Podcasts about ginastera

durée : 00:07:23 - La Sonate pour guitare op. 47 d'Alberto Ginastera (1916-1983) - "L'œuvre d'un des plus grands compositeurs sud américain Alberto Ginastera qui s'est sérieusement intéressé à la guitare. Cette sonate est une partition essentielle, un must-play du guitariste classique. C'est certes sa seule partition pour guitare, mais elle est d'importance." Sébastien Llinarès

We're kicking off 2025 with a special bonus episode of The Piano Pod—coming your way on Tuesday, January 7!

Today we hear from three string quartets formed at the Music Institute of Chicago Academy in the 2023-2024 school year. They play music by Haydn, Beethoven, Puccini, Grieg, Prokofiev and Ginastera. The post Three Academy String Quartets appeared first on WFMT.

Forbidden love is in the air as Andrés Orozco-Estrada takes listeners from the streets of Bernstein's New York to Tchaikovsky's fantasy on Shakespearean Verona. The Argentine Pampas region is the setting of Ginastera's vibrant ballet about a city boy who wins the heart of a rancher's daughter. Barber's lush and virtuosic Violin Concerto features Benjamin Beilman, whose “rich sound conveys both dreamy lyricism and heated intensity” (The New York Times). Please note: Hilary Hahn must regrettably withdraw from her planned September 19 and 20 performances with the Chicago Symphony Orchestra. Earlier this summer, Hahn suffered from a double pinched nerve; as part of her treatment, her medical team advised her to abstain from performing. While Hahn is expected to recover in time for the majority of her fall engagements and is improving steadily, she is not yet cleared to perform. Original ticket orders for this concert remain valid; no additional action is needed. For order adjustments, please contact Patron Services. Learn more: cso.org/performances/24-25/cso-classical/orozco-estrada-conducts-romeo-juliet

¿Por qué no han sonado todavía algunos compositores en este programa? Porque hay miles de autores y muchos repiten con frecuencia por su gran nivel y por su indiscutible influencia. Pero en Hoy Toca nos hemos propuesto rescatar de vez en cuando nombres de grandes músicos que antes o después tienen que aparecer por aquí. En esta segunda edición dedicada a esta labor, aparecen compositores como Schoenberg, Cornelius, Ginastera, Pedrell, Grainger, Giordano y García Ascot. Esperamos que descubras música excelente y disfrutes de esta selección de piezas de diferentes épocas y estilos en la nueva entrega de Hoy Toca, el programa de Clásica FM que te quiere sorprender.

We welcome the brilliant pianist Arthur Simoes to the podcast today. You are going to love this conversation. Arthur has tested the Taubman Approach in many mays; from classical literature to Dalcroze and now in jazz and improvisation. What's kind of fun about this episode is that I surprise Arthur with a rapid fire question time at the end of the episode. Stick around for that exciting exchange.You can be in touch with Arthur on Instagram @arthursimoesmusic,https://www.golandskyinstitute.org/arthur-simoes/ “We were captivated by the elegance of Arthur Simoes's touch, as he performed pieces from Ginastera with dazzling virtuosity and an ineffable sense of sorrow.” – ArcinfoArthur Simoes enjoys a diverse career as a pianist, composer, and educator. He has performed extensively in Europe, as well as in Latin America and in the United States, and he frequently presents lectures, workshops, and masterclasses across the globe.Passionate about education, Arthur has run a successful private studio for more than 10 years. He has also taught at the Institut Jaques-Dalcroze and at the Haute Ecole de Musique in Geneva, Switzerland. His teaching is rooted in the conviction that every person has the innate ability to learn music, and encompasses elements from Dalcroze Eurhythmics as well as the Taubman Approach. Arthur is a first prize winner of the 29th European Music Competition “Città di Moncalieri”, in Italy, as well as other piano competitions. Venues and festivals where he performed include the Victoria Hall (Geneva), La Schubertiade sur la Colline (Neuchâtel), and the Berklee Performance Center (Boston).His musical journey began at the age of 6, and he enrolled at the Conservatoire de Musique de Genève at the age of 10, from which he graduated with the Arditi Award for the best final recital of the year. He holds a Bachelor's degree in Piano and a Master's degree in Music Pedagogy – Dalcroze Eurhythmics from the Haute Ecole de Musique de Genève, as well as the Diplôme Supérieur of the Dalcroze method. During his Dalcroze studies, Arthur was awarded the Institut-Jaques Dalcroze Award “for his qualities as eurhythmician”, the Emile Jaques-Dalcroze Foundation Award “for the excellence of his improvisation exam” and the Aletheia Foundation Award “for the excellence of his Diplôme Supérieur choreography”. He has also pursued in-depth studies of the Taubman Approach with his mentor Edna Golandsky, in New York.His passion for improvised music as well as the desire to broaden his horizons have brought Arthur to Berklee College of Music to pursue a Professional Music Diploma with concentrations in Jazz Composition and Performance, as he continues to perform, compose, and teach.The Golandsky Institute's mission is to provide cutting-edge instruction to pianists based on the groundbreaking work of Dorothy Taubman. This knowledge can help them overcome technical and musical challenges, cure and prevent playing-related injuries, and lead them to achieve their highest level of artistic excellence.Please visit our website at: www.golandskyinstitute.org.

durée : 00:15:03 - Eros: Bridge, Grime, Eröd & Ginastera - Mithras Trio - Pour son premier enregistrement chez Linn Records, le Mithras Trio s'est lancé dans un programme mettant à l'honneur les œuvres de Bridge, Grime, Eröd et Ginastera

durée : 01:27:33 - En pistes ! du mercredi 20 décembre 2023 - par : Rodolphe Bruneau Boulmier - Au programme de ce mercredi matin aux côtés d'Emilie et Rodolphe: la Sonate K135 de Scarlatti, le Concerto pour piano n°23 de Mozart, Les Quatre Saisons de Vivaldi, le Trio avec piano d'Ivan Eröd et la Messe en ré majeur de Dvorak. En pistes !

De drie kwartetten van Alberto Ginastera horen thuis bij de top van het repertoire. Ze zijn geschreven op het grensgebied tussen de Argentijnse nationale muziek en een late vorm van expressionisme. In zijn Tweede kwartet heeft Ginastera alle folklore achter zich gelaten. Zijn muziek is hier streng gevormd (en deels gebaseerd op een twaalftoonreeks) maar […]

Tant els compositors de l'Am

Comme chaque année, mais cette fois-ci le 18 Novembre 2023 (20h30 Auditorium), l'harmonie donnera son concert annuel avec une oeuvre en particulier de Oscar Navarro dont l'harmonie avait créé deux oeuvres en 2022 dont je pous propose des prises de son de concert.

Comme chaque année, mais cette fois-ci le 18 Novembre 2023 (20h30 Auditorium), l'harmonie donnera son concert annuel avec une oeuvre en particulier de Oscar Navarro dont l'harmonie avait créé deux oeuvres en 2022 dont je pous propose des prises de son de concert.

marceloarce.com En 2023 cumple 48 años de carrera. Creó un formato único de enseñar a “escuchar” toda la Música, de manera sencilla y bajo el lema “para todos los que no sabemos música”, como incluyéndose. Fue en 1975, debiendo registrarla en Marcas y Patentes de la Nación como “Apreciación Musical para todo Público” . Surgió en la Facultad de Derecho cuyo Salón de Actos quedó colmado en cada “clase” repetida por semana, ratificando su método. Que comenzó simple, sólo con audio y LPs. Fue aumentando tecnológicamente hasta la pantalla gigante, clips y ediciones especiales, efectos, rarezas, etc. Así pasó de “cursos” a Salas y Teatros, incluso al aire libre y en estadios. Y años después, ampliaría el concepto de “La Música Clásica” como “La Clásica Música”, ingresando, comparando y conectando todos los géneros y estilos, siempre en base a “tesis” que le den sustento y luego pueda convertirlos en “shows”. Dijo Carlos Ulanovsky en LA NACIÓN: «Para muchos ha sido un personaje providencial, de esos pocos capaces de establecer en las vidas de las personas un antes y un después… Ya es un clásico imperdible… Él se ha convertido en uno de los grandes animadores culturales…» Buenos Aires Herald lo calificó como “The Music Man”. Clarín lo definió como “El divulgador” señalando: «Arce revela los códigos musicales…» Ha actuado en casi todos las salas y teatros del País. Desarrolla varios ciclos entre Capital e Interior, incluyendo actuaciones al aire libre con masiva asistencia. Y además el Exterior: en 1997 la Universidad de Viena lo invitó a actuar en la Sala Europa, con “Ginastera y Piazzolla”, donde finalmente confirmó “que era el camino correcto”. Integra la Semana Musical Llao Llao, el Ciclo Roemmers Junto a la Cultura, las Galas del Hotel Alvear, y fue Jurado Música Clásica de Premios Gardel desde la instauración de los mismos. Creó, dirige artísticamente y acompaña el Tour Musical Europa y las Fugas Americanas que realiza desde hace más de dos décadas. El Estadio de Ferro, y productora mediante, se colmó con ,a realización de su proyecto, el Super Clásico: la Orquesta Sinfónica Nacional, el Coro Polifónico Nacional, Néstor Marconi en bandoneón, 14 cañones, fuegos artificiales, y multimedia explicando en lo alto cada pasaje de las obras, resultando ovacionados por el Público y la Crítica, unánime. Tras cumplir once años de ciclos en el Teatro Avenida, abarcando 100 espectáculos y temáticas diferentes cada mes, completó un promedio de 137 funciones. En 2011, su ciclo principal “de Abono”, se trasladó, convocado, al Teatro Astral El Público allí votó por unanimidad que desde entonces esté dedicado a CLÁSICA Y POPULAR. En 2020 se iba a desarrollar la XXVIII Temporada de Abono, que se postergó a 2022. Resultaron una exitosa novedad sus Conciertos Didácticos (con multimedia y junto a distintas orquestas sinfónicas y conjuntos), destacando ¡Viva la Orquesta!. A instancias del Diario LA NACIÓN, en 1999 fue aprobado por el prestigioso matutino y desarrolló la primera columna de Apreciación Musical “online”, con multimedia y exclusivamente orientada a la divulgación de la música sinfónica y de cámara. En Televisión realizó varios especiales. Integró la grilla de la Cadena HITN de Estados Unidos con su programa La Clásica Música, Premio FundTV 2007. Los programas se siguen rotando por dicha Cadena. En 2011 fue el columnista de música en Mi Noche Favorita, magazine televisivo conducido por Juan Alberto Badía. En 2015 y 2016 tuvo su columna Pizzicato en el programa Magazine Orbe 21 en Canal Orbe 21 emisora del Vaticano (Argentina, Iberoamérica y España), que ganó el Premio Martín Fierro 2016 para producciones de cable. Siempre por convocatoria, hace Radio desde 1975: Recorriendo varias veces AM Radio Nacional, FM Clásica y AM Radio Ciudad. luego condujo por AM 1030 Radio Del Plata, desde 1993 -convocado por LA NACIÓN– iniciando Opus 1030, que además organizaba los conciertos gratuitos en el Auditorio de Belgrano y era el título de una serie de CDs. didácticos que coordinan el timming con la descripción de qué sucede durante la obra. Se hicieron con selección exclusiva autorizada por Warner Music de Alemania (que después dicha firma los utilizó en diversos países), agotados por la antigua Cadena Musimundo. Al mismo tiempo condujo en AM Radio América, donde también creó América Sinfo combinando por sistema de fórmulas, clásica y popular de 0 a 6. Llegó simultáneamente en Del Plata, La Clásica Música, además de columnas y micros en esa emisora, donde creó El Paraíso (domingos de 9 a 21). Sostuvo hasta 2017 sus audiciones en Del Plata hasta no poder resistir ver la caída de la Emisora. En tanto, desde 2012 a 2019 El Paraíso lideró la audiencia en AM 1110 Radio de la Ciudad de Buenos Aires. Convocado por Sebastián Wainraich, durante 2018 y 2019 tuvo columna en Metro y Medio. En 2020 y 2021, condujo por Zoom ¡Viva la Música! por AM Radio EME de Santa Fe. Ha escrito por encargo de la Editorial El Ateneo: “Momentos Musicales” (2009, prólogo de Jorge Lanata, con tres ediciones) y “Música y Compositores a través del Tiempo” (2010, prólogo de Nelson Castro, con dos impresiones). Desde hace 15 años es el presentador y comentarista en el Festival Internacional Semana Musical Llao Llao, y en el Ciclo de Conciertos con artistas nacionales e internacionales que se realizaron en el Hotel Alvear. Fue invitado a clausurar el célebre evento TED 2012 que se realizó en La Rural, con tecnología especial y transmitido a todo el mundo. En los 18 minutos establecidos por TED, ofreció un espectáculo especial a manera de clip sin pausa, en continuo, de memoria, en sincro entre su actuación, la música y las imágenes, trazando (con Beethoven-Vivaldi-Jazz-Piazzolla-Beatles- Queen-Liszt-Smetana) un recorrido con la idea de Fusión Hombre y Naturaleza como Triunfo sobre las Adversidades: la respuesta del Público fue realmente emocionante. Y con excelente crítica en los diversos medios nacionales. Realiza espectáculos ad-hoc para congresos, seminarios, y eventos de diversas entidades llevando la temática de dichos encuentros en paralelo con la música. Así, por ej., a pedido de AACREA presentó en el Congreso de Santa Fe 2013 “La Música Cambia” en un show continuo de 45 minutos. Resultó ovacionado por su función en el Teatro Astral sobre “Pink Floyd – The Wall: la ópera” en noviembre de 2011 que a pedido del Público se repuso en marzo a sala colmada, alcanzado 45 repeticiones entre Capital e Interior. Convocado por Lino Patalano, desarrolló “Callas Diva” en el Teatro Maipo, en paralelo a la obra dramática “Master Class” que se presentaba en dicho Teatro protagonizada por Norma Aleandro . En 2014 ofreció Las 4 Estaciones: de Vivaldi a Queen en el Auditorio Amijai ante 1.100 espectadores. Y en marzo de 2015, en el Tattersal del Hipódromo de San Isidro, acudieron más de 2.000 personas para Oda a la Alegría. En 2016 fue Mozart y Lennon en dos funciones continuas en Teatro Astral (2.600 asistentes). Todas forman parte de sus habituales galas anuales a beneficio -como las últimas para el Hogar Los Piletones de Margarita Barrientos: Música es Mujer. En Mayo de 2023 completó en 28 días su XXVIII Tour Europa (Estocolmo, Leipzig, Salzburgo, Baden-Baden, Hamburgo, Amsterdam, París). Su actividad ha sido declarada de Interés Cultural a nivel Nacional y de la Ciudad de Buenos Aires y en varias Provincias, en las cuales también lo honraron como visitante ilustre. En 2015 fue nombrado Embajador de la Paz por la Fundación Mil Milenios de Paz, comisionada de la ONU. Su función de febrero 2017, Tutto Puccini, colmó la Sala del Teatro Astral (1.300 localidades), inusitado en “tiempos complicados para la Av. Corrientes” como expresó un medio gráfico. Igual resultó allí Sinatra y Pavarotti con cinco repeticiones y las réplicas en el Interior del País. Lo mismo sucedió el 30 de enero de 2018 con una única función que fue “sold out” en el Teatro Astral, ofreciendo la Gala Freddie Mercury. Debió agregar una nueva y distinta Gala Freddie Mercury para enero 28 de 2019. Y la sala a pleno pidió otra con material y ediciones renovadas e inéditas y surgió la Gala Freddie Mercury 3ª Edición y así hasta la 6ª Edición. Se establecieron repeticiones. Y otras tantas en el Interior. En Noviembre de 2020, vía streaming, fue convocado para clausurar el VI Festival Internacional Manuel de Falla, con base en Sevilla, Cádiz, París, Milán, Londres, Argentina, transmitido a todo el mundo, con conciertos sinfónicos y de cámara, documentales, mesas redondas, conferencias, instalaciones. Pero fue la primera vez en dicho Festival que se realizaba Apreciación Musical. Así presentó Las Moradas Estéticas de Falla. Desde la Pandemia, dicta cursos por Zoom: Los Compositores, Momentos Musicales, Más Jazz, Clásica y Popular, Ciclo Integral Mahler, La Ópera No Muerde. Y Especiales: “Piazzolla: Astor y Astro de la Música”, “Gala Folclore Argentino y en la Clásica”, “Le Grand Tango”, “Misa Criolla”, “Gala Freddie Mercury”, “¡Viva la Vida!: Coldplay”, “Callas es Tosca”, etc. Actualmente, además de los cursos por Zoom (con grupos de Argentina y el Exterior), reinició su actividad en salas y teatros más las giras. Celebrando el Centenario del Natalicio de la Gran Diva, Maria Callas, desarrolla ’23CALLASx100 en diversos formatos -shows, multiplataforma, zoom-, proyecto exclusivo registrado en 2021.

En este programa hablamos de la ópera de Wagner "Tristan und Isolde" junto al filósofo Germán Rúa, nuestro columnista en "¿Qué hay de nuevo, bufón?", una sección sobre ópera y filosofía. También, escuchamos distintas músicas de Bartok, Ginastera y Pat Metheny.

Nuevamente desentrañamos las mentirosas fronteras entre lo folclórico y lo clásico a partir de dos compositores importantísimos: Béla Bartók y Alberto Ginastera. Realizado por Luciano Grinberg. Los martes de 20 a 21hs por Radio Nacional Clásica (Argentina). Seguinos en Instagram!

Ginastera was undoubtedly the most important Argentinean composer of the twentieth century.

For violinist Hilary Hahn, finding success as an international soloist has never been about sticking to the same menu of concertos by Beethoven, Mendelssohn, and Sibelius. Now in the fourth decade of her storied career, the three-time Grammy Award winner has consistently worked to expand the scope of the violin canon — commissioning a slate of new works from composers like Edgar Meyer, Jennifer Higdon, and Lera Auerbach. But on Eclipse, her latest release on Deutsche Grammophon, the centerpiece of the album isn't a work written for her. In fact, it's not even by a living composer. It's the violin concerto of Alberto Ginastera — a work that's seldom performed, and one Hahn immediately fell in love with when she first heard it years ago. Ever since then, she knew she had to record it. "It felt like one of those pieces I needed to take on for my own reasons, but also that it wasn't played very much," Hahn says on the latest episode of the Classical Post podcast. "I was enamored with the work, felt like it was written for me, even though I never met the composer. It's exactly what I like to dive into emotionally in music, and it requires a very specific relationship to the instrument that I feel is a strength of mine." Part of the reason Hahn was eager to record the work was not only the chance to add to the concerto's story with her performance — but also to allow everyone who listens to contribute their personal perspective to the work. "Music is a way to connect you with your own experience. As a listener, you are part of the interpretation of that music's history. When you listen to a piece, you add to the diversity of stories that it tells, just by being present in its space." In this discussion, we talk more about Eclipse and why another work on the album, Dvořák's Violin Concerto, deserves much more time in the spotlight as well. Plus, she shares how her wellness routine is all about tuning into the daily ebb and flow of her body, and the facial massage stone that helps her undo the neck and jaw tension that comes with years of playing the violin. Listen to Eclipse on Spotify, Apple Music, or wherever you stream and download music. — Classical Post uncovers the creativity behind exceptional music. Dive into meaningful conversations with leading artists in the world today. Based in New York City, Classical Post is a touchpoint for tastemakers. Visit our website for exclusive editorial and subscribe to our monthly newsletter to be notified of new content. Follow us on Instagram and TikTok. Classical Post is an ambassador for NED, a wellness company. Get 15% off their products like CBD oil and many other health-based products by using our code CLASSICALPOST at checkout.

Auf ihrem neuen Album kombiniert die Geigerin das Violinkonzert von Dvořák mit Werken von Ginastera und de Sarasate.

Hilary Hahn's latest album, Eclipse, celebrates the power of authenticity. Recorded with the Frankfurt Radio Symphony and its Music Director (2014-2021), Andrés Orozco-Estrada, it sees the triple Grammy-winning violinist deliver interpretations of three works charged with universal emotions yet rooted in their composers' musical heritage: Dvorák's Violin Concerto, a tour de force from the Czech composer's “Slavic period,” Ginastera's Violin Concerto, a strikingly original 20th-century gem, and Sarasate's Carmen Fantasy, among the greatest virtuoso show.Purchase the music (without talk) at:Eclipse (classicalmusicdiscoveries.store)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Superstar vioinist Hilary Hahn joins us to talk about her album ECLIPSE, from Deutsche Grammophon records. A celebration of Hilary's return to the stage (after a year-long sabbatical), ECLIPSE documents her artistic growth during that experience – represented by three wonderful works that speak to Hilary's virtuosity in different ways. Listeners will revel in Hilary's performance of Pablo de Sarasate's Carmen Fantasy (which Hilary had never performed before), and a brilliant rendition of Dvořák's sprightly violin concerto. The centerpiece of the program, however, is the violin concerto by Argentine composer Alberto Ginastera. Intricately layered, sometimes powerful and sometimes almost painfully intimate, Ginastera's concerto is given a spectacular performance from Hilary, running the gamut from fierce virtuosity to glass-like delicacy.

WQED-FM's Jim Cunningham spoke with violinist Hilary Hahn about her new CD on Deutsche Grammophon tiled "Eclipse."  The CD features music of Dvorak, Ginastera and Sarasate with the Frankfurt Radio Symphony conducted by Andrés Orozco-Estrada.   Hilary talks about the CD and recalls her many trips to Heinz Hall to play with the Pittsburgh Symphony Orchestra.   Her new CD is out today (October 7, 20220) and can be purchased here:   https://www.amazon.com/dp/B09X99XPGH/?tag=umgklassik-21&ascsubtag=0028948623839_B09X99XPGH_hilary+hahn_hilary+hahn+-+eclipe_www.universal-music.de  

Aperio performs music by Ginastera, Villa-Lobos, Lena Frank, and others.

Star harpist Yolanda Kondonassis celebrates the centennial of Argentine composer Alberto Ginastera's birth with a new album, Ginastera: One Hundred. The recording features guest appearances by the violin/piano duo of Gil and Orli Shaham plus guitarist Jason Vieaux, as well as a centerpiece of Yolanda's repertoire over the years, Ginastera's Harp Concerto.

Nació el 11 de abril de 1916 en la ciudad de Buenos Aires y es uno de los grandes compositores de música académica contemporánea que vivió para la música y dejó un legado invaluable. Alberto Ginastera se describía como “un hombre del mediterráneo nacido en Buenos Aires. Porque mis abuelos por parte de mi padre eran catalanes y por la parte de mi madre lombardos, del norte de Italia”. Su primer instrumento fue una flauta; pasó de las clases particulares a estudiar formalmente en el Conservatorio Alberto Williams. Compuso su primera obra antes de graduarse, a los 22 años: la suite del ballet Panambí, que sería estrenada en el Teatro Colón pocos años después. Realizó sus estudios musicales en el Conservatorio Nacional de Buenos Aires, bajo la tutela de Athos Palma y José André. En 1945, por su destreza y prestigio para la composición, le otorgaron la beca Guggenheim por lo que vivió dos años en Estados Unidos, estudiando bajo la tutela de Aaron Copland. Al regresar a la Argentina, junto con otros músicos, fundó la Liga de Compositores, la Facultad de Música de la Universidad Católica, donde fue el primer decano, y la Escuela de Altos Estudios Musicales del Instituto Di Tella, en donde se desempeñó como director hasta su emigración. Además, creó el Conservatorio de La Plata, en 1949, y su primera filial, en la localidad de Banfield, en 1951, que luego se llamó Conservatorio Julián Aguirre. Su estilo se divide en tres períodos que él mismo bautizó: nacionalismo objetivo (con presencia de elementos folclóricos), nacionalismo subjetivo (música académica con la influencia de sus estudios en Nueva York), y neoexpresionismo (por la técnica dodecafónica). Entre sus grandes obras se destaca la ópera Bomarzo (1967), basada en la novela homónima de Manuel Mujica Láinez, fue censurada por el gobierno de facto del general Onganía y prohibida en el Teatro Colón; para luego ser estrenada en 1972, repuesta en 1984 y 2003, y filmada en Italia con el título de Bomarzo de 2007. También escribió varios conciertos: 2 para piano, 2 para chelo, 1 para violín y 1 para arpa; otras piezas orquestales como ballets, como Panambí, música de cámara y varios números de piezas para piano. Volvió a los Estados Unidos en 1968; en 1970 se mudó a Europa, y terminó instalándose en Ginebra, Suiza, donde falleció el 25 de junio de 1983. Entre sus reconocimientos, fue distinguido por el Gobierno de Francia con la Orden de las Artes y las Letras, designado Doctor en Música por la Universidad de Yale, miembro de la Academia Brasileira de Música, de la Facultad de Ciencias Artes Musicales de la Universidad de Chile y de la Academia de Artes y Ciencias de Boston. Sus restos yacen en la capital de Suiza, en el Cementerio de los Reyes, a pocos metros de otro célebre artista argentino: Jorge Luis Borges. Recordamos a Ginastera a través de un informe especial elaborado por el Área de Contenidos y conservado en el Archivo Histórico de Radio Nacional. MUSICA Danza de los trabajadores agrícolas del Ballet 'Estancia', Op. 8 - 4.- (Alberto Ginastera) Juego de las deidades del agua de Panambi (Alberto Ginastera) Danza de Impresiones de la Puna (Alberto Ginastera) Lamentaciones de Jeremías Profeta “O vos Omens Qui Transitis Per Viam” (Alberto Ginastera) Quena de Impresiones de la Puna (Alberto Ginastera) Danza de los Guerreros de Panambi,  Op 1 (Alberto Ginastera) Sonata Op 47 (Alberto Ginastera) Danza final -Malambo del Ballet 'Estancia', Op. 8 - 4.- (Alberto Ginastera) EDICION Fabián Panizzi  

En el episodio de hoy, tenemos como invitado a Ángel Martín, clarinetista nacido en Madrid en 1999, y uno de los clarinetistas más prominentes de su generación a nivel internacional. Inició su formación musical en el Conservatorio Jacinto Guerrero de Toledo con Carlos Gustavo Duarte y Javier Acebes. Posteriormente, estudió en la Escuela Superior de Música Reina Sofía de Madrid, con los profesores Michel Arrignon y Enrique Pérez. Desde 2019, continúa sus estudios musicales en The Colburn School en Los Ángeles (Estados Unidos) con el profesor Yehuda Gilad. Hasta la fecha, ha conseguido varios premios en concursos nacionales e internacionales, como el Primer premio en Juventudes Musicales de España (2019), Primer premio en el Concurso Vandoren Emerging Artist (2020), Primer premio en Concurso Internacional de Clarinete “Bal y Gay” en Lugo (2017), Primer premio en el Concurso Internacional para clarinete online “Guy Deplus” (2021), Primer premio en el Concurso Internacional Online de Orihuela, 2º premio en el Pasadena Showcase Competition en Los Ángeles, 2º premio en el Concurso Internacional de Clarinete de Oporto, entre otros muchos más... Como músico de orquesta, ha colaborado con la Orquesta de la Comunidad de Madrid, la Orquesta Sinfónica de Madrid y la Orquesta de Radio Televisión Española. Es miembro de la Joven Orquesta Nacional de España desde 2018, miembro de la Joven Orquesta de la Unión Europea, miembro de la Schleswig-Holstein Festival Orchestra y ha sido miembro de la Joven Orquesta de la Comunidad de Madrid. En el 2021, fue semifinalista en la audición de clarinete solista en la Orquesta Nacional de Lille. Ha tocado bajo la batuta de grandes directores como András Schiff, Esa-Pekka Slonen, Stéphane Denéve, Vasily Petrenko, Andrés Orozco, Pablo Heras Casado, James Conlon, Jaime Martín, entre otros. Como solista, ha interpretado el Concierto en La Mayor de Mozart con la Orquesta Freixenet de la Escuela Superior de Música Reina Sofía y el Concierto nº 4 de Spohr con “The Colburn Orchestra” en Los Ángeles. Actualmente trabaja en su primer álbum digital con la discográfica Orpheus Classical y colabora activamente con el compositor español José Zárate. Sin duda un clarinetista con un futuro prometedor y con una gran trayectoria por delante. En este episodio hablaremos de: Sus inicios con la música y qué película le inspiró a elegir el clarinete Sus estudios en el Reina Sofía y sus profesores Michel Arrignon y Enrique Pérez Su etapa estudiando en Los Ángeles y Yehuda Gilad Cómo es estudiar en The Colburn School y por qué esta escuela no es como las demás Hablaremos de la importancia de preparar solos de orquesta incluso cuando no hay pruebas a la vista Del famoso solo de Ginastera y cómo fue su preparación para tocarlo De concursos, orquestas, conciertos como solista, próximos proyectos Y muchas cosas más… Hablando de sus próximos proyectos, a finales de este mes de diciembre, Ángel ofrecerá dos conciertos. El día 26 de diciembre ofrecerá el Concierto “Navidad en la Judería” en el Museo Sefardí de Toledo. Y el día 29 ofrecerá un Concierto Pictórico-Musical sobre las “Miradas de Polo” de José Zárate en el Teatro de Rojas en Toledo. Arriba tienes los enlaces para que puedas echarle un vistazo a toda la información por si quieres asistir y escuchar a Ángel en directo. Aquí tienes también el enlace al canal de Youtube de Ángel donde puedes escuchar sus grabaciones y todos los vídeos que va subiendo. Recuerda que en academiadeclarinete.com tienes a tu disposición cientos de clases grabadas en vídeo con ejercicios, técnicas, partituras y todo lo que necesitas, para mejorar como clarinetista. También tienes disponible la sección de Masterclasses, donde grandes clarinetistas colaboran regularmente compartiendo todo lo que saben con los estudiantes de la academia, y de esta manera, hacer de esta plataforma un lugar de referencia y aprendizaje para toda la comunidad de clarinetistas de habla hispana. Muchas cosas están por llegar. No te lo pierdas. Descarga gratis la Guía de estudio del Clarinetista. (function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "//forms.aweber.com/form/75/1002537775.js"; fjs.parentNode.insertBefore(js, fjs); }(document, "script", "aweber-wjs-lxvwl76h6"));

The Butler County Symphony Orchestra conducted by Matthew Kraemer presents Mozart's 40th Symphony, with music by Ginastera and Gabriela Lena Frank - Saturday night at the Butler Intermediate High School at 7:30pm. Executive Director John Furman joins Jim Cunningham and Matthew to talk about the special features of the concert, the great strides the orchestra has made in the past ten years, and where to get a good meal in Butler.

Steinway Artist Kristhyan Benitez discusses the rich diaspora of Latin American piano music.

This week on Introductions, string quartets from Midwest Young Artists Conservatory in Highwood and New Music School in Chicago perform music by Haydn, Schubert, Dvořák, Shostakovich, Ginastera, and Holland. Some of these young musicians have appeared on Introductions in the past: the same membership of the Ardente String Quartet appeared in August 2020, and their first violinist Ella Saputra recorded ... The post Ardente String Quartet; Sprezzatura Quartet; Quartet Feroce appeared first on WFMT.

Just as Bela Bartok gave a voice to the folk music of Hungary in the 20th century, Alberto Ginastera did the same for the music of Argentina. Many call Ginastera one of the most important South American composers of the past century.

In this story, Marusia falls in love and is to be wed to a mysterious young man. It turns out that he is not a good guy. He likes to have forbidden snacks in church. Marusia sees him snacking and he confronts her. When she lies to him, he curses her mother, father, and Marusia herself. Babushka to the rescue! Source: A Choice Collection of Muscovite Folk-Lore collected by W. R. S. RALSTON Narrator: Dustin Steichmann Music: Russian folk song "Luchinushka" / Rachlevsky, RSO Russian folk song "Luchinushka" (Torch-light). RUSSIAN STRING ORCHESTRA (formerly: Chamber Orchestra Kremlin) conducted by Misha Rachlevsky. This was an encore for the performance on March 3, 2016, "Concerts at One" series at New York's Trinity Wall Street Church. The concert was an opening of the "Revolutionaries: The late works of Beethoven & Ginastera" festival. License Creative Commons Attribution license (reuse allowed) Source videos View attributions SFX: Cold desolate Arctic wind, mostly wind rumble 344 Audio Podcast shout out: LAN Parties Listener shout out: Mesa Arizona Cover photo: "Children of Russian Nobility in Peasant Dress" by paukrus is licensed under CC BY-SA 2.0 --- Send in a voice message: https://anchor.fm/sandman-stories/message

Synopsis In the 1980s, the Finnish Broadcasting Company had come up with the idea of commissioning a whole evening’s worth of orchestral pieces by native composer Einojuhanni Rautavaara, which, when taken together, would form a conventional concert program of overture, concerto and symphony. These three works have come to be called the “Angel Trilogy,” since each of them has a title with the word “Angel” in it. Rautavaara’s Fifth Symphony, with the working title “Monologue with Angels,” premiered on today’s date in 1986, was originally to be the symphonic conclusion of this triple commission. But Rautavaara dropped the title, and his Symphony No. 7, subtitled “Angel of Light,” ended up being the third part of the “Angel Trilogy,” alongside an overture entitled “Angels and Visitations” and a double-bass concerto entitled “Angel of Dusk.” If you asked the mystical Rautavaara why he changed his mind, he would probably have said it really wasn’t HIS idea at all. Rautavaara believed that his compositions already existed in ‘another reality,’ as he said, and his job was just to bring it into our world in one piece. "I firmly believe that compositions have a will of their own,” he said, “even though some people smile at the concept.” Music Played in Today's Program Einojuhani Rautavaara (1928 - 2016) Symphony No. 5 Leipzig Radio Symphony; Max Pommer, cond. BMG 62671 On This Day Births 1885 - German conductor and composer, Otto Klemperer, in Breslau; 1917 - American composer Lou Harrison, in Portland, Ore.; Deaths 1847 - German composer Fanny Mendelssohn Hensel, age 41, in Berlin; She was the sister of Felix Mendelssohn; Premieres 1723 - Handel: opera "Flavio, re de' Langobardi" (Flavio, King of the Langobards), in London at the King's Theater in the Haymarket (Gregorian date: May 25); 1832 - Mendelssohn: "Hebrides" Overture ("Fingal's Cave"), in London, conducted by the composer; 1914 - R. Strauss: ballet "Josephslegende," in Paris; 1919 - Debussy: Saxophone Rhapsody (orchestral version by Roger-Ducasse), at a Société Nationale de Musique concert conducted by André Caplet at the Salle Gaveau in Paris; 1923 - Holst: "The Perfect Fool," in London at Covent Garden Opera House; 1941 - Cage: "Third Construction" for four percussionists, in San Francisco; 1942 - Copland: "Lincoln Portrait," by the Cincinnati Symphony conducted by André Kostelanetz, with William Adams the narrator; 1953 - American premiere of Stravinsky's opera, "The Rake's Progress," at the Metropolitan Opera in New York, with the composer conducting; The world premiere performance occurred on September 11, 1951, in Venice, again with the composer conducting; 1966 - Ginastera: "Concerto per Corde," by the Philadelphia Orchestra, Eugene Ormandy conducting; 1986 - Rautavaara: Symphony No. 5, in Helsinki, by Finnish Radio Symphony, Esa-Pekka Salonen conducting; 1987 - Alvin Singleton: "Shadows" for orchestra. By the Atlanta Symphony, Robert Shaw conducting; 1992 - James MacMillan: "Sinfonietta" at Queen Elizabeth Hall in London, by the London Sinfonietta, Martyn Brabbins conducting; 1993 - Philip Glass: opera "Orphée" (based on the Jean Cocteau film), by the American Repertory Theater in Cambridge, Mass.; Others 1719 - Handel is commanded by the Lord Chamberlain (Thomas Holles, Duke of Newcastle), to hire singers for the recently established Royal Academy of Music's productions of Italian operas (Gregorian date: May 25); 1974 - Final London concert performance by conductor Leopold Stokowski, age 92 conducting the New Philharmonia Orchestra at Royal Albert Hall: The program was Symphony No. 4 by Brahms, the "Fantasia on a Theme by Thomas Tallis" by Vaughan Williams, the "Merry Waltz" by Otto Klemperer, and the "Rapsodie espagnole" by Ravel; This was not Stokowski's "final" concert appearance, however; He was on the podium again in Venice in July of that year, and continued to make studio recordings; He died on September 13, 1977, at the age of 95 in his house in Nether Wallop, Hampshire, England; Links and Resources On Rautavaara Rautavaara NYTimes obit

Synopsis In the 1980s, the Finnish Broadcasting Company had come up with the idea of commissioning a whole evening’s worth of orchestral pieces by native composer Einojuhanni Rautavaara, which, when taken together, would form a conventional concert program of overture, concerto and symphony. These three works have come to be called the “Angel Trilogy,” since each of them has a title with the word “Angel” in it. Rautavaara’s Fifth Symphony, with the working title “Monologue with Angels,” premiered on today’s date in 1986, was originally to be the symphonic conclusion of this triple commission. But Rautavaara dropped the title, and his Symphony No. 7, subtitled “Angel of Light,” ended up being the third part of the “Angel Trilogy,” alongside an overture entitled “Angels and Visitations” and a double-bass concerto entitled “Angel of Dusk.” If you asked the mystical Rautavaara why he changed his mind, he would probably have said it really wasn’t HIS idea at all. Rautavaara believed that his compositions already existed in ‘another reality,’ as he said, and his job was just to bring it into our world in one piece. "I firmly believe that compositions have a will of their own,” he said, “even though some people smile at the concept.” Music Played in Today's Program Einojuhani Rautavaara (1928 - 2016) Symphony No. 5 Leipzig Radio Symphony; Max Pommer, cond. BMG 62671 On This Day Births 1885 - German conductor and composer, Otto Klemperer, in Breslau; 1917 - American composer Lou Harrison, in Portland, Ore.; Deaths 1847 - German composer Fanny Mendelssohn Hensel, age 41, in Berlin; She was the sister of Felix Mendelssohn; Premieres 1723 - Handel: opera "Flavio, re de' Langobardi" (Flavio, King of the Langobards), in London at the King's Theater in the Haymarket (Gregorian date: May 25); 1832 - Mendelssohn: "Hebrides" Overture ("Fingal's Cave"), in London, conducted by the composer; 1914 - R. Strauss: ballet "Josephslegende," in Paris; 1919 - Debussy: Saxophone Rhapsody (orchestral version by Roger-Ducasse), at a Société Nationale de Musique concert conducted by André Caplet at the Salle Gaveau in Paris; 1923 - Holst: "The Perfect Fool," in London at Covent Garden Opera House; 1941 - Cage: "Third Construction" for four percussionists, in San Francisco; 1942 - Copland: "Lincoln Portrait," by the Cincinnati Symphony conducted by André Kostelanetz, with William Adams the narrator; 1953 - American premiere of Stravinsky's opera, "The Rake's Progress," at the Metropolitan Opera in New York, with the composer conducting; The world premiere performance occurred on September 11, 1951, in Venice, again with the composer conducting; 1966 - Ginastera: "Concerto per Corde," by the Philadelphia Orchestra, Eugene Ormandy conducting; 1986 - Rautavaara: Symphony No. 5, in Helsinki, by Finnish Radio Symphony, Esa-Pekka Salonen conducting; 1987 - Alvin Singleton: "Shadows" for orchestra. By the Atlanta Symphony, Robert Shaw conducting; 1992 - James MacMillan: "Sinfonietta" at Queen Elizabeth Hall in London, by the London Sinfonietta, Martyn Brabbins conducting; 1993 - Philip Glass: opera "Orphée" (based on the Jean Cocteau film), by the American Repertory Theater in Cambridge, Mass.; Others 1719 - Handel is commanded by the Lord Chamberlain (Thomas Holles, Duke of Newcastle), to hire singers for the recently established Royal Academy of Music's productions of Italian operas (Gregorian date: May 25); 1974 - Final London concert performance by conductor Leopold Stokowski, age 92 conducting the New Philharmonia Orchestra at Royal Albert Hall: The program was Symphony No. 4 by Brahms, the "Fantasia on a Theme by Thomas Tallis" by Vaughan Williams, the "Merry Waltz" by Otto Klemperer, and the "Rapsodie espagnole" by Ravel; This was not Stokowski's "final" concert appearance, however; He was on the podium again in Venice in July of that year, and continued to make studio recordings; He died on September 13, 1977, at the age of 95 in his house in Nether Wallop, Hampshire, England; Links and Resources On Rautavaara Rautavaara NYTimes obit

El invitado de hoy es Javi Martínez, clarinete solista de la Orquesta Sinfónica de Radio Televisión Española. Javi inició sus estudios musicales de clarinete en la Escuela Municipal de Música de Meco y posteriormente ingresó en el Conservatorio Profesional de Música de Alcalá de Henares (Madrid). Más adelante estudió en el Conservatorio Superior de Música de Madrid. A lo largo de su carrera musical ha estudiado y realizado cursos de perfeccionamiento con: Vicente Alberola, Antony Pay, Joan Enric Lluna, Justo Sanz, Javier Balaguer, Enrique Pérez, Eduardo Raimundo, Robert Bianciotto, Pablo Fernández, Francisco Tasa, … Ha pertenecido a las siguientes jóvenes orquestas: Joven Orquesta Nacional de España (JONDE ), Orquesta-escuela de la Orquesta Sinfónica de Madrid, Joven Orquesta de la Comunidad de Madrid (JOCMA), Academia Orquesta Nacional de Lyon y Joven Orquesta de MMCK de Tokio. Fue invitado dos años consecutivos al Festival Music Master Course in Kazusa realizado en Tokio (Japón), curso de música de cámara y orquesta dirigida por el prestigioso director de orquesta Alan Gilbert (director titular de la Orquesta Filarmónica de Nueva York). Como solista ha colaborado con distintas agrupaciones interpretando obras de C. M. Von Weber, Ponchielli y Dondeyne. En el año 2011 fue semifinalista del Concours Debussy International Clarinet Competition. Además ha sido invitado para tocar con otras orquestas como Les Dissonances en Francia, Orquesta de Extremadura, Orquesta Sinfónica de Madrid, Orquesta de Cadaqués, Orquesta Andres Segovia, Plural ensemble, Banda Municipal de Madrid… En este episodio hablaremos de: Sus inicios con la música y cómo empezó con el clarineteDe sus profesores principalesDe su día a día en la orquesta de RTVE y cómo vive el proceso de grabación y retransmisión de conciertos en directoHablaremos del solo de las variaciones concertantes de Ginastera, uno de los solos de orquesta más difíciles del repertorio y del cuál tiene una grabación de un concierto en directo, dejo el enlace en las notas del programa para que lo podáis escuchar.De qué manera se prepara y estudia cuando tiene que tocar un repertorio tan difícil técnicamenteDe la 10ª de Shostakovich y muchas cosas más Este es el enlace a la grabación del solo de las Variaciones Concertantes de Ginastera interpretado por Javi Martínez y la RTVE. Recuerda que en academiadeclarinete.com tienes a tu disposición clases grabadas en vídeo con ejercicios, técnicas, repertorio y todo lo que necesitas para mejorar como clarinetista. Échale un vistazo al apartado de Masterclasses, donde nuevos profesores irán colaborando regularmente para hacer de esta academia un lugar de referencia y aprendizaje para toda la comunidad de clarinetistas de habla hispana. Clases nuevas y nuevos profesores irán colaborando regularmente para hacer de esta academia un lugar de referencia y aprendizaje para toda la comunidad de clarinetistas de habla hispana. Accede a todo el contenido en academiadeclarinete.com y sigue aprendiendo con grandes clarinetistas desde donde tú quieras, y a tu ritmo. Descarga gratis la Guía de estudio del Clarinetista. (function(d, s, id) { var js, fjs = d.getElementsByTagName(s)[0]; if (d.getElementById(id)) return; js = d.createElement(s); js.id = id; js.src = "//forms.aweber.com/form/75/1002537775.js"; fjs.parentNode.insertBefore(js, fjs); }(document, "script", "aweber-wjs-lxvwl76h6"));

durée : 01:58:05 - En pistes ! du mardi 02 mars 2021 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme également, le Concerto pour harpe de Ginastera, le Concerto pour 4 mains de Brahms, mais aussi Schubert et ses Valses Nobles, ainsi que Beethoven dans son Opus 110. L'Espagne est l'honneur avec Ribayaz par Arianna Savall, également à la découverte d'un anonyme français du XVe siècle. - réalisé par : Gilles Blanchard

Cynthia and Bill Lawing have crafted a program spanning the centuries as part of the Music at St. Alban’s series in Davidson, NC. The husband and wife duo, which has extensive performing experience in the Charlotte area and around the country, has crafted a diverse program of music for trumpet and piano that ranges from Scarlatti to Ginastera. They talk about the concert, their year navigating COVID, and share the story of how they met as conservatory students many years ago. Learn more about Music @ St. Alban's and WDAV present Cynthia and William Lawing

Enregistrement en concert, des deux derniers mouvement de la belle sonate de Ginastera pour guitare.

durée : 01:57:51 - En pistes ! du mardi 08 décembre 2020 - par : Emilie Munera, Rodolphe Bruneau Boulmier - Au programme ce matin : de la musique américaine avec Gershwin par l’Orchestre de la WDR de Cologne et Bernstein et Ginastera par l'Orchestre Symphonique de Montréal, une Messe solennelle de Cherubini, un quintette d'Adolf Busch pour saxophone et quatuor à cordes... - réalisé par : Gilles Blanchard

This Saturday, we hear from 16-year-old pianist Mark Zhu of Chicago’s Gold Coast neighborhood, playing pieces by Bach, Debussy, Ginastera, Brahms, Rachmaninoff, and Liszt. Thank you to the New Music School for letting us record in their River North location. At 16 years old, Mark Zhu is a junior at Walter Payton College Prep on Chicago’s Near North Side. He ... The post Mark Zhu, 16, piano appeared first on WFMT.

NEED MORE HARMONICA IN YOUR LIFE? WELL, YOU'VE COME TO THE RIGHT PLACE. Yes, whether you like it or not, the harmonica makes a very special appearance in this sparkly new episode of That Classical Podcast, starring alongside Australian fables, Argentinian cowboys, and Sascha's bizarre driving habits. Enjoy! Little bits and pieces you might want to know about...Here's where you can hear all the music from all the episodes: https://open.spotify.com/playlist/6HxdsK2pKwY2Dt44nvSojlAnd our Patreon for those who want more TCP: https://www.patreon.com/ThatClassicalPodcastWebsite: https://www.thatclassicalpodcast.com/Twitter: https://twitter.com/thatclassicalInstagram: https://www.instagram.com/thatclassicalinsta/Facebook: https://www.facebook.com/thatclassicalpodcast/ See acast.com/privacy for privacy and opt-out information.

A partir de uma melodia popular, uma linha de baixo ou uma progressão harmônica, compositores criam metamorfoses musicais, ou variações. Neste episódio de nosso podcast, apresentado por nosso violoncelista Eduardo Swerts e nossa flautista Cássia Lima, desvendamos as infinitas possibilidades dessa forma musical. Ouvimos trechos das seguintes obras: "Variações sobre 'La ci darem la mano" de Chopin, com a Orquestra Filarmônica de Londres e Claudio Arrau; "Variações sobre um tema de Haydn" de Brahms, com a Filarmônica de Berlim e Claudio Abbado; e as "Variações Concertantes" de Ginastera, com a Orquestra de Câmara de Israel.

★ Support the show by becoming a patron: https://www.patreon.com/atpercussion ★ Follow us on:  Facebook: https://www.facebook.com/atperc Instagram: https://www.instagram.com/atpercussion/ PodBean: https://atpercussion.podbean.com/ Hosts: Casey Cangelosi, Ben Charles, Karli Viña, and Ksenija Komljenović Intro music by: Antoni Olesik - https://www.instagram.com/antek.olesik 00:35 Premium level patron shoutout – Jade Hails! 1:17 Today in history (Nirvana conspiracy theory, Fresh Prince of Bel Air) 7:12 Pedro Introduction 7:49 FB Question - Maria Chlebus ‘How do you stay so handsome?' 08:15 Pedro being refused a haircut 9:00 Share your perspective, challenges, and experiences as an international student 13:41 Did you ever turn the negativity into a motivational tool and contribute to the success you have now? 15:15 Blind auditions 16:28 FB Question – Mike Kessler ‘What are your two top snare drum/marimba/vibes books you would recommend?' 19:50 What is going on with the Indianapolis Symphony Orchestra? 20:30 Houston Symphony web-streaming concerts – anything similar happening with ISO? 22:09 Myths about Pedro's performance and PASIC clinic/lab 23:34 Karli still thinks Pedro played blindfolded 25:02 Pedro's mother “what are you even doing when you are practicing?” – how do you practice 28:29 Ben's anecdote of Pedro practicing triangle 30:29 How has your practicing changed during the quarantine? 33:20 What music do you jam out to? 34:46 Should chopsticks be used as musical implements? Facebook discussion read 39:24 Conversation about chopsticks 42:39 An explanation why it is offensive to use chopsticks 45:00 Stuart Saunders Smith – Songs I-IX require chopsticks – should we follow composers who instruct us to use specific instrumentation/implement choices? 51:47 Appropriation – term and usage 55:45 Does outrage cause people to be fearful about being around different cultures? 1:01:43 FB Question - Jade Hails: Is the experience playing with the ballet orchestra any different from the symphony orchestra? 1:05:09 Example of a piece that is played faster in symphony orchestra than in ballet? 1:07:17 How do you pronounce Ginastera?

1. Garth Baxter – From the Heart: Three American Womenhttps://open.spotify.com/playlist/7k9n3QWkHSYQ5e5TGProGb2. Jennifer Jolley – Prisoner of Consciencehttps://open.spotify.com/playlist/0kAYkFmqvLvBeFVeKL8Zx43. Gleb Kanasevich – your fortresshttps://youtu.be/V1l141q9_VAPanelists:Soprano Katie Procell has been praised throughout the Baltimore area for her “golden tone and arresting stage presence” (Peter Dayton). Her musical curiosity includes the avant-garde and she has performed Pierrot Lunaire, Ginastera’s third String Quartet, Messiaen’s Harawi, Berio Sequenza III, even Kurtàg’s Attila Fragments. Procell’s past opera credits include Giselle, Jenny, Mel 2, and various roles in the two-woman collection of short new operas called Elevator (ENA Ensemble); Lisa ( La Sonnambula; Opera Alchemy); Susanna ( Le nozze di Figaro; Peabody Conservatory); Giulietta ( I Capuleti e i Montecchi; Alchemy); Krysia (understudy, Out of Darkness; Peabody); Rosina ( Il barbiere di Siviglia; James Madison University); and more. She studies with Elizabeth Futral and has studied with Phyllis Bryn-Julson and Kevin McMillan. Procell has trained at Opera Roanoke (Apprentice Artist), Centre for Opera Studies in Italy, and SongFest. She works closely with composer Peter Dayton and has premiered several of his works and is collaborating with both Dayton and Baxter on upcoming recording projects.Award-winning conductor Jordan Randall Smith is the Music Director of Symphony Number One and Assistant Conductor of Hopkins Symphony Orchestra. Smith was recently named Visiting Assistant Professor of Music and Director of Orchestras at Susquehanna University. Smith was formerly Co-founder and Artistic Director of the Dallas Festival of Modern Music and Assistant Conductor of the Peabody Opera Theatre. Smith was lauded for being “an attentive partner” by the Baltimore Sun. His leadership of Mahler’s fourth symphony was praised by the Sun’s Tim Smith: “The third movement, in particular, was quite sensitively molded.” Conductor Alan Gilbert called Jordan’s conducting of Boulez’ Le Marteau sans Maître, “impressive.” An active supporter of new music, Jordan has a discography spanning four commercial releases and a history of commissions, leading over 50 world premieres. Jordan is also a Creative Director of the International Florence Price Festival. Smith was named to the Executive Council for the Institute for Composer Diversity at SUNY-Fredonia in January 2020.Ian Power is a composer, performer, and Director of Integrated Arts at the University of Baltimore. Ian’s music is inscrutable, warm, insistent, and performer-driven, and has been performed by ensembles and soloists in the US, UK, Germany, Denmark, and Israel. His writing on rhetoric in new music and reviews of CDs and performances are published in TEMPO, and he has lectured at the American Musicological Society, American Studies Association, and universities in the US, UK, and Turkey. Ian studied with Chaya Czernowin, Steven Takasugi, and John Luther Adams. Ian’s first CD, Diligence, featuring long solo pieces, is out on Edition Wandelweiser Records (Germany) in June 2020. His CD Maintenance Hums, featuring chamber works, is out on Carrier Records (New York) in September 2020. He is writing an orchestra piece for the BBC Scottish Symphony Orchestra, to be premiered at the TECTONICS festival in Glasgow in May 2022.More information at pauseandlisten.com. Pause and Listen was created by host John T.K. Scherch and co-creator/marketing manager Michele Mengel Scherch.

durée : 02:01:33 - Été Classique Matin du lundi 10 août 2020 - par : Julien Hanck - Après Tchaikovsky, la pampa de Ginastera, la Bohême de Dvořák, la Hämeenlinna chérie de Sibelius… Combien de lieux chers ont-ils inspiré de chefs-d’oeuvres inoubliables ? - réalisé par : Davy Travailleur

TBJ136: Boston Brass joins Andrew & Lance sharing stories both new and old. The five current members of Boston Brass catch us up with how the quintet is dealing with quarantine, swaps stories, and future plans.  From their website: For 31 years, Boston Brass has set out to establish a one-of-a-kind musical experience. Performing exciting classical arrangements to burning jazz standards, Boston Brass treats audiences to a unique brand of entertainment captivating all ages. The ensemble’s lively repartee, touched with humor and personality, attempts to bridge the ocean of classical formality to delight audiences in an evening of great music and boisterous fun. The philosophy of Boston Brass is to provide audiences with a wide selection of musical styles in unique arrangements, provided in a friendly and fun atmosphere. Through over 100 performances each year, the members of Boston Brass play to audiences at concerts, educational venues, and jazz festivals. In addition to solo performances, Boston Brass regularly performs with orchestras, wind ensemble, brass bands, marching bands, and a variety of other ensembles. They have performed in 49 states and 30 countries and have conducted master classes around the world including sessions and residencies at the Eastman School of Music, The Julliard School, Shepherd School of Music at Rice University, Peabody Conservatory of Music, University of North Texas, Royal Academy of Music in London, Yong Siew Toh Conservatory at the National University of Singapore, Hong Kong Academy of Performing Arts and Mahidol University in Bangkok.  Boston Brass is a Yamaha Performing Group and has been featured educators and performers at the Mid West Band and Orchestra Clinic, World Association for Symphonic Bands and Ensembles, Japan Band Clinic, Music Educators National Conferences, American Bandmaster Association Conference, The American Band College, Western International Band Clinic and Texas Bandmasters Association Convention. Boston Brass has been featured on The CBS Early Show, National Public Radio’s Performance Today, The Great American Brass Band Festival and has recorded many diverse albums. Their latest recording “Concerto Grosso” is a collaboration with Eric Rombach-Kendall and University of New Mexico Wind Ensemble, “Reminiscing” is a tribute to Rolf Smedvig of the Empire Brass, “Rewired” features new arrangements by the members of Boston Brass, Latin Nights, features a collection of some of the greatest classical and jazz works by Latin composers and performers and features the legendary drummer Steve Gadd, the beautiful voice of Talita Real, percussion and guitar. Other albums include Ya Gotta Try, featuring music from Horace Silver, Chick Corea and Dizzy Gillespie, produced by legendary jazz recording genius Rudy van Gelder and Within Earshot, featuring classical works by Shostakovich, Ginastera, Dvorak, Liszt, and others.  Boston Brass has two holiday recordings, Christmas Bells are Swingin’, and The Stan Kenton Christmas Carols, featuring the Boston Brass All-Stars Big Band playing the truly phenomenal charts made popular by the Stan Kenton Orchestra. Boston Brass tours a vibrant holiday show each year featuring many of the charts from these two albums, combined with a variety of solo and combo selections and some fun surprises, which has quickly established the show as a perennial audience favorite.  2011 marked the 25th Anniversary of Boston Brass and was celebrated with the “25 Fanfares Project,” wherein 25 fanfares were premiered by composers from all over the country.  Boston Brass also premiered a new major commission by noted wind ensemble composer Brian Balmages and new arrangements by the legendary Sam Pilafian. Additionally, Boston Brass was very excited to have the opportunity to collaborate in the 2010/2011 season with the fabulous Imani Winds in a program entitled “Sketches of Spain,” featuring the music of Miles Davis and Gil Evans. In the 2012/2013 season, the quintet began touring their “Notes from the Balcony” program with the Enso String Quartet. The program features music based on “Romeo and Juliet”. In this fun and lively discussion, we cover: Taps Boston Brass intros How they’re staying busy Planning for the future Videos by Jose, Chris, and Domingo Where they were when it all blew up Chris on a plane Will in Chicago Will leads a double life Jose’s teaching schedule Chris at Walmart in the cereal aisle Domingo taking advantage of the downtime Domingo reconnecting with his roots in Latin America Domingo working with Sam on a solo project just before he passed “Then fire me.” Sam’s impact in Boston Brass William replacing Sam in the group Chris Bill is sitting in Lance’s lap Brass Recording Project The Pickle Test New projects Jeff sigh “Blues for Sam” for the new Boston Brass album Busting Jeff’s chops for fun and profit Bose Wave radio Pray for Jens apron The Facebook Jeff ate a bug in Brazil Wichita leave-behind Random Christopher Bill LINKS: Boston Brass site Yamaha Artist Page Pray for Jens merch!!! Want to help the show? Here are some ways: Unlock bonus episodes galore by becoming a Patreon patron. Help others find the show by leaving a rating and review on iTunes or Apple Podcasts. Show us some love on Instagram, Facebook, and Twitter. Show some love to our sponsors: The brass program at The Mary Pappert School of Music at Duquesne University and Parker Mouthpieces (including the Andrew Hitz and Lance LaDuke models.) Buy Pray for Jens and The Brass Junkies merch at The Brass Junkies online store! Tell your friends! Expertly produced by Will Houchin with love, care, and enthusiasm.

Entre les deux, un peu d'humour avec une fugue "peu catholique" pour choeur mix puis un cours de mécanique pour chœur d'hommes et le "moteur à explosion"!! La musique de ballet va de l'écriture conventionnelle de la seconde moitié du XIX°Siècle à STRAVINSKY et son"Sacre..." sans oublier RAVEL, GINASTERA etc..... La musique de scène nous emportera de la France vers la Hongrie en passant par la Grande Bretagne.

el Maestro Gustavo Ahualli nos habla en este podcast acerca del Centro Latinoamericano de Música de la Universidad Católica de Washington.

I have a student who just played the Ginastera Danzas Criollas, and I was thinking of the beautiful third one. I was also thinking about an improvisation instruction I give my students: “if you play a wrong note, repeat it until it gets interesting.” Sorry about the out-of-tune piano…I’ll have it tuned soon!

Nesta semana, a Osesp – sob regência do maestro Carlos Miguel Prieto – recebe o harpista Xavier de Maistre para interpretar o "Concerto para Harpa", escrito pelo compositor argentino Alberto Ginastera. Escute o Minuto Osesp sobre a obra. A Osesp, em parceria com a rádio CBN, veiculou o Minuto Osesp, uma breve narrativa sobre alguma obra que a Orquestra irá interpretar na semana, na Sala São Paulo, ilustrada por trechos musicais. Essa é mais uma iniciativa da Fundação Osesp para colocar a música clássica perto de você. Roteiro e voz: Isabela Pulfer

With Lew Smoley

With Lew Smoley

With Lew Smoley

Today I’m speaking with the inspiring and very talented guitarist, Jiji.Applauded by the Calgary Herald as “…talented, sensitive…brilliant,” JIJI is an adventurous artist on both classical and electric guitar, playing a wide range of music from traditional and contemporary classical to free improvisation. Her impeccable musicianship combined with compelling stage presence and fascinating repertoire earned her First Prize at the 2016 Concert Artists Guild International Competition.JIJI’s performances have been featured on PBS (On Stage at Curtis series), NPR’s From the Top, WHYY-TV and Hong Kong broadcast station RTHK’s The Works, among others. Her EP recording, Underglow, was released in May 2018, featuring music by Bach, Albeniz, Ginastera and Dyens, in addition to her own composition for electric guitar and electronics.A passionate advocate of new music, JIJI has premiered a duo piece Talking Guitars by renowned composer, Paul Lansky, and recently commissioned Nina C. Young to write a new guitar piece scheduled for premiere during 2018-19.She has also premiered works by many emerging composers including Gabriella Smith, Gulli Björnsson, and Andrew McIntosh.In 2018 she accepted the position of Assistant Professor of Guitar at Arizona State University.Find out more about her http://jijiguitar.com/

I had a chance to speak with grammy award winning guitarist, Jason Vieaux a couple of weeks ago in light of his upcoming release with the Escher String Quartet. Our interview was not quite as long as some of the others, but we were able to cover several really interest topics. Grammy winner Jason Vieaux, “among the elite of today's classical guitarists” (Gramophone), is the guitarist that goes beyond the classical. His most recent solo album, Play, won the 2015 Grammy Award for Best Classical Instrumental Solo.Jason Vieaux has performed as soloist with over 100 orchestras in the U.S. and abroad. Additional recent and future highlights include performances at Caramoor Festival as Artist in Residence, Chamber Music Society of Lincoln Center, Philadelphia Chamber Music Society the National Gallery of Art, San Francisco’s Herbst Theatre, Buenos Aires’ Teatro Colon, Amsterdam’s Concertgebouw, New York's 92Y, Ravinia Festival, and many other distinguished series. A first rate chamber musician and programmer, he frequently collaborates with artists such as the Escher Quartet, harpist Yolanda Kondonassis,accordion/bandoneon virtuoso Julien Labro, and violinist Anne Akiko Meyers. His passion for new music has fostered premieres by Jonathan Leshnoff, Avner Dorman, Jeff Beal, Dan Visconti, David Ludwig, Vivian Fung, José Luis Merlin, and more.Vieaux’s latest CD release is a performance of Jonathan Leshnoff’s Guitar Concerto with the Nashville Symphony Orchestra (Naxos). He has two upcoming releases on Azica Records: a new album, Dance, with the Escher String Quartet (July 19, 2019), featuring works byBoccherini, Castelnuovo-Tedesco, and Aaron Jay Kernis; as well as a new solo Bach album. Recent recordings include Jeff Beal’s “Six Sixteen” Guitar Concerto with the Norrköping Symphony Orchestra (BIS); Infusion (Azica) with accordionist/bandoneonist Julien Labro; Ginastera’s Guitar Sonata, which is featured on Ginastera: One Hundred (Oberlin Music) produced by harpist Yolanda Kondonassis; and Together (Azica), a duo album with Kondonassis. In 2012, the Jason Vieaux School of Classical Guitar was launched with ArtistWorks Inc., an interface that provides one on one online study with Vieaux for guitar students around the world. In 2011, he cofounded the guitar department at the Curtis Institute of Music, and in 2015 was invited to inaugurate the guitar program at the Eastern Music Festival. Vieaux has taught at the Cleveland Institute of Music since1997, heading the guitar department since 2001. He has received a Naumburg Foundation top prize, a Cleveland Institute of Music Distinguished Alumni Award, GFA International Guitar Competition FirstPrize, and a Salon di Virtuosi Career Grant. His primary teachers were Jeremy Sparks and John Holmquist. Vieaux was also the first classical musician to be featured on NPR’s “Tiny Desk” series.You can find out more about his upcoming performances, appearances and recordings at jasonvieaux.comI caught up with Jason in between his busy family schedule. He was gracious with his time and we were able to chat about his upcoming releases, and some other really good things like how his approach to recording has changed over the years, his teaching career, balancing family life with performing, and much more.

Con Mario Mora y Ana Laura Iglesias | última batalla musical de la temporada dedicada dos de los más grandes compositores americanos: Astor Piazzolla y Alberto Ginastera. Descubre el fascinante estilo de estos dos argentinos que desarrollaron lenguajes muy distintos, uno entorno al tango y otro a través de la modernidad, pero en ambos casos sin perder de vista el folclore, los gauchos y la Pampa de su amada tierra, Argentina. ¡Un Duelo fascinante!

Con Mario Mora y Ana Laura Iglesias | última batalla musical de la temporada dedicada dos de los más grandes compositores americanos: Astor Piazzolla y Alberto Ginastera. Descubre el fascinante estilo de estos dos argentinos que desarrollaron lenguajes muy distintos, uno entorno al tango y otro a través de la modernidad, pero en ambos casos sin perder de vista el folclore, los gauchos y la Pampa de su amada tierra, Argentina. ¡Un Duelo fascinante!

Recente en minder recente uitgaven van bekende en minder bekende pianomuziek. Met muziek van Ginastera door Marie François; van Béla Bartók door Tamara Stefanovich; van Ernö Dohnányi door Valentina Tóth; van Alfred Schnittke door Yerin Kim; van Morton Feldman door Dante Boon; van George De Decker door Geert Callaert en Thomas Frühauf.

En esta primera emisión de 2019 El Inodoro de Cristal invito al guitarrista y compositor Francisco Slepoy para hablar sobre su nuevo disco “Sobre Ginastera y algunos planetas”. No te pierdas esta charla donde hablamos sobre la relación de su música con la astronomía, la aproximación a la obra de Ginastera en un plano improvisatorio, lo afro en el folclore argentino y el desarrollo del oficio de músico dentro de nuestro país. --- Send in a voice message: https://anchor.fm/el-inodoro-de-cristal/message

Comedians Helen Thorn and Ellie Gibson AKA ''The Scummy Mummies' tell Clemmie just what they thought of her classical playlist, featuring music by Ginastera, Vaughan Williams and Bruch. The Scummy Mummies's playlist in full Ginastera: Cuyana from Tres Piezas Vaughan Williams: The Lark Ascending Vivaldi: Concerto for Two Trumpets (1st movement) Augusta Holmes: La Nuit et l'Amour: Ludus pro patria Beethoven: Piano Trio no 5 in D "Ghost" (1st movement) Bruch: Kol Nidrei Classical Fix is a podcast from BBC Radio 3. If you're new to classical music and wondering where to start - this is where you start.

Ioanna and Zara are back after an accidental hiatus to talk about music and stuff. Dan the sound man plays some Ginastera and Ioanna tries a new fangled scale of the month.

              En la segunda presentación de la 11° temporada de Los conciertos de La 96.7, el Trío Ginastera interpretó el Trío en Do mayor, op.87, de Johannes Brahms, y el Trío en re menor, op.49, de Félix Mendelssohn. El Trío Ginastera está conformado por el violinista Xavier Inchausti, el chelista José Araujo y el pianista Marcelo Balat. VER EL PROGRAMA

durée : 01:58:53 - Sur les bords de la Baltique ; Le Quatuor Eclisses - par : Jean-Baptiste Urbain - 12h Prélude : Sur les bords de la Baltique 12h45 Concert : Diffusion de l'enregistrement public du Quatuor Eclisses le 26 mars à l'Auditorium de l'Alliance Française Oeuvres de Boccherini, Debussy, Bartok, Fauré, Ginastera - réalisé par : Laurent Lefrançois

Con Mario Mora y Ana Laura Iglesias | ¿Qué conoces de Alberto Ginastera? ¿Te gusta más su estilo nacionalista o su época neoexpresionista? Descubrimos a uno de los pilares de la música del S. XX a través de sus obras más representativas. Además, la estrella del violín Sarah Chang visita Clásica Café a su paso por Madrid. Una conversación muy inspiradora para todos, ¡no te lo pierdas!

Con Mario Mora y Ana Laura Iglesias | ¿Qué conoces de Alberto Ginastera? ¿Te gusta más su estilo nacionalista o su época neoexpresionista? Descubrimos a uno de los pilares de la música del S. XX a través de sus obras más representativas. Además, la estrella del violín Sarah Chang visita Clásica Café a su paso por Madrid. Una conversación muy inspiradora para todos, ¡no te lo pierdas!

I programmet diskuteras Händels pastisch-opera Catone, verk av Ginastera med Juano Mena på pulten, klaverstycken av C P E Bach samt Bruckners sjätte symfoni i Haitinks version. Curt väljer Gieseking. I panelen Bodil Asketorp, Evert van Berkel och Tony Lundman som tillsammans med programledaren Johan Korssell betygsätter följande skivor:  ALBERTO GINASTERA Orkesterverk (vol 2) Xiayin Wang, piano Damröster ur Manchesters kammarkör BBCs filharmoniker Juanjo Mena, dirigent Chandos CHAN 10923 GEORG FRIEDRICH HÄNDEL Catone, opera-pastisch Sonia Prina, Riccardo Novaro, Kristina Hammarström m.fl Auser Musici Carlo Ipata, dirigent Glossa GCD 923511 CARL PHILIPP EMANUEL BACH Klaverstycken Aleksej Ljubimov, tangent-flygel ECM 2112 ANTON BRUCKNER Symfoni nr 6 A-dur Bayerska radions symfoniorkester Bernard Haitink, dirigent BR Klassik 900147 Referensen Johan jämför med och refererar till en inspelning av Bruckners sjätte symfoni med New Philharmonia Orchestra i London, allt under ledning av Otto Klemperer. Inspelningen gjordes 1964 på skivmärke EMI. Curts val Curt Carlsson spelar valda delar ur en box med 7 CD innehållande pianisten Walther Giesekings samtliga Bach-inspelningar på Deutsche Grammophon.  Andra i programmet nämnda eller rekommenderade inspelningar: Bruckners sjätte symfoni med New Philharmonia Orchestra, London ledd av Otto Klemperer på EMI (Referensen); Gewandhaus-orkestern med dirigenten Herbert Blomstedt på märket MDR; San Franciscos symfoniorkester ledd av Herbert Blomstedt på Decca samt med Saarländska radions symfoniorkester under Stanislav Skrowaczewski inspelad på Oehms Classics och Arte Nova Classics.  Svepet Johan sveper över en inspelning av Berlioz opera Trojanerna med bland andra Joyce DiDonato och Michael Spyres i de stora rollerna tillsammans med Strasbourgs filharmoniska kör och symfoniorkester allt under ledning av John Nelson. Utgiven på Erato.

Star harpist Yolanda Kondonassis celebrates the centennial of Argentine composer Alberto Ginastera's birth with a new album, Ginastera: One Hundred. The recording features guest appearances by the violin/piano duo of Gil and Orli Shaham plus guitarist Jason Vieaux, as well as a centerpiece of Yolanda's repertoire over the years, Ginastera's Harp Concerto.

Am 10. November lädt die Lacon-Gruppe in Karlsfeld zu einem fremdartigen Konzertabend ein: "highTech meets Classic", so nennt sich das symphonische Konzert zusammen mit dem ODEON-Jugendsinfonieorchester unter der Leitung von Julio Doggenweiler Fernández. Auf dem Konzertplan stehen Werke von Prokofjew, Hübler, Strawinsky und Ginastera. Warum das Konzert besonders interessant für die Besucher ist, hat Ana Tsotsoria ermittelt.

Music historian and all-around Renaissance man Mark Sebastian Jordan offers insights on the Mansfield Symphony Orchestra Musical Diversity in the Americas concert program, featuring Ginastera's Four Dances from Estancia, Haydn's Trumpet Concerto, Dvorák's New World Symphony.(Live Recording)

Marriage is hard. You have to decide who’ll do the cooking, who’ll empty the garbage, and who’ll take voice 1 in the Ginastera for Saturday’s performance. German/ Venezuelan, Husband/ Wife, Duo Montes Kirchner comes on the show!

Works by Milhaud, Nazareth, Lecuona, and Ginastera performed Andree-Ann Deschenes, piano on April 20th, 2016

Works by Milhaud, Nazareth, Lecuona, and Ginastera performed by Andree-Ann Deschenes, piano on April 20th, 2016

I programmet diskuteras bl.a. Tapiolas Sinfoniettas tolkning av Stravinsky, orkestermusik av Ginastera med Juanjo Mena på pulten samt kammarmusik av Bruch. I mindre skala behandlar två Sibelius-verk. I panelen Aurélie Ferriere, David Björkman samt hedersgästen Trygve Nordwall som tillsammans med programledaren Johan Korssell betygsätter följande skivor: IGOR STRAVINSKY Pulcinella-svit, Apollon Musagète och Konsert för stråkorkester i D-dur Tapiola Sinfonietta Masaaki Suzuki, dirigent Bis BIS 2211ALBERTO GINASTERA Pampeana nr 3, Ollantay op 17 och Estancia op 8 BBC filharmoniker, Manchester Juanjo Mena, dirigent Lucas Somoza Osterc, baryton Chandos CHAN 10884MAX BRUCH Stråkkvartett nr 1 c-moll, Svenska danser och Pianokvintett g-moll Goldner-kvartetten Piers Lane, piano Hyperion CDA 68 120 FELIX MENDELSSOHN Elias Marlis Petersen m.fl. solister RIAS Kammarkör Akademin för tidig musik, Berlin Hans Christoph Rademann, dirigent Accentus Music ACC 30356 I mindre skala Johanna Paulsson och Alexander Freudenthal jämför stor med liten Sibelius. I programmet serveras varierande versioner av Finlandia och Valse Triste. Vi hör bl.a. Sibelius barnbarnsbarn Lauri Porra, framföra Finlandias hymn på elbas.  Andra i programmet nämnda eller rekommenderade inspelningar: Stravinskys Pulcinella-svit med London Sinfonietta under Esa-Pekka Salonen på Sony. Stravinskys Apollon Musagète med Leningrads filharmoniker ledd av Jevgenij Mravinsky på Melodija; med Berlins filharmoniker under ledning av Herbert von Karajan på DG samt alla Stravinskys egna inspelningar på Sony. Ginasteras Estancia (slutet) med Simon Bolivar-orkestern dirigerad av Gustavo Dudamel på DG. Goldnerkvartetten spelar Pierné och Viernes stråkkvartetter på Hyperion. Mendelssohns Elias med Soile Isokoski m.fl, Collegium Vocale, Gent, Chapelle Royal, Paris samt Champs Elysées-orkestern dirigerade av Philippe Herreweghe på Harmonia Mundi; Renée Fleming m.fl, Edinburghs festivalkör samt Orchestra of the Age of Enlightenment ledda av Paul Daniel på Decca samt med Rosemary Joshua m.fl. tillsammans med Gabrieli Consort and Players under ledning av Paul McCreesh på märke Signum.  Johan sveper över albumet Neglected Works for piano, med musik av idel kvinnliga tonsättare framförd av pianisten Bengt Forsberg och inspelad på dB Productions.

- direkte fra Johannes Larsen Museet med overskriften Canciones. Beethovens Gassenhauertrio og spanske og latinamerikanske klange af Granados, de Falla og Ginastera. Trio con Brio. Andreas Brantelid, cello. Julie Eskær, violin. Gabriella Pace, sopran. David Kadouch, klaver. Ca. kl. 21.30: Pianisten Bingbing Zhu, der er debuteret fra Det Kgl. Danske Musikkonservatorium spiller musik af Ginastera. (Sendt første gang 14. juli). Vært: Peter Filtenborg.

"Nacionalisme objectiu" El compositor argent

José Manuel Alcántara es un destacado ejecutante de guitarra mexicano egresado del Conservatorio Nacional de Música de México y del Conservatorio de Ámsterdam con Mención de Virtuosismo. Es miembro del ensamble Liminar, dedicado al repertorio contemporáneo. También forma parte de un dúo para flauta y guitarra con Willy Terrazas, enfocado a la música mexicana contemporánea. Ha sido parte del Ensamble de Música Contemporánea del Conservatorio Sweelinck de Ámsterdam, bajo la batuta de Lucas Vis Harry Sparnaay. Se ha presentado como solista con la Orquesta Sinfónica Nacional, la Orquesta de Cámara de Bellas Artes, la Filarmónica de Chihuahua, la Sinfónica del Instituto Politécnico Nacional, la Orquesta de Cámara de la Ciudad de México y la Orquesta de Cámara de San Ángel, entre muchas otras. Ha participado en festivales de Estados Unidos, Holanda, España, Portugal, Bélgica, Italia, Francia, Austria y México. En el marco del XV Encuentro Internacional de Guitarra, José Manuel Alcántara interpreta obras de Johann Sebastian Bach, Mauro Giuliani, Jorge Ritter, Wilfrido Terrazas y Alberto Ginastera.

Koncert med Vinderen af Den europæiske Radiounions talentkkonkurrence 2014, den belgiske cellist Camille Thomas, der spiller sonater af Beethoven, Sjostakovitj og Ginastera. Ved klaveret: Julien Libeer. (Charlottenborg Festsal 13. august). Ca. kl. 21.30: Cellisten Heikki Takkula, der er debuteret fra Syddansk Musikkonservatorium, spiller Chopin og Melartin. Vært: Max Fage-Pedersen.

- direkte fra Tranesalen på Hindsgavl Slot: Violinisten Alina Ibragimova og pianisten Steven Osborne. Violinsonater af Debussy og Prokofiev samt Arvo Pärts ikoniske stykke Fratres. Desuden uddrag af festivalkonceter med bl.a. den tyske sopran Juliana Banse. Koncerten begynder kl. 20. Først kan du høre pianisten Bingbing Zhu, der er debuteret fra Det Kgl. Danske Musikkonservatorium. Hun spiller musik af Ginastera. Vært: Klaus Mølller-Jørgensen.

Hoang Nguyen, piano, performs works by Beethoven, Liszt, and Ginastera on November 12, 2014, as part of the CGU Concerts at CST series, sponsored by the Department of Music at Claremont Graduate University and the Claremont School of Theology.

Hoang Nguyen, piano, performs works by Beethoven, Liszt, and Ginastera on November 12, 2014, as part of the CGU Concerts at CST series, sponsored by the Department of Music at Claremont Graduate University and the Claremont School of Theology.

Obertura para el Fausto criollo, de Ginastera. Fuga Criolla, de Juan Bautista Plaza. Balada criolla para piano, de Gottschalk. Concierto para la guitarra criolla, de Waldo de los Ríos. Escuchar audio

We put on our pith helmets, grab our binoculars, and train our compasses south for this Classical Classroom expedition to Brazil and Argentina. Pianist and educator Tali Morgulis talks about composers Villa-Lobos, Ginastera, Prado, and Piazzolla, how the classical music of South America differs from that of Europe, and…the tango! Audio production by Todd “Tango” Hulslander, with nuevo by Dacia Clay. All music used in this episode comes from the CD Archipelago of Light by Tali Morgulis: – Sonata No. 1, Op. 22 by Alberto Ginastera – Children’s Carnival by Heitor Villa-Lobos – Tango Suite by Astor Piazzolla – Islands by Almeida Prado For more about Tali Morgulis: www.tali.morgulis.net

iAN&ANi, Ian Maksin, cello and Ani Gogova, piano, perform works of Shschedrin, Ravel, Maksin, Prokofiev, Shostakovich, Medtner, Rachmaninoff and Ginastera live from the Northeastern Illinois University recital hall for the NEIU Jewel Box Series. Music Scchedrin, In the Style of Albeniz Ravel, Piece en forme de Habanera Maksin, Variations on a Russian Theme for Solo Cello Prokofiev, Sonata for Cello and Piano in C major, Op. 119 Shostakovich, Sonata for Cello and Piano in D minor, Op. 40 Shostakovich, Three Fantastic Dances, Op. 5 Medtner, Fairytale in F minor, Op. 26 No. 3 Rachmaninoff, Moment Musical in E minor, Op. 16 No. 4 Ginastera, Pampeana No. 2

Gustavo Dudamel and Osvaldo Golijov discuss Latin American composers including the visceral Revueltas, the "unselfconscious genius" Villa-Lobos, Ginastera, and Estévez.

Gustavo Dudamel and Osvaldo Golijov discuss Latin American composers including the visceral Revueltas, the "unselfconscious genius" Villa-Lobos, Ginastera, and Estévez.

Hyun Jung Ro performs works by Beethoven, Brahms, Debussy, and Ginastera

Hyun Jung Ro performs works by Beethoven, Brahms, Debussy, and Ginastera

Από ένα ανοιξιάτικο Λονδίνο, αναλύουμε την πιο πετυχημένη θεωρία που έχει ανακαλυφθεί από τον άνθρωπο: Κβαντομηχανική!Download MP3: Episode 35 (1:05:12, 90 MB)Podcast feed: click hereComments: timaras@gmail.comWebsite: http://themos-podcast.blogspot.comShownotesCover Art: Από την Οξφόρδη, η αίθουσα που ενέπνευσε το Harry Potter.News & Σχόλια:- Canon SX10: Νέα γενιά μηχανών- "Εκδρομή" στην Οξφόρδη- Ποιος χρειάζεται τα NAS?- Προς ένα αθόρυβο PC- Simon Bolivar Orchestra of Venezouela- H προέλευση του "Α"Movies & Shows: -Επιστήμες:Κβαντομηχανική. Πώς γεννήθηκε ποιές είναι οι βασικές αρχές, γιατί είναι σημαντική, και το περίφημο πείραμα με τις δύο σχισμές του Young.Music:Από το jamendo.com- Polaradio - This Time- Oscar Trim - Walking Man- Foxycock - Laura Bush's Eyes- Φινάλε: Ginastera, Estancia