Podcasts about cleveland institute

Primarily a flameworker, Kari Russell-Pool approaches her work in a painterly fashion. She is interested in the transformation of an object into an heirloom. Made from hand-pulled glass rods, her Safety Mom Series, for example, was inspired by post-September 11 ideas of keeping a family safe. That series, in incongruously cheerful colors, is dominated by images of guns and keys, and the delicate glasswork is patterned to look like traditional needlework, which kept women's hands busy in the 18th and 19th centuries. For her Trophy Series, Russell-Pool flameworked a strikingly delicate and extremely fragile set of trophies, inspired by an NPR interview with a trophy maker, who stated that frequently people commission trophies for themselves.  In complex and decorative glass aviaries, Russell-Pool often showcases her husband and collaborative partner Marc Petrovic's glass birds, a combination that is at once technically superlative and aesthetically enchanting. Her most recent collaborative series with Petrovic – Our Distilled Life Series – examines the individual amidst the complexity of societal and global challenges and distillates them into a series of vignettes within bottles.  Russell-Pool states: “I communicate using objects as metaphors. From quilts and teapots, to sailors' valentines and cages, I am interested in the stories objects tell and how we elevate them into heirlooms. Filled with personal content and commentary about society, the hard work of relationships, and my experience as a mom, my work tells many stories. The work is autobiographical, and although objects are my vehicle, I think of them as self portraits as each series reflects the timely concerns of my life.” Russell-Pool graduated from the Cleveland Institute of Art in 1990. She has taught and exhibited all over the world, and her work has been published in Glass Magazine and American Craft Magazine. Her public collections include the American Glass Museum, the Baltimore Museum of Art, the Cincinnati Art Museum, the Corning Museum of Glass, the Niijima Museum of Glass (Tokyo), the Racine Art Museum, the Seattle Art Museum, the Smithsonian Museum of American Art (DC), the Tacoma Museum of Glass, the Tucson Museum of Art, and the Peabody Essex Museum. Russell-Pool was awarded the Ohio Arts Council Individual Excellence Award in 2017 and 2019. Pulling her own glass rods or canes using soft glass or traditional blowing glass, Russell-Pool can more easily incorporate blown work by Petrovic into her pieces. They gather clear glass from their melting furnace and color it by rolling the hot clear glass through powdered colored glass, and then encasing the color in another thin layer of clear. These gathers of glass are pulled into 40′ lengths while still hot, and then cut down into 1.5′ lengths. Coloring her glass this way allows Russell-Pool to both mix colors and control their densities. She uses these colored glass canes in a torch flame to sculpt petals, leaves, and small components, which she further colors using more glass powders. Having some color in the base canes allows the artist to work much as a watercolorist would, using washes to achieve subtle or dramatic color changes. Each piece begins with a design drawn out on a piece of ¼-inch clear plate glass. Russell-Pool then bends all her glass canes exactly to that pattern using a torch with a warm flame. “By layering the color and manipulating the density, our hope is the flow between the blown and flameworked glass appears effortless. In glass there is often a right way to do things. I am more a proponent of the cowboy way. The cowboy way invites invention and serves the master of the final result rather than proper technique. I am proud to be called a craftsman, because craftsmanship underlies all I do, even if I am occasionally caught being an artist.” Russell-Pool and Petrovic have collaborative work on view now as part of the Jonathan Adler Show at the Museum of Art and Design in New York City featuring Adler's ceramic work and pieces curated from the permanent collection. The show will run through April 2026. Rusell-Pool's work is also being exhibited in On Fire Part II: Surveying Women in Glass in the Late-Twentieth Century now through January 24, 2026 at Racine Art Museum, Racine, WI. An expanded version of the 2022 show offers a deeper dive into this vital period in contemporary craft by outlining the concerns of artists who explore the sculptural, visual, metaphorical, and creative potential of glass. Seen through the eyes of women, it reflects developments with the medium as an art material two and three decades after Studio Glass concepts were being implemented into university programs and contemporary practices.  

Jennifer Roig-Francolí is The Art of Freedom® Coach for musicians and creatives, and Author of the #1 Amazon Bestseller 'Make Great Music with Ease! The Secret to Smarter Practice, Confident Performance, and Living a Happier Life'.   Jennifer Roig-Francolí is a prize-winning violinist and Alexander Technique teacher helping musicians and creatives online to break through pain, performance anxiety, and mindset obstacles to personal freedom and artistic success. She has a special interest in supporting women to thrive in their everyday and musical lives.   As the creator of The Art of Freedom® Method for conscious living and masterful artistry, Jennifer combines her extensive professional experience with a lifelong love of meditation and perennial wisdom. Her unique holistic approach to self-integration and joyful music-making is based on the five Life-Pillars of Purpose, Mind, Body, Spirit, and Artistry and the practice of touch-free Primal Alexander™ Technique.   Honored as a “Rising Star” by TIME magazine, Jennifer's career as a violinist has taken her to concert halls around the world from a young age, including solo performances at Carnegie Hall and collaborations with esteemed orchestras like the Pittsburgh Symphony Orchestra and Berlin Symphony Orchestra. She has won international competitions and held leadership positions in various ensembles, including the Grammy Award-winning ensemble Apollo's Fire. She can be heard on recordings with Apollo's Fire and as a soloist on most digital streaming platforms.   A dedicated educator, Jennifer has taught the Alexander Technique on the faculties of the University of Cincinnati College-Conservatory of Music and Xavier University. In Ohio, she established two professional associations for Alexander Technique teachers, providing a platform for growth and collaboration within the community. In 2010, her groundbreaking research study on the integration of Alexander Technique into laparoscopic surgery for surgeons at Cincinnati Children's Hospital Medical Center resulted in a prize-winning paper presented at the American Academy of Pediatrics and publication in the Journal of Urology.   Jennifer studied violin with Nathan Milstein in Switzerland, Dr. Shinichi Suzuki in Japan, David Cerone at the Cleveland Institute of Music, and both Josef Gingold and Stanley Ritchie at Indiana University. A dual citizen of the USA and Switzerland, Jennifer lives in Cincinnati, Ohio, and enjoys traveling to far-off places such as Switzerland, Spain, and India. Some of her favorite things to do include playing Big Boggle with her grownup kids, swimming in the Mediterranean Sea, curling up by the living room fire, and taking walks in nature.   Her BOOK is available on Amazon at https://amzn.to/4kxRupu  (affiliate link) Website: https://www.ArtofFreedom.me Email: Jennifer@ArtofFreedom.me YouTube channel https://www.youtube.com/@JenniferRoigFrancoli    Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review!  Thanks for joining me on Crushing Classical!  Theme music by DreamVance. You can join my email list HERE, so you never miss an episode! I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a short discovery call from my website. I'm your host, Jennet Ingle. I love you all. Stay safe out there!  

Jamey Haddad's career as a drummer and percussionist has spanned five decades, countless genres, and multiple continents. For over 25 years, he's had a close relationship with Paul Simon, playing alongside Steve Gadd on multiple records and live projects. He has appeared on over 170 recordings and has played with a wide range of artists from Joe Lovano to Yo Yo Ma, and his career as an educator has found him at Berklee, New England Conservatory, Oberlin Conservatory, and the Cleveland Institute of Music. In this episode, Jamey talks about: Playing with Paul Simon, and Paul's constant desire to rehearse and adjust how his music is presented Recording the album You're The One and collaborating with Steve Gadd to create the rhythmic and textural foundations for those songs Committing to representing the traditions he studied in the pop world  How a given style can be treated as both an academic subject or a folkloric tradition “Every generation needs its music.” How to make people you're playing with know you're listening to them

Today we released part one of our interview with Vera Holczer-Waroquet. She's a Hungarian pianist who came to the US after finishing her degree at Budapest's Bartok High School Conservatory.  She studied music at UCLA and went to graduate school at the Cleveland Institute of Music. Upon graduation, she started a small teaching studio that quickly grew into the Aurora School of Music that trains over 1,000 students per week and hosts numerous events she hosts each year.  Anyone interested in launching any type of arts teaching studio, or needing inspiration on how to grow a teaching studio, should tune in to hear what Vera has to say! https://auroraschoolofmusic.com/

Today we released part one of our interview with Vera Holczer-Waroquet. She's a Hungarian pianist who came to the US after finishing her degree at Budapest's Bartok High School Conservatory.  She studied music at UCLA and went to graduate school at the Cleveland Institute of Music. Upon graduation, she started a small teaching studio that quickly grew into the Aurora School of Music that trains over 1,000 students per week and hosts numerous events she hosts each year.  Anyone interested in launching any type of arts teaching studio, or needing inspiration on how to grow a teaching studio, should tune in to hear what Vera has to say! https://auroraschoolofmusic.com/

The Cello Sherpa Podcast Host, Joel Dallow, interviews cellist Richard Aaron. Richard joined the faculty of the San Francisco Conservatory in the fall of 2024. He shares his incredible journey from landing an orchestra position at the age of 18, to becoming one of the most sought after teachers of our generation! Having been on faculty at the University of Michigan, the Juilliard School, the Cleveland Institute of Music and the New England Conservatory., Richard shares the keys to success on the cello, what he looks for in potential students, and much more.For more information on Richard: https://sfcm.edu/study/faculty/richard-aaronIf you are looking for in person/virtual cello lessons, or orchestral repertoire audition coachings, check out http://www.theCelloSherpa.comFollow us on Facebook, Instagram, TikTok, YouTube and Bluesky @theCelloSherpaFor more information on our sponsor: www.CLEAResources.com 

Most of us have experienced the gnawing doubt of our purpose. Few have leaned into that doubt and set out on a journey of exploration, knowing they are seafarers navigating the risks and opportunities of the voyage. This Great Conversation is with a woman who pursued formal education in business and economics at Harvard. It became her future core competency. She is now acknowledged as a thought leader in macroeconomic analysis and multi-asset capital allocation. But before that she said the great “Yes” to a passion centered in music earning her Doctorate in Musical Arts from the Cleveland Institute of Music, as well as an Artist Diploma and a Master's degree in vocal performance. She has won honors and accolades from international competitions and been featured as a soloist at the Kennedy Center. Now Anna Rathbun, CFA, CAIA is the Chief Investment Officer of CBIZ, Inc. (NYSE:CBZ), a leading professional services advisor to middle market businesses and organizations nationwide. Anna and I spend our time getting to the Yes of her journey which leads us to a discussion of the journey of the business owner. We agree it is a journey that transcends the P&L. It is a journey of the wants and needs of another through relationship and trust. (See the podcast “The Key Performance Indicator We Don't Measure…But Should”.) And trust, according to Anna, is fragile. It has a face, the other. It has a heart. And it has a mind. And this unique chemistry cannot be parsed or siloed. If we only focus on profit optimization, we will not build a sustainable and lasting relationship with our customers, suppliers, and employees. The bad news: we are in a time of shifting business models and shifting value systems for world markets. And that will impact the business owner here at home. The good news: if we harness what we know about ourselves and others, we can navigate these times to advantage both. Anna will be speaking on Thursday, January 30, 2025 at The Economic Update Breakfast at the Madison Centre Building Conference Center in Seattle, Washington. I will be there to meet her, physically, for the first time. Anna oversees a team conducting global economic research. She also produces the CBIZ Small Business Employment Index and the CBIZ Main Street Index, which are proprietary indices that keep a pulse on the small business employment conditions and other Main Street trends in the United States. Anna's opinions on global economic and market trends as well as monetary and fiscal policies are sought after by media outlets, and she is a regular guest contributor on Fox Business, CNN Money, Bloomberg, Reuters, Wall Street Journal and others. Anna is also an experienced professional in alternative investments, focusing on private equity, private credit and private real asset investing for institutional clients.  With a unique background that embraces both finance and the arts, Anna is dedicated to the issue of financial sustainability for organizations serving a mission. Enjoy this conversation with this master of the “Yes” in Life.

Performance psychologist Noa Kageyama (NY License #19280) is on the faculty of The Juilliard School and the Cleveland Institute of Music. A conservatory-trained violinist with degrees from Oberlin and Juilliard before completing a Ph.D. in counseling psychology at Indiana University, Noa now specializes in working with performing artists, teaching them how to utilize sport psychology principles and more consistently perform up to their full abilities under pressure.He has conducted workshops for institutions ranging from Northwestern University, New England Conservatory, Peabody, Eastman, Curtis, McGill University, and the U.S. Armed Forces School of Music, to programs such as the Starling-Delay Symposium, The Perlman Music Program, and the National Orchestral Institute, and for organizations like the Music Teachers' National Association, the National Association of Teachers of Singing, the Sphinx Organization, the Performing Arts Medicine Association, and the Association for Applied Sport Psychology.Noa's work has been featured in The Wall Street Journal, NBC News, CNN, Slate, TED-Ed, Musical America, Strings Magazine, Strad, and Lifehacker. He has taught over 8000 musicians, educators, and learners through his online courses, and authors The Bulletproof Musician - a performance psychology blog and podcast which reaches over 45,000 subscribers every week.www.bulletproofmusician.com

Armando Contreras is the National president and CEO of United Cerebral Palsy Inc. The organization has 55 affiliates, 53 of which are here in the United States and two are in Canada. Armando grew up in East Los Angeles and then attended college at the University of Southern California where he obtained a degree in Business Administration. Later he secured a Master's degree in Divinity from the University of San Francisco.   Armando has worked both in the for profit world as well as for and with several nonprofit organizations. He tells us about all his life adventures including being a cancer survivor now for ten years.   Mr. Contreras and I have a great discussion about his vision for UCP which this year is celebrating its 75th anniversary. Along the way, UCP expanded services beyond just working with persons with Cerebral Palsy. As he explains, the same kinds of services required by people with CP also apply to persons with Downs and Autism.   I hope what Armando discusses with me inspires you as much as it did me. Please let me know what you think.     About the Guest:   Armando A. Contreras is the President and CEO of the Washington, D.C. and Vienna, Virginia-based United Cerebral Palsy Inc., one of the nation's leading health associations providing vital services and advocating for the inclusion of people living with neurodevelopmental disabilities, such as cerebral palsy, autism, and Down syndrome via its 55 affiliates (53 in the U.S. and two in Canada).   A native of Los Angeles, Armando's professional career includes having served as CEO of UCP of Central Arizona, President and CEO of the Arizona Hispanic Chamber of Commerce (AZHCC), Director of the Arizona Registrar of Contractors, and Executive Director of the Council on Small Business under former Arizona Gov. Janet Napolitano.   He was featured in Activator Magazine's March 2021 issue (“A Servant Leader's Faithful Journey”). In November 2016, Arizona Business Magazine recognized him as a top CEO in the nonprofit health sector. In 2015, Armando was named one of the most Influential Minority Business Leaders in Arizona. He was also the featured CEO in the December 2013 issue of Arizona Business Magazine, and the Phoenix Business Journal awarded him a Champions in Diversity award in 2012. Armando was a special guest on The Hill newspaper's virtual Disability Summit, featuring policymakers, business and nonprofit leaders discussing ways to increase employment across the disability community.   Armando attended the Harvard School of Business Strategic Perspectives in Nonprofit Management program. In May 2001, he was honored to meet with President George W. Bush to discuss faith-based and community initiatives during a White House gathering on the topic.   Today, Armando serves on the Board of SourceAmerica. He is a former member of the Bishop's Finance Committee of the Catholic Diocese of Phoenix, and he recently completed a term serving as a member of the Board of Directors of the Kino Border Initiative, a binational organization that promotes U.S.-Mexico border and immigration policies that affirm the dignity of the human person.   Armando earned a bachelor's degree in business administration from the University of Southern California and a master's degree in theology from the University of San Francisco. He also received certificates from the Indiana University School of Philanthropy and Harvard University.   He and his wife, Norma Contreras, live in Phoenix, where they are active in the community, particularly contributing their time and talents to faith-based social justice issues. The couple has three adult children and a grandson with another grandson on the way.       About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/   https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:21 Welcome to another edition of unstoppable mindset where inclusion, diversity and the unexpected meet, and I won't go through all that again, it's inclusion because that means we include disabilities. Diversity typically doesn't, but the unexpected is what we get to deal with a lot as well. It's all fun, and we're glad that you're able to be here with us, wherever you happen to be. Our guest today is Armando Contreras, who is the president of United Cerebral Palsy, Inc, and I'm really anxious to hear more about that keeps keeps him, and I think a lot of us busy, and there's a lot of good stories and very relevant things to talk about regarding that. So let's get to it, Armando, I want to thank you and really appreciate you being here. Michael,   Armando Contreras ** 02:06 it's such a pleasure, and really it's an honor that I can be here on your show. So thank you for the kind invitation. Well, you   Michael Hingson ** 02:15 are. You're certainly most welcome, and Armando is one of those people who came to us again because of Sheldon Lewis here at accessibe, and he's he's keeping us busy, which is a good thing, and he's probably working on getting Armando to use accessibe, unless you already are with UCP. I haven't checked the website lately. Well, we   Armando Contreras ** 02:33 have. So we've already put in that, I believe, a plugin, and some of our affiliates are actually using accessibe as well,   Michael Hingson ** 02:43 which is cool, and it does a lot to help, which is, of course, what it's all about. Because accessibe, using AI, is able to do a lot of the work with the AI widget, not all, but a lot that needs to be done. So it's really great that you guys are using it, and I appreciate that and thank you for it, or on behalf of all of us at accessibe, yeah,   Armando Contreras ** 03:04 you're welcome. Well,   Michael Hingson ** 03:06 why don't we start as I love to do at the beginning? Why don't tell us a little bit about kind of the early Armando growing up and all that sort of stuff? Yes, so might as well,   Armando Contreras ** 03:18 yeah, the early Armando, growing up, was in East Los Angeles, in East LA so my father had a disability for most of his life. He had a he was in a car accident, and the doctors had said he would never work again. And right about that time when he had that car accident. I was born. I was the first, the oldest of three and my brother Louis and my sister Elizabeth. So life really changed for him, because he was middle class entrepreneur in Mexico, while he was American citizen. Then when he married my mom, then they moved over to Los Angeles, and eventually East Los Angeles, and that's where I grew up. I grew up pretty much in, you can say, in poverty. And while we were in a neighborhood called in Barrio, it's just a neighborhood of of, really, for the most part, a lot of good people. Our neighbors were fantastic, and we knew each other. So that was kind of like the beginning of many years of really, you know, experiencing disabilities with my dad and seeing what he had gone through. And it was a it was a tough, really. It was a tough. It was tough growing up, let me put it to you that way, for for many reasons. So then later, I got involved with the Catholic Church, Saint Lucy. Catholic Church in Los Angeles or a small town called City terrace, and that kind of that really changed a lot for me, as far as getting involved with community issues, getting involved in helping people, getting involved in connecting with the kind of the local issues that were happening in the city of Los Angeles, because those priests, those Catholic priests, were very involved in that, in ministries, and they went outside of the ministries to help community members, regardless if they were Catholic or not, what. And prior to that, I got involved as a musician. So I was a trumpet player, and I played trumpet at St Lucy's church for about 23 years. But then that that did something, something of sort of a miracle for me, because when I applied after going to a junior college in Los Angeles College, and then I applied to a dream university, USC, so the University of Southern California, and I think one of the big reasons that I got in was because of my community involvement, so that that led to a full scholarship, and that was quite the blessing for me, because there was no way that that we can afford me going to a private university. So, you know, that's kind of like, in the nutshell, my my upbringing, otherwise I would be here three days, you know,   Michael Hingson ** 06:30 yeah, what year? What years were you at USC,   Armando Contreras ** 06:34 I was there. I was there in 8085 through 87 ish, around that time? Yeah, around that that time? Yeah, I graduated in 87   Michael Hingson ** 06:46 that's that's much beyond my favorite USC football game, which was, how was it? I think Notre Dame was leading SC 24 to nothing at the end of the first half. You know, the game, I can tell by the end, it was 55 to 24 USC, which is the way it should be.   Armando Contreras ** 07:07 You know, SC had his great moments, and sc has had their challenging moments. Has Yeah. So, you know, last year, it could have been a better year for us. But, you know, we look to the future. And like I always say, don't fight on. So fight on   Michael Hingson ** 07:23 is right. My wife did her graduate work at SC I've never been to a football game there or anywhere, and one of these days, I'd love to go, but she just passed away in November of 2022 we were married for 40 years, but I've already been an SC fan before I married her, and one of my favorite SC stories is that the day we got married, we arrived at the church, and it was supposed to be a wedding that would pack the church. A lot of people wanted to come and see us get together, but the wedding was supposed to start at four o'clock, and like the church was less than half full on about 412 suddenly the doors opened, and this whole crowd came in, and the wedding went forward, only about 15 minutes late. Later, we tried to find out what it was that kept people away for so long. And what we heard was everyone was in their cars waiting for the end of the USC Notre Dame game. And since SC one, it was that God clearly was on our side.   Armando Contreras ** 08:25 I love that. Yeah, it's a great story. And my my sister, condolences for loss.   Michael Hingson ** 08:31 Well, thank you. You know she her body was just slowing down. She was in a wheelchair her whole life, and just in 2022, things were kind of catching up. And as I say, the spirit tends to move ahead of the body sometimes, and that's what happened. But she's watching somewhere, and if I misbehave, I'll hear about it. I'm not at all worried I'm going to try to be a good kid. But that's great that she did go to USC, and you said something else. I think that's really interesting to me, and that is that where you grew up, people were very nice and very friendly. And I think that is so often true, and a lot of times people stray into some of these areas and they think it's going to be horrible, and they they look for the worst, and they find it because they're not looking for the best. They're not looking to try to find friendly people and and it's so unfortunate that too many, too many times, we don't really look for the best in people. And unfortunately, then it comes out.   Armando Contreras ** 09:34 Well, you know, I I could only say great things about East LA and the barrio that I, that I grew up in, were there elements in there? Of course, sure you were, we were about a block away from from the gang activity, and you just had a choice, right? And thanks to my parents that were super strict, they didn't, they didn't allow me to make those kind of choices when I was younger. You know. To join the gangs, but that element was in front of you, you know, and some of them, some of the folks I still know today, some of them that were in gangs and stuff, now they've settled down. They have families, but I just have to say that there was a sense of community there where I grew up, even, even, or despite the elements that were around us. So yes, do I hear the negativity when they somebody mentions East Los Angeles? Yes, but I could, I have to say that even though we grew up in poverty and even though there was a lot of challenges for us as a family, I I really cherish the neighbors that were there. When I remember that the kind of those gatherings, we had nothing. So there was no we played, you know, with just a regular basketball or something. There was no communication via a cell phone or anything like that. Yeah. So, you know, I have only good things to say. And part of my upbringing there today, I realized that wow, I was I was working on a strategic plan without even knowing what a strategic plan was back in the day. Yeah.   Michael Hingson ** 11:17 Do you think that today it's harder, or there's more of that kind of activity, or is it just that people are now having their attention drawn more to it, and again, still, I think all too often deal with it in such a negative way. But do you think it's worse than it was?   Armando Contreras ** 11:36 I mean, if we're talking about, if we're talking about gang activity. I mean that still, I think, is just as prominent that today, unfortunately, than what it was this as it was back. You know, when I grew up in the night, in the 60s, I believe that leaders, community leaders, our representatives, really have to invest into communities, invest in education, invest in in jobs, right? Because people, naturally, some of them, will start looking for a way of making a living, and they may choose a different route. In addition to that, gangs and they become a family. So, you know, parents do need to, you know, also be aware of what their kids are doing, and support them and and nurture them and show them love, right? And because, if you really get to the bottom of it, and you start speaking to a gang member, she or he, there's underlining problems, and maybe comes from family. You know, there could be so many things that are happening, but I truly have a vision that that someday there's going to be more funds invested into communities like East Los Angeles, because a lot of great people come out of there, and I'm not talking about myself, but there's just a lot of good people, good hearted people, that really like to help their neighbor and others. When   Michael Hingson ** 13:10 I was selling in New York, when still living in California, and would go back and spend days at a time, I stayed at a particular hotel in midtown Manhattan, Near Time Square, and if I went out at night, every so often, somebody would come up and he would say, I'm one of the guardian angels. You're familiar with them? Yes. And he said, I'm with guardian angels. I want to walk with you. And I said, you know, you don't need to. And he said, I want to. And I didn't mind, but what I always felt and and experienced was if I treated people right, if I treated people like people, if I was I was treated like someone, and I didn't really need to fear any of the other kinds of things. Now, I'm sure there were crazies around, but in general, I really do think that if we would be a little bit more open to just accepting and not fear so much those things that we don't understand, or those kinds of communities that we're not as knowledgeable about, and I'm not so much thinking of the gangs, but just all the other communities, like East LA and watts and so on, we would be a whole lot better off, and we would learn to get along with people better.   Armando Contreras ** 14:31 I totally agree with that. I think it's building relationships, right, and getting to help and getting to know, you know, folks from different ethnicities, people with different abilities, right? It all comes together. Here is that, knowing them, respecting them, listening for understanding, and then building a friendship, right? And collaborating together. Um. For the betterment of humanity. That's what I believe, where it's at, and everybody has an opportunity to do that.   Michael Hingson ** 15:08 Yeah, and I just think that we, we, we somehow also need to get the politics out of providing the funds. And I don't know, it's just people have locked themselves into some very hard political decisions sometimes that that don't help the process at all.   Armando Contreras ** 15:26 Yeah? Michael, so yes, yes. Part of it is yes, taking out the politics, but the other part of it is bringing in the politics right? Is letting our our representatives, our public officials, and on the local level, on the municipality level, state level, on the federal level, to bring them in and know what the issues are, because we're all part of the fabric of society. Yeah, all somehow we do give, and we do contribute, and I don't, I don't care what ethnicity, what religion you are, if you if you have a disability, if you don't have a disability, we're all part of the society, and I believe that our representatives really need to know that and how we contribute in a very big way.   Michael Hingson ** 16:16 I think the biggest part is they need to be open to listening to hear that some do, some don't. And I am a firm believer in the fact that over time, all the issues that we need to deal with will get dealt with.   Armando Contreras ** 16:30 I believe so too, and I think those that those that don't listen to communities, for whatever reason it is that eventually somebody in their family or them may end up in that situation themselves, and then, you know, they'll begin to have that lived experience. But while they've had a chance to make a difference, and if they ignore it, then there was a window of opportunity for them to do something.   Michael Hingson ** 17:01 Yeah, well, and, and if they choose to ignore that again, I believe that things will will happen to deal with that, whatever it is, and hopefully it it doesn't a negative, horrible thing that has to happen to make them realize it. But I think in some cases, that has been what has occurred. But I have a lot of faith in the human race. Yes, so do I. Well, so you, what was your degree in from USC?   Armando Contreras ** 17:29 It was in business administration.   Michael Hingson ** 17:32 Ah. And did you go to any football games?   Armando Contreras ** 17:35 I did, yeah, good   Michael Hingson ** 17:36 for you. My wife did too. Yeah.   Armando Contreras ** 17:38 And, and most recently, most recently, I've gone to the last two USC UCLA games. So last year, it was great. It was fantastic. We were at the Rose Bowl at, you know, in UCLA territory this year, not so good. We were so good, not so good. We were at home at the Coliseum. And, you know, it didn't, it didn't work at a while, but it was a fun game. I   Michael Hingson ** 18:04 don't know, what do you think of the coach?   Armando Contreras ** 18:07 Um, I think that he's good, and I think that he will continue to be successful this year, this next year. I think it will be better this year. Yeah, I think so. And they got this young, this young man that showed up at the at the bowl game. I'm trying to remember Miller. I think it was Miller, and it was his name, and he showed up. He was a he, he did a fantastic job. And I do see a great future for him at USC and perhaps in in the in the NFL.   Michael Hingson ** 18:40 Well, it'll be fun. I know they got a new defensive coordinator and that they needed, so we'll, we'll see how it goes. But we won't bore everyone with football and our likes, but it's nevertheless, it's part of the world. So there you go, but then you went on to the University of San Francisco, right?   Armando Contreras ** 19:01 I did. So that was a few years later, and I graduated, I believe, in 2004 and I it was, it was something that drew me, and it was an opportunity for me to get a degree in Theology at a Jesuit university. So at that time, I was working for a faith based Catholic organization, a national organization called the National Catholic council for Hispanic ministry. And what we looked at overall in the United States were the issues of upper mobility for Hispanic Catholics for immigrants, or for our sisters and brothers that are immigrants, the issues that are happening with Hispanic families, education was a huge thing. You know, how do we how do we move, you know, our children that from, you know, grammar school to. Catholic high schools and perhaps Catholic universities were, yeah, unfortunate. Unfortunately, I have to say, is that there's not a whole lot of access, and we're the backbone of the Catholic Church, right? Because it's so expensive. So those were the things that that we were part of, and one of the opportunities that came about was attending the University of San Francisco and and I received, you know, I earned a degree in theology, master's degree, yes,   Michael Hingson ** 20:32 well, let's go back a little bit. So you graduated from SC then what did you do?   Armando Contreras ** 20:37 Well, then I had several jobs after that. I worked for a nonprofit in Los Angeles that helped people get jobs. And then after that, I believe, I went into a construction company as a contract administrator. I was here for maybe a year and a half or so, and then I went on for whatever reason I was interested in real estate. So then I worked for a corporation that did mortgage loans. And in that I met a gentleman who had his own real estate company, and then we decided to start our own real estate company. So I did that for about seven, seven years, and then I I got hired to work with this nonprofit, the National Catholic council that I just mentioned a little bit ago. I was there for about 10 and a half years. So I had I had a chance to travel around the nation and to meet with Hispanic Catholic leaders, lay leaders. I got to meet with religious orders of men and women from Jesuits, Franciscans, many other different orders. So it was, it was really a insightful time for me in those 10 and a half years about our church. And then after that, we moved from Los Angeles to Phoenix. And shortly after that, I got hired. Let's see here. I'm trying to remember the I got hired by governor Janet Napolitano, but I was her small business advocate, and in about 11 months, I moved into being a deputy director of a one of her departments, the Arizona register of contractors, and soon after that, I was on her cabinet. So I was honored to serve under Janet Napolitano when she moved to Washington, DC, because President Barack Obama appointed her as Secretary of Homeland Security. Then I moved on to the Hispanic Chamber of Commerce, here Arizona, Hispanic Chamber of Commerce. And then about a year later, then that's where I had folks come to me and said, there's an organization here that is the United Cerebral Palsy association of central Arizona. And I said, Well, I'm going to maybe put the word out and see who might be interested in that position, which was a CEO position. And then they said, No, we're looking for somebody like you. So to make a long story short, I got hired. And that was really a beginning of of a lot of things. I got hired not because I had the clinical background, or the researcher background, or that I had been involved with disabilities. I got hired so then I can take take that organization to another level, where they wanted to increase the revenues, they wanted to increase their brand awareness. They wanted to make sure that we had stronger collaborations in the community in Arizona, in in Phoenix, and that's why I got hired, to make sure that we enhance that to benefit the children and adults that we were serving.   Michael Hingson ** 24:05 Well. So what do you think about the differences since you've been in a position to have done both working in the for profit corporate kind of world, as opposed to working in the the nonprofit sector? That's,   Armando Contreras ** 24:21 that's Michael. That's a really interesting question, because there are similarities,   Michael Hingson ** 24:27 I know, and I've done the same thing. I've worked for both as well. Well,   Armando Contreras ** 24:31 look, you know, I'm working for a nonprofit, and those that are going to be listening to this, that are CEOs are working in development for both for profits and nonprofits. There's not a whole there's not a big difference there. Because we strive to be sustainable, like a for profit. We strive to look at years to come, because we want to be around and help people in the next 1015, 75, Years which we we're celebrating this year, our 75th anniversary. So part of our responsibility as a leader, as a president and CEO, is really looking beyond the years that you're going to be there. You can, you can serve for one year, 10 years, 20 years, 30 years. But really the i i truly believe that the test is, once you leave, will that organization continue to survive because of what you put together? So to answer your question, a lot of similarities between a for profit and a non profit. However, at the end of the day, the mission for us is to not make a profit, but to be sustainable so we can continue our life saving work   Michael Hingson ** 25:49 and for not, not for profits. Nonprofits generally tend to work more in an arena where they're trying to make a social difference. And although they're they're still selling products. The products are different. They're oftentimes less tangible, although a lot of the services that that they provide, like UCB, UCP provides and so on, end up being very tangible, but still there's there's an intangibility, but still, I agree with you that the reality is that they're very similar. Development is extremely similar to what a for profit company does. And in reality, when you're in development, you're in sales, and when you're in sales, you're in development, it's just that people have come up with two words for the same thing, but they're so similar in what you ultimately are trying to get from them, and ultimately, how you present to people who you want to be your customers or your donors, is so much the same as well.   Armando Contreras ** 27:00 Yeah, I agree with you, Michael, so in development, because I also have a background in fundraising, it's aligning with the folks that have the same vision and that would want to contribute for an impact that's happening in society. So with United Cerebral Palsy and our affiliates are providing direct services to children and adults with cerebral palsy and many other conditions. So there are people that are very, very generous, but I have to say that in the world of philanthropy now, donors are becoming a lot more informed, and they want to make sure that the dollar that they're going to donate, that it's going to go a long way. Yeah, so obviously they're looking at at administrative costs versus your program program costs, right? And that's a good thing. I encourage the philanthropic community to do that, to do their research and to pick those nonprofits in the United States or maybe around the world that are really making a huge impact. Michael, we we serve 100 and approximately 155,000 children and adults on an annual basis, and this is our affiliates that are working day in and day out to provide those services, vital services, life saving services, and services that maybe other organizations don't or people don't want to do. So those are the things that that people that are going to invest their return is really what's happening in the lives of 1000s and hundreds of 1000s of people. Many,   Michael Hingson ** 28:45 many years ago, I remember watching a little bit of a telethon. It was actually on Channel 13 out here, kcop, and it was back in what had to be the early to mid 80s, I think, and it was a telethon put on by the Society for the Prevention of blindness, which I don't even know whether they're around anymore, but at the end of the telethon, they had raised, I think, like $200,000 it was a local, Just independent television station doing it. But what we learned was that 95% of the cost of the telethon went to pay for it, and that the organization only ended up with about 5% of that $200,000 which is, of course, a real problem.   Armando Contreras ** 29:39 It is so like I mentioned before, is that today you're having more informed donors, right, that are looking at that ratio, right? Yeah, how much of their dollar is going to go to actual services, right? Versus cost for putting on a. For putting like you mentioned, a telethon today, there's not a whole lot of telethons going on. Have a million channels, but back in the day, I remember the channels 13, 574, and maybe 11 nine. Yeah, 11 nine. So there was a few more today. What do you have? 234, 100, and then more and all of that. There's other ways that I certainly believe that that can be as impactful and less expensive than the telethons. But sure, you bring up a really good point, is that if you're going to, if you're a donor, if you're a philanthropist, if you really want to have your money change people's lives, they have to do some homework. Yeah, they have to look at that nonprofit and to make sure that 90% of your dollars not going into it, and 90% is not going into it, administrative expenses. It   Michael Hingson ** 30:55 may well be that that 90% works or maybe a little bit less. You're spending a little bit more money on administration, if you can justify it, to say, but look out of that we are able to reach more people and thus get more money. But I do think it's, it's a it's a tight rope.   Armando Contreras ** 31:20 Yeah, I definitely agree with that, that you have to be strategic when you're out fundraising and your your case statement really has to be where it's so compelling that and then showing the data and and and bringing children and adults to tell their story, right of how their lives have been changed. Those are the storytelling is really part, one part, or a major part, of development and fundraising.   Michael Hingson ** 31:56 Well, tell us a little bit about UCP, the history and so on, if you would to inform more people about it.   Armando Contreras ** 32:02 Well, one, you know, I'm, I'm so excited to share with everybody that we're celebrating our 75th anniversary, right? Uh, 75 years of providing vital services, right? 75 years of having our direct service professionals, the folks that are working at home, under the home community based services. We have we have pre Ks, the different therapies that are out there. We have group homes, we have transportation, we have employment. There's so many things that we're bringing to the community. But it started in 1949 right? It started with concerned citizens and concerned parents, that they felt that in that time, which was a totally different world for people with disabilities, that they felt that something more had to happen, that no more can society or the doctors or people in authority can say, would your kids have to go to an institution no matter if they had Down syndrome? Well, maybe autism wasn't. Were so prevalent back then, maybe not as prevalent, but cerebral palsy, spinal bifid, all of that that their kids suddenly were taken away from their home.   Michael Hingson ** 33:22 Well, my parents were told by our doctors that they should send me to a home when it was discovered I was blind, and my parents rejected that, which was very fortunate, but   Armando Contreras ** 33:32 yeah, and good for your parents. And that's how it started, right? I think, I think a lot of nonprofits started in that way, but back in 1949 that's when a group of parents got together and said, we have to do something more right. Then today, we've evolved where we're in the disability world, there's greater access than there was before, there's more inclusion than there was before, right? We're trying at least that used because UCP national and our affiliates, we're trying to help people be more independent, if it's through legislation, research, therapies, everything that we're trying to do. And we're very we're very centric to those issues that are out there, and we're trying to make a huge difference. So what I'm looking at is, I'm looking at another 75 years and that United Cerebral Palsy. One we're trying to in here. Four goals. One is brand awareness. Also let folks know about our 75th year anniversary. But one of the bigger things Michael that is the challenge for us is that United Cerebral Palsy serves children and adults with cerebral palsy and other conditions, so we're trying to bring that message out. And figuring out, how can we let the community know that if your child has Down syndrome autism, that we are there providing vital services for for them as well. The next goal is development, or what we just spoke about, connecting with the philanthropic community, because we, while a lot of our affiliates rely on government funding and reimbursement, I believe that there's another level that we have to engage with, and that's the philanthropic community right. There are millions and millions of dollars. Michael, I go to this to a an event called the heckling event in Orlando, I've been going there for now five years, and those professionals that are working with Planned Giving, some of them will come to me and say that their clients don't know where to give their money to. That's why we're present there, and that's why other profits are there too, as well. Is that we need to educate the community that that you can actually invest in something that's going to bring back this return of investment, but more of a humanity return, and something that's going to be great for society. The other goal that we have is advocacy. So we're known throughout the federal government, the Biden administration, as well as the Trump administration community, communicated with us, especially during COVID So we had communications with the White House. We still do. We're engaged at the Congress and Senate level with various representatives and senators to make sure that they create legislation that's going to be beneficial for our for the for the disability community, and that we don't ever go back to the institutions that that would be their only option. Unfortunately, Michael, today, there's still institutions that exist, not as many as before, but there's still institution the last goal we have is to grow our footprint, not only nationally, but but internationally. So we're having discussions locally, in places that were not present, to grow our footprint, to see how we can collaborate. We're also having, I'm having conversations with people on the global level, like the International cerebral palsy society, like aacpdm, the Academy for cerebral palsy. I've been invited twice, once, well, I got invited last year to the International Congress on cerebral palsy in Mexico City, I got invited again. I was their president, and I gave a speech. And I got invited again this year, in March, I'll be in medida Yucatan at an international congress again, and that brings a lot of awareness for us, brand awareness, and the main thing is really collaboration. So I kind of touched upon some of the some of the goals, Michael, and some of the things that important things and vital things that our affiliates are doing. So if there's, if there's something else that you want me to elaborate, I'd be glad, more than glad to do. So how are   Michael Hingson ** 38:19 you working toward creating more and better brand awareness to the general population?   Armando Contreras ** 38:27 Well, one of the things that we're doing, given that we have this window of opportunity that we're celebrating our 75th year, and that begins in that started in February, and we'll go all the way through January 31 is that one, we have a lot of partners out there that are doing things like you're doing access to be right, that invited me on this program. And that's one of the beautiful things that in social media, it's not it's not very expensive for us to be out there. So we're using the media vehicles such as LinkedIn, Facebook and the others that are out there. And we're also using YouTube to spread the message out there. So we're we're also sharing the stories of our affiliates and their accomplishments and the people that are being served, the parents and their children, so they can share those great stories that sometimes are miracle stories because of the people that are serving them and providing quality services, care and love. So that's one vehicle. The other one is that I I was on 26 I traveled to 26 locations last year, so I'm also providing that message out there. And then within our affiliate network, they're also doing marketing, and they're doing. Brand awareness as well. So it's a whole it's really this whole core nation that we want, not only the nation, no, but globally. Let the people know who is you at UCP and United Cerebral Palsy,   Michael Hingson ** 40:16 what caused UCP to add in as part of the services that are provided, services for people with downs and autism, as opposed to just UCP   Armando Contreras ** 40:32 or UCP. Yeah, so if I go back to when I was at the local United Cerebral Palsy the UC central Arizona. It just happened to be that the programs, the same programs that were provided for children and adults with cerebral palsy, also were beneficial to other conditions. I'm not a researcher, but when there's a breakthrough in cerebral palsy or in autism or in a different condition, they try to see if that same breakthrough will help people with different conditions. What we do know is that the therapies that are being offered to children and adults with cerebral palsy, those same types of therapies are also impactful to other conditions. So what was happening is that, then parents started to to, I guess, the word went out, and what we have across the board in the United States is that we have a high percentage of non cerebral palsy clients, or we'll call them family members, that are are getting services because that's much needed. One Michael is like respite, like respite care. You know any, any family can use that rest, that respite care, no matter what the condition is. So if you're offering that, then you can offer it to the disability community, a broad range of of people that have various conditions,   Michael Hingson ** 42:13 which makes perfect sense, because a lot of the care that needs to be provided is very similar. Well, or is the same? Yes, well, you know, you, I understand, had a an involvement with cancer, and you survived that. How has that affected you and in your attitude? Because, clearly, you're a very sensitive person and very much involved in community and family and helping people. But what, what was the whole situation with you in cancer?   Armando Contreras ** 42:42 You know, I think it's that. I think that's, it's the experience that all people go through when they first hear that you have cancer, right? First thought is, are you going to survive? You know, the first, first thing that comes to you is that it's, it's terminal, right? You're not going to get through it. You know this when you hear news like that, and you know, maybe it's the same as parents hearing that their child has cerebral palsy or disability, you know, you just, you just, it's a scary moment. It's a scary time. So what? Yeah, it was a difficult time for me and for my family, especially, I think my family knowing that I had transitional carcinoma, high grade, and it was a it was a tumor in my bladder that was nine and a half centimeters. I haven't really talked about it a lot, but it's been 10 years. So February, when I had seen that as a suggestion, like you want to talk about that, my first thought was, No, I think I'm going to skip it. But a few seconds later, I said, maybe it's time for me to share with the community, because it's been 10 years since I was diagnosed so and I'll try to make this short, I got diagnosed huge tumor. They had asked me if I wanted that tumor to be taken out, otherwise I could die. And I said, of course. So they took out the tumor. I had a brilliant surgeon that did that. And then after that, they basically said to me that if I don't, if I don't do radical surgery, taking out my bladder, taking out some lymph nodes, my prostate, that I wouldn't live very long, that I had really, like a 35% chance or less to live. So I had said that I wanted to put a pause on this rush, and that perhaps there's an option out there, perhaps there was another way, because I knew that billions of dollars have been raised for cancer. And maybe because this is a whole new journey for me, that the cure was somewhere out there. Well, after going to five different doctors for second opinions, they all said the same to me, that I only had one choice, and that choice radical surgery. And even after that, even after that, I was still I was confused, I was scared, but I was still. There was a pause that I felt that maybe there was something out there. So thanks to my sister, she really saved my life. She connected me with the scientists that she was researching, and that scientist said, you know, I only, I've only done lab studies on this particular oil called frankincense oil. I haven't done any clinical studies, and today, Michael, there's still no clinical studies on frankincense oil. So I started doing that three months after they they took the tumor out. I had 20 more tumors come back in my bladder. But they were small. They were lesions. So I just asked them to scrape, scrape them. The doctors were furious with me. I get it. I mean, that was, that was a protocol. I totally get it, you know. But something, people say that I had a lot of courage. I'm not sure if it was, like just something, it could have been something was telling you. I mean, I definitely there was a lot of prayer during that time. Yeah, a lot of prayer happening at that time. I just couldn't see myself dying, and I didn't want that to happen. So just to kind of, like, kind of close on this is that when those 20 tumors came back, they scraped them. They were supposed to be a lot more coming back, or it was going to invade my body. Three months later, I had nothing, absolutely nothing. Three months after that, I had six lesions come back, and that was March of 2015, so it's been nine years since the last reoccurrence. It's been 10 years since I was diagnosed, and I get checked very often. Once a year in the beginning, I would go in and get checked every three months. So it's been quite the miracle. But I have to say, this is that one I changed. I had changed my diet at the time for about four and a half years, I was strictly doing a lot of juicing, no sugar, a lot of prayer, a lot of family love, a lot of support. I did the frankincense oil. So I think in a comprehensive way, that helped me, and that gave me another option. And I'm very grateful for that, and I'm very grateful that every day I wake up and I say to God, thank you for sparing me. But on the advocacy side, Michael, I just didn't leave it there. I've had conversations with with the with the University of Arizona, with the Arizona State University, with Cancer Centers of America, with St Joseph's Hospital, with my alma mater, USC, and the last conversation I had was with Georgetown University, and these were top CEOs. And I was sharing my documentation, because I have it all there. But sadly, I have to say that they're not interested. They're not interested in a cure, and I'll continue to pursue it when the opportunity continues on, but it's only my story, and I didn't want to leave it where. Well, Lord, thank you so much. You know it never came back, so thank you. No, I have a responsibility to figure out some ways, somehow, that my my story, can turn into a clinical study, and that someday, and maybe not in my my time, that there's going to be an option for millions of people that will contract cancers. So that's my story in a nutshell. Thank you for asking.   Michael Hingson ** 49:04 So what did the frankincense oil actually do? I assume that you feel it was a very significant part of your ability to deal with it.   Armando Contreras ** 49:12 Yeah, it's a good question, because medically, I can't tell you, because we haven't done right? Yeah, we haven't done clinical studies. And I've been, I've been asking these universities and these hospitals and these cancer firms, you know that are out there, and said, Why don't we do the clinical studies so you can so you can see exactly what it did. I can't tell you that what it did. The only thing I can tell you is that is that as they, as they as they took samples of the cancerous tumors. So you had the big tumor, and then the 20 small tumors, and then you had the six lesions that, according to the scientists, dr, dr Lynn, HK Lynn, what he did see is that the cancer cells were becoming less aggressive. And at the end, some of the cancer cells actually turn into good cells. Now, you know, people can believe that or not. I'm I'm okay with that. Sure, only thing I'm saying, Michael is that there should be, there should be clinical studies on this, because I believe it would save hundreds of 1000s of lives. What was it? We don't know. Was it the combination? Is it the combination of me juicing on a daily basis for four and a half years? Was it that, as a Catholic, you know, I was going through all the different sacraments, prayers and healing masses? So I believe there was a holistic healing process. And then my family that was supporting me during a very difficult time,   Michael Hingson ** 50:49 sounds to me like it's time to write a book.   Armando Contreras ** 50:54 I've I've been asked many times, and I think when I think, when, when I feel that, that when I'm ready for that, that, yeah, that's that will happen.   Michael Hingson ** 51:03 Yes, you've got to, you've got to feel ready and feel that it's the right time. But that might be one way to bring visibility to it. Yes, well, you know, you you value family a lot. I understand that there are music connections in your family, has music always been a part of your life or   Armando Contreras ** 51:24 or, yeah, I think I think so. I think that. Well, I know so, because when I was the trumpet player, young trumpet player at St Lucy's Catholic Church, a few years later, my lovely wife, Norma, joined the choir. I didn't know she was married, but she joined the choir. And you know, we have this thing that she doesn't agree with me, but I say, hey, when I when I met you, when I seen you, was love at first sight. And and I said, but not for you. It took a while. And she says, no, no, but so So music, I was playing trumpet, normal was singing. And then later we got married, and then we had our first child. Was Andrea, Andrea Michelle, our daughter, our beautiful daughter, who's with child today, her and her husband, Fabian. So she knew that in our home there was a lot of music happening, and if it was church or at home. And then our second child, Armando, Michael, he started catching on a little bit, but we started to notice that he started to sing and sing right in tune. And then we said, hey, maybe there's something here. So his first recital in Los Angeles, he's saying pop by the Sailor Man and over the rainbow. And he did pretty good. So later he joined as a as a young child, you know, five years old, he joined the choir at St Lucy's. And then we moved. We moved from, we moved from Los Angeles over to Phoenix, Arizona, which was a great blessing being here. And we then were exploring how we can continue to support his talent. And he joined the Grammy Award winning Phoenix boys choir, and that's where he began to sing. Got to meet some wonderful people. They had wonderful directors there, and had a great experience. That experience led him to fall in love with the classics. Oh, there he began to be part of some of the local, local opera performances. So to make a long story short, Norma, my wife and I supported him. He went to the Cleveland Institute of Music, from there in vocals, and then from there, he went to the University of Missouri in Kansas City for his masters. And today he's a professional opera singer. He's a baritone. So it's it's been amazing. All our kids are amazing. I also have to mention that our youngest Andrew, Matthew. He went to Gonzaga University and then graduated from Lewis and Clark in clinical psychology. He's worked with a lot of kids with disabilities. He's a drummer and he's a guitar player. So yes, music is a big part of our family.   Michael Hingson ** 54:28 Well, it is getting to be that time of the year that Gonzaga will become visible again as we get back down to march madness. I actually, I actually had the pleasure of going up there once to speak and and I hadn't really known a lot about Gonzaga at the time, and they were the ones who told me, however, one always said, Where is Gonzaga? You know what? What kind of a place is it? And so I've kept up with it ever since, but it is kind of funny that their basketball team is good. Yeah.   Armando Contreras ** 54:59 Yeah, it's a, it's a beautiful place. It's a great Jesuit university. We, I, you know, he had a great experience. This is Andrew. He had a great experience out there. So, yes, I totally agree. Yeah, we had a chance to go out to Bob, trying to remember the city here. Spokane, yeah, yeah, yeah. Spokane, various times with him,   Michael Hingson ** 55:25 that's pretty cool. Well, so is he professionally doing music now? No, so,   Armando Contreras ** 55:30 So Andrew, our youngest, he's professionally now a clinical psychologist. Ah, yeah, now and now. Armando, Michael, he is a professional opera singer, right? And that's what he does. So, you know, his, his, one of his dreams, is going to be singing at the Metropolitan Ooh, we do see that perhaps happening within a year or two, because they he'll be, right? He'll be auditioning for that, probably very soon, and he's very young. He's just 34 years old.   Michael Hingson ** 56:03 So that'd be super What would you like people to know about the disability community in general, when we think about disabilities, you know, when there's so many prejudices, what would you like people to know and in terms of disabilities and how to maybe change attitudes, yeah,   Armando Contreras ** 56:23 well, they're definitely part of the fabric of society, and we, nobody, not me, or anybody else in in any organization, can speak for them. We need to allow for them and give them that opportunity and space to voice their concerns, to voice whatever joy they have, to voice things that we need to hear in our community. We have to provide while we're here in the United States, and there's been laws that have been enacted, enacted that laws now have to be updated. We have antiquated laws that do not even pay people with disabilities even minimum wage, right? So, so that we really have to be conscious of a community that is part of our society. We need to engage. Furthermore, we have to collaborate. We need them as public, public officials. They need to run for office, right? Some of them do. They have to be part of the decision making, decisions that are being made from all levels of government, all levels of corporation, all levels of nonprofits. And that's the way, that's the way I really see it. Is that, and we also have to have breakthroughs in research, right? What are some of the things that that we can do so we can those lives can be more that they would have more of a more access, right? That even if you go to certain states in the United States that I've been, there's not even accessibility for wheelchairs. And just speak about the airlines, right? How, how and why are people thinking in those corporations that a person that has a disability can easily go into their bathrooms. There's no way, right flying, especially if it's a long flight. So no, there's, there's been some great things Michael that have, that have evolved and happened through a collaboration of a lot of advocates, and a lot of them are self advocates, but we still have a long way to go.   Michael Hingson ** 59:08 Yeah, and I think that's absolutely true. So what is UCP Inc doing to celebrate its 75th anniversary? What kinds of plans do you have and where do you go from here?   Armando Contreras ** 59:19 Well, we do have a an annual conference coming up in Orlando, and this year in April. So that's a good thing for us, you know. But the bigger thing for us is to celebrate is really bringing that education, bringing that awareness of what we're doing, not only in here in the United States, but we also have affiliates in Canada. So as we celebrate, part of our celebration is educating the society about exactly what we do and please, you know, knock on our door for for help. So that's that's really part of it. The other part of it is acknowledge. Gene, the folks that started UCP back in 1949 right? Like the, like the golden sins, and also the housemans and many others that that have helped us get through the 75 years.   Michael Hingson ** 1:00:18 Yeah, well, it's, a great milestone to be able to celebrate 75 years, and I am sure that you, with your background, is very concerned about making sure that there is great sustainability for the future, which is really important and cool that you're thinking about that, because it's something that always needs to be with us in whatever we're doing. That's a good thing. Any kind of last thoughts that you have that you want to convey to people who are listening or watching us.   Armando Contreras ** 1:00:51 Yes, one is first, I want to share my gratitude for inviting me, Michael. And then second, please reach out to us the disability community. Please find us@ucp.org we may be in your backyard. If there are organizations out there that want to become an affiliate of United Cerebral Palsy, please reach out to us as well. We are here. We want to continue to be here for the next 75 years, so that our community can be part and be an inclusive part of our society. That we can bring that help, bring that independence, but we can continue to see those miracles, that children that we're told, and families that were told that they would never walk. I've seen them walk, and were physicians that said to a mom and dad that their child would never move or never speak, and I've seen them hug their parents and tell them that they love them, right? And we want to continue to make those miracles happen through therapies, through early detection, through early intervention, all these forms of of of a reach that we have through United Cerebral Palsy in the United States and Canada and and watched for us in the near future as we begin to go global, and that's really a vision that that I have. But and also, again, is that it's important to know that we know that I know that, Michael, you know that is that everybody is a fabric at society, some way, somehow, no matter their abilities. And that's really important, important message for people to know.   Michael Hingson ** 1:02:43 I agree. Well, I want to thank you for being here with us and conveying all this information, and I hope people will take it to heart and that they'll support UCP and and reach out and learn more about the organization and that you are doing, and will continue to do a lot to just help people in general, with disabilities, which is cool. I appreciate that, and I want to thank Go ahead. No, no.   Armando Contreras ** 1:03:10 I just wanted to thank and I also want to thank accessibe, right? That's how we got here. So I really thank them for what they're doing and providing. I love their model that they have. They have a for profit, a for profit model. However, the services that they, that they provide for nonprofits, are free, and that's that's amazing. So we're really happy with the services, the access services for websites, the accessibility that they're providing for people in the disability community to have that access. Well,   Michael Hingson ** 1:03:48 thank you, and we're excited about the time ahead and and I think that's that's a good thing, and we'll all work to make it happen. Well, I want to thank everyone who was listening and watching today. We really appreciate it. I hope that you'll give us a five star rating wherever you're observing our podcast. We value that. Love it. If you'd reach out to me, give me your thoughts, your opinions and Armando for you and for all of our guests, our listeners and so on today, if you know of anyone else who ought to be a guest on unstoppable mindset, please let us know. Provide introductions. We're always looking for guests. You can reach out to me directly at Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, I, B, e.com, or go to our podcast page, www dot Michael hinkson.com/podcast, and Michael Hinkson is spelled M, I C, H, A, E, L, H, I N, G, S o, n.com/podcast, so we really do value all the thoughts and and information and suggestions that people provide. Yeah, as I think I've mentioned to many of you before, I also do travel and speak, especially after September 11, 2001 if anyone needs a speaker, please reach out. You can get me easiest at speaker at Michael hingson.com but however you do it, you've got all sorts of ways to reach out to me. Love to hear from you. And you know, once again, Armando, I want to thank you very much for being here, and thank you for all of your time today.   Armando Contreras ** 1:05:24 Michael, thank you many blessings to you and your family, and many blessings to everybody out there who is going to listen to this podcast interview.   Michael Hingson ** 1:05:39 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Episode 135 An Electronic Music Mixed-Bag Playlist Time Track Time Start Introduction –Thom Holmes 06:28 00:00 John Bischoff, “The League Of Automatic Music Composers: Recording, December 17, 1978” from Lovely Little Records (1980 Lovely Music Ltd.). Tracks from this six-EP collection of new music from a variety of Lovely Music artists. Computer, David Behrman, Jim Horton, John Bischoff, Rich Gold; Mixing, "Blue" Gene Tyranny. “The League Of Automatic Music Composers makes music collaboratively by forming microcomputer networks. … For this performance, “each composer independently created a music program for his own microcomputer; we then mutually designed ways to internconnect our computers, and modified our programs to enable them to send data back and forth.” 08:40 06:58 Frankie Mann, “I Was a Hero” from “The Mayan Debutante Revue” (1979) from Lovely Little Records (1980 Lovely Music Ltd.). Tracks from this six-EP collection of new music from a variety of Lovely Music artists. Organ, bass guitar, voice, composed by Frankie Mann. “The Mayan Debutante Revue” is a reinterpretation of religious history. The work is a performance piece  involving tape, slides, and one female performer.” 09:22 15:38 Frankie Mann, “How to be Very Very Popular” (1978) (excerpt) from Lovely Little Records (1980 Lovely Music Ltd.). Tracks from this six-EP collection of new music from a variety of Lovely Music artists. Tape editing, organ, synthesizer, voice, composed by Frankie Mann; voices, Julie Lifton, Ellen Welser, and unknown others. “How to be Very Very Popular” began as a letter-tape to my best friend. … Later I began composing electronic music, initially using homemade circuits and later using expensive synthesizers in college electronic music studios. My friend and I continued to send each other letters cross-country in tape form.” 08:49 24:58 Maggi Payne, “Lunar Dusk” from Lovely Little Records (1980 Lovely Music Ltd.). Recorded at the Center for Contemporary Music, Mills College, February 4, 1979. Composed, electronic music by Maggi Payne. This piece was “composed using the Moog and Aries synthesizers and the twelve-track recording studio at” Mills College. “Major concerns … are spatial location of sounds and complex timbral changes.” 07:59 33:46 The Commodores, “Machine Gun” from Machine Gun/There's a Song in My Heart (1974 Motown). Single release featuring the early Commodores on this instrumental with Lionel Richie wailing along on the ARP Odyssey. 02:42 41:42 Billy Preston, “Space Race” from Space Race/We're Gonna Make It (1973 A&M). Single release. Preston was best known for his piano, Hammond, and Fender Rhodes work on Beatles' records and his early solo work. By this time, he had picked-up on the unique sounds that synthesizers could conjure. He was inspired to create this song while experimenting with the ARP Pro-Soloist synthesizer. 03:26 44:24 George Duke, “Part 1 - The Alien Challenges The Stick / Part 2 - The Alien Succumbs To The Macho Intergalactic Funkativity Of The Funkblasters” from Master Of The Game (1979 Epic). Written by Byron Miller, David Myles, Ricky Lawson; Producer, Acoustic Guitar, Arranged By, Bells, Clavinet, Composed By, Fender Rhodes, Keyboards, Organ, ARP Odyssey, ARP String Ensemble, Minimoog, Oberheim, Prophet-5 and Crumar synthesizers, written by and vocals, George Duke; Bass, Byron Miller; Drums, Ricky Lawson; Guitar, David Myles. 09:21 47:46 Steve Roach, Side 2, “T.B.C.” (5:06); Canyon Sound (2:58); Time For Time (3:33); Reflector (6:50) from Traveler (1983 Domino). All music composed and performed on synthesizers by Steve Roach. American Roach has such a great legacy of electronic music that is clearly distinguishable from the German wave of the 1970s. This is from his first, official album released in 1983. 17:56 57:02 Reynold Weidenaar, “Twilight Flight” (6:56) (1977), “Close Harmony” (4:44) (1977), and “Imprint: Footfalls to Return” (5:04) (1981) from Reynold Weidenaar / Richard Brooks Music Visions (1986 Capstone Records). Weidenaar was formerly the editor of Bob Moog's Electronic Music Review journal (1968-70) and an early user of the Moog Modular synthesizer. He was director of the electronic music studio at the Cleveland Institute of Music and at the time of this recording was on the faculty of the NYU films and television department. Twilight Flight” for electronic sounds was composed in 1977. “Close Harmony” for electronic sounds was composed in 1977. “Imprint: Footfalls to Return” for soprano voice and electronically modified sounds of the bare feet of Bharata-natyam Indian dancer was composed in 1981. 16:50 01:14:58 Eric Siday, three short works, “Night Tide” (2:56), “Communications No. 2” (0:24); and “Threat Attack” (2:05) from Musique Electronique (1960 Impress). Hard to find original disc by Siday, before he ventured into commercial recording using the Moog Modular synthesizer. His intereste in electronic music was deep, and he was one of the first customers of Robert Moog when his synth became available. 05:28 01:31:58 Hans Wurman, “Etude In C Minor, Op. 10, No. 12” (1:54) and “Waltz In D-Flat OP, 64, No. 1 (1:24) from Hans Wurman – Etude In C Minor, Op. 10, No. 12 (1970 RCA). Arranged and performed on the Moog Modular synthesizer by Hans Wurman. Brilliant interpretations of two classical pieces. 03:22 01:37:14   Opening background music: Einstürzende Neubauten [ein-sturt-zen-deh noy-bau-ten], “Der Tod Ist Ein Dandy” from Halber Mensch (1985 Some Bizarre). Noise metal from this dependable source of industrial music. (06:39) Introduction to the podcast voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. My Books/eBooks: Electronic and Experimental Music, sixth edition, Routledge 2020. Also, Sound Art: Concepts and Practices, first edition, Routledge 2022. See my companion blog that I write for the Bob Moog Foundation. For a transcript, please see my blog, Noise and Notations. Original music by Thom Holmes can be found on iTunes and Bandcamp.

Adam Keller, Co-host of The Valley Labor Report, joined the America's Work Force Union Podcast to discuss the annual Alabama Arise meeting and how the Arise staff received voluntary recognition to become Communication Workers of America (CWA) members. Len DiCosimo, President of the Cleveland Federation of Musicians, American Federation of Musicians Local 4, appeared on the America's Work Force Union Podcast and spoke about a successful organizing campaign of the Cleveland Institute of Music faculty, plus several events the Local will host in 2025.

Broadway Drumming 101 is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.In 2021, I started this podcast with a clear goal: to give you a behind-the-scenes look at the lives and careers of Broadway drummers. Since then, we've hosted some genuinely remarkable guests who've shared their unique stories, experiences, and insights.As our audience has grown, we've realized that many of you might have missed out on some of our most inspiring interviews. So, over the next year, we're bringing back some of those classic, condensed episodes. Whether it's your first time hearing them or you're revisiting them, I hope they spark the same sense of inspiration.But don't worry, that's not all—we've got some fresh, exciting episodes in the works, along with a few surprises along the way. Stay tuned, because there's plenty more coming your way!Thanks for reading Broadway Drumming 101! This post is public so feel free to share it.In this second episode of Broadway Drumming 101, I had the pleasure of talking with Damien Bassman. Damien is currently the drummer for Death Becomes Her on Broadway. Originally from Fairfax, Virginia, Damien holds a BM from the Cleveland Institute of Music, an MM and Performer's Residency Certificate from Carnegie Mellon University, and an Advanced Performer's Certificate from The Juilliard School.Damien's résumé is nothing short of impressive. Currently the drummer for the musical Death Becomes Her, he was a featured drum set soloist with the Tonkunstler Orchestra in Vienna and Italy and recorded with them on Leonard Bernstein's Mass. He's performed as a soloist and section percussionist/timpanist with the Cleveland Orchestra, the National Symphony, and the Columbus Symphony. Damien also created, arranged, and performed the hybrid percussion/drum set book for the hit musical Next to Normal. He designed the drum/percussion book for Hi-Fidelity and brought African and multi-percussion elements to The Color Purple. He's also worked on Aida, Dirty Rotten Scoundrels, Legally Blonde, Nine, Grease, Fiddler on the Roof, and Caroline or Change, to name a few.Damien also collaborated with Green Day on the Broadway adaptation of American Idiot and worked with Andrew Lippa, Nathan Lane, and Bebe Neuwirth on The Addams Family. More recently, he's been the drummer for How to Dance in Ohio, Jagged Little Pill, Almost Famous, and SpongeBob SquarePants: The Broadway Musical.Damien's versatility extends beyond Broadway. He's served as the drummer for some of Broadway's biggest stars, including Adam Pascal (Rent, School of Rock), Kristin Chenoweth (My Love Letter to Broadway), Kelli O'Hara (South Pacific, The Pajama Game), Jason Danieley (Curtains, Chicago), Julia Murney (Wicked, Lennon), and Michael Longoria (Jersey Boys).This episode is packed with great stories and insights, and I can't wait for you to hear it!Clayton Craddock is the founder of Broadway Drumming 101, a comprehensive online platform dedicated to providing specialized mentorship and a meticulously curated collection of resources.Clayton's Broadway and Off-Broadway credits include: tick, tick...BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill, and Ain't Too Proud - The Life And Times Of The Temptations, Cats: The Jellicle Ball and The Hippest Trip: The Soul Train Musical. He has subbed for shows like Motown, Evita, Cats, Avenue Q, The Color Purple, Rent, Spongebob Squarepants - The Musical, Hadestown (tour), and many more. Clayton has appeared on The View, Good Morning America, Jimmy Fallon, The Today Show, the TONY Awards, and performed with legends like The Stylistics, The Delfonics, Mario Cantone, Laura Benanti, Kristin Chenoweth, Kerry Butler, Christian Boyle, Norm Lewis, Denise Williams, Chuck Berry, and Ben E. King.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears.For more about Clayton Craddock, click here: www.claytoncraddock.comCONNECT WITH ME ON MEETHOOK Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Jess and Jenn dive in with the powerhouse creative that is Angela Russo-Ostot who serves as the Chief Creative Officer of the Russo Brothers' outfit AGBO. Angela leads company executives across all departments to develop and produce innovative, globally resonant creative content. Under her creative direction, AGBO has planted a flag as industry leaders and pioneers of interconnected storytelling “universes” that traverse multiple forms of media. Overseeing AGBO's full slate, Russo-Otstot ensures creative quality, brand management, and story cohesion amongst a host of films, series, video games, animation, audio, comics, merchandise, and experiences. Her AGBO credits to date include executive producer and writer on Amazon's #2 title of all time, “Citadel” starring Richard Madden and Priyanka Chopra-Jonas, as well as local-language series releasing by way of Italy, India, and Mexico; producer on Netflix's "The Electric State" starring Millie Bobby Brown and Chris Pratt, directed by the Russo Brothers and currently in post-production; producer on The Bluff starring Priyanka Chopra-Jonas, currently in production ; producer on "Extraction 2" starring Chris Hemsworth and executive producer on Extraction 1, both of which are in Netflix's top 10 most-watched films of all time; executive producer on "The Gray Man" starring Ryan Gosling and Chris Evans, a top 5 most-watched film of all time for Netflix; producer on the upcoming animated film, "Fudge", for Disney; and executive producer on Amazon's upcoming event series “Butch and Sundance” starring Regé Jean Page and Glen Powell.  In addition to the large-scale, commercial content AGBO has become known for, Russo-Otstot leads in AGBO's mission to champion new, innovative, and underrepresented voices via independent films under the company's Gozie Agbo banner. Among such efforts, she executive produced IFC's Sundance hit "Relic", awarded a National Board of Review “Top 10 Film of 2020.” Prior to her position as CCO, Angela served as AGBO's President of Creative and, before that, as Senior Vice President of Story where she worked under fellow writers Christopher Markus and Stephen McFeely, developing projects such as "Extraction 1" and "Everything Everywhere All At Once", A24's highest-grossing title of all time and seven-time Oscar winner. She eventually co-wrote and executive produced "Cherry", directed by the Russos and starring Tom Holland, which was acquired by Apple TV+. Russo-Otstot first began her career when she sold a pilot to HBO and then went on to write and produce in television for the next decade on dramatic series that include FX's critically acclaimed “The Shield.” She has taught screenwriting and playwriting at Case Western Reserve University and Cleveland Institute of Art.  Angela's first step into the industry as an actor. How Angela's career has evolved over the years from a tv writer/producer to Chief Executive Officer. Supporting her brother's on Arrested Development The creative structure of AGBO The importance of mentorship and paying it forward. Staying involved in the community and emerging talent The Storyteller's Collective How important a Casting Director is to the process. The exciting elements of the casting process. The kinds of projects Angela gravitates towards. AGBO's philanthropic focus Angela's retirement dream! Resources: Angela Russo-Otstot IMDb AGBO Instagram AGBOVerse Newsletter No Sleep 'Til Film Festival ──────────────────────────── ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stay Tuned with Tipsy Casting on IG⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tipsy Casting YouTube Channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jessica ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Jenn ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn More About ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠& ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jenn's⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Casting

Wesley Allen Ball, age 73 of Richmond, VA, passed away on August 3, 2024. He was born on February 1, 1951, and raised in Powhatan, VA. He was preceded in death by his parents, Margaret and Omar Ball, Jr. He is survived by his sister, Betty Ball Bowman and her Husband, Joseph A. Bowman. Wes retired in June 2013, returning to VA, after serving as Coordinator of Music Education at Western Connecticut State University. He earned a BME degree from Shenandoah University-Conservatory, a MM degree in Piano Performance from the Cleveland Institute of Music, along with an MA and PhD...Article LinkSupport the Show.

Emily Joyce, an enamelist, sculptor, and jewelry maker, discusses her creative process and balancing her work with being a teacher and a mom. She shares her love for mechanisms and creating playful, nostalgic pieces. Emily talks about her struggles with displaying her work at art festivals and her desire to explore new techniques. She also offers one-on-one classes to teach others and finds inspiration from other metalsmiths. Emily discusses her daily routine and the challenges of marketing and staying consistent on social media. In this conversation, Christine and Emily discuss the challenges of consistency and engagement on Instagram, the struggle to balance creativity with the business side of being an artist, and the importance of finding your own unique style. They also talk about the desire for gallery representation and teaching at craft schools. Emily shares her favorite pieces and her goals for the future. Bio... Emily Joyce is a vitreous enamelist, sculptor, and art studio instructor from Cleveland, Ohio. She received her Bachelor of Fine Arts in Enameling from The Cleveland Institute of Art and earned a Master in Arts Education from Case Western Reserve University. Emily's work is a thoughtful balance of playfulness and humor from her experience as an art teacher and as a student. She is currently interested in exploring the mechanisms of equipment found on playgrounds and how the undermanaged and immensely imaginative time spent on the playgrounds helps to shape us into adults. Follow Emily... Instagram: @emilyjoyceofficial Website: www.emilyejoyce.com

Brandon Cartellone ////// 777Part 1 of 1  www.TrueCrimeGarage.comOn July 26, 2011 - Brandon Cartellone was viciously killed.  His body was found in his second floor apartment at approximately 1AM on July 27th.  Brandon was just 21 years old.  He was a successful Industrial Design student at the Cleveland Institute of Art.  Brandon's death continues to be an open wound that will not and cannot heal for the so many people who knew and loved him.  The F.B.I. has taken over the case as it appears that the Cleveland Police Department either lacked the funding, the personnel, or both to conduct a thorough and proper murder investigation.  Law Enforcement still needs your help.  If you have any information regarding this investigation OR information about any of the persons described in this podcast please contact the Cleveland FBI office  216-522-1400.  Online tips can be sent to tips.fbi.gov Beer of the Week - Strange Magic by Fat Head's Brewery Garage Grade - 3 and 3 quarter bottle caps  More True Crime Garage can be found on Patreon and Apple subscriptions with our show - Off The Record.  Catch dozens of episodes of Off The Record plus a couple of Bonus episodes and our first 50 when you sign up today.  Follow the show on X and Insta @TrueCrimeGarage / Follow Nic on X @TCGNIC / Follow The Captain on X @TCGCaptain  Thanks for listening and thanks for telling a friend.  Be good, be kind, and don't litter! 

Josh Phillips, Director of Business Development for Eberts & Harrison, Inc., joined the America's Work Force Union Podcast to talk about the difference their union-focused insurance company can make for union training centers and Local and International unions. He talked about the way the company works to provide the best policies to clients and even discussed a recent experience where their union shop was able to make a difference for a Joint Apprenticeship and Training Committee with the International Brotherhood of Electrical Workers. Len Dicosimo, President of the American Federation of Musicians Local 4 and the North Shore Federation of Labor, joined the America's Work Force Union Podcast to discuss the recent NLRB petition by faculty at the Cleveland Institute of Music for union representation from AFM Local 4. Dicosimo also discussed the summer Musical Rally schedule and the approval of a levy to support Cuyahoga Arts and Culture on the November ballot.

Check out this re-air of our second episode from Season 2 featuring Simone Barros, Film & Audio Editor. In this special episode made by one of our student podcast fellows, NYU Graduate Student Muskan Nagpal speaks with Simone Barros, a freelance film and audio editor. They reflect on what drew Simone to creative roles along with the financial challenges and the pressure to hit career goals based on the timelines of others. Simone Barros creates films, plays, soundscapes and installations. MONO XVI Cinematic Arts Festival (2022), Cosmic Rays Film Festival (2023), Cleveland International Film Festival (2019), Chagrin Documentary Film Festival (2019), and The 8th Floor by Shelley and Donald Rubin screened Simone's works. Third Coast International Audio Festival featured Simone's soundscape in their 2020 Third Place Audio Festival Workshop and On Air Festival 2021 Official Selections included Simone's audio drama. Simone worked for filmmakers Judith Helfand, Sam Pollard and Spike Lee and taught filmmaking at Pratt Institute, Cleveland Institute of Art and Cuyahoga Community College and directs audiobooks including works by Chimamanda Ngozi Adichie, Hari Kunzu and Charlie Kaufman. Simone earned an MFA at Duke University and BFA at New York University's Tisch School of the Arts. For a full transcript of this episode, please email ⁠⁠career.communications@nyu.edu⁠⁠.

In this episode I sit down with speech language pathologist (SLP) Ashley Michaelis to discuss: Similarities between the voice box and pelvic floor Relationship between voice, breathing and pelvic floorMissed connections in the researchWays we can use the pelvic floor to train the voice and the voice to train the pelvic floorHow sounds we make in birth influence the pelvic floorNoises we make in sport to increase performance Ashley Michaelis (she/her/hers) embarked on her undergraduate journey in Voice Performance & Music Education at Case Western Reserve University and the Cleveland Institute of Music. During her studies, she encountered personal voice challenges which led her to discover Speech-Language Pathology. Motivated to assist others in rehabilitating their voices, Ashley changed her major and pursued her graduate degree at the University of Wyoming. Her professional journey has included diverse settings such as private practice, schools, outpatient and inpatient rehabilitation, acute care, and multidisciplinary clinics. Ashley has also shared her expertise by teaching the Voice Disorders graduate level class at the University of Vermont. Her specialized areas encompass singing voice rehabilitation, voice disorders, swallowing disorders, upper airway disorders, and neurogenic communication disorders. Recognized for her achievements, Ashley is an ASHA Ace Award Recipient and serves as a Lead Mentor for the MedSLP Collective. She has been a featured guest on podcasts including Swallow Your Pride and Start Your Private Practice. Outside of her career, Ashley enjoys spending quality time with her family and dogs, as well as participating in local community theater performances. How to contact Ashleywww.empoweredvoicerehab.org Instagram Facebook LINKS MENTIONED: Pelvic floor screening tool:  www.pelvicsanity.com/screening THANK YOU TO THE EPISODE SPONSORSSRC: discount code and website: https://srchealth.com/?ref=Sto_l3PawmnH4PELVIC HEALTH SUPPLIES: https://pelvichealthsupplies.com/ with discount code: podcast15Thanks for joining me! Here is where you can find out how to work with me:  www.pelvicfloorprojectspace.com/Support the Show.

Michael Cartellone is the drummer for the famed rock band Lynyrd Skynyrd and Damn Yankess (who never officially broke up) He attended the Cleveland Institute of Art at the age of four, until he began drumming at the age of nine. He completely threw himself into drumming, playing his first professional gig at a bar at the age of eleven, although he never stopped painting. Michael continued studying both drumming and painting simultaneously, throughout his grade school and high school years. By the time he graduated high school, Michael was performing four nights a week, earning his living as a musician; yet at the same time, he had begun selling his paintings. Then in his early twenties, he found himself in a new band called "Damn Yankees", which went onto multi-platinum status. Other recording and/or touring credits include: John Fogerty, Cher, Peter Frampton and Freddie Mercury. In 1998, Michael joined the legendary Southern Rock Band, Lynyrd Skynyrd, where he can currently be seen on tour throughout the world. Michael Cartellone's paintings have earned the honor of being included among the fine collections of The Chaplin Family, Peter Frampton, Russell Brand, The Hard Rock Café and are on display for sale at Wentworth Galleries nationwide. #art #artwork #artmuseum #artgalley #portraitpainting #landscape #andywarhol #picasso #renoir #rockband #rockmusic #lynyrdskynyrd #cher #freddiemercury #johnforgerty #peterframpton #damnyankees

Michael Cartellone is the drummer for the famed rock band Lynyrd Skynyrd and Damn Yankess (who never officially broke up) He attended the Cleveland Institute of Art at the age of four, until he began drumming at the age of nine. He completely threw himself into drumming, playing his first professional gig at a bar at the age of eleven, although he never stopped painting. Michael continued studying both drumming and painting simultaneously, throughout his grade school and high school years. By the time he graduated high school, Michael was performing four nights a week, earning his living as a musician; yet at the same time, he had begun selling his paintings. Then in his early twenties, he found himself in a new band called "Damn Yankees", which went onto multi-platinum status. Other recording and/or touring credits include: John Fogerty, Cher, Peter Frampton and Freddie Mercury. In 1998, Michael joined the legendary Southern Rock Band, Lynyrd Skynyrd, where he can currently be seen on tour throughout the world. Michael Cartellone's paintings have earned the honor of being included among the fine collections of The Chaplin Family, Peter Frampton, Russell Brand, The Hard Rock Café and are on display for sale at Wentworth Galleries nationwide. #art #artwork #artmuseum #artgalley #portraitpainting #landscape #andywarhol #picasso #renoir #rockband #rockmusic #lynyrdskynyrd #cher #freddiemercury #johnforgerty #peterframpton #damnyankees

Author of the book, 'Make Great Music with Ease! The Secret to Smarter Practice, Confident Performance, and Living a Happier Life', Jennifer Roig-Francolí is an international award-winning violinist, double-certified Alexander Technique teacher, and creator of The Art of Freedom® Method for conscious living and masterful artistry.  Jennifer's inspiring online coaching programs for musicians combine her professional experience with a life-long love of meditation and perennial wisdom, providing her students with powerful tools to overcome pain, performance anxiety, and skills limitations.   Honored by TIME Magazine as a "Rising Star", Jennifer has performed as soloist in many of the world's most prestigious concert halls, including multiple solo appearances at Carnegie Hall and with orchestras such as the Pittsburgh and Berlin Symphony Orchestras. She has been the Concertmaster and Associate Concertmaster of multiple ensembles, including the Cincinnati Chamber Orchestra and Apollo's Fire, the Grammy-Award winning Cleveland Baroque Orchestra.   Jennifer has taught the Alexander Technique on the faculty of the Cincinnati College-Conservatory of Music and Xavier University, conducted and published prize-winning medical research on the Alexander Technique for laparoscopic surgeons, and founded two professional associations for Alexander Technique teachers in Ohio. In 2009, she designed and implemented a successful research study for surgeons using laparoscopy and AT at Cincinnati Children's Hospital and Medical Center which resulted in a prize-winning paper presented at the American Academy of Pediatrics and published by the Journal of Urology.  As a student, Jennifer studied with Dr. Shinichi Suzuki in Japan, Nathan Milstein in Switzerland, David Cerone at the Cleveland Institute of Music, and Josef Gingold at Indiana University. -- Your support is appreciated! If you are enjoying The Orchestra Teacher Podcast, please consider becoming a supporter for as little as 99 cents per month. I am working hard to bring on some amazing educators who will share ideas, tell their story, and offer some support for all of you. I have invested a lot of time in putting it all together and money purchase equipment that will help provide the best possible listening experience. Here is the link: https://podcasters.spotify.com/pod/show/orchestrateacher/support Thank you for your continued support! If you have suggestions for podcast guests, please let me know by providing a name and contact information. Subscribe to The Orchestra Teacher Website, YouTube Channel, and Podcast! Website: http://www.orchestrateacher.net YouTube Channel: http://youtube.com/theorchestrateacher Podcast on Anchor.fm: https://anchor.fm/orchestrateacher Podcast on Spotify: https://open.spotify.com/show/5pvAWs3uftZ5FJ2KyZYU0z Podcast on Google: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy9mNjU1ZWEwL3BvZGNhc3QvcnNz Podcast on Apple Podcasts: https://podcasts.apple.com/us/podcast/the-orchestra-teacher-podcast/id1489358262 --- Support this podcast: https://podcasters.spotify.com/pod/show/orchestrateacher/support

Join me as we journey into the realm of sustainable fashion with Valerie Mayen, the visionary founder of Yellow Cake Shop Clothing. Valerie's story is one of determination and innovation, from her roots in illustration and graphic design to her pioneering role in sustainable clothing. Explore the genesis of Yellow Cake Shop Clothing, forged out of necessity and fueled by creativity, and learn from Valerie's insights into overcoming challenges and embracing success. Discover practical tips for balancing entrepreneurship and motherhood and actionable advice for incorporating sustainable practices into your lifestyle. Gain a deeper understanding of sustainable fashion as Valerie debunks misconceptions and advocates for ethical consumer choices. Moreover, delve into Valerie's passion for empowering women through financial education and investment, breaking down barriers, and paving the way for a more equitable future. Want to catch my live videos and chat more between episodes about all things wellness? Make sure to join my free Facebook community: ⁠⁠⁠Women's Wellness Collective⁠⁠⁠! Or check out my website and follow me on social media ⁠⁠⁠here⁠⁠⁠! Until next week, be well! Valerie lives a stone's throw away from [Yellowcake Shop's] Cleveland studio with her 2 dogs, 2 daughters, and husband, but she is originally from Corpus Christi. She found her way to Cleveland by attending The Cleveland Institute of Art, and the city became the foundation of her new fashion career and family. Valerie landed a spot to compete against 17 other highly skilled fashion designers on Lifetime's Project Runway series, Season 8, finishing among the top 7. She was then invited back to compete in Project Runway Allstars Season 5 to much success, and the experience further sharpened her superior sewing skills and keen eye for detail. Yellowcake Shop was born in 2009 and shortly after, its sister Hullabaloo became one of Cleveland's latest and most talked-about fashion events. Valerie is dedicated to providing high quality clothing to others without the major environmental impacts other fast fashion clothing often causes, while finding creative ways to build up the community in Cleveland that supports her. https://www.yellowcakeshop.com/ https://www.instagram.com/yellowcakeshop https://www.facebook.com/yellowcakeshopcle https://www.youtube.com/channel/UCsrWZhpI7jVa548Z40Vhi6g https://www.linkedin.com/in/valeriemayen/

This month, we had the immense pleasure of speaking with violinist and Alexander technique practitioner Jennifer Roig-Francoli. This episode delves into the unique way Jennifer utilizes the Alexander Technique to help musicians overcome obstacles and find ease and joy in their music-making experience. By the end, you will want a session with her! Bio: Bestselling author of the book, 'Make Great Music with Ease! The Secret to Smarter Practice, Confident Performance, and Living a Happier Life', Jennifer Roig-Francolí is an international award-winning violinist, double-certified Alexander Technique teacher, and creator of The Art of Freedom® Method for conscious living and masterful artistry. Jennifer's inspiring online coaching programs for musicians combine her professional experience with a life-long love of meditation and perennial wisdom, providing her students with powerful tools to overcome pain, performance anxiety, and skills limitations.   Honored by TIME Magazine as a "Rising Star", Jennifer has performed as soloist in many of the world's most prestigious concert halls, including multiple solo appearances at Carnegie Hall and with orchestras such as the Pittsburgh and Berlin Symphony Orchestras. She has been the Concertmaster and Associate Concertmaster of multiple ensembles, including the Cincinnati Chamber Orchestra and Apollo's Fire, the Grammy-Award winning Cleveland Baroque Orchestra.   Jennifer has taught the Alexander Technique on the faculty of the Cincinnati College-Conservatory of Music and Xavier University, conducted and published prize-winning medical research on the Alexander Technique for laparoscopic surgeons, and founded two professional associations for Alexander Technique teachers in Ohio. In 2009, she designed and implemented a successful research study for surgeons using laparoscopy and AT at Cincinnati Children's Hospital and Medical Center which resulted in a prize-winning paper presented at the American Academy of Pediatrics and published by the Journal of Urology. As a student, Jennifer studied with Dr. Shinichi Suzuki in Japan, Nathan Milstein in Switzerland,    David Cerone at the Cleveland Institute of Music, and Josef Gingold at Indiana University. Show Notes: Awareness For Musicians The Cycle - Video  Make Great Music with Ease! : The Secret to Smarter Practice, Confident Performance, and Living a Happier Life by Jennifer Roig-Francoli https://artoffreedom.me/meet-jennifer/  Pain Free Performer   

Today I'm in conversation with MaryLou Roberts, a Suzuki Guitar Teacher Trainer. (bio below) We talked about: · Suzuki approach in today's world and how it is needed now more than ever · How to keep finding new ways · Music environment has changed · Listening needs to be taught · How to turn music into a habit · Attention span ·Play the best you can, and let the sound wash over your student. · Musical communication · Children loved into existence · Art isn't in some far-off place · The importance of community for our children · Being with your child is one of the most important things in the Suzuki way. · Everyone can talk, so everyone can be a Suzuki parent and student. …..and more. · Find a way to love what you do MaryLou's Bio: MaryLou Roberts is a Suzuki Teacher Trainer, who maintains an active Suzuki Guitar program in Ann Arbor, Michigan. She travels internationally as a Guitar Teacher Trainer for the SAA and the ESA. MaryLou is a Coordinator of the Ann Arbor Suzuki Institute of Music, and has served on the Board of Directors of the SAA and on the Guitar Foundation of America Board.  She is Chair of the International Suzuki Association Guitar Committee, guiding the process of revising the Suzuki Guitar repertoire along with her international colleagues. She holds a Master's Degree in Guitar performance from the Cleveland Institute of Music, where she studied with John Holmquist and received the Valedictory Award and was elected to the Society of Pi Kappa Lambda. Her favorite pastimes are daily Tai Chi, walks with her spouse Brian, and just being in nature. * * * * * * * * * * * * * * If you like the podcast, please subscribe to it, share it with your friends, leave a comment and rating in Apple podcast (or wherever you get your podcast) and ⁠⁠⁠⁠⁠⁠⁠⁠join our list ⁠⁠⁠⁠⁠⁠⁠⁠to get notified when a new episode is on air. If you wish to support the podcast by donating, please click the PayPal link ⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/PayPal-Souloist ⁠⁠⁠⁠⁠⁠⁠⁠ and Thank You for your generosity. Find us on: ⁠⁠⁠⁠⁠⁠⁠⁠Face Book⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ , ⁠⁠⁠⁠⁠⁠⁠⁠YouTube ⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Linkedin You can watch this episode on YouTube too. --- Send in a voice message: https://podcasters.spotify.com/pod/show/souloist-podcast/message

Alison was born and raised in Ohio and recently graduated from the Cleveland Institute of Art. She wanted to do something epic to celebrate the milestone and take a deep look into the place she loved; her home state of Ohio.The Ohio Project was born. Alsup proceeded to traversed 3,416 miles by foot, bike, and rollerblades focused on seeing as much of Ohio as possible. She bikepacked 850 miles along the entire length of the Ohio River, thru hiked the 1,444 mile Buckeye Trail, bikepacked 796 miles around the entire perimeter of Lake Erie, and then did a bike/rollerblade combo of 326 mile Ohio to Erie Trail from Cleveland to Cincinnati.Alsup is currently working on a body of artwork about the beauty of the Ohio Region, and its natural wonder, historical importance, and the kindness of its residents. She will be showing her art in exhibitions and festivals, and selling her work on her website. She hopes her project will spread appreciation for Ohio, encouraging its natural protection, and for residents to explore their own backyards.Alison was the winner of our 2023 Adventure GrantLearn more about Alison and her art:https://www.alisonalsup.com/Instagram: @a.j.alsupOur Sponsors:* Check out Tecovas: http://www.tecovas.comSupport this podcast at — https://redcircle.com/adventure-sports-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Trombone Corner Podcast is brought to you by Bob Reeves Brass and The Brass Ark.  Join hosts Noah and John as they interview John Sebastian Vera and Nick Schwartz, trombonists and podcast hosts of The Trombone Retreat.  After you listen to this episode, head on over to The Trombone Retreat feed for the second half of this episode.  You can come see us at Booth #271 at the TMEA Convention, February 8th thru 10th, 2024 in San Antonio Texas.   About John Sebastian Vera John Sebastian Vera, a native of Texas, became the principal trombonist of the Pittsburgh Opera in 2010 and also joined the River City Brass as principal Trombone in 2015. He is also professor of trombone at Duquesne University and faculty member at the Cleveland Institute of Music where he teaches a course on Music Entrepreneurship and Digital Media as well as coach chamber music. In addition to the Pittsburgh Opera, Mr. Vera has played with the symphonies of Dallas, Detroit, Pittsburgh, Cleveland, the St. Paul Chamber Orchestra, Buffalo, Kennedy Center Opera House, Malaysian Philharmonic, New York City Ballet, Vermont, Harrisburg, Charleston, American Ballet Theatre, and Orquesta Sinaloa de las Artes in Mexico amongst others.  He began his studies with Jon Bohls in Texas and continued his education at Southern Methodist University where he studied with John Kitzman of the Dallas Symphony. He then spent a year studying with Ed Zadrozny as a graduate assistant at the University of Akron, and finished his graduate work in New York City at the Mannes College of Music studying with David Finlayson and James Markey of the New York Philharmonic.     In 2011, he spent the summer in Haiti volunteer teaching and performing in the Orchestre Philharmonique Sainte Trinite as well as the Ecole de Musique Dessaix Baptiste which became one of the more profound experiences of his life.   A dedicated chamber musician, he also was a founding member of the critically acclaimed Guidonian Hand Trombone Quartet in which he played from 2008-2014. With the quartet, John performed over 100 concerts and gave master classes all over the country. Heralded by the New York Times for their "expertly played performances" they have been recipients of numerous national grants which have enabled them to commission countless composers to create new and innovative works for four trombones.  In 2014 was the premiere of River of Fundament, a movie by film artist Matthew Barney, in which John recorded for and acted in along with the quartet.  Mr. Vera can also be heard on the HBO documentary The Words that Built America as well as on euphonium in the PBS documentary Abraham and Mary Lincoln, A House Divided as well as many commercial and video game soundtracks as well as James Markey's solo release, “On Base”. John is an Artist for Edwards Instruments and resides in Pittsburgh.  His favorite musicians include Sigur Ros, Radiohead, the Books, and Efterklang. When he can get away from the trombone he most enjoys basketball, traveling and reading about psychology and social science.  Check out his podcast he hosts with Nick Schwartz called the Trombone Retreat available everywhere you download your podcasts. Follow him on Instagram @js.vera.   About Nicholas Schwartz Nicholas Schwartz has a diverse career performing across North America, Europe, and Asia. After studying at The Juilliard School with then New York Philharmonic bass trombonist Don Harwood, he moved to San Francisco where he began freelancing throughout the Bay Area.  Since 2010, he has been the principal bass trombonist of the New York City Ballet Orchestra. He has also performed with the Pittsburgh Symphony, the New York Philharmonic, The Metropolitan Opera, The Philadelphia Orchestra, San Francisco Symphony, San Francisco Ballet, Orpheus Chamber Orchestra, St. Lukes Chamber Orchestra, the New York City Opera,  Atlanta Symphony, Minnesota Orchestra, The Malaysia Philharmonic, Mostly Mozart Festival, and Classical Tahoe.  Follow him on instagram @basstrombone444   About Third Coast Retreat The Third Coast Trombone Retreat is an 7-day trombone immersion welcoming talented college, high school, and amateur trombonists from across the country to the beautiful shores of Lake Michigan.   The Retreat takes place in the charming small town of Montague, MI. Truly an escape from the distractions of everyday life, the festival is nestled in a dense forest along the coast where happening across roaming deer is a common occurrence. The Retreat utilizes facilities all over the town from churches to coffee houses to historic barns to the beach.  We will perform not only for ourselves, but for the community. A fulfilling life of being a musician does not simply begin and end with winning an orchestral or teaching position. Mastering the instrument is only the first step.  Being an artist in the 21st century requires discovering one's unique voice and finding new ways to present the art-form to communicate and contribute to society.   Core to the retreat will be guest artist and faculty recitals, topical master classes including personal finance, performance anxiety and wellness as well as private lessons, orchestral section seminar, ensemble coachings, a trombone choir, a mock orchestral audition, and much more. In addition to the performance elements, the curriculum is expanded to include a talks about career-building, faculty bonfire Q&A, discussions on the mental approach to auditions and performances, wellness, meditation, and more.    

An Artist for All Media: Tao LaBossiere Tenth Episode: Tao LaBossiere is one of the most ridiculously talented people I know. He's an award-winning muralist, sculptor, and illustrator, who passionately celebrates community through his creative endeavors. He's the volunteer co-director of the Hartford ArtSpace Gallery in Hartford, Connecticut. He was the lead creative partner at the Still Waters Retreat Center in Voluntown, Connecticut, for more than a decade. And he's studied at Norwich Free Academy, the Lyme Academy of Fine Arts, The Cleveland Institute of Art, and the Hartford Art School. Most important and impressive, Tao is a really good man. He'll join me to share his gentle genius and his generous spirit. We hope you'll be there with us. https://www.artoftaolabossiere.com/ Video Version: https://www.youtube.com/live/Ra66qpOupPg?si=LXQ4d3Fw_9xJRRWY Learn more about Mark here: https://www.youtube.com/channel/UC4cXoftnMYJ7bREYG-K9eng https://www.linkedin.com/company/the-anxious-voyage/about/?viewAsMember=true https://www.facebook.com/profile.php?id=100095313165139 https://www.linkedin.com/in/markobrien/ https://www.facebook.com/MarkNelsonOBrien https://www.facebook.com/MartinTheMarlin/ mark@obriencg.com

Creativity through the lens of an illustrator, author, caricature artist and teacher"Creativity is something that belongs to everyone."Wendy Fedan is a full-time freelance illustrator/designer, living in Amherst, Ohio. She graduated from the Cleveland Institute of Art where she also teaches Continuing Education courses for teens and adults. Wendy launched her own design for publishing biz in 2021 named Create-a-Way Design & Publishing to act as a book shepherd, helping other authors through the self-publishing process. She has 14 indie-published books under her belt so far, mostly picture books which she's also illustrated, but she also has her own novel series called Somewhere In-Between to explore her personal interest in the paranormal.https://www.cawpublishing.com/https://www.facebook.com/wendy.fedanhttps://www.linkedin.com/in/wfedan/https://www.instagram.com/wendyfedanhttps://www.youtube.com/c/WendyFedanhttps://twitter.com/wfedan

When you put a lot of time and energy into preparing for something that's important to you, and things don't go the way you hoped, it's pretty natural to feel deflated or discouraged afterwards. And you might even have difficulty getting back into the flow of things, or finding the confidence to try again.Heck, we can experience some version of this even a spectator. Believe it or not, researchers have found that we eat more unhealthily (e.g. 10% more calories and 16% more saturated fat than normal) the day after our favorite team has a tough loss, and we eat more healthily on days after a big win (5% fewer calories and 9% less saturated fat than normal).But while some athletes respond to a subpar performances with more subpar performances, others bounce back and perform even better.How do they do this?A 2003 study provides some important clues. Get all the nerdy details here:A Mindset Shift That Can Help You Respond to Setbacks With Even Better PerformancesAlso, have you ever wondered why practicing more doesn't increase confidence or reduce nerves all that well?There's no single one-size-fits-all solution for beating performance anxiety of course, but there is a recipe. A set of ingredients, in different proportions, that work together and complement each other. And don't worry - one of the ingredients isn't "just practice more."

Following her father's passing 10 years ago, Deanna Clayton's artwork took an unexpected turn when she found herself modeling clay into a figurative vessel rather than a decorative one. The translation of the clay form into glass symbolized glass' inherent life-affirming qualities. Soft, flowing edges at the bases of these sculptures add to the sense of impermanence; electroplated copper helps to ground the figures, enhancing their presence. Clayton states: “The inspiration for this new body of work is a true love of the life inherent in glass itself. To create a face in glass is a self-evident evocation of the material's life quality. Creating abstracted forms in glass that become believable as life is what is truly inspiring. This is what continues my quest to experiment and explore glass and its capabilities as an art form.” Clayton started working with glass 35 years ago as a student in Bucks County, Pennsylvania. She began as most glass artists do, by being introduced to a blow pipe and a furnace of molten glass. Her work prior to finding glass was primarily drawing and printmaking, with an emphasis on representing the human form. She earned her associates in fine arts degree at Bucks County Community College. Wanting to continue her education in glass, Clayton chose Kent State University in Kent, Ohio, where the program taught by Henry Halem had produced some of the most successful glass artists working at the time. After two years, she moved to Champaign-Urbana, Illinois, where she graduated from the University of Illinois with a bachelor of fine arts degree in art history in 2002. While attending the University of Illinois, Clayton started her own glass studio with her husband, Keith Clayton. After 10 years in Illinois, in 1995 the couple discovered beautiful Door County, Wisconsin, where they moved with their three children. The studio was known for its pate de verre technique and electroplated copper vessels – a successful source of inspiration to her for over 20 years. Today, D.C. Studios LLC is designed to educate others in the ancient and rewarding process of pate de verre. Clayton has taught classes at the Corning Museum of Glass, New York; The Cleveland Institute of Art; and Duncan McClellan Glass Project, St. Petersburg, Florida. Her work can be seen in public and private collections around the world. This year's exhibitions included a solo exhibition, Surging Forward, at Duncan McClellan Gallery, St. Petersburg, Florida; Glass Coast Weekend, Habatat Fine Art, Sarasota, Florida; and Art Palm Beach, Mattsen Fine Art, Palm Beach, Florida. Artist awards include the 2019 Collectors Choice, 47th Annual International Glass Invitational, Habatat Galleries, Royal Oak, Michigan; SAC Award, Professional Dimensions Group, Milwaukee, Wisconsin; and Most Unique Interpretation of a Vessel, Habatat Galleries, Boca Raton, Florida. Says Clayton: “I love the versatility and freshness of glass as an artistic medium. The potential for expression in contemporary glass is limitless.”  

In this episode, Marisa interviews professional violinist, Diana Anderson. Diana talks about growing up in a musical household, attending the Cleveland Institute of Music, and performing with the Toledo Symphony. They discuss the audition process along with her memorable shows and favorite composers. With 23 years of teaching and 38 seasons with the Toledo Symphony, Diana continues to share her passion with students and audiences in the community.Follow Diana on Facebook at Diana Dyer AndersonCheck out the Toledo Symphony Website for Upcoming Showshttps://www.artstoledo.com/toledosymphony/

Kathryn Heidemann is the President + CEO of the Cleveland Institute of Art, an arts & design college in our neighboring state to the west.  Kathryn has been working in the arts & culture administration sector for 25 years, having spent nearly 2 decades of her career in Pittsburgh.  She also plays a mean bass guitar and sings AT THE SAME TIME.  You may know her from such bands as Rockit Girl, Blindsider, The Victors!, and most recently, Garter Shake.  She is a powerhouse of a woman and in this interview we talk about her upbringing living abroad in Australia, Venezuela and Germany, as well as her time in Michigan, Chicago and Pittsburgh.  We marvel at Kathryn's rare-but-refreshing simultaneous affinity for both Pittsburgh AND Cleveland. This episode's "fact check" is available at yinzworldpodcast.com  If you like our show, please rate and review on your listening platform!  Connect at yinzworldpodcast@gmail.com or instagram @yinzworld. --- Support this podcast: https://podcasters.spotify.com/pod/show/yinzworld/support

Loki offers updates on the drama at WCPE-FM and the Cleveland Institute of Music, shares his dialogue with June Carryl, the writer behind a new opera dedicated to the life of Oluwatoyin Salau, and speaks to the violence in the Middle East. North Carolina Radio Station Won't Ban Met Opera Broadcasts After All Carlos Kalmar Put on Leave of Absence by Cleveland Institute of Music June Carryl "Say Her Name" by Alysia Lee The Story of Oluwatoyin Salau ★ Support this podcast ★

Loki highlights the struggle between the students of the Cleveland Institute of Music and Maestro Carlos Kalmar, chats with pianist Jorge Federico Osorio about his new album, "Conciertos Románticos", and speaks to how the critique of interracial dating has come into his life by way of classical musicians.  Inside the Crisis at CIM "Conciertos Románticos" "For the Boys" ★ Support this podcast ★

Valerie lives a stone's throw away from our Cleveland studio with her 2 dogs, 2 daughters, and husband, but she is originally from Corpus Christi. She found her way to Cleveland by attending The Cleveland Institute of Art, and the city became the foundation of her new fashion career and family. Valerie landed a spot to compete against 17 other highly skilled fashion designers on Lifetime's Project Runway series, Season 8, finishing among the top 7. She was then invited back to compete in Project Runway Allstars Season 5 to much success, and the experience further sharpened her superior sewing skills and keen eye for detail. Yellowcake Shop was born in 2009 and shortly after, its sister Hullabaloo became one of Cleveland's latest and most talked-about fashion events. Valerie is dedicated to providing high quality clothing to others without the major environmental impacts other fast fashion clothing often causes, while finding creative ways to build up the community in Cleveland that supports her.  About Yellowcake Shop  Yellowcake is the signature line of women's outerwear and accessories designed & crafted by artist and Project Runway alumna Valerie Mayen. Her garments are handmade in the United States with a keen attention to detail, superior construction, and timeless design. Every purchase made supports Yellowcake's larger mission to alleviate social issues and environmental challenges here and abroad. As a brand, our aim is to produce high-quality, luxury pieces that provide value for the consumer and a better life for all those who inhabit our world.  YELLOWCAKESHOP@GMAIL.COM || 216.236.4073 || YELLOWCAKESHOP.COM 1 --- Send in a voice message: https://podcasters.spotify.com/pod/show/dawn9792/message

This is the first of 10 episodes that I recorded and produced at The Space Program Residency in San Francisco. The first in the series is a conversation with artist and educator Libby Black. We talk about sobriety, lesbian visibility, teaching before and after the pandemic, and that time she swam The Rock, yes Alcatraz. About Libby Black Libby Black is a painter, drawer, and sculptural installation artist living in Berkeley, CA. Her artwork charts a path through personal history and a broader cultural context to explore the intersection of politics, feminism, LGBTQ+ identity, consumerism, addiction, notions of value, and desire. She has exhibited nationally and internationally, with such shows as “California Love” at Galerie Droste in Wupertal, Germany; “Bay Area Now 4” at Yerba Buena Center for the Arts; “California Biennial” at the Orange County Museum of Art; and at numerous galleries in New York, Los Angeles, and San Francisco. Black has been an artist-in-residence at Headlands Center for the Arts in Sausalito, CA; Montalvo Arts Center in Saratoga, CA; and Spaces in Cleveland, OH. Her work has been reviewed in Artforum, Art in America, ARTnews, Flash Art, and The New York Times. She received a BFA from the Cleveland Institute of Art in 1999 and an MFA at the California College of the Arts in 2001. Libby is an Assistant Professor at San Francisco State University. About The Side Woo Host & Creator: Sarah Thibault On-site Producer: Bryan Lovett Sound & Content Editing: Sarah Thibault Intro and outro music: LewisP-Audio found on Audio Jungle The Side Woo is a podcast created through The Side Woo Collective. To learn more go to thesidewoo.com For questions, comments, press, or sponsorships you can email thesidewoo@gmail.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/thesidewoopodcast/message

In this special episode made by one of our student podcast fellows, NYU Graduate Student Muskan Nagpal speaks with Simone Barros, a freelance film and audio editor. They reflect on what drew Simone to creative roles along with the financial challenges and the pressure to hit career goals based on the timelines of others. Simone Barros creates films, plays, soundscapes and installations. MONO XVI Cinematic Arts Festival (2022), Cosmic Rays Film Festival (2023), Cleveland International Film Festival (2019), Chagrin Documentary Film Festival (2019), and The 8th Floor by Shelley and Donald Rubin screened Simone's works. Third Coast International Audio Festival featured Simone's soundscape in their 2020 Third Place Audio Festival Workshop and On Air Festival 2021 Official Selections included Simone's audio drama. Simone worked for filmmakers Judith Helfand, Sam Pollard and Spike Lee and taught filmmaking at Pratt Institute, Cleveland Institute of Art and Cuyahoga Community College and directs audiobooks including works by Chimamanda Ngozi Adichie, Hari Kunzu and Charlie Kaufman. Simone earned an MFA at Duke University and BFA at New York University's Tisch School of the Arts. For a full transcript of this episode, please email ⁠career.communications@nyu.edu⁠.

Michelle Cann – Revival: Music of Price and Bonds (Curtis Studio)Pianist Michelle Cann has had a pretty incredible journey. Her path into the world of piano led her to the Cleveland Institute and the Curtis Institute of Music, which is where she teaches. In 2022, she was the recipient of the Sphinx Medal of Excellence. Now, her journey goes down another life-changing path with the release of her debut recording, Revival: Music of Price and Bonds.“Growing up, I didn't play any music by any Black composers other than church music. Nothing in the classical field was really ever assigned to me. I wasn't really aware of anyone except for Scott Joplin,” Cann says. “And it wasn't until 2016 that I was introduced to the Florence Price Piano Concerto and I was asked to play it. I'd never heard of her, never heard of the piece, and I read through it. You can only imagine that moment and put yourself in my shoes. I've never been aware of somebody like her in this field.“And I remember, at that point, I was reading her story. I was looking for anything I could find about her. I was looking to see, ‘What else did she write?' And then one of the things that was out there at that time was her piano sonata. How have I never heard of this piano sonata? I'm a pianist!“I remember exactly where I was, sitting at the piano in my apartment at the time, and I was reading through it and there were tears going down my eyes. One of the most beautiful things ever written for piano is the second movement of that piano sonata. And I called my mother and I was emotional and my mom was getting emotional because I asked myself, ‘How could they deny this woman her place in history? Why did no one know to share this with me?'“It was from there that I came across Margaret Bonds. I read that Margaret Bonds was actually one of Florence Price's most successful students. They met because Price moved to Chicago alone. She moved from Little Rock, Arkansas. She had kids, was divorced and had no connections. She was just starting to make them. And one of them was with the Bonds family. They actually took her in.“And Margaret Bond, of course, had her own story. She went on to become a great composer and pianist, and she premiered many of Florence Price's works as a performer. She didn't write as much for solo piano, not like Price. One of her most influential and important works is the Spiritual Suite, which is on this album. I had to include the suite because it is just so great what she does with these spirituals.”What do you feel like you personally bring to their music as a pianist?“I feel that I am on this journey with these composers, and the final thing I feel is a huge sense of pride. I feel so honored to be one of the conduits of their story.“So being part of this rediscovery and excitement about their story and their music and their voice in America that is everything to me. And when I perform their music, I perform it with that knowledge and that pride.“Because if I can do anything with this album, it's to share this music with the world. These women deserve a place in the canon of great American classical music.” Spiritual Suite: I. Valley of the BonesTo hear the rest of my conversation, click on the extended interview above, or download the extended podcast on iTunes or wherever you get your podcasts.ResourcesMichelle Cann – Revival: Music of Price and Bonds (Curtis Studio)Michelle Cann (official site)

One of THE most consistent challenges I've seen ID's face is tackling graphic design. But that's definitely not the case with our latest guest, Jennifer Grimes. Jennifer is a graphic designer turned instructional designer, with her own agency, Nektar Design. She also serves as adjunct faculty in the graphic design department of the Cleveland Institute of Art. It was really interesting chatting with Jennifer and hearing her story. Give this one a listen and you'll see why.

IN THIS EPISODE JOIN US ON PATREON! https://patreon.com/ClassicallyBlackPodcast Follow us on social media! https://linktr.ee/classicallyblack Donate to ISBM! https://fundraising.fracturedatlas.org/international-society-of-black-musicians Check out our website: https://www.isblackmusicians.com Commencement speaker bows out as Cleveland Institute of Music launches Title IX probe https://www.cleveland.com/news/2023/05/journalist-withdraws-as-cleveland-institute-of-music-commencement-speaker-as-school-launches-title-ix-investigation.html?outputType=amp Chad Smith to Lead Boston Symphony Orchestra as Next President and CEO https://www.bso.org/press/ceo-announcement Support Josh Jones https://www.drummojo.com Black Excellence: Billy R. Hunter, Jr. https://www.metorchestramusicians.org/portfolio/billy-r-hunter-jr-principal-trumpet/ Piece of the Week: Symphony No. 6 - Pyotr Ilych Tchaikovsky https://www.youtube.com/watch?v=GjACKNEI35E

In this episode, Kelly chats with American violist Deanna Petre. Deanna enjoys a diverse career as a performer and teaching artist and is co-founder of The Fearless Artist Mastermind. She emanates a calm, positive leadership style and her deep compassion for others helps her serve The Fearless Artist community.   Based in Paris, Deanna performs with orchestras in the region and for chamber music series in France and the Netherlands and holds a private teaching studio. Deanna is a graduate of the Juilliard School, the Cleveland Institute of Music, and the Conservatoire National Supérieur de Musique de Paris.  For more on Deanna, check out: ⁠https://www.thefearlessartistmastermind.com/ Watch more Outside The Bachs podcast episodes on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Listen on Apple Podcasts⁠⁠⁠⁠⁠ Get More Students For Your Private Music Studio: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OutsideTheBachs.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠Follow Kelly on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Kelly on TikTok⁠⁠⁠⁠⁠ Facebook Group: ⁠⁠⁠⁠⁠Private Music Instructors, Piano Lesson Teachers, and Music Studio Owners

S2 E18. This is another MUST LISTEN episode for artists and entrepreneurs! Join us for a powerful conversation with Erika b Hess, an internationally recognized artist, curator & founder of I Like Your Work. We chat about so many important topics related to pursuing an art career and how to find balance when you're doing ALL the things. Here's what we discuss:1. What led Erika to her current series of work, and how her journey through motherhood and the pandemic impacted her both personally and creatively.2. Why Erika felt deeply inspired to launch I Like Your Work, a platform that brings artists together through community, conversation, and the sharing of knowledge. 3. How to speak about your work with more confidence! (hint: it takes practice!)4. Reasons why it's important to start before you're ready and bravely take that first big step on the path to achieving your dreams.5. The essential practice of leaning into trust and joy, and the positive impact that can be achieved by centering both in our daily lives.About Erika:Erika b Hess is a painter, curator, art writer, and host of the popular art podcast I Like Your Work. Hess's body of work consists primarily of paintings and drawings that engage with the topics of motherhood, time, and the natural environment. She maintains studios in Columbus, OH, and Long Island City, NY, and is represented by Contemporary Art Matters in Columbus, OH. Hess's work has been exhibited nationally at venues in New York City, Brooklyn, Detroit, Los Angeles, Boston, and Philadelphia. Her work has been featured in numerous publications, and she frequently lectures at colleges such as Wellesley College, Massachusetts College of Art & Design, and Montana University, among others. Hess has served on panels such as Cleveland Institute of Art's “Feminism Now: Exposing the Truth,” Boston University's “Building Collaborative Art Spaces,” and other panels that discuss the overlap between feminism and art.In addition to her artwork, Hess is an active curator and columnist for the magazines Visionary Art and AllSHEMakes. Hess was a co-founder of Musa Collective, an artist collective in Boston, and is the creator and host of I Like Your Work podcast, a podcast dedicated to interviewing artists, curators, and collectors. In June, her work will be included in a group exhibition, I Spy a May Queen, at Contemporary Art Matters with Daisy Patton, Hilary Doyle, Jennifer Coates, Karen Lederer, and Genevieve Cohn.Hess received her MFA from Boston University.Follow Erika on Instagram: @erikabhess + @ilikeyourworkpodcastWebsite: erikabhess.com + ilikeyourworkpodcast.com Visit our website: visionaryartcollective.comFollow us on Instagram: @visionaryartcollective + @newvisionarymag Join our newsletter:visionaryartcollective.com/newsletter

Episode 189 of ADJ•ective New Music's podcast, Lexical Tones. Robert McClure and other members of the ADJ•ective New Music Composers' Collective venture to the 2022 Midwest Clinic International Band, Orchestra and Music Conference to sample all of the various musical happenings. With portable podcast equipment in tow, Rob had a chance to sit down with several composers, conductors, performers, and administrators for some quick chats in the Exhibitor Hall at McCormick Place in Chicago, IL. We are pleased to present these "mini-interviews" with Dr. Kenneth Thompson (conductor, Bowling Green State University), Quinn Mason (composer & conductor), Ava Wirth (oboe, The _____ Experiment), Michael Goodman (composer), Dr. Ryan M. Yahl (conductor, A&M-Commerce), Janet Song Kim (...and we were heard), Kincaid Rabb (composer & writer), Drew Hosler (saxophonist, The _____ Experiment), Dr. Andrew Cote (composer, Merrimack College), Paul Geresy (conductor, Merrimack College), Sakari Dixon Vanderveer (composer, violist, and educator), Dr. Spencer Arias (composer, improviser, and educator), Dr. Octavio Más-Arocas (conductor, Michigan State University), Jestin Cam (composer & conductor, Burke High School in Omaha, Nebraska), Andy Junttonen (composer & administrator, Cleveland Institute of Music), and Dr. Garrett Hope (coach, speaker, composer). Visit www.adjectivenewmusic.com for more information about ADJ•ective New Music, the ADJ•ective Composers' Collective, and Lexical Tones.

Today's episode features Maxmillian Peralta. Sam and I both connected with him in high school. Maxmillian is an artist and is currently a program director for an artist residency program. He received his degree from the Cleveland Institute of Art. In this episode we discussed the following topics: - Art for art sake - How to be subjective with one's artwork - Doing a piece for Lebron and what all that entailed - How to create for niche audiences - The author is dead and more.. You can find Maxmillian on all platforms @maxmillianp or at studiomaxmillian.com

Ep.131 features Clotilde Jiménez, (b. Honolulu, Hawaii, 1990). He is a visual artist based in Mexico City. Jiménez received his BFA from the Cleveland Institute of Art, Cleveland, OH (2013) in Printmaking, and an MFA from the Slade School of Fine Art, London, UK (2018) in Painting. Jiménez references intricate aspects of his life using strategically cut and arranged layers of multimedia collage that activate a dynamistic viewing of the visual narratives presented. “Most of my work is autobiographical, so collage allows me to tell several stories at the same time”, Jiménez states. Through a kaleidoscope lens, composite portraits within montaged vignettes, offer a dream-like gaze into the artist's inner thoughts. Emotions triggered from vivid dreams and memories take form, as the artist sketches daily. From this cathartic exercise, a singular visual language has emerged, resulting in thought provoking cannon of motifs: tropical fruits, pink painted fingernails, lingerie, and boxing gear. Close readings of Jiménez's work change initial evocations of whimsical frolic, and carefree simplicity, to varying interpretations that are dependent on the viewer's point of view, regarding gender performance, sexuality, social justice, and racial equality. Nonetheless, Jiménez utilizes quotidian, relatable childhood experiences that present the question, “What is so queer about queerness?” His work is featured in noted collections including; The Ford Foundation, Orlando Museum of Art, Hessel Museum of Art, and the Beth Rubin DeWoody collection. Photo credit: Vanessa Carbajal de Nova Artist website https://www.clotildejimenez.art/ Mariane Ibrahim Gallery https://marianeibrahim.com/artists/34-clotilde-jimenez/biography/ Galerie Magazine https://galeriemagazine.com/artist-clotilde-jimenezs-poignant-collages-explore-themes-reflection-spirituality/ Elephant Dine Art: Why are Dinner Plates Suddenly on the Menu for Galleries? - ELEPHANT Elephant https://elephant.art/clotilde-jimenezs-collages-explore-the-rigid-definitions-of-blackness-17072020/ Hypebeast https://hypebeast.com/tags/clotilde-jimenez Artforum https://www.artforum.com/print/reviews/202008/clotilde-jimenez-83999 Brooklyn Rail https://brooklynrail.org/2020/09/artseen/Clotilde-Jimnez-The-Contest Harpers Bazaar https://www.harpersbazaararabia.com/culture/art/why-we-love-visual-artist-clotilde-jimenezs-brand-new-works

Nicole Pangas is a full time artist and studio potter living and working in Detroit, Michigan. Nicole has been a studio artist for over 30 years, and an Etsy Seller since 2010. Nicole earned her BFA in ceramics, printmaking, and painting from The Cleveland Institute of Art. Nicole studied drawing and ceramics at the University of Illinois in Urbana-Champaign, and stone carving, poetry, and photography at the LaCoste School of Arts in LaCoste, France. Nicole moved to Detroit after her studies to become Artist-in-Residence at Pewabic Pottery where she also worked as master potter and ceramics instructor. Nicole's work has encompassed the realms of printmaking, painting, collages, handmade tiles, sculpture, pottery, and drawing. Nicole was introduced to art first as a draftsman while in high school. She found her love of clay as an art major at the Cleveland Institute of Art. http://ThePottersCast.com/881

St. Olaf College (MN) Percussion Professor Matt McClung returns to talk about transitioning into full-time percussion before and during his master's at Cincinnati Conservatory of Music (02:45), going to Rice University (TX) for the doctorate (17:40), working for 3 years in the Honolulu Symphony (HI) (35:00), his job at Texas A&M-Corpus Christi and leaving it to move to Minneapolis/St. Paul (49:00), and finishes with the Random Ass Questions, including segments on student impressions, “bad” Tom Hanks movies, great authors, and Michelangelo's “David” (58:20).Finishing with a Rave on musical acts from the 2022 Roots N Blues Music Festival (01:28:30).Links:Part 1 with Matt McClungMatt McClung's St. Olaf page“Music for Pieces of Wood” - Steve Reich“George Washington Bridge” - William SchumanTI-35 Calculator“Five Scenes from the Snow Country” - Hans Werner Henze“Mirage” - Yasuo Sueyoshi“Time for Marimba” - Minoru MikiPercussion Group CincinnatiRichard BrownAnn-MargretDoug PerkinsMusser M31 4.0 Octave Windsor II Kelon MarimbaRobert Van SiceEduardo LeandroTodd Meehan's 2017 appearance on the podcastEurhythmics at Cleveland Institute of MusicPresser Foundation ScholarshipValerie NaranjoDane RichesonMaureen NelsonGlimmerlass FestivalAlexis C. Lamb on the podcast in 2021Joe vs. The Volcano trailerTurner and Hooch trailerLove Actually trailerJohn IrvingTom RobbinsDavid Foster WallaceJoseph HellerRichard PowersSo PercussionGraeter's Ice CreamAmbar India RestaurantGoode Company BBQKentucky Symphony OrchestraUffizi Gallery - Florence (Italy)Raves:Roots N Blues Festival

"I listen to classical music very specifically because I need to be able to feel at the end of what I'm listening to like I'm able confront the darkest sides of what I'm experiencing as well. I feel comforted by Beethoven. I feel comforted by his ability to say something to me that cannot be said any other way. A sense of hopelessness that is not without giving us some worth." This is a rebroadcast of Ep. 80, aired originally in February 2021. The conversation was recorded in October 2020. Jorja Fleezanis died on September 9th, 2022. To read Daniel Lelchuk's written appreciation of Jorja Fleezanis, click here. Violinist Jorja Fleezanis is here to talk music and the staying power of music, the spell it casts, over children and adults alike. From the first time she heard a violin record as a young child to right now, after a career of more than five decades-- what does music say to her today that it didn't then? How do the names she thinks of as the 'Mt. Rushmore' -- Beethoven, Schubert, Schumann -- sustain her and grow with her? And why is she currently listening to every song The Beatles ever recorded? Jorja and Daniel explore what it is to be in an orchestra, and how the will of the ensemble must rise above political and personal fractures. Please consider supporting Talking Beats via a one-time or recurring donation. You will contribute to us presenting the highest quality interviews with the world's most compelling people. Jorja Fleezanis is adjunct professor emerita of music in orchestral studies at the Indiana University Jacobs School of Music. Fleezanis was concertmaster of the Minnesota Orchestra from 1989 to 2009—the longest-tenured concertmaster in the orchestra's history and only the second woman in the U.S. to hold the title of concertmaster in a major orchestra when appointed. Prior to Minnesota, she was associate concertmaster with the San Francisco Symphony for eight years and a member of the Chicago Symphony. A devoted teacher, Fleezanis became an adjunct faculty member at the University of Minnesota's School of Music in 1990. She has also enjoyed teaching roles with other organizations: as teacher and artist at the Round Top International Festival Institute in Texas (1990-2007); artist-in-residence at the University of California, Davis; guest artist and teacher at the San Francisco Conservatory, where she served on the faculty from 1981 to 1989; artist and mentor at the Music@Menlo Festival (2003-2008); teacher and coach at the New World Symphony (1988-present); and faculty of the Music Academy of the West since 2016. She has been a visiting teacher at the Boston Conservatory, The Juilliard School, The Shepherd School of Music, and Interlochen Academy and Summer Camp. She is also a frequent guest mentor at Britten Pears Center at Snape Maltings, England, in programs for both young musicians and professional orchestral violinists. Fleezanis has had a number of works commissioned for her, including by the Minnesota Orchestra with the John Adams Violin Concerto and Ikon of Eros by John Tavener, the latter recorded on Reference Records. Her recording of the complete violin sonatas of Beethoven with the French fortepianist Cyril Huvé was released in 2003 on the Cyprés label. Other recordings include Aaron Jay Kernis' Brilliant Sky, Infinite Sky on CRI, commissioned for Fleezanis by the Schubert Club, and, with Garrick Ohlsson, Stefan Wolpe's Violin Sonata for Koch International. Fleezanis studied at the Cincinnati Conservatory of Music and the Cleveland Institute of Music.

Does music have the power to impact your mental and physical health? Can you use music and sound to reach beyond your traditional therapy? MEET Joyu LeeFellow of the Association for Music and Imagery, Narrative Therapist MM, NMT, MT-BC Joyu Lee (she/her), is the owner of Music and Your Mind, LLC, and a founding member of Vida Strings. She is a Senior Therapist at UNC Health in Chapel Hill, NC, and primarily works with teens and young adults with eating disorders, anxiety and depression, and crisis intervention. She is also a music therapist at Pasadenavilla Outpatient treatment center and provides re-educative, insight-building music psychotherapy sessions for groups and individuals on a daily basis.  Joyu is a passionate and experienced therapist with 20+ years of combined international experience in creative/expressive arts therapy, cello performance, music education, and arts administration. She is trained in the Bonny Method Guided Imagery and Music (GIM- Music Psychotherapy) and is a Fellow of the Association for Music and Imagery. Joyu was mentored by Dr. Dag Körlin as an independent “Music Breathing” practitioner and completed the Narrative Therapy Certification through Narrative Therapy Initiative (NTI) in May 2022. Since 2018, she has facilitated "Music Care", and trauma-informed workshops at the National Bornoff Workshop at the University of Kansas, NC State University, Meredith College, Durham Crisis Response Center, UNC Health, Queens University, and Current Wellness. Joyu has presented in SER-AMTA regional conferences in 2021 and 2022 and was the keynote speaker presenting on "Radical Listening" in 2022. Joyu was the recipient of the 2022 Innovation Award at the Rehabilitation Department of UNC Health, and the recipient of the 2021 "Linda Keiser Mardis Education" research grant. She is the primary investigator for the ongoing Music Breathing research at the UNC Center of Excellence for eating disorders inpatient unit (2021-2022). Joyu has developed and presented the new music program "Finding Meaning" at the International Association for Music and Imagery conference in Philadelphia, USA, in 2021, and will be presenting at the European Association for Music and Imagery in Denmark, in September 2022. Joyu completed her Music Therapy degree from Appalachian State University (Boone, NC) and has been a Board-Certified Music Therapist (MT-BC) since 2014. She received a BM in Cello Performance from the National Taiwan Normal University, and a MM in Cello Performance from the Cleveland Institute of Music (Cleveland, OH). Find out more athttps://subtleyoga.com/ ( )https://www.musicandyourmind.com/ (Music And Your Mind) and connect with Joyu on https://www.instagram.com/musicandyourmind/ (Instagram).  IN THIS PODCAST:What are the healing benefits of music therapy? 4:12 How to use mindfulness with music 10:32  Using music therapy when dealing with depression 20:33 Guided imagery in music therapy 26:30 What Are The Healing Benefits Of Music Therapy?What is music therapy? How do you as an individual interact with music in your everyday life How to incorporate music into your daily routine How to use music and the breath for healing benefits How To Use Mindfulness With Music Focusing on the elements of the music How to monitor your headspace Being intentional when listening to music How to use music therapy with trauma  Using Music Therapy When Dealing With DepressionLearning to reconnect with music when dealing with depression Using a minimalistic approach with music therapy and depression Integrating other creative outlets along with music therapy Learning to invite your clients into the process of music therapy Guided Imagery In Music TherapyWhat is guided imagery? How to use guided imagery in one on one client sessions Understanding the importance of music selection in this practice Guided imagery walk-through with a cello performance  Connect With...