Podcasts about da camera

Le due giovani strumentiste si esibiranno in due serate all'IIC di Sydney.

On Wednesday's show: We bring you results and analysis from Election Day in Greater Houston and then discuss the week in politics in our weekly roundup. Also this hour: Joshua Zinn talks with Grammy winning- and Oscar-nominated jazz trumpeter and composer Terence Blanchard, who will perform in Houston Nov. 10 with Da Camera. And we learn about plans to expand The Orange Show and about a printmaking event there.

Trump non parteciperà al dibattito repubblicano per le primarie presidenziali, in Italia mancano lavoratori specializzati e in Iran un cane ha posseduto una casa per un po'. Oggi tocca pagare delle tasse (qualche info qui), al Mondiale femminile c'è stato dell'imbarazzo e fatemi sapere che ne pensate della storia del comandante militare Vannacci e del suo libro. Questo e altro nella puntata di oggi, buona giornata! --- Send in a voice message: https://podcasters.spotify.com/pod/show/vitamine-factanza/message

Il Trio Orelon, del quale fa parte il pianista Marco Sanna, è a Melbourne per partecipare al prestigioso Concorso per musica da camera con un montepremi di centocinquantamila dollari.

Laura Ravaioli intervista Claudio Arnetoli, autore di “Psicoanalisi come teatro da camera: tra narrazione e rappresentazione scenica”, contenuto nel volume monografico della Rivista (3/2022) dedicato al tema del “Rischio”.Claudio Arnetoli, medico psichiatra e Psicoanalista con Funzioni di Training della Società Psicoanalitica Italiana, rappresentante del Servizio di Consultazione del Centro Torinese di Psicoanalisi.Ha inaugurato la collana “Psicoanalisi contemporanea”, promossa dal Centro Torinese di Psicoanalisi, con il libro “Percorsi di psicoanalisi contemporanea: radici e prospettive” a cura di Claudio Arnetoli e Rosamaria Di Frenna (ed. Rosenberg and Sellier, 2016)Tra le sue pubblicazioni:Arnetoli, C. (2002) Empathic network: symbolic and subsymbolic representations in the intersubjective field. Psychoanalytic Inquiry 2002Arnetoli, C. (2006) Dialogo e contemporary psychoanalysis. Rivista di Psicoanalisi 52:7-34Arnetoli C. (2016) Azione poietica e dimensione evolutiva del transfert. Riv. Psicoanal. 62, 3, 595-618.Arnetoli C. (2018) Enactment, momenti di incontro e azione poietica, In Boccara & Al. Franco Angeli.Arnetoli C. (2020). Transfert evolutivo, sentimento d'amore e funzione di ‘loving' in analisi. Rivista di Psicoanalisi 66:557-576.

In today's deep dive, we'll learn more about Saturday night’s concert from Sinfonia da Camera at Krannert Center for the Performing Arts in Urbana. 

Ecco l'intervista del 14.1.23 mattina h9.30 a RTL 102.5 News sulla traduzione di "Chamber music / Musica da Camera", la raccolta di poesie giovanili di James Joyce, pubblicata da Edizioni Castelvecchi. Video su YouTube: https://youtu.be/mLelL7kl-_c

In today's deep dive, we’ll hear about Sinfonia da Camera’s season-opening concert Saturday, Sept. 16 at Krannert Center for the Performing Arts.

Creston Herron is the current Director of Fine Arts for the Klein Independent School District and the Conductor of Rice University's Campanile Orchestra. He is the former Director of Orchestras at Klein High School and the former Director of Strings for the Yes Prep Public Schools. Mr. Herron's many engagements as a guest conductor include work with Regional and All State ensembles in Alabama, Arkansas, Florida, Georgia, Indiana, New Mexico, South Carolina, Tennessee and throughout Texas. He has also served on the summer faculty of the AFA Summer Music Festival, Stephen F. Austin University Summer Music Camp and the Indiana University Jacobs School of Music Summer Music Clinic. As a dedicated pedagogue, Mr. Herron enjoys working with current and future educators and young performers. He has presented masterclasses and guest lectures at The Midwest Clinic, Rice University, Shepherd School of Music, Indiana University Jacobs School of Music, University of Houston, Moores School of Music, Sam Houston State University, Texas Tech University, The American String Teachers Association, The League of American Orchestras, and the NAMM Believe in Music Webinar Series, American. He also gives professional development workshops to educators locally and nationally and is involved in judging UIL competitions and solo and ensemble contests. Mr. Herron enjoyed national recognition both as an educator and musician in tenure with the Klein High School orchestra who earned multiple national titles under his direction, including being named national winner of The American Prize, Grand Champions of the ASTA National Orchestra Festival, Texas Music Educators Association State Honor Orchestra, Grand Champions of the New York Orchestra Cup and invited group at the 75th Midwest Clinic held in Chicago, Illinois. Individually he has been recognized for his work in music education as Teacher of the Year at Klein High School, awarded the Marjorie Keller Outstanding Teacher of the Year Award by the state board of the Texas Chapter of ASTA and the Spec's Charitable Award for Excellence in Music Education awarded by the Houston Symphony. Alongside his work as an educator, Mr. Herron continues to hone his performing skills as a violinist, having collaborated with artists such as Renee Fleming, Mark O'Connor, and Rachel Barton-Pine. He has performed with Da Camera of Houston, CCM Spoleto Festival in Italy, Galveston Symphony, Trans-Siberian Orchestra Pasadena Philharmonic, Eutiner Festspiele Opera in Eutin, Germany and the Houston Latin Philharmonic. Creston Herron is a graduate of the University of Kansas in Lawrence, Kansas, where he received his B.M. in music performance, Rice University, Shepherd School of Music in Houston, TX, where he received his M.M. on scholarship as a Provost Fellow and a Brown Scholar, and recently received a M.Ed in school leadership from Sam Houston State University. Creston Herron lives in Houston with his wife, orchestra director Dawn Herron and two children. Mr. Herron can be reached at cherron1@kleinisd.net or on Twitter: @CrestonHerron --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/orchestrateacher/support

In this podcast: 1. Aryeh Frankfurter, 2. Nightfall Project, 3. Andrew Jilin, 4. Tilopa, 5. Aryeh Frankfurter, 6. Lisa Lynne and George Tortorelli, 7. Aryeh Frankfurter and Lisa Lynne, 8. Shira Kammen, 9. Suchitra Lata, 10. Da Camera, 11. Tim Rayborn, 12. The Headroom Project, 13. Hans Christian, 14. Aryeh Frankfurter and Lisa Lynne

Tito Gobbi e il repertorio cameristico

For half a century, Rothko Chapel has been the stillest place in Houston. We're a city where too much is never enough, where the hustle never stops. But Rothko Chapel is minimal. And meditative. This week, the chapel finishes its year-long celebration of its 50th birthday with new music by composer Tyshawn Sorey. Today, we talk about all of that with City Cast culture correspondent Chris Gray; and Sara Rothenberg, director of Da Camera, Houston, which co-commissioned the piece. Get the scoop straight to your inbox when you sign up for our morning newsletter, subscribe here! We're on Twitter, follow us here!

In this podcast: 1. Viviana Guzman, 2. Beth Quist, 3. Kitka, 4. Aryeh Frankfurter, 5. Cobb Bussinger, 6. Daria, 7. Fortune's Wheel, 8. Daniel Estrem, 9. Daniel Estrem, 10. Da Camera, 11. Tim Rayborn, 12. Radhamohan and Savitri

The New York Philharmonic String Quartet performs works by Haydn, Shostakovich, and Brahms.

welcome to the classical era of tffp This was oritinally posted in 2007 when I used to broadcast everywhere online with TCJWB. I miss the days of magnitune. There were so many artists I loved. Thanks dynamo for the dynamic adds. If you want to. support me, please consider a small tip in the tip jar. Who knows, you might get access to reposts and tutorials, what ever I decide to put up for my subscribers only. Enjoy. Support Welcome to TFFP! by contributing to their Tip Jar: https://tips.pinecast.com/jar/tffp Find out more at https://tffp.pinecast.co

welcome to the classical era of tffp This was oritinally posted in 2007 when I used to broadcast everywhere online with TCJWB. I miss the days of magnitune. There were so many artists I loved. Thanks dynamo for the dynamic adds. If you want to. support me, please consider a small tip in the tip jar. Who knows, you might get access to reposts and tutorials, what ever I decide to put up for my subscribers only. Enjoy. Support Welcome to TFFP! by contributing to their Tip Jar: https://tips.pinecast.com/jar/tffp Find out more at https://tffp.pinecast.co

The Aizuri Quartet performs works by Hildegard von Bingen, Carlo Gesualdo, Haydn, and Beethoven.

Michael Nyman dal festival Operaincanto

LA NONNIMUSICA 29 Musca da camera con Nonnaika

#ordine #carpediem Come fare per non sprecare il tempo al tempo del Coronavirus? Dobbiamo starcene tutti a casa e - lo sappiamo - il rischio di cazzeggio fuori controllo è dietro l'angolo ogni giorno. "Carpe diem", diceva Orazio: afferra la giornata, non farti sfuggire le opportunità di oggi! Come fare? METTI IN ORDINE camera tua. Perché? Guarda il video! "L'ordine - e l'ordinamento soltanto - fa in definitiva la libertà. Il disordine fa la schiavitù" (C. Peguy) W la fede -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- Instagram ► https://www.instagram.com/alberto_rava/ Facebook ► https://www.facebook.com/alberto.ravagnani1 Telegram ► https://t.me/donAl93Subscribe to W LA FEDE on Soundwise

In this episode of “Unwrap Your Candies Now,” Catherine Lu and Ernie Manouse preview the 2019-2020 seasons of eight of the major performing arts groups of Houston’s Theater District, and they chat with Mayor Sylvester Turner about the significant impact of the arts in the city. Recorded live at Jones Hall at the 26th Annual Theater District Open House on August 25, this episode also marks the radio debut of the podcast, which can now be... Read More

Excerpts from Houston Theater District performances by Ars Lyrica, Apollo Chamber Players, Aperio, MUSIQA, Da Camera, and Mercury.

la genesi di "Songs from a room" di Leonard Cohen e le virtuose collaborazioni tra Sergio Endrigo, Giuseppe Ungaretti e Vinicius de Moraes

la genesi di "Songs from a room" di Leonard Cohen e le virtuose collaborazioni tra Sergio Endrigo, Giuseppe Ungaretti e Vinicius de Moraes

In this episode of “Unwrap Your Candies Now,” Catherine Lu chats with Brandon Bell, Director of Education and Artistic Administrator, about Da Camera’s 2019 – 2020 season, which opens with Bon Appetit! – a concert with a musical take on Julia Child. Bell also describes the free activities that Da Camera has planned for the 2019 Theater District Open House, including musical caricatures composed on-the-spot by a Da Camera Young Artist-Composer. Then, Ernie Manouse interviews... Read More

On this edition of the program, lots of good music, and a topic of interest. Welcome to broadcast 209. On this show, lots of great music.For a talk segment, I published an article on my blog Here's something to ponder: a con man turned cybersecurity pro has tips which talks about a new book, and I post the others with information for NLS patrons. Read the article, and feel free to comment. See you all later, the playlist follows. Set 1: Zephyrus, Vox in Rama (Jacobus Clemens non Papa) Falik, You Wanted The Truth Etherfysh, Seraphim Eric Kamen, Haiku Emily Burridge, Distant Shore Radhamohan and Sivitri, Hare Krishna Moonrise CrimsonFaced, Wounded Connor Thuotte, This Place Set 2: Da Camera, Three Airs from The Dancing Master (Playford) Daniel Estrem, The French Suites No3 in B minor BWV 814, Gigue (Played on guitar) Davide Viterbo, Lumiere (live) Barbara Leoni, Haunted Dixie Cannon, Marry Me Mary Joanna Domased, Voices Bella Gaia, Egypt, Nile Crossing Duo Chambure, Obsecro te Domina (Josquin dez Prez) Elizabeth Wolff, Moritz Moszkowski - 3 Moments General Fuzz, Beatdown Gleusteen and Ordronneau, 08 - Cesar Franck Sonata for Violin and Piano in A Major Allegretto ben moderato Blue Wave Theory, Gumby Goes Green (Steven Rabeler) Ian Underwood, Dingle's Purple Nightmare touchingGrace, Watching Clouds Jerry Palmer, Laurie's Garden Aitua, Elements - III Blue Sky Almer and Nirvan, Zajdi Zajdi Set 3: Kavanah, A Darker Sun Kitka, Last Night Kyven, Where Is Your Heart Lydia McCauley, I Will Give My Love An Apple This completes the program, I hope you enjoyed the program as much as I have.

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this, our 141st episode, our returning guest is Carlos Dengler. You first heard Carlos Dengler on Episode 87, Episode 88, and Episode 123 of the podcast. Carlos Dengler is a freelance actor, musician, writer, and filmmaker living in New York City. Carlos is completing post-production on a festival-bound short film called Iowa. He wrote, directed and starred in the film, along with composing the score and editing. It is based on characters from Charles D'Ambrosio's short story “The Scheme of Things.” He has written for n+1, Seven Stories Press and is working with Foundry Literary + Media on writing his first memoir. He performed a critically acclaimed one person show for NY Fringe Festival in 2016, entitled Homo Sapiens Interruptus and guest performed with the Late Night with Seth Meyers house band. Carlos worked with director Terry Kinney at Lincoln Center Theater in 2016 and performed with Da Camera of Houston portraying Marcel Proust in a devised theatre piece with music in 2017. He received an MFA from NYU Grad Acting in 2015 and was the founding bass player and keyboardist for the band Interpol from 1997 to 2010. Carlos is currently developing an experimental monologue called The Importance of Ernest, loosely based on the similarly titled play by Oscar Wilde. Carlos is also an avid backpacker and amateur nature photographer. He has a Flickr album full of photos from all of his adventures and a recently edited hiking video on Vimeo shot entirely on his iPhone in the White Mountains of New Hampshire. He has raised money for the Fresh Air Fund on GoFundMe through his backpacking adventures. You can read Carlos' essay, “Motley Boo,” which we discussed in this episode, here: https://prefacingblog.tumblr.com/post/183950166754/motley-boo-the-dirt-2019-and-a-tertiary-failure And you can see the Patrick Willems video, “The Broken Formula of Musical Biopics,” which we also discussed in this episode, here: https://www.youtube.com/watch?v=K3q3LEaK7_U Join The Rob Burgess Show mailing list! Go to tinyletter.com/therobburgessshow and type in your email address. Then, respond to the automatic message. Also please make sure to comment, follow, like, subscribe, share, rate and review everywhere the podcast is available, including iTunes, YouTube, SoundCloud, Stitcher, Google Play Music, Facebook, Twitter, Internet Archive, TuneIn and RSS. The official website for the podcast is www.therobburgessshow.com. You can find more about me by visiting my website, www.thisburgess.com. If you have something to say, record a voice memo on your smartphone and send it to therobburgessshow@gmail.com. Include “voice memo” in the subject line of the email.

Renowned guitarists Sergio and Odair Assad and mandolinist Avi Avital perform works by Bach, Haydn, Piazzolla, and others.

Aqui eu revelo a técnica que ajudou a melhorar a minha performance na frente da câmera de superar a timidez na hora de gravar vídeos. Se esse podcast gerou alguma valor pra você, não deixa de deixar o seu feedback com 5 estrelas. O seu Feedback é a minha bússola ! Instagram: https://www.instagram.com/lcostapg/ Facebook: https://www.facebook.com/LucasCostaPagina/ LinkedIn: https://www.linkedin.com/in/lucas-costa Blog: https://olucascosta.wordpress.com/

Baritone Tyler Duncan and pianist Sarah Rothenberg of Da Camera perform Schubert's Winterreise

I giorni 8-9 Dicembre sono stata all'Italian LARP Festival con degli amici, per giocare qualche larp da camera e possibilmente che un blackbox larp.C'erano tanti giochi nel programma che mi interessavano ma ho dovuto sceglierne alcuni da mettere nelle preferenze, prima dell'evento ogni partecipante doveva mettere dei giochi tra le preferenze in modo da dare un'indicazione agli organizzatori a cosa volese giocare.Parte del mio interesse era nel gioco "A cena dal nonno" che ho scritto con altre persone fighissime, alla fine non ho partecipato a una sessione del mio larp ma ho ricevuto feedback positivi.Cos'è un larp da camera?Cos'è un black box larp?A cosa ho giocato?Pantheon's ClubCreator's FairSotto la montagnaLa casa sulla rocciaLink al sito dell'ILF: http://larpfestival.it/Laiv.it spiega il larp da camera: https://bit.ly/2Cdkhvb

I giorni 8 e 9 dicembre sono stata all’Italian Larp Festival con degli amici, per giocare qualche larp da camera e possibilmente che un black box larp. C’erano tanti giochi nel programma che mi interessavano, ma ho dovuto sceglierne alcuni da mettere nelle preferenze. Prima dell’evento, ogni partecipante doveva mettere dei giochi tra le preferenze, in modo di indicare agli organizzatori a cosa volesse giocare. Parte del mio interesse era nel gioco A cena dal nonno, che ho scritto con altre persone fighissime. Alla fine non ho partecipato alla sessione del mio larp, ma ho ricevuto dei commenti positivi. Scaletta Cos’è un larp da camera? Cos’è un black box larp? A cosa ho giocato? Pantheon Club; Creator’s Fair; Sotto la montagna; La casa sulla roccia. Sito dell’Italian Larp Festival: http://larpfestival.it/ Spiegazione dei larp da camera su Laiv.it: https://laiv.it/cosa/ Questa puntata è ospitata su “Geecko on the Air” per gentile concessione di Giulia Cursi e dello staff de “Il Dado Incantato”. Crediti Voce e testi: Giulia Cursi. Editing audio: Il Dado Incantato. Copertina: © 2019 Il Dado Incantato. Contatti E-mail: info@geeckoontheair.eu. Patreon: patreon.com/geeckoontheair.

Današnjo oddajo začenjamo v Novi Gorici, končali pa jo bomo v Gradcu. Najprej bomo slišali, kako je bilo na koncertu violinista Žige Branka in pianista Petra Milića. Potem bomo šli v Ljubljano, v kateri sta bila recital Zoltana Petra in 4. koncert za oranžni abonma Slovenske filharmonije, videli pa bomo tudi, kako so ustanovili študentski orkester univerze v Ljubljani. Skočili bomo še na Štajersko, natančneje, v Maribor (3. koncert simfoničnega cikla SNG Maribor) in Ruše (začetek komornega abonmaja s citrarko Tajdo Krajnc), glasbeno popotovanje pa zaokrožili s tretjo operno premiero v Gradcu.

On this edition of today's program, Michelle Qureshi is back with some new material/. She contacted me after I baught the album that was featured last podcast. Also, I was on Magnatune's app, and decided to see what new world artists I'd like to get that I don't have. Da Camera is an ensemble group that hales from London. It is described on Magnatune as: Celtic renaissance/baroque ensemble and it definitely has some great tracks on the only album they have. The profile is short, but is also informational. The next artist I got that sounded good is Katrina Wreede who lives in California. Katrina has an impressivbe biography, doing lots of vvarious things including teaching, performing, and creating. Magnatune describes her as: From fun and jazzy to moody and melancholic and it definitely may have something for everyone. Wade also has comments in regards to the last program, and we'll play it as well. Have comments, questions, or want to say hi? Go to the Contact the DJ's page through the mix, to contact me. Below, please find the playlist of today's program, and thanks so much for listening! Set 1: Chris Rolin My Big Blues 03:52 Claire Fitch Momentum 06:44 David Augustin Dealing with Demons 02:32 Doug Hamer Forestman Cries 02:15 Set 2: Floating 09:04 Roots of Rebellion Legend 04:05 Saros Flycatcher 06:23 Michelle Qureshi Lovely Light 05:55 Michelle Qureshi A Thousand Ways 02:43 Rob Cosh Arrival 12:48 Robin Grey Somewhere 02:56 Inside the Lightbox 10:59 Saros water sphere 11:22 Seconds Before Of Little Faith 03:34 Set 3: Da Camera Carolan's Concerto (Carolan, Five Tunes by the Irish Harper) 01:18 Gaelynn Lea Angels from the Realms of Glory / Joy to the World (feat. Al Church) 02:50 Home Free The Disney Medley - Under The Sea 02:04 Katrina Wreede A Slough of Violas 01:00 Kerani Norway 08:20 Nick Baker Fun Filled Saturday 03:29 Da Camera The Irish Marche (Byrd) 01:51 Shir Soul Timeless As The Stars 04:19 The Color Bars End of the Corporate Age 04:20 Katrina Wreede Romp 03:32 Byron Metcalf, Mark Seelig (with Steve Roach) Dance of the Heart Voyagers 10:20 Set 4: Panacea Dospatsko 04:55 Paul Berget Recercar 8 01:24 Piotr Janeczek Memories 12:41 Pavlova Wind Quintet Reverie (Andre Caplet, arr. Christopher Britton) 04:20 Chris Britton Partita no. 3 in E Major BWV1006 - Gavotte en rondeau (JS Bach) 02:48 Claudia Schwab Alap to Austrindia 05:09 Barbepeste Official Orchestra Bhupali's Pipe 07:39 Aryeh Frankfurter Northfjord Halling 05:34 dammerson vaughan Eminent Domain 05:27 David Augustin Droichid a Dho 03:41 Edward Martin Pieces in D Major-Phantasia-David Kellner 03:29 Emily Burridge Agua De Menina 04:06 This will complete today's program, and I hope you enjoy the program as much as I have putting it together for you. Please leave those comments! I want to hear from you.

Da Camera presents Ives' violin sonatas and traditional American songs.

Toni Capra is the executive director of Da Camera and Perryn Leech is the managing director of Houston Grand Opera. They are participating in the TransCanada Theater District Open House on Sunday, August 26. This free event is an opportunity to visit the Wortham Center, Jones Hall and the other theatres in the district. All the companies who perform downtown, including Houston Ballet and the Theatre Under the Stars, will be performing throughout the afternoon. They will also be offering special discounts on their season tickets. These are often the best prices of the season. Check out the website for all the info and head down there with the family!www.theaterdistrictopenhouse.com

Christian Tetzlaff and Lars Vogt perform music by Beethoven, Bartok, Mozart, and Schubert.

The discussion begins with Rodney's musical biography starting at the age of 9, this early interest in music then transforms into a life calling by the age of 11. Currently, he is in training as a Jungian analyst, and therefore he speaks eloquently about the integration of music and depth psychology. Rodney's life has provided him the ground to understand how music can give an individual an invitation to consciously and unconsciously explore their creativity, sexuality, and their worldview. Rodney considers his early sexual development through his childhood growing up in West Texas and emphasizes how music provided him a container to hold onto the “life-force” that needed a location for expression. Music eventually could not contain the life-force any longer, and he began searching and expanding his sexuality and his identity. One academic and personal arena of study for Rodney is sexuality, and in particular male sexuality, therefore we consider the modes through which men feel they can and cannot talk about with each other and find means by which to connect. Rodney's interests are each located around the central theme of intimacy and self-expression – including music, relationship, sexuality, tattoos, depth psychology, and the beard. Rodney Waters is the Scholarship Director for Music Doing Good, a nonprofit based in Houston, Texas that transforms children's lives through innovative, music-based programming. As a pianist he has performed extensively in Japan and Europe, and in Houston with the Houston Symphony, River Oaks Chamber Orchestra, Da Camera, Musiqa, and St. Cecilia Chamber Music Society. In April 2016, his recording with Curt Thompson of the complete Sonatas for Violin and Piano by American composer Charles Ives was named one of the top 10 recordings of Ives' music by Gramophone Magazine. Rodney earned his Bachelor and Master of Music degrees in piano performance from the Mannes College of Music in New York, where he studied with Richard Goode. A long-time advocate for the use of art in service of social causes, Rodney has created projects to support local resettlement of refugees through Interfaith Ministries of Greater Houston and HIV prevention programs through AIDS Foundation Houston. In 2016 Rodney composed and recorded music for Jungians Speaking, a DVD series released by Chiron Publications. He is currently in training to be a Jungian Analyst at the International School of Analytical Psychology in Zurich. Theme music provided by: http://www.modernnationsmusic.com Learn more about this project at: http://www.thesacredspeaks.com Instagram: https://www.instagram.com/thesacredspeaks/

Da Camera presents guitarist Jason Vieaux with classical and contemporary works by composers from around the world.

The St. Lawrence String Quartet performs works by Hadyn, Adams, and Beethoven in a concert hosted by Da Camera.

Hello and welcome to The Rob Burgess Show. I am, of course, your host, Rob Burgess. On this, our 87th episode, our guest is Carlos Dengler. Here is his biography: “In 1998 I co-founded the band Interpol with Daniel Kessler and Paul Banks. Sam Fogarino joined in 2000, and over the next decade we went on to release four studio albums and tour the world three times, playing numerous festivals, live radio shows and late night TV. Interpol's first two albums have gone Gold in the United States and the band is regarded as a seminal indie rock band of the early millennium. “In 2007, I began experiencing personal and creative differences with my bandmates and the music industry. In 2009, the band entered group therapy to try to find a way to resolve those differences. Despite our best collective efforts over the course of a year, we could not do so, and I wasn't able to stay. I left the band just before New Year's Day 2010. “Actor training became my new focus. For the next five years I spent virtually all of my time within the privacy of conservatory classrooms, around other young students who were undergoing a similar process of discovery. In 2012, I was fortunate to be accepted to New York University Graduate Acting and received a Master of Fine Arts degree in the spring of 2015. “I made my professional acting debut in the summer of 2015 at the Dorset Theatre Festival, in the regional premiere of Katie Forgette's very funny 'Sherlock Holmes and the Case of the Jersey Lily,' playing two roles – Professor Moriarty's lackey, John Smythe and chief attendant to Queen Victoria, Abdul Karim. “I've also begun working on an essayistic memoir. I'm quite excited by some of the directions the work is taking so far. I've started soliciting publishers. It's very early in the process and I will continue to update as things progress. “In late March 2016 I had the honor of performing with the 8G Band, the house band on 'Late Night with Seth Meyers.' It truly was a special experience to play bass guitar with such incredible musicians on such a fun and exciting show. “I was very excited to have presented my solo show, 'Homo Sapiens Interruptus,' at The New York International Fringe Festival in August 2016. The show was created while I was at NYU and had been developing and workshopping it consistently since it began.” You can catch Carlos this week as he stars in “A Proust Sonata,” a “multimedia concert-theater work conceived and directed by Sarah Rothenberg, artistic and general director of Da Camera. The production is inspired by Marcel Proust's early 20th century masterpiece 'In Search of Lost Time' and interweaves text, music, and image into an innovative multi-media performance.” Performances start at 8 p.m. Thursday, Friday and Saturday at the Lois Chiles Studio Theater at the Moody Center for the Arts at Rice University, 6100 Main St., Houston, Texas. For tickets and more information call 713-348-ARTS or visit their website at https://moody.rice.edu/events/proust-sonata. If you enjoy this podcast, there are several ways to support it. I have a Patreon account, which can be found at www.patreon.com/robburgessshowpatreon. I hope you'll consider supporting in any amount. Also please make sure to comment, follow, like, subscribe, share, rate and review everywhere the podcast is available, including iTunes, YouTube, SoundCloud, Stitcher, Google Play Music, Facebook, Twitter, Internet Archive, TuneIn and RSS. The official website for the podcast is www.therobburgessshow.com. You can find more about me by visiting my website, www.thisburgess.com. Until next time.

Bojan Cicic (Barockgeige) | The Illyria Consort

In this podcast: 1. Music of the Spheres, 2. Da Camera, 3. SJ Pettersson, 4. Tanya Tomkins and Eric Zivian, 5. Jami Sieber, 6. Poeticall Musicke, 7. Gerard Satamian, 8. The Kingsbury Ensemble, 9. The Bach Players, 10. Voices of Music, 11. Vito Paternoster, 12. Chad Lawson, 13. Gerard Satamian, 14. Vito Paternoster, 15. The Bach Players, 16. Vito Paternoster

In this podcast: 1. Bill Robinson, 2. Claire Fitch, 3. The Sarasa Ensemble, 4. Vito Paternoster, 5. Vito Paternoster, 6. Vito Paternoster, 7. The Bach Players, 8. Music of the Spheres, 9. Jami Sieber, 10. Da Camera, 11. Vito Paternoster, 12. American Baroque, 13. Barry Phillips, 14. Vito Paternoster, 15. American Baroque

Paige Myrick is the executive director of Opera in the Heights, Shayna Schlosberg is the managing director for Catastrophic Theatre and Anthony Brandt is the Artistic Director of Musiqa. They are part of this year's Circle of Fifths aka Co5, Houston's best art pass. For only $119, you get to choose 5 shows (out of 10) presented by some of Houston's best companies. You also get an extra free ticket to share for one of the shows of your choice and there's a free drink waiting for you at each performance. It's not just about meeting great companies, it's about meeting the great people, too. Want to see all 10 shows? No trouble, that's possible as well.And who is performing aside from the above three? Ars Lyrica Houston, Da Camera, Houston Chamber Choir, Mercury, ROCO, Main Street Theater and METdance. Check it out: www.Co5Houston.com

Leo Boucher is the director of marketing and audience development for Da Camera of Houston. They are a presenting organization who have been mixing jazz and chamber music with great success for 30 years. They are one of the best examples of how eclectic Houston's art community is, from its performers to its patrons. Check out their incredible season: www.dacamera.com As they do each year, Da Camera will be a part of Theater District Open House, on Sunday August 27th, from 12 to 5 PM. This is a free event in Houston's world class theatre district. You'll get to tour the Wortham Theater Center, mingle with dancers from Houston Ballet, meet musicians and artists from the Houston Symphony, the Houston Grand Opera, Society for the Performing Arts and Theatre Under the Stars.Da Camera is presenting a free concert by the New York philharmonic String Quartet and there is a lot more going on. Check it out: www.theaterdistrictopenhouse.com

The Elias String Quartet, hosted by Da Camera, performs music of Beethoven and Brahms.

Jason Vieaux and Julien Labro both play instruments that have had historically complex relationships to classical music. Even today, the classical guitar and the bandoneon are a little unorthodox in that world. Maybe that’s why Jason and Julien – and their instruments – are such an obvious fit together. Without easy paths to follow, they’ve made their own and they’ve subsequently both become uniquely musically versatile. They’re also both brood-y and wear sunglasses at night (one imagines). Learn about the classical guitar and the bandoneon, their histories, their repertoires, and what kind of trailblazing Vieaux and Labro are up to on their new CD, Infusion.   If you like what you hear in this episode, go see Jason Vieaux in concert with Da Camera of Houston on December 9th! More details here. Music in this episode: “Escualo” by Astor Piazzolla “Everybody Wants to Rule the World” by Tears for Fears Tres Danzas Concertantes – I. Allegro by Leo Brouwer  Audio production by Todd “Tablature” Hulslander with Dacia Clay doing the Madison and assistance from Mark DiClaudio.

To be a great city you have to have great performing arts organizations. For nearly 70 years, the Baton Rouge Symphony Orchestra has been delightingting audiences in the Capital Region, with performances that rival those found in any major market in America. The organization s Executive Director is Cary Byrd. Cary started out as a French horn player with the symphony in the late 1990s. Since then he has helped lead the LSU School of Music, the LSU College of Music and Dramatic Arts, the Houston Grand Opera and Da Camera of Houston. One of the other pillars of the performing arts in Baton Rouge is the Baton Rouge Ballet Theater. Founded in 1960, the company has built a solid reputation of excellence through grassroots efforts and exceptional leadership. Over the years, the Baton Rouge Ballet has nurtured hundreds of award winning local dancers and choreographers, while bringing world class professional dance to the Baton Rouge stage. Christy Benoit is the Baton Rouge Ballet Theater s Director of Development and Communications. Leanne Clement is general director of Opera Louisiane. Founded in 2007, in its less than a decade existence, Opera Louisiane has hired hundreds of local artists to perform in such favorites as The Magic Flute, Madame Butterfly and the Barber of Seville while creating a new generation of opera lovers with their heavy focus on education. Photos taken over lunch at Mansur s On the Boulevard by Ken Stewart. See omnystudio.com/listener for privacy information.

Music from and inspired by sacred music traditions. Bethany Baxter, a soprano and young artist with Da Camera, presented a concert of chants from many faith traditions as well as classical chamber pieces inspired by sacred practices. This program included an Islamic call to prayer, recitation of the Qur’an, classical songs composed on medieval Christian texts, a solo bass piece inspired by Indian meditative instruments, songs from the Santeria faith, and Jewish sacred songs. It is an opportunity for music lovers and the community at large to express openness and welcome to people of all traditions and beliefs.

Betsy Cook Weber pops in to talk about being present as a choral director and planning for her upcoming ACDA National Conference performance. Support our sponsor for this episode: KI Concerts Listen   Bio Dr. Betsy Cook Weber is Professor of Music and Director of Choral Studies at the University of Houston’s Moores School of Music and is also active internationally as a conductor, clinician, adjudicator, and lecturer. In the summer of 2013, Weber became the 13th person and 1st woman to receive the Texas Choral Director Association’s coveted Texas Choirmaster Award.  She is editor of the Betsy Cook Weber choral series with Alliance Music Publishing. Weber was appointed Director of the Houston Symphony Chorus in Fall of 2014, a group that she served as Assistant/Associate Director in 1990 – 1997. In that role, she prepares or has helped prepare choral-orchestral masterworks for some of the world’s greatest conductors, including Robert Shaw, Andrés Orozco-Estrada, Christoph Eschenbach, and David Zinman. Choirs under Weber’s direction, including the Moores School Concert Chorale, have been featured at multiple state and national conventions including the  American Choral Directors Association national convention in Miami in 2007 and 2017. Internationally, Chorale has won prizes and received acclaim at prestigious competitions in Wales, France and Germany, including a first-place finish as one of only ten choirs world-wide selected to compete in the famous International Chamber Choir Competition in Marktoberdorf, Germany.  Chorale won first place in their primary division in the Grand Prix of Nations in Magdeburg, Germany in 2015. In the Musica Mundi ranking of the Top 1,000 choirs worldwide, Concert Chorale was ranked third among all choirs and first in the under-24 category. Weber has prepared singers for Da Camera, for early music orchestras Ars Lyrica and Mercury Houston, and is also routinely called upon to prepare singers for touring shows, including Josh Groban, NBC’s Clash of the Choirs, Telemundo’s Latin Grammy’s, Star Wars in Concert, Andreas Bocelli. and Legends of Zelda, Dreamworks, and Final Fantasy. Before coming to the University of Houston, Weber taught vocal music, K-12, in the public schools. She holds degrees from the University of North Texas, Westminster Choir College (Princeton, NJ), and the University of Houston. Links Support the show on

Bellas Mariposas è una nuova leggenda sarda, di due ragazzine del melting pot umano di un quartiere popolare di Cagliari che in una giornata conoscono se stesse, e non solo. Il racconto Bellas Mariposas presta la sua lingua ibrida,"un italiano aggraziato da innesti di lingua sarda", come si legge nella prefazione al volume pubblicato da Sellerio, ad uno spettacolo-concerto fatto di parola/ritmo, parola/rumore, parola/suono. Cronache dal quartiere cagliaritano di "Santa Lamenera" che attraverso voce, musica e suono seguono il fluire initerrotto di una scrittura a ritmo di jazz.

Bellas Mariposas è una nuova leggenda sarda, di due ragazzine del melting pot umano di un quartiere popolare di Cagliari che in una giornata conoscono se stesse, e non solo. Il racconto Bellas Mariposas presta la sua lingua ibrida,"un italiano aggraziato da innesti di lingua sarda", come si legge nella prefazione al volume pubblicato da Sellerio, ad uno spettacolo-concerto fatto di parola/ritmo, parola/rumore, parola/suono. Cronache dal quartiere cagliaritano di "Santa Lamenera" che attraverso voce, musica e suono seguono il fluire initerrotto di una scrittura a ritmo di jazz.

Bellas Mariposas è una nuova leggenda sarda, di due ragazzine del melting pot umano di un quartiere popolare di Cagliari che in una giornata conoscono se stesse, e non solo. Il racconto Bellas Mariposas presta la sua lingua ibrida,"un italiano aggraziato da innesti di lingua sarda", come si legge nella prefazione al volume pubblicato da Sellerio, ad uno spettacolo-concerto fatto di parola/ritmo, parola/rumore, parola/suono. Cronache dal quartiere cagliaritano di "Santa Lamenera" che attraverso voce, musica e suono seguono il fluire initerrotto di una scrittura a ritmo di jazz.

Bellas Mariposas è una nuova leggenda sarda, di due ragazzine del melting pot umano di un quartiere popolare di Cagliari che in una giornata conoscono se stesse, e non solo. Il racconto Bellas Mariposas presta la sua lingua ibrida,"un italiano aggraziato da innesti di lingua sarda", come si legge nella prefazione al volume pubblicato da Sellerio, ad uno spettacolo-concerto fatto di parola/ritmo, parola/rumore, parola/suono. Cronache dal quartiere cagliaritano di "Santa Lamenera" che attraverso voce, musica e suono seguono il fluire initerrotto di una scrittura a ritmo di jazz.

Bellas Mariposas è una nuova leggenda sarda, di due ragazzine del melting pot umano di un quartiere popolare di Cagliari che in una giornata conoscono se stesse, e non solo. Il racconto Bellas Mariposas presta la sua lingua ibrida,"un italiano aggraziato da innesti di lingua sarda", come si legge nella prefazione al volume pubblicato da Sellerio, ad uno spettacolo-concerto fatto di parola/ritmo, parola/rumore, parola/suono. Cronache dal quartiere cagliaritano di "Santa Lamenera" che attraverso voce, musica e suono seguono il fluire initerrotto di una scrittura a ritmo di jazz.

Bellas Mariposas è una nuova leggenda sarda, di due ragazzine del melting pot umano di un quartiere popolare di Cagliari che in una giornata conoscono se stesse, e non solo. Il racconto Bellas Mariposas presta la sua lingua ibrida,"un italiano aggraziato da innesti di lingua sarda", come si legge nella prefazione al volume pubblicato da Sellerio, ad uno spettacolo-concerto fatto di parola/ritmo, parola/rumore, parola/suono. Cronache dal quartiere cagliaritano di "Santa Lamenera" che attraverso voce, musica e suono seguono il fluire initerrotto di una scrittura a ritmo di jazz.

Bellas Mariposas è una nuova leggenda sarda, di due ragazzine del melting pot umano di un quartiere popolare di Cagliari che in una giornata conoscono se stesse, e non solo. Il racconto Bellas Mariposas presta la sua lingua ibrida,"un italiano aggraziato da innesti di lingua sarda", come si legge nella prefazione al volume pubblicato da Sellerio, ad uno spettacolo-concerto fatto di parola/ritmo, parola/rumore, parola/suono. Cronache dal quartiere cagliaritano di "Santa Lamenera" che attraverso voce, musica e suono seguono il fluire initerrotto di una scrittura a ritmo di jazz.

Bellas Mariposas è una nuova leggenda sarda, di due ragazzine del melting pot umano di un quartiere popolare di Cagliari che in una giornata conoscono se stesse, e non solo. Il racconto Bellas Mariposas presta la sua lingua ibrida,"un italiano aggraziato da innesti di lingua sarda", come si legge nella prefazione al volume pubblicato da Sellerio, ad uno spettacolo-concerto fatto di parola/ritmo, parola/rumore, parola/suono. Cronache dal quartiere cagliaritano di "Santa Lamenera" che attraverso voce, musica e suono seguono il fluire initerrotto di una scrittura a ritmo di jazz.

Bellas Mariposas è una nuova leggenda sarda, di due ragazzine del melting pot umano di un quartiere popolare di Cagliari che in una giornata conoscono se stesse, e non solo. Il racconto Bellas Mariposas presta la sua lingua ibrida,"un italiano aggraziato da innesti di lingua sarda", come si legge nella prefazione al volume pubblicato da Sellerio, ad uno spettacolo-concerto fatto di parola/ritmo, parola/rumore, parola/suono. Cronache dal quartiere cagliaritano di "Santa Lamenera" che attraverso voce, musica e suono seguono il fluire initerrotto di una scrittura a ritmo di jazz.

Bellas Mariposas è una nuova leggenda sarda, di due ragazzine del melting pot umano di un quartiere popolare di Cagliari che in una giornata conoscono se stesse, e non solo. Il racconto Bellas Mariposas presta la sua lingua ibrida,"un italiano aggraziato da innesti di lingua sarda", come si legge nella prefazione al volume pubblicato da Sellerio, ad uno spettacolo-concerto fatto di parola/ritmo, parola/rumore, parola/suono. Cronache dal quartiere cagliaritano di "Santa Lamenera" che attraverso voce, musica e suono seguono il fluire initerrotto di una scrittura a ritmo di jazz.

Knowing how a piece of classical music came to be is often a bit of a guessing game. What inspired Bach to write the Goldberg Variations, or Beethoven to write his 9th Symphony? Context clues, letters, composers’ notes help us put the story together; we fill in the rest with our imaginations and mythology. But no more! In this episode of Classical Classroom, you’ll hear the entire story of a piece of modern classical music, Music for Wood and Strings, from commission to performance. Even the instruments on which the piece is played didn’t exist before this story began. You’ll meet composer Bryce Dessner (The National), instrument maker Aron Sanchez (Buke and Gase), and the members of So Percussion. You’ll hear a lot of awesome music. You’ll laugh! You’ll cry. Your life will be affirmed. But seriously, it’s a compelling (and thoroughly American) story about ingenuity, modernist music, and most importantly, joy.          Music in this episode: Music for Wood and Strings. Bryce Dessner. Played by So Percussion. “Don’t Swallow the Cap.” The National, from the album Trouble Will Find Me. “Seam Esteem.” Buke and Gase. So-Called Laws of Nature. David Lang. Played by So Percussion. Appalachian Grove I. Laurie Spiegel. Audio production by Todd “Tex” Hulslander with giddyups from Dacia Clay and editing by Mark DiClaudio. For more So Percussion: www.sopercussion.com For more Bryce Dessner: www.brycedessner.com For more Aron Sanchez (and great pics of the chordsticks and other instruments he’s made): www.polyphonicworkshop.com Thanks to Emily Motherwell, Stuart Wolferman, Da Camera of Houston, and the people at Brassland for their help with this episode. 

What’s in a piano? Jim Kozak has tuned a few, and he can tell you. He tunes pianos for the Houston Symphony, Da Camera of Houston, and for our own Houston Public Media. What does he do, and how does he do it? How does one become a piano tuner? Kozak tells all, including how a piano works, and why tuning for Alfred Brendel took two days. Music in this episode: “Montage” from the South Park episode, “Asspen“*. Written by Trey Parker. Ludwig van Beethoven, Bagatelle in A minor WoO 59 “Für Elise.” From Beethoven Piano Bagatelles. Alfred Brendel. JS Bach, Chromatic Fantasia and Fugue in D Minor. From Bach-Solo Piano Pieces by Alfred Brendel. Tools of the trade: Jim’s tuning lever and tuning fork. Photo by Dacia Clay. Audio production by Todd “Tuned In” Hulslander with dropouts by Dacia Clay and editing by Mark DiClaudio and/or Nick Dulworth. Thanks to George Heathco for the MusicWorks theme music. For more Classroom: www.houstonpublicmedia.org *Team CC contends that this is one of the most hilarious South Parkepisodes of all time. Right up there with “Mecha-Streisand.”

Branford Marsalis‘ stark 2014 solo album In My Solitude includes jazz standards like “Stardust” next to C.P.E. Bach’s Sonata in A Minor for Oboe, Wq. 132. His jazz discography is peppered with classical releases. What’s that all about?! Where do jazz and classical intersect? How is playing one different from the other – or is it? Find out in this episode! Branford Marsalis. Photo by Palma Kolansky. Courtesy of the artist’s website. Audio production by Todd “The Twister” Hulslander with a firm handshake from Dacia Clay and editing by Mark DiClaudio. Music in this episode: Lee Dorsey: “Working In The Coal Mine” (1966) Murray Perahia & Radu Lupu: Mozart – Sonata in D Major for Two Pianos Andrew Litton, Branford Marsalis & English Chamber Orchestra: “L’Isle Joyeuse” from Romances for Saxophone  Ferenc Erkel Chamber Orchestra & Jozsef Kiss: CPE Bach – Sonata in A Minor for Oboe Solo, Wq. 132: 1. Poco adgio   …and from Branford Marsalis’ In My Solitude: Live at Grace Cathedral:  CPE Bach – Sonata in A Minor for Oboe Solo, Wq. 132: 1. Poco adgio Hoagy Carmichael/ Mitchell Parish – “Stardust” Ryo Noda – MAI, Op 7 Improvisation No.1 For more about Branford Marsalis: www.branfordmarsalis.com. Da Camera of Houston is bringing Branford to Houston this month! To learn more, go to www.dacamera.com.

Pop da camera

Osvaldo Golijov's "Ayre" – an amazing exercise in contrasts – is unlike any other piece you've ever heard on Classical Classroom. In fact, is it classical music?? Percussionist Craig Hauschildt (who works for a group called Da Camera that brings tons of classical music to Houston) answers that question, plus, we both try and fail at pronouncing a lot of words. Audio production by Todd “Trouble” Hulslander, with snacking and oversight by Dacia Clay. Music used in this episode: – Ayre (2004) by Osvaldo Noé Golijov – Folk Songs by Luciano Berio – “Debaser”, from the album Doolittle, by the Pixies For more about Da Camera of Houston, visit www.dacamera.com.

con Giovanni Bietti

con Giovanni Bietti

EXPANDED EDITION EPISODE #6: STORYThis is part three of a special three part series meant to expand what has been put forth already in the original Cauldron of Worlds podcast series.The Expanded Edition will be focusing on story. Again, we'll be using a Marco to Micro approach for the creation, meaning it will start from large, broad topics and work its way down to the smaller, more detailed ones as this series progresses.Special thanks to Da Camera for their wonderful music in this episode, which you can find more of at: https://magnatune.com/artists/albums/dacamera-celtic/lofi_play.

EXPANDED EDITION EPISODE #5: TECHNOLOGY This is part two of a special three part series meant to expand what has been put forth already in the original Cauldron of Worlds podcast series.The Expanded Edition will be focusing on magic, technology, story, and other related elements. Again, we'll be using a Marco to Micro approach for the creation, meaning it will start from large, broad topics and work its way down to the smaller, more detailed ones as this series progresses.Special thanks to Da Camera for their wonderful music in this episode, which you can find more of at: https://magnatune.com/artists/albums/dacamera-celtic/lofi_play. Kevin MacLeod’s “Lasting Hope” was also used as bed music in this episode.

EXPANDED EDITION EPISODE #4: MAGIC & MAGIC SYSTEMSThis is part one of a special three part series meant to expand what has been put forth already in the original Cauldron of Worlds podcast series.The Expanded Edition will be focusing on mythologies, gods, religions, and other related elements. Again, we'll be using a Marco to Micro approach for the creation, meaning it will start from large, broad topics and work its way down to the smaller, more detailed ones as this series progresses.Please note that there is a lot of material tied into each episode which further augments this podcast and aids you in your world creation. This material can be found in the homework and reference section (or on the webpage where this podcast is posted if you are listening to it from some other source). It is highly recommended that you seek this information out as it has been set up to augment this podcast and in some cases have the podcast be predicated on the material for each episode. So getting it and reading/using it would be very helpful in your world creation process.Special thanks to Da Camera for their wonderful music in this episode, which you can find more of at: https://magnatune.com/artists/albums/dacamera-celtic/lofi_play

Knitting Tip from Pipeliner Shirley to use a music stand as a skein holder/swift.  Ravelry tip on groups and forums. Finished projects:  Kaellingsjal and Cabled Raglan Baby Cardigan.  New project: Citron by Hillary Smith Callis.  High Notes:  Cranford, Return to Cranford, and Lark Rise to Candleford.  Music:  Scotch Tune by Mr. Solomon Eckles (Eccles) performed by Da Camera on their CD A Celtic Celebration, available for download from Magnatune.

EXPANDED EDITION EPISODE #3: PRIESTS, PRIESTHOODS & HOLY SYMBOLS This is part one of a special three part series meant to expand what has been put forth already in the original Cauldron of Worlds podcast series.The Expanded Edition will be focusing on mythologies, gods, religions, and other related elements. Again, we'll be using a Marco to Micro approach for the creation, meaning it will start from large, broad topics and work its way down to the smaller, more detailed ones as this series progresses.Please note that there is a lot of material tied into each episode which further augments this podcast and aids you in your world creation. This material can be found in the homework and reference section (or on the webpage where this podcast is posted if you are listening to it from some other source). It is highly recommended that you seek this information out as it has been set up to augment this podcast and in some cases have the podcast be predicated on the material for each episode. So getting it and reading/using it would be very helpful in your world creation process.Special thanks to Da Camera for their wonderful music in this episode, which you can find more of at: https://magnatune.com/artists/albums/dacamera-celtic/lofi_play

EXPANDED EDITION EPISODE #2: SERVITORS, ARTIFACTS & ABODESThis is part two of a special three part series meant to expand what has been put forth already in the original Cauldron of Worlds podcast series.The Expanded Edition will be focusing on mythologies, gods, religions, and other related elements. Again, we'll be using a Marco to Micro approach for the creation, meaning it will start from large, broad topics and work its way down to the smaller, more detailed ones as this series progresses.Please note that there is a lot of material tied into each episode which further augments this podcast and aids you in your world creation. This material can be found in the homework and reference section (or on the webpage where this podcast is posted if you are listening to it from some other source). It is highly recommended that you seek this information out as it has been set up to augment this podcast and in some cases have the podcast be predicated on the material for each episode. So getting it and reading/using it would be very helpful in your world creation process.Special thanks to Da Camera for their wonderful music in this episode, which you can find more of at: https://magnatune.com/artists/albums/dacamera-celtic/lofi_play

EXPANDED EDITION EPISODE #1: FLESHING OUT YOUR DEITYThis is part one of a special three part series meant to expand what has been put forth already in the original Cauldron of Worlds podcast series.The Expanded Edition will be focusing on mythologies, gods, religions, and other related elements. Again, we'll be using a Marco to Micro approach for the creation, meaning it will start from large, broad topics and work its way down to the smaller, more detailed ones as this series progresses.Please note that there is a lot of material tied into each episode which further augments this podcast and aids you in your world creation. This material can be found in the homework and reference section (or on the webpage where this podcast is posted if you are listening to it from some other source). It is highly recommended that you seek this information out as it has been set up to augment this podcast and in some cases have the podcast be predicated on the material for each episode. So getting it and reading/using it would be very helpful in your world creation process.Special thanks to Da Camera for their wonderful music in this episode, which you can find more of at: https://magnatune.com/artists/albums/dacamera-celtic/lofi_play

EPISODE #6: HISTORY, STORY & FINDING A STARTING POINTThis is part one of a six part series dedicated to world creation for fantasy based world settings. While it may be fantasy based it can still prove helpful in crafting worlds of differing genres as the process covered will work for any type of world creation.We will be using a Marco to Micro approach for the creation, meaning it will start from large,broad topics and work its way down to the smaller, more detailed ones as this series progresses.Please note that there is a lot of material tied into each episode which further augments this podcast and aids you in your world creation. This material can be found in the homework and reference section. It is highly recommended that you seek this information out as it has been set up to augment this podcast and in some cases have the podcast be predicated on the material for each episode. So getting it and reading/using it would be very helpful in your world creation process.Special thanks to Da Camera for their wonderful music in this episode, which you can find more of at: https://magnatune.com/artists/albums/dacamera-celtic/lofi_play

EPISODE #5: MAGIC, RELIGION, ORGANIZATIONS & TECHNOLOGYThis is part five of a six part series dedicated to world creation for fantasy based world settings. While it may be fantasy based it can still prove helpful in crafting worlds of differing genres as the process covered will work for any type of world creation.We will be using a Marco to Micro approach for the creation, meaning it will start from large,broad topics and work its way down to the smaller, more detailed ones as this series progresses.Please note that there is a lot of material tied into each episode which further augments this podcast and aids you in your world creation. This material can be found in the homework and reference section. It is highly recommended that you seek this information out as it has been set up to augment this podcast and in some cases have the podcast be predicated on the material for each episode. So getting it and reading/using it would be very helpful in your world creation process.Special thanks to Da Camera for their wonderful music in this episode, which you can find more of at: https://magnatune.com/artists/albums/dacamera-celtic/lofi_play

EPISODE #4: MONSTERS, RACES & NATIONSThis is part four of a six part series dedicated to world creation for fantasy based world settings. While it may be fantasy based it can still prove helpful in crafting worlds of differing genres as the process covered will work for any type of world creation.We will be using a Marco to Micro approach for the creation, meaning it will start from large,broad topics and work its way down to the smaller, more detailed ones as this series progresses.Please note that there is a lot of material tied into each episode which further augments this podcast and aids you in your world creation. This material can be found in the homework and reference section. It is highly recommended that you seek this information out as it has been set up to augment this podcast and in some cases have the podcast be predicated on the material for each episode. So getting it and reading/using it would be very helpful in your world creation process.Special thanks to Da Camera for their wonderful music in this episode, which you can find more of at: https://magnatune.com/artists/albums/dacamera-celtic/lofi_play

The UC Davis Symphony Orchestra performs Jacques Ibert's Concertino Da Camera - II. Larghetto, poi animato molto with soloist Joseph Abad on alto saxophone.

The UC Davis Symphony Orchestra performs Jacques Ibert's Concertino Da Camera - I. Allegro con moto with soloist Joseph Abad on alto saxophone.