Podcasts about Music education

Welcome back to the mic—this week Infinite and Brick are taking the week off, so the co-hosting crown passes to Jayden as he holds things down solo at first… with reinforcements.Joining Jayden are two powerhouses: Queen Nina and the Diamond Latin Mami herself, Janitsa. Together, they're diving into an array of music topics—fresh sounds, big discussions, standout artists, and everything in between that keeps the culture moving.And yes, the news is official: Janitsa has been set to take over as co-host after Jayden vacates the spot. For the foreseeable future, Janitsa will be the new co-host, bringing her signature energy, taste, and presence to the show moving forward.So tune in for bold conversations, real music talk, and the kind of chemistry that makes every episode feel like an event.We would LOVE to hear what you think. Please drop a line.Support the show

On this episode of The Bandwich Tapes, I sit down with drummer and educator Nate Morton for a wide-ranging conversation about musicianship, preparation, versatility, listening, and the skills that build a career long after you leave the practice room.Nate is best known to many listeners as the drummer for NBC's The Voice, a gig that requires him to move effortlessly between rock, pop, country, R&B, blues, and just about anything else that lands on the music stand. We talk about how a childhood filled with everything from KISS and Michael Jackson to George Clinton, the Beatles, the O'Jays, the Temptations, Barry White, and Booker T. & the M.G.'s helped build that musical vocabulary. Nate explains why his goal was never to become the “rock guy” or the “jazz guy.” He wanted to become the always-employed guy.But much of our conversation is about what happens beyond the notes. Nate and I dig into preparation, organization, punctuality, adaptability, and musicians' responsibility to the people around them. He shares lessons from his time at Berklee College of Music, including the realization that learning what not to play can be just as important as developing the ability to play. A story about watching Abraham Laboriel Jr. take a four-bar solo becomes a lesson in confidence, restraint, and musical maturity.We also delve deeply into the relationship among drums, bass, singers, and the rest of the band. Nate explains how he adjusts his playing to different vocalists, why listening matters more than showing off, and how his relationship with bassist Sasha Krivtsov on The Voice allows the rhythm section to constantly react and adapt to one another. His philosophy is simple: the band only sounds good when everyone sounds good.Along the way, we talk about teaching, technology, learning music before everything was a click away, the value of relationships, and why small interactions can have an enormous impact on another musician. This one became much more than a conversation about drumming. It's about professionalism, curiosity, generosity, and what it actually takes to build a life in music.Key TakeawaysPreparation extends far beyond practicing your instrument. Being on time, organized, dependable, adaptable, and respectful of other people's time can be as important to a career as technical ability.Versatility creates opportunity. Nate intentionally developed enough vocabulary across multiple styles to walk into different musical situations comfortably. His goal was to become the “always-employed guy.”Listening is one of the most important skills on the bandstand. Whether working with a singer, bassist, guitarist, or an entire ensemble, Nate constantly adjusts his playing according to what everyone else is doing.Great musicians know when not to play. Nate's story about Abraham Laboriel Jr. at Berklee illustrates how confidence and restraint can communicate more than filling every available space.Adaptability matters more than perfect circumstances. From forgotten floor tom legs to unfamiliar backline setups, Nate learned that sometimes you simply have to “sit down and make music.”Music school can give you tools, but the real world teaches you where to use them. Berklee gave Nate technical vocabulary and a safe environment to make mistakes, while professional gigs taught him context, restraint, and musical judgment.Relationships matter. Nate sees genuine human interaction as one of the central principles of both his career and his life, whether he is working with another musician, teaching a student, or answering a question from someone who reaches out online.Music from the EpisodeI Think I Just Said That - Fraud ProphetsScrubs - Fraud ProphetsHomer's Journey - Fraud ProphetsMoths and Mosquitoes - Fraud ProphetsAbout the PodcastThe Bandwich Tapes is a podcast about the people who make music and the experiences that shape them. I sit down with musicians, songwriters, producers, engineers, and other creative people for thoughtful conversations about craft, collaboration, careers, influences, and the realities of making music. The goal is simple: get beyond the résumé and talk about how music actually gets made.Connect with the ShowQuestions, comments, guest suggestions, or just want to say hello?contact@thebandwichtapes.com

Natalie Kradolfer is the co-founder of Amplify Music Education, which has absolutely exploded around the country and is now getting ready to expand into the USA! Amplify is all about getting young people excited about music, creativity and the music industry from an early age. I caught up with Nat at BIGSOUND before we sat down in our Brisbane studios for a chat about how Amplify started, what they’re doing with schools and young people, and how you can get involved. It was a really great chat and we can’t wait to have Nat back on the show! More info here. https://amplifymusiceducation.com.au/See omnystudio.com/listener for privacy information.

Music is everywhere. We stream it in our cars, hear it in stores, and carry thousands of songs in our pockets. But in gaining nearly unlimited access to music, have we lost sight of what music is actually for?Dr. Eliot Grasso, musician, scholar, educator, and one of America's leading performers of the Irish uilleann pipes, returns to BaseCamp Live for a fascinating conversation about music's place in human formation and classical Christian education.Eliot challenges the modern idea that music is primarily something we consume. For most of human history, music was something people made together. It required attention, discipline, participation, listening, and community. And those practices helped form not simply better musicians, but human beings.Davies and Eliot explore why great music may not immediately appeal to our modern tastes, what Eliot means when he calls music "sonic architecture," and why learning to listen well matters far beyond the concert hall. They also offer practical ways parents and schools can cultivate a richer musical life, even if the adults themselves didn't grow up appreciating classical music.And this conversation doesn't just talk about music. Eliot brings along his uilleann pipes and gives listeners a chance to hear this remarkable Irish musical tradition firsthand.Whether you're a musician or can't remember the last time you touched an instrument, this episode offers a compelling invitation to rediscover music as a gift that can help form attention, affection, discipline, beauty, and community.Special Thanks to our partners who make BaseCamp Live possible:Wisdom and EloquenceThe Herzog FoundationLife ArchitectsWisephone by TechlessZipCast Stay tuned for more enlightening discussions on classical Christian education, and join us next time on BaseCamp Live! Remember to subscribe, leave us a review, and reach out to us at info@basecamplive.comDon't forget to visit basecamplive.com for more info and past episodes.

JER joins The Austin Young Show to talk about what it's like being an artist right now, the struggles facing bands and musicians, and the reality of trying to build a life around music. We get into Supernova Ska Festival, JER's experience as an educator, why music education matters, and the current political climate — including the absolutely bizarre situation where brass instruments seem to have become public enemy number one. It's a conversation about music, education, politics, and the challenges artists are dealing with right now, with a little ska thrown in for good measure. JER:https://linktr.ee/JER.band The Austin Young Show:https://linktr.ee/theaustinyoungshow Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Gugs Mhlungu speaks to Dr. Sheldon Leal, Musicologist and Academic Registrar at the Academy of Sound Engineering, about his journey in music, his experience as a music teacher, his Portuguese heritage, and the diverse career opportunities available in the music industry beyond being a performing artist. Gugs Mhlungu gets you ready for the weekend each Saturday and Sunday morning on 702. She is your weekend wake-up companion, with all you need to know for your weekend. The topics Gugs covers range from lifestyle, family, health, and fitness to books, motoring, cooking, culture, and what is happening on the weekend in 702land. Thank you for listening to a podcast from 702 Weekend Breakfast with Gugs Mhlungu. Listen live on Primedia+ on Saturdays and Sundays from 06:00 and 10:00 (SA Time) to Weekend Breakfast with Gugs Mhlungu broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/u3Sf7Zy or find all the catch-up podcasts here https://buff.ly/BIXS7AL Subscribe to the 702 daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

Waltz for Debby is the sound that all "boring coffeehouse jazz" tries to imitate, but none can replicate. Featuring Bill Evans on piano, Scott LaFaro on bass and Paul Motian on drums, this 1962 live album has become the template for every AI jazz playlist. And yet, it stands apart as one of the greatest jazz piano trio albums of all time. Pianists Adam Maness and Peter Martin listen to the full album, track-by-track, describing what they hear in the music that lends this album its undeniable humanity.-------------------------------Learn to play tracks from You'll Hear It. Join the You'll Hear It Players Club: https://yhi.link/players-club-------------------------------Learn to talk like a jazz musician. Download the Liner Notes FREE today: https://yhi.link/linernotes-4-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs:https://openstudiojazz.com/-------------------------------

On this episode of The Future Is Now, host Christopher Riley welcomes Darius Darling for a meaningful conversation at the intersection of music, education, and ministry. We explore how these three areas can shape lives, develop purpose, inspire creativity, and create opportunities for positive impact. Darius shares his experiences and perspective on using his gifts not only to entertain, but also to educate, encourage, and serve others. This is a conversation about purpose, passion, faith, and using your talents to make a difference. #TheFutureIsNow #DariusDarling #ChristopherRiley #Music #Education #Ministry #PurposeDriven #FaithAndMusic #CommunityImpact #ONVShows

Phaedra Darwish is a Chicago-based dancer, musician, instructor, and cultural advocate with a background in instrumental and vocal music and musical theatre. Inspired by Arabic dance and music and their connection to her own heritage, she has spent more than 14 years performing and teaching throughout Chicago and across the United States, while also participating in cultural events, community fundraisers, and dance festivals as both a dancer and musician. Her approach to Oriental dance goes beyond movement, incorporating music, regional traditions, and cultural context. Through her teaching and professional performances, Phaedra is dedicated to increasing awareness, appreciation, and understanding of Middle Eastern dance and sharing the richness of her cultural heritage with wider audiences.In this episode you will learn about:- The fact that many dancers were never actually taught how to practice- Why private lessons can accelerate a dancer's individual growth- How to make choreography look spontaneous instead of rehearsed- The role of breath, tension, and release in bringing movement to life- How “soft focus” can help group dancers move as one unitShow Notes to this episode:Find Phaedra Darwish on Facebook, Instagram, and website. Details the BDE shows and training programs are available at www.JoinBDE.comCheck Iana's online platform the Iana Dance Club HERE.Follow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

Jazz pianists Adam Maness and Peter Martin take turns playing each other songs, and the goal is to get the biggest involuntary reaction out of the other guy. Along the way, they break down what's actually happening in the music. In a final round, they have to sit through their opponent's pick without cracking. Who gets the best reactions? You decide. Share your verdict in the comments.Listen to the playlist: https://tinyurl.com/3cmnby37-------------------------------Learn to play Led Zeppelin's "The Ocean". Join the You'll Hear It Players Club: https://yhi.link/the_ocean-------------------------------Learn to talk like a jazz musician. Download the Liner Notes FREE today: https://yhi.link/linerNotes-3-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs:https://openstudiojazz.com/-------------------------------

Dennis DeSantis is a composer, percussionist, sound designer, author, and educator. He is a professor of Music and Technology at Eastman School of Music at the University of Rochester, where he is developing an all new BM in Music Creation and Technology. Dennis worked as Head of Music Learning at Ableton, and wrote Making Music 74 Creative Strategies for Electronic Music Producers.  Dennis and I spoke in depth about his work at Eastman School of Music. We shared thoughts on finishing projects and overcoming creative challenges. Dennis reflected on his work at Ableton and how it has prepared him for his newest chapter in cutting edge music education. Listen on Apple, Spotify, YouTube Links: Dennis's Website - https://dennisdesantis.com University of Rochester's Music Creation and Technology Program - https://www.esm.rochester.edu/go/soundarts/music-technology/ Making Music 74 Creative Strategies for Electronic Music Producters by Dennis DeSantis - https://makingmusic.ableton.com Learning Music - https://learningmusic.ableton.com Learning Synths - https://learningsynths.ableton.com Dennis's Max for Live Devices - https://dennisdesantis.com/max-for-live-devices Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store This episode was edited by Animus Invidious of PerforModule - https://performodule.com/ Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

"The most important advice I ever received is that you cannot call a piece 'done' until you have sung through every part, beginning to end, and 90% of the time changed at least one thing because of that sing-through. I think I'm a good music reader, but I'm going to falter at the things that most people would on a first read. If I'm singing through my music and I struggle to find an interval, that immediately gets flagged: Is this worth keeping? Is there a way I can support this so that it becomes an easier interval to find?”Ryan Main (b. 1984) is an award-winning composer, director, and clinician whose music for choirs and bands is performed at all levels worldwide. His compositions have been performed across the globe and extensively throughout the United States, frequently showcased at prestigious events such as national and regional American Choral Directors Association Conferences, festivals, Carnegie Hall, and other distinguished venues.Born in the Kansas City, Missouri area, Ryan began his post-secondary music education at the Conservatory of Music and Dance at the University of Missouri–Kansas City (2003–2006), earning a Bachelor of Music in Music Composition. He continued his studies at the Peabody Institute at Johns Hopkins University (2006–2009), completing dual Master of Music degrees in Music Composition and Music Education. Passionate about ensuring access to quality music education for all, Ryan founded the Youth Chorus of Kansas City, a non-profit organization serving youth from diverse socio-economic and cultural backgrounds throughout the Kansas City metro area. As artistic director, he leads the organization in providing meaningful musical opportunities to students who might not otherwise have access to them.Beyond his work with young singers, Ryan is dedicated to fostering the next generation of composers. He mentors aspiring creators across the United States and serves as Professor of Choral Arranging at the University of Missouri–Kansas City's Conservatory of Music and Dance, where his students have gone on to successful careers in composing and arranging. He also founded Endeavor Music Publishing, a fair-pay publishing company that ensures composers receive the majority of proceeds from each sale.To get in touch with Ryan, you can find him on Instagram (@ryanmainmusic) and Facebook: @ryanmain. You can also learn more by visiting ryanmain.com or endeavormusicpublishing.com. You can email Ryan about compositions at ryan@ryanmain.com or about publishing your works at ryan@endeavormusicpublishing.com.Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

On this episode of The Bandwich Tapes, I sit down with percussionist, composer, educator, and Sō Percussion member Josh Quillen for a wide-ranging conversation about teaching, ensemble life, steel pan, podcasting, grief, musical history, and the value of listening closely.Josh joined Sō Percussion in 2006 and has spent nearly two decades helping the ensemble develop its distinctive approach to contemporary chamber music. We talk about how the group has evolved from a model built around four percussionists playing similar setups into one that more openly reflects the individual musical identities of its members. Josh shares how composers such as Steven Mackey helped the group recognize the value of those differences, from steel pan and drum set to marimba, electronics, singing, and synthesizers.We also spend time discussing the Sō Percussion Summer Institute, which Josh describes as one of the most demanding and rewarding parts of his year. He explains how the institute asks young musicians to learn an enormous amount of music with unfamiliar collaborators, confront insecurity, and discover that missing a note is rarely the most important problem in the room.The conversation becomes deeply personal as Josh talks about losing his father to ALS, preserving one of the final recordings of his voice, and how that experience helped shape his podcast, Concert Honesty. We discuss the importance of documenting artists as full human beings, the danger of turning musical heroes into myths, and what Josh has learned from speaking with musicians such as Russ Hartenberger, Bob Becker, Joan Tower, Steve Reich, and others.Along the way, Josh reflects on growing up in rural Ohio, learning discipline from his father's work at a bottling warehouse, discovering steel band in high school, traveling to Trinidad without a phone, and learning that musical development often comes from curiosity, failure, repetition, and the freedom to make mistakes without having every moment permanently documented.Key Takeaways• The Sō Percussion Summer Institute is designed to give young musicians an intensive taste of professional ensemble life, including uncertainty, limited rehearsal time, unfamiliar collaborators, and ambitious repertoire.• Josh believes strong teaching requires precision, empathy, and the ability to give honest criticism without stripping students of their confidence.• Sō Percussion's musical identity has gradually shifted from four players demonstrating similar technical skills toward a model that embraces each member's individual musical interests.• Steven Mackey's It Is Time became an important turning point by highlighting Josh's steel pan background and the distinct musical personalities of the Sō Percussion members.• Josh's approach to Steve Reich's music is rooted in chamber music precision, shared pulse, groove, and a clearly defined ensemble identity.• Concert Honesty began partly as a way to preserve the voices, experiences, and humanity of musicians beyond their résumés and major accomplishments.• Losing his father to ALS shaped Josh's understanding of memory, grief, recorded sound, and the importance of preserving a person's voice.Music from the EpisodeMusic for Wood and Strings (Part 1) - Bryce Dessner (Sō Percussion)To the Sky - Caroline Shaw (Sō Percussion)Let the Soil Play Its Simple Part - Caroline Shaw (Sō Percussion)Rectangles and Circumstance - Caroline Shaw (Sō Percussion)About the PodcastThe Bandwich Tapes is a podcast about how music gets made and the people who make it. Hosted by musician Brad Williams, the show features thoughtful, musician-to-musician conversations about craft, collaboration, creative process, artistic growth, and life in music.Connect with the ShowQuestions, comments, or guest suggestions:contact@thebandwichtapes.com

The future of Cleveland's thriving music and arts scene begins with our youth. For decades, studies have shown that high quality music instruction leads to a variety of benefits for young people: greater confidence, self expression, collaboration, leadership, and creativity-to name a few. Our communities benefit, too. Yet, the high costs of instruments and supplies make it challenging for many talented young people to explore their creative potential. And decades of nationwide disinvestment in K-12 music education only adds to the challenge.rnrnYet, here in Cleveland, we are home to several leading arts and cultural institutions that have truly changed the narrative and raised the bar for musical education for our city's young people. The Music Settlement and The Rainey Institute were both founded over 100 years ago to provide arts and culture education to Cleveland's immigrant and wage earning population. They have since grown into neighborhood anchors, together serving thousands of youth. Founded in 1995, the Contemporary Youth Orchestra allows students to study and perform new and contemporary music-introducing students to opportunities in the creative arts industries. Together, their work continues to increase access to music education, empower the next generation of artists, and strengthen Cleveland's cultural economy.

On this episode of The Bandwich Tapes, I sit down with Ruthie Foster to talk about her new album, Just Say Yes, and the musical journey that gave her such a powerful connection to songs, audiences, and the spirit inside a performance.Ruthie takes me into the making of the record with co-writer and producer Tyler Bryant. We talk about the importance of a great rhythm section, how different drummers can reshape a singer's phrasing, and why Ruthie prefers to step aside and let musicians bring their own interpretations to her songs. She also introduces us to her self-created background vocal group, affectionately known as the “Cheap Inspirations.”We trace Ruthie's story from learning piano and guitar in small-town Texas to studying music in Waco and working as a session singer during her time with Atlantic Records in New York. She reflects on the education she received in studios, songwriter circles, church services, and nearly empty clubs—and how each setting taught her something different about craft, versatility, and connecting with a room.At the center of our conversation is the idea behind Just Say Yes. What began as a reminder to accept professional opportunities has grown into something more personal: saying yes to herself, her family, and what truly matters. We also discuss parenthood, the emotional life of a song, and why Ruthie is still waiting for these new songs to reveal everything they have to teach her.Key TakeawaysRuthie gives the musicians on her albums room to interpret each song and contribute their own musical personalities.Her background as a New York session singer taught her versatility, efficiency, and how to change the timbre of her voice for different projects.Studying music in Waco exposed her to arranging, publishing, copyright, big-band instrumentation, and the business behind a musical career.Growing up in the church taught Ruthie that music begins with feeling and with the ability to change the atmosphere in a room.Songs continue to evolve for her over time, sometimes revealing their full emotional meaning only after years of performance.Just Say Yes looks forward, while her previous album, Mileage, invited her to look back over her life.The album's title has grown from a professional reminder into a commitment to say yes to herself, her family, and the things that matter most.Music from the EpisodeDoubling Back - Ruthie FosterThank You - Ruthie FosterYes - Ruthie FosterHold On - Ruthie FosterAbout the PodcastThe Bandwich Tapes is a podcast about music, creativity, and the people who devote their lives to making sound. I sit down with musicians, singers, songwriters, composers, producers, engineers, and other creative artists to explore their work, their influences, and the experiences that continue to shape them.Connect with the ShowQuestions, comments, or guest suggestions:contact@thebandwichtapes.com

In this episode, Christoph Wichert shares his journey from classical beginnings to a professional career in music, offering valuable insights into orchestra life, practicing, and performance etiquette. Discover practical tips for musicians and get a glimpse of upcoming concerts and tours with the Singapore Symphony Orchestra. Christoph shares insights on contemporary music, the importance of cultural diversity in composition, and practical advice for young musicians navigating their careers. Discover how to foster creativity, build networks, and embrace experimentation in the world of classical and contemporary music.Biography:Austrian bassoonist and artistic researcher Christoph Karl Wichert has been a member of the Singapore Symphony Orchestra since 2008. He graduated from the Conservatory of Vienna, where he studied Bassoon Performance under Michael Werba (Principal Bassoon, Vienna Philharmonic Orchestra) and Music Education, further enhancing his training through masterclasses with leading musicians.In Vienna, Christoph was regularly invited to work with prominent Viennese ensembles such as the Wiener Kammerorchester. He also worked as a substitute musician for the Vienna State Opera and the Vienna Philharmonic Orchestra, collaborating with renowned conductors like Zubin Mehta, Seiji Ozawa, Mariss Jansons, Riccardo Muti, and Nikolaus Harnoncourt. An active soloist, Christoph has performed in various recitals and with orchestras, showcasing concertos by Mozart, Weber, Pauer, and Hartl, among others. Before relocating to Singapore, he served as Principal Bassoonist with the Orchester der Vereinigten Bühnen Wien for their productions and taught bassoon, music theory, and symphonic wind band at the music school in Tulln. There, he successfully prepared students for admission to prestigious music universities and co-founded a composition workshop with his colleague Cordula Bösze.Beyond his role with the Singapore Symphony Orchestra, Christoph teaches at the Yong Siew Toh Conservatory of Music in Singapore Contemporary and Experimental Music and is a guest artist at the Princess Galyani Vadhana Institute of Music in Bangkok.In 2015, Christoph co-founded SETTS, Singapore's first fully professional contemporary music ensemble, alongside other dedicated musicians.Chapters00:00 Introduction to Christoph Wichert's Musical Journey02:19 Starting with Classical Music and Early Influences04:16 The Sound That Inspired a Career in Bassoon05:00 Moving to Vienna and Studying the Bassoon07:00 Transition from Austria to Southeast Asia08:50 Balancing Freelance Work and Orchestra Positions11:44 Auditioning in Frankfurt and Singapore12:43 The Singapore Symphony Orchestra Opportunity14:22 Deciding to Stay in Singapore15:04 Memorable Concerts with the Singapore Symphony16:55 Upcoming Tours and Concerts20:52 Working with the New Chief Conductor, Hannu Lintu23:06 Tips for Second Bassoon Players37:26 Encouraging Students and Practice Mindset39:01 Handling Mistakes and Performance Anxiety40:24 The Power of Frustration and Growth Mindset41:18 The Joy of Improvisation and Experimental Music

The award-winning pianist Donna Weng Friedman enjoys a distinguished career as a soloist, chamber musician, educator, curator, producer, and filmmaker. She spoke to me about many of her inspiring projects, including the Joy Luck Trio, Microvids with composer Stefania de Kenessey and collaborators including violinist Curtis Stewart. You'll hear how she got into film making and her award-winning personal film Never Fade Away about her parents, featuring Chun Wai Chan, the New York City Ballet's first Chinese principal dancer. Donna shared great advice for fellow music educators and students, how she came to be mentored by Radu Lupu, and perspectives on her career choices as a parent and many initiatives to amplify women composers and conductors. You can also watch the video on my YouTube: show notes bring you to Donna Weng Friedman's music and projects, suggested episodes, newsletter sign-up to get access to exclusive information,podcast merchandise, transcript, suggested episodes and how you can buy me a coffee to help keep this podcast going! All Links Here(00:00) Intro(02:42) Microvids, Stefania de Kenessey with clips of number 7 En Llamas Lola Lopez Guardone and clip of 9 Running on Empty Krystal Joy Brown (09:35) Curtis Stewart improvisations, with clip of number 8 The Grand Opening (14:19) Stefania de Kenessey, Anne Lundy, Virago Symphonic Orchestra, Pascale VAn Os, Brava Maestra, clip of number 11 Pura Alegria (21:39) Joy Luck Trio, Karen Han erhu, Gao Hong pipa with clip of Pastorale(33:21) racist encounter, Asian identity, Harmony and Heritage (38:26) linked episodes, podcast merch, newsletter(39:26) Never Fade Away and making the film, Chun Wai Chan (50:56) exploring different forms of artistic expression, with clip of Clouds with Curtis Stewart from Microvids, Migrant museum Fenix(58:42) teaching music, stage fright (01:08:34) Heritage and Harmony Silver Linings album, Chinary Ing with clip of Space Between the Fish and the Moon(01:10:08) Indira Mohajan with clip of Night by Florence Price, Her Music Her Story women composers(01:12:42) composer Kim Sherman Quiet Poems album with clip of Water Circles, need for new music for young students(01:17:18) teachers, Nadia Boulanger, Radu Lupu(01:23:14) balancing career with parenting, duo with Carter Brey, classical music apps The Music Bee Club

New albums all hand-picked from jazz pianist Adam Maness for your listening pleasure. 00:00 - Intro01:51- Epiphanie - Domi & JD Beckhttps://store.bluenote.com/products/domi-jd-beck-who-asked?srsltid=AfmBOoqy83sYVjg7gWOWEPzDP1lzL0qSN3BWoiNb80SR6foAtB1hFJUi 05:45 - Solidarity Song - Terri Lyne Carringtonhttps://terrilynecarrington.bandcamp.com/album/trip-the-night-fantastic08:01 - Eye Level - Fathershttps://store.bluenote.com/products/fathers-fathers?variant=45730941010111&utm_source=Original&utm_campaign=KennyBeats20260610&utm_medium=direct&utm_referrer=https%3A%2F%2Fwww.bluenote.com%2F&utm_board=bluenote&utm_country=US&utm_linkurl=bluenote.lnk.to%2Ffathers&lf=09636c21c8ac71dedf000e172e87d2a610:37 - Tagore - Charles Lloydhttps://store.bluenote.com/products/charles-lloyd-sangam-friends?srsltid=AfmBOorf1UxNmnTthTwtn0_zwgRhQmgDPrf_q9bYi0JObJCE-vYEtzKg 12:58 - Tethered - Nduduzo Makahthinihttps://store.bluenote.com/products/nduduzo-makhathini-the-myth-we-choose?variant=45410756886719&utm_source=Original&utm_campaign=NduduzoMakhathini20260330&utm_medium=direct&utm_referrer=https%3A%2F%2Fwww.bluenote.com%2F&utm_board=bluenote&utm_country=US&utm_linkurl=nduduzomakhathini.lnk.to%2Fthemythwechoose&lf=eb502d0210407eb575699b99ef700288 15:28 - Stella By Starlight - Joey Alexanderhttps://joeyalexander.bandcamp.com/album/celestial-keeper 17:51 - Bem Querer - Curio Curiohttps://curiocurio.bandcamp.com/album/curi-curi19:43 - Out of the quiet - Richard Spavenhttps://richardspaven.bandcamp.com/album/light-of-day

Welcome Arizona native, Mace Santa Maria! We cover Mace's move from Phoenix to Nashville four years ago, following a formative year at the Liverpool Institute for Performing Arts. She discusses learning the drums at age 10, major influences like the Jonas Brothers' drummer Jack Lawless (whom she recently met), and how Broadway demands fast adaptation through cues, band-specific arrangements, and on-the-fly decisions. Mace breaks down her unique Pelican-case rig, Nashville do's and don'ts, and opportunities for live streaming and subscription-based content. She details touring with indie-pop artists Brooke Alexx, 76th Street, and Tornsey, building Ableton show transitions, maintaining health and alone time on the road to avoid burnout, and the importance of LGBTQ+ community and representation in her career. We hope you enjoy!Chapters:0:00 Intro1:53 Welcome, Mace! 4:31 Broadway Connections 6:48 What's for Breakfast? 9:52 From Phoenix to Nashville 12:48 Early Drumming Roots 16:21 Meeting A Childhood Hero 19:35 Broadway Survival Skills 28:49 Rezo Custom Drum Heads (Sponsor) 29:53 Broadway Rig Rundown 37:35 TikTok vs Instagram 42:07 Drum Box (Sponsor) 42:49 Queer Pop Tour Scene 53:50 Ableton Show Builds 56:29 Staying Healthy On Tour 1:01:24 Birthday Plans 1:03:55 Low Boy Beaters (Sponsor) 1:04:37 Pizza/Candy Debate 1:10:54 Drum Supply (Sponsor) 1:11:52 Tour Highlights and Burnout 1:16:57 Music City Audiology 1:17:39 Charting and Music Education 1:29:09 Groove MPL (Sponsor) 1:30:20 Home Studio and Iron Maiden Mic 1:35:05 Tattoos and Hobbies 1:41:09 OutroThank you to our Episode Sponsors:Rezo Custom Drum Headshttps://rezoheads.comDrum Boxhttps://drumbox.spaceDrum Supplyhttps://www.drumsupply.comLow Boy Beatershttps://lowboybeaters.comMusic City Audiologyhttps://www.musiccityaudiology.comConnect with Mace:Instagram: https://www.instagram.com/santamariuhhhYouTube: https://www.youtube.com/@santamariuhhhTikTok: https://www.tiktok.com/@santamariuhhhMusic Featured in this Episode:"She's My Handsome" - 76th StreetSupport the showConnect with us:WebsiteInstagramTikTokYouTubeFacebookRecorded at Garden Groove Recording Space, Nashville, TNPodcast Artwork: GENUINE CREATIVE ART ⓒ 2026 Nashville Drummers Podcast, LLC

In this lively episode, Pipeman interviews Vika, also known as VK Goes Wild, at the legendary Wacken Festival. Vika shares her journey as a classical pianist-turned-metal musician, her unique experiences navigating the world's biggest metal festival, and the creative ways she expresses herself through music and art. Tune in for candid discussions on the intersection of classical and metal, introversion in the music industry, and the power of authentic self-expression.Main Topics CoveredThe Wacken Festival Experience: First impressions and the sheer scale of the event (00:37)Navigating the Festival: Getting lost, festival infrastructure, and the need for a map or app (01:12)Vika's Musical Journey: Growing up as a classically trained pianist in Ukraine (05:11)Blending Genres: The connection between classical and metal music (04:21)Going Viral: Vika's YouTube success with Metallica covers (06:09)Music Education in Ukraine: Discipline and its influence on musicians (09:09)Expression Through Art: The role of dance and jewelry-making in Vika's life (12:38)The Artist as Introvert: Navigating performance and public interaction (11:08)The Therapeutic Power of Music: Music as a language and therapy (09:46)Key Discussions & StoriesFirst Time at WackenVika describes her debut at Wacken as “a fucking dream,” expressing astonishment at both performing and the magnitude of the festival (00:37).Both Pipeman and Vika admit they were “Wacken virgins” prior to this experience (00:54).Journey to WackenVika explains how friends' recommendations led to her being invited to perform, first on a boat, then in Mallorca, before finally at Wacken (02:09, 10:32).Classical Meets MetalDiscussion of how metal is deeply rooted in classical music, and how emotional expression transcends genre and era (04:21).Vika shares her perspective as a classically trained pianist integrating into the metal scene.Going Viral on YouTubeVika's piano arrangement of Metallica's “The Day That Never Comes” from the "Death Magnetic" album went viral, attracting a wide audience (07:27).Creativity Beyond MusicVika talks about her love of dancing and jewelry-making as additional creative outlets (12:38).She describes the festival's vibrant art scene, especially jewelry made from skulls (12:52).On Introversion and ExpressionBoth speakers discuss how music and art allow introverts to truly express themselves, even when words fail (11:08, 12:08).Ukrainian Music EducationVika highlights the rigorous and disciplined approach to music education in Ukraine, contributing to the country's musical talent (09:09).Notable Quotes“It's a fucking dream. It's my first time at Wacken and it's the best it can get because I'm playing.” – Vika (00:37)“I always felt like we have the same kind of feelings we want to express. We only just had different kind of tools for that.” – Vika (04:35)“I was 4 years old, so I don't think I had any choice.” – Vika on starting music early (05:03)“Music saves lives.” – Pipeman (12:28)“When you're introverted and you cannot do that with words properly, you just like, like bursting all kind of like whatever you see, you use it to express or something.” – Vika (13:38)Resources & Links MentionedVika's Social Media and Music:Instagram: Search for "VK Goes Wild"YouTube: VK Goes Wild – find piano covers and arrangements (14:25)Facebook: VK Goes WildAlbums/Songs Mentioned:Metallica – “The Day That Never Comes” from the "Death Magnetic" album (07:27)Become a supporter of this podcast: https://www.spreaker.com/podcast/the-adventures-of-pipeman--941822/support.Click Here to Subscribe for PERKS, BONUS Content & FREE GIVEWAYS!Follow @pipemanradio on all socials & Pipeman Radio Requests & Info at www.linktr.ee/pipemanradioStream The Adventures of Pipeman daily & live Mondays, Tuesdays, Wednesdays at 1PM ET on W4CY Radio & Talk 4 TV. Download, Rate & Review the Podcast at The Adventures of Pipeman, Pipeman Radio, Talk 4 Media, iHeartRadio, Apple Podcasts, YouTube & All Podcast Apps.

Podcast PacketsIllustrationsLead SheetsForumsJazz Piano Skills CommunitySummaryExplore the seven stages of solo piano development with Dr. Bob Lawrence, a structured framework that demystifies jazz piano mastery. Learn how harmony, melody, and rhythm naturally evolve to enhance your musical maturity and confidence.KeywordsJazz Piano, Solo Piano Development, Music Education, Improvisation, Harmony, Melody, Rhythm, Musical GrowthKey  TopicsSeven stages of solo piano developmentHarmonizing melody and harmonyRhythmic maturity and steady pulseStride and enhanced accompanimentHarmonic motion and melodic supportImprovisation as natural growthTakeawaysEvery stage of solo piano is already music in progress.Harmony and melody work together from the start.Steady pulse gives music direction, not mastery.Enhanced accompaniment adds musical personality.Harmonic motion supports and inspires the melody.Improvisation is an extension of the melody, not a departure.TitlesThe 7 Stages of Solo Piano DevelopmentMaster Jazz Piano with Dr. Bob LawrenceSound Bites"Solo piano begins when harmony and melody work together.""Steady pulse gives music direction, not mastery.""Every stage is already solo piano, just more mature."Chapters00:00 Introduction to Solo Piano Development01:31 The Concept of Seven Stages06:42 Seven Musical Facts as Foundations09:11 Who Can Play Solo Piano?12:39 The First Stage: Harmony and Melody in Rubato14:05 Stage Two: Harmonizing the Melody17:13 Stage Three: Playing in Time with Strum Changes37:08 Stage Four: Simple Stride Support41:59 Enhanced Stride and Rhythmic Foundation47:24 Harmonic Motion and Support52:41 From Support to Improvisation01:01:39 The Continuous Journey of GrowthSupport the show

You'll Hear It is a weekly listening party for people who love music ... a little too much. Every Monday, Jazz pianists Adam Maness and Peter Martin sit down with one great album and break it down track-by-track. They listen, demonstrate what they are hearing, and put words to the moments you have always felt and haven't been able to explain. You'll never hear your favorite albums the same way again.You'll Hear It returns with Season 15: August 2026. 

Featuring Corey and Mark from And The Podcast Will RockThere's a guy in Tennessee who thought Canadian music was just Rush. He was wrong. This is the episode that fixed that.Sean, Todd, and Corey from And The Podcast Will Rock spent 12 hours on prep work — between them — to put together the ultimate Canadian music education for Mark, Corey's American co-host on the Van Halen podcast And The Podcast Will Rock. The playlist covers four corners of Canadian music — classic, newer, rock, and metal — and Mark's reactions are everything you'd hope for.Along the way there's a debate about what makes something a bar song, whether Kim Mitchell is the Canadian David Lee Roth or the Canadian Huey Lewis, why Canadian bands are apparently mandated to have singers with impossibly high upper registers, the difference between a Spinal Tap bassist and a Triumph bassist (it is not as much as you'd think), why Nickelback's problem is their fans and not their music, what happens when you buy beer in Canada versus Tennessee, and whether the Headstones doing Wreck of the Edmund Fitzgerald at 4 minutes 46 seconds is better than Gordon Lightfoot doing it at 17 minutes.It is.Welcome to Canada, Mark. You're one of us now.This episode features:Triumph — the power trio from Ontario who were massive in Texas for reasons nobody has fully explainedDevin Townsend — whose Addicted album is the one you need to sit down before pressing play, and whose connection to Steve Vai most people have forgottenMax Webster — Kim Mitchell before he went solo, Battle Scar with Geddy Lee, Alex and Neil playing along, and Mark immediately recognizing Rush before being told who it wasKim Mitchell — Go For Soda, Rock and Roll Duty, Easy to Tame, and the video that features what looks exactly like BugamoKiller Dwarfs — the band that gave Mark Iron Maiden and early Judas Priest vibes and apparently played to a certain someone's tape deck back in the Moncton daysThe Northern Pikes — the Saskatchewan bar song that Corey picked specifically for the day Mark comes to visitThe Odds — Heterosexual Man, featuring Kids in the Hall in the video, a Corner Gas connection nobody knew, and everybody ending up in dragThe Headstones — Tweeter and the Monkey Man, a Traveling Wilburys cover, the beer CD promotion story, and a casting session for the movie version of the songThe Tragically Hip — Ahead by a Century, the SNL appearance, the Dan Aykroyd introduction, why they're Canada's Bruce Springsteen, and why Dave Matthews is a poor man's Tragically HipGuests:Corey — Fine Wine Corey — And The Podcast Will RockMark — Craft Beer Mark — And The Podcast Will RockLinktree: https://linktr.ee/seangeekpodcastPatreon: https://www.patreon.com/c/seangeekpodcastWe are a part of the Boneless Podcast Network: https://bonelesspodcasting.com/ Merch:Tee Public: https://www.teepublic.com/seangeekpodcastRed Bubble: https://www.redbubble.com/people/seangeekpodcast/shop@seangeekpodcast on Twitter, Instagram and FacebookMentioned in this episode:New Merch AdAn ad that incorporates Red Bubble and Tee Public

This week on bigcitysmalltown, the conversation turns to the Youth Orchestras of San Antonio (YOSA) at a pivotal moment in its history. As YOSA prepares for its 50th anniversary and the opening of its first permanent home, the discussion examines the organization's impact on music education, city culture, and the future of classical music in San Antonio.Bob is joined in the studio by YOSA Music Director Troy Peters, who reflects on his long tenure, the challenges faced by young musicians, and the broader arts ecosystem in the region. With Peters soon joining his wife, Anne, in South Carolina after her appointment as vice president of marketing at USC, he offers a candid look at transitions—both personal and institutional.Topics include:• The role of music education in shaping San Antonio's youth• How YOSA mirrors the city's diversity and expands access for underserved communities• The future of classical music in San Antonio and the challenges faced by local orchestras• YOSA's upcoming permanent home and what it means for the city's performing arts scene• The realities of nonprofit funding, city support, and the sustainability of arts organizations in uncertain timesIt's a look at the people and ideas that keep San Antonio's cultural life evolving, even as the city navigates change.RECOMMENDED NEXT LISTEN:▶️ #156. Sustaining the Arts: The Orchestra San Antonio's Plan to Merge Performance and Education – With professional orchestras in flux, this episode explores whether San Antonio can truly sustain a world-class symphony. Host Cory Ames sits down with Orchestra San Antonio's Paul Montalvo to dig into funding, education, and bold new models for the city's musical future.-- --GET THE NEWSLETTER

What does sacred music theological education in a mission setting look and sound like? Rev. Brian Hamer (US Navy Chaplain, author of the monthly column “The Lifted Voice” for whatdoesthismean.org) joins Andy and Sarah to talk about his recent theological education mission trip to Kenya with Lutheran Heritage Foundation. He shares about what led up to this trip, what sacred music education means, the hymns he was able to teach during his time in Kenya, adapting to language barriers and cultural considerations, and the challenges and blessings in the Evangelical Lutheran Church of Kenya. Read more from Chaplain Hamer at whatdoesthismean.org/lifted-voice--brian-hamer. As you grab your morning coffee (and pastry, let's be honest), join hosts Andy Bates and Sarah Gulseth as they bring you stories of the intersection of Lutheran life and a secular world. Catch real-life stories of mercy work of the LCMS and partners, updates from missionaries across the ocean, and practical talk about how to live boldly Lutheran. Have a topic you'd like to hear about on The Coffee Hour? Contact us at: listener@kfuo.org.

After a two-week hiatus, the two hosts return to the mic to share what they've been up to, what they're excited about, and how their perspectives have evolved.  A candid check on music SCIENTIFICALLY.   Fresh takes on Siblings in music, Earworms and other interesting topicsAn expansive conversation across an array of topics  Quick dives into some very insightful topicsJanitsa steps in as the closer for Episode 133  Janitsa guides the episode toward a thoughtful, entertaining close  A wrap-up segment with CALL TO ACTIONWhy you should listen  Relatable hosts with fresh energy after the break  A wide-ranging, hour-long conversation that's as breezy as it is insightful  The perfect mix of Music Entertainment, Music Education and Mental Elevation.We would LOVE to hear what you think. Please drop a line.Support the show

How much of what feels like forgetfulness is actually an overloaded brain, and can learning new skills help build resilience as we age? Plus, new pathways for Emirati orchestral musicians, and how playing in a band can build confidence in children.See omnystudio.com/listener for privacy information.

As part of our Best of Pass the Baton series, we're revisiting one of our favorite conversations from the podcast archives. If you're interested in creating a music classroom where students experience greater autonomy, creativity, and joy, this episode is one you won't want to miss.In this encore presentation of Episode 77, Kathryn and Theresa sit down with Grammy Music Educator of the Year Stephen Cox as he shares his unique approach to music education and discusses his work with the Willis Wonderland Foundation. Drawing on his 14-year teaching career in Texas, Stephen reflects on how he developed a progressive, student-centered approach to band that prioritized student voice, intrinsic motivation, and meaningful musical experiences. He shares how empowering students to lead and make decisions transformed both his teaching and his students' growth.Stephen also introduces the work of the Willis Wonderland Foundation, where he is helping develop free songwriting resources for teachers. Created to honor the legacy of legendary songwriter Allee Willis, the foundation provides educators with tools to inspire creativity through songwriting and student expression. Whether you're hearing this conversation for the first time or listening again, Stephen's ideas offer a compelling vision for how creative freedom and student empowerment can transform music classrooms.Connect with Stephen and learn more: Website: https://stephentcox.com/The Willis Wonderland FoundationResources suggested by Stephen: Ungrading: Why Rating Students Undermines Learning (and What to Do Instead)Drive: The Surprising Truth About What Motivates UsWhy We Do What We Do: Understanding Self-MotivationPunished By Rewards: Twenty-Fifth Anniversary Edition: The Trouble with Gold Stars, Incentive Plans, A's, Praise, and Other BribesSupport the showLearn more about Pass the BatonPass the Baton websiteJoin the Coffee ClubSupport Pass the BatonAmplify student voice with Exit Tickets for Self Reflection

The Queen of Magic is the untold story of Adelaide Hermann, world famous magician, artistic visionary, and fierce businesswoman. A contemporary of magical greats such as Harry Houdini, Adelaide not only excelled in her field, she reshaped it entirely, taking the old 19th century magic show standard and creating the theatrical spectacle we know and love today. Adelaide's legacy lives on for the next generation of magic lovers and makers in this heart-warming, humorous, and at times harrowing musical tale.Neyla Pekarek began playing cello at age nine in her hometown of Aurora, Colorado. She studied musical theater and earned a degree in Music Education at UNC in Greeley, CO. In 2010, she joined the Denver folk-rock group The Lumineers as a cellist and vocalist, and spent eight years touring the world and recording with the band. In January 2019, she released her debut album, Rattlesnake, on S-Curve records, and was commissioned by the Denver Center for the Performing Arts to develop her album into a musical production entitled, Rattlesnake Kate, which had its world premiere at the DCPA in February 2022. Neyla wrote the music and lyrics, and garnered a Best Supporting Actress Henry Award for her portrayal of the cello playing horse, Brownie. She recorded the companion EP, Western Woman, released in June 2023. Neyla is a proud member of Sweet Adelines International and The Barbershop Harmony Society, two organizations that nurture the craft of Barbershop Quartet Singing, and is a member of the 2025 Sweet Adelines International Champion Quartet, Clever Girl.

Podcast PacketsIllustrationsLead SheetsPlay AlongsForumsJazz Piano Skills CommunitySummaryIn this episode, Dr. Bob Lawrence explores the harmonic structure of 'Over the Rainbow,' emphasizing the importance of understanding harmonic function, form, and voicings to deepen jazz piano skills. He guides listeners through practical analysis and exercises to develop harmonic fluency.KeywordsJazz Piano, Harmonic Analysis, Over the Rainbow, Jazz Standards, Music Education, Piano Skills, Chord Voicings, Harmonic Function, Jazz Practice, Music TheoryKey TopicsHarmonic analysis of Over the RainbowThe seven musical facts as foundational truthsForm and structure of jazz standardsHarmonic function and movementVoicing vocabulary and practice techniquesTakeawaysHarmony is movement, not just chords.Understanding harmonic function transforms how you see lead sheets.Deep knowledge of harmonic relationships enhances improvisation.Practicing with purpose deepens musical understanding.The seven musical facts underpin all jazz musicianship.TitlesMastering Jazz Harmony with Over the RainbowDeep Dive into Jazz Harmonic FunctionSound Bites"Harmony creates movement, expectation, and emotion.""Harmony tells the emotional story that the melody sings.""Rhythm gives life to harmony and melody."Support the show

Send us Fan MailEarbuds to Ensembles: Connecting with Students Through Music They LoveWhat happens when we stop asking students to leave their musical identity at the classroom door?In this special live episode of The Score, hosts Eric Jimenez and Justin are joined by Shirron Hawkins, Sarah Lopes, and Samara Martinez for an engaging conversation recorded at TMEA 2026. Together, they explore how today's educators can build stronger relationships, increase student engagement, and create more inclusive music programs by embracing the music students already connect with.From popular music and culturally responsive teaching to recruitment, retention, and authentic student voice, this panel shares practical strategies and personal experiences that challenge us to rethink what meaningful music education can look like.Whether you're a band, choir, orchestra, mariachi, guitar, or general music educator, this conversation will leave you inspired to meet students where they are—and help them discover where music can take them.In this episode, we discuss: Building relationships through students' musical interests  Creating culturally responsive ensembles  Bridging popular music and traditional music education  Practical ideas for increasing engagement and belonging  The future of music education 

Mike's off chasing moose and drinking maple syrup in Canada, eh? So this week, drummer Rooney brings in some of his favourite guitarists, while guitarist Danny returns the favour with some of his favourite drummers. Together they dig into what actually makes a great drummer, and a great guitarist, while spinning some of their favourite tracks along the way.whatdoweknow.co.nzhttps://buymeacoffee.com/whatdoweknowshowFaceBook Page: https://www.facebook.com/whatdoweknowshow/FaceBook Group: https://www.facebook.com/groups/996177092759495Instagram: https://www.instagram.com/whatdoweknowshow/Send us Fan MailSupport the show

Our Top Picks of new jazz and jazz-adjacent releases from June 2026!

 Infinite and Brick are out this week, so Jayden rallies the crew with Nina and Janitsa for a one-of-a-kind session. They riff on music history, run a rapid-fire trivia duel between Nina and Janitsa, and drop nerdy-but-fun music insights that'll surprise you. It's a chaotically informative, episode-length jam session you won't want to miss. We would LOVE to hear what you think. Please drop a line.Support the show

Alan and Steve respond to Mia Silverio's Prof G article “What AI Is Doing to School,” which raises serious concerns about students outsourcing writing, attention, and critical thinking to AI. Rather than treating the article only as doom and gloom, they see an advocacy opportunity for music educators: band, choir, orchestra, jazz, and other fine arts classes still require students to think, listen, problem-solve, practice, make mistakes, and improve in real time. They discuss how music may be one of the best places in school for students to build the very skills AI can tempt them to avoid.

Send us Fan Mail"Es que la ciudad es tan vacía como dicen." How do you know which language best fits a song? How do you keep your saddest stories from sounding too depressing? Where do you go for sonic inspiration?AMANDA tackles these questions and more as she sits down with Emmeline to discuss her brand new song, "Medio Oeste." They talk about the importance of pulling the right producers on board, how one riff can transform a track, and why songwriters are so tempted to tell stories that seem a smidge melancholy. Plus, hear them geek out over their favorite 90s musicians!To learn more about AMANDA, or to follow her musical journey, make sure to find her on Instagram. For more episodes of Journey of a Song, Emmeline's other show, make sure you're subscribed to Journey of a Song on all of your favorite podcasting platforms, or visit here.For behind-the-scenes information and more about Journey of an Artist, visit the Journey of Series official webpage, or follow Emmeline on social media at @EmmelineMusic.

Show Notes Teresa shares her background as a music major at Harvard, focusing on conducting. She discusses her decision to apply for the Michael C. Rockefeller Fellowship to study Indian classical music in India. Teresa describes her year in India, living with a family and studying North Indian classical music. Exploring Indian Classical Music Teresa explains her experience with the violin, which was introduced to Indian classical music by the Portuguese in the 1500s. She details the differences between Western tonal harmony and Indian classical music, including the use of a drone and melodic improvisation. Teresa describes her daily routine of practicing the violin and taking lessons in the Indian tradition. She mentions her journaling and pen pal correspondence with Rachel Berger who was in Zimbabwe at the same time. Working at MIT Teresa recounts her return to the U.S. and a phone call from Tod Machover at MIT, leading to her enrolment at MIT. She describes her work at MIT, inventing new technologies for music making, including a conductor's jacket with sensors. Teresa discusses her collaboration with Keith Lockhart and the Boston Pops, using the conductor's jacket in a concert. She explains the insights gained from the conductor's jacket, including the use of force and muscle tension in conducting gestures. Working as a Freelance Music Technologist Teresa shares her experience as a freelance music technologist and starting her own nonprofit organization. She describes her role as the first music technologist hired in a music department at the College of New Jersey. Teresa explains the different categories within music technology, including audio engineering, digital signal processing, and composition. She discusses the use of digital audio workstations (DAWs) for multi-track composition and recording. She talks about her book and the inspiration behind it.  Personal Habits and Wellness Teresa shares her personal habit of taking regular walks in nature to maintain mental health. She reflects on the importance of wellness habits, especially during stressful times of the year. Teresa also discusses the importance of taking risks and making job changes in mid-career. She encourages others to pursue new opportunities and continue growing professionally. Harvard Reflections Teresa highlights the influence of professors like Graeme Boone and Jan Swafford on her career. She shares her appreciation for their support and mentorship throughout her academic journey. Teresa reflects on the impact of specific courses, and how it inspired her to go to India and her musical interests. She emphasizes the importance of personal connections with faculty members in fostering a love for music. Music that Stands the Test of Time Teresa discusses her personal music listening habits, focusing on classical music, jazz, and world music. She mentions her daughter's influence in introducing her to contemporary music. Teresa reflects on the diversity of her music playlists and her ongoing exploration of new genres. She emphasizes the timeless quality of great music and its role in her personal and professional life.  Timestamps: 02:39: Learning Indian Classical Music 06:48: Return to the U.S. and MIT  13:58: Teaching and Music Technology 19:57: Personal Projects and Publications  23:44: Impact of Technology on Music Education  28:16: Personal Habits and Wellness  30:30: Influential Professors and Courses  34:44: Personal Music Preferences  Links: Teresa's Book (Constructing Music: Musical Explorations in Creative Coding) https://www.amazon.com/dp/0197669190?tag=oxacglobal-20&linkCode=osi&th=1&psc=1 Oxford University Press website: https://academic.oup.com/book/55879 Academic Page at Stevens Institute of Technology: https://www.stevens.edu/profile/tnakra *AI generated transcript and show notes

Check out the latest jazz and jazz-adjacent releases for June 2026 with host and jazz drummer Kaleb Kirby.

“We really wanted our choirs to be more embedded in the community. When I moved to Syracuse, I thought, ‘what does that mean for me?' There are a lot of teachers out there who are just itching for a professional or pre-professional experience. They've been teaching notes all day. You know they want to come and sing, do something meaningful for their community.”Dr. Wendy K. Moy is a conductor, soprano, educator, and nonprofit founder whose work centers on the culture of choral communities and the power of singing to foster belonging. She serves as Associate Professor and Chair of Music Education at Syracuse University, where she teaches conducting, choral literature, and music education courses at the undergraduate and graduate levels, and directs the Syracuse University Oratorio Society.Dr. Moy is the co-founder and co-artistic director of Chorosynthesis Singers, the 2024 American Prize winners in Choral Performance, and the founder and artistic director of Ensemble Sonora, a semi-professional treble choir dedicated to performing music that engages with the issues and stories shaping our communities. Her research on singing communities is published in Resurrecting Song (Routledge) and in Oxford University Press's Together in Music. A third-place American Prize winner in Choral Conducting, she has led ensembles across the United States, Brazil, and China.To get in touch with Wendy, you can visit her website, wendymoy.com, or find her on Instagram (@maestramoy) or Facebook (@wendy.moy1).Email choirfampodcast@gmail.com to contact our hosts.Podcast music from Podcast.coPhoto in episode artwork by Trace Hudson

On this episode of The Bandwich Tapes, I sit down with drummer, collaborator, and educator Eric Doob for a wide-ranging conversation about sound, taste, collaboration, and what it really means to make music in today's world. I first came across Eric's playing through his work on Live From Here with Chris Thile, and I've been a fan ever since. From the very beginning of our conversation, it's clear that Eric approaches music with a deep sense of curiosity and care, whether he's performing, recording, producing, or teaching.We spend time talking about his work with guitarist Matthew Stevens, including his role as both a drummer and a collaborator in shaping the sound of those records. Eric offers great insight into the importance of sonic identity, how the sound of the drums, the tuning, the cymbals, and even the engineer's perspective can shape the emotional core of a track. It's a thoughtful look at how sound itself becomes part of the composition.Our conversation also dives into collaboration and the idea of “taste” as a guiding force. Eric shares how the strongest musical relationships often come from a shared aesthetic sensibility rather than just technical ability. We talk about bands, chemistry, and the unspoken communication that happens when musicians are truly aligned.We also explore his path from growing up outside Boston to studying at Berklee College of Music and eventually building a life in New York. Along the way, Eric reflects on early musical experiences, the importance of access to live music, and how those formative years shaped his voice as a musician.Toward the end of the conversation, we get into teaching, creativity, and the challenges of making music in an age of constant distraction. Eric shares some really thoughtful perspectives on how access to everything can be both a gift and a challenge, and why focused listening and presence might be more important than ever.It's a conversation about listening, really listening, to music, to collaborators, and to the moment you're in.Key TakeawaysEric Doob discusses how sound—especially drum sound—can define the emotional identity of a track.He shares insights into his collaboration with Matthew Stevens and the importance of long-term musical relationships.We explore the idea that shared “taste” can be more important than technical ability in building great musical chemistry.Eric reflects on his early musical experiences growing up near Boston and the importance of access to live music.He talks about his evolving role in recording, producing, and shaping music beyond just playing drums.We discuss teaching and how working with students has deepened his own understanding of music.Eric offers a thoughtful perspective on modern music consumption, distraction, and the importance of focused listening.Music from the EpisodeTake Heart - Matthew StevensThree Card Molly - from Live From Here with Chris ThileEl Duelo - Diego Urcola QuartetTangled in the Endless Chain - Ryan Keberle & CatharsisAbout the PodcastThe Bandwich Tapes is my chance to sit down with musicians, composers, songwriters, and creative artists I admire for honest conversations about craft, collaboration, career, and the deeper musical ideas that shape their work. It's a show about process, perspective, and the stories behind a life in music.Connect with the ShowEmail: contact@thebandwichtapes.com

Adavion Wayne is the Director of Education at Theatre Under The Stars (TUTS) in Houston, Texas. Originally from Louisiana, he earned his Bachelor's Degree in Music Education from the University of Louisiana Monroe and his Master's Degree in Educational Leadership & Policy Studies from the University of Texas at Arlington. Throughout his career, he has served as a teacher, department chair, instructional coordinator, magnet coordinator, assistant pricipal, associate principal, interim principal, and principal apprentice. Adavion calls Houston home.

In this episode, Fred Lawrence speaks with Tammy L. Kernodle, University Distinguished Professor in the Department of Music at Miami University, whose work explores African American music, gender, and race in American popular culture. Kernodle shares how her working-class upbringing in Danville, Virginia, and a home filled with music led her to Virginia State University, graduate studies at The Ohio State University, and a career dedicated to expanding the narratives taught in music history. She discusses her mission to change classroom conversations, create scholarships for underrepresented musicians, and broaden what audiences hear in the concert hall. She also reflects on her roles as curator of the New World Symphony's I Dream a World Festival and her work on the Smithsonian's National Museum of African American History and Culture. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

With her 1974 masterpiece Court and Spark, Joni Mitchell transforms from folk singer into something harder to define.Her piano playing matures. Her songwriting blossoms into one of the richest harmonic and melodic color palettes we've ever heard up to this point. Not to mention her incredible lyricism and melodies. And she brings a new production sensibility from her backing band: a group of jazz musicians called The LA Express.In this episode of You'll Hear It, Jazz pianists Adam Maness and Peter Martin break down Joni Mitchell's greatest artistic achievement (and her greatest commercial success) track-by-track. You'll never hear Court and Spark the same way again-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs:https://openstudiojazz.com/------------------------------Blue: https://youtu.be/ly6ENKGV-S8------------------------------About You'll Hear It:In this popular music series, Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Sign up for the You'll Read It newsletter for little known stories about the artists you love:https://youllhearit.com/newsletter-------------------------------00:00 Court and Spark - Joni Mitchell00:32 New From Open Studio03:37 Joni's Sound Before Court and Spark10:04 Joni Starts Hanging Out With Jazz Musicians11:07

As part of our Best of Pass the Baton series, we're revisiting one of our favorite conversations from the podcast archives. We say we want music education for all students, but how do we actually reach ALL students? Dr. Shane Colquhoun shares how we can take steps toward a more student-centered approach in music education.In this encore presentation of Episode 53, Kathryn and Theresa talk with Dr. Shane Colquhoun, an assistant professor of music technology and contemporary styles at Alabama State University. Shane discusses the importance of rethinking traditional approaches to music education by challenging the notion of "music education for all," arguing that current programs often cater only to students with specific musical interests, such as classical instruments, while neglecting those interested in contemporary or popular music. He advocates for a more student-centered approach, where educators ask students what they want to learn and tailor the curriculum accordingly. Shane also emphasizes the need to train future teachers to be open to different forms of musicianship and to be willing to adapt their methods to better serve a diverse student body. Connect with Shane and Learn More: Website: Music and Ed Book, The Producers of Pop Instagram: @MusicandEdLearn more about Pass the Baton: Pass the Baton websiteJoin the Coffee Club Support Pass the BatonAmplify student voice with Exit Tickets for Self Reflection

Craig Krolicki is a versatile and musical drummer playing a wide variety of styles. He is a graduate of Youngstown State University (The Dana School of Music), with a BA in Music Education. In 1997 Craig moved to Nashville TN, and has toured as a drummer with artist such as Curb Recording Artist Jeff Carson, Hank III, Sony Recording Artist Tammy Cochran, Singer/Songwriter/Producer Gail Davies, Singer/Songwriter Billy Yates, BNA Recording Artist Kellie Coffey. From 2006-2020, Craig drum teched for the country band Rascal Flatts. In recent years, Craig has been teching for Kent Slucher of Luke Bryan. Craig continues to freelance as a drummer in and around Nashville and has even started a new fitness coaching program. In this episode, Craig talks about: Unique tech challenges during CMA week in Nashville Essential gear for playing on Lower Broadway in nashville What a drum tech actually does Being the glue between the drummer and the engineer From Pennsylvania to Nashville Staying in shape on the drums in between performances His new fitness program Coach Craig Fitness (coachcraigfit@gmail.com) ⁠⁠⁠Here's our Patreon⁠⁠⁠ ⁠⁠⁠Here's our Youtube⁠⁠⁠ ⁠⁠⁠Here's our Homepage Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailWhat happens when the thing you love most becomes the thing you can never completely walk away from?This week on Here's What We Know, conductor and pianist Robert Emery returns for a conversation about creativity, music, and the curious ways our minds work. From practice rooms to Abbey Road Studios, Robert shares what life is really like for a professional musician, why creative people often struggle to switch off, and what he's learned from spending a lifetime immersed in music.Gary and Robert also trade stories about family, parenting, travel, questionable hotel experiences, and the challenges that come with building a career around passion. They explore the lives of Mozart, Franz Liszt, and Berlioz, uncovering the very human struggles, quirks, and triumphs behind some of history's most celebrated composers.Robert also shares the story behind Orchestral Meditations, his latest project featuring meditation music recorded at Abbey Road Studios with a full symphony orchestra and choir.In This Episode:• Why musicians never really leave work behind• The truth about practicing and mastering a craft• What Mozart and Michael Jackson may have had in common• How creativity affects everyday life• Stories from Abbey Road Studios• The fascinating history of Franz Liszt and musical celebrity• Why travel helps reset the mind This episode is sponsored by: Reed Animal Hospital Bio:Robert Emery is a conductor, pianist, and serial entrepreneur. He is lucky enough to travel the world; ranging from performances in London's Royal Albert Hall, through to the Sydney Opera House, Robert has seen them all.Besides music, he is the Founder & Director of The Arts Group, one of the most diverse entertainment companies in the UK. Within the portfolio is a national music tuition agency, symphony orchestra, choir, artist agency, record label, and production company.Aside from that, he lives in London and Cambridge, has a wife (Mrs. E), a toddler (Master T), a baby (Master A), and 4 cats.Website: https://robertemery.com/Orchestral Meditation: http://orchestralmeditation.comYouTube: https://www.youtube.com/robertemeryofficial/Facebook: https://www.facebook.com/robertemeryofficial/Instagram: https://www.instagram.com/robertemeryofficial/Tags: Robert Emery, Creativity, Classical Music, Professional Musician, Music Career, Mozart, Franz Liszt, Music History, Conducting, Pianist, Abbey Road Studios, Orchestral Meditations, Creative Process, Creative Life, Music Industry, Composers, Arts & Culture, Creativity and Purpose, Work-Life Balance, Performing Arts, Creative Careers, Music Education, Connect with Gary:Gary's WebsiteFollow Gary on InstagramGary's TiktokGary's FacebookWatch the episodes on YouTubeAdvertise on the PodcastThank you for listening. Let us know what you think about this episode. Leave us a review!

Adam Maness brings you the freshest releases of May 2026!0:00 Intro0:50 Jeff Parkerhttps://intlanthem.bandcamp.com/album/happy-today3:45 Greg Hutchinsonhttps://www.allmusic.com/album/kind-of-now-mw0004778588 6:15 Chris Potterhttps://chrispotterjazz.bandcamp.com/album/alive-with-ghosts-today9:09 New Jazz Undergroundhttps://www.allmusic.com/album/hoodies-mw000479189111:04 Virginia MacDonaldhttps://virginiamacdonald.bandcamp.com/album/in-search-of13:00 Harry Skolerhttps://harryskoler1.bandcamp.com/album/echoes15:05 Laurie Anderson & Sexmobhttps://laurieanderson.bandcamp.com/album/let-x-x-live17:06 Alabaster DePlumehttps://intlanthem.bandcamp.com/album/dear-children-of-our-children-i-knew-epilogue19:31 Ben Wolfehttps://benjonah.bandcamp.com/album/any-time-after-now 21:30 Joe Lovanohttps://joelovano.com/recordings/paramount-quartet/

Episode 497 - Candice Hill Pete's Percussion Podcast Kansas City-based freelancing percussionist, educator, Steel Pan artist, composer and arranger Candice Hill stops by to talk about her career in KC and getting started there, along with her time performing with the Kansas City Chiefs drumline (03:45), teaching and performing in town, arranging and composing, and her work “Red City Calypso” (21:30), growing up in Columbia (MO) and her family musical background (34:45), her undergrad years at Missouri State University, marching band and lessons, getting into steel pan performance, and Music Education vs. Music Performance degrees (44:55), attending Northern Illinois University for her master's in Steel Pan Performance, studying with Liam Teague and Cliff Alexis, dealing with performance anxiety, and keeping up with her non-steel band percussion skills (01:04:15), and settles in for the Random Ass Questions, including segments on being a woman in the field of percussion, Pete getting to work with Candice and Emily Lemmermann for the Missouri Mass Steel Band performance last month, Dirty Dancing, Crafts and Baking, experiencing Panorama in Trinidad and Tobago, bad cleaning jobs, and the excellence of Steel Band all over the world (01:27:20).Finishing with a Rave on the 2026 film Michael (01:54:30).Candice Hill Links:Candice Hill's website“Red City Calypso” - Candice HillPrevious Podcast Guests mentioned:Emily Lemmermann in 2019Julia Gaines-Montag in 2016Scott Cameron in 2016Liam Teague in 2025Rich Holly in 2020Raychel Taylor in 2020Amanda Duncan in 2023Elizabeth DeLamater in 2019Other Links:Matt Arnet“Tornado” - Mitch MarkovichJohn PattersonBlast!Al O'ConnorCliff Alexis“Because” - The Beatles“Island in the Sun” - Len “Boogsie” SharpeYuko AsadaMia Gormandy-BenjaminRobert ChappellScott McConnellDirty Dancing trailerUnheard Voices - Myrna NurseCricut crafts“Pan by Storm” - Skiffle BunchBen YanceyRaves:Michael trailer

You've never heard Kid A like THIS. Jazz musicians Adam Maness and Peter Martin break down Radiohead's 2000 art rock MASTERPIECE track-by-track to uncover what's really happening in the music that makes this album so incredible. Why do we love Radiohead's Kid A so much? Watch to find out.PLUS - Jazz musicians play Radiohead's "Everything In Its Right Place". One shot, one take, no AI. FULL video: https://youtu.be/c5w9BHKe0rc-------------------------------Start your free Open Studio trial for ALLLLL your jazz lesson needs:https://openstudiojazz.com/yhi-------------------------------About You'll Hear It:In this popular music series, Adam and Peter break down the greatest albums of all time. Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo: Jazz is the foundation of the most GENIUS music in recent history. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.-------------------------------Hidden artifacts from the albums we love:https://youllhearit.com/newsletter-------------------------------Chapters Legend: