Podcast appearances and mentions of miguel zenon

On Wednesday's show: We discuss the latest developments in politics in our weekly roundup.Also this hour: In this month's installment of The Full Menu, Houston food writers discuss their favorite new restaurants that opened in 2025.And we chat with Puerto Rican composer and saxophonist Miguel Zenón about his upcoming performance with Kinetic Ensemble.Watchhttps://www.youtube.com/watch?v=U3yBFRAOI_M

Linda May Han Oh, Tim Jago, Silvano Monasterios, Luis Perdomo, Miguel Zenon, Francis Wong, Gloria Cheng, Charles Chen, Karl Evangelista, Lingyuan Yang, arid landscapes, David Lavoie & Carson Tworow, Brad Turner and Mary AnchetaPlaylist: Linda May Han Oh, featuring Tyshawn Sorey and Ambrose Akinmusire - PortalTim Jago - Time ShiftSilvano Monasterios - Ambar's CourageMiguel Zenón, Luis Perdomo - Mucho CorazonMiguel Zenón - Acts of ExclusionFrancis Wong - Corners 3Gloria Cheng - Ancestors & SistersCharles Chen - Straw HatKarl Evangelista - MidasLingyuan Yang - MoondialArid Landscapes - The Dust StormCarson Tworow and David Lavoie - The SlabsBrad Turner - Glory DaysMary Ancheta - The Blessing

The Joe Clark big band, the first live album from Miguel Zenon and celebrating 100 years of Oscar Peterson . .

ALEATORIO RANDOM PROJECT 031 1- SHY BUTTER – NAZOON 2- ANNA LEIGH – THE SADIES 3- LIGHT BLUE – ERIC SCOTT REED 4- ¿?? 5- BLUES BOYS TUNE – B.B. KING 6- ENCOGIENDOME DE HOMBROS – JUAN CARLOS ROMERO 7- WHISPER NOT – OSCAR PETERSON TRIO 8- BURN IT DOWN – DERRICK DOVE 9- WHAT ABOUT YOU? – CO REAL ARTISTS 10- PUT YOUR HEAD ON MY SHOULDER – THE LETTERMAN 11- NO CHILDREN – DOMINIQUE PIFARELY 12- COMO FUE – MIGUEL ZENON & LUIS PERDOMO 13- THE WAY – SONIC SPECIES 14- BODY AND SHADOW NIGHT – BRIAN BLADE & THE FELLOWSHIP BAND

JC Sanford, the organizer of the Northfield Jazz Festival, swung by the studios of Jazz88 to discuss the 2025 installment of the festival, which takes place July 11-13. The event is only its second year, but it's already tripled in size. Sanford and co will host events from Friday evening all the way to Sunday evening. Listen to find out more about the Northfield Jazz Fest and this year's headlining artists, Miguel Zenon and Luis Perdomo.

JC Sanford, the organizer of the Northfield Jazz Festival, swung by the studios of Jazz88 to discuss the 2025 installment of the festival, which takes place July 11-13. The event is only its second year, but it's already tripled in size. Sanford and co will host events from Friday evening all the way to Sunday evening. Listen to find out more about the Northfield Jazz Fest and this year's headlining artists, Miguel Zenon and Luis Perdomo.

Pritesh Walia is a virtuoso jazz guitarist, accomplished composer, and dedicated educator hailing from the vibrant city of New Delhi, India. His musical journey began at the age of 13 when he immersed himself in the rich traditions of Indian Classical Music. Fueling his insatiable curiosity for music, Pritesh sought Western influences, pursuing a lifelong mastery of diverse musical styles. Armed with an Associate of Arts Degree from the Musicians Institute College of Contemporary Music, a Bachelor's Degree from Berklee College of Music in Contemporary Jazz Performance and Jazz Composition, and a Master's Degree in Jazz Performance from the New England Conservatory, Pritesh has honed his craft alongside some of the finest jazz musicians in the United States. Not only has Pritesh showcased his exceptional talent on global stages, but he has also formed collaborative partnerships with prestigious brands. During his tours of India from 2015 to 2017, he proudly represented leading musical instrument retailers. Sponsored by these industry giants, Pritesh conducted master classes and clinics across India, South America, and the United States, including two appearances at the esteemed Panama Jazz Festival. Pritesh's instructional prowess is further exemplified by his lessons and packages featured on renowned guitar instructional platforms such as Licklibrary. Currently endorsed by elite brands like Gruvgear, Chicken Picks, Collings Guitars, and Antelope Audio, Pritesh continues pushing his musical exploration's boundaries. His passion for education is evident in his role as a Jazz educator at institutions such as Bunker Hill Community College, Brookline Music School, and Excelsia College Sydney, where he guides master's students in the art of jazz. Pritesh is poised to make significant waves in the music scene with the upcoming release of his debut album, "Hope Town," scheduled for a fall 2023 release on all streaming platforms. This album, meticulously mixed and mastered by multi-Grammy winner engineer Dave Darlington, promises to be a testament to Pritesh's artistic vision. Additionally, Pritesh is set to unveil his organ trio, "PSA," in mid-2024, followed by a Big Band record featuring the Henry Godfrey Jazz Big Band and a modern Brazilian project with strings, both slated for release in late 2024. Recognizing his contributions to the jazz genre, Pritesh has been nominated for "Best Jazz Artist of the Year" at the Boston Music Awards alongside luminaries like Terry Lynn Carrington and Grace Kelly. Pritesh has had the privilege of studying under the mentorship of illustrious figures such as Scott Henderson, Russel Ferrante, David Fuze, Tomo Fujita, Tim Miller, Donny McCaslin, Jason Moran, Miguel Zenon, and esteemed composers like Frank Carlberg, Ben Scwendenner, and John Heiss. His collaborations include performances with the New England Jazz Orchestra, the Maria Schneider Orchestra at the New England Conservatory, and renowned jazz figures like Donny McCaslin, Bob Sheppard, and many others. Pritesh Walia's journey is a testament to his unwavering dedication to jazz, a genre that encapsulates not only his love for performance and composition but also his commitment to understanding its intricate harmony, theory, language, history, and voice. As he continues to evolve as a musician, educator, and collaborator, Pritesh's impact on the jazz world is poised to reach new heights.

WUCF's December artist for ‘In the Key of Latin Jazz' is Miguel Zenón. He is a prolific saxophonist and composer who took home the Grammy for Best Latin Jazz Album this year and is a recipient of the Guggenheim and McArthur fellowships. Hailing from Puerto Rico, he now resides in New York City. He is a founding member of the San Francisco Jazz Collective and his latest record focuses on the magic of the Golden City. 

In this episode: Listen to a conversation between your host Vivienne Aerts and Israeli Born Bass player and composer Adi Meyerson as we talk about her creative projects, her ‘chordless trio' and living in New York.   About Adi Meyerson Adi Meyerson is a NY-based Bassist and composer. She was born in San Francisco, CA and at the age of two, she relocated with her family to Jerusalem, Israel, where she grew up and remained until moving to NY in 2012. Adi Studied at "The New School for Jazz and Contemporary Music” and later on at “Manhattan School of Music” for her Masters. She studied with Master Musicians such as Ron Carter, Reggie Workman, Bob Cranshaw, Miguel Zenon, Jim Mcneely, Dave Leibman and worked with many greats such as Joel Frahm, Steve Nelson, Charli Persip, Ravi Coltrane and many others around the NYC area in highly renown venues such as Mezzrow, Smalls jazz, The Jazz Standard, Smoke, Birdland and others.She is A current member of the Bria Sconberg Band, Reginald Chapman's "Pressure Fit" and "Svetlana & the NYC collective", and actively tours and performs with many others around the US and the World. As a band leader and Composer, Meyerson has successfully made an impact on the NYC scene and earned her title as an up-and-coming young talent. In September 2017, She recorded her debut album "Where We Stand" which contains 9 original compositions all by Meyerson. The Album was very well received and Meyerson's music was referred to as "Intuitive and perspicacious, that displays a musical maturity that belies her newcomer status." Downbeat Magazine. The band has headlined the "Make some Noise" music festival in May 2016, Center City Jazz Festival in Philadelphia in 2019 as well as the international Guatemala Jazz Festival in 2019. Meyerson Has performed all over the US, Latin America and Canada with her band. Meyerson is a 2020 recipient of the NYFA women's grant and is set to record and release her sophomore album in late 2021. ⁠Instagram⁠ ⁠Website⁠ About ViviTalks - Interviews with the Women Behind Typuhthâng. Introducing ViviTalks, a podcast hosted by Dutch New York-based musician Vivienne Aerts. Join us as we celebrate 100 talented female musicians from Vivienne's latest album "Typuhthâng," with a mission to empower female cacao farmers in the Virunga State Park of Congo and contribute to rainforest restoration. We delve into the musical journeys, creative processes, and unique perspectives of these talented women, seeking to bring greater balance to the music industry. It's a safe space for honest and authentic conversations with artists and trailblazers. Let's amplify the voices of remarkable women in music and stay tuned for inspiring stories and meaningful dialogues on ViviTalks. ⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠ ⁠Stream⁠⁠⁠⁠⁠⁠⁠⁠⁠ the Album Buy it on Bandcamp⁠⁠⁠⁠⁠⁠⁠⁠⁠ and get the chocolate! ⁠⁠⁠⁠⁠⁠⁠⁠⁠More about Vivienne here Follow the podcast on your favorite platform

The cats in the hats chat to the uber-talented musician, composer and scorer of multiple films and TV shows - Jeff Beal, plus some great sounds from Miguel Zenon and Sidsel Endresen

This month we join in congratulating pianist Luis Perdomo for his recent GRAMMY award for El Arte del Bolero vol. 2 in the category of Best Latin Jazz Album. In this episode of LINER NOTES, Luis recounts the musical journey from his native Venezuela and then coming to New York initially to study before transitioning into one of the most in demand pianists on the scene, gracing the bandstand with musicians such as of Ravi Coltrane, Tom Harrell, and his long time musical partner Miguel Zenon.

JAZZ FEED lundi, mercredi et vendredi à 17h30. Serge Mariani présente régulièrement un choix d'albums sortis récemment ou sur le point de l'être, des extraits de leur musique, des informations, des commentaires, des impressions, des émotions, c'est la nouvelle émission de Serge Mariani sur Art District Radio: JAZZFEED ! AuprogrammedeceJazzFeed#3,lesnouveauxalbumsdeDanWeiss,CHRONESetYannick Benoit. Le batteur et compositeur Dan Weiss est considérér comme l'un des tout meilleurs actuels et son approche du jeu de batterie comme de l'interaction et la composition peuvent faire penser au travail réalisé par Mark Guiliana, par exemple. Pour ce nouvel album, intitulé Even Odds, Dan Weiss a laissé ses deux comparses, le saxophoniste Miguel Zenon et le pianiste Matt Mitchell, improviser sur ses propositions rythmiques. Dan Weiss a joué notamment auprès de Lee Konitz, Chris Potter, Sylvie Courvoisier, Rudresh Mahanthappa, Linda May Han Oh, John Zorn. Sa passion pour les cultures musicales du nord de l'Inde et du Pakistan est sensible tout au long de l'album et bien entendu dans le titre Nusrat dont nous écouterons des extraits. Après le remarquable et remarqué Mental Climbers, voilà 4 ans, les alpinistes de l'esprit qui constituent le groupe CHRONES sont de retour ! On pourrait s'écrier « Aux abris ! » mais finalement il n'est pas si difficile de se laisser charmer par l'énergie et l'inspiration rock, punk, grunge et metal qui électrise, pour ne pas dire qui électrocute leur musique et leur public avec elle. Baptiste Ferrandis, Pierre Laprand, Etienne Renard et Paul Berne sont là et bien oà derrière leurs instruments et les divers effets dont ils les traitent. Le résultat, c'est un fort avis de tempête sur la scène musicale actuelle dont le titre choisi pour illustrer cette séquence, Espiègle, donne une idée plutôt juste. Il ne suffit pas d'intégrer un didjeridoo aux instruments d'un trio de jazz au départ somme toute très classique, saxophone, batterie, contrebasse et piano, pour proposer un album de jazz original et de très bonne qualité. Cependant, le saxophoniste Yannick Benoît joue avec passion de cet instrument traditionnel aborigène, comme il est passionné par les cultures orientales, le cosmos et les mythologies. Ce premier album intitulé Le Repère (Yannick Benoit est aussi un jeune et heureux papa, un heureux père donc) témoigne avec beaucoup de conviction de tout celaetavecàsescôtésSylvainLeRayaupiano,TomGuilloisàlacontrebasseetJean-Baptiste Loutte à la batterie, il emporte sans mal notre totale et enthousiaste adhésion. Programmationmusicale: 1/Nusrat/DanWeiss/albumEvenOdds(CygnusRecordings) 2/Espiègle/CHRONES/albumZONE(ArtDistrictMusic) 3/Didjeridoo/YannickBenoît/albumLeRepère(WelcomeHome)

Space is the place_jazz e dintorni Puntata in cui curiosiamo tra i cartelloni delle rassegne dei primi mesi del 2024, con Miguel Zenon, Joe Lovano, Evan Parker, Olivia Trummer, Naïssam Jalal, Lina Alemanno Four e i Radian. Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-12-marzo-2024 Tutti i podcast di Space is the place: https://www.radiotandem.it/space-is-the-place

durée : 00:59:21 - Dan Tepfer & Miguel Zenon - par : Alex Dutilh - Le pianiste Dan Tepfer et le saxophoniste alto Miguel Zenόn confirment leur complicité ludique avec “Internal Melodies”, sur des compositions de Ligeti et Tristano. Enregistré, mixé et masterisé par Dan Tepfer.

durée : 00:59:21 - Dan Tepfer & Miguel Zenon - par : Alex Dutilh - Le pianiste Dan Tepfer et le saxophoniste alto Miguel Zenόn confirment leur complicité ludique avec “Internal Melodies”, sur des compositions de Ligeti et Tristano. Enregistré, mixé et masterisé par Dan Tepfer.

Gabriela Martina is a vocalist, composer, and bandleader who grew up in Switzerland. She spent 13 years living and working in the US (Boston & New York) learning from the people who made Jazz (among many other styles of music originating from the US) as important of an art form as it is today. Gabriela grew up yodeling with her family and had performances as early as the age of 4. Being raised on a beautiful farm in the heart of Switzerland surrounded by a musical family has influenced her musical path strongly. Martina's upcoming album ‘Homage to Grämlis' (delayed by Corona 2020), is a tribute to the farm in the Swiss Alps where she was raised. In spring of 2019 she won the LABgrant from The Boston Foundation, which gave her great support with her album production of ‘Homage to Grämlis'. In the fall of 2021, Martina had the great honor to receive the arts & culture award 2020 from the arts and culture commission Horw, her home town in Switzerland. She also received the DIPLÔME DE MÉDAILLE DE VERMEIL from the lauréats Arts-Sciences-Lettres, 2020, in Paris (France). During the time of the pandemic, Gabriela Martina has composed nine new compositions for her newest album called ‘STATES'. The word ‘States' refers to the United States of America, but also to a ‘state of mind', or simply a ‘state of being'. Sounds created with your voice and percussion/drumming as the first human musical elements. She has used them as the core elements for her compositions. Her works include wordplay, music with words (spoken word) and words with no meaning (gibberish). The release for this album is slated for 2024! Released in 2016 with a four-star review from DownBeat, her album, No White Shoes, represented a major step in the singer's sojourn as a 21st-century musician. Martina had the opportunity to perform and collaborate with heavyweights like Meshell Ndegeocello, Jack DeJohnette, and Angelique Kidjo. She recorded with veteran drummer J.R. Robinson and was a semi-finalist in the Shure Voice Competition at the 2009 Montreux Jazz Festival, performing with guitarist Lee Ritenour's band. Martina released a critically hailed EP in 2010, Curiosity, which included her original song “Ain't Nobody,” a finalist in the American Society of Composers, Authors, and Publishers Foundation Young Jazz Composer Awards in 2012. Martina owns her own booking agency called Red Velvet Sounds and is cofounder and curator of the free improv concert series In Momentum. In June 2019 she took part in the Central Swiss Yodeling Festival and graduated with top marks. She has also performed in concert venues such as the Berklee Performance Center, Jordan Hall, International Tennis Hall of Fame, State House of Flags and the Scullers Jazz Club. Gabriela has a bachelor's degree from Berklee College of Music and a master's degree from the New England Conservatory of Music, where she studied with Donna McElroy, Jason Moran, Cecil McBee, Miguel Zenon, Frank Carlberg, Dominique Eade, Ken Schaphorst, Jerry Bergonzi among many others. Martina is passionate about learning more about other cultures, helping to develop a sense for community, and fighting inequality and racism. She is a strong advocate of causes that promote equal human rights independent of religious or political affiliations. From 2009 to 2010, Martina was the founder and president of the Cultural Leaders Club at Berklee College of Music, where students investigated causes and effects in terms of race, gender, and ethnicity issues. Sonic Relief, which Martina co-founded, was awarded the Berklee Urban Service Award 2016 for using music to aid people in need, such as organizing a humanitarian fundraising concert for Syrian refugees, featuring Simon Shaheen and the Lee Swensen Katz Trio in December 2015. Gabriela Martina has many hidden talents, one of them being cooking which she clearly proved through her cookbook she wrote during the desperate times of the pandemic 2020/2021 called ‘Dinner with My Neighbor'. In this episode, Gabriela shares her background, education, and musical journey.

Ballaké Sissoko, Vincent Segal, Emile Parisien et Vincent Peirani sortent un album commun : Les Égarés. Entretien avec Vincent Segal et Vincent Peirani. Puis la #SessionLive s'adonnera à du groove afro-caribéen made in France !   Une kora, un violoncelle, un saxophone et un accordéon. Nous recevons 2 des 4 musiciens Vincent Segal et Vincent Peirani. Les Égarés est plus qu'un disque. C'est un espace de jeu, un lieu de vie musical, un asile poétique habité par deux binômes qui, depuis des années, excellent dans l'art de croiser les sons et de transcender les genres : Ballaké Sissoko (kora) et Vincent Segal (violoncelle) d'un côté, Vincent Peirani (accordéon) et Émile Parisien (saxophone) de l'autre. Avec ces magiciens-là, 2+2 ne fait plus 4, mais 1. Car c'est bien une unité d'esprit et une fluidité du son qu'inventent ensemble ces individualités bien trempées, méprisant toute compétition d'ego pour se mettre au service du bien musical commun. Ni jazz ni traditionnel, ni chambriste ni avant-gardiste, mais un peu de tout cela à la fois, Les Égarés est cet album où l'oreille est l'instrument-roi, où la virtuosité s'exprime dans l'art d'être complice, où le simple et grandiose désir d'écouter l'autre aboutit à la naissance d'un splendide chant à quatre voix. Tout part d'une rencontre au sommet – en haut d'une colline qui surplombe Lyon. Ce soir de juin 2019, dans le cadre du festival Les Nuits de Fourvière, on s'apprête à célébrer les quinze ans du label NØ FØRMAT, dans un bel écrin de pierres romaines à ciel ouvert. Pour l'occasion, Vincent Segal est le maître de cérémonie et tient salon (de musique), entouré de convives de choix : parmi eux figurent déjà Ballaké Sissoko, Vincent Peirani et Émile Parisien. Entre les participants, un pacte a été signé : aucune répétition ne doit précéder ce qui s'annonce comme un moment de création spontanée. Mais comment réfréner de tels inspirés, animés par le désir de converser en musique ? L'après-midi, sous une tonnelle qui les protège du cagnard, les voilà qui, pour la seule beauté du geste et la grandeur du plaisir, se mettent à jammer. Et la musique, alors, coule comme source, limpide et fraîche. C'est dans le souvenir de ce jaillissement qu'a germé l'idée de composer le quatuor des Égarés. Et c'est à cela qu'aura ressemblé l'enregistrement de l'album : un partage spontané des élans et des savoirs. Il n'y a qu'une promesse que ce disque n'a pas pu exaucer : celle, caressée un temps par Vincent Segal, d'enregistrer à Bamako chez son complice Ballaké, comme au temps de leur divin album Chamber Music. L'extrême tension qui règne au Mali a eu raison de ce rêve, et c'est finalement à Gap que, une semaine durant, les quatre musiciens ont installé leur atelier de création. Dehors, la météo était très instable. Dans le studio, elle a été au grand beau, tout de suite. Mais ce n'était pas le beau fixe pour autant : dès les premiers échanges, tout s'est mis en mouvement et en vibration. Normal : aucun de ces quatre affranchis n'aime être emprisonné – que ce soit dans un rôle ou dans un type de jeu ou de son auquel son instrument serait condamné. Dans sa besace, chacun a apporté une poignée de diamants bruts, qu'il a soumis au groupe. À l'épreuve du feu commun, dans le creuset naturel du live acoustique, ces gemmes ont pris forme neuve, se sont sublimés : ils ont très vite fourni la matière d'un authentique butin collectif. De l'or musical, fondu dans un singulier alliage de timbres, de touchers, de souffles et de phrasés, dont le motif à l'unisson qui ouvre l'album donne d'emblée la formule de base alchimique.Il y a ainsi Ta Nye et Banja, merveilles mandingues qui sont comme les bornes de départ et d'arrivée de la route tracée parcourue par Les Égarés : deux thèmes de kora que les contrechants et reprises des autres instruments enrobent et déplacent insensiblement, avec cet engagement dans la douceur, ce souci d'accompagner au plus juste qui est l'apanage des musiciens d'expérience – écoutez donc l'introduction follement aérienne que signe Émile Parisien sur Banja. Un parfum d'Arménie enrobe les premières mesures d'Izao, pièce qui glisse vers la Transylvanie via la Turquie, et semble orchestrer par endroits de troublantes noces entre kora et Bartok. Soutenu par une basse lancinante, Amenhotep enclenche une lente mais sûre spirale ascensionnelle, transe coltranienne que soulèvent les souffles croisés de l'accordéon et du sax. Autour du thème de Dou, les quatre hommes prennent le relais comme s'il s'agissait de garder un feu, d'entretenir la mémoire d'un blues ancestral en lui donnant l'enivrant balancement d'une berceuse. Tout en majesté et en mystère, Nomad's Sky s'ouvre comme une plante aux fragrances capiteuses, trouvant de quoi étourdir durablement les sens dans la nervure obstinée de la basse, jouée au cello, et le déploiement progressif des motifs instrumentaux. La Chanson des égarés déroule quant à elle une de ces mélodies irrésistiblement cadencées qu'on se fredonne intérieurement quand, comme Vincent Segal, « on marche sans savoir où l'on va, en se laissant aller au plaisir d'être paumé » – plaisir qui, à lui seul, résume la philosophie du disque. Les thèmes empruntés à des sources extérieures sont pareillement transcendés. Esperanza, standard de l'accordéoniste Marc Perrone, sonne comme une cumbia à la fois alerte et douce, sa mélodie qui passe de main en main tissant une étoffe que l'auditeur porte à même le cœur. Dans Time Bum, tiré du répertoire de Bumcello, c'est l'illusion d'entendre un combo de cuivres qui prend corps, big band au groove ultra-serré que la basse au cello ne fait que renforcer. Dans Orient Express, reprise haletante tiré du grand-œuvre de Joe Zawinul, immense dresseur de ponts entre Europe, Afrique et Orient, le quatuor, sans recours à l'électricité ni à un feu roulant de percussions, réussit à conserver l'ADN de l'original tout en recomposant totalement ses tissus, sa force vitale, son groove infectieux. Sans la moindre démonstration, les quatre complices réalisent ainsi toute une série de prouesses qui ne sont jamais affichées comme telles. Les Égarés est ce disque sans voix soliste qui, pourtant, ne cesse jamais de chanter. Ce disque sans batterie ni percussions qui, pourtant, ne cesse jamais de faire entendre une très humaine et très sensible pulsation. Ce disque aux échanges si harmonieux que, par séquences, l'oreille, saisie par quelques illusions auditives (n'y aurait-il pas ici un balafon, et là un harmonium ?), en arrive elle-même à se perdre voluptueusement, à ne plus distinguer qui fait quoi dans l'intime entrelacement des voix. Ce disque qui, tout en repoussant la banalité, ne cesse d'embrasser l'évidence, dans un art du décadrage amoureux et de la dérive volontaire dont l'élégance audacieuse renvoie à d'autres grands égarés comme Don Cherry ou encore les musiciens sans matricule du Penguin Cafe Orchestra. « Je n'ai jamais enregistré un disque dans une telle atmosphère, souligne Vincent Peirani. Aucun de nous n'a été dans la “perf”, si bien que la musique raconte beaucoup de choses sans jamais se la raconter. Aucun d'entre nous ne détenait la vérité : nous la trouvions ensemble. » Au passage, Les Égarés rappelle tout ce que l'esprit de concorde peut avoir de frondeur, et combien l'art de jouer en si belle intelligence peut engendrer une manière extrêmement subtile de mettre le feu aux poudres. Contrairement à une idée reçue un peu pénible, vivre en harmonie ne signifie pas s'astreindre fatalement à des compromis pénibles, consensus mous et autres lénifiantes routines : quand elle le veut, la paix déménage. Et avec ces quatre-là, elle le veut bien, elle le veut tout le temps. Dans Les Égarés, elle soulève même des montagnes, recomposant le paysage musical pour tirer des lignes de fuite d'une beauté inouïe.Titres joués- Izao, La chanson des égarés, Time Bum et Banja voir le clip. - Voir le clip Esperanza.► album Les Egarés  (No Format 2023).Concert France 2023 à venir12 juillet - Les Suds à Arles.Puis nous recevons le groupe Abajàde dans la #SessionLive pour présenter l'album « Latopa », voir le clip.Latopa déploie toute l'étendue d'un groove mystique élaboré entre les rues de La Havane et les clubs de Paris. En colorant les chants yoruba dédiés aux orishas des univers musicaux de ce tout nouveau collectif, Àbájade apporte ses touches de soul et de jazz pour un son original construit à huit. Un premier album éclatant ! L'album se nomme Latopa car il est dédié à l'orisha Elegua qui ouvre les chemins dans la tradition afro-cubaine de la Santeria. Divinité des carrefours, nous le sentons emblématique de notre musique par la diversité des routes musicales qui se croisent dans ce disque.  Il comprend 7 titres, mélangeant compositions originales et arrangements inédits sauce Àbájade pour une durée totale de 36 minutes. Pour être au plus proche de notre énergie sur scène et restituer l'aspect organique de notre musique, tout a été enregistré en live. Nous voulions également un son chaleureux et un peu vintage comme sur les mythiques albums des années 70. L'enregistrement, le mixage et le mastering ont été réalisés sur bande analogique avec des micros d'époque.  Le disque s'accompagne d'un univers graphique conçu par le street artist Gilbert Mazout, qui a réalisé une grande fresque murale au coeur du clip et de la pochette.  Après avoir exploré la musique du saxophoniste Miguel Zenon dans notre premier EP, nous tombons par hasard sur le disque Méta Méta du groupe anglais Timeline. C'est une révélation pour nous, car, à travers des arrangements aux grooves léchés, parvient à nos oreilles une musique qui ne nous quittera plus depuis : les chants sacrés de la santeria cubaine. Nous sommes immédiatement séduits par la beauté des mélodies, les polyrythmies des tambours batá qui les accompagnent et la dimension spirituelle des orishas.  Nous commençons à intégrer ces éléments à notre répertoire, et quelques mois plus tard nous voilà à Cuba pour participer aux cérémonies dont nous jouons la musique. Un nouveau chapitre s'ouvre alors pour nous, au rythme des aller-retours à la Havane. À travers les rites quotidiens, l'ambiance électrique des tambours et les rumbas dans la rue se nouent des liens d'amitié avec les musicien.ne.s qui font vivre les traditions afro-cubaines aujourd'hui.  C'est l'atmosphère spirituelle, l'inventivité rythmique et l'énergie intense des cérémonies que nous avons pu vivre à Cuba qu'il nous tenait à cœur de retranscrire de manière personnelle et originale. En 2022, 3 résidences de création en partenariat avec des salles de spectacles nous ont permis d'élaborer notre nouveau répertoire. Nous l'avons rôdé sur scène avec un bon paquet de concerts en Ile-de-France et en Provence, durant lesquels nous avons exploré nos compositions, toujours prêt.es à improviser ensemble de nouveaux virages. Nous avons aussi invité des musiciens incroyables, comme le percussionniste cubain Barbarito « Machito » Crespo. Notre premier album trouve un bel écho avec des dates à venir au festival Jazz à Vienne, à la Flèche d'Or, au Tamanoir, à la Dynamo... et une release party au Studio de l'Ermitage à Paris.  Titres interprétés au grand studio- Peze Café Live RFI- Lalubanche, extrait de l'album Latopa  - Obatala Live RFI.Line Up : Thomas Celnik, direction artistique, claviers & percussions ; Julien Catherine, batterie & percussions ; Cyprien Corgier, chant lead & percussions ; Syrielle Guignard, chant & percussions ; Waly Loume, multi percussions ; Hamza Touré, saxophone ténor, flûte & clarinette basse ; Antonin Pauquet, basse ; Sophye Soliveau, chant lead.Son : Benoît Letirant & Matthias Taylor.► album Latopa (InOuïe Distribution 2023). Concerts à venir- Mai 2023, à La Dynamo-Pantin- 7 juillet, Jazz à Vienne.(Rediffusion).

1. Josean Jacobo - Dos Locos feat. Miguel Zenon (Herencia Criolla SELF RELEASE)This exciting album is an exploration of the Dominican pianist's Latin American and Caribbean musical influences that specifically explores Dominican jazz. Through an anthropological presentation, Jacobo guides listeners through the cultural inspiration behind each of his compositions and arrangements. Herencia Criolla features Daroll Méndez on bass and Otoniel Nicolás on drums, with special guest alto saxophonist Miguel Zenon.2. Jorge Louis Pacheco - La Conga (The Lockdown Album, Ropeadope) Hailing from Havana, Cuba, Jorge Luis Pacheco is one of the leading pianists and musicians of the new generation of jazz in Cuba. Winner of the Montreux Jazz Piano Solo Competition in Switzerland, Pacheco is a fiery young pianist with “flying hands.” 3. Tawanda - Smile (Smile, Resonance Records) Exciting Jazz-Vocal Discovery Tawanda, Winner of the 2020 Sarah Vaughan Competition4 Chris Cochrane / John Thacker - Bayard (Excavation ASTRAL SPIRITS) The debut duo release Excavation from the Brooklyn duo of Chris Cochrane & John Thayer. A mind-bending album featuring a multi-generational cast of NYC legends and up-and-coming performers including Zeena Parkins, Kato Kideki, Graham Haynes, Stuart Popejoy, Gelsey Bell, Sarah Bernstein & Stan Zenkov. 5. Yessaï Karapetian - her (the unknown) (Yessai, Kyudo Records) YESSAÏ is the sweeping debut album from Armenian-French pianist and composer Yessaï Karapetian. The bandleader arrives in full force, after strong showings on Guillaume Perret's “A Certain Trip” (for which he won a Downbeat Student Music Award for Best Soloist)6. Sarah Elizabeth Charles - Out Loud (Blank Canvas, Ropeadope) VOCALIST-COMPOSER SARAH ELIZABETH CHARLES LOOKS TOWARD NEW BEGINNINGS ON BLANK CANVAS, THE LATEST FROM HER ACCLAIMED BAND SCOPE7. Sean Keegan - The Banshee /The Reel of Rio (A Bird Never Flew On One Wing SSK Records) In July 2022 Seán released his debut solo album of Traditional Irish Music on Mandolin, Tenor Banjo and Fiddle. Featuring John Blake on Guitar, Piano and Bouzouki and Simone Keegan on Fiddle, the album was formally launched by Seán Potts at Scoil Samhraidh Willie Clancy 2022 to widespread critical acclaim.8. Lauren Henderson - Perfidia (La Bruja, Brontosaurus Records) Versatile vocalist Lauren Henderson expands her sound on her new album La Bruja. Merging mystical themes with familiar melodies, La Bruja is an embrace of Black American Music, highlighting the Afro-Latinx experience and the resilience of women through a spellbinding, 11-track collection of deftly-composed originals and carefully curated Latin jazz standards.  9. Helena Recalde - Alli Wayra Alli Mar (Karishina, SELF RELEASE) Lulled by the rhythms of the Pacific coast and the Andean melodies, Helena RECALDE bassist, double bassist and Ecuadorian singer composes and writes a music loaded with emotion, her experience and stories from her home country.  10. Anthony Joseph - Kamau (The Rich are Only Defeated When Running for Their Lives, Heavenly Sweetness) British Trinidadian poet/musician/author AnthonyJoseph's latest album contains multitudes. Operating as a dedication to poetic ancestors and a coming together of musical generations, The Rich are Only Defeated When Running for their Lives is also an almighty jam. 11. Michael Blake - Henry's Boogaloo (Combobulate, Newvelle Records) Combobulate is a celebratory exploration of Blake originals and arrangements featuring a brass section of unparalleled excellence. Blake is seen here on tenor and soprano saxophones and flute alongside Steven Bernstein on trumpet, Clark Gayton on trombone, Bob Stewart on tuba, Marcus Rojas on tuba and Allan Mednard on drums. Next wk on Courtney Pine Global:  Big Band grooves, Brazilian Chameleons & Gnawa Electronica galaxies from Morocco! Hit subscribe right now and don't miss that launch!

Nuova puntata dedicata ai migliori dischi jazz del 2022, con Nduduzo Makhathini, David Murray, Lydian Sound Orchestra, J.D. Allen, Miguel Zenon, Unscientific Italians e Oliphantre.

Space is the place_jazz e dintorni del 31 gennaio 2023Nuova puntata dedicata ai migliori dischi jazz del 2022, con Nduduzo Makhathini, David Murray, Lydian Sound Orchestra, J.D. Allen, Miguel Zenon, Unscientific Italians e Oliphantre. Per diffondere questa puntata: https://www.radiotandem.it/space-is-the-place-del-31-gennaio-2023 Tutti i podcast di Space is the place: https://www.radiotandem.it/category/space-is-the-place

Toronto-based trumpeter Alexis Baro joins us in this installment of the podcast. In our discussion, we discuss the move from Havana, Cuba to Toronto, how a teacher saved his career before it even began, what it's like to play a trumpet that bears your name, and much more!What you'll hear in this episode:-The music scene in Havana vs. Toronto...01:30-The biggest difference between the jazz and classical mindset...08:01-How our realities (for better or worse) inform our musical tastes and creative impulses...11:00-How a teacher in Cuba saved Alexis' trumpet career before it even began...15:00-Handling the pressure of the "do or die" situation as a student vs. as a professional...21:50-The process of getting established as a pro musician in Toronto...25:50-Alexis describes his customized equipment made by Carol Brass...28:55-How much of our success as a player is in our mind, vs. the equipment?...35:30-What Alexis would share with his 19 year old self...40:05-Plus whatever your discerning ears deem worthy of your time and interest...Resources mentioned:Alexis Baro's websiteCarol BrassAbout the guest:Alexis Baro was born into a musical family in Havana, Cuba. Classically trained, he took up the trumpet at the age of age 8 and completed his musical education receiving a teaching certification at the prestigious Amadeo Roldán Music Conservatory in Havana.While in school he became a member of the Buena Vista Social Club super star Omara Portuondo's band, and later at the age of 19 played lead trumpet for the National Radio and Television Orchestra.After moving to Toronto, Canada in 2001, he was discovered by iconic Canadian jazz drummer Archie Alleyne where he florished as a writer and performer for eight years as a member of the Canadian award winning 'hard-bop" band Kollage. As a band member he was nominated for “Best Jazz Trumpeter” by the Canadian National Jazz Awards in the years 2006, 2007, and 2008. Baro has participated in more than 80 albums and can be heard as a feature solist on some of the most transcendent Latin albums made in Canada such as Hilario Duran's Grammy Award nominated album “From The Heart”.He has performed with such artists as Nikky Yanofsky, David Foster, Michael Bubble, Paul Anka, Danilo Perez, John Patitucci, Brian Blade, Paquito d' Rivera, Jimmy Bosch, Miguel Zenon, Hilario Duran, Robi Botos, Jesus Alemaney & Cubanismo, David Virelles, Andrea Boccelli, Gino Vanelli, Esthero, David Rudder, Juan de Marco & The Afro-Cuban All Stars, and Horacio "el negro" Hernandez.Highlights in his solo career include opening for Herbie Hancock, and tours of South America and the West Indies. He's released six albums as a solo artist “Havana Banana”, “From the Other Side”, “Blue Skin”, the Gold Medal “Global Music Award winner in the jazz category “Guilty Pleasure” , "Sugar Rush" and "Sandstorm". his Juno Awards Nominated 2018 release.*Opening theme music: "Come Together" recorded by Alexis BaroClosing theme music: "Sonata in A Major" recorded by Joe Burgstaller

Artist:  Miguel Zenon Album:  "Musica De Las Americas  Release Date:  August 26,2022  Label:  Miel Music   Website:  https://miguelzenon.com/ SCFB is found on:  Youtube, Itunes, Anchor, Spotify, Amazon Podcasts, Google Podcast, Overcast, Breaker, Castbox, Radio Public, Podbay, Stitcher....and more!   Tom Gouker is also featured on a limited-run podcast about the Beatles called, "The Beatles Come To America",  Join Tom and the "Beatle Guru" Brooke Halpin as we chat about the US Album Releases of the Beatles ("65", "Yesterday & Today" and "Hey Jude"...they are all there.)   How To Get a Hold of SOMETHING came from Baltimore:  Contacts Information:  Email:  somethingcamefrombaltimore@gmail.com  Twitter: something came from baltimore (@tom_gouker) / Twitter  Instagram: Something Came From Baltimore (@something.came.from.baltimore)   Did You know that SOMETHING came from Baltimore is on "TheBocX.com". TheBocX.com - Something came from Baltimore is a Podcast and a 30-minute radio show and can be heard weekly (Thursday's at 7pm EST) it's called, SOMETHING came from Baltimore THE SHOW.  Check out the Station: Jazz Music Radio - The BocX Streaming Jazzy Music Support SOMETHING came from Baltimore: TIPS! Tom Gouker's Cash App Account: $ThomasGouker Tom Gouker's Venmo Account:  Thomas-Gouker FRIENDS OF THIS PODCAST: Adult Music: https://adultmusic.podbean.com/ Neon Jazz: https://podcasts.apple.com/us/podcast/famous-interviews-neon-jazz/id546432639 The Same Difference 2 Jazz Fans - 1 Jazz Standard:  https://podcasts.apple.com/us/podcast/same-difference-2-jazz-fans-1-jazz-standard/id1456627254 The Top 60 Jazz Podcast List including SOMETHING came from Baltimore is right here:  https://blog.feedspot.com/jazz_podcasts/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/message Support this podcast: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/support

Willy Rodriguez is a Latin GRAMMY-winning drummer, percussionist and bandleader. He was born in Ponce, Puerto Rico and began playing drums at age thirteen. He received his musical start playing throughout Puerto Rico in rock and pop bands. When Willy was twenty-one he started working as the Musical Director and drummer for Latin American Idol's touring group. Following his experience at Idol, he was awarded a scholarship to attend Berklee College of Music in 2007. His reputation as a skilled musician spread quickly in the Boston area and he began playing extensively with musicians such as Jason Palmer and Andre Heyward. At Berklee, Willy studied with a host of famed teachers such as Terri-Lyne Carrington, Yoron Israel, Ralph Peterson and Greg Osby. In 2014, Willy graduated from New England Conservatory with a Master's degree in Jazz Drum Performance. At NEC, he studied with Billy Hart, Cecil McBee, Miguel Zenon, Jerry Bergonzi and Bob Moses, among others. He has performed alongside some of the premier musicians in jazz and Latin jazz including Jason Palmer, Papo Vasquez and Dave Liebman, with whom he has recorded and played with extensively. In addition to his work in jazz, he has performed and/or recorded with an extensive list of genre-spanning artists including Omar Rodriguez-Lopez, Mon Laferte, Domino Saints, and more. In 2019, he won a Latin GRAMMY for his work on Mon Laferte's 'Norma'. Willy recorded the self-titled seventh album by The Mars Volta, released in 2022 after a ten-year hiatus.  In this episode, Willy talks about How he got into The Mars Volta's circle, and how his style fit the more intimate feel of the new record Wanting to make his own name as an artist, as opposed to becoming known as "so-and-so's drummer" His experience as an older student at Berklee Understanding the American pocket and shedding his "Puerto-Rican-ness" in pursuit of it How he got into jazz through metal and math rock

Switching gears from last week's fusion episode, we return to a more bop oriented show. Art Pepper, Kenny Burrell and Joe Gordon open the set. Next up some of the great jazz artists on the San Diego scene. We finish with new music from The Bad Plus and Miguel Zenon. The show concludes with Miles playing Feldman. Playlist Artist ~ Name ~ Album Art Pepper ~ Groovin' High ~ Art Pepper + Eleven: Modern Jazz Classics Kenny Burrell ~ Delilah ~ Introducing Kenny Burrell - The First Blue Note Sessions Joe Gordon ~ Terra Firma Irma ~ Lookin' Good! Gilbert Castellanos ~ La Tinsa ~ Underground Christopher Hollyday ~ Everything Happens ~ Telepathy James Moody ~ Moody's Mood ~ The World Is a Ghetto The Bad Plus ~ Motivations II ~ The Bad Plus Miguel Zenón ~ Navegando ~ Música De Las Américas Miles Davis ~ Joshua ~ Seven Steps To Heaven

Featuring the retro world soul of the Scone Cash Players from their new Daptone joint; banjo-fusion master Andy Thorn digging into the claw-hammer on Aesop Mountain; a wonderful tribute to Carla Bley from Ben Allison, Steve Cardenas, and Ted Nash; pianist Art Lande interpreting Monk as well as anyone can; NYC songwriter extraordinaire Jesse Harris from his latest release; and finally, the great Miguel Zenon exploring music of the Americas on his latest spectacular release.

#radyodacaz

durée : 00:55:22 - Miguel Zenon - par : Alex Dutilh - Le saxophoniste Miguel Zenón publie “Música de Las Américas” chez Miel Music, inspiré par l'histoire du continent américain, sud et nord confondus.

durée : 00:55:22 - Miguel Zenon - par : Alex Dutilh - Le saxophoniste Miguel Zenón publie “Música de Las Américas” chez Miel Music, inspiré par l'histoire du continent américain, sud et nord confondus.

Courtney's playing refreshingly cool new jazzy vibes for you to work, rest and play to!  Jam-packed full of new releases and plenty of fun, including many of the artists introducing their own tracks!  This week we're doing some serious globe trotting!  Copenhagen swing, Cadiz Flamenco, NYC hot vocals, Zulu-inspired meditations, Norwegian folk-jazz, American song-book classic, genius big-band - pack your case folks cause this is truly a sonic journey to remember!1 Gábor Bolla - Monkey Donkey 7'53On The Move SUNDANCE Tr1Gábor Bolla sx Robert Lakatos pno Daniel Franck bs Billy Drummond dr(Bolla)Hungarian sax player Gábor Bolla hailing from Copenhagen & swingin us into action this week with a tribute to Monk and Kirk Lightesy feat fab Billy Drummond!2 Matthew Muneses - Revolution & Liberation 6'31Noli me Tangere NEXT LEVEL Tr7Matthew Muneses/Miguel Zenon sx Stu Mindeman pno Clark Sommers bs Dana Hall dr(Muneses)Post-colonial Philippines explored in music by Filipino Sax player Matthew and feat Miguel Zenon who's coming up in Ep 19 of the Global Podcast! 3 Oscar Penas - El Ronqueo 3'09Almadraba MUSIKOZ Tr7Oscar Penas gtr Marta Sanchez keys Pablo Aslan bs Richie Barshav perc Harlem Quartet(Penas)"From the fishermen of Cadiz, who have been casting their nets into the Mediterranean for generations", came the inspiration for these graceful Flamenco flavoured melodies!4 High Pulp: Kamishinjo feat Jacob Mann 3'21 Pursuit of Ends ANTI-RECORDS Tr7Bobby Granfelt dr perc Rob Homan keys Antoine Martel keys/gtr Andrew Morrill alto Victory Nguyen fl sx tpt Scott Rixon bs gtr feat Jacob Mann synth Jerome Smith tb(High Pulp arr Giroux)Seattle-based Jazz collective High Pulp featuring keyboard wizard Jacob Mann and a nod to cult producer David Axelrod!5 Jeremy Siskind - New York City 4'15Songs of Rebirth OUTSIDE IN MUSIC Tr10Jeremy Siskind pno Nancy Harms vc Lucas Pino sx (The Housewarming Project)(Siskind/Vonnegut)Styled from a passage in Kurt Vonnegut's novel Bluebeard...there's a faith in moving to New York which reflects a dedication to pursuing something important, something big, something earth-shaking.  6 Ryan Keberle's Collectiv do Brasil - Aqui, Oh! 6'25Sonhos da Esquina ALTERNATE SIDE Tr6Ryan Keberle tb Felipe Silveira pno Thiago Alves bs Paulinho Vicente dr(Horta/Brant)Gorgeous Trombone on a love poem to Brazil from Ryan Keberle!  7 Nduduzo Makhathini - Senze'Nina? 5'49 In the Spirit of Ntu BLUENOTE Tr9Nduduzo Makhathini pno Linda Sikhakhane sx Robin Fassie Kock tpt Dylan Tabisher vb Stephen de Souza bs Gontse Makhene perc Dane Paris dr(Makathini)"Ntu is a creative force that seeks to lead us to remember our essence.”  Meditative sounds from exciting young South African musicians & visionary Makathini.8 Espen Eriksen Trio - Suburban Folk Song 9'30In The Mountains RUNE GRAMMOFON Tr3Espen Eriksen pno Lars Tormod Jenset bs Andreas Bye dr(Eriksen)Is there such a thing as Suburban folk music?  There is now!  Recorded live at Oslo Jazz Fest 2020, trio magic from Norway!9 Callum Au/Claire Martin - The Folks Who Live on the Hill 3'39Songs & Stories STUNT - Tr4Callum Au pno Claire Martin vc Callam Au Orchestra feat Bozidar Vukotic cl Rob Barron pno(Kern/Hammerstein II arr Au)Claire's favourite track from this gorgeous album.  What a vocal and what an arrangement - endless love!10 Ben Markley Big Band/Ari Hoenig - Birdless 9'48Ari's Funhouse OA2 Tr1Soloists: Ben Markley pno Wil Swindler sx Steve Kovalcheck gtr Ari Hoenig drHoenig arr MarkleyGenius boppin big band conversations from Ben Markley to head us out this week!         

On this edition of The Arts Section, host Gary Zidek catches up with renowned saxophonist and MacArthur Fellow Miguel Zenón. We discuss his new album and an upcoming performance at the Chicago Jazz Fest. The Dueling Critics, Kerry Reid and Jonathan Abarbanel, will join me to review a new bio-play about trailblazing poet and activist Langston Hughes. Later, Gary and WDCB host Andy Shultz look back at the life and career of multi-instrumentalist Joey DeFrancesco, who passed away this week.

Welcome to the latest Courtney Pine Global Podcast Bitesize Edition!  A coffee break's worth of cool jazzy vibes to wet your appetite for the full show.  Commercial free, and hand-picked by Courtney for a vibrant, and soulful listen!  This week Filipino tension and release from Matthew Muneses, Japan-inspired beats from High Pulp and a Brazilian love story with Ryan Keberle...so many countries, so many musical stories here on Planet Earth and Courtney Pine's giving you an OUTSTANDING anthology WEEKLY on the Global Podcast!  Savour this delicious Bitesize folks and leave us a friendly review!1 Matthew Muñeses - Revolution and Liberation 6'31Noli me Tángere NEXT LEVEL Tr 7Matthew Muñeses/Miguel Zenon sx Stu Mindeman pno Clark Sommers bs Dana Hall drMunesesPost-colonial Philippines explored in music by Filipino Sax player Matthew and feat Miguel Zenon who's coming up in Ep 19 of the Global Podcast! With the release of his sophomore album, Noli Me Tángere saxophonist, composer and educator Matthew Muñeses magnifies the revolution in the Philippines on an impassioned and vigorous set of original compositions. Due out June 3, 2022 via Next Level, Noli Me Tángere is an auditory exploration of the half-Filipino bandleader's heritage as he pays tribute to the late 19th-century Philippine national hero José Rizal. 2 High Pulp: Kamishinjo feat Jacob Mann 3'21Pursuit of Ends ANTI-RECORDS Tr 7Bobby Granfelt dr perc Rob Homan keys Antoine Martel keys/gtrAndrew Morrill alto Victory Nguyen fl sx tpt Scott Rixon bs gtrFeat Jacob Mann synth Jerome Smith tb(High Pulp)“Kamishinjo is a neighbourhood in Osaka, Japan where Antoine [Martel, keyboardist] and myself spent a good amount of time in 2019,” explains drummer Bobby Granfelt. "Working with Jacob was a dream. He sent over a handful of solo takes on his Juno 106 and I was genuinely inspired by their lyricism and originality. The horn writing at the end of the tune is also a nod to David Axelrod, who is one of our biggest influences.”3 Ryan Keberle's Collectiv do Brasil – Aqui, Oh! 6'25Sonhos da Esquina Tr 6Ryan Keberle tb Felipe Silveira pno Thiago Alves bs Paulinho Vicente dr(Horta/Brant)Gorgeous Trombone on a love poem to Brazil from Ryan Keberle!In 2017 Keberle took time off from his duties directing the music program at Hunter College to travel to Brasil. While in São Paulo he met three leading –and rather busy –paulista musicians: pianist Felipe Silveira, bassist Tiago Alves and drummer and percussion colourist Paulinho Vicente. The trio and Keberle became instant soulmates, sharing a deep love for Brasil's sophisticated music tradition, represented by Ivan Lins, Edu Lobo, Toninho Horta and Milton Nascimento, and also a love for American jazz. It wasn't long before Keberle and the Brasilian trio became firmly entrenched as the quartet that was to become Collectiv do Brasil.  

Puerto Rico Jazz con Wilbert Sostre.8am (New York) @ Brave New Radio WPSC 88.7 FM, William Paterson University, New Jersey.@TuneIn Radio! http://tun.in/seoPJEl Maestro Miguel Zenón presentando su nueva producción discográfica Música de Las Américas y hablando de su próxima presentación en el Centro de Bellas Artes, Santurce, Puerto Rico.(Fotos de Miguel Zenón por Adrien Tillmann)Puerto Rico Jazz con Wilbert Sostre.Todos los Domingos 8am (Puerto Rico) @ Brave New Radio WPSC 88.7 William Paterson University, New Jersey@TuneIn Radio! http://tun.in/seoPJ Domingos 6pm @ Radio Prócer 1380AM, 98.5FM, Barranquitas, Puerto Rico. www.radioprocer1380.como en TuneIn http://tun.in/seoKu*Diseño de logo de Puerto Rico Jazz por @Shaney LaraPara enviarnos su música; jazzinmagazine@gmail.com

#radyodacaz

Featuring the modern piano stylings of “Orange Julius” Julius Rodriguez; Brooklyn indie pop duo Mmeadows delivering the goods; Shabaka's latest release of meditative world jazz; saxophone icon Miguel Zenon inspired by Las Americas; the wonderful world of Carla Bley as interpreted by Ben Allison and his trio; a Mexican-American free jazz mashup courtesy of Trio Xolo; the latest Brookyn indie folk joint from Brazos; and finally, another classic from the vault on Verve: Ella Fitzgerald live at the Hollywood Bowl.

#radyodacaz

Time dergisine kapak olan 5 cazcıdan biri... Hakan Rauf Tüfekçi, Thelonious Monk'u anlatıyor, onun şarkılarını çalıyor.

#aktüelcaz Caz trompetçisi Lee Morgan'dan şarkılar, dünya caz festivallerinden haberler.

#RadyodaCaz İtalya'nın en ünlü caz vokallerinden #CinziaSpata'nın şarkıları ve dünyadan caz festivalleri... Hakan Rauf Tüfekçi ile #CazınBüyüsü

#cazınbüyüsü

#cazınbüyüsü

In this segment we feature several projects of the restless Swedish bassist Petter Eldh, solo projects by guitar masters and a young piano virtuoso, interesting meeting points for forward looking jazz and strings, & more. The playlist features Koma Saxo, Sofja Jernberg; Kit Downes, Petter Eldh, James Maddren; Punkt.Vrt.Plastik; John Scofield; Biréli Lagrène; Elias Stemseder; Dave Meder, Miguel Zenon; Caroline Davis; Mary Halvorson, Mivos Quartet; Henry Cole; Red Kite. Detailed playlist at https://spinitron.com/RFB/pl/15900727/Mondo-Jazz (from "Lo Ve Ko Ma" onwards). Happy listening! Photo credit: Andrea Rotili

#CazınBüyüsü'nde bu hafta Porto Riko'lu alto saksafonist Miguel Zenon var.

Will Vinson is widely regarded as one of the world's premier saxophonist,  London born, New York based. Will has performed and recorded with the who's who of the contemporary jazz scene."Originally from London, Alto Saxophonist/Composer Will Vinson has made his career in New York City and the world. Since his arrival in NYC, he has appeared and/or recorded with Gonzalo Rubalcaba, Kurt Rosenwinkel, Ari Hoenig, Jonathan Kreisberg, Marcus Gilmore, Chris Potter, Kurt Elling, Lage Lund, Aaron Parks, and many others. Will is a member of a number of leading ensembles, including pianist Gonzalo Rubalcaba's Quartet (he appears on Charlie and the Grammy-nominated Caminos), Ari Hoenig's Punk Bop and Nonet (Will appears on Inversations, Bert's Playground and Live at Smalls), Miguel Zenon's Identities Orchestra (Grammy-nominated for Identities are Changeable), and his own groups featuring, among others, Lage Lund, Jeff Ballard, Aaron Parks, Kurt Rosenwinkel, Shai Maestro and Mike Moreno."https://www.willvinson.com/See and listen to Will playhttps://triogrande-whirlwind.bandcamp.com/Listen to the song Four Forty One which is currently on the Grammy list in 5 categories! https://music.apple.com/us/album/four-forty-one/1492143703“It was such a pleasure to meet and interview Will over zoom for this podcast. Will was so generous with his time and his stories of making a career performing, composing and recording music were really relatable. Taking opportunities when they arise, being present in the music scene and turning up has led Will to have this wonderful career as a musician travelling the world and producing 9 CDs.  Having had the pleasure of seeing Will play live here in Adelaide made me understand his incredible talent and his personable down to earth way he communicates on stage and in person. Thank you Will for being on my podcast and we look forward to following your career and hopefully see you performing again in Adelaide.”Tania Ingerson Podcaster/Founder TEA The Entrepreneurial Artist PodcastAny questions please email  ingersontania@mac.com  I would like to acknowledge that music played on my Podcast is an original tune"One thing led to another" by David Innocente, Jazz Musician/Artisthttps://www.innocente.com.au/

..Batterista affermato nell'ambito dell'avanguardia (lo ricordiamo accanto fra gli altri a Tim Berne, John Zorn, Marc Ribot e alla guida di propri gruppi), Ches Smith nel 2000 ha scoperto le percussioni del voodoo haitiano, e ha coltivato questo interesse studiando con musicisti di riferimento della musica haitiana negli Stati Uniti e suonando anche all'interno di situazioni religiose e tradizionali, sia a New York che ad Haiti. Nell'ultimo decennio poi Smith ha dato vita al gruppo We All Break, nato come quartetto, con il pianista Matt Mitchell e con i percussionisti e vocalist Daniel Brevil e Markus Schwartz, e poi allargato ad ottetto, con l'aggiunta di un altro percussionista-vocalist, Jean-Guy Fanfan Rene, della cantante Sirene Dantor Rene, del bassista Nick Dunston e del sassofonista Miguel Zenon. Col titolo Path in Seven Colors, e con accurate note di presentazione e corredo di testi, Smith in un elegante cofabnetto propone adesso con un cd registrato in ottetto nel 2020 l'esito più recente della sua passione per la musica del voodoo, e con un altro cd offerto come bonus la tappa in quartetto, precedente (2015) ma non meno interessante, della sua ricerca.

..Batterista affermato nell'ambito dell'avanguardia (lo ricordiamo accanto fra gli altri a Tim Berne, John Zorn, Marc Ribot e alla guida di propri gruppi), Ches Smith nel 2000 ha scoperto le percussioni del voodoo haitiano, e ha coltivato questo interesse studiando con musicisti di riferimento della musica haitiana negli Stati Uniti e suonando anche all'interno di situazioni religiose e tradizionali, sia a New York che ad Haiti. Nell'ultimo decennio poi Smith ha dato vita al gruppo We All Break, nato come quartetto, con il pianista Matt Mitchell e con i percussionisti e vocalist Daniel Brevil e Markus Schwartz, e poi allargato ad ottetto, con l'aggiunta di un altro percussionista-vocalist, Jean-Guy Fanfan Rene, della cantante Sirene Dantor Rene, del bassista Nick Dunston e del sassofonista Miguel Zenon. Col titolo Path in Seven Colors, e con accurate note di presentazione e corredo di testi, Smith in un elegante cofanetto propone adesso con un cd registrato in ottetto nel 2020 l'esito più recente della sua passione per la musica del voodoo, e con un altro cd offerto come bonus la tappa in quartetto, precedente (2015) ma non meno interessante, della sua ricerca.

This is a black arts and culture site. We will be exploring the African Diaspora via the writing, performance, both musical and theatrical (film and stage), as well as the visual arts of Africans in the Diaspora and those influenced by these aesthetic forms of expression. I am interested in the political and social ramifications of art on society, specifically movements supported by these artists and their forebearers. It is my claim that the artists are the true revolutionaries, their work honest and filled with raw unedited passion. They are our true heroes. Ashay!   1. Noel Schwerin's documentary IN AN IDEAL WORLD will have its U.S. television premiere Tuesday, April 26, 2016, at 8 p.m. on WORLD Channel (check local listings), as part of the fourth season of AMERICA REFRAMED, public media's newest documentary series. The film will be available for free streaming on http://worldchannel.org/programs/episode/arf-s4-e413-ideal-world/  starting April 27, 2016.   Shot over seven years, with unprecedented access, IN AN IDEAL WORLD follows three men in California's infamous Soledad prison—John Piccirillo, a white separatist murderer, Sam Lewis, a black ex-gang member and Ben Curry, a warden. Each entered the system young and learned its codes of conduct not only to maintain order and safety, but also for their personal survival. 2. From the Archives.  3. We close with an interview with Mfoniso Udofia about her two plays: "Sojourners" & "runboyrun" at The Magic Theatre through May 8/May 15. Visit themagictheatre.org  Music: Zion Trinity's "Opening Prayer Elegba"; Miguel Zenon's "Second Generation Lulluby."

This episode is available for subscribers only. Join us to listen. Miguel Zenon and Dave Douglas talk … The post ANFTD #12: Miguel Zenon (Subscribers Only) first appeared on Greenleaf Music by Dave Douglas.