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3 episodes with post mao
3 episodes with post mao
3 episodes with post mao
¡Vótame en los Premios iVoox 2023! El padre de la China moderna, el petiso maravilla, el líder supremo del pragmatismo, el hakka con suerte, el creador de un país dos sistemas, el dos veces purgado, el héroe de la guerra civil, el ideólogo del socialismo de mercado, el que mantuvo al régimen funcionando después de la caída del comunismo. Se pueden decir más cosas de Deng Xiaoping, como que negocio por Hong Kong o industrializo China. El mejor emperador que tuvo el Reino Medio en toda la historia y una de las personas más importantes de la modernidad. Imagen: Design Institute of Wuxi Light Industrial College (无锡轻工大学设计学院) Fuentes / Textos -Zhao, Suisheng (2023). The Dragon Roars Back: Transformational Leaders and Dynamics of Chinese Foreign Policy. Stanford University Press. - Miles, James (1997). The Legacy of Tiananmen: China in Disarray. University of Michigan Press. -Mok, Vincent; Dai, Xiudian; Yeung, Godfrey (2002). "An Internalization Approach to Joint Ventures: The Case of Coca-Cola in China". Asia Pacific Business Review, Vol. 9, No. 1, Autumn, pp. 39-58. Fuentes / Youtube Deng Xiaoping: Making China Great Again - Biographics Ciclo grandes potencias: China | La revolución Post-Mao de Deng Xiaopin - Fundacion INCIPE Fuentes / Sitios web – Wikipedia Música: La música es del Gran Quelonio y de Oleg Zobachev versionando a Duke Ellington. También de Dunne. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals
Bei Dao is one of the first great poets in the Post-Mao era, and this short poem demonstrates why.
The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw (University of Toronto Press, 2021) surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this science fiction of the post-Mao thaw began its rise as a type of government-backed literature, yet it often stirred up controversy and received pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal to both scholars and fans of science fiction. Hua Li is an associate professor at Montana State University. Clara Iwasaki is an assistant professor in the East Asian Studies department at the University of Alberta. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw (University of Toronto Press, 2021) surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this science fiction of the post-Mao thaw began its rise as a type of government-backed literature, yet it often stirred up controversy and received pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal to both scholars and fans of science fiction. Hua Li is an associate professor at Montana State University. Clara Iwasaki is an assistant professor in the East Asian Studies department at the University of Alberta. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw (University of Toronto Press, 2021) surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this science fiction of the post-Mao thaw began its rise as a type of government-backed literature, yet it often stirred up controversy and received pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal to both scholars and fans of science fiction. Hua Li is an associate professor at Montana State University. Clara Iwasaki is an assistant professor in the East Asian Studies department at the University of Alberta. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/chinese-studies
The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw (University of Toronto Press, 2021) surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this science fiction of the post-Mao thaw began its rise as a type of government-backed literature, yet it often stirred up controversy and received pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal to both scholars and fans of science fiction. Hua Li is an associate professor at Montana State University. Clara Iwasaki is an assistant professor in the East Asian Studies department at the University of Alberta. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw (University of Toronto Press, 2021) surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this science fiction of the post-Mao thaw began its rise as a type of government-backed literature, yet it often stirred up controversy and received pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal to both scholars and fans of science fiction. Hua Li is an associate professor at Montana State University. Clara Iwasaki is an assistant professor in the East Asian Studies department at the University of Alberta. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw (University of Toronto Press, 2021) surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this science fiction of the post-Mao thaw began its rise as a type of government-backed literature, yet it often stirred up controversy and received pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal to both scholars and fans of science fiction. Hua Li is an associate professor at Montana State University. Clara Iwasaki is an assistant professor in the East Asian Studies department at the University of Alberta. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The late 1970s to the mid-1980s, a period commonly referred to as the post-Mao cultural thaw, was a key transitional phase in the evolution of Chinese science fiction. This period served as a bridge between science-popularization science fiction of the 1950s and 1960s and New Wave Chinese science fiction from the 1990s into the twenty-first century. Chinese Science Fiction during the Post-Mao Cultural Thaw (University of Toronto Press, 2021) surveys the field of Chinese science fiction and its multimedia practice, analysing and assessing science fiction works by well-known writers such as Ye Yonglie, Zheng Wenguang, Tong Enzheng, and Xiao Jianheng, as well as the often-overlooked tech–science fiction writers of the post-Mao thaw. Exploring the socio-political and cultural dynamics of science-related Chinese literature during this period, Hua Li combines close readings of original Chinese literary texts with literary analysis informed by scholarship on science fiction as a genre, Chinese literary history, and media studies. Li argues that this science fiction of the post-Mao thaw began its rise as a type of government-backed literature, yet it often stirred up controversy and received pushback as a contentious and boundary-breaking genre. Topically structured and interdisciplinary in scope, Chinese Science Fiction during the Post-Mao Cultural Thaw will appeal to both scholars and fans of science fiction. Hua Li is an associate professor at Montana State University. Clara Iwasaki is an assistant professor in the East Asian Studies department at the University of Alberta. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China? These are the questions that Emily Wilcox, Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor, takes up in Revolutionary Bodies: Chinese Dance and the Socialist Legacy (University of California Press, 2018). Revolutionary Bodies is the first English-language primary source-based history of dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Dr Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices
What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China? These are the questions that Emily Wilcox, Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor, takes up in Revolutionary Bodies: Chinese Dance and the Socialist Legacy (University of California Press, 2018). Revolutionary Bodies is the first English-language primary source-based history of dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Dr Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices
What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China? These are the questions that Emily Wilcox, Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor, takes up in Revolutionary Bodies: Chinese Dance and the Socialist Legacy (University of California Press, 2018). Revolutionary Bodies is the first English-language primary source-based history of dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Dr Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices
What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China? These are the questions that Emily Wilcox, Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor, takes up in Revolutionary Bodies: Chinese Dance and the Socialist Legacy (University of California Press, 2018). Revolutionary Bodies is the first English-language primary source-based history of dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Dr Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices
What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China? These are the questions that Emily Wilcox, Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor, takes up in Revolutionary Bodies: Chinese Dance and the Socialist Legacy (University of California Press, 2018). Revolutionary Bodies is the first English-language primary source-based history of dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Dr Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices
What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China? These are the questions that Emily Wilcox, Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor, takes up in Revolutionary Bodies: Chinese Dance and the Socialist Legacy (University of California Press, 2018). Revolutionary Bodies is the first English-language primary source-based history of dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Dr Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field. Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this podcast, I speak with Prof. Jane Caple about her recently published book, Morality and Monastic Revival in Post-Mao Tibet (University of Hawaii Press, 2019). The revival of mass monasticism in Tibet in the early 1980s is one of the most extraordinary examples of religious resurgence in post-Mao China. Caple argues that in order to understand the shape that this revival has taken, we need to look beyond the Chinese state and take into account the multiple competing moral terrains that monastics must navigate in order to develop their institutions. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this podcast, I speak with Prof. Jane Caple about her recently published book, Morality and Monastic Revival in Post-Mao Tibet (University of Hawaii Press, 2019). The revival of mass monasticism in Tibet in the early 1980s is one of the most extraordinary examples of religious resurgence in post-Mao China. Caple argues that in order to understand the shape that this revival has taken, we need to look beyond the Chinese state and take into account the multiple competing moral terrains that monastics must navigate in order to develop their institutions. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this podcast, I speak with Prof. Jane Caple about her recently published book, Morality and Monastic Revival in Post-Mao Tibet (University of Hawaii Press, 2019). The revival of mass monasticism in Tibet in the early 1980s is one of the most extraordinary examples of religious resurgence in post-Mao China. Caple argues that in order to understand the shape that this revival has taken, we need to look beyond the Chinese state and take into account the multiple competing moral terrains that monastics must navigate in order to develop their institutions. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this podcast, I speak with Prof. Jane Caple about her recently published book, Morality and Monastic Revival in Post-Mao Tibet (University of Hawaii Press, 2019). The revival of mass monasticism in Tibet in the early 1980s is one of the most extraordinary examples of religious resurgence in post-Mao China. Caple argues that in order to understand the shape that this revival has taken, we need to look beyond the Chinese state and take into account the multiple competing moral terrains that monastics must navigate in order to develop their institutions. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this podcast, I speak with Prof. Jane Caple about her recently published book, Morality and Monastic Revival in Post-Mao Tibet (University of Hawaii Press, 2019). The revival of mass monasticism in Tibet in the early 1980s is one of the most extraordinary examples of religious resurgence in post-Mao China. Caple argues that in order to understand the shape that this revival has taken, we need to look beyond the Chinese state and take into account the multiple competing moral terrains that monastics must navigate in order to develop their institutions. Learn more about your ad choices. Visit megaphone.fm/adchoices
Part 2 with Houston Heat's Thomas Taylor breaking down MAO. Thomas talks more about the MAO event, how various players played the layout, and how and why he likes to coach paintball. Pate makes an interesting correlation between a quote from the book, Financial Reckoning Day, a Biblical scripture, and Infamous's season. Check it out Positivechangeusa.com
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