Podcasts about Tibet

Shaun (@thebrownshaun) was nice enough to come on the pod and discuss his new movie "Ben and Suzanne: A Renunion in Four Parts" (SXSW), which is having its theatrical premier on 7/18 and 7/19 at The Roxy in NYC! We also discuss good-bad movies, action movies as inspo, the politics of "being brown" and mkaing films, and more! Def check out his movie, it's great!

Welcome to China Compass on the Fight Laugh Feast Network! I'm your China travel guide, Missionary Ben, trying to get settled here in Malaysia! Follow and/or message me on Twitter/X (@chinaadventures) where I post (among other things) daily reminders to pray for China.You can also email me @ bfwesten at gmail dot com or find everything we are involved in at PrayGiveGo.us! World's Highest Bridge https://gulfnews.com/world/asia/china-worlds-tallest-or-highest-bridge-set-to-open-1.500184059 China Train Enthusiast Breaks Record https://www.guinnessworldrecords.com/news/2025/6/chinese-train-enthusiast-rides-rails-for-over-5000-km-in-24-hours-to-break-record BBC visits heart of Tibetan resistance as Dalai Lama-China Showdown Looms https://www.bbc.com/news/articles/c5y772jlpgzo Pray for China cities of the week: https://chinacall.substack.com/p/pray-for-china-july-6-12-2025 Follow or subscribe to China Compass and leave a review on your favorite podcast platform. Don’t forget: Follow @chinaadventures on X, and find everything else @ PrayGiveGo.us. Luke 10, verse 2, the harvest is plentiful but the workers are few!

I'm a big fan of Nathalia (Nat) Holt's books, and am so excited to have the opportunity to talk to her about her new book, The Beast in the Clouds: The Roosevelt Brothers' Deadly Quest to Find the Mythical Giant Panda. I first met Nat when her book Cured: The People Who Defeated HIV came out and I attended a book event at Dartmouth Medical Center. She is so smart and curious and in this episode we will be talking about the process of researching elusive history, where her ideas come from, and who gets to tell what stories. Nathalia Holt's websiteTranscript below!EPISODE 455 - TRANSCRIPTJess LaheyHey, AmWriters! It's Jess Lahey here. I am so excited to talk about a new series that I am putting out there on the Hashtag AmWriting platform called From Soup to Nuts. I interview and work with and mentor an author—a nonfiction author—who has subject matter expertise and a killer idea, frankly, that just knocked me sideways. This author really thinks this is the time and place for this idea. And I agreed, and I asked her—I begged her—if I could mentor her through this process in a series. We're having to work together on agenting and proposal and all the stuff that you've got to do, from soup to nuts, to get a book out into the world. This series, From Soup to Nuts, is subscriber-only. The first episode is free, so you can go back and listen to that. That's for everyone. But if you want to join us for the whole process and learn from her mistakes—and learn from the stuff that I'm working on right now too—you have to subscribe. So consider supporting the Hashtag AmWriting podcast. It helps us bring you stuff like this—these extra series—not to mention the podcast itself. Alright, it's a lot of work. Help us support our podcast and these extra bonus series. By becoming a supporter, you'll get a sticker for it. You'll get your hypothetical, figurative sticker for being a good Hashtag AmWriting.Multiple speakers:Is it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause… I'm going to rustle some papers. Okay, now one, two, three.Jess LaheyHey, this is the Hashtag AmWriting podcast. This is the podcast about writing all the things—writing the short things, writing the long things, writing the queries, the proposals, the poetry, the fiction, the nonfiction. This is the podcast actually, at its heart, about getting the work done. I am Jess Lahey. I am your host today. I'm the author of the New York Times best-selling The Gift of Failure and The Addiction Inoculation. And you can find my journalism at The New York Times and The Atlantic and The Washington Post. And today I am interviewing an author I respect deeply. I have known this author since she wrote her first book, which overlapped with some work that my husband does and some work that I had done in a previous career, and she has gone on to have a glorious and enviable career in nonfiction. My dream has always been to be one of those people that can, like, get curious about a topic and then just go off and write about that topic. And this is what she does. So Natalia—NAT—Holt, I am so excited to introduce you to our listeners. They are deep, deep, deep lovers of the nuts and bolts and the geeky details of the writing and the process. So welcome to the Hashtag AmWriting podcast.Nathalia HoltThank you so much. I'm excited to talk to you today.Jess LaheySo we have a book on HIV—the first book, Cured, which is the way that I got to know you. Also, full disclosure, we share an agent. Laurie Abkemeier is our agent, and I think she actually may have introduced us in the first place. Yeah, your first book—yeah, your first book, Cured, about the Berlin patients. Really interesting—if you've never heard of the Berlin patients, listeners, just, just Google it. It's really a fascinating story. I'll go over—I'll go read Cured. Cured is all about the Berlin patients. And then we have The Queens of Animation—the women behind, sort of, the way Disney does what they do. And—and—and then we also have Rise of the Rocket Girls, which is another fascinating book out there about the women behind a lot of the math and the planning and the work that was done to get us into space. And so when I heard about your new book, I'm like, "Oh, NAT's working on a new book. Great! What women are we going to talk about this time?" And it's such a departure for you, and it is such a fascinating topic for you. And, well, for me, it's like—it's deep in my geeky, Jess-book-loving nonfiction zone. Could you tell us a little bit about it and where the idea came from for this book?Nathalia HoltSure. The book is called The Beast in the Clouds, and it's about an expedition that the two eldest sons of President Theodore Roosevelt took in 1928 and 1929. And they went to China and Tibet in search of the giant panda, which at that time was unknown to Western scientists. And even in China, there were very few people that were aware of where this animal lived, what it ate—so little was known. So during this time period, the 1920s, you have all of these expeditions going to China, trying to find this black-and-white bear that no one is really sure exists. It's just a crazy period of history, because you have all of the other bears at that time—even polar bears—were known and even were in zoos. But the panda was not, and many people even thought it would be a ferocious bear. They thought this was going to be, you know, a combination of polar and black bears.Jess LaheyYeah, yeah.Nathalia HoltSo that's what the Roosevelts are going to. And so the expedition ends up being torturous, deadly. They're going through the Himalayas. They're not very well prepared. They lose all their food. They're attacked. They get lost. Just every crazy thing happens to them. But it's also a journey of transformation. They're documenting all of the ecology around them, and it really ends up changing their own worldview. And so it was such a fun book to research and to write. And I spent a lot of time also going into many of the other ex—many of the other members of the expedition, which was—which was fun, and maybe a little bit different than other books in this genre. But yeah, for me, you know, it's scary to be writing a part of history that is very different than what I've done before—but it's also fun.Jess LaheyWhere'd the germ of the idea for the book come from? Because I had never heard this story before. I guess it had just never occurred to me—like, where do we—how do we know about the panda bear?Nathalia HoltYeah, it's not a topic that has been written about much before, and I came across it while I was researching my last book, which is called Wise Gals, and is about women that helped form the CIA. And as part of that book, I was looking into the Roosevelts' role in World War Two. And it's so confusing when you research the Roosevelts, because they all have the same name. It's just Theodore and...Jess LaheyActually, I have to tell you, Tim's a huge fan—my husband, Tim, who you also know, is a big fan and has read a lot about—and he's like, "Well, which Roosevelt?" So you—and I'm like, "Oh, that's a really good question. I don't know which Roosevelt... like, the adventuring ones." He's like, "Well..." [unintelligible]Nathalia HoltYeah, there's so many of them, and they all have the same name. And so as I was trying to parse out son and father—who are both named Kermit Roosevelt and both served in World War Two—I kind of stumbled across this expedition that the elder Kermit Roosevelt had taken. So he and his older brother, Theodore, who were the sons of President Theodore Roosevelt, and so it just kind of—it came from there. Just sort of came from wanting to learn more about it. And I always love a challenge. If there's a topic that's difficult to research, that seems impossible to find anything about—I'm there. I want to know everything.Jess LaheyYeah. So, okay, so here's a—really a question that I—well, first of all, you and I are both research geeks. I just—I have said I could just keep researching books and not actually write the books. I just love that process. So aside from the easy answer, which is Google, like, where do you start with a story that hasn't been told yet? How do you start diving into that story, and where do you find information?Nathalia HoltIt's difficult, and it depends on the topic. For this one, I went through a number of different archives, and that was great. I was able to get old letters that the Roosevelts had. But I really wanted to bring in other voices. I was really, really persistent in my desire to bring in Jack Young, who was this young, 19-year-old, Hawaiian-born translator and naturalist on the trip. And I was fortunate enough that I was able to track down some interviews he had done with another author back in the 1990s, and I just was persistent. I just pleaded until I got these tapes and was able to get all these interviews with him. And then I also contacted his daughter, who lives in Hawaii, and was able to get his unpublished autobiography. And it gives such an interesting perspective, because Jack Young went on and became a very impressive person and really deserves a biography all of his own, but he was also very close friends with the Roosevelts. They had a real connection—a real bond. And you get a different sense of the story when you're hearing it through his descriptions of what it was like, because he is young, and he is sort of really documenting things for the first time. And then, in addition, I was so lucky with this book because I was able to also get the field journals from a scientist that was on the expedition, as well as all the writings from another naturalist. So it was fascinating, because there were so many different accounts of the same events, which really lets you go into detail about what it was like, what people were feeling, what they were seeing. And I don't think I've ever had that before—where I have so many different accounts of the exact same events.Jess LaheyThat's really cool, because it gives you that ability to, you know—if we went with just Jack Young's account, then you've got the Jack Young lens. And as you well know, history gets to be told by certain people, unless someone like you comes along and says, "Oh, wait, this account has not been brought to the surface," whether it's the women who are the animators at Disney, or whether it's the women who are part of NASA. So how do you—if you go into something like this and you have a limited number of perspectives—it sounds like you had a fair number of perspectives going into this, but since the documentation happened—usually tends to happen among the more powerful, the more privileged people—how do you manage getting a full perspective on an event like this expedition when you may have limited perspectives?Nathalia HoltThat is the real challenge, because it's easy to get the Roosevelts' documentation.Jess LaheyYeah, yeah, yeah.Nathalia HoltI have all of their journals, all of their letters. I am able to get into real detail about what this expedition was like for them. Even the difficult parts—for them—they really documented that, and everything has been saved. For the others... it's much more difficult, and it really requires that persistence of being able to get the letters. Being able to get the autobiography was really key, because he goes into so much detail about what things were like. And these interviews that he did were also really, really helpful, because he goes into a lot of his feelings about what it was like to be with the Roosevelts on the expedition, about how he felt… Because his father was born in China, his mother was born in San Francisco, he himself was born in Hawaii—which, at that time, is not part of the U.S.—he feels like he doesn't have a country. He doesn't know where he is. So when he's in China, he can speak all of these languages, but he's still struggling to connect and be able to talk with people, because there are so many dialects.Jess LaheyYeah.Nathalia HoltAnd so to be able to get into what that was like, and how he felt—just gives such a perspective—a different perspective of the expedition than perhaps what is usually had in these kinds of books. And he also talks a lot about the guides on the expedition, which was really interesting. There were a lot of women that were part of this expedition. Half of the guides, who kind of act as Sherpas—they, you know, they carry things, they lead the way, they guide the route, they make camp. And so there are just some great moments with these guides—especially the women guides—where they are just protecting from crazy marauders that have come down and have attacked the group. And lots of great moments like that. That was really interesting to document. And in addition, another thing I was able to get for this book is—there was actually some early video and a lot of photographs that were taken.Jess LaheyOh my goodness.Nathalia HoltBy one of the members. And that is just such an incredible thing—to be looking at video of this expedition in the 1920s—it's just amazing.Jess LaheyOkay, so geek question here, since this is definitely what our listeners like the most. So I haven't laid hands on the book yet, because it's not out yet—did you put photographs in the book? Were you able to get access to photographs, and did you put them in the book? And I ask that because whenever I write a proposal or we're working on a book proposal, we have to indicate whether or not there's going to be artwork, and that changes things in terms of budget, and it changes things in terms of permissions and stuff. And I was curious about—I've never dealt with that side of it before, but maybe you have.Nathalia HoltI have. I've always sent photographs, and I love it. Because I feel like it helps when you read the book—especially a book like this.Jess LaheyYeah.Nathalia HoltYou know, when I'm describing what they look like, and where they are, you want to see it with your own eyes. And so it's really interesting to be able to see those photographs. And I had so many, and it's always a challenge to parse out—who has the permissions? Where do they come from? Finding the photographs—this always takes forever. Fortunately, this particular book was maybe a little bit easier, because a lot of the photographs are out of copyright, that had been published at that time. So that was nice. But yeah, no, it was still just a mess, as it always is. It's always a mess to figure out who do photographs belong to. I feel like I would love to become a lawyer—just for that moment in researching a book.Jess LaheyThat's a whole layer I've never had to go into. And it was easier for me to—rather than just say, "Yeah, I'd like to include this one thing," and then I realized the nightmare that's ahead of me in terms of accessing and getting permission and all that stuff. I'm like, "Eh! Let's just stick with what we got in the print." But, for something like this—and especially when you're writing about, for example, animation, or if you're writing about, you know, this expedition, and there's art available—you know, it sounds like it's really, really worth it for that aspect. I mean, that's definitely something I would want in this book. So I think I know the answer to this question. This is a heavily loaded question, but are you—when it comes to research and it comes to what you include in the book—are you an overwriter or an underwriter? Or do you land pretty much—like, when you're doing your editing, are you like, "Oh no, this was the perfect amount to include?"Nathalia HoltOh, I'm a terrible overwriter.Jess LaheyOh. So am I!Nathalia HoltIt's really a problem. But I worked very hard on this book at cutting, and it was not easy for me, because I do always tend to go way overboard. I'm always over the word count that I'm supposed to be at—with the exception of this book, where I did a very good job of cutting it down and really trying to focus and not, you know, getting too distracted.Jess LaheyYeah, we joke all the time with my other co-hosts and friends that my—like, my history sections in both of my books could have been half of the book or, you know... and all the stuff that ends up on the floor ends up getting told in cocktail parties. You know, "By the way, did you know how many, you know, kegs of beer there were on the ships that came over? I do. Can I share? Because I did all this work and I've got to put it somewhere." And there's this weird—there's this weird line between, "Look, look how thorough I am. Can I have an A+ for how thorough I am?" versus what your reader might actually be interested in. I keep some of my favorite notes from my former editor, and she's like, "Yeah, the reader... no. Reader doesn't care. Not going to care. You know, this may be really fun for you, but maybe not for your reader." So—but I can imagine with something like this, you know, the details of the flora and fauna and all that other stuff—it would be really easy to get off on tangents that are not necessary for the core mission.Nathalia HoltYes, absolutely. But in some ways it was easier than my past books, because it only takes place over a year, which is incredible. Most of my books take place over decades, and the cast of characters is much smaller as well. And unlike some of my past books, I feel like I need to include everyone out of fairness—which is kind of a weird way to approach a book. I don't recommend it. That's not the way to do things. But yeah, if you're really just looking at a few—a handful of people—over a year, it's much easier to stay on track. So that was a good exercise for me.Jess LaheyYeah, there's a—there's a line I love, where David Sedaris talks about the fact that what it takes for him to purchase something is if the clerk at the store has gone to the trouble to take it out of the case, to show it to him, and then he feels like he has to buy it because he—someone went through the trouble. And same thing for me. If, like, someone's going to go to the trouble to be interviewed, then cutting that entire interview, or cutting that whole through line, or whatever that person is a part of, is incredibly painful to do. And then I feel like—I feel obligated. So it's a difficult—it's a difficult balance, you know, between what your readers are going to actually want and what makes for a good book, versus doing right by the people who spent time talking to you. It's a hard balance to strike. Alright, speaking of being in the weeds and geek questions—so I'd love to talk to you a little bit. I was just—I'm mentoring someone for a little series we're doing for this podcast, sort of from soup to nuts, from the beginning of an—from the inception of an idea to getting a book out. And the very first thing she did was send something to me in a Pages document. And I had to say, "Hey, you might want to think about using Word or maybe Google Docs, because, like, I don't have Pages." So—some details about how you work. Number one, do you have a preferred app that you like to write in? Because I'm a Scrivener gal.Nathalia HoltI mean, I prefer Word because I feel like it is the most universal. It's the easiest to send to people... and so that's what I go with.Jess LaheyYeah, I use Scrivener only because it allows me to blank out the rest of the world really easily. Okay, and then organizing your research. This is something—the question of organizing your research, how you know you're done researching and really just need to actually start writing the words—are the two questions that I get the most. Because the research could go—especially on a topic like this—could go on forever. So number one, given this voluminous research that you had, how do you organize your research? Do you use folders on your computer? Do you use folders in—you know—how do you do all of that?Nathalia HoltI do folders on my computer, and then I also do hard copies that I actually keep organized in real folders, which helps me, because then, if I'm going into a specific topic, a lot of times it can be easier to actually hold on to those documents and being able to see them. So I do both. Um, and...Jess LaheyHas everything pretty much been digitized in this area? Do you feel like—or do you have to go into rooms and, like, actually look at paper documents, and sometimes they don't let you scan those? So, you know, how does that work for you?Nathalia Holt Yes, it's very difficult if they don't allow you to photograph them. Usually they do. Usually you can. So I have always had to digitize documents, and there's so many different ways to do it, but now it's much easier just to use your phone than anything else, which is great. Very happy about this development. And yeah, I think—I think maybe that's part of the reason why I do like to print things out is because that's how I was first introduced to the material, so it can be useful for me. But there's way too much material to print everything out. I mean, there's so many hundreds, thousands of pages even. And so it's always just going to be sort of key documents that end up making their way into the actual folders, and then the rest—it's just, you know, organized by topic. Make sure images are separate, by person.Jess LaheySo then, how do you know you're done? Like, how do you feel like you're at a place where I now know enough to come at this from—to come at the storytelling from an informed place?Nathalia HoltThat is really a good question, and I'm not sure I can answer it, because I feel like you're never done. You're always going to be researching. There's no real end to it.Jess LaheyBut you have to start. Well, and this—this takes—this is separate from the question of, like, how much research—how much research do you have to have done for the book proposal? Like take it for example, for example, The Addiction Inoculation, where I needed to learn, really, a whole new area... that was a year-long process just to write the proposal for that book, and then another couple years for the book. So, for me—and I'm very happy to say—I got to ask Michael Pollan this question, and he had the same answer that I feel like is my instinctual answer for this, which is when I start to say, "Oh, I'm starting to repeat. Things are starting to repeat for me," and/or, "Oh, I already knew that," and so I'm not finding out new stuff or encountering things I don't already know at the same rate. It's starting to sort of level off. Then I feel like, "Oh, I've got this sort of, like, you know, mile-high view of the—of the information," and I maybe have enough in my head to start actually being an expert on this thing.Nathalia HoltThat's a good answer. That sounds responsible. I'm not sure that I do that, though. I think for myself, there's not a bad time to start, because it's going to change so much anyway, that for me, I almost feel like it's part of the learning process. Is that you start to write about it, and then as you go along, you realize, "Oh, this is not right. I'm going to change all of this," but it's all just part of helping you move along. And I think even from the beginning, if you start writing even just bits and pieces of how you want to write the scene, you want to think about this or outline it, that can be helpful, and it doesn't matter, because it's all going to change anyway.Jess LaheyThat's true. I actually find I write—the way I write is very specific, in that each topic I'm going to write about in a chapter has a narrative arc, story that goes with it. So I—that narrative arc story gets written first, and then I drop the research in as I go along. But I remember, with The Gift of Failure, a book came out that had a key piece of research that then I had to go back and figure out, "Oh my gosh, this impacts everything." And so I had to figure out how to sort of drop that in. And I couldn't have done it at any other time, because the research didn't exist or I hadn't found it yet. So that's a tough thing to do, is to go back and sort of link the things to something new that you think is important. But the research part is just so much fun for me. Again, I could do that forever and ever and ever. Do you? So the other thing I wanted to ask... and this is selfishly... do you have large boxes in your home of all the research that you feel like you can't get rid of, even though you wrote the book, like, five years ago, ten years ago?Nathalia HoltI do not. I pare down.Jess LaheyYou do?!Nathalia HoltAfter time, yes. It's hard to do, though, because it's hard to throw things away, and I definitely have folders that I keep. They're just full of things that I can never get rid of. And obviously it's all digitized as well, but there are things like that that mean a lot to me, that I can't get rid of.Jess LaheyWell, there's actually—this was a very selfish question, because I actually just went through and finally got rid of a whole bunch of stuff that... I felt like it was at the heart—it was the main research for The Gift of Failure, and I used it to mulch my gardens. I put—and so it was like this metaphorical kind of, like, knowledge feeding the thing that I care about the most right now. And so I used it to mulch all the paths in my gardens and create new garden beds and stuff like that. But I'm always curious about that. Like, I every once in a while see something on, like, "X"—what used to be Twitter—or someplace like that, like, can I get rid of the research from the book I wrote 25 years ago? Or is that too soon? Well, so when exactly does the book come out? Give us your—give us your pub date.Nathalia HoltIt comes out July 1st.Jess LaheyOkay. And I have to say... cover is gorgeous. How did you land on that cover image?Nathalia HoltOh, I really didn't get much say.Jess Lahey Okay.Nathalia HoltThe one thing I—I mean, you know, they have whole people that have skills that do these things, but one thing I was very passionate about was keeping the brothers on the cover in their expedition gear. So originally, the publisher had wanted them to be in suits on the front, and I just hated it. I hated it so much, because I feel like they need to be on the trail. You need to see them as they were on the trail. And so that's one thing I really pushed for. And I was fortunate that they—they listened, and they were okay with that.Jess LaheyWell, I'm just—I mean, this book is going to have such a great place alongside books like The River of Doubt and other, you know, really wonderful books that are about the expositions—that the expeditions that get taken by these historical fixtures—figures. And I'm just—I'm so excited for this book. I'm so happy for you about this book, because it is just—when I started telling people about the topic, they're like, "Oh, I would read that." And I'm like, "I know! Isn't that the best idea?" And that's part of the magic, is coming upon the really cool idea. And so I'm just really, really happy for you and really, really happy about this book and excited for it.Nathalia HoltThank you. Oh, that's so nice to hear, especially because this was a very difficult book to get published. I mean, there was a real moment where I wasn't sure I was going to find someone that would...Jess LaheyWell, can you—I didn't want to ask it. You know, this is—having—doing a podcast like this, where we often talk about the mistakes, we talk about the blunders, we talk about the stuff that went wrong. It can be really, really hard because you don't want to bite the hand that feeds you, or you don't want to, like, make anyone think that this book wasn't anything other than a 100% lovely experience from beginning to end. But I would love to talk about that, if you're willing.Nathalia HoltOh, sure. I don't really have anything bad to say about anyone. I think it's—I think it's understandable that people wouldn't naturally think I would be the best author to write this. I haven't written other books like it, and so it was a difficult book to sell. It wasn't easy, and it definitely crystallized to me how important it was that I write it. I really felt like this was my purpose. I really wanted to write it, and maybe it's good to have that moment, because it really makes it clear that this is something you need to do, even if it's not easy, even if it's tough to find a publisher. And I was fortunate that I did. You know, luckily, there was an editor that—sort of at the last minute—believed in it enough to give it a go. And yeah, it's just—it always feels like a miracle when the book comes to fruition and is actually published. It just seems as if that could never really happen, and this one was a difficult road to get there, for sure.Jess LaheyWell, especially since a big part of the proposal process is trying to convince someone that you're the—you're the person to write this book. And in this case, it's not so much because you're a subject matter expert going into it. It's that you're a really good researcher, and you're a meticulous writer and a meticulous researcher, and most importantly, this story speaks to you. And I think, you know, some of my very favorite nonfiction books that I recommend over and over and over again—narrative nonfiction—it's clear in the reading how excited the author was about the story, and I think that's part of the magic. So I think you're the perfect person to write it. I don't know what they could have—because if you are—if you're fired up about the story... And as an English teacher, and as someone who's had to convince middle school students why they need to be excited about this thing I want to teach them, the enthusiasm of the teacher is part of what can spark the engagement for the learner. So I think that's a really, really important part of any book. Plus, you got to—you're—as an author, you're going to have to be out there talking about this thing, and so you better love the topic, because you're going to be talking about it for ages.Nathalia HoltYes, absolutely. I mean, no matter what, this is many years of your life that's dedicated to a topic. But I think it's—it's a good lesson in general, that you can write in one genre and one kind of book for years, and then it might not be easy, but it is possible to actually break out of that and find other topics and other things you want to write about. We grow. We all change.Jess LaheyYeah, one of my—one of, as our listeners will know, Sarina Bowen, one of my co-hosts and one of my best friends—she's—she has written romance forever and ever and ever, and she's like, "You know what? I want to write a thriller," and it has been a really steep learning curve and also a huge effort to sort of convince people that she can do that too. But it's also really, really satisfying when you show your chops in another area. So—and I had an—as I was going through sort of the details about this book, and reading about this book, I was thinking, you know what this would be really, really good for? An exhibit at someplace like the Field Museum, or like an exhibit of—oh my gosh, that would be incredible. Like, if this is a story that hasn't been told, and there's a lot of art, and there may be video and photographs and all—and journals—man, that would make for an amazing—if anyone out there is listening, that would make for an amazing museum exhibit, I think. And of course, everyone's listening to me.Nathalia HoltThat would be amazing.Jess LaheyEveryone is listening to me...Nathalia Holt Oh, well, they should.Jess LaheyAll right. Well, thank you so, so much. Where can people find you? And is there anything else you'd like to talk about that you're working on or that you're excited about? Besides, you know, just getting this book out into the world?Nathalia HoltYou can find me at nathaliaholt.com and on Instagram and Facebook and X @NathaliaHolt. And yeah, right now I'm pretty much focused on this book. I have something else percolating, but it's still away a good days. So it's the fun research part. Isn't that...?Jess LaheyYou will notice I did not ask you what's next, because to be asked what's next when you haven't even birthed the thing you're working on now can be a little irritating. So as someone who's aware of this inside baseball, I didn't even. Later on—privately—I would love, because I'm a big fan, big excited about your work, and love, love introducing people to your work. So I think—and also, one of the things we talk about a lot on this podcast is having books that are exemplars of good research, of good storytelling. I have a stack of books that I keep near me when I need to dissect something to get at—oh, this person did a really good job with, for example, historical research, or this person did a really good job of using their expert voice, and I need to tap into that today. I think your books are—would be excellent, excellent selections for our listeners, for their pile of exemplars for really well-done research and telling other people's stories—historical stories that occur in a sort of in a modern context. Your books are really dissectible, and I know that's super high-level geek stuff, but they've really helped me become a better storyteller as well.Nathalia HoltThank you. That's so kind of you. I really appreciate that.Jess LaheyAll right, everyone—go get the book, read the book. Don't forget to pre-order, because that really matters to us authors, and don't forget to review it wherever you purchased it, once you have read it. And Nat, thank you so much. And I apologize for calling you Natalia at the top of the hour. I'm so just so used to doing that—Nat. And until next week, everyone, keep your butt in the chair and your head in the game.The Hashtag AmWriting podcast is produced by Andrew Perella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output—because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

TIBET: DALAI LAMA CHALLENGES CCP. CHARLES BURTON, @GORDONGCHANG, GATESTONE, NEWSWEEK, THE HILL 1904 KAMPA DZONG

PREVIEW TIBET: Colleague Charles Burton recounts the likely scenario when the CCP moves to replace a traditionally chosen Dalai Lama with Beijing's obedient choice. More.

This is a teaser preview of one of our Radical Reads episodes, made exclusively for our supporters on patreon. You can listen to the full 122-minute episode without ads and support our work at https://www.patreon.com/posts/e106-radical-in-129688227In this episode, we speak to Eli Friedman and Kevin Lin about their new book, China in Global Capitalism: Building International Solidarity Against Imperial Rivalry. The book (co-written with Rosa Liu and Ashley Smith) does an excellent job of looking at the actions of the Chinese state from the perspective of workers and marginalised groups to produce a picture of a capitalist nation that is not simply 'the same' as other nations, but not all that different either.The full episode is out longest Radical Read yet, and covers a range of topics from the conditions and struggles of China's working class both inside the workplace and out, to women's and LGBT+ rights. We also talk about China's relationship to its "internal peripheries" of Tibet and Xinjiang, as well as its international relationships in Africa, Israel and, of course, with the US. We also discuss what building international solidarity from below might look like in the current context.Listen to the full episode here:E106: Radical Reads - China in Global CapitalismMore informationBuy China in Global Capitalism from an independent bookshopYou can also buy Eli's previous book, China on Strike: Narratives of Workers' RefusalCheck out our excellent collection of books about Chinese history and politics in our online storeListen to a three-part series about Chinese migrant worker poetry by our sister-podcast, Working Class LiteratureFull show notes for this episode, including further reading and listening, as well as sources, are available on the webpage for this episode: https://workingclasshistory.com/podcast/e106-radical-reads-china-in-global-capitalism/AcknowledgementsThanks to our patreon supporters for making this podcast possible. Special thanks to Jazz Hands, Fernando Lopez Ojeda, Nick Williams and Old Norm.The episode image is of the G.Tech Technology Factory in Zhuhai, China. Credit: Chris (with additional design by WCH). CC BY-SA 2.0.Edited by Tyler HillOur theme tune is Montaigne's version of the classic labour movement anthem, ‘Bread and Roses', performed by Montaigne and Nick Harriott, and mixed by Wave Racer. Download the song here, with all proceeds going to Medical Aid for Palestinians. More from Montaigne: website, Instagram, YouTubeBecome a supporter of this podcast: https://www.spreaker.com/podcast/working-class-history--5711490/support.

Pour la motion de censure, Marine Le Pen a épargné Bayrou. Mais c'est pour mieux cibler celui qu'elle juge comme l'adversaire le plus dangereux. C'est la première fois qu'elle prend la plume personnellement pour attaquer le bilan du ministre de l'Intérieur dans une tribune. Pour Ruth Elkrief, si on est l'obsession de Marine Le Pen, cela veut dire qu'on compte et qu'on est peut-être les favoris. C'est rare de voir Alexandre Bompard monter au créneau. Il lance la bataille contre les colis chinois en disant "Il faut faire du Trump. Il veut assumer d'être agressif pour partager cette idée. D'après Pascal Perri, il faut être très ferme parce qu'on défend l'économie française. C'est le 90e anniversaire du quatorzième Dalaï Lama. Un successeur serait désigné à sa mort, perpétuant ainsi la tradition bouddhiste tibétaine. Pour Abnousse Shalmani, il faut un quinzième Dalaï Lama. Du lundi au vendredi, à partir de 18h, David Pujadas apporte toute son expertise pour analyser l'actualité du jour avec pédagogie.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The Himalaya are the highest and greatest mountain range on earth, and their importance to Asian culture and history cannot be overstated.  1.6 billion people rely on fresh water that drains from the Himalaya and the Tibetan Plateau. In this episode, we focus on Ladakh, the northernmost territory in India, the "Land of High Passes" where the most prominent passes over the Himalaya could be found, passes that brought Buddhism to Tibet, Islam to India, and culture to all parts of Asia.  Leading a caravan over the passes was not for the faint of heart - or the faint of oxygen. Since Ladakh is next door to Kashmir, we will talk about one of my favorite Kashmiri dishes: Rogan Josh! Photo by Reflectionsbyprajakta

Ep. 690: Cranford | Chapter 12 Book talk begins at 15:55 Peter may be lost to the mists of time (or possibly crowned the llama of Tibet, if Miss Pole is to be believed) but it's Lady Glenmire who's dropped the real bombshell in this week's chapter. --------------------------------------------------------------- 0:00 Episode start 02.00 - This week's Tea - Bookshop Blend white • Erin has a free Book Tracker quilt pattern that you might be interested in. It's also an FPP (Foundation Paper Piecing) pattern and can be found here: • 03:55 - Foundation Paper Piecing patterns 04:30 - Benjamin Dryer of “Dryer's English” & this is what he wrote to me to introduce all these interactions: The reason I was remembering this book (that I can't quite remember) is that the idea of scale has been on my mind. It started with story, and then post that I wrote in response to it—and then post by Benjamin Dreyer, which I asked my Chat-GPT to respond to, which then led to piece from America's Copy Editor, with both of us being a little dazzled and a little terrified by a “mere” predictive-text engine's ability to create a phrase like “phrenology for prose.” 07:30 - CraftLit is now on Audible—please check and let us know if it worked! 08:20 - 10:25 - 12:17 - like Steph!!! 13:00 - Listener Margaret had JUST read when their books were mentioned on a Cranford episode! ZEITGEIST!!!! 13:46 - I just listened to the podcast . the June 4 episode is on The Witches of Scotland: How a New Tartan Became a Living Memorial - and thought Craftlit people would be interested—thank you JayKay 15:20 - And from Maia 15:30 - And another 15:55 START BOOK TALK 16:05 - A Moving Chess Pieces Chapter 17:49 - “veiled prophet in Lalla Rookh” by Thomas Moore (1799-1852), verse tales joined by prose text, first tale “The Veiled Prophet of Khorassan” 19:00 - Rowland's Kalydor: a skin tonic with a basis of almond oil. 19:20 - Bonds are issued by governments or companies wishing to raise money. Foreign bonds in Cranford = risky (a kind of ). 22:56 - “Tibbie Fowler”—poem by Robert Burns (1756 to 1796) 24:30 - “Queen of Spain's Legs”—just sayin'

Tibet This Week - 27th June 2025 by ctatibettv

དབུས་གཙང་བོད་ཀྱི་གཞོན་སྐྱེས་ཚོགས་ཆེན་ཐེངས་དང་པོ་དབུ་འཛུགས། The post དབུས་གཙང་གཞོན་སྐྱེས་ཚོགས་ཆེན་ཐེངས་དང་པོ་དབུ་འཛུགས། appeared first on vot.

(00:00:30) Ce qu'il faut retenir de la semaine diplomatique intense de l'Europe (00:06:32) Le Danemark déploie des drones-voiliers pour surveiller la Mer du Nord et la Baltique (00:10:54) Tibet: l'histoire en sursis (4/5) - une culture qui s'efface progressivement

Am 6. Juli wird der Dalai Lama 90 Jahre alt. Für seine Anhänger gilt er zwar als "erleuchtetes Wesen", angesichts des hohen Alters fragen sich viele aber besorgt, wer wohl sein Nachfolger wird. Eine Reportage von Charlotte Horn und Eva Lamby-Schmitt. Von Charlotte Horn; Eva Lamby-Schmitt.

In this episode from the ChinaPower Podcast, Dr. Joseph Torigian joins host Bonny Lin to discuss his newly released book, The Party's Interests Come First: The Life of Xi Zhongxun, Father of Xi Jinping. Dr. Torigian describes the life and struggle of Xi Zhongxun as a party official during the Cultural revolution and specifically the impact he had on the life and political views of Chinese leader Xi Jinping. Dr. Torigian notes that his book utilizes the story of Xi Zhongxun's life as a lens to better understand how the Party works and why both Xi Zhongxun and Xi Jinping believe certain values, such as those of sacrifice and suffering for the greater good, are highly important. He describes how Xi Jinping was viewed positively by his father due to the idea that his son had “eaten more bitterness” than other children, even going as far as to state that Xi Jinping had “the makings of a premier.” Dr. Torigian describes how deeply involved Xi Zhongxun was during his time in the party on the United Front, ethnic policy in Tibet and Xinjiang, and policy towards Taiwan, and how, because of his father's dedication to these issues, Xi Jinping views them as personal unfinished business. Finally, Dr. Torigian describes how Xi Zhongxun's influence on his son has left Xi Jinping with a Hobbesian view of the world and with the idea that the Party is the best tool for helping China assert its rightful place in the world and secure its inevitable march towards greatness.

Welcome to the Sacred Stream Radio Podcast. I'm your host, Laura Chandler, and on today's episode, I speak with Tibetan Buddhist nun, Venerable Ani Choyang. Ani is part of a distinguished group of Tibetan nuns on the path to earning the highest degree in Buddhist Philosophy—an honor that, until recently, was reserved exclusively for men. Her academic achievements extend beyond traditional studies into the realm of Western science. In this conversation, Ani shares the powerful story of her escape from Chinese-occupied Tibet, where she spent her early years working in a factory with limited access to education. She speaks about the challenges and triumphs of learning the Tibetan language and discovering Tibetan culture for the first time at age 18. We also explore her inspiring academic journey and her unwavering commitment to expanding educational opportunities for nuns and women alike. Ani Choyang was the first nun from Tibet to be awarded the prestigious Tenzin Gyatso Science Scholarship from Emory University in Atlanta. She has also completed an internship in neuroscience at Northwestern University and is currently involved in a groundbreaking research project on lucid dreaming and dream yoga. Ani is a resident nun and science teacher at Jangchub Choeling Nunnery in Mundgod, India. She also serves as the Coordinator of the Library and Learning Center, a new facility under development at the nunnery that will offer nuns a comprehensive education in both Buddhist studies and Western subjects.

བོད་ཀྱི་བརྙན་འཕྲིན་གྱི་ཉིན་རེའི་གསར་འགྱུར། ༢༠༢༥།༠༦།༢༦ Tibet TV Daily News – Jun 26, 2025 ◆ དཔལ་ལྡན་སྲིད་སྐྱོང་མཆོག་གིས་འཇར་མ་ནིའི་རྒྱལ་ས་སྦར་ལིན་དུ་གྲོས་ཚོགས་འཐུས་མི་སྐུ་ཞབས་ Michael brand མཆོག་དང་མཇལ་འཕྲད་གནང་བ། ◆ དཔལ་ལྡན་ཕྱི་དྲིལ་བཀའ་བློན་མཆོག་འཇར་མ་ནིའི་ Schleswig-Holstein མངའ་སྡེའི་ནང་འཚམས་གཟིགས་སུ་ཕེབས་པ། ◆ ཨ་རིའི་གྲོས་ཚོགས་ཀྱི་ཚོགས་ཁང་ནང་དུ་སྤྱི་ནོར་༧གོང་ས་༧སྐྱབས་མགོན་ཆེན་པོ་མཆོག་ཕྱི་ལུགས་དགུང་ ༩༠ ལ་ཕེབས་པའི་༧སྐུའི་གོ་སྟོན་སྲུང་བརྩི་ཞུས་པ། ◆ཨ་རིའི་བློ་གསལ་སྐྱེད་ཚལ་གཟའ་མཇུག་སློབ་གྲྭ་དབུ་བརྙེེས་ཏེ་ལོ་ ༢༩ འཁོར་བའི་དུས་དྲན་དང་། ཟླ་སྣང་རིག་གཞུང་སློབ་གྲྭའི་ལོ་འཁོར་འདུ་འཛོམས་ཐོག་བྱང་ཨ་རིའི་སྐུ་ཚབ་དོན་ཁང་གི་བོད་རིགས་འབྲེལ་མཐུད་པ་ལྷན་ཞུགས་གནང་བ།

༸གོང་ས་མཆོག་དགུང་ལོ་ ༩༠ ཕེབས་པར་བོད་མི་རྣམས་སྔར་ལྷག་སེམས་ཤུགས་དང་འགན་འཁུར་དགོས་གལ་གྱི་ལམ་སྟོན་སྩལ་འདུག The post ༸གོང་ས་མཆོག་དགུང་ལོ་ ༩༠ ཕེབས་པར་བོད་མི་རྣམས་སྔར་ལྷག་སེམས་ཤུགས་དང་འགན་འཁུར་དགོས་གལ་གྱི་ལམ་སྟོན་སྩལ་འདུག appeared first on vot.

ཨ་རིའི་གྲོས་ཚོགས་ཀྱི་ཚོགས་ཁང་ནང་དུ་༸རྒྱལ་བའི་གོ་སྟོན་སྲུང་བརྩི་ཞུས་གནང་འདུག The post ཨ་རིའི་གྲོས་ཚོགས་ཀྱི་ཚོགས་ཁང་ནང་དུ་༸རྒྱལ་བའི་གོ་སྟོན་སྲུང་བརྩི་ཞུས་གནང་འདུག appeared first on vot.

(00:00:38) C'est quoi ce flou sur la défense collective dans l'OTAN ? (00:04:45) Les pires et les meilleurs conducteurs d'Europe (00:12:26) Tibet: l'histoire en sursis (3/5) - des réfugiés racontent l'inaccessible

བོད་ཀྱི་བརྙན་འཕྲིན་གྱི་ཉིན་རེའི་གསར་འགྱུར། ༢༠༢༥།༠༦།༢༥ Tibet TV Daily News – Jun 25 , 2025 ◆ དཔལ་ལྡན་སྲིད་སྐྱོང་མཆོག་གིས་ཨིན་ཡུལ་གྲོས་ཚོགས་འཐུས་མིའི་བོད་དོན་རྒྱབ་སྐྱོར་ཚོགས་པའི་ཚོགས་མི་རྣམས་དང་ལྷན་དུ་བོད་དོན་ཐོག་བཀའ་བསྡུར་གནང་བ། ◆ ༧སྐྱབས་རྗེ་ཡོངས་འཛིན་གླིང་མཆོག་སྤྲུལ་རིན་པོ་ཆེ་མཆོག་གིས་ལ་དྭགས་བོད་ཁྱིམ་དུ་གསར་བཞེངས་གནང་བའི་མ་ཎི་ལག་འཁོར་ ༡༡༣ ལ་རབ་གནས་མཛད་པ། ◆ ཤེས་རིག་ལས་ཁུངས་ནས་ས་ག་ཟླ་བ་ཞེས་པའི་བྱིས་པའི་འགུལ་བརྙན་འགྲེམས་སྤེལ་ཞུས་པ།

The last episode we talked about the Chinese invasion of Tibet, and today we're concluding it with the Dalai Lama escaping to India. In an already contentious world, the actions of this one man from an inconsequential part of the world put 1/3 of the world's population at each other's throats. In this episode we talk about how the Chinese occupation became intolerable, the dramatic escape and the political fallout afterwards The Dalai Lama became a symbol that maybe one side of the Cold War wasn't always right, but one was definitely wrong.

བོད་མིའི་སྒྲིག་འཛུགས་ཀྱི་སྲིད་སྐྱོང་སྤེན་པ་ཚེ་རིང་མཆོག་གི་དབྱིན་ཡུལ་ནང་གཞུང་འབྲེལ་ཕྱོགས་བསྐྱོད་ཀྱི་ཉིན་མཐའ་མར་དབྱིན་ཡུལ་གྲོས་ཚོགས་བོད་དོན་རྒྱབ་སྐྱོར་ཚོགས་པའི་ཚོགས་མི་ཁག་གཅིག་དང་ལྷན་མཇལ་འཕྲད་དང་འབྲེལ། དབྱིན་ཡུལ་གྲོས་ཚོགས་སུ་ཨ་རི་ལྟར་བོད་དོན་ཁྲིམས་འཆར་གཏན་འབེབས་ཡོང་ཐབས་གནང་དགོས་པ་མ་ཟད། དབྱིན་གཞུང་གིས་ཕྱི་ལོ་ ༢༠༠༨ ལོར་བོད་ཐོག་འཛིན་པའི་སྲིད་ཇུས་ལ་བསྐྱར་བཅོས་ཡོང་བའི་ཞུ་སྐུལ་གནང་འདུག དེ་ཡང་བོད་མིའི་སྒྲིག་འཛུགས་ཀྱི་དྲྭ་གནས་ཐོག་གནས་ཚུལ་སྤེལ་བར་གཞིགས་ན། འདི་ཚེས་ ༢༣ ཉིན་དབྱིན་ཡུལ་གྱི་རྒྱལ་ས་ London དུ་རྟེན་གཞི་བྱས་པའི་ Westminster གྲོས་ཚོགས་ཀྱི་ཚོགས་ཁང་ནང་གོ་སྒྲིག་གནང་བའི་མཇལ་མོལ་དེའི་སྐབས། དབྱིན་ཡུལ་གྲོས་ཚོགས་བོད་དོན་རྒྱབ་སྐྱོར་ཚོགས་པའི་ཚོགས་གཙོ Chris Law ལགས་དབུས། གྲོས་ཚོགས་འཐུས་མི་ལྕམ་ Jessica Morden དང་ Clive Lewis, Wera Hobhouse ལགས། དེ་བཞིན་གྲོས་ཚོགས་འཐུས་མི་གཞན་གཉིས་ཀྱི་ཕྱག་རོགས་བོད་དོན་རྒྱབ་སྐྱོར་ཚོགས་པ་སྟེ། བོད་རང་དབང་ལས་འགུལ་ཚོགས་པ། བོད་རང་བཙན་སློབ་ཕྲུག་ཚོགས་པ། བོད་དོན་ལས་འགུལ་ལྟེ་གནས་ཁང་། དབྱིན་ཡུལ་བོད་རིགས་ཚོགས་པའི་སྐུ་ཚབ་དང་རྒྱབ་སྐྱོར་བ་བཅས་ཆེད་ཕེབས་གནང་འདུག སྐབས་དེར་སྲིད་སྐྱོང་མཆོག་གིས་རྒྱལ་སྤྱིའི་སྤྱི་ཚོགས་དང་། ལྷག་པར་དབྱིན་ཡུལ་གྱིས་བོད་འདྲ་བའི་འཚེ་མེད་ཞི་བའི་འཐབ་རྩོད་ལ་ངོས་འཛིན་དང་རྒྱབ་སྐྱོར་གནང་དགོས་པའི་གལ་གནད་སྐོར་ནན་བརྗོད་གནང་བ་དང་ཆབས་གཅིག ཁོང་ད་རེས་དབྱིན་ཡུལ་ནང་ཕྱོགས་བསྐྱོད་དུ་ཕེབས་པའི་དམིགས་ཡུལ་གཙོ་བོ་གསུམ་ནི་སྤྱི་ནོར་༸གོང་༸སྐྱབས་མགོན་ཆེན་པོ་མཆོག་ཕྱི་ལུགས་ལྟར་དགུང་གྲངས་ ༩༠ ཕེབས་པའི་སྐུའི་གོ་སྟོན་དང་འབྲེལ་དབྱིན་གཞུང་གིས་བོད་ཐོག་འཛིན་པའི་གཞུང་འབྲེལ་གྱི་སྲིད་བྱུས་ལ་བསྐྱར་ཞིབ་དགོས་པའི་འབོད་སྐུལ་དང་། ཨ་རིའི་བོད་དོན་ཁྲིམས་འཆར་ནང་གསལ་བ་ལྟར། དབྱིན་ཡུལ་གཞུང་ངོས་ནས་ཀྱང་སྤྱི་ནོར་༸གོང་ས་༸སྐྱབས་མགོན་ཆེན་པོའི་ཡང་སྲིད་ངོས་འཛིན་གྱི་བདག་དབང་མགོན་པོ་༸གང་ཉིད་མཆོག་ཁོ་ནར་ཡོད་པའི་གཞུང་འབྲེལ་སྤྱི་བསྒྲགས་སྤེལ་དགོས་པ། གཞན་ཡང་དབྱིན་ཡུལ་གྲོས་ཚོགས་འཐུས་མི་རྣམས་འདི་ལོའི་ལོ་མཇུག་ཏུ་བཞུགས་སྒར་ལ་གདན་འདྲེན་ཞུ་རྒྱུ་སླད་ཡིན་པ་གསུངས་འདུག སྲིད་སྐྱོང་མཆོག་གིས་སྐབས་དེར་ད་དུང་དབྱིན་ཡུལ་གྲོས་ཚོགས་བོད་དོན་རྒྱབ་སྐྱོར་ཚོགས་པའི་ངོས་ནས་དབྱིན་ཡུལ་གྲོས་ཚོགས་སུ་ཨ་རི་ལྟར་བོད་དོན་ཁྲིམས་འཆར་འདོན་སྤེལ་ཡོང་བའི་རེ་འདུན་དང་། ལྷག་པར་སྤྱི་ནོར་༸གོང་ས་༸སྐྱབས་མགོན་ཆེན་པོ་མཆོག་གི་འགྲོ་བ་མིའི་བདེ་དོན་ཆེད་རླབས་ཆེན་གྱི་མཛད་འཕྲིན་བསྐྱངས་པ་ཁག་གསལ་འདོན་ཞུ་སླད་༸སྐུའི་གོ་སྟོན་སྲུང་བརྩིའི་ལས་རིམ་གང་མང་སྤེལ་དགོས་པའི་ཞེན་སྐུལ་གནང་འདུག རྩ་བའི་སྲིད་སྐྱོང་མཆོག་གིས་ཉིན་དེའི་སྔ་དྲོ་དབྱིན་ཡུལ་གྱི་ཕྱི་འབྲེལ་དང་ནོར་སྲིད་ལས་ཁུངས་ཁྱབ་ཁོངས་རྒྱ་ནག་ཚན་པའི་དབུ་ཁྲིད་མཚོན་པའི་ལས་བྱེད་ཁག་གཅིག་ལ་ཟུར་དུ་མཇལ་འཕྲད་ཞུས་ཏེ། འཇར་མ་ནི་དང་ཧྥ་རན་སི་ལྟ་བུའི་རྒྱལ་ཁབ་དང་མཉམ་ལས་ཐོག་༸རྒྱལ་བའི་ཡང་སྲིད་ཀྱི་གནད་དོན་ཐད་ཡོངས་ཁྱབ་གསལ་བསྒྲགས་སྤེལ་དགོས་པའི་ཞུ་སྐུལ་གནང་བ་མ་ཟད། ཉེ་ལམ་དབྱིན་གཞུང་གིས་ G7 ནང་བོད་དོན་གླེང་སློང་ཐད་ཐུགས་འགན་གང་ཐུབ་བཞེས་པར་དགའ་བསུ་ཞུས་པ་དང་སྦྲགས། ཆོས་དད་རང་མོས་ཐོག་རྒྱལ་སྤྱིའི་འགོ་ཁྲིད་རྣམས་ནས་རྒྱབ་རྟེན་གནང་དགོས་གལ་ཡིན་པ་བསྐྱར་ནན་གནང་འདུག ལར་ནས་སྲིད་སྐྱོང་མཆོག་གིས་ཐེངས་འདིའི་གོ་སྐབས་དང་བསྟུན་ཕྱི་ལོ་ ༢༠༠༨ ལོར་དབྱིན་གཞུང་གིས་བོད་ཐོག་འཛིན་པའི་སྲིད་ཇུས་ལ་བསྒྱུར་བ་གཏང་ནས་རྒྱ་ནག་ལ་བོད་ཐོག་བདག་དབང་གསལ་འདོན་བྱས་པར་དོགས་འདྲི་གནང་སྟེ་དེ་ནི་ལོ་རྒྱུས་ཀྱི་དོན་དངོས་དང་འགལ་གྱི་ཡོད་པ་འགྲེལ་བརྗོད་གནང་བ་དང་འབྲེལ། དབྱིན་གཞུང་ངོས་ནས་བོད་ཐོག་འཛིན་པའི་སྲིད་ཇུས་ཐད་དངོས་བདེན་གཞི་བཅོལ་གྱིས་བསྐྱར་བཅོས་གནང་དགོས་པའི་ཞུ་སྐུལ་གནང་འདུག གཞན་ཡང་འདི་ཚེས་ ༢༢ ཉིན་ལོན་ཌོན་བོད་ཀྱི་སྐུ་ཚབ་དོན་གཅོད་ཁང་དུ་དེ་སྔོན་འབྲས་སྤྱི་བློན་ཆེན་ཡིན་པ་ Sir […] The post དབྱིན་གཞུང་གིས་བོད་ཐོག་འཛིན་པའི་སྲིད་བྱུས་ལ་བསྐྱར་བཅོས་གནང་དགོས་པའི་ཞུ་སྐུལ། appeared first on vot.

དེ་རིང་ཕྱི་ཟླ་ ༦ ཚེས་ ༢༥ ༸རྒྱལ་བའི་སྐུའི་བླ་གཟའ་དང་བསྟུན། སྐུ་བཅར་རྣམ་རྒྱལ་གྲྭ་ཚང་གི་དགེ་འདུན་པ་བསྟན་འཛིན་ཕན་བདེ་ལགས་ཀྱིས་རྩོམ་སྒྲིག་གནང་བའི་༸རྒྱལ་དབང་སྐུ་ཕྲེང་རིམ་འབྱོན་གྱི་ལུགས་གཉིས་འཕྲིན་ལས་དང་། དགའ་ལྡན་ཕོ་བྲང་གི་ལོ་རྒྱུས་ཅེས་པའི་དཔེ་དེབ་དབུ་འབྱེད་གནང་སོང་བ་དང་འབྲེལ། བོད་གངས་ཅན་པའི་ལོ་རྒྱུས་ཀྱི་གཞུང་ལམ་རིང་པོ་འདིའི་ནང་དགའ་ལྡན་ཕོ་བྲང་གི་ལོ་རྒྱུས་ནི་སྡེ་ཚན་གལ་ཆེན་པོ་ཞིག་ཆགས་ཀྱི་ཡོད་ཅེས་གསུངས་སོང་། དེ་ཡང་རྣམ་གྲྭ་ལེགས་བཤད་ཚལ་ཚོགས་ཁང་ནང་དུ། དཔེ་དེབ་དབུ་འབྱེད་སྐབས་སྐུ་བཅར་རྣམ་རྒྱལ་གྲྭ་ཚང་གི་བླ་སྤྲུལ་དགེ་འདུན་འདུས་པ་རྒྱ་མཚོས་དབུས་པའི་སྐུ་མགྲོན་གཙོ་བོར་དགའ་ལྡན་ཕོ་བྲང་གི་དྲུང་ཆེ་ཡང་སྟེང་རིན་པོ་ཆེ་མཆོག་དང་དམིགས་བསལ་སྐུ་མགྲོན་རྣམ་རྒྱལ་གྲྭ་ཚང་གི་མཁན་པོ་ཁྲོམ་ཐོག་རིན་པོ་ཆེ་མཆོག དེ་བཞིན་དགའ་ལྡན་ཕོ་བྲང་གི་དྲུང་ཆེ་འཆི་མེད་རིག་འཛིན་མཆོག དཔེ་དེབ་རྩོམ་སྒྲིག་པ་བསྟན་འཛིན་ཕན་བདེ་ལགས། ཞུས་དག་པ་རྣམ་གྲྭ་སློབ་སྤྱི་ཐུབ་བསྟན་ཡར་འཕེལ་ལགས། ས་རཱ་བོད་ཀྱི་མཐོ་རིམ་སློབ་གཉེར་ཁང་གི་ལོ་རྒྱུས་སློབ་དཔོན་བགྲེས་པ་འབུམ་རམས་པ་གཙང་ཕྲུག་སྟོབས་ལགས། གཞན་ཡང་རང་གཞུང་ཤེས་རིག་ལས་ཁུངས་ཀྱི་འབྲེལ་ཡོད་ཞུས་དག་པ་ལས་བྱེད་སོགས་ཚོགས་བཅར་བ་ཁྱོན་མི་གྲངས་ ༡༠༠ ཙམ་ཆེད་བཅར་ཞུས་འདུག རྩ་བའི་དཔེ་དེབ་དེ་ཕྱི་ལོ་ ༢༠༡༨ ནས་འབྲི་འགོ་ཚུགས་ཏེ། འདི་ལོར་ལེགས་གྲུབ་ཟིན་པ་ཞིག་ཆགས་ཀྱི་ཡོད་པ་དང་། དེབ་གཟུགས་སྟོད་ཆ་དང་སྨད་ཆ་གཉིས་ཡོད་པར་ས་བཅད་ཆེ་ཁག་གསུམ་ལ་ཆ་བགོས་ཀྱིས། ས་བཅད་དང་པོར་༸རྒྱལ་དབང་གི་སྤྲུལ་སྐུའི་ལམ་ལུགས་དང་བླ་བྲང་ལམ་ལུགས་སྤྱི་བཤད་ཙམ་དང་། ས་བཅད་གཉིས་པར་༸རྒྱལ་དབང་ན་རིམ་གྱི་མཛད་པ་ཁག་རིམ་པར་སྤྲོས་ཤིང་། དེ་ཡང་༸རྒྱལ་དབང་གང་ཞིབ་སྐུ་འཁྲུངས་པ་ནས་བཟུང་སྐུ་ཞི་བར་མ་གཤེགས་ཀྱི་བར་མཛད་དོན། ས་བཅད་གསུམ་པར་དགའ་ལྡན་ཕོ་བྲང་དང་གནད་ཆེའི་ལོ་རྒྱུས་ཀྱི་འབྲེལ་བ་ཡོད་པ་ཁག་གི་འཕེལ་རིམ་བཅས་ཀྱི་སྐོར་ལ་བྲིས་པ་ཞིག་ཆགས་ཀྱི་འདུག སྐབས་དེར་སྐུ་མགྲོན་གཙོ་བོ་དཔལ་ལྡན་དགའ་ཕོ་བྲང་གི་དྲུང་ཆེ་ཡང་སྟེང་རིན་པོ་ཆེ་མཆོག་གིས། དཔེ་དེབ་དེ་དབུ་འབྱེད་ཀྱི་མཛད་སྒོར་བཅར་རྒྱུ་བྱུང་བ་སྐལ་བ་བཟང་པོ་བྱུང་ཞེས་གསུངས་བ་དང་ཆབས་ཅིག ང་ཚོ་སུ་ཡིན་མིན་དང་། ང་ཚོ་གང་འདྲ་ཡིན་དགོས་མིན། མ་འོངས་པར་ང་རང་ཚོ་གང་འདྲ་ཆགས་དགོས་མིན་ཅེས་སོགས་ཀྱི་གནད་དོན་ཐད་ལོ་རྒྱུས་ནི་གལ་ཆེན་པོ་ཆགས་ཀྱི་ཡོད་ཅིང་། ལྷག་པར་བོད་གངས་ཅན་པའི་ལོ་རྒྱུས་ཀྱི་གཞུང་ལམ་རིང་པོ་འདིའི་ནང་དགའ་ལྡན་ཕོ་བྲང་གི་ལོ་རྒྱུས་ནི་སྡེ་ཚན་གལ་ཆེན་པོ་ཞིག་ཆགས་ཀྱི་ཡོད་པར། དཔེ་དེབ་ཀྱི་བརྗོད་གཞིའི་ཐོག་ནས་བླ་བྲང་དང་སྤྲུལ་པའི་སྐུ་བྱེ་བྲག་པའི་རྣམ་ཐར་དང་འཕྲིན་ལས་ཙམ་མིན་པར་བོད་སྤྱིའི་བསྟན་སྲིད་ཀྱི་ལས་དབང་དང་འབྲེལ་ཡོད་སྟབས། ༸རྒྱལ་དབང་རིམ་བྱོན་གྱི་ལུགས་གཉིས་འཕྲིན་ལས་ནི་བོད་བསྟན་སྲིད་ཀྱི་དོན་དུ་ཕྱག་རྗེས་དང་ཤུགས་རྐྱེན་ཇི་ཐེབས་སོགས་ཀྱི་མཚོན་དོན་ཞིག་ཀྱང་ཡིན་པར་ཕྱག་དེབ་དེ་གལ་ཆེན་པོ་ཆགས་ཀྱི་ཡོད་པ་དང་། མ་འོངས་པ་ལའང་དེ་འབྲེལ་ཁ་བསྐོང་བྱ་དགོས་རིགས་རྣམས་ཐུགས་སྣང་གནང་དགོས་གལ་ཡིན་པ་གསུངས་སོང་། དམིགས་བསལ་སྐུ་མགྲོན་རྣམ་རྒྱལ་གྲྭ་ཚང་གི་མཁན་པོ་ཁྲོམ་ཐོག་རིན་པོ་ཆེ་མཆོག་གིས། དཔེ་དེབ་རྩོམ་སྒྲིག་གནང་མཁན་རྣམ་གྲྭ་བསྟན་འཛིན་ཕན་བདེ་ལགས་སུ་བསྔགས་བརྗོད་ཐོག་ཐུགས་རྗེ་ཆེ་ཞུ་དང་འབྲེལ། སླད་མར་གཞིས་བྱེས་བོད་མི་རྣམ་པས་ཞིབ་འཇུག་དང་ལྗགས་ཀློག་གནང་རྒྱུའི་སྐུལ་འདེབས་གནང་སོང་། ལྷག་པར་དཔེ་དེབ་དེ་རྩོམ་སྒྲིག་གནང་མཁན་གམ་བཅར་ཕན་བདེ་ལེགས་བཤད་གླིང་གི་མདོ་སྔགས་རམ་འབྱམས་པ་བསྟན་འཛིན་ཕན་བདེ་ལགས་ཀྱིས། དཔེ་དེབ་དེའི་འབྲི་རྩོམ་དང་དུ་བླང་རྒྱུའི་འདུན་པ་ངོ་སྤྲོད་གནང་བའི་ཁྲོད། དེ་སྔོན་ཕྱི་ལོ་ ༡༩༧༤ ལོར་༸གོང་ས་༸སྐྱབས་མགོན་ཆེན་པོ་མཆོག་གིས་༸རྒྱལ་དབང་དགེ་འདུན་གྲུབ་པ་ནས་སྐུ་ཕྲེང་བཅུ་གསུམ་པ་ཡན་གྱི་མཛད་རྣམ་ཁག་ལ་ཞིབ་འཇུག་གིས་དོན་ཆུང་ཚིག་རྙོག་རྣམས་བསྡུས་ཏེ་རྩ་དོན་ཁག་ཕྱོགས་སྒྲིག་དཔར་འདེབས་དགོས་གལ་གྱི་བཀའ་སློབ་ཕེབས་ཡོད་པ་དང་། དེ་བཞིན་ཕྱི་ལོ་ ༡༩༨༦ ལོའི་གསུམ་བཅུའི་དུས་དྲན་ཐེངས་ ༢༧ པའི་གསུང་འཕྲིན་སྩལ་བའི་ནང་། བོད་ནང་ནས་བོད་ཀྱི་ལོ་རྒྱུས་སྐོར་ཡིག་ཆ་པར་བསྐྲུན་ཐོན་དང་འཐོན་བཞིན་པར་བསྔགས་པའི་འོས་སུ་མཆིས་ཀྱང་། བཙན་དབང་འོག་ཏུ་ཡོད་པས་མཐའ་མའི་བཀའ་འཁྲོལ་ཆོག་མཆན་རྒྱ་མིའི་ངོ་འཛུམ་ལ་བལྟས་ནས་ལེན་དགོས་པས་དོན་གནད་གལ་ཆེའི་རིགས་ལ་སྒྲོ་སྐུར་ཕྱོགས་ལྷུང་ཡོང་བཞིན་པར་ཡིད་གཟབ་དགོས་སྐོར་སོགས་ཉེ་རབས་བོད་ཀྱི་ལོ་རྒྱུས་དག་ཐེར་དང་ཉམས་ཞིབ་སྐོར་བཀའ་སློབ་རིམ་པ་ཕེབས་དོན་བཞིན། ཁོང་རང་ཉིད་དགའ་ལྡན་ཕོ་བྲང་ཡིག་ཚང་དུ་ཕྱག་བྲིས་ཞབས་ཞུ་སྒྲུབ་པའི་སྐབས། ཚོགས་སྒེར་སོགས་ཀྱི་ལོ་རྒྱུས་ཀྱི་དཔེ་དེབ་པར་ཕུད་འབྱོར་བ་ཡོད་ཚད་ལ་དོ་སྣང་དང་། ལྷག་པར་དོལ་རྒྱལ་རྗེས་འབྲངས་པའི་ངོས་ནས་༸རྒྱལ་དབང་ན་རིམ་དང་འབྲེལ་བའི་ཁུངས་ལྡན་མིན་པའི་ལོ་རྒྱུས་འབྲི་བཤད་བྱས་ཚད་ལ་དོ་སྣང་བྱས་པ་བརྒྱུད་ནས་དཔེ་དེབ་དེ་རྩོམ་སྒྲིག་གནང་བ་ཡིན་སྐོར་འགྲེལ་བརྗོད་གནང་སོང་། མ་ཟད་དཔེ་དེབ་ཞུས་དག་པ་རྣམ་གྲྭ་ཐུབ་བསྟན་ཡར་འཕེལ་ལགས་ཀྱིས། གོ་སྐབས་འདིའི་བརྒྱུད་ནས་རྣམ་གྲྭ་ཤེས་ཡོན་ལྷན་ཚོགས་དང་སྒེར་གྱི་ངོས་ནས་ལེགས་སོ་བསྔགས་བརྗོད་དང་འབྲེལ། […] The post ༸རྒྱལ་དབང་གི་ལུགས་གཉིས་འཕྲིན་ལས་དང་དགའ་ལྡན་ཕོ་བྲང་གི་ལོ་རྒྱུས་དཔེ་དེབ་དབུ་འབྱེད། appeared first on vot.

ཐོན་མིའི་གཙུག་ལག་ཉིན་རེའི་རྒྱལ་སྤྱི་གསར་འགྱུར་བརྒྱུད་ལམ་དབུ་འབྱེད། The post ཐོན་མིའི་གཙུག་ལག་ཉིན་རེའི་རྒྱལ་སྤྱི་གསར་འགྱུར་བརྒྱུད་ལམ་དབུ་འབྱེད། appeared first on vot.

(00:00:41) Tibet: l'histoire en sursis (2/5): la survie du peuple et de sa culture se joue en exil (00:08:49) La surprenante discrétion de Moscou sur la guerre Iran-Israël (00:13:13) La guerre, ça pollue mais on n'en parle pas beaucoup

བོད་ཀྱི་བརྙན་འཕྲིན་གྱི་ཉིན་རེའི་གསར་འགྱུར། ༢༠༢༥།༠༦།༢༤ Tibet TV Daily News – Jun 24 , 2025 ◆ དཔལ་ལྡན་སྲིད་སྐྱོང་མཆོག་གིས་ཨིན་ཡུལ་བོད་མི་མང་ཚོགས་དང་ཐུག་འཕྲད་ཀྱིས་གསུང་བཤད་གནང་བ། ◆ བཞུགས་སྒར་དུ་ཕེབས་པའི་རྒྱ་གར་གྱི་ཚོང་དཔོན་ལཱ་ལཱ་རྣམ་པས་བོད་མིའི་སྒྲིག་འཛུགས་ཀྱི་བསྟི་གནས་སུ་ཆེད་ཕེབས་ཀྱིས་དཔལ་ལྡན་ཚོགས་གཙོ་མཆོག་དང་དཔལ་འབྱོར་དྲུང་ཆེ་རྣམ་གཉིས་དང་མཇལ་འཕྲད་གནང་བ། ◆ དཔལ་ལྡན་ཕྱི་དྲིལ་བཀའ་བློན་ནོར་འཛིན་སྒྲོལ་མ་མཆོག་ཇར་མན་དུ་གཞུང་འབྲེལ་ཕྱོགས་ཕེབས་ཀྱིས་གནད་ཡོད་མི་སྣ་ཁག་ཅིག་དང་མཇལ་འཕྲད་གནང་བ། ◆ ཧྥ་རན་སིའི་རྒྱལ་ས་པེ་རི་སིར་བོད་དང་ཧི་མ་ཡའི་རིག་གཞུང་དུས་སྟོན་ཐེངས་ ༢༤ པ་ཚོགས་པ།

ཁ་སང་ཕྱི་ཚེས་ ༢༣ ཞོགས་པ་ཕྱག་ཚོད་ ༡༠།༠༠ ཐོག་༸སྐྱབས་རྗེ་ཡོངས་འཛིན་གླིང་མཆོག་སྤྲུལ་རིན་པོ་ཆེ་༸རྗེ་བཙུན་བསྟན་འཛིན་ལུང་རྟོགས་འཕྲིན་ལས་ཆོས་འཕགས་དཔལ་བཟང་པོ་མཆོག་ལ་དྭགས་བསོད་ནམས་གླིང་ས་གནས་འགོ་འཛིན་ལས་ཁུངས་ནས་ཇི་ལྟར་གསོལ་འདེབས་གོ་སྒྲིག་ཞུ་དོན་ལྟར། ལ་དྭགས་བོད་ཕྲུག་ཁྱིམ་སྡེའི་སིལ་སྤོལ་རྩེད་ཐང་དུ་ཞབས་སོར་བཀའ་དྲིན་འཁོད་དེ་མང་ཚོགས་བརྒྱ་ཕྲག་འགལ་བར་ཆོས་འབྲེལ་དང་བླང་དོར་བཀའ་སློབ་བསྩལ་སོང་། དེ་ཡང་རིན་པོ་ཆེ་མཆོག་བཞུགས་ཁྲིར་ཞབས་སོར་འཁོད་མ་ཐག ལ་དྭགས་བོད་མིའི་མང་གཙོ་ཀ་བ་གསུམ་དང་། ལ་དྭགས་གླེ་བྱང་གཉིས་ཀྱི་ས་གནས་ཆོས་རིགས་ཚོགས་གཙོ། ལ་དྭགས་བོད་ཁྱིམ་སློབ་སྤྱི་རྣམས་ནས་མཎྜལ་རྟེན་གསུམ་འདེགས་འབུལ་གནང་ཞིང་། ལ་དྭགས་བོད་ཁྱིམ་གྱི་དུས་འཁོར་མཆོད་རྟེན་དང་། འདི་ལོའི་གོ་སྟོན་དུ་གསར་དུ་བཞེངས་པའི་མ་ཎི་ལག་འཁོར་ ༡༡༣ ལ་རབ་གནས་ལྗགས་ལུང་བཅས་བསྩལ་རྗེས། རིན་པོ་ཆེ་མཆོག་གིས་བོད་མི་སེར་སྐྱ་འགོ་མང་ཡོངས་ལ་སྒྲོལ་མའི་ལུང་དང་། བློ་སྦྱོང་ཚིགས་བརྒྱད་མའི་ཆོས་འབྲེལ་བཅས་བསྩལ་བ་མ་ཟད། བླང་དོར་བཀའ་སློབ་བཀའ་དྲིན་བསྩལ་བའི་ཁྲོད་ལ་དྭགས་ལ་བྱང་ཐང་དང་བཅས་པའི་བོད་རིགས་གྲངས་བོར་མང་པོ་ཡིན་དུས་བཙན་བྱོལ་ནང་གི་གཞི་ཆགས་གལ་ཆེ་ཞིག་ཡིན་པ་དང་། ང་ཚོ་ལུང་པ་རྒྱ་འོག་ལ་ཤོར་ནས་རང་གི་ཡུལ་དུ་རང་གི་ཆོས་དང་རིག་གཞུང་། སྐད་ཡིག་རྣམས་སྲུང་སྐྱོབ་བྱེད་པར་མིང་ཙམ་ཡང་མེད་པའི་སྐབས་ཀྱི་དུས་ཚོད་ཛ་དྲག་དང་ཐབས་སྡུག་པོའི་སྐབས། ༸གོང་ས་༸སྐྱབས་མགོན༸རྒྱལ་བ་རིན་པོ་ཆེ་མཆོག་གཙོས་པའི་སྟོན་འཁོར་ཉུང་ཤས་ཤིག་རྒྱ་གར་འཕགས་ཡུལ་དུ་བཙན་བྱོལ་ལ་ཕེབས་ཐུབ་ནས། སྐུ་ལས་འཛད་མེད་བསྐྱོན་ནས་ཐོག་མར་བོད་མིའི་གནས་སྐབས་ཀྱི་སྡོད་གནས་གཞིས་ཆགས་ཁག་དང་། ཕུགས་རྒྱང་རིང་པོར་བོད་ཕྲུག་ཚོར་དེང་དུས་ཤེས་ཡོན་གྱི་གོ་སྐབས་གནང་བ་འདི་ནི། ༸རྒྱལ་བ་རིན་པོ་ཆེའི་ཐུགས་བསྐྱེད་བླ་ན་མེད་པ་ཞིག་ཡིན་པས་ང་ཚོས་རྟག་ཏུ་བཀའ་དྲིན་ལ་བསམ་ཤེས་དགོས་པའི་བཀའ་སློབ་ཕེབས་སོང་། རིན་པོ་ཆེ་མཆོག་གིས་སྐབས་དེར་ད་དུང་མང་ཚོགས་ལ་སྒྲོལ་མའི་ལུང་བཀའ་དྲིན་བསྩལ་གནང་མཛད་རྗེས། དུས་རྒྱུན་དུ་རྗེ་བཙུན་སྒྲོལ་མར་གསོལ་འདེབས་དང་སྒྲོལ་མ་ཁ་འདོན་གང་མང་འདོན་ན་སྤྱི་སྒེར་གཉིས་ཀ་ལ་ཕན་རླབས་ཆེ་བཅས་བཀའ་གནང་སོང་། རྩ་བའི་༸སྐྱབས་རྗེ་གླིང་རིན་པོ་ཆེ་མཆོག་ཟླ་བ་འདིའི་ཕྱི་ཚེས་ ༢ ཉིན་བཞུགས་སྒར་ནས་ཆིབས་ཐོན་གྱིས། མ་ན་ལི་བརྒྱུད་ཐོག་མར་ལ་དྭགས་ཟངས་དཀར་དུ་ཆིབས་བསྒྱུར་མཛད་དེ། ས་གནས་ཀྱི་དགོན་སྡེ་ཁག་ལ་གནས་གཟིགས་དང་། མང་ཚོགས་ཆིག་ཁྲི་བརྒལ་བར་ཆོས་འབྲེལ། སློབ་གྲྭ་འདྲ་མིན་གྱི་སློབ་མ་རྣམས་ལ་འདབ་ཤོག་གཉིས་ལྡན་གྱི་ལྷག་བསམ་ལྡན་པའི་སློབ་མ་བཟང་པོ་ཞིག་བྱེད་དགོས་པའི་བཀའ་སློབ་དང་སློབ་མའི་དྲི་བ་ཁག་ལ་བཀའ་ལན། དེ་བཞིན་ས་གནས་ཀྱི་གནས་ཡོད་དཔོན་རིགས་རྣམས་དང་ལྷན་མཇལ་འཕྲད་སོགས་ཀྱི་མཛད་འཆར་གྲུབ་རྗེས། ཟླ་བ་འདིའི་ཚེས་ ༡༣ ཉིན། ལ་དྭགས་དར་ཆ་དཔའ་ཏུམ་ཕེབས་ལམ་བརྒྱུད། ལ་དྭགས་ཀྱི་སེང་གེ་ཁ་བབ་དང་ཟངས་དཀར་གྱི་ཆུ་བོ་གཉིས་གཅིག་ཏུ་འདྲེས་མཚམས་ཀྱི་ས་ཚིགས་རྒྱ་གར་གྱི་སྐད་དུ་སང་གམ་ཞེས་པར་ལ་དྭགས་རི་ལྗོངས་ཡར་རྒྱས་ལྷན་ཚོགས་ཀྱི་སྡེ་དཔོན་གཞོན་པ་སྐུ་ཞབས་ཚེ་རིང་དབང་ཕྱུགས་གཙོས་པའི་གནད་ཡོད་མི་སྣ་དང་། དད་ལྡན་མང་ཚོགས་ནས་ཕེབས་བསུའི་སྣེ་ལེན་ཟབ་རྒྱས་ཐོག ལ་དྭགས་འཁྲིག་སེ་དགོན་པར་སྐྱབས་རྗེ་འཁྲིག་སེ་རིན་པོ་ཆེས་མཎྜལ་རྟེན་གསུམ་འདེགས་འབུལ་གྱིས། གཟིམ་ཆུང་ཤེས་རབ་སྐྱེད་ཚལ་གླིང་ཕོ་བྲང་དུ་ཞབས་སོར་བདེ་བར་འཁོད་གནང་བ་དང་། འདི་ཚེས་ ༡༥ ཉིན་དེ་གར་ཚེ་དཔག་མེད་ཀྱི་དབང་ལུང་བཀའ་དྲིན་བསྩལ་གནང་མཛད་ཡོད། མ་ཟད་ཕྱི་ཚེས་ ༡༧ ཉིན་རིན་པོ་ཆེ་མཆོག་ལ་དྭགས་ནུབ་ར་བདེ་སྐྱིད་དགོན་པར་ཕེབས་ཐོན་གྱིས། ཚེས་ ༡༨ ཉིན་ནུབ་ར་ས་གནས་ནང་པ་ཚོགས་འདུས་ཀྱིས་གོ་སྒྲིག་འོག སྐལ་བཟང་མ་ཎེ་དང་ཧུན་དར་ས་གནས་སུ་གནས་གཟིགས་གནང་ནས་ཡིད་དགའ་ཆོས་འཛིན་གཟིམ་ཆུང་དུ་བཞུགས་བཞག་མཛད་གནང་བ་དང་། ཕྱི་ཚེས་ ༡༩ ཉིན་ནུབ་ར་བདེ་སྐྱིད་ཕོ་བྲང་དུ་དད་ལྡན་མི་མང་རྣམས་ལ། སྒྲོལ་མ་ཉི་ཤུ་རྩ་གཅིག་གི་གསུང་ཆོས་བཀའ་དྲིན་བསྩལ་གནང་མཛད་རྗེས། […] The post ༸སྐྱབས་རྗེ་ཡོངས་འཛིན་གླིང་མཆོག་སྤྲུལ་རིན་པོ་ཆེ་མཆོག་གིས་ལ་དྭགས་བོད་མི་མང་ཚོགས་ལ་ཆོས་འབྲེལ་དང་བཀའ་སློབ་སྩལ་བ། appeared first on vot.

༸སྐུའི་གོ་སྟོན་དང་བསྟུན་ནས་གཟིམ་ཆུང་བརྟན་བཞུགས་དང་ཤེས་རིག་སློབ་ཡོན། The post ༸སྐུའི་གོ་སྟོན་དང་བསྟུན་ནས་གཟིམ་ཆུང་བརྟན་བཞུགས་དང་ཤེས་རིག་སློབ་ཡོན། appeared first on vot.

བོད་རིགས་གཞོན་སྐྱེས་ཡེ་ཤེས་ཐུབ་བསྟན་ལགས་ཨུ་ཏར་ཁྷནཌ་མངའ་སྡེའི་གྲངས་ཉུང་མི་རིགས་ཀྱི་ནང་པའི་སྐུ་ཚབ་ཏུ་བསྐོ་བཞག The post བོད་རིགས་གཞོན་སྐྱེས་ཡེ་ཤེས་ཐུབ་བསྟན་ལགས་ཨུ་ཏར་ཁྷནཌ་མངའ་སྡེའི་གྲངས་ཉུང་མི་རིགས་ཀྱི་ནང་པའི་སྐུ་ཚབ་ཏུ་བསྐོ་བཞག appeared first on vot.

དེ་རིང་ཕྱི་ཟླ་ ༦ ཚེས་ ༢༣ ཉིན་གྱི་སྔ་དྲོ་བོད་མིའི་བླ་ན་མེད་པའི་དབུ་ཁྲིད་སྤྱི་ནོར་༸གོང་ས་༸སྐྱབས་མགོན་ཆེན་པོ་མཆོག་གིས་བཞུགས་སྒར་༸རྒྱལ་བའི་ཕོ་བྲང་དུ་ Tibetan Refugee Trader's Association འམ་བཙན་བྱོལ་བོད་མིའི་ཚོང་པ་ཚོགས་པས་ཇི་ལྟར་གསོལ་འདེབས་ཞུས་པ་བཞིན། Ludhiana ལུ་དྷི་ཡཱ་ནཱ་གཙོ་བོར་གྱུར་བའི་རྒྱ་གར་རྒྱལ་ས་ལྡི་ལི་དང་ཅཱན་དྷི་གྷར་སོགས་བོད་མི་སུད་ཚོང་བ་རྣམས་ལ་ལོ་མང་ནས་ཚོང་ཟོག་ཚོང་འགྲེམས་གནང་མཁན་རྒྱ་གར་ཚོང་པའམ་ལཱ་ལཱ་ ༢༨༠ སྐོར་ཞིག་ལ་མཇལ་ཁ་སྩལ་འདུག མཇལ་ཁ་གྲུབ་མཚམས། འདི་ག་གསར་འགོད་པས་སྐབས་ ༦ པའི་བཙན་བྱོལ་བོད་མི་ཚོང་པ་ཚོགས་པའི་ཚོགས་གཙོ་བསོད་ནམས་སྟོབས་རྒྱས་ལགས་སུ་དེ་འབྲེལ་བཀའ་འདྲི་ཞུས་སྐབས། ཁོང་གིས་འདི་ལོ་བཙན་བྱོལ་བོད་མིའི་ཚོང་པ་ཚོགས་པའི་ངོས་ནས་༸རྒྱལ་བའི་གོ་སྟོན་དང་བསྟུན། རྒྱ་གར་གྱི་མངའ་སྡེ་ཁག་འདྲ་མིན་ནང་དུ་དགུན་ཚོང་གཉེར་མཁན་བོད་མི་ ༥༦༠༠ ལྷག་གི་ཚབ་ཞུས་ཏེ། སྲོག་བླུ་དང་རླུང་རྟ་དར་འཛུགས་གནང་བ་སོགས་ཀྱི་བྱེད་སྒོ་སྤེལ་བ་མ་ཟད། ལོ་ངོ་བཅུ་ཕྲག་མང་པོའི་རིང་བོད་མི་བཙན་བྱོལ་བ་རྣམས་དང་ལྷན་དུ་ཡིད་ཆེས་བློ་འཁེལ་ཐོག་ཚོང་ལས་གཉེར་མཁན་རྒྱ་གར་ཚོང་པ་ལཱ་ལཱ་རྣམས་ཀྱི་རེ་འདུན་བཞིན། དེ་རིང་༸གོང་ས་༸སྐྱབས་མགོན་ཆེན་པོ་མཆོག་གི་མཇལ་ཁར་བཅར་རྒྱུའི་ལས་རིམ་འདི་གོ་སྒྲིག་གནང་ཡོད་པ་འགྲེལ་བརྗོད་གནང་སོང་། ༸གོང་ས་མཆོག་ལ་མཇལ་བཅར་ཞུ་མཁན་གྱི་རྒྱ་གར་ཚོང་པ་རྣམས་ལ་བཀའ་འདྲི་ཞུས་སྐབས། ཁོང་རྣམས་ནས་དགའ་ཚོར་གྱི་རྣམ་པ་ཤུགས་ཆེའི་ཐོག དེ་རིང་༸གོང་ས་མཆོག་གི་མཇལ་ཁ་ཐོབ་པ་དེ་ཧ་ཅང་གི་སྐལ་པ་བཟང་པོ་ཞིག་བྱུང་ཡོད་པ་སོགས་གསུངས་སོང་། Ludhiana ལུ་དྷི་ཡཱ་ནཱ་རྒྱ་གར་ཚོང་པ་ཚོགས་པའི་ཚོགས་གཙོས་ Ludhiana ལུ་དྷི་ཡཱ་ནཱ་ནས་རྒྱ་གར་ཚོང་པ་ ༢༥༠ ཙམ་ཆེད་བཅར་ཞུས་ཡོད་ཅིང་། མཇལ་ཁ་དང་བྱིན་རླབས་ཧ་ཅང་ཡག་པོ་ཐོབ་སོང་བ་མ་ཟད། ༸སྐུའི་འཁྲུངས་དཀར་གྱི་འཚམས་འདྲི་ཡང་ཞུ་རྒྱུ་བྱུང་ཞེས་སོགས་འགྲེལ་བརྗོད་གནང་སོང་། དེ་བཞིན་ Chandigarh ཅཱན་དྷི་གྷར་ནས་ཡིན་པའི་ Kamaljeet Singh Panchi ཀཱ་མཱལ་ཇིཏ་སིངྒ་པཱན་ཅི་ལགས་ཀྱིས། ཆུང་དུས་ནས་༸གོང་ས་མཆོག་མཇལ་རྒྱུའི་འདུན་པ་ཡོད་པ་དེ་ད་རེས་གྲུབ་པར་དགའ་ཚོར་ཆེན་པོ་བྱུང་སོང་བ་དང་། བོད་མི་རྣམས་ལོ་ལྟར་ཅཱན་དྷི་གྷར་ནང་དུ་ཟླ་བ་བཞིའི་རིང་ཚོང་ལས་གཉེར་གི་ཡོད་ཅིང་། ཁོང་ཚོར་ས་གནས་དཔོན་རིགས་ལྷན་དུ་འབྲེལ་བ་བྱེད་རྒྱུ་སོགས་ཀྱི་དཀའ་ངལ་རྣམས་ལ་རོགས་བྱེད་ཀྱི་ཡོད་པ་མ་ཟད། བོད་མི་རྣམས་སྡུག་དཀའ་ལས་རྒྱག་མཁན་དང་། ཧ་ཅང་སེམས་བཟང་པོ་ཡོད་པར་དེ་ལྟ་བུ་ཁྱད་ཆོས་དེ་དག་སྤྱི་ཚོགས་ཚང་མའི་ནང་དགོས་གལ་རེད་ཅེས་འགྲེལ་བརྗོད་གནང་སོང་། སྔ་དྲོ་མཇལ་ཁ་གྲུབ་མཚམས་རྒྱ་གར་ཚོང་པ་མི་གྲངས་ ༢༠ ཙམ་རྣམས་བོད་མིའི་སྒྲིག་འཛུགས་སུ་གཟིགས་སྐོར་ཕེབས་ཡོད་པ་དང་། བོད་མི་མང་སྤྱི་འཐུས་ལྷན་ཚོགས་ཀྱི་དྲ་ཐོག་གནས་ཚུལ་སྤེལ་བའི་ནང་། མཇལ་ཕྲད་སྐབས། བོད་མི་མང་སྤྱི་འཐུས་ཚོགས་གཙོ་མཁན་པོ་བསོད་ནམས་བསྟན་འཕེལ་མཆོག་གིས། བོད་མི་རྣམས་རྒྱ་གར་བཙན་བྱོལ་ལ་གྱར་ནས་ལོ་ངོ་ […] The post ༸གོང་ས་མཆོག་གིས་བོད་མི་སུད་ཚོང་བར་ཚོང་ཟོག་ཚོང་འགྲེམ་གནང་མཁན་རྒྱ་གར་ཚོང་པ་རྣམས་ལ་མཇལ་ཁ་སྩལ་བ། appeared first on vot.

Explore an in-depth conversation on China's rise, geopolitics, and the complex history shaping its global influence. This podcast covers key topics such as China's unique system of governance, the impact of nationalist forces, the Opium War, and Mao Zedong's revolutionary Long March. Discover how China's leadership has taken major steps to build national unity and advance science and technology, positioning the country as a global powerhouse. We also analyze the Belt and Road Initiative, its strategic interests, and China's evolving relations with neighboring countries like Nepal and India. The discussion delves into sensitive issues such as the One China policy, Taiwan, Tibet, and Hong Kong, providing a comprehensive understanding of China's domestic and international policies. Gain insights into Xi Jinping's Zero Covid policy and its implications for China's future. Whether you're interested in geopolitics, international relations, or China's historical journey, this podcast offers expert analysis and engaging perspectives on the nation's rise and its role in shaping the future of BRICS and Asia. Join us for a detailed exploration of China's past, present, and future in global affairs. GET CONNECTED WITH DR. LILA: Facebook: https://www.facebook.com/share/1EPtWUAdgb/  

Cosa può insegnarci oggi un'antica saggezza millenaria? Lama Michel Tulku Rinpoche, maestro buddhista riconosciuto come reincarnazione di un lama tibetano, ha scelto a soli 12 anni di intraprendere il cammino monastico tra India e Tibet, dove ha studiato per oltre vent'anni. Oggi vive in Italia e guida centri spirituali in tutto il mondo, portando la filosofia buddhista nella vita quotidiana con un linguaggio semplice, profondo e attuale. In questa puntata ci racconta come coltivare consapevolezza e serenità anche nel mondo moderno, e perché la spiritualità può essere una guida laica e concreta per il benessere personale e collettivo. ▫️ Qui trovi tutti i dettagli sul Digital Detox Festival!

Tanja Valérien spricht in ihrer 82. Podcastfolge mit der Lebenskünstlerin GABRIELE GRÄFIN ZU CASTELL, Jahrgang 1943, in ihrem Zuhause in Grünwald, wo sie sie auch fotografiert hat. Ihre berühmten Eltern: der Vater Wulf-Diether Graf zu Castell-Rüdenhausen, ein deutscher Flugpionier zu Beginn des 20. Jahrhunderts für die Lufthansa in China und Brasilien und später Direktor des Flughafens München-Riem, und ihre Mutter, die berühmte Schauspielerin und Schriftstellerin Luise Ullrich… die Vertreibung nach dem Krieg aus ihrer Heimat im heutigen Polen und den Zufluchtsort Garmisch… Entbehrungen, Titel, Adel, Privilegien, Haltung, Anstand… den Umzug nach Grünwald... die herrlichen, wilden Urlaube mit den Eltern im Wohnwagen… die Schulzeit als Tochter eines Filmstars… die große Toleranz und das feine Gespür der Eltern... warum sie mit 17 in ein Internat kam… Partys, Liebeleien, Rock'n'Roll... das Studium für Lehramt in Sport und Werken... die überraschende Schwangerschaft mit 20 und die damit verbundene Heirat mit einem Piloten… Vertrauen, Illusionen, Untreue, Verzeihen und Trennung... die zwei gemeinsamen Töchter und warum die vier erwachsenen Enkel sie noch um Mitternacht besuchen und mit ihr einen Drink an ihrer Hausbar nehmen… die berühmten Kessler-Zwillinge, die mehrmals in der Woche zu ihr in die Gymnastikstunde kamen... Vaterkomplex… die besten zwanzig Jahre ihres Lebens als Guest Relation Managerin im Hilton Hotel in München… Stars und Sternchen… Liebhaber, Lust und das Frausein… den Tod des geliebten Vaters durch einen Sturz von der Gartenleiter… Trauer, Sehnsucht, Glück… die Reisen der Mutter nach China und Tibet im hohen Alter für ein letztes Buch, ihre Krebserkrankung und ihr Sterben… Sport, Fitness, das tägliche Trampolinspringen, Falten und Gedanken… den Tod der Schwester, die an einem Hirntumor starb...Liebe, Glück, Dankbarkeit, positives Denken und die Freude am Leben.

Vasubandhu was a 4th–5th century Indian Buddhist monk, philosopher, and co-founder of the Yogācāra school of Mahayana Buddhism. Renowned for his works on Abhidharma, he developed key philosophical concepts such as “consciousness-only” (vijñaptimātra) and authored texts on Buddhist metaphysics, logic, and meditation. His influential treatises, including Abhidharmakośa and Thirty Verses, significantly shaped Buddhist thought in India, Tibet, and East Asia.

ཨིན་ཡུན་གྱི་རྒྱལ་ས་ལོན་ཌོན་ནང་གི་ Tower Hamlets ཊ་ཝར་ཧེམ་ལེཊ་གྲོང་སྡེ་ནང་ཡོ་རོབ་ཁུལ་གྱི་རྒྱ་ནག་གི་གཞུང་ཚབ་ཁང་ཆེ་ཤོས་གསར་རྒྱག་བྱ་རྒྱུར་ཨིན་གཞུང་ནས་ཆོག་མཆན་སྤྲོད་ཉེན་ཡོད་པའི་གནད་དོན་གླེང་སློང་ཤུགས་ཆེ་འགྲོ་བཞིན་པའི་ཁྲོད། རྒྱ་ནག་གི་དྲག་གནོན་འོག་མྱོང་བཞིན་པའི་བོད་མི་སོགས་ནས་ཁུལ་དེར་ངོ་རྒོལ་གྱི་ལས་འགུལ་རྒྱ་ཆེར་སྤེལ་ཡོད་པ་དང་སྦྲགས། ལས་གཞེ་དེ་ནི་རྒྱལ་འབྲེལ་འཐབ་བྱུས་ཀྱི་ངོ་བོར་མིན་པར་རྒྱ་ནག་གི་ལྟ་སྲུང་དང་འཇིགས་སྐུལ། དེ་བཞིན་རྒྱལ་མཚམས་ལས་བརྒལ་བའི་དྲག་གནོན་སྤེལ་གཞི་ཞིག་ཏུ་འགྱུར་ཉེན་ཡོད་པའི་སྐྱོན་བརྗོད་ཤུགས་ཆེ་བྱས་འདུག དེ་ཡང་ཟླ་བ་འདིའི་ཚེས་ ༡༤ ཉིན་ Tower Hamlet ཊ་ཝར་ཧེམ་ལེཊ་གྲོང་སྡེའི་ཁྱབ་ཁོངས་ Royal Mint རོ་ཡལ་མིནྚ་ས་ཚིགས་སུ་ཨིན་ཡུལ་ནང་གི་རྒྱ་ནག་གཞུང་ཚབ་ཁང་གསར་རྒྱག་གི་གནད་དོན་དང་འབྲེལ། ཨིན་ཡུལ་ནང་དུ་གནས་སྡོད་དེ་སྔོན་ཧོང་ཀོང་ནང་གི་ Wan Chai ཝན་ཅཡེ་རྫོང་དཔོན་ Clara Cheung ཀལཱརཱ་ཅིཡུང་མཚོན་པའི་ཧོང་ཀོང་སྐྱབས་བཅོལ་གྱི་འགོ་ཁྲིད་རྣམ་པའི་གོ་སྒྲིག་འོག་བོད་མི་དང་ཡུ་གུར་བ། ལྷོ་སོག ཐའེ་ཝན། རྒྱ་རིགས་མང་གཙོ་དོན་གཉེར་ཅན། དེ་བཞིན་འགྲོ་བ་མིའི་ཐོབ་ཐང་ལ་རྩོད་ལེན་པ། ས་གནས་མི་མང་སོགས་ཁྱོན་མི་གྲངས་ ༤༠༠༠ ལྷག་ནས་ངོ་རྒོལ་གྱི་ལས་འགུལ་ཐེངས་གཉིས་སྤེལ་ཡོད་ཅིང་། དང་པོ་དེ་ལས་འཆར་དེ་ཉིད་བཀག་འགོག་དང་། གཉིས་པ་རྒྱལ་མཚམས་ལས་བརྒལ་བའི་དྲག་གནོན་མཚམས་འཇོག་དགོས་པའི་དགོས་འདུན་སྟོན་འདུག སྐབས་དེར་ཡུལ་དེ་གའི་གུ་ཡངས་མང་གཙོ་ཆབ་སྲིད་ཚོགས་པའི་འཐུས་མི་ Ying Perrett ཡིང་པེརེཊ་ལགས་དང་། དེ་སྔོན་ཧོང་ཀོང་ཁུལ་གྱི་རྫོང་དཔོན་གནང་མྱོང་མཁན་ Carmen Lau ཁཱར་མེན་ལགས་དང་ Tony Chung ཊོ་ནི་ཅུང་ལགས། Kalun To ཀ་ལུན་ཐོ་ལགས་སོགས་ཆེད་བཅར་གྱི་གཏམ་བཤད་གནང་ཡོད་པ་མ་ཟད། བོད་མིའི་ཕྱོགས་ནས་ Global Alliance for Tibet & Persecuted Minorities འམ་བོད་གཙོས་པའི་མནར་གཅོད་ཕོག་མཁན་གྲངས་ཉུང་མི་རིགས་ཆེད་རྒྱལ་སྤྱིའི་གནའ་འབྲེལ་མཐུན་ཚོགས་ཀྱི་ཚོགས་གཙོ་ཚེ་རིང་པ་སངས་ལགས་ཀྱིས། […] The post ཨིན་ཡུལ་ནང་གི་རྒྱ་ནག་གཞུང་ཚབ་གསར་རྒྱག་གི་འཆར་གཞི་དེ་ནི་རྒྱལ་མཚམས་ལས་བརྒལ་བའི་དྲག་གནོན་སྤེལ་གཞི་ཞིག་ཡིན་པའི་སྐྱོན་བརྗོད། appeared first on vot.

ཞྭ་དཀར་གཡུང་དྲུང་བོན་གྱི་༸སྐྱབས་རྗེ་སྨན་རིའི་ཡོངས་འཛིན་སྨྲ་བའི་དབང་པོ་བསྟན་འཛིན་རྣམ་དག་རིན་པོ་ཆེ་མཆོག་ཟླ་བ་འདིའི་ཚེས་ ༡༢ ཉིན་དགུང་གྲངས་ ༡༠༡ ཐོག་དགོངས་པ་བོན་དབྱིངས་སུ་གཤེགས་ཏེ། ཐུགས་དམ་གཡོ་མེད་ངང་ཚུལ་དུ་བཞུགས་བཞིན་ཡོད་པ་དང་། གདན་ས་ཆེན་མོ་༸དཔལ་གཤེན་བསྟན་སྨན་རིའི་གླིང་དབུས་པའི་དགོན་སྡེ་ཁག་དང་མང་ཚོགས་ནས་མཆོད་འབུལ་སྨོན་ལམ་རྒྱ་ཆེར་གནང་བཞིན་པ་མ་ཟད། བོད་ཀྱི་བསྟན་བདག་བླ་ཆེན་རྣམ་པའི་ཐུགས་གསོའི་གསུང་འཕྲིན་ཕེབས་འདུག དེ་ཡང་ཕྱི་ཟླ་ ༦ ཚེས་ ༡༢ ཉིན་གཡུང་དྲུང་བོན་གྱི་གདན་ས་ཆེན་མོ་༸དཔལ་ལྡན་ཁྲི་བརྟན་ནོར་བུ་རྩེའི་མཁན་སློབ་འདུས་མང་ཡོངས་ནས་ཡོངས་ཁྱབ་གསལ་བསྒྲགས་ཤིག་སྤེལ་བའི་ནང་། འདི་ལོ་ཕྱི་ཟླ་ ༤ ཚེས་ ༢༦ ནས་༸སྐྱབས་རྗེ་ཡོངས་འཛིན་སྨྲ་བའི་དབང་པོ་མཆོག་སྐུའི་སྙུང་གཞི་བཞེས་པར་སྨན་བཅོས་རིམ་པ་ཇི་ལྟར་ཞུས་ཀྱང་དགུང་ལོའི་བབས་ཀྱི་ཕན་པ་ཆེར་མ་བྱུང་བར་བརྟེན། བོད་རབ་གནས་ཤིང་སྦྲུལ་ས་ག་ཟླ་བའི་ཚེས་ ༡༦ ཕྱི་ཟླ་ ༦ ཚེས་ ༡༢ ཉིན་སྔ་དྲོ་ཕྱག་ཚོད་ ༧།༤༥ སྟེང་བལ་ཡུལ་དུ་༸སྐྱབས་རྗེ་མཆོག་གིས་ཕྱག་བཏབ་མཛད་པའི་དབེན་གནས་བྱེ་མ་རི་ཁྲོད་དུ་ཐུགས་དམ་གཡོ་བ་མེད་པའི་ངང་ནས་དགོངས་པ་བོན་དབྱིངས་སུ་གཤེགས་ཡོད་པ་བཀོད་འདུག དེ་བཞིན་འདི་ཚེས་ ༡༣ ཉིན་བོད་མི་མང་སྤྱི་འཐུས་ལྷན་ཚོགས་ཀྱིས། རིན་པོ་ཆེ་མཆོག་དགོངས་པ་བོན་དབྱིངས་སུ་གཤེགས་པ་དེ་ནི་བོད་བསྟན་སྲིད་སྤྱི་དང་། ཡང་སྒོས་གཡུང་དྲུང་བོན་གྱི་བསྟན་པར་ཤིན་ཏུ་ཕངས་པའི་ཡིད་སྐྱོའི་གནས་ཚུལ་ཡིན་པར་ཞིང་གཤེགས་དམ་པའི་གདན་ས་ཁག་གཙོས་པའི་དད་ལྡན་སློབ་ཚོགས་ཡོངས་ལ་ཐུགས་གསོའི་གསུང་འཕྲིན་སྩལ་འདུག ལྷག་པར་འདི་ཚེས་ ༡༣ ཉིན་དཔལ་༸རྒྱལ་དབང་ཀརྨ་པ་ཨོ་རྒྱན་ཕྲིན་ལས་རྡོ་རྗེས་རིན་པོ་ཆེ་མཆོག་གིས་ཐུགས་གསོའི་གསུང་འཕྲིན་སྩལ་བའི་ནང་དོན་དུ། འདས་པའི་མི་ལོ་བཅུ་ཕྲག་དྲུག་ལྷག་གི་འཕོ་འགྱུར་ཁྲོད་བོད་མི་རྣམས་གཞིས་བྱེས་གཉིས་སུ་ཐོར་ནས་གནས་ཚུལ་ཐབས་སྡུག་པོ་བྱུང་ཡང་། མེས་པོའི་ཆོས་རིག་རྣམས་རྒྱ་བལ་དང་ཤར་ནུབ་ཀྱི་ཡུལ་གྲུ་རྣམས་སུ་དར་རྒྱས་གོང་སྤེལ་མཛད་པ་སྔར་མེད་པ་འདི་ལྟ་བུ་བྱུང་བ་དང་། སླད་མ་འོངས་པར་རང་རེ་ཚང་མས་སྐྱེས་མཆོག་འདི་དག་གི་ཐུགས་རྗེ་དང་། ཐུགས་སྟོབས་ལ་མིག་ལྟོས་ཡར་ལྟ་བྱས་ཏེ། སྙིང་སྟོབས་ཞུམ་པ་མེད་པའི་སྒོ་ནས་བླ་མའི་ཐུགས་དགོངས་སྒྲུབ་པ་ལ་ཐང་ལྷོད་མེད་པའི་འབད་པ་བྱེད་པ་ཁོ་ན་སྐུ་དྲིན་ལྡོན་པའི་ཐབས་མཆོག་ཡིན་པའི་ལམ་སྟོན་དང་འབྲེལ། སླར་ཡང་སྲིད་ཕེབས་སྨོན་འདུན་མཛད་འདུག ཕྱོགས་མཚུངས། འདི་ཚེས་ ༡༤ ཉིན་དཔལ་ས་སྐྱ་༸གོང་མ་ཁྲི་འཛིན་ ༤༣ པ་ཛྙཱན་བཛྲ་རིན་པོ་ཆེ་མཆོག་གིས། གནས་ཚུལ་ཐོས་འཕྲལ་སྲིད་པའི་གངས་རྒན་ཆེན་པོ་འགྱེལ་བའི་ཐུགས་ཚོར་ཕམ་སེམས་ཧ་ཅང་ཆེན་པོ་བྱུང་ཡང་། འཕགས་པས་འཆི་དང་ན་བ། རྒ་བའི་སྡུག་བསྔལ་རྩད་ནས་སྤངས་བར་ཞལ་སློབ་འབྲེལ་ཡོད་ཡོངས་ལ་གདུང་སེམས་མཉམ་བསྐྱེད་དང་། མི་རིང་བར་འཁྲུལ་བྲལ་ཡང་སྲིད་མྱུར་དུ་འབྱོན་ཞིང་གོང་མའི་མཛད་རྣམ་ཇི་བཞིན་སྐྱོང་བའི་གསོལ་འདེབས་སྨོན་ལམ་རྒྱུན་བསྲིངས་ཞུ་འཐུས་བཅས་ཐུགས་གསོའི་གསུང་འཕྲིན་སྩལ་འདུག ཚེས་ ༡༥ ཉིན་རྒྱལ་སྤྱིའི་དགེ་ལྡན་ལྷན་ཚོགས་ཀྱིས་དེ་འབྲེལ་གསུང་འཕྲིན་ནང་། ལྷན་ཚོགས་ཀྱི་ཚོགས་གཙོ་འཇམ་མགོན་༸རྒྱལ་བའི་༸རྒྱལ་ཚབ་དགའ་ལྡན་ཁྲི་རིན་པོ་ཆེ་མཆོག་དང་། […] The post ༸སྐྱབས་རྗེ་སྨན་རིའི་ཡོངས་འཛིན་སྨྲ་བའི་དབང་པོ་མཆོག་ཐུགས་དམ་བཞུགས་མུས། appeared first on vot.

ཨ་ཕའི་རྐང་སྤོལ་རྩེད་འགྲན་ཐེངས་གཉིས་པ་དབུ་འཛུགས། The post ཨ་ཕའི་རྐང་སྤོལ་རྩེད་འགྲན་ཐེངས་གཉིས་པ་དབུ་འཛུགས། appeared first on vot.

༸གོང་ས་མཆོག་ནས་སེར་སྨད་གྲྭ་ཚང་གི་སྨན་བླའི་སྒྲུབ་མཆོད་ཆེན་མོའི་ཚོགས་མགོན་དུ་དབུ་བཞུགས་ཀྱིས་བཀའ་རྩོམ་ལྷ་མོའི་འཕྲིན་བསྐུལ་གྱི་ལྗགས་ལུང་སྩལ་གནང་མཛད་པ། The post ༸གོང་ས་མཆོག་ནས་སེར་སྨད་གྲྭ་ཚང་གི་སྨན་བླའི་སྒྲུབ་མཆོད་ཆེན་མོའི་ཚོགས་མགོན་དུ་དབུ་བཞུགས་ཀྱིས་བཀའ་རྩོམ་ལྷ་མོའི་འཕྲིན་བསྐུལ་གྱི་ལྗགས་ལུང་སྩལ་གནང་མཛད་པ། appeared first on vot.

What was the influence of Buddhism on the preacher from Galilee? The lost years refers to the time in Jesus's life between his childhood and the beginning of his ministry, a period not described in the Gospels. Following the New Testament accounts of Jesus' young life, there is a gap of about 18 years in his story. The best known and most popular explanation for the Nazarene's hidden years, is by far, his supposed travels to India, Tibet and surrounding areas where he encountered Hinduism and the teachings of the Buddha. But is this story true? E110. Books by Trent Horn available at https://amzn.to/3VAny1k Books by Deepak Chopra at https://amzn.to/4evRpjc ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORY OF NORTH AMERICA podcast: www.parthenonpodcast.com/history-of-north-america Mark's TIMELINE Video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Mark's books: https://amzn.to/3k8qrGM Audio Credit: Counsel of Trent podcast with Trent Horn (episode: Refuting Deepak Chopra’s Impostor Jesus; #828, 28nov2023). Audio excerpts reproduced under the Fair Use (Fair Dealings) Legal Doctrine for purposes such as criticism, comment, teaching, education, scholarship, research and news reporting. See omnystudio.com/listener for privacy information.

"Mystic Maya: Journey of Initiation," is a cinematic masterwork that unveils the ancient wisdom of the Maya. Prepare to be captivated, challenged, and forever changed by this extraordinary exploration of esoteric knowledge.Step into a hidden realm beyond the pyramids as this captivating documentary unravels the truth about these enigmatic structures, intertwining the sacred initiation rites of the Maya, Egypt, and modern Western Esoteric Mystery schools. Prepare for a mesmerizing journey that challenges your perception of history and illuminates profound connections between diverse esoteric traditions."Mystic Maya" unlocks the secrets of pyramids, revealing their purpose as catalysts for personal transformation and global change. Featuring intimate interviews with Mayan lineage holders, esteemed Western Esoteric authors, and renowned experts, "Mystic Maya" reveals the once-veiled knowledge and illuminates the hidden dimensions of world history. Experience a transcendent journey that awakens curiosity and invites you to embark on your own path of initiation.Douglas Beechwood is a filmmaker with extensive experience in Commercial/Documentary and Live event production. He studied Fine Art and Photography at the University of Colorado and has immersed himself in the study of world religions for over three decades.Notably, Douglas served as Editor for "Yangsi: Reincarnation is Just the Beginning," a documentary following the life of renowned Buddhist Lama Dilgo Khyentse Rinpoche for close to twenty years, from his coronation at age three to his graduation as an empowered Tibetan teacher. Additionally, he served as Production Manager, TD, and finish editor for all three seasons of the New Mexico PBS series entitled "Ageless Living."Douglas worked for twelve years as the Technical Director and Production Manager for the prestigious Festival of Faiths in Louisville, KY, which brings together faith leaders from diverse backgrounds from Native America, Judaism, Hinduism, Christianity, Islam, and Buddhism for a multi-day theatrical livestream conference. His efforts helped grow the Festival of Faiths from a small local event into a world-renowned happening that continues to engage the viewership of many millions.His spiritual journey embraces practices in Christianity, Native American beliefs, Western Esoteric Mystery Schools, and the profound teachings of Dzogchen Buddhism. Douglas further works as the media coordinator for the worldwide outreach of Tsoknyi Rinpoche's humanitarian activities through the Pundarika Foundation USA, which involves producing Buddhist retreats and secular mindfulness programs, as well as the support of Buddhist schools and nunneries in Nepal and Tibet.Free viewing, https://www.mysticmayamovie.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Voice for the Voiceless བོད་དང་བོད་མིའི་མགྲིན་ཚབ་ཅེས་པའི་ཕྱག་དེབ་བོད་ཡིག་ནང་ཕབ་བསྒྱུར་ཟིན་པ།   The post Voice for the Voiceless བོད་དང་བོད་མིའི་མགྲིན་ཚབ་ཅེས་པའི་ཕྱག་དེབ་བོད་ཡིག་ནང་ཕབ་བསྒྱུར་ཟིན་པ།   appeared first on vot.

རྫོང་དཀར་ཆོས་སྡེ་དགོན་གྱི་མཁན་པོ་གསར་རྙིང་གཉིས་ནས་ཇོ་བོ་ཝ་ཏི་བཟང་པོའི་ཇོ་ཚབ་ཀྱི་སྐུ་བརྙན་༸གོང་ས་མཆོག་ལ་སྤྱན་འབུལ་ཞུས་པ། The post རྫོང་དཀར་ཆོས་སྡེ་དགོན་གྱི་མཁན་པོ་གསར་རྙིང་གཉིས་ནས་ཇོ་བོ་ཝ་ཏི་བཟང་པོའི་ཇོ་ཚབ་ཀྱི་སྐུ་བརྙན་༸གོང་ས་མཆོག་ལ་སྤྱན་འབུལ་ཞུས་པ། appeared first on vot.

Exploring the ancient Zen teaching of the Great Way, Jack guides us toward freedom from attachment, clarity beyond preferences, and the liberating joy of letting go.“The Great Way is not difficult for those who have no preferences. When attachment and hatred are both absent, everything becomes clear and undisguised. Make the smallest distinction; however, and heaven and earth are set infinitely apart. If you wish to see the truth, then hold no opinion for or against anything.” – Third Zen AncestorIn this episode, Jack mindfully explores:Finding freedom from attachment by learning to let goCan we meditate society's problems away?What does it mean to seek wisdom, compassion, freedom?The Third Patriarch of ZenFinding the Great Way and seeing the truthMoving past our opinions and preferencesHow our desires blind us and manufacture our realitySuffering, impermanence, grasping, and not relying on realityThe path to liberation from our grasping and fearsThe joy of letting go of our attachments and relaxing into what isTraining ourselves to have an obedient mind of the BuddhaIs there appropriate or wise attachment?Clarifying the full spectrum of attachmentHow to get out addiction and the Realm of the Hungry GhostsDealing with attachment to our isolation, our separatenessCommitment as a healthy devoted attachment Seeking a Wise Relationship to ourselves, others, and the worldThe slippery slope of pleasure, into desire, into habit, into needWise attachment vs unwise attachmentThe full spectrum of attachment and love“Go where you wish—cave, monastery, India, Tibet, do what you like—your mind goes with you, that's the problem.” – Jack KornfieldThis episode recorded on 03/08/1993 at Spirit Rock Meditation Center was originally published on DharmaSeed. About Jack Kornfield:Jack Kornfield trained as a Buddhist monk in the monasteries of Thailand, India, and Burma, studying as a monk under the Buddhist master Ven. Ajahn Chah, as well as the Ven. Mahasi Sayadaw. He has taught meditation internationally since 1974 and is one of the key teachers to introduce Buddhist mindfulness practice to the West. Jack co-founded the Insight Meditation Society in Barre, Massachusetts, with fellow meditation teachers Sharon Salzberg and Joseph Goldstein and the Spirit Rock Center in Woodacre, California. His books have been translated into 20 languages and sold more than a million copies.Jack is currently offering a wonderful array of transformational online courses diving into crucial topics like Mindfulness Meditation Fundamentals, Walking the Eightfold Path, Opening the Heart of Forgiveness, Living Beautifully, Transforming Your Life Through Powerful Stories, and so much more. Sign up for an All Access Pass to explore Jack's entire course library. If you would like a year's worth of online meetups with Jack and fellow community members, join The Year of Awakening: A Monthly Journey with Jack Kornfield.Stay up to date with Jack and his stream of fresh dharma offerings by visiting JackKornfield.com and signing up for his email teachings.“Often we think attachment is only to other people and things, but often what we are attached to is our own isolation, our own separateness.” – Jack KornfieldSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

From In Borneo, the Land of the Head-Hunters to The Epic of Everest to Camping Among the Indians, the early twentieth century was the heyday of expedition filmmaking. As new technologies transformed global transportation and opened new avenues for documentation, and as imperialism and capitalism expanded their reach, Western filmmakers embarked on journeys to places they saw as exotic, seeking to capture both the monumental and the mundane. Their films portrayed far-flung locales, the hardships of travel, and the day-to-day lives of Indigenous people through a deeply colonial lens. Nomadic Cinema: A Cultural Geography of the Expedition Film (Columbia University Press, 2025) by Dr. Alison Griffiths is a groundbreaking history of these films, analyzing them as visual records of colonialism that also offer new possibilities for recognizing Indigenous histories. Dr. Griffiths examines expedition films made in Borneo, Central Asia, Tibet, Polynesia, and the American Southwest, reinterpreting them from decolonial perspectives to provide alternative accounts of exploration. She considers the individuals and institutions—including the American Museum of Natural History—responsible for creating the films, the spectators who sought them out, and the Indigenous intermediaries whose roles white explorers minimized. Ambitious and interdisciplinary, Nomadic Cinema ranges widely, from the roots of expedition films in medieval cartography and travel writing to still-emerging technologies of virtual and augmented reality. Highlighting the material conditions of filmmaking and the environmental footprint left by exploration, this book recovers Indigenous memory and sovereignty from within long-buried sources. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

Karma is viewed as a fundamental principle in the spiritual world, suggesting that everything we do, say, and even think generates consequences that eventually come back to us, whether in this life or in the future. My guests, Lama Lhanang Rinpoche and Mordy Levine, believe that karma influences not only our individual situations but also the broader social landscape. They are here to share their insights on its impact and to suggest a constructive way to move forward. Lama Lhanang Rinpoche was born in the Amdo region of historic Tibet and received a traditional monastic education and later studied under several respected Tibetan lamas. Today, he teaches Vajrayana Buddhism at the Jigme Lingpa Center in San Diego, California. Mordy Levine is an entrepreneur, meditation teacher, and the president of the Jigme Lingpa Center. He also created the Meditation Pro Series, a meditation program designed to alleviate chronic health issues. In this discussion, Lama and Mordy demonstrate the principles of karma in everyday life and suggest ways to cultivate positive karma. They draw from the Buddhist perspective, highlighting how it fosters compassion, joy, and inner peace amidst the uncertainties of life.

4/8 The Party's Interests Come First: The Life of XI Zhongxun, Father of XI Jinping Hardcover – 3 June 2025 by  Joseph Torigian  (Author) 1951 TIBET