Podcasts about toronto press

C'est une chaîne de cafés indissociable de l'identité canadienne, dont le concept a toutefois germé dans la tête d'un Québécois francophone, qui travaillait comme représentant pour les petits gâteaux Vachon… je parle bien sûr de Tim Hortons! Script: Steve Proulx, journaliste et auteur https://linktr.ee/steveprout Vignette: Charles Boidin @Boidinch Sources et pour aller plus loin: « Double double : how Tim Hortons became a Canadian way of life, one cup at a time », par Douglas Hunter, HarperCollins, 2012 « Always fresh : the untold story of Tim Hortons by the man who created a Canadian empire », par Ron Joyce, HarperCollins, 2006. Steve Penfold, The Donut. A Canadian History, University of Toronto Press, 2008. L'héritage (et le passé méconnu) de Tim Horton, mort il y a 50 ans https://ici.radio-canada.ca/en-bref/90-8543/anniversaire-tim-hortons-cafe-hockey Tim Horton https://fr.wikipedia.org/wiki/Tim_Hortons Tim Hortons https://www.timhortons.ca/notre-histoire Tim Hortons a 60 ans: déroulez le rebord son histoire LA PRESSE CANADIENNE|PUBLIÉ LE 17 MAI 2024 | MIS À JOUR LE 11 JUILLET 2024 https://www.lesaffaires.com/bourse/actualites-boursieres/tim-hortons-a-60-ans-deroulez-le-rebord-son-histoire-2/ Qui est Tim Horton https://directionlequebec.com/lhistoire-de-tim-hortons/ Tim Hortons, Douglas Hunter et Jessica Poulin Date de publication en ligne, 21 février 2017, Dernière modification, 21 juin 2024 https://thecanadianencyclopedia.ca/fr/article/tim-hortons Autres références disponibles sur demande. #histoire #documentaire #timhortons #donuts #beignets #cafe #coffeeHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

C'est quoi, Dunkin' Donuts, et pourquoi la marque a-t-elle complètement disparu au Québec? Script: Steve Proulx, journaliste et auteur https://linktr.ee/steveproutVignette: Charles Boidin @Boidinch Sources et pour aller plus loin: Steve Penfold, The Donut. A Canadian History, University of Toronto Press, 2008. Dunkin' Donuts https://en.wikipedia.org/wiki/Dunkin%27_Donuts Dunkin' https://fr.wikipedia.org/wiki/Dunkin%27 The Surprising History of Dunkin' Donuts, Takeoutery, 2023 https://youtu.be/MEMFObt9bOM?si=iDCNYU3CPTkWzKJl Dunkin' à travers les décennies : 75 ans au service de l'Amérique, 30 mai 2025, Jessica Shock https://stories.inspirebrands.com/dunkin-through-the-decades-celebrating-75-years-of-keeping-america-running/ How America Runs On Dunkin' Donuts, Weird History Food, 2023. https://youtu.be/QX9XDyc8jDQ?si=cObnxutuIB1bbQdO Autres références disponibles sur demande. #histoire #documentaire #donut #beigne #dunkindonuts #cafe #coffeeHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

The winds of change are blowing through the world's maritime hubs…despite some national governments' efforts to the contrary. While the shipping industry carries 90% of global trade, it also leaves a heavy carbon trail in its wake. In this episode of Cities 1.5, we explore the high-stakes transformation of our global ports: once seen as industrial hotspots of pollution, these urban harbours are emerging as the front lines of the green transition. We dive into the groundbreaking "Green Shipping Corridors" that are linking sustainable cities, and the bold shift toward zero-emission fuels. From local air quality to global supply chains, discover how cities are turning the tide on emissions and steering the industry toward a 1.5°C future. It's time to rethink the horizon: clearer skies and smoother sailing ahead.Featured guests: Eric Garcetti, C40 Ambassador for Global Climate Diplomacy and former Mayor of Los AngelesAlisa Kreynes, Director of Ports and Shipping at C40Featured clips:The Shipping Forecast - BBC Radio 4Global shipping emissions vote on a knife edge at IMO - BBC Business TodayLinks:Greenhouse gas emissions and air pollution from global shipping, 2016–2023 - The International Council on Clean TransportationA guide to the IMO's Net-Zero Framework - Global Maritime ForumLandmark deal to cut global shipping emissions in tatters after US pressure - BBC NewsPorts and Shipping - C40 Knowledge HubGreen shipping corridors programme - C40 Cities websiteFrom Los Angeles to Shanghai, the port cities collaborating to cut shipping emissions - ReutersGreen Ports Forum - C40 Cities websiteWhy should we talk about a 'just and equitable' transition for shipping? - UN Trade and DevelopmentRescuing shipping's Net Zero Framework - Climate AnalyticsCities take the global stage to showcase climate action at the IMO for the first time - C40 Cities websiteIf you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeriesCities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/Writing and executive production by Peggy Whitfield.Narrative and communications support by Chiara Morfeo.Produced by Jess Schmidt: https://jessdoespodcasting.com/Edited by Morgane Chambrin: https://www.morganechambrin.com/Music by Lorna Gilfedder: https://origamipodcastservices.com/

From fossil fuel lobbying to coordinated political disinformation campaigns, vested interests have built a profitable disinformation infrastructure designed to spread confusion, polarize debate, and exhaust the public. The good news is that the world is waking up. For the first time in the history of the COP, a Declaration on Information Integrity was agreed upon, with governments committing to address climate disinformation and promote accurate, evidence-based information globally.But we need to go further upstream - instead of simply fighting falsehoods, we need to build ecosystems where truth can take root and flourish. In this episode, we look to Brazil and speak to an individual who was integral in bringing information integrity both to COP and the international agenda. She makes the case for cities as one of the most powerful forces in reclaiming the narrative, building the infrastructure of truth from the ground up - one community at a time.Featured guest: Thais Lazzeri, Investigative Journalist and Founder of FALALinks:Declaration on Information Integrity on Climate Change - UNESCOIntegrity Information Observatory - OiiMentiro Tem Preco (Lies Have a Price)Climate Information Integrity5 Million Acts for Truth - FALATomorrow is today - YouTube (Portuguese)500 Grams of Life - Thais Lazzeri (Portuguese) ‘Democracy on the line': Brazil's election and the Bolsonaro disinformation ecosystem - Columbia Journalism ReviewEnvironmental and Climatic Disinformation in Northern Brazil: Dynamics and Impact in the Context of COP-30 - Heinrich Boll StiftungEnvironmental journalism and the struggle against disinformation in Brazil - Frontiers in CommunicationIf you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeriesCities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/Writing and executive production by Peggy Whitfield.Narrative and communications support by Chiara Morfeo.Produced by Jess Schmidt: https://jessdoespodcasting.com/Edited by Morgane Chambrin: https://www.morganechambrin.com/Music by Lorna Gilfedder: https://origamipodcastservices.com/

2026 marks the 20th year of publishing Genocide Studies International. The journal's first issue was a special issue on genocide in Darfur. Twenty years later, newspapers and podcasts are talking again about mass violence in Sudan. So I thought it would be a good time to host a discussion among current and former editors of the journal about the state of genocide studies and about how academic journals can contribute to its goals. We talked about the nature of the field of genocide studies, about what it means to be a scholar in a field where activism is common, and about how GSI understands its purpose. And we say a bit to graduate students and early career academics about how to get an article published in GS. If you're interested in this interview, I'd suggest looking back in the NBGS archives to look for discussions about the purpose of genocide education with Maureen Hiebert and Jim Waller and an interview with John Roth and Carol Rittner about their belief that Holocaust and Genocide education is failing to achieve that purpose. Genocide Studies International is a journal of the Zoryan Institute and is published by University of Toronto Press. You can find more information about Zoryan here Home - Zoryan Institute and suscribe to the journal here Genocide Studies International Home | University of Toronto Press Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

2026 marks the 20th year of publishing Genocide Studies International. The journal's first issue was a special issue on genocide in Darfur. Twenty years later, newspapers and podcasts are talking again about mass violence in Sudan. So I thought it would be a good time to host a discussion among current and former editors of the journal about the state of genocide studies and about how academic journals can contribute to its goals. We talked about the nature of the field of genocide studies, about what it means to be a scholar in a field where activism is common, and about how GSI understands its purpose. And we say a bit to graduate students and early career academics about how to get an article published in GS. If you're interested in this interview, I'd suggest looking back in the NBGS archives to look for discussions about the purpose of genocide education with Maureen Hiebert and Jim Waller and an interview with John Roth and Carol Rittner about their belief that Holocaust and Genocide education is failing to achieve that purpose. Genocide Studies International is a journal of the Zoryan Institute and is published by University of Toronto Press. You can find more information about Zoryan here Home - Zoryan Institute and suscribe to the journal here Genocide Studies International Home | University of Toronto Press Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

2026 marks the 20th year of publishing Genocide Studies International. The journal's first issue was a special issue on genocide in Darfur. Twenty years later, newspapers and podcasts are talking again about mass violence in Sudan. So I thought it would be a good time to host a discussion among current and former editors of the journal about the state of genocide studies and about how academic journals can contribute to its goals. We talked about the nature of the field of genocide studies, about what it means to be a scholar in a field where activism is common, and about how GSI understands its purpose. And we say a bit to graduate students and early career academics about how to get an article published in GS. If you're interested in this interview, I'd suggest looking back in the NBGS archives to look for discussions about the purpose of genocide education with Maureen Hiebert and Jim Waller and an interview with John Roth and Carol Rittner about their belief that Holocaust and Genocide education is failing to achieve that purpose. Genocide Studies International is a journal of the Zoryan Institute and is published by University of Toronto Press. You can find more information about Zoryan here Home - Zoryan Institute and suscribe to the journal here Genocide Studies International Home | University of Toronto Press Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

2026 marks the 20th year of publishing Genocide Studies International. The journal's first issue was a special issue on genocide in Darfur. Twenty years later, newspapers and podcasts are talking again about mass violence in Sudan. So I thought it would be a good time to host a discussion among current and former editors of the journal about the state of genocide studies and about how academic journals can contribute to its goals. We talked about the nature of the field of genocide studies, about what it means to be a scholar in a field where activism is common, and about how GSI understands its purpose. And we say a bit to graduate students and early career academics about how to get an article published in GS. If you're interested in this interview, I'd suggest looking back in the NBGS archives to look for discussions about the purpose of genocide education with Maureen Hiebert and Jim Waller and an interview with John Roth and Carol Rittner about their belief that Holocaust and Genocide education is failing to achieve that purpose. Genocide Studies International is a journal of the Zoryan Institute and is published by University of Toronto Press. You can find more information about Zoryan here Home - Zoryan Institute and suscribe to the journal here Genocide Studies International Home | University of Toronto Press Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare's Theatres and England's Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard's The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare's Merry Wives of Windsor, Ovid's Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare's Theatres and England's Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard's The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare's Merry Wives of Windsor, Ovid's Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare's Theatres and England's Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard's The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare's Merry Wives of Windsor, Ovid's Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare's Theatres and England's Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard's The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare's Merry Wives of Windsor, Ovid's Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare's Theatres and England's Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard's The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare's Merry Wives of Windsor, Ovid's Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare's Theatres and England's Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard's The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare's Merry Wives of Windsor, Ovid's Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare's Theatres and England's Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard's The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare's Merry Wives of Windsor, Ovid's Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Definitively our most Canadian conversation yet!In this episode of Material Girls, we once again take a look at Heated Rivalry — this time focusing on the Canadian-ness of the show. We were joined in February by sister of the pod, Hope Rehak, to think through the show's popularity as it relates to puritanism. This time around, we brought in John Batt (he/him), the brilliant mind behind the Instagram account @canada.gov.ca,* to help us think through the show as CanCon (Canadian content).Together, Marcelle, Hannah and John consider what it means for something "to be Canadian." They broach the myth of Canadian culture as a monolith and do a historical deep dive on The Massey Commission to get a better sense of how CanCon became institutionalized as a nationalist endeavor. If you like Canada Corner™ you'll love this episode about Canadiana with Canadian treasure, John Batt."This is a great episode for someone who recently got into hockey." - Gaby Iori, someone who recently got into hockey*If you don't know it already, go follow the account for curated stories from the obscure and often bizarre side of Canadian history and culture!Related ListeningHeated Rivalry x The Puritanical Eye with Hope RehakBook 4, Episode 2: The Nation State (from Witch, Please podcast)Trade Movies Podcast (clip mentioned by John Batt)Works Cited“Canadian Content.” Wikipedia. Wikimedia Foundation. Feb 8, 2026. https://en.wikipedia.org/wiki/Canadian_content#:~:text=Current%20Canadian%20content%20percentages%20are,multicultural%20formats%20have%20lower%20percentages).“Canadiana.” Wikipedia. Wikimedia Foundation. Mar 29, 2026. https://en.wikipedia.org/wiki/Canadiana.Litt, Paul. 1992. The Muses, the Masses, and the Massey Commission. University of Toronto Press.Morrison, Catherine. 2026. “Culture Minister Says Hockey Romance Heated Rivalry Is a Cancon Triumph.” CBC. January 15, 2026. https://www.cbc.ca/news/politics/heated-rivalry-cancon-triumph-9.7046368.“Peak Hockey Romance, Brought to You by Canadian Taxpayers.” 2023. Turbotax. 2023. https://turbotax.intuit.ca/tips/heated-rivalry-canadian-culture-funding?srsltid=AfmBOopyhhXtfaL9EN-cTEedVftFvXbkfs1oCdrNbNbWI_U1xD9embi3.Support Material GirlsTo learn more about the show, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca (you can also find transcripts here!). Want to support the podcast and our tiny, hard-working team? Check out all the content we have on our Patreon at Patreon.com/ohwitchplease. Bonus episodes, bloopers, merch, watch-alongs, and more! Need a last minute gift for a friend or family member? You can gift a Patreon subscription at this link: https://www.patreon.com/ohwitchplease/gift!Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

As our lives become increasingly digital, the infrastructure powering them is sparking a global debate: we need data centres, but at what cost to the climate and our access to energy? These massive facilities are the backbone of everything from streaming to AI, yet they consume staggering amounts of electricity and water, often straining local grids and and in some cases, threatening to derail decarbonisation efforts.In this episode of Cities 1.5, we explore how Ireland became the "canary in the coalmine" for this issue. With data centres projected to consume nearly 30% of the nation's electricity by 2030, the Irish experience serves as a critical warning – and a roadmap – for cities worldwide. We examine the tension between economic ambition and climate mandates, questioning how urban leaders can manage the rapid expansion of digital infrastructure without derailing net-zero goals. Join us as we dive into the lessons learned from the frontlines of the data centre boom and what they mean for the future of sustainable cities.Featured guest: Professor Hannah Daly, Professor of Sustainable Energy at University College CorkLinks:Ireland's data centre boom is driving up fossil fuel dependence - The Irish Times, by Professor Hannah DalyData Centres Metered Electricity Consumption 2024 - Central Statistics OfficeEnergy for who? Data centres and the grid - Friends of the Earth IrelandHow Big Tech wrote secrecy into EU law to hide environmental toll - The Journal InvestigatesWhat Ireland's Data Center Crisis Means for the EU's AI Sovereignty Plans -  AlgorithmWatchIreland's data centre policy reset: The end of the blanket moratorium -  KPMG IrelandGoogle's Dublin data centre blocked amid energy usage concerns - Tech MonitorData Centres Ireland – Energy, Growth and the Grid Debate - Enable ResearchIf you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeriesCities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/Writing and executive production by Peggy Whitfield.Narrative and communications support by Chiara Morfeo.Produced by Jess Schmidt: https://jessdoespodcasting.com/Edited by Morgane Chambrin: https://www.morganechambrin.com/Music by Lorna Gilfedder: https://origamipodcastservices.com/

Definitively our most Canadian conversation yet!In this episode of Material Girls, we once again take a look at Heated Rivalry — this time focusing on the Canadian-ness of the show. We were joined in February by sister of the pod, Hope Rehak, to think through the show's popularity as it relates to puritanism. This time around, we brought in John Batt (he/him), the brilliant mind behind the Instagram account @canada.gov.ca,* to help us think through the show as CanCon (Canadian content).Together, Marcelle, Hannah and John consider what it means for something "to be Canadian." They broach the myth of Canadian culture as a monolith and do a historical deep dive on The Massey Commission to get a better sense of how CanCon became institutionalized as a nationalist endeavor. If you like Canada Corner™ you'll love this episode about Canadiana with Canadian treasure, John Batt."This is a great episode for someone who recently got into hockey." - Gaby Iori, someone who recently got into hockey*If you don't know it already, go follow the account for curated stories from the obscure and often bizarre side of Canadian history and culture!Related ListeningHeated Rivalry x The Puritanical Eye with Hope RehakBook 4, Episode 2: The Nation State (from Witch, Please podcast)Trade Movies Podcast (clip mentioned by John Batt)Works Cited“Canadian Content.” Wikipedia. Wikimedia Foundation. Feb 8, 2026. https://en.wikipedia.org/wiki/Canadian_content#:~:text=Current%20Canadian%20content%20percentages%20are,multicultural%20formats%20have%20lower%20percentages).“Canadiana.” Wikipedia. Wikimedia Foundation. Mar 29, 2026. https://en.wikipedia.org/wiki/Canadiana.Litt, Paul. 1992. The Muses, the Masses, and the Massey Commission. University of Toronto Press.Morrison, Catherine. 2026. “Culture Minister Says Hockey Romance Heated Rivalry Is a Cancon Triumph.” CBC. January 15, 2026. https://www.cbc.ca/news/politics/heated-rivalry-cancon-triumph-9.7046368.“Peak Hockey Romance, Brought to You by Canadian Taxpayers.” 2023. Turbotax. 2023. https://turbotax.intuit.ca/tips/heated-rivalry-canadian-culture-funding?srsltid=AfmBOopyhhXtfaL9EN-cTEedVftFvXbkfs1oCdrNbNbWI_U1xD9embi3.Support Material GirlsTo learn more about the show, head to our Instagram at instagram.com/ohwitchplease! Or check out our website ohwitchplease.ca (you can also find transcripts here!). Want to support the podcast and our tiny, hard-working team? Check out all the content we have on our Patreon at Patreon.com/ohwitchplease. Bonus episodes, bloopers, merch, watch-alongs, and more! Need a last minute gift for a friend or family member? You can gift a Patreon subscription at this link: https://www.patreon.com/ohwitchplease/gift!Music Credits:“Shopping Mall”: by Jay Arner and Jessica Delisle ©2020Used by permission. All rights reserved. As recorded by Auto Syndicate on the album “Bongo Dance”. Hosted on Acast. See acast.com/privacy for more information.

 Ready for a ride? In this episode, we're celebrating the inaugural World Public Transport Day, created by the International Association of Public Transport (UITP), along with its global partners, and we explore why public transport is the beating heart of our cities. From the "rolling focus groups" on Melbourne's iconic trams to the colorful jeepneys of the Philippines, we share personal stories of connection from urban centres across the globe.But it's not just about the journey: we dive into the hard policy making it happen. Discover how Mexico City's Metro uses unique icons to bridge literacy gaps, how Salvador is empowering women through "Women behind the Wheel," and how Amman's new electric fleet is clearing the air. Hop on for a celebration of the journeys that move us all!Special thanks to Mariana Batista, C40 Senior Manager for Public Transport, for her assistance in providing both translation and production support for this episode.Featured guests: Nobuntu Ciko Duze, Deputy Director of Transport Systems Management, JohannesburgNick Reece, Lord Mayor of MelbourneJim Duran Mayerstein, Senior Manager, Zero-Emission Bus Rapid Deployment Accelerator (ZEBRA) at C40Sonto Ziqubu, C40 Executive Office CoordinatorAdriana de Jesus Ferreira, Bus Driver and Mulheres no Volante beneficiaryYousef Al Shawarbeh, Mayor of AmmanMark Watts, Executive Director of C40 CitiesLinks: The Transit City that could've been - The Ethnic AisleZero emission transport - C40 CitiesTransport Sector Analysis - International Energy AgencyCompleting the Trip - World Resources InstituteI got inked by the world's oldest tattoo artist - CNN StyleMexico City's Metro Icons - Mexican RoutesInfographic: Joburg by taxi - Brand South AfricaWomen Behind the Wheel project - Salvador City HallIf you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeriesCities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/Writing and executive production by Peggy Whitfield.Narrative and communications support by Chiara Morfeo.Produced by Jess Schmidt: https://jessdoespodcasting.com/Edited by Morgane Chambrin: https://www.morganechambrin.com/Music by Lorna Gilfedder: https://origamipodcastservices.com/

Cities aren't just structures. They're people. In the rapidly urbanising cities of the global majority, many of those people are migrant workers.  They often work informally, with limited protection when shocks hit. At the same time, they are vital to propping up and rebuilding cities after climate disasters. In this week's Cities 1.5 podcast episode, host David Miller speaks to Ritwika Basu, an environmental social scientist and urbanist who researches this invisible labour in small and medium-sized cities in India.Featured guests:Ritwika Basu, Environmental Social Scientist and Urbanist, and one of the guest editors of the Journal City Climate Policy and Economy's soon to be released Special Issue on Adaptation and Resilience in Cities of the Majority World: Advancing Equity and Justice in Practice, and Author of “Hidden Infrastructure of Urban Resilience: Labor, Precarity, and Economic Adaptation in India” which will be released to open access on April 15, 2026.Links:Resilient Cities (and how to build them) - Cities 1.5Journal of City Climate Policy and EconomyResources on Urban Climate Resilience - C40 Knowledge HubGood Green Jobs and Labour Migration: Opportunities for Urban Leaders - C40 Knowledge HubIf you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeriesCities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/Writing and executive production by Peggy Whitfield.Narrative and communications support by Chiara Morfeo.Produced by Jess Schmidt: https://jessdoespodcasting.com/Edited by Morgane Chambrin: https://www.morganechambrin.com/Music by Lorna Gilfedder: https://origamipodcastservices.com/

Power doesn't just seize territory. It seizes the story. I'm using a selection of 6 excellent new books to follow the narrative battlegrounds where modern Russia tries to control what people see as true, normal, and inevitable, and where society still finds ways to push back even when formal protest is risky, whether in framing Harry Potter, or surviving in the occupied Donbas.The books in question are:Alexis Lerner, Post-Soviet Graffiti. Free Speech in Authoritarian States (University of Toronto Press, 2025) - see also her Eurasian Knot podcast interview here.Michael Gorham, Networking Putinism. The rhetoric of power in the digital age (Cornell University Press, 2026)Eliot Borenstein,The Politics of Fantasy. Magic, Children's Literature and Fandom in Putin's Russia (University of Wisconsin Press, 2025). Greta Lynn Uehling, Everyday War: The Conflict Over Donbas, Ukraine  (Cornell University Press, 2023)David Lewis, Occupation. Russian Rule in Southeastern Ukraine (Hurst, 2025) Martin Laryš, Rebel Militias in Eastern Ukraine, from leaderless groups to proxy armies (Routledge, 2025). Details of the Times event on 7 May I mentioned are here.The podcast's corporate partner and sponsor is Conducttr, which provides software for innovative and immersive crisis exercises in hybrid warfare, counter-terrorism, civil affairs and similar situations.You can also follow my blog, In Moscow's Shadows, and become one of the podcast's supporting Patrons and gain question-asking rights and access to exclusive extra materials including the (almost-) weekly Govorit Moskva news briefing right here. Support the show

This latest episode of the Courage My Friends podcast series features "The Radical Labour of Care" panel discussion with: Indigenous midwife, leader, and educator, Claire Dion Fletcher; crisis outreach worker, case manager, and advocate in Toronto's Downtown East, Lorraine Lam; and program director of the Latinx Womyn's Program at the Toronto Rape Crisis Centre/Multicultural Women Against Rape, Grissel Orellana. It is moderated by Eliza Chandler, associate professor in the School of Disability Studies and executive director of the Office of Social Innovation at Toronto Metropolitan University.  This latest session of TMU's Transformation Café series was hosted at the 34th annual Labour Fair at George Brown Polytechnic. Under this year's Labour Fair theme, "Building a Working Peoples' City," the panel discussed the essential, but undervalued labour of care, interventions in the increasingly inaccessible, unaffordable and hostile city and building practices of mutual aid, community safety and collective survival toward caring and liveable cities. Fletcher explains: "My work is very grounded in an Indigenous feminist perspective, and that self-determination of our nations cannot be fully realized unless all members of our nations are included.And that means we must address the gendered nature of colonization. And that sovereignty of our nations cannot happen without sovereignty of our bodies. And so this has led me to a deep commitment to reproductive justice" According to Lam: "The root of care for me is really about compassion.And the original Latin meaning of the word compassion comes from two different words ... "to suffer" and "with." And so for me, the radical root of care … is really about compassion, which is different from pity. 'Cause you can walk by someone and have pity on them. You can have sympathy for them. You might even get empathy for them. But the goal is really about: what does it mean to suffer with? And I think that's what pushes us towards thinking about solidarity." Orellana says: "The frontline work as labour, it's so devalued. When we're doing so much caring, so much support, so much healing going on, so much advocacy … And I find it difficult … I mean, I've been working in the field for a long time. But more Latin American people are coming in. And every time I sit down with a person it is like when I came here 38 years ago, it's the story over and over again … But we are all needed, needed, needed. We're all important and beautiful." About today's guests:  Eliza Chandler (she/her) is an associate professor in the School of Disability Studies and executive director of the Office of Social Innovation at Toronto Metropolitan University whose work is grounded in disability arts. As a scholar, curator, and organizer, she explores how disability arts reshape cultural spaces through critical access, disability justice, and disability-led creative practice. Chandler's work highlights disability arts as a vital site of political, aesthetic, and world-making knowledge. Claire Dion Fletcher (she/her) is a Lenape- Potawatomi and mixed settler registered midwife. Fletcher is current vice-president of the Canadian Association of Midwives and past co-chair of the National Council of Indigenous Midwives. She is an assistant professor at the Toronto Metropolitan University Midwifery Education Program. Her teaching focuses on Indigenous midwifery and social justice issues. Fletcher is deeply committed to increasing diversity in the midwifery profession through Indigenous-led education.  Lorraine Lam (she/her) is a Chinese-Canadian daughter of a solo parent, with an education in music, sociology and social work. For over a decade, she has worked in Toronto's Downtown East, walking alongside community members navigating homelessness, drug use, incarceration, poverty, racism, and systemic injustice. Her work is shaped by these communities that have taught her to centre harm reduction, anti-oppression, and trauma-informed practices. She is currently a caseworker at Amadeusz, supporting individuals with firearms-related charges, and she serves on the board of Building Roots and organizes with Christians for a Free Palestine: Toronto and Shelter & Housing Justice Network. Lam also co-authored a chapter in Displacement City (University of Toronto Press, 2022) Find her at www.lorrainelam.me, IG: @lorrainelamchops, X: @lorrainelamchop, Bluesky: @lorrainelamchops.bsky.social and Tiktok: @lorrainelamchops. Grissel Orellana (she/they) is from El Salvador, Central America and lives in Tkaronto/Toronto. She identifies as Indigenous, from Mestiza ancestry. Grissel is a feminist, a human rights activist/defender, a lesbian femme, a mother, a healer, and a survivor of war and gender-based violence. Orellana has worked at the Toronto Rape Crisis Centre/Multicultural Women Against Rape for 26 years. She is currently a program director of the Latinx Womyn Program at the Centre, where she continues to triumph for a diversity of Latin American survivors. This program is a space for support, personal growth, collective development and dialogue about our role as Latinx immigrants, political refugees, and survivors of multiple abuse and human rights violations, here in Toronto, Canada. In her work at the Toronto Rape Crisis Centre/Multicultural Women Against Rape, Orellana is part of a collective that advocates for liberation from all forms of violence. Transcript of this episode can be accessed at georgebrown.ca/TommyDouglasInstitute.  Images: Eliza Chandler, Claire Dion Fletcher, Lorraine Lam, Grissel Orellana (Used with permission) Tech & Recording Support: Ben McCarthy Music: Ang Kahora. Lynne, Bjorn. Rights Purchased.  Intro Voices: Ashley Booth (Podcast Announcer); Bob Luker (Tommy)  Courage My Friends podcast organizing committee: Chandra Budhu, Ashley Booth, Resh Budhu.  Produced by: Resh Budhu, Tommy Douglas Institute of Labour and Social Justice and Breanne Doyle, rabble.ca.  Host: Resh Budhu.  

Why does looking "effortless" cost so much?In this episode, I'm breaking down the myth of low-maintenance beauty and why "natural" is often anything but. From aristocrats who had other people do the work for them to today's hyper-curated "clean girl" aesthetic, what looks effortless is usually carefully constructed behind the scenes. I'll get into how this illusion became a class signal, who it actually benefits, and who gets left out.Because in beauty culture, effort doesn't disappear...it just gets edited out.Are. You. Ready?****************Sources & Further Reading:Class, Taste, and BeautyBourdieu, Pierre. Distinction: A Social Critique of the Judgement of Taste (Harvard University Press).Lemire, Beverly. Dress, Culture and Commerce (Palgrave Macmillan).History of Beauty & CosmeticsPeiss, Kathy. Hope in a Jar: The Making of America's Beauty Culture (Metropolitan Books).Jones, Geoffrey. Beauty Imagined (Oxford University Press).Beauty, Labor, and SociologyWolf, Naomi. The Beauty Myth (HarperCollins).Waring, Marilyn. If Women Counted (University of Toronto Press).Modern Beauty & Digital CultureTolentino, Jia. Trick Mirror (Random House).Elias, Ana Sofia et al. Aesthetic Labour (Palgrave Macmillan).****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

In this episode of Cities 1.5, we bring you another "Tale of Two Cities" - but this time, David sits down with two pioneering mayors from opposite ends of the globe. Despite their vastly different histories, both Athens are Melbourne are inspiring and leading the way through the climate crisis, and mitigating its impacts.We explore Athens is embracing progressive economics and tackling energy poverty, and how Melbourne is transforming and greening urban spaces and trailblazing renewable energy schemes and much more.These urban leaders are protecting city residents from climate impacts, engaging the next generation, and proving that local innovation and leadership is the best way to navigate the climate crisis. Featured guests:Haris Doukas, Mayor of AthensNick Reece, Lord Mayor of MelbourneLinks:Inside the World Mayors Summit: Cities throw down the gauntlet - Cities 1.5Inside the World Mayors Summit: The battle for cities, truth and a fossil fuel free future at COP30 and beyond - Cities 1.5Athens mayor focuses on getting capital through extreme heat - The GuardianA blueprint for European cities? Athens announces new initiative to tackle energy poverty - Net Zero CitiesDoughnut Economics Action Lab4th Youth Assembly on Climate Change with the participation of University Students - EliamepNick Reece reveals plan to make Melbourne the “Garden City” - Southbank Local NewsMelbourne Renewable Energy Project Disinformation and the City - Melbourne Centre for CitiesWhat should Melbourne be like in 2050? - Docklands NewsM2050 Summit ReportIf you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeriesCities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/Writing and executive production by Peggy Whitfield.Narrative and communications support by Chiara Morfeo.Produced by Jess Schmidt: https://jessdoespodcasting.com/Edited by Morgane Chambrin: https://www.morganechambrin.com/Music by Lorna Gilfedder: https://origamipodcastservices.com/

Lorena Sekwan Fontaine and Adam Muller, eds., The Erasure and Revitalization of Indigenous Cultures and Languages: A Special Issue of Genocide Studies International (Vol. 16., No. 2). A publication of the Zoryan Institute and University of Toronto Press. This special issue of Genocide Studies International examines the erasure and revitalization of Indigenous cultures and languages a crucial area of analysis within genocide and human rights studies. The collection explores how Indigenous languages function as both targets and tools of survival. It emphasizes that language revitalization is not simply about preservation but is part of a larger movement for self-determination, sovereignty and resistance. It features articles by authors of a variety of disciplinary and cultural backgrounds to survey the terrain of language erasure and revitalization as it understood in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Lorena Sekwan Fontaine and Adam Muller, eds., The Erasure and Revitalization of Indigenous Cultures and Languages: A Special Issue of Genocide Studies International (Vol. 16., No. 2). A publication of the Zoryan Institute and University of Toronto Press. This special issue of Genocide Studies International examines the erasure and revitalization of Indigenous cultures and languages a crucial area of analysis within genocide and human rights studies. The collection explores how Indigenous languages function as both targets and tools of survival. It emphasizes that language revitalization is not simply about preservation but is part of a larger movement for self-determination, sovereignty and resistance. It features articles by authors of a variety of disciplinary and cultural backgrounds to survey the terrain of language erasure and revitalization as it understood in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/native-american-studies

Lorena Sekwan Fontaine and Adam Muller, eds., The Erasure and Revitalization of Indigenous Cultures and Languages: A Special Issue of Genocide Studies International (Vol. 16., No. 2). A publication of the Zoryan Institute and University of Toronto Press. This special issue of Genocide Studies International examines the erasure and revitalization of Indigenous cultures and languages a crucial area of analysis within genocide and human rights studies. The collection explores how Indigenous languages function as both targets and tools of survival. It emphasizes that language revitalization is not simply about preservation but is part of a larger movement for self-determination, sovereignty and resistance. It features articles by authors of a variety of disciplinary and cultural backgrounds to survey the terrain of language erasure and revitalization as it understood in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies

Lorena Sekwan Fontaine and Adam Muller, eds., The Erasure and Revitalization of Indigenous Cultures and Languages: A Special Issue of Genocide Studies International (Vol. 16., No. 2). A publication of the Zoryan Institute and University of Toronto Press. This special issue of Genocide Studies International examines the erasure and revitalization of Indigenous cultures and languages a crucial area of analysis within genocide and human rights studies. The collection explores how Indigenous languages function as both targets and tools of survival. It emphasizes that language revitalization is not simply about preservation but is part of a larger movement for self-determination, sovereignty and resistance. It features articles by authors of a variety of disciplinary and cultural backgrounds to survey the terrain of language erasure and revitalization as it understood in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/language

What links the Paris Agreement, Barbie and Arnold Schwarzenegger? The answer is this week's guest on Cities 1.5!As a key architect of the Paris Agreement, Catherine McKenna - Canada's former Minister for Climate Change and the Environment - reflects on why cities are now the true engines of delivery. There's also a powerful exploration of Catherine's new memoir, Run Like a Girl, and a firsthand account of why we cannot solve the climate crisis while leaving half the world's population out of the corridors of power. It's time to lead like a girl.Featured guest:Hon. Catherine McKenna, Chair of the UN Secretary General's High-Level Expert Group on Net-Zero Commitments of Non-State Entities and host of Women Leading on Climate podcastAudio clips:Environment minister tells Rebel Media reporter to stop calling her 'Climate Barbie' - CBC NewsLinks:What justice for women in Afghanistan? - Swiss InfoInside the C40 World Mayors Summit - Cities 1.5It's Grand Ol' Bargain, Alright - Hot TakesCanada's former climate minister on making a change, ‘aloof' Trudeau and sexism - The GuardianIntegrity Matters: Net-Zero Emissions Commitments of Non-State Entities - United Nations websiteParis climate deal - The GuardianBreaking the Tragedy of the Horizon - Mark Carney speechMeet the young climate activists behind Mathur et. al. v. His Majesty - EcojusticeWhy would anyone hate Catherine McKenna? - Maclean'sIf you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeriesCities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/Writing and executive production by Peggy Whitfield.Narrative and communications support by Chiara Morfeo.Produced by Jess Schmidt: https://jessdoespodcasting.com/Edited by Morgane Chambrin: https://www.morganechambrin.com/Music by Lorna Gilfedder: https://origamipodcastservices.com/

Hello Bravo Bosses! Today's episode is audio only but you can watch the audio version on YouTube! Today we are recapping Summer House Season 10 Episode 5 as well as Amanda Batula's interview with Marie Claire AND my night with Lindsay Hubbard and Jesse Solomon in Toronto! Love you BBs! Join the Patreon for $5 a month to get 4 extra episodes a month! ad free episodes! early episodes! and bonus content! Join the fun at patreon.com/thebravoinvestigatorpodcast YouTube  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook NOTE: No claims have been verified and all information today is alleged, speculation, and is intended purely just for fun. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Journalist, author and historian Misha Glenny presents his first edition of In Our Time, succeeding Melvyn Bragg who retired from this role last summer. Misha and his guests discuss the landmark work On Liberty by John Stuart Mill, published in 1859 and the increasing recognition for his wife Harriet Taylor Mill's contribution. The subject matter of the essay is ‘civil or social liberty: the nature and limits of the power which can be legitimately exercised by society over the individual' and it argues that the sole end for which mankind may interfere with the liberty of action of anyone is self-protection and even then only to prevent harm to others. This essay became enormously popular and a foundational text for liberalism.WithHelen McCabe Professor of Political Theory at the University of NottinghamMark Philp Emeritus Professor of History and Politics at the University of WarwickAndPiers Norris Turner Associate Professor of Philosophy at The Ohio State UniversityProducer: Simon TillotsonReading list: Jo Ellen Jacobs (ed.), Harriet Taylor Mill, Complete Works (Indiana University Press, 1998) Bruce L. Kinzer, Ann P. Robson and John M. Robson, A Moralist In and Out of Parliament: John Stuart Mill at Westminster, 1865-1868 (University of Toronto Press, 1992) Christopher Macleod and Dale Miller (eds.), A Companion to Mill (Wiley, 2016)Helen McCabe, John Stuart Mill, Socialist (McGill-Queen's University Press, 2021)Helen McCabe, Harriet Taylor Mill (Cambridge, 2023)Piers Norris Turner, ‘The Arguments of On Liberty: Mill's Institutional Designs' (Nineteenth-Century Prose 47 (1), 2020)Piers Norris Turner et al (eds.), John Stuart Mill and Harriet Taylor Mill, On Liberty with Related Writings (Hackett Publishing, forthcoming 2026)Mark Philp (ed.), John Stuart Mill: Autobiography (Oxford University Press, 2018)Mark Philp and Frederick Rosen (eds.), John Stuart Mill: On Liberty, Utilitarianism and other Essays (Oxford University Press, 2015)Frederick Rosen, Mill (Oxford University Press, 2013)Alan Ryan, The Philosophy of John Stuart Mill (Palgrave MacMillan, 1998)Ben Saunders, ‘Reformulating Mill's Harm Principle' (Mind 125/500, 2016)John Skorupski, Why Read Mill Today? (Routledge, 2006)William Stafford, John Stuart Mill (Red Globe Press, 1998)C. L. Ten (ed.), Mill: On Liberty: A Critical Guide (Cambridge University Press, 2008)Nadia Urbinati and Alex Zakaras (eds.), John Stuart Mill's Political Thought: A Bicentennial Reassessment (Cambridge University Press, 2007) In Our Time is a BBC Studios production

The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy's relationship with America became a complex tapestry of admiration, critique, and adaptation. This study of Italy's Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson's military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation's Americanization. The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America's “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations. Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy's relationship with America became a complex tapestry of admiration, critique, and adaptation. This study of Italy's Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson's military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation's Americanization. The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America's “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations. Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy's relationship with America became a complex tapestry of admiration, critique, and adaptation. This study of Italy's Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson's military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation's Americanization. The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America's “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations. Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy's relationship with America became a complex tapestry of admiration, critique, and adaptation. This study of Italy's Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson's military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation's Americanization. The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America's “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations. Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy's relationship with America became a complex tapestry of admiration, critique, and adaptation. This study of Italy's Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson's military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation's Americanization. The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America's “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations. Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

I love street art. And I don't care in what form. Beautifully crafted murals. Spraypainted gang tags. Scrawls on bathroom stalls. Even guerilla sticker mosaics on streetlights. I especially like how street art alters the narrative of a space. So, I was excited when I received a copy of Alexis Lerner's book, Post-Soviet Graffiti. Post-Soviet street art has gotten little scholarly attention making the topic ripe for exploration and discussion. Post-Soviet graffiti shares a lot with its global counterparts–similar aesthetics, themes, culture, and political edginess. It also shares attempts at its co-optation by governments and corporations. But what makes political street art different in authoritarian countries like Russia? Is its power to circumvent media censorship and political control? What is street art, anyway? Who are the artists? And does graffiti have a political impact? The Eurasian Knot spoke to Alexis to get her thoughts and discuss the content and form of some of the graffiti she's encountered over the last decade.Guest:Alexis Lerner is an Assistant Professor of Political Science at the United States Naval Academy. She's the author of Post-Soviet Graffiti: Free Speech in Authoritarian States, published by University of Toronto Press. You can see the Alexis' gallery of graffiti at https://postsovietgraffiti.com/ Hosted on Acast. See acast.com/privacy for more information.

Drawing on memory studies and theatrical history, Commemorative Acts: French Theatre and the Memory of the Great War (University of Toronto Press, 2025) analyses a neglected body of plays staged in France after the Great War, between 1918 and 1937, to reveal their profound impact on collective memory and cultural identity. In the aftermath of the Great War, a remarkable wave of collective commemoration emerged, but the aesthetic diversity of this period has often been overshadowed by a singular focus on the combatant experience, primarily conveyed through fiction and memoir. This selective historical narrative has fostered a homogenized memory of the war, neglecting the rich array of cultural productions that also emerged alongside it. Commemorative Acts challenges these prevailing assumptions about the memory of the Great War and its literary expression in interwar France by spotlighting theatrical works that have largely been forgotten. The book uncovers how the dominance of first-person accounts of soldiers' experiences has subtly, yet powerfully, narrowed our understanding of what the memory of the Great War can encompass. It explores how drama, structurally at odds with the first-person perspective and defined by its simultaneous modes of expression and reception, has been lost to collective memory. By examining the unique capacity of the dramatic form to capture war trauma, Commemorative Acts offers insights that differ from those of other literary genres, highlighting the theatre's potential to provide a more expansive and nuanced understanding of interwar memorial culture. Author Susan McCready is Professor of French at the University of South Alabama and the co-director for the Center for the Study of War and Memory at South Alabama; she is also the author of 2016's Staging France between the World Wars: Performance, Politics, and the Transformation of the Theatrical Canon and 2007's The Limits of Performance in the French Romantic Theatre, as well as the co-editor of Novel Stages: Drama and the Novel in Nineteenth-Century France in 2007. She has also co-edited a volume of Lingua Romana on France and Memory in the Great War, and has authored many academic articles and chapters on French theater and related topics, as well as a number of public humanities projects on war and memory.  Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan  France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

To celebrate Melvyn Bragg's 27 years presenting In Our Time, five well-known fans of the programme have chosen their favourite episodes. Author and columnist Caitlin Moran has picked the episode on the English medieval mystic Margery Kempe and recorded an introduction to it. Margery Kempe (1373-1438) produced an account of her extraordinary life in a book she dictated, "The Book of Margery Kempe." She went on pilgrimage to Jerusalem, to Rome and Santiago de Compostela, purchasing indulgences on her way, met with the anchoress Julian of Norwich and is honoured by the Church of England each 9th November. She sometimes doubted the authenticity of her mystical conversations with God, as did the authorities who saw her devotional sobbing, wailing and convulsions as a sign of insanity and dissoluteness. Her Book was lost for centuries, before emerging in a private library in 1934.This In Our Time episode was first broadcast in June 2016. The image (above), of an unknown woman, comes from a pew at Margery Kempe's parish church, St Margaret's, Kings Lynn and dates from c1375.WithMiri Rubin Professor of Medieval and Early Modern History at Queen Mary, University of LondonKatherine Lewis Senior Lecturer in History at the University of HuddersfieldAndAnthony Bale Professor of Medieval Studies at Birkbeck University of LondonProducer: Simon TillotsonReading list:John H. Arnold and Katherine J. Lewis (eds.), A Companion to the Book of Margery Kempe, (D. S. Brewer, 2010)Anthony Bale (trans.), The Book of Margery Kempe (Oxford University Press, 2015)Santha Bhattacharji, God is an Earthquake: The Spirituality of Margery Kempe (Darton, Longman and Todd, 1997)Anthony Goodman, Margery Kempe and her World (Longman, 2002)Karma Lochrie, Margery Kempe and the Translations of the Flesh (University of Pennsylvania Press, 1991)Gail McMurray Gibson, The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages (University of Chicago Press, 1989)Lynn Staley, Margery Kempe's Dissenting Fictions (Pennsylvania State University Press, 1994)Jonathan Sumption, Pilgrimage: An Image of Mediaeval Religion (Faber & Faber, 2002)Brett Whalen, Pilgrimage in the Middle Ages: A Reader (University of Toronto Press, 2011)Barry Windeatt (ed.), The Book of Margery Kempe: Annotated Edition (D. S. Brewer, 2006)Barry Windeatt (ed.), The Book of Margery Kempe (Penguin Classics, 2000)Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the people, ideas, events and discoveries that have shaped our worldIn Our Time is a BBC Studios production

Marcellinus and Peter died in the early 4th century, but the saints would still be active and on the move in the 9th. This is about their journey. It is also about Charlemagne's biographer, Einhard, the man who wrote about that journey and set it into motion. If you like what you hear and want to chip in to support the podcast, ⁠⁠⁠⁠⁠⁠⁠my Patreon is here⁠⁠⁠⁠⁠⁠⁠. I'm on BlueSky ⁠⁠⁠⁠⁠⁠⁠@a-devon.bsky.social⁠⁠⁠⁠⁠⁠⁠, and I have some things on ⁠⁠⁠⁠⁠⁠⁠Redbubble⁠⁠⁠⁠⁠⁠⁠. Sources: Charlemagne's Courtier: The Complete Einhard. Edited and translated by Paul Edward Dutton. University of Toronto Press, 1998. Charlemagne and Louis the Pious. Lives by Einhard, Notker, Ermoldus, Thegan, and the Astronomer. Translated with introductions and annotations by Thomas F.X. Noble. Penn State Press, 2009. Medieval Travel and Travellers: A Reader. Edited by John F. Romano. University of Toronto Press, 2020. A Short Reader of Medieval Saints. Edited by Mary-Ann Stouck. University of Toronto Press, 2009. Einhard. The History of the Translation of the Blessed Martyrs of Christ, Marcellinus and Peter. Harvard University Press, 1926. Lapidge, Michael. The Roman Martyrs: Introduction, Translations, and Commentary. Oxford University Press, 2018. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Seriously.  Don't listen to this episode.  Whatever you do.  Don't. Press.  Play. (Warning: this episode contains explicit language.) --- Adam's agency: https://thinkerbell.com/ Adam's books: https://www.amazon.co.uk/stores/author/B07K5R1MTX Sign up for my newsletter: https://www.nudgepodcast.com/mailing-list Connect on LinkedIn: https://www.linkedin.com/in/phill-agnew-22213187/ Watch Nudge on YouTube: https://www.youtube.com/@nudgepodcast/ --- Today's sources Driscoll, R., Davis, K. E., & Lipetz, M. E. (1972). Parental interference and romantic love: The Romeo and Juliet effect. Journal of Personality and Social Psychology, 24(1), 1–10. Heath, R. (2006). Brand relationships: strengthened by emotion, weakened by attention. Journal of Advertising Research, 46(4), 410–419. Maimaran, M., & Fishbach, A. (2014). If it's useful and you know it, do you eat? Preschoolers refrain from instrumental food. Journal of Consumer Research, 41(3), 642–655. Mazar, N., & Soman, D. (Eds.). (2022). Behavioral science in the wild: Behaviorally informed organizations. University of Toronto Press. Ryan, R. M. (1982). Control and information in the intrapersonal sphere: An extension of cognitive evaluation theory. Journal of Personality and Social Psychology, 43(3), 450–461.

We're thrilled to kick off our first episode of Víga-Glúms saga, the last of the sagas of Eyjafjörð. Víga-Glúms saga is one of the great character-driven Íslendingasögur, often drawing comparisons to Egils saga. Now, whether that's because it also happens to be a biographical saga or because it's of a similar quality will have to be sorted out on the podcast across the overview and judgments. But we're excited to start this new saga either way, and this first episode sets the stage beautifully for the arrival of the man who comes to be known as Killer-Glum. Like so many sagas, Víga-Glúms saga opens not with the hero himself but with the adventures of the generations that came before him. These early chapters give us a sense of the family dynamics, the local tensions, and threads of fate that Glum will inherit and inevitably wrestle with as his saga develops. Cast of Characters: I'm going to try and include a cast of major characters in the show notes for each episode to help listeners keep track of things. In this first episode, we get to know Glum's formidable ancestors, including: Helgi the Lean, Glúm's great-grandfather and the most prominent settler in Eyjafjörð Ingjald Helgason, Glúm's grumpy grandfather Eyjólf, Glúm's mild-mannered but calculating father Of course, this wouldn't be Saga Thing without a few memorable supporting characters to make things interesting. This episode introduces some pretty interesting Norwegians: Hreiðar, a Norwegian merchant with a heart of gold Ívar, a Viking with a heart of red (also Hreiðar's brother) A berserk with a notably low sense of self-worth, whose attempts at intimidation don't quite land the way he hopes Vigfús, a powerful Norwegian hersir with a lovely daughter named Ástrið And then, there are the Icelanders who will make Glúm's life more interesting, and challenging: Þorkell the Tall, father-in-law of Glúm's recently deceased brother Sigmund, son of Þorkell the Tall, and wannabe goði Víga-Glúms saga is definitely a fun one that we've been saving for a while. We hope you enjoy this first episode! Texts Discussed in This Episode Andersson, Theodore M. “Creating Personalities: The Saga Age Icelanders.” In The Growth of the Medieval Icelandic Sagas (1180–1280), 60–85. Ithaca, NY: Cornell University Press, 2006. Johnston, George, trans. Viga-Glum's Saga. Toronto: University of Toronto Press, 1999. McKinnell, John, trans. Viga-Glums Saga: With the Tales of Ögmund Bash and Thorvald Chatterbox. The New Saga Library / UNESCO Collection of Representative Works, Icelandic Series. Edinburgh: Canongate/UNESCO, 1987. North, Richard. “Sighvatr Sturluson and the Authorship of Víga-Glúms saga.” In Analecta Septentrionalia, edited by Wilhelm Heizmann, Klaus Böldl, and Heinrich Beck, 256–80. Berlin and New York: De Gruyter, 2009. Turville-Petre, Gabriel, ed. Viga-Glúms Saga. 2nd ed. Oxford: Clarendon Press, 1960. Listen and let us know what you think: Sagathingpodcast on Facebook Sagathingpodcast on Instagram Sagathingpodcast on Bluesky Saga Thing's unofficial official Discord Recent Interview Links As promised, here are the links to our recent interviews: Relevant or Irrelevant - "Podcasts and Teaching" (KALA broadcast portion) Relevant or Irrelevant - "Podcasts and Teaching" (KALA podcast portion) Vikingology - "It's a Saga Thing" Music Credits Intro Music – “Prelude and Action” by Kevin MacLeod Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro Music – “Stormfront” by Kevin MacLeod Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/