Podcasts about toronto press

In a world where climate emergencies are being declared daily, why do so many of our city streets and public transport networks have misleading ads for the very industries driving the crisis?Our conversation with two C40 experts reveals how the fossil fuel industry mirrors old tobacco industry tactics using sophisticated techniques to "greenwash" their image and frame essential health protections as attacks on free speech. Tune in to learn how cities reclaiming the narratives in our transit systems and urban squares is a vital step toward fending off industry attacks and securing a safer, more sustainable future for all.Featured guests:Mariana Batista, C40 Senior Manager, Public TransportCharlie Worthington, C40 Project Officer, High Carbon Advertising BansLinks:The War Against Tobacco: 50 Years and Counting - National Library of MedicineHow the Fossil Fuel Industry Polluted the Information Landscape - Center for Climate Change CommunicationAir pollution from fossil fuels kills 5 million people a year - The GuardianIn The Hague, ban on Big Oil ads survives legal challenge - Courthouse NewsProfitable Growth Without Fossil Fuels - Clean CreativesFrequently Asked Questions - A World Without Fossil Fuel AdsDeclaration on Information Integrity on Climate Change - UNESCOCities Climate Transition Framework - C40 Knowledge HubClearing the way: A toolkit for positive, fossil-free city advertising - C40 Knowledge HubHow cities can restrict carbon-intensive advertising - C40 Knowledge HubIf you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/ Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeries Cities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/ Writing and executive production by Peggy Whitfield. Narrative and communications support by Chiara Morfeo. Produced by Jess Schmidt: https://jessdoespodcasting.com/ Edited by Morgane Chambrin: https://www.morganechambrin.com/ Music by Lorna Gilfedder: https://origamipodcastservices.com/

Hot Take: the climate crisis isn't some abstract data point or a dry policy debate, it's a deeply human story of survival. Right now, a whole generation is growing up inside the emergency, doing the heavy lifting to fix a mess they didn't create. We're bringing you the raw, human heartbeat of the movement and amplifying the voices that stole the show at the World Mayor's Summit in Rio. The C40 Youth Hub members dive into what real intergenerational collaboration looks like when those with the biggest stake in the future are finally the ones leading the change.Youth Moment featured leaders:Juliet Oluoch, Research fellow, Ufanisi Research NetworkAnjali Raman-Middleton, Co-founder and Director, Choked UpEsther Kamara, Founder of Youth Initiative For Climate Action Sierra LeoneFoday Kamara, National Coordinator, Youth Climate Council Global AllianceLetícia Mathias, Co-founder and Executive Director, Instituto SustentAçãoMicheala Chan, Young Water Utilities Expert for the Pacific, Asian Development BankFeatured interview guest:Earl Aldrin Burgos. C40 Youth Engagement and Campaigns ManagerLinks:World Mayors Summit special - Cities 1.5US cities as climate first responders - Cities 1.5C40 Youth Moment - YouTube Youth Hub - C40Youth Engagement Playbook for Cities - C40Loss and Damage: Challenges and Opportunities for City LeadershipIf you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/ Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeries Cities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/ Writing and executive production by Peggy Whitfield. Narrative and communications support by Chiara Morfeo. Produced by Jess Schmidt: https://jessdoespodcasting.com/ Edited by Morgane Chambrin: https://www.morganechambrin.com/ Music by Lorna Gilfedder: https://origamipodcastservices.com/

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Post-Soviet Graffiti: Free Speech in Authoritarian States (University of Toronto Press, 2025) is an empirically grounded ethnographic study of how graffiti and street art can be used as a political tool to circumvent censorship, express grievances, and control public discourse, particularly in authoritarian states. For more than a decade, Dr. Alexis M. Lerner combed the alleyways, underpasses, and public squares of cities once under communist rule, from Berlin in the west to Vladivostok in the east, recording thousands of cases of critical and satirical political street art and cataloging these artworks linguistically and thematically across space and time. Complemented by first-hand interviews with leading artists, activists, and politicians from across the region, Post-Soviet Graffiti provides theoretical reflection on public space as a site for political action, a semiotic reading of signs and symbols, and street art as a form of text. The book answers the question of how we conceptualize avenues of dissent under authoritarian rule by showing how contemporary graffiti functions not only as a popular public aesthetic, but also as a mouthpiece of political sentiment, especially within the post-Soviet region and post-communist Europe. A purposefully anonymous and accessible artform, graffiti is an effective tool for circumventing censorship and expressing political views. This is especially true for marginalized populations and for those living in otherwise closed and censored states. Post-Soviet Graffiti reveals that graffiti does not exist in a vacuum; rather, it can be read as a narrative about a place, the people who live there, and the things that matter to them. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Journalist, author and historian Misha Glenny presents his first edition of In Our Time, succeeding Melvyn Bragg who retired from this role last summer. Misha and his guests discuss the landmark work On Liberty by John Stuart Mill, published in 1859 and the increasing recognition for his wife Harriet Taylor Mill's contribution. The subject matter of the essay is ‘civil or social liberty: the nature and limits of the power which can be legitimately exercised by society over the individual' and it argues that the sole end for which mankind may interfere with the liberty of action of anyone is self-protection and even then only to prevent harm to others. This essay became enormously popular and a foundational text for liberalism.WithHelen McCabe Professor of Political Theory at the University of NottinghamMark Philp Emeritus Professor of History and Politics at the University of WarwickAndPiers Norris Turner Associate Professor of Philosophy at The Ohio State UniversityProducer: Simon TillotsonReading list: Jo Ellen Jacobs (ed.), Harriet Taylor Mill, Complete Works (Indiana University Press, 1998) Bruce L. Kinzer, Ann P. Robson and John M. Robson, A Moralist In and Out of Parliament: John Stuart Mill at Westminster, 1865-1868 (University of Toronto Press, 1992) Christopher Macleod and Dale Miller (eds.), A Companion to Mill (Wiley, 2016)Helen McCabe, John Stuart Mill, Socialist (McGill-Queen's University Press, 2021)Helen McCabe, Harriet Taylor Mill (Cambridge, 2023)Piers Norris Turner, ‘The Arguments of On Liberty: Mill's Institutional Designs' (Nineteenth-Century Prose 47 (1), 2020)Piers Norris Turner et al (eds.), John Stuart Mill and Harriet Taylor Mill, On Liberty with Related Writings (Hackett Publishing, forthcoming 2026)Mark Philp (ed.), John Stuart Mill: Autobiography (Oxford University Press, 2018)Mark Philp and Frederick Rosen (eds.), John Stuart Mill: On Liberty, Utilitarianism and other Essays (Oxford University Press, 2015)Frederick Rosen, Mill (Oxford University Press, 2013)Alan Ryan, The Philosophy of John Stuart Mill (Palgrave MacMillan, 1998)Ben Saunders, ‘Reformulating Mill's Harm Principle' (Mind 125/500, 2016)John Skorupski, Why Read Mill Today? (Routledge, 2006)William Stafford, John Stuart Mill (Red Globe Press, 1998)C. L. Ten (ed.), Mill: On Liberty: A Critical Guide (Cambridge University Press, 2008)Nadia Urbinati and Alex Zakaras (eds.), John Stuart Mill's Political Thought: A Bicentennial Reassessment (Cambridge University Press, 2007) In Our Time is a BBC Studios production

What would you risk to tell the truth, if the institution you served was one of the most powerful corporations on Earth?Early scientific warnings about global heating have long stood in tension with corporate narratives shaping public understanding. This episode examines the enduring disinformation created and disseminated by the fossil fuel industry: how it evolves, why it persists, and what it means for the pace of climate action. Through the perspective of a former insider at ExxonMobil, we explore the widening gap between the disinformation narratives pumped out by fossil fuel companies and the personal consequences of challenging one of the most powerful corporations in modern history.Featured guest:Lindsey Gulden, Principal Data Scientist at Leg Up Data and former employee at ExxonMobilAudio sources: Oil giant ExxonMobil predicted climate change in 1970s - BBC NewsExxon CEO and Chairman of the American Petroleum Institute Lee Raymond speech (1996) - CPANWSJ: SEC probes Exxon after whistleblower complaint - CNBCLinks:New study in 'Science' puts a number on what Exxon knew decades ago about climate change - Potsdam InstituteHow a Newton woman became an enemy of ExxonMobil - The Boston GlobeTracing Big Oil's PR war to delay action on climate change - The Harvard GazetteCarbon Capture and Storage: The Billion Dollar Scam - Environmental DefenceTrump says he might keep Exxon out of Venezuela - ReutersCountering Climate Disinformation - C40 CitiesDisinformation episodes - Cities 1.5If you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/ Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeries Cities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/ Writing and executive production by Peggy Whitfield. Narrative and communications support by Chiara Morfeo. Produced by Jess Schmidt: https://jessdoespodcasting.com/ Edited by Morgane Chambrin: https://www.morganechambrin.com/ Music by Lorna Gilfedder: https://origamipodcastservices.com/

The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy's relationship with America became a complex tapestry of admiration, critique, and adaptation. This study of Italy's Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson's military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation's Americanization. The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America's “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations. Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy's relationship with America became a complex tapestry of admiration, critique, and adaptation. This study of Italy's Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson's military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation's Americanization. The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America's “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations. Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy's relationship with America became a complex tapestry of admiration, critique, and adaptation. This study of Italy's Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson's military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation's Americanization. The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America's “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations. Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/world-affairs

The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy's relationship with America became a complex tapestry of admiration, critique, and adaptation. This study of Italy's Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson's military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation's Americanization. The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America's “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations. Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy's relationship with America became a complex tapestry of admiration, critique, and adaptation. This study of Italy's Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson's military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation's Americanization. The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America's “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations. Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy's relationship with America became a complex tapestry of admiration, critique, and adaptation. This study of Italy's Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson's military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation's Americanization. The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America's “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations. Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy's relationship with America became a complex tapestry of admiration, critique, and adaptation. This study of Italy's Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson's military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation's Americanization. The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America's “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations. Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

The late nineteenth and early twentieth centuries marked a pivotal time for the United States as the nation emerged as a political and industrial powerhouse and fashioned its new value system. Amid waves of emigration and evolving cultural exchanges, Italy's relationship with America became a complex tapestry of admiration, critique, and adaptation. This study of Italy's Americanism explores social debates within Italy regarding emigration, the development of a Columbian narrative, European reactions to the Spanish-American War, the impact of American products on Italian society, and former US president Woodrow Wilson's military intervention and political propaganda during the First World War. It highlights discussions among Italians about the implications of emigration, contrasting prevailing negative views with a counter-narrative from Italian journalists, scholars, and missionaries who visited the United States. The negotiation of US imports and their incorporation into the Italian national context document the formation of a distinct American subculture and the early phases of the nation's Americanization. The Rise of Americanism in Italy, 1888-1919 (University of Toronto Press, 2025) provides a unique perspective to assess the early stages of America's “soft” expansion, as the flow of departing and returning emigrants made Italy a favourable terrain for commercial penetration in Europe, transforming an export ideology into a complex network of transatlantic relations. Luca Cottini, PhD, is an associate professor of Italian in Villanova University. He is also the creator of the popular Youtube channel, Italian Innovators. Caleb Zakarin is CEO and Publisher of the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

Across the United States, cities are acting as climate first responders - carrying climate action forward even as national politics grow more hostile. From clean energy and buildings to transport, land use and resilience to extreme weather events, mayors are proving that climate leadership does not depend on federal permission. It grows from proximity: to people, to impacts, and to the places leaders are entrusted to protect. Cities are stepping in to safeguard neighbourhoods, rivers, urban ecosystems and public health, often while the federal government undermines climate policy or attacks local authority.Featured guests:Keith Wilson, Mayor of Portland, Oregon, USAKirk Watson, Mayor of Austin, Texas, USAJuliet Oluoch, Research fellow at Ustawi Analytica and youth climate activist from Nairobi, KenyaLinks:Solved: How the World's Great Cities Are Fixing the Climate Crisis by David MillerThe Fate of the Inflation Reduction Act in the Second Era of Trump - Cities 1.5Trump signs order to withdraw US from Paris climate agreement for second time - The Guardian‘Poet, writer, wife, mom': who was Renee Nicole Good, the woman killed by an ICE agent? - The GuardianMayor Keith Wilson Announces Portland Has Reached more than 1,500 Emergency Overnight Beds, Delivered at Unprecedented Speed - Portland.govCostumed protesters in Portland defy description of the city as a 'war zone' - NBC NewsAustin Climate Equity Plan$3,000 grants offered to groups addressing climate change and food access challenges - Austin MonitorMore links for this episode available at jccpe.utpjournals.press and c40.org.If you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/ Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeries Cities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/ Writing and executive production by Peggy Whitfield. Narrative and communications support by Chiara Morfeo. Produced by Jess Schmidt: https://jessdoespodcasting.com/ Edited by Morgane Chambrin: https://www.morganechambrin.com/ Music by Lorna Gilfedder: https://origamipodcastservices.com/

Waarin we vanop een spectaculaire wereldtentoonstelling een laatste keer terugblikken op ons verhaal van de lange negentiende eeuw, Parijs als een stad van extremen leren kennen en een zenuwachtige internationale concurrentiestrijd met argusogen volgen.WIJ ZIJN: Jonas Goossenaerts (inhoud en vertelstem), Filip Vekemans (montage), Benjamin Goyvaerts (inhoud) en Laurent Poschet (inhoud). MET BIJDRAGEN VAN: Laurens Luyten (kroniek, programmaboekje expo, getuigenis expo). WIL JE ONS EEN FOOI GEVEN? Fooienpod - Al schenkt u tien cent of tien euro, het duurt tien seconden met een handige QR-code. WIL JE ADVERTEREN IN DEZE PODCAST? Neem dan contact op met adverteren@dagennacht.nl MEER WETEN? Onze geraadpleegde en geciteerde bronnen:- Boeken:Altena, D. (2003). Vrijheid en rede. Geschiedenis van de westerse samenlevingen (1750-1989). Uitgeverij Verloren. Hilversum.Blom, P. (2008). De duizelingwekkende jaren. Europa 1900-1914. De Bezige Bij. Amsterdam.Evans, R. J. (2016). De eeuw van de macht: Europa 1815–1914. Hollands diep. Amsterdam.Draye, G. (e.a.) (2009). De negentiende eeuw. 1815-1914. Uitgeverij Averbode. Averbode. Ginderachter, Van, M. (2025). Arm Vlaanderen. Honger, ziekte en globalisering in het midden van de 19de eeuw. Horizon. Antwerpen.Kalifa, D. (2021). The Belle Époque: A Cultural History, Paris and Beyond. Columbia University Press. New York, NY. Mabire, J.-C. (2000). L'exposition universelle de 1900. L'harmattan. Parijs.Mandell, R.D. (1967). Paris 1900. The great World's Fair. University of Toronto Press. Toronto.Osterhammel, J. (2022). De metamorfose van de wereld. Een mondiale geschiedenis van de 19de eeuw. Atlas Contact. Amsterdam.Palmer, R. R., Colton, J., & Kramer, L. (2013). A History of Europe in the Modern World. McGraw Hill Higher Education. Columbus, Ohio. - Websites:The Exposition Universelle of 1900. The Eclectic Light Company. https://eclecticlight.co/2020/06/04/finale-the-exposition-universelle-of-1900-1/? (Geraadpleegd op 16/01/2026.)Van fictie naar werkelijkheid. National Geographic. https://www.nationalgeographic.nl/geschiedenis-archeologie/a63219344/jules-verne (Geraadpleegd op 16/01/2026.)See omnystudio.com/listener for privacy information.

In times of profound geopolitical turbulence - wars, trade shocks, energy insecurity, and climate breakdown - something unexpected is happening: while autocratic leaders double down on fossil fuels and climate denial, cities are stepping into the breach to create a different story. One of hope, resilience, and innovation.Like wildflowers pushing through concrete, cities around the world are experimenting with new economic models that challenge the old orthodoxy of endless growth. They're turning away from Gross Domestic Product (GDP) as the sole measure of success and asking different questions: Are people housed? Are they thriving? Are we staying within planetary limits?Featured guests:Kate Raworth, Co-founder of the Doughnut Economics Action Lab (DEAL)Leonora Grcheva, Cities and Regions Lead at DEALGiuseppe Sala, Mayor of Milan, ItalyNkosindiphile Xhakaza, Executive Mayor of Tshwane, South AfricaCarola Schouten, Mayor of Rotterdam, NetherlandsLinks:Doughnut Economics in Local Governments: An Overview of Emerging Practice by Leonora Grcheva and Michele VianelloSpecial Issue on Sustainable Prosperity in the 21st-Century City - the Journal of City Climate Policy and EconomyTrump fossil-fuel push setting back green progress decades, critics warn - The GuardianResources for a better future: GDP - Resilience.orgMilan's Food Waste Hubs NetworkCompilation of the Integrated Waste Management Plan for the City of Ekurhuleni Metropolitan MunicipalityCCU Challenge: Unlock the City's Ambition of Becoming Fully Circular by 2050If you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/ Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeries Cities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/ Writing and executive production by Peggy Whitfield. Narrative and communications support by Chiara Morfeo. Produced by Jess Schmidt: https://jessdoespodcasting.com/ Edited by Morgane Chambrin: https://www.morganechambrin.com/ Music by Lorna Gilfedder: https://origamipodcastservices.com/

Isabel García Valdivia, assistant professor of Sociology, speaks about her interest in older immigrants and their families. She also talks about the importance of mentorship. Research Notes: Katya Hokanson, professor of Russian, East European, and Eurasian Studies, talk about her recent book "A Woman's Empire: Russian Women and Imperial Expansion in Asia" published by the University of Toronto Press in 2022. Show notes: "Russia's Empires" (2016) Valerie A. Kivelson and Ronald Grigor Suny "Russian Colonial Society in Tashkent, 1865-1923" (2010) Jeff Sahedo "Muslim Women of the Fergana Valley" (2016) Marianne Kamp, ed. "Diary of a Russian Lady: Reminiscences of Barbara Doukhovsky" (1917) Undergraduate Perspectives: John Knutson, B.A. English, UO 2025; and 2025 Humanities Undergraduate Research Fellow

Drawing on memory studies and theatrical history, Commemorative Acts: French Theatre and the Memory of the Great War (University of Toronto Press, 2025) analyses a neglected body of plays staged in France after the Great War, between 1918 and 1937, to reveal their profound impact on collective memory and cultural identity. In the aftermath of the Great War, a remarkable wave of collective commemoration emerged, but the aesthetic diversity of this period has often been overshadowed by a singular focus on the combatant experience, primarily conveyed through fiction and memoir. This selective historical narrative has fostered a homogenized memory of the war, neglecting the rich array of cultural productions that also emerged alongside it. Commemorative Acts challenges these prevailing assumptions about the memory of the Great War and its literary expression in interwar France by spotlighting theatrical works that have largely been forgotten. The book uncovers how the dominance of first-person accounts of soldiers' experiences has subtly, yet powerfully, narrowed our understanding of what the memory of the Great War can encompass. It explores how drama, structurally at odds with the first-person perspective and defined by its simultaneous modes of expression and reception, has been lost to collective memory. By examining the unique capacity of the dramatic form to capture war trauma, Commemorative Acts offers insights that differ from those of other literary genres, highlighting the theatre's potential to provide a more expansive and nuanced understanding of interwar memorial culture. Author Susan McCready is Professor of French at the University of South Alabama and the co-director for the Center for the Study of War and Memory at South Alabama; she is also the author of 2016's Staging France between the World Wars: Performance, Politics, and the Transformation of the Theatrical Canon and 2007's The Limits of Performance in the French Romantic Theatre, as well as the co-editor of Novel Stages: Drama and the Novel in Nineteenth-Century France in 2007. She has also co-edited a volume of Lingua Romana on France and Memory in the Great War, and has authored many academic articles and chapters on French theater and related topics, as well as a number of public humanities projects on war and memory.  Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan  France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Drawing on memory studies and theatrical history, Commemorative Acts: French Theatre and the Memory of the Great War (University of Toronto Press, 2025) analyses a neglected body of plays staged in France after the Great War, between 1918 and 1937, to reveal their profound impact on collective memory and cultural identity. In the aftermath of the Great War, a remarkable wave of collective commemoration emerged, but the aesthetic diversity of this period has often been overshadowed by a singular focus on the combatant experience, primarily conveyed through fiction and memoir. This selective historical narrative has fostered a homogenized memory of the war, neglecting the rich array of cultural productions that also emerged alongside it. Commemorative Acts challenges these prevailing assumptions about the memory of the Great War and its literary expression in interwar France by spotlighting theatrical works that have largely been forgotten. The book uncovers how the dominance of first-person accounts of soldiers' experiences has subtly, yet powerfully, narrowed our understanding of what the memory of the Great War can encompass. It explores how drama, structurally at odds with the first-person perspective and defined by its simultaneous modes of expression and reception, has been lost to collective memory. By examining the unique capacity of the dramatic form to capture war trauma, Commemorative Acts offers insights that differ from those of other literary genres, highlighting the theatre's potential to provide a more expansive and nuanced understanding of interwar memorial culture. Author Susan McCready is Professor of French at the University of South Alabama and the co-director for the Center for the Study of War and Memory at South Alabama; she is also the author of 2016's Staging France between the World Wars: Performance, Politics, and the Transformation of the Theatrical Canon and 2007's The Limits of Performance in the French Romantic Theatre, as well as the co-editor of Novel Stages: Drama and the Novel in Nineteenth-Century France in 2007. She has also co-edited a volume of Lingua Romana on France and Memory in the Great War, and has authored many academic articles and chapters on French theater and related topics, as well as a number of public humanities projects on war and memory.  Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan  France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Drawing on memory studies and theatrical history, Commemorative Acts: French Theatre and the Memory of the Great War (University of Toronto Press, 2025) analyses a neglected body of plays staged in France after the Great War, between 1918 and 1937, to reveal their profound impact on collective memory and cultural identity. In the aftermath of the Great War, a remarkable wave of collective commemoration emerged, but the aesthetic diversity of this period has often been overshadowed by a singular focus on the combatant experience, primarily conveyed through fiction and memoir. This selective historical narrative has fostered a homogenized memory of the war, neglecting the rich array of cultural productions that also emerged alongside it. Commemorative Acts challenges these prevailing assumptions about the memory of the Great War and its literary expression in interwar France by spotlighting theatrical works that have largely been forgotten. The book uncovers how the dominance of first-person accounts of soldiers' experiences has subtly, yet powerfully, narrowed our understanding of what the memory of the Great War can encompass. It explores how drama, structurally at odds with the first-person perspective and defined by its simultaneous modes of expression and reception, has been lost to collective memory. By examining the unique capacity of the dramatic form to capture war trauma, Commemorative Acts offers insights that differ from those of other literary genres, highlighting the theatre's potential to provide a more expansive and nuanced understanding of interwar memorial culture. Author Susan McCready is Professor of French at the University of South Alabama and the co-director for the Center for the Study of War and Memory at South Alabama; she is also the author of 2016's Staging France between the World Wars: Performance, Politics, and the Transformation of the Theatrical Canon and 2007's The Limits of Performance in the French Romantic Theatre, as well as the co-editor of Novel Stages: Drama and the Novel in Nineteenth-Century France in 2007. She has also co-edited a volume of Lingua Romana on France and Memory in the Great War, and has authored many academic articles and chapters on French theater and related topics, as well as a number of public humanities projects on war and memory.  Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan  France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Drawing on memory studies and theatrical history, Commemorative Acts: French Theatre and the Memory of the Great War (University of Toronto Press, 2025) analyses a neglected body of plays staged in France after the Great War, between 1918 and 1937, to reveal their profound impact on collective memory and cultural identity. In the aftermath of the Great War, a remarkable wave of collective commemoration emerged, but the aesthetic diversity of this period has often been overshadowed by a singular focus on the combatant experience, primarily conveyed through fiction and memoir. This selective historical narrative has fostered a homogenized memory of the war, neglecting the rich array of cultural productions that also emerged alongside it. Commemorative Acts challenges these prevailing assumptions about the memory of the Great War and its literary expression in interwar France by spotlighting theatrical works that have largely been forgotten. The book uncovers how the dominance of first-person accounts of soldiers' experiences has subtly, yet powerfully, narrowed our understanding of what the memory of the Great War can encompass. It explores how drama, structurally at odds with the first-person perspective and defined by its simultaneous modes of expression and reception, has been lost to collective memory. By examining the unique capacity of the dramatic form to capture war trauma, Commemorative Acts offers insights that differ from those of other literary genres, highlighting the theatre's potential to provide a more expansive and nuanced understanding of interwar memorial culture. Author Susan McCready is Professor of French at the University of South Alabama and the co-director for the Center for the Study of War and Memory at South Alabama; she is also the author of 2016's Staging France between the World Wars: Performance, Politics, and the Transformation of the Theatrical Canon and 2007's The Limits of Performance in the French Romantic Theatre, as well as the co-editor of Novel Stages: Drama and the Novel in Nineteenth-Century France in 2007. She has also co-edited a volume of Lingua Romana on France and Memory in the Great War, and has authored many academic articles and chapters on French theater and related topics, as well as a number of public humanities projects on war and memory.  Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan  France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Drawing on memory studies and theatrical history, Commemorative Acts: French Theatre and the Memory of the Great War (University of Toronto Press, 2025) analyses a neglected body of plays staged in France after the Great War, between 1918 and 1937, to reveal their profound impact on collective memory and cultural identity. In the aftermath of the Great War, a remarkable wave of collective commemoration emerged, but the aesthetic diversity of this period has often been overshadowed by a singular focus on the combatant experience, primarily conveyed through fiction and memoir. This selective historical narrative has fostered a homogenized memory of the war, neglecting the rich array of cultural productions that also emerged alongside it. Commemorative Acts challenges these prevailing assumptions about the memory of the Great War and its literary expression in interwar France by spotlighting theatrical works that have largely been forgotten. The book uncovers how the dominance of first-person accounts of soldiers' experiences has subtly, yet powerfully, narrowed our understanding of what the memory of the Great War can encompass. It explores how drama, structurally at odds with the first-person perspective and defined by its simultaneous modes of expression and reception, has been lost to collective memory. By examining the unique capacity of the dramatic form to capture war trauma, Commemorative Acts offers insights that differ from those of other literary genres, highlighting the theatre's potential to provide a more expansive and nuanced understanding of interwar memorial culture. Author Susan McCready is Professor of French at the University of South Alabama and the co-director for the Center for the Study of War and Memory at South Alabama; she is also the author of 2016's Staging France between the World Wars: Performance, Politics, and the Transformation of the Theatrical Canon and 2007's The Limits of Performance in the French Romantic Theatre, as well as the co-editor of Novel Stages: Drama and the Novel in Nineteenth-Century France in 2007. She has also co-edited a volume of Lingua Romana on France and Memory in the Great War, and has authored many academic articles and chapters on French theater and related topics, as well as a number of public humanities projects on war and memory.  Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan  France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

To celebrate Melvyn Bragg's 27 years presenting In Our Time, five well-known fans of the programme have chosen their favourite episodes. Author and columnist Caitlin Moran has picked the episode on the English medieval mystic Margery Kempe and recorded an introduction to it. Margery Kempe (1373-1438) produced an account of her extraordinary life in a book she dictated, "The Book of Margery Kempe." She went on pilgrimage to Jerusalem, to Rome and Santiago de Compostela, purchasing indulgences on her way, met with the anchoress Julian of Norwich and is honoured by the Church of England each 9th November. She sometimes doubted the authenticity of her mystical conversations with God, as did the authorities who saw her devotional sobbing, wailing and convulsions as a sign of insanity and dissoluteness. Her Book was lost for centuries, before emerging in a private library in 1934.This In Our Time episode was first broadcast in June 2016. The image (above), of an unknown woman, comes from a pew at Margery Kempe's parish church, St Margaret's, Kings Lynn and dates from c1375.WithMiri Rubin Professor of Medieval and Early Modern History at Queen Mary, University of LondonKatherine Lewis Senior Lecturer in History at the University of HuddersfieldAndAnthony Bale Professor of Medieval Studies at Birkbeck University of LondonProducer: Simon TillotsonReading list:John H. Arnold and Katherine J. Lewis (eds.), A Companion to the Book of Margery Kempe, (D. S. Brewer, 2010)Anthony Bale (trans.), The Book of Margery Kempe (Oxford University Press, 2015)Santha Bhattacharji, God is an Earthquake: The Spirituality of Margery Kempe (Darton, Longman and Todd, 1997)Anthony Goodman, Margery Kempe and her World (Longman, 2002)Karma Lochrie, Margery Kempe and the Translations of the Flesh (University of Pennsylvania Press, 1991)Gail McMurray Gibson, The Theater of Devotion: East Anglian Drama and Society in the Late Middle Ages (University of Chicago Press, 1989)Lynn Staley, Margery Kempe's Dissenting Fictions (Pennsylvania State University Press, 1994)Jonathan Sumption, Pilgrimage: An Image of Mediaeval Religion (Faber & Faber, 2002)Brett Whalen, Pilgrimage in the Middle Ages: A Reader (University of Toronto Press, 2011)Barry Windeatt (ed.), The Book of Margery Kempe: Annotated Edition (D. S. Brewer, 2006)Barry Windeatt (ed.), The Book of Margery Kempe (Penguin Classics, 2000)Spanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the people, ideas, events and discoveries that have shaped our worldIn Our Time is a BBC Studios production

KGB Literati: Spy Fiction and State Security in the Soviet Union (University of Toronto Press, 2025) offers a first-ever glimpse into the mysterious and long-ignored world and work of Soviet spies- and counterspies-turned-writers. Once out of active service, many former spies have turned to writing spy fiction. They drop the dagger and pick up the pen. Some are very successful, like James Bond's creator Ian Fleming or the novelists John Le Carré and Graham Greene. Their Soviet counterparts have rarely been afforded the same attention or examination. Drawing on materials from KGB archives and Soviet publications long out of print, KGB Literati offers the first-ever account of spy fiction written, frequently with institutional support, by Soviet intelligence and counterintelligence officers. Spy fiction can give insights into the operational workings of clandestine agencies and the personal dimensions of secret service work. By analysing the literary output of KGB spies and counterspies, the book shows that for the KGB, this type of intervention into Soviet popular culture was a crucial component of their overall counterintelligence strategy. These texts played an instrumental role in the Soviet state's efforts to neutralize and counter Western cultural influences on the Soviet population. Dr. Filip Kovacevic's research is of great relevance today, given that a large segment of the Russian ruling elite is still composed of former KGB officers, including Russian president Vladimir Putin. KGB Literati illuminates the deep-seated KGB myths, values, aspirations, and fears that continue to have a profound impact on the foreign and domestic policies of the Russian Federation. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

KGB Literati: Spy Fiction and State Security in the Soviet Union (University of Toronto Press, 2025) offers a first-ever glimpse into the mysterious and long-ignored world and work of Soviet spies- and counterspies-turned-writers. Once out of active service, many former spies have turned to writing spy fiction. They drop the dagger and pick up the pen. Some are very successful, like James Bond's creator Ian Fleming or the novelists John Le Carré and Graham Greene. Their Soviet counterparts have rarely been afforded the same attention or examination. Drawing on materials from KGB archives and Soviet publications long out of print, KGB Literati offers the first-ever account of spy fiction written, frequently with institutional support, by Soviet intelligence and counterintelligence officers. Spy fiction can give insights into the operational workings of clandestine agencies and the personal dimensions of secret service work. By analysing the literary output of KGB spies and counterspies, the book shows that for the KGB, this type of intervention into Soviet popular culture was a crucial component of their overall counterintelligence strategy. These texts played an instrumental role in the Soviet state's efforts to neutralize and counter Western cultural influences on the Soviet population. Dr. Filip Kovacevic's research is of great relevance today, given that a large segment of the Russian ruling elite is still composed of former KGB officers, including Russian president Vladimir Putin. KGB Literati illuminates the deep-seated KGB myths, values, aspirations, and fears that continue to have a profound impact on the foreign and domestic policies of the Russian Federation. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

KGB Literati: Spy Fiction and State Security in the Soviet Union (University of Toronto Press, 2025) offers a first-ever glimpse into the mysterious and long-ignored world and work of Soviet spies- and counterspies-turned-writers. Once out of active service, many former spies have turned to writing spy fiction. They drop the dagger and pick up the pen. Some are very successful, like James Bond's creator Ian Fleming or the novelists John Le Carré and Graham Greene. Their Soviet counterparts have rarely been afforded the same attention or examination. Drawing on materials from KGB archives and Soviet publications long out of print, KGB Literati offers the first-ever account of spy fiction written, frequently with institutional support, by Soviet intelligence and counterintelligence officers. Spy fiction can give insights into the operational workings of clandestine agencies and the personal dimensions of secret service work. By analysing the literary output of KGB spies and counterspies, the book shows that for the KGB, this type of intervention into Soviet popular culture was a crucial component of their overall counterintelligence strategy. These texts played an instrumental role in the Soviet state's efforts to neutralize and counter Western cultural influences on the Soviet population. Dr. Filip Kovacevic's research is of great relevance today, given that a large segment of the Russian ruling elite is still composed of former KGB officers, including Russian president Vladimir Putin. KGB Literati illuminates the deep-seated KGB myths, values, aspirations, and fears that continue to have a profound impact on the foreign and domestic policies of the Russian Federation. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

KGB Literati: Spy Fiction and State Security in the Soviet Union (University of Toronto Press, 2025) offers a first-ever glimpse into the mysterious and long-ignored world and work of Soviet spies- and counterspies-turned-writers. Once out of active service, many former spies have turned to writing spy fiction. They drop the dagger and pick up the pen. Some are very successful, like James Bond's creator Ian Fleming or the novelists John Le Carré and Graham Greene. Their Soviet counterparts have rarely been afforded the same attention or examination. Drawing on materials from KGB archives and Soviet publications long out of print, KGB Literati offers the first-ever account of spy fiction written, frequently with institutional support, by Soviet intelligence and counterintelligence officers. Spy fiction can give insights into the operational workings of clandestine agencies and the personal dimensions of secret service work. By analysing the literary output of KGB spies and counterspies, the book shows that for the KGB, this type of intervention into Soviet popular culture was a crucial component of their overall counterintelligence strategy. These texts played an instrumental role in the Soviet state's efforts to neutralize and counter Western cultural influences on the Soviet population. Dr. Filip Kovacevic's research is of great relevance today, given that a large segment of the Russian ruling elite is still composed of former KGB officers, including Russian president Vladimir Putin. KGB Literati illuminates the deep-seated KGB myths, values, aspirations, and fears that continue to have a profound impact on the foreign and domestic policies of the Russian Federation. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

KGB Literati: Spy Fiction and State Security in the Soviet Union (University of Toronto Press, 2025) offers a first-ever glimpse into the mysterious and long-ignored world and work of Soviet spies- and counterspies-turned-writers. Once out of active service, many former spies have turned to writing spy fiction. They drop the dagger and pick up the pen. Some are very successful, like James Bond's creator Ian Fleming or the novelists John Le Carré and Graham Greene. Their Soviet counterparts have rarely been afforded the same attention or examination. Drawing on materials from KGB archives and Soviet publications long out of print, KGB Literati offers the first-ever account of spy fiction written, frequently with institutional support, by Soviet intelligence and counterintelligence officers. Spy fiction can give insights into the operational workings of clandestine agencies and the personal dimensions of secret service work. By analysing the literary output of KGB spies and counterspies, the book shows that for the KGB, this type of intervention into Soviet popular culture was a crucial component of their overall counterintelligence strategy. These texts played an instrumental role in the Soviet state's efforts to neutralize and counter Western cultural influences on the Soviet population. Dr. Filip Kovacevic's research is of great relevance today, given that a large segment of the Russian ruling elite is still composed of former KGB officers, including Russian president Vladimir Putin. KGB Literati illuminates the deep-seated KGB myths, values, aspirations, and fears that continue to have a profound impact on the foreign and domestic policies of the Russian Federation. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/national-security

KGB Literati: Spy Fiction and State Security in the Soviet Union (University of Toronto Press, 2025) offers a first-ever glimpse into the mysterious and long-ignored world and work of Soviet spies- and counterspies-turned-writers. Once out of active service, many former spies have turned to writing spy fiction. They drop the dagger and pick up the pen. Some are very successful, like James Bond's creator Ian Fleming or the novelists John Le Carré and Graham Greene. Their Soviet counterparts have rarely been afforded the same attention or examination. Drawing on materials from KGB archives and Soviet publications long out of print, KGB Literati offers the first-ever account of spy fiction written, frequently with institutional support, by Soviet intelligence and counterintelligence officers. Spy fiction can give insights into the operational workings of clandestine agencies and the personal dimensions of secret service work. By analysing the literary output of KGB spies and counterspies, the book shows that for the KGB, this type of intervention into Soviet popular culture was a crucial component of their overall counterintelligence strategy. These texts played an instrumental role in the Soviet state's efforts to neutralize and counter Western cultural influences on the Soviet population. Dr. Filip Kovacevic's research is of great relevance today, given that a large segment of the Russian ruling elite is still composed of former KGB officers, including Russian president Vladimir Putin. KGB Literati illuminates the deep-seated KGB myths, values, aspirations, and fears that continue to have a profound impact on the foreign and domestic policies of the Russian Federation. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

As geopolitical power shifts, cities are rising to lead this urban century while nations cling to outdated systems. Season 6 of Cities 1.5 explores how mayors and urban leaders from around the world are turning uncertainty into opportunity, building regenerative futures with hope-filled narratives that counter disinformation and inspire action.Join us from January 13, 2026, as we explore the urban transformation the world cannot wait for, ranging from tackling disinformation, decarbonising infrastructure, and confronting the growing alliance between political authoritarianism and the fossil fuel industry. Through intimate conversations with global mayors and urban innovators, we reveal how cities are not just adapting to change…but are actively shaping our future.Because the future isn't waiting, and neither are cities.Links:Zohran Mamdani's full victory speech, 4 November 2025 - Zohran Mamdani for NYC YouTube channelIf you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/ Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeries Cities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/ Writing and executive production by Peggy Whitfield. Narrative and communications support by Chiara Morfeo. Produced by Jess Schmidt: https://jessdoespodcasting.com/ Edited by Morgane Chambrin: https://www.morganechambrin.com/ Music by Lorna Gilfedder: https://origamipodcastservices.com/

Marcellinus and Peter died in the early 4th century, but the saints would still be active and on the move in the 9th. This is about their journey. It is also about Charlemagne's biographer, Einhard, the man who wrote about that journey and set it into motion. If you like what you hear and want to chip in to support the podcast, ⁠⁠⁠⁠⁠⁠⁠my Patreon is here⁠⁠⁠⁠⁠⁠⁠. I'm on BlueSky ⁠⁠⁠⁠⁠⁠⁠@a-devon.bsky.social⁠⁠⁠⁠⁠⁠⁠, and I have some things on ⁠⁠⁠⁠⁠⁠⁠Redbubble⁠⁠⁠⁠⁠⁠⁠. Sources: Charlemagne's Courtier: The Complete Einhard. Edited and translated by Paul Edward Dutton. University of Toronto Press, 1998. Charlemagne and Louis the Pious. Lives by Einhard, Notker, Ermoldus, Thegan, and the Astronomer. Translated with introductions and annotations by Thomas F.X. Noble. Penn State Press, 2009. Medieval Travel and Travellers: A Reader. Edited by John F. Romano. University of Toronto Press, 2020. A Short Reader of Medieval Saints. Edited by Mary-Ann Stouck. University of Toronto Press, 2009. Einhard. The History of the Translation of the Blessed Martyrs of Christ, Marcellinus and Peter. Harvard University Press, 1926. Lapidge, Michael. The Roman Martyrs: Introduction, Translations, and Commentary. Oxford University Press, 2018. Learn more about your ad choices. Visit podcastchoices.com/adchoices

 In the face of the accelerating climate crisis, rising authoritarianism, and geopolitical shifts, national governments are faltering…but cities are stepping into the void and taking the lead. Season 6 of Cities 1.5 will delve into how municipal-level actions and powerful coalitions are creating a carbon-free future, promoting resilience, and enabling a new economic system based on wellbeing over profit. We'll explore how cities are countering disinformation, fear, and inertia by spearheading significant local climate initiatives and forming new alliances, daring national governments to follow in their footsteps. Because the future won't wait - so we need to decide now who will lead, and whether we want to move towards disaster … or resilience.If you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/ Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeries Cities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/ Writing and executive production by Peggy Whitfield. Narrative and communications support by Chiara Morfeo. Produced by Jess Schmidt: https://jessdoespodcasting.com/ Edited by Morgane Chambrin: https://www.morganechambrin.com/ Music by Lorna Gilfedder: https://origamipodcastservices.com/

Seriously.  Don't listen to this episode.  Whatever you do.  Don't. Press.  Play. (Warning: this episode contains explicit language.) --- Adam's agency: https://thinkerbell.com/ Adam's books: https://www.amazon.co.uk/stores/author/B07K5R1MTX Sign up for my newsletter: https://www.nudgepodcast.com/mailing-list Connect on LinkedIn: https://www.linkedin.com/in/phill-agnew-22213187/ Watch Nudge on YouTube: https://www.youtube.com/@nudgepodcast/ --- Today's sources Driscoll, R., Davis, K. E., & Lipetz, M. E. (1972). Parental interference and romantic love: The Romeo and Juliet effect. Journal of Personality and Social Psychology, 24(1), 1–10. Heath, R. (2006). Brand relationships: strengthened by emotion, weakened by attention. Journal of Advertising Research, 46(4), 410–419. Maimaran, M., & Fishbach, A. (2014). If it's useful and you know it, do you eat? Preschoolers refrain from instrumental food. Journal of Consumer Research, 41(3), 642–655. Mazar, N., & Soman, D. (Eds.). (2022). Behavioral science in the wild: Behaviorally informed organizations. University of Toronto Press. Ryan, R. M. (1982). Control and information in the intrapersonal sphere: An extension of cognitive evaluation theory. Journal of Personality and Social Psychology, 43(3), 450–461.

Welcome to Cities 1.5 Hot Takes: Dispatches from the Frontlines of the Climate Crisis. Hot Takes brings you fast, focused coverage on breaking news and underserved stories at the intersection of climate, economics and public health - all through an urban lens. This first-ever edition of Hot Takes is about a major move in Canada's energy future…and what it means for climate, cities, and the promises made to hold fossil fuel giants accountable. As Canadian cities race toward net zero, their efforts are being fundamentally threatened by a high stakes federal agreement known as "The Grand Bargain": a political compromise on behalf of the Mark Carney government to build a new pipeline that would transport diluted bitumen from the Alberta oil sands westward across the rocky mountains to the British Columbia coast.Touted as a bridge to a clean energy future, we go behind the spin to explore the  real facts behind this project - and lay bare the reasons many are opposed to this doubling down on promises made by the fossil fuel industry…promises that historically haven't been worth the paper they're written on.Featured guests:Hon. Catherine McKenna, Chair of the UN Secretary General's High-Level Expert Group on Net-Zero Commitments of Non-State Entities, and former Canadian Minister of Environment and Climate ChangeLinks:World Mayors Summit two-part special - Cities 1.5 podcast83 Countries Join Call to End Fossil Fuels at COP30 - Earth.org Why Mark Carney's pipeline deal with Alberta puts the Canadian federation in jeopardy - The ConversationA Not-so-Grand Bargain - Pembina InstituteCanada may approve a new oil pipeline. First Nations fear another ‘worst-case scenario' - The GuardianWatch David's full CPAC interviewCanada OKs ‘Massive' $20 Billion Loan for Trans-Mountain Pipeline - DeSmogIf you want to learn more about the Journal of City Climate Policy and Economy, please visit our website at https://jccpe.utpjournals.press/ Listen to the Cities 1.5 five-part miniseries “Going Steady with Herman Daly: How to Unbreak the Economy (and the Planet)" here: https://lnk.to/HDMiniSeries Cities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. Sign up to the Centre newsletter: https://thecentre.substack.com/ Writing and executive production by Peggy Whitfield. Comms support by Chiara Morfeo. Produced by Jess Schmidt: https://jessdoespodcasting.com/ Edited by Morgane Chambrin: https://www.morganechambrin.com/ Music by Lorna Gilfedder: https://origamipodcastservices.com/

In the first episode of our two-part World Mayors Summit special, we heard from mayors around the world about the power of convenings like the Summit to unite city leaders and spark collaboration. In this second episode, we explore what that collaboration looks like in practice, from new approaches to urban planning and the challenge of energy-hungry data centres, to fossil-free trucks and greener and cleaner shipping routes.We also explore the outcomes for cities that came out of COP30 with voices from people who were on the ground in Belém…and also from a Brazilian climate leader who had a front-row seat before, during, and after what many have been calling the most important COP since the Paris Agreement. Photo credit: © C40 CitiesSpecial thanks to Pauline Eloi, Director of the Executive C40 Office and Yasmin Calandrini, Manager, CHAMP National Engagement, for their on-the-ground support in Rio for the production of this episode. Featured guests:Kirk Watson, Mayor of Austin, USACarola Schouten, Mayor of Rotterdam, NetherlandsNick Reece, Lord Mayor of Melbourne, AustraliaChristiana Figueres, Founding Partner of Global Optimism and Co-presenter of Outrage + OptimismIlan Cuperstein, C40 Regional Director for Latin America and Head of International Relations for the City of Rio de Janeiro, BrazilMark Watts, Executive Director of C40 CitiesLars Weiss, Lord Mayor of Copenhagen, DenmarkEduardo Pimentel, Mayor of Curitiba, BrazilEirik Lae Solberg, Governing Mayor of Oslo, NorwayDr. Nasiphi Moya, Mayor of Tshwane, South AfricaLinks:Outrage + Optimism - Inside COPLearn about the many versions of COP30's "Global Mutirão"Winners: Clean, Reliable Transportation (Oslo Fossil Free Trucks)Tshwane C40 Cities regional sustainability masterclassThe Environmental Cost of Data CentersCOP30 Local Leaders Forum Statement83 Countries Join Call to End Fossil Fuels at COP30If you want to learn more about the Journal of City Climate Policy and Economy, please visit our website: https://jccpe.utpjournals.press/ Cities 1.5 is produced by the University of Toronto Press and the C40 Centre, and is supported by C40 Cities. You can sign up to the Centre newsletter here. https://thecentre.substack.com/ Cities 1.5 is hosted by David Miller. It's written and produced by Peggy Whitfield and Jess Schmidt: https://jessdoespodcasting.com/ Our executive producer is Chiara Morfeo. Edited by Morgane Chambrin: https://www.morganechambrin.com/ Cities 1.5 music is by Lorna Gilfedder: https://origamipodcastservices.com/

We're thrilled to kick off our first episode of Víga-Glúms saga, the last of the sagas of Eyjafjörð. Víga-Glúms saga is one of the great character-driven Íslendingasögur, often drawing comparisons to Egils saga. Now, whether that's because it also happens to be a biographical saga or because it's of a similar quality will have to be sorted out on the podcast across the overview and judgments. But we're excited to start this new saga either way, and this first episode sets the stage beautifully for the arrival of the man who comes to be known as Killer-Glum. Like so many sagas, Víga-Glúms saga opens not with the hero himself but with the adventures of the generations that came before him. These early chapters give us a sense of the family dynamics, the local tensions, and threads of fate that Glum will inherit and inevitably wrestle with as his saga develops. Cast of Characters: I'm going to try and include a cast of major characters in the show notes for each episode to help listeners keep track of things. In this first episode, we get to know Glum's formidable ancestors, including: Helgi the Lean, Glúm's great-grandfather and the most prominent settler in Eyjafjörð Ingjald Helgason, Glúm's grumpy grandfather Eyjólf, Glúm's mild-mannered but calculating father Of course, this wouldn't be Saga Thing without a few memorable supporting characters to make things interesting. This episode introduces some pretty interesting Norwegians: Hreiðar, a Norwegian merchant with a heart of gold Ívar, a Viking with a heart of red (also Hreiðar's brother) A berserk with a notably low sense of self-worth, whose attempts at intimidation don't quite land the way he hopes Vigfús, a powerful Norwegian hersir with a lovely daughter named Ástrið And then, there are the Icelanders who will make Glúm's life more interesting, and challenging: Þorkell the Tall, father-in-law of Glúm's recently deceased brother Sigmund, son of Þorkell the Tall, and wannabe goði Víga-Glúms saga is definitely a fun one that we've been saving for a while. We hope you enjoy this first episode! Texts Discussed in This Episode Andersson, Theodore M. “Creating Personalities: The Saga Age Icelanders.” In The Growth of the Medieval Icelandic Sagas (1180–1280), 60–85. Ithaca, NY: Cornell University Press, 2006. Johnston, George, trans. Viga-Glum's Saga. Toronto: University of Toronto Press, 1999. McKinnell, John, trans. Viga-Glums Saga: With the Tales of Ögmund Bash and Thorvald Chatterbox. The New Saga Library / UNESCO Collection of Representative Works, Icelandic Series. Edinburgh: Canongate/UNESCO, 1987. North, Richard. “Sighvatr Sturluson and the Authorship of Víga-Glúms saga.” In Analecta Septentrionalia, edited by Wilhelm Heizmann, Klaus Böldl, and Heinrich Beck, 256–80. Berlin and New York: De Gruyter, 2009. Turville-Petre, Gabriel, ed. Viga-Glúms Saga. 2nd ed. Oxford: Clarendon Press, 1960. Listen and let us know what you think: Sagathingpodcast on Facebook Sagathingpodcast on Instagram Sagathingpodcast on Bluesky Saga Thing's unofficial official Discord Recent Interview Links As promised, here are the links to our recent interviews: Relevant or Irrelevant - "Podcasts and Teaching" (KALA broadcast portion) Relevant or Irrelevant - "Podcasts and Teaching" (KALA podcast portion) Vikingology - "It's a Saga Thing" Music Credits Intro Music – “Prelude and Action” by Kevin MacLeod Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ Outro Music – “Stormfront” by Kevin MacLeod Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/

This week on the Rick Flynn Presents worldwide podcast we welcome, from Canada, author and AI Researcher DAVID ELIOT.The story of AI isn't finished yet. The question is: how will you be part of it? With the unprecedented adoption of artificial intelligence and its far-reaching implications, people everywhere are witnessing the world change around them. Artificially Intelligent answers today's most pressing questions about AI – from the fundamental to the futuristic – offering readers a new, informed worldview.In an age of unparalleled innovation and change, artificial intelligence has become the heart of our fears, discussions, and debates. Thus, AI researcher and award-winner David Eliot takes readers on a journey through the key moments and decisions that have shaped its creation and our world. A socially driven history, the book explores its technical breakthroughs and the social forces that made them possible.But this book isn't just about the past – it's about you. Artificially Intelligent invites readers to find their place in the story of AI, to understand its impact on their lives, and to decide what kind of future they want to help create.Artificially Intelligent tells the story of the technology the way it was meant to be told: not as an exhaustive retelling of history, nor as a prophecy of doom and gloom, but as a human story that is not yet complete.Contact David Eliot at: www.DavidEliot.org

What happens when a medieval scholar trades academic papers for storytelling? In this episode, Am I Write? Host Sheridan Sharp sits down with Amy S. Kaufman to talk about her bold leap from teaching medieval history to writing fiction. Amy shares how her background shaped her reimagining of Robin Hood—and why no word you write is ever wasted. If you've ever felt like it's too late to chase your dream or worried your first draft isn't “the one,” this episode will remind you: every story, sentence, and struggle matters. ResourcesAmy's Official Website: amyskaufman.comSubstack Newsletter: Amy S. Kaufman on SubstackInstagram: @as_kaufmanBluesky: @askaufman.bsky.social About AmyAmy S. Kaufman is the author of THE TRAITOR OF SHERWOOD FOREST, a Robin Hood retelling based on the medieval ballads (Penguin Books, 2025). Amy holds a PhD in medieval literature and has written about the Middle Ages for both academic journals and popular venues, including The Washington Post. She is co-author of The Devil's Historians: How Modern Extremists Abuse the Medieval Past (University of Toronto Press, 2020).

The 15th-century Russian merchant and traveller journeys back from India. If you like what you hear and want to chip in to support the podcast, ⁠⁠⁠⁠⁠⁠my Patreon is here⁠⁠⁠⁠⁠⁠. I'm on BlueSky ⁠⁠⁠⁠⁠⁠@a-devon.bsky.social⁠⁠⁠⁠⁠⁠, Instagram ⁠⁠⁠⁠⁠⁠@humancircuspod⁠⁠⁠⁠⁠⁠, and I have some things on ⁠⁠⁠⁠⁠⁠Redbubble⁠⁠⁠⁠⁠⁠. Sources: Afanasy Nikitin's Voyage Beyond The Three Seas, 1466–1472. Geografgiz, 1960. Alam, Muzaffar and Subrahmanyam, Sanjay. Indo-Persian Travels in the Age of Discoveries, 1400-1800. Cambridge University Press, 2007. Belkov, Gregory. The Journey Beyond Three Seas of Afanasij Nikitin in A.D. 1466-1472 : Establishment of Text, Translation and Commentary. University of British Columbia, 1950. Paulau, Stanislau. “Embodying the World beyond Three Seas: India in the Imagination of the Mediaeval Rus," in Body, Emotion and Mind. ‛Embodying' the Experiences in Indo-European Encounters, edited by Martin Tamcke and Gladson Jathanna. LIT Verlag, 2013. Romano, John. Medieval Travel and Travellers: A Reader. University of Toronto Press, 2020. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The forthcoming release of the updated version of my WE NEED TO TALK ABOUT PUTIN gives me an excuse to consider whether and how Putin has changed since I originally wrote the book in 2018. My conclusion: not so much a different Putin as 'Putin squared.'In the second half, I discuss and riff off Russia's Turkish Wars. The Tsarist Army and the Balkan Peoples in the Nineteenth Century by Victor Taki, published by University of Toronto Press.Sign-up for the Wikistrat webinar I mentioned on 5 November is here.The Morris/Tickle/Pierce podcast is Russia Unfiltered.The podcast's corporate partner and sponsor is Conducttr, which provides software for innovative and immersive crisis exercises in hybrid warfare, counter-terrorism, civil affairs and similar situations.You can also follow my blog, In Moscow's Shadows, and become one of the podcast's supporting Patrons and gain question-asking rights and access to exclusive extra materials including the (almost-) weekly Govorit Moskva news briefing right here. Support the show

Afanasy Nikitin, a 15th-century Russian merchant, sets out from Tver and immediately runs into trouble before travelling to India. If you like what you hear and want to chip in to support the podcast, ⁠⁠⁠⁠⁠my Patreon is here⁠⁠⁠⁠⁠. I'm on BlueSky ⁠⁠⁠⁠⁠@a-devon.bsky.social⁠⁠⁠⁠⁠, Instagram ⁠⁠⁠⁠⁠@humancircuspod⁠⁠⁠⁠⁠, and I have some things on ⁠⁠⁠⁠⁠Redbubble⁠⁠⁠⁠⁠. Sources: Afanasy Nikitin's Voyage Beyond The Three Seas, 1466–1472. Geografgiz, 1960. Alam, Muzaffar and Subrahmanyam, Sanjay. Indo-Persian Travels in the Age of Discoveries, 1400-1800. Cambridge University Press, 2007. Belkov, Gregory. The Journey Beyond Three Seas of Afanasij Nikitin in A.D. 1466-1472 : Establishment of Text, Translation and Commentary. University of British Columbia, 1950. Paulau, Stanislau. “Embodying the World beyond Three Seas: India in the Imagination of the Mediaeval Rus," in Body, Emotion and Mind. ‛Embodying' the Experiences in Indo-European Encounters, edited by Martin Tamcke and Gladson Jathanna. LIT Verlag, 2013. Romano, John. Medieval Travel and Travellers: A Reader. University of Toronto Press, 2020. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Shedding light on the origins of the Second World War in Europe, Stalin's Gamble: The Search for Allies Against Hitler, 1930-1936 (University of Toronto Press, 2023) aims to create a historical narrative of the relations of the USSR with Britain, France, the United States, Poland, Germany, Italy, Czechoslovakia, and Romania during the 1930s. The book explores the Soviet Union's efforts to organize a defensive alliance against Nazi Germany, in effect rebuilding the anti-German Entente of the First World War. Drawing on extensive research in Soviet as well as Western archives, Michael Jabara Carley offers an in-depth account of the diplomatic manoeuvrings which surrounded the rise of Hitler and Soviet efforts to construct an alliance against future German aggression. Paying close attention to the beliefs and interactions of senior politicians and diplomats, the book seeks to replace one-sided Western histories with records from both sides. The book also offers an inside look at Soviet foreign policy making, with a focus on Stalin as a foreign policy maker as well as his interactions with his colleagues. Told in a fascinating narrative style, Stalin's Gamble attempts to see the European crisis of the 1930s through Soviet eyes. Michael Jabara Carley is a professor of history at the Université de Montréal. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network