Podcasts about onnis

Acompañamos en esta charla con Onnis Luque quien nos comparte su experiencia en el campo de la fotografía arquitectónica y su nueva publicación Undercover publicado por la editorial The Velvet Cell donde registra en imágenes los daños causados a edificios durante el sismo del 2017 en la Ciudad de México cubiertos metafóricamente por un velo de corrupción, incertidumbre y voracidad inmobiliaria.       Para adquirir un ejemplar visita: https://onnisluque.com/archivo/undercover/   ¡Suscríbete! Youtube   ¡Escúchanos! iTunes Spotify   ¡Síguenos! Instagram Facebook   Apoya nuestro trabajo: Patreon   Planta Libre: el único podcast de arquitectura para los y los no arquitectos.  

In questo terzo episodio, Francesco e Veronica ospitano la conduttrice e scrittrice Daniela Collu e la Iena Alessandro Onnis per parlare di temi importanti come la difficoltà di starnutire mentre si fa la pipì e a cosa può servire il talento di mettersi un pugno in bocca, senza tralasciare però argomenti anche più leggeri.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.

Underground Music, Hip-Hop/Rap/MCing, Breakcore, EDM and Metal Disc Jockey with either a much greater emphasis on linguistic inventiveness than mainstream forms or a greater emphasis on the use of extreme profanity and disturbing criminal themes. Starring: Scorpion Frequency, Electric Breathing, Brom:35, NoizeFloor, Dead Beat Project, The Rappists, DJ 2def, Mr.Stabby, Mr. Morder, Jay Omerta, King Keemo, Mr.Siso, The Harmony Society, Kinky Bitch, Dynamic, Frankz Wit A Z, Mista Mead, H3vy Stu, Vicious 5150, RcThaHazard, J-ClaWsin, Lilo Frank, EffeSei, Christyle, DisaJohnny, Scar, Onnis, Marco Tosh, Labo & Yu-Sei. The difference between a pop/top-40/requests DJ and an underground DJ is not that one plays better music than the other or that one is a sellout, or that one is a “musical masturbator”. The difference is in the crowd that they are intended for: searchers vs. discoverers. The “underground” “club” DJ is the kind that wants to educate his crowd… yet another term I'll use with hesitation. He wants to find a correlation between what he likes and what his crowd responds to, by way of introducing them to music they may not have otherwise heard. He wants to teach and encourage them to find something they didn't know they needed. Whether it's the thrashing riffs or either the sampling or the EDM-esque chorus in motion, there is not a second that doesn't have a catchy sample and jingle part going on. The music is not without its flaws though, some songs are clearly better than others, Not that there is a bad song here. He puts absolutely everything new or remind the listener of past sounds but everything it does, it does well and even great at times. this might as well be the perfect soundtrack for all kind of music. If you're suspicious of this claim, then hijack the jukebox at your local bar or kindly offer to be the DJ at a Halloween party and getting rid of any stylistic barriers to integrated music. The outstanding drums, variety and overall harshness and brevity combining most of the harshest elements of metal with electronic genres, these record creates some outrageously chaotic freak outs from each of its eclectic formula.