Podcasts about Oppenheimer

BASED ON A TRUE STORY (BOATS EP. 383) — Did the Oppenheimer movie get the Manhattan Project right? Today, we'll dig into the film's portrayal of the project. From the Los Alamos we see in the movie to what we don't see in the movie such as Oak Ridge's massive factories, Hanford's plutonium production, and more that you don't ever see in the movie.Get Alice's bookAlice Lovejoy is the author of Tales of Militant Chemistry, film scholar, and a professor at the University of Minnesota. She'll join us today to unravel the true story behind the Manhattan Project in the movie.Find more of Alice's workArmy Film and the Avant GardeRemapping Cold War MediaVisit Alice's websiteFollow Alice on BlueskyFollow Alice on InstagramListen to the other BOATS episode on OppenheimerChapters00:00 Manhattan Project Overview04:50 Uranium vs. Plutonium Bombs09:45 Scale of the Project15:28 Einstein's Role20:42 Trinity Test Depiction25:04 Radiation Concerns30:51 Project's End & Legacy33:52 Post-War ImpactsSupport my workSupport my sponsorsBecome a BOATS ProducerEmail me: dan@basedonatruestorypodcast.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cindy Schweich Handler's work has appeared in The New York Times, The Washington Post, Newsweek, Redbook, The Huffington Post, and a host of other national publications. She is a former editor and writer for the USA Today Network. A German Jew's Triumph: Fritz Oppenheimer and the Denazification of Germany (McFarland, 2025) is based on primary sources such as Fritz's contemporaneous World War I diaries, journals kept by his wife, Elsbeth, and a copious collection of letters he wrote to her during their long separations. After 9/11, Harry Handler decided to explore this inheritance to see whether he could learn more about his grandfather's life. A towering personality packed into a 5'3" frame, Oppenheimer was a wealthy Jewish Berliner who fled the Third Reich in mid-1938, joined basic training in the U.S. Army at forty-five, and ultimately became General Eisenhower's legal aide and translator—tasked with helping to build a sustainable postwar democracy in his former homeland. This historical biography presents a previously untold David-and-Goliath story, demonstrating how one individual's persistence can help change the course of history and forge a more hopeful future. A German Jew's Triumph portrays Fritz Oppenheimer as a figure of extraordinary skill, moral complexity, and intellectual discipline. Cindy Schweich Handler preserves his voice, his diaries, and the historical record while also inviting readers to grapple with the discomforts of assimilation, restraint, and ethical judgment under extreme circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cindy Schweich Handler's work has appeared in The New York Times, The Washington Post, Newsweek, Redbook, The Huffington Post, and a host of other national publications. She is a former editor and writer for the USA Today Network. A German Jew's Triumph: Fritz Oppenheimer and the Denazification of Germany (McFarland, 2025) is based on primary sources such as Fritz's contemporaneous World War I diaries, journals kept by his wife, Elsbeth, and a copious collection of letters he wrote to her during their long separations. After 9/11, Harry Handler decided to explore this inheritance to see whether he could learn more about his grandfather's life. A towering personality packed into a 5'3" frame, Oppenheimer was a wealthy Jewish Berliner who fled the Third Reich in mid-1938, joined basic training in the U.S. Army at forty-five, and ultimately became General Eisenhower's legal aide and translator—tasked with helping to build a sustainable postwar democracy in his former homeland. This historical biography presents a previously untold David-and-Goliath story, demonstrating how one individual's persistence can help change the course of history and forge a more hopeful future. A German Jew's Triumph portrays Fritz Oppenheimer as a figure of extraordinary skill, moral complexity, and intellectual discipline. Cindy Schweich Handler preserves his voice, his diaries, and the historical record while also inviting readers to grapple with the discomforts of assimilation, restraint, and ethical judgment under extreme circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

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Cindy Schweich Handler's work has appeared in The New York Times, The Washington Post, Newsweek, Redbook, The Huffington Post, and a host of other national publications. She is a former editor and writer for the USA Today Network. A German Jew's Triumph: Fritz Oppenheimer and the Denazification of Germany (McFarland, 2025) is based on primary sources such as Fritz's contemporaneous World War I diaries, journals kept by his wife, Elsbeth, and a copious collection of letters he wrote to her during their long separations. After 9/11, Harry Handler decided to explore this inheritance to see whether he could learn more about his grandfather's life. A towering personality packed into a 5'3" frame, Oppenheimer was a wealthy Jewish Berliner who fled the Third Reich in mid-1938, joined basic training in the U.S. Army at forty-five, and ultimately became General Eisenhower's legal aide and translator—tasked with helping to build a sustainable postwar democracy in his former homeland. This historical biography presents a previously untold David-and-Goliath story, demonstrating how one individual's persistence can help change the course of history and forge a more hopeful future. A German Jew's Triumph portrays Fritz Oppenheimer as a figure of extraordinary skill, moral complexity, and intellectual discipline. Cindy Schweich Handler preserves his voice, his diaries, and the historical record while also inviting readers to grapple with the discomforts of assimilation, restraint, and ethical judgment under extreme circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Cindy Schweich Handler's work has appeared in The New York Times, The Washington Post, Newsweek, Redbook, The Huffington Post, and a host of other national publications. She is a former editor and writer for the USA Today Network. A German Jew's Triumph: Fritz Oppenheimer and the Denazification of Germany (McFarland, 2025) is based on primary sources such as Fritz's contemporaneous World War I diaries, journals kept by his wife, Elsbeth, and a copious collection of letters he wrote to her during their long separations. After 9/11, Harry Handler decided to explore this inheritance to see whether he could learn more about his grandfather's life. A towering personality packed into a 5'3" frame, Oppenheimer was a wealthy Jewish Berliner who fled the Third Reich in mid-1938, joined basic training in the U.S. Army at forty-five, and ultimately became General Eisenhower's legal aide and translator—tasked with helping to build a sustainable postwar democracy in his former homeland. This historical biography presents a previously untold David-and-Goliath story, demonstrating how one individual's persistence can help change the course of history and forge a more hopeful future. A German Jew's Triumph portrays Fritz Oppenheimer as a figure of extraordinary skill, moral complexity, and intellectual discipline. Cindy Schweich Handler preserves his voice, his diaries, and the historical record while also inviting readers to grapple with the discomforts of assimilation, restraint, and ethical judgment under extreme circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

Cindy Schweich Handler's work has appeared in The New York Times, The Washington Post, Newsweek, Redbook, The Huffington Post, and a host of other national publications. She is a former editor and writer for the USA Today Network. A German Jew's Triumph: Fritz Oppenheimer and the Denazification of Germany (McFarland, 2025) is based on primary sources such as Fritz's contemporaneous World War I diaries, journals kept by his wife, Elsbeth, and a copious collection of letters he wrote to her during their long separations. After 9/11, Harry Handler decided to explore this inheritance to see whether he could learn more about his grandfather's life. A towering personality packed into a 5'3" frame, Oppenheimer was a wealthy Jewish Berliner who fled the Third Reich in mid-1938, joined basic training in the U.S. Army at forty-five, and ultimately became General Eisenhower's legal aide and translator—tasked with helping to build a sustainable postwar democracy in his former homeland. This historical biography presents a previously untold David-and-Goliath story, demonstrating how one individual's persistence can help change the course of history and forge a more hopeful future. A German Jew's Triumph portrays Fritz Oppenheimer as a figure of extraordinary skill, moral complexity, and intellectual discipline. Cindy Schweich Handler preserves his voice, his diaries, and the historical record while also inviting readers to grapple with the discomforts of assimilation, restraint, and ethical judgment under extreme circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Cindy Schweich Handler's work has appeared in The New York Times, The Washington Post, Newsweek, Redbook, The Huffington Post, and a host of other national publications. She is a former editor and writer for the USA Today Network. A German Jew's Triumph: Fritz Oppenheimer and the Denazification of Germany (McFarland, 2025) is based on primary sources such as Fritz's contemporaneous World War I diaries, journals kept by his wife, Elsbeth, and a copious collection of letters he wrote to her during their long separations. After 9/11, Harry Handler decided to explore this inheritance to see whether he could learn more about his grandfather's life. A towering personality packed into a 5'3" frame, Oppenheimer was a wealthy Jewish Berliner who fled the Third Reich in mid-1938, joined basic training in the U.S. Army at forty-five, and ultimately became General Eisenhower's legal aide and translator—tasked with helping to build a sustainable postwar democracy in his former homeland. This historical biography presents a previously untold David-and-Goliath story, demonstrating how one individual's persistence can help change the course of history and forge a more hopeful future. A German Jew's Triumph portrays Fritz Oppenheimer as a figure of extraordinary skill, moral complexity, and intellectual discipline. Cindy Schweich Handler preserves his voice, his diaries, and the historical record while also inviting readers to grapple with the discomforts of assimilation, restraint, and ethical judgment under extreme circumstances. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

In this episode, Shelby and Laura recap their experience at the Sundance Film Festival. The two explain why they made the last minute trip to Park City, Utah and why the festival is moving to Boulder, Colorado. Shelby and Laura dish on their celebrity sightings, identify the most highly anticipated films of the festival, and share their favorite movies they saw, including one from Stephen Curry! The two also dish on their experience getting into exclusive A24 and Macro parties. Interested in critically acclaimed movie reviews? Check out our podcast episodes on American Fiction, ⁠⁠⁠⁠⁠⁠⁠Barbie⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Killers of the Flower Moon⁠⁠, ⁠Mission Impossible - Dead Reckoning Part One, Oppenheimer⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠ ⁠⁠⁠⁠Past Lives⁠⁠⁠⁠, ⁠Poor Things⁠, and Spider-Man: Across the Spider-Verse.To stay up to date on all things SWW: Follow @SistersWhoWatch on all social media channels (⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠) Subscribe to our ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠ channel Check out our ⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠ and fill out the contact information form.What should we watch next? Email us at ⁠⁠⁠⁠⁠⁠⁠sisterswhowatch@gmail.com⁠⁠⁠⁠⁠⁠⁠ or DM us on ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ with your suggestions.Thank you for listening and we appreciate your support! Please rate, subscribe, download, share, and leave us a review :)

I had artistic polymath Joel Oppenheimer on the podcast today who has recently retired from being an art dealer. He was the former president of Oppenheimer Gallery in Chicago, IL with his son David officially taking over last year. It's a wonderful gallery. There are many different components to Oppenheimer Gallery. One of them is art conservation, which is how I've gotten to know Joel over the years. Hands down the best paper conservator I've ever had the pleasure of working with. They also have a renowned art printing component. They make and sell prints of the works of ornithological artist J.J. Audubon. In fact, much like how I am known for my expertise on the artist Maynard Dixon, Joel is most likely the world's leading expert on Audubon and his prints. He's done a couple of different books on Audubon that showcase his knowledge as well as his commitment to achieving the highest quality reproductions possible.Anyhow, it was a long podcast, we talked for almost two hours, but it was very, very interesting. His life is definitely unique and he's a very wise individual.He's also an artist. Joel basically started as fine artist and navigated through the art world from expertise to expertise, and now with retirement, he's going back to his original love, painting and pastels. So this was very unique story of a very successful art dealer and I had a great time. This is Joel Oppenheimer part one.

Oppenheimer, directed by Christopher Nolan, hits like a ticking bomb. In “Oppenheimer - Part One: Light, Sound, and Panic,” the penultimate entry in our series on Nolan's films, we break down why. From cinematography that could start wars to sound design that rattles your soul and dialogue sharper than a physicist's temper, this episode dives deep into the film's craft. Snark, insight, and existential dread included. ----more---- Thank you so much for listening! Please help us spread the word by leaving us a 5-star review!    Hosts: Craig Dickinson: x.com/CraigMDickinson Corey Heitschmidt: x.com/HeitSolo Justin Eldon: x.com/justineldon7   Connect with us:  Website: readingbetweenthereels.podbean.com X: x.com/ReadBtweenReels Facebook: facebook.com/ReadBtweenReels Email: ReadingBetweenReels@gmail.com SpeakPipe: speakpipe.com/ReadingBetweentheReels   You can also join our Facebook group. It's a safe place to share your thoughts and discuss all things related to movies. You can find us at facebook.com/groups/readbtweenreels   Visit our TeePublic store for t-shirts, hats, hoodies, mugs, and more!   If you are interesting in advertising on this podcast, please go to: podbean.com/advertiseonRBR   The following music was used for this media project: Music: "Neon Fury" by Sascha Ende Link: https://filmmusic.io/song/12190-neon-fury License: https://filmmusic.io/standard-license

On the latest episode of A Life In Movies, the movie interview podcast by All The Right Movies, we're talking to legendary actor James Woods.With a career spanning five decades, James has built a reputation as one of cinema's most compelling performers. An actor drawn to morally complex characters and unafraid to inhabit the darkest corners of human nature. A two-time Academy Award nominee with multiple Emmy wins to his name, his filmography reads like a masterclass in intensity.Speaking to us from Los Angeles, James takes us through the key moments that shaped his remarkable career. From his early days studying Political Science at MIT before the pull of acting proved too strong, to his film debut working with the legendary Elia Kazan. We dive deep into five landmark films: David Cronenberg's prophetic body-horror Videodrome, Sergio Leone's epic Once Upon a Time in America opposite Robert De Niro, Oliver Stone's raw and urgent Salvador (which earned him his first Oscar nomination), the action-comedy The Hard Way with Michael J. Fox, and Martin Scorsese's Casino where he brought the slippery Lester Diamond to unforgettable life.James also shares insights into his approach to those morally ambiguous characters that have become his trademark, his acclaimed television work, the compelling story behind his Executive Producer credit on Christopher Nolan's Oppenheimer and his most recent artistic endeavour in music. A fascinating conversation with one of American cinema's most distinctive talents.Connect with ATRM: To join our fantastic community of film fans, support what we do, access our archive, listen to exclusive episodes, and a whole lot more, become an ATRM patron:⁠⁠⁠⁠⁠Join the ATRM Community⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ We're available on any podcast platform:Listen on ⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠Listen on ⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our channel⁠⁠⁠⁠⁠⁠⁠⁠We're across all major social channels too:Twitter: ⁠⁠⁠⁠⁠⁠⁠@ATRightMovies⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠@allthe_rightmovies ⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠Join our movie group⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠@alltherightmovies.com⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠@alltherightmovies⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠alltherightmovies.com⁠⁠

We break down the latest earnings from Amazon, Google, and Uber with Jason Helfstein, Head of Internet Research at Oppenheimer & Co. Helfstein explains the impact of how Google & Amazon's increased AI investments are shaping company performance and whether Big Tech can withstand growing scrutiny around AI returns.

This week, we take a look at Anthony Meyer's amazing work on time slips! From two biddies walking through a path with several different time periods involved, a disappearing hotel, & a particular street in Liverpool that seems to be a portal to the 1950's, these stories beg the question: Are these examples of time travel, collective hallucinations, or some kind of weaponized experiments? Join us & decide for yourself! Welcome to your Plus+ extension! For this one, we will be continuing to ask deep questions about one of the most third-rail topics that exists to get a NU-clear picture of the fear-based perception management campaign. Join us as we examine the threat of such a threat itself. Are we destined to destroy ourselves with these god-like super toys?  Is destroying ourselves even on the table as an option for humanity? Bookmark the link below for the new Inescapable Podcast coming in Mid-February. Plus+ Members can now find the new feed on your Dashboard and add it to your preferred podcast player ahead of launch. THE TIME SLIP EXPERIENCE: Echoes From The Past and Future Hacking Hoaxes NUCLEAR WEAPONS TRUTH BOMB: AN EXPLOSION OF LIES Notes of the Interim Committee Meeting - Thursday, 31 MAY 1945 Oppenheimer's Deadly Toys: The nuclear weapons hoax Fake Aliens and The Phony Nuke World Order Hiroshima Revisited: The evidence that napalm and mustard gas helped fake the nuclear bombings Anders Björkman Crrow777 LinkPlus+ ExtensionThe extension of the show is EXCLUSIVE to Plus+ Members. To join. click HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Information's Yueqi Yang breaks down the deepening crypto selloff and why Bitcoin has lost its narrative despite regulatory wins. We also talk with Oppenheimer's Jason Helfstein about Amazon's massive $200 billion CapEx plan and Anissa Gardizy about how Nvidia overcame technical challenges with its Blackwell chips. Then, Affirm COO Michael Linford joins us to discuss the company crossing $1 billion in revenue, followed by Niko Gruppen on the rivalry between OpenAI and Anthropic's coding tools, and we end with the Editor's Cut of Martin Peers and Laura Mandaro debating the "SaaS Apocalypse" and the rise of forward-deployed engineers.Articles discussed on this episode: https://www.theinformation.com/articles/architect-californias-billionaire-tax-became-techs-villainhttps://www.theinformation.com/articles/nvidia-big-customers-finally-conquered-blackwell-challengeshttps://www.theinformation.com/briefings/amazon-plans-200-billion-capital-spending-2026Subscribe: YouTube: https://www.youtube.com/@theinformation The Information: https://www.theinformation.com/subscribe_hSign up for the AI Agenda newsletter: https://www.theinformation.com/features/ai-agendaTITV airs weekdays on YouTube, X and LinkedIn at 10AM PT / 1PM ET. Or check us out wherever you get your podcasts.Follow us:X: https://x.com/theinformationIG: https://www.instagram.com/theinformation/TikTok: https://www.tiktok.com/@titv.theinformationLinkedIn: https://www.linkedin.com/company/theinformation/

Is the selling in tech overblown? Investors are looking for some clarity and pivoting their attention to Alphabet which reports in Overtime. We run through what to expect with shareholder Doug Clinton from Intelligent Alpha and Oppenheimer analyst Jason Helfstein. Plus, former St. Louis Fed President Jim Bullard weighs in on what could be next for the Fed under Kevin Warsh. And, the big battle between Anthropic and OpenAI is headed to the Superbowl. We explain. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with Academy Award-winning producer Charles "Chuck" Roven, the co-founder of Atlas Entertainment, one of Hollywood's most enduring and successful production companies. Across four decades, Chuck has built a producing career defined by creative ambition and commercial scale — including five of the 100 top-grossing films of all time.  From his early struggles to winning the Academy Award for Oppenheimer, Chuck's journey reveals how smart dealmaking, creative instinct, and relentless tenacity shaped one of the most impressive producing legacies in modern Hollywood.From Czechoslovakia to Cinderella Homes (03:22): Chuck's father escaped post-war Europe and built a real estate empire in Los Angeles, teaching Chuck the principle of horizontal business.Dawn Steel (08:16): Chuck recounts meeting his first wife, Dawn Steel, who revolutionized her way into Hollywood through merchandising hits like Gucci toilet paper before becoming Paramount's president of production.The 90-Day Escrow Deal (20:48): Instead of optioning Dick Tracy, Chuck negotiated a 90-day escrow deal to "check the title," wrote a script, and sold it to Universal.12 Monkeys and the Art of International Financing (30:34): Chuck explains how he assembled a consortium of international partners to co-finance Terry Gilliam's $32 million film.The Phone Call That Led to Batman Begins (36:30): After producing the hit Scooby-Doo, Chuck received a call inviting him to partner with an up-and-coming director named Christopher Nolan on a little project called Batman Begins.Bringing Oppenheimer to Nolan and Winning the Oscar (37:29): Chuck recounts how he brought the Oppenheimer project to Christopher Nolan. The film earned 11 Oscar nominations and Chuck's first Best Picture win.Making Mercy (42:24): Chuck describes developing the "Screen Life" concept into the thriller Mercy, featuring an AI judge with access to every camera and computer.The Value of Test Screenings (46:34): Despite working with directors like Christopher Nolan who prefer friends-and-family screenings, Chuck explains why recruited audience testing remains invaluable.Chuck Roven's producing philosophy combines his father's business lessons with an unwavering respect for the audience, proving that hunger, passion, and smart dealmaking can result in four decades of Hollywood success.If you enjoyed this episode, please leave us a review and share. We look forward to bringing you more behind-the-scenes revelations next time on Don't Kill the Messenger.Host: Kevin GoetzGuests: Charles “Chuck” RovenProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Chuck Roven:Wikipedia: https://en.wikipedia.org/wiki/Charles_RovenIMDB: https://www.imdb.com/name/nm0746273/For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Der jüdische Finanzrat Josef Süß Oppenheimer wurde zum Opfer eines Justizmordes. Und er diente fast 200 Jahre nach seinem Tod als Vorlage für einen der übelsten Nazi-Propagandafilme.

BASED ON A TRUE STORY (BOATS EP. 382) — Join me in this throwback style BOATS episode without any guests. It'll just be you and I learning about the true story behind 2023's Oppenheimer. Was the poisoned apple scene real? How well was the Trinity Test portrayed on screen? What does the movie leave out from Oppenheimer's life? If you've seen the movie and wondered what really happened, this episode is your guided tour through the history behind the film.Chapters0:00 Intro, synopsis & Two Truths and a Lie3:30 Prometheus myth and poisoned apple story10:15 Oppenheimer's education in Europe and early career18:40 Relationships with Jean Tatlock and Kitty Oppenheimer28:20 FBI surveillance, communism fears, and the Manhattan Project scale39:10 Trinity Test, “I am become Death,” and bombing Japan51:00 Meeting President Truman and the Strauss feud1:01:30 Oppenheimer's fall, later life, and modern reevaluation1:08:00 Two Truths and a Lie answers & closingResourcesAmerican PrometheusTales of Militant Chemistry109 East PalaceRobert Oppenheimer: A Life Inside the CenterJ. Robert Oppenheimer: A LifeAn Atomic Love Story: The Extraordinary Women in Robert Oppenheimer's LifeThe Ruin of J. Robert OppenheimerIf your podcast app doesn't support clickable links, you can also find all the links at https://links.boatspodcast.com/382Support My WorkSupport my sponsorsBecome a BOATS Producer (name in credits + ad-free episodes)Join the BOATS DiscordGet the BOATS email newsletterEmail me: dan@basedonatruestorypodcast.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The reigning Academy Award winner for Best Picture joins the show! Legendary producer Charles "Chuck" Roven (Oppenheimer, The Dark Knight Trilogy) sits down with Giles Alderson to discuss his pulsing new sci-fi thriller, Mercy (starring Chris Pratt & Rebecca Ferguson). In this masterclass on producing, Chuck breaks down his unique career path from stuntman to the founder of Atlas Entertainment. He reveals how he packages massive films independently (like American Hustle and 12 Monkeys), the challenges of producing for visionary directors like Christopher Nolan and Timur Bekmambetov, and why he believes Mercy's concept of an "AI Judge" is a terrifying glimpse into our future. We discuss: The Mercy Reunion: Bringing Chris Pratt and director Timur Bekmambetov back together 18 years after Wanted. The "Atlas" Model: How to develop and package blockbuster IP outside of the studio system. The Oppenheimer Journey: Lessons learned from producing the Best Picture winner and working with Cillian Murphy. Managing Visionaries: How to support directors like David O. Russell and Zack Snyder while protecting the budget. The Stuntman Roots: How his early days on Hawaii Five-O shaped his approach to action safety. Mercy is in CINEMAS NOW Links FOOD FOR THOUGHT documentary out NOW | Watch it FREE HERE. A documentary exploring the rapid growth and uptake of the veganlifestyle around the world. – And if you enjoyed the film, please take amoment to share & rate it on your favourite platforms. Every review& every comment helps us share the film's important message withmore people. Your support makes a difference! Help us out and Subscribe, listen and review us on iTunes, Spotify, or wherever you get your podcasts but more importantly, tell your pals about this podcast. Thank you! PODCAST MERCH Get your very own Tees, Hoodies, on-set water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on filmmaking? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, produced and edited by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

Housing affordability remains under pressure, even asmortgage rates begin to ease. In this episode of Let's Talk Future, Tyler Batory, who covers residential real estate at Oppenheimer, joins Jane Ross to explain why housing demand stalled in 2025 and what may change in 2026.They discuss how rising everyday costs and low consumer confidence are limiting buyer participation, why homebuilders are pulling back on construction, and why tariffs and institutional investors are not major drivers of affordability challenges. Despite this ongoing uncertainty, Batory outlines what could prompt positive long-term changes in the housing cycle.Episode Disclosures:Oppenheimer Transacts Business on all Principal US Exchanges and is a Member of SIPC. 8729525.1

We're kicking off Season 7 of That One Audition with Guy Burnet, an actor industry friends have nicknamed a "masterful auditioner." From his early days on the UK soap Hollyoaks to the heights of Hollywood, Guy lets us in on the journey and work ethic behind the scenes. He describes his self-tape "torture chamber," a room devoted to the grueling, multi-day pursuit of audition perfection, where he's built a career defined by precision, discipline, and soul. His credits span Ray Donovan, Hand of God, and Christopher Nolan's Oppenheimer, sharing the screen with icons like Johnny Depp and Billy Bob Thornton. But the path hasn't been linear. Guy opens up about the moment he nearly walked away from acting altogether — until a chance encounter in a boxing gym with Taylor Sheridan led to a role in the upcoming series Landman. Raw, humble, and famously without a social media presence, Guy joins us to talk about the cost of chasing excellence and why the most powerful thing an actor can bring into the room is their own unpolished soul. These are the unforgettable stories that landed Guy Burnet right here. Credits: Landman Oppenheimer FUBAR The Beast American Horror Stories Ray Donovan Mortdecai 3 Body Problem Hand of God Minx The Affair Counterpart Electric Dreams A Beautiful Now Guest Links: IMDB: Guy Burnet, Actor THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition PUBLIC SELF-TAPE CLASS: $25 - JANUARY 23RD THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly PATREON: @thatoneaudition CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings ASSISTANT: Elle Powell SOCIAL OUTREACH: Alara Ceri

Movies are back, baby! In this episode, Shelby and Laura countdown their favorite movies from 2025. Spoiler alert -- One Battle After Another was their top movie. We highlight some dishonorable mentions like Materialists and After The Hunt, share some titles that just missed our lists, like Frankenstein and Train Dreams, and countdown a surprising list of movies ranging from Cannes Film Festival winners like It Was Just An Accident to awards contenders like Sinners. You definitely want to tune it to see what made our Best Movies of 2025 lists.Interested in more movie reviews? Check out our podcast episodes on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠American Fiction⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Barbie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Cannes Film Festival 2024⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Challengers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Deadpool & Wolverine⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Furiosa: A Mad Max Saga⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Gladiator II Ft. Queens Podcast⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Inside Out 2 ft. Nikki Meadows⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Joker: Folie a Deux⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Killers of the Flower Moon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Madame Web ft. Mitch Broadwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mean Girls (2024)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Oppenheimer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Past Lives Ft. Toya From Harlem⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Poor Things⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Fall Guy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Oscars 2024⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠We Live In Time⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠Wicked Ft. Sisters and the Stars⁠⁠⁠⁠⁠⁠⁠⁠⁠.To stay up to date on all things SWW:- Follow @SistersWhoWatch on all social media channels (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)- Subscribe to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ channel - Check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and fill out the contact information formWhat should we watch next? Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sisterswhowatch@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or DM us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with your suggestions.Thank you for listening and we appreciate your support! Please rate, subscribe, download, share, and leave us a review :)

In this episode of About Art, Heidi Zuckerman speaks with actor Josh Zuckerman about creativity, vulnerability, and why art—at its best—helps us feel less alone.Josh has worked professionally in film and television since his late teens, with an eclectic career that spans comedy, drama, and horror. He currently appears in the Paramount+ series School Spirits and previously starred as the lead in The CW's Significant Mother. His film work ranges from comedies such as Sex Drive and Austin Powers: Goldmember to dramas including Oppenheimer, The Hottest State, and CBGB, as well as genre films like Feast. His television credits include The Offer, Hunters, Alaska Daily, Fatal Attraction, Boston Legal, House, NYPD Blue, Strange Angel, and 90210, among many others.In their conversation, Heidi and Josh discuss:•Growing up alongside art and creativity—and how it shaped his sense of self•What acting has taught him about empathy, presence, and emotional risk•How inhabiting other lives can deepen understanding and connection•The difference between performing for validation and creating with purpose•Why art, storytelling, and shared experience help us feel seenThis episode is also a personal one: Josh is Heidi's brother, and their shared history brings an added layer of honesty, humor, and reflection to the conversation.

Bunkere, klimakrise og flugt fra ansvar Bogen foregår 10-20 år ude i fremtiden, men ligner vores verden skræmmende meget. Bare værre. Tre tech-oligarker – tydelige parodier på Bezos, Zuckerberg og Musk – har monopol på logistik, sociale medier og teknologi. Og de har travlt med at bygge private bunkere i stedet for at løse klimakrisen. Her møder vi Lai Zhen, survivalist-influencer og tidligere flygtning fra Hong Kongs kollaps. Hendes filosofi er klar: Individualisme er for tåber. Små grupper, samarbejde og planlægning er vejen til overlevelse. Ikke bunkere fyldt med våben og mistillid. Om forfatteren: Naomi Alderman Naomi Alderman (f. 1974) er en britisk forfatter med rødder i London og en akademisk baggrund fra Oxford, hvor hun læste filosofi, politik og økonomi. Hendes debutroman Disobedience (2006) blev hurtigt anerkendt for sit modige blik på religion og seksualitet, men det var The Power (2016), der for alvor sendte hende ind på science fiction-radaren. The Power forestiller sig en verden, hvor piger pludselig udvikler evnen til at slå med elektriske stød – og samfundets magtbalancer tipper dramatisk. Romanen blev både en prisvinder (bl.a. Women's Prize for Fiction) og senere tv-serie (Amazon Prime). The Future (2023) viser tydeligt hendes dobbeltblik: Kyndig satiriker overfor Silicon Valleys vildskaber, men også romanforfatter med blik for både filosofi, samfund og fremtidens etiske spørgsmål. Naomi Alderman på Wikipedia Digital enclosure – Vores fælles data bliver stjålet af de få Man mærker Aldermans skarpe samfundsblik, når Badger – non-binært barn af en tech-CEO – forklarer konceptet “digital enclosure”. Det er en reference til de historiske enclosure-bevægelser i England, hvor overklassen lukkede fællesarealer og gjorde dem til privat ejendom. Tech-giganterne har gjort det samme med vores data, vores opmærksomhed, vores fællesskab. De har taget noget der tidligere tilhørte os alle – adressebøger, købshistorik, vores bevægelser, vores billeder – og gjort det til private data-chunks som de tjener formuer på. AUGR – AI’en der forudsiger dommedag Central i plottet er AUGR, en prædiktiv AI der skal fortælle de rige, præcis hvornår de skal flygte til deres bunkere. Ti dage før katastrofen rammer. For hvis de venter for længe, vil folk ikke lade dem flygte. Så timing er alt. Men AUGR dukker også mystisk op på Lai Zhens telefon og begynder at guide hende. Hvem styrer egentlig AUGR? Og hvad er planen? Bogen folder sig ud som et urværk – med flashbacks, posts fra et prepper-forum kaldet “Name The Day”, og kapitler der hopper mellem perspektiver.. Der er et afgørende twist, der kom som en total overraskelse, men som vi ikke skal spoile her. Enochites og ræven og kaninen Martha Einkorn bærer sin barndom med sig. Hun voksede op i en kult, hvor teknologien var forbudt, og hvor faderen Enoch insisterede på, at den moderne civilisation tog fejl, allerede da vi begyndte at dyrke jorden og gøre krav på territorium. Hans “Sermon of the Rabbit and the Fox” vender det klassiske ræv/kanin-motiv på hovedet. Her symboliserer kaninen ikke uskyldig sårbarhed – men netop de første, der bosatte sig, hegnede af, og indførte ideen om meningsløst ejerskab af land. Ræven er jæger-samleren, den, som lever i nuet og tilpasser sig landskabet uden at forsøge at eje det. For Enoch er tanken om at eje jord lige så absurd som at eje luft: Jorden tilhører dig kun, så længe du tager vare på den. Luften kun, så længe den er i dine lunger. Tech-oligarkerne i The Future er overvældet af kanin-mentalitet, der er gået til yderligheder: De indhegner og griber alt, og forsøger at sikre sig mod fremtidens farer gennem privatisering og massive forråd, frem for at stole på fællesskab og samarbejde. Når de rige ikke kan samarbejde Bogens centrale pointe er brutalt enkel: De ultrarige kan ikke redde verden, fordi de fundamentalt ikke tror på samarbejde. Selv når de tre tech-bosserne sidder på en ø sammen i livsfare, vælger de sabotage, mistillid og vold. Lai Zhen anbefaler samarbejde i små grupper. Enoch prædikede fællesskab med naturen. Men milliardærerne? De tror kun på sig selv og deres våben. Så selvom de har ressourcerne til at løse klimakrisen, bruger de dem på bunker-byggeri. Alderman sparer ikke på kritikken. Bogen er både thriller, satire og politisk essay. Den stiller spørgsmålet: Hvorfor skal nogen have lov til at være så rige? Hvad godt gør det? Vurderingen Jens: ⭐⭐⭐⭐⭐ (fem stjerner). Det er et utroligt stykke urværk. Perfekt crafted underholdning med masser af yndlingsting – den kunne laves til en vild serie. Og så synes jeg digital enclosure-pointen var super godt set. En bog til tiden. Anders: ⭐⭐⭐⭐(⭐) (fire-og-en-halv stjerner). Virkelig underholdt. Velskrevet, cool, tankevækkende. Men karaktererne var ikke helt så stærke – de føles alle lidt som Aldermans egen stemme. Hvis jeg kunne give 4,5 ville jeg. Men den gør alt det rigtige på det rigtige tidspunkt. Jens og Anders har SCIFI SNAKKET The Future. Shownotes til episoden om The Future Siden sidst Anders Er færdig med Pluribus – virkelig speciel serie med fantastisk stemning. Ray Seehorn er crazy dygtig. Har set Oppenheimer igen – fantastisk film, ikke meget sci-fi, men vi læste jo en bog om ham. Har læst Ship of Fools af Richard Paul Russo – om et generationsrumskib der finder et mystisk alien-rumskib. Virkelig stemningsfuld, med mindelser om Alien 3 og Stanislav Lem. Er i gang med Clade af James Bradley – klimadystopi med fokus på familiedrama gennem flere årtier. Tak til Jens for Calibre-plugin info – har nu fået konverteret alle sine Kindle og Kobo-bøger til epub. Jens Er færdig med sæson 1 af Pluribus på Apple TV – om Carol alene i en verden hvor alle andre er blevet til en hive mind. Meget tilfredsstillende slutning. Ser sæson 2 af Fallout på Amazon Prime – baseret på computerspillet som skaber en fantastisk verden som nærmest er en blanding af Hugh Howey’s Wool og Mad Max. Mega fed. Er begyndt at købe bøger på ebook.de i stedet for Kobo, da de ofte er meget billigere. Ripper DRM’en af og håndterer dem i Calibre. Jeg anser det for en politisk handling og at vi har lov til at eje ebøger fuldt og helt. Lytternes input Maibritt takkede for Star Maker-episoden: “Det lyder som om podcasten tog en for holdet her – tak for det

BEN AFFLECK & MATT DAMON REUNITE!! The Rip Full Movie Reaction Watch Along:   / thereelrejects   Download PrizePicks today at https://www.prizepicks.onelink.me/LME... & use code REJECTS to get $50 instantly when you play $5! Gift Someone (Or Yourself) An RR Tee! https://shorturl.at/hekk2 It's a Boston Christmas in January as Coy & Greg REUNITE for The Rip Reaction, Recap, Breakdown, Commentary, Analysis & Spoiler Review!! Greg Alba & Coy Jandreau react to The Rip (2025), the upcoming Netflix crime thriller from co-Writer / Director Joe Carnahan (Narc, The Grey, Smokin' Aces, The A-Team) that reunites longtime collaborators Matt Damon & Ben Affleck in a gritty, character-driven story about loyalty, desperation, and the thin line between justice and crime as a group of Miami cops discovers a stash of millions in cash, leading to distrust as outsiders learn about the huge seizure, making them question who to trust & who to rely on. What results is a tense, grounded thriller in the vein of Heat & Affleck's own The Town, focusing on the fallout of a high-stakes criminal operation gone wrong. The film stars Matt Damon (The Bourne Identity, Oppenheimer) and Ben Affleck (Argo, Gone Girl) as central figures caught on opposite sides of a dangerous moral divide, with their characters bound by a shared past, forced into a collision course when a lucrative score begins to unravel. Set against a contemporary urban backdrop, the story explores how greed, pressure, and unfinished business can “rip” relationships apart, testing trust between partners, friends, and family. The supporting cast includes Teyana Taylor (One Battle After Another), Scott Adkins (John Wick: Chapter 4, The Expendables 2), Catalina Sandino Moreno (Maria Full of Grace, From), Kyle Chandler (Friday Night Lights, Godzilla vs. Kong), Steven Yeun (Minari, Beef), Sasha Calle (The Flash, On My Block), Néstor Carbonell (The Dark Knight, Lost), & More! Can the Boston Boys do it again??? Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Marty Supreme Christmas Day! In this episode, Shelby and Laura review A24's Historic Sports Drama film directed by Josh Safdie and starring the most passionate man alive--Timothée Chalamet. We discuss the ambitious marketing campaign, explain why Marty is an awful human being, highlight the eclectic supporting cast from Gwyneth Paltrow to Kevin O'Leary, compare the energy to Uncut Gems, lament why Rachel was so into Marty, gush over Tyler The Creator's acting skills, and debate whether Marty's irrational confidence is a good example for people to follow.Interested in more movie reviews? Check out our podcast episodes on ⁠⁠⁠⁠⁠⁠⁠⁠⁠American Fiction⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Barbie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Cannes Film Festival 2024⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Challengers⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Deadpool & Wolverine⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Furiosa: A Mad Max Saga⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Gladiator II Ft. Queens Podcast⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Inside Out 2 ft. Nikki Meadows⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Joker: Folie a Deux⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Killers of the Flower Moon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Madame Web ft. Mitch Broadwater⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Mean Girls (2024)⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Oppenheimer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Past Lives Ft. Toya From Harlem⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Poor Things⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠The Fall Guy⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠The Oscars 2024⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠We Live In Time⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠Wicked Ft. Sisters and the Stars⁠⁠⁠⁠⁠⁠⁠⁠.To stay up to date on all things SWW:- Follow @SistersWhoWatch on all social media channels (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)- Subscribe to our ⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠ channel - Check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and fill out the contact information formWhat should we watch next? Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sisterswhowatch@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or DM us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with your suggestions.Thank you for listening and we appreciate your support! Please rate, subscribe, download, share, and leave us a review :)

In der ersten Folge des neuen Jahres geht es um Ruths Auftritt im Boulevard, die “Supersonne” und einen Himmel voller Regenbogen. Dann reden wir ausführlich über “Cloud 9”, ein Relikt aus dem frühen Universum das gleichzeitig auch ein RELHIC ist: Nämlich eine Gaswolke, aus der eigentlich Sterne entstehen hätten sollen, aber nie entstanden sind. Evi erzählt uns dann etwas über den Film “Oppenheimer” und die Versuche Deutschlands, eine Atombombe zu bauen. Wenn ihr uns unterstützen wollt, könnt ihr das hier tun: https://www.paypal.com/paypalme/PodcastDasUniversum Oder hier: https://steadyhq.com/de/dasuniversum Oder hier: https://www.patreon.com/dasuniversum

In this episode, Shelby and Laura A24's newest love triangle rom-com 'Eternity' starring Elizabeth Olsen. Shelby and Laura debate who they would choose, why the obvious choice is Callum Turner's Luke, whether Miles Teller is a hearthrob, and which eternity they would choose. We also talk about how surprisingly funny the movie is, including the hilarious performance by Oscar-WINNER Da'vine Joy Randolf. Shelby and Laura also argue why Eternity has not gotten any awards buzz.Interested in more movie reviews? Check out our podcast episodes on ⁠⁠⁠⁠⁠⁠⁠⁠American Fiction⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Barbie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Cannes Film Festival 2024⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Challengers⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Deadpool & Wolverine⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Furiosa: A Mad Max Saga⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Gladiator II Ft. Queens Podcast⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Inside Out 2 ft. Nikki Meadows⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Joker: Folie a Deux⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Killers of the Flower Moon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Madame Web ft. Mitch Broadwater⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠Mean Girls (2024)⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Oppenheimer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Past Lives Ft. Toya From Harlem⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Poor Things⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠The Fall Guy⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠The Oscars 2024⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠We Live In Time⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠Wicked Ft. Sisters and the Stars⁠⁠⁠⁠⁠⁠⁠.To stay up to date on all things SWW:- Follow @SistersWhoWatch on all social media channels (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)- Subscribe to our ⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠ channel - Check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and fill out the contact information formWhat should we watch next? Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sisterswhowatch@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or DM us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with your suggestions.Thank you for listening and we appreciate your support! Please rate, subscribe, download, share, and leave us a review :)

The “iPS New Year's 2026” broadcast, recorded on December 31, 2025, serves as both a retrospective of the “systemic fakery” of 2025 and a strategic roadmap for the “Off-World Stage” community in 2026. The host characterizes the current era as a “soft totalitarianism” where history is manufactured and performed for a “visually illiterate” public.List of Topics2025 PSYOP Retrospective:The Drone Panic: A January “gullibility test” where mysterious sightings in New Jersey were dismissed as airplanes and the planet Venus.The Charlie Kirk “Death” Event: Analyzed as a staged psychological operation with “hoax indicators,” including the “death tent” at America Fest and the subsequent “necromancy” in evangelical churches.Psycho Stew vs. Raja Jackson: A “kayfabe” body slam event that was racialized by influencers to stoke tension.The Stabbing of Austin Metcalfe: Linked to the movie Sinners and described as an attempt to create a “white Trayvon Martin”.School Shooting Archetypes: A discussion on how shooters are now portrayed as “left-wing” or “satanic nazi trans witches” to target specific demographics.Dick Cheney's Death: Described as a “Viking funeral” coded with 9/11 references (e.g., dying on the anniversary of the One World Trade Tower opening).Media Theory and the “Meta Script”:Predictive Programming: The use of films like Oppenheimer, Fallout, and Dune to saturate the zeitgeist before real-world events.“Off-World Stage” Perspective: A framework independent of the “media duopoly” (mainstream and alternative) that seeks to deconstruct the “collective Truman Show”.Religion as Government: The view that mainstream religion is a “branch of government” used for “mind control” and to keep the “soul” compartmentalized from psychology.2026 Objectives:The Great Deconstruction: A planned project to create a 100-year timeline of staged history from 1926 to 2026.Publishing and Networking: Production of the iPS tabloid, short eBooks on world stage actors (like Elon Musk), and the expansion of PSYOP trading cards.Technological Shifts: Leveraging AI agents for “press releases” and the potential reboot of the parody cartoon “South Pole”.2026 Predictions:Expected “fake” events include nuclear/EMP threats, elite bunker narratives, blackouts, and a “fake alien invasion” connected to upcoming films.5 Key Quotes“My one resolution... for new year's eve is to no longer tolerate bad conspiracy theories that are actually mislabeled as even theories... it all comes down to religion.”“2026 is going to be fake AF. Every single psyop we are going to experience in the next year is already planned already scheduled it's on a program that we're not privy to...”“If you're scared, you lost. That's the game. If you're scared, you lost. ... Fear is the mind killer.”“They are not mad they are trained to believe not to know belief can be manipulated but knowledge is dangerous...”“We are fomenting a culture of disbelief on purpose. And believers, it's not that they're not welcome here, but they don't have a place here.”Understanding the “Off-World Stage” perspective is like learning to see the projector beam in a dark movie theater; once you stop focusing on the film's plot and notice the machine behind it, the “story” loses its power to frighten or control you.

The “iPS New Year's 2026” broadcast, recorded on December 31, 2025, serves as both a retrospective of the “systemic fakery” of 2025 and a strategic roadmap for the “Off-World Stage” community in 2026. The host characterizes the current era as a “soft totalitarianism” where history is manufactured and performed for a “visually illiterate” public.2025 PSYOP Retrospective:The Drone Panic: A January “gullibility test” where mysterious sightings in New Jersey were dismissed as airplanes and the planet Venus.The Charlie Kirk “Death” Event: Analyzed as a staged psychological operation with “hoax indicators,” including the “death tent” at America Fest and the subsequent “necromancy” in evangelical churches.Psycho Stew vs. Raja Jackson: A “kayfabe” body slam event that was racialized by influencers to stoke tension.The Stabbing of Austin Metcalfe: Linked to the movie Sinners and described as an attempt to create a “white Trayvon Martin”.School Shooting Archetypes: A discussion on how shooters are now portrayed as “left-wing” or “satanic nazi trans witches” to target specific demographics.Dick Cheney's Death: Described as a “Viking funeral” coded with 9/11 references (e.g., dying on the anniversary of the One World Trade Tower opening).Media Theory and the “Meta Script”:Predictive Programming: The use of films like Oppenheimer, Fallout, and Dune to saturate the zeitgeist before real-world events.“Off-World Stage” Perspective: A framework independent of the “media duopoly” (mainstream and alternative) that seeks to deconstruct the “collective Truman Show”.Religion as Government: The view that mainstream religion is a “branch of government” used for “mind control” and to keep the “soul” compartmentalized from psychology.2026 Objectives:The Great Deconstruction: A planned project to create a 100-year timeline of staged history from 1926 to 2026.Publishing and Networking: Production of the iPS tabloid, short eBooks on world stage actors (like Elon Musk), and the expansion of PSYOP trading cards.Technological Shifts: Leveraging AI agents for “press releases” and the potential reboot of the parody cartoon “South Pole”.2026 Predictions:Expected “fake” events include nuclear/EMP threats, elite bunker narratives, blackouts, and a “fake alien invasion” connected to upcoming films.“My one resolution... for new year's eve is to no longer tolerate bad conspiracy theories that are actually mislabeled as even theories... it all comes down to religion.”“2026 is going to be fake AF. Every single psyop we are going to experience in the next year is already planned already scheduled it's on a program that we're not privy to...”“If you're scared, you lost. That's the game. If you're scared, you lost. ... Fear is the mind killer.”“They are not mad they are trained to believe not to know belief can be manipulated but knowledge is dangerous...”“We are fomenting a culture of disbelief on purpose. And believers, it's not that they're not welcome here, but they don't have a place here.”Understanding the “Off-World Stage” perspective is like learning to see the projector beam in a dark movie theater; once you stop focusing on the film's plot and notice the machine behind it, the “story” loses its power to frighten or control you.List of Topics5 Key Quotes

We're returning after a long unplanned break with the most important awards ceremony in film: the Trashies!Nick and Erin are running down their favourite performances of 2025, talk instrumental & song scores, and our best theatre-going memories of the year before discussing new-to-us discoveries and our top 5 of the year.It all leads up to the key questions of the year: how did they make Ethan Hawke just a little guy? Why is Josh O'Connor legally mandated to appear in every film? What's with all the dual roles (looking at you Robert Pattinson, Michael B Jordan, and Wagner Moura)? And just who is Damocles?But most importantly, who will take home the vaunted Golden Garbage Can Lid? Past winners include Nolan's OPPENHEIMER and Guadagnino's CHALLENGERS.Movies discussed - light spoilers on all of the below:BLUE MOON - Richard LinklaterIF I HAD LEGS I'D KICK YOU - Mary BronsteinWAKE UP DEAD MAN - Rian JohnsonBLACK BAG - Steven SoderberghSINNERS - Ryan CooglerTHE SECRET AGENT - Kleber Mendonça FilhoONE BATTLE AFTER ANOTHER - Paul Thomas AndersonNIRVANNA THE BAND THE SHOW THE MOVIE - Matt JohnsonNO OTHER CHOICE - Park Chan-wookTHE NAKED GUN - Akiva SchafferUNIVERSAL LANGUAGE - Matthew RankinDEUX FEMMES EN OR (TWO WOMEN) - Chloé RobichaudMICKEY 17 - Bong Joon Ho

Send us a textDe Duitse keizer in Doorn, de Spaanse griep, Oppenheimer, senator McCarthy, de oorlog in Joegoslavië, sciencefiction, de DDR, Kiss the Ground en graangeluk.In de donkere dagen rond Kerstmis en Nieuwjaar presenteert blckbx.tv een gloednieuwe programmaserie: Wintergasten. Ab Gietelink heeft voor deze serie zeven bekende opiniemakers uit de alternatieve wereld uitgenodigd voor boeiende en leerzame gesprekken, onderbouwd met nieuwsfragmenten uit de afgelopen jaren. De gasten in deze reeks zijn Kees van der Pijl, Willem Engel, Elze van Hamelen, Marcel van Silfhout, Marie-Thérèse ter Haar, Diedert de Wagt en Mordechai Krispijn.In deze aflevering is Marcel van Silfhout te gast: onderzoeksjournalist én graangelukboer. Met hem spreekt Ab over onder andere de Duitse keizer in Doorn, de Spaanse griep, Oppenheimer, senator McCarthy, de oorlog in Joegoslavië, sciencefiction, Das Leben der Anderen en de DDR, Kiss the Ground en het concept van graangeluk.Support the showWaardeer je deze video('s)? Like deze video, abonneer je op ons kanaal en steun de onafhankelijke journalistiek van blckbx met een donatieWil je op de hoogte blijven?Telegram - https://t.me/blckbxtvTwitter - / blckbxnews Facebook - / blckbx.tv Instagram - ...

In this festive descent into methodological despair, Chris and Matt convene a secret cabal of elite psychology podcasters within the Decoding Cloister, operating under the distant yet reassuring gaze of Arch-Wizard Paul Bloom, whose role is largely ceremonial but nonetheless morally binding.Joining them are Dave Pizarro (Very Bad Wizards) and Michael Inzlicht (Two Psychologists Four Beers, emeritus), for what can only be described as an end-of-year audit of social psychology's moral character.What follows is a mixture of intense hubris, disciplinary self-loathing, and revolutionary insights, delivered via one of the most sadistic Christmas quizzes ever devised. The quiz format allows the episode to do what psychology does best: create the feeling of measurement while hovering dangerously close to intuition.Alongside the quiz, we engage in some meta-commentary and sensemaking reflections on audience capture and the state of psychology-themed podcasts in 2025. In other words, it's Christmas, so naturally everyone is discussing perverse incentives, damaged reputations, and the slow moral corrosion of institutions.So join us, won't you? For the first International Congress on Psychology-Themed Podcasting and Gurus…LinksMickey's SubstackMickey's Work and Play LabTwo Psychologists Four BeersVery Bad WizardsUhlmann, E. L., Pizarro, D. A., & Diermeier, D. (2015). A person-centered approach to moral judgment. Perspectives on Psychological Science, 10(1), 72-81.Ovsyannikova, D., de Mello, V. O., & Inzlicht, M. (2025). Third-party evaluators perceive AI as more compassionate than expert humans. Communications Psychology, 3(1), 4.ReferencesAlter, A. L., Oppenheimer, D. M., Epley, N., & Eyre, R. N. (2007). Overcoming intuition: Metacognitive difficulty activates analytic reasoning. Journal of Experimental Psychology: General, 136(4), 569–576.Aarts, H., & Dijksterhuis, A. (2003). The silence of the library: Environment, situational norm, and social behavior. Journal of Personality and Social Psychology, 84(1), 18–28.Zimbardo, P. G. (1973). On the ethics of intervention in human psychological research: With special reference to the Stanford Prison Experiment. Cognition, 2(2), 243–256.Resnick, B. (2018, June 13). The Stanford Prison Experiment was massively influential. We just learned it was a fraud. Vox.Festinger, L., Riecken, H. W., & Schachter, S. (1956). When prophecy fails. University of Minnesota Press.

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesFive Star Review from Parakleets: Love the show and longtime listener to the network! I'm a big fan of the MCU and very excited for Doomsday. I can't wait to see the teaser trailers, but can't figure out why y'all are so mad about it? Does podcasting make you guys more critical or cynical about the “biz”? As quite the opposite of being a filthy casual, I'll happily watch whatever trailers the MCU gives me and then judge the marketing promo after all the teasers are released.The Countdown BeginsThe hotly anticipated first teaser trailer for Marvel Studios' Avengers: Doomsday has officially arrived and with it some substantial reveals. The trailer originally debuted attached ahead of select screenings of Avatar: Fire & Ash last weekend, as expected, before being released online Tuesday morning. Prior to Tuesday morning's drop, reputable film industry trades like Variety already wasted no time running will spoiler-filled headlines addressing the spoilers and the week preceding the official release was plagued with leaked versions of varying quality sweeping the Internet; so, we've waiting long enough ourselves - spoilers inbound if you've somehow managed to avoid them. The trailer is here whether we like the release strategy or not; what do we think of our first official look at Doomsday?Brainiac On the DancefloorJames Gunn's quest to find the DCU's Brainiac has come to end, as Lars Eidenger's begins as he's been cast to play the classic villain in Superman sequel: Man of Tomorrow. The German actor, largely unfamiliar to American audiences but acclaimed for European work like Babylon Berlin, will face off against David Corenswet's Man of Steel and Nicholas Hoult's Lex Luthor in the sequel releasing July 9, 2027. Gunn has a penchant for taking gambles on relative unknowns and launching them to stardom, can he do it again for such an iconic and formidable foe?A Blue Christmas on Pandora?The aforementioned James Cameron's Avatar: Fire & Ash ignited the box office with a $345 million global opening weekend but opened roughly 22 percent below The Way of Water's $441 million debut. Early projections suggest Fire & Ash will finish around 1.7 to 1.8 billion worldwide rather than joining the elite $2 billion club like its predecessors, raising serious questions about whether Disney will greenlight Avatar 4 and Avatar 5. Has Cameron's box office dominance finally cooled off, or will the holiday legs carry Fire & Ash to the heights The All-Mother demands?Putting the Eye in IMAXChristopher Nolan's The Odyssey dropped its eagerly awaited first official trailer, showcasing Matt Damon in the title role battling to return home after the Trojan War in an epic shot entirely with new IMAX film camera technology. The highly anticipated adaptation features a stacked cast including Tom Holland as Odysseus' son Telemachus and Anne Hathaway as his wife Penelope, with the film already selling out 70MM Imax tickets at AMC and Regal ahead of its July 17, 2026 release. Can Nolan's ambitious vision of Homer's classic tale deliver another legend at the Box Office like Oppenheimer?

What does it take to market movies that shape culture—and to lead with integrity when the stakes are highest? In this Best Of Trailer Geeks & Teaser Gods episode, Corey Nathan revisits his powerful conversation with Dwight Caines, President of Domestic Marketing at Universal Pictures and one of the most respected voices in modern film marketing. One of our "best of's" since we brought this program back, this episode remains as relevant—and resonant—as ever. Dwight reflects on a career spanning Sony Pictures and Universal, working on iconic franchises including Spider-Man, James Bond, Oppenheimer, and The Super Mario Bros. Movie. But this conversation goes far beyond campaigns and box office numbers. Dwight opens up about leadership, mentorship, diversity and inclusion, the responsibility of storytellers, and what it means to be a steady presence in moments of industry—and societal—turbulence. It's a masterclass in how great marketing starts with understanding people. Whether you're a trailer creative, studio exec, marketer, or emerging storyteller, this episode is a reminder that how you lead matters just as much as what you ship. Key Takeaways Story Starts With Audience Dwight explains why every campaign begins with a deep understanding of who the movie is for—and what emotional response it needs to evoke to get audiences off the couch and into theaters. From Data to Instinct With roots in market research, Dwight shares how the best campaigns balance data with gut, and why "research be damned" can sometimes be the bravest—and smartest—call. Digital Before It Was Cool As an early digital pioneer at Sony, Dwight recounts building online communities around films like Spider-Man long before digital marketing was standard practice. Leadership in Crisis Dwight reflects on moments when the industry—and the country—felt unsteady, and why authenticity, calm, and moral clarity are essential leadership traits. Mentorship & Representation From teaching at Syracuse and UCLA to shaping DEI initiatives at Universal and the Academy, Dwight makes the case that representation isn't performative—it's foundational to better work and better culture. Notable Quotes "If you see me running for the emergency exit, then trouble's coming. Otherwise, take it as a good sign." "Marketing is about evoking emotion. If you don't know what you want people to feel, the campaign won't land." "If you see it, you can be it. I didn't see myself in front of the classroom—so I decided to become that person." "Diversity isn't invitation. It's allowing people to show up authentically and be heard." Connect Dwight Caines President, Domestic Marketing – Universal Pictures Mentor, Educator, Industry Leader Corey Nathan Host – Trailer Geeks & Teaser Gods @coreysnathan on all platforms About This Episode This episode is part of our Best Of Trailer Geeks & Teaser Gods series—encore conversations from across the show's history that remain timeless, insightful, and essential listening for anyone passionate about entertainment marketing. Our Sponsors Meza Wealth Management – mezawealth.com 24/96 Sound & Music Design – 2496soundandmusic.com The Golden Trailer Awards – goldentrailer.com Soundstripe – app.soundstripe.com Join the Community Like what you hear? Leave us a rating and review! Connect with Corey on all platforms @coreysnathan Subscribe for new episodes every week and keep up with the world's best trailer creatives!

In this episode, Shelby and Laura review Disney's newest animated movie 'Zootopia 2'! The two discuss how they liked the 2016 original movie, argue whether either the films were "cop propaganda," and debate which Shakira song we prefer: "Zoo" or "Try Everything." Shelby and Laura also talk about how political the movie felt, with themes of gentrification, immigration, indigenous rights, and corrupt government.Interested in more movie reviews? Check out our podcast episodes on ⁠⁠⁠⁠⁠⁠⁠American Fiction⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Barbie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Cannes Film Festival 2024⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Challengers⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Deadpool & Wolverine⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Furiosa: A Mad Max Saga⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠Gladiator II Ft. Queens Podcast⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠Inside Out 2 ft. Nikki Meadows⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Joker: Folie a Deux⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Killers of the Flower Moon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Madame Web ft. Mitch Broadwater⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠Mean Girls (2024)⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Oppenheimer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Past Lives Ft. Toya From Harlem⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Poor Things⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠The Fall Guy⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠The Oscars 2024⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠We Live In Time⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠Wicked Ft. Sisters and the Stars⁠⁠⁠⁠⁠⁠.To stay up to date on all things SWW:- Follow @SistersWhoWatch on all social media channels (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)- Subscribe to our ⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠ channel - Check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and fill out the contact information formWhat should we watch next? Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sisterswhowatch@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or DM us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with your suggestions.Thank you for listening and we appreciate your support! Please rate, subscribe, download, share, and leave us a review :)

Michael Doherty, Entertainment Editor at the RTE Guide and arts journalist Zara Hedderman pick out their highlights from a bumper week of Christmas TV specials and major movies. Spanning the big and small screen over Christmas week and into the New Year, their choices include Saipan, Oppenheimer and An Cailín Ciúin.

This transcript synopsis from late 2025 features a media analyst returning from a hiatus to examine current events through the lens of predictive programming and world stage simulations. The speaker primarily explores the murder of Rob Reiner by his son, drawing parallels between this tragedy and the Frankenstein narrative of a creator destroyed by his creation. Additional analysis focuses on the television series Fallout and the movie Top Gun: Maverick, suggesting these entertainment products foreshadow real-world nuclear scenarios and military operations. The text further alleges that high-profile events, such as the assassination of Charlie Kirk and various public stabbings, are manufactured psyops utilizing crisis actors and repetitive symbolism. Ultimately, the source argues that global media functions as a coordinated meta-script designed to synchronize humanity under a singular, artificial worldview. Central to this perspective is the rejection of the "mainstream and alternative duopoly," urging listeners to adopt an "off-world stage perspective" that views news and entertainment as a singular, government-controlled monolith used to manage human consciousness through "Mind War"Key Topics• The Reiner Murder Psyop: The host analyzes the reported killing of Rob Reiner by his son Nick as a world-stage retelling of Frankenstein, noting the father-son antagonism and Nick Reiner's “uncanny resemblance” to the monster.• Planet Netflix and Predictive Programming: The source describes Netflix as a “psyop factory,” citing a role played by Jake Reiner in the series Monster that “coincidentally” mirrored his parents' deaths shortly after.• The “Theater of Psywar”: Major events like the Butler, Pennsylvania shooting and the Bondi Beach incident are dismissed as simulations utilizing recycled crisis actors and “hoax indicators” like massive GoFundMe payouts.• Pop Culture Archetypes: ◦ Tom Cruise is identified as a recurring “sacrificial sun god” or “hanged man” archetype, with his films containing occult subtext related to ascension and the number 33. ◦ The Fallout series is linked to Oppenheimer through etymology (Robert House vs. Robert Oppenheimer) and seen as conditioning for a Space Needle/nuke scenario.• Mind War and TPUSA: The host discusses the “Mind War” framework co-authored by Michael Aquino and Paul E. Vallely, linking Vallely to the leadership of Turning Point USA and suggesting the organization functions as a political psyop.• The “Off-World Stage” Philosophy: A call to decompartmentalize the mind to see that news, entertainment, and government are “one and the same,” constituting a “one world religion” of manufactured history.• Critique of Organized Religion: The host views religion as a tool of government control, arguing that faith is “putting ignorance above direct knowledge” and that “Gnosticism makes you incompatible for the religious paradigms”.Key Quotes• “Every single topic is just put through the fake news wood chipper that the [Discord] server is.”• “We're looking at this new era here... where there's this engagement that's happening between the psyop entertainment complex and its critics.”• “If you want to know what's gonna happen in the world tomorrow, watch Netflix today.”• “These events that they manufacture are not mere hoaxes or pr stunts but these are permanent fixtures of the world stage... simulated events... they're also historic events.”• “I firmly maintain here that the God construct of the Bible is... a construct created by government to control minds.”• “The off-world stage perspective is cognizant of the continuity of fakery that led up to today and how news becomes history.”• “Mind war proposes to supersede killing and destruction with a more civilized focus on the mind.”

Zillow shares dropped sharply after reports revealed that Google is testing real estate listings directly inside its search results. The news sparked investor concern about long-term competition and platform risk, sending Zillow's stock down more than 9% in a single session. In this episode of Real Estate News for Investors, producer Kailyn Bennett breaks down what Google's real estate listings test includes, why the market reacted so strongly, and what analysts from Wells Fargo, Goldman Sachs, and Oppenheimer are saying about the potential impact on Zillow's business model. While experts say the threat is more long-term than immediate, Google's move highlights how shifts in search and lead generation could reshape the real estate tech landscape over time. We look at what's driving inflation now — including food, energy, and shelter costs — and how markets reacted to the softer-than-expected data. 

Oppenheimer CEO & President Robert (Rob) Lowenthal joins Let's Talk Future™ to reflect on the major developments that shaped 2025 and to outline the innovation, investment, and market dynamics expected to influence 2026. Rob discusses the unprecedented scale of AI infrastructure investment, the emerging opportunity across healthcare, space technology, defense innovation, and infrastructure, and provides a measured view of valuations, risk, and geopolitics. He reinforces why the U.S. continues to lead in innovation and why strong relationships remain central to Oppenheimer's mission.   Podcast Disclosure: This podcast is the property of Oppenheimer & Co. Inc. and should not be copied, distributed, published or reproduced, in whole or in part. The information/commentary contained in this recording was obtained from market conditions and professional sources, and is educational in nature. The information presented has been derived from sources believed to be reliable but is not guaranteed as to accuracy and does not purport to be a complete analysis of any strategy, plan, security, company, or industry involved. Opinions expressed herein are subject to change without notice. Oppenheimer has no obligation to provide any updates or changes. Any examples used in this material are generic, hypothetical and for illustration purposes only. All price references and market forecasts are as of the date of recording. This podcast is not a product of Oppenheimer Research, nor does it provide any financial, economic, legal, accounting, or tax advice or recommendations. Any liability therefore (including in respect of direct, indirect or consequential loss or damage) is expressly disclaimed. Securities and other financial instruments that may be discussed in this report or recommended or sold are not insured by the Federal Deposit Insurance Corporation and are not deposits or obligations of any insured depository institution. Investments involve numerous risks including market risk, counterparty default risk and liquidity risk. Securities and other financial investments at times maybe difficult to value or sell. The value of financial instruments may fluctuate, and investors may lose their entire principal investment. Prior to making any investment or financial decisions, an investor should seek advice from their personal financial, legal, tax and other professional advisors that take into account all of the particular facts and circumstances of an investor's own situation. The views and strategies described may not be suitable for all investors. This report does not take into account the investment objectives, financial situation or specific needs of any particular client of Oppenheimer or its affiliates. This podcast may contain forward looking statements or projections regarding future events.  Forward-looking statements and projections are based on the opinions and estimates of Oppenheimer as of the date of this podcast, and are subject to a variety of risks and uncertainties as well as other factors, including economic, political, and public health factors, that could cause actual events or results to differ materially from those anticipated in the forward-looking statements and projections.  The performance of a benchmark index is not indicative of the performance of any particular investment; however, they are considered representative of their respective market segments.  Please note that indexes are unmanaged and their returns do not take into account any of the costs associated with buying and selling individual securities.  Individuals cannot invest directly in an index. This content is intended for informational purposes only and should not be construed as investment advice or a recommendation to buy or sell any security. No part of this podcast should be interpreted as a testimonial regarding the advisory services of Oppenheimer & Co. Inc. Any references to performance, investment opportunities, or market outlooks are based on current opinions, which are subject to change without notice. Past performance is not indicative of future results. All investments involve risk, including the potential loss of principal.   Oppenheimer Transacts Business on all Principal US Exchanges and is a Member of SIPC   8664180.1

 “Would You Scream for a Burger? Viral Chaos, Holiday Laughs & TikTok Truths Unleashed!” Episode Description ❓ “What's the first thing that made you laugh today?” That's how this episode of The Sandy Show kicks off—a question that instantly sets the tone for a wild, witty ride through the quirks of modern life and holiday nostalgia.

In this episode, Shelby and Laura review Chloe Zhao's newest movie "Hamnet," a frequent film festival winner. We talk about why Chloe Zhao's directing style can be a bit polarizing, debate whether Jessie Buckley should be an Oscar frontrunner, and ponder why Paul Mescal is popping up in so many movies. Interested in more movie reviews? Check out our podcast episodes on ⁠⁠⁠⁠⁠⁠American Fiction⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Barbie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Cannes Film Festival 2024⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Challengers⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Deadpool & Wolverine⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Furiosa: A Mad Max Saga⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠Gladiator II Ft. Queens Podcast⁠⁠⁠⁠, ⁠⁠⁠⁠Inside Out 2 ft. Nikki Meadows⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Joker: Folie a Deux⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Killers of the Flower Moon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Madame Web ft. Mitch Broadwater⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠Mean Girls (2024)⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Oppenheimer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Past Lives Ft. Toya From Harlem⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠Poor Things⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠The Fall Guy⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠The Oscars 2024⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠We Live In Time⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠Wicked Ft. Sisters and the Stars⁠⁠⁠⁠⁠.To stay up to date on all things SWW:- Follow @SistersWhoWatch on all social media channels (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠)- Subscribe to our ⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠ channel - Check out our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and fill out the contact information formWhat should we watch next? Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠sisterswhowatch@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or DM us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with your suggestions.Thank you for listening and we appreciate your support! Please rate, subscribe, download, share, and leave us a review :)

The deal is done. Netflix will purchase Warner Bros. Discovery for $82 billion. Yet another corporate monopoly drives a nail through Hollywood's coffin. It was bad enough when Disney bought Fox, Star Wars, and Marvel. Now, Netflix will be among the most powerful corporate monopolies, replacing what Hollywood used to be.America gave up on Hollywood because Hollywood gave up on America. The result is empty movie theaters all over the country—one bomb after another. Of course, Warner Bros. knew. You'd have to be an idiot not to know. Does anyone think Netflix is sweating the online memes accusing it of being too woke? No, they aren't. They are making too much money to care. With streaming, there is no free market pressure, no quality control. You don't have to motivate people to leave their homes. You don't need big stars to drive box office, and best of all, you can ignore the silent majority that has tuned you out long ago. Hate the trans agenda being shoved down everyone's throat? Too bad. Your boycotts are a drop in the bucket at Netflix. It's the perfect solution to Hollywood's problem. They can have everything they want — a virtue signaling paradise — and never have to worry about big budgets or low box office ever again. That's the easy way out. The truth is harder to swallow. They destroyed themselves. They wrecked their brand and alienated their audience. Hollywood built a ship of failure when it split into two divergent paths around 2003, after the Harry Potter and Lord of the Rings franchises brought in ungodly profits not just here but around the world. The branding was the key, the IPs. For years, they dominated the global box office and brought people to movie theaters across the country.Meanwhile, in the other Hollywood, in the “prestige” niche lane where the Oscars live, things began to get smaller, more isolated, more aligned with politics, especially under Barack Obama. His win influenced almost everything, as he loves to put out his top-ten lists every year and even has a deal with Netflix. These two Hollywoods existed side by side like the First Class section of the airplane vs. Coach, where they “let them eat Marvel.” You can see the rise and fall in one image, from Box Office Mojo:This year might mean that, for the first time since 2020, China will dominate the Worldwide box office rather than Hollywood, unless Jim Cameron can bring Avatar: Fire and Ash over the 2 billion mark.In 2019, Hollywood put out over 900 movies. Last year, just 624, and many of them bombed. So what happened? 2020 happened. The one-two punch of COVID and the Great Awokening brought Hollywood to its knees. The Oscar race this year is loaded with unwatchable movies that swirl around things almost no one outside the bubble of Hollywood cares about, identity mainly. Mothers' caterwauling their oppression, like Die, My Love, If I had Legs I'd Kick You, and even One Battle After Another feature women who seem to hate their children. The people who run Hollywood are still mostly rich white men, but they must always genuflect, with women or people of color as shields to protect them from accusations of sexism or racism by the mob online. The rise of female directors who get these jobs for no other reason except that they're female has transformed a once-great industry into a DEI film school. Every couple is interracial. Every movie must have significant actors of color. The GLAAD lobby demands representation everywhere. Why would anyone want to pay money to have them shove their ideology down our throats?Success doesn't even matter to them. That they project “goodness” is all they care about now, their status inside utopia. The EndAs I drive across this country, I sometimes see a multiplex in a mall. It looks as deserted to me as the old drive-ins once did, and I can't help but think this really is the end for movie theaters. They'll go the way of the record store, limited to enthusiasts in the big cities. Everyone else will numbly scroll through Netflix for whatever they can find, but it will never have the same cultural impact as a great movie when we're all under one roof, sharing a story.It's yet more separation, more isolation, more internet, more social media, less of what we all need as a society.“The Future is Coming, and You Aren't In It”After COVID ended for rational Americans, we all wondered whether people would return to the movies. The paranoid mask-wearing Liberals did not. Even Peggy Noonan noticed.In 2022, a miracle arrived in the form of Tom Cruise starring in Top Gun: Maverick. It made so much money that it wiped clean the argument that Hollywood was over and movie theaters were dying. Although it was nominated for Best Picture, it lost to the woke screed, Everything Everywhere All At Once. That was a sign that Hollywood was not ready for the iceberg right ahead.The following year showed promise, with “Barbenheimer,” “Oppenheimer,” and “Barbie” becoming cultural sensations on TikTok. The Oscars did the right thing and gave their awards to Oppenheimer. Though things seem to be moving in the right direction, it's too little, too late. Audiences don't trust Hollywood anymore, and I can't blame them. Of all the Warner Bros. movies that were successful this year, the Oscar will likely go to the anti-ICE, pro-ANTIFA, anti-Trump rallying cry, One Battle After Another. No film in recent memory has better captured the singular worldview of the progressive Left.As Curtis Yarvin wrote for The Spectator:Fundamentally, One Battle is a religious film. It is entirely set in the fantasy landscape of the great American religion, progressivism, the 20th-century evolution of our ancient Puritan tradition. If you are a true believer, imagine watching Battlefield Earth without being a Scientologist. For non-progressives, One Battle may be necessary viewing. It displays the interior landscape of the narcissistic narrative of our world's dominant cult of power. We seldom get to strap a GoPro to the inside of a lib's forehead. And he continues:So this film is out there – recruiting damaged people by presenting them as romantic heroes in a propaganda fantasy. Few will kill. But many will clap. When bad movies succeed, as One Battle will, they diagnose something bad in the audiences they entertain. Corrupt art is the pathognomonic mark of a corrupt society. Shitty people will watch this shitty film, and love it. Shitty journalists have already given it a standing ovation – the politics makes them hard, like Lockjaw. This evil is at the very heart of our culture.As Leonard Cohen noted: “I have seen the future, brother. It is murder.” Murder is as old as Cain. The anonymous internet is young. Nobody asked for the combination. But they'll get it.So, of course, the critics have gone nuts for it. It IS religious for them. It's already won many awards and is on track to win Best Picture. Trust me, Hollywood has no desire to save itself. One Battle After Another cost upwards of $140 million and only made $70 million in the US, with the bulk of its profits made overseas on Leonardo DiCaprio's name, which is why it's assumed he demanded his usual fee of $20 million. Old Hollywood understood that you don't reward failure with film awards. New Hollywood cares less about the money and more about the message. The public used to matter because the box office did. No wonder WB is selling out after watching one bomb after another this past year. Why wait for bankruptcy? Why not cash out now on a high note?This is the kind of thing Hollywood pumps out now:And therein lies the problem. They forgot it wasn't about them. They believed their own publicity. They fell in love with their own image, like Narcissus. They began to believe they were important. We loved movies and celebrities for what they gave us, not for who they are. We don't care. We don't need them to fix us. Or teach us. Or lecture us. Or scold us. We just need them to entertain us. Well, now the billionaires have arrived to prove to them how little they matter when it comes to the bottom line. And if you think that's bad, wait until the AI tsunami wipes out half the industry. The audience was always their best hope for survival. As long as we showed up, Hollywood and its stars had power. Now that audiences have vanished, well, the ship is made of iron, and it will sink.Who knows, maybe Congress or Trump can stop the merger. That still won't fix the fundamental problem of what Hollywood has become and why the public turned away. On the upside, the giant hole Hollywood leaves behind, like the asteroid that killed the dinosaurs, might open up movie theaters to a new breed of filmmaker. Maybe they can make movies Hollywood or Netflix never would - trashy comedies, cheap horror, romantic comedies, Dirty Harry movies. Who knows, maybe we can Make Hollywood Great Again. What better way to rebuild a counterculture?Altamont, Illinois, 8:42AM. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Did ancient civilizations nuke themselves into oblivion… or did the History Channel just get bored again? This week we dive headfirst into the rabbit hole of Ancient Nuclear Wars – from the “radioactive” skeletons of Mohenjo-Daro, to alleged atom-bomb craters in the desert, to the Mahabharata passages that sound suspiciously like somebody watched a Cold War documentary and got way too excited. We'll talk vimanas (ancient flying machines), biblical firestorms, desert glass, and why every weird rock seems to mean “aliens with launch codes” to at least one guy on YouTube.Along the way, we'll pit wild fringe theories against boring things like geology, archaeology, and physics (booooo), ask whether Oppenheimer accidentally subtweeted the Vedic gods, and decide if the only real ancient WMD was still… humans and their bad decisions. Was there a Bronze Age Fallout-style apocalypse, or is this just another case of modern nuclear anxiety cosplaying in ancient texts? Tune in as Hysteria 51 flips the Geiger counter on Ancient Nuclear War.Special thanks to this week's research sources:Pauwels, Louis, and Jacques Bergier. The Morning of the Magicians: Secret Societies, Conspiracies, and Vanished Civilizations. Destiny Books, 2008.Discussions of the Jodhpur “radioactive ash” story as a modern hoax or unsubstantiated legend. (Isvara Archive)Libyan Desert Glass and impact evidence (reidite, zircon breakdown, dating to ~29 million years ago). (Wikipedia)Jason Colavito's work on “ancient atom bombs,” Mahabharata misquotes, and the myth's modern origins. (JASON COLAVITO)Background on Pauwels & Bergier's The Morning of the Magicians and its role in popularizing “fantastic realism.” (Wikipedia)References to Matest Agrest's interpretations of Sodom, Gomorrah, and Baalbek as nuclear/spaceport events. (Jewish Telegraphic Agency)Coverage of modern proponents like Billy Carson and Ancient Aliens episodes promoting the ancient nuclear war narrative. (Daily Express US)Research on Tall el-Hammam and cosmic airbursts as real Bronze Age city-destroying events. (uaf.edu) K. A. R. Kennedy's work and later summaries on Mohenjo-Daro skeletons and the debunking of the “massacre” and “radiation” stories. (Ancient Origins)Email us your favorite WEIRD news stories:weird@hysteria51.comSupport the ShowGet exclusive content & perks as well as an ad and sponsor free experience at https://www.patreon.com/Hysteria51 from just $1ShopBe the Best Dressed at your Cult Meeting!https://www.teepublic.com/stores/hysteria51?ref_id=9022See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Christopher Nolan's latest film, Oppenheimer is a fascinating look at the man deemed “the father of the atomic bomb”, both in his professional career and his personal life. I highlight...

On this episode of DGTL Voices, Ed interviews Justin Oppenheimer, EVP of Hospital for Special Surgery (HSS). They discuss Justin's personal journey, including his athletic background, pivotal life lessons, and the importance of family values. Justin shares insights on his career at HSS, the evolution of leadership, and the impact of technology and AI in healthcare. The conversation emphasizes the significance of helping others and finding one's purpose in life.

A new re-imagining of The Wind in the Willows told from the margins. Set in a timeless, Kenneth Grahame-inspired England, the drama looks up from weasel-height at class, home and who gets to belong when the Wild Wood is being carved up by developers. Narrated by Penelope Wilton, it blends the familiar riverbank world with the pressures of eviction, empty grand houses and power concentrated in a few determined hands.Kit, a young weasel, is watching her family slide into precarity as the scrubland around their burrow is sold off and the criminal Chief Weasel tightens his grip. With her best friends - Portly the otter and Radar the bat - Kit's world collides with Mole, Ratty, Badger and other classic characters, while a grand house standing empty becomes a magnet for grievance and opportunity. What follows is a fight not for glory but for a place to live: shifting alliances, contested territory and small acts of care that build a community where suspicion says it cannot exist. A story about who gets to stay, what makes a home, and how belonging is made on the riverbank.Dramatist Tom Morton-Smith is a playwright and screenwriter best known for the RSC's Oppenheimer and the multi-award-winning stage adaptation of My Neighbour Totoro.Cast:Narrator . . . . . Penelope Wilton Kit . . . . . Claire Morgan Portly . . . . . Harriet Carmichael Radar . . . . . Kathryn Drysdale Magpie, Chief, Ratty, Badger, Toad . . . . . Ed Gaughan Ma-Weasel . . . . . Jasmine Hyde Mole . . . . . Django Bevan Otter . . . . . Clive HaywardWritten by Tom Morton-SmithProduction co-ordinator: Luke MacGregor Casting Manager: Alex Curran Technical producers: Keith Graham, Sam Dickinson Sound designer: Sharon Hughes Director: Sasha YevtushenkoA BBC Studios production

What happens when brilliance goes unchecked? In today's episode, Ryan and his research assistant Billy Oppenheimer dig into the cautionary side of genius, from Elon Musk's unraveling to why so many smart people end up making dumb decisions. They talk about how success can warp reality, why intelligence without wisdom becomes dangerous, and how even the brightest minds can lose their way when they stop listening, stop learning, and stop taking care of themselves.Billy Oppenheimer is Ryan Holiday's research assistant and the writer behind the newsletter, Six at 6 on Sunday. To read more of his work, check out his website billyoppenheimer.com.