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Award-winning playwright and screenwriter Tom Stoppard Q&A with Professor Dame Hermione Lee. Award-winning playwright and screenwriter Tom Stoppard Q&A with Professor Dame Hermione Lee (President of Wolfson College). Professor Dame Hermione Lee asks Tom Stoppard about his past and they explore memories of his working life as part of his Humanitas Visiting Professorship in Drama 2015-2016.
Humanitas - Visiting Professorships at the Universities of Oxford and Cambridge
Part of the Christian Thielemann Humanitas Visiting Professorship in Opera Studies 2015-2016 Humanitas Visiting Professorship in Opera Studies 2015-2016 Christian Thielemann in conversation with Roger Allen.
Humanitas - Visiting Professorships at the Universities of Oxford and Cambridge
Part of the Christian Thielemann Humanitas Visiting Professorship in Opera Studies 2015-2016 Roundtable discussion with Peter Franklin, Barry Millington, and Suzanne Aspden as part of the Humanitas Visiting Professorship in Opera Studies 2015-2016.
Humanitas - Visiting Professorships at the Universities of Oxford and Cambridge
The Director of the Los Angeles County Museum gives a talk for the Humanitas Visiting Professorship in Museums, Galleries and Libraries. Chaired by Christopher Brown (Director, Ashmolean Museum of Art and Archaeology, Oxford).
Humanitas - Visiting Professorships at the Universities of Oxford and Cambridge
The Director of the Los Angeles County Museum gives a talk for the Humanitas Visiting Professorship in Museums, Galleries and Libraries. Chaired by Christopher Brown (Director, Ashmolean Museum of Art and Archaeology, Oxford).
Humanitas - Visiting Professorships at the Universities of Oxford and Cambridge
Imogen Cooper, Humanitas Visiting Professorship in Classical Music and Music Education gives a recital of Schubert's 4 Impromptus D899, Sonata in a minor D784, 11 Ecossaises D781, Sonata in D major D850.
Humanitas - Visiting Professorships at the Universities of Oxford and Cambridge
Humanitas Visiting Professorship in Classical Music and Music Education, Imogen Cooper, gives a piano masterclass to students.
Humanitas - Visiting Professorships at the Universities of Oxford and Cambridge
Stanley Fischer, Govenor of the Bank of Israel and Humanitas Visiting Professor of Economic Thought, gives a talk for the Humanitas program. The Great Depression of the 1930s led to a revolution in macroeconomic thinking and in economic policy. The Great Recession, in which much of the world economy is still engulfed, has seen both monetary and fiscal policy being used to an unprecedented extent, and a greatly strengthened emphasis on the importance of financial stability. But despite these phenomena, and an explosion of professional literature and media attention, the economic policy lessons of the crisis are still in dispute. The Humanitas Visiting Professorship in Economic Thought has been made possible by the generous support of Donald Marron. The Professorship will take place during Michaelmas term and is hosted by Professor Vincent Crawford in association with All Souls College.
Humanitas - Visiting Professorships at the Universities of Oxford and Cambridge
Stanley Fischer, Govenor of the Bank of Israel and Humanitas Visiting Professor of Economic Thought, gives a talk for the Humanitas program. The Great Depression of the 1930s led to a revolution in macroeconomic thinking and in economic policy. The Great Recession, in which much of the world economy is still engulfed, has seen both monetary and fiscal policy being used to an unprecedented extent, and a greatly strengthened emphasis on the importance of financial stability. But despite these phenomena, and an explosion of professional literature and media attention, the economic policy lessons of the crisis are still in dispute. The Humanitas Visiting Professorship in Economic Thought has been made possible by the generous support of Donald Marron. The Professorship will take place during Michaelmas term and is hosted by Professor Vincent Crawford in association with All Souls College.
A half-day workshop in conjunction with Jay Winter's 2012 Humanitas Visiting Professorship in War Studies at the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH). Mr Paul Cornish : Exhibiting War. A New First World War Gallery for the Imperial War Museum. Senior Curator and Historian, Imperial War Museum, London Dr Dacia Viejo-Rose : Cultural and Symbolic Violence: The case of Spain, 1936-2006 British Academy Post-doctoral Fellow, Macdonald Institute for Archaeological Research, University of Cambridge Dr Khadija Carroll La: If you fight the dragon long, the dragon you become: Comments on Monuments in the Balkan Newton Fellow, Museum of Archaeology and Anthropology, University of Cambridge Building on Professor Jay Winter’s series of lectures on Writing War, Figuring War, and Filming War, as well as a concluding symposium on Imagining War in the 20th Century and After, this workshop will provide an opportunity to further explore the general topic of 'imagining war' by linking it with some of the concerns of the Between Civilisation and Militarisation Faculty Research Group, particularly the murky and manipulable imagined line between 'civil' and 'military' spheres of action and influence. We will focus on the interrelations among the following conceptual triad: conflict + culture + witnessing. In this triad, ‘culture’ will be understood to encompass forms of creative expression and exhibition, as well as definitions of the term that stem from anthropology and political science, in particular the idea of ‘cultural violence’. Questions about practices of ‘witnessing’ and offering ‘testimony’ will be applied not only to the arts, social sciences and humanities as intellectual institutions, but also to the roles and responsibilities that various actors in conflict situations might perform, from military soldiers and museum archivists, to civilians living in war torn spaces, and even to the spaces themselves. Some of the questions raised during the workshop include: What kinds of politics of memory and recognition emerge from war? How do artistic expressions and exhibitions serve various actors in war situations in presenting testimonies of experiences? How have artists been drawn to war themes from ‘outside’ as witnesses to ‘internal’ conflicts? How do artistic and historical memorials offer more and less satisfying testimony to the destruction and loss occasioned by war?
A half-day workshop in conjunction with Jay Winter's 2012 Humanitas Visiting Professorship in War Studies at the Centre for Research in the Arts, Social Sciences and Humanities (CRASSH). Prof Alex Danchev : The Images of Abu Ghraib Professor of International Relations, University of Nottingham Dr Beatrice Jauregui : American Communion: Vietnam War Veterans Reunions Research Fellow in Social Anthropology, Emmanuel College, University of Cambridge Ms Jananne Al-Ani : The Aesthetics of Disappearance: A Land without People Award-winning Artist, London Building on Professor Jay Winter’s series of lectures on Writing War, Figuring War, and Filming War, as well as a concluding symposium on Imagining War in the 20th Century and After, this workshop will provide an opportunity to further explore the general topic of 'imagining war' by linking it with some of the concerns of the Between Civilisation and Militarisation Faculty Research Group, particularly the murky and manipulable imagined line between 'civil' and 'military' spheres of action and influence. We will focus on the interrelations among the following conceptual triad: conflict + culture + witnessing. In this triad, ‘culture’ will be understood to encompass forms of creative expression and exhibition, as well as definitions of the term that stem from anthropology and political science, in particular the idea of ‘cultural violence’. Questions about practices of ‘witnessing’ and offering ‘testimony’ will be applied not only to the arts, social sciences and humanities as intellectual institutions, but also to the roles and responsibilities that various actors in conflict situations might perform, from military soldiers and museum archivists, to civilians living in war torn spaces, and even to the spaces themselves. Some of the questions raised during the workshop include: What kinds of politics of memory and recognition emerge from war? How do artistic expressions and exhibitions serve various actors in war situations in presenting testimonies of experiences? How have artists been drawn to war themes from ‘outside’ as witnesses to ‘internal’ conflicts? How do artistic and historical memorials offer more and less satisfying testimony to the destruction and loss occasioned by war?