Podcast appearances and mentions of julien labro

I had a chance to speak with grammy award winning guitarist, Jason Vieaux a couple of weeks ago in light of his upcoming release with the Escher String Quartet. Our interview was not quite as long as some of the others, but we were able to cover several really interest topics. Grammy winner Jason Vieaux, “among the elite of today's classical guitarists” (Gramophone), is the guitarist that goes beyond the classical. His most recent solo album, Play, won the 2015 Grammy Award for Best Classical Instrumental Solo.Jason Vieaux has performed as soloist with over 100 orchestras in the U.S. and abroad. Additional recent and future highlights include performances at Caramoor Festival as Artist in Residence, Chamber Music Society of Lincoln Center, Philadelphia Chamber Music Society the National Gallery of Art, San Francisco’s Herbst Theatre, Buenos Aires’ Teatro Colon, Amsterdam’s Concertgebouw, New York's 92Y, Ravinia Festival, and many other distinguished series. A first rate chamber musician and programmer, he frequently collaborates with artists such as the Escher Quartet, harpist Yolanda Kondonassis,accordion/bandoneon virtuoso Julien Labro, and violinist Anne Akiko Meyers. His passion for new music has fostered premieres by Jonathan Leshnoff, Avner Dorman, Jeff Beal, Dan Visconti, David Ludwig, Vivian Fung, José Luis Merlin, and more.Vieaux’s latest CD release is a performance of Jonathan Leshnoff’s Guitar Concerto with the Nashville Symphony Orchestra (Naxos). He has two upcoming releases on Azica Records: a new album, Dance, with the Escher String Quartet (July 19, 2019), featuring works byBoccherini, Castelnuovo-Tedesco, and Aaron Jay Kernis; as well as a new solo Bach album. Recent recordings include Jeff Beal’s “Six Sixteen” Guitar Concerto with the Norrköping Symphony Orchestra (BIS); Infusion (Azica) with accordionist/bandoneonist Julien Labro; Ginastera’s Guitar Sonata, which is featured on Ginastera: One Hundred (Oberlin Music) produced by harpist Yolanda Kondonassis; and Together (Azica), a duo album with Kondonassis. In 2012, the Jason Vieaux School of Classical Guitar was launched with ArtistWorks Inc., an interface that provides one on one online study with Vieaux for guitar students around the world. In 2011, he cofounded the guitar department at the Curtis Institute of Music, and in 2015 was invited to inaugurate the guitar program at the Eastern Music Festival. Vieaux has taught at the Cleveland Institute of Music since1997, heading the guitar department since 2001. He has received a Naumburg Foundation top prize, a Cleveland Institute of Music Distinguished Alumni Award, GFA International Guitar Competition FirstPrize, and a Salon di Virtuosi Career Grant. His primary teachers were Jeremy Sparks and John Holmquist. Vieaux was also the first classical musician to be featured on NPR’s “Tiny Desk” series.You can find out more about his upcoming performances, appearances and recordings at jasonvieaux.comI caught up with Jason in between his busy family schedule. He was gracious with his time and we were able to chat about his upcoming releases, and some other really good things like how his approach to recording has changed over the years, his teaching career, balancing family life with performing, and much more.

Guitarist Jason Vieaux and accordionist Julien Labro join Chris Felcyn from Cleveland to talk about their latest collaboration Infusion.

Jason Vieaux and Julien Labro both play instruments that have had historically complex relationships to classical music. Even today, the classical guitar and the bandoneon are a little unorthodox in that world. Maybe that’s why Jason and Julien – and their instruments – are such an obvious fit together. Without easy paths to follow, they’ve made their own and they’ve subsequently both become uniquely musically versatile. They’re also both brood-y and wear sunglasses at night (one imagines). Learn about the classical guitar and the bandoneon, their histories, their repertoires, and what kind of trailblazing Vieaux and Labro are up to on their new CD, Infusion.   If you like what you hear in this episode, go see Jason Vieaux in concert with Da Camera of Houston on December 9th! More details here. Music in this episode: “Escualo” by Astor Piazzolla “Everybody Wants to Rule the World” by Tears for Fears Tres Danzas Concertantes – I. Allegro by Leo Brouwer  Audio production by Todd “Tablature” Hulslander with Dacia Clay doing the Madison and assistance from Mark DiClaudio.

Program: Robert Schumann: Adagio and Allegro, op.70 Arvo Part: Fratres Luigi Boccherini (arr. Katims): Sonata No. 6 in A Major, G4 Robert Schumann: Märchenbilder, Op.113 Henri Vieuxtemps: Élégie, Op.30 Aurelien Pederzoli, viola Chicago-based violist Aurelian Pederzoli trained from a young age on the violin and his talent and skill earned him wide acclaim from critics and the public alike. But something was missing. Artistic frustrations with the violin led him to pick up the viola and, to his surprise, his authentic musical voice emerged. “The sonority of the viola just seems to resonate with the fibers of my being,” Pederzoli says, “and I love the viola’s repertoire and the very communal role it plays in ensembles.”  A finalist in the 2015 International Hugo Kauder Competition for Viola at Yale University, Pederzoli merges a deep reservoir of  musicality with wide-eyed curiosity about his instrument as a soloist and chamber ensemble player, and as a teacher at the New Music School in Chicago. He is a member of the innovative Black Oak Ensemble which pairs classical works with music from around the world, a frequent collaborator with the Lincoln Trio, and he has toured internationally with blues harmonica virtuoso Corky Siegel. A deft collaborator, Pederzoli works with other musicians of many stripes, including members of eighth black bird, bassist Matt Ulery, composer/pianist Fernando Otero, members of the Vermeer Quartet, pianist H.J Lim, accordionist Julien Labro, violinist Rachel Kolly d'Alba, pianist Christian Chamorel, violinist Daniel Rowland, violist David Aaron Carpenter, and composer/saxophonist Miguel Zenon. He also works with many of the leading composers of our time, Recent project have included Lee Hyla, Hans Thomalla, Gunter Schuller, and Robert Dillon, and he has premiered and recorded works by Augusta Read Thomas, Bernard Rands, Mason Bates,  Shulamit Ran, Sarah Ritch, Jennifer Higdon, Marc Mellitts, Nico Muhly and others. Aurelian Pederzoli was born in France and graduated from the Paris Conservatory before moving to Chicago. He studies viola with Frank Babbitt and Li Kuo Chang. His violin teachers included Jean Lenert, Shmuel Ashkenasi, and Veda Reynolds. In 2008, Pederzoli cofounded Anaphora Ensemble to explore and present adventurous music in Chicago. Pederzoli was a founding member of the Spektral Quartet in 2010 and played with the ensemble until 2014. His work appears on recordings from Azica, Parlour Tapes+, Cedille, Southport, and Aparte labels. A new string trio recording with Desirée Ruhstrat, violin, and David Cunliffe, cello, of music by Conrad Tao, Jennifer Higdon, David Ludwig, and Marc Mellits, is forthcoming in 2016.   Matthew Hagle, piano Pianist Matthew Hagle is a musician of great versatility and depth, whose performances are a rare mixture of musical understanding, imaginative programming, pianistic mastery and beauty of sound. In solo recitals he often explores the boundaries of the piano repertoire, using thoughtful programming and committed performance to integrate newer repertoire and lesser-known older works with the traditional canon. At the moment, he is working on a more conventional project: performing the 32 Beethoven Sonatas in a series of live radio recitals. Mr.

Ever since its creation by Haydn in the 18th century, the string quartet has been one of the preeminent vehicles for more musical innovation. This show features new directions for the string quartet, pairing the quartet with unusual other instruments like frame drum, alto flute and more. William Kraft: Music for String Quartet and Percussion, III: The Winds of Evanescence Southwest Chamber Music Romano Crivici: Flat Earth for didgeridoo and string quartet (excerpt) Elektra String Quartet; Crivici, didgeridoo Mason Bates: Bagatelles, I- Rough Math Del Sol Quartet Franghiz Ali-Zadeh: Apsheron Quartet, II- Reverse Time Kronos Quartet; Ali-Zadeh, p. Osvaldo Golijov: The Dreams and Prayers of Isaac the Blind, IV Kronos Quartet, David Krakauer, clarinet Terry Riley: The Cusp of Magic- Buddha's Bedroom Kronos Quartet; Wu Man, pipa Diego Schissi: Liquido Spektral Quartet; Julien Labro, bandoneon

So the show is called All Strings Considered and it turns out, guitar isn't the only instrument with strings! Who would have thought? I had a great conversation with my friend Megumi Stohs from the un-conducted string orchestra A Far Cry They play "classical" music like you've never heard it before. They have this amazing democratic way of rehearsing and performing and play more like a rock band than a classical orchestra: they perform standing (except the celli of course) and with an energy and vitality that left me grinning from ear to ear. You'll hear music from Mozart, Tchaikovsky, and Piazzolla and from some of their featured solists like Jason Vieaux (guitar), Julien Labro (bandoneon), and Markus Schirmer (piano).