Podcasts about schubert

Die Autorinnen Helga Schubert und Daniela Krien gehören zwar unterschiedlichen Generationen an, doch sie haben einiges gemeinsam: Sie sind Bestsellerautorinnen, vom Leben in der DDR geprägt, pflegen enge Angehörige - und beide sind gläubig. Orte und Worte hat sie im Rahmen des Literaturfestivals lit:potsdam getroffen. Unter dem Titel "Glaube, Liebe, Hoffnung" sprachen sie mit Anne-Dore über Kraftquellen, Wendepunkte ihres Lebens und Sinnhaftigkeit. Vor ausverkauftem Haus im großen Saal des Orangerieschlosses in Potsdam erzählten sie, welche Rolle die Religion in ihrem Alltag spielt, wie sie mit Momenten der Verzweiflung umgehen, wie sie Zeit zum Schreiben finden und wie der Glaube als Geisteshaltung ihre Bücher prägt. Das Buch von Helga Schubert, über das wir im Podcast reden Helga Schubert "Der heutige Tag. Ein Stundenbuch der Liebe", 272 Seiten, dtv Das Buch von Daniela Krien, über das wir im Podcast reden Daniela Krien "Mein drittes Leben", 304 Seiten, Diogenes Der Ort Orangerieschloss im Park Sanssouci in Potsdam, dieses Jahr wichtiger Veranstaltungsort der Lit:Potsdam https://www.litpotsdam.de Die Autorinnen Daniela Krien, Jahrgang 1975, hat Bestseller wie "Die Liebe im Ernstfall" und "Der Brand" geschrieben. Ihr Roman "Irgendwann werden wir uns alles erzählen" wurde verfilmt. Sie lebt in Leipzig. Helga Schubert, geboren 1940, gewann mit 80 Jahren den Bachmannpreis, mit der Geschichte "Vom Aufstehen". Seither erscheinen Neuauflagen und neue Bücher von ihr bei dtv.

Genee wéi säi Papp ass och den Olivier Nilles Bariton-Sänger. Hien ass Mëtt 20, nach am Studium, an elo um Wee fir eng professionell Karriär opzebauen. Säin Debut an der Liederhalle zu Stuttgart ass den 19. Juli, wou hien zesumme mam Brenzhaus Orchester optrëtt. Um Programm stinn dräi Lieder vum Schubert, ënner anerem och an enger verschaffter Versioun vum Wolfgang Rihm - e Komponist, mat deem den Olivier Nilles scho perséinlech geschafft huet. Et ass och net säin éischten Optrëtt mam Brenzhaus Orchester, wéi den Olivier Nilles am Interview mam Christophe Mirkes verréit.

Roosters legend and notorious Salary Cap Auditor Ian Schubert joins Matty White to chat about his career and his work in the NRL auditor space. Learn more about your ad choices. Visit megaphone.fm/adchoices

16.05.2025 - Eberhard Schubert (Nr. 1887) by Mecklenburgischer Gemeinschaftsverband (MGV)

This is the fourth episode in Alex Jonker and Peter Schubert's five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. In this episode, students improvise a Renaissance first-species canon with Peter, teaching them to listen, think, and sing all at the same time in a simple diatonic context.This episode was produced by Amy Hatch & Katrina Roush along with Team Lead Caitlin Martinkus. Special thanks to peer reviewers Phil Duker and Joseph Straus. SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

This is the first episode in a five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. In this episode, Alex Jonker and Peter Schubert invite students to improvise doo-wop songs which take place in a simple harmonic context while offering a lot of freedom, and a lot of fun!This episode was produced by Amy Hatch & Katrina Roush along with Team Lead Caitlin Martinkus. Special thanks to peer reviewers Phil Duker and Joseph Straus. SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

This is the second episode in Alex Jonker and Peter Schubert's five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. In this episode, students improvise a melody over a longer ground bass progression, now in a standard common practice harmonic context including some chromatic harmony.This episode was produced by Amy Hatch & Katrina Roush along with Team Lead Caitlin Martinkus. Special thanks to peer reviewers Phil Duker and Joseph Straus. SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

This is the third episode in Alex Jonker and Peter Schubert's five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. This episode is the only one in the series where the improvisation uses notation, asking students to harmonize a chant melody with a very limited set of rules in order to introduce unfamiliar sounds, like parallel perfect fourths.This episode was produced by Amy Hatch & Katrina Roush along with Team Lead Caitlin Martinkus. Special thanks to peer reviewers Phil Duker and Joseph Straus. SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

This is the final episode in a five-episode mini-series on “idiomatic improvisation” as a pedagogical technique in the music theory and aural skills classroom. In this episode, Alex Jonker and Peter Schubert ask students to improvise classical phrase continuations that modulation to the dominant, drawing on basic musical instincts about phrase lengths and tonality.This episode was produced by Amy Hatch & Katrina Roush along with Team Lead Caitlin Martinkus. Special thanks to peer reviewers Phil Duker and Joseph Straus. SMT-Pod's theme music was written by Maria Tartaglia, with closing music by Yike Zhang. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/

Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenJed discusses a very rare all-Schubert disc with live performances by Steven de Groote (Claremont GSE 1527)

Daniel Katz is a renowned art dealer, collector and gallery owner who has very much beaten his own path through the tangled forests of the art world. Although he left school at the age of 14, his energetic curiosity brought him early success, making a profit of £15 on the first bronze he bought, and discovering something quite unexpected inside a grandfather clock. Danny is an expert on European sculpture, but has also branched out into new fields, including antiquities, Old Masters, Impressionist paintings and Modern British Art. He's worked closely with museums, exhibitions and libraries around the world. Danny's choices include Schubert, Debussy, Sibelius and Bernstein.

Earlier this year the Gramophone Podcast passed 1 million downloads. Now we've reached another milestone: our 500th episode. Launched before podcasting's current popularity, the series steadily built a following, which grew substantially once we adopted a weekly schedule and set formats. Those formats include: interviews with major artists on new albums; in-depth composer discussions; reflections with senior musical figures; and conversations with a new generation of musicians rethinking the artist's role today. In a special celebratory edition, James Jolly, Martin Cullingford, Tim Parry and Hattie Butterworth each choose a standout: Julian Bream on a life in music; William Christie on Mondonville; Richard Wigmore on the enduring brilliance of Schubert and Fatma Said on collaboration.

durée : 01:28:53 - Le Quatuor de Jérusalem, la tradition de l'excellence - par : Aurélie Moreau - 2025 marque les 30 ans du Quatuor de Jérusalem qui a très vite acquis une renommée mondiale, jouant avec passion, précision et chaleur un large répertoire. Aujourd'hui : Chostakovitch, Brahms, Haydn, Dvořák, Schubert, Debussy, Schumann et Korngold. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Today may be my final episode for Pride Month 2025, but it is most certainly not my final episode celebrating and affirming Pride and all our glorious forebears who preceded us! Today's episode is a belated birthday tribute to British tenor Peter Pears (22 June 1910 – 03 April 1986), most celebrated for his long-standing romantic and musical partnership with Benjamin Britten. However, as with my recent episode celebrating the artistry of Pierre Bernac apart from his performances of the music of Francis Poulenc, in today's episode, there is not a note of Britten's music to be heard. There is no question that Britten was a formative figure in Pears' artistic development, but throughout their lives together, he performed a wide range of music, from Pérotin to Lutosławski as an independent and enormously versatile artist. In this episode, I offer selections by Webern, Handel, Copland, Couperin, Stravinsky, Dowland, Tippett, Mozart, Holst, Bach, Copland, Berkeley, Schubert, Walton, Schütz, Debussy, Handel, Nordheim, Schumann, and David Bedford, among others, to offer a surprising portrait of this fascinating singer. Even if you have not (yet) acquired a taste for this (sometimes) controversial singer, I urge you to give it a listen, for not only does it present Pears in all his varieties, it also highlights his musical partnerships with Joan Sutherland, Sviatoslav Richter, Murray Perahia, Dennis Brain, Viola Tunnard, George Malcolm, Martha Mödl, Gré Brouwenstijn, Imogen Holst, and Noel Mewton-Wood (as well as a few clips with with his life-partner Britten at the piano). Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel's lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” At Countermelody's core is the celebration of great singers of all stripes, their instruments, and the connection they make to the words they sing. By clicking on the following link (https://linktr.ee/CountermelodyPodcast) you can find the dedicated Countermelody website which contains additional content including artist photos and episode setlists. The link will also take you to Countermelody's Patreon page, where you can pledge your monthly or yearly support at whatever level you can afford.

Vous écoutez le bilan critique, le format de Dramathis dans lequel je reviens sur tout ce que j'ai vu en juin au cinéma, dans les musées, les cabarets et autres salles de spectacle.Dans cet épisode, vous retrouverez :Inclassable ⁉️ : « Histoire du soldat » de Karelle Prugnaud au Théâtre du Châtelet, OVNI

This Sunday is a pivotal day at Resonate! We add Kelley and Robin Schubert to our Eldership team, hear from all of our elders about the heart and vision of Resonate, and officially take up our pledges for the Making Room For The Harvest Campaign.

Luis Herrero habla cine con Inocencio Arias, José Luis Garci y Luis Alberto de Cuenca. El programa comienza con una referencia musical y la intervención de varios tertulianos que debaten sobre viajes espaciales y temporales, comparando la ciencia ficción con la realidad tecnológica actual. Se menciona la influencia de la serie Star Trek y cómo conceptos como la teletransportación podrían ser la solución a los problemas de distancia y tiempo. La conversación deriva hacia el cine y la cultura, recordando películas y series relevantes, y se hace una pausa para escuchar música. Posteriormente, se aborda el tema de los museos y la experiencia de visitar uno en Viena. Se destaca la música de Schubert y la conexión con la historia y el arte. El debate continúa con reflexiones sobre la película Tiburón, su impacto cultural y cómo ha influenciado la percepción pública sobre los escualos. Se comparan las sensaciones que provoca la película con el miedo real y se discute sobre el peligro que representan los tiburones. Finalmente, se retoman las cuestiones tecnológicas y de cine, comentando la posibilidad de taxis voladores y la evolución del transporte. Se cierra el programa con una reflexión sobre la música y cómo esta puede evocar recuerdos y emociones, vinculándola con las experiencias personales de los participantes.

Gabriel Zuchtriegel is the director of Pompeii, one of the world's most important ancient historical sites. It sits at the base of Mount Vesuvius, the still active volcano which erupted in 79AD and buried the city under volcanic ash and pumice, preserving a unique snapshot of life there nearly 2000 years ago.Gabriel grew up in Germany, where ruins and ancient myths first sparked his interest in our ancient past, and led him to study archaeology. Prior to Pompeii he oversaw Paestum, a site about 60 miles south of Vesuvius, celebrated for its three ancient Greek temples, dating back to about 500 BC. More recently, he has written a book called The Buried City: Unearthing the Real Pompeii - and new finds continue to be unearthed, as around a third of the site is still buried.Gabriel's music choices include Schubert, Mozart, Vivaldi and Bach.

durée : 01:58:34 - Alfred Brendel, les enregistrements des années soixante - par : Philippe Cassard - Celui qui, né en 1931 et s'est retiré de la scène en 2008, a été sans doute le grand interprète des classiques viennois (Haydn, Mozart, Beethoven) et de Schubert, a, dans ses jeunes années, joué la musique du XXème siècle et Liszt de manière transcendante. - réalisé par : Davy Travailleur Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Elegant and imperial yet vibrantly modern, Vienna is a city where, like the beloved Danube itself, history and creativity flow together.For over four centuries, Vienna was the heart of the Habsburg Empire – a mecca for musicians, artists, architects and intellectuals. Today, its grand palaces, museums and concert halls still captivate, while the legacy of composers such as Mozart, Beethoven and Schubert continue to shape the city's rich musical and cultural identity.In this episode, art historian and music specialist Christopher Menz discusses the remarkable legacy of this timeless city, from its musical heritage to its architectural splendour.Academy Travel is a leading specialist in small-group cultural tours, allowing you to travel with like-minded companions and learn from internationally renowned experts. Like our podcast, our tours are designed to appeal to travellers with a strong interest in history, archaeology, architecture, the visual arts and the performing arts.Learn more here - https://academytravel.com.au/

1824 ist kein gutes Jahr für Schubert: Zoff unter Freunden, ein Opern-Flop und eine schwere Infektion. Er ist näher am Tod als am Leben – auch musikalisch. Er komponiert das Streichquartett in d-Moll – auch bekannt unter dem Titel: "Der Tod und das Mädchen" ... Von Ben Süverkrüp.

durée : 01:28:42 - Esa-Pekka Salonen, du grand répertoire à la création - par : Aurélie Moreau - Le pianiste Alfred Brendel était un immense interprète de Beethoven, Schubert, Liszt… et aussi l'auteur d'essais "extrêmement pertinents, mines de renseignements, de réflexions et de pensées pour les musiciens". (Ph. Cassard, Les Grands Entretiens) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Biochim Biophys Acta Biomembr. 2017.May;1859(5):813-823iNature Communications 2023. volume 14, number: 794Langmuir 2019 35.30 9944-9953.Page, J. 1970 "Tangerine" Led Zepplinhttps://music.youtube.com/watch?v=KaFjxLMsOuo&si=tNw2PksrxevyVAQ9Gouldman , G. 1965. "For Your Love" Yardbirdshttps://music.youtube.com/watch?v=wWGUjcaMxLs&si=IzlI4ThOVfh1txDvSchubert, F. 1822. Symphony 8 in B Minor . D. 759. and assorted brilliant piano sonatas as only Schubert could have done.https://music.youtube.com/playlist?list=OLAK5uy_mAqAfsCyzNPtNVDxtUUmZdSUY9Ojk6vkE&si=g-GlU4mKjSkivkEA

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

We all know about art forgeries, but why write fake classical music? In Forgery in Musical Composition: Aesthetics, History, and the Canon (Oxford University Press, 2025), Dr. Frederick Reece investigates the methods and motives of mysterious musicians who sign famous historical names like Haydn, Mozart, and Schubert to their own original works. Analyzing a series of genuinely fake sonatas, concertos, and symphonies in detail, Dr. Reece's study exposes the shadowy roles that forgeries have played in shaping perceptions of authenticity, creativity, and the self within classical music culture from the 1790s to the 1990s.Holding a magnifying glass to a wide array of phony works, Forgery in Musical Composition explains how skillful fakers have succeeded in the past while also proposing active steps that scholars and musicians can take to better identify deceptive compositions in the future. Pursuing his topic from case to case, Dr. Reece observes that fake historical masterpieces have often seduced listeners not simply by imitating old works, but rather by mirroring modern cultural beliefs about innovation, identity, and meaning in music. Here forged compositions have important truths to tell us about knowing and valuing works of art precisely because they are not what they appear. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

The gifted young Hungarian/American pianist Julia Hamos presents Ellis Island, one of the most impressive solo piano debut releases in recent memory, featuring works by Kurtag, Bartok, Ligeti, Meredith Monk, Charles Mingus and Schubert. Promotional video - https://www.facebook.com/reel/621337480674569Ligeti's Fanfares - https://www.youtube.com/watch?v=tItbf6F-M3ALink to purchase - https://www.prestomusic.com/classical/products/9759948--ellis-island?srsltid=AfmBOorpob-cx3Rc0JrrcaEg1sIz9QHIn6gnHJQ7ssacJ2q_cgF5Irm-

Prof. Dr. Meinrad Walter, Freiburg, Katholische Kirche: Wie Franz Schubert eine Liebeserklärung an die Musik komponiert

So weit hat sich der katalanische Altmeister Jordi Savall mit seinem Originalklang-Orchester Le Concert des Nations noch nie in die Romantik vorgewagt: Nach Beethoven, Schubert und Mendelssohn präsentiert er jetzt Raritäten von Schumann und Bruckner. Das Album "Vergessene Symphonien" ist bei Jordi Savalls eigenem Label AliaVox erschienen.

Astronomen och gymnasieläraren Anders Nyholm blir tamburmajor i marschens taktfasta historia när vi lyssnar på Wagner, Schubert, Lumbye, Alfvèn, Wollter, Ramel, Python, Demert och Alfredson. Begrepp att ta med sig: domänförlust och absolut musik. Lyssna på alla avsnitt i Sveriges Radio Play.

Want to Start or Grow a Successful Business? Schedule a FREE 13-Point Assessment with Clay Clark Today At: www.ThrivetimeShow.com   Join Clay Clark's Thrivetime Show Business Workshop!!! Learn Branding, Marketing, SEO, Sales, Workflow Design, Accounting & More. **Request Tickets & See Testimonials At: www.ThrivetimeShow.com  **Request Tickets Via Text At (918) 851-0102   See the Thousands of Success Stories and Millionaires That Clay Clark Has Helped to Produce HERE: https://www.thrivetimeshow.com/testimonials/ Download A Millionaire's Guide to Become Sustainably Rich: A Step-by-Step Guide to Become a Successful Money-Generating and Time-Freedom Creating Business HERE: www.ThrivetimeShow.com/Millionaire   See Thousands of Case Studies Today HERE: www.thrivetimeshow.com/does-it-work/  

Esteban Batallán, the CSO's principal trumpet since 2019, makes his much-anticipated debut as a soloist with the Orchestra in a pair of brilliant, high-flying concertos. Riccardo Muti frames the program with Joseph Haydn's tempestuous Symphony No. 48 and Schubert's Haydn-inspired Tragic Symphony. Learn more: cso.org/performances/24-25/cso-classical/muti-and-esteban-batallan

durée : 00:14:45 - Disques de légende du mardi 10 juin 2025 - Il existerait 33 enregistrements du Voyage d'hiver de Schubert, le Winterreise, par Fischer-Dieskau ! Rien d'équivalent ni pour aucun artiste, ni pour aucune œuvre...

Hilary Cottam is a writer, innovator and social entrepreneur who wants to find solutions for some of the most intractable problems of our time - from the design of prisons to how we provide care for the elderly and might end long-term unemployment. In her book Radical Help, she argued that we need to re-invent the Welfare State to match the challenges of the 21st century. In her most recent book, The Work We Need, she focuses on how we could re-imagine work in a way that benefits everyone, in a world facing immense technological change and ecological crisis. Hilary's choices include Pergolesi, Chopin, Schubert and Satie.

Interpreten: Pablo Ferrández, Julien Quentin, Swedish Chamber Orchestra, Martin FröstLabel: Sony ClassicalEAN: 198028986328Manchmal darf es auch wohlklingender Hochglanz sein, der es zur CD der Woche auf radio klassik Stephansdom schafft. Wie das Album Moonlight Variations des Cellisten Pablo Ferrández. „Nachtmusiken“ scheinen derzeit Hochsaison zu haben, wenn man an die Nocturnes-, Serenaden- usw. CDs der vergangenen Wochen und Monate denkt. Mit der Nacht in der Musik hat sich nun auch Pablo Ferrández beschäftigt, und das, obwohl er laut eigener Aussage ein ausgesprochener Morgenmensch ist. Träumerische Melodien von Schumann, Schubert, Liszt, Debussy, Chopin, Ponce und Dvořák hat der junge Cellist Ferrández teils in Originalbearbeitungen, teils in Eigenarrangements mit Orchester- oder Klavierbegleitung aufgenommen. Mit den Rokoko-Variationen von Peter Iljitsch Tschaikowsky findet die CD aber auch einen ganz und gar nicht nächtlichen Höhepunkt, aus musikalischer Sicht aber völlig irrelevant…„Einer der Gründe, weshalb ich so gerne Lieder spiele, ist, dass wir mit dem Cello immer zu singen versuchen.“ So wird Pablo Ferrández im Beiheft der CD zitiert und genau das gelingt ihm auch in den unterschiedlichen Bearbeitungen auf dieser CD. Schon bei Rusalkas Lied an den Mond zur Eröffnung oder auch Schuberts Nacht und Träume. „Heil'ge Nacht, du sinkest nieder; Nieder wallen auch die Träume, wie dein Mondlicht durch die Räume, durch der Menschen stille Brust.“ Da ist er wieder, der Mond. Schumanns Träumerei oder der dritte Liebestraum von Liszt fügen sich genauso ins Spektrum und erhellen den musikalischen Nachthimmel, wie der kleine Stern Estrellita des mexikanischen Komponisten Manuel Ponce. Selten genug, dass das Hauptwerk einer CD, wie hier die Rokoko-Variationen von Tschaikowsky, zur Zugabe mutiert. Makellos und musikantisch gelingen die sieben Variationen auf ein Rokoko-Thema, wobei auch das Schwedische Kammerorchester unter Martin Fröst seinen Anteil daran hat. Aufmerksam wie die sprichwörtlichen Haftlmacher begleiten die Musikerinnen und Musiker und legen so ein Fundament, auf dem es sich wunderbar solieren lässt! Das Finale ist dabei ein feingezeichnetes Feuerwerk, bei dem sich Orchester- und Solostimme herrlich ineinander verschränken. (mg)

Panel discussion with casting directors Shaheen Baig (Adolescence), Julie Schubert (The Diplomat) and Brett Greenstein & Collin Daniel (Nobody Wants This). Moderated by Mara Webster, In Creative Company

This week, MI5 started a search for a chippy, Sunta tried something new that wasn't disgusting, it was alright, and you slept through a whole host of things.Hear Johnny on Radio X every weekday at 4pm across the UK on digital radio, 104.9 FM in London, 97.7 FM in Manchester, on Global Player or via www.radiox.co.uk

durée : 01:28:38 - Dietrich Fischer-Dieskau, un chant sensible et incarné - par : Aurélie Moreau - Nous fêtons aujourd'hui le centième anniversaire de la naissance de Dietrich Fischer-Dieskau, baryton inoubliable qui a magnifié l'interprétation du lied et triomphé à l'opéra. Au programme : Schubert, Mozart, Schumann, Mahler, Beethoven et Haydn.

durée : 00:13:16 - Disques de légende du mercredi 28 mai 2025 - Dietrich Fischer-Dieskau est un découvreur et défricheur de répertoire, autant pour Schubert, Schumann, ou Wolff, que pour des compositeurs moins pratiqués ou des œuvres négligées - à l'instar des lieder de Strauss.

What piece of music sparks a memory for you? This week's podcast continues our journey into the fascinating world of music and the brain. A teen flute duo speaks about how they connect music with memories. A pianist returns to the show to perform Barber and chat about her research on dementia as a neuroscience student at USC. And finally, we hear from a talented 19-year-old baritone who sings Schubert. This podcast was recorded at the Brain and Creativity Institute at the University of Southern California.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The German baritone Dietrich Fischer-Dieskau's 100th birthday falls on May 28. One of the most versatile singers of the last century – his operatic repertoire alone ranged from Gluck, Handel and Mozart via Verdi, Wagner and Richard Strauss to Berg, Busoni and Reimann – it's his devotion to song that remains his lasting legacy. To mark the anniversary of Fischer-Dieskau's birth, Gramophone's James Jolly spoke to song specialist and author of Schubert: The Complete Song Texts (Schirmer: 1988), Richard Wigmore. They focused on Fischer-Dieskau's audio recordings of Schubert's greatest song-cycle Winterreise (1828) which include three with Gerald Moore, as well as versions with Klaus Billing, Hermann Reuter, Daniel Barenboim, Jörg Demus, Alfred Brendel, Murray Perahia and Maurizio Pollini.

durée : 01:28:23 - En pistes ! du jeudi 15 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Consacrée révélation jeune interprète cette année aux Victoires de la musique, Lorraine Campet fait paraître son premier disque où l'on retrouve Schubert, Schumann, Beethoven et Joséphine Lang. On écoutera aussi la musique sacrée de Josquin des Prez et l'unique oratorio de Francesco Scarlatti...

durée : 01:28:23 - En pistes ! du jeudi 15 mai 2025 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Consacrée révélation jeune interprète cette année aux Victoires de la musique, Lorraine Campet fait paraître son premier disque où l'on retrouve Schubert, Schumann, Beethoven et Joséphine Lang. On écoutera aussi la musique sacrée de Josquin des Prez et l'unique oratorio de Francesco Scarlatti...

Show SummaryOn today's episode, we're featuring a conversation with Dr. Angela Schubert, An Associate Professor and Licensed Professional Counselor whose area of research and clinical interests are in human sexuality and sexual development across the lifespan. During our conversation, we talk about unique aspects of sex, sexuality, and sexual wellness in the military-connected population. Provide FeedbackAs a dedicated member of the audience, we would like to hear from you about the show. Please take a few minutes to share your thoughts about the show in this short feedback survey. By doing so, you will be entered to receive a signed copy of one of our host's three books on military and veteran mental health. About Today's GuestDr. Angela “Angie” Schubert is an associate professor for the Clinical Counseling department. Dr. Schubert's area of research and clinical interests are in human sexuality and sexual development across the lifespan. Human sexuality is expansive and intersectional, and as such, Dr. Schubert is interested in exploring the human sexual experience as it pertains to perceptions of sexuality, gender, sexual behaviors, sexual constructs, and policies that work to support or oppress specific sexual-identified communities. Dr. Schubert's teaching experience and expertise include the following topics: human sexuality, sexual issues, counselor identity, supervision, eating disorders, somatic processing, ethics, and diversity. Dr. Schubert's teaching style is strongly experiential and pulls from social justice and equity-centered pedagogies. Dr. Schubert is the editor of the Clinical Counseling Chronicle. She is also the co-founder and past president of the Association of Counseling Sexology & Sexual Wellness. She is an AASECT-certified sex therapist and EMDR certified. Dr. Schubert is also on the editorial board for the Journal of Counseling Sexology & Sexual Wellness. Links Mentioned in this Episode Association of Counseling Sexology & Sexual WellnessJournal of Counseling Sexology & Sexual WellnessPsychArmor Resource of the WeekThis week's resource of the week is the PsychArmor course, Intimacy and Emotional Disconnect in Military Populations. This course investigates links between emotional disconnect and relationship intimacy issues primarily among Veteran and active duty military couples. Dr. Sarah Nunnink, a psychologist certified in Emotionally Focused Therapy for couples, focuses on how military beliefs and values can affect relationships on an intimate and emotional level. The course discusses signs, symptoms, and treatment modalities that can benefit Veteran couples who feel emotionally disconnected. You can find the resource here:  https://learn.psycharmor.org/courses/intimacy-and-emotional-disconnect-in-military-populations Episode Partner: This week's episode is brought to you by Humana, a leading health and well-being company that has joined forces with PsychArmor to develop campaigns and courses that support veterans and their families in achieving their best health. To learn more about how Humana honors and serves veterans visit healthequity.humana.com/veterans Contact Us and Join Us on Social Media Email PsychArmorPsychArmor on TwitterPsychArmor on FacebookPsychArmor on YouTubePsychArmor on LinkedInPsychArmor on InstagramTheme MusicOur theme music Don't Kill the Messenger was written and performed by Navy Veteran Jerry Maniscalco, in cooperation with Operation Encore, a non profit committed to supporting singer/songwriter and musicians across the military and Veteran communities.Producer and Host Duane France is a retired Army Noncommissioned Officer, combat veteran, and clinical mental health counselor for service members, veterans, and their families.  You can find more about the work that he is doing at www.veteranmentalhealth.com  

"You don't need to justify your existence with utility. Beauty is enough." — Eva Schubert The post #222 Reinventing Yourself with Style: Eva Schubert on Art, Identity & Living Off-Script first appeared on The Next Level Guy Show.

Cellist Sheku Kanneh-Mason was born in Nottingham in 1999 into a big musical family. He and his six siblings all grew up learning classical instruments, and appeared on Britain's Got Talent in 2015. Sheku first made his mark as a solo performer the following year when he won the BBC Young Musician Of The Year competition. In 2018 a global audience of over a billion watched him perform live at the wedding of the Duke and Duchess of Sussex. Since then he has received two classical Brit awards, An MBE for services to music, and performed at the Proms every year since 2017. His book The Power Of Music charts his creative journey, whilst his new album - his fifth release - includes recording of works by Shostakovich and Britten. Sheku talks to John Wilson about the early influence of his paternal grandfather, a classical music lover who encouraged an appreciation of chamber music, including Schubert's Trout Quintet. Sheku also discusses his cellist heroes Jacqueline du Pré and Mstislav Rostropovich and explains how the music of reggae superstar Bob Marley has been an inspiration throughout his life.Producer: Edwina Pitman

Kelly Schubert is back on the pod and back in her hometown to discuss more Son of Neptune chapters live on stage with Mike! The trio is ready to eat breakfast and fight monsters, and they're all out of breakfast. Topics include: The Houston Rodeo, flattened pennies, Texas 4000, turbulence, losing things, rough air, Rice University, “Sure.”, ellipsis, Mufasa, Wicked, air fresheners, revisiting hometowns, ACME, breakfast for dinner, reindeer sausage, 24, cutting things close, all aboard, payphone calls to mom, Alaska, shed hunting, rumps, Coca-Cola, children's books, Bug Juice lore, Taqueria Ruby, late night food, trades, niche classes, and more! Thanks to our sponsors:Quince - Get free shipping and 365-day returns at www.quince.com/olympianNutrafol - Get $10 off your frist month + free shipping at www.nutrafol.com w/ code "OLYMPIAN"  — Find The Newest Olympian Online —• Website: www.thenewestolympian.com• Patreon: www.thenewestolympian.com/patreon• Instagram: www.instagram.com/newestolympian• Bluesky: bsky.app/profile/newestolympian.bsky.social• Facebook: www.facebook.com/newestolympian• Reddit: www.reddit.com/r/thenewestolympian• Twitter: www.twitter.com/newestolympian• Merch: www.thenewestolympian.com/merch — Production —• Creator, Host, Producer, Social Media, Web Design: Mike Schubert• Editor: Sherry Guo• Music: Bettina Campomanes and Brandon Grugle• Art: Jessica E. Boyd — About The Show —Has the Percy Jackson series been slept on by society? Join Mike Schubert as he journeys through the Riordanverse for the first time with the help of longtime PJO fans to cover the plot, take stabs at what happens next, and nerd out over the Greek mythology throughout. Whether you're looking for an excuse to finally read these books, or want to re-read an old favorite with a digital book club, grab your blue chocolate chip cookies and listen along. New episodes release on Mondays wherever you get your podcasts!