Podcasts about monuments

Join us this week for another info packed episode, as we go over all the abilities, stats and armor changes coming with the Monuments of Triumph update this coming week. We also go over the latest This Week in Destiny for June 4th, which has more details on the rewards that will be available with the Monuments update, the final Bungie rewards and trailer. Plus, the first weeks rotations of the new update and a few videos for you to check out. 00:02:40 - Welcome 00:03:16 - Developer Insight: Abilities & Armor Preview 00:03:49 - New Subclass Abilities 00:28:32 - Ability Balance Changes 00:43:27 - Armor 3.0 Updates 00:51:11 - Exotic Armor Stats 00:57:32 - Exotic Armor Changes 01:13:38 - This Week in Destiny: 4th June 2026 01:14:00 - Monuments Trailer & Feelings 01:23:09 - Check Out the Dev Insight & Launch 01:25:41 - Monuments of Triumph Rewards 01:38:21 - Bungie Foundation & Pride Month 01:43:23 - Final Bungie Rewards 02:00:36 - Peroty's Player Support Report 02:04:36 - End of the TWAB 02:08:25- This Week In Destiny: Monuments of Triumph Rotations Week 1 02:13:23 - Extra News & Videos 02:16:44 - Patreon Thanks & End of the Show 02:19:04 - Fin Two Titans and a Hunter YouTube Channel Two Titans and a Hunter Twitch Two Titans and a Hunter Discord Two Titans and a Hunter - Patreon Two Titans and a Hunter Ko-Fi The100 io – GH/GD/2TAAH Group Email: twotitansandahunter@hotmail.com Two Titans and a Hunter Twitter Two Titans and a Hunter – Facebook Artwork by @Nitedemon Xbox Live: Nitedemon, & Peroty End credits theme song by Elsewhere - YouTube Channel Plus as always, thank you to Alexander at Orange Free Sounds & www.freesound.org for all the sound effects used in our podcast.  Required Stuff: Bungie - Every End Is A New Beginning Bungie - Dev Insight: Return of the Director Bungie - Weapons, Artifact & Focusing Preview Bungie - Dev Insight: Abilities & Armor Preview Bungie - This Week In Destiny: 4th June 2026 Bungie - Monument of Triumph Trailer CammyCakes Gaming - They Cooked CammyCakes Gaming - What We Have Right Now in Destiny 2 Destiny 2 Teams - Emblem Update Eris Morn - Message to the Guardians Destiny 2 - Tier 5 Report Destiny 2 Armor 2.0 Cleaner Destiny 2 - Way Back Machine Link Twitch - GuardianDownBot Raid Checkpoints Twitch - IceBreakerCatty. Engram.Blue Link

On this edition of Codd's World, host Richard Codd interviewed Moab artist Chrissy Noel Kinslow who was recently selected as the 2026 Artist in the Park for the Southeast Utah Group of National Parks and Monuments. Codd also played a prerecorded interview with Forrest Richardson, Principal of Forrest Richardson Golf Course Architects.

Au sommaire : L'affaire de la petite Lyhanna, enlevée et tuée dans le Gers, relance le débat sur les responsabilités de la justice.La prochaine Coupe du monde de football fait face à des problèmes de billetterie, avec de nombreuses places encore invendues malgré des tarifs élevés. Hommage à deux monuments historiques emblématiques : la Sagrada Familia de Barcelone et le phare d'Alexandrie.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In hour two, outrage in Chicago as the Bears eye a move to Indiana. Hoch's Mt. Rushmore of artsy landmarks. Solana claims there were hot tubs at Marlins game back when they were at Pro Player Stadium. Lee Sterling shares his picks for the sports weekend.

David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization. David is author of There's Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland. Read the episode here. Mentioned in the episode By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery's Monumental Truths” On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre. Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman. The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.” Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina's Valor Memorial Park, and in Texas the SS American Memorial Foundation's military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry. The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins. https://www.nps.gov/boaf/learn/historyculture/shaw.htm Sylva North Carolina Confederate plaque debate. Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.” The idea of Productive creative cognitive dissonance is drawn from MLK's idea of “creative tension.” Hajar Yazdiha, Struggle for the People's King How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are? Denmark Vescey's Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization. David is author of There's Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland. Read the episode here. Mentioned in the episode By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery's Monumental Truths” On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre. Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman. The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.” Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina's Valor Memorial Park, and in Texas the SS American Memorial Foundation's military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry. The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins. https://www.nps.gov/boaf/learn/historyculture/shaw.htm Sylva North Carolina Confederate plaque debate. Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.” The idea of Productive creative cognitive dissonance is drawn from MLK's idea of “creative tension.” Hajar Yazdiha, Struggle for the People's King How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are? Denmark Vescey's Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization. David is author of There's Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland. Read the episode here. Mentioned in the episode By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery's Monumental Truths” On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre. Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman. The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.” Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina's Valor Memorial Park, and in Texas the SS American Memorial Foundation's military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry. The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins. https://www.nps.gov/boaf/learn/historyculture/shaw.htm Sylva North Carolina Confederate plaque debate. Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.” The idea of Productive creative cognitive dissonance is drawn from MLK's idea of “creative tension.” Hajar Yazdiha, Struggle for the People's King How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are? Denmark Vescey's Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God Learn more about your ad choices. Visit megaphone.fm/adchoices

Quinn Myers, reporter for Block Club Chicago, joins Bob Sirott to share the latest Chicago neighborhood stories. Quinn has details on: Swimmers On Parade? New Mag Mile Sculptures Aim To Recapture '90s Cow Magic: In the tradition of the legendary “Cows on Parade” installation, “Monuments of Stillness” consists of 10 sculptures of swimmers along Michigan Avenue. […]

David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization. David is author of There's Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland. Read the episode here. Mentioned in the episode By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery's Monumental Truths” On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre. Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman. The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.” Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina's Valor Memorial Park, and in Texas the SS American Memorial Foundation's military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry. The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins. https://www.nps.gov/boaf/learn/historyculture/shaw.htm Sylva North Carolina Confederate plaque debate. Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.” The idea of Productive creative cognitive dissonance is drawn from MLK's idea of “creative tension.” Hajar Yazdiha, Struggle for the People's King How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are? Denmark Vescey's Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization. David is author of There's Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland. Read the episode here. Mentioned in the episode By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery's Monumental Truths” On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre. Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman. The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.” Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina's Valor Memorial Park, and in Texas the SS American Memorial Foundation's military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry. The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins. https://www.nps.gov/boaf/learn/historyculture/shaw.htm Sylva North Carolina Confederate plaque debate. Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.” The idea of Productive creative cognitive dissonance is drawn from MLK's idea of “creative tension.” Hajar Yazdiha, Struggle for the People's King How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are? Denmark Vescey's Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God Learn more about your ad choices. Visit megaphone.fm/adchoices

David Cunningham joins John to speak about his pathbreaking article about visiting each of the 113 communities that removed or relocated Confederate symbols between 2015 and 2023. After discussing his co-authored Social Problems article, “Contesting Commemorative Landscapes” which first got him thinking about monument removal, he posits that “expungement, amplification, and repositioning” are three ways contemporary communities contest the monuments of the past.. The conversation from there ranges onward through various kinds of contested removal, ending with Cesar Chavez and his ongoing de-monumentalization. David is author of There's Something Happening Here: The New Left, the Klan, and FBI Counterintelligence and the award-winning Klansville, U.S.A.: The Rise and Fall of the Civil Rights-Era KKK,, a member of the City of St. Louis Reparations Commission and recently has been engaged in exploring political signalling in public art and monuments, including a forthcoming article on the political and cultural work of murals in Protestant and Catholic communities and in the interface areas that connect them in Belfast. His earlier Recall This Book episodes include on racialized policing in the US, on January 6th , and also on the 2024 presidential election–and a conversation with Glenn Patterson, author of Lapsed Protestant about the mural culture and politicized spaces of Belfast and Northern Ireland. Read the episode here. Mentioned in the episode By David Cunmningham himself: “What Richmond got Right about taking down Confederate Monuments” and a 2023 article coauthored with Christina Simko, “Montgomery's Monumental Truths” On place vs space there is wonderful work by Pierre Nora and Henri Lefebvre. Interface zones and the strategic cul de sacs that continue to divide Belfast neighborhoods have been brilliantly detailed and studied by various historians; eg this tour by Neil Jarman. The lucid John Guillory article (mentioned but not discussed) is “Monuments and Documents: On the Object of Study in the Humanities.” Confederate generals whose statues were erected essentially to glorify the KKK famously include Nathaniel Bedford Forrest. Private parks built up to collect Confederate monuments (with an underlying anti-government bias) include North Carolina's Valor Memorial Park, and in Texas the SS American Memorial Foundation's military retreat space now adorned with removed Confederate statues. In Bentonville, this park glorifies a Confederate statue that has now been (dubiously) linked to Governor James H. Berry. The MOCA/Brick reimagined MONUMENTS Exhibition includes work by Kara Walker and Bethany Collins. https://www.nps.gov/boaf/learn/historyculture/shaw.htm Sylva North Carolina Confederate plaque debate. Kazuo Ishiguro, The Buried Giant and the Nietzschean problem of “creative forgetting.” The idea of Productive creative cognitive dissonance is drawn from MLK's idea of “creative tension.” Hajar Yazdiha, Struggle for the People's King How long will the Chavez National Monument last? The statue at UC Fresno is already gone…” Is The Trail of Tears a historical site the same way Confederate statues are? Denmark Vescey's Garden by Ethan J. Kytle and, Blain RobertsZore Neale Hurston Their Eyes were Watching God Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBIBLIOGRAPHYHidden Rooms, Holy Water, and the DeadWhite, L. Michael. The Social Origins of Christian Architecture, Volume I: Building God's House in the Roman World: Architectural Adaptation Among Pagans, Jews, and Christians. Trinity Press International, 1996. Key use: Essential source for early Christian architectural adaptation, especially the shift from domestic and semi-domestic gathering spaces toward more specialized Christian buildings. White's work is useful for showing that early Christian architecture develops inside a broader Roman social and architectural world, not in isolation.White, L. Michael. The Social Origins of Christian Architecture, Volume II: Texts and Monuments for the Christian Domus Ecclesiae in Its Environment. Trinity Press International, 1997. Key use: Companion volume for the textual and archaeological evidence behind the domus ecclesiae, early meeting spaces, and the built environment of pre-Constantinian Christianity.Yale University Art Gallery. “Christian Building.” Dura-Europos: Excavating Antiquity. Key use: Strong anchor for the Dura-Europos Christian building and its wall paintings. Yale notes that the Christian paintings were uncovered in 1932 and that Clark Hopkins described the murals as preserved from more than three-quarters of a century before Constantine recognized Christianity in 312.Yale News. “House Call: A New Study Rethinks Early Christian Landmark.” 2024. Key use: Useful cautionary source for not oversimplifying Dura-Europos as merely a domestic “house church.” The report highlights recent scholarship reexamining how domestic the Dura Christian building really was and why its architectural classification needs care.Smarthistory. “Dura-Europos.” Key use: Accessible overview of Dura-Europos as a multicultural Roman frontier site, including the adapted Christian building used as a meeting place and baptistery in the first half of the third century.Peppard, Michael. The World's Oldest Church: Bible, Art, and Ritual at Dura-Europos, Syria. Yale University Press, 2016. Key use: Major source for the Dura-Europos Christian building, its baptistery, biblical imagery, ritual use, and the danger of reading the site too simply through later church categories.Snyder, Graydon F. Ante Pacem: Archaeological Evidence of Church Life Before Constantine. Mercer University Press, revised edition, 2003. Key use: Important archaeological source for Christian life before Constantine, especially material evidence for worship, burial, symbols, and everyday Christian practice before public imperial privilege. Mercer University Press identifies the book as focused on archaeological evidence of church life before Constantine.Jensen, Robin M. Baptismal Imagery in Early Christianity: Ritual, Visual, and Theological Dimensions. Baker Academic, 2012. Key use: Core source for baptismal images, ritual meaning, water, initiation, death and rebirth, and the way visual programs frame baptismal practice.Jensen, Robin M. Understanding Early Christian Art. Routledge, 2000. Key use: Early Christian visual culture, catacomb imagery, baptismal scenes, Good Shepherd imagery, Jonah, Daniel, Lazarus, and the visual language of salvation and resurrection.Ferguson, Everett. Baptism in the Early Church: History, Theology, and Liturgy in the First Five Centuries. Eerdmans, 2009. Key use: Major historical and theological source for baptismal practice, initiation, immersion, anointing, catechesis, and the development of baptismal rites.Johnson, Maxwell E. The Rites of Christian Initiation: Their Evolution and Interpretation. Liturgical Press. Key use: Development of initiation rites, catechumenate, baptism, post-baptismal rites, and how Christian initiation becomes structured over time.Spinks, Bryan D. Early and Medieval Rituals and Theologies of Baptism: From the New Testament to the Council of Trent. Ashgate, 2006. Key use: Long-range ritual and theological development of baptism, useful for tracking how early baptismal space later becomes more formalized.Britannica. “Catacomb.” Key use: Baseline definition of catacombs as subterranean cemeteries composed of galleries or passages with recesses for tombs; useful for correcting the popular misconception that catacombs were primarily secret churches rather than burial landscapes.Stevenson, James. The Catacombs: Rediscovered Monuments of Early Christianity. Thames & Hudson, 1978. Key use: Classic overview of Roman catacombs, burial architecture, inscriptions, symbols, and early Christian memory.Rutgers, Leonard V. Subterranean Rome: In Search of the Roots of Christianity in the Catacombs of the Eternal City. Peeters, 2000. Key use: Catacombs as archaeological and social evidence, including burial practice, community identity, and the relationship between Jews, Christians, and Roman funerary culture.Fiocchi Nicolai, Vincenzo, Fabrizio Bisconti, and Danilo Mazzoleni. The Christian Catacombs of Rome: History, Decoration, Inscriptions. Schnell & Steiner, 2002. Key use: Detailed treatment of catacomb history, inscriptions, burial spaces, and visual programs.Brown, Peter. The Cult of the Saints: Its Rise and Function in Latin Christianity. University of Chicago Press, enlarged edition. Key use: Essential source for the holy dead, saint veneration, relics, tombs, pilgrimage, and the way corporeal remains became central to Christian religious life. The University of Chicago Press describes Brown's work as exploring how worship of saints and their corporeal remains became central to religious life in Western Europe.Brown, Peter. The Body and Society: Men, Women, and Sexual Renunciation in Early Christianity. Columbia University Press, 1988. Key use: Christian body theology, asceticism, holiness, discipline, and why the body is so central to late antique Christian imagination.Yasin, Ann Marie. Saints and Church Spaces in the Late Antique Mediterranean: Architecture, Cult, and Community. Cambridge University Press, 2009. Key use: Churches, saints, relics, cult practice, community identity, and how sacred spaces are organized around holy bodies and memory.Grabar, André. Martyrium: Recherches sur le culte des reliques et l'art chrétien antique. Key use: Classic work on martyr shrines, relic cult, and the relationship between architecture, art, and the holy dead.van Gennep, Arnold. The Rites of Passage. Key use: Separation, liminality, and incorporation. Crucial for baptism, catechumenate, thresholds, initiation, and the movement from outsider to insider.Turner, Victor. The Ritual Process: Structure and Anti-Structure. Key use: Liminality, threshold states, ritual transition, and communitas. Useful for baptism, catacomb descent, martyr devotion, and controlled access.Kilde, Jeanne Halgren. Sacred Power, Sacred Space: An Introduction to Christian Architecture and Worship. Oxford University Press, 2008. Key use: Christian buildings as arrangements of power, worship, divine presence, and embodied access. Useful for thresholds, sanctuary divisions, nave, altar, and congregation.Kieckhefer, Richard. Theology in Stone: Church Architecture from Byzantium to Berkeley. Oxford University Press, 2004. Key use: Church architecture as theology made spatial. Useful for altar, pulpit, nave, threshold, symbolic layout, and worship practice.Krautheimer, Richard. Early Christian and Byzantine Architecture. Yale University Press / Pelican History of Art. Key use: Classic architectural history for early Christian and Byzantine buildings, including the shift from pre-Constantinian spaces to basilicas, baptisteries, martyr shrines, and later monumental forms.Mathews, Thomas F. The Clash of Gods: A Reinterpretation of Early Christian Art. Princeton University Press, 1993. Key use: Early Christian imagery, visual conflict, ritual meaning, and the development of Christian art within the Roman world.Elsner, Jaś. Imperial Rome and Christian Triumph: The Art of the Roman Empire AD 100–450. Oxford University Press, 1998. Key use: Roman visual culture, Christian adaptation, imperial imagery, and the shift into Christian public art and architecture.MacMullen, Ramsay. Christianizing the Roman Empire: A.D. 100–400. Yale University Press, 1984. Key use: Social and historical context for Christian expansion before and after Constantine, useful for understanding how Christian space changes as Christianity grows.Mango, Cyril. Byzantine Architecture. Key use: LonAlso want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

Rob Ellis and Mike Sielski make history with the FIRST EVER RADIO BROADCAST FROM THE PHILADELPHIA MUSEUM OF ART!! Rising Up: Rocky and the Making of Monuments is a fabulous exhibit at the art museum highlighting the making of the Rocky movies and the history of the sport of boxing and the Saturday Show guys couldn't have been more thrilled to be there. Paul Farber, the Director and Co-Founder of Monument Lab who was a part of curating the exhibit joins the show to talk about the process and his work. Also, the guys cover the the MLB salary cap, what the Phillies need to do to get over the hump, and even the likely AJ Brown trade!

Aujourd'hui, je vous fais découvrir trois monuments français incroyables mais que beaucoup de personnes ne connaissent pas...

Au sommaire :Une exposition à la Cité de l'Architecture et du Patrimoine de Paris met en lumière les dommages causés aux monuments et sites archéologiques lors des conflits armés, comme le théâtre de Marioupol en Ukraine ou la cité antique de Palmyre en Syrie.Les ministres européens préparent le terrain pour une éventuelle fin de l'isolement diplomatique de la Russie, avec l'idée de trouver un médiateur acceptable pour toutes les parties, comme un ancien président finlandais.Plus d'un étudiant sur deux travaille en parallèle de ses études, souvent dans des domaines sans lien avec leur formation, comme dans la restauration rapide, pour subvenir à leurs besoins.Le gouvernement français doit trouver 6 milliards d'euros pour compenser le surcoût de la guerre au Moyen-Orient, avec notamment le gel d'allégements de cotisations sociales des entreprises.Le plan "canicule" est activé dans les EHPAD pour protéger les résidents, avec des mesures comme l'hydratation renforcée et le maintien des espaces frais.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejectshttps://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Substackhttps://substack.com/@theoccultrejects?r=7auau0&utm_campaign=profile&utm_medium=profile-pageCash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejectsBIBLIOGRAPHYLoaded Ground and Temple GrammarBradley, Richard. An Archaeology of Natural Places. Key use: Natural features as ritual centers: springs, caves, mountains, watery places, unusual stones, and the way landscape itself becomes an active participant in sacred behavior.Bradley, Richard. The Significance of Monuments: On the Shaping of Human Experience in Neolithic and Bronze Age Europe. Key use: Monumentality, repeated movement, ritual landscapes, and how built earth/stone structures anchor memory and collective story.Scarre, Chris, ed. Monuments and Landscape in Atlantic Europe: Perception and Society During the Neolithic and Early Bronze Age. Key use: Landscape archaeology, perception, monument placement, sacred routes, and social memory.Tilley, Christopher. A Phenomenology of Landscape: Places, Paths and Monuments. Key use: Embodied movement through sacred landscapes. Good for explaining why approach, walking, turning, climbing, entering, and returning matter as much as the site itself.Ruggles, Clive. Ancient Astronomy: An Encyclopedia of Cosmologies and Myth. Key use: Archaeoastronomy, horizon alignment, sky events, and methodological caution against sloppy “everything is a star map” claims.Ruggles, Clive. Astronomy in Prehistoric Britain and Ireland. Key use: Prehistoric monuments, solar/lunar alignments, and sky-ground relationships.Watson, Aaron, and David Keating. “Architecture and Sound: An Acoustic Analysis of Megalithic Monuments in Prehistoric Britain.” Antiquity 73, no. 280 (1999): 325–336. Key use: Archaeoacoustics, megalithic sound environments, echo, resonance, and how ancient monuments may have shaped movement and perception through sound as well as sight.Eliade, Mircea. The Sacred and the Profane: The Nature of Religion. Key use: Sacred space, center, axis mundi, threshold, and the difference between ordinary space and holy space.Smith, Jonathan Z. To Take Place: Toward Theory in Ritual. Key use: Ritual as place-making. Useful for the idea that sacred places are not merely found; they are produced through repeated action, interpretation, and return.Tuan, Yi-Fu. Space and Place: The Perspective of Experience. Key use: Lived place, memory, orientation, and the difference between abstract space and meaningful place.van Gennep, Arnold. The Rites of Passage. Key use: Separation, threshold, and incorporation. Useful for crossings, caves, temples, initiation, and the movement from ordinary to sacred space.Turner, Victor. The Ritual Process: Structure and Anti-Structure. Key use: Liminality, betweenness, communitas, and why thresholds create psychological and social transformation.Vitruvius. Ten Books on Architecture / De Architectura. Key use: Classical architecture, proportion, order, temple siting, and the ancient architectural concern with harmony, geometry, and orientation.Scully, Vincent. The Earth, the Temple, and the Gods: Greek Sacred Architecture. Key use: Greek temples in relation to landscape, sightlines, deity, terrain, and sacred placement.Ward-Perkins, J. B. Roman Imperial Architecture. Key use: Roman monumental space, basilicas, civic authority, imperial architecture, and the built environment Christianity later inherits.Wycherley, R. E. How the Greeks Built Cities. Key use: Greek civic and sacred urban planning, temple placement, public space, and the relationship between architecture and city order.Onians, John. Bearers of Meaning: The Classical Orders in Antiquity, the Middle Ages, and the Renaissance. Key use: Classical orders as carriers of meaning, authority, proportion, and inherited architectural language.Assmann, Jan. The Search for God in Ancient Egypt. Key use: Egyptian sacred space, temple theology, divine presence, ritual service, and cosmic order.Shafer, Byron E., ed. Temples of Ancient Egypt. Key use: Egyptian temple structure, processional access, restricted interiors, ritual activity, light/dark progression, and the temple as cosmic environment.Levenson, Jon D. Sinai and Zion: An Entry into the Jewish Bible. Key use: Temple, mountain, divine presence, sacred center, covenant, and the biblical imagination of holy place.Levine, Lee I., ed. Jerusalem: Its Sanctity and Centrality to Judaism, Christianity, and Islam. Key use: Jerusalem, sacred center, Temple memory, pilgrimage, and the later religious mapping of holiness.The Bible, especially Exodus, Leviticus, 1 Kings, Ezekiel, Psalms, the Gospels, Hebrews, and Revelation. Key use: Tabernacle, Temple, altar, priesthood, sacrifice, holiness, veil, divine presence, living water, pilgrimage, heavenly city, and sacred orientation.Misstear, Bruce. “The Hydrogeology of Sacred Wells: Insights from Ireland.” Hydrogeology Journal, 2024. Key use: Sacred wells as real groundwater systems, including hydrogeological settings, water chemistry, cultural meaning, and anthropogenic impacts. This supports the line that holy wells are both sacred sites and physical water systems.Bord, Janet, and Colin Bord. Sacred Waters: Holy Wells and Water Lore in Britain and Ireland. Key use: Holy wells, healing traditions, local water lore, offerings, vows, and repeated devotional return.Rattue, James. The Living Stream: Holy Wells in Historical Context. Key use: Historical context for holy wells, Christianization, local devotion, and the persistence of sacred water sites.Ray, Celeste. The Origins of Ireland's Holy Wells. Key use: Irish holy wells, sacred water, pilgrimage, healing, local tradition, and the complex relation between Christian practice and older water sites.National Churches Trust. “Medieval Bridge Chapels.” Key use: Bridge chapels as medieval crossing sites, often chantry chapels connected to prayers for founders, benefactors, travelers, and pilgrims.Green, Edward. “Bridge Chapels.” Building Conservation. Key use: Bridge chapels as Christian worship sites built on or near bridges for travelers, safe arrival, and the sacralization of movement.Research report. The Bridge Chapels of Medieval Britain. Key use: Bridge construction and maintenance as pious and charitable work, chapels and crosses at bridges, safe passage, tolls, repairs, and the link between devotion and infrastructure.Walsham, Alexandra. The Reformation of the Landscape: Religion, Identity, and Memory in Early Modern Britain and Ireland. Key use: How sacred geography, wells, crosses, shrines, roads, memory, and local religious landscapes were reclassified and contested during the Reformation.Ren, L., et al. “GIS-Based Viewshed Analysis on the Visibility of Historic Towns.” ISPRS Archives, 2021. Key use: Viewshed analysis, line-of-sight, historic structures, and the use of GIS to study visibility in built heritage environments. Useful for keeping claims about towers, spires, and landmark dominance grounded in method.Vaz de Freitas, I. “Historical Landscape: A Methodological Proposal to Characterise the Landscape of Monasteries in Early Medieval Portugal.” Religions 15, no. 10 (2024): 1158. Key use: Early medieval monastic landscapes, GIS method, religious siting, and environmental variables. Useful for sacred visibility, water proximity, slope, altitude, and landscape choice.Kilde, Jeanne Halgren. Sacred Power, Sacred Space: An Introduction to Christian Architecture and Worship. Key use: Broad Christian architecture source for power, worship, sacred space, and the way buildings shape religious experience.Kieckhefer, Richard. Theology in Stone: Church Architecture from Byzantium to Berkeley. Key use: Church architecture as theology in built form. Useful as a bridge from ancient sacred grammar into later Christian architectural expression.Also want to remind people about the website, if you're into reading we have tons of information by multiple contributors, and we got t-shirts up on the site if you're interested. Fun fact, the art is all based on the eyeball. A

There's a cannon in most towns. Next to a plaque nobody reads. Families take photos there during the day. Men cruise there at night, cars idling, windows fogged, child seats in the back. That gap is exactly what legacy does.In this episode, Gavin Stephens looks at legacy as a cultural technology — not a tribute, but a selection mechanism. Monuments don't remember everyone. They decide who counts. And once you see that, you can't unsee it in vision boards, retirement plans, factory jobs, productivity apps, and the White House.Topics include: Camus and absurdism, the myth of meritocracy, why retirement is backwards, the self-help industry as hierarchy maintenance, and why making a podcast about not needing to be remembered is not ironic — it's just honest.Park Bench Ontology is hosted by Juno-nominated comedian and Canadian Screen Award-winning writer Gavin Stephens. Equal parts philosophy, stand-up, and cultural diagnosis.Welcome to the Collapse.

The City of Portland is engaged in a national dialogue about public art, history, monuments, and memorials. With support from the Mellon Foundation, the Portland Monuments Project is a multi-year project with the goal of deciding on the future of seven monuments that were damaged, toppled, or removed following demonstrations in Portland in 2020-2021. Portland Monuments Project aims to foster public dialogue to reimagine and transform the purpose of monuments and memorials in Portland. This episode is part three, the final installment of a three-part series as part of the Portland Monuments Project. This week we explore the city's potential futures; episode one looked to the past, and episode two explored the present. Literary Arts is involved in this project because storytelling is at the heart of our mission, and monuments tell a story about who we were, who we are, what we value, and who we aspire to be. They tell stories about different communities and the stories they tell are dynamic, in so much as our community is changing, time is passing, and the context for these fixed objects and changes around them. In this episode, we'll think about the monuments we need. We'll hear from Literary Arts executive director Andrew Proctor, whose voice you might recognize as the other co-host of this show. We have a conversation with Portland writers Mitchell S. Jackson and Renée Watson about who they think should be honored with a monument in Portland. And we'll hear from the people of Portland about the monuments they want to see and the stories they want to be told about this city, where we've been, and where it's going. Our guide for today's episode is Archive Project editor and producer, Matthew Workman.

durée : 01:26:03 - Les Nuits de France Culture - par : Albane Penaranda - réalisation : Mathias Le Gargasson, Antoine Dhulster, Rafik Zénine, Vincent Abouchar, Emily Vallat, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

[REDIFF] Tu veux que je te raconte l'histoire de la sueur des touristes? Alors attrape ta brosse à dents, ton dentifrice, et c'est parti!

This week on Bark Back, we cover everything from razor-sharp puppy teeth and adorable new arrivals to incredible dog memorials, wartime hero hounds, rescue success stories… and Seann admitting he nearly turned up for the Cinnamon Trust's Big Walk on the wrong day.

The City of Portland is engaged in a national dialogue about public art, history, monuments, and memorials. With support from the Mellon Foundation, the Portland Monuments Project is a multi-year project with the goal of deciding on the future of seven monuments that were damaged, toppled, or removed following demonstrations in Portland in 2020-2021 by fostering public dialogue  to reimagine and transform the purpose of monuments and memorials in Portland. This episode is part two of a three-part series as part of the Portland Monument Project. The first episode revisited the city's past, part two will look at the present, and the culminating episode explores what may come to fruition in the future. Literary Arts is involved in this project because storytelling is at the heart of our mission, and monuments tell a story about who we were, who we are, what we value, and who we aspire to be.  They tell stories about different communities and the stories they tell are dynamic, in so much as our community is changing, time is passing and the context for these fixed objects changes around them. In this episode, we’re tracing the path of a monument that went from a guerilla artwork, to a museum piece, and will soon be a monument again. Join us as we travel from the top of Mount Tabor to the mouth of the Columbia River to learn more about this particular monument and its subject – York the Explorer – from art curators, historians, and some nice people enjoying an afternoon in the park.  Our guide for today's episode is Archive Project editor and producer, Matthew Workman. 

In today's sermon Paul's hearer's are very spiritual. They know that God is involved in so many aspects of life but don't yet have the eyes to see and the words to speak of the God found in Jesus. Likewise we find spiritual meaning in so many aspects of our life, but we need to practice our faith to see the hand of God moving in the meaningful moments of life.

On Labor History Today: What do Chicago's three Haymarket monuments reveal about labor history, public memory, and who gets to shape the story of the past? Labor historian Peter Cole explains. Plus: Australia's early fight for the eight-hour day, and Labor History in 2:00 on the 1934 West Coast Maritime Strike. Questions, comments, or suggestions are welcome, and to find out how you can be a part of Labor History Today, email us at LaborHistoryToday@gmail.com Labor History Today is produced by the Labor Heritage Foundation and the Kalmanovitz Initiative for Labor and the Working Poor. #LaborRadioPod #History #WorkingClass #ClassStruggle @GeorgetownKILWP #LaborHistory @UMDMLA @ILLaborHistory @AFLCIO @StrikeHistory #LaborHistory @wrkclasshistory  

05r0826 CDC Hantavirus Emergency, West Bank's Limping Monuments, Jim Crow Tennessee, UFO Files by The News with Paul DeRienzo

Auteur à la mode, apôtre du romantisme, maître de la nouvelle exotique, Prosper Mérimée aura atteint toute sa dimension dans son rôle salutaire d'inspecteur des Monuments historiques.Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

SummaryJoin Kurt and Jamie as they navigate the chaos of live podcasting, upcoming conferences, and their latest sketches inspired by art, music, and pop culture. Discover insights on sketching, art, and the importance of everyday inspiration.Chapters00:00 Musical Mysteries and Canadian Connections02:44 Artistic Inspirations and Sketching09:30 Coffee Conversations and Daily Life16:52 Sketching and Artistic Process27:55 Record Store Day and Cultural Reflections resourcesRecord Store Day - https://recordstoreday.com/Main Street America - https://www.mainstreet.org/AI for Architecture Hackathon - #The Dark Knight (Graphic Novel) - https://www.dccomics.com/graphic-novels/batman-the-dark-knight-1986Rodin's The Thinker - https://www.musee-rodin.fr/en/collections/sculptures/the-thinkerChuck D Record Collaboration - #Jack White's Record Support for WXYZ - #Send Feedback :) Support the showBuy some Coffee! Support the Show!https://ko-fi.com/coffeesketchpodcast/shopOur LinksFollow Jamie on Instagram  - https://www.instagram.com/falloutstudio/ Follow Kurt on Instagram - https://www.instagram.com/kurtneiswender/ Kurt's Practice - https://www.instagram.com/urbancolabarchitecture/ Coffee Sketch on Twitter - https://twitter.com/coffeesketch Jamie on Twitter - https://twitter.com/falloutstudio Kurt on Twitter - https://twitter.com/kurtneiswender 

-Rob strolls through a picture-perfect D.C. and wonders why the city looks calmer than the news cycle. -He breaks down a Supreme Court ruling while simultaneously breaking down his patience with modern politics -He closes by declaring a battle between good and evil—and prescribing patriotism as the cure for “catching the stupid.”  Today's podcast is sponsored by : CHAPTER - If you're turning 65 or already on Medicare, call Chapter at 27-MEDICARE for the plan that suits you best. RELIEF FACTOR - You don't need to live with aches & pains! Reduce muscle & joint inflammation and live a pain-free life by visiting http://ReliefFactor.com  GHOSTBED - I used to think a mattress was just furniture, until I got my GhostBed! GhostBed is offering my audience their lowest prices of the season, plus an extra 10% off. Go to http://GhostBed.com/CARSON and use promo code CARSON BOLL & BRANCH - Upgrade your sleep with Boll & Branch quality bedding. Get 15% off your first order plus free shipping at http://BollAndBranch.com/robcarson with code ROBCARSON. BIRCH GOLD - Protect and grow your retirement savings with gold. Text ROB to 98 98 98 for your FREE information kit! To call in and speak with Rob Carson live on the show, dial 1-800-922-6680 between the hours of 12 Noon and 3:00 pm Eastern Time Monday through Friday… Musical parodies provided by Jim Gossett (http://patreon.com/JimGossettComedy) You can now WATCH and chat with The Rob Carson Show LIVE on Newsmax's social media channels (Facebook, X/Twitter, YouTube, Rumble) Listen to Newsmax LIVE and see our entire podcast lineup at http://Newsmax.com/Listen Make the switch to NEWSMAX today! Get your 15 day free trial of NEWSMAX+ at http://NewsmaxPlus.com Looking for NEWSMAX caps, tees, mugs & more? Check out the Newsmax merchandise shop at : http://nws.mx/shop Follow NEWSMAX on Social Media:  -Facebook: http://nws.mx/FB  -X/Twitter: http://nws.mx/twitter -Instagram: http://nws.mx/IG -YouTube: https://youtube.com/NewsmaxTV -Rumble: https://rumble.com/c/NewsmaxTV -TRUTH Social: https://truthsocial.com/@NEWSMAX -GETTR: https://gettr.com/user/newsmax -Threads: http://threads.net/@NEWSMAX  -Telegram: http://t.me/newsmax  -BlueSky: https://bsky.app/profile/newsmax.com -Parler: http://app.parler.com/newsmax Learn more about your ad choices. Visit megaphone.fm/adchoices

What Democrats need to do to counter the Supreme Court abolishing Black congressional districts: Harold Meyerson comments on the continuing reapportionment wars and the upcoming elections.Also: John Nichols explains why Trump may never succeed at building any of his ICE prison camps, and how this Friday's May Day strike is a test of our power to resist.Plus: MOCA's “Monuments” show in LA critiques Confederate monuments that have been taken down in response to protests. Critic Christopher Knight has our evaluation. The show closes Sunday. (Originally broadcast October 31, 2024.)

In this episode of Stairway to Eleven we kick things off with a detour through recent music news. Then we dig into the main event: the moments, albums, bands, and experiences that became our musical DNA. We finish with what's been in listening rotation and live shows.

In this week's political rundown, John Nichols explains why Trump may never succeed at building any of his ICE prison camps, and how this Friday's May Day strike is a test of our power to resist.Also: MOCA's “Monuments” show in LA critiques Confederate monuments that have been taken down in response to protests. Critic Christopher Knight has our evaluation. The show closes Sunday. (Originally broadcast Oct. 31, 2024.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this week's political rundown, John Nichols explains why Trump may never succeed at building any of his ICE prison camps, and how this Friday's May Day strike is a test of our power to resist.Also: MOCA's “Monuments” show in LA critiques Confederate monuments that have been taken down in response to protests. Critic Christopher Knight has our evaluation. The show closes Sunday. (Originally broadcast Oct. 31, 2024.)Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

  8. Headline: The Battle of Monuments and the Dark Legacy of Revolution Guest Author: Robert G. Parkinson The final segment discusses the "Battle of Monuments" between the Cresup and Logan families, which persisted into the early 20th century. Parkinson reflects on the "darkness" of the frontier, viewing colonial institutions as a "flicker" of light used to make sense of a terrifying world. He highlights a missed 1778 opportunity for the Delaware nation to become the 14th state of the union. Ultimately, the Revolution emboldened land-hungry pioneers, transforming once-suspicious frontiersmen into the centerpiece of American identity while enabling a government-supported pursuit of expansion at the expense of indigenous peoples. 81793

The City of Portland is engaged in a national dialogue about public art, history, monuments, and memorials. With support from the Mellon Foundation, the Portland Monuments Project is a multi-year project with the goal of deciding on the future of seven monuments that were damaged, toppled, or removed following demonstrations in Portland in 2020-2021 by fostering public dialogue  to reimagine and transform the purpose of monuments and memorials in Portland. This episode is part one of a three-part series as part of the Portland Monument Project. This episode explores the city's past, and part two will look at the present and the future. Literary Arts is involved in this project because storytelling is at the heart of our mission, and monuments tell a story about who we were, who we are, what we value, and who we aspire to be.  They tell stories about different communities and the stories they tell are dynamic, in so much as our community is changing, time is passing and the context for these fixed objects changes around them. In this episode we'll talk to the staff at the City's Office of Arts and Culture who are leading this initiative, hear from experts, from historians, from passersby, and from other stakeholders who are questioning our past practices, and hope create change in how we, as a community choose our monuments – who gets to decide which ones are put up and where they go. Our guide for today's episode is Archive Project editor and and producer, Matthew Workman. For a hands-on experience, join local nonfiction comic artist Shay Mirk for a free creative zine-making workshop on the monuments we need on May 9th and May 10th. Click here to learn more and register.

Rocky Balboa never actually lived in Philly (since he is the fictional character portrayed by actor Sylvester Stallone). But if you take a look around the city, he definitely has a home here. Rocky is on posters, shirts, and mugs. He's even quoted in a mayonnaise billboard along the highway. The pinnacle of the character's influence can be seen in the long lines at the Philadelphia Museum of Art leading up to a statue of his likeness. Host Trenae Nuri talks with Paul Farber, co-founder of Monument Lab and the curator of Rising Up: Rocky and the Making of Monuments – a new exhibit exploring why people are so fixated on Rocky and what this lore says about the impact of monuments on culture.  Our newsletter has Philly news & events in your inbox every weekday morning. Call or text us: 215-259-8170 Instagram: @citycastphilly Support our show and get great perks as a City Cast Philly Neighbor: membership.citycast.fm Advertise on the podcast or in the newsletter: citycast.fm/advertise Learn more about the sponsors of this episode: City Fitness Women Against Abuse Free Library of Philadelphia

durée : 00:13:16 - Le 18/20 : un jour dans le monde - par : Christelle Rebière - Le responsable des collections Afrique au musée du quai Branly - Jacques Chirac, Aurélien Gaborit, nous guide dans Africa Fashion et nous fait entrer dans cette histoire de tissus, de styles et de circulations entre l'Afrique et le reste du monde. - invités : Aurélien Gaborit Responsable de collection Afrique au musée du quai Branly - Jacques Chirac Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Don't spend millions on a podcast, like AI did recently. Rather spend the price of a coffee and become a Supporter of The Real Science of Sport. Click the link, make a monthly pledge, and get access to the conversations that happen before and after the podcasts!Show notesThis week, we kick off in Roubaix, where Wout van Aert and Franziska Koch won the prestigious cobbled Monuments. For van Aert, in particular, it was the culmination of a "life's work", in a dramatic, very fast, and very eventful race that featured multiple technical issues for leading contenders. We look back on the races, and at the tech issues that befell the riders, and the tech that was disallowed from even being used. Staying on cycling, the UCI threatened podcaster Benji Naesen with the possibility of 'criminal action' for posts and comments they suggested were injurious to them, without specifying those posts. We discuss the letter, and why the UCI's actions have backfired so badly, with thoughts on how engagement with the community should and could look for constructive dialogue.We then shift gears, and chat briefly about Rory McIlroy's Masters defence, and some data on performance and physiology that lay behind his victory. Weather doping comes up because once again, Ramona produced record-breaking discus performances, and in Australia, Gout Gout (and six other men) used perfect conditions in the final of the Australian 200m championships to run PBs, Gout leading the way with an exceptional 19.67s. We talk about that time, and why everyone may need to calm down and manage expectations despite the expected breakthrough from sprintings teen phenom.We end on the roads, as Boston looms large and London follows on, to discuss the elite fields, and one athlete in particular - Sebastian Sawe - who has made it a personal mission to restore credibility to his performances by requesting and funding much more regular drug testing.And finally, an amateur turns elite to chase a swimming time set by his fathere in 1976. We discuss Adam Wilkie's campaign, and wonder what the chances of success are?LinksWhy did the UCI ban Visma's tyre inflation technology?Benji Naesen gets a letter from the UCI with a not-so-friendly warning to rein in the criticismsPerformance analysis of McIlroy's Masters win, despite way worse than average drivingSome of McIlroy's Whoop data from the final round at AugustaGout Gout runs 19.67s, but any reasonable discussion seems impossibleA good Letsrun analysis of Gout's performance and progressionAnother good Letsrun article on Sawe's self-funded doping controls and pursuit of performance credibilityAdam Wilkies' son attempting "the impossible" Hosted on Acast. See acast.com/privacy for more information.

This week, James and Will chat to George Hincapie, the super-est of domestiques, double 'ard Classics man and erstwhile lieutenant to Lance Armstrong.George was born in Queens, New York City, on 29th June 1973, to cycling-mad Colombian dad, Ricardo. By twelve he was throwing elbows racing adults in Central Park, and by his teens he was showing the talent that would take him to the Olympics in 1992 and his first pro season, with Motorola, in 1994.At first a self-confessed bunch of American upstarts, Motorola morphed into one of the most formidable teams of the 90s and 2000s, US Postal. There, George forged his status as one of cycling's strongest and most dependable riders, supporting team leader Lance Armstrong as road captain and lieutenant across all seven of Armstrong's Tour wins – though of course that's wins in inverted commas.George retired from the pro peloton in 2012 after 19 seasons in which he started the Tour de France 17 consecutive times, finishing it 16 times and winning one team-time-trial stage. He also rode 50 Monuments including finishing second at Paris Roubaix and third at Tour of Flanders; he won Gent-Wevelgem in 2001; and was three-time US National Champ.Today, George is bringing all that experience to his new team, Modern Adventure Pro Cycling, with the express intention of giving young riders a shot at the big time while becoming 'the next great American team', who might one day compete in the Grand Tours. We spoke to George ahead of Paris-Roubaix, where Modern Adventure had the first big wildcard entry of its inaugural season.Our chat begins at 10.24-----------------This episode is brought to you by the Hammerhead Karoo GPS bike computer. Visit hammerhead.io and use the code CYCLIST to get a free HR strap with every purchase (just be sure to add the strap to your cart then apply the code at checkout)This episode is also brought to you by the Maserati Grecale SUV car. For more information, go to maserati.com------------------Did you know Cyclist is also stunning monthly print magazine?Subscribe now at store.cyclist.co.uk/cycpod and get every issue for less than in the shops, delivered straight to your doorAnd it's also a rather lovely website about everything road cycling and gravel. Check us out at cyclist.co.uk Hosted on Acast. See acast.com/privacy for more information.

Tu veux que je te raconte l'histoire de la sueur des touristes? Alors attrape ta brosse à dents, ton dentifrice, et c'est parti!

Clay's conversation with Dr. Susan Ryan of the Crow Canyon Archaeological Center in Cortez, Colorado, about the history of the National Monuments and Antiquities Act, signed into law by President Theodore Roosevelt on June 8, 1906. The Monuments and Antiquities Act gives the president of the United States virtually unlimited authority to designate national monuments on America's public lands by executive order alone. Teddy Roosevelt named the first 18, beginning with Devils Tower in Wyoming, and, at the end of his second term, established the Grand Canyon National Monument, covering more than 800,000 acres. Most subsequent presidents have designated National Monuments, including Donald Trump in his first term. Dr. Ryan says this vast grant of presidential authority has always been controversial, particularly now, and there are stirrings of a test case that will reach the Supreme Court sometime in the next couple of years. Can a subsequent president reduce the size of a National Monument or remove it altogether? And what oversight does Congress have or should it have in these matters? This podcast was recorded on February 23, 2026.

La hiérarchie a été respectée. On nous promettait une bataille entre les plus grands coureurs du peloton, on l'a eu. A l'arrivée, Pogacar est toujours le plus fort. Van der Poel n'est pas loin. Evenepoel un peu plus. Van Aert plus à la peine.  Et une question revient dans toutes les bouches : Pogi va-t-il réussir à remporter les 5 Monuments cette année ? Un Grand Chelem jamais réalisé. Pour cela, il devra remporter Paris-Roubaix qui arrive très vite. Alors ce Tour des Flandres a-t-il déjà tué le suspense pour l'Enfer du Nord ? Est-il de nouveau l'immense favori ?  Avec Georges Quirino, Pierre Koetschet, Marié Azé, Pierre-Yves Leroux et Jérôme Pineau

Rep. Celeste Maloy is coming for a beloved Utah monument. Host Ali Vallarta, City Cast Salt Lake contributor Kate Groetzinger, and newsletter editor Terina Ria break down a confusing bill. Plus, Ali reports out from a seized assets auction and we shout out some local badasses.  Resources and references: Rep. Celeste Maloy introduces resolution to reject Biden-era management plan of Grand Staircase-Escalante Monument  [ABC 4]  Become a member of City Cast Salt Lake today! It's the best way to support our work and help make sure we are around for years to come. Get all the details and sign up at membership.citycast.fm. Subscribe to our daily morning newsletter. You can also find us on Instagram @CityCastSLC. Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: (801) 203-0137 Looking to advertise on City Cast Salt Lake? Check out our options for podcast and newsletter ads. Learn more about the sponsors of this episode:  Harmons Cozy Earth - use code COZYSALTLAKE for up to 20% off

Episode No. 751 features artist Kahlil Robert Irving and curator Rebecca Head Trautmann. Irving is included in "Monuments," at the Museum of Contemporary Art, Los Angeles. The exhibition juxtaposes decommissioned Lost Cause monuments with artworks that address the histories the Lost Cause aimed to whitewash. "Monuments" features two Irvings: New Nation (States) Battle of Manassas - 2014, 2024-25; and Viewfinder, 2024 which address the 2014 police killing of Michael Brown Jr. in Ferguson, Missouri and its aftermath. The exhibition, which is on view through May 3, was curated by Hamza Walker, Kara Walker, and Bennett Simpson with Hannah Burstein and Paula Kroll. The museum says that a catalogue is forthcoming. Irving has had solo exhibitions at the Museum of Modern Art, New York, the Walker Art Center, Minneapolis, and at the Contemporary Art Museum Saint Louis; he's been featured in group exhibitions at the Carnegie Museum of Art in Pittsburgh, MASS MoCA in North Adams, Mass., the Whitney Museum of American Art in New York, and more. He was also a guest on Episode No. 591 in 2023. Trautmann is the curator of "Water's Edge: The Art of Truman Lowe" at the National Museum of the American Indian, Smithsonian Institution, Washington, DC. "Water's Edge" is the first career-length survey of Hoocąk (Ho-Chunk) artist. It is on view through January 1, 2027. Smithsonian Books published a catalogue of the exhibition; Amazon and Bookshop offer it for about $33-37. Instagram: Kahlil Robert Irving, Tyler Green. Air date: March 26, 2026.

Many listeners are familiar with the Monuments Men and Women - the Allied military personnel who protected cultural treasures during World War II and then aided in post-war restitution. Rose Valland, a French art historian at Paris's Jeu de Paume museum, was not officially a Monuments officer until May 1945. Throughout the war though, she courageously documented Nazi looting, tracked stolen artworks, and provided intelligence that proved crucial to their recovery - helping preserve, as a plaque in her honor at the Jeu de Paume puts it, “some of the beauty of the world.” In 2024, the Monuments Men and Women Foundation released the first English translation of her 1961 memoir, The Art Front, bringing her remarkable firsthand account to new audiences. To discuss Rose Valland's life and The Art Front, the MacArthur Memorial podcast sat down with Anna Bottinelli, President of the Monuments Men and Women Foundation.The MacArthur Memorial is pleased to be a member of the Monuments Men and Women Museum Network. Learn more about the Monuments Men and Women Foundation and The Art Front.Have a comment about this episode? Send us a text message! (Note: we can only read the texts, we can't reply) Support the showFollow us on:Twitter: @MacArthur1880; @AEWilliamsClarkFacebook: @MacArthurMemorialwww.macarthurmemorial.org

Clay's conversation with Char Miller, an endowed professor of environmental history at Pomona College and author of more than a dozen highly regarded books. How did America develop its public lands? Who were the key players in the formation of National Parks, Monuments, Forests, Wildlife Refuges, and Game Preserves? How fragile is the public domain at a time when the Trump administration seeks to scale back, privatize, and permit mining and other industrial activities? The conversation includes a segment on Native American sovereignty, the Land Back Movement, and the work of David Treuer, who has suggested that the National Parks and Monuments be returned to Native ownership or, at a minimum, Native co-management. The discussion also assessed the future of the Colorado River system, including the status of Glen Canyon Dam in Arizona. This episode was recorded on January 27, 2026.

George Hincapié and Spencer Martin break down Tadej Pogačar's win at the 2026 Milan–Sanremo, where he captured one of the only Monuments he had yet to win after recovering from a hard crash in the finale and delivering one of the greatest comeback performances in modern cycling history. They discuss the key moments of the race, how the crash may have actually aided UAE's plans to attack on the Cipressa, the standout rides behind, and what rivals can do to stop Pogačar in the upcoming Cobbled Classics. Become a WEDŪ Member Today to Unlock VIP Access & Benefits: https://access.wedu.team Rag & Bone: Upgrade your denim game with Rag & Bone! Get 20% off sitewide with code THEMOVE at https://www.rag-bone.com #ragandbonepod

Unlock the transformative potential of art that invites participation, reflection, and collective healing. This episode features Molly Gochman, an artist and activist reshaping how we connect through shared experiences, public monuments, and community engagement.Most conversations about activism and art overlook how deeply intertwined they truly are. Molly reveals how her work—whether literal land art shaped like borders or monumental sculptures—serves as a mirror for social values, collective memory, and the passage of time. She discusses the power of touch in art, the importance of invitation and curiosity, and how participatory projects foster empathy across communities. From her Ukraine-Russia border sculpture to the Memory Collage project, Molly illustrates how art can quietly challenge societal divides, honor memories, and inspire collective action—sometimes at a scale that outlives individual lives.You'll discover:How monumental sculptures can serve as acts of collective care and remembranceThe role of touch and participation in demystifying art and fostering empathyWhy the materials artists choose—like bronze or recycled construction debris—mirror human resilience and transformationWays art can serve as a third space that bridges differences and invites dialogueThe importance of curiosity, attention, and invitation in creating inclusive cultural conversationsWithout awareness and intentionality, the stories we pass down fade, and social divides deepen. This episode makes a compelling case for art as a deliberate act of witnessing—building understanding in a world craving connection. If you're committed to social change, community-building, or simply seeing art through a smarter, more connected lens, this is essential listening.Perfect for artists, activists, community leaders, and anyone curious about how art influences societal transformation. Molly's insights will inspire you to see your environment—and your role in shaping it—differently.

What does it take to be considered one of the greatest of all time? A boatload of major wins doesn't hurt, of course, but how a racer wins can be just as important. Tadej Pogačar's list of victories includes four Tour de France titles, two World Championships, and a remarkable ten Monuments, among many others. They're super-human performances, no doubt, yet it's the Slovenian's willingness to race with his heart and gamble it all that sets him apart, especially in this era of relatively risk-averse specialists.Today's podcast sees Levy speaking with Velo contrinutor Andy McGrath, author of "Tadej Pogačar: Unstoppable," a biography of the modern era's greatest cyclist. They dig into Pogačar's early days as a junior, his family life and his mother's concerns, and how he's able to remain so calm and positive even when it's not going to plan. Oh, and might Pogačar have a secret tractor collection? 

Episode No. 747 of The Modern Art Notes Podcast features artist Bethany Collins and curator Edouard Kopp. Collins is included in "Monuments," at the Museum of Contemporary Art, Los Angeles. The exhibition juxtaposes decommissioned Lost Cause monuments with commissioned artworks that address the histories the Lost Cause aimed to whitewash. Collins' contribution to the project is Love is dangerous (2024-25), a sculptural installation that remakes the base of the Stonewall Jackson monument that was installed in Charlottesville, Virginia. The exhibition, which is on view through May 3, was curated by Hamza Walker, Kara Walker, and Bennett Simpson with Hannah Burstein and Paula Kroll. The museum says that a catalogue is forthcoming. On March 5 the Museum of Contemporary Art Denver opens "Bethany Collins: The Deluge," a presentation of Collins works that each address -- and navigate -- an existential storm. Across several media, Collins addresses major literary works such as Herman Melville's Moby Dick, and Sophocles' Antigone -- and the US songbook too. The exhibition was curated by Leilani Lynch and is on view through July 5. Among the many museums presenting solo exhibitions of Collins' work are the Seattle Art Museum, the Peabody Essex Museum, Salem, Mass., the Contemporary Art Museum Saint Louis, the Van Every and Smith Galleries at Davidson College, the Birmingham Museum of Art, and the Jule Collins Smith Museum of Fine Art at Auburn University. Edouard Kopp is the curator of "Wall Drawing Series: Gladys Nilsson" at the Menil Drawing Institute, Houston. The site-specific exhibition features an enormous Nilsson drawing that features fantastical, hybrid beings surrounding one monumental figure engaged in the act of drawing. It's on view through August 9. Nilsson's work has been the subject of dozens of exhibitions, including a 1973 solo exhibition at the Whitney Museum of American Art. Her work is in the collection of museums such as the Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Art Institute of Chicago. Instagram: Bethany Collins, Tyler Green.