Podcasts about schubert

durée : 00:21:30 - Le Disque classique du jour du vendredi 06 mars 2026 - Le pianiste Christian Blackshaw présente une exploration intime des chefs-d'œuvre tardifs de Franz Schubert. L'album met à l'honneur les Quatre Impromptus D. 899, composés en 1827. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:33 - En pistes ! du vendredi 06 mars 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En Pistes vous invite ce matin à découvrir un pianiste qui n'avait pas enregistré depuis plus de 10 ans. A 77 ans, le britannique Christian Blackshaw a choisi Schubert pour faire son retour au disque. - réalisé par : Céline Parfenoff Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:21:30 - Le Disque classique du jour du vendredi 06 mars 2026 - Le pianiste Christian Blackshaw présente une exploration intime des chefs-d'œuvre tardifs de Franz Schubert. L'album met à l'honneur les Quatre Impromptus D. 899, composés en 1827. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 01:28:33 - En pistes ! du vendredi 06 mars 2026 - par : Emilie Munera, Rodolphe Bruneau Boulmier - En Pistes vous invite ce matin à découvrir un pianiste qui n'avait pas enregistré depuis plus de 10 ans. A 77 ans, le britannique Christian Blackshaw a choisi Schubert pour faire son retour au disque. - réalisé par : Céline Parfenoff Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Women's health is so complicated. We are frustrated we don't see more fundamental research in women's health. This week's guest is changing that. Katie Schubert, President & CEO of the Society for Women's Health Research (SWHR), is a national thought leader dedicated to advancing women's health and promoting research on sex differences to optimize women's health. Hear how SWHR chooses what to research in women's health, how they approach generational areas of interest like environmental toxins, how the organization is funded, how long it takes to change policy on women's health, and the signs of progress. Tune in to this episode to make women's health mainstream.   Learn more: Katie Schubert Society for Women's Health Research (SWHR)

What happens when a “conservative Bible college kid” becomes a Spirit-filled father-hearted leader… after walking through heartbreak, foster care adoption, trauma, near-death burnout, and a personal encounter with Jesus?In this episode of Greater Formation & Power, Coach Tom sits down with Devin Schubert (aka “the man in orange”) for a raw, hope-filled conversation about:·       Devin's journey from Midwestern Christian roots and rebellion → to ministry and a deeper “yes” to God·       15 years in child welfare, building foster-care support through local churches, and what the Church often misses about caring for families in crisis·       Parenting through severe trauma and mental health challenges — and how chronic stress nearly took his life·       A powerful encounter with Jesus… and why Devin's healing came through a process, not just an instant moment·       The maturity shift: don't chase signs and wonders — chase the Father·       What to do when God feels silent: learning to “find Him in everything,” not just listen for a voice·       Why naming your struggle isn't “negative confession” — it's often the first step to surrender and freedom·       Devin's burden: releasing the Father's love in a way that brings healing, deliverance, and deep safety·       A Nehemiah-style framework for calling: fasting/praying for the plan, then bringing it to the King for favor and protection·       Devin's mission: helping a million people share their stories across media — because your story is part of your purposeDevin closes by praying a tender, powerful prayer for healing — especially for those carrying pain connected to fathers or father-figures. Don't rush off at the end. Sit with it. Receive............................Devin is founder of influence academy where he helps Christian Coaches and speakers grow their influence the way Jesus did. After being on 2 reality TV shows and over 100 stages in 2024 he is on a mission to help people advance the Kingdom. You can learn more about Devin by going to his Facebook page: https://www.facebook.com/schubertdevinYou can learn about his coaching business at  https://storiestostages.com/ __________________________You can connect with Coach Tom at:https://greaterformation.com/Email: Tom@GreaterFormation.com P.S. ... If you are stalled in life, or particularly if you are in transition, here are two ways I can help you Get Clear, Get Focused and Be Fruitful!1. Grab a Free Copy of my "4 Key Steps to Clarity and Fruitfulness" Document. It's a Blueprint to help you move ahead. Click Here2. Work with me:I can help you Clarify, Plan, and take Bold Steps into Your Future. Book a Free 30-Minute Clarity and Fruitfulness Session with me: Click Here

Schubert zwischen Genie und Geheimnis: Eine seiner Sinfonien gibt der Musikwelt bis heute Rätsel auf und spaltet die Musikwissenschaft. Agnes Fröhlich nimmt den Schubert-Mythos unter die Lupe.

Met een “Ave Maria” begint deze uitzending, gevolgd door een vroeg-romantische 4-delige Symfonie, dan een muzikale versie van Psalm 43, vervolgens een driedelig trio uit de barok en een gebed tot de Goddelijke Verlosser. Een opera-aria besluit Klassiekuur. Dit alles met dank aan de componisten: Tosti, Schubert, Mendelssohn, Telemann, Gounod en Haendel.

Juliette Gordon Low was a classic Southern Belle when she married her handsome prince. But she learned the hard way that "happily ever after" is a harmful fantasy. We can do better for girls, she said: and we must. Rallying all the women around her, she founded Girl Scouts of America, empowering girls to build strength and character, and blaze new trails. Her global impact today is immeasurable. Join us on location at the Juliette Gordon Low Birthplace Museum in Savannah, Georgia for this inspiring story of how women change the world. ________________ GET INVOLVED! Check out the World Association of Girl Scouts & Girl Guides and Girl Scouts of America. Buy cookies from your local girl scouts! Get the delightful 1913 Girl Scout Handbook ⁠HERE⁠, or read a free digital copy ⁠HERE⁠. Join us on our next adventure! ⁠⁠What'sHerName TOURS⁠⁠. This episode was recorded by Marc Nelson on location at the Juliette Gordon Low Birthplace Museum in Savannah, Georgia. Special thanks to Shannon Browning-Mullis, Kate Walker, and Kristin Mikels, and to the participants of our 2025 What'sHerName Savannah Tour who joined in the fun! Music featured in this episode: Serenade Op. 6 by Josef Suk, Monumental Journey by Jesse Gallagher, William Tell Overture b Rossini, Blue Danube Waltz and Vienna Blood Waltz by Strauss, Serenade by Schubert, Remembering Her by Esther Abrami, songs from 1956 Sing Together, Songs Girl Scouts Sing, and Annie Laurie by the 1924 National Quartet at the Library of Congress. Civil War sounds effects by Richard E Moore. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Es un placer alumbrar y exhibir una nueva y joven voz baritonal. Este cantante alemán, pese a su juventud, está dando mucho que hablar. En algunos de los lieder del maravilloso ciclo La bella molinera de Schubert se muestra como un auténtico maestro. Escuchamos Ungeduld, nº 7, Morgengruss, nº 8, Mein!, nº 11, Der Jäger, nº 14, Des Baches Wiegenlied, nº 20 y último, Das Wandern, nº 1, y Wohin?, nº 2. Con el piano de Ammiel Bushakevitz. Cerramos el programa con una bella comparación: el último lied de la colección en la voz del eximio y llorado tenor Fritz Wunderlich, tantas veces protagonista de nuestro programa.Escuchar audio

Ammiel Bushakevitz is a celebrated pianist and chamber musician whose journey through classical music has taken him across six continents, performing in prestigious venues such as Carnegie Hall, the Concertgebouw, Wigmore Hall, among many more. Born in Jerusalem and raised in South Africa, he discovered his passion for music early on, later studying in Leipzig and Paris under renowned teachers. Ammiel has a particular affinity for the art song, collaborating with leading vocalists and releasing multiple award-winning recordings, including the ambitious project to record all of Schubert's piano works by 2028.In this engaging conversation with Tony, Ammiel reflects on his deep connection to Schubert's music, exploring themes of joy and melancholy that resonate in the composer's works. He shares personal anecdotes about his musical journey, the evolution of his interpretations, and the importance of musical spontaneity in live performances. With insights into the nuances of piano playing and his collaborative experiences with singers, Ammiel's reflections reveal the profound impact of music on both his life and artistry.

durée : 02:28:54 - France Musique est à vous du samedi 28 février 2026 - par : Gabrielle Oliveira-Guyon - Au programme ce samedi : Schubert, Agostini, Bach, Chopin en passant par la Samba de Bençao de Toquinho et bien d'autres encore. - réalisé par : Delphine Keravec Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Franz Schubert compôs sua Sinfonia nº 9 em Dó maior, conhecida como “A Grande” (Grosse C-Dur), entre 1825 e 1826, durante uma fase de relativa prosperidade. Ele viajava pela Áustria acompanhado do barítono Michael Vogl, intérprete de seus lieder, e finalmente começava a conquistar reconhecimento e estabilidade financeira.O apelido “A Grande” surgiu para distingui-la da Sinfonia nº 6 em Dó maior, chamada de “Pequena” (Kleine C-Dur). Mas o título também reflete sua escala monumental: a obra dura cerca de uma hora, rivalizando em extensão com a Nona de Beethoven, que Schubert havia assistido em 1824 e que o inspirou profundamente.Apesar de concluída em 1826, a sinfonia não foi executada em vida do compositor. O manuscrito permaneceu guardado até ser descoberto em 1838 por Robert Schumann, que o encontrou entre os papéis de Ferdinand, irmão de Schubert. Schumann ficou impressionado e levou a partitura a Leipzig, onde Felix Mendelssohn estreou a obra em 1839. Porém, preocupado com a resistência do público, Mendelssohn apresentou apenas parte da sinfonia. A execução integral só se consolidaria décadas depois, quando os músicos já estavam preparados para enfrentar sua extensão e complexidade.Apresentado por Aarão Barreto (em sua estreia) com Aroldo Glomb na bancada Seja nosso padrinho: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://apoia.se/conversadecamara⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Gustavo Holtzhausen, João Paulo Belfort , Arthur Muhlenberg e Rafael Hassan.

We would love to hear from you, wherever you are!https://www.perfectpitchpod.com/contact/@NickHelyHutch Logo design by Robbie Mailer Howat robbiemailerhowat Thank you for listening - please do get in touch with any comments!

Esta noche, el Teatro Thuillier acoge un concierto excepcional centrado en la obra integral de Franz Schubert, contando con la participación del Ignis Stream Quartet —integrado por Clara Toro, Juan de Dios Ruiz, Manuel Martí y Mijael Forst— y el reconocido maestro Marek Jerie. El programa destaca por la interpretación del Quinteto para dos violonchelos, considerada una de las piezas cumbres de la historia de la música por su profunda carga emocional, al haber sido escrita poco antes del fallecimiento del compositor. Además de la calidad artística de los músicos, los asistentes tendrán la oportunidad única de escuchar un violonchelo Guarneri de valor incalculable tocado por el maestro Jerie, lo que promete una experiencia sonora de una calidez y profundidad excepcionales.

SCHUBERT: Sinfonía nº 8 en Si menor, D. 759 (26.11). Orq. del Real Concertgebouw de Amsterdam. Dir.: N. Harnoncourt. DIEUPART: Suite para flauta dulce y continuo en Sol Mayor (13.36). F. Brüggen (fl. de pico), N. Harnoncourt (vla. de gamba), G. Leonhardt (clv.).Escuchar audio

Das Cellospielen war ihr in die Wiege gelegt. Und das nicht nur, weil der Cellokasten beim Fangenspielen so ein gutes Versteck ist. Schon ihr Vater hat im berühmtem Hagen-Quartett das Cello gestrichen. Mittlerweile ist Julia Hagen (*1995) zum Cello-Shootingstar avanciert und tritt selbst mit dem Quartett des Papas auf. Julia Hagen ist fest davon überzeugt, dass man den Inhalt eines Liedes auch dann verstehen kann, wenn die Melodie nur ausdrucksstark genug von einem Cello gespielt wird. Lieder von Brahms und Schubert hat sie mit in die Sendung gebracht, aber auch Volksmusik aus ihrer österreichischen Heimat und Songs von den Beatles (natürlich gespielt von einem Cello-Ensemble).

Hoy nos visitan Josep Colom y Javier Laso para interpretar en directo una pieza en piano a cuatro manos de su disco: "Mozart & Schubert". Nos acercamos al teatro con Marta García Miranda. Vicente Monroy en su sección de cine despide al director de documentales Frederick Wiseman. También decimos adiós al trombonista Willie Colón. Y repasamos la gala de los premios BAFTA con nuestro corresponsal Guillaume Bontoux.Escuchar audio

Das 1823 erfundene Instrument "Arpeggione"wäre wahrscheinlich längst vergessen, hätte nicht Franz Schubert eine Sonate dafür komponiert. BR-KLASSIK hat mit dem Bratscher Antoine Tamestit über das Werk gesprochen.

Vandaag een aflevering in de serie "In Stukken". Het Strijkkwintet van Franz Schubert (https://www.npoklassiek.nl/componisten/12cc9a33-5e9a-4bd1-9a47-ba0c5acba381/schubert-franz) wordt in stukken geknipt. Aan de hand van de fragmenten in de mooiste opnames wordt het stuk onder de loep genomen. Panelleden: cellist Quirine Viersen en altviolist Ward Koopmans.

Wenn jemand von Klassik in der Krise redet, kann er damit jedenfalls eines nicht meinen: dass es einen Mangel an großartigen jungen Streichquartett-Ensembles gäbe. Im Gegenteil. Eines der meistbeachteten ist seit ein paar Jahren das Leonkoro Quartet. Jetzt ist sein mit Spannung erwartetes zweites Album erschienen, mit lauter Wiener Musik. Damit sind aber keineswegs Mozart, Beethoven oder Schubert gemeint, sondern Webern, Berg und Schulhoff. SWR Kultur-Rezensent Albrecht Selge mit einer Empfehlung.

Schubert, Lena www.deutschlandfunkkultur.de, Zeitfragen

Nesta segunda parte do podcast “A Beleza das Pequenas Coisas”, a escritora Lídia Jorge revela qual o seu caminho seguinte, o que lhe falta dizer por escrito e lê um excerto de um texto do escritor e amigo João de Melo para refletir sobre os enganos da fugacidade da fama. Apesar de se revelar grata pelos tantos prémios, afirma que os títulos só lhe tocam a sombra, porque o seu lugar e ofício é outro. A escritora chega mesmo a revelar ter sido convidada para se candidatar à Presidência da República, mas que não hesitou em recusar. E recorda o que mais a espantou nos ecos ao seu discurso do 10 de Junho. Lídia lembra ainda a sua infância em Boliqueime, no Algarve, quando era uma contadora de histórias a transformar os finais fatalistas dos livros em caminhos felizes. E conta o momento em que decidiu batizar todos os animais da quinta ou a altura em que se convenceu que Fernando Pessoa escrevera um poema dedicado a si, por incluir o seu nome. Perto do final, partilha algumas das músicas que a acompanham, lê um excerto do seu livro “Misericórdia” e deixa a sugestão de um filme. Para depois referir em que ponto está o seu futuro romance. Boas escutas! Leitura: “A Nuvem no Olhar”, de João de Melo, pela D. Quixote Músicas: “A Bela Moleira”, de Schubert “With God On Our Side”, na versão de Johan Baez “Por nos darem tanto”, por Ana Bacalhau “Senhora da Noite”, Mísia Filme: “O Agente Secreto”, de Kleber Mendonça Filho, protagonizado por Wagner MouraSee omnystudio.com/listener for privacy information.

Dame Imogen Cooper is one of Britain's most esteemed concert pianists. Having played since the age of five, she was mentored by the great Austrian born pianist Alfred Brendel before making her name internationally with interpretations of works by Schumann, Schubert and Mozart. She is renowned as a reflective, poetic sensitive performer in the concert hall and recording studio. She was made a CBE in 2007, became the first pianist to be awarded the Queen's Medal for Music in 2020 and, the following year, became Dame Imogen. She recently announced that, at the end of the year long international tour, she would be retiring from live performance in early 2027.Producer: Edwina PitmanArchive used: Face The Music, BBC2, 12 November 1975 Schubert, Allegretto in C minor D915 played by Imogen Cooper at the Wigmore Hall on 18 January 2026

Today on Ascend: The Great Books Podcast, Dr. Jason Baxter and Dcn. Harrison Garlick come together to introduce Dante's Purgatorio and Dr. Baxter's new translation!We are reading Dante's Purgatorio for Lent. Join us!Visit thegreatbookspodcast.com for our reading schedule!Check out our LIBRARY of written guides to the great books!DISCOUNT: Check out Dr. Jason Baxter's website and enter "Ascend" to receive **20%** off the Purgatorio audiobook read by Dr. Baxter!Check out Dr. Baxter's Substack article on his new translation.And thank you to the Center of Beauty and Culture at Benedictine College for promoting this reading of the Purgatorio!Dr. Baxter first describes the Center for Beauty and Culture at Benedictine College as a fellowship program (Angelico Fellows) that immerses students in beauty across the arts, music, literature, and theology—through concerts, museums, and pilgrimages—to foster interiority and the conviction that “beauty can save the world.”The conversation then contrasts Purgatorio with the Inferno: while the latter is dark, lurid, and focused on judgment, Purgatorio is a place of hope, mercy, transformation, and “eternal New Year's resolutions,” where repentant souls engage in spiritual exercises to purify their tarnished mirrors, learn authentic love and prayer, and prepare for Paradise. Baxter likens the shift to moving from heavy metal to Schubert, emphasizing greenness, brightness, and unexpected mercy.Baxter explains that his translation began as a personal quest for mastery—going word-by-word to internalize Dante like memorizing a piano piece—but evolved into a philosophy capturing Dante's “fugue” of style: ascending, prolix syntax with lofty classical allusions layered over humble, earthy words that reflect Franciscan humility and incarnational Christian poetics. Examples include goats ruminating on the “foco d'amore” (fire of love) amid elevated star imagery, or Statius calling Virgil's Aeneid “una mamma” (translated “mommy”).He describes Purgatorio as spiritual surgery—painfully removing the soul's “carcinogenic” elements through grace-filled cooperation—and a map for configuring to Christ beyond mere sin avoidance. Baxter advises first-time readers to pause at puzzling images or word choices, ask “why would Dante do that here?,” trust their instincts, and consider his audiobook for the text's soundscape, while Deacon Garlick stresses the canticle's role as a spiritual guide that mirrors one's own maturation toward God.Chapters00:00 Introduction to Ascend and Dante's Purgatorio03:43 The Center for Beauty and Culture05:40 Understanding Dante's Purgatorio07:54 The Nature of Purgatorio14:54 Dante the Pilgrim vs. Dante the Poet19:32 The Spirituality of Translation20:14 The Philosophy of Translation30:02 Dante's Christian Poetics34:22 Exploring Dante's Poetic Style36:51 Juxtaposition in Dante's Imagery41:42 The Concept of Spiritual Surgery44:49 The Journey of Holiness48:13 The Role of...

durée : 00:08:34 - Le Disque classique du jour du lundi 09 février 2026 - Dix ans après leur premier album chez B records, consacré au Winterreise de Schubert, Nahuel di Pierro et Alphonse Cemin reviennent avec un programme plus intimiste, fruit de la rencontre de leurs curiosités respectives. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:08:34 - Le Disque classique du jour du lundi 09 février 2026 - Dix ans après leur premier album chez B records, consacré au Winterreise de Schubert, Nahuel di Pierro et Alphonse Cemin reviennent avec un programme plus intimiste, fruit de la rencontre de leurs curiosités respectives. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Spätwerk mit 31 Jahren: Wenige Monate vor seinem Tod komponierte Franz Schubert eines seiner bedeutendsten Kammermusikwerke, sein Streichquintett in C-Dur. Obwohl Schubert damals schon sehr krank war, dazu arm und unbekannt, schuf er ein Werk von entrückter Klangschönheit. Schubert war damals noch immer tief betroffen vom Tod seines Vorbilds Beethoven. Und doch ging er in seinem Streichquintett weit über die Musik seines Meisters hinaus: Innerhalb der sinfonischen Form konnte er die Melodien so weit aufspannen, dass man beim Hören jedes Zeitgefühl verlieren kann. Jenny Berg diskutiert fünf Aufnahmen dieses Meisterwerks, gemeinsam mit der Musikjournalistin Julia Kaiser und dem Geiger Markus Fleck.

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durée : 00:18:48 - Disques de légende du jeudi 05 février 2026 - Il ne fallait pas moins de huit disques à la grande Elisabeth Leonskaja pour consigner l'intégrale des sonates pour piano de Schubert, enregistrés en seulement quelques années entre 2015 et 2019. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

To kick off Black History Month 2026 (which, contrary to the current US administration, is still a thing, and not just on Countermelody, either!), I present to you another Zwischenfach singer, the (mezzo-)soprano Inez Matthews. She was born in Ossining, NY on 23 August 1917 and died in the Bronx on 28 March 2004. She is probably most famous for singing the role of Serena on the legendary 1951 (nearly) complete recording of Porgy and Bess (as well as lending her voice to the 1959 Otto Preminger film) which was conducted by Lehman Engel and starred icons Lawrence Winters and Camilla Williams. She also created the role of Irina in Kurt Weill's Lost in the Stars (opposite Todd Duncan, who created the role of Porgy in 1935). She also sang in the 1952 revival of Virgil Thomson and Gertrude Stein's Four Saints in Three Acts, alongside her brother Edward, who created the role of Saint Ignatius in the work's 1934 premiere. In spite of these impressive credentials, Inez Matthews today is not nearly as well-remembered as, say, either Winters or Williams. In addition to these accomplishments, Matthews also recorded in 1954 Schubert's two major song cycles Schöne Müllerin and Winterreise as well as the posthumous Schwanengesang collection. That as early the mid-1950s Inez Matthews was the first Black artist (and only the second woman after Lotte Lehmann) to record those Schubert cycles, is extroardinary; that her performances are so exceptionally good, lends these recordings more than mere historical value. However, until the song cycles were recently reissued by Parnassus Records as part of their “Black Swans” series, these remained virtually inaccessible to listeners. Today's episode includes selections from almost all the above-mentioned recordings, as well as an exceptional 1953 recording of spirituals accompanied by Jonathan Brice, brother of the esteemed contralto Carol Brice. And let us also tip our hats to Herr Schubert, who just celebrated his 229th birthday! Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

The Unfinished Symphony #RTTBROS #Nightlight"Being confident of this very thing, that he which hath begun a good work in you will perform it until the day of Jesus Christ." — Philippians 1:6You know, I came across a story the other day that just wouldn't leave me alone. It's about Franz Schubert, one of the greatest composers who ever lived. In 1822, Schubert started working on a symphony and completed two magnificent movements. But then he just stopped. He never finished it. For years, music scholars debated why. Some said he got distracted by other projects. Others thought he lost inspiration. But here's the beautiful part, the part that got me thinking: that "unfinished" symphony wasn't really unfinished at all. Those two movements were so complete, so perfect, so breathtakingly beautiful that they stand as one of the most beloved pieces of classical music ever written.And isn't that just like us? We look at our lives, all the rough edges and unfinished places, and we think, "Lord, I'm not done yet. I'm still a mess." And you know what? You're absolutely right. But here's the thing, God isn't finished with you either.Paul writes to the Philippians with such confidence: "Being confident of this very thing, that he which hath begun a good work in you will perform it until the day of Jesus Christ." God is the one who began the work, and God is the one who will complete it.We're all walking around like Schubert's unfinished symphony. We've got movements that are complete and beautiful, and we've got sections that are still being written. But God doesn't see a mistake or a failure. He sees a masterpiece in progress.I'm too soon old and too late smart about this, but I've learned that God isn't in a hurry with us. He's patient. He's thorough. He's committed to the work He started in you the day you came to Him.Maybe you're feeling incomplete today. Friend, don't lose heart. God's not done composing your symphony. The Master Composer is still at work, and what He's creating in you is going to be beautiful.Let's pray: Father, thank You that You don't give up on us. Thank You that You're still working, still creating something beautiful out of our lives. Help us trust Your timing and Your process. In Jesus' name, Amen.#Faith #SpiritualGrowth #ChristianLiving #DailyDevotion #TrustGod #GodsWork #BiblicalWisdom #RTTBROS #NightlightBe sure to Like, Share, Follow and subscribe it helps get the word out.https://linktr.ee/rttbros

In this episode of One Symphony, conductor Devin Patrick Hughes sits down with acclaimed film and television composer Lesley Barber for a wide-ranging, behind-the-scenes conversation about writing music that reveals what characters can't say out loud. Lesley shares how improvising and composing before formal training shaped her voice, how pop, R&B, and composers like Schubert, Bach, and Chopin influenced her musical language, and why her chamber-score approach to Maurice Sendak's Little Bear became so enduring that listeners now pass it down to the next generation. The conversation then dives deep into Manchester by the Sea—from the time-crunch sprint to Sundance, to recording her daughter's a cappella vocals in a dorm room for intimate “in-your-head” sound, then expanding into a large hall for an almost omniscient sense of space. Along the way, Lesley unpacks her fascination with fate, time, and music that can feel “mathematical” yet emotionally unavoidable, and why the most powerful film music often lives in the story's absences—making the invisible audible. Devin and Lesley also explore international orchestras, building creative teams across time zones, writing the Late Nighttheme under extreme deadline pressure, and what the future could look like for film music in the concert hall. Music Selections Featured in This Episode “Boarding School Titles” from the film Boarding School. Composed and performed by Lesley Barber. “Sentimental Journey” from the film Mansfield Park. Composed by Lesley Barber. “Hide & Seek” from the television series Little Bear. Composed by Lesley Barber. “Manchester Minimalist Piano and Strings (Variation)” from the film Manchester By The Sea. Composed by Lesley Barber. “Floating 149 A Cappella” from the film Manchester By the Sea. Composed by Lesley Barber. “Smoke” from the film Manchester By The Sea. Composed by Lesley Barber. “Molly's Theme” from the film Late Night. Composed by Lesley Barber. “That's Our Show Everybody” from the film Late Night. Composed by Lesley Barber. “Game of Cards” from the film Mansfield Park. Composed by Lesley Barber. “Boarding School Titles” from the film Boarding School. Composed by Lesley Barber. “Emily's Theme” from the television series Little Bear. Composed by Lesley Barber. “Terry's Theme” from the film You Can Count on Me. Composed by Lesley Barber. “Little Bear's Room” from the television series Little Bear. Composed by Lesley Barber. “Manchester Minimalist String Reprise” from the film Manchester By The Sea. Composed by Lesley Barber.

durée : 00:27:33 - Les Midis de Culture - par : Marie Labory - Aujourd'hui au menu de notre débat critique, l'opéra "Eugène Onéguine" de Tchaïkovski, dirigé par Semyon Bychkov et Case Scaglione et mise en scène par Ralph Fiennes, et le disque "Schubert: Four Hands" de Bertrand Chamayou et Leif Ove Andsnes. - réalisation : Laurence Malonda - invités : Anna Sigalevitch Journaliste et auteure; Emmanuel Dupuy Rédacteur en chef du magazine Diapason

durée : 00:11:19 - Les Midis de Culture - par : Marie Labory - Les pianistes Bertrand Chamayou et Leif Ove Andsnes s'attèlent à la tâche délicate du jeu à quatre mains sur certaines des dernières œuvres composées par Schubert. - réalisation : Laurence Malonda - invités : Anna Sigalevitch Journaliste et auteure; Emmanuel Dupuy Rédacteur en chef du magazine Diapason

Das Tor zur Romantik hat Schubert mit dieser Sinfonie weit aufgestoßen. Den Orchestermusikern geht bei so viel musikalischem Fortschritt jedoch die Puste aus: Sie führen nur zwei Sätze, also die Hälfte, vor Publikum auf … Von Christoph Vratz.

On the latest episode of ‘New Classical Tracks,' French pianist Bertrand Chamayou and Norwegian pianist Leif Ove Andsnes collaborate on an album featuring four-hand piano music from the final year of Franz Schubert's life. Listen now with host Julie Amacher!

durée : 01:28:24 - Murray Perahia, intensité expressive et clarté - par : Aurélie Moreau - Murray Perahia, éminent pianiste et chef, interprète d'une haute exigence musicale : « Je veux toujours comprendre le souhait du compositeur avant d'imposer ma personnalité » (Compact). Aujourd'hui : Concertos de Mozart, et Bach, Schubert, Chopin. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Jed talks about Krystian Zimerman's Deutsche Grammophon recordings of Schubert's Piano Sonatas in A Major D. 959 and B-Flat Major D. 960Links to selected movements are here:D. 959 – II. Allegretto - https://www.youtube.com/watch?v=fubKC4TNi2g&list=PLsUQ1iTYBB1W0lEePuydi5ytSzbgscj3k&index=2D. 960 – IV. Allegro ma non troppo - https://www.youtube.com/watch?v=Z8WNaFz_F0UConsider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomaven

Zum Start in ihren Schubert-Zyklus wählen Paavo Järvi und die Deutsche Kammerphilharmonie Bremen einen warmen, fließenden und dennoch straffen Kurs. Sie setzen die Segel schwer und dunkel, und lassen trotzdem noch genug Luft.

I'm sure many of you balked when you saw the title of this episode: “But Daniel: Schubert wrote no orchestral songs!” And of course you would be correct. And yet, what about when other composers orchestrate his songs? Therein lies the content of today's episode. Historical evidence from some of Schubert's contemporaries and closest associates indicate that he was strict in both tempo and affect in the performance of his Lieder. And yet, in the later 19th century (and beyond) many of his songs were orchestrated by such masters of orchestral color as Reger, Berlioz, Brahms, Liszt, Weingartner, and Mottl. In the twentieth century, individual songs have been orchestrated by such unexpected composers as Britten and Webern. In the late 1970s, Hermann Prey and conductor Gary Bertini made two LPs of the first recordings of these orchestrations and they make for fascinating listening, as these songs are transformed from the distinct genre of Klavierlieder to that of Orchesterlieder. These two records are supplemented by excerpts of  a recording of a live performance by Hermann Prey of the world premiere of an orchestrated version of Winterreise by Japanese composer Yukikazu Suzuki. Even less than a year before his death, Prey's connection to the music of Schubert remains palpable, and the slight vocal vulnerabilities from that performance serve only to intensify and deepen Prey's interpretation. Countermelody is the podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and author yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.  

On today's show the director of a comedy improv show for adults, but with puppets! Then, one of the top manga artists from Japan is coming to the de Young museum. And, a prodigy comes back home to the Bay Area to perform with the California Symphony.

In this episode of The Piano Pod, host Yukimi Song sits down with concert pianist and recording artist Ammiel Bushakevitz for a wide-ranging conversation on Franz Schubert, the German Lied tradition, and what makes 19th-century music speak powerfully to 21st-century audiences.Ammiel shares insights from his major long-term projects, including Schubert 200 — a multi-album Lied collaboration building toward Schubert's bicentennial in 2028 — and his ongoing recording of Schubert's complete solo piano works. We explore intimacy versus scale, collaboration between singer and pianist, audience-building for a new generation, and why Schubert's music remains profoundly human and relevant today.

ReferencesGuerra, DJ. 2026. Unpublished LecturesJ Biol Chem. 2011 Apr 8;286(14):11937Cancer Metastasis Rev. 2022 Jun;41(2):447-458.Schubert , F.. 1828. Standchen D957 Trans Liszt. Khatiahttps://music.youtube.com/watch?v=xAX6mqg9OkQ&si=c4H0TGfbEa2J9ogZ

Jed discusses a terrific all-Schubert release from the Prague Piano Duo. YouTube link: https://www.youtube.com/watch?v=Q_yu59RaaAY&list=OLAK5uy_nbCOUfqIFHKJwhOEzQaxNWFor_PIZM7nwBandcamp link: https://praguepianoduo.bandcamp.com/

Today on Ascend: The Great Books Podcast, Dcn. Harrison Garlick, Dr. Tiffany Schubert of Wyoming Catholic College, George of the Chivalry Guild, and Banished Kent discuss Fitts 2 and 3 of Sir Gawain and the Green Knight!Visit thegreatbookspodcast.com for our reading schedule!Check out our 50 QUESTION-AND-ANSWER GUIDE to Sir Gawain and the Green Knight.Be sure to visit our sister publication, THE ASCENT, for Christian spirituality.Episode SummaryThe panel continues the Christmas reading of Sir Gawain and the Green Knight, exploring Fitts 2 and 3 with Dr. Tiffany Schubert. The discussion covers the meditative passage of time, Gawain's elaborate armor and pentangle, his wilderness journey, arrival at the lord's castle, and the three bedroom temptations mirroring the lord's hunts. Themes of courtesy versus Christian prudence, the unexpected location of peril, and human imperfection dominate.Why Sir Gawain and the Green Knight Is Worth ReadingThis poem masterfully redirects chivalric expectations from martial heroism to internal trials of temperance and fidelity, using irony, humor, and subtle symbolism to expose the tensions within knighthood itself. As Dr. Schubert notes, it brings readers “back down into this world”—a murky, incarnate place of comfort and laughter where true danger often hides—while probing whether Christian virtue can govern or perfect courtly ideals. Rich in liturgical resonance, Marian devotion, and realistic grace, it humanizes the heroic quest, making it profoundly relevant for reflecting on temptation, fear, and humility during the Christmas season.Key Discussion PointsTime & Seasons: Opening meditation on cyclical yet forward-moving time; Gawain's lingering and All Hallows' departure as liturgical reflection on mortality.Armor & Pentangle: Lavish buildup of Gawain's gear and “endless knot” (five sets of five perfections, piety surpassing all) as outward ideal—quickly deflated as armor is removed.Mary Inside the Shield: Hidden source of strength and piety governing the public projection of perfection.Wilderness to Castle: Dismissal of monster battles; castle as surprising “answer” to Marian prayer—Providence working through murky, tempting paths.Second Christmas Game: Bertilak's exchange of winnings parallels the first deadly game, shifting peril to courtesy and domestic temptation.Three Temptations & Hunts: Parallel structure—doe (subtle), boar (fierce), fox (cunning); Gawain resists lust admirably but accepts/conceals girdle out of fear of death.Courtesy vs. Christian Prudence: Repeated bedroom returns (no Joseph-like flight) prolong exposure, allowing lady to exploit deeper flaw—courtesy overriding removal from sin.Confession Ambiguity: Post-girdle absolution raises questions of self-awareness and lingering human frailty.

On this episode of SANDCAST: Beach Volleyball with Tri Bourne and Travis Mewhirter, Travis sits down with Australian Olympian Zach Schubert, who after 9 years of playing professional beach volleyball is retiring, doing so at the 2025 Beach Volleyball World Championships. We cover quite a bit of ground in this chat, including: - Why double-elim is the best format in the world - Zach Schubert's trying journey to the Olympics, and why Thomas Hodges is the man responsible for his success - Why he chose to retire from the game - Why the pursuit of the Olympics shouldn't be the end all, be all for athletes And so, so much more SHOOTS! *** WE'VE GOT MERCH! Check it out here!! Get 20 PERCENT off all Wilson products with our code, SANDCAST-20. https://www.wilson.com/en-us/volleyball Get 10 PERCENT OFF VBTV using our discount code, SANDCAST10 Want to get better at beach volleyball? Use our discount code, SANDCAST, and get 10 percent off all Better at Beach products!  We are FIRED UP to announce that we've signed on for another year with Athletic Greens! Get a FREE year's supply of Vitamin D by purchasing with that link.  If you want to receive our SANDCAST weekly newsletter, the Beach Volleyball Digest, which dishes all the biggest news in beach volleyball in one quick newsletter, head over to our website and subscribe! We'd love to have ya! https://www.sandcastvolleyball.com/