere All at Once, Oppenheimer, and Anora.

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Redes Sociales:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter (X)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

The writer Daniel Oppenheimer and his wife, Jessica, have been going to marriage therapy for many years. But, as he confessed in a recent New York Times magazine piece, he had to go to a superstar councillor to finally recognize that the biggest problem with his marriage was himself. Oppenheimer explains how renowned therapist Terry Real helped them, particularly by teaching him about healthy expressions of power. As with yesterday's show with William Deresiewicz, our conversation expands to broader societal themes about modern masculinity, with Oppenheimer suggesting many men are now struggling with emotional maturity in relationships.Five KEEN ON AMERICA Takeaways with Daniel Oppenheimer* Self-awareness in relationships is crucial - Oppenheimer's confessional essay acknowledges his own reactive behaviors (anger, walking out, saying "f**k you") as primary problems in his marriage.* Men often struggle with emotional maturity - The conversation highlights how many men, including Oppenheimer, have difficulty processing emotions in healthy ways within relationships.* Power dynamics matter in relationships - Therapist Terry Real introduced the concept of "power with" versus "power over," suggesting passive men aren't effective in relationships, but dominating men aren't either.* Cultural representations shape expectations - Oppenheimer discusses how media portrayals of relationships (romantic comedies vs. train wrecks) create unrealistic relationship models without showing the healthy middle ground.* Good relationships require hard work - Despite 18 years of ups and downs, Oppenheimer and his wife chose to stay together, work through their problems, and find a path forward, suggesting commitment and effort are central to lasting relationships.Daniel Oppenheimer is a writer whose features and reviews have been featured in the Washington Post, Texas Monthly, Boston Globe, Slate.com, The Point, Washington Monthly, Guernica, The New Republic, Tablet Magazine, and Salon.com. He received his BA in religious studies from Yale University and an MFA in nonfiction writing from Columbia University. He lives in Austin, Texas, with his wife Jessica and his kids Jolie, Asa, and Gideon.Exit Right, which was published in February 2016 by Simon & Schuster, was his first book. His other book, Far From Respectable: Dave Hickey and His Art, was published in June 2021 by The University of Texas Press. It was reviewed in a variety of places, but the best review (ie the one that said the nice things most persuasively) was this one by Blake Smith.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Stephen Grootes speaks to Jonathan Oppenheimer and Matthew Marsden about the "Big $1m Pitch" competition, where entrepreneurs can win a life-changing investment and partner with Jonathan Oppenheimer, with the finals taking place at the SA Future Trust Summit on October 28-29. In other interviews, Mike Teke, CEO of Seriti Mines & chair of Masimong Group shares his career journey leading up to becoming a prominent South African business leader and entrepreneur. The Money Show is a podcast hosted by well-known journalist and radio presenter, Stephen Grootes. He explores the latest economic trends, business developments, investment opportunities, and personal finance strategies. Each episode features engaging conversations with top newsmakers, industry experts, financial advisors, entrepreneurs, and politicians, offering you thought-provoking insights to navigate the ever-changing financial landscape.Thank you for listening to The Money Show podcast.Listen live - The Money Show with Stephen Grootes is broadcast weekdays between 18:00 and 20:00 (SA Time) on 702 and CapeTalk. There’s more from the show at www.themoneyshow.co.za Subscribe to the Money Show daily and weekly newslettersThe Money Show is brought to you by Absa. Follow us on:702 on Facebook: www.facebook.com/TalkRadio702 702 on TikTok: www.tiktok.com/@talkradio702702 on Instagram: www.instagram.com/talkradio702702 on X: www.x.com/Radio702702 on YouTube: www.youtube.com/@radio702CapeTalk on Facebook: www.facebook.com/CapeTalk CapeTalk on TikTok: www.tiktok.com/@capetalk CapeTalk on Instagram: www.instagram.com/capetalkzaCapeTalk on YouTube: www.youtube.com/@CapeTalk567CapeTalk on X: www.x.com/CapeTalk See omnystudio.com/listener for privacy information.

Stephen Grootes speaks to Jonathan Oppenheimer, Founder of Oppenheimer's SA Future Trust and Matthew Marsden, founder of Startup Club ZA about the trust's "Big $1m Pitch" competition, where entrepreneurs can win a life-changing investment, and the upcoming SA Future Trust Summit on October 28-29 at the Sandton Convention Centre. The Money Show is a podcast hosted by well-known journalist and radio presenter, Stephen Grootes. He explores the latest economic trends, business developments, investment opportunities, and personal finance strategies. Each episode features engaging conversations with top newsmakers, industry experts, financial advisors, entrepreneurs, and politicians, offering you thought-provoking insights to navigate the ever-changing financial landscape.Thank you for listening to The Money Show podcast.Listen live - The Money Show with Stephen Grootes is broadcast weekdays between 18:00 and 20:00 (SA Time) on 702 and CapeTalk. There’s more from the show at www.themoneyshow.co.za Subscribe to the Money Show daily and weekly newslettersThe Money Show is brought to you by Absa. Follow us on:702 on Facebook: www.facebook.com/TalkRadio702 702 on TikTok: www.tiktok.com/@talkradio702702 on Instagram: www.instagram.com/talkradio702702 on X: www.x.com/Radio702702 on YouTube: www.youtube.com/@radio702CapeTalk on Facebook: www.facebook.com/CapeTalk CapeTalk on TikTok: www.tiktok.com/@capetalk CapeTalk on Instagram: www.instagram.com/capetalkzaCapeTalk on YouTube: www.youtube.com/@CapeTalk567CapeTalk on X: www.x.com/CapeTalkSee omnystudio.com/listener for privacy information.

Redes Sociales:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter (X)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Today on the podcast we will be continuing our Directors Series with Christopher Nolan's, 'Oppenheimer' (2023). Joining me on this Directors Series journey once again are my two cohosts Vikash Patel and Martin Padilla. You can find their social channels below: Martin Padilla: https://twitter.com/alejandroxpadi https://letterboxd.com/alejandroxpadi/ https://www.tiktok.com/@alejandroxpadilla Vikash Patel: https://twitter.com/oshkoshvikas https://letterboxd.com/merry722/ https://www.tiktok.com/@oshkoshvikash CINEMA PURSUIT PODCAST: https://podcasts.apple.com/us/podcast/cinema-pursuit-podcast/id1716825579?ign-itscg=30200&ign-itsct=lt_p https://www.tiktok.com/@cinemapursuitpodcast ------------------------------ Intro/outro music created by Patrick Baxter! You can find his social channels below as well: https://spamcaller.bandcamp.com/

Stocks on a rollercoaster ride, giving back big early session gains as investors remain cautious about the economy. Nike shares higher in after hours trading after beating wall street's earnings estimates. Oppenheimer's Brian Nagel discusses whether Nike's turnaround is finally in full force. Fedex shares however under pressure after missing profit expectations and lowering its full year forecast. Evercore ISI's Jonathan Chappell weighs in on whether now is the time to buy the stock. And Affirm CEO Max Levchin reacts to rival Klarna taking over its buy now, pay later partnership with Walmart and if he is starting to worry about the state of consumer spending.

*The is the FREE archive, which includes advertisements. If you want an ad-free experience, you can subscribe below underneath the show description.A recent journal entry titled “Need for Validation of Vaccination Programs,” by Okamura Memorial Hospital Cardiovascular surgeon Dr. Kenji Yamamoto of Japan, is calling for an assessment of CoV-shot damage by halting their use temporarily, getting rid of evaluation/approval officials who have conflicts of interest, and figuring out what caused 600,000 excessive deaths in the country (with an elderly population factored in). Dr. Yamamoto writes: “Recent vaccines, including those for Japanese encephalitis, cervical cancer, and coronavirus, have shown a low but significant risk of serious autoimmune conditions, such as acute disseminated encephalomyelitis and Guillain–Barré syndrome, as potential adverse events.” He adds: “Moreover, there has been a rise in cases of shingles, monkeypox, syphilis, severe streptococcal infections, measles, sepsis, and post-operative infections in countries administering multiple vaccine doses… Ironically, mRNA vaccines, initially introduced as a solution for infection control, have instead triggered an increase in infections.”In simple terms, these shots were causing “infections” and triggering “autoimmune conditions.”  The definition of an “infection” is “contamination,” to put something foreign into a local body. The definition of a “virus” is “slimy liquid, poison,” which means any substance of the like that can cause harm. Therefore, these shots inject a virus-liquid into a body that then becomes infected.  A recent phase one trial of personalized cancer shots at Icahn School of Medicine at Mount Sinai, is based on “training the immune system to recognize unique cancer mutations, called neoantigens, and mount a stronger, targeted response.” But if the body is already reacting as it should to disease and one trains it to attack that process, it will certainly cause the body to attack itself, i.e., autoimmune disease. And if mRNA guides DNA, then gene therapy product might very well cause cancer by altering the body's regulation of gene activation and cellular reproduction. Dr. Yamamoto is right and his call for concern is simply logical and concerning. Japan also has one of the lowest vaccine trust indexes in the world when factoring in accessibility, and although most of the population reportedly took CoV-shots in particular, there is a high possibility that people just as easily reported to have taken them in order to maintain peace just as it is probably they actually took them for the same reasons, especially considering the overall hesitancy of the country. However, Japan has very low rates, or no increase, in blood clots.After all Japan banned MMR in the 1990s, pulled Moderna vaccines due to contamination, and revised their vaccine laws in the same decade to make vaccination a civic duty rather than a legal obligation. Perhaps this is why Japan got a special Japanese shot in 2024 called replicon, the first self-replicating CoV-shot. Don't trust those other ones, try the Japanese one they were told.-FREE ARCHIVE (w. ads)SUBSCRIPTION ARCHIVEX / TWITTER FACEBOOKMAIN WEBSITECashApp: $rdgable EMAIL: rdgable@yahoo.com / TSTRadio@protonmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/tst-radio--5328407/support.

In this episode of Let's Talk Future™, host Jane Ross chats with Tim Horan, Managing Director at Oppenheimer, about the game-changing rise of Low Earth Orbit (LEO) satellites. Tim dives into how LEO tech is transforming global connectivity, expanding broadband access to remote areas, and unlocking exciting new investment opportunities. Discover how companies like SpaceX, T-Mobile, Amazon, and AT&T are driving this revolution and shaping the future of global broadband.   Podcast Disclosure: This podcast is the property of Oppenheimer & Co. Inc. and should not be copied, distributed, published or reproduced, in whole or in part. The information/commentary contained in this recording was obtained from market conditions and professional sources, and is educational in nature. The information presented has been derived from sources believed to be reliable but is not guaranteed as to accuracy and does not purport to be a complete analysis of any strategy, plan, security, company, or industry involved. Opinions expressed herein are subject to change without notice. Oppenheimer has no obligation to provide any updates or changes. Any examples used in this material are generic, hypothetical and for illustration purposes only. All price references and market forecasts are as of the date of recording. This podcast is not a product of Oppenheimer Research, nor does it provide any financial, economic, legal, accounting, or tax advice or recommendations. Any liability therefore (including in respect of direct, indirect or consequential loss or damage) is expressly disclaimed. Securities and other financial instruments that may be discussed in this report or recommended or sold are not insured by the Federal Deposit Insurance Corporation and are not deposits or obligations of any insured depository institution. Investments involve numerous risks including market risk, counterparty default risk and liquidity risk. Securities and other financial investments at times maybe difficult to value or sell. The value of financial instruments may fluctuate, and investors may lose their entire principal investment. Prior to making any investment or financial decisions, an investor should seek advice from their personal financial, legal, tax and other professional advisors that take into account all of the particular facts and circumstances of an investor's own situation. The views and strategies described may not be suitable for all investors. This report does not take into account the investment objectives, financial situation or specific needs of any particular client of Oppenheimer or its affiliates. This presentation may contain forward looking statements or projections regarding future events.  Forward-looking statements and projections are based on the opinions and estimates of Oppenheimer as of the date of this podcast, and are subject to a variety of risks and uncertainties as well as other factors, including economic, political, and public health factors, that could cause actual events or results to differ materially from those anticipated in the forward-looking statements and projections.  Past performance does not guarantee future results. The performance of a benchmark index is not indicative of the performance of any particular investment; however, they are considered representative of their respective market segments.  Please note that indexes are unmanaged and their returns do not take into account any of the costs associated with buying and selling individual securities.  Individuals cannot invest directly in an index. Oppenheimer Transacts Business on all Principal Exchanges and Member SIPC.  7623350.2

Spieglein, Spieglein an der Wand, is an SCHNEEWITTCHEN irgendwas interessant? Oder an MR. NO-PAIN? Und werden es THE ALTO KNIGHTS schaffen, THE LAST SHOWGIRL aus ihrem dunklen Las Vegas-Turm zu befreien, um sie in DAS LICHT zu führen? Fragen über Fragen, die Euch erstmal Antje, Timo und Schröck so gut und knapp wie möglich beantworten wollen. Warum erstmal? Weil Antje uns im Laufe der heutigen Folge etwas früher verlassen muss, was wir mit einer kleinen neuen Idee ausgleichen wollen. Eine Art WAS HAST DU ZULETZT GESEHEN?-XXL mit Speed-Dating-Touch. Soll heißen: im Laufe der Sendung gesellen sich noch unter anderem Janina, Viet, Johanna, Alex und Vitus zu Schröck und Timo ins Studio, um über das zu reden, was sie zuletzt gesehen haben. Mit einem wirklich bunten Strauß an Themen, die von THE WHITE LOTUS über MICKEY17, BENEATH US oder TRANSFORMERS ONE bis hin zu THE WICKER MAN reichen. Abgerundet durch eine Empfehlung von Antje, die vor ihrem Abschied noch über ADOLESCENCE referiert hat und sehr angetan war. And last but not least haben wir dann auch noch ein paar kürzer gehaltene Streaming-Tipps und Mediatheken-Hinweise für Euch im Angebot, die aus Titeln wie zum Beispiel O'DESSA und BONEYARD, Schwergewichten wie HEAT und FIGHT CLUB, Roland Emmerich-Chaos wie MOONFALL und 2012, aktuelleren Großkalibern wie OPPENHEIMER oder JOKER: FOLIE À DEUX und dem Jean Claude van Damme-Evergreen LEON bestehen. Damit sollte sich doch ein Wochenende verbringen lassen. In diesem Sinne: Habt ein schönes Wochenende, bleibt gesund und gut drauf, viel Vergnügen mit der heutigen Folge und viel Spaß im Kino oder auf der Couch. Autsch, äh Adios. Rocket Beans wird unterstützt von Ben & Jerry's und fritz-kola. Learn more about your ad choices. Visit megaphone.fm/adchoices

Academics in the ivory tower have an affinity for socialism because they presume, based on their academic qualifications, that they will be at the pinnacle of power in such a society. They are wrong! In this commentary we will look at where the real power lies.

Christopher Zook is the Founder, Chairman, and Chief Investment Officer of CAZ Investments. He has more than 30 years of experience investing in both traditional and alternative asset classes. Christopher recently co-authored “The Holy Grail of Investing,” with Tony Robbins, which became a #1 New York Times Bestseller. Christopher was honored with the Texas Alternative Investments Association's (TAIA) Lifetime Achievement Award in recognition of his contribution and sustained support of the industry in Texas. He is a regular contributor to major media outlets, including CNBC, Fox Business, and Bloomberg. Prior to starting CAZ Investments in 2001, Christopher served in senior leadership positions with Oppenheimer, Prudential Securities, Lehman Brothers, and Paine Webber. Links: CAZ Investments - https://cazinvestments.com/ Christopher on LinkedIn - https://www.linkedin.com/in/christopher-zook/ Brandon on LinkedIn - https://www.linkedin.com/in/bsedloff/ Juniper Square - https://www.junipersquare.com/ Topics: (00:00:00) - Intro (00:02:29) - Christopher's Early Life and Influences   (00:07:27) - The Impact of Tony Robbins   (00:22:38) - CAZ Investments' Philosophy and Approach   (00:29:55) - Unprecedented Investment Strategies   (00:31:42) - Focus on Downside Risk   (00:33:00) - Predictability and Consistency in Investments   (00:33:35) - Defining the Firm's Unique Position   (00:36:30) - Major Investment Themes   (00:41:13) - Investment Approach and Risk Management   (00:53:37) - Broadening Access to Private Markets   (00:59:07) - Conclusion and Contact Information  

I chat to British Grand Prix International dressage rider, trainer and judge Alice Oppenheimer.Alice has won over 22 National titles and has ridden on two Nation cup teams, she has also trained many horses to Grand Prix⭐️We discuss Alice's home set up and the stud ⭐️Her previous performances and horses ⭐️Current horses ⭐️Competive moments ⭐️Her current rides ⭐️Why she took the brave decision to take a break from competing ⭐️How Alice would like to see the sport improve in general ⭐️Her training philosophy and the TRT method ⭐️What the future holds and so much more ..

In this episode we discuss how Tozer helped me get recruited out of high school, and we discuss the movie Oppenheimer, given that Tozer spent more than a decade at the Los Alamos National Laboratory.

Wann hilft Paul McCartney Hazel beim Kofferpacken? Was ist Sous-Vide-Garen? Wie hat Hazel ihren Grillkurs erlebt? Ist „Anora“ sehenswerter als die Doku über „Engelbert Strauss“? Und was war das Besondere an Conan O'Briens Eröffnungsmonolog bei den Oscars? Hazel kocht, Thomas schaut weg. Inhalt: 00:00 Küchen-Content 12:37 Meta-Laune 18:32 Grillkurs 32:43 Bücher im Regal 40:54 Die Oscars & Sean Baker 51:48 Launen in einer Gruppe 58:50 ESC-Song & KI im Film 1:07:47 Doku Engelbert Strauss 1:10:47 Special Andrew Schulz & Podcast Was jetzt Zeitstempel können variieren. Zahnarztpraxis Spitzer + Spitzer https://www.spitzer-zahnaerzte.de Meatheaven https://www.meatheaven.de Wagyū - deutsch „Japan-Rind“ BBQ heißt „barbe à queue“ BBQ Tradition US-amerikanische Südstaaten https://www.theguardian.com/commentisfree/2015/jul/04/barbecue-american-tradition-enslaved-africans-native-americans WHO zu Wurst und „verarbeitetem“ Fleisch https://www.verbraucherzentrale.de/wissen/lebensmittel/lebensmittelproduktion/who-verarbeitetes-fleisch-krebserregend-12300#:~:text=Verarbeitetes%20Fleisch%20wird%20von%20der,Fleisch%20und%20Wurst%20pro%20Woche. Sean Baker Rekord https://deadline.com/2025/03/anora-sean-baker-walt-disney-oscar-record-1236308465/ Oscar-Wikipedia-Artikel siehe Punkt 7 „Das Verfahren“ https://de.wikipedia.org/wiki/Oscar Conan O'Briens Oscar-Monolog https://youtu.be/_mtJGwoYfGU?si=lbuujNZ5GtHSpiTt Red Rocket https://en.wikipedia.org/wiki/Red_Rocket_(film) Süßigkeitenhändler von „Anora“ https://youtu.be/BNCWZ_oYH1M?si=yyJdvlbIKZAr52CT Making Of „Florida Projekt“ (ab Min 20 ca. kommt der Regenbogen) https://youtu.be/ktOFVqAjDwk?si=vXGNh4wF8aTQbukf Mikey Madison Declined an Intimacy Coordinator on ‚Anora' https://variety.com/2024/film/news/anora-intimacy-coordinator-respond-mikey-madison-sean-baker-1236254012/ Adrien Brody Kaugummi-Aufreger bei den Oscars https://youtu.be/KkrlYe6KgcI?si=Eh0aVwvb2z8_yCRw Baller von Attila und Tünde Bornemisza https://de.wikipedia.org/wiki/Baller_(Lied) Hanz Zimmers Dune 2 Soundtrack Disqualifikation https://www.bonedo.de/artikel/hans-zimmers-soundtrack-zu-dune-2-fuer-oscars-disqualifiziert/ „No CGI“ zB in Oppenheimer nicht wahr https://www.nme.com/news/film/no-special-effects-in-oppenheimer-is-clearly-not-true-says-vfx-supervisor-3488035 Engelbert Strauss Doku https://www.ardmediathek.de/film/billion-dollar-workwear-die-engelbert-strauss-story/MWRlZGEyNmUtYjE4Yi00MTFkLWExOTQtYjM4ODgxN2FjMTBk Andrew Schulz Trailer https://youtu.be/03LyjOA3ztM?si=bVDT7XZZo3_nl-T1 Was jetzt Sonderfolge https://open.spotify.com/episode/6k87dBEu1oD6MkgR03Kdet?si=l31ORwyWQWqYSa8rJcA2jw Zeit-Podcast über Friedrich Merz https://www.zeit.de/serie/merz Gläsernes Gehirn beim Vesuv https://www.swr.de/wissen/verglastes-gehirn-bei-vulkan-opfer-in-herculaneum-raetsel-geloest-100.html Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/hoererlebnis Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Joe DeLeone & Sean Anderson give more of their favorite NFL free agency moves, dish out their Hell Yeah's & Get F'ed's of the week + what's the best swan song location for Aaron Rodgers? 1:00 - NFL Free Agency Recap part 2 17:15 - The Giants' Big Offseason Moves 27:15 - More Minnesota Debate 37:30 - What Do We Want To See From Russel Wilson & Aaron Rodgers? 44:30 - Hell Yeah Of The Week 53:10 - Get F'ed Of The Week

WHAT A GREAT TIME!! Coy Jandreau sits down with the cast of Novocaine for an exciting deep dive into the action-packed, romantic thrill ride that has audiences buzzing. In the first half, Jack Quaid (The Boys, Oppenheimer, Companion, Scream 5) and Amber Midthunder (Prey, Roswell, New Mexico) discuss their on-screen chemistry, influences from classic films like True Romance and Before Sunrise, and how their characters' playlists shaped their performances. Jack reveals his dream of seeing Nathan Kane cosplays, while Amber playfully confirms the fan-coined "Sherry Cherry" as canon. Then, Coy chats with Jacob Batalon (Spider-Man: No Way Home, Reginald the Vampire) and Ray Nicholson (Smile 2, Licorice Pizza) about the film's action sequences, the challenge of balancing romance and adrenaline, and how shooting in Cape Town brought the story to life. With discussions on theatrical vs. streaming releases, cinematic influences, and unforgettable on-set moments, this interview is packed with fun reveals and great insights into the making of Novocaine! PATREON: https://www.patreon.com/thereelrejects Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Ok, where was I? Oh yes, I finished Friday's summary describing the time Donald K. Trump extorted Ukraine President Zelenskyy to falsely promote Russian interests. Back in those days we used to impeach Presidents for that kind of stuff. Anyhow... David Waldman is here with the KITM Oscars Analysis. He has heard some “good buzz” about this movie “Oppenheimer” that he might want to check out… No spoilers, please! Greg Dworkin is here with a big Raft O' Stories™, loaded with Plenty O' X links (I know, but the guy still uses Skype too. Some things take time to let go of.) New Yorkers knew Trump was a mob boss, now the world knows. Everybody knew this was a trap going in. SNL probably had their skit written last Thursday. It's weird, but we also all knew what the Trump & crew's reaction to the trap's gigantic failure would be also. The surprise might be in how this unified Europe against the burgeoning Axis of assholes. Pete Hegseth rotates the turrets away from Russia and levels the guns on Mexico. Which pandemic will you die from this year? When you find out, write your answer in this DOGE questionnaire. Elon Musk is pulling out of the retail market to go to where the money is: the public sector, where waste and fraud might not run rampant, but he sure can.  The good news is that the national debt and pandemic deaths will soon be set to zero with a push of a button. Trump named the cryptocurrencies in the strategic reserve, naturally he named them to his friends first. (Follow The Stalwart on Blue Sky.) If Trump could laugh, he'd cackle with glee as he suspended the security clearances of Jack Smith's lawyers and demoted prosecutors down to trying CVS shoplifters. Judge Chuang can't stop the DOJ from beating the USAID because they're already dead. Of course, the children they were feeding will soon be literally dead. Low-income Trump voters sure hope they don't find out. They can't afford to find out much more. Car prices are going up by what a car used to be priced at.  Even Elon Musk and his mother are crashing at a bud's house until this blows over. Kash Patel doesn't want to flash the Kash Patelmobile around DC and plans to stay in Las Vegas at the pleasure of his megadonor daddy. Democrats understand what to do with a crime in progress… Talk. And, if the crime progresses, talk louder… or perhaps, change the subject, or hold on a while, or wait. Or try all of those in combination, that should do it. If all that can't stop it, NOTHING can… and they'll be up for trying that too.

Today's guest is Peter Oppenheimer, Goldman Sachs' Chief Global Equity Strategist and Head of Macro Research. He's also the author of Any Happy Returns: Structural Changes and Super Cycles in Markets, which explains how cycles help explain investor returns. In today's episode, Peter discusses how structural changes in macroeconomic drivers, geopolitics, government policy and social attitudes all combine to drive secular super cycles that help to explain investor returns. Then he focuses on what he calls the Post-Modern Cycle and how AI and de-carbonization may impact financial market returns and opportunities. Throughout the episode, Peter emphasizes the need for diversification in investment strategies to both manage risk and enhance returns. (0:00) Starts (1:02) Introduction of Peter Oppenheimer (2:22) The Four Phases of the Equity Cycle (10:17) Thoughts on The US Market Today (17:23) European Banks vs. US Tech Stocks (20:32) Diversification and Sector Dominance in Equity Markets (23:35) Long-term Structural Changes in Markets (34:23) Personal and National Influences on Investing (44:37) AI and Technological Investment Opportunities (51:46) Valuation Cycles: China and the US (58:02) Most Memorable Investment ----- For detailed show notes, click here ----- Sponsor: YCharts enables financial advisors to make smarter investment decisions and better communicate with clients. Get 20% off your initial YCharts Professional subscription when you start your free trial ----- Follow Meb on X, LinkedIn and YouTube To learn more about our funds and follow us, subscribe to our mailing list or visit us at cambriainvestments.com Follow The Idea Farm: X | LinkedIn | Instagram | TikTok ----- Interested in sponsoring the show? Email us at Feedback@TheMebFaberShow.com ----- Past guests include Ed Thorp, Richard Thaler, Jeremy Grantham, Joel Greenblatt, Campbell Harvey, Ivy Zelman, Kathryn Kaminski, Jason Calacanis, Whitney Baker, Aswath Damodaran, Howard Marks, Tom Barton, and many more.  ----- Meb's invested in some awesome startups that have passed along discounts to our listeners. Check them out here!  ----- Editing and post-production work for this episode was provided by The Podcast Consultant (https://thepodcastconsultant.com). Learn more about your ad choices. Visit megaphone.fm/adchoices

We are welcoming Diamond and Leah of the @OppenheimerRanchProject to the show this evening to talk about some of the important changes in the earth that they cover on their channels. It will be interesting to see where there is overlap (and differences) with past episodes and guests on similar topics. Planetary alignments, the sun, the moon, and the relationship it all has on plate tectonics, volcanic activity, the movement of the poles, and more. We'll fill in whatever time we have left over with calls and other headlines. Unleash Your Brain w/ Keto Brainz Nootropic Promo code FRANKLY: https://tinyurl.com/2cess6y7 Read the latest Quite Frankly Bulletin: https://tinyurl.com/278xv5ev Sponsor The Show and Get VIP Perks: https://www.quitefrankly.tv/sponsor Badass QF Apparel: https://tinyurl.com/f3kbkr4s Elevation Blend Coffee: https://tinyurl.com/2p9m8ndb One-Time Tip: http://www.paypal.me/QuiteFranklyLive Send Holiday cards, Letters, and other small gifts, to the Quite Frankly P.O. Box! 15 East Putnam Ave, #356 Greenwich, CT, 06830 Send Crypto: BTC: 1EafWUDPHY6y6HQNBjZ4kLWzQJFnE5k9PK LTC: LRs6my7scMxpTD5j7i8WkgBgxpbjXABYXX ETH: 0x80cd26f708815003F11Bd99310a47069320641fC For Everything Else Quite Frankly: Official Website: http://www.QuiteFrankly.tv Official Forum: https://bit.ly/3SToJFJ Official Telegram: https://t.me/quitefranklytv Twitter Community: https://tinyurl.com/5n8zmwx8 GUILDED Chat: https://bit.ly/3SmpV4G Discord Chat: https://discord.gg/KCdh92Fn Twitter: @QuiteFranklyTV Gab: @QuiteFrankly Truth: @QuiteFrankly GETTR: @QuiteFrankly MINDS: @QuiteFrankly Streaming Live On: QuiteFrankly.tv (Powered by Foxhole) FULL Episodes On Demand: Spotify: https://spoti.fi/301gcES iTunes: http://apple.co/2dMURMq Amazon: https://amzn.to/3afgEXZ SoundCloud: http://bit.ly/2dTMD13 Google Play: https://bit.ly/2SMi1SF BitChute: https://bit.ly/2vNSMFq Rumble: https://bit.ly/31h2HUg Kick: https://kick.com/quitefranklytv

Long-time friend and colleague Jenelle Riley of Variety magazine chats with Ben and Illya for our SIXTH annual Oscar nominations special. With a focus on cinematography, they discuss what they liked, what will win, what should win, and their favorite movies of the year that may not have been recognized. They discuss this year's nominations, the BAFTAs as a predictor for this year's Oscars, the ASC Awards nominees, and a little about last year's nominee and winner, Hoyte Van Hoytema, for Oppenheimer. Both Alice Brooks for Wicked and Stéphane Fontaine for Conclave were not nominated this awards season, but were nominated for ASC Awards. Ed Lachman, cinematographer of Maria, won the ASC Award this year. Ben, Jenelle and Illya agree that Drew Daniels for Anora and Benjamin Kracun for The Substance were also cinematographers who deserve recognition for their work. Academy Award nominees for Best Cinematography this year are: Lol Crawley, The Brutalist Greig Fraser, Dune Part 2 Paul Guilhaume, Emilia Pérez Ed Lachman, Maria Jarin Blaschke, Nosferatu Find Jenelle Riley on Facebook, Instagram, Blue Sky, X: @jenelleriley and Variety: https://variety.com/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Word just broke that Amazon has taken full control of James Bond IP. good? Bad? The Odyssey has one o the most stacked cast of all time. Word comes that Robert Downey Jr might return with his Oppenheimer director Christopher Nolan. Is this good or too much talent at this point? I am Legend  and Hancock 2 are in the works says Will Smith. Daniel Cragi leaves Sgt Rock. Godzilla an dKong casting rumors. There is. anew live action Street Fighter. This and more with Kristian, Mike and Stpeh! #dc #dcu #marvel #mcu #nolan #theodyssey #rdj #casting #rumors OUR SPONSORS: TRADE COFFEE: Trade is exclusively offering our listeners 40% off your first order at http://www.drinktrade.com/KRISTIAN HELLO FRESH Get up to 10 FREE meals and a free high protein item for life at http://www.HelloFresh.com/HELLOFRESHPODCAST. One item per box with active subscription. Free meals applied as discount on first box, new subscribers only, varies by plan.  ROBINHOOD GOLD: Investing involves risk. Rate subject to change. 3% match requires Robinhood Gold at $5/mo for 1 yr from first match, must keep funds in IRA for 5 years. Go to http://www.robinhood.com/boost